1 00:00:04,680 --> 00:00:10,200 Speaker 1: That in hip hop superchat mail bag. I'll tell you this. 2 00:00:10,360 --> 00:00:13,640 Speaker 1: We're gonna do one question. I know I've been trying 3 00:00:13,640 --> 00:00:16,680 Speaker 1: to get more, get more than one question done with 4 00:00:16,800 --> 00:00:20,320 Speaker 1: the super bag mail chat or super chat mail bags. However, 5 00:00:20,800 --> 00:00:23,479 Speaker 1: we got one and it's from Donald Van. Can you 6 00:00:23,560 --> 00:00:24,640 Speaker 1: got it? Read that question? 7 00:00:24,840 --> 00:00:26,920 Speaker 2: The good brother Donald Van. He's very active in the search. 8 00:00:27,280 --> 00:00:27,680 Speaker 3: Yes, sir. 9 00:00:27,840 --> 00:00:32,440 Speaker 4: Donald Van asked what's your favorite worst verse on a 10 00:00:32,520 --> 00:00:39,120 Speaker 4: classic song the song survived despite said person's bars example 11 00:00:39,200 --> 00:00:42,839 Speaker 4: Prize on Naps Remix or Uzi on Bad and Bujie. 12 00:00:43,159 --> 00:00:45,760 Speaker 1: I'll go first. I'll go first because I think I 13 00:00:45,760 --> 00:00:49,200 Speaker 1: don't think this is that controversial, because the song itself 14 00:00:49,920 --> 00:00:52,839 Speaker 1: is a good song and I don't even really mind it. 15 00:00:53,520 --> 00:00:57,240 Speaker 1: This verse? Will you pay attention to? The verse is 16 00:00:57,280 --> 00:01:00,440 Speaker 1: by far the whack is verse? Nobody really was out 17 00:01:00,520 --> 00:01:04,000 Speaker 1: on it, Okay, jay Z on Monster. 18 00:01:04,160 --> 00:01:07,680 Speaker 4: Squat God Seal a King Kong, Lockedness, the Goblin Google 19 00:01:07,800 --> 00:01:10,199 Speaker 4: or something with no conscious love. 20 00:01:10,640 --> 00:01:13,920 Speaker 1: I don't get enough of it. It's like lockedness. This 21 00:01:14,000 --> 00:01:17,080 Speaker 1: that like you listen to Rick Ross, you listen to Kanye, 22 00:01:17,160 --> 00:01:21,080 Speaker 1: you listen to Nicki Minaj. 23 00:01:20,240 --> 00:01:21,600 Speaker 2: And everybody talk about nigga. 24 00:01:21,880 --> 00:01:26,600 Speaker 1: Right, like they all went in like portraying how monstrous 25 00:01:26,600 --> 00:01:30,160 Speaker 1: they are. As MC's jay Z was rapping like, oh 26 00:01:30,240 --> 00:01:33,480 Speaker 1: lockedness this that like he was actually naming monsters. And 27 00:01:34,480 --> 00:01:36,960 Speaker 1: if you listen to that verse, it's not it's not good. 28 00:01:37,560 --> 00:01:39,640 Speaker 1: It's not a standout jay Z verse. 29 00:01:40,200 --> 00:01:45,160 Speaker 2: I go second, b okay suit the shaka. Oh, that's 30 00:01:45,160 --> 00:01:52,000 Speaker 2: no fear guaranteed. 31 00:01:51,600 --> 00:01:53,360 Speaker 3: To get him robbed and from the crowd. 32 00:01:54,840 --> 00:01:57,280 Speaker 2: Money. Damn, that's so messed up. 33 00:01:57,320 --> 00:01:58,000 Speaker 4: Can dang? 34 00:01:58,400 --> 00:02:06,040 Speaker 2: I know, no, that's so wrong. 35 00:02:07,160 --> 00:02:10,160 Speaker 4: AD said the song, You're right, the song is so dope, 36 00:02:10,800 --> 00:02:13,240 Speaker 4: And I went back to listen to it because I'm like, 37 00:02:13,480 --> 00:02:15,919 Speaker 4: I know there's a song now, and I took I 38 00:02:15,960 --> 00:02:23,720 Speaker 4: didn't even count master P because he's just be trying, trying, trying. 39 00:02:23,480 --> 00:02:24,360 Speaker 3: To silk the Shaker. 40 00:02:24,440 --> 00:02:26,840 Speaker 4: But when I listened to the way that verse started, 41 00:02:26,919 --> 00:02:29,280 Speaker 4: I'm like, oh, this is bad. And I'm like, well, 42 00:02:29,280 --> 00:02:32,600 Speaker 4: why did I like this verse? When he gets into 43 00:02:32,639 --> 00:02:34,440 Speaker 4: the verse he started. 44 00:02:39,080 --> 00:02:41,160 Speaker 5: Oh man, he just be rapping fast for no reason, 45 00:02:41,280 --> 00:02:42,080 Speaker 5: just just rumbling. 46 00:02:43,000 --> 00:02:45,160 Speaker 1: I hate to say, but it's true. He's one of 47 00:02:45,200 --> 00:02:48,400 Speaker 1: the worst rappers that we fucked with that like that 48 00:02:48,480 --> 00:02:51,119 Speaker 1: time frame. But yeah, he's not a good rapper though 49 00:02:51,680 --> 00:02:53,919 Speaker 1: you know what he is. He's Joel Santanna of the South. 50 00:02:57,560 --> 00:02:57,880 Speaker 2: Damn. 51 00:02:58,480 --> 00:03:01,000 Speaker 5: So I'm gonna stay on the jay Z train with 52 00:03:01,120 --> 00:03:05,280 Speaker 5: you on this okay, And the song that I'm jay 53 00:03:05,360 --> 00:03:08,239 Speaker 5: Z had no business being on this record. 54 00:03:08,440 --> 00:03:17,120 Speaker 2: He messed it up. How remix juvenile? He is? You 55 00:03:17,120 --> 00:03:19,000 Speaker 2: done got yourself with some beef ship. 56 00:03:19,360 --> 00:03:21,239 Speaker 3: Now you stuck in your house. You gotta beat to 57 00:03:21,360 --> 00:03:22,679 Speaker 3: be mixed. You can't go. 58 00:03:23,080 --> 00:03:24,880 Speaker 4: They're gonna leave you in the deep ditch and hit 59 00:03:24,960 --> 00:03:27,000 Speaker 4: you with the sign and you decide to keep ship. 60 00:03:27,280 --> 00:03:27,440 Speaker 2: Man. 61 00:03:27,520 --> 00:03:30,400 Speaker 5: His verse on that was horrendous, bro. It was just 62 00:03:30,480 --> 00:03:32,800 Speaker 5: kind of like but it was on such a classic song. 63 00:03:32,919 --> 00:03:34,720 Speaker 5: It's just kind of like, bro, why is Jay on here? 64 00:03:34,840 --> 00:03:38,080 Speaker 5: Like like stop it, bro, Like how it's such a 65 00:03:38,080 --> 00:03:41,200 Speaker 5: classic song. Jay did not need to be on there, man, 66 00:03:41,240 --> 00:03:42,640 Speaker 5: Oh my god. He was trying to hop on that 67 00:03:42,680 --> 00:03:44,440 Speaker 5: wave and he just did not deliver it. He did 68 00:03:44,520 --> 00:03:45,280 Speaker 5: not deliver it verse. 69 00:03:45,440 --> 00:03:48,200 Speaker 1: I think that was the first time that that, at 70 00:03:48,280 --> 00:03:51,080 Speaker 1: least for me, that to my recollection, that like that 71 00:03:51,280 --> 00:03:55,320 Speaker 1: was the blueprint that we that that Jay started adopting. 72 00:03:55,400 --> 00:03:57,320 Speaker 1: Where I'm gonna just get on these hot records, you 73 00:03:57,320 --> 00:03:59,080 Speaker 1: know what I'm saying just making remixes, you know what 74 00:03:59,120 --> 00:04:02,160 Speaker 1: I'm saying. So that should have been such a moment. 75 00:04:01,880 --> 00:04:05,880 Speaker 5: Be right, because this was around the time jay Z 76 00:04:06,080 --> 00:04:09,960 Speaker 5: was on fire with Hard Knocked, so like jay was 77 00:04:10,000 --> 00:04:12,080 Speaker 5: out of here, so like you the thought that he 78 00:04:12,120 --> 00:04:13,200 Speaker 5: would have delivered, but nope. 79 00:04:13,720 --> 00:04:14,800 Speaker 2: My other one. 80 00:04:16,080 --> 00:04:21,840 Speaker 1: Is this kind of started the beef between these two entities. 81 00:04:22,360 --> 00:04:26,640 Speaker 1: You know what I'm saying, Baby featuring clips? What happened 82 00:04:26,640 --> 00:04:27,400 Speaker 1: to that? Boy? 83 00:04:27,760 --> 00:04:31,719 Speaker 2: You listened to the clips obviously, right right? Stellar versus 84 00:04:32,040 --> 00:04:34,520 Speaker 2: that's a good pick. That's a good pick. That's a 85 00:04:34,520 --> 00:04:34,920 Speaker 2: good pick. 86 00:04:36,279 --> 00:04:39,520 Speaker 4: The worldwide Man, they're gonna leave the guns and the 87 00:04:39,600 --> 00:04:40,679 Speaker 4: bus ship. 88 00:04:42,080 --> 00:04:46,880 Speaker 1: The bost together with the round nostalgia purposes. I can 89 00:04:46,960 --> 00:04:49,600 Speaker 1: still listen to the Baby version, but if you break 90 00:04:49,640 --> 00:04:50,159 Speaker 1: it back. 91 00:04:51,000 --> 00:04:53,159 Speaker 2: He's not. 92 00:04:55,120 --> 00:04:57,680 Speaker 5: It's kind of like like Can mentioned about Master P. 93 00:04:57,880 --> 00:05:00,839 Speaker 5: I kind of put Baby in that same like it's like, yeah, okay, 94 00:05:00,880 --> 00:05:03,280 Speaker 5: you're not a rapper guy, you just you just exact, 95 00:05:03,320 --> 00:05:05,600 Speaker 5: you're just the man the money, but the man behind 96 00:05:05,640 --> 00:05:06,000 Speaker 5: the money. 97 00:05:06,040 --> 00:05:06,640 Speaker 2: You know what I'm saying. 98 00:05:06,640 --> 00:05:09,000 Speaker 5: You know you're not You're not really a rapper like that, 99 00:05:09,080 --> 00:05:11,520 Speaker 5: so I don't take you serious. But still you're still 100 00:05:11,520 --> 00:05:13,560 Speaker 5: gonna get you still gonna get criticized for your wack bars. 101 00:05:13,839 --> 00:05:15,239 Speaker 1: Yeah. 102 00:05:16,040 --> 00:05:18,919 Speaker 4: So I don't know if many people know this song, 103 00:05:19,360 --> 00:05:21,000 Speaker 4: but I'm gonna go with Kool Breeze. 104 00:05:21,880 --> 00:05:26,680 Speaker 2: Okay, okay, okay, Witch Doctor the Night. 105 00:05:27,040 --> 00:05:30,440 Speaker 3: Yeah right, we put his side. 106 00:05:31,560 --> 00:05:39,240 Speaker 2: He's okay, you can. That's a dark Horse pick. That's 107 00:05:39,279 --> 00:05:39,680 Speaker 2: a good one. 108 00:05:39,720 --> 00:05:40,160 Speaker 1: I like it. 109 00:05:43,160 --> 00:05:44,760 Speaker 5: I don't think a lot of people. I don't think 110 00:05:44,760 --> 00:05:45,920 Speaker 5: a lot of people know about that. Bro. 111 00:05:46,160 --> 00:05:47,680 Speaker 2: That's a dr. 112 00:05:48,120 --> 00:05:51,960 Speaker 4: Because Selo comes in and he just gonn yeah and 113 00:05:52,080 --> 00:05:54,960 Speaker 4: you know Andre three thousand, he kicks it off and 114 00:05:55,000 --> 00:05:56,720 Speaker 4: it's just sandwich right in between. 115 00:05:57,400 --> 00:05:58,560 Speaker 3: It's the wish doctor. 116 00:05:59,640 --> 00:06:03,840 Speaker 2: Oh man, that's a good one. Man. What is what 117 00:06:03,920 --> 00:06:05,720 Speaker 2: is a classic song? 118 00:06:05,880 --> 00:06:09,640 Speaker 5: It's a it's a dope classic song. But bru I like, 119 00:06:09,720 --> 00:06:11,919 Speaker 5: I like, I like y'all picks. If kid, that was 120 00:06:12,000 --> 00:06:14,200 Speaker 5: that was some good picks right there. Y'all just did damn. 121 00:06:14,279 --> 00:06:16,440 Speaker 1: Yeah. Yeah, I got I got another Like I got 122 00:06:16,480 --> 00:06:18,280 Speaker 1: another one. And that's what I said, like. 123 00:06:18,600 --> 00:06:21,240 Speaker 2: When you talk now, you not not a wheels of 124 00:06:21,279 --> 00:06:24,680 Speaker 2: training now? Yeah? All right, so my next one. 125 00:06:24,720 --> 00:06:28,599 Speaker 5: Bruh, what the freak was l l J talking. 126 00:06:28,440 --> 00:06:31,039 Speaker 2: About on flavoring your remix Bru. 127 00:06:32,800 --> 00:06:40,200 Speaker 3: Stevie good, Damn Holly is he good? 128 00:06:41,080 --> 00:06:41,680 Speaker 4: What? 129 00:06:41,680 --> 00:06:43,440 Speaker 2: What was that? Bru? 130 00:06:44,080 --> 00:06:46,719 Speaker 5: That was that should have been the moment for l L, 131 00:06:46,920 --> 00:06:49,560 Speaker 5: especially the way that Biggie Biggie set that joint up. 132 00:06:50,560 --> 00:06:53,200 Speaker 5: You gotta you gotta smash that l L. You gotta 133 00:06:53,200 --> 00:06:55,120 Speaker 5: show why you up there if you want to be 134 00:06:55,160 --> 00:06:58,440 Speaker 5: considered that the goat you got one of the other 135 00:06:58,560 --> 00:07:00,680 Speaker 5: so called goats at that time. Now was rhyming that 136 00:07:00,839 --> 00:07:03,320 Speaker 5: killed that verse and you you just you came with 137 00:07:03,320 --> 00:07:05,960 Speaker 5: some bullshit, bro, like you literally had to. You literally 138 00:07:05,960 --> 00:07:08,400 Speaker 5: had to whack this verse on that song. Rampage had 139 00:07:08,400 --> 00:07:10,240 Speaker 5: a better verse than you. Bus Rounds had a better 140 00:07:10,320 --> 00:07:13,800 Speaker 5: verse than you, Like yeah, bro, no, even Craig mag 141 00:07:13,840 --> 00:07:16,080 Speaker 5: had a better verse than you, Like literally had the 142 00:07:16,080 --> 00:07:17,720 Speaker 5: wack this verse in that song. But but we kind 143 00:07:17,720 --> 00:07:20,160 Speaker 5: of overlook it because that song is so classic. 144 00:07:20,240 --> 00:07:22,480 Speaker 1: So even the way he started it off, bro, it's 145 00:07:22,520 --> 00:07:24,400 Speaker 1: like he was just started off like he. 146 00:07:24,480 --> 00:07:25,520 Speaker 2: Was bullshit man. 147 00:07:26,200 --> 00:07:29,640 Speaker 1: Yeah yeah, all right, So this last one that I 148 00:07:29,720 --> 00:07:33,840 Speaker 1: got be I don't think it's that classic, but I 149 00:07:33,880 --> 00:07:37,640 Speaker 1: do think that it was that that era, the moment 150 00:07:37,960 --> 00:07:42,600 Speaker 1: in time of this particular song, right is bigger than 151 00:07:42,640 --> 00:07:46,360 Speaker 1: the song itself, Bedrock Gotta gutt us verse. 152 00:07:47,600 --> 00:07:50,840 Speaker 5: She don't even want to because she knows bad and 153 00:07:50,960 --> 00:07:53,560 Speaker 5: I gotta grocery bad. 154 00:07:55,200 --> 00:07:57,000 Speaker 2: That's the one with Lloyd singing the hook right. 155 00:07:58,880 --> 00:08:02,360 Speaker 5: Something something something man, Yeah, yeah, Okay, they got. 156 00:08:02,240 --> 00:08:04,920 Speaker 1: All of the young money cats in there. You know, 157 00:08:05,040 --> 00:08:07,679 Speaker 1: I want to say, little twist, a little resort whatever, 158 00:08:07,720 --> 00:08:09,120 Speaker 1: little one one of them. 159 00:08:09,160 --> 00:08:12,360 Speaker 2: Yeah, Drake, Nikki Wane, Gotta Gutta. 160 00:08:12,400 --> 00:08:15,640 Speaker 1: And they had somebody else too, But Gutta Gutta's verse 161 00:08:16,480 --> 00:08:18,800 Speaker 1: is the most horrible thing ever. 162 00:08:18,880 --> 00:08:21,520 Speaker 2: Now I'm looking at the lyrics. I ain't gonna read it, okay, 163 00:08:21,560 --> 00:08:24,640 Speaker 2: but this this terrible. I think I think I gotta 164 00:08:24,640 --> 00:08:26,040 Speaker 2: hear it again to kind of remember. 165 00:08:26,120 --> 00:08:28,240 Speaker 5: I think I somewhat remember that song a little bit, 166 00:08:28,320 --> 00:08:31,120 Speaker 5: but I just remember Lloyd just singing his little, poor 167 00:08:31,120 --> 00:08:33,120 Speaker 5: little heart out every time that hook came on. 168 00:08:33,559 --> 00:08:35,760 Speaker 1: So he said, I like the way you walk, and 169 00:08:35,800 --> 00:08:38,360 Speaker 1: if you walk in my way, I'm that red bull. 170 00:08:38,440 --> 00:08:41,400 Speaker 1: Now let's fly away. Let's buy a place with all 171 00:08:41,520 --> 00:08:44,120 Speaker 1: kinds of space. I let you be the judge and 172 00:08:44,120 --> 00:08:47,160 Speaker 1: and and I'm the case. I'm Gutta Gutta. I put 173 00:08:47,200 --> 00:08:50,480 Speaker 1: her under. I see me with her no, Stevie wonder. 174 00:08:51,160 --> 00:08:54,520 Speaker 1: She don't even wonder because she knows she bad. And 175 00:08:54,559 --> 00:08:56,520 Speaker 1: I got her nigga grocery bag. 176 00:08:56,800 --> 00:08:59,800 Speaker 2: Yeah, that's horrible. And then Lloyd just sings. Man. Lloyd 177 00:08:59,880 --> 00:09:01,079 Speaker 2: was singing his heart out so much. 178 00:09:01,120 --> 00:09:03,960 Speaker 5: It was like you picture him like you know how 179 00:09:03,960 --> 00:09:05,560 Speaker 5: when you when the girl come to the window and 180 00:09:05,600 --> 00:09:06,520 Speaker 5: you're trying to sing to her. 181 00:09:06,559 --> 00:09:08,680 Speaker 2: That's how I pictured he was singing that. He was 182 00:09:08,720 --> 00:09:10,679 Speaker 2: literally looking up to her, just trying to He was 183 00:09:10,720 --> 00:09:11,880 Speaker 2: singing this little pullo heart out. 184 00:09:11,960 --> 00:09:12,080 Speaker 4: Man. 185 00:09:12,160 --> 00:09:13,240 Speaker 2: I was like, go ahead, Lloyd. 186 00:09:13,800 --> 00:09:17,800 Speaker 4: At the time, and even maybe now because of nostalgia, 187 00:09:17,840 --> 00:09:21,559 Speaker 4: it may still go. But whenever this guy comes on, 188 00:09:21,760 --> 00:09:29,360 Speaker 4: it's always World War three rough Riders. Okay, y'all remember 189 00:09:29,360 --> 00:09:30,080 Speaker 4: a Young One? 190 00:09:30,800 --> 00:09:30,959 Speaker 5: Yea? 191 00:09:32,440 --> 00:09:45,160 Speaker 3: That shout it? 192 00:09:48,440 --> 00:09:48,680 Speaker 4: Man. 193 00:09:50,400 --> 00:09:52,320 Speaker 1: Man, it's been some years since I heard that song, 194 00:09:52,400 --> 00:09:54,000 Speaker 1: but I can hear the beat in my head. 195 00:09:55,960 --> 00:10:01,600 Speaker 4: He's not bro, you got our face, you got Jada kiss. 196 00:10:01,760 --> 00:10:04,679 Speaker 4: And then he comes Young One yelling at every damn. 197 00:10:04,480 --> 00:10:06,880 Speaker 5: But it's like out of everybody from May till they 198 00:10:06,920 --> 00:10:08,360 Speaker 5: couldn't get that time, they got him. 199 00:10:08,920 --> 00:10:12,160 Speaker 4: Like it's his performance was good, but it's just he 200 00:10:12,240 --> 00:10:14,840 Speaker 4: doesn't quite fit. But I think it's exactly. It's like 201 00:10:14,920 --> 00:10:19,199 Speaker 4: everybody from each coast. When it got him and he 202 00:10:19,880 --> 00:10:21,839 Speaker 4: was rapping like the Rent was doing, he was like, 203 00:10:21,920 --> 00:10:23,319 Speaker 4: y'all remember me, bro? 204 00:10:24,559 --> 00:10:25,760 Speaker 2: But you know what's crazy? 205 00:10:25,840 --> 00:10:26,040 Speaker 5: Ken. 206 00:10:26,559 --> 00:10:28,840 Speaker 1: You know, we always talk with up and coming artists 207 00:10:28,840 --> 00:10:31,080 Speaker 1: about like creating a wave or hopping on a wave, 208 00:10:31,160 --> 00:10:34,199 Speaker 1: and then like, that's the only time we heard a 209 00:10:34,240 --> 00:10:36,920 Speaker 1: young one. I never heard of that nigga before or 210 00:10:37,040 --> 00:10:40,240 Speaker 1: hour after. Yeah, like that was that was just it, 211 00:10:40,520 --> 00:10:43,600 Speaker 1: you know what I'm saying. That was his moment. And honestly, 212 00:10:43,720 --> 00:10:46,880 Speaker 1: like when I heard that originally, it's not like I thought, oh, 213 00:10:46,920 --> 00:10:48,440 Speaker 1: you know, this dude is going to be like great 214 00:10:48,520 --> 00:10:50,680 Speaker 1: or whatever. But I'm like, okay, cool, Like I'm you know, 215 00:10:50,760 --> 00:10:53,160 Speaker 1: let's see what happens. 216 00:10:53,200 --> 00:10:55,600 Speaker 3: He had a lot of energy and presence on that song. 217 00:10:55,720 --> 00:11:00,240 Speaker 4: You would think that after that, you know, he could 218 00:11:00,240 --> 00:11:04,440 Speaker 4: have taken off, but yeah, it just it just didn't. 219 00:11:04,800 --> 00:11:06,840 Speaker 4: But yeah, I don't know, I don't know what happened 220 00:11:06,880 --> 00:11:07,320 Speaker 4: to you on one. 221 00:11:08,080 --> 00:11:10,600 Speaker 1: Well ship, if y'all know, let us know in the 222 00:11:10,640 --> 00:11:14,400 Speaker 1: common section, because us folks over here had that hip hop. 223 00:11:14,480 --> 00:11:17,120 Speaker 1: You don't know what happened, yeah at all. 224 00:11:17,760 --> 00:11:20,440 Speaker 5: My third one, I hate to do this to him, 225 00:11:21,200 --> 00:11:23,240 Speaker 5: even though I messed with him as an artist overall, 226 00:11:23,240 --> 00:11:27,160 Speaker 5: and he's at least he's produced some very very amazing albums. 227 00:11:27,800 --> 00:11:31,559 Speaker 5: But Schoolboy Q on Black lip Baster Remix, Big Black 228 00:11:31,679 --> 00:11:32,679 Speaker 5: Now Black. 229 00:11:32,400 --> 00:11:37,400 Speaker 3: Lift Smoke Fuck sp y'all. 230 00:11:38,840 --> 00:11:43,520 Speaker 5: Saying I'm sorry school Boy Q fans his verse on 231 00:11:43,760 --> 00:11:46,280 Speaker 5: everybody else in Black he became to rap that day. 232 00:11:46,480 --> 00:11:48,360 Speaker 5: I don't know what memo skoo Boy Q got that 233 00:11:48,440 --> 00:11:52,000 Speaker 5: day I had. It was very disappointing because he's they've 234 00:11:52,040 --> 00:11:53,880 Speaker 5: had songs, all had songs together before. 235 00:11:54,040 --> 00:11:56,600 Speaker 2: In school Boy Q rap, I don't know why on that. 236 00:11:56,520 --> 00:12:01,400 Speaker 5: Dope ass beat Everything Can and Jay right the way 237 00:12:01,440 --> 00:12:03,000 Speaker 5: he brought it home, I don't know why school Boy 238 00:12:03,040 --> 00:12:05,000 Speaker 5: he was bullshitting around on that song. He should have 239 00:12:05,160 --> 00:12:08,400 Speaker 5: horrible verse on the classic song Man and am I possible? 240 00:12:09,160 --> 00:12:11,160 Speaker 5: Not really a possible, But y'all know I've always been 241 00:12:11,160 --> 00:12:15,320 Speaker 5: saying this. It's more of an obvious and this is 242 00:12:15,760 --> 00:12:18,839 Speaker 5: multiple verses. Outlaws, don't hit him up, Get out of 243 00:12:18,840 --> 00:12:20,880 Speaker 5: the way, yo, get out the way Yo. 244 00:12:22,320 --> 00:12:25,559 Speaker 3: Got dropped past the mat and let me hit him 245 00:12:25,559 --> 00:12:25,880 Speaker 3: in his. 246 00:12:29,840 --> 00:12:32,560 Speaker 5: If if Pack was just on that song by himself 247 00:12:32,960 --> 00:12:35,360 Speaker 5: would have been it would have been top one two 248 00:12:35,640 --> 00:12:39,840 Speaker 5: bests songs of all time. Outlaws just poo poo that song. 249 00:12:42,840 --> 00:12:45,240 Speaker 5: They were so bad it took it down to like 250 00:12:45,360 --> 00:12:49,040 Speaker 5: number five, like in my favorite disc tracks now like 251 00:12:49,080 --> 00:12:52,120 Speaker 5: it's it's it's that bad so and the people don't 252 00:12:52,120 --> 00:12:54,240 Speaker 5: never talk about it. But it's just because presence was 253 00:12:54,280 --> 00:12:57,280 Speaker 5: so strong. You know, the Outlaws don't really matter, but man, 254 00:12:57,320 --> 00:12:59,880 Speaker 5: they were. They were absolutely horrible in that song. So 255 00:13:01,120 --> 00:13:02,920 Speaker 5: black verses on the classic song. 256 00:13:03,440 --> 00:13:06,800 Speaker 1: Busy, I don't think anybody plays that song the whole 257 00:13:06,840 --> 00:13:10,040 Speaker 1: way through. Once pocket is over, you start that right 258 00:13:10,080 --> 00:13:12,080 Speaker 1: back over there. Don't nobody listen to. 259 00:13:12,040 --> 00:13:14,280 Speaker 2: The Outlaws telling you it's crazy? 260 00:13:14,520 --> 00:13:18,600 Speaker 1: Well, look, let us know if you have any favorite 261 00:13:19,080 --> 00:13:22,840 Speaker 1: songs or classic songs that have worse verses, put them 262 00:13:22,880 --> 00:13:25,400 Speaker 1: in the comment section. You already know, yes, the conversation 263 00:13:25,440 --> 00:13:27,760 Speaker 1: after the conversation is in the comments section. Shout out 264 00:13:27,800 --> 00:13:30,600 Speaker 1: to Donald Van. Continue to send your super chats. If 265 00:13:30,600 --> 00:13:32,840 Speaker 1: we don't get to them in the moment, we will 266 00:13:32,920 --> 00:13:34,840 Speaker 1: create mailback episodes. 267 00:13:34,880 --> 00:13:36,000 Speaker 3: So again, appreciate you 268 00:13:36,040 --> 00:13:39,800 Speaker 1: Guys, Patreons members, and we'll catch you next time we 269 00:13:39,920 --> 00:13:40,400 Speaker 1: out Peace