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Speaker 1: Then a hip hop album review Bruiser Wolf, Push and Paint. Look,

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Speaker 1: this is the reason why you need to become a

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Speaker 1: part of the listening at the patriarch level because that

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Speaker 1: joint with a key a league.

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Speaker 2: You would have heard it about two three months ago.

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Speaker 1: I'm just saying, we all got a common goal.

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Speaker 3: Get a lot of holes, a couple of dollars, make

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Speaker 3: the color goal.

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Speaker 1: Can appreciate everybody that was over there, Bruiser Wolf, Push

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Speaker 1: and Paint.

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Speaker 3: Bro.

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Speaker 1: Look, I'm gonna keep this short, simple to the point.

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Speaker 2: Bruise are top five for me right now.

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Speaker 1: Like, I don't know how else to you know, explain

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Speaker 1: how really how dope he is.

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Speaker 4: Bro.

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Speaker 2: You know I came up with a new phrase.

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Speaker 1: Man, you know I'd be having all these phrases, pull

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Speaker 1: up music, bumping the whip, all this shit. And don't

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Speaker 1: take this the wrong way. You know what I'm saying,

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Speaker 1: because I will explain it. But this nigga Bruiser does

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Speaker 1: highlighter music, Bro. Like there's a whole fucking paragraph and

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Speaker 1: the shit he highlights that and that's what he raps.

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Speaker 1: And the thing is what's so dope is that you

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Speaker 1: could just take it for the cliff notes if you

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Speaker 1: want to. But when you pay attention, you understand the

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Speaker 1: whole page, even though he gave you ten fifteen words, bro. Like,

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Speaker 1: it's like, it's so it pushes your mind to fill

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Speaker 1: in the blink so hard that I could honestly make

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Speaker 1: I can make an argument he's the best lyricist out

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Speaker 1: right now. I can make that argument. I'm not saying

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Speaker 1: that he is, obviously, I'm telling you he's in my

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Speaker 1: top five right now. But the way that he raps

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Speaker 1: is so freaking ridiculous. Bro, this dude is so dope.

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Speaker 1: He just has so many freaking lines it makes absolutely

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Speaker 1: no sense. Like when he says, what was the thing

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Speaker 1: he said about, uh, the sink? Oh look, I gotta.

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Speaker 4: Let that she said let it sink in? Damn what

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Speaker 4: because it was a hook. It wasn't even like it

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Speaker 4: wasn't even like it wasn't even the hook hook Damn.

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Speaker 1: Yeah, I'm so horrible with lines man, shout out see Tom,

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Speaker 1: Bro he was the best one out of all of

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Speaker 1: us with that. It don't even matter, Bro, This nigger

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Speaker 1: bruiser Wolf is dope.

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Speaker 4: Bro.

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Speaker 1: When he was talking about you know, as a former athlete,

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Speaker 1: it's easy to come up with all of these analogies

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Speaker 1: like I don't know, man like, and he's just really

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Speaker 1: on some super player ship, like like you know, that's

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Speaker 1: why I like Primo Rice, you know, Like he's just

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Speaker 1: on his player stuff. But it's so rooted in real life,

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Speaker 1: you know what I'm saying, Like, like he gives you

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Speaker 1: the struggle. He's like, hey, this stuff not easy, bro,

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Speaker 1: but I mess with Bruisers, so haph bro this album.

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Speaker 1: Like every time I'm exposed to another album a Bruiser,

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Speaker 1: I'm like, now, there's no way he could top the

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Speaker 1: other one, you know what I'm saying, Like the one that.

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Speaker 2: He did with.

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Speaker 1: Uh Harry Fraud, I was like, nah, that's his best one.

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Speaker 1: B was like, now this other one better. Then I

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Speaker 1: listened to it. I said, well damn he right. And

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Speaker 1: then after those two albums last year, I'm like, nah,

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Speaker 1: there's no way, and here he comes with this joint

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Speaker 1: and then I love the production.

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Speaker 4: Bro.

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Speaker 2: The BT switch.

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Speaker 1: Steve, Yeah, what what you're talking about?

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Speaker 3: The be switch about?

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Speaker 2: I did hate her not an.

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Speaker 3: Op Okay, okay, okay, yeah.

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Speaker 1: The bat switch on that was crazy. And that's the

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Speaker 1: other thing nowhere, Bro, that's the other thing with Bruiser

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Speaker 1: right where it's like you could take his line and serious,

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Speaker 1: but there's still a comedic component to it where you

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Speaker 1: can laugh at it. And I just don't know no

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Speaker 1: other rapper that has the combination that Bruiser has right now,

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Speaker 1: look ear for beats a one right now. I can't

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Speaker 1: say that he's missed like the nigga has gotten superior production.

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Speaker 1: Right His lyrics are up there. You gotta pay attention

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Speaker 1: to what he's saying to understand what he's saying. He

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Speaker 1: makes you laugh and he's real about it. Bro, this

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Speaker 1: nigga Top five. Bro, that's how I.

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Speaker 4: Know.

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Speaker 5: That's that's that's that's what's up man.

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Speaker 6: Man, go ahead, No, I'm just gonna say, Man, it's

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Speaker 6: it's it's some animals out there, bro.

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Speaker 3: Top five bruises mm hmmm.

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Speaker 5: Yeah, I don't know about Top five man. He's dope, man,

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Speaker 5: Like he really is dope. I really do enjoy enjoy

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Speaker 5: the bars, I enjoy the punchlines, I enjoy all of that.

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Speaker 4: The beats on here. Like you said, we're really dope.

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Speaker 5: It fit like the what he was going for on

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Speaker 5: a project.

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Speaker 4: But I do get a little bruising with fatigue. I

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Speaker 4: can't front. I do get fatigued over time. Although the

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Speaker 4: bars are very clever, it's like now.

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Speaker 5: I'm just waiting for it and I'm expecting it, and

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Speaker 5: I'm just like it's becoming a little like linear for me,

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Speaker 5: Like I'm like, ah, yeah, it's like I want something else,

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Speaker 5: And I know he gave us something else. On one

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Speaker 5: of those songs, he was just kind of you switched

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Speaker 5: up the floor a little bit. So that was interesting

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Speaker 5: that he had switched up the flow and I know

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Speaker 5: he had a different flow back in the day as well,

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Speaker 5: and he just kind of refined this new flow. But no,

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Speaker 5: I still can't deny that the skill is there and

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Speaker 5: the bar and I did I know, I wasn't on

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Speaker 5: that unfortunately, I wasn't on that listening with y'all, but

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Speaker 5: I did go back and look at it and I

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Speaker 5: was just remember him saying that he's always writing down punchlines,

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Speaker 5: always running down punchlines. So I'm always waiting for the

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Speaker 5: punchlines now because I know that's what you know that

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Speaker 5: that's what the songs are going to be, just strictly punchlines.

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Speaker 5: But for me, I'll be wanted a little bit more

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Speaker 5: so this is kind of like mood music for me.

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Speaker 5: But it's not like I could just throw this on anytime.

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Speaker 5: I also can't just throw this to anybody because I

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Speaker 5: don't know if everybody get it. So I take all

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Speaker 5: of that to count with my listening experience. So I

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Speaker 5: don't know. I don't know if I like this more

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Speaker 5: than some of the other ones that I heard from.

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Speaker 2: Personally, Rod, this is this is why I disagree with you.

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Speaker 1: I feel like musically, right like, production wise, this is

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Speaker 1: probably one of the safest ones that he's that he's done,

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Speaker 1: and production wise, right like, I feel like it's very inclusive.

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Speaker 1: I also think that like on his hooks, especially he

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Speaker 1: he switched it up, it wasn't it wasn't just like

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Speaker 1: the same old, same on like he had more more

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Speaker 1: bounce versus it just being lines delivering, especially on the hooks.

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Speaker 1: And then what made it palatable for the average listener

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Speaker 1: was all of the features. It wasn't just bruiser wolf heavy.

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Speaker 1: He gave you side a Baby, he gave you a

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Speaker 1: Keema League, he gave you Perro Giovanni, he gave you

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Speaker 1: uh gt you know what. He gave you So many

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Speaker 1: guys where I didn't get for I feel what you're

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Speaker 1: saying because because because initially when we first started covering Bruiser,

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Speaker 1: I was like, you know, how how many times can

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Speaker 1: I bump this? But with this joint being nine nine songs,

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Speaker 1: twenty eight minutes's short, sweet, simple, the beats is.

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Speaker 2: There, the hooks is there.

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Speaker 1: I get other artists that sounded amazing on here over

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Speaker 1: this production, they stayed on course of what this is

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Speaker 1: supposed to be. I feel you, but I have to

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Speaker 1: respectfully disagree. I feel like this this doesn't do that.

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Speaker 1: There's there are other projects that I would be like, yeah,

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Speaker 1: I'm more I'm in the same car with you.

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Speaker 3: This one.

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Speaker 2: I'm gonna wait on the bus stop dot you could

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Speaker 2: keep rolling.

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Speaker 5: I don't want to use words like repetitive because you know,

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Speaker 5: I don't want to put like negative words on.

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Speaker 4: This, you know what I'm saying.

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Speaker 5: But for me, it just yeah, it was the same

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Speaker 5: type of type of beat, you know what I mean,

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Speaker 5: which is fine, you know what I'm saying, Like I

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Speaker 5: don't mind like a like a certain sound driven album

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Speaker 5: with similar beats across because the beats was knocked, you

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Speaker 5: know what I'm saying. They were dope you know what

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Speaker 5: I'm saying. But you know, one could say that they

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Speaker 5: sounded a little outdated, you know what I'm saying, because

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Speaker 5: it had like an old school knock to it.

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Speaker 4: It sound like a too short knock to it.

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Speaker 2: It was funky.

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Speaker 5: Yeah, it had like a short not like like and

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Speaker 5: with that being said, a too short knock to it.

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Speaker 5: He's playing into how he sounds like Oakland Cats, you

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Speaker 5: know what I'm saying, How he sounds like the e

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Speaker 5: forties and some of the two shorts of the World

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Speaker 5: with the pimp inside or whatever. I think he's seriously

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Speaker 5: tapping into that on this project, which I could respect,

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Speaker 5: you know what I'm saying, because it's almost a homage too,

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Speaker 5: like like you said, a lot of bitches in this one,

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Speaker 5: you know what I'm saying, Like, you know what I'm saying.

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Speaker 5: So I think all of.

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Speaker 4: That is a homage to that coast or whatever.

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Speaker 5: As far as like the features like Baby trun I

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Speaker 5: love those guys, y'all. I've already told y'all I love

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Speaker 5: the Baby Trons and them of the world because their

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Speaker 5: flow is just different.

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Speaker 3: I like that.

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Speaker 4: I think it's flint. I think Flint kind of coined

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Speaker 4: it or whatever, but it does break it up a

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Speaker 4: little bit.

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Speaker 5: But for me, because I listened to that too all

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Speaker 5: the time, it wasn't nothing that like too impressive what

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Speaker 5: I was hearing them with the features because like I said,

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Speaker 5: it's like when we're listening to that to the one

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Speaker 5: cat on the listener that time, I'm like, well, I've

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Speaker 5: heard other guys do it better. Not saying that that

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Speaker 5: these aren't guys, cause these are the guys that do

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Speaker 5: it better, like the Baby Trons, the of the world.

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Speaker 5: They all the guys that do it better. But like

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Speaker 5: I said, I've heard so much from them as well

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Speaker 5: Sada Baby, all of those guys that I like, you know,

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Speaker 5: it was just a just a little bit here. Yeah, man,

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Speaker 5: I don't know. I don't know if this one has

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Speaker 5: like really heavy replay value. For me, it's cool, it's cool,

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Speaker 5: and I and I know we're on the two opposite ends,

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Speaker 5: but yeah, it's just cool.

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Speaker 4: For me, it's just cool. It's just another another decent

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Speaker 4: Bruises Wolf project.

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Speaker 5: For me, it's like I want to hear something else

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Speaker 5: at this point.

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Speaker 1: Personally, this is like Mike, this is coming from the

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Speaker 1: nigga that like Earl sweatshirt. This is coming from the

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Speaker 1: nigga that like rock Marciano, you want something different, alright.

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Speaker 4: Yeah, yeah, Yeah. What I'm saying is is that because.

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Speaker 5: With the with the rock Marcianos and the and the

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Speaker 5: Earls of the World and all those guys you just mentioned,

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Speaker 5: I mean they do do you never know what you're

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Speaker 5: gonna get from them as far as like.

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Speaker 4: Song concept or rhyme scheme.

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Speaker 5: With an earl, you might get that kind of like

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Speaker 5: lazy flow, kind of dragon flow now these days. But

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Speaker 5: song concept is gonna be different, be definitely gonna be

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Speaker 5: different from somebody like Rosciano. I mean, he's just you

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Speaker 5: never know what you're gonna get from him lyrically like,

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Speaker 5: so it's it's just a little different and it's not

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Speaker 5: so punchline, so it's it's it's more metaphorical type of

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Speaker 5: things that you're gonna get f rock Marciano, which which

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Speaker 5: you have to tap into a little bit more. These

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Speaker 5: bars are just dope, you know what I'm saying. And

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Speaker 5: again I don't want to use words like surface level

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Speaker 5: because I don't think it's surface level, because I think

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Speaker 5: he does take his time to figure out very clever punchlines.

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Speaker 1: I think it's beyond the punchline though, Rod like like

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Speaker 1: the hook on she a bill, she a bill, and

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Speaker 1: she know it?

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Speaker 2: What do he said?

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Speaker 1: That's the one that has she fit in a bill

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Speaker 1: like a wallet. We in sync like a fawcet to

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Speaker 1: aller to throw it and then she tossed it.

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Speaker 4: Right, that's that. Come on, it's dope and it's clever.

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Speaker 5: But come on, man, like this just to hear and

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Speaker 5: he recited it sounds kind of silly.

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Speaker 2: That's so hard.

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Speaker 5: You So you're saying that it don't sound silly, It

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Speaker 5: just sounds hard to you.

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Speaker 1: Yeah, Nah, bros, it sounds hard. That's what I was saying.

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Speaker 1: Like he has a comedic aspect of his of his

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Speaker 1: rhyme style. But I don't know, man, Like, you know,

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Speaker 1: wen seem like a falcet, damn bro Like, I've never

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Speaker 1: heard nobody say that. I'm not saying that that's like

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Speaker 1: the deepest bar ever, but I'm just saying he says

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Speaker 1: ship that I've never heard. He says it in a

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Speaker 1: way I've never heard, and a lot of his lines

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Speaker 1: are deeper than what you hear them to be Like

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Speaker 1: that is I just don't know nobody else doing that

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Speaker 1: right now today.

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Speaker 4: It's a lot of rappers doing that.

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Speaker 5: I just think he's I just think he's clever, and

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Speaker 5: it's in His timing is impeccable.

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Speaker 4: That's what makes them special. His timing is impeccable.

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Speaker 5: The style that he's chosen, his rap style is which

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Speaker 5: is why I can't really have too much of a

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Speaker 5: gripe with with him.

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Speaker 4: For me, it's just I don't know, I got a

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Speaker 4: little bit of fatigue with it.

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Speaker 2: It, replace it repeat.

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Speaker 6: I think it is a bit of a risk for

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Speaker 6: him because the sound is so different than every other

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Speaker 6: thing that he's done. This is on some Detroit ship,

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Speaker 6: which is why you see a bunch of Detroit rappers

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Speaker 6: on it is tapping into that that that house Detroit sound.

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Speaker 6: CHIEFI mat Flies is from Detroit too, So this thing

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Speaker 6: embodies like a sound and style UH from Detroit, while

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Speaker 6: also encompasses you know, of course, some of the West

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Speaker 6: Coast Bay Area stuff as well. And I think he

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Speaker 6: knocks it out the park and I think it's it's

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Speaker 6: it shows the versatility of what he's able to do

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Speaker 6: UH with with some of these electoral is sounding sounding beats.

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Speaker 6: I think Sheaf he Matt Fly did his thing on here.

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Speaker 6: When it comes to the production, this shit definitely knocks

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Speaker 6: Pero and everybody sounded good. As far as the future,

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Speaker 6: Pero Giovanni was good. That joint Old Girl uh with

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Speaker 6: with p Low.

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Speaker 3: That ship was good.

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Speaker 6: So it definitely has a very retro techno sort of

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Speaker 6: sound to it. But that that ship was though.

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Speaker 3: That toxic ship, man bro, that's that ship.

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Speaker 2: That's another one.

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Speaker 6: That shit got a little bop to it. Then Sad

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Speaker 6: the Baby come in and he does his thing to too.

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Speaker 6: Man numbers. I thought was really good too, because I

285
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Speaker 6: don't even think he's really rapping on that one. It

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Speaker 6: took me a minute to actually pick up on that one. Yeah,

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Speaker 6: so that's all Sheaf he met Fly. But again, that's

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Speaker 6: that sort of Detroit thing that they have that they

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Speaker 6: have going on there going on in the city. And

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Speaker 6: I wish b was here because he could probably go

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Speaker 6: into more details about it than than I can, of course.

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Speaker 6: But yeah, when I heard that, I was like, wait

293
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Speaker 6: a minute, he ain't even wrapping on this one. I said, okay,

294
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Speaker 6: so he just doing some talking and shit, I said, okay,

295
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Speaker 6: that's interesting.

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Speaker 3: So I thought that was pretty dope.

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Speaker 6: I like the one She's a Bill because it's kind

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Speaker 6: of the opposite of like what men say. It's like

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Speaker 6: he understands that she's a bill. She's all this money,

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Speaker 6: but she's worth it. So that shit was dope and

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Speaker 6: bro like. He even made Baby Tron sound tolerable. Baby

302
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Speaker 6: Trump was on here.

303
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Speaker 3: We just did.

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Speaker 6: A you know, the reaction to it, and you know,

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Speaker 6: I'm not a fan of Baby Tron, but when when

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Speaker 6: he was rapping, I was like, wow, like he kind

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Speaker 6: of fits in with you know, uh, he kind of

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Speaker 6: fit in, So it was very interesting to hear him

309
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Speaker 6: rap like that. Yes, sonically it's very similar, you know,

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Speaker 6: but you know, you can make that argument that boombap.

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Speaker 3: Albums have a similar sound to it. Shit that Earl

312
00:16:24,800 --> 00:16:26,960
Speaker 3: or all these other guys rap over have a very

313
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Speaker 3: similar sound to it.

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Speaker 6: So you know, it's it's in his own sort of

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Speaker 6: pocket with this whole Bay Area techno retro sound or

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Speaker 6: whatever you want to call it. But overall, man, I

317
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Speaker 6: the more I play it, the more I enjoyed because

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Speaker 6: I kind of really settle into it. And it's even

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Speaker 6: beyond just him like being witty or funny or stuff

320
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Speaker 6: like that. Like, you know, you know, he has a

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Speaker 6: very signature sound in the style to him that you

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Speaker 6: know that I messed with and to hear him kind

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Speaker 6: of rap over this now, I'm kind of curious to

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Speaker 6: see what else he can rap over, which I mean,

325
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Speaker 6: I feel like there isn't much of a limit. But nah, man,

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Speaker 6: I think most of these guys it's probably from Detroit

327
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Speaker 6: that are on here, So it definitely feels like this

328
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Speaker 6: is for the city and I messed with it.

329
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Speaker 3: I messed with it.

330
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Speaker 6: It's like every time there's always it's how you know

331
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Speaker 6: you got a good album. It's like I'll start finding

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Speaker 6: new songs that I like. So it is a departure

333
00:17:36,560 --> 00:17:39,080
Speaker 6: from all the other stuff he did that he's done

334
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Speaker 6: pot Luck made by Dope the first couple and those

335
00:17:46,240 --> 00:17:49,919
Speaker 6: are those are dope as well. But I think the

336
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Speaker 6: reason why I think this is I think it was

337
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Speaker 6: something one of you guys said about it it being

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Speaker 6: I don't know if it was risky or accessible. Maybe

339
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Speaker 6: it was something along the lines of a I think

340
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Speaker 6: given the fact that he has four albums that has

341
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Speaker 6: a very traditional or I don't even know the right

342
00:18:10,040 --> 00:18:14,600
Speaker 6: word hip hop sound to go something like this, you

343
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Speaker 6: risk alienating like that fan base you built up with

344
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Speaker 6: those first four.

345
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Speaker 3: Albums with Dope, Game, Stupid and and My Stories Got Stories.

346
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Speaker 6: But nah, man, I think I think he did his thing, man,

347
00:18:29,040 --> 00:18:32,640
Speaker 6: And I like that he's expanding and spreading his wings. Man,

348
00:18:32,720 --> 00:18:37,359
Speaker 6: I think it's dope. I think it's dope. Yeah, she

349
00:18:37,600 --> 00:18:40,640
Speaker 6: sheep man flawed this thing too. I'm not too.

350
00:18:42,520 --> 00:18:47,359
Speaker 2: Me game some ship that not, bro, can't you know?

351
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Speaker 1: I don't disagree with you, man, Like the Bruiser is

352
00:18:50,920 --> 00:18:55,359
Speaker 1: definitely sonically, you know, tapping a whole bunch of different places,

353
00:18:55,400 --> 00:18:59,080
Speaker 1: but what keeps it familiar is him and and and

354
00:18:59,160 --> 00:19:02,119
Speaker 1: I think it's the sot changes that he does to

355
00:19:02,240 --> 00:19:04,880
Speaker 1: make sure that those projects are him.

356
00:19:04,920 --> 00:19:09,000
Speaker 2: But he's also matching the producer like here again.

357
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Speaker 1: Like like I haven't heard him be this melodic on

358
00:19:12,840 --> 00:19:16,199
Speaker 1: his hooks. He just hasn't been. He hasn't been this

359
00:19:16,320 --> 00:19:18,840
Speaker 1: melodic on the majority of his stuff, And he was

360
00:19:18,920 --> 00:19:22,359
Speaker 1: here because I don't know, it just felt right to do.

361
00:19:22,840 --> 00:19:24,560
Speaker 1: You know what I'm saying, But I fuck with it.

362
00:19:24,600 --> 00:19:31,320
Speaker 1: I'm with you. Yes, they want to be they want

363
00:19:31,359 --> 00:19:36,600
Speaker 1: to be like us, And how that joint finishes, how

364
00:19:36,640 --> 00:19:38,119
Speaker 1: it goes back to the beginning.

365
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Speaker 2: Broh.

366
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Speaker 3: Yeah, yeah, that's just dope. There's a that that baseline

367
00:19:47,200 --> 00:19:48,960
Speaker 3: is very familiar. I couldn't.

368
00:19:49,280 --> 00:19:52,480
Speaker 6: I'm thinking Ruthless Juveniles and somebody else from way back

369
00:19:52,520 --> 00:19:56,480
Speaker 6: in the day. But oh, I know what it was, Row,

370
00:19:56,560 --> 00:20:01,320
Speaker 6: you know this one, mu uh. I think it's close

371
00:20:01,359 --> 00:20:05,000
Speaker 6: to Pimps in the House. I think it's close to

372
00:20:05,040 --> 00:20:05,520
Speaker 6: that one.

373
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Speaker 4: Yeah.

374
00:20:07,440 --> 00:20:10,760
Speaker 6: Yeah, yeah, it's close to that one in terms of

375
00:20:10,800 --> 00:20:13,320
Speaker 6: our sounded but because it's just gonna bother me, but yeah,

376
00:20:13,640 --> 00:20:18,080
Speaker 6: yeah this is nice, man, Yeah, not.

377
00:20:18,240 --> 00:20:19,720
Speaker 3: To it all right.

378
00:20:19,800 --> 00:20:22,800
Speaker 1: So y'all already know what it is, man, is the

379
00:20:22,840 --> 00:20:26,200
Speaker 1: grades the review grades. If this is your first time here,

380
00:20:26,200 --> 00:20:29,800
Speaker 1: we're reviewing flow, lyrics, production features, execution, replay value. In

381
00:20:29,800 --> 00:20:33,960
Speaker 1: the overall, I am the most positive grader. Ken is

382
00:20:33,960 --> 00:20:37,240
Speaker 1: the most negative grader here, So it'll be very interesting

383
00:20:37,280 --> 00:20:40,040
Speaker 1: to see where we settle on some of these grades.

384
00:20:40,680 --> 00:20:46,320
Speaker 2: Flow. I'll start it off. Give me an a.

385
00:20:47,040 --> 00:20:48,000
Speaker 4: Flow, give me a b.

386
00:20:50,480 --> 00:20:54,119
Speaker 3: Yeah, I gotter be with with the flow, all right?

387
00:20:54,359 --> 00:20:55,359
Speaker 2: Where you at with the lyrics?

388
00:20:55,400 --> 00:20:55,560
Speaker 3: Ken?

389
00:20:56,560 --> 00:20:59,600
Speaker 6: Mtter be plus Man, I think he really finds creative

390
00:20:59,640 --> 00:21:02,720
Speaker 6: ways to say the same ship, Like even on the

391
00:21:02,720 --> 00:21:05,520
Speaker 6: one with the rap he said something about we move

392
00:21:05,640 --> 00:21:08,600
Speaker 6: weight and and that's a drop step or something like that.

393
00:21:09,280 --> 00:21:11,960
Speaker 6: But yeah, it's like every every time I hear something

394
00:21:12,080 --> 00:21:15,320
Speaker 6: like damn, that's that's kind of said. So I'm I

395
00:21:15,359 --> 00:21:17,040
Speaker 6: had a B, but I'm gonna give him a B plus.

396
00:21:17,080 --> 00:21:18,320
Speaker 6: Like the more I listen to it, the more I

397
00:21:18,440 --> 00:21:21,359
Speaker 6: start to hear these like one liners, like he's really

398
00:21:21,359 --> 00:21:22,640
Speaker 6: good at one liners.

399
00:21:23,119 --> 00:21:24,680
Speaker 3: So yeah, I'm go give hi a B plus.

400
00:21:25,160 --> 00:21:28,040
Speaker 5: Yeah, I don't think he has anything less than a B.

401
00:21:28,200 --> 00:21:29,760
Speaker 5: When it comes to the lyrics, I gave him a

402
00:21:29,760 --> 00:21:34,439
Speaker 5: solid B because he definitely puts time into the bars,

403
00:21:34,480 --> 00:21:36,560
Speaker 5: like like I said, when he was gonna listen, and

404
00:21:36,600 --> 00:21:40,560
Speaker 5: you can tell that he obviously is very into into

405
00:21:40,960 --> 00:21:46,960
Speaker 5: inattentional with his lyrics. So the lyrics is what makes

406
00:21:47,000 --> 00:21:50,480
Speaker 5: the simplicity sometimes stand out because it's like, Okay, I

407
00:21:50,480 --> 00:21:53,600
Speaker 5: ain't never heard nobody say that ship, and so for that,

408
00:21:53,800 --> 00:21:54,639
Speaker 5: I give him a B.

409
00:21:56,560 --> 00:22:00,520
Speaker 1: Matter A for everything that y'all said, And I just

410
00:22:00,560 --> 00:22:03,959
Speaker 1: don't think that there's nobody messing with him stylistically at

411
00:22:03,960 --> 00:22:07,600
Speaker 1: the moment. Like you know, I've listened to almost everything

412
00:22:07,640 --> 00:22:11,520
Speaker 1: that's come out hip hopwise this year, and this is

413
00:22:12,040 --> 00:22:15,000
Speaker 1: one of the most elite projects that I've heard production

414
00:22:16,000 --> 00:22:23,200
Speaker 1: shout out, she'd be McFly. I'm at an A B plus.

415
00:22:24,000 --> 00:22:25,440
Speaker 4: Man, he laced them.

416
00:22:25,720 --> 00:22:28,760
Speaker 5: He laced him, Like I said, it gave me Oakland

417
00:22:28,920 --> 00:22:33,040
Speaker 5: vibes or whatever, like I said, old too short era,

418
00:22:33,640 --> 00:22:37,200
Speaker 5: Like it was a very solid production effort here.

419
00:22:37,720 --> 00:22:39,000
Speaker 4: So that's a B plus for me.

420
00:22:40,119 --> 00:22:43,080
Speaker 3: Be plus for me. Yeah, she be did his thing,

421
00:22:44,280 --> 00:22:44,880
Speaker 3: That's what's up.

422
00:22:45,480 --> 00:22:49,040
Speaker 2: What about all the features for you, Kim, I'm.

423
00:22:48,920 --> 00:22:53,600
Speaker 3: At a B on the features. You know, I think.

424
00:22:54,520 --> 00:22:58,440
Speaker 6: They sounded really good and blended and well with the environment.

425
00:22:59,240 --> 00:23:04,159
Speaker 6: You know, so Perro Giovanni kem a LEI was a standout.

426
00:23:05,280 --> 00:23:08,040
Speaker 6: Pilos sounded good and fit well with old girls. How

427
00:23:08,080 --> 00:23:10,119
Speaker 6: the baby came in and did this thing, and like

428
00:23:10,160 --> 00:23:13,160
Speaker 6: I said, you know, and baby trying.

429
00:23:13,240 --> 00:23:19,000
Speaker 3: Who knew? I didn't even baby trying, bro, So yeah,

430
00:23:19,160 --> 00:23:19,720
Speaker 3: you will be.

431
00:23:20,920 --> 00:23:22,160
Speaker 4: C plus on the features.

432
00:23:23,560 --> 00:23:27,520
Speaker 5: Retly, this is I don't think he needed him, honestly,

433
00:23:27,640 --> 00:23:29,440
Speaker 5: you know what I'm saying, Like I felt that they

434
00:23:29,440 --> 00:23:32,320
Speaker 5: didn't really add much to you for me, like they

435
00:23:32,320 --> 00:23:37,359
Speaker 5: were cool, they were fine, but for me they weren't

436
00:23:37,359 --> 00:23:41,080
Speaker 5: even necessarily they're just not gonna outshine him.

437
00:23:41,040 --> 00:23:46,160
Speaker 3: An they're not, but I think they broke up him.

438
00:23:46,920 --> 00:23:48,920
Speaker 6: So you know when you were talking about the fatigue,

439
00:23:49,520 --> 00:23:52,600
Speaker 6: I think they actually helped break that up.

440
00:23:53,240 --> 00:23:55,760
Speaker 3: So it's not just him for all those albums.

441
00:23:56,200 --> 00:23:58,119
Speaker 4: And for me, that's what I was trying to explain

442
00:23:58,200 --> 00:23:59,000
Speaker 4: to Fifo.

443
00:23:59,200 --> 00:24:01,359
Speaker 5: It just wasn't an enough for me to break it

444
00:24:01,480 --> 00:24:05,919
Speaker 5: up because I listened to these guys, so it just

445
00:24:06,000 --> 00:24:09,000
Speaker 5: wasn't enough from them to break it up for me.

446
00:24:11,080 --> 00:24:14,439
Speaker 1: Yeah, I'm at a B plus for everything that can said.

447
00:24:14,880 --> 00:24:18,040
Speaker 1: I think it definitely broke up the project. I think

448
00:24:18,080 --> 00:24:22,840
Speaker 1: it gave the fatigue that can happen with Bruiser Will

449
00:24:22,960 --> 00:24:26,600
Speaker 1: style style, but none of that happened because of the

450
00:24:26,640 --> 00:24:29,919
Speaker 1: production and the features. In my opinion, execution, I'm at a A.

451
00:24:30,400 --> 00:24:36,840
Speaker 1: I feel like this is a very artsy album for him,

452
00:24:37,200 --> 00:24:40,800
Speaker 1: you know, I think, you know, he took risks with

453
00:24:41,560 --> 00:24:44,760
Speaker 1: his style here, being a little bit more melodic than

454
00:24:44,760 --> 00:24:48,720
Speaker 1: he has been in the past. I think the people

455
00:24:48,760 --> 00:24:52,040
Speaker 1: that he brought on, not only the features, but also

456
00:24:52,080 --> 00:24:55,320
Speaker 1: the production. The execution was a a in a short

457
00:24:55,359 --> 00:24:57,720
Speaker 1: sweet nine tracks, twenty eight minutes, and I like how

458
00:24:57,760 --> 00:24:59,480
Speaker 1: it ends, and it goes right back to the beginning.

459
00:25:00,040 --> 00:25:02,520
Speaker 1: You could you can loop this two three times and

460
00:25:02,560 --> 00:25:06,439
Speaker 1: not be not be mad at it, and we know

461
00:25:06,480 --> 00:25:06,760
Speaker 1: you have.

462
00:25:10,119 --> 00:25:15,400
Speaker 5: Uh no agreement. Execution kiss under Novel here is short, sweet.

463
00:25:16,080 --> 00:25:18,640
Speaker 5: Like I said, from the production to his lyrics and everything,

464
00:25:18,840 --> 00:25:19,959
Speaker 5: I give it a B plus.

465
00:25:20,000 --> 00:25:21,920
Speaker 4: I probably could have gave it an A minus.

466
00:25:22,480 --> 00:25:25,240
Speaker 5: But the only reason I can't justify the A minus

467
00:25:25,280 --> 00:25:26,639
Speaker 5: is because, like I said, I think I'm just so

468
00:25:26,760 --> 00:25:29,920
Speaker 5: slightly fatigued with it or whatever, but I can't deny

469
00:25:30,040 --> 00:25:33,880
Speaker 5: that he went out exactly what he went out.

470
00:25:33,880 --> 00:25:36,520
Speaker 4: For and and executed.

471
00:25:36,840 --> 00:25:38,800
Speaker 5: So B plus for me, like I said, could have

472
00:25:38,800 --> 00:25:41,120
Speaker 5: been an A minus, but I'm gonna go be plus.

473
00:25:42,640 --> 00:25:47,040
Speaker 6: I'm got to be plus on execution. Yeah, I think

474
00:25:47,080 --> 00:25:50,359
Speaker 6: they I think he asked you it well. Honestly, I

475
00:25:50,400 --> 00:25:52,560
Speaker 6: probably could bump it up to an A, you know,

476
00:25:52,680 --> 00:25:55,239
Speaker 6: being able to blend all the artists from there with

477
00:25:55,320 --> 00:25:59,160
Speaker 6: the production I picking right bes with him rapping over.

478
00:25:59,000 --> 00:26:00,639
Speaker 3: It as good as he did.

479
00:26:02,320 --> 00:26:04,119
Speaker 6: Honestly, Man, I might have to I might have to

480
00:26:04,320 --> 00:26:06,520
Speaker 6: edit that in real time and say, hey, cause I

481
00:26:06,520 --> 00:26:09,040
Speaker 6: think he did execute this really really well. It was

482
00:26:09,320 --> 00:26:12,720
Speaker 6: extremely risky given how the first four albums sound.

483
00:26:13,480 --> 00:26:15,440
Speaker 3: So yeah, no, I'm i'm'na give him an execution.

484
00:26:16,560 --> 00:26:17,800
Speaker 2: What about replay value?

485
00:26:18,720 --> 00:26:20,879
Speaker 6: Replay value is high for me, man, Like I don't

486
00:26:20,920 --> 00:26:23,959
Speaker 6: I don't experience the I get where Ro's coming from

487
00:26:23,960 --> 00:26:26,120
Speaker 6: and I can understand it, but I don't get the fatigue.

488
00:26:26,200 --> 00:26:30,399
Speaker 6: For me, it works for me, and it's twenty eight minutes.

489
00:26:30,760 --> 00:26:37,119
Speaker 6: I think the production is is energetic, is lively, and

490
00:26:37,160 --> 00:26:39,160
Speaker 6: then the last track breaks it up with a nice

491
00:26:39,200 --> 00:26:43,600
Speaker 6: little kind of harder edge sort of song, and then

492
00:26:43,640 --> 00:26:45,639
Speaker 6: you know it's and like I said earlier, you know,

493
00:26:45,760 --> 00:26:48,760
Speaker 6: every time I'm hearing it's like, okay, there's there's something

494
00:26:48,760 --> 00:26:51,280
Speaker 6: that sticks out from another song that I didn't catch

495
00:26:51,320 --> 00:26:51,880
Speaker 6: the first time.

496
00:26:51,960 --> 00:26:54,399
Speaker 3: So replay value for me is high. Is that to

497
00:26:54,440 --> 00:26:55,480
Speaker 3: be plus?

498
00:26:57,640 --> 00:26:57,840
Speaker 4: Yeah?

499
00:26:57,920 --> 00:27:00,680
Speaker 5: And I know we disagree for before and after. I

500
00:27:00,680 --> 00:27:03,280
Speaker 5: feel like your points are valid because there are artists

501
00:27:03,359 --> 00:27:06,040
Speaker 5: that you know, I am more forgiving and I give

502
00:27:06,119 --> 00:27:08,120
Speaker 5: more grace to. But I'm just a bigger fan of them,

503
00:27:08,320 --> 00:27:12,359
Speaker 5: right So so yeah, the same way you're you're just

504
00:27:12,359 --> 00:27:15,480
Speaker 5: a bigger fan of him. So for me, replay value

505
00:27:15,560 --> 00:27:21,800
Speaker 5: is a c I just I have other artists. I

506
00:27:21,920 --> 00:27:24,200
Speaker 5: just have other artists man that I did I rather

507
00:27:24,320 --> 00:27:27,240
Speaker 5: listen to. I have other artists that I just rather

508
00:27:27,359 --> 00:27:31,560
Speaker 5: listen to and that that's no slight to him. It's

509
00:27:31,600 --> 00:27:34,920
Speaker 5: just it's just that's my listening. It's my listening experience.

510
00:27:35,119 --> 00:27:38,760
Speaker 5: Like I just for me, I just I don't know,

511
00:27:38,800 --> 00:27:40,760
Speaker 5: I just want to hear something else. I want to

512
00:27:40,800 --> 00:27:43,760
Speaker 5: hear something to else. I think he's dope. I think everything,

513
00:27:44,359 --> 00:27:48,720
Speaker 5: like I said, just sequencing his lyrics, all that stuff, production,

514
00:27:48,840 --> 00:27:49,639
Speaker 5: all of that is great.

515
00:27:50,119 --> 00:27:52,840
Speaker 4: But for me, I'm just not bumping it all the time.

516
00:27:52,920 --> 00:27:54,400
Speaker 4: I'm just not gonna be bumping. Like you.

517
00:27:57,600 --> 00:27:59,760
Speaker 3: Went way from me. Get this.

518
00:28:04,480 --> 00:28:07,320
Speaker 4: This average average average replay back.

519
00:28:08,040 --> 00:28:13,440
Speaker 1: God, yeah you could. You could pause right there, Roy, Yeah,

520
00:28:13,440 --> 00:28:15,400
Speaker 1: it's an a for me. It's a for me. Dog

521
00:28:15,640 --> 00:28:19,560
Speaker 1: like this thing. I've been bumping it. It's bumps in

522
00:28:19,600 --> 00:28:20,359
Speaker 1: the whip heavy.

523
00:28:22,240 --> 00:28:22,639
Speaker 2: I feel.

524
00:28:22,640 --> 00:28:24,600
Speaker 1: I feel like like every time I listen to it,

525
00:28:24,640 --> 00:28:27,119
Speaker 1: I'm catching new lines, you know what I'm saying. So

526
00:28:27,119 --> 00:28:28,919
Speaker 1: it's it's kind of almost like a like a treasure

527
00:28:29,000 --> 00:28:31,520
Speaker 1: hunt a little bit. So that that's what keeps keeps

528
00:28:31,560 --> 00:28:33,840
Speaker 1: me coming back to it, not only just the production,

529
00:28:34,400 --> 00:28:38,320
Speaker 1: but the features are there, his lines are there, So

530
00:28:38,480 --> 00:28:41,800
Speaker 1: I like, this is just very uh replay heavy for

531
00:28:41,840 --> 00:28:44,560
Speaker 1: me at the moment, and overall, man, I'm at a A.

532
00:28:45,520 --> 00:28:47,520
Speaker 1: You know, everything's been an A except for the features,

533
00:28:47,520 --> 00:28:50,400
Speaker 1: and that was a B plus. I think I would

534
00:28:50,480 --> 00:28:54,480
Speaker 1: be I wouldn't be genuine to how I really feel

535
00:28:54,520 --> 00:28:56,840
Speaker 1: about this project if I gave it anything less than

536
00:28:56,880 --> 00:29:00,280
Speaker 1: an A. For me, I can honestly say this should

537
00:29:00,280 --> 00:29:03,160
Speaker 1: be in my top five for mid year. Like I'm

538
00:29:03,440 --> 00:29:06,040
Speaker 1: saying that, well, it's ship, were not that far?

539
00:29:06,120 --> 00:29:07,200
Speaker 2: Can you know?

540
00:29:07,480 --> 00:29:10,520
Speaker 1: We have there more more than halfway there now, so

541
00:29:10,960 --> 00:29:14,920
Speaker 1: you know? But nah, this this is this is replay heavy, bro,

542
00:29:15,200 --> 00:29:18,000
Speaker 1: this is replay heavy for me. So overarm out of eight.

543
00:29:18,840 --> 00:29:19,520
Speaker 4: It's so weird.

544
00:29:19,560 --> 00:29:21,760
Speaker 5: And you say some of this stuff like oh, man,

545
00:29:21,840 --> 00:29:24,000
Speaker 5: like I'm trying to search for bars and I'm always

546
00:29:24,040 --> 00:29:24,720
Speaker 5: finding new stuff.

547
00:29:24,720 --> 00:29:26,520
Speaker 4: And I say that all the time about the artists

548
00:29:26,520 --> 00:29:31,160
Speaker 4: I like, so that that's just funny to hear you

549
00:29:31,200 --> 00:29:31,600
Speaker 4: say that.

550
00:29:31,880 --> 00:29:35,320
Speaker 1: But you know what, they don't the people that you like,

551
00:29:35,800 --> 00:29:38,720
Speaker 1: they don't just they don't keep my my audible interest.

552
00:29:39,000 --> 00:29:42,800
Speaker 1: It's like they lose like with them, like their personality,

553
00:29:42,840 --> 00:29:44,960
Speaker 1: how they come out on the track. It's like they're

554
00:29:45,040 --> 00:29:46,920
Speaker 1: just scared. Just turn the ship. I'm gonna just say

555
00:29:46,960 --> 00:29:48,800
Speaker 1: what I want to say and then just be on

556
00:29:48,920 --> 00:29:51,040
Speaker 1: my merry way. And I don't get that from bruising.

557
00:29:51,520 --> 00:29:53,280
Speaker 4: It's absolutely not that rock.

558
00:29:53,960 --> 00:29:56,720
Speaker 1: But no, no, no no, But I said I came, I

559
00:29:56,760 --> 00:29:59,160
Speaker 1: came around on rock. I'm with you rock, I'm with

560
00:29:59,280 --> 00:30:03,920
Speaker 1: you all rock, Mike and Earl. No, but I'm there

561
00:30:03,920 --> 00:30:04,600
Speaker 1: with rock though.

562
00:30:05,120 --> 00:30:07,000
Speaker 5: So like I said, man, I'm not hating on the

563
00:30:07,000 --> 00:30:09,320
Speaker 5: project at all. Overall, it's a B minus for me.

564
00:30:09,600 --> 00:30:12,520
Speaker 5: So it's not a C project. You know what I'm

565
00:30:12,560 --> 00:30:15,840
Speaker 5: saying is this is just my personal listening experience, in

566
00:30:15,840 --> 00:30:18,520
Speaker 5: my personal grades for this album has nothing to do

567
00:30:18,640 --> 00:30:19,400
Speaker 5: with the skill.

568
00:30:19,200 --> 00:30:22,080
Speaker 4: Level of Brusenwolf. I think Brudswolf is hellodope.

569
00:30:22,080 --> 00:30:23,640
Speaker 5: I wouldn't even want him to change it for me

570
00:30:24,160 --> 00:30:25,840
Speaker 5: honestly speaking, you know what I'm saying, because I think

571
00:30:25,840 --> 00:30:29,320
Speaker 5: he's found a really nice pocket obviously, right with you,

572
00:30:29,400 --> 00:30:30,840
Speaker 5: Like you know what I'm saying, you're bumping this on

573
00:30:31,680 --> 00:30:32,320
Speaker 5: back to back.

574
00:30:32,480 --> 00:30:33,840
Speaker 4: I'm just not you know what I'm saying.

575
00:30:33,840 --> 00:30:35,800
Speaker 5: And I can understand why somebody will bump this back

576
00:30:35,840 --> 00:30:37,480
Speaker 5: to back the same way I will bump a Mike,

577
00:30:37,880 --> 00:30:40,760
Speaker 5: an Earl or a Mock or anybody like that, or

578
00:30:42,200 --> 00:30:46,400
Speaker 5: or or a cos solo or whatever. That I bumped

579
00:30:46,480 --> 00:30:48,760
Speaker 5: back to back. I literally got playlists with these guys,

580
00:30:48,840 --> 00:30:50,200
Speaker 5: and like I say, you having to play with this

581
00:30:50,280 --> 00:30:51,800
Speaker 5: guy is for the same type of reasons.

582
00:30:52,080 --> 00:30:54,400
Speaker 4: So yeah, overall, for me, it's a B minus. But

583
00:30:54,440 --> 00:30:57,000
Speaker 4: I'm not I'm not surprised by an A grade on

584
00:30:57,080 --> 00:30:57,760
Speaker 4: this ever.

585
00:30:57,960 --> 00:31:03,760
Speaker 3: Whether I go Loving to Flow Cruising, Will I wanted

586
00:31:03,800 --> 00:31:04,320
Speaker 3: to Bro.

587
00:31:06,480 --> 00:31:09,200
Speaker 6: I'm bettter be plus man, I'm gotta be plused. Look,

588
00:31:09,280 --> 00:31:13,040
Speaker 6: I think the interesting thing about this is that Rod

589
00:31:13,160 --> 00:31:16,360
Speaker 6: is not alone. I'm sure Rod is not alone because

590
00:31:17,240 --> 00:31:23,479
Speaker 6: this album isn't what Bruiser fans are used to, so

591
00:31:23,520 --> 00:31:26,360
Speaker 6: they may have different reasons than Rod. But it's again,

592
00:31:26,440 --> 00:31:28,560
Speaker 6: I go back to what I was saying, it's so

593
00:31:28,760 --> 00:31:33,720
Speaker 6: different that they may feel very similarly to.

594
00:31:35,960 --> 00:31:36,960
Speaker 3: How he feels.

595
00:31:37,760 --> 00:31:43,360
Speaker 6: Problem for various other reasons, but but not. But for me, though, overall,

596
00:31:43,400 --> 00:31:45,720
Speaker 6: I think it's a BE plus. Yeah, I think he

597
00:31:45,880 --> 00:31:46,880
Speaker 6: I think he knowed it.

598
00:31:47,080 --> 00:31:49,560
Speaker 1: You already know what it is. The conversation after the

599
00:31:49,600 --> 00:31:52,520
Speaker 1: conversation is in the common section. So let us know

600
00:31:52,640 --> 00:31:54,760
Speaker 1: what your grades are, how you feel about the project,

601
00:31:55,600 --> 00:31:57,600
Speaker 1: do you agree disagree with our takes?

602
00:31:58,200 --> 00:31:59,760
Speaker 2: And we'll catch you guys on the next one.

603
00:32:00,280 --> 00:32:00,520
Speaker 3: These