1 00:00:04,640 --> 00:00:10,120 Speaker 1: Dead End hip Hop album review, day La Soul Cabin. 2 00:00:09,960 --> 00:00:10,360 Speaker 2: In the Sky. 3 00:00:10,440 --> 00:00:12,240 Speaker 1: Look, before we get into the review, we've been in 4 00:00:12,240 --> 00:00:15,000 Speaker 1: the game since twenty eleven. We have never made an 5 00:00:15,040 --> 00:00:18,759 Speaker 1: official list, but the top one hundred hip hop albums 6 00:00:18,800 --> 00:00:22,840 Speaker 1: of all time is being done okay, and of course 7 00:00:22,960 --> 00:00:24,680 Speaker 1: there's no way that we could have done it without 8 00:00:24,760 --> 00:00:25,040 Speaker 1: Mike c. 9 00:00:25,200 --> 00:00:25,439 Speaker 3: Town. 10 00:00:25,880 --> 00:00:28,440 Speaker 1: So if you are a fan of denn And hip hop, 11 00:00:28,560 --> 00:00:31,440 Speaker 1: especially og denn in hip hop, do you want to 12 00:00:31,440 --> 00:00:35,239 Speaker 1: become a YouTube member or a Patreon because we have 13 00:00:35,760 --> 00:00:39,320 Speaker 1: exclusive behind the scenes content as to how we came 14 00:00:39,440 --> 00:00:42,080 Speaker 1: up with the parameters of the list and how we 15 00:00:42,840 --> 00:00:47,840 Speaker 1: cut albums in our rational behind why certain things didn't 16 00:00:47,840 --> 00:00:50,440 Speaker 1: make it. So if you really want to understand the 17 00:00:50,560 --> 00:00:54,000 Speaker 1: reasoning behind the top one hundred albums list of the 18 00:00:54,040 --> 00:00:56,560 Speaker 1: official den And hip Hop, then you definitely want to 19 00:00:56,560 --> 00:00:59,440 Speaker 1: become a YouTube member or Patreon so that way you 20 00:00:59,440 --> 00:01:03,840 Speaker 1: can get that. And speaking to you exclusive content members, 21 00:01:04,120 --> 00:01:07,120 Speaker 1: we apologize, holidays. We've been a little bit backed up this, that, 22 00:01:07,120 --> 00:01:09,560 Speaker 1: and the third, but we're catching up. We promise you. 23 00:01:09,560 --> 00:01:10,240 Speaker 3: You know what I'm saying. 24 00:01:10,600 --> 00:01:15,640 Speaker 1: That being said, Dayla Soul Cabin in the Sky, Busy Folktaday, 25 00:01:15,720 --> 00:01:17,080 Speaker 1: you was quick with this. 26 00:01:17,120 --> 00:01:18,800 Speaker 2: Would have put it in a chat, Hey, I think 27 00:01:18,840 --> 00:01:19,600 Speaker 2: we should do this. 28 00:01:19,880 --> 00:01:23,119 Speaker 4: Man, Like I'd be like, hey, what album's reviewing? Y'all 29 00:01:23,160 --> 00:01:24,240 Speaker 4: come up with the albums. 30 00:01:23,920 --> 00:01:26,920 Speaker 2: Whenever bruh the weekend. 31 00:01:27,000 --> 00:01:30,600 Speaker 4: That weekend it came out, I could not I could 32 00:01:30,640 --> 00:01:34,399 Speaker 4: not put this album down. I could not put this 33 00:01:34,520 --> 00:01:36,520 Speaker 4: album down. I think I put it in the chat. 34 00:01:36,520 --> 00:01:38,160 Speaker 4: I think I had put I think I told y'all 35 00:01:38,160 --> 00:01:40,240 Speaker 4: that when I had put in the child pumping the 36 00:01:40,240 --> 00:01:42,000 Speaker 4: shit all day, I said, I can't. 37 00:01:41,800 --> 00:01:42,759 Speaker 2: Stop playing this album. 38 00:01:42,800 --> 00:01:49,280 Speaker 4: This album is fucking amazing heartstrings like crazy for someone 39 00:01:49,640 --> 00:01:53,680 Speaker 4: like myself that's been a day La Soul fan since nineteen. 40 00:01:53,920 --> 00:01:56,040 Speaker 4: I'm listen, it's crab. Listen to these guys since I 41 00:01:56,080 --> 00:01:58,920 Speaker 4: was fucking like eight years old. It's fucking insane. And 42 00:01:59,760 --> 00:02:02,000 Speaker 4: I been through this roller coaster ride with with the 43 00:02:02,040 --> 00:02:06,480 Speaker 4: whole tribe Daylight Native Tongues like so this album, but 44 00:02:07,200 --> 00:02:11,799 Speaker 4: this ship was so special to me personally, just for one, 45 00:02:11,960 --> 00:02:14,919 Speaker 4: how they how they tribute to Dave, how they how 46 00:02:14,919 --> 00:02:18,960 Speaker 4: they did Dave was amazing throughout this whole entire project. 47 00:02:19,360 --> 00:02:20,440 Speaker 2: The emotion real. 48 00:02:20,400 --> 00:02:21,520 Speaker 3: Quick, real quick. 49 00:02:21,680 --> 00:02:23,560 Speaker 1: So did you know how they came up with the 50 00:02:23,720 --> 00:02:27,799 Speaker 1: album title. I read this and I thought it was interesting. No, 51 00:02:28,680 --> 00:02:31,880 Speaker 1: so it's actually a movie like set back in like 52 00:02:31,919 --> 00:02:34,520 Speaker 1: the fifties or something like that. And you know, I'm 53 00:02:34,560 --> 00:02:36,320 Speaker 1: ready bad with names, but some of the Daylight Soul 54 00:02:36,360 --> 00:02:38,880 Speaker 1: members like obviously they wanted to do a project or whatever, 55 00:02:39,320 --> 00:02:41,400 Speaker 1: and it had came on like the TV in the 56 00:02:41,400 --> 00:02:44,360 Speaker 1: studio or something, and they all were like, yes, that's 57 00:02:44,400 --> 00:02:47,160 Speaker 1: the name of the album, Cabin in the Sky, because 58 00:02:47,160 --> 00:02:50,679 Speaker 1: they felt that it really brought again tugging on the 59 00:02:50,720 --> 00:02:53,679 Speaker 1: heartstrings for the person that they lost, and you know, 60 00:02:53,800 --> 00:02:54,919 Speaker 1: Baminating Selester. 61 00:02:55,480 --> 00:02:59,480 Speaker 4: Yes, yes, yes, brou like yeah, man, the emotions throughout 62 00:02:59,480 --> 00:03:02,399 Speaker 4: this project. JA Like I think Rod said this off camera. 63 00:03:02,440 --> 00:03:04,080 Speaker 4: I think it was that is the Micealon shoot. He 64 00:03:04,120 --> 00:03:05,520 Speaker 4: was like, man, this ship is definitely a vibe and 65 00:03:05,639 --> 00:03:06,200 Speaker 4: it really is. 66 00:03:06,240 --> 00:03:07,320 Speaker 2: It's like vibe. 67 00:03:08,120 --> 00:03:10,960 Speaker 4: It got so many like feel good moments throughout this album. 68 00:03:11,040 --> 00:03:13,560 Speaker 4: It's like album that for me, and I'm pretty sure 69 00:03:13,560 --> 00:03:15,000 Speaker 4: it probably touches on for you. 70 00:03:15,400 --> 00:03:17,040 Speaker 2: For you guys are riding Ralph. 71 00:03:17,280 --> 00:03:20,360 Speaker 4: Dealing with death and dealing with you know, losing losing 72 00:03:20,360 --> 00:03:25,359 Speaker 4: a loved one. Like the emotions throughout this project that 73 00:03:25,440 --> 00:03:29,400 Speaker 4: Plug One was was conveying throughout this ship was fucking 74 00:03:30,200 --> 00:03:33,240 Speaker 4: crazy man, Like I was just I just I could 75 00:03:33,280 --> 00:03:35,000 Speaker 4: not believe when the album went off, I was just 76 00:03:35,040 --> 00:03:37,280 Speaker 4: like what the fuck did I just listened to? Like 77 00:03:37,440 --> 00:03:41,920 Speaker 4: this ship was amazing man, every everybody brought it. Like 78 00:03:41,960 --> 00:03:44,840 Speaker 4: I said that roll call ship bro, you talk about 79 00:03:44,920 --> 00:03:46,800 Speaker 4: like at the beginning, at the when they was given 80 00:03:46,840 --> 00:03:47,120 Speaker 4: the role. 81 00:03:47,360 --> 00:03:50,160 Speaker 2: It's such a dazed feel what busy like Like that 82 00:03:50,320 --> 00:03:52,600 Speaker 2: was crazy. So like like when I cut this off, 83 00:03:52,680 --> 00:03:53,160 Speaker 2: how do you. 84 00:03:53,120 --> 00:03:55,880 Speaker 4: Think of this route? Because I know you you you haven't. Yeah, 85 00:03:55,920 --> 00:03:57,800 Speaker 4: you're not a big like that. 86 00:03:58,000 --> 00:03:59,960 Speaker 2: You know what I'm saying. I'm not a big daylight guy. 87 00:04:00,360 --> 00:04:02,480 Speaker 2: But you did know that day passed away at. 88 00:04:02,520 --> 00:04:05,760 Speaker 1: Yes, I did know that, and I put it you 89 00:04:05,840 --> 00:04:07,839 Speaker 1: like this. So two things I'm gona say. Number One, 90 00:04:08,720 --> 00:04:10,520 Speaker 1: I feel like this is a real nigga album. And 91 00:04:10,560 --> 00:04:13,320 Speaker 1: what I mean by that if you have I feel 92 00:04:13,360 --> 00:04:15,400 Speaker 1: like if you have a crew right like kind of 93 00:04:15,400 --> 00:04:18,039 Speaker 1: sort of like that end like world crew and you know, 94 00:04:18,120 --> 00:04:20,440 Speaker 1: knock on wood, if anything happened to us and you 95 00:04:20,520 --> 00:04:23,440 Speaker 1: did a tribute like those are my real niggas, Like 96 00:04:23,440 --> 00:04:25,560 Speaker 1: like you could tell like these were his real people. 97 00:04:25,839 --> 00:04:27,599 Speaker 1: You know what I'm saying that because you know how 98 00:04:27,640 --> 00:04:29,800 Speaker 1: you're talking about talking at the heart strings and shit, bro, 99 00:04:29,920 --> 00:04:33,160 Speaker 1: like they made this in loving memory of day one 100 00:04:33,240 --> 00:04:33,920 Speaker 1: million percent. 101 00:04:34,040 --> 00:04:35,680 Speaker 2: So that's why I'm saying it's a real nigga. 102 00:04:35,400 --> 00:04:37,600 Speaker 1: Album, because because you could tell like they had a 103 00:04:37,760 --> 00:04:40,240 Speaker 1: genuine friendship, like they like these guys were brothers. 104 00:04:40,640 --> 00:04:42,599 Speaker 4: But again, I think the amazing thing about this, I 105 00:04:42,600 --> 00:04:44,560 Speaker 4: think I said this about the My Deep album too, Like, 106 00:04:44,960 --> 00:04:47,599 Speaker 4: even though Probly's not with us, if this felt like 107 00:04:47,640 --> 00:04:50,720 Speaker 4: an album that they even if Dave was still with us, 108 00:04:50,760 --> 00:04:53,080 Speaker 4: this still feels like a Day Last Soul album, you 109 00:04:53,120 --> 00:04:54,840 Speaker 4: know what I'm saying, even though yeah, we got plugged 110 00:04:54,839 --> 00:04:57,360 Speaker 4: one on the vocals for the most part, but this 111 00:04:57,480 --> 00:04:58,560 Speaker 4: still felt. 112 00:04:58,240 --> 00:05:01,360 Speaker 2: Like a Dave album through and through that ship. 113 00:05:01,560 --> 00:05:03,120 Speaker 4: It felt like he was still with the same way 114 00:05:03,160 --> 00:05:05,760 Speaker 4: with my probably that sh it was crazy and. 115 00:05:05,720 --> 00:05:08,480 Speaker 1: Be with the intro, I don't think I've ever heard 116 00:05:08,640 --> 00:05:12,160 Speaker 1: a roll call like that to include all of the features. 117 00:05:12,200 --> 00:05:15,600 Speaker 1: So when I turned it on, you know, typically typically 118 00:05:15,680 --> 00:05:17,720 Speaker 1: I don't I don't look at the album unless it's 119 00:05:17,720 --> 00:05:19,560 Speaker 1: like an artist I really really really fuck with, But 120 00:05:20,040 --> 00:05:21,440 Speaker 1: like you know, I knew he was doing that. I 121 00:05:21,560 --> 00:05:23,560 Speaker 1: just pressed away, and when it was like, oh, you 122 00:05:23,600 --> 00:05:27,400 Speaker 1: know it's naves here what he said, killer of Mike. 123 00:05:27,480 --> 00:05:32,560 Speaker 2: Mike's Killer Mike. That was super like, like just that day. 124 00:05:33,040 --> 00:05:36,240 Speaker 4: That's so daylight Old, that's that's that's what they bring 125 00:05:36,279 --> 00:05:37,240 Speaker 4: on their albums like that. 126 00:05:37,279 --> 00:05:38,600 Speaker 2: Man, they give you that feeling. 127 00:05:38,600 --> 00:05:38,760 Speaker 4: Man. 128 00:05:38,800 --> 00:05:41,000 Speaker 2: But when he said Dave, when he when he. 129 00:05:40,960 --> 00:05:43,560 Speaker 4: Said Dave at the end and the ship was fading out, 130 00:05:44,080 --> 00:05:46,520 Speaker 4: he calling Dave, he kept calling for him. I was like, 131 00:05:46,600 --> 00:05:49,520 Speaker 4: oh man, they really really we're starting off like this, 132 00:05:49,800 --> 00:05:52,320 Speaker 4: like that ship was fucking wold. 133 00:05:52,360 --> 00:05:55,120 Speaker 2: I mean, just all the way. And then I love man, 134 00:05:55,160 --> 00:05:56,760 Speaker 2: I can go on and on about all these tracks 135 00:05:56,800 --> 00:05:57,040 Speaker 2: in here. 136 00:05:57,080 --> 00:05:59,480 Speaker 4: Man, that was fucking crazy quick sixteen for Mama, Okay, 137 00:05:59,480 --> 00:06:01,440 Speaker 4: that pulled on yes, like crazy. 138 00:06:01,200 --> 00:06:04,080 Speaker 1: One million, especially for you Busy that was one of 139 00:06:04,120 --> 00:06:06,640 Speaker 1: the best songs. And then and and and then Bro, 140 00:06:06,760 --> 00:06:09,480 Speaker 1: you you you stole my thunder because that's exactly why 141 00:06:09,480 --> 00:06:12,200 Speaker 1: I was going to start that transition into just how 142 00:06:12,240 --> 00:06:12,600 Speaker 1: it is. 143 00:06:13,560 --> 00:06:17,240 Speaker 4: Yes, bro, Bro and Rod talked, I mean and Rody 144 00:06:17,240 --> 00:06:19,600 Speaker 4: that talked about cruise summers, that flip that damn oh 145 00:06:19,680 --> 00:06:19,960 Speaker 4: roy a. 146 00:06:20,040 --> 00:06:22,760 Speaker 2: Ors flip, Yeah, my god. 147 00:06:23,480 --> 00:06:25,160 Speaker 4: And then I sent you all to I think there 148 00:06:25,200 --> 00:06:26,960 Speaker 4: was a single running back with Knaves. 149 00:06:26,960 --> 00:06:28,120 Speaker 2: I was like, Man, what the fuck is wrong with 150 00:06:28,200 --> 00:06:28,560 Speaker 2: ys Man? 151 00:06:28,560 --> 00:06:28,680 Speaker 4: What? 152 00:06:28,680 --> 00:06:28,960 Speaker 5: What? 153 00:06:28,960 --> 00:06:30,680 Speaker 2: What? What is wrong with this guy? 154 00:06:30,920 --> 00:06:32,840 Speaker 4: He and I love the fact that he's been featuring 155 00:06:32,839 --> 00:06:35,520 Speaker 4: on all these legend Hazard masterpill of releases that he's 156 00:06:35,520 --> 00:06:37,560 Speaker 4: been doing. Man, this ship, Patty Cake is my ship. 157 00:06:37,560 --> 00:06:39,080 Speaker 4: That's the one with Dave on there. Shot that Jake 158 00:06:39,120 --> 00:06:44,200 Speaker 4: won on that production yours with Commonist Slick Rick was 159 00:06:44,200 --> 00:06:49,160 Speaker 4: fucking crazy. Brouh uh f e n F. I think 160 00:06:49,200 --> 00:06:51,719 Speaker 4: I'm saying that right n F with Black Dot produced 161 00:06:51,760 --> 00:06:54,680 Speaker 4: by Premiere, Premiere. 162 00:06:53,880 --> 00:06:56,760 Speaker 2: Man Premiere and Pete rock Man. 163 00:06:57,040 --> 00:06:59,000 Speaker 4: Shout out to them on some on some dope ass 164 00:06:59,040 --> 00:07:02,360 Speaker 4: production throughout this Man, they fucking laced this shit. 165 00:07:02,520 --> 00:07:04,640 Speaker 2: And then Cabin in the Sky. 166 00:07:04,720 --> 00:07:07,600 Speaker 4: When you talk about a song that deals with the 167 00:07:07,720 --> 00:07:10,800 Speaker 4: loss of loved ones, I could not think of a 168 00:07:10,800 --> 00:07:12,880 Speaker 4: better song than Cabin in the Sky. Bro that that 169 00:07:13,000 --> 00:07:16,680 Speaker 4: shit was so fucking crazy. And then just at that point, 170 00:07:16,680 --> 00:07:18,120 Speaker 4: I'm thinking the album was over because I'm like, Okay, 171 00:07:18,160 --> 00:07:21,120 Speaker 4: this is a good closed album. Captin the Sky he said, 172 00:07:21,600 --> 00:07:24,080 Speaker 4: now checking on the cabin, checking on the Cabin and 173 00:07:24,200 --> 00:07:27,200 Speaker 4: Dave and and then I saw an interview when Plug. 174 00:07:27,240 --> 00:07:29,360 Speaker 4: When Plug was talking, these were songs that day was 175 00:07:29,360 --> 00:07:31,560 Speaker 4: actually working on. These ain't no, they didn't take no 176 00:07:31,640 --> 00:07:33,800 Speaker 4: vocals from this and put it all in here. These 177 00:07:33,800 --> 00:07:36,120 Speaker 4: were songs that so that don't push Me shit, bro 178 00:07:37,320 --> 00:07:40,040 Speaker 4: And then when he said, man, when that shit ended 179 00:07:40,120 --> 00:07:43,160 Speaker 4: that way, bruh, And like the way I pictured Don't 180 00:07:43,160 --> 00:07:45,119 Speaker 4: Push Me was like the fact that they were checking 181 00:07:45,160 --> 00:07:47,760 Speaker 4: in on Dave looking in his cabin and as it 182 00:07:47,840 --> 00:07:49,760 Speaker 4: was fading away, they was coming back down to earth, 183 00:07:49,840 --> 00:07:51,840 Speaker 4: Like that's how I envisioned it, Like when he was 184 00:07:52,000 --> 00:07:53,880 Speaker 4: when the song was going off, and then you know, 185 00:07:53,960 --> 00:07:55,720 Speaker 4: my man was like thank you Dave, and that shit 186 00:07:56,280 --> 00:08:00,040 Speaker 4: went off heartstrings, bruh, Like how you starting in the 187 00:08:00,080 --> 00:08:03,080 Speaker 4: album like that? Man, This ship was fucking amazing. It's 188 00:08:03,120 --> 00:08:05,440 Speaker 4: a fucking amazing album, really good album. 189 00:08:05,480 --> 00:08:05,640 Speaker 6: Man. 190 00:08:05,680 --> 00:08:10,280 Speaker 4: This was a really well put together sequencing execution all 191 00:08:10,360 --> 00:08:10,960 Speaker 4: that ship was. 192 00:08:11,400 --> 00:08:11,680 Speaker 6: It was. 193 00:08:11,720 --> 00:08:12,280 Speaker 2: It was great. 194 00:08:12,480 --> 00:08:15,360 Speaker 4: My only slight little complaint, and you know, I'm all 195 00:08:15,480 --> 00:08:16,920 Speaker 4: with the left of this album. 196 00:08:16,920 --> 00:08:19,120 Speaker 2: I did feel like it ran a little long. 197 00:08:19,040 --> 00:08:21,320 Speaker 4: But I understand they had a lot to say, They 198 00:08:21,360 --> 00:08:23,440 Speaker 4: had a lot to get off, but I mean preference, 199 00:08:23,480 --> 00:08:25,960 Speaker 4: personal preference. I felt like the album ran a midget 200 00:08:25,960 --> 00:08:27,200 Speaker 4: too long for my liking. 201 00:08:27,320 --> 00:08:30,880 Speaker 2: It was like an hour and fifteen hour. Yeah, I 202 00:08:30,920 --> 00:08:33,400 Speaker 2: was like, yeah it was. It was really little that 203 00:08:34,280 --> 00:08:35,520 Speaker 2: it didn't you. 204 00:08:35,480 --> 00:08:38,960 Speaker 6: Don't like long albums, and yeah, I'm grown to not 205 00:08:39,280 --> 00:08:41,920 Speaker 6: like super long albums either, but this feel like that. 206 00:08:42,280 --> 00:08:44,120 Speaker 2: Yeah. Because he was on the right, because he was 207 00:08:44,120 --> 00:08:45,080 Speaker 2: on the ride. 208 00:08:44,920 --> 00:08:47,760 Speaker 5: That's what, Like I said, Sequin was spell out on 209 00:08:47,800 --> 00:08:48,160 Speaker 5: this thing. 210 00:08:48,240 --> 00:08:52,880 Speaker 6: Man everything it felt like a fucking movie brou and like, 211 00:08:53,480 --> 00:08:55,720 Speaker 6: that's exactly what they intended. Now that I had that 212 00:08:55,840 --> 00:08:58,360 Speaker 6: background that looked up, I'm sure they that's what they 213 00:08:58,360 --> 00:09:00,320 Speaker 6: were going for. They wanted to go like I felt 214 00:09:00,360 --> 00:09:03,720 Speaker 6: like you were listening to a movie or whatever. Especially 215 00:09:03,760 --> 00:09:07,040 Speaker 6: they grabbed the title from a movie. That's what it 216 00:09:07,080 --> 00:09:10,160 Speaker 6: felt like. That's the one that makes stuff like that, 217 00:09:10,280 --> 00:09:12,480 Speaker 6: Like that's this is exactly what it felt like. From 218 00:09:12,520 --> 00:09:15,400 Speaker 6: beginning to end. They told the story, told the story, 219 00:09:15,440 --> 00:09:19,520 Speaker 6: pull their heart streams while they told the story, like yeah, 220 00:09:19,559 --> 00:09:23,840 Speaker 6: this this this is masterclass work right here, like like 221 00:09:24,520 --> 00:09:29,000 Speaker 6: seriously when it comes to concept and feeling like I 222 00:09:29,480 --> 00:09:30,920 Speaker 6: think another thing I was talking to be because I 223 00:09:30,920 --> 00:09:33,200 Speaker 6: want you we was gonna review this, but I was 224 00:09:33,200 --> 00:09:37,840 Speaker 6: saying to be like how like the instruments that they 225 00:09:37,880 --> 00:09:42,240 Speaker 6: were using it here made you feel something like just 226 00:09:42,320 --> 00:09:45,760 Speaker 6: the way they all that stuff made you feel like 227 00:09:45,800 --> 00:09:48,560 Speaker 6: I don't know about y'all, but it made it evokes 228 00:09:48,559 --> 00:09:52,200 Speaker 6: in the emotion. Yes, I'm just like damn Like it 229 00:09:52,240 --> 00:09:55,200 Speaker 6: reminded me of what Kanye said said about like like 230 00:09:55,280 --> 00:09:59,480 Speaker 6: the drums. How that I forgot what he said about 231 00:09:59,480 --> 00:10:03,079 Speaker 6: the but you feel it like your soul feels eight 232 00:10:03,120 --> 00:10:05,480 Speaker 6: o eight drums or whatever. So I feel like they 233 00:10:05,480 --> 00:10:07,560 Speaker 6: did something in this album to like with the strings 234 00:10:07,640 --> 00:10:10,959 Speaker 6: or whatever it was, man, but it definitely yeah. 235 00:10:10,840 --> 00:10:15,240 Speaker 2: Get with every track, bro, every track it was a feeling. Man, 236 00:10:15,280 --> 00:10:17,280 Speaker 2: that sh it was crazy and you know you. 237 00:10:17,240 --> 00:10:19,719 Speaker 6: Say it like because it had like this this this 238 00:10:19,800 --> 00:10:22,680 Speaker 6: happy feeling, but you also like a like a tad. 239 00:10:22,480 --> 00:10:25,199 Speaker 5: Bit of grief in and you could feel still feel that, Yes, 240 00:10:25,960 --> 00:10:27,440 Speaker 5: like that was what was crazy about it. 241 00:10:27,559 --> 00:10:31,080 Speaker 6: Like it sounds happy, but you can still it's still 242 00:10:31,240 --> 00:10:33,000 Speaker 6: feeling like some sort of some grief there. 243 00:10:33,120 --> 00:10:33,920 Speaker 5: Like you know what I'm saying. 244 00:10:34,000 --> 00:10:35,360 Speaker 2: Yeah, they're still dealing with it, bro. 245 00:10:35,800 --> 00:10:37,319 Speaker 5: Still you can tell that they're still dealing with it. 246 00:10:37,360 --> 00:10:38,960 Speaker 6: And I like the point you made about like you know, 247 00:10:39,000 --> 00:10:40,920 Speaker 6: like that in Hip Hop Crew or whatever, like somebody 248 00:10:41,000 --> 00:10:42,920 Speaker 6: like you said, haven't forbid anybody in our crew past 249 00:10:43,000 --> 00:10:45,400 Speaker 6: like this, This is this is how I think something 250 00:10:45,440 --> 00:10:47,360 Speaker 6: would sound like. You know what I'm saying, a tribute 251 00:10:47,400 --> 00:10:50,040 Speaker 6: to what we do to whoever it is. That's what 252 00:10:50,080 --> 00:10:52,599 Speaker 6: it feels like because it'll be so real Yeah, I 253 00:10:52,720 --> 00:10:55,839 Speaker 6: mean like it'd be so real like and authentic. And 254 00:10:56,200 --> 00:11:00,360 Speaker 6: that's what they captured here. They really captured that here. Man, 255 00:11:00,480 --> 00:11:01,080 Speaker 6: it looked. 256 00:11:00,880 --> 00:11:02,040 Speaker 5: Like the perfect cast. 257 00:11:03,120 --> 00:11:10,240 Speaker 6: Yes, yes, like yeah, everything just just like complimented the music, 258 00:11:10,920 --> 00:11:13,040 Speaker 6: like all the features complimented the music. 259 00:11:13,040 --> 00:11:14,280 Speaker 5: They knew exactly what to do. 260 00:11:14,720 --> 00:11:17,320 Speaker 2: Nobody signed off, well, yeah, what. 261 00:11:17,160 --> 00:11:19,000 Speaker 6: To do with the features when it came calm, when 262 00:11:19,040 --> 00:11:23,760 Speaker 6: it came to slip Rick, yes black, what to do 263 00:11:23,840 --> 00:11:24,319 Speaker 6: kill Mike? 264 00:11:25,240 --> 00:11:28,600 Speaker 2: Yes? So that that that was That was absolutely perfect song, 265 00:11:29,040 --> 00:11:29,920 Speaker 2: the perfect song. 266 00:11:30,360 --> 00:11:32,280 Speaker 5: Like it's like it. 267 00:11:32,400 --> 00:11:33,200 Speaker 2: Was like, what are you saying? 268 00:11:33,679 --> 00:11:35,839 Speaker 4: Mike said, I could do I could do twenty four justive, 269 00:11:36,000 --> 00:11:37,440 Speaker 4: just keep it sixteen, just give. 270 00:11:37,320 --> 00:11:42,520 Speaker 1: It sixteen, keep it sixteen eighteen shot not man like 271 00:11:42,600 --> 00:11:46,240 Speaker 1: this this really felt like a oh what was the 272 00:11:46,280 --> 00:11:46,960 Speaker 1: word I had? 273 00:11:47,000 --> 00:11:49,560 Speaker 2: Bro It just left me. I had the I had 274 00:11:49,559 --> 00:11:50,319 Speaker 2: the perfect word. 275 00:11:51,400 --> 00:11:55,320 Speaker 1: You know what with your statement of it being I 276 00:11:55,320 --> 00:11:57,000 Speaker 1: was gonna say, it's deeper to wrap it feels this 277 00:11:57,080 --> 00:11:59,200 Speaker 1: feels deeper to wrap this. And that's why I said, 278 00:11:59,240 --> 00:12:01,560 Speaker 1: like like the brother hood or whatever, because you know, again, 279 00:12:01,559 --> 00:12:03,360 Speaker 1: you know, we've been doing that hip hop since twenty eleven, 280 00:12:03,400 --> 00:12:06,320 Speaker 1: but I've known you niggas like it's it's. 281 00:12:07,640 --> 00:12:10,240 Speaker 2: Alm yeah, yeah, yeah, Like you know. 282 00:12:10,240 --> 00:12:13,480 Speaker 1: What I'm saying, So like it's it's you could tell 283 00:12:13,559 --> 00:12:15,400 Speaker 1: bro like you then That's why I said, it just 284 00:12:15,400 --> 00:12:20,240 Speaker 1: feels like a real and let me not sound like that. 285 00:12:20,520 --> 00:12:22,480 Speaker 2: It's not necessarily a real nigga's this. 286 00:12:22,400 --> 00:12:25,320 Speaker 1: Is a real brother album like this. These are real 287 00:12:25,400 --> 00:12:30,440 Speaker 1: friends that have lost a homie and like you said, 288 00:12:30,559 --> 00:12:33,560 Speaker 1: like it feels happy, but they're still dealing with it. 289 00:12:33,640 --> 00:12:34,200 Speaker 2: You know what I'm saying. 290 00:12:34,240 --> 00:12:35,760 Speaker 1: I think this is the best way for them to 291 00:12:35,800 --> 00:12:37,920 Speaker 1: deal with it because this is the passion that they 292 00:12:37,960 --> 00:12:40,480 Speaker 1: shared and you just see that and then you know, 293 00:12:40,840 --> 00:12:43,040 Speaker 1: b like for Dave to be working on these joints 294 00:12:43,080 --> 00:12:45,040 Speaker 1: and then they just took the baton and just went 295 00:12:45,120 --> 00:12:46,600 Speaker 1: with it. You know what I'm saying, just finished it 296 00:12:47,640 --> 00:12:49,520 Speaker 1: like that. That's that's what homies do. 297 00:12:49,800 --> 00:12:52,800 Speaker 2: You know what I'm saying, Like this shit was fucking crazy. 298 00:12:52,960 --> 00:12:55,760 Speaker 4: It's I think I'm just so amazed by it because 299 00:12:55,760 --> 00:12:58,120 Speaker 4: it's like, Man, I've been to literly been a fans 300 00:12:58,160 --> 00:13:01,000 Speaker 4: this day one, so just thinking back to that kid 301 00:13:01,040 --> 00:13:04,280 Speaker 4: and then just hearing hearing this, like, yeah, this ship 302 00:13:04,320 --> 00:13:04,959 Speaker 4: is definitely. 303 00:13:04,679 --> 00:13:05,720 Speaker 2: A full circle moment for me. 304 00:13:05,760 --> 00:13:07,640 Speaker 4: Man, I was like, Oh my fucking gud, what the 305 00:13:07,640 --> 00:13:11,120 Speaker 4: fuck I just listened to here. Thirty something plus years later, 306 00:13:11,320 --> 00:13:12,760 Speaker 4: these motherfuckers. 307 00:13:12,240 --> 00:13:16,240 Speaker 2: Released this damn album. Yeah, Wow, that's fucking crazy. Day 308 00:13:16,280 --> 00:13:19,400 Speaker 2: I came by nineteen eighty nine, bro, Like, Man, I'm 309 00:13:19,440 --> 00:13:23,240 Speaker 2: sorry kid, something here, man, Yeah. 310 00:13:22,800 --> 00:13:25,240 Speaker 4: They tapped into something here that I'm like, they never 311 00:13:25,280 --> 00:13:26,480 Speaker 4: went they never did this before. 312 00:13:26,480 --> 00:13:27,240 Speaker 2: This shit is crazy. 313 00:13:27,559 --> 00:13:28,240 Speaker 3: No, you're good man. 314 00:13:28,280 --> 00:13:30,480 Speaker 7: I love it everything, the excitement and the energy in 315 00:13:30,520 --> 00:13:33,280 Speaker 7: your voice. You know about it, and I think it 316 00:13:33,400 --> 00:13:39,040 Speaker 7: is warranted. You know, I'm with you, guys. Definitely what 317 00:13:39,120 --> 00:13:41,480 Speaker 7: you rod is like, you know, the time flies by 318 00:13:41,520 --> 00:13:42,360 Speaker 7: when you listen to it. 319 00:13:42,679 --> 00:13:44,120 Speaker 3: Everything is so seamless. 320 00:13:44,440 --> 00:13:49,160 Speaker 7: The sequencing is is is damn there perfect, probably perfect. Honestly, 321 00:13:49,920 --> 00:13:52,480 Speaker 7: when you listen to it, to the album, you know, 322 00:13:52,520 --> 00:13:54,960 Speaker 7: I listened to the intro for the first time would 323 00:13:55,000 --> 00:13:57,280 Speaker 7: be and I just I just don't believe they did that, 324 00:13:57,480 --> 00:13:59,719 Speaker 7: Like I would just just. 325 00:13:59,720 --> 00:14:00,280 Speaker 6: Dang, bro. 326 00:14:01,840 --> 00:14:03,720 Speaker 3: I couldn't say any did. It's just like, what do 327 00:14:03,800 --> 00:14:04,440 Speaker 3: you say to that? 328 00:14:04,520 --> 00:14:04,760 Speaker 5: Man? 329 00:14:05,400 --> 00:14:06,520 Speaker 3: Uh? 330 00:14:06,840 --> 00:14:10,960 Speaker 7: Getting one Carlo at Sposito is a good That was 331 00:14:11,240 --> 00:14:16,880 Speaker 7: great pick and and I think he was a perfect 332 00:14:16,960 --> 00:14:20,760 Speaker 7: person because I definitely think he has ties to hip hop. 333 00:14:20,760 --> 00:14:21,600 Speaker 3: He was in All Spike. 334 00:14:22,720 --> 00:14:25,920 Speaker 2: Yeah, yeah, do the right thing. That's right. I mean, yeah, 335 00:14:25,960 --> 00:14:28,880 Speaker 2: you know he's tied to hip hop exactly. 336 00:14:29,280 --> 00:14:32,520 Speaker 7: So it was very intentional and well placed. You guys 337 00:14:32,520 --> 00:14:35,760 Speaker 7: already coming in on that too. It's incredible, man. I 338 00:14:35,760 --> 00:14:38,840 Speaker 7: think it's definitely one of the best albums of the year, 339 00:14:38,920 --> 00:14:41,840 Speaker 7: and I think it invokes a lot of different emotions 340 00:14:41,920 --> 00:14:47,680 Speaker 7: listening to it. One thought is like, to wrap this 341 00:14:47,960 --> 00:14:55,200 Speaker 7: well with production, This damn near timeless and after all 342 00:14:55,240 --> 00:14:57,880 Speaker 7: of these years, they haven't. 343 00:14:57,600 --> 00:14:59,400 Speaker 3: Missed a step, you know. 344 00:15:00,080 --> 00:15:05,520 Speaker 7: And back in the day growing up that that like 345 00:15:05,560 --> 00:15:07,600 Speaker 7: once you get old, man, it was it was a rap. 346 00:15:09,280 --> 00:15:12,440 Speaker 7: They still got it, and I think a lot of 347 00:15:12,480 --> 00:15:15,800 Speaker 7: that has to do with Nas and his involvement with it. 348 00:15:16,120 --> 00:15:18,640 Speaker 7: I think going to get all of these people to 349 00:15:18,760 --> 00:15:23,240 Speaker 7: participate in the album just made a whole lot of 350 00:15:23,280 --> 00:15:27,360 Speaker 7: sense because almost like it's a it's a celebration and 351 00:15:27,400 --> 00:15:33,040 Speaker 7: a remembrance, you know, of of of Dave and and 352 00:15:33,080 --> 00:15:37,280 Speaker 7: honoring him as well. And you know, at times listening 353 00:15:37,280 --> 00:15:40,320 Speaker 7: to it, you get you know, I get sad. It's like, Bro, 354 00:15:41,000 --> 00:15:43,480 Speaker 7: because you can tell they really really miss him, Bro, 355 00:15:44,640 --> 00:15:46,800 Speaker 7: and and you can hear it in their voice. 356 00:15:46,840 --> 00:15:49,520 Speaker 3: But at the same yeah, it's it's it's like. 357 00:15:49,440 --> 00:15:52,680 Speaker 7: That the one about where they said that I feel 358 00:15:52,680 --> 00:15:55,200 Speaker 7: like I lost the limb, but I would rather behold Bro. 359 00:15:57,600 --> 00:15:59,640 Speaker 2: Yes, yes, bru are you kidding me? 360 00:16:00,200 --> 00:16:04,960 Speaker 7: Come on, man, stop stop at the end and the 361 00:16:05,000 --> 00:16:09,960 Speaker 7: production is is Man, it's it's so incredible. Bro will 362 00:16:10,080 --> 00:16:14,880 Speaker 7: be the package cruel summers. That whole thing you guys 363 00:16:14,880 --> 00:16:17,560 Speaker 7: already talked about running back, you talked about different world 364 00:16:18,800 --> 00:16:23,560 Speaker 7: is nice to the silent life of a truth is crazy. 365 00:16:23,920 --> 00:16:26,120 Speaker 2: Yes, man, the. 366 00:16:27,840 --> 00:16:35,360 Speaker 7: Man Bro likes it's this is this was not what 367 00:16:35,400 --> 00:16:39,320 Speaker 7: they say on my Bengo card, Like you just don't 368 00:16:39,360 --> 00:16:42,360 Speaker 7: really expect them to put together. 369 00:16:42,040 --> 00:16:43,360 Speaker 2: Like not, like I didn't expect this. 370 00:16:43,760 --> 00:16:45,680 Speaker 4: Yeah, I didn't expect this, Like you knew it was 371 00:16:45,720 --> 00:16:47,560 Speaker 4: coming because it was on the Master appeal list like 372 00:16:47,600 --> 00:16:51,720 Speaker 4: they Okay, cool, that's dope. I didn't think I was 373 00:16:51,720 --> 00:16:54,480 Speaker 4: about to get this, Bro was gonna be a rap album. 374 00:16:54,720 --> 00:16:56,320 Speaker 4: I thought it was just gonna be a dope wrap album. 375 00:16:56,320 --> 00:16:57,920 Speaker 4: This ship fucked me up. I didn't I did not 376 00:16:58,000 --> 00:16:59,560 Speaker 4: know I was going to get this. 377 00:17:00,080 --> 00:17:01,800 Speaker 5: They should have been promoting this the same way the 378 00:17:01,800 --> 00:17:02,560 Speaker 5: Clips promoted that. 379 00:17:02,600 --> 00:17:04,280 Speaker 2: Album, bron, I said the same thing. 380 00:17:04,440 --> 00:17:08,360 Speaker 6: They should have confidently promoted this, like because Clips confidently 381 00:17:08,440 --> 00:17:10,320 Speaker 6: promoted that album because they knew their album. 382 00:17:10,080 --> 00:17:11,960 Speaker 2: Was the Ship, right, they should have been the same way. 383 00:17:12,000 --> 00:17:13,880 Speaker 6: They should have been the same way. It's like, yo, 384 00:17:14,160 --> 00:17:15,560 Speaker 6: y'all ain't ready for this album. 385 00:17:16,520 --> 00:17:18,639 Speaker 4: I was saying that to one of my other back 386 00:17:18,680 --> 00:17:20,800 Speaker 4: of Detroit. I was like, Bro, I said, man, I 387 00:17:20,800 --> 00:17:22,880 Speaker 4: said this Daylight I should have got the same promotion 388 00:17:23,000 --> 00:17:26,439 Speaker 4: as a clip because this album was a ship bro like, 389 00:17:26,760 --> 00:17:28,400 Speaker 4: And I'm kind of upset that a lot of people 390 00:17:28,480 --> 00:17:31,399 Speaker 4: not talking about this album. But this ship is fucking crazy, 391 00:17:31,440 --> 00:17:33,240 Speaker 4: Like people should be talking about this album a lot more. 392 00:17:33,520 --> 00:17:34,040 Speaker 2: And I'm glad. 393 00:17:34,280 --> 00:17:37,280 Speaker 7: I feel like they captured the Daylight vib like will 394 00:17:37,320 --> 00:17:38,680 Speaker 7: be that sounds. 395 00:17:38,359 --> 00:17:42,359 Speaker 4: Like that, you know, it's not like, Bro, that's not 396 00:17:42,480 --> 00:17:49,000 Speaker 4: like daylight soul songs. Bro, that'sh's crazy. That ship is crazy, man, 397 00:17:49,200 --> 00:17:53,560 Speaker 4: Damn this fucking album. Bro, I'm still I'm still I 398 00:17:53,640 --> 00:17:56,159 Speaker 4: still play this ship like crazy, Like I'm just like 399 00:17:56,359 --> 00:17:58,359 Speaker 4: I told my sister, I'm like, I'm like, you got 400 00:17:58,440 --> 00:17:59,080 Speaker 4: to listen to this album. 401 00:17:59,080 --> 00:18:01,120 Speaker 2: You have to listen to this. She was like for real. 402 00:18:01,200 --> 00:18:06,120 Speaker 7: I was like yes, m hmm, yeah, just how it is, bro, 403 00:18:06,240 --> 00:18:08,120 Speaker 7: It's like it's like a song as the song as 404 00:18:08,119 --> 00:18:11,119 Speaker 7: a song hit. Yeah, yeah, I don't think there's a 405 00:18:11,160 --> 00:18:11,920 Speaker 7: bad song on here. 406 00:18:11,920 --> 00:18:13,399 Speaker 5: To me, no, it's not. 407 00:18:13,720 --> 00:18:17,199 Speaker 2: It's not it's not a bad song, bro, It's not 408 00:18:17,240 --> 00:18:17,840 Speaker 2: a bad song. 409 00:18:18,440 --> 00:18:19,680 Speaker 3: There's not a skippable. 410 00:18:20,320 --> 00:18:22,439 Speaker 5: It's actually not a bad song on here. 411 00:18:22,920 --> 00:18:27,520 Speaker 2: Man. I'm I'm so interested in these grades. This ship 412 00:18:27,560 --> 00:18:28,440 Speaker 2: is crazy because. 413 00:18:28,240 --> 00:18:30,840 Speaker 6: They just they can they just flow into each other. 414 00:18:30,840 --> 00:18:32,600 Speaker 6: Like if you're not looking at the track list, you 415 00:18:32,640 --> 00:18:35,320 Speaker 6: won't even really like. Ship just flows. 416 00:18:35,359 --> 00:18:35,560 Speaker 4: Man. 417 00:18:36,800 --> 00:18:40,560 Speaker 6: You said something about about like I think you said 418 00:18:40,640 --> 00:18:42,880 Speaker 6: you just picking backing on the grief combo. But something 419 00:18:42,920 --> 00:18:44,880 Speaker 6: you said made me think about this is how people 420 00:18:45,040 --> 00:18:47,960 Speaker 6: be wanting, like uh like funerals to feel you know, 421 00:18:48,000 --> 00:18:49,719 Speaker 6: how they say, oh, this is a song coming, this 422 00:18:49,760 --> 00:18:53,240 Speaker 6: is celebrating, this is to celebrate me, this, this is 423 00:18:53,320 --> 00:18:56,360 Speaker 6: this is what they mean, but but but like here's 424 00:18:56,400 --> 00:19:00,679 Speaker 6: some grief, there be a celebration, like that's what this 425 00:19:00,720 --> 00:19:01,159 Speaker 6: feels like. 426 00:19:01,400 --> 00:19:02,760 Speaker 2: Yep, yep, it's still greet you. 427 00:19:02,840 --> 00:19:06,119 Speaker 4: Still you're still sad that your person, your favorite person left, 428 00:19:06,160 --> 00:19:08,480 Speaker 4: but you know, you know what, Let's let's do him right. 429 00:19:08,560 --> 00:19:10,840 Speaker 2: Let's celebrate him right. Let's let's let's do this right. 430 00:19:10,920 --> 00:19:12,800 Speaker 6: This is what he would want and all that stuff, 431 00:19:13,200 --> 00:19:15,879 Speaker 6: what they would want, Like, this is what this album 432 00:19:15,960 --> 00:19:16,439 Speaker 6: feels like. 433 00:19:16,840 --> 00:19:20,480 Speaker 4: It does right if he was alive, this this album, 434 00:19:20,520 --> 00:19:22,280 Speaker 4: with this, how this album would it sound like? 435 00:19:22,920 --> 00:19:23,840 Speaker 3: Yep, yep. 436 00:19:26,920 --> 00:19:34,040 Speaker 7: It's like the last three tracks fit so well together, 437 00:19:35,040 --> 00:19:37,280 Speaker 7: and it starts before that we believe in him with 438 00:19:37,280 --> 00:19:40,119 Speaker 7: with with the gospel joint yep, yep. But palm of 439 00:19:40,160 --> 00:19:42,919 Speaker 7: his hands with the low and then you go to 440 00:19:44,280 --> 00:19:47,080 Speaker 7: set up don't push me, don't push me came on. 441 00:19:47,160 --> 00:19:49,920 Speaker 2: I was like, bro, hey, I kept telling you. I 442 00:19:49,960 --> 00:19:50,720 Speaker 2: didn't want to spoil it. 443 00:19:50,760 --> 00:19:52,240 Speaker 4: I kept telling y'all, like what y'all get to the 444 00:19:52,280 --> 00:19:55,000 Speaker 4: tourist the end of the album, I said, just enjoyed 445 00:19:55,000 --> 00:19:57,240 Speaker 4: his ride. But the man, the way they finished this album, 446 00:19:57,520 --> 00:20:00,439 Speaker 4: they knocked this ship out the park. Bro, I'm so 447 00:20:00,520 --> 00:20:03,040 Speaker 4: glad and then Rod texts me, right, you text me 448 00:20:03,040 --> 00:20:05,119 Speaker 4: you like, bruh, I just finished the album bruh. 449 00:20:05,200 --> 00:20:09,719 Speaker 2: Damn, Like yeah, man, that ship was crazy. That was crazy. 450 00:20:10,000 --> 00:20:10,200 Speaker 5: Wow? 451 00:20:10,640 --> 00:20:13,160 Speaker 2: Yeah can you right that? Them last three? Bruh? 452 00:20:13,760 --> 00:20:19,040 Speaker 4: And he says thank you, man, come on bruh, Like, 453 00:20:21,760 --> 00:20:24,040 Speaker 4: come on, man, that ship pulled on my heart strings 454 00:20:24,040 --> 00:20:26,800 Speaker 4: like a motherfucker almost almost shaded thug here. 455 00:20:26,880 --> 00:20:27,880 Speaker 3: Bro. Yeah. 456 00:20:27,960 --> 00:20:31,520 Speaker 7: You you listen to the lyrics on some of these songs, 457 00:20:31,600 --> 00:20:34,320 Speaker 7: and you know just the way they express their love 458 00:20:35,280 --> 00:20:41,480 Speaker 7: for him, and you could definitely get caught up and 459 00:20:41,520 --> 00:20:44,600 Speaker 7: in that thinking about your own like personal life, man, 460 00:20:45,240 --> 00:20:50,200 Speaker 7: because I think it's applicable to them and their personal experience, 461 00:20:50,280 --> 00:20:55,240 Speaker 7: but it is it. It also transcends that, you know, 462 00:20:56,240 --> 00:21:00,439 Speaker 7: just the raw emotion and empathy and energy that they're feeling. 463 00:21:01,760 --> 00:21:04,600 Speaker 7: It is sues through music, you know, because energy just 464 00:21:04,680 --> 00:21:10,560 Speaker 7: changed forms, right yep? And yeah man, so yeah, I 465 00:21:10,600 --> 00:21:12,400 Speaker 7: feel you on that. You listen to some of these joints, 466 00:21:12,359 --> 00:21:15,439 Speaker 7: you're like, damn, man, sometimes you bob your head and 467 00:21:15,440 --> 00:21:17,399 Speaker 7: ship like that, and then I'll hit you with all 468 00:21:17,440 --> 00:21:20,760 Speaker 7: your here verse or lyrics like damn. 469 00:21:20,840 --> 00:21:23,440 Speaker 3: Yeah, it's incredible, bro. 470 00:21:23,800 --> 00:21:28,800 Speaker 2: It isble, It really is ship. I love it how 471 00:21:28,840 --> 00:21:30,280 Speaker 2: they played the harp at the R and. 472 00:21:30,200 --> 00:21:35,520 Speaker 4: B every mentioned all the instrumentation to put in here. 473 00:21:35,800 --> 00:21:36,200 Speaker 2: It fit. 474 00:21:36,320 --> 00:21:38,159 Speaker 4: It fits with everything, all the emotion that they was 475 00:21:38,200 --> 00:21:39,880 Speaker 4: trying to convey throughout this album. 476 00:21:39,920 --> 00:21:42,960 Speaker 3: Man movie is a good, good, good description. 477 00:21:43,600 --> 00:21:45,800 Speaker 4: Yeah, ye'all didn't know that about the why they come 478 00:21:45,840 --> 00:21:48,600 Speaker 4: up with that title feole that's so yeah. 479 00:21:48,920 --> 00:21:52,120 Speaker 2: All right, So look is album grade time? 480 00:21:52,160 --> 00:21:52,439 Speaker 3: All right? 481 00:21:52,560 --> 00:21:54,160 Speaker 1: So look, if this is the first time you're here, 482 00:21:54,440 --> 00:21:58,520 Speaker 1: we're grading the flow, lyrics, production features, execution, replay value overall. 483 00:21:58,800 --> 00:22:01,679 Speaker 1: I will start it off with the flow give me 484 00:22:01,880 --> 00:22:03,520 Speaker 1: a B plus. 485 00:22:04,280 --> 00:22:06,560 Speaker 6: Saying, give me a B plus on the flow that's 486 00:22:06,600 --> 00:22:11,200 Speaker 6: probably yeah, Like the flow still wasn't like I don't 487 00:22:11,240 --> 00:22:15,400 Speaker 6: think a one top tier, but it's still really good 488 00:22:15,480 --> 00:22:19,320 Speaker 6: flow here. It's still like traditional day's day live. Yeah, 489 00:22:19,400 --> 00:22:20,200 Speaker 6: it's day live. 490 00:22:22,560 --> 00:22:22,919 Speaker 3: Little. 491 00:22:23,240 --> 00:22:26,680 Speaker 2: I can admit little bias, So I'm going a minus 492 00:22:28,760 --> 00:22:30,639 Speaker 2: a minus. This is this is you're talking to a 493 00:22:30,720 --> 00:22:31,440 Speaker 2: day one day life. 494 00:22:31,560 --> 00:22:34,920 Speaker 4: Which is interesting because you remember when we reviewed Anonymous Nobody, 495 00:22:35,200 --> 00:22:38,000 Speaker 4: and that was the first time I was slightly disappointed 496 00:22:38,000 --> 00:22:38,879 Speaker 4: in the Daylight album. 497 00:22:39,000 --> 00:22:39,560 Speaker 2: I remember that. 498 00:22:39,640 --> 00:22:42,919 Speaker 4: I remember being so sad reviewing that album because I 499 00:22:43,000 --> 00:22:44,320 Speaker 4: wasn't in love with it like that. 500 00:22:44,480 --> 00:22:47,560 Speaker 2: But okay, I'm sorry, but yeah, so a little biased, 501 00:22:47,720 --> 00:22:48,200 Speaker 2: a little bit. 502 00:22:48,240 --> 00:22:51,560 Speaker 4: I'm admitting I'm putting my bias out there right now. 503 00:22:51,600 --> 00:22:55,600 Speaker 4: A minus on the flow, I'm at a B plus 504 00:22:55,880 --> 00:22:56,680 Speaker 4: and I'm mad at that. 505 00:22:57,440 --> 00:23:00,320 Speaker 7: Okay, where you at on the lyrics, I'm at uh, 506 00:23:02,000 --> 00:23:03,800 Speaker 7: I'm out a A on the lyrics. 507 00:23:04,040 --> 00:23:07,280 Speaker 2: I am too. I'm at a A with lyrics, Bro. 508 00:23:07,760 --> 00:23:08,720 Speaker 5: He A minus. 509 00:23:08,800 --> 00:23:12,600 Speaker 1: Nonetheless, I got you, I matter be pleased with the lyrics. 510 00:23:13,359 --> 00:23:21,639 Speaker 1: Gotter be plused with the lyrics. Lyrics wrong, man, I'm not. 511 00:23:22,280 --> 00:23:25,480 Speaker 1: It's not bad though, but lyrics very strong here. Lys 512 00:23:25,600 --> 00:23:26,520 Speaker 1: lyrics are very strong. 513 00:23:27,119 --> 00:23:30,439 Speaker 2: They are they are production. I'm out of A. 514 00:23:31,960 --> 00:23:35,480 Speaker 5: I'm with you A on production. They killed the production. 515 00:23:35,680 --> 00:23:36,720 Speaker 2: A on production. 516 00:23:39,359 --> 00:23:44,119 Speaker 7: Yeah, I'm with y'all production to features, I'm at a A. 517 00:23:45,480 --> 00:23:47,479 Speaker 2: I'm at a A as well. On the feature. 518 00:23:48,000 --> 00:23:50,680 Speaker 4: No nobody, like Rod mentioned earlier, no one sounded like 519 00:23:50,720 --> 00:23:53,600 Speaker 4: they didn't fit on here, Like everyone sounded like they 520 00:23:53,640 --> 00:23:55,600 Speaker 4: were supposed to be on the track that they were on. 521 00:23:56,520 --> 00:23:59,320 Speaker 5: Absolutely A y'all will be correct with A ya. 522 00:24:02,040 --> 00:24:04,400 Speaker 2: Matter a two? I matter a two, bro, Like that's 523 00:24:04,480 --> 00:24:07,200 Speaker 2: just that to me. Uh, again. 524 00:24:07,240 --> 00:24:09,439 Speaker 1: I was blown away by the intro and then hearing 525 00:24:09,480 --> 00:24:11,480 Speaker 1: them and it's like, oh, ship like they like they 526 00:24:12,560 --> 00:24:15,639 Speaker 1: all came like you know, and you know, common just 527 00:24:15,640 --> 00:24:18,639 Speaker 1: sounds so perfect and day lized vibe like it's just 528 00:24:18,880 --> 00:24:21,000 Speaker 1: all of them, Bro, Black Dog, Killer, Mike, they all 529 00:24:21,040 --> 00:24:22,480 Speaker 1: brought everybody. 530 00:24:22,680 --> 00:24:24,680 Speaker 2: So it's an on features. 531 00:24:24,760 --> 00:24:28,320 Speaker 1: Execution. This is my highest grade. Oh damn you cut 532 00:24:28,359 --> 00:24:28,680 Speaker 1: your hair? 533 00:24:29,840 --> 00:24:30,480 Speaker 5: Seen the video? 534 00:24:32,240 --> 00:24:35,639 Speaker 2: He got a video execution. This is my highest grade, 535 00:24:36,000 --> 00:24:37,640 Speaker 2: A plus, my first. 536 00:24:37,640 --> 00:24:39,520 Speaker 4: I think this is my first A plus ever. I 537 00:24:39,560 --> 00:24:42,359 Speaker 4: think since we since we started doing grades and didn't 538 00:24:42,400 --> 00:24:44,720 Speaker 4: hip hop, this is my first A plus. Everybody, I'm 539 00:24:44,760 --> 00:24:45,119 Speaker 4: giving it. 540 00:24:45,520 --> 00:24:48,840 Speaker 2: Execution sequence in that A plus plus. 541 00:24:48,880 --> 00:24:50,560 Speaker 5: I don't know why I didn't give it a plus 542 00:24:50,600 --> 00:24:51,640 Speaker 5: because this is hard. 543 00:24:52,080 --> 00:24:58,679 Speaker 8: You could change, you can change, you can change solid, 544 00:24:59,440 --> 00:25:02,119 Speaker 8: but this is this is I'm not mad at A plus. 545 00:25:02,280 --> 00:25:04,280 Speaker 4: I feel like it's not less than a plus anywhere 546 00:25:04,320 --> 00:25:07,200 Speaker 4: on here is execution. I feel like it's not less 547 00:25:07,200 --> 00:25:08,480 Speaker 4: than a plus with the execution. 548 00:25:10,359 --> 00:25:12,960 Speaker 3: Ken, Yeah, I'm at an A plus too. 549 00:25:13,320 --> 00:25:16,399 Speaker 2: Yeah, nothing less plus. Yeah, it's an A plus. 550 00:25:16,440 --> 00:25:16,600 Speaker 5: Bro. 551 00:25:16,680 --> 00:25:19,720 Speaker 1: Like the way they intro it, they outroed it, how 552 00:25:19,760 --> 00:25:22,879 Speaker 1: they had they flow rod you talked about it flowing 553 00:25:22,960 --> 00:25:26,320 Speaker 1: into the sort like you know, and and I agree 554 00:25:26,880 --> 00:25:28,800 Speaker 1: bsy to a degree. You know, you don't turn me 555 00:25:28,840 --> 00:25:31,880 Speaker 1: on to shorter projects, but I agree with Rod where 556 00:25:32,760 --> 00:25:35,320 Speaker 1: that hour and eleven bro, like you know some grown 557 00:25:35,359 --> 00:25:37,560 Speaker 1: man ship, bro, Like it's not even you know, like 558 00:25:37,600 --> 00:25:39,520 Speaker 1: if I'm just doing something whatever and it's in the back, 559 00:25:39,560 --> 00:25:40,840 Speaker 1: like it's just it's really good. 560 00:25:41,160 --> 00:25:45,360 Speaker 2: So A plus execution can replay value where you're at. 561 00:25:46,520 --> 00:25:49,119 Speaker 7: I'm at a B plus on replay value only because 562 00:25:49,160 --> 00:25:53,280 Speaker 7: of the hour eleven. I went back and forth honestly 563 00:25:53,359 --> 00:25:56,960 Speaker 7: between B plus and A though, like because I think 564 00:25:57,040 --> 00:26:03,640 Speaker 7: it's an easy, easy album to listen to, but yeah, 565 00:26:03,680 --> 00:26:06,320 Speaker 7: I would hesitate because I'm like, oh, it's an hour 566 00:26:06,359 --> 00:26:06,720 Speaker 7: to level. 567 00:26:06,720 --> 00:26:09,120 Speaker 3: But I can put this on that ride though. But yeah, 568 00:26:09,119 --> 00:26:10,240 Speaker 3: I'm still got to be plus. 569 00:26:10,720 --> 00:26:12,720 Speaker 2: And for your exact reasons. Ken's why I gave it 570 00:26:12,720 --> 00:26:14,439 Speaker 2: a minus because I was at A. 571 00:26:15,080 --> 00:26:18,119 Speaker 4: But yeah, just because just because of the Yeah, I 572 00:26:18,160 --> 00:26:19,439 Speaker 4: was like, I mentioned the length of it. 573 00:26:19,560 --> 00:26:22,080 Speaker 2: You know, it's not my cup of tea, but you know. 574 00:26:22,160 --> 00:26:25,919 Speaker 4: It's they take it to a ride, man, It's that 575 00:26:26,040 --> 00:26:26,800 Speaker 4: length for a reason. 576 00:26:26,880 --> 00:26:29,159 Speaker 2: That's how I looked at it like that, So that's 577 00:26:29,200 --> 00:26:29,679 Speaker 2: why I give it. 578 00:26:30,480 --> 00:26:35,959 Speaker 6: Yeah, oh yeah, we can be plus on on replay 579 00:26:36,040 --> 00:26:40,760 Speaker 6: value stellar album. I'm still probably gonna play other albums 580 00:26:41,080 --> 00:26:43,160 Speaker 6: a little bit more than this one, but if this. 581 00:26:43,200 --> 00:26:44,600 Speaker 5: Is on, it's gonna ride. 582 00:26:44,880 --> 00:26:49,879 Speaker 1: So yeah, yeah, I feel that I'm out to be 583 00:26:49,960 --> 00:26:54,800 Speaker 1: plus as well on replay value. The hour length is 584 00:26:54,880 --> 00:26:58,600 Speaker 1: that's why I didn't get a little bit. And and 585 00:26:58,640 --> 00:27:00,760 Speaker 1: here's the thing, like I would bump this in the WIT, 586 00:27:00,840 --> 00:27:03,439 Speaker 1: but it's not bumping the with music per se, like 587 00:27:03,520 --> 00:27:05,440 Speaker 1: they like, don't make that, you know what I'm saying. 588 00:27:05,560 --> 00:27:08,800 Speaker 1: But I do like it. I will play this. This 589 00:27:08,880 --> 00:27:11,600 Speaker 1: is This is one of these projects where I don't 590 00:27:11,640 --> 00:27:13,760 Speaker 1: have to put certain songs on the playlist. I could 591 00:27:13,800 --> 00:27:15,959 Speaker 1: literally just press play and just let it go. So 592 00:27:16,040 --> 00:27:18,520 Speaker 1: that's the reason why it is B plus for me. Overall, 593 00:27:18,640 --> 00:27:21,640 Speaker 1: I'm at an A minus, say A. 594 00:27:21,800 --> 00:27:24,200 Speaker 2: Minus, I'm at a Soliday. 595 00:27:26,080 --> 00:27:29,080 Speaker 7: I am at a solid A. I don't give out 596 00:27:29,080 --> 00:27:31,280 Speaker 7: a lot of a's, but this got it. 597 00:27:31,560 --> 00:27:34,200 Speaker 2: This, Yeah, this definitely got it. 598 00:27:34,200 --> 00:27:39,879 Speaker 7: It was interesting putting doing my my grades, Like how 599 00:27:40,080 --> 00:27:45,160 Speaker 7: easy I just put the ads down. 600 00:27:45,359 --> 00:27:46,879 Speaker 2: It wasn't. It wasn't. 601 00:27:46,960 --> 00:27:49,399 Speaker 4: It wasn't bro Typically, you know, we do these I 602 00:27:49,520 --> 00:27:54,360 Speaker 4: be thinking like this or be minus like it's no bro, 603 00:27:54,920 --> 00:27:57,240 Speaker 4: my grades. I was like, yep, this is it. This 604 00:27:57,320 --> 00:27:58,080 Speaker 4: is it. 605 00:27:58,400 --> 00:28:01,800 Speaker 1: Typically we don't agree, uh for the most part, when 606 00:28:01,800 --> 00:28:05,399 Speaker 1: it comes to these grades or the review itself. So 607 00:28:05,440 --> 00:28:08,720 Speaker 1: this is one of those very rare times where we're 608 00:28:08,800 --> 00:28:11,800 Speaker 1: all within like a half of a plus or whatever 609 00:28:12,119 --> 00:28:14,480 Speaker 1: on all the brand pre order on vinyl. 610 00:28:14,520 --> 00:28:15,960 Speaker 4: So damn quick, Bro, I was like, well, I gotta 611 00:28:16,000 --> 00:28:18,800 Speaker 4: have a physical copy. It is bro, got I gotta 612 00:28:18,800 --> 00:28:22,480 Speaker 4: support I gotta support this. I have to support this. 613 00:28:22,720 --> 00:28:24,840 Speaker 4: It's on the website. It's only that's a website. 614 00:28:25,200 --> 00:28:28,200 Speaker 1: Yeah, I'm a good one, ye, So yeah, nah, this 615 00:28:28,280 --> 00:28:31,159 Speaker 1: is this is one of those ones. How do you feel? 616 00:28:31,240 --> 00:28:33,119 Speaker 1: You know, have you listened to this Day Live album? 617 00:28:33,400 --> 00:28:36,200 Speaker 1: What are you waiting for if you haven't, So make 618 00:28:36,240 --> 00:28:38,120 Speaker 1: sure you go check out this project and let us 619 00:28:38,160 --> 00:28:39,920 Speaker 1: know in the comments section, because you know, it's a conversation. 620 00:28:40,000 --> 00:28:43,240 Speaker 1: After the conversation, grade this project so we out catch 621 00:28:43,280 --> 00:28:45,200 Speaker 1: you next time we out piece Piece p