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Speaker 1: Dead End hip Hop album review Big l Harlem's Finest

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Speaker 1: Return of the King. Now, look, you know we're a

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Speaker 1: man down, you know what I'm saying, but we still hear.

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Speaker 2: Doing what we got to do.

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Speaker 1: Shout out to modest a little under the weather today,

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Speaker 1: so it was not able to make it, but we're

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Speaker 1: gonna hold it down. So we got can Bezy and

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Speaker 1: myself and we got the d TV crew. So make

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Speaker 1: sure you go subscribe to their channel and we will

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Speaker 1: start putting their content designed for denna hip hop on

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Speaker 1: denna hip hop. And also make sure you become a

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Speaker 1: patron because we just did bruiser Wolf for the listening.

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Speaker 1: If you want to watch the interview, it'll be on

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Speaker 1: YouTube for free. But if you want the music that

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Speaker 1: he shared, and I'm gonna tell you like this, it

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Speaker 1: was called common Goals. It's the unreleased joint that has

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Speaker 1: a keem alite. If you and we had to run

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Speaker 1: it back to back, that's how dope it was. It's

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Speaker 1: only the second time we've ever done that. Now, if

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Speaker 1: you want to hear that, then you got to become

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Speaker 1: a patron or YouTube member, because that's the only way

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Speaker 1: that you are going to get the full version of

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Speaker 1: the listening and we got other stuff over there too,

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Speaker 1: So while you're over there, go brows and consume more

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Speaker 1: exclusive than a hip hop content. But we're back to

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Speaker 1: regular schedule programming. Big L Harlem's Finance Return of the King.

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Speaker 1: This was dope.

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Speaker 3: I'm done.

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Speaker 1: Nah, I'm playing. But no, I'm not gonna lie like

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Speaker 1: Big L. That Big L's debut album. I've listened to it. Obviously,

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Speaker 1: I think it's one of the better hip hop albums

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Speaker 1: of all time, but it's not something that I go

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Speaker 1: back to frequently. I'm not gonna lie, but I do

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Speaker 1: love his style. I love his aggression, I love his voice.

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Speaker 1: It's very New York but it feels different and obviously

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Speaker 1: you get here. But because he's been gone for so long,

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Speaker 1: what this album made me think of was like, damn, Like,

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Speaker 1: there's so many people I feel that have been influenced

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Speaker 1: by Bigel. Also, if he was alive, this nigga would

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Speaker 1: have been one of the most beastly MC's still because

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Speaker 1: obviously this stuff was recorded twenty plus years ago. A

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Speaker 1: lot of these joints, and then the features that he

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Speaker 1: got on here, like metha man we've been talking about

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Speaker 1: methemat for a minute now where it's like methad nigga

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Speaker 1: A bro, like, we don't need no more features, Bro,

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Speaker 1: we know you can rap and you sound really good

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Speaker 1: at twenty twenty five, So where to work at? You

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Speaker 1: know what I'm saying? This was just another one of

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Speaker 1: those verses. But yeah, not big L would have been

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Speaker 1: monstrous if he was still alive. Joey badass ken.

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Speaker 3: This like it was Bro Joey. Joey was dope on here. Bro. Yeah, Joey,

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Speaker 3: where was this on the hour?

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Speaker 4: The bruh?

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Speaker 3: Where where would.

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Speaker 1: This is the Joey that we all thought we were

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Speaker 1: gonna get when you was taking shots at the West

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Speaker 1: Coast B I think you called it when you saw

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Speaker 1: the seven minute freestyle with Jay He was like they

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Speaker 1: were going to clean it.

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Speaker 3: Up, Nigga.

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Speaker 1: This this ship sounded like they went to studio and

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Speaker 1: fucking recorded that, like like they really cleaned it up.

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Speaker 1: And you know, I've always been biased. It would be

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Speaker 1: the first time I say it all record. I've always

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Speaker 1: been biased to Jay Z when it comes to freestyles

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Speaker 1: and you know when he collaborations and ship. But I'm

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Speaker 1: not gonna front bro. Big L mopped the flow with

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Speaker 1: that nigga when Big L came with that second verse,

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Speaker 1: and then you could tell Jay was kind of like

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Speaker 1: searching for words towards the end. Yeah, big help mop

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Speaker 1: the flow with that nigga. Yeah yeah, yeah, yeah, yeah.

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Speaker 1: That was early Jay. But also freestyle back then meant

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Speaker 1: something different than what it does now. Ken They was

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Speaker 1: literally off the top of the dome, like on the

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Speaker 1: spot in the radio station. So you know that that

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Speaker 1: that that that's definitely different. But now, man, like I

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Speaker 1: walked away from this thing like bruh, Big L was

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Speaker 1: one of the few MC's that I really think would

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Speaker 1: have lasted the test of time if he was still

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Speaker 1: alive now. But you know, unfortunately we didn't get that.

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Speaker 1: But we do have this twenty five years after the fact,

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Speaker 1: and I think it's dope. I think for a posthumous album,

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Speaker 1: you know, typically they don't come out that well, but

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Speaker 1: this this one was really good and I like the

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Speaker 1: features on it. I thought Nas did his thing. I

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Speaker 1: thought McGriff, McGruff did his thing. Method man was a

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Speaker 1: fucking standout metha mass not fucking around, bro, So fucking around, bro,

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Speaker 1: just just give us the project we need.

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Speaker 4: That we ain't gonna say, you know what to expec

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Speaker 4: I kind of knew what. I kind of knew what

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Speaker 4: to expect. It was just dope that I'm glad that

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Speaker 4: Mass Appeal put a spotlight on Big L as a

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Speaker 4: big L fanatic and as a junkie. This this album

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Speaker 4: wasn't for me. Like this, this whole entire album was

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Speaker 4: not for me. I've heard every single verse many different ways.

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Speaker 4: They re released all these verses on different production plenty

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Speaker 4: of times. You know what I'm saying. How many times

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Speaker 4: you got to hear the seven free style with jay

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Speaker 4: Z on there. I knew that. I knew. I was like, Okay,

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Speaker 4: Master Pills released this, It's gonna sound very cleaned up.

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Speaker 4: I personally preferred the case cassette tape sounding the original version.

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Speaker 4: But that's just me. That's just me being a big

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Speaker 4: L Nerd Nerd fan that I've been since ninety five

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Speaker 4: ninety two, since he was on Lord for Neess. That

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Speaker 4: was another thing I was a little disappointed with. I

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Speaker 4: don't know if they turned it down or if Nives

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Speaker 4: approached them. I kind of wish we would have had

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Speaker 4: more d I TC on here, like more Diamond D,

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Speaker 4: more Buck wold More show Biz and ag More Lord Foriness,

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Speaker 4: you know, and like I said, maybe NAS probably did

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Speaker 4: reach out to them, you know, because it's kind of

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Speaker 4: the situation.

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Speaker 2: Uh.

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Speaker 4: Fifo was like with with mob Deep, where like I

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Speaker 4: feel like the best person to deal with Prodigy vocals

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Speaker 4: would be Alchemists and have it. I feel like Lord

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Speaker 4: Forness buck while Diamond D would be perfect to still

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Speaker 4: handle Big L versus with care. So that would be

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Speaker 4: my nitpicking. I can't really say his album is garbage

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Speaker 4: because I've heard all of this multiple times. I'm just

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Speaker 4: glad for one the family gets to eat off of this.

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Speaker 4: His family, his state gets to eat off of this.

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Speaker 4: And this album is for people who never really dug

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Speaker 4: into Big L. And was like, okay, well this is

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Speaker 4: NASA is releasing this, let me go check us out.

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Speaker 4: So it's a lot of people's first time really diving

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Speaker 4: into a Big L project. That's what this album is for.

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Speaker 4: After listening to this, I was like, this album's not

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Speaker 4: even for me. It's not for me. It's not for

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Speaker 4: someone like Mike Sea Town were both big, huge Big

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Speaker 4: L fans. This album is not for us. It's not

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Speaker 4: for me to consume and really give an opinion on

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Speaker 4: because you know I've heard this before. We've done that, Yeah,

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Speaker 4: you know what done that with this?

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Speaker 1: And my stance with this and I feel you you know,

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Speaker 1: my perspective was like if this was the first time

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Speaker 1: that I ever heard it, you know what I'm saying.

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Speaker 1: And that's the reason why I talked about how cleaned

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Speaker 1: up it sounded like it sounded.

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Speaker 3: It's hard for me.

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Speaker 4: It was hard for me to go in there that way.

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Speaker 3: I'm my bad.

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Speaker 4: I don't even to cut you off, but it was

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Speaker 4: hard for me to go in that way because I

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Speaker 4: was just like, Okay, yeah, I heard this before. Because

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Speaker 4: he got he got, he got out. If you look

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Speaker 4: at one three nine OLYMTICX, which is kind of like

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Speaker 4: the same album covers this one, I think he was

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Speaker 4: kind of taking the pictures in the same area. He

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Speaker 4: got returned to the Devil's Son, which got some of

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Speaker 4: these same verses, just called different songs, different freestyles on

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Speaker 4: here what else he got and it's another one I'm

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Speaker 4: forgetting it's another it's one more project that was released

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Speaker 4: like in twenty eleven, that's the same versus some of

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Speaker 4: the same verses, some of the same stuff over again,

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Speaker 4: but I get it. I mean, you know, they were

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Speaker 4: just trying to let people know, Hey, this.

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Speaker 3: Dude was the Beast.

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Speaker 4: I'm just glad it was released on a bigger scale,

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Speaker 4: you know what I'm saying.

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Speaker 3: You know what be for me? I could I could

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Speaker 3: do doing what we've been doing for so long.

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Speaker 1: I can just go into something with a clean palette

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Speaker 1: and just talk about what I experienced here. And I

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Speaker 1: feel you because growing up in the era that we

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Speaker 1: grew up with with cassettes and dubbing over cassettes and

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Speaker 1: stuff like that, that scratchy sound is so authentic, you know,

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Speaker 1: one hundred percent. I don't disagree with you, and I

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Speaker 1: think it adds a layer of authenticity to the timeframe.

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Speaker 1: But again, if I'm thinking about it with you know,

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Speaker 1: like I have, I have a nephew that's like eighteen,

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Speaker 1: you know what I'm saying, Like, he's never heard Big L. Right,

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Speaker 1: this is this is the Big L play that's for him.

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Speaker 3: One hundred percent.

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Speaker 1: So that was the perspective that I was trying to

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Speaker 1: that I went into with this project and why I

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Speaker 1: feel so animated even though I've heard this many a time,

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Speaker 1: but it does sound clean. It sounds brought to life.

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Speaker 1: It sounds twenty twenty five. So I like that, you

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Speaker 1: know what I'm saying for this project, and like you said,

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Speaker 1: you know, like his estate, it's a state. Is gonna

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Speaker 1: be able to eat off of this, you know what

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Speaker 1: I'm saying. So that's the beautiful thing about putting shit

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Speaker 1: on wax that you know you can always remix it.

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Speaker 1: You could redo it, this, that and the third, and

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Speaker 1: as long as the paper is right, then your family

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Speaker 1: gets to eat from it for generations.

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Speaker 4: And you know, and I understand some of the features

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Speaker 4: that were on here, even though I was like, it

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Speaker 4: still doesn't make sense, but it was just kind of like, Okay,

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Speaker 4: they put mac mill on there because he mentioned Big L.

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Speaker 4: You know what I'm saying. He knew how dope Big

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Speaker 4: L was. But I'm like, well, he really would have

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Speaker 4: did a song with him if he was still alive

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Speaker 4: or probably not. Probably not even with Joey Badass. As

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Speaker 4: much as I know we was praising, I mean, y'all

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Speaker 4: was just talking about Joy's Badass versus I still maybe

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Speaker 4: that could have happened because they both New York. But

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Speaker 4: it's just kind of like, ah, I was just I

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Speaker 4: wanted to. And this is just me, this is this

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Speaker 4: is personal. I kind of wanted I wanted some give

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Speaker 4: me some d I TC features on here, give me

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Speaker 4: people that L did work with to put on here.

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Speaker 1: Like you said, like that's already out there and this

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Speaker 1: and this is also trying to capture.

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Speaker 3: A new audience, which is why Mac is on there.

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Speaker 1: And look like when I first heard, I'm I had

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Speaker 1: to look at my phone like this is really Mac,

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Speaker 1: you know, so this is weird. I don't disagree. I

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Speaker 1: don't know one hundred percent if they would have worked

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Speaker 1: together if he was still alive.

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Speaker 4: And and I would say, I want to say this too,

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Speaker 4: even though I'm not the biggest Mac Miller fan. I

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Speaker 4: thought he signed a fine on the song. I didn't want't,

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Speaker 4: I didn't mind him on the song. It was just weird.

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Speaker 1: I'm like, because you don't know, you you don't know

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Speaker 1: if they would have worked Joey God asked, Joey Badass

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Speaker 1: has had a higher propensity of potentially working with Big L.

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Speaker 1: But again, I think I'm judging it for the music

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Speaker 1: and for the reasons why they put out the music,

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Speaker 1: and it makes sense, like again big shout out the

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Speaker 1: Nas and mass appeal for what they're doing, giving these

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Speaker 1: albums and these artists new life because because this feels

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Speaker 1: like a new album, and it does.

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Speaker 4: And Nias had a very very mutual respect for Big

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Speaker 4: L during that time. So like yeah, Nia's said he

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Speaker 4: he said it in a radio interviews like yo, Big

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Speaker 4: L dropping that, like I'm that's the dude I'm scared of. Like,

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Speaker 4: Nias had very very high respect for Big L. So

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Speaker 4: for him to kind of put together this project, I

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Speaker 4: think I think I think it was you know, it

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Speaker 4: was kind of like a bucket list for now. It's

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Speaker 4: probably cool to get the permission from this state and

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Speaker 4: everything and everybody to work on this project and shot

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Speaker 4: the worst of five nine to two Get Better. So

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Speaker 4: he he's one of the executive producers for this project

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Speaker 4: as well. If he wasn't going through his health issue

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Speaker 4: he was going through, he said he would have laid

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Speaker 4: some vocals down for this, So that would have been dope.

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Speaker 4: It was dope to hear Meta man and Conductor like

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Speaker 4: Conductor gave him. Conductor put a Big L type spooky

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Speaker 4: beat on here that that that was that was fitting

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Speaker 4: for Big L style. So I did appreciate that and

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Speaker 4: y'all right about Meta man met the Man is just bruh.

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Speaker 4: Everybody like, yeah, you've been, you've been, You've been on

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Speaker 4: like one of these feature runs that nobody's talking about

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Speaker 4: that should.

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Speaker 3: Be talking about.

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Speaker 4: You been killing He've been killings features in twenty twenties, bro,

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Speaker 4: like the twenty twenties Memphis been killing his shit even

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Speaker 4: a little bit before twenty twenty. But yeah, man, yeah,

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Speaker 4: but yeah, this album wasn't for me. This this, this

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Speaker 4: wasn't for me. I'm a I'm yeah, this is this

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Speaker 4: wasn't for the Big L long time stand fan. Well,

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Speaker 4: I stand, but like a big time nerd fan of

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Speaker 4: Big L. This album wasn't for me. This was for

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Speaker 4: what you mentioned, that eighteen year old that never dived

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Speaker 4: into a Big yel before, or some of twenty year

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Speaker 4: old that be like, man, I heard talks about this

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Speaker 4: Big YL, but damn, oh man, he got a project

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Speaker 4: out by Massive Bill. Let's check this out. That's what

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Speaker 4: this albums for. It's not for me.

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Speaker 5: And they would have to be like, you know, underground

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Speaker 5: rap hip hop fans. They would have to be hip

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Speaker 5: hop like historians, guys that like to dig into the past.

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Speaker 3: You know, you know, then ain't.

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Speaker 4: Gonna be a typical young guy that listened to Playboy

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Speaker 4: CARDI that or no, no, no no, They're not gonna

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Speaker 4: go back and check for this.

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Speaker 3: Yeah.

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Speaker 5: I thought it was good, you know, like the new

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Speaker 5: presentation that they had. I think it definitely gives people

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Speaker 5: an option to uh listen to whatever version they still choose,

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Speaker 5: you know, I think I and I like, you know,

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Speaker 5: the Conductor beat. I like the Joey Bedass first on here.

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Speaker 5: It was crazy, like because I haven't I haven't heard

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Speaker 5: the name of Gruff in a minute, bro, someone there?

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Speaker 4: Yeah, man, you know you know him and Big was

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Speaker 4: cool as ship though.

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Speaker 5: Yeah, he had that uh that album back in the day,

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Speaker 5: and he had that that single before We Start, which

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Speaker 5: was a big single for him, remember Gruff, So.

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Speaker 4: It was freestyle over that beat. A lot of people

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Speaker 4: freestyle over that beat because that beat was so popular.

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Speaker 3: Yep, yep, yep. So but you know, I think, and

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Speaker 3: let me ask you, this beat are a lot of.

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Speaker 5: Like, is this like all all of his stuff that's

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Speaker 5: out there or a good portion of it or.

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Speaker 3: Did they Yes?

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Speaker 4: Bro, it's probably like about lily N. She's already been okay,

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Speaker 4: that's already been out there. Bro, you know what I'm saying.

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Speaker 4: They took him versus they took a verse or freestyle

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Speaker 4: from something and they just you know, they adapted on

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Speaker 4: their or whatever. So yeah, it's it's you know, it's

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Speaker 4: it's stuff I heard before I heard on it, right,

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Speaker 4: So I think though he passed away in ninety nine,

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Speaker 4: so it's just like, bro, you're going twenty six, twenty

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Speaker 4: seven years of just because.

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Speaker 3: On one of them verse he said nine to six, Like, it's.

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Speaker 5: Just like, b yeah, it's yeah, I'm yeah, you mentioned

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Speaker 5: a Dina Howard free. I was like, oh, that's definitely.

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Speaker 5: Well if it's ninety five percent. And in the announcement,

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Speaker 5: most of this stuff they mentioned, most of this stuff

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Speaker 5: wasn't online, Like, it wasn't on streaming.

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Speaker 3: You can't find it.

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Speaker 5: So to your point, what they were doing is sort

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Speaker 5: of paying tribute to him a state family. I believe

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Speaker 5: and knowledge that it's going to be a lot of.

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Speaker 3: The older stuff and stuff that people are, but it's

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Speaker 3: just giving it a home.

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Speaker 5: I think we reviewed something where we talked about giving

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Speaker 5: something a home, and this is like, we're going to

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Speaker 5: take all this stuff that was out there we're going

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Speaker 5: to put into this package and we're just going to

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Speaker 5: give it a home for his stuff to live for

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Speaker 5: people to listen to.

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Speaker 3: And I think that that's kind of what it was.

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Speaker 5: I think because yeah, yeah, because because I think that

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Speaker 5: I liked it.

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Speaker 3: I like listening to it definitely.

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Speaker 5: When I was the seven minute freestyle, I was like,

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Speaker 5: you know again, I was like, oh, so they just

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Speaker 5: gonna put all the stuff on here. I was like okay,

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Speaker 5: because I had a look at the track list, so

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Speaker 5: I didn't really know what.

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Speaker 3: I was like, Okay, so this is weird.

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Speaker 4: People got excited when they saw jay Z and I'm like,

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Speaker 4: it's not a new people thinking it was a new

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Speaker 4: j Viz verse I said. I was like, I bet

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Speaker 4: my money that they probably put the seven a free

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Speaker 4: sell on it.

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Speaker 3: Yeah, so I.

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Speaker 5: The only thing I could think about it definitely took

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Speaker 5: me back in time, you know. I think they did

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Speaker 5: a good job of capturing the sens of sounds, you know,

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Speaker 5: that made it sound really really natural and rapper. But

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Speaker 5: the only thing I could think about being over and

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Speaker 5: over again was like, yeah, man, this guy was on

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Speaker 5: his way, Like sometimes people say that about rappers and

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Speaker 5: people bro like they say that about a couple that

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Speaker 5: have passed away recently.

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Speaker 3: I can't connect with it. I don't know, like Pop

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Speaker 3: smoke Ets and somebody else.

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Speaker 4: The same year he passed away, he was, he was,

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Speaker 4: he was playing on signing with Rockefeller, like that same

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Speaker 4: year he passed away. Man, you got to think the

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Speaker 4: Rockefeller was around that time of ninety nine. So yeah,

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Speaker 4: that that that would have been a big move for

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Speaker 4: him to partner up with his Flamboy and Entertainment in

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Speaker 4: print with Rockefeller. Yeah, bro, he was. He was getting ready,

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Speaker 4: he was getting ready to take off.

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Speaker 3: Bro. Yeah it was.

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Speaker 5: And it's like people were behind him right like you know,

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Speaker 5: he was the guy and you know all the other

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Speaker 5: dope rappers that became adupe rappers like right behind him.

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Speaker 5: But I mean you it was on seven min the freestyle,

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Speaker 5: but you could just you could just hear it, like

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Speaker 5: it was just something in a way he wrapped the

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Speaker 5: signs of the Superboys. His flow is delivery. There's a

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Speaker 5: charismas there, and it's almost like he was able to

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Speaker 5: make rapping sound effortless and accessible in a way that

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Speaker 5: you you So it's like he was like ready, man,

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Speaker 5: and that's all I kept thinking about when I was

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Speaker 5: listening to that, I was like, man, who.

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Speaker 3: What could have been? Bro?

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Speaker 5: You know, just an extreme talent, you know, And I'm

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Speaker 5: glad people definitely got a chance to hear it. For

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Speaker 5: those that haven't, even though they could have went back

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Speaker 5: and listened to the Lifestyles, they could have listened to

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Speaker 5: the Big Picture. I know that was released postthumously as well,

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Speaker 5: but he was.

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Speaker 4: Working on that though, So I mean that that, you know,

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Speaker 4: even though it came out after he passed away, But

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Speaker 4: that was that was shit he was working on.

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Speaker 3: Yeah, it was.

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Speaker 4: It was on Ruckus Records too.

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Speaker 3: I remember, yep, yep, yep.

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Speaker 5: I got it, I got it, I got it.

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Speaker 3: It was you know.

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Speaker 5: It was also funny I forgot which one it was

381
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Speaker 5: when he shouted out, uh, when he shouted out Mace

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Speaker 5: Cam and some of the other guys and the guys

383
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Speaker 5: like And that's another thing.

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Speaker 4: He's been a group in the corner with him with him,

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Speaker 4: Mace Camp, Early Cam, Early Camp, Early Mace, Yeah, all

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Speaker 4: of them McGruff Yeah yeah, bro.

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Speaker 5: And so think about that, right, all of them went

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Speaker 5: on to become rapped stars, superstars, right. He was right

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Speaker 5: there with him. He was shouting them out like they

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Speaker 5: weren't even they were using.

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Speaker 3: It was the names, yep, it wasn't even the rap

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Speaker 3: names that we all.

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Speaker 5: So that's what I'm saying, like, bro, like people just

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Speaker 5: don't understand what was about to happen. And you know,

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Speaker 5: all the people shout it out seeing what happened with them,

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Speaker 5: you know, you can you can imagine what would have.

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Speaker 3: But it was good, man, And I'm.

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Speaker 5: Glad there's a home for it for people to listen

399
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Speaker 5: to it like a reference. Like you know, we talk

400
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Speaker 5: about Big L, and people talk about Big L and

401
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Speaker 5: how dope he was, and we're like, oh, yeah, you

402
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Speaker 5: know what, then we say, oh, man, just go listen

403
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Speaker 5: to Harll's find this Return of the King, Like that's

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Speaker 5: ninety five percent, like you said, of his work, you know,

405
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Speaker 5: And then you can hear what we were hearing back

406
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Speaker 5: in the day.

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Speaker 3: And I'm good.

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Speaker 5: You know, it's good the estate got some control over it,

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Speaker 5: they got it out. It's good that NAS came through

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Speaker 5: and organized it and put it out in a very reasonable,

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Speaker 5: respectful fashion, and you know, and I'm here for it.

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Speaker 3: I'm here for it.

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Speaker 5: So and then you know, I don't know if you

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Speaker 5: can find the originals, but you know, maybe you can,

415
00:19:47,720 --> 00:19:50,879
Speaker 5: but if not, maybe you prefer to hear this, you know,

416
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Speaker 5: you know, be prefer to.

417
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Speaker 3: Hear the originals, and he's good with that.

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Speaker 5: Some guys probably want to hear a more polished, cleaned

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Speaker 5: up version of it, you know. But last I think

420
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Speaker 5: they did a good job. I think the production sounded

421
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Speaker 5: like it fit to me. And that's what I was

422
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Speaker 5: really really kind of worried, like, how are they really

423
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Speaker 5: going to find a way to mesh like the production

424
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Speaker 5: with this is rapping, and I think they did a

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Speaker 5: good job with it.

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Speaker 2: Well, it's not like it's tigned for the grades.

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Speaker 1: Man, if this is your first time here were review,

428
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Speaker 1: we're grading the flow, the lyrics, the production, the features,

429
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Speaker 1: the execution and replay value, and overall. I will start

430
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Speaker 1: it off with the flow. He's one of the best

431
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Speaker 1: to do it. When it comes to the flow, I

432
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Speaker 1: have to give.

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Speaker 3: Him a name.

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Speaker 4: Look at you. Yeah, I gave him a as well,

435
00:20:39,280 --> 00:20:40,080
Speaker 4: so did I.

436
00:20:39,880 --> 00:20:43,480
Speaker 2: I give him all right, bet. When it comes to

437
00:20:43,560 --> 00:20:47,720
Speaker 2: the lyrics, one of the best to do it, game

438
00:20:47,800 --> 00:20:47,960
Speaker 2: an a.

439
00:20:51,760 --> 00:20:53,119
Speaker 3: I went be plus.

440
00:20:54,320 --> 00:20:57,280
Speaker 4: Yeah, I went be plus as well on the lyrics, But.

441
00:20:58,080 --> 00:21:03,000
Speaker 1: Production I'm with Ken. I was questioning, like, where are

442
00:21:03,040 --> 00:21:05,240
Speaker 1: they going to go with this? Are they going to

443
00:21:05,320 --> 00:21:08,200
Speaker 1: try to modernize it? Are they going to keep it traditional?

444
00:21:08,240 --> 00:21:10,800
Speaker 1: Boom bap? And they did, and I think they did

445
00:21:10,800 --> 00:21:12,639
Speaker 1: a really good job. So I gave it a B plus.

446
00:21:12,640 --> 00:21:17,280
Speaker 1: On a production, I gave it a B minus.

447
00:21:17,280 --> 00:21:24,200
Speaker 2: On production, I gave it a straight B. Okay, we're

448
00:21:24,200 --> 00:21:25,160
Speaker 2: all in the same group.

449
00:21:25,920 --> 00:21:30,200
Speaker 1: The features, we had quite a few, some notable newer

450
00:21:30,280 --> 00:21:32,840
Speaker 1: names and some notable ogs in the game.

451
00:21:33,920 --> 00:21:40,520
Speaker 4: Features B plus for me, Yeah, features B plus for me.

452
00:21:44,560 --> 00:21:53,920
Speaker 3: I went, yeah, give me B plus. All right.

453
00:21:54,320 --> 00:21:58,520
Speaker 1: The execution, so this is sequencing, this is everything, and

454
00:21:58,560 --> 00:22:01,960
Speaker 1: I think that's action on This is just it's a

455
00:22:02,000 --> 00:22:04,520
Speaker 1: little bit deeper, just because, like B said, you know,

456
00:22:04,760 --> 00:22:07,879
Speaker 1: they took verses and they had the craft around what

457
00:22:08,119 --> 00:22:10,560
Speaker 1: was already there. But the execution for me is a

458
00:22:10,600 --> 00:22:12,160
Speaker 1: B plus. I think they did a really good job

459
00:22:12,200 --> 00:22:14,400
Speaker 1: bringing it to today's standard.

460
00:22:17,320 --> 00:22:17,800
Speaker 4: Execution.

461
00:22:17,960 --> 00:22:20,840
Speaker 3: Just to be yep, that's what I got, straight B

462
00:22:21,000 --> 00:22:23,120
Speaker 3: for excuse, but.

463
00:22:23,840 --> 00:22:27,160
Speaker 1: Replay value for me a lot like B. I've heard

464
00:22:27,160 --> 00:22:32,280
Speaker 1: this before. Uh, it's not made for me, but it's

465
00:22:32,280 --> 00:22:35,560
Speaker 1: still damn good. I gave it to be minus replay value.

466
00:22:37,760 --> 00:22:40,000
Speaker 4: Yeah, out of respect for Big L, I gave it

467
00:22:40,040 --> 00:22:41,800
Speaker 4: a B plus. I mean, I'll be minus. I was

468
00:22:41,840 --> 00:22:43,879
Speaker 4: about to give it a C plus, but out of

469
00:22:43,920 --> 00:22:45,879
Speaker 4: respect for Big L, I got to give it to

470
00:22:45,880 --> 00:22:46,520
Speaker 4: be minus.

471
00:22:46,640 --> 00:22:50,680
Speaker 2: For replay, I.

472
00:22:50,640 --> 00:22:51,800
Speaker 3: Did give it a C plus. B.

473
00:22:52,400 --> 00:22:55,040
Speaker 5: I do think you make a good point, but I

474
00:22:55,080 --> 00:22:57,440
Speaker 5: did give it a C plus overall.

475
00:22:58,240 --> 00:23:01,000
Speaker 1: I feel like from the person perspective that I've been

476
00:23:01,040 --> 00:23:05,240
Speaker 1: talking about, like you know, a youngin that has never

477
00:23:05,320 --> 00:23:09,080
Speaker 1: heard of Big L but likes Joey Badass and Mac Miller,

478
00:23:09,520 --> 00:23:12,439
Speaker 1: I feel like their overall would be higher. But I

479
00:23:12,480 --> 00:23:15,159
Speaker 1: have to be true to myself, and the overall is

480
00:23:15,200 --> 00:23:19,080
Speaker 1: a B. And it's primarily because it's not new to me,

481
00:23:19,640 --> 00:23:21,040
Speaker 1: and like nothing here.

482
00:23:20,920 --> 00:23:23,040
Speaker 2: Is brand new outside of a couple of verses.

483
00:23:23,440 --> 00:23:25,040
Speaker 3: But I'm at a BE overall.

484
00:23:26,840 --> 00:23:28,320
Speaker 4: Overall, I'm at a B minus.

485
00:23:29,960 --> 00:23:32,120
Speaker 3: That's what I got. B. I'm got to be minus as.

486
00:23:32,040 --> 00:23:37,320
Speaker 4: Well, copying off my paper, that's what's up.

487
00:23:37,600 --> 00:23:41,639
Speaker 1: Well, Look, I think you know, the sentiment is around

488
00:23:41,680 --> 00:23:43,399
Speaker 1: the same for all of us, Like our grades were

489
00:23:43,440 --> 00:23:46,840
Speaker 1: pretty much all in line, and you know, I think

490
00:23:46,840 --> 00:23:49,760
Speaker 1: this was a good project for somebody that has never

491
00:23:49,800 --> 00:23:54,000
Speaker 1: listened to Big l before and for everything that Ken said,

492
00:23:54,080 --> 00:23:56,200
Speaker 1: Like you know, he was definitely one of those guys

493
00:23:56,240 --> 00:23:58,919
Speaker 1: that was next up. And when you hear this you

494
00:23:59,040 --> 00:24:01,880
Speaker 1: can tell that like they I think it's very apparent

495
00:24:01,960 --> 00:24:05,879
Speaker 1: like this guy was just built different like he was.

496
00:24:05,920 --> 00:24:07,000
Speaker 2: He was just built different.

497
00:24:07,040 --> 00:24:10,120
Speaker 3: Man. But y'all know what it is.

498
00:24:10,240 --> 00:24:11,359
Speaker 4: You know, you know what's next.

499
00:24:12,600 --> 00:24:13,000
Speaker 2: Hmm.

500
00:24:13,280 --> 00:24:14,760
Speaker 4: You know what's next on the mass appeal?

501
00:24:15,680 --> 00:24:16,919
Speaker 3: Now what's the next one? Busy?

502
00:24:17,560 --> 00:24:20,159
Speaker 4: Next one dropping? I think this month sometime later on

503
00:24:20,160 --> 00:24:25,639
Speaker 4: this month, day La Soul is the next Legends had. Yeah,

504
00:24:25,880 --> 00:24:27,800
Speaker 4: I'm looking forward to seeing what they're gonna do with

505
00:24:27,840 --> 00:24:32,080
Speaker 4: this one with a with David passed away. So but

506
00:24:32,200 --> 00:24:36,080
Speaker 4: I trust if it's anyone I trust with vocals with

507
00:24:36,119 --> 00:24:40,320
Speaker 4: this is this daylight just plug one, plug one and Masie,

508
00:24:40,600 --> 00:24:42,760
Speaker 4: I trust him. So I'm interested in what Mass Pip

509
00:24:42,840 --> 00:24:44,320
Speaker 4: gonna do with the day Lassol released.

510
00:24:45,119 --> 00:24:45,760
Speaker 3: That's what's up.

511
00:24:46,400 --> 00:24:50,080
Speaker 1: Well, Look, the comment section is the conversation. After the conversation,

512
00:24:50,240 --> 00:24:52,800
Speaker 1: let us know how you would grade this the flow,

513
00:24:52,880 --> 00:24:56,160
Speaker 1: the lyrics, the production of features, execution and replug valued overall,

514
00:24:56,800 --> 00:24:59,440
Speaker 1: and let us know how you feel about this project

515
00:24:59,760 --> 00:25:01,040
Speaker 1: and we'll catch you on another one.

516
00:25:01,080 --> 00:25:11,800
Speaker 2: We out Peace Peace, m h m hmmmmmmmmmmmmmmmm