1 00:00:00,280 --> 00:00:03,480 Speaker 1: All Minds of Clear and Calm, right, Yeah, yeah, we good? 2 00:00:04,200 --> 00:00:05,360 Speaker 2: Yeah? So so. 3 00:00:06,760 --> 00:00:07,320 Speaker 1: Are we good? 4 00:00:07,560 --> 00:00:16,520 Speaker 3: Created up getting out in the club? 5 00:00:16,760 --> 00:00:19,320 Speaker 2: Yeah, well what did it saying about it? 6 00:00:19,400 --> 00:00:23,799 Speaker 1: Yeah, we're talking about rapping? Why are you thinking about it? Like? 7 00:00:23,840 --> 00:00:27,760 Speaker 4: That told me what. 8 00:00:29,840 --> 00:00:30,480 Speaker 1: They told me? 9 00:00:33,880 --> 00:00:36,919 Speaker 5: That and hip Hop Master in the Seven Levels man 10 00:00:37,360 --> 00:00:39,360 Speaker 5: shout out to due Play, you know what I'm saying. 11 00:00:39,400 --> 00:00:42,480 Speaker 5: That came out with the original video and also shot 12 00:00:42,560 --> 00:00:46,000 Speaker 5: big shout out to him. He commented in our video, 13 00:00:46,479 --> 00:00:49,200 Speaker 5: you know what I'm saying. That has gone I guess 14 00:00:49,240 --> 00:00:51,480 Speaker 5: a little bit viral, but it was definitely a nostalgic 15 00:00:51,760 --> 00:00:54,480 Speaker 5: to say the least. The energy definitely felt twenty eleven, 16 00:00:54,520 --> 00:00:58,040 Speaker 5: twenty twelve, and here I don't know if it's going 17 00:00:58,120 --> 00:01:00,480 Speaker 5: to get back to that point. But today what we 18 00:01:00,520 --> 00:01:04,600 Speaker 5: are doing is we're taking due plays criteria for all 19 00:01:04,680 --> 00:01:07,759 Speaker 5: seven levels, but we're going to be adding our own 20 00:01:08,080 --> 00:01:12,120 Speaker 5: rappers to those levels. And we're also gonna have the 21 00:01:12,160 --> 00:01:14,480 Speaker 5: link in the description below so that way you could 22 00:01:14,480 --> 00:01:16,840 Speaker 5: go watch the original, so that way you know what 23 00:01:16,880 --> 00:01:19,039 Speaker 5: the hell we're doing and what we're talking about not 24 00:01:19,120 --> 00:01:19,760 Speaker 5: being said. 25 00:01:19,640 --> 00:01:22,959 Speaker 1: Ken all minds of Clear and Colm right, Yeah yeah 26 00:01:23,000 --> 00:01:23,320 Speaker 1: we could. 27 00:01:24,040 --> 00:01:25,319 Speaker 2: Yeah, so so. 28 00:01:26,800 --> 00:01:27,160 Speaker 1: We could. 29 00:01:27,319 --> 00:01:28,919 Speaker 5: I know I was doing a little bit of crash 30 00:01:28,959 --> 00:01:32,000 Speaker 5: it out, but look, just so people didn't have context, 31 00:01:32,160 --> 00:01:33,160 Speaker 5: I didn't see the video. 32 00:01:33,240 --> 00:01:38,040 Speaker 3: Yeah, I never I never knew. 33 00:01:38,480 --> 00:01:39,600 Speaker 2: A lot of people don't like that. 34 00:01:39,720 --> 00:01:40,200 Speaker 1: I didn't know. 35 00:01:40,280 --> 00:01:43,479 Speaker 5: I was just going strictly based off what Ken had 36 00:01:43,480 --> 00:01:44,560 Speaker 5: gave me or whatever. 37 00:01:44,600 --> 00:01:46,520 Speaker 1: And you didn't know it was just a rapping Yeah, 38 00:01:46,520 --> 00:01:46,880 Speaker 1: I didn't know. 39 00:01:46,920 --> 00:01:48,240 Speaker 2: It was just a rapping nobility. 40 00:01:48,280 --> 00:01:50,000 Speaker 5: And I still think it got kind of confusing at 41 00:01:50,040 --> 00:01:52,720 Speaker 5: the end because he started talking about success. 42 00:01:52,320 --> 00:01:52,640 Speaker 1: And all this. 43 00:01:52,840 --> 00:01:54,120 Speaker 5: I'm like, wait a minute, what were we talking about. 44 00:01:54,120 --> 00:01:56,120 Speaker 5: I thought it was just talking about rapping ability. So 45 00:01:56,160 --> 00:01:59,120 Speaker 5: it still was kind of confusing. But shout out to 46 00:01:59,160 --> 00:02:00,080 Speaker 5: him many. 47 00:02:00,040 --> 00:02:02,960 Speaker 1: Y'all seen the video. Yeah, it's really good. It's really good. 48 00:02:03,000 --> 00:02:05,600 Speaker 1: Like he's really good and and I like him. He's 49 00:02:05,680 --> 00:02:08,679 Speaker 1: uh he has he's like a comedian and some ship 50 00:02:08,800 --> 00:02:09,960 Speaker 1: like he has like. 51 00:02:09,960 --> 00:02:13,040 Speaker 5: A certain charm like, Uh, I think he's dope, man, 52 00:02:13,040 --> 00:02:14,720 Speaker 5: I think he's I hope, I hope he's not like 53 00:02:14,760 --> 00:02:15,680 Speaker 5: a terrible person. 54 00:02:16,120 --> 00:02:17,280 Speaker 2: And I'm like picking him up. 55 00:02:17,240 --> 00:02:19,960 Speaker 3: And ship right, he's not a terrible person. 56 00:02:20,000 --> 00:02:21,079 Speaker 2: I'm picking his ass up. 57 00:02:21,360 --> 00:02:23,560 Speaker 5: But nah, man, fucking dope bro, Like I like him. 58 00:02:23,600 --> 00:02:26,320 Speaker 5: I like him a lot like I like his like charisma, Like, 59 00:02:26,440 --> 00:02:28,560 Speaker 5: dude is really fucking dope. And he really took his 60 00:02:28,639 --> 00:02:30,880 Speaker 5: time to put this together, like like like now that 61 00:02:30,919 --> 00:02:32,680 Speaker 5: I've had a chance to go back and watch it, 62 00:02:33,040 --> 00:02:35,560 Speaker 5: I was like, oh, ship, this motherfucker he really puts 63 00:02:35,600 --> 00:02:39,040 Speaker 5: some ship together like it deserves, it deserves the attention 64 00:02:39,240 --> 00:02:42,200 Speaker 5: is getting because he really could tell he really puts 65 00:02:42,200 --> 00:02:45,040 Speaker 5: some time and effort into trying to figure this out. 66 00:02:45,880 --> 00:02:49,000 Speaker 5: Like I think he did a really good job describing 67 00:02:49,480 --> 00:02:52,399 Speaker 5: the seven level. Yeah, me going crazy because I didn't 68 00:02:52,400 --> 00:02:54,800 Speaker 5: I didn't have context, I know. But now after he 69 00:02:54,840 --> 00:02:58,399 Speaker 5: broke it down, I was like, Okay, yeah, like that, 70 00:02:58,400 --> 00:02:58,960 Speaker 5: that's really good. 71 00:02:58,960 --> 00:03:00,560 Speaker 2: I wanted if he chat that ship. 72 00:03:02,360 --> 00:03:05,480 Speaker 5: So look, look can give us the description of level 73 00:03:05,520 --> 00:03:08,000 Speaker 5: one rappers and then will go around the room and 74 00:03:08,080 --> 00:03:12,480 Speaker 5: add our two per person to the level one trash category. 75 00:03:13,040 --> 00:03:19,720 Speaker 4: Level one trash famous for producing extremely poor quality rap 76 00:03:19,800 --> 00:03:21,400 Speaker 4: with no redeemable qualities. 77 00:03:21,639 --> 00:03:33,639 Speaker 1: Who you're too? Ken Ian? Okay? Damn? Who else? Soldier boy? Okay? 78 00:03:33,720 --> 00:03:37,280 Speaker 1: So a soldier back in there? Throwing soldier boy back 79 00:03:37,320 --> 00:03:43,240 Speaker 1: in there? Brokay, I was trying to I'm not gonna 80 00:03:43,320 --> 00:03:45,360 Speaker 1: I'm not gonna now that I know. 81 00:03:48,400 --> 00:03:50,760 Speaker 5: Yeah, I mean I'm trying to not use anybody that 82 00:03:50,840 --> 00:03:53,440 Speaker 5: do play and I did the same thing. 83 00:03:53,800 --> 00:03:55,400 Speaker 2: I try to do that too, but. 84 00:03:55,440 --> 00:03:58,360 Speaker 1: I like, you gotta go back. Yeah, I like to record. 85 00:03:59,720 --> 00:04:00,839 Speaker 1: I liken't bad. 86 00:04:01,040 --> 00:04:03,760 Speaker 5: Like look, I'm like that he put it back ship 87 00:04:04,480 --> 00:04:06,080 Speaker 5: like your two trash rappers. 88 00:04:06,360 --> 00:04:08,320 Speaker 1: Yeah, I'm gonna get a lot of flack for this one. 89 00:04:08,600 --> 00:04:19,680 Speaker 1: I know I am. It's Playboy CARDI like that can becomeing. 90 00:04:19,760 --> 00:04:23,560 Speaker 5: Come on, So he's not even bad. 91 00:04:23,600 --> 00:04:28,800 Speaker 1: He trash trash bro rapp. Yes, and the other one 92 00:04:28,800 --> 00:04:33,360 Speaker 1: is riff Ram. Damn that he that other one is 93 00:04:33,440 --> 00:04:33,840 Speaker 1: riff Ram. 94 00:04:34,600 --> 00:04:35,400 Speaker 2: That lines up. 95 00:04:36,000 --> 00:04:38,320 Speaker 5: Yeah, I'm gonna go popular. I was like, you know 96 00:04:38,400 --> 00:04:41,240 Speaker 5: what we're doing this right, that's what he did. He 97 00:04:41,279 --> 00:04:46,280 Speaker 5: put Soldier Boy in that mother putting. Okay, cool, I'm 98 00:04:46,279 --> 00:04:49,080 Speaker 5: going diddy trash. 99 00:04:49,160 --> 00:04:52,280 Speaker 1: Yeah, damn did he trash? 100 00:04:51,440 --> 00:05:02,919 Speaker 5: He's a trash rapper, Yes, a person, right, you know what 101 00:05:02,960 --> 00:05:09,200 Speaker 5: I'm saying. This next guy just like Soldier Boy, fucking 102 00:05:09,240 --> 00:05:11,720 Speaker 5: big hits, VO loves them. 103 00:05:13,320 --> 00:05:19,919 Speaker 1: Little John. Okay, John is a trash trash He's you 104 00:05:19,960 --> 00:05:21,800 Speaker 1: put there. That's a good one. 105 00:05:22,320 --> 00:05:23,560 Speaker 3: John had. 106 00:05:24,760 --> 00:05:25,159 Speaker 1: Look at what. 107 00:05:27,120 --> 00:05:30,360 Speaker 6: He had lived the whole verse, right if you standing 108 00:05:31,000 --> 00:05:32,800 Speaker 6: up getting out in the club. 109 00:05:33,080 --> 00:05:39,839 Speaker 3: I'm not even mad Love Love's pompler ship. I'm kind 110 00:05:39,839 --> 00:05:40,599 Speaker 3: of Mad's thinking of. 111 00:05:42,760 --> 00:05:47,000 Speaker 1: He's he's trying to think about Little Job. But you're 112 00:05:47,040 --> 00:05:47,960 Speaker 1: one million. 113 00:05:48,839 --> 00:05:53,480 Speaker 5: So my two are a little on the commercial famous 114 00:05:53,520 --> 00:05:55,839 Speaker 5: side to first. One is o J the juice Man 115 00:05:57,240 --> 00:06:06,760 Speaker 5: half a bit, and it's Little Zan Oh. I remember 116 00:06:08,080 --> 00:06:09,719 Speaker 5: he had him on the list though. That's one person 117 00:06:09,760 --> 00:06:10,320 Speaker 5: he had on there. 118 00:06:10,320 --> 00:06:11,600 Speaker 1: Did you have one the list? I think he had 119 00:06:11,600 --> 00:06:12,800 Speaker 1: Little on trash. 120 00:06:12,839 --> 00:06:15,120 Speaker 5: He didn't have him on the trash But regardless if 121 00:06:15,120 --> 00:06:18,200 Speaker 5: he was or he wasn't, he's still a fucking trash rapper. 122 00:06:19,160 --> 00:06:20,160 Speaker 1: So is this him right here? 123 00:06:20,160 --> 00:06:21,400 Speaker 2: And this white guy? Is that him? 124 00:06:21,920 --> 00:06:25,800 Speaker 1: You know what I'm saying, little black, black black guy? 125 00:06:26,240 --> 00:06:26,920 Speaker 2: Who is this guy? 126 00:06:27,000 --> 00:06:28,919 Speaker 1: I don't know. I don't know who that is? Probably 127 00:06:28,960 --> 00:06:30,640 Speaker 1: little Pumping You. 128 00:06:30,560 --> 00:06:34,200 Speaker 7: Think about Little Zan's with the the one. 129 00:06:34,000 --> 00:06:36,760 Speaker 1: That used to the bow rap from back in the day. 130 00:06:37,440 --> 00:06:46,839 Speaker 5: I said little little Zan, not Zaye A n. 131 00:06:47,520 --> 00:06:48,800 Speaker 1: I'm not. I did just say little Zay. 132 00:06:49,080 --> 00:06:50,200 Speaker 2: I said little Zam. 133 00:06:52,640 --> 00:06:56,440 Speaker 3: Like that was roll he was talking about. 134 00:06:57,600 --> 00:06:59,800 Speaker 1: I was like, you went back for that one. 135 00:06:59,680 --> 00:07:04,320 Speaker 5: Bro, because he's been featured on some of the ship 136 00:07:04,400 --> 00:07:08,480 Speaker 5: that me and Ken have gone back to listening to Hawaiians. 137 00:07:08,000 --> 00:07:10,200 Speaker 1: And stuff like that, and yeah he's trash all right? 138 00:07:10,280 --> 00:07:11,760 Speaker 1: Level two Ken, what's that description? 139 00:07:12,480 --> 00:07:16,360 Speaker 4: Level two rappers whose ability is limited offen sticking to 140 00:07:16,400 --> 00:07:19,320 Speaker 4: one sound and flow, who resorts the gimmicks. They can 141 00:07:19,360 --> 00:07:22,080 Speaker 4: be played in public occasionally but are not seriously bumked. 142 00:07:22,480 --> 00:07:25,679 Speaker 5: Okay, who who's your first? Level two bad rapper? 143 00:07:26,680 --> 00:07:31,520 Speaker 4: Jack Carlow Jack Carlo and he lucky he didn't make trash? 144 00:07:31,840 --> 00:07:41,800 Speaker 1: Got you? Who who's your second? And level two? Get 145 00:07:38,080 --> 00:07:47,800 Speaker 1: them red? I don't know. 146 00:07:48,440 --> 00:07:50,320 Speaker 3: I feel she is awful. 147 00:07:52,600 --> 00:07:55,880 Speaker 1: So this level two is bad? Right? Yeahs bad? Who 148 00:07:55,960 --> 00:07:58,240 Speaker 1: you got? Busy man? They will come after me. 149 00:08:00,760 --> 00:08:03,680 Speaker 5: Little baby, that's a good one though. 150 00:08:03,720 --> 00:08:05,720 Speaker 2: I think he had let me see real quick. 151 00:08:05,800 --> 00:08:10,280 Speaker 6: I think he had your wife. 152 00:08:11,080 --> 00:08:16,119 Speaker 1: Little baby bro one two three for whatever? 153 00:08:16,200 --> 00:08:16,840 Speaker 2: For is what's for? 154 00:08:17,000 --> 00:08:22,040 Speaker 5: Mids? Okay he had a little baby? Yeah, okay, a 155 00:08:22,080 --> 00:08:22,560 Speaker 5: little baby? 156 00:08:22,760 --> 00:08:32,520 Speaker 1: Bad? Who else? Man? Kodak black man like he had 157 00:08:32,520 --> 00:08:35,320 Speaker 1: to do like bro all right? 158 00:08:35,440 --> 00:08:35,680 Speaker 2: Man? 159 00:08:36,520 --> 00:08:37,360 Speaker 1: At times? 160 00:08:38,960 --> 00:08:43,120 Speaker 8: Yeah, he's bad. 161 00:08:43,280 --> 00:08:44,280 Speaker 1: What about you, modest? 162 00:08:45,080 --> 00:08:46,079 Speaker 2: We're gonna be disappointed. 163 00:08:48,800 --> 00:08:51,719 Speaker 1: I love him, I love disclaimer. 164 00:08:52,200 --> 00:08:56,120 Speaker 5: I love this guy, but he but he is kind 165 00:08:56,120 --> 00:08:59,000 Speaker 5: of bad. I mean, he know he's not trash, but 166 00:08:59,040 --> 00:09:05,640 Speaker 5: he but he is kind of bad. Twenty one Savage. 167 00:09:11,840 --> 00:09:14,000 Speaker 1: Little too high, he's a little too higher. 168 00:09:14,080 --> 00:09:20,040 Speaker 5: Yeah, he's like a mid rapper man, Yeah, like a million. Mean, 169 00:09:20,520 --> 00:09:23,280 Speaker 5: he's like a mid rapper. Say say what bad is again? 170 00:09:24,440 --> 00:09:27,079 Speaker 4: Rappers whose ability is limited off just taking the one 171 00:09:27,120 --> 00:09:28,760 Speaker 4: sound and flow, who resources the gimmicks. 172 00:09:29,000 --> 00:09:30,599 Speaker 1: I give you one sound to flow, but but you 173 00:09:30,640 --> 00:09:31,600 Speaker 1: don't use giving. 174 00:09:31,440 --> 00:09:33,679 Speaker 4: There are good rappers that have one sound or flow. 175 00:09:33,880 --> 00:09:36,240 Speaker 1: Yeah, he don't use gimmick. We just we just a 176 00:09:36,280 --> 00:09:38,600 Speaker 1: report card on one. I'm not mad at him being 177 00:09:38,600 --> 00:09:39,160 Speaker 1: two or three. 178 00:09:39,720 --> 00:09:44,600 Speaker 7: Get the two or three probably that I could probably 179 00:09:44,679 --> 00:09:45,360 Speaker 7: put him at three. 180 00:09:45,440 --> 00:09:46,079 Speaker 3: I'm not mad at you. 181 00:09:46,240 --> 00:09:49,480 Speaker 1: But when I really think about it, Yeah, we're talking 182 00:09:49,480 --> 00:09:50,040 Speaker 1: about rapping. 183 00:09:50,200 --> 00:09:55,000 Speaker 4: Are you thinking about it like that? 184 00:09:55,080 --> 00:10:00,200 Speaker 1: I told me what they told me one. If you 185 00:10:00,200 --> 00:10:02,560 Speaker 1: said two or three, yeah, I'm cool with that. What 186 00:10:02,920 --> 00:10:05,000 Speaker 1: so too, I'm not arguing, you're putting you know what 187 00:10:05,000 --> 00:10:05,440 Speaker 1: I'm saying. 188 00:10:05,840 --> 00:10:08,559 Speaker 3: I agree, you're not trying. 189 00:10:09,559 --> 00:10:13,679 Speaker 1: And he grew on me. I didn't like with him now, 190 00:10:14,040 --> 00:10:15,880 Speaker 1: so he's bad. Yeah, he's bad. 191 00:10:16,360 --> 00:10:19,520 Speaker 7: He's more mid than bad. He can twenty one Savage due. 192 00:10:19,679 --> 00:10:22,640 Speaker 8: Did you see that double x L ship remember one 193 00:10:22,720 --> 00:10:27,440 Speaker 8: twenty sixteen, was like, Yeah. 194 00:10:26,520 --> 00:10:27,360 Speaker 1: Who's your second rapper? 195 00:10:28,120 --> 00:10:32,040 Speaker 2: I'm keeping it, I'm keeping it at yeah, Gucci, No, 196 00:10:32,080 --> 00:10:32,400 Speaker 2: I can't. 197 00:10:32,440 --> 00:10:32,720 Speaker 1: I can't. 198 00:10:32,760 --> 00:10:33,480 Speaker 2: I can't put him. 199 00:10:33,400 --> 00:10:39,320 Speaker 5: There just for my own safety, my cash exack. 200 00:10:41,080 --> 00:10:48,800 Speaker 1: My god. Right, but what I'm putting there Future Future bad. 201 00:10:50,000 --> 00:10:52,400 Speaker 4: I had him on my list right is bad. Future 202 00:10:52,400 --> 00:10:53,319 Speaker 4: on my list is bad. 203 00:10:53,360 --> 00:10:54,280 Speaker 2: He got dope ship. 204 00:10:54,480 --> 00:10:58,000 Speaker 5: I love Future saying I love twenty one Savage, but 205 00:10:58,000 --> 00:11:01,959 Speaker 5: but wrapping ability? What is Future really doing? And he's 206 00:11:02,000 --> 00:11:05,080 Speaker 5: not doing like it's linear linear. 207 00:11:06,320 --> 00:11:08,920 Speaker 4: Read that teuture one one time level two right rapper, 208 00:11:09,160 --> 00:11:12,239 Speaker 4: his ability is limited, sticking the one sound and flow. 209 00:11:12,640 --> 00:11:18,679 Speaker 1: He's been having the same old I'm not even the 210 00:11:18,679 --> 00:11:21,600 Speaker 1: biggest Future fan. I just gotta represent Nick not here 211 00:11:21,640 --> 00:11:22,520 Speaker 1: stuff Nick. 212 00:11:23,000 --> 00:11:25,040 Speaker 2: I'm gonna say this, i'nna say this. Compare to twenty 213 00:11:25,080 --> 00:11:27,200 Speaker 2: one Savage, he should plays with his flows. 214 00:11:27,400 --> 00:11:30,400 Speaker 1: Yes, that's the only reason Future this whole playing. 215 00:11:30,400 --> 00:11:31,360 Speaker 2: What is No? 216 00:11:31,440 --> 00:11:35,040 Speaker 5: He sounds the same, his sound is the same about 217 00:11:35,120 --> 00:11:36,520 Speaker 5: but his flow is different. 218 00:11:36,800 --> 00:11:37,360 Speaker 1: He do float. 219 00:11:37,640 --> 00:11:39,040 Speaker 3: We're talking about wrapping the flow. 220 00:11:39,360 --> 00:11:40,280 Speaker 1: He do flow different. 221 00:11:40,280 --> 00:11:42,240 Speaker 3: He thtiesprite to come out. 222 00:11:42,720 --> 00:11:46,360 Speaker 5: That was like what twenty twelve future find a formula 223 00:11:46,480 --> 00:11:49,560 Speaker 5: and which that's why he's been successful. 224 00:11:49,800 --> 00:11:51,560 Speaker 1: The sound is the same. I'll give you all that. 225 00:11:51,640 --> 00:11:53,560 Speaker 5: But the flow he do he do funk around with 226 00:11:53,600 --> 00:11:55,680 Speaker 5: the flow, sucking around with the flow. 227 00:11:56,880 --> 00:11:59,400 Speaker 1: Did you hear his feature on his feature verson part 228 00:11:59,400 --> 00:11:59,559 Speaker 1: of me? 229 00:12:00,360 --> 00:12:00,520 Speaker 2: Oh? 230 00:12:00,559 --> 00:12:03,600 Speaker 1: Who been on turn? Part of me? I got my 231 00:12:03,600 --> 00:12:06,000 Speaker 1: savage up out the A p A bought them for me, 232 00:12:06,240 --> 00:12:09,400 Speaker 1: but gets on the anklesh. You bought some meat. 233 00:12:14,800 --> 00:12:19,679 Speaker 5: So these are my two Takashi six nine okay and 234 00:12:19,800 --> 00:12:22,200 Speaker 5: iggy azalia okay? 235 00:12:22,400 --> 00:12:22,720 Speaker 2: All right? 236 00:12:23,360 --> 00:12:24,680 Speaker 1: Level three, level three. 237 00:12:24,760 --> 00:12:29,360 Speaker 4: This level described as pure cardboard, not good and not bad. 238 00:12:29,640 --> 00:12:32,840 Speaker 1: Best suited his background. Using the often becomes corporate. 239 00:12:32,600 --> 00:12:35,880 Speaker 2: And this is called this is me perfect. 240 00:12:37,280 --> 00:12:41,560 Speaker 1: Go ahead, what are your two? Say? 241 00:12:42,080 --> 00:12:44,280 Speaker 8: After you say your I'm sorry, Sonny, that's all I'm 242 00:12:44,280 --> 00:12:44,720 Speaker 8: gonna saying. 243 00:12:44,760 --> 00:12:46,200 Speaker 1: Damn Davies. 244 00:12:46,880 --> 00:12:51,040 Speaker 2: Oh, that's a good one. That's a good one. 245 00:12:52,480 --> 00:12:54,720 Speaker 1: That's a that's a good one. 246 00:12:54,720 --> 00:12:54,880 Speaker 2: Bro. 247 00:12:54,960 --> 00:12:56,520 Speaker 1: He can't, he can't. He can't. 248 00:12:56,640 --> 00:12:57,800 Speaker 2: He can't pop off for money. 249 00:12:58,880 --> 00:13:00,000 Speaker 3: But he ain't. 250 00:13:00,920 --> 00:13:01,520 Speaker 2: It's crazy. 251 00:13:01,679 --> 00:13:06,240 Speaker 1: The other one get cutting, Okay, you can cut it 252 00:13:06,600 --> 00:13:07,240 Speaker 1: with that one. 253 00:13:09,000 --> 00:13:11,439 Speaker 2: That one can can. 254 00:13:12,360 --> 00:13:15,760 Speaker 4: Damn. Yeah, all he's doing is meditating on the Damn album. 255 00:13:17,400 --> 00:13:26,400 Speaker 1: Rap Get to mid Rappers Damn. So whis kalif that's yeah, 256 00:13:26,720 --> 00:13:27,240 Speaker 1: it's good? 257 00:13:27,720 --> 00:13:30,640 Speaker 8: Sorry, Sonny, I got Mac Miller. 258 00:13:35,679 --> 00:13:38,880 Speaker 1: That though. I can see that with Mac Miller. But 259 00:13:39,000 --> 00:13:39,760 Speaker 1: I could see that. 260 00:13:42,679 --> 00:13:46,320 Speaker 5: Script reading the scription why I got. 261 00:13:49,400 --> 00:13:52,480 Speaker 3: Hardboard not good and not bad. 262 00:13:53,440 --> 00:13:54,280 Speaker 1: That sounds about right. 263 00:13:56,559 --> 00:14:00,680 Speaker 5: A lot of people feel like that about Mac. I 264 00:14:00,679 --> 00:14:01,880 Speaker 5: don't feel like that about Mac. 265 00:14:01,920 --> 00:14:03,959 Speaker 1: I don't ever want to see you, sir again, But 266 00:14:04,000 --> 00:14:06,520 Speaker 1: I don't feel like that. But I feel I feel it. 267 00:14:06,679 --> 00:14:09,240 Speaker 1: I feel I was good. 268 00:14:12,120 --> 00:14:14,559 Speaker 5: Like for me, I could put Mac at okay, but 269 00:14:14,720 --> 00:14:17,559 Speaker 5: you know I've been playing go go ahead. 270 00:14:18,200 --> 00:14:20,480 Speaker 1: See these sections were hard for me, man, because I 271 00:14:20,800 --> 00:14:22,640 Speaker 1: just get a little tougher. 272 00:14:23,000 --> 00:14:27,680 Speaker 5: They're these middle sections are because but go ahead, man? 273 00:14:27,880 --> 00:14:31,760 Speaker 1: Who's the two you put in there? Man? Don't be scared. 274 00:14:31,840 --> 00:14:36,360 Speaker 1: I ain't scared. You ain't nervous. Who you got? 275 00:14:36,760 --> 00:14:38,560 Speaker 5: I feel like he's a step above twenty one in 276 00:14:38,640 --> 00:14:43,120 Speaker 5: future and these, but he's still mid technically, okay, And 277 00:14:43,160 --> 00:14:46,760 Speaker 5: I think that's two Chains. I think two Chains is 278 00:14:46,760 --> 00:14:54,440 Speaker 5: a mid rapper based on do play system, okay. I 279 00:14:54,440 --> 00:14:57,480 Speaker 5: think two Change is a mid rapper, okay. Who I 280 00:14:57,520 --> 00:14:59,560 Speaker 5: also think it is a mid mid rapper. Based on 281 00:14:59,600 --> 00:15:02,600 Speaker 5: his sister, them's a sap Rocky. 282 00:15:03,640 --> 00:15:06,760 Speaker 2: I think asap Rocky is in the mids. 283 00:15:06,920 --> 00:15:09,560 Speaker 1: That's pretty good and you like like so much. 284 00:15:10,440 --> 00:15:13,360 Speaker 5: But I think based on this on this scale, he's 285 00:15:13,400 --> 00:15:16,600 Speaker 5: a mid rapper. And I will say this a little disclaimer. 286 00:15:17,120 --> 00:15:19,800 Speaker 5: I love this fucking rapper. As soon as I say 287 00:15:19,840 --> 00:15:23,160 Speaker 5: his name, y'all will agree. Larry June, Larry June's a 288 00:15:23,200 --> 00:15:24,240 Speaker 5: mid fucking Larry. 289 00:15:26,680 --> 00:15:27,080 Speaker 1: Shut up. 290 00:15:27,160 --> 00:15:34,160 Speaker 5: He's not a barely five damn. He's definitely a mid rapper. 291 00:15:34,520 --> 00:15:36,840 Speaker 5: He can fit into the background. It is what it is. 292 00:15:37,960 --> 00:15:41,080 Speaker 1: And then also got Dom Kennedy. That's a good one. 293 00:15:41,760 --> 00:15:44,480 Speaker 1: That's a good one. That's a good one. Love both 294 00:15:44,520 --> 00:15:44,760 Speaker 1: of us. 295 00:15:44,760 --> 00:15:49,600 Speaker 5: Pretty Goodny is a good one. 296 00:15:48,760 --> 00:15:54,840 Speaker 4: I respected rappers who have elevated mid level abilities, capable 297 00:15:54,880 --> 00:15:59,560 Speaker 4: of introspection, fast flows, and impressing rhyme schemes, earning in respect. 298 00:15:59,280 --> 00:16:03,240 Speaker 1: From casual heads, no casual fans and over heads. Who 299 00:16:03,280 --> 00:16:03,840 Speaker 1: that is. 300 00:16:06,080 --> 00:16:06,800 Speaker 3: He's your two? 301 00:16:07,520 --> 00:16:11,480 Speaker 1: This is interesting, Yeah, this will be interesting. Freddie Gibbs 302 00:16:14,280 --> 00:16:20,560 Speaker 1: were considered good, right, They're okay, Yeah, they're okay, okay rappers. 303 00:16:21,200 --> 00:16:26,400 Speaker 2: Man, that's interesting. Mm hmmm, that's interesting, but. 304 00:16:26,360 --> 00:16:30,119 Speaker 1: It's not that wrong though. That's what's crazy. 305 00:16:30,280 --> 00:16:35,920 Speaker 5: I hate your sister because it's not technically wrong, but 306 00:16:36,040 --> 00:16:39,400 Speaker 5: it sounds bad, you. 307 00:16:39,320 --> 00:16:39,920 Speaker 1: Know what I'm saying. 308 00:16:40,040 --> 00:16:44,080 Speaker 6: Say Freddie gets an okay rapper that's itself looking crazy. 309 00:16:44,320 --> 00:16:48,240 Speaker 1: Who's your second? I mean, of course, Jacole Jacob ja. 310 00:16:49,240 --> 00:16:55,360 Speaker 6: Yeah he's wrong, bro, bro Jake, it's just okay. 311 00:16:56,840 --> 00:16:59,160 Speaker 1: Tell me he lost this fucking for Jenny wrong. 312 00:16:59,360 --> 00:17:02,720 Speaker 4: How you your full clothes and ship and people think 313 00:17:02,720 --> 00:17:04,440 Speaker 4: this motherfucker is just the deepest. 314 00:17:04,080 --> 00:17:04,800 Speaker 1: Wrap, bro? 315 00:17:04,960 --> 00:17:07,080 Speaker 2: Name is classic albums he got? 316 00:17:07,240 --> 00:17:10,960 Speaker 1: Okay, got what Friday night Lights? Classic? 317 00:17:12,880 --> 00:17:17,159 Speaker 5: Saying his albums, his mixtapes, that's a project. Bro Classic 318 00:17:17,520 --> 00:17:18,840 Speaker 5: said okay. 319 00:17:19,320 --> 00:17:19,640 Speaker 2: You can't. 320 00:17:20,160 --> 00:17:23,120 Speaker 1: Oh boy, whatever do you say? Name some classic? 321 00:17:23,359 --> 00:17:25,320 Speaker 4: I got some more, but we only get them too 322 00:17:25,400 --> 00:17:26,720 Speaker 4: right now, I'm gonna spare y'all. 323 00:17:27,400 --> 00:17:30,960 Speaker 1: So my level before I got camraon Oh that's not bad, 324 00:17:31,440 --> 00:17:32,640 Speaker 1: that's really good. 325 00:17:32,720 --> 00:17:32,920 Speaker 5: Yeah. 326 00:17:32,960 --> 00:17:37,080 Speaker 8: I got Camra and another one too is like I'm 327 00:17:37,080 --> 00:17:39,200 Speaker 8: with you ride This Level four definitely was tough because 328 00:17:39,200 --> 00:17:41,600 Speaker 8: I was like, man, who is it there? 329 00:17:41,760 --> 00:17:45,760 Speaker 2: So fifty Oh that's good. 330 00:17:46,040 --> 00:17:46,840 Speaker 1: That is good. 331 00:17:47,400 --> 00:17:50,399 Speaker 2: Even with the success. Yeah, it's still not crazy. 332 00:17:50,520 --> 00:17:52,959 Speaker 8: Yeah yeah, so yeah, I got camera and fifty cent 333 00:17:53,040 --> 00:17:53,600 Speaker 8: my level four. 334 00:17:53,800 --> 00:17:57,400 Speaker 5: Okay, God, I hate this and I hope people don't 335 00:17:57,440 --> 00:17:59,480 Speaker 5: take the ship out of context when they watch our video. 336 00:17:59,560 --> 00:18:02,280 Speaker 1: Man. That's why we have descriptions in the training because 337 00:18:02,320 --> 00:18:03,600 Speaker 1: do play did this? 338 00:18:03,600 --> 00:18:04,560 Speaker 2: This ain't our ship? 339 00:18:05,720 --> 00:18:10,440 Speaker 1: You said it again? I can't even say it. Come on, 340 00:18:11,480 --> 00:18:17,840 Speaker 1: body is okay based on the system. 341 00:18:18,160 --> 00:18:21,880 Speaker 3: Okay, he might be because you really like him. 342 00:18:21,880 --> 00:18:24,760 Speaker 1: That's why it hurts say that it could be level three, 343 00:18:24,840 --> 00:18:27,400 Speaker 1: But go ahead, oh you say you'd be level three, 344 00:18:29,440 --> 00:18:33,080 Speaker 1: We're not going. Don't let it rage this one. 345 00:18:32,680 --> 00:18:34,960 Speaker 2: Five, This one hurts as well. 346 00:18:35,200 --> 00:18:40,000 Speaker 5: Okay, probably more than Boldie. Okay, but based on say 347 00:18:40,000 --> 00:18:40,600 Speaker 5: it one more time. 348 00:18:40,680 --> 00:18:41,720 Speaker 2: So so so they know. 349 00:18:41,800 --> 00:18:46,760 Speaker 4: The discrid level abilities, cable of introspection, fast flows are 350 00:18:46,760 --> 00:18:48,000 Speaker 4: impressive rhyme schemes. 351 00:18:48,119 --> 00:18:50,080 Speaker 5: That's not what I had, what I saw. What it 352 00:18:50,160 --> 00:18:53,320 Speaker 5: said respect from casual fans. Yeah yeah, So these are 353 00:18:53,320 --> 00:18:56,840 Speaker 5: respected rappers who might have impressive Ryan skin introspect, the lyrics, 354 00:18:56,880 --> 00:18:57,200 Speaker 5: but they. 355 00:18:57,119 --> 00:18:59,240 Speaker 2: Don't quite reach the level of greatness. 356 00:18:59,320 --> 00:19:02,040 Speaker 1: Yeah, school boy q oh. 357 00:19:05,359 --> 00:19:09,240 Speaker 8: Because because rapid wise he's rapping wise, he's the worst 358 00:19:09,240 --> 00:19:11,320 Speaker 8: in TV like out of black hippie like. 359 00:19:13,359 --> 00:19:18,720 Speaker 1: He is rapping school boy. You have to Yep, he does. 360 00:19:19,320 --> 00:19:22,160 Speaker 1: He does. But think about rapping wise. 361 00:19:22,040 --> 00:19:27,200 Speaker 7: Rapping wise, he's not just that he's gat Jay Rocks 362 00:19:27,200 --> 00:19:31,280 Speaker 7: better than him. I think he's good as him, rapping great, 363 00:19:31,400 --> 00:19:32,959 Speaker 7: rapping wise, app so is better than him. 364 00:19:33,280 --> 00:19:35,320 Speaker 3: Kendricks better than him, Rocks better than him. 365 00:19:35,720 --> 00:19:38,320 Speaker 1: Rap better than him rapping wise. 366 00:19:42,880 --> 00:19:47,440 Speaker 8: He mix alone would sell that ship, right, Black Black 367 00:19:47,480 --> 00:19:50,800 Speaker 8: in the Bastard Remix would kill all that ship. 368 00:19:50,720 --> 00:19:53,720 Speaker 5: Right because he's like my second favorite in the group. 369 00:19:54,040 --> 00:19:55,400 Speaker 5: Don't get it, don't get the ship. 370 00:19:55,400 --> 00:19:58,960 Speaker 1: He wanted to rap on that song. You pissed me 371 00:19:59,000 --> 00:20:03,359 Speaker 1: off that school boy, Like, what the fuck? Then j 372 00:20:03,480 --> 00:20:04,440 Speaker 1: Wright brought that shit home. 373 00:20:04,720 --> 00:20:07,080 Speaker 5: He's a great rapper, like you said, he got based 374 00:20:07,119 --> 00:20:08,720 Speaker 5: on the criteria, like he's the. 375 00:20:08,720 --> 00:20:12,400 Speaker 8: Least he's the least technically skilled rapper in Black Hippie. 376 00:20:12,680 --> 00:20:13,240 Speaker 1: That's right. 377 00:20:13,359 --> 00:20:17,280 Speaker 5: So look, these are my two okay level four rappers. 378 00:20:17,680 --> 00:20:22,480 Speaker 5: The first one Smoked Vizza and then the second one three. 379 00:20:22,800 --> 00:20:26,040 Speaker 5: But it's somebody that you said at three. But I 380 00:20:26,040 --> 00:20:31,720 Speaker 5: think he's four two chains you say four, he's okay rapper, 381 00:20:32,760 --> 00:20:36,040 Speaker 5: I think, and I think he gives a couple of introspection, 382 00:20:36,280 --> 00:20:37,800 Speaker 5: but he never hits greatness. 383 00:20:38,400 --> 00:20:39,960 Speaker 1: You know what I'm saying where I think. 384 00:20:40,080 --> 00:20:41,720 Speaker 2: That's a that's a perspective. I guess. 385 00:20:41,840 --> 00:20:42,040 Speaker 1: Yeah. 386 00:20:42,359 --> 00:20:45,040 Speaker 5: Just again, based off of the description, I feel like 387 00:20:45,520 --> 00:20:47,160 Speaker 5: that's what two change means. 388 00:20:47,320 --> 00:20:49,600 Speaker 1: Level five good rappers can what's that description? 389 00:20:49,960 --> 00:20:53,480 Speaker 4: Rappers with undernovel skill can carry their own against almost anyone, 390 00:20:53,600 --> 00:20:56,320 Speaker 4: as if it were played double entendres and storytelling, gain 391 00:20:56,359 --> 00:20:59,320 Speaker 4: and respect for most in the industry, but not necessarily 392 00:20:59,320 --> 00:21:00,320 Speaker 4: from rap yours. 393 00:21:00,800 --> 00:21:04,200 Speaker 1: Oh my goodness, who you're too ken? I got Rhapsody? 394 00:21:05,000 --> 00:21:10,040 Speaker 1: M hmm. Okay, Rhapsody is good. Yeah, Rhapsody is good. 395 00:21:10,600 --> 00:21:14,720 Speaker 1: Who's the other one? Vince Staples? That's good. 396 00:21:15,000 --> 00:21:17,480 Speaker 5: That is a good one too, because I don't think 397 00:21:17,480 --> 00:21:23,240 Speaker 5: he gets the recognition of the credibility that he should almost. 398 00:21:23,440 --> 00:21:30,639 Speaker 1: Purist, I do this. Don't sleep, bro, who you're too busy? 399 00:21:31,560 --> 00:21:32,080 Speaker 1: Be mad at me? 400 00:21:32,119 --> 00:21:32,239 Speaker 2: Bro? 401 00:21:34,359 --> 00:21:35,880 Speaker 1: Okay, read the five again. 402 00:21:36,720 --> 00:21:37,639 Speaker 3: I know you. 403 00:21:40,280 --> 00:21:44,320 Speaker 4: Undernole can carry on against almost against anyone, is if 404 00:21:44,320 --> 00:21:46,360 Speaker 4: it were playing double and times and storytelling. 405 00:21:46,520 --> 00:21:49,520 Speaker 8: Okay, so I got ice Cube mm hmm. 406 00:21:50,040 --> 00:21:57,240 Speaker 1: Okay, damn it. But that's good. 407 00:21:56,200 --> 00:21:59,359 Speaker 3: That's my I asked again. 408 00:22:00,080 --> 00:22:04,000 Speaker 1: That's it is? It's about ice c. 409 00:22:06,760 --> 00:22:07,000 Speaker 5: Good. 410 00:22:07,040 --> 00:22:09,640 Speaker 1: That's good. Once you get to this place, right, Yeah, 411 00:22:11,280 --> 00:22:22,000 Speaker 1: like you're really good trying to sell this ship first, 412 00:22:22,000 --> 00:22:24,760 Speaker 1: because he knew that ship sounded right. Who you got 413 00:22:24,840 --> 00:22:26,480 Speaker 1: as your two level five good rappers? 414 00:22:26,760 --> 00:22:36,960 Speaker 5: My two level five good rappers, Tyler the Creator Okay, okay. 415 00:22:36,080 --> 00:22:36,240 Speaker 1: And. 416 00:22:37,960 --> 00:22:41,600 Speaker 5: I love this guy. He's one of my favorite rappers. Mammy. 417 00:22:42,400 --> 00:22:45,360 Speaker 5: I think Mammy is a good rapper. I think he's 418 00:22:45,400 --> 00:22:46,080 Speaker 5: a good rapper. 419 00:22:46,080 --> 00:22:47,520 Speaker 1: Read that distribution the game kad. 420 00:22:48,560 --> 00:22:51,040 Speaker 4: Can carry their own against almost anyone word playing double 421 00:22:51,040 --> 00:22:54,880 Speaker 4: and times the storytelling. 422 00:22:56,280 --> 00:22:58,960 Speaker 5: My level five are two artists that have already been 423 00:22:59,040 --> 00:23:00,000 Speaker 5: mentioned by other people. 424 00:23:00,680 --> 00:23:01,919 Speaker 1: But I put Freddy Gibbs. 425 00:23:01,680 --> 00:23:07,000 Speaker 3: Here where Kill? 426 00:23:07,560 --> 00:23:09,159 Speaker 1: He hold his own with anybody. 427 00:23:09,560 --> 00:23:12,160 Speaker 5: He's had Black Thought, he's had Killer Mike, he's had 428 00:23:12,160 --> 00:23:14,600 Speaker 5: Push your Team, he's had all of these rappers that 429 00:23:14,640 --> 00:23:15,280 Speaker 5: he's rapped against. 430 00:23:15,320 --> 00:23:16,040 Speaker 1: He's held his own. 431 00:23:17,240 --> 00:23:18,919 Speaker 2: I do like his place better than yours. 432 00:23:19,240 --> 00:23:21,720 Speaker 1: Freddy a level five? Yeah, what are your other person? 433 00:23:21,720 --> 00:23:23,080 Speaker 1: The other person is Body? 434 00:23:23,600 --> 00:23:25,920 Speaker 3: But you got body in the level. 435 00:23:26,400 --> 00:23:27,960 Speaker 1: I feel like Body has held his own. 436 00:23:32,560 --> 00:23:33,560 Speaker 3: You had him right. 437 00:23:34,280 --> 00:23:36,680 Speaker 1: I'm not I'm not arguing. I didn't argue. I got 438 00:23:36,720 --> 00:23:39,280 Speaker 1: you what I'm saying, all right? Level six, what's the. 439 00:23:39,240 --> 00:23:43,080 Speaker 4: Description these rappers make zero compromise with intrigate rappings that 440 00:23:43,160 --> 00:23:45,720 Speaker 4: the man's intention. They have the ability to perform any 441 00:23:45,800 --> 00:23:48,120 Speaker 4: rapper on the right day and command instant respect from 442 00:23:48,200 --> 00:23:51,560 Speaker 4: real hip hop fans, often inspiring generations. 443 00:23:51,720 --> 00:23:57,800 Speaker 1: I got Tupac, he's not level seven? 444 00:23:58,480 --> 00:23:59,000 Speaker 3: How are you? 445 00:23:59,200 --> 00:24:04,679 Speaker 1: Okay? Okay, go ahead? Who else you got? Who else 446 00:24:04,800 --> 00:24:05,160 Speaker 1: we got? 447 00:24:05,320 --> 00:24:06,320 Speaker 2: We gotta get him out of here. 448 00:24:06,480 --> 00:24:08,600 Speaker 1: We gotta get him out of what you have. But 449 00:24:08,640 --> 00:24:12,920 Speaker 1: y'all got scar faces great? I got scar faces great. 450 00:24:13,200 --> 00:24:15,520 Speaker 1: I don't know if he's inspired generations, but I feel you. 451 00:24:15,920 --> 00:24:19,480 Speaker 4: There's a lot of rappers that inspired by scarface. And 452 00:24:19,520 --> 00:24:22,160 Speaker 4: they'll tell you one of the greatest storytellers ever. You're 453 00:24:22,240 --> 00:24:25,800 Speaker 4: at work, greatest, that's what. That's why he's in great. 454 00:24:26,119 --> 00:24:29,680 Speaker 1: Okay, busy, who you got at level six? I got 455 00:24:30,280 --> 00:24:33,640 Speaker 1: jay Z and I got Biggie. 456 00:24:35,040 --> 00:24:35,560 Speaker 2: Interesting. 457 00:24:36,400 --> 00:24:40,119 Speaker 3: That's interesting, great category and jay Z? 458 00:24:40,440 --> 00:24:42,760 Speaker 1: Yeah, so see by two, ain't that off? Yeah? 459 00:24:42,840 --> 00:24:44,680 Speaker 5: Yeah, I don't know what's happening over there and that 460 00:24:44,760 --> 00:24:47,399 Speaker 5: kind of Yeah, that's kind of crazy, that's wild. 461 00:24:49,720 --> 00:24:51,160 Speaker 1: They inspire generation. Yeah. 462 00:24:53,320 --> 00:24:59,239 Speaker 5: And I argued this down last week, but based on 463 00:24:59,280 --> 00:25:01,120 Speaker 5: what he was saying, I get it now. 464 00:25:01,880 --> 00:25:04,520 Speaker 2: Billy Woods Billy Woods is at six. 465 00:25:04,760 --> 00:25:07,720 Speaker 5: Okay, he's great. I'm gonna jump out of the limb 466 00:25:07,760 --> 00:25:12,800 Speaker 5: man he sees new. But I think I think he 467 00:25:12,880 --> 00:25:14,960 Speaker 5: has the ability to be a goat at some point 468 00:25:15,400 --> 00:25:17,480 Speaker 5: with the trajectory and that's jig. 469 00:25:18,560 --> 00:25:19,800 Speaker 2: I think Jid. 470 00:25:19,520 --> 00:25:23,320 Speaker 5: Has the ability to be a goat if his career 471 00:25:23,800 --> 00:25:25,400 Speaker 5: path goes the right way. 472 00:25:25,480 --> 00:25:29,639 Speaker 2: This motherfucker can't rap, bro, This nigga can't rap. You 473 00:25:29,800 --> 00:25:30,240 Speaker 2: heard your. 474 00:25:32,160 --> 00:25:32,680 Speaker 1: Goat list. 475 00:25:33,080 --> 00:25:36,040 Speaker 5: We agree on Jid at level six on my list 476 00:25:36,119 --> 00:25:38,920 Speaker 5: as well, because I feel like he meets the criteria 477 00:25:39,240 --> 00:25:42,159 Speaker 5: the inspiring generations that's yet to come, you know what 478 00:25:42,200 --> 00:25:42,640 Speaker 5: I'm saying. 479 00:25:42,680 --> 00:25:46,160 Speaker 1: So, but I do feel everything else is great. 480 00:25:46,920 --> 00:25:56,120 Speaker 6: Yes, read the description one again, I perform anywhere, Yes, 481 00:25:56,880 --> 00:25:59,040 Speaker 6: any given time, I think so. 482 00:25:59,080 --> 00:26:00,600 Speaker 5: That's why I said I think he has the ability 483 00:26:00,640 --> 00:26:01,679 Speaker 5: to get to level seven. 484 00:26:01,920 --> 00:26:02,639 Speaker 1: Yeah he does. 485 00:26:03,359 --> 00:26:05,840 Speaker 5: This other rapper I feel is going to stay at 486 00:26:05,920 --> 00:26:08,600 Speaker 5: level six because I don't think he'll cross over the 487 00:26:08,680 --> 00:26:10,240 Speaker 5: level seven But Big. 488 00:26:10,119 --> 00:26:22,560 Speaker 6: Crit, WHOA read the youription. 489 00:26:19,600 --> 00:26:20,280 Speaker 1: Not level six? 490 00:26:20,480 --> 00:26:22,800 Speaker 3: No, reading the disption. 491 00:26:23,200 --> 00:26:24,080 Speaker 1: Is not great reading this. 492 00:26:24,280 --> 00:26:28,160 Speaker 5: He meets everything except for inspiring generation and outperforming any 493 00:26:28,280 --> 00:26:28,880 Speaker 5: rapper on. 494 00:26:29,119 --> 00:26:30,200 Speaker 1: Any given time. 495 00:26:30,440 --> 00:26:35,080 Speaker 4: Yes, Big Crit is non level sixty's that's that's that's 496 00:26:35,119 --> 00:26:36,600 Speaker 4: my guy from the same city. 497 00:26:36,640 --> 00:26:38,520 Speaker 1: It's just no, it's just it's just not right. 498 00:26:39,200 --> 00:26:43,080 Speaker 5: So he can't outperform anybody. No, no, bro, come on, 499 00:26:45,000 --> 00:26:54,080 Speaker 5: get dusted. Absolutely, that's insane. That's level seven leven. 500 00:26:53,920 --> 00:26:58,480 Speaker 4: Seven extremely rare, generational rappers who could do everything at 501 00:26:58,600 --> 00:27:02,679 Speaker 4: an elite level, masters of their craft, sound unique, and 502 00:27:02,720 --> 00:27:06,560 Speaker 4: are instantly recognizable off the servant as funded national figures 503 00:27:06,560 --> 00:27:07,479 Speaker 4: in hip hop history. 504 00:27:07,720 --> 00:27:09,920 Speaker 1: Who you're two, Ken? I got Big Pun? 505 00:27:17,359 --> 00:27:20,400 Speaker 3: No No. 506 00:27:21,600 --> 00:27:25,480 Speaker 4: Is an elite rapper, bro, your go this Big Pun 507 00:27:25,600 --> 00:27:26,480 Speaker 4: is an elite rapper. 508 00:27:26,520 --> 00:27:29,880 Speaker 1: Bro. He had radio he had multiple fucking radio bro. 509 00:27:30,320 --> 00:27:32,000 Speaker 2: I thought this wasn't about He's a. 510 00:27:31,960 --> 00:27:36,720 Speaker 1: Master of his craft, signed recognizable beat. Your pun is good. 511 00:27:37,119 --> 00:27:37,959 Speaker 2: He is a goat. 512 00:27:38,720 --> 00:27:40,399 Speaker 1: He could do everything that in the elite. 513 00:27:40,920 --> 00:27:41,200 Speaker 2: You don't. 514 00:27:41,280 --> 00:27:44,080 Speaker 6: I'm surprised you're not saying Big Pun can't rapping an 515 00:27:44,040 --> 00:27:44,600 Speaker 6: elite level. 516 00:27:44,560 --> 00:27:48,200 Speaker 1: I just don't say. I don't know if he's level seven. 517 00:27:48,240 --> 00:27:50,280 Speaker 1: Don't that confuses me? How you put a big Pun 518 00:27:50,600 --> 00:27:55,040 Speaker 1: here but not pop in six? Yeah, that's what I have, 519 00:27:55,119 --> 00:27:59,520 Speaker 1: bigger he did you have that? What was confused me? 520 00:27:59,560 --> 00:28:03,040 Speaker 1: How you biggie at six would you'll put at seven. Yeah, 521 00:28:03,119 --> 00:28:06,520 Speaker 1: you talking to me about Big, I'm talking you. 522 00:28:06,480 --> 00:28:11,399 Speaker 5: About Yeah, you know whatever, Well, who's your second rapper? 523 00:28:11,400 --> 00:28:12,440 Speaker 1: Can I got Loop? 524 00:28:13,800 --> 00:28:18,679 Speaker 5: I'm quiet because I have Looper as well. I'm with 525 00:28:19,359 --> 00:28:23,440 Speaker 5: I'm with the ships that Mickey Fax is on right now. Lupeg, 526 00:28:23,480 --> 00:28:26,520 Speaker 5: you fucking rap bro, and he could create. I know 527 00:28:26,560 --> 00:28:28,840 Speaker 5: we're not talking about like radio ship and all that, 528 00:28:28,880 --> 00:28:30,879 Speaker 5: but but we knew that what he could do. 529 00:28:31,080 --> 00:28:32,080 Speaker 1: He's been there, done that. 530 00:28:32,800 --> 00:28:43,480 Speaker 5: Rap against anybody, Bro, anybody big Pun, I like, use 531 00:28:43,520 --> 00:28:44,240 Speaker 5: your two levels. 532 00:28:45,280 --> 00:28:47,920 Speaker 8: Uh, these two m cs, I feel like are just 533 00:28:49,240 --> 00:28:53,400 Speaker 8: elite level wrapping gods to me par mach. 534 00:28:53,800 --> 00:28:56,560 Speaker 2: Oh yeah, very much. Is good and l Z I 535 00:28:57,480 --> 00:28:59,880 Speaker 2: knew he's gonna put. But I. 536 00:29:03,000 --> 00:29:07,600 Speaker 1: Disagreeing with Pharaoh. I'm not disagreeing with that, but y'all 537 00:29:07,720 --> 00:29:08,600 Speaker 1: like that's good. 538 00:29:08,720 --> 00:29:10,880 Speaker 5: I don't know if they his two or goats over 539 00:29:11,240 --> 00:29:14,560 Speaker 5: the people he put at great, I probably would swap 540 00:29:15,480 --> 00:29:17,320 Speaker 5: your your goats and your greats. 541 00:29:17,840 --> 00:29:19,120 Speaker 2: That's what I would probably. 542 00:29:18,800 --> 00:29:20,640 Speaker 5: Do on your list, but that I know this is 543 00:29:20,680 --> 00:29:24,000 Speaker 5: this is your your personal goats. 544 00:29:24,480 --> 00:29:27,640 Speaker 1: Yeah, I'm surprised you ain't have like Red Man. I 545 00:29:27,720 --> 00:29:29,840 Speaker 1: gotta list. 546 00:29:30,800 --> 00:29:32,800 Speaker 5: I mean, I have to put put my grade, my 547 00:29:32,960 --> 00:29:35,720 Speaker 5: goat is Tupac, so you gotta put him there. 548 00:29:35,920 --> 00:29:38,440 Speaker 2: And I've already said I agree. 549 00:29:38,200 --> 00:29:41,960 Speaker 5: With Ken and Mickey Facts like I think with Lupe 550 00:29:41,960 --> 00:29:44,000 Speaker 5: because right now that conversation is going on with Mickey 551 00:29:44,000 --> 00:29:47,640 Speaker 5: Facts about him being given to Kendrick. And let me 552 00:29:47,720 --> 00:29:49,800 Speaker 5: just be clear, I'm not I'm trying my best not 553 00:29:49,840 --> 00:29:52,360 Speaker 5: to name people that do play name or whatever. This 554 00:29:52,400 --> 00:29:54,600 Speaker 5: is why I'm going out onto you know. You know 555 00:29:54,640 --> 00:29:56,160 Speaker 5: what I'm saying. I try my best not to, but 556 00:29:56,200 --> 00:29:58,720 Speaker 5: I gotta put my goal there to tupadcast to go there, 557 00:30:00,080 --> 00:30:02,440 Speaker 5: and y'all see I didn't put Jay or whatever so 558 00:30:02,440 --> 00:30:04,640 Speaker 5: so like. But but loopey Man, I think I think 559 00:30:04,640 --> 00:30:07,560 Speaker 5: he's a contender for goat for sure. So for me, 560 00:30:08,120 --> 00:30:10,800 Speaker 5: I agree with Tupac. Tupac is level seven for me, 561 00:30:11,040 --> 00:30:14,200 Speaker 5: super rare. Can do everything that you want out of 562 00:30:14,240 --> 00:30:18,320 Speaker 5: a rapper. Maybe not as technically proficient as others, as 563 00:30:18,360 --> 00:30:22,760 Speaker 5: big pun right, but can hold his own right. His 564 00:30:22,840 --> 00:30:26,160 Speaker 5: presence is just like yes of the novel. And then 565 00:30:26,160 --> 00:30:29,160 Speaker 5: my other level seven rappers, Biggie, and that's my favorite. 566 00:30:29,280 --> 00:30:31,200 Speaker 5: You know what I'm saying pretty much all time, Him 567 00:30:31,280 --> 00:30:33,840 Speaker 5: and Jay, you know, can go either way. But to me, 568 00:30:34,200 --> 00:30:37,320 Speaker 5: level seven, Tupac and Biggie, I think they define what 569 00:30:37,440 --> 00:30:38,200 Speaker 5: level seven is. 570 00:30:38,240 --> 00:30:38,680 Speaker 1: That's safe. 571 00:30:38,840 --> 00:30:39,640 Speaker 2: Yeah, that's safe. 572 00:30:39,760 --> 00:30:40,240 Speaker 1: You know what I'm saying. 573 00:30:40,440 --> 00:30:41,920 Speaker 2: You went super safe on the goat. Yeah. 574 00:30:44,080 --> 00:30:46,160 Speaker 5: Like I said, I just felt like those are the 575 00:30:46,200 --> 00:30:49,800 Speaker 5: ones that define the category, so I had to go 576 00:30:49,880 --> 00:30:50,240 Speaker 5: with them. 577 00:30:50,400 --> 00:30:51,360 Speaker 1: This is our part two. 578 00:30:51,840 --> 00:30:54,600 Speaker 5: We added our rappers to what we feel are the 579 00:30:54,680 --> 00:30:57,160 Speaker 5: levels that do Play has created. 580 00:30:58,520 --> 00:31:00,600 Speaker 1: But look shout out to him again. Yeah, shout out 581 00:31:00,600 --> 00:31:01,880 Speaker 1: to you, bro. I can do video. 582 00:31:02,000 --> 00:31:03,840 Speaker 2: Bro. I watched the whole thing, and thank you for 583 00:31:03,920 --> 00:31:04,360 Speaker 2: shouting us. 584 00:31:04,400 --> 00:31:05,760 Speaker 5: I didn't know you had to put us in there 585 00:31:05,800 --> 00:31:08,240 Speaker 5: too in the original video and the montage. 586 00:31:08,360 --> 00:31:09,720 Speaker 2: Yeah, yo, yo yo, So that's dope. 587 00:31:09,840 --> 00:31:12,680 Speaker 5: How do y'all feel, Give us two of your favorite 588 00:31:12,720 --> 00:31:15,320 Speaker 5: rappers or more in a conversation, because you know how 589 00:31:15,360 --> 00:31:18,480 Speaker 5: I say, Man the conversation. After the conversations, in the conversation, 590 00:31:18,600 --> 00:31:22,360 Speaker 5: like common and subscribe and we'll catch you on 591 00:31:22,440 --> 00:31:24,080 Speaker 1: The next conversations, y'all,