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Speaker 1: Oh lah dead and hip hop, no politics, no bets.

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Speaker 1: You guys know, you guys are watching this. Man, you

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Speaker 1: know who it is, Kenneth be Inch here or somebody

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Speaker 1: that may have just come across this. You know. I'm

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Speaker 1: flying solo today. I'm flying solo today. We I put

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Speaker 1: together a podcast episode for last week and we called

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Speaker 1: it audible at the last minute to do a reaction

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Speaker 1: to Baby Troy. And for those of you that may

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Speaker 1: have caught it on Twitch, it's no longer there. It

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Speaker 1: was a disaster. The album was forty nine minutes long.

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Speaker 1: It wasn't good, and my computer shut down on me.

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Speaker 1: It just went crazy, you know, and my camera went out,

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Speaker 1: so everything kind of fell apart. But I put together

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Speaker 1: I thought was a pretty good episode and I didn't

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Speaker 1: want it to go to waste. So by next week

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Speaker 1: we'll be on to something else. I'll put something else together.

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Speaker 1: So I figure, why not, I'll just fly solo and

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Speaker 1: go ahead and go through the podcast episode. And I

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Speaker 1: don't know, man, if you guys like them like this

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Speaker 1: or whatever, me find flying blah blah blah blah, me

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Speaker 1: flying solo, man, let me know. I'll do more of these.

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Speaker 1: But let's go ahead and get started with the Hip

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Speaker 1: Hop Minute, which is very very outdated. So let me

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Speaker 1: guys give you an update on a few things. So

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Speaker 1: what I have here or had was, I had Sahai

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Speaker 1: dissing J Cole. I'm going to listen to that track

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Speaker 1: broad Lost Control. Sahai released since the time I put

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Speaker 1: this together another track called the Good Old Days that

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Speaker 1: I should be out on the channel by the time

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Speaker 1: this comes out. So FIFA and I did a Twitch

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Speaker 1: stream reaction to that on Friday and recording this on

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Speaker 1: a Saturday. Fifty Cent has finally dropped a track and

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Speaker 1: I on my YouTube channel listened to Lessons and I

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Speaker 1: had some commentary about Lessons when it dropped. You can

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Speaker 1: find it on YouTube, and he dropped a reply maybe

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Speaker 1: called the New Power or something like that, so we

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Speaker 1: reacted to that as well. So there are in this

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Speaker 1: for the Hip Hop Minute that I have for Last

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Speaker 1: week there was an update on the TI fifty cent situation,

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Speaker 1: which continues to receive regular updates because as of this

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Speaker 1: recording today, well, I was at my kids soccer uh game.

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Speaker 1: They won, by the way, thank god it was who

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Speaker 1: But he dropped another one, so he's behind about two tracks. Now,

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Speaker 1: I have not listened to it because I don't know

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Speaker 1: we're gonna do a reaction or not. But so yeah,

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Speaker 1: this thing continues to move along and it probably will

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Speaker 1: keep going until they're done promoting whatever they have to promote.

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Speaker 1: But one of the things that I said, and you

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Speaker 1: guys heard it, most of you guys heard it, is

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Speaker 1: that fifty got to drop a track Forget all the memes,

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Speaker 1: forget all this other stuff. Fifty got to drop a

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Speaker 1: track that I and I stood on that because I

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Speaker 1: feel like this thing is totally unnecessary and probably some promo,

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Speaker 1: even though a source is rooted and real shit. I

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Speaker 1: don't know, man, I think you know, since the Kendrick

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Speaker 1: and Drake thing, everybody's trying, we're going back to Beef

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Speaker 1: as promo and hopefully this is sincere. But I knew

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Speaker 1: that Joey badass shit was a bunch of mess. But

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Speaker 1: here we are another year and another Beef with the

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Speaker 1: album on the way. So coincidentally, so be there as

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Speaker 1: I made. There's a lot of conversations going around that,

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Speaker 1: especially with King Drop jumping into it and Demani jumping

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Speaker 1: into it, which is one of the regrets that Ti

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Speaker 1: I said that he does regret he do regret his

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Speaker 1: kids kind of jumping into this beef. So so there's that.

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Speaker 1: So we have another distract. We have a recording coming

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Speaker 1: up next week. Who knows what we'll get from between

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Speaker 1: now and Wednesday, but we'll we'll definitely cover it. So

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Speaker 1: just an update. Demani released MSS Jackson, which sample outcast

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Speaker 1: is classic and the referenced fifties late mother Sabrina Jackson,

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Speaker 1: the rulers and politics. You can't cross the line, and

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Speaker 1: that was a conversation people were having with whether or

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Speaker 1: not Ti I cross the line and or Demani cross

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Speaker 1: the line. And you know, it's always been like, man,

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Speaker 1: it is what it is. Like, everything's on the table,

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Speaker 1: and I don't think we I still don't think we've

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Speaker 1: gotten to that point where things are off the t yet.

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Speaker 1: I'm sure fifty has a just to his mom being gone,

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Speaker 1: So I don't know if that's really impacted him in

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Speaker 1: the way that they may have thought it would be.

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Speaker 1: But yeah, so there's that. So anyway, before we get

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Speaker 1: out of the hip hop minute, shout out to the

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Speaker 1: Marathon Burger Grand opening. Nipsy's legacy continues to live on.

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Speaker 1: That was really really dope. I thought it was good news.

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Speaker 1: I definitely want to push good news whenever I can

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Speaker 1: find it. Watch and Big Boy purchase of Huntredge and

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Speaker 1: one hundred and twenty burgers for customers during the opening,

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Speaker 1: which was dope. So Nick Nipsey's legacy man is staying

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Speaker 1: here and I hope people continue to learn from that

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Speaker 1: brother and as well so Snoop Dogg is an investor,

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Speaker 1: which is dope. Laura London of course was there, but

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Speaker 1: the big name was Stevie Wonder. Stevie Wonder showed up

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Speaker 1: to the opening, so that is pretty damn dope, so

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Speaker 1: salute to them. March is Women's History Month, and this

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Speaker 1: is another reason why I really wanted to do the

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Speaker 1: show because this Woman's History Month, and two of the

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Speaker 1: artists that I wanted to spotlight were with Salt and

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Speaker 1: Pepper and EMCE Light, and we're gonna start with EMC Light. First.

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Speaker 1: EMC Light was the first solo rapper with the full

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Speaker 1: studio album, which was Light as Rock in nineteen eighty eight.

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Speaker 1: She's also the first solo female rapper nominated for a

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Speaker 1: Grammy and the first female rapper with the Gold Singer

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Speaker 1: rough Net. She was incredibly lyrically lyrical. She didn't play

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Speaker 1: into the so called woman thing, and I think that

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Speaker 1: her legacy. Man uh. And she just dropped a dope

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Speaker 1: album of people in our review as well, so she

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Speaker 1: still got it. But but nah, man, I think without

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Speaker 1: MC light, we don't get this sort of renaissance that

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Speaker 1: we're going through right now with Medathi, Stallion, Lorella Rhapsody,

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Speaker 1: even throwing sex Red if you want to, you know, invincible,

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Speaker 1: like all all of these rappers that out here that

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Speaker 1: are really really dope, you know, a part that starts

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Speaker 1: with mc light, And she helped really really kind of

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Speaker 1: get things popping and was respected within the industry. So

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Speaker 1: I definitely wanted to make sure that people and that

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Speaker 1: we make sure that she's the honor to recognized for

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Speaker 1: her contributions to the culture. I mean, being the first

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Speaker 1: to accomplish all those things. I think she should be

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Speaker 1: mentioned and discussed more than she actually is. So I

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Speaker 1: remember the album Light as a Rock back in nineteen

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Speaker 1: eighty eight. Nineteen eighty eight, Light as a Rock, and

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Speaker 1: there's some bangers off that joint. So the other one

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Speaker 1: that doesn't really receive as much attention as they should,

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Speaker 1: as Salt and Pepper. Salt and Pepper was one of

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Speaker 1: the earliest all female rap groups, and Push It, which

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Speaker 1: I'm sure everybody should have heard or know by now,

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Speaker 1: became a platinum single. And the significance of Salt and

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Speaker 1: Pepper is they proved that a hip hop women could

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Speaker 1: be commercially viable, and they did a lot for hip

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Speaker 1: hop and it be discussed more often than they do.

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Speaker 1: So if you guys want me or the crew probably

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Speaker 1: just me to do a discussion or a deep dive

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Speaker 1: on Salt and Pepper, I'd be more happy to to

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Speaker 1: kind of go through their catalog and kind of do

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Speaker 1: a historical analysis or critique or whatever on them, kind

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Speaker 1: of similar to what I did on my channel with

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Speaker 1: Marvin Gay and Stevie Wonder a couple of years ago,

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Speaker 1: which you know, I'm bringing that back. So I'm doing

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Speaker 1: Marvin March right now, spotlighting some of my favorite singles

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Speaker 1: from his albums and probably gonna go back and re

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Speaker 1: review some of his earlier stuff as well. But that's TVD.

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Speaker 1: We're here to talk about hip hop, right So what

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Speaker 1: I want to do to celebrate these sisters, man is,

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Speaker 1: is we're gonna watch the Push it. We're gonna watch

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Speaker 1: the push It music video from way way way back

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Speaker 1: in the day. So let me go ahead and get

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Speaker 1: this on screen. Here do do Do Do? Do Do do?

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Speaker 1: Is this it?

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Speaker 2: Uh?

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Speaker 1: Yeah, I think that's it, so uh, give you guys

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Speaker 1: some and Pepper push it. But yeah they put man.

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Speaker 1: Salt and Pepper were huge, you know, and they definitely

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Speaker 1: had some pretty big singles on So this funny Enough

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Speaker 1: was released in nineteen eighty six, so MC light was

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Speaker 1: of course nineteen eighty eight, and then she had her

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Speaker 1: the single Cram Down the same in nineteen eighty seven.

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Speaker 1: But Salt and Pepper Man, we don't yeah, we don't

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Speaker 1: really get there without Salt and Pepper. Uh set Pepper Pepper,

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Speaker 1: which this dropped. This was on the Hot, Cool and

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Speaker 1: Vicious album. So uh, here's the here's the single. Let

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Speaker 1: me uh mask a step forward. Put this on screen.

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Speaker 3: Smash sh smash.

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Speaker 1: Yeah I remember that. Yeah, h mail background mail single, background.

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Speaker 3: Smash smash smash.

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Speaker 1: I was a whole last ten ten years old watching

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Speaker 1: this ship. Broh wait wait, job.

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Speaker 4: Sexy people. You you don't know.

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Speaker 3: This.

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Speaker 1: So we're in a thing wanted don.

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Speaker 4: At night working.

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Speaker 1: So here's they checked this out. They went a whole

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Speaker 1: They went one minute and thirty seconds before they started wrapping,

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Speaker 1: a minute and thirty seconds before they came in. When

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Speaker 1: they hey, when they burst up on the shields.

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Speaker 4: Pu's it real good at ring.

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Speaker 5: By the baby They diday dish.

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Speaker 4: They the day they the day dish.

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Speaker 1: I'm sorry, Oh yeah, yeah.

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Speaker 4: Puts it real good.

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Speaker 3: Smash it.

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Speaker 5: Smash yo yo yo, your baby poppy, you come and

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Speaker 5: give me your kid better make it bad, so bro, I'm.

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Speaker 4: Going to get pissed. Can't you hear the music pumping hard?

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Speaker 4: I thought wish you would not pushy. You say push.

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Speaker 1: Look like real.

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Speaker 4: Let's see what's real time?

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Speaker 3: I want.

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Speaker 6: I want it.

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Speaker 2: Show.

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Speaker 3: I don't know. Sush shot suh it.

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Speaker 5: Show, I don't go.

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Speaker 3: Spush sushh.

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Speaker 1: Come on, man, how much fun was that nineteen eighty

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Speaker 1: six Salt and Peppa push it man, suck. Salute to

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Speaker 1: the ladies, man, salute to the ladies. You know, if

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Speaker 1: the old school didn't pave the way right and that

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Speaker 1: wasn't part of that segment. But let's go ahead and

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Speaker 1: get to that segment. While we're on the old school, man,

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Speaker 1: we've had plenty of conversations about Daylight so three Feet

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Speaker 1: High and Risin. On March third, that album turned thirty

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Speaker 1: seven years old. It was released March third, nineteen eighty nine,

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Speaker 1: and the catalog finally got on streaming services. So for

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Speaker 1: all you young listeners and people out there, if you

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Speaker 1: have not heard that album, I really encourage you guys

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Speaker 1: to go listen to it. I'm not gonna play We're

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Speaker 1: not going to play any tracks or anything from that one,

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Speaker 1: because we have plenty of conversations about Dayla sold three

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Speaker 1: Feet in a High and Taylor Dayala, so just in

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Speaker 1: general with Bee is around as one of these favorite group.

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Speaker 1: As a matter of fact, I'll test be right now

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Speaker 1: and see if he'll shoot over like his favorite tracks

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Speaker 1: from that album, so I can let you guys know

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Speaker 1: what that is. But interestingly enough, that album still, you know,

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Speaker 1: sounds a bit ahead of its time, Like I think

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Speaker 1: it really has a timeless sound to it. And yeah, so,

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Speaker 1: and that was just to kind of put this in

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Speaker 1: a timeline for you guys, for me growing up. So

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Speaker 1: Salty Pepper pushed it in eighty six, then you had

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Speaker 1: in eighty seven. We're gotta do that next we got

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Speaker 1: to eighty seven, we haven't gotten eighty seven yet Buoge

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Speaker 1: Down Productions Criminal Minded, and then in eighty eight MC

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Speaker 1: Light Light as a Rock, and then in eighty nine

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Speaker 1: day La Soul three feet High and Rising. So we're

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Speaker 1: moving right along. Eighty six, eighty eight, eighty six, eighty seven,

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Speaker 1: eighty eight, and eighty nine. Let's go back to eighty seven.

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Speaker 1: If the old school didn't pave the way. Criminal Minded

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Speaker 1: March third, nineteen eighty seven, thirty nine years old. Krass

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Speaker 1: One was a very very influential rapper for me because

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Speaker 1: of the content and the things that he was talking about.

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Speaker 1: He was the teacher and that resonated with me with

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Speaker 1: some of the stuff he was talking about. This conscious rap,

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Speaker 1: you know, was a thing with hardcore lyricism as well, right,

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Speaker 1: so you had a good blend of both. And then

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Speaker 1: the soul called event not so called that's that's disrespectful,

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Speaker 1: but the philosophy, the hip hop philosophy, so all of

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Speaker 1: this was kind of in one and unfortunately, scottlar Rock

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Speaker 1: was was killed five months after the album was released,

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Speaker 1: which was very very sad and had impact in hip

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Speaker 1: hop and definitely on BDP as well. So that was

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Speaker 1: August twenty seven, nineteen eighty seven. But Criminal Mind Man

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Speaker 1: is one of my uh favorite albums. Funny enough, as

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Speaker 1: I pulled this album up here, there's a song on

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Speaker 1: here that to this day even miles running around singing

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Speaker 1: because they use it on on social media. So but yeah,

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Speaker 1: so I'm gonna go through on this one and just

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Speaker 1: kind of we're gonna skim through it a little bit,

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Speaker 1: kind of like what we did with with the MC

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Speaker 1: light joint and uh, and we're gonna we're gonna check

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Speaker 1: this one out. I want to see. Hold on, let

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Speaker 1: me go to YouTube real quick before we do this. Uh,

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Speaker 1: let's see. Hell, let's see here b DP music videos.

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Speaker 1: I don't know if we want to watch a music video.

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Speaker 1: Y'all want to watch music video? I don't know if

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Speaker 1: we're gonna watch a music video criminal mind it let's

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Speaker 1: see all right?

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Speaker 4: Mm hmmm.

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Speaker 1: I found something about him live hold on let me

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Speaker 1: do some better mm hmmm. But yeah, uh I think

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Speaker 1: that BDP while I look this up is another group

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Speaker 1: that isn't really discussed enough and recognized enough. You know,

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Speaker 1: Carreras one was that guy back in the day. Uh so,

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Speaker 1: uh yeah, man, we gotta we got a couple. I

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Speaker 1: don't know which one I want to play. The Bridge

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Speaker 1: is Over? Maybe we'll do that one. But shit, you

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Speaker 1: got Criminal Minded. Here here's the list of the videos

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Speaker 1: they released, South Bronx, The Bridges Over, Criminal Minded, nine

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Speaker 1: Millimeter Goes Bang, and SuperH Hmmm, How know which one

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Speaker 1: I want to do? At least that's what it says

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Speaker 1: over here. Yeah, that's the Bridges Over, Bridges Over, The

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Speaker 1: Bridge is over. Dang man, I don't know which one

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Speaker 1: we should let. I mean, hey, maybe maybe I'll come

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Speaker 1: back and watch some of these other ones. How about

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Speaker 1: that we will do the Bridges Over because it's such

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Speaker 1: a big, huge moment for in hip hop. So we'll

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Speaker 1: do that one. Let me go ahead and pull that up,

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Speaker 1: and we're gonna go through some of these tracks they got.

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Speaker 1: They got a lot of bangers on here too that

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Speaker 1: that are just crazy, crazy crazy. The Bridge is Over

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Speaker 1: music video, all right, So we'll have that ready to

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Speaker 1: go three minutes to twenty seconds. So when we get

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Speaker 1: to that one, we'll go out and put I'll put

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Speaker 1: that on the screen and we'll listen to it. But

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Speaker 1: before then, let us cue that bad boy up squad

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Speaker 1: and skim through this album. Man, for those of you

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Speaker 1: that have not heard the album, I kind of want

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Speaker 1: you guys to hear some of this stuff on here.

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Speaker 1: I hope you guys appreciate this, you know, going through

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Speaker 1: this like this kind of give you guys snippets of

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Speaker 1: some of the songs you know as well. Let me know,

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Speaker 1: let me know if you guys feeling this. You know,

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Speaker 1: it's kind of part of this hip hop history sort

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Speaker 1: of thing I want to kind of put together for

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Speaker 1: you guys. You know, I know we mentioned doing the

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Speaker 1: homework thing, so you know, it's something I want to

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Speaker 1: continue to developing and putting together for you guys. But

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Speaker 1: it's just me. Man, Hey, we're gonna, we're gonna, we're

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Speaker 1: gonna have some fun. We're gonna have some fun. And

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Speaker 1: as the resident OG of the group, I remember all

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Speaker 1: this stuff. It was very I mean, you know, yeah,

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Speaker 1: I was ten with Push it came out, So now

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Speaker 1: you know, I'm moving right along. I'm eleven and eighty seven.

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Speaker 1: You know when this joint came out, in the eighty twelve,

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Speaker 1: when MC light thirteen, when we got all the way

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Speaker 1: to damn it, damn what was it eighty nine? Oh day,

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Speaker 1: let's oh shit, I'm tripping. Uh anyway, so uh all right,

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Speaker 1: did I do that right? Did I do the math right?

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Speaker 1: Eighty six? We got eighty six? Push it, eighty seven

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Speaker 1: criminal mind it, that's eleven in eighty eight twelve that's

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Speaker 1: going to see like right, and in eighty nine thirteen.

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Speaker 1: Yeah yeah, so yeah, hey man, I'm fifty. Man, I

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Speaker 1: gotta I gotta check my math these days. All right, man,

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Speaker 1: I'm done holding you guys up rambling. Sorry, I hit

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Speaker 1: you guys with the old man rambles. So here we go.

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Speaker 1: We got criminal minded, put this bad boys, so maybe

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Speaker 1: we can see it a little bit more so. The

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Speaker 1: first track we have here is poetry. This is the

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Speaker 1: deluxe edition. By the way, we're not a course.

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Speaker 2: To listen to the teacher and the lessons in session,

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Speaker 2: so you can stop dressing.

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Speaker 4: If this is a or a written down memo, this

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Speaker 4: is not a demo. In fact, call it a lecture official.

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Speaker 2: Picture sort of a poetic and rhythm likens to listen.

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Speaker 2: I'm not listening, but there's something that you're listen. Maybe

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Speaker 2: you should touch me. Yelly's witching for Feats with plenty

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Speaker 2: bays and lyrics said, hey, if this meaning doesn't manifest.

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Speaker 4: Put it to rest.

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Speaker 1: I am a poet.

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Speaker 2: You try to show it yet blowing it takes concentration

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Speaker 2: for fresh communication, observation, that is, to see without speaking.

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Speaker 2: Take off your code no time. I am teaching the class,

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Speaker 2: or rather school, because.

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Speaker 4: You mean schooling. I am not a king or queen.

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Speaker 4: I'm not ruling. This is an.

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Speaker 2: Introduction to poetry, a small authentication to thults.

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Speaker 1: That might know of me, they might know of you,

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Speaker 1: and maybe you get what they got.

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Speaker 2: Guns, y'all, Christie, why I'm not the how this god

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Speaker 2: the gorse bow say something now? This even to be

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00:25:22,480 --> 00:25:25,640
Speaker 2: the type of people only understand the annihilation and destruction

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Speaker 2: of the next man. That's not poetry. That it's insanity.

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Speaker 2: It's somebody fantasy, far from reality. Poetry is the language

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Speaker 2: of imagination, what possible engine visit at the point you're

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Speaker 2: missing it, your faces in front of my hands.

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Speaker 4: Don't want to missing it?

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Speaker 1: Man, Look at the album cover. Guns on the album

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Speaker 1: cover right, this is eighty seven, So yeah, the people

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Speaker 1: weren't ready. Definitely a lot of uh rash Larry and

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Speaker 1: stuff on here, but a highly, highly influential album as well. Definitely,

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Speaker 1: I think is in the classic category. You know, some say,

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Speaker 1: I don't know, I'll say that for later, because I

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Speaker 1: do want to have like an overall discussion of BDP

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Speaker 1: and Kerr is one because Kara is One is actually

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Speaker 1: an interesting character with his philosophy side of things and

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Speaker 1: his teachings, which Kara is One, for those of you

355
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Speaker 1: that don't know, stands for knowledge reigned supreme over everyone.

356
00:26:41,840 --> 00:26:47,720
Speaker 1: And then there's also like the content that is on

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Speaker 1: this album and Sound of the Police, so there's this

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Speaker 1: social conscious sort of discussions about stuff that was going

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Speaker 1: on in the street, like raising this awareness of what's happening,

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Speaker 1: you know, the my philosophy, uh and stuff like that

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00:27:04,119 --> 00:27:06,719
Speaker 1: that he was doing. And then of course he had

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Speaker 1: this whole stop the violence thing that took place after

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Speaker 1: the death of scottland Rock. But yeah, he is a

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00:27:15,080 --> 00:27:20,320
Speaker 1: very very really a very interesting story that I think

365
00:27:20,320 --> 00:27:24,240
Speaker 1: it's worth discussing. So but you know, like I said,

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Speaker 1: the depth of Scott l. Rock shook everything up, so

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Speaker 1: you started to see like a shift from him later on.

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Speaker 1: But yeah, that's that's that's poetry moving on. And this

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Speaker 1: is the debut album, by the way, so let's uh

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Speaker 1: hold this ship, damn it. Bangs y'all South Bronx, Yo,

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Speaker 1: what's up blastomatic one?

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Speaker 7: That YO.

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Speaker 4: Got nice?

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Speaker 1: I want to tell a little something about us.

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Speaker 8: Put a bullet on the Thustian route and to the

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00:27:58,359 --> 00:28:01,080
Speaker 8: fact that no one outside that knew it was definitely

377
00:28:01,080 --> 00:28:02,760
Speaker 8: tell you a little shit about where we come from.

378
00:28:04,080 --> 00:28:08,280
Speaker 4: South Bronze, the South South from South Bronx, the South.

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Speaker 2: South bron South bron the South South Rox, South ron

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Speaker 2: the South South bron.

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Speaker 4: Many people tell me this star is terrific.

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00:28:16,520 --> 00:28:19,920
Speaker 2: It is kind of different, but lescan specific pays one

383
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Speaker 2: specialized in music.

384
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Speaker 4: I'll only use this type of style win.

385
00:28:23,400 --> 00:28:25,800
Speaker 2: I choose it part of people in the place that

386
00:28:25,960 --> 00:28:30,239
Speaker 2: being pay are as one attacks you got dropped off

387
00:28:30,440 --> 00:28:34,440
Speaker 2: MC ain't because the ROMs you wrote was what so

388
00:28:34,600 --> 00:28:38,200
Speaker 2: you think that hip hop half is start out in Queensbridge.

389
00:28:39,480 --> 00:28:42,040
Speaker 2: If you pop that junk up in the Bronx, you

390
00:28:42,240 --> 00:28:45,640
Speaker 2: might not live because you're in South broms the South

391
00:28:45,800 --> 00:28:51,000
Speaker 2: South Froth, South South from South bro the South South

392
00:28:51,080 --> 00:28:54,400
Speaker 2: brom South bron the South South bro. I think with

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Speaker 2: Scott la Rock to express one.

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Speaker 1: Thing, all right, So that's uh South Bronce. Like I said,

395
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Speaker 1: when we're gonna listen to all the songs out here,

396
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Speaker 1: but y'all want to do a listener session, boy, we

397
00:29:04,960 --> 00:29:31,000
Speaker 1: can uh next up nine Miller Meter goals bang, Why dang.

398
00:29:32,680 --> 00:29:37,960
Speaker 4: Listen to my nine to go back? Why da dang dang?

399
00:29:38,080 --> 00:29:41,600
Speaker 2: Hey, this is k autist wall and it's been what

400
00:29:41,760 --> 00:29:44,560
Speaker 2: crack deal A by the name of Pizza had to

401
00:29:44,640 --> 00:29:47,680
Speaker 2: buck him down with my nine, I said, I had

402
00:29:47,720 --> 00:29:48,240
Speaker 2: this girl, I.

403
00:29:48,240 --> 00:29:50,840
Speaker 4: Said, no, what's you stupid? But he tried to play me.

404
00:29:51,760 --> 00:29:55,480
Speaker 2: It's one new way, but it was just a waste

405
00:29:55,520 --> 00:29:58,440
Speaker 2: because my ninella me, what's up forgets his stage?

406
00:29:58,640 --> 00:30:03,480
Speaker 4: People just don't anywhere but just the ground. This is

407
00:30:03,560 --> 00:30:10,040
Speaker 4: what I said, Hey, this is to go bang.

408
00:30:13,000 --> 00:30:24,080
Speaker 1: Hey, this came on as one, so that's time Millermeter

409
00:30:24,200 --> 00:30:27,200
Speaker 1: goes bang. So what I was gonna say earlier, I

410
00:30:27,240 --> 00:30:30,400
Speaker 1: don't think I said it is that this album is

411
00:30:31,560 --> 00:30:35,640
Speaker 1: and and Schoolly D is another one. But this album

412
00:30:35,720 --> 00:30:39,160
Speaker 1: Schoolly D was people were saying was like the onset

413
00:30:39,480 --> 00:30:44,480
Speaker 1: of the gangster rap era, and uh you can hear

414
00:30:44,880 --> 00:30:46,680
Speaker 1: I mean in the first couple of tracks, you know

415
00:30:46,840 --> 00:30:49,640
Speaker 1: kind of where they kind of got that idea from

416
00:30:49,840 --> 00:30:53,600
Speaker 1: and why. You know, Historically it could be viewed as that,

417
00:30:54,160 --> 00:30:56,240
Speaker 1: you know, maybe I can put something together and we

418
00:30:56,280 --> 00:30:58,640
Speaker 1: can kind of go through like the early beginnings of

419
00:30:58,680 --> 00:31:01,160
Speaker 1: the gangst the Rat album, kind of walking through. I'll

420
00:31:01,160 --> 00:31:03,120
Speaker 1: see if I can put something together for that. But yeah,

421
00:31:05,400 --> 00:31:07,480
Speaker 1: now mil ridicos bang, it kind of makes sense why

422
00:31:07,840 --> 00:31:10,200
Speaker 1: they will say that. But moving on, we got word

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00:31:10,320 --> 00:31:11,920
Speaker 1: from our sponsor.

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00:31:16,840 --> 00:31:19,680
Speaker 2: This is a test of the boogie down production prevention

425
00:31:19,840 --> 00:31:23,160
Speaker 2: against suck MC's. In the event of a real emergency,

426
00:31:23,440 --> 00:31:25,480
Speaker 2: you would have been instructed on which gems to play

427
00:31:25,760 --> 00:31:27,400
Speaker 2: and how loud to blast your radio.

428
00:31:27,760 --> 00:31:29,120
Speaker 4: And now a word from.

429
00:31:29,000 --> 00:31:37,720
Speaker 2: Our sponsor, from the Bronx blast master, KRS one proven

430
00:31:37,800 --> 00:31:38,080
Speaker 2: that much.

431
00:31:38,160 --> 00:31:40,560
Speaker 4: Y'all ain't done until I get some more.

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00:31:40,920 --> 00:31:43,320
Speaker 2: No need to rule or yell, because I could still

433
00:31:43,360 --> 00:31:46,160
Speaker 2: tell what will sell and what have sold without yelling

434
00:31:46,240 --> 00:31:47,320
Speaker 2: over a drum roll.

435
00:31:47,560 --> 00:31:48,320
Speaker 1: That's not as all.

436
00:31:49,440 --> 00:31:51,480
Speaker 4: So one full blossom bloom.

437
00:31:51,760 --> 00:31:54,160
Speaker 2: You got the room, so go ahead and comes soon

438
00:31:54,400 --> 00:31:58,240
Speaker 2: a new error KRS one comes, better fight another lyric

439
00:31:58,600 --> 00:32:02,080
Speaker 2: never because I'm too However, I own my own label,

440
00:32:02,320 --> 00:32:05,200
Speaker 2: partners with Scott la Rock He's on the turntable and

441
00:32:05,720 --> 00:32:09,080
Speaker 2: partner Lee Smith. I'm exercising a true gift just to

442
00:32:09,240 --> 00:32:11,200
Speaker 2: uplift hip hop hip hop.

443
00:32:11,440 --> 00:32:13,680
Speaker 4: My voice is like a monster. And now a word

444
00:32:13,720 --> 00:32:31,000
Speaker 4: from my sponsor two three four fostering.

445
00:32:31,520 --> 00:32:37,040
Speaker 1: That's word from our sponsor hip hop hip hop. Uh elementary.

446
00:32:38,640 --> 00:32:44,520
Speaker 2: Hey, it's one scot Lack got Laara scot LaaS once

447
00:32:45,080 --> 00:32:49,600
Speaker 2: got Lack, the same old the same old stop, the

448
00:32:49,680 --> 00:32:52,440
Speaker 2: same old runner as friends of Moss. I don't know

449
00:32:52,600 --> 00:32:55,480
Speaker 2: exactly what you know, but what I know is that

450
00:32:55,640 --> 00:32:58,960
Speaker 2: stuff gotta go. Usually when I picked up the mic,

451
00:32:59,080 --> 00:33:01,680
Speaker 2: something he'll jumps out my mouth. But that night I

452
00:33:01,920 --> 00:33:04,640
Speaker 2: like to talk about that, not f shit. I got

453
00:33:04,720 --> 00:33:08,800
Speaker 2: some fantasy rocks. But just listen, everything right free meditated

454
00:33:09,040 --> 00:33:10,080
Speaker 2: suckers want to fake it.

455
00:33:10,480 --> 00:33:11,200
Speaker 1: I just hate it.

456
00:33:11,480 --> 00:33:13,960
Speaker 2: Fighting routines are singing something kind of weak? My what

457
00:33:14,160 --> 00:33:17,160
Speaker 2: is a comprehended every time I speak, I have spoken before.

458
00:33:17,160 --> 00:33:18,000
Speaker 4: I'm not joking.

459
00:33:18,200 --> 00:33:21,520
Speaker 2: Please don't sleep, I hope or hooken. Stop trying to

460
00:33:21,600 --> 00:33:22,920
Speaker 2: spak an you have enough say.

461
00:33:23,080 --> 00:33:25,440
Speaker 4: When I get the man with the six pack of

462
00:33:25,520 --> 00:33:26,680
Speaker 4: height to get I get.

463
00:33:28,360 --> 00:33:29,480
Speaker 1: All right. That one's cool.

464
00:33:29,840 --> 00:33:30,000
Speaker 4: Uh.

465
00:33:32,360 --> 00:33:34,040
Speaker 1: I think we're about to go on a run, y'all.

466
00:33:35,120 --> 00:33:37,760
Speaker 1: We're about to go on a run. Because I think

467
00:33:37,840 --> 00:33:40,760
Speaker 1: that may be my least favorite track on here. So

468
00:33:40,880 --> 00:33:45,720
Speaker 1: we have one, two, three, four, five left, Dope beat

469
00:33:45,720 --> 00:33:47,880
Speaker 1: the PS three. The bridge is over a superhul We're

470
00:33:47,880 --> 00:33:50,160
Speaker 1: gonna watch the music video for the Bridges over. So

471
00:33:50,240 --> 00:33:52,320
Speaker 1: we're gonna go through Dope Eat the PS three. We're

472
00:33:52,360 --> 00:33:53,840
Speaker 1: just gonna play a couple of like a minute or

473
00:33:53,840 --> 00:33:56,280
Speaker 1: two of each of these before we watch the music

474
00:33:56,400 --> 00:33:59,080
Speaker 1: video as well. So let's get to dope eat.

475
00:34:09,440 --> 00:34:15,600
Speaker 6: Got ab you gotta dope be dope, We gotta dope doozy,

476
00:34:15,960 --> 00:34:17,000
Speaker 6: you gotta dope beat.

477
00:34:17,280 --> 00:34:19,680
Speaker 4: I gotta dope be. We got a dope beat.

478
00:34:20,320 --> 00:34:22,040
Speaker 2: My name is at the top of on of those

479
00:34:22,120 --> 00:34:25,560
Speaker 2: that meant son turning poetry into cash for eighty seventy

480
00:34:25,719 --> 00:34:26,640
Speaker 2: some then it got paid.

481
00:34:26,840 --> 00:34:29,959
Speaker 4: Some jams whenever played and just a poet to watch

482
00:34:30,040 --> 00:34:32,280
Speaker 4: the b pay. Don't why and why.

483
00:34:32,280 --> 00:34:34,920
Speaker 2: Because they wasn't flying others cing to be fresh, but

484
00:34:35,040 --> 00:34:37,600
Speaker 2: they knock here. I cannot walk around the street with

485
00:34:37,760 --> 00:34:40,040
Speaker 2: my hat in the clouds, even running on my gid

486
00:34:40,239 --> 00:34:43,160
Speaker 2: having colors to loud. Everything was going sock with the

487
00:34:43,239 --> 00:34:45,520
Speaker 2: way I feel. And by the way, it's Scottland rock

488
00:34:45,600 --> 00:34:48,359
Speaker 2: on the wheels up still don't take one step, all.

489
00:34:48,320 --> 00:34:50,239
Speaker 1: Right, So that was dope beat. You hear that rock

490
00:34:50,480 --> 00:34:54,080
Speaker 1: rap thing that was going on. Remember Ron DMC did

491
00:34:54,160 --> 00:35:00,640
Speaker 1: that ship. So now it's a part of hip hop, right,

492
00:35:01,000 --> 00:35:06,560
Speaker 1: So you see the links are being formed. So the

493
00:35:06,680 --> 00:35:10,520
Speaker 1: next is the P is free. This is the remix.

494
00:35:13,160 --> 00:35:17,160
Speaker 4: Live and looking Out Productions is lot.

495
00:35:27,880 --> 00:35:32,040
Speaker 1: Is good. Ya wait here you go? Wait wait wait

496
00:35:32,080 --> 00:35:32,960
Speaker 1: wait wait wait wait.

497
00:35:35,440 --> 00:35:53,680
Speaker 4: GDP po C. It's Yo rule hip hop. That's just

498
00:35:53,760 --> 00:35:55,399
Speaker 4: the leada you can rule himp hop.

499
00:35:56,520 --> 00:35:57,919
Speaker 1: I don't know anything about that boy.

500
00:35:59,120 --> 00:36:04,920
Speaker 4: If one on top rolling here pop when I'm in Manhattan,

501
00:36:05,080 --> 00:36:05,759
Speaker 4: been ruling his.

502
00:36:05,960 --> 00:36:09,600
Speaker 2: Pop when I mean queen the ruling here, Pop, Queen's

503
00:36:09,640 --> 00:36:11,200
Speaker 2: that Nili been ruling.

504
00:36:12,000 --> 00:36:16,279
Speaker 1: Pro, been ruling yap to nine, been ruling up to nine.

505
00:36:16,800 --> 00:36:20,440
Speaker 4: Then comes, I'm not calling you a white okay, when

506
00:36:20,480 --> 00:36:20,719
Speaker 4: you know.

507
00:36:20,800 --> 00:36:24,919
Speaker 9: I'm never record. Stop the Curly free Cut the crack

508
00:36:25,000 --> 00:36:29,839
Speaker 9: Course Monday. Oh yeah, I say, the Curly free Cuts

509
00:36:29,880 --> 00:36:31,120
Speaker 9: the track course Monday.

510
00:36:31,680 --> 00:36:35,000
Speaker 4: Oh yeah, day oh my freeze.

511
00:36:35,440 --> 00:36:38,279
Speaker 1: I know, y'all, man, Hey, hey, hey, add that to

512
00:36:38,360 --> 00:36:42,359
Speaker 1: your playlist. Added to your playlist. I know y'all that part.

513
00:36:42,440 --> 00:36:44,560
Speaker 1: I know y'all know that part, man, because people have

514
00:36:44,640 --> 00:36:47,200
Speaker 1: been using it for years. Add that to your playlist.

515
00:36:50,719 --> 00:36:54,279
Speaker 1: Super Hole is up next. This up to this. I

516
00:36:54,360 --> 00:36:56,399
Speaker 1: was bumming this the other day. This is another good one.

517
00:36:57,840 --> 00:36:58,759
Speaker 1: Oh this is the bridge is over.

518
00:36:58,840 --> 00:37:07,000
Speaker 8: Hold on, Chris, I really knocked the boots, but on

519
00:37:07,080 --> 00:37:08,840
Speaker 8: a la quarter to find two more freaks.

520
00:37:27,520 --> 00:37:35,759
Speaker 2: Mm hmmm, Salarock is for now the main topic. Not

521
00:37:35,880 --> 00:37:38,040
Speaker 2: looking at his touch or cash for of the pocket.

522
00:37:38,200 --> 00:37:40,160
Speaker 2: You may not realist it or you may not know.

523
00:37:40,480 --> 00:37:43,600
Speaker 4: But uh, when I.

524
00:37:43,600 --> 00:37:46,680
Speaker 2: Say super I'm not exaggerating thinking for a guy like

525
00:37:46,800 --> 00:37:47,839
Speaker 2: Scott turns into main.

526
00:37:48,120 --> 00:37:51,080
Speaker 4: He seems to be quiet, but I don't buy its

527
00:37:51,120 --> 00:37:52,440
Speaker 4: in the butting. Why don't you just.

528
00:37:52,600 --> 00:37:55,840
Speaker 2: Try it to super Hote is loosing your section and

529
00:37:56,000 --> 00:37:59,040
Speaker 2: he's armed with the powerful erection to grab your girl

530
00:37:59,120 --> 00:38:03,320
Speaker 2: and run through your mama too, because I like dimension.

531
00:38:08,560 --> 00:38:11,360
Speaker 1: All right. So the funny thing is that my my phone,

532
00:38:11,440 --> 00:38:14,359
Speaker 1: I have that ring that that sets my ring tone.

533
00:38:14,400 --> 00:38:16,440
Speaker 1: So every time that damn shit was playing, I was

534
00:38:16,520 --> 00:38:18,440
Speaker 1: like shit, I thought my phone was ringing. Uh so

535
00:38:18,600 --> 00:38:21,560
Speaker 1: that super Hole, uh, last one before we get into

536
00:38:21,600 --> 00:38:24,400
Speaker 1: the bridge is over. It's criminal minded.

537
00:38:24,360 --> 00:38:29,399
Speaker 2: Boget out production reduction will always get paid paid pay.

538
00:38:29,560 --> 00:38:31,520
Speaker 4: We'll take the wackest.

539
00:38:31,280 --> 00:38:37,680
Speaker 2: Song and make it bad and remember to let us

540
00:38:37,719 --> 00:38:40,239
Speaker 2: send to your skin, skin, because.

541
00:38:40,000 --> 00:38:48,399
Speaker 4: Then you'll be gain, gain to master ron minded. You've

542
00:38:48,480 --> 00:38:50,919
Speaker 4: been blinded looking for a sty like mine.

543
00:38:50,960 --> 00:38:51,880
Speaker 1: You can't find it.

544
00:38:52,120 --> 00:38:55,880
Speaker 4: They on the audience. I am the lyricists sometimes on

545
00:38:55,960 --> 00:38:56,359
Speaker 4: the side.

546
00:38:56,400 --> 00:38:59,760
Speaker 2: Got it can't just a rage and I'm in a cage,

547
00:39:00,080 --> 00:39:02,560
Speaker 2: free as a bird to fly about on stage. Ain't

548
00:39:02,600 --> 00:39:04,959
Speaker 2: here for no funting, just to say a little something.

549
00:39:05,160 --> 00:39:08,200
Speaker 2: Your suckers don't like me because they're all about nothing. However,

550
00:39:08,440 --> 00:39:10,239
Speaker 2: I'm really fascinating to the latter.

551
00:39:10,440 --> 00:39:13,760
Speaker 4: My alarm per bombas gets better and better. My English

552
00:39:13,880 --> 00:39:17,200
Speaker 4: Mama comes down like a hammer. Uni stop. I need

553
00:39:17,760 --> 00:39:19,200
Speaker 4: your bottles, damn famous.

554
00:39:19,239 --> 00:39:22,880
Speaker 2: You're kissing other people's all right, and produce myself just

555
00:39:23,000 --> 00:39:26,160
Speaker 2: as fast. Keep my hair like got acompis cherry curls

556
00:39:26,280 --> 00:39:29,680
Speaker 2: attracted only women. Gotten a compositive girls because girls look

557
00:39:29,840 --> 00:39:32,240
Speaker 2: so good, but their brain is not ready.

558
00:39:32,640 --> 00:39:36,240
Speaker 4: I don't know. I'd rather talk to a warm because

559
00:39:36,280 --> 00:39:38,480
Speaker 4: I min it's so steady. Tell here we go.

560
00:39:39,200 --> 00:39:42,239
Speaker 2: I'm not a musical maniac, gonna be boy fanatic. I

561
00:39:42,320 --> 00:39:44,960
Speaker 2: said anything, you so what was upstising the attic. I've

562
00:39:45,040 --> 00:39:46,320
Speaker 2: listened to these causes back.

563
00:39:46,200 --> 00:39:47,400
Speaker 4: When I was like woo.

564
00:39:49,239 --> 00:39:51,680
Speaker 1: Almost let that bad board run. But we gotta listen

565
00:39:51,680 --> 00:39:57,080
Speaker 1: to this video, man, we gotta watch this video. Whoa hey, hey, man, Hey,

566
00:39:57,480 --> 00:40:00,600
Speaker 1: what a time? What a time? Man, I'm telling y'all,

567
00:40:01,760 --> 00:40:06,879
Speaker 1: classic classic album. I don't know nothing about that. Bruh,

568
00:40:07,000 --> 00:40:10,840
Speaker 1: y'all don't know anything about that joint right there? Nothing

569
00:40:11,040 --> 00:40:14,719
Speaker 1: about it? Oh man, Boogie Down Productions Man nineteen eighty

570
00:40:14,760 --> 00:40:17,120
Speaker 1: seven on My Hour in Well we're just hanging out right,

571
00:40:18,719 --> 00:40:23,560
Speaker 1: So yeah, that was that album. If you guys like this,

572
00:40:23,719 --> 00:40:25,800
Speaker 1: let me know, man. I hope you guys some of

573
00:40:25,840 --> 00:40:27,520
Speaker 1: you guys liked it at least. And I ain't to

574
00:40:27,600 --> 00:40:29,640
Speaker 1: sit here and just waste my time doing this. But

575
00:40:29,719 --> 00:40:31,840
Speaker 1: I had fun doing it, honestly, you know it was

576
00:40:31,960 --> 00:40:33,960
Speaker 1: It was fun for me kind of you know, doing

577
00:40:34,040 --> 00:40:35,480
Speaker 1: this and sharing some of the stuff with you guys,

578
00:40:35,520 --> 00:40:40,000
Speaker 1: having this conversation with you guys. But up, Nett, just

579
00:40:40,080 --> 00:40:43,200
Speaker 1: some more hip hop history here. We're gonna watch this video. Man,

580
00:40:43,239 --> 00:40:45,319
Speaker 1: the bridge is over because this calls so much shit

581
00:40:46,120 --> 00:40:49,160
Speaker 1: back in the day. And I'm a fledgling, you know,

582
00:40:49,360 --> 00:40:51,680
Speaker 1: I'm a I'm a little paddle on, I'm a little

583
00:40:51,719 --> 00:40:55,120
Speaker 1: I'm a little little kid, you know. I'm not even

584
00:40:55,160 --> 00:40:58,799
Speaker 1: a teenager yet. This shit cast so much shit back

585
00:40:58,880 --> 00:41:01,560
Speaker 1: in the day, some of the stuff that was unbeknownst

586
00:41:01,640 --> 00:41:05,160
Speaker 1: to me, uh as far as how real it got.

587
00:41:05,440 --> 00:41:09,920
Speaker 1: But we're gonna we're gonna take it a listen, we're

588
00:41:09,960 --> 00:41:13,839
Speaker 1: gonna watch this music video and then uh, we're gonna

589
00:41:13,920 --> 00:41:16,000
Speaker 1: we're gonna go ahead and and get out of here.

590
00:41:17,080 --> 00:41:20,239
Speaker 1: We're gonna close out with poor our little liquor and

591
00:41:20,600 --> 00:41:25,239
Speaker 1: uh and heir to the streets as well. Uh, if

592
00:41:25,239 --> 00:41:29,600
Speaker 1: you got something to check out. But yeah, man, let's

593
00:41:29,600 --> 00:41:31,480
Speaker 1: go ahead and cue this video up. Let me go

594
00:41:31,640 --> 00:41:34,360
Speaker 1: to put this on screen for you guys. This is

595
00:41:36,239 --> 00:41:38,160
Speaker 1: the bridge is over. We get down Productions. This is

596
00:41:38,200 --> 00:41:39,040
Speaker 1: the music video.

597
00:42:18,040 --> 00:42:21,239
Speaker 7: Show come out with what Jack, explaining what time it is,

598
00:42:22,719 --> 00:42:25,040
Speaker 7: I said, the bridge is over. The bridge is over.

599
00:42:25,960 --> 00:42:29,080
Speaker 7: The bridge is over. The bridge is over, heyle bridge

600
00:42:29,160 --> 00:42:29,399
Speaker 7: is over.

601
00:42:29,600 --> 00:42:32,680
Speaker 4: The bridge is over. The bridge is over. The bridge

602
00:42:32,760 --> 00:42:34,759
Speaker 4: is over. You see me a comedy and need us

603
00:42:34,800 --> 00:42:37,400
Speaker 4: with the slippers and see you down with the sound

604
00:42:37,480 --> 00:42:40,040
Speaker 4: called b d P. If you want to join a crew,

605
00:42:40,080 --> 00:42:42,640
Speaker 4: well you must see me. You can't sound like share

606
00:42:42,760 --> 00:42:46,080
Speaker 4: not the one Molly, Molly Marl and my right man

607
00:42:46,200 --> 00:42:47,719
Speaker 4: like the gay the.

608
00:42:47,800 --> 00:42:50,160
Speaker 2: Mic man, I don't know what to say, saying it

609
00:42:50,400 --> 00:42:52,760
Speaker 2: harm starting out the Queens Bridge saying.

610
00:42:52,600 --> 00:42:53,560
Speaker 4: Your life, I can't mind.

611
00:42:53,560 --> 00:42:56,200
Speaker 2: You know what I'm counting. So tell then we come

612
00:42:56,280 --> 00:42:59,919
Speaker 2: to tell them. Tell them, we come to tell them gay,

613
00:43:00,520 --> 00:43:03,520
Speaker 2: tell them, then we come to tell them. Then tell them,

614
00:43:03,719 --> 00:43:06,200
Speaker 2: then we come to to tell them. Man, he keep

615
00:43:06,280 --> 00:43:08,919
Speaker 2: so making it, Brooklyn keeps him taking it, Bronx keeps

616
00:43:08,960 --> 00:43:10,360
Speaker 2: creating it, and Queens keeps.

617
00:43:10,239 --> 00:43:20,160
Speaker 1: On fake calling out names, y'all on something you want.

618
00:43:20,320 --> 00:43:24,640
Speaker 4: He's come out to bay. It's not Okay one, it's

619
00:43:24,680 --> 00:43:26,600
Speaker 4: not mother okays one.

620
00:43:27,120 --> 00:43:29,520
Speaker 2: They were about to be the people. They cannot They

621
00:43:29,600 --> 00:43:32,200
Speaker 2: must be under da ho. He just got the rock God,

622
00:43:32,480 --> 00:43:33,239
Speaker 2: we don't co play?

623
00:43:33,440 --> 00:43:34,719
Speaker 3: How did we play that game? O?

624
00:43:34,920 --> 00:43:35,160
Speaker 4: Faith?

625
00:43:35,800 --> 00:43:39,520
Speaker 2: Get down production coming three different play and for the

626
00:43:39,600 --> 00:43:42,600
Speaker 2: faite you say that, mister mass Mike, mister come.

627
00:43:42,520 --> 00:43:43,840
Speaker 4: And try to say that. I want to say that

628
00:43:43,960 --> 00:43:45,759
Speaker 4: helps me out. You want the same thing I can't.

629
00:43:46,120 --> 00:43:48,319
Speaker 4: I'm finally figuring it out a magic let's use what's

630
00:43:48,400 --> 00:43:50,560
Speaker 4: up I'm saying, I'll tell you it's only but.

631
00:43:50,600 --> 00:43:53,799
Speaker 2: Steady Problet's he said the molleyball is really only brother

632
00:43:54,120 --> 00:43:55,280
Speaker 2: like Junkie Fresh said.

633
00:43:55,080 --> 00:43:58,200
Speaker 4: I'll tell you no, you ain't no compressive. He said,

634
00:43:58,360 --> 00:44:03,320
Speaker 4: get out easy and then said one you know what

635
00:44:03,400 --> 00:44:07,840
Speaker 4: I'm saying. Remember spiring movements. This name and.

636
00:44:07,880 --> 00:44:15,480
Speaker 2: District is called the swim swear swear swear. What's the

637
00:44:15,600 --> 00:44:18,520
Speaker 2: matter with your mcvolley mall? Don't you know any time

638
00:44:18,640 --> 00:44:19,040
Speaker 2: to touch?

639
00:44:20,480 --> 00:44:21,360
Speaker 1: What's the matter with you?

640
00:44:21,719 --> 00:44:26,040
Speaker 4: Your em stand on the wizard? Still knowledge sun your man?

641
00:44:26,520 --> 00:44:27,160
Speaker 4: What comes out?

642
00:44:27,200 --> 00:44:30,080
Speaker 2: Your steak got out off talking about the wacko MI

643
00:44:30,160 --> 00:44:32,040
Speaker 2: steak Hot it pop?

644
00:44:32,120 --> 00:44:34,800
Speaker 4: Please will only get drop and still telling list to me.

645
00:44:36,200 --> 00:44:39,040
Speaker 2: Everybody's talking about the Juice Crew funny, but you're still

646
00:44:39,160 --> 00:44:40,120
Speaker 2: telling list.

647
00:44:40,080 --> 00:44:44,799
Speaker 9: Me it out?

648
00:44:57,480 --> 00:45:00,719
Speaker 1: Yes, sir, that was the Bridge is a or music video?

649
00:45:01,480 --> 00:45:03,520
Speaker 1: Leave a comment if you have never watched that video,

650
00:45:03,640 --> 00:45:07,000
Speaker 1: and trust me, I understand if you have not, it

651
00:45:07,120 --> 00:45:10,959
Speaker 1: makes a lot of sense. And also let a comment

652
00:45:11,080 --> 00:45:12,839
Speaker 1: know it. I mean, how many of you have heard

653
00:45:12,960 --> 00:45:14,719
Speaker 1: any of these songs? Well, I know you heard some

654
00:45:14,840 --> 00:45:18,080
Speaker 1: of the songs, but yeah, I mean I don't know

655
00:45:18,400 --> 00:45:21,200
Speaker 1: if like you probably heard like the really really popular ones,

656
00:45:21,239 --> 00:45:23,359
Speaker 1: but you know, let me know if you haven't heard

657
00:45:23,400 --> 00:45:25,239
Speaker 1: some of these other joints. And I mean I don't

658
00:45:25,320 --> 00:45:28,319
Speaker 1: know hip hop has moved and changed so much now

659
00:45:28,920 --> 00:45:31,160
Speaker 1: if any of this stuff will sound good to you guys,

660
00:45:31,239 --> 00:45:35,400
Speaker 1: because we're far more advanced in terms of production, rhyming,

661
00:45:35,440 --> 00:45:38,400
Speaker 1: et cetera, etc. But I think it's always good to

662
00:45:38,640 --> 00:45:41,840
Speaker 1: know the history, have that foundational piece of where we

663
00:45:42,280 --> 00:45:47,640
Speaker 1: came from, and it really helps you appreciate and respect

664
00:45:48,480 --> 00:45:51,800
Speaker 1: like where we are and try to hold true to

665
00:45:51,920 --> 00:45:55,560
Speaker 1: the values of what the culture is. When you have

666
00:45:56,520 --> 00:46:01,200
Speaker 1: a really good understanding of its foundation and why old

667
00:46:01,239 --> 00:46:06,600
Speaker 1: head like me, you know, get upset. And it's not

668
00:46:06,719 --> 00:46:08,799
Speaker 1: like we didn't have fun records. I can pull out

669
00:46:08,800 --> 00:46:10,560
Speaker 1: a couple. I can play a couple of fun records

670
00:46:10,600 --> 00:46:12,160
Speaker 1: for you right now. Maybe I made that a show

671
00:46:12,239 --> 00:46:14,560
Speaker 1: one day, fun hip hop records from back in the

672
00:46:14,680 --> 00:46:19,359
Speaker 1: day that we liked, you know, and kind of give

673
00:46:19,400 --> 00:46:22,960
Speaker 1: you guys some of that stuff. Right So I'm trying

674
00:46:23,000 --> 00:46:25,320
Speaker 1: to formulate my thoughts. But anyway, man, So yeah, that

675
00:46:25,560 --> 00:46:28,240
Speaker 1: was if the old school didn't pave the way segments.

676
00:46:28,280 --> 00:46:31,360
Speaker 1: Since it was just me running so low, I decided

677
00:46:31,360 --> 00:46:32,759
Speaker 1: to kind of do something a little bit different, man.

678
00:46:32,760 --> 00:46:36,920
Speaker 1: I hope you guys really appreciate that real quick. As

679
00:46:37,000 --> 00:46:41,239
Speaker 1: we get ready to close out Pouring Out a Little

680
00:46:41,280 --> 00:46:45,360
Speaker 1: Liquor Man for bank Roll Fresh. Bank Roll Fresh was

681
00:46:45,520 --> 00:46:56,279
Speaker 1: part of Gucci Man. March fourth, twenty sixteen. He was

682
00:46:56,440 --> 00:46:59,759
Speaker 1: he was killed outside Straight his ex studio. He was

683
00:46:59,800 --> 00:47:02,839
Speaker 1: a rising street rapper back in the day.

684
00:47:03,560 --> 00:47:03,680
Speaker 4: Uh.

685
00:47:03,960 --> 00:47:05,920
Speaker 1: One of his city's directors is hot Boy. One of

686
00:47:05,960 --> 00:47:10,239
Speaker 1: my favorite records by him is It's About It, which

687
00:47:10,320 --> 00:47:13,919
Speaker 1: is a trap version of the p record. Uh, maybe

688
00:47:14,440 --> 00:47:16,239
Speaker 1: do we want to play that? Maybe I'll maybe I'll

689
00:47:16,239 --> 00:47:19,880
Speaker 1: play a little bit of it. But yeah, man, he was,

690
00:47:19,920 --> 00:47:22,719
Speaker 1: he was, he was. He was definitely, uh, you know,

691
00:47:23,000 --> 00:47:25,279
Speaker 1: on on his way. And this was around the time

692
00:47:25,360 --> 00:47:28,360
Speaker 1: man when I just I just was listening to the

693
00:47:28,480 --> 00:47:31,560
Speaker 1: whole Gucci thing. I became obsessed with Gucci and what

694
00:47:31,640 --> 00:47:36,520
Speaker 1: he was doing with with this, with this label. So yeah,

695
00:47:36,680 --> 00:47:42,839
Speaker 1: so yeah, pouring out a Little Liquor for bank World Freshman. Yeah.

696
00:47:43,000 --> 00:47:48,680
Speaker 1: So uh, let me see, I think I might play

697
00:47:48,760 --> 00:47:52,839
Speaker 1: this joint a little bit of it, a little bit

698
00:47:52,920 --> 00:47:54,320
Speaker 1: of it. Hold on, let me see me put this

699
00:47:54,400 --> 00:47:57,440
Speaker 1: on screen real quick. It's from the Life of a

700
00:47:57,560 --> 00:48:03,000
Speaker 1: Hot Boy too, Life of a Hot Boy too. Uh,

701
00:48:03,320 --> 00:48:05,960
Speaker 1: we're just playing music today, Huh. Well it's on Patreon,

702
00:48:06,080 --> 00:48:09,520
Speaker 1: so you know, don't really matter, right, You guys get

703
00:48:09,520 --> 00:48:13,120
Speaker 1: the good stuff. You guys get the good stuff. Definitely

704
00:48:13,160 --> 00:48:14,920
Speaker 1: some of this stuff game. I don't even know if

705
00:48:14,960 --> 00:48:18,440
Speaker 1: this whole episode to go on on YouTube anyway? About it?

706
00:48:18,520 --> 00:48:18,960
Speaker 1: About it?

707
00:48:19,840 --> 00:48:24,200
Speaker 4: Dirty look dirt, who thirty crown.

708
00:48:24,360 --> 00:48:32,240
Speaker 1: Now man the fuck? Nice little spin.

709
00:48:33,640 --> 00:48:36,640
Speaker 6: Fresh Sure what seas cocaine watching way my paint wish

710
00:48:36,719 --> 00:48:39,800
Speaker 6: Champagne Championship, faint and fold running bank roll hunters.

711
00:48:39,840 --> 00:48:40,680
Speaker 4: Don't have to change.

712
00:48:41,280 --> 00:48:43,800
Speaker 6: Change came in a real few lane change, won't switching

713
00:48:43,880 --> 00:48:46,799
Speaker 6: lane post another nigga window slang feeling no switching full

714
00:48:46,840 --> 00:48:48,280
Speaker 6: of pro pain like ESPN.

715
00:48:48,440 --> 00:48:51,040
Speaker 4: I got gang hit the board side, I got aang this.

716
00:48:51,120 --> 00:48:54,799
Speaker 6: Spot on how while your plank had additional change? Bad

717
00:48:54,880 --> 00:48:57,680
Speaker 6: bitch and beld Wayne Mark Jelly tenths eight cented plank

718
00:48:57,760 --> 00:48:59,960
Speaker 6: boarding on the plane. It's the playing game plane polar

719
00:49:00,080 --> 00:49:02,880
Speaker 6: see flying, then the talking parakeet, ditch you Fresh and

720
00:49:02,960 --> 00:49:05,400
Speaker 6: then port imported Gucci from overseas.

721
00:49:05,480 --> 00:49:06,239
Speaker 4: Couple of bad beat you.

722
00:49:06,320 --> 00:49:08,160
Speaker 1: We imported these but it ain't important.

723
00:49:08,400 --> 00:49:10,680
Speaker 6: Bot the hard light Michael Jordan, Numna see him chorting

724
00:49:10,719 --> 00:49:13,200
Speaker 6: them to warn supporting you nigga laker, You nigga can't

725
00:49:13,320 --> 00:49:14,120
Speaker 6: let you wasn't.

726
00:49:13,840 --> 00:49:16,000
Speaker 4: Even the place of driving far across to you.

727
00:49:16,320 --> 00:49:19,440
Speaker 1: Yep. So anyway, bank Rod Fresh and this is the

728
00:49:19,520 --> 00:49:23,160
Speaker 1: one because I'm y'all may not be familiar with him,

729
00:49:23,200 --> 00:49:26,719
Speaker 1: so this is the one that, uh, you know, really

730
00:49:26,760 --> 00:49:29,279
Speaker 1: got him out there. So just just for reference for

731
00:49:29,400 --> 00:49:32,040
Speaker 1: some of you guys out there that that are unfamiliar,

732
00:49:32,560 --> 00:49:43,719
Speaker 1: there's anything wrong with that right around his.

733
00:49:46,040 --> 00:49:48,360
Speaker 4: Loaded bully, Yeah.

734
00:49:49,360 --> 00:49:51,799
Speaker 6: Come through looking like a do I hain't standing none

735
00:49:51,800 --> 00:49:54,480
Speaker 6: of y'all. Bro Nigga, and trust bout when we post nigga,

736
00:49:54,760 --> 00:49:57,480
Speaker 6: I'm gonna get a mentioned in the boat Nigga friends

737
00:49:57,520 --> 00:49:57,680
Speaker 6: and the.

738
00:49:57,680 --> 00:50:00,080
Speaker 4: Coat niggas for a girlfriend, she's to go, digg.

739
00:50:00,200 --> 00:50:02,600
Speaker 6: One thing gon need is no nigga bout the amg

740
00:50:02,760 --> 00:50:05,440
Speaker 6: bens because go Cooper shun ben be lit up.

741
00:50:05,719 --> 00:50:07,200
Speaker 3: Up nigga trying to get it up.

742
00:50:07,840 --> 00:50:09,239
Speaker 1: I'll take this one called nigga.

743
00:50:09,719 --> 00:50:13,600
Speaker 6: I under said, y'all, Nigga around saying, y'all, y'all, nigga

744
00:50:13,640 --> 00:50:14,360
Speaker 6: on the fish trying.

745
00:50:14,239 --> 00:50:14,719
Speaker 1: To have fish.

746
00:50:14,960 --> 00:50:16,759
Speaker 4: He put nigga and I know a nigga know and

747
00:50:16,800 --> 00:50:17,400
Speaker 4: he'll put the hair.

748
00:50:17,480 --> 00:50:17,719
Speaker 1: Nigga.

749
00:50:17,760 --> 00:50:20,759
Speaker 4: Ain't sure A niggas real hard, real, real real, don't

750
00:50:20,760 --> 00:50:21,120
Speaker 4: even like.

751
00:50:21,120 --> 00:50:23,240
Speaker 7: The fan know I'm playing with the same the motherfucker

752
00:50:23,280 --> 00:50:24,640
Speaker 7: out white then they have the painting.

753
00:50:25,440 --> 00:50:29,200
Speaker 4: He love that, like the mother fucking like nig look

754
00:50:29,560 --> 00:50:32,920
Speaker 4: or Nigga bout all the hose ain't up?

755
00:50:35,760 --> 00:50:39,680
Speaker 1: Yep, Yeah, I think that was ay by Jeordie.

756
00:50:40,120 --> 00:50:42,000
Speaker 4: Just tick it to the g th folks under peas more.

757
00:50:42,080 --> 00:50:44,239
Speaker 4: Y'all need to know we can do it bat like

758
00:50:44,280 --> 00:50:44,480
Speaker 4: I have.

759
00:50:45,920 --> 00:50:49,640
Speaker 6: Why Nigga little wis wan.

760
00:50:48,600 --> 00:50:50,279
Speaker 1: He even had a remiss from sitting here with little

761
00:50:50,280 --> 00:50:52,680
Speaker 1: Wayne Drew and Allen Turk can't. I don't know if

762
00:50:52,680 --> 00:50:55,279
Speaker 1: I listened to that, but anyway, Yeah, r I p

763
00:50:55,600 --> 00:50:59,080
Speaker 1: to bank roll Fresh just happened to be. I mean,

764
00:50:59,520 --> 00:51:02,080
Speaker 1: y'all'll be penitential a lot of stuff. I may not

765
00:51:02,200 --> 00:51:05,400
Speaker 1: be able to talk about it expertly, like in full detail,

766
00:51:05,560 --> 00:51:09,279
Speaker 1: but I keep my heir to the streets man as

767
00:51:09,360 --> 00:51:12,640
Speaker 1: much as I can as much as I can, which

768
00:51:12,760 --> 00:51:16,680
Speaker 1: leads us into our final segment. As we close out today,

769
00:51:17,520 --> 00:51:24,560
Speaker 1: Uh ear to the streets the news strictly for the

770
00:51:24,680 --> 00:51:28,080
Speaker 1: sife drop, So you guys will probably have that already.

771
00:51:29,440 --> 00:51:32,319
Speaker 1: Some new joints one that I listened to, I will.

772
00:51:33,040 --> 00:51:39,440
Speaker 1: It's funny because we did the Baby Tron album, and

773
00:51:39,920 --> 00:51:43,520
Speaker 1: the next day I listened to this joint by Ice

774
00:51:43,680 --> 00:51:48,080
Speaker 1: ware Dezo, who's way better in that same lane, and

775
00:51:48,160 --> 00:51:52,080
Speaker 1: it's called Ladies Free Till Midnight where he took the

776
00:51:52,200 --> 00:51:55,319
Speaker 1: producer took slow jams that you guys know and use

777
00:51:55,400 --> 00:52:00,239
Speaker 1: them as samples and wrapped over it, and I thought

778
00:52:00,280 --> 00:52:04,440
Speaker 1: it was done really really well. So, uh yeah, check

779
00:52:04,520 --> 00:52:08,160
Speaker 1: that out Ice war Vessel Ladies Free Till Midnight EP.

780
00:52:09,320 --> 00:52:11,719
Speaker 1: A lot of stuff came out this week as well.

781
00:52:12,320 --> 00:52:16,720
Speaker 1: Be sent over me a Terrence Martin joint, the jazz pianist.

782
00:52:16,760 --> 00:52:18,399
Speaker 1: Hold on, let me see if I can find him.

783
00:52:18,600 --> 00:52:21,120
Speaker 1: Where is he? Where is that that thing from b

784
00:52:21,320 --> 00:52:26,400
Speaker 1: so he sent me purpose by Terrence mart Terrace Martin,

785
00:52:26,480 --> 00:52:29,800
Speaker 1: So look that up, and then said, of Baby dropped

786
00:52:29,840 --> 00:52:32,879
Speaker 1: something new. I haven't listened yet, Flying Lotus got something

787
00:52:32,920 --> 00:52:36,520
Speaker 1: new out. Spike's favorite artists, Boosy Bad has got something

788
00:52:36,600 --> 00:52:38,960
Speaker 1: new out, probably not even worth spending your time. But

789
00:52:39,160 --> 00:52:42,120
Speaker 1: Somebody and Larussell and Little John got something new out.

790
00:52:42,160 --> 00:52:44,600
Speaker 1: So there's a lot of music Withiz Haven Somebody that

791
00:52:44,640 --> 00:52:46,279
Speaker 1: we did on D three Seas five. So there's a

792
00:52:46,320 --> 00:52:48,520
Speaker 1: lot of stuff out there, man, But one that I'm

793
00:52:48,560 --> 00:52:50,560
Speaker 1: really looking forward to listen to that. I see is

794
00:52:50,560 --> 00:52:56,320
Speaker 1: out is from Jeba and it's called Gene She is

795
00:52:56,960 --> 00:53:01,880
Speaker 1: Tough and uh and I'm definitely get that on the

796
00:53:01,960 --> 00:53:04,360
Speaker 1: list and listen to it. So but yeah, man, that

797
00:53:04,480 --> 00:53:07,640
Speaker 1: has been the Dead and Hip Hop podcast. I ran

798
00:53:07,760 --> 00:53:09,640
Speaker 1: solo this week because I like the show that I

799
00:53:09,719 --> 00:53:11,080
Speaker 1: put together and I didn't want it to go to

800
00:53:11,160 --> 00:53:13,520
Speaker 1: waste because next week we won't be able to talk

801
00:53:13,560 --> 00:53:16,839
Speaker 1: about it, man. And so next week and I don't

802
00:53:16,880 --> 00:53:19,239
Speaker 1: know if we'll get it around to talking about these,

803
00:53:19,360 --> 00:53:21,560
Speaker 1: but maybe we'll have a discussion about Lauren Hill and

804
00:53:21,640 --> 00:53:28,719
Speaker 1: her legacy. Big Ease. In two days at the time

805
00:53:28,760 --> 00:53:32,920
Speaker 1: of this recording his death, Kanye West, the college dropout

806
00:53:33,680 --> 00:53:40,160
Speaker 1: dropped Bahamadia College, turns thirty as well, So hopefully we'll

807
00:53:40,160 --> 00:53:43,360
Speaker 1: get a chance to have a discussion on those. If not,

808
00:53:43,440 --> 00:53:45,200
Speaker 1: If you guys really like this, I'll be more happy

809
00:53:45,239 --> 00:53:49,040
Speaker 1: to come back and do another solo show for as well.

810
00:53:49,160 --> 00:53:51,320
Speaker 1: And I mean, I'll do more of these guys if

811
00:53:51,360 --> 00:53:52,880
Speaker 1: you like them. I mean, it's just me sitting here

812
00:53:52,960 --> 00:53:54,560
Speaker 1: talking to rambling. But I don't know if you guys

813
00:53:54,719 --> 00:53:58,080
Speaker 1: like that or not. You know, but that has been

814
00:53:58,120 --> 00:53:58,439
Speaker 1: the show.

815
00:53:58,520 --> 00:53:58,680
Speaker 2: Man.

816
00:53:58,960 --> 00:54:01,920
Speaker 1: Appreciate you guys being a supporter on Patreon. It really

817
00:54:01,960 --> 00:54:05,120
Speaker 1: means a lot. Follow us on social trying to get

818
00:54:05,160 --> 00:54:07,239
Speaker 1: some stuff going on there. I know it tends to

819
00:54:07,320 --> 00:54:09,160
Speaker 1: be dead, but I'm really trying to work and get

820
00:54:09,280 --> 00:54:12,719
Speaker 1: things up and popping man with the new dead End.

821
00:54:13,200 --> 00:54:16,480
Speaker 1: It's a new dead End man. So but just like

822
00:54:16,600 --> 00:54:20,359
Speaker 1: you guys, man, we're all rap fans here. And as

823
00:54:20,400 --> 00:54:24,800
Speaker 1: I went through a history lesson of my early years

824
00:54:24,840 --> 00:54:28,880
Speaker 1: starting starting at ten, in this show, you guys get

825
00:54:28,920 --> 00:54:31,520
Speaker 1: a chance to see why you know, I'm so in

826
00:54:31,600 --> 00:54:34,359
Speaker 1: love with it and protect the hold this culture near

827
00:54:34,480 --> 00:54:37,600
Speaker 1: did in my heart. So yeah, and maybe sure you

828
00:54:37,600 --> 00:54:39,160
Speaker 1: got to check out everything dead End is, the mice

829
00:54:39,280 --> 00:54:42,840
Speaker 1: long Friends, per second, Dead in Sports and everything that

830
00:54:42,920 --> 00:54:46,640
Speaker 1: we got with another week in the books, good earners,

831
00:54:48,239 --> 00:54:50,520
Speaker 1: you know everything that Spike is doing as well. So

832
00:54:50,719 --> 00:54:53,440
Speaker 1: until next week, man, I'm out peace,