1
00:00:01,200 --> 00:00:03,640
Speaker 1: Twenty twenty five was loaded with ups and downs in

2
00:00:03,720 --> 00:00:05,040
Speaker 1: both film and television.

3
00:00:05,280 --> 00:00:06,440
Speaker 2: On January eleventh, at.

4
00:00:06,400 --> 00:00:09,360
Speaker 1: Two pm the FPS Cast, we'll reveal their top ten

5
00:00:09,440 --> 00:00:11,640
Speaker 1: films and TV shows of the year.

6
00:00:11,480 --> 00:00:12,680
Speaker 2: Live on YouTube.

7
00:00:12,840 --> 00:00:15,520
Speaker 1: Patreons within the Director's Cut tier will also have the

8
00:00:15,520 --> 00:00:19,200
Speaker 1: opportunity to provide their top fives to be played live

9
00:00:19,239 --> 00:00:21,560
Speaker 1: on the show. Be sure to come and check us

10
00:00:21,600 --> 00:00:24,840
Speaker 1: out and share your commentary asks, the CRUL questions, and

11
00:00:24,840 --> 00:00:26,560
Speaker 1: if you are a Patreon, take part.

12
00:00:26,440 --> 00:00:27,640
Speaker 2: In the show again.

13
00:00:27,760 --> 00:00:31,360
Speaker 1: That's January eleventh at two pm Eastern Standard Time on

14
00:00:31,400 --> 00:00:33,920
Speaker 1: our YouTube channel YouTube dot com.

15
00:00:33,960 --> 00:00:36,559
Speaker 2: Forward Slash FPS podcast.

16
00:00:37,760 --> 00:00:39,360
Speaker 3: The Frames per Second Podcast.

17
00:00:45,720 --> 00:00:50,320
Speaker 4: Okay, welcome to the Frames per Second Podcast. Thank you

18
00:00:50,360 --> 00:00:55,120
Speaker 4: guys for joining us for an anniversary review of The

19
00:00:55,200 --> 00:00:56,440
Speaker 4: Hateful Eight.

20
00:00:56,400 --> 00:01:00,360
Speaker 2: Quin Tarantino film. This is a ten year tenure. I

21
00:01:00,400 --> 00:01:02,600
Speaker 2: think it's ten ten years.

22
00:01:03,040 --> 00:01:05,399
Speaker 4: Let me make sure. I'll double check while you open up.

23
00:01:05,520 --> 00:01:07,399
Speaker 4: While you're checking, I am joined by the voice you

24
00:01:07,560 --> 00:01:07,960
Speaker 4: just heard.

25
00:01:08,080 --> 00:01:08,480
Speaker 2: What's up?

26
00:01:08,520 --> 00:01:09,080
Speaker 3: Ron? What up?

27
00:01:09,080 --> 00:01:10,000
Speaker 2: Man? Ken?

28
00:01:10,200 --> 00:01:10,880
Speaker 3: Oh?

29
00:01:10,920 --> 00:01:11,160
Speaker 2: Mike?

30
00:01:12,480 --> 00:01:12,840
Speaker 3: All right?

31
00:01:13,160 --> 00:01:13,399
Speaker 2: Yeah?

32
00:01:13,520 --> 00:01:17,360
Speaker 4: So' Quin Tarantino film, You're right, came out in twenty fifteen,

33
00:01:17,840 --> 00:01:20,119
Speaker 4: said a few years after the Civil War, and it's

34
00:01:20,120 --> 00:01:26,040
Speaker 4: about a bounty hunter named John Hayman. Ruth rod Yep,

35
00:01:26,080 --> 00:01:27,319
Speaker 4: what do you think about Hateful Late?

36
00:01:27,360 --> 00:01:33,640
Speaker 5: It's good. I'm a Quentin Tarantino fan. There's no surprise here.

37
00:01:34,160 --> 00:01:36,600
Speaker 5: I don't think I'm one of the few, if not only,

38
00:01:36,760 --> 00:01:38,759
Speaker 5: Quentin Tarantino fans on the show.

39
00:01:39,959 --> 00:01:42,640
Speaker 2: Yeah he's yeah.

40
00:01:43,000 --> 00:01:45,200
Speaker 5: I like the way he produces his films, like like,

41
00:01:45,240 --> 00:01:46,760
Speaker 5: I like his storytelling ability.

42
00:01:49,800 --> 00:01:53,000
Speaker 2: Just yeah, the way he directs, I really like his style.

43
00:01:54,080 --> 00:01:57,840
Speaker 2: Ken a filmmaker, Kim, what do you think about this film?

44
00:01:58,120 --> 00:01:59,000
Speaker 3: I hate this movie?

45
00:01:59,200 --> 00:02:01,040
Speaker 2: Really why?

46
00:02:01,560 --> 00:02:06,320
Speaker 3: I hated every single minute I spent watching this movie.

47
00:02:06,800 --> 00:02:07,200
Speaker 2: Really?

48
00:02:07,520 --> 00:02:12,800
Speaker 4: Yes, hateful hate, hated hate for eight What do you

49
00:02:12,800 --> 00:02:14,880
Speaker 4: hate about it? Do you like Tarantino with all?

50
00:02:14,960 --> 00:02:18,520
Speaker 3: No? No, Tarantino. This is a guy that writes and

51
00:02:18,560 --> 00:02:21,120
Speaker 3: makes movies so he can just have the in word

52
00:02:21,160 --> 00:02:24,400
Speaker 3: in it. Throught the whole movie and that's all they

53
00:02:24,440 --> 00:02:27,480
Speaker 3: spent this whole movie doing. It was one scene where

54
00:02:27,520 --> 00:02:32,960
Speaker 3: they said the N word twelve times. It was I counted,

55
00:02:33,120 --> 00:02:35,840
Speaker 3: that's no, I counted, And that was That was in

56
00:02:35,880 --> 00:02:37,760
Speaker 3: the middle of the film. That was in the middle

57
00:02:37,800 --> 00:02:41,520
Speaker 3: when uh not ob what Mannets went to talk to

58
00:02:41,560 --> 00:02:43,799
Speaker 3: the old man because they probably didn't say it that much,

59
00:02:43,840 --> 00:02:45,920
Speaker 3: he said I And he said, I don't know that

60
00:02:46,040 --> 00:02:48,720
Speaker 3: in word. All I know is he's an in word

61
00:02:49,960 --> 00:02:51,679
Speaker 3: and that's and that's why I hate him, or something

62
00:02:51,680 --> 00:02:53,880
Speaker 3: like that. I'm like, bro, get this fuck, bro, I

63
00:02:53,960 --> 00:02:57,040
Speaker 3: hate I was like, I hate this.

64
00:02:57,000 --> 00:02:59,960
Speaker 2: Movie, Mike, what do you think about that?

65
00:03:00,440 --> 00:03:00,560
Speaker 3: Late?

66
00:03:00,800 --> 00:03:03,240
Speaker 1: I rarely agree with Kim this much. This movie is

67
00:03:03,240 --> 00:03:08,840
Speaker 1: fucking garbage, and I definitely do not like Quentin Tarantino

68
00:03:08,880 --> 00:03:11,680
Speaker 1: as a filmmaker, as a director, or as a human.

69
00:03:11,720 --> 00:03:14,400
Speaker 1: I think he's a fucking piece of shit. Jesus, and

70
00:03:14,639 --> 00:03:18,440
Speaker 1: this movie just reinforces everything I've ever felt about him.

71
00:03:18,720 --> 00:03:22,359
Speaker 1: I've never seen this movie, but I am saying right now,

72
00:03:22,440 --> 00:03:25,080
Speaker 1: I am not watching any more Quentin Tarantino films period.

73
00:03:25,320 --> 00:03:27,200
Speaker 1: I'm not doing it. This is your first time see

74
00:03:27,440 --> 00:03:29,480
Speaker 1: this is my first time seeing this garbage ass film.

75
00:03:29,520 --> 00:03:33,040
Speaker 1: I've seen you know Inglorious Bastards and pulp fiction and

76
00:03:33,080 --> 00:03:33,680
Speaker 1: Foxy Brown.

77
00:03:33,720 --> 00:03:34,680
Speaker 2: I've seen that stuff.

78
00:03:34,720 --> 00:03:37,400
Speaker 1: And then I stopped. I was just like, this is ridiculous.

79
00:03:37,600 --> 00:03:41,480
Speaker 1: After Django, I'm good, I'm not watching any more.

80
00:03:41,280 --> 00:03:41,800
Speaker 2: Of this shit.

81
00:03:42,240 --> 00:03:46,520
Speaker 1: This movie felt like he just wanted to say nigger.

82
00:03:47,560 --> 00:03:49,680
Speaker 1: This movie did not have to have nigger this much.

83
00:03:50,600 --> 00:03:52,480
Speaker 1: And the scene that Kim was talking about, he's the

84
00:03:52,520 --> 00:03:54,160
Speaker 1: exact scene where I was like, I'm fucking done. This

85
00:03:54,200 --> 00:03:56,760
Speaker 1: is pissing me off. They I don't know that nigger,

86
00:03:56,800 --> 00:03:57,920
Speaker 1: but all I know is he's a nigger.

87
00:03:57,960 --> 00:03:59,640
Speaker 2: It's like, all right, man, come on, bro, all I'm done?

88
00:04:00,200 --> 00:04:02,000
Speaker 2: How fuck is this? What is this?

89
00:04:03,080 --> 00:04:03,200
Speaker 4: Oh?

90
00:04:03,280 --> 00:04:06,320
Speaker 1: Y'all think it's like some like lust of his Yes,

91
00:04:06,400 --> 00:04:09,320
Speaker 1: I think Quentin Tarantino gets a boner from saying nigger

92
00:04:09,840 --> 00:04:12,800
Speaker 1: or or having it in his films. He loves it.

93
00:04:13,160 --> 00:04:17,000
Speaker 1: He fucking loves it. And I will never understand black

94
00:04:17,040 --> 00:04:20,720
Speaker 1: folks obsession with this fucking asshole. I will never understand it.

95
00:04:21,320 --> 00:04:23,440
Speaker 1: You put a black man by himself in this fucking

96
00:04:23,480 --> 00:04:26,799
Speaker 1: faux western and you say nigger one hundred and fifty

97
00:04:26,839 --> 00:04:29,680
Speaker 1: times over the course of a two hour long, boring

98
00:04:29,720 --> 00:04:33,080
Speaker 1: ass nothing burger ass movie. Fuck this movie, and fuck

99
00:04:33,160 --> 00:04:33,960
Speaker 1: Quentin Tarantino.

100
00:04:34,520 --> 00:04:42,400
Speaker 2: All right. I liked him more than I liked him, kid.

101
00:04:44,160 --> 00:04:46,000
Speaker 4: I will ride on this like it's one of my

102
00:04:46,080 --> 00:04:51,440
Speaker 4: favorite Taranty.

103
00:04:49,040 --> 00:04:51,760
Speaker 2: Of course it is. I've never actually but I don't.

104
00:04:51,839 --> 00:04:53,320
Speaker 2: I don't like jingle. I feel the same way with

105
00:04:53,360 --> 00:04:54,560
Speaker 2: you about jangle. I don't like that.

106
00:04:55,279 --> 00:04:58,040
Speaker 4: This one I feel like, but because of the who

107
00:04:58,160 --> 00:05:01,000
Speaker 4: done an aspect of it, that's why I like the film.

108
00:05:01,560 --> 00:05:07,200
Speaker 4: So we open with John Ruth riding in a stage

109
00:05:07,200 --> 00:05:08,960
Speaker 4: coach with Daisy Dumark.

110
00:05:09,080 --> 00:05:10,200
Speaker 2: She's chained to his side.

111
00:05:11,920 --> 00:05:14,400
Speaker 4: What do you guys think about this open scene John

112
00:05:14,520 --> 00:05:16,560
Speaker 4: Ruth and Daisy and him being about one hundred anything

113
00:05:16,600 --> 00:05:17,920
Speaker 4: step out, jump out to y'all on this.

114
00:05:18,440 --> 00:05:20,960
Speaker 3: I mean, as soon as he interested what he said, hey,

115
00:05:21,040 --> 00:05:25,240
Speaker 3: hold on, stop there, blackfellow, I'm like, bro, what why?

116
00:05:26,040 --> 00:05:26,960
Speaker 2: Because it's the time.

117
00:05:27,279 --> 00:05:29,599
Speaker 3: No see, y'all give me this every time I y'all

118
00:05:29,640 --> 00:05:31,640
Speaker 3: say that and bring up this the time thing. Bro,

119
00:05:31,960 --> 00:05:33,000
Speaker 3: this was excessive.

120
00:05:33,160 --> 00:05:33,880
Speaker 2: This was excessive.

121
00:05:34,880 --> 00:05:35,880
Speaker 3: You don't think it was accessive?

122
00:05:35,920 --> 00:05:36,040
Speaker 5: Then?

123
00:05:36,880 --> 00:05:37,440
Speaker 3: Don't you know what?

124
00:05:37,720 --> 00:05:40,640
Speaker 2: Why is it always in his movies?

125
00:05:41,520 --> 00:05:43,960
Speaker 1: That's the question I have for y'all everyone that wants

126
00:05:43,960 --> 00:05:47,680
Speaker 1: to defend this bullshit? Why is it always in his movies?

127
00:05:47,880 --> 00:05:50,440
Speaker 1: No matter if it's the old time, no matter if

128
00:05:50,480 --> 00:05:54,320
Speaker 1: it's nineteen seventy, no matter if it's nineteen ninety, it's

129
00:05:54,520 --> 00:05:55,600
Speaker 1: nothing but nigger?

130
00:05:56,560 --> 00:05:59,239
Speaker 3: Why And as soon as the lady she was like, hi, nigger,

131
00:05:59,279 --> 00:06:01,520
Speaker 3: and he was like, oh, she's a whatever whatever fella like,

132
00:06:01,720 --> 00:06:03,440
Speaker 3: and she just kept doing it over and off.

133
00:06:03,480 --> 00:06:04,040
Speaker 2: I'm like, bruh.

134
00:06:04,240 --> 00:06:05,840
Speaker 3: And then on top of that, I can even take

135
00:06:06,360 --> 00:06:08,840
Speaker 3: and you can also say it's abusive to woman. He

136
00:06:08,960 --> 00:06:11,760
Speaker 3: kept beating the shit out of her over and over again,

137
00:06:11,920 --> 00:06:13,280
Speaker 3: like what the fuck? I do?

138
00:06:13,440 --> 00:06:14,280
Speaker 2: Agree with you guys?

139
00:06:14,360 --> 00:06:16,600
Speaker 4: In his obsession for the word I do one hundred percent,

140
00:06:16,960 --> 00:06:19,400
Speaker 4: I think he hides behind the guise of I'm an artist,

141
00:06:20,279 --> 00:06:23,240
Speaker 4: so this is it's free for me to be able

142
00:06:23,320 --> 00:06:27,160
Speaker 4: to do this. I'm I'm just expressing my artistic you

143
00:06:27,240 --> 00:06:28,920
Speaker 4: know what I'm saying. I feel like that's how he

144
00:06:29,080 --> 00:06:29,800
Speaker 4: is with it, but I do I.

145
00:06:29,800 --> 00:06:31,880
Speaker 5: Guess my thing, Go ahead, I guess my thing is

146
00:06:32,720 --> 00:06:36,240
Speaker 5: is like the people that worked out, the black people

147
00:06:36,320 --> 00:06:38,560
Speaker 5: that work directly with him say this.

148
00:06:39,240 --> 00:06:40,680
Speaker 2: It's not even just him saying it.

149
00:06:40,800 --> 00:06:43,240
Speaker 5: It's what they're saying when they're questioned about it, like

150
00:06:43,360 --> 00:06:46,480
Speaker 5: how do you guys feel being in these movies that

151
00:06:46,880 --> 00:06:49,840
Speaker 5: where it's happening, And they're the ones that's like, well,

152
00:06:49,960 --> 00:06:53,920
Speaker 5: this is what they they understand the reasoning behind it.

153
00:06:54,560 --> 00:06:56,600
Speaker 2: So this is coming directly from the people that are

154
00:06:56,600 --> 00:06:58,200
Speaker 2: involved in the filmmaking.

155
00:06:57,720 --> 00:07:00,240
Speaker 1: And you don't think they're getting paid. You think they're

156
00:07:00,279 --> 00:07:04,839
Speaker 1: being paid to say that, period of course.

157
00:07:06,200 --> 00:07:08,200
Speaker 2: Against him. If he's giving him the biggest check he

158
00:07:08,240 --> 00:07:09,200
Speaker 2: could possibly get.

159
00:07:10,280 --> 00:07:12,800
Speaker 5: They could after they get the check, they can say

160
00:07:12,840 --> 00:07:15,240
Speaker 5: it afterwards. I mean, if after they get the check.

161
00:07:15,200 --> 00:07:16,600
Speaker 2: Why would they do that, because then they won't get

162
00:07:16,600 --> 00:07:18,480
Speaker 2: another film of his movie.

163
00:07:18,600 --> 00:07:21,960
Speaker 5: Yeah, he's most of them there you go, So how

164
00:07:22,040 --> 00:07:24,920
Speaker 5: many other black people are Again, we're talking about Samuel L.

165
00:07:25,040 --> 00:07:28,240
Speaker 5: Jackson for as I know, I feel like he stands

166
00:07:28,320 --> 00:07:30,440
Speaker 5: for things like work for Spike too.

167
00:07:31,040 --> 00:07:32,480
Speaker 3: We were Spike too, so.

168
00:07:32,720 --> 00:07:34,840
Speaker 5: So I don't want to get into that conversation. I

169
00:07:34,920 --> 00:07:37,160
Speaker 5: think that's just a different conversation. It was just you

170
00:07:37,240 --> 00:07:39,400
Speaker 5: always thought the conversation. That's why I said, let me

171
00:07:39,440 --> 00:07:41,560
Speaker 5: just pull it back, because we've had this conversation so

172
00:07:41,680 --> 00:07:43,880
Speaker 5: many times, and I know we're talking about this movie,

173
00:07:44,520 --> 00:07:46,920
Speaker 5: but I feel like that's always you'll criticism is just

174
00:07:47,000 --> 00:07:47,640
Speaker 5: the Nigga Ship.

175
00:07:47,880 --> 00:07:50,800
Speaker 1: It's no, I said, very clearly and very plainly. The

176
00:07:50,840 --> 00:07:54,200
Speaker 1: ship is boring and long, and it's a nothing burger film.

177
00:07:54,960 --> 00:07:58,960
Speaker 5: It's not just a lot of three hours of like

178
00:08:00,120 --> 00:08:04,560
Speaker 5: thing man a lot dollar his movies, some of the

179
00:08:04,640 --> 00:08:05,520
Speaker 5: most of his movies.

180
00:08:05,280 --> 00:08:08,040
Speaker 2: Are dialogue heavy, trash dialog, all of them. Yeah.

181
00:08:08,880 --> 00:08:13,080
Speaker 3: Yeah, the new sheriff in town. And you know, even

182
00:08:13,080 --> 00:08:16,200
Speaker 3: though there's his lack of believing. Man, it's was cool.

183
00:08:16,280 --> 00:08:18,360
Speaker 3: But they just spent a lot of time just going back.

184
00:08:18,440 --> 00:08:21,680
Speaker 2: The setup is great, like like especially for like a

185
00:08:21,720 --> 00:08:23,800
Speaker 2: who Done It film? The set up was great.

186
00:08:24,640 --> 00:08:27,320
Speaker 4: Speaking to the setup and the black character, y'all talking

187
00:08:27,360 --> 00:08:30,920
Speaker 4: about it's Major Marcus Warren, He joins the rite. First

188
00:08:30,960 --> 00:08:34,680
Speaker 4: impressions of Major Marcus, warning we all impressed his resume.

189
00:08:34,800 --> 00:08:36,559
Speaker 2: Samuel Jackson, who he said he was, I thought he

190
00:08:36,679 --> 00:08:37,199
Speaker 2: was great in this.

191
00:08:37,480 --> 00:08:40,160
Speaker 5: I thought sam did a great job, and especially with

192
00:08:40,280 --> 00:08:42,920
Speaker 5: the way he did handle the word nigga, I feel

193
00:08:42,960 --> 00:08:45,719
Speaker 5: like he balanced it out calling them crackers and all

194
00:08:45,760 --> 00:08:49,400
Speaker 5: this other type of stuff, and just, uh, why.

195
00:08:49,280 --> 00:08:52,240
Speaker 2: Are y'all do y'all, we ain't gonna make it.

196
00:08:52,280 --> 00:08:56,000
Speaker 3: As soon as I heard, we ain't gonna be a counter.

197
00:08:56,400 --> 00:08:59,280
Speaker 2: It is a counter, Oh my god, dude, it is

198
00:08:59,360 --> 00:08:59,760
Speaker 2: a counter.

199
00:08:59,840 --> 00:09:03,240
Speaker 1: You never mind, I'm not gonna I know that defending

200
00:09:03,280 --> 00:09:05,800
Speaker 1: on offensive and I don't want to sound offensive.

201
00:09:06,120 --> 00:09:09,280
Speaker 5: Yeah, it's like what I'm saying, it's it's a man, y'all,

202
00:09:09,360 --> 00:09:11,200
Speaker 5: y'all give y'all give the weirdest ship.

203
00:09:11,160 --> 00:09:12,679
Speaker 3: Grace but not what what? What?

204
00:09:12,880 --> 00:09:15,320
Speaker 1: What? Give me an example I have before? Like I said,

205
00:09:15,320 --> 00:09:17,440
Speaker 1: I don't want to give me one, Now give one

206
00:09:17,640 --> 00:09:20,760
Speaker 1: rod exactly. Let's move on because you don't have killing

207
00:09:20,880 --> 00:09:23,079
Speaker 1: murders all that ship. That ship could be cool and

208
00:09:23,160 --> 00:09:23,880
Speaker 1: write up your alley.

209
00:09:23,920 --> 00:09:26,000
Speaker 2: But wait, are you serious? See that's what I'm saying

210
00:09:26,320 --> 00:09:26,680
Speaker 2: because you.

211
00:09:28,280 --> 00:09:31,959
Speaker 1: Throws out the most ridiculous comparison and then trying to go,

212
00:09:32,880 --> 00:09:36,600
Speaker 1: oh man, you think watching something that is not real?

213
00:09:38,200 --> 00:09:41,040
Speaker 1: Watching a clown kill people is the same as watching

214
00:09:41,080 --> 00:09:45,480
Speaker 1: a film where someone's saying bigger time. You know who

215
00:09:45,480 --> 00:09:49,920
Speaker 1: else says that same exact defense white people. They do

216
00:09:50,040 --> 00:09:51,559
Speaker 1: it all the time. And I'm like, I don't listen

217
00:09:51,600 --> 00:09:53,440
Speaker 1: to racist music. Oh, but you're listening to Slayer talks

218
00:09:53,440 --> 00:09:53,959
Speaker 1: about Satan.

219
00:09:54,240 --> 00:09:57,839
Speaker 3: Come on, bro, because it was like the hanging, you

220
00:09:57,880 --> 00:09:58,400
Speaker 3: already did it.

221
00:09:58,679 --> 00:10:00,400
Speaker 2: You can't say I'm not going through your he did it.

222
00:10:00,559 --> 00:10:06,800
Speaker 3: Is like he respects and myers what Major was able

223
00:10:06,840 --> 00:10:09,880
Speaker 3: to do, but at the same time calls him a

224
00:10:09,960 --> 00:10:12,480
Speaker 3: nigger and refers to a nigga. It's like, bro, which

225
00:10:12,520 --> 00:10:14,480
Speaker 3: one is it? If you have that much respect for

226
00:10:14,559 --> 00:10:17,240
Speaker 3: a guy that you think has a letter from Abraham

227
00:10:17,360 --> 00:10:21,840
Speaker 3: Lincoln who freed the slaves. Why are you constantly even

228
00:10:21,880 --> 00:10:24,439
Speaker 3: said he said, you know, the blackies or darkies.

229
00:10:24,520 --> 00:10:25,240
Speaker 2: He called him dark.

230
00:10:25,400 --> 00:10:28,120
Speaker 4: I get what Mike and Kennison because he's trying to

231
00:10:28,320 --> 00:10:29,199
Speaker 4: he's trying to portray it.

232
00:10:29,320 --> 00:10:30,120
Speaker 2: They just talked like that.

233
00:10:30,720 --> 00:10:33,680
Speaker 1: Yes, But even if they don't think they did, Tarantino,

234
00:10:34,520 --> 00:10:37,880
Speaker 1: I think they did. It's satire. I think I think

235
00:10:37,920 --> 00:10:42,200
Speaker 1: they did. You think they talked, yes, But my issue

236
00:10:42,360 --> 00:10:45,599
Speaker 1: is always, why is it in every single one of

237
00:10:45,640 --> 00:10:49,680
Speaker 1: this motherfucker's films, Every single film is the same ship

238
00:10:50,200 --> 00:10:53,000
Speaker 1: Niger Niger, nigger, nigg nigger, nigger, niggera every movie.

239
00:10:53,040 --> 00:10:55,040
Speaker 2: We're talking about this movie. No, No, I'm not.

240
00:10:55,200 --> 00:10:55,640
Speaker 3: You might be.

241
00:10:55,720 --> 00:10:57,440
Speaker 2: I'm talking about all of it. I'm talking about right now.

242
00:10:57,679 --> 00:11:00,679
Speaker 2: We're talking about all of his movies, and this plays.

243
00:11:00,400 --> 00:11:02,120
Speaker 5: In but we're not talking about You can't tell me

244
00:11:02,200 --> 00:11:07,360
Speaker 5: what I can talk about, and you're you're not to

245
00:11:08,440 --> 00:11:10,320
Speaker 5: go to the You made the last one.

246
00:11:11,120 --> 00:11:13,720
Speaker 2: I did this movie, the last one, and I tried.

247
00:11:14,440 --> 00:11:19,560
Speaker 4: Major Marcus warned produces a letter from the President Abraham Lincoln,

248
00:11:20,160 --> 00:11:22,560
Speaker 4: which seemed to soften the white character and made him

249
00:11:22,559 --> 00:11:23,080
Speaker 4: trusting more.

250
00:11:23,160 --> 00:11:24,040
Speaker 2: This went overwhelm for you.

251
00:11:24,200 --> 00:11:28,040
Speaker 5: Up, Yes it did, especially how it came back around later. Yeah,

252
00:11:28,679 --> 00:11:30,800
Speaker 5: let's saying set up was great with this movie.

253
00:11:31,840 --> 00:11:32,600
Speaker 3: Set up was great.

254
00:11:32,640 --> 00:11:34,160
Speaker 2: Did you think about the pulling out.

255
00:11:34,080 --> 00:11:38,079
Speaker 3: To still got it? Yeah? I still got it? Yeah.

256
00:11:38,760 --> 00:11:41,480
Speaker 2: Sam did a good job. Sam did a good job.

257
00:11:42,840 --> 00:11:44,400
Speaker 3: Yeah. But every time he was called the nigga, he's

258
00:11:44,400 --> 00:11:51,920
Speaker 3: in the smiling anyway. I don't know why the hell Lincoln.

259
00:11:51,559 --> 00:11:55,240
Speaker 2: Will be writing him like pimp pals. Yeah, like pimps

260
00:11:55,320 --> 00:11:57,480
Speaker 2: or whatever. But that's how good he was. He knew

261
00:11:57,480 --> 00:12:00,720
Speaker 2: he heard a major Marquis Warren and didn't do shit

262
00:12:02,440 --> 00:12:05,120
Speaker 2: for you. What about Sheriff Chris mannis when he came around,

263
00:12:05,160 --> 00:12:05,720
Speaker 2: did you like him?

264
00:12:05,760 --> 00:12:05,800
Speaker 3: Like?

265
00:12:05,960 --> 00:12:08,240
Speaker 1: I like none of these fucking people. I don't like

266
00:12:08,360 --> 00:12:10,200
Speaker 1: none of these fucking people. This ship was garbage.

267
00:12:10,360 --> 00:12:13,040
Speaker 2: It sounded like he was on some bullshit Chris Mann.

268
00:12:13,080 --> 00:12:16,920
Speaker 4: It's the loud mouthed Southern sheriff, openly disrespectful one, which

269
00:12:17,000 --> 00:12:19,760
Speaker 4: I think about his relationship and how he was looking

270
00:12:19,800 --> 00:12:20,160
Speaker 4: at Warren.

271
00:12:20,640 --> 00:12:23,440
Speaker 3: I think they did all of this throughout this whole

272
00:12:23,520 --> 00:12:26,599
Speaker 3: movie to get us to them at the end and

273
00:12:27,000 --> 00:12:30,360
Speaker 3: constantly being you know, an inn word hater and hating

274
00:12:30,400 --> 00:12:34,559
Speaker 3: black people all to get to the end. But you know,

275
00:12:35,400 --> 00:12:38,079
Speaker 3: he was an asshole. You know, he kept you know,

276
00:12:39,559 --> 00:12:43,280
Speaker 3: poking and prodding the general. He just didn't like him,

277
00:12:43,679 --> 00:12:46,000
Speaker 3: or the mayor whatever his name was. He didn't like

278
00:12:46,080 --> 00:12:48,040
Speaker 3: him at all, you know. And I didn't think it

279
00:12:48,120 --> 00:12:50,560
Speaker 3: was trustworthy. I didn't think he was like really going

280
00:12:50,640 --> 00:12:52,800
Speaker 3: to be the sheriff either. I thought it was a bullshit.

281
00:12:53,120 --> 00:12:55,400
Speaker 3: I was like John Run or whatever his name.

282
00:12:55,360 --> 00:12:58,160
Speaker 2: Was, like how you just kept pressing him, and he said, look,

283
00:12:58,240 --> 00:13:02,200
Speaker 2: it's just politics. He was saying that it was politics

284
00:13:03,600 --> 00:13:03,760
Speaker 2: like that.

285
00:13:04,280 --> 00:13:06,560
Speaker 3: After he got called out, he said, oh, I ain't

286
00:13:06,600 --> 00:13:08,000
Speaker 3: mean to get into politics.

287
00:13:08,559 --> 00:13:10,680
Speaker 2: I'm like, bro, you spit here, you don't call me.

288
00:13:10,679 --> 00:13:12,480
Speaker 3: A nigger five times, and now you don't want to

289
00:13:12,480 --> 00:13:13,200
Speaker 3: get into politics.

290
00:13:13,280 --> 00:13:16,640
Speaker 2: Got a gun in his face. Yeah, all right.

291
00:13:16,720 --> 00:13:19,520
Speaker 4: So the snowstorm gets worse and they gotta go to

292
00:13:19,679 --> 00:13:23,480
Speaker 4: many hair er dashers, the haberdashery whatever her name is.

293
00:13:23,760 --> 00:13:25,960
Speaker 4: They had to go to her house. They get there,

294
00:13:26,080 --> 00:13:28,679
Speaker 4: many as gone. So this is the setup for the

295
00:13:28,720 --> 00:13:31,199
Speaker 4: whole who done it thing? At this point in time,

296
00:13:31,240 --> 00:13:32,440
Speaker 4: is still nothing better for you much?

297
00:13:33,080 --> 00:13:33,120
Speaker 1: No?

298
00:13:33,440 --> 00:13:35,480
Speaker 4: I was just like, all right, you weren't even curious

299
00:13:35,480 --> 00:13:37,400
Speaker 4: about what the fuck was gonna happen. I think that

300
00:13:37,559 --> 00:13:39,880
Speaker 4: was the what I like most about this movie. She's like, bro,

301
00:13:40,000 --> 00:13:40,880
Speaker 4: what is happening?

302
00:13:40,960 --> 00:13:41,480
Speaker 2: What's going on?

303
00:13:41,760 --> 00:13:45,240
Speaker 4: I didn't think, really, no, nothing was happening. I love

304
00:13:45,320 --> 00:13:48,280
Speaker 4: the set up up two people and they were hitting

305
00:13:48,320 --> 00:13:50,760
Speaker 4: in the town, and like, why would just right? Nothing

306
00:13:50,840 --> 00:13:52,199
Speaker 4: was happening. So you look at it like why just

307
00:13:52,240 --> 00:13:53,760
Speaker 4: even a movie? But then you get to the house

308
00:13:53,800 --> 00:13:55,720
Speaker 4: and it's like, oh, okay something, so who done?

309
00:13:56,320 --> 00:13:58,320
Speaker 1: After I heard nigger thirty eight times, I didn't give

310
00:13:58,360 --> 00:13:59,600
Speaker 1: a fuck about anything else that happen.

311
00:14:01,160 --> 00:14:06,480
Speaker 3: It definitely was, was it. It's to the point where

312
00:14:08,840 --> 00:14:12,280
Speaker 3: I was watching it and I was complaining about the

313
00:14:12,400 --> 00:14:15,520
Speaker 3: movie and I was saying the reasons why, and my

314
00:14:15,640 --> 00:14:17,720
Speaker 3: wife was hearing it. She was in the kitchen cooking

315
00:14:17,760 --> 00:14:20,520
Speaker 3: and I'm sitting there watching it, and he said, it's

316
00:14:20,560 --> 00:14:24,480
Speaker 3: so many times, so many, so much that she was like, oh, yeah, yeah,

317
00:14:24,720 --> 00:14:26,920
Speaker 3: I hear exactly what you're saying. What you're talking about, like,

318
00:14:27,560 --> 00:14:29,760
Speaker 3: and she'll give more grace than I am, because maybe

319
00:14:29,760 --> 00:14:32,080
Speaker 3: I could be a little bit, you know, extra over

320
00:14:32,120 --> 00:14:33,600
Speaker 3: the top or whatever. But she was like, oh, yeah,

321
00:14:33,600 --> 00:14:38,640
Speaker 3: I what you're saying what I do like about I

322
00:14:38,840 --> 00:14:43,760
Speaker 3: like Sam and Senior Bob's exchange in the thing where

323
00:14:43,800 --> 00:14:45,880
Speaker 3: they were doing the horses, and I liked when he

324
00:14:46,000 --> 00:14:48,040
Speaker 3: was like, are you is not like it? Let me

325
00:14:48,080 --> 00:14:51,440
Speaker 3: a liar? He was like, no, I'm not. He said

326
00:14:52,080 --> 00:14:54,200
Speaker 3: what he said. He said, I'm not calling you a liar,

327
00:14:54,480 --> 00:14:57,680
Speaker 3: say says, I sound like it. But I yet I

328
00:14:57,880 --> 00:14:59,880
Speaker 3: liked that line. I thought that was funny.

329
00:15:00,080 --> 00:15:03,400
Speaker 4: So you mentioned Bob, he was there, Oswaldo was there

330
00:15:03,480 --> 00:15:05,800
Speaker 4: the hang in the Red Rock, Joe was there at

331
00:15:05,800 --> 00:15:10,880
Speaker 4: the Quiet Cowboy in General Sandy Smithers, a former Confederate general.

332
00:15:11,480 --> 00:15:16,240
Speaker 4: None of these characters did anything for you, rod Ken, Mike, Yes, yeah,

333
00:15:16,480 --> 00:15:17,880
Speaker 4: they a nice collection of people.

334
00:15:18,440 --> 00:15:21,080
Speaker 2: Yeah yeah, Like I said, it was the mystique. It's like, okay,

335
00:15:21,160 --> 00:15:22,120
Speaker 2: what's going on here?

336
00:15:22,160 --> 00:15:23,680
Speaker 5: You got a guy sitting in the bag, you got

337
00:15:23,760 --> 00:15:27,560
Speaker 5: a general just sitting here at the front in a chair.

338
00:15:28,600 --> 00:15:30,360
Speaker 5: You got the guy who was claiming to be the

339
00:15:30,480 --> 00:15:33,320
Speaker 5: hangman where they're on their way to town. So you

340
00:15:33,400 --> 00:15:35,880
Speaker 5: got all of these interactions, but still old boy was

341
00:15:35,880 --> 00:15:39,400
Speaker 5: still skeptical of like, Okay, well, who are y'all real?

342
00:15:39,480 --> 00:15:41,920
Speaker 5: You know what I'm saying? So I thought that that

343
00:15:42,160 --> 00:15:44,560
Speaker 5: was good. He see, he seemed very intuitive, and I

344
00:15:44,760 --> 00:15:49,800
Speaker 5: liked that of Kurt Russell, right that. Yeah, yeah, I

345
00:15:49,920 --> 00:15:51,000
Speaker 5: like I liked his character.

346
00:15:51,560 --> 00:15:54,760
Speaker 2: Yeah, so someone poisons to coffee. Two characters die.

347
00:15:55,440 --> 00:15:56,560
Speaker 3: Damn you jumped all the way.

348
00:15:56,680 --> 00:16:00,240
Speaker 5: I mean, I feel you know, I felt like I

349
00:16:00,320 --> 00:16:02,480
Speaker 5: was just gonna keep talking about him saying niggas.

350
00:16:02,680 --> 00:16:07,120
Speaker 3: But so I was anything characters because there is a

351
00:16:07,200 --> 00:16:09,000
Speaker 3: lot of filler in this part. So I do agree

352
00:16:09,040 --> 00:16:11,560
Speaker 3: with you jumping to the other part. So I don't

353
00:16:11,880 --> 00:16:13,520
Speaker 3: entirely disagree because it's like, what are we going to

354
00:16:13,600 --> 00:16:16,360
Speaker 3: talk about with him? Just fact finding who all these

355
00:16:16,400 --> 00:16:20,800
Speaker 3: people were? Even the English guy trying to pretend like

356
00:16:20,880 --> 00:16:23,840
Speaker 3: he's a little bit better than everybody. Uh what did

357
00:16:23,880 --> 00:16:26,280
Speaker 3: he call him? He called him another word Nubian.

358
00:16:29,240 --> 00:16:30,440
Speaker 2: Was a levels.

359
00:16:30,840 --> 00:16:33,040
Speaker 3: But I really would have loved to hear like I

360
00:16:33,120 --> 00:16:37,640
Speaker 3: thought it would have been interesting, like Sam Jackson's characters

361
00:16:37,720 --> 00:16:41,480
Speaker 3: conversation with the general because they were on opposing sides,

362
00:16:42,240 --> 00:16:44,960
Speaker 3: and how they would have had, like, you know, a

363
00:16:45,880 --> 00:16:47,920
Speaker 3: real dialogue, even though he was very clear that he

364
00:16:47,960 --> 00:16:52,440
Speaker 3: didn't like him because of who he was, but just

365
00:16:52,600 --> 00:16:55,200
Speaker 3: Sam fighting for But even Sam point I was like, yeah,

366
00:16:55,280 --> 00:16:59,800
Speaker 3: you captured like ten fifteen Color commanders or whatever and

367
00:17:00,040 --> 00:17:02,360
Speaker 3: not on the made it back to camp, you know,

368
00:17:02,640 --> 00:17:06,440
Speaker 3: so that could have been something interesting, you know that

369
00:17:06,560 --> 00:17:10,080
Speaker 3: they did with that, but even still kind of showing

370
00:17:10,200 --> 00:17:14,880
Speaker 3: that he had sort of respect for yeah, you know, yeah,

371
00:17:14,920 --> 00:17:16,840
Speaker 3: can I say I was on the battlefield with this guy?

372
00:17:16,920 --> 00:17:18,639
Speaker 3: Can I said not have a conversation with him? That

373
00:17:18,720 --> 00:17:20,119
Speaker 3: was all a set up though, Yeah, it was.

374
00:17:20,359 --> 00:17:22,560
Speaker 2: It was because he wanted to kill him.

375
00:17:23,640 --> 00:17:24,560
Speaker 3: Yeah, self defense.

376
00:17:26,240 --> 00:17:28,840
Speaker 1: You would love to have more content from frames per second.

377
00:17:29,119 --> 00:17:31,320
Speaker 1: Become a patron where you can contribute to what we

378
00:17:31,520 --> 00:17:34,640
Speaker 1: review and discuss. Our patreon gives the listeners the power

379
00:17:34,760 --> 00:17:37,760
Speaker 1: to nominate and vote a monthly discussion in film review,

380
00:17:38,119 --> 00:17:41,159
Speaker 1: while also nominating and voting on weekly solo reviews from

381
00:17:41,200 --> 00:17:44,160
Speaker 1: each cast member. You also get the opportunity to vote

382
00:17:44,160 --> 00:17:48,280
Speaker 1: on the publicly released anniversary film, all exclusive to our Patreon.

383
00:17:48,560 --> 00:17:52,280
Speaker 1: So become a patron at patreon dot com frames per second,

384
00:17:52,760 --> 00:17:55,240
Speaker 1: where there are two tiers you can choose from. That's

385
00:17:55,280 --> 00:17:58,280
Speaker 1: patreon dot com forward slash frames per second.

386
00:18:03,400 --> 00:18:07,640
Speaker 2: Did y'all have any theories about the coffee? They only

387
00:18:07,680 --> 00:18:09,879
Speaker 2: could have been three three people? Who do you think.

388
00:18:11,920 --> 00:18:17,760
Speaker 4: Was Minie Dave and uh, all right, so we get

389
00:18:17,760 --> 00:18:21,399
Speaker 4: to who poisoned the coffee? Warrening mannis realized someone inside

390
00:18:21,440 --> 00:18:23,640
Speaker 4: his line about poisoning the coffee, and then they begin

391
00:18:23,840 --> 00:18:25,520
Speaker 4: executing suspects one by one.

392
00:18:25,600 --> 00:18:26,600
Speaker 2: Did just worked for you, Muny?

393
00:18:27,200 --> 00:18:28,959
Speaker 1: I was just like, well, the hopefulest means this movie

394
00:18:29,040 --> 00:18:30,840
Speaker 1: is almost fucking over from they're killing people and it

395
00:18:31,000 --> 00:18:33,199
Speaker 1: was not Jesus and I look down like, bro, are

396
00:18:33,240 --> 00:18:33,679
Speaker 1: you serious?

397
00:18:33,720 --> 00:18:35,240
Speaker 2: There's a whole fucking hour left.

398
00:18:35,560 --> 00:18:37,680
Speaker 1: That means there's at least three hundred more niggers to

399
00:18:37,680 --> 00:18:39,000
Speaker 1: come out of these fucking people's mouth.

400
00:18:40,320 --> 00:18:40,439
Speaker 3: Uh.

401
00:18:40,600 --> 00:18:42,040
Speaker 4: So they go us to the basement and they see

402
00:18:42,080 --> 00:18:46,240
Speaker 4: that Jody de Margret is down there. Who is Daisy's

403
00:18:46,359 --> 00:18:51,280
Speaker 4: brother hiding in the basement? Everything I said, I was

404
00:18:51,320 --> 00:18:53,520
Speaker 4: just like this here a shootout breaks out and more

405
00:18:53,640 --> 00:18:57,080
Speaker 4: desk Still nothing for you guys, can Mike when you

406
00:18:57,119 --> 00:18:59,480
Speaker 4: shot him in the nuts when they was a shootout.

407
00:18:59,240 --> 00:19:00,520
Speaker 3: Yeah, we just shot him in the nuts.

408
00:19:00,640 --> 00:19:02,639
Speaker 2: Yeah that was a shot in the nuts hit.

409
00:19:02,800 --> 00:19:08,760
Speaker 3: Yeah. I do like how Sam Jackson's character throughout the movie,

410
00:19:09,520 --> 00:19:12,720
Speaker 3: he just kept kind of poking and prodding see girl Bob,

411
00:19:12,880 --> 00:19:16,320
Speaker 3: And he was just kind of slowly gathering information and

412
00:19:16,480 --> 00:19:20,280
Speaker 3: putting stuff together. And then in this particular scene when

413
00:19:21,280 --> 00:19:24,800
Speaker 3: he got everybody together and lined them up against the wall,

414
00:19:25,119 --> 00:19:27,119
Speaker 3: and then he had to work with Mannuts because at

415
00:19:27,119 --> 00:19:32,600
Speaker 3: this point Run and the other guy dead from the coffee,

416
00:19:35,000 --> 00:19:38,080
Speaker 3: and Manuts was about to drink. He threw the shit

417
00:19:38,160 --> 00:19:41,720
Speaker 3: away or whatever, and then he just kind of walks

418
00:19:41,760 --> 00:19:44,680
Speaker 3: in your bob down and then he was like, well,

419
00:19:46,119 --> 00:19:49,359
Speaker 3: she was so fucked up. He said, many had a

420
00:19:49,480 --> 00:19:51,639
Speaker 3: sign that was missing. I guess that's what you're looking for.

421
00:19:51,760 --> 00:19:53,359
Speaker 3: I thought he was looking for, like a jar. He

422
00:19:53,640 --> 00:19:55,159
Speaker 3: pick up all the poisons covered. He was like, but

423
00:19:55,240 --> 00:19:58,640
Speaker 3: that sign's missing. No dolls and Mexicans allowed. And then

424
00:19:58,720 --> 00:20:02,119
Speaker 3: she took the sign down because she let dogs bro

425
00:20:02,240 --> 00:20:03,560
Speaker 3: that ship was so fun.

426
00:20:05,720 --> 00:20:09,560
Speaker 2: But then we found out it wasn't true. We found

427
00:20:09,560 --> 00:20:10,960
Speaker 2: out it wasn't true, which what.

428
00:20:11,840 --> 00:20:14,280
Speaker 3: We'll we'll we'll get to it. But yeah, she still

429
00:20:14,359 --> 00:20:15,919
Speaker 3: let the Mexican in the out in the building.

430
00:20:16,080 --> 00:20:20,480
Speaker 2: Oh yeah, it's true, Mike, anything for you, honest, no

431
00:20:22,040 --> 00:20:24,119
Speaker 2: know what you want to make the.

432
00:20:26,200 --> 00:20:28,679
Speaker 5: Yeah, before that part when the showdown between the General

433
00:20:28,800 --> 00:20:33,040
Speaker 5: and the and Samuel, I did like that part because

434
00:20:33,080 --> 00:20:34,640
Speaker 5: I think you just skipped over there, and I think

435
00:20:34,640 --> 00:20:36,480
Speaker 5: that was an important part. How he went through He

436
00:20:36,600 --> 00:20:39,560
Speaker 5: had his son going through the snow all that ship.

437
00:20:39,600 --> 00:20:40,320
Speaker 5: That ship was crazy.

438
00:20:40,520 --> 00:20:42,200
Speaker 2: It was. It was dramatic as hell.

439
00:20:42,400 --> 00:20:46,560
Speaker 5: But I thought it was a very intriguing story that

440
00:20:46,760 --> 00:20:48,520
Speaker 5: led to somebody poisoning in the coffee.

441
00:20:48,680 --> 00:20:50,320
Speaker 2: Like so in the middle of the middle of that,

442
00:20:50,400 --> 00:20:51,320
Speaker 2: that's when somebody.

443
00:20:51,240 --> 00:20:52,240
Speaker 3: You think the truth.

444
00:20:53,880 --> 00:20:54,960
Speaker 2: I don't know, I don't.

445
00:20:55,320 --> 00:20:57,760
Speaker 5: It just seemed it seemed a little embellished or whatever

446
00:20:58,000 --> 00:21:00,080
Speaker 5: and whatever. So I wasn't sure if that's.

447
00:21:00,040 --> 00:21:00,720
Speaker 2: Wor he was true.

448
00:21:00,800 --> 00:21:03,000
Speaker 3: Do you think he really shot the general's son.

449
00:21:03,359 --> 00:21:05,120
Speaker 5: I do think he shot the general's son. I don't

450
00:21:05,160 --> 00:21:07,919
Speaker 5: know if like he put his johnson down his throat.

451
00:21:08,040 --> 00:21:12,080
Speaker 5: You know, this ship was crazy. Yeah, I don't know

452
00:21:12,119 --> 00:21:13,040
Speaker 5: if that part was true.

453
00:21:13,680 --> 00:21:15,920
Speaker 3: I was wondering if he started to make all that

454
00:21:16,080 --> 00:21:20,000
Speaker 3: up because he wanted to kill him as revenge.

455
00:21:19,840 --> 00:21:22,440
Speaker 2: For what he did to the troops or whatever.

456
00:21:23,119 --> 00:21:25,239
Speaker 3: Yeah, and he heard about the son came up here

457
00:21:25,280 --> 00:21:27,680
Speaker 3: and died. But because where did that gun come from?

458
00:21:27,720 --> 00:21:32,840
Speaker 3: That wasn't the son's gun was itself?

459
00:21:33,520 --> 00:21:36,320
Speaker 5: Because the hangman wouldn't allow Well, if it was truly

460
00:21:36,400 --> 00:21:38,040
Speaker 5: the hang man, he wouldn't allow him just to shoot

461
00:21:38,080 --> 00:21:38,760
Speaker 5: him cold blood.

462
00:21:39,119 --> 00:21:40,720
Speaker 2: He would have had to have been defending himself.

463
00:21:40,800 --> 00:21:43,040
Speaker 3: Whatever. Oh, even when when the guy walked in, when

464
00:21:43,400 --> 00:21:45,399
Speaker 3: Manness walked in, was like, hey, you know who that is,

465
00:21:45,720 --> 00:21:48,200
Speaker 3: he was like, yeah, that's the that's the hang man.

466
00:21:48,240 --> 00:21:50,159
Speaker 3: You the sheriff. You don't even you know, So it

467
00:21:50,280 --> 00:21:52,960
Speaker 3: was like, yeah, he's supposed to know, but he wouldn't

468
00:21:53,040 --> 00:21:54,880
Speaker 3: knew it because he's the new sheriff. He never would

469
00:21:54,880 --> 00:21:56,520
Speaker 3: have met the hang man, so he never would have

470
00:21:56,560 --> 00:21:57,080
Speaker 3: really known him.

471
00:21:57,080 --> 00:22:03,120
Speaker 2: Anyway, Where do we go from here? What about as

472
00:22:03,880 --> 00:22:07,320
Speaker 2: Ball or Marbury revealed to also be part of the game.

473
00:22:07,720 --> 00:22:08,520
Speaker 2: Do y'all care about that?

474
00:22:09,560 --> 00:22:12,200
Speaker 1: By this point I already assumed they're all part of them,

475
00:22:12,680 --> 00:22:15,119
Speaker 1: all right, they're all on the gang. Shan Tatum, I

476
00:22:15,160 --> 00:22:17,840
Speaker 1: think by this point is he he's already got his

477
00:22:17,920 --> 00:22:18,560
Speaker 1: head shot off.

478
00:22:19,000 --> 00:22:20,560
Speaker 2: So I was like, Okay, they're all in the game. Cool,

479
00:22:20,640 --> 00:22:21,520
Speaker 2: let's wrap this shit up.

480
00:22:21,600 --> 00:22:29,800
Speaker 3: Be so the Yeah, because he held Shanon Tatum as

481
00:22:29,840 --> 00:22:31,919
Speaker 3: long as he for a long time, about two hours,

482
00:22:34,320 --> 00:22:39,439
Speaker 3: them going back and showing how he uh, how they

483
00:22:39,520 --> 00:22:43,440
Speaker 3: went into this whole place with many who just happened

484
00:22:43,480 --> 00:22:46,040
Speaker 3: to be black and then another black woman worked there,

485
00:22:46,280 --> 00:22:48,119
Speaker 3: and then there was other two white people and then

486
00:22:48,160 --> 00:22:55,480
Speaker 3: sweet Dave for Again, that's what I'm saying, like, I

487
00:22:55,520 --> 00:22:58,520
Speaker 3: don't know if Sam made that up to get Senor

488
00:22:58,600 --> 00:23:02,159
Speaker 3: Bob to confess, because Senor Bob walked in and she

489
00:23:02,200 --> 00:23:05,440
Speaker 3: could probably clearly tell he was Mexican and she was

490
00:23:05,680 --> 00:23:09,840
Speaker 3: just sweet, loving and adore everybody. But his face was covered.

491
00:23:10,880 --> 00:23:11,600
Speaker 3: He took it off though.

492
00:23:11,640 --> 00:23:14,320
Speaker 2: Remember I still did think he was Mexican. Yeah, I

493
00:23:14,880 --> 00:23:16,199
Speaker 2: thought Sam made the story up.

494
00:23:17,160 --> 00:23:18,600
Speaker 3: Yeah, you don't think it was I.

495
00:23:18,560 --> 00:23:20,600
Speaker 1: Don't think he was Mexican because then he didn't look

496
00:23:20,640 --> 00:23:21,520
Speaker 1: any kind of Mexican.

497
00:23:21,560 --> 00:23:25,359
Speaker 2: He he had a bad accent. It seemed fake, And

498
00:23:25,680 --> 00:23:27,320
Speaker 2: I think that Sam made the story up.

499
00:23:29,040 --> 00:23:31,720
Speaker 4: Roger, you think the story he said was real? Which

500
00:23:31,760 --> 00:23:35,359
Speaker 4: one the story that he made about him coming in

501
00:23:35,760 --> 00:23:37,400
Speaker 4: dogt in the Mexican.

502
00:23:39,760 --> 00:23:44,000
Speaker 5: M I don't know, because I had that same thought, like, well,

503
00:23:44,000 --> 00:23:46,159
Speaker 5: watch she let him in in the first place, and

504
00:23:46,440 --> 00:23:48,840
Speaker 5: I don't think we ever saw the sign unless she

505
00:23:48,880 --> 00:23:51,359
Speaker 5: took the sign down before she said.

506
00:23:51,359 --> 00:23:52,919
Speaker 2: I don't know. It sounded like he.

507
00:23:52,960 --> 00:23:56,080
Speaker 3: Knew many, really knew many, because remember he talked about

508
00:23:56,080 --> 00:23:58,159
Speaker 3: the stupid Yeah yeah, yeah, So I don't know why

509
00:23:58,200 --> 00:23:59,800
Speaker 3: he would make that one up and not.

510
00:24:00,800 --> 00:24:01,440
Speaker 2: The other stuff.

511
00:24:02,320 --> 00:24:04,359
Speaker 4: What do y'all think about Joe Gage being revealed as

512
00:24:04,680 --> 00:24:06,560
Speaker 4: as an outlaw? Was that surprising that all?

513
00:24:07,160 --> 00:24:07,680
Speaker 2: Joe Gage?

514
00:24:09,640 --> 00:24:12,920
Speaker 3: Not really. That was the one that that remember when

515
00:24:12,960 --> 00:24:14,679
Speaker 3: he walked up and he was like, look, I got

516
00:24:14,760 --> 00:24:19,359
Speaker 3: this person that I'm taking in. She's worth ten thousand dollars.

517
00:24:19,720 --> 00:24:23,400
Speaker 3: Oh yea, I gotta take the guns. And he walked

518
00:24:23,440 --> 00:24:26,960
Speaker 3: up to Joe Gauge to get the gun and Sam

519
00:24:27,119 --> 00:24:30,439
Speaker 3: Jackson was behind him. What about him?

520
00:24:30,720 --> 00:24:31,960
Speaker 2: Was I surprised he was an outlaw?

521
00:24:32,080 --> 00:24:32,240
Speaker 3: Yeah?

522
00:24:32,480 --> 00:24:33,439
Speaker 2: No, I wasn't surprised.

523
00:24:33,440 --> 00:24:35,520
Speaker 5: He was always just like one of the most mysterious ones,

524
00:24:35,640 --> 00:24:39,280
Speaker 5: like yeah, yeah, nah, It just surprised that he was

525
00:24:39,960 --> 00:24:40,679
Speaker 5: part of the Only.

526
00:24:40,600 --> 00:24:43,639
Speaker 2: One that was surprising was probably the hangman that he

527
00:24:43,760 --> 00:24:44,440
Speaker 2: was watered the game.

528
00:24:44,680 --> 00:24:46,959
Speaker 5: Yeah, yeah, because he had to like the little British

529
00:24:47,000 --> 00:24:49,480
Speaker 5: accent and stuff, and I don't know, he just didn't

530
00:24:49,520 --> 00:24:54,440
Speaker 5: seem like an outlaw, okay, he seemed like an authority.

531
00:24:55,400 --> 00:24:56,920
Speaker 2: What are y'all surprised about the letter?

532
00:24:59,720 --> 00:25:01,920
Speaker 3: No, you thought that it was fake? Yeah?

533
00:25:01,960 --> 00:25:04,000
Speaker 1: I knew it was fake from the second the movie started.

534
00:25:04,400 --> 00:25:06,119
Speaker 1: Second I had play I was like, oh, he's bullshitting.

535
00:25:06,520 --> 00:25:11,040
Speaker 1: He's using that letter to again after you hear thirteen niggers,

536
00:25:11,160 --> 00:25:14,880
Speaker 1: it's like, oh, he's using that letter. So people actually

537
00:25:15,400 --> 00:25:19,120
Speaker 1: treat him like he's a human. So no, it wasn't

538
00:25:19,119 --> 00:25:21,679
Speaker 1: surprising to me that he was lying about the letter and.

539
00:25:21,840 --> 00:25:23,800
Speaker 3: Even said it. He said the only way white people

540
00:25:23,840 --> 00:25:26,639
Speaker 3: feel safe is if you disarmed, you know, so he

541
00:25:26,720 --> 00:25:28,680
Speaker 3: even said it. I was surprised he confessed that it

542
00:25:28,840 --> 00:25:32,359
Speaker 3: wasn't because it was like, it's not like Manet's had proof.

543
00:25:32,480 --> 00:25:34,040
Speaker 2: Well, he was dying, so it was like didn't matter

544
00:25:34,080 --> 00:25:34,520
Speaker 2: at that point.

545
00:25:34,880 --> 00:25:36,359
Speaker 3: No, no, No, I was talking about earlier because I

546
00:25:36,359 --> 00:25:39,240
Speaker 3: remember he admitted the letter was fake earlier. Yeah, he

547
00:25:39,320 --> 00:25:42,159
Speaker 3: sold he went back because remember they were they were eating, uh,

548
00:25:42,520 --> 00:25:44,800
Speaker 3: they were eating the stew and stuff like that. And

549
00:25:44,920 --> 00:25:48,320
Speaker 3: then then Mannus was like, uh, what do you say,

550
00:25:48,640 --> 00:25:51,240
Speaker 3: black major or something like that, some other shit or whatever.

551
00:25:51,440 --> 00:25:54,560
Speaker 3: Then it was like yeah, it was it's just so stupid.

552
00:25:54,680 --> 00:25:57,520
Speaker 3: But anyway, trying to stay focused. He was like, man,

553
00:25:57,560 --> 00:26:01,920
Speaker 3: I ain't got time for your shit, man, And then

554
00:26:01,960 --> 00:26:04,120
Speaker 3: he kept questioning about the letters, like yeah, I heard

555
00:26:04,119 --> 00:26:05,760
Speaker 3: you got a letter from Abe Lincoln, bah blah, blah

556
00:26:05,800 --> 00:26:07,960
Speaker 3: nah man. It was like, yeah, ain't nowhere in hell

557
00:26:08,440 --> 00:26:10,800
Speaker 3: he gonna be writing you a pen passed with Abraham Lincoln.

558
00:26:11,160 --> 00:26:14,080
Speaker 3: And then John Rouhone was like, wait, is that true?

559
00:26:14,119 --> 00:26:15,879
Speaker 3: Are you lying? And then he was like, yeah, I

560
00:26:15,960 --> 00:26:18,360
Speaker 3: was lying. I'm surprised if you confessed that easy though.

561
00:26:19,160 --> 00:26:20,359
Speaker 3: You put yourself at risk.

562
00:26:20,760 --> 00:26:22,400
Speaker 2: And then I feel like you feel like he ain't

563
00:26:22,440 --> 00:26:23,120
Speaker 2: have nothing to lose.

564
00:26:23,240 --> 00:26:27,240
Speaker 3: At that point, I thought, I guess, but you you

565
00:26:27,600 --> 00:26:29,880
Speaker 3: you had a trust in a relationship that was built

566
00:26:29,880 --> 00:26:32,280
Speaker 3: with this guy that respected you on the battlefield, and

567
00:26:32,400 --> 00:26:35,400
Speaker 3: you completely wiped that away with admitting that the letter

568
00:26:35,520 --> 00:26:38,200
Speaker 3: was faith even though I think they still continued to

569
00:26:38,320 --> 00:26:40,200
Speaker 3: work together, but still it was just kind of weird

570
00:26:40,640 --> 00:26:42,879
Speaker 3: and they didn't even He had Shannon Tatum come up

571
00:26:42,880 --> 00:26:45,320
Speaker 3: and was like, uh oh win, he threatened the old

572
00:26:45,359 --> 00:26:47,639
Speaker 3: guy because it was like, how's the white guy? But

573
00:26:47,720 --> 00:26:51,080
Speaker 3: they needed to wipe the old general to decorate to

574
00:26:51,160 --> 00:26:53,840
Speaker 3: make it a little less suspicious. And it was like, yeah,

575
00:26:53,920 --> 00:26:55,720
Speaker 3: so I gotta what he said. I got a pile of.

576
00:26:59,640 --> 00:27:02,440
Speaker 4: All right, so we'll wrap this, get to the wrap

577
00:27:02,560 --> 00:27:06,560
Speaker 4: up part of this. Well, you got surprised at the

578
00:27:06,640 --> 00:27:10,000
Speaker 4: end when it was just Mannix Warren and Daisy Left.

579
00:27:11,560 --> 00:27:14,280
Speaker 1: Mike rot Were we surprised that they were the only

580
00:27:14,359 --> 00:27:19,280
Speaker 1: ones left? No, they shot everybody else. But you did

581
00:27:19,320 --> 00:27:22,199
Speaker 1: you expect them to be the last two standing? Probably

582
00:27:22,240 --> 00:27:24,960
Speaker 1: because they were the first two you introduced to. No,

583
00:27:25,119 --> 00:27:26,879
Speaker 1: not really, because the first we were first who were

584
00:27:26,920 --> 00:27:31,280
Speaker 1: introduced to was Kurt Russell and Jennifer Jason Lee whatever

585
00:27:31,320 --> 00:27:34,560
Speaker 1: her name was. But no, it was just like, all right,

586
00:27:34,680 --> 00:27:36,680
Speaker 1: I'm just glad this is over. I'm sorry. I know

587
00:27:36,760 --> 00:27:39,160
Speaker 1: I sound like a wet blanket this. I really fucking

588
00:27:39,200 --> 00:27:43,280
Speaker 1: hated this. Every single minute that this was on my television.

589
00:27:43,359 --> 00:27:50,399
Speaker 2: I was angry. What's a was surprised they were the

590
00:27:50,440 --> 00:27:54,879
Speaker 2: last two standing? It made sense that they were. They

591
00:27:54,920 --> 00:27:56,639
Speaker 2: were the last two standing, And I like how we

592
00:27:56,760 --> 00:27:58,159
Speaker 2: got here. Yeah, I'll say that.

593
00:27:58,359 --> 00:27:58,800
Speaker 3: What you mean?

594
00:27:59,440 --> 00:28:01,440
Speaker 5: So? I like that, you know, you start off like

595
00:28:01,560 --> 00:28:03,399
Speaker 5: kind of what Kim was saying, you start off at

596
00:28:03,600 --> 00:28:06,040
Speaker 5: the beginning was a setup for the end or whatever.

597
00:28:06,119 --> 00:28:09,200
Speaker 5: So I liked that you had this sheriff that had

598
00:28:09,240 --> 00:28:11,520
Speaker 5: hate for this black man and then you end up

599
00:28:11,560 --> 00:28:14,800
Speaker 5: having to side with him and be in cohoots with

600
00:28:14,880 --> 00:28:18,000
Speaker 5: him in order for you know, for survival, right, So

601
00:28:18,720 --> 00:28:21,879
Speaker 5: I like how that ended that you could be on

602
00:28:22,000 --> 00:28:25,240
Speaker 5: two sides of the coin, but still if there's one

603
00:28:25,440 --> 00:28:28,879
Speaker 5: common evil, that's where you can relate, you know what

604
00:28:28,880 --> 00:28:32,320
Speaker 5: I'm saying. And so yeah, and I just like how

605
00:28:32,359 --> 00:28:34,480
Speaker 5: this whole the intensity of all of this played out,

606
00:28:34,960 --> 00:28:38,240
Speaker 5: Like I like how all of this from like him,

607
00:28:38,320 --> 00:28:40,160
Speaker 5: like I want I'm interested, I'm interested in what she

608
00:28:40,240 --> 00:28:42,000
Speaker 5: got to sell, you know what I'm saying, Like like,

609
00:28:42,840 --> 00:28:44,360
Speaker 5: I feel like he did a really good job.

610
00:28:44,400 --> 00:28:48,200
Speaker 2: That dude's a really good activis I And I really

611
00:28:48,600 --> 00:28:52,520
Speaker 2: liked liked him here and I always liked Sam Yale

612
00:28:52,560 --> 00:28:55,160
Speaker 2: for the most part in the movie. He's like you

613
00:28:55,600 --> 00:28:58,080
Speaker 2: believe that bitch, you know what?

614
00:29:01,880 --> 00:29:05,560
Speaker 5: But nah, man, I thought like everything about it, the intensity,

615
00:29:05,720 --> 00:29:08,040
Speaker 5: the way they told it, Like I just I like

616
00:29:08,160 --> 00:29:10,800
Speaker 5: how we got to this point or whatever.

617
00:29:10,960 --> 00:29:15,600
Speaker 2: And it was very satisfying on how how it ended came.

618
00:29:17,160 --> 00:29:24,680
Speaker 3: So so the ending was interesting, and I'm wondering if

619
00:29:26,200 --> 00:29:29,560
Speaker 3: Quinn Tarantino was trying to make like this larger point

620
00:29:29,640 --> 00:29:32,400
Speaker 3: kind of what I was saying, It's like, here's this

621
00:29:32,600 --> 00:29:36,280
Speaker 3: guy these here's this racist guy who's been at odds

622
00:29:37,080 --> 00:29:42,160
Speaker 3: with the general this whole time, and now they had

623
00:29:42,240 --> 00:29:45,760
Speaker 3: to come together to work together. The thing about it

624
00:29:45,880 --> 00:29:51,040
Speaker 3: is it didn't really make any fucking sense managed decision

625
00:29:51,800 --> 00:29:57,600
Speaker 3: because because he expressed his dislike for black people, so

626
00:29:58,880 --> 00:30:04,520
Speaker 3: and and it in the end when uh, what's the name, Jeane,

627
00:30:05,000 --> 00:30:06,880
Speaker 3: what's calling him out? She was like, are you really

628
00:30:06,960 --> 00:30:10,320
Speaker 3: going to side with this guy? Like all of a sudden,

629
00:30:10,400 --> 00:30:14,040
Speaker 3: now you are an inWORD lover like it, which he has,

630
00:30:14,400 --> 00:30:19,560
Speaker 3: like he's hated and expressed like clear hatred for this guy.

631
00:30:20,520 --> 00:30:24,320
Speaker 3: So is Quinn trying to be deep and trying to

632
00:30:24,360 --> 00:30:26,720
Speaker 3: make a point like, oh, look, these two game together

633
00:30:26,880 --> 00:30:29,320
Speaker 3: to work for like the common good or for peace

634
00:30:29,440 --> 00:30:30,360
Speaker 3: or whatever or justice.

635
00:30:31,240 --> 00:30:33,240
Speaker 4: Think that's what he was going for, like in his

636
00:30:33,400 --> 00:30:35,760
Speaker 4: brain from how especially how y'all are explain to him,

637
00:30:36,120 --> 00:30:38,640
Speaker 4: I think that that's I did a good thing here,

638
00:30:38,920 --> 00:30:39,600
Speaker 4: look what I did.

639
00:30:39,840 --> 00:30:42,840
Speaker 3: No, it fell flat. I'm sure if we're talking about

640
00:30:43,000 --> 00:30:48,400
Speaker 3: this period right after the Civil War where black people

641
00:30:48,400 --> 00:30:52,760
Speaker 3: are still hated and he hates black people, and you

642
00:30:52,880 --> 00:30:55,000
Speaker 3: got a chance to turn all these bodies in to

643
00:30:55,080 --> 00:30:58,360
Speaker 3: get this reward, and you don't like black people. Kill

644
00:30:58,400 --> 00:30:59,160
Speaker 3: the fucking black guy.

645
00:30:59,840 --> 00:31:04,520
Speaker 1: You think it was a coincidence that the only black

646
00:31:04,600 --> 00:31:07,360
Speaker 1: person or only black man in this film was shot in.

647
00:31:07,400 --> 00:31:07,880
Speaker 2: The dick.

648
00:31:09,280 --> 00:31:09,440
Speaker 3: Right.

649
00:31:10,240 --> 00:31:13,560
Speaker 1: I will never, in my entire existence on this planet

650
00:31:13,720 --> 00:31:16,640
Speaker 1: understand black folks obsession with this motherfucking guy.

651
00:31:17,480 --> 00:31:20,560
Speaker 2: This feels like black magas to me. I don't get it.

652
00:31:21,520 --> 00:31:24,840
Speaker 2: Black people loves Guarantino. I don't get it.

653
00:31:25,960 --> 00:31:30,160
Speaker 1: This motherfucker spits his eye every time he makes a movie,

654
00:31:30,160 --> 00:31:32,080
Speaker 1: and y'all like spitting the other one.

655
00:31:32,200 --> 00:31:34,920
Speaker 2: Please. You didn't like Jackie Barine. I don't like Ship

656
00:31:35,040 --> 00:31:37,920
Speaker 2: from this motherfucker man. Have you seen Jackie Bine? You

657
00:31:38,080 --> 00:31:42,280
Speaker 2: like it? No? I like Pam Grier. I don't like

658
00:31:42,520 --> 00:31:43,560
Speaker 2: anything that was.

659
00:31:43,640 --> 00:31:45,959
Speaker 1: That was probably the closest I came to liking one

660
00:31:46,040 --> 00:31:49,160
Speaker 1: of his fucking movies. It was Jackie, but it seemed

661
00:31:49,240 --> 00:31:53,440
Speaker 1: like that one. He was just like, okay, I think, no,

662
00:31:53,760 --> 00:31:56,000
Speaker 1: I think. After that, he's like, you know what, let

663
00:31:56,040 --> 00:31:59,040
Speaker 1: me turn the nigger meter up to like bick and

664
00:31:59,160 --> 00:32:01,360
Speaker 1: let me say nigger as many times I can do

665
00:32:01,480 --> 00:32:03,640
Speaker 1: it in a film and to see what people say.

666
00:32:04,360 --> 00:32:06,720
Speaker 2: And he's like, oh, Ship, black folks ain't doing nothing

667
00:32:06,760 --> 00:32:09,600
Speaker 2: to me. I can get away with this. Matter of fact,

668
00:32:10,440 --> 00:32:12,440
Speaker 2: he said, some of y'all like it. He said in

669
00:32:12,480 --> 00:32:16,280
Speaker 2: an interview Nigger Niger nigga, he said word of interviews,

670
00:32:16,440 --> 00:32:20,840
Speaker 2: big fucking man quin Tarantino. Really, I'm not a fan

671
00:32:20,960 --> 00:32:22,880
Speaker 2: of him. I like some of his movies. You like

672
00:32:22,960 --> 00:32:23,560
Speaker 2: all his movies?

673
00:32:23,680 --> 00:32:25,920
Speaker 3: No, no, I thought you said you were.

674
00:32:26,560 --> 00:32:30,320
Speaker 2: He did has a Tarantino tramp stamp trying to lie. Now.

675
00:32:31,520 --> 00:32:36,080
Speaker 2: I like pop fiction. I like Jackie Brown. I like this,

676
00:32:38,120 --> 00:32:39,480
Speaker 2: Oh you don't like to Kill Bill series?

677
00:32:41,520 --> 00:32:46,760
Speaker 1: There's not any fucking nigger yelling in that. He does say, nigger,

678
00:32:48,640 --> 00:32:50,520
Speaker 1: what'successive things?

679
00:32:50,720 --> 00:32:50,800
Speaker 3: Here?

680
00:32:50,920 --> 00:32:54,479
Speaker 2: Three is done? This one is definitely excessive. Three niggers

681
00:32:54,480 --> 00:32:54,920
Speaker 2: in the movie.

682
00:32:55,000 --> 00:32:57,120
Speaker 1: I'm out, bro, I don't wanna hear this ship no more,

683
00:32:58,280 --> 00:33:00,480
Speaker 1: especially when there's only like one or two people know.

684
00:33:00,480 --> 00:33:01,080
Speaker 2: A fucking movie.

685
00:33:01,560 --> 00:33:04,000
Speaker 4: Okay, so you're saying his movies. You're not saying a

686
00:33:04,080 --> 00:33:06,760
Speaker 4: movie in general because a movie.

687
00:33:06,760 --> 00:33:07,560
Speaker 2: You watched the movie.

688
00:33:08,960 --> 00:33:12,280
Speaker 1: If it's a movie in general, I'm probably gonna be

689
00:33:12,400 --> 00:33:15,280
Speaker 1: okay with it. But if the same director makes two

690
00:33:15,360 --> 00:33:17,680
Speaker 1: more films after that and it's just as many niggas,

691
00:33:17,720 --> 00:33:18,120
Speaker 1: I'm out.

692
00:33:18,560 --> 00:33:20,200
Speaker 2: I'm started looking at you like what the fuck is wrong?

693
00:33:22,640 --> 00:33:24,800
Speaker 2: And it doesn't and a lot of it was just

694
00:33:25,000 --> 00:33:28,120
Speaker 2: just so let me ask you to this well, anyone

695
00:33:28,160 --> 00:33:30,840
Speaker 2: thoughts on the movie? No, fuck this movie and fuck

696
00:33:30,880 --> 00:33:33,520
Speaker 2: Quentin Tarantino. That's it for you two.

697
00:33:35,080 --> 00:33:35,400
Speaker 3: I don't know.

698
00:33:35,520 --> 00:33:38,560
Speaker 2: I mean it's this is This is a hard panel

699
00:33:38,600 --> 00:33:43,480
Speaker 2: to have have a serious conversation. So that's it for

700
00:33:43,600 --> 00:33:44,120
Speaker 2: the review.

701
00:33:44,840 --> 00:33:48,440
Speaker 4: A couple of well facts, No, man, who's more racist?

702
00:33:48,520 --> 00:33:51,120
Speaker 4: David Chase with quin Garentino. I don't know who David

703
00:33:51,200 --> 00:33:53,800
Speaker 4: Chase is the Sopranos creative. You said this that was

704
00:33:53,920 --> 00:33:55,480
Speaker 4: racist too, Yes.

705
00:33:55,400 --> 00:33:59,080
Speaker 2: The Sopranos was definitely racist as fuck. Who's more racist?

706
00:33:59,120 --> 00:34:00,760
Speaker 2: But you put them in the same bucket? I should ask.

707
00:34:01,000 --> 00:34:03,680
Speaker 1: Look, man, I don't know what's worse or cold of

708
00:34:03,720 --> 00:34:05,080
Speaker 1: the flu. It's the same fucking shit.

709
00:34:05,160 --> 00:34:07,840
Speaker 3: I think. I think Tarantino doesn't think he's racist.

710
00:34:08,040 --> 00:34:09,560
Speaker 2: He sure David Chase doesn't either.

711
00:34:10,719 --> 00:34:12,040
Speaker 3: David Chase came out of the minute No.

712
00:34:12,080 --> 00:34:15,080
Speaker 4: No, I said, I watched something and that chose me

713
00:34:16,000 --> 00:34:20,320
Speaker 4: that he is like racist leaning racist leaning.

714
00:34:20,480 --> 00:34:23,040
Speaker 2: I mean, well, I don't think that he knows.

715
00:34:23,120 --> 00:34:24,839
Speaker 4: It's just like he just said about Tarantino. I think

716
00:34:24,880 --> 00:34:27,960
Speaker 4: that David Chase's portrayal of black people in the Sopranos

717
00:34:28,120 --> 00:34:29,920
Speaker 4: is really how he looks at black people, and he

718
00:34:29,920 --> 00:34:32,920
Speaker 4: don't think nothing wrong with it. I think Quentin Tarantino

719
00:34:33,040 --> 00:34:33,719
Speaker 4: just thinks he's cool.

720
00:34:34,040 --> 00:34:36,239
Speaker 1: I think at some point both of them have been

721
00:34:36,280 --> 00:34:40,440
Speaker 1: approached and said, hey, your idea of black people is

722
00:34:40,560 --> 00:34:44,399
Speaker 1: fucked up, and in that moment they have the opportunity

723
00:34:44,560 --> 00:34:47,440
Speaker 1: to be like, damn, you're right. Neither one of them

724
00:34:47,560 --> 00:34:50,959
Speaker 1: did that because they're racist pieces of shit. But Quentin

725
00:34:51,040 --> 00:34:53,839
Speaker 1: Tarantino is never gonna go too far because he makes

726
00:34:53,840 --> 00:34:54,920
Speaker 1: too much money off of us.

727
00:34:55,040 --> 00:34:57,000
Speaker 4: Chase tried to do it in many sciens of k

728
00:34:57,000 --> 00:34:59,480
Speaker 4: new it. I never watched the Sopranos movie he tried to.

729
00:35:00,000 --> 00:35:02,400
Speaker 4: You could tell he was responding the backlash of the

730
00:35:02,480 --> 00:35:05,319
Speaker 4: Sopranos being racist because it's black characters is a whole

731
00:35:05,320 --> 00:35:06,120
Speaker 4: black storyline.

732
00:35:06,239 --> 00:35:08,600
Speaker 2: They did this whole thing and they're just regular ass

733
00:35:08,640 --> 00:35:11,520
Speaker 2: black folks. Yeah, it was about these that.

734
00:35:11,680 --> 00:35:14,040
Speaker 1: Yeah, I had had a lingerin what you mean by

735
00:35:14,120 --> 00:35:20,200
Speaker 1: regular but exactly, yeah, ID so they're they're they're probably stupid, uneducated,

736
00:35:20,640 --> 00:35:21,440
Speaker 1: and they're violent.

737
00:35:21,840 --> 00:35:24,240
Speaker 4: Just like in the Soprano It was like the sexual

738
00:35:24,480 --> 00:35:27,439
Speaker 4: he's messing with the white girl, the white man white.

739
00:35:27,440 --> 00:35:28,040
Speaker 2: I don't know why.

740
00:35:28,760 --> 00:35:31,200
Speaker 4: It was about like the sixties riots, in New Jersey

741
00:35:31,320 --> 00:35:32,560
Speaker 4: or some ship and how the correlated.

742
00:35:32,600 --> 00:35:35,560
Speaker 2: But yeah, he definitely tried to and yeah.

743
00:35:36,560 --> 00:35:39,839
Speaker 1: Well last to wrap it up, I'm gonna answer your question.

744
00:35:39,960 --> 00:35:42,880
Speaker 1: I think it would be Tarantino because Tarantino at this

745
00:35:42,920 --> 00:35:46,520
Speaker 1: point has been told multiple times that this is fucking weird.

746
00:35:47,040 --> 00:35:48,840
Speaker 1: Why do you have a heart on for the N

747
00:35:48,920 --> 00:35:52,279
Speaker 1: word in every film? And he's still as a matter

748
00:35:52,320 --> 00:35:53,960
Speaker 1: of fact, after he was called out, he did it

749
00:35:54,080 --> 00:35:57,000
Speaker 1: more so it's like, why are y'all cool with this

750
00:35:57,080 --> 00:35:57,640
Speaker 1: type of ship?

751
00:35:57,719 --> 00:36:00,760
Speaker 2: I don't get it, I really don't. I want never understand.

752
00:36:01,480 --> 00:36:04,640
Speaker 5: But because he thinks it compromises the honesty of that

753
00:36:04,880 --> 00:36:08,680
Speaker 5: of the historical times every single time period I heard you,

754
00:36:08,760 --> 00:36:12,000
Speaker 5: and I'm disagreeing with you again because he said this,

755
00:36:12,239 --> 00:36:14,239
Speaker 5: I know, but every you said this earlier is what

756
00:36:14,280 --> 00:36:14,680
Speaker 5: I'm saying.

757
00:36:14,840 --> 00:36:19,160
Speaker 1: Every single time period that he has made. When has

758
00:36:19,200 --> 00:36:21,319
Speaker 1: he made a movie where you don't hear nigger at

759
00:36:21,400 --> 00:36:22,200
Speaker 1: least ten times?

760
00:36:22,840 --> 00:36:25,080
Speaker 3: Never? And I think he's saying that to just cover

761
00:36:25,239 --> 00:36:26,440
Speaker 3: up for yes.

762
00:36:26,400 --> 00:36:29,319
Speaker 1: Because every single movie he does it, So that means

763
00:36:29,400 --> 00:36:34,400
Speaker 1: every time period, and Tarantino's dumb ass brain, every single

764
00:36:34,480 --> 00:36:37,359
Speaker 1: time period, nigger is a table time word don't.

765
00:36:38,880 --> 00:36:43,279
Speaker 3: Yes, that's what yes going to say that.

766
00:36:43,480 --> 00:36:46,000
Speaker 2: He probably said it in fucking what was that vampire

767
00:36:46,040 --> 00:36:47,680
Speaker 2: shit he was, and he probably said in that ship too.

768
00:36:47,960 --> 00:36:49,520
Speaker 3: He puts himself in the movies just so.

769
00:36:50,239 --> 00:36:51,960
Speaker 2: I want to drink your blood. Unless you're a nigger.

770
00:36:53,080 --> 00:36:56,359
Speaker 4: That's all right. If there's no more thoughts in our

771
00:36:56,440 --> 00:36:59,120
Speaker 4: hearts and minds, you're clear. That is the review for

772
00:36:59,200 --> 00:37:00,920
Speaker 4: the more an ambursaries.

773
00:37:02,560 --> 00:37:05,840
Speaker 2: I don't know, put this on the what not?

774
00:37:05,880 --> 00:37:08,880
Speaker 3: It wasn't Jalen. You picked it. And then the fans

775
00:37:08,960 --> 00:37:10,120
Speaker 3: and the fans.

776
00:37:10,760 --> 00:37:12,960
Speaker 1: And they did that ship on purpose. They did it

777
00:37:13,040 --> 00:37:15,399
Speaker 1: on purpose. All right, y'all we out peace,