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Speaker 1: It was time to clean out the closet.

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Speaker 2: Everybody, you know what I'm talking about, that moment where

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Speaker 2: it's like it's fall cleaning and spring cleaning.

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Speaker 1: I don't care what you what you call it, but

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Speaker 1: you just gotta get rid of stuff.

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Speaker 2: And if in your humid or you have these cigars

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Speaker 2: that kind of just like hang around, You're not quite

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Speaker 2: sure how they got there, You're not quite sure why

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Speaker 2: they're there. Kind of remember someone gave it to you

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Speaker 2: or you picked it up, and then you chose something else,

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Speaker 2: or you chose something else. But today it was clean

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Speaker 2: out the human or clean out the liquor cabinet, and

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Speaker 2: so we ended up with a flavored cigar.

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Speaker 1: That can't be good. It's eat drink smoke.

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Speaker 2: I'm Tony Katz, and that right there is America's favorite

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Speaker 2: amateur drinker, Fingers molloy Fingers.

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Speaker 1: We like the people at CL. Christian Roe a good guy.

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Speaker 2: People at CL do some fine work with the cl brand,

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Speaker 2: with the Row brand, and with the Asylum of brand.

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Speaker 2: We've done the Madula Blongata on the show A host

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Speaker 2: of cigars.

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Speaker 1: This is the Asylum zero zero.

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Speaker 2: So there's three of these and I don't even know

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Speaker 2: if they're still making these. This originally was under a

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Speaker 2: licensing agreement with a group if I understand it right,

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Speaker 2: with a group called Deadwood, but if you know Drew Estates,

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Speaker 2: they do the Deadwood series and things like that.

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Speaker 1: And then there was a lawsuit and then they changed

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Speaker 1: the name to the Asylum.

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Speaker 2: Eight six seven zero is what they call this one

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Speaker 2: right here, Maduro rapper, this is hon Dura throughout. The

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Speaker 2: toro is what we're dealing with right here. And the

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Speaker 2: toro comes in at six six by fifty. This is

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Speaker 2: six by fifty, which means it's six inches long. Always

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Speaker 2: makes springers morey laugh. And the ring gauge is the

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Speaker 2: fifty the diameter of the cigar, or how thick it

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Speaker 2: is around me again with the laughter, A sixty four

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Speaker 2: ring gage a full one inch round. So this is

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Speaker 2: really the size I like, certainly the mouthfeel that I like.

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Speaker 1: But in order to make this right, this is infused.

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Speaker 2: Now, sometimes cigars are dipped, and supposedly this does have

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Speaker 2: a little bit of extra.

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Speaker 1: Aroma there on the cap.

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Speaker 2: That's the where you cut and then you're smoking from.

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Speaker 2: This is placed in a chamber where flavors are infused

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Speaker 2: in so.

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Speaker 1: That's how this one is done. As a matter of.

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Speaker 2: Just our own every day neither one of us is

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Speaker 2: flavored cigar guys.

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Speaker 1: Is that it is not an accurate assessment.

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Speaker 2: That's a very accurate as when we say it's an

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Speaker 2: accurate assessment, it's a very accurate assessment.

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Speaker 1: That's correct. That it's correct.

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Speaker 2: Yeah, not not where I live and breathe, not at all.

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Speaker 2: But they are popular. I mean, the acids are popular.

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Speaker 2: The whole deadwood thing is popular. So there are a

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Speaker 2: lot of these cigars that are out there, and sometimes

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Speaker 2: is a way to introduce people to cigars, not us.

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Speaker 2: So when I grabbed this, I don't remember even grabbing

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Speaker 2: it or how I got a hold of it. I

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Speaker 2: just said, oh that's cool, Asylum.

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Speaker 1: I left it at that. I can tell you where

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Speaker 1: you got it, do you know?

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Speaker 3: I believe in our travels when we went to the

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Speaker 3: Premium Cigar Association trade show Clee.

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Speaker 1: Christian.

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Speaker 3: Yeah, then the folks that put the Asylum together put

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Speaker 3: together a nice little gift bag for us some of

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Speaker 3: the cigars to review some of them just to try out.

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Speaker 3: And I believe these were in that okay little gift

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Speaker 3: bag there, So I just lit mine up.

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Speaker 1: Fingers is already working his.

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Speaker 2: Get your notebooks out. I don't care what it is,

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Speaker 2: you gotta do it. Standards are standards kids.

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Speaker 1: What do you eat today? What do you drink today?

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Speaker 2: We've got nice fall weather in Indianapolis, Indiana where we record.

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Speaker 2: And then you know, you write down what you ate

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Speaker 2: in your drink because that can affect your palate. And

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Speaker 2: then you break the cigar up the third's first third, second, third,

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Speaker 2: five third, and then what flavors are you getting out

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Speaker 2: of this cigar? You write it down when you try

82
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Speaker 2: the cigar three months an hour, six months for an

83
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Speaker 2: hour and never again.

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Speaker 1: See what I wow, c LA love you. This is

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Speaker 1: just not where I live and breathe.

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Speaker 2: Uh, But you would write down those notes again and

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Speaker 2: then you kind of get an idea of through line

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Speaker 2: what's interesting here, And both Fingers and I have this happening.

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Speaker 2: The cigar itself is well humidified, but at the cap

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Speaker 2: end it's like they.

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Speaker 1: Poured in cement. I don't know what that is. Remember,

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Speaker 1: these are.

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Speaker 2: Hand rolled products that could have just been how the

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Speaker 2: roller did things, and it's just super intense. So we

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Speaker 2: have this a version of a pick right here. And

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Speaker 2: just poking holes poka to get some kind of airflow,

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Speaker 2: going to make it a little easier on the draw.

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Speaker 1: You did, did it help you?

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Speaker 3: No, that's okay, We're just gonna have to work a

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Speaker 3: little harder during this episode is all oh my m oh.

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Speaker 2: Yeah, So I totally get why someone would like it though.

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Speaker 1: Yeah.

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Speaker 3: Absolutely, And I hate to use this term tony because

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Speaker 3: it does have a negative aura around it during certain discussions.

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Speaker 3: It's a gateway cigar for a lot of people, you know,

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Speaker 3: who want to try cigars. They get into the flavored

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Speaker 3: cigars first, and then they transition over to trying cigars

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Speaker 3: that do not have this type of infusion. You see

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Speaker 3: it a lot at cigar lounges that offer infused cigars

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Speaker 3: where you know, oh, I don't normally have a cigar,

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Speaker 3: you hear the person say, but I'll try one of

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Speaker 3: the Oh you've got a chocolate cigar, you got a

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Speaker 3: vanilla cigar. Oh, I'll try one of those. So I

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Speaker 3: can see why they're popular.

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Speaker 1: First of all, it's very pretty.

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Speaker 2: I love the I love the band, the Black and Red,

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Speaker 2: and and you know, the cigar is.

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Speaker 1: Nice and oily.

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Speaker 2: The oppera itself is a little bit ugly. There's a

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Speaker 2: fair amount of veining going on on that. I don't

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Speaker 2: mind that at all. It's you know, it's not smooth.

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Speaker 2: It's not just this miraculous piece. It's it's kind of

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Speaker 2: what you think of a cigar. It's that flavor, which

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Speaker 2: is a little bit chocolate and a little bit tea

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Speaker 2: and a little bit nutty and a little bit uh

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Speaker 2: found at a gas station, like you would.

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Speaker 1: I'm I will not lie.

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Speaker 2: I'm already saying I started by saying, and I have

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Speaker 2: zero against c L I would if I was doing

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Speaker 2: the acids, I would be in the same conversation.

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Speaker 1: There is a cigar that's chocolate banana out there.

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Speaker 2: Wait was that cl E too, Nope, it's I just

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Speaker 2: there is one of the ways the flavors in part

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Speaker 2: in that in that chocolate, not that natural kind of

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Speaker 2: chocolate in the flavored gives me a headache, like it

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Speaker 2: just I I have a throwback to when I was

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Speaker 2: a kid, and my gosh, absolutely not. But I'm I'm

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Speaker 2: an adult now, thank you. And I can see where

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Speaker 2: people can find pleasure in this. Okay, But do you

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Speaker 2: get the tea out of that? No, I don't get

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Speaker 2: the tea really, and I'll tell you what I do get.

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Speaker 3: It's like I'm eating a Snicker's bar and then I'm

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Speaker 3: pairing it with one of those Starbucks vanilla coffee drinks.

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Speaker 2: Oh that's not bad, that's not bad. The problem is

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Speaker 2: is that you're the that sounds rich and decadent and

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Speaker 2: this is.

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Speaker 1: Sweet and oh that's an artificial flavor. Okay, now I.

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Speaker 2: Conceptually I'm with you. That's an especially the vanilla thing

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Speaker 2: from Starbucks. That's yeah, right, but that because it's like

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Speaker 2: that high end sweet.

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Speaker 3: Yeah, but there's also that chocolate from the candy bar.

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Speaker 3: And maybe you know what would be the.

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Speaker 2: Off brand Snickers you would get at all d Then

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Speaker 2: maybe I could go along with this.

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Speaker 3: That would be a Snickers by exactly, which I'm sure

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Speaker 3: many kids got handed to them. Over the Halloween holiday,

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Speaker 3: our neighborhood's having a parade, or had a parade, I.

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Speaker 1: Should say, did they really? Yeah? Halloween parade? No, yep,

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Speaker 1: Oh that's adorable. I thought so. Were you in it?

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Speaker 1: I was the Grand Marshal, congratulations, thank you? Is this

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Speaker 1: cigar in your human or Phil? Tell you fingers? I

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Speaker 1: don't want to throw too much at you.

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Speaker 2: I don't want to completely discombobulate your your your taste buds,

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Speaker 2: because what.

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Speaker 1: We do here is we review cigars.

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Speaker 2: We review bourbon and whatever it is we're drinking, talk

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Speaker 2: about life, what's going on in the cigar lounge.

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Speaker 1: We share, We engage, we make people fall in love.

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Speaker 2: I have heard that there are right now forty three

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Speaker 2: children running around the United States of America named Fingers

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Speaker 2: just because of you. Yeah, and they all call me

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Speaker 2: Dad Sea Drink Smoke. I'm Tony Kats that right there

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Speaker 2: is Daddy molloy. And you know, reviewing a flavored cigar

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Speaker 2: is for us very odd, very awkward, very weird, very strange.

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Speaker 2: And I'm not going to apologize for that. It's just

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Speaker 2: not what we do. It is not where my taste

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Speaker 2: buds are. We'll get into this cigar from Cla. And

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Speaker 2: by the way, we love you Cla.

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Speaker 1: We do. There's a reason for these cigars.

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Speaker 2: And so we were cleaning out the closet, cleaning out

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Speaker 2: the closet, cleaning out the humid or.

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Speaker 1: It's been in there a while. It was time to

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Speaker 1: get it smoked. But I noticed.

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Speaker 2: Before as I found this cigar, I noticed that gearing

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Speaker 2: up for Halloween.

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Speaker 1: My wife a fantastic woman. I'm a lucky man.

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Speaker 2: He had purchased some very unique Halloween candy to give

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Speaker 2: out to the Little Children's ribbon candy. Oh oh no,

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Speaker 2: and not circus peanuts either, And I figured, as long

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Speaker 2: as we're blowing up palettes, let's just ruin it.

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Speaker 1: Fingers.

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Speaker 2: Would you say that the Reese's Peanut butter Cup is

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Speaker 2: the finest candy.

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Speaker 1: In all the land? One of them? Yes, you would.

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Speaker 3: It's a top fiver, it's a top three, and the

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Speaker 3: other two are in the Reese's family, which are the

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Speaker 3: Reeses Peanut Butter Easter Egg and the Reese's Peanut.

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Speaker 1: Butter Jack o Lantern. Oh nice, much more peanut butter.

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Speaker 1: The peanut butter cup.

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Speaker 2: Then the kit Kat is in the top three, and

201
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Speaker 2: then the Hershey's Crackle.

202
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Speaker 1: You just wanted to say, crackle? Really? Can I say

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Speaker 1: one thing before you continue? Yeah? I was at a

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Speaker 1: gas station today. Wait, hold on this justin breaking news.

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Speaker 1: We go now to Fingers Boy in the field.

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Speaker 3: Fingers, they had a display at the register. I believe

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Speaker 3: I didn't look at it too closely because I didn't

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Speaker 3: want to buy it. A half a pound of Reese's

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Speaker 3: peanut butter cups, but there were only two cups.

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Speaker 1: There were, and there were. It was twenty dollars and

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Speaker 1: I almost bought it just for the show. That's I

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Speaker 1: got your beat.

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Speaker 2: Because what would happen if somebody added jelly to Terese's

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Speaker 2: peanut butter cup.

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Speaker 1: I'm listening this right here is Reese's peb and j.

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Speaker 2: Reese's decided, Hey, how about we ruin your childhood and

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Speaker 2: we'll take a perfect candy.

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Speaker 1: By the way, smell the bag. Smell in. I can't

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Speaker 1: tell if that's wonderful or awful. Right, this is insane.

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Speaker 1: They've got it in grape, Oh yes, right there?

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Speaker 2: And then uh then a strawberry, Oh right there, get it.

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Speaker 2: I'll get you in the one. This isn't a Jersey diner.

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Speaker 2: They have no orange marmalade. Oh shoot, so there we go,

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Speaker 2: the grape and the mar and the marmalade and the strawberry. Era.

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Speaker 2: Now we have had this conversation peanut butter and jelly,

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Speaker 2: strawberry or or or grape, and I I have said,

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Speaker 2: quite clearly, quite clearly, it's the strawberry. I would always

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Speaker 2: be a man of strawberry over over grape. But hell,

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Speaker 2: if we're gonna ruin this stuff, let's just ruin it together.

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Speaker 1: Okay, So what are we doing first? I'm doing greape first, Grape, grape,

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Speaker 1: grape for it? Right there?

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Speaker 2: It is there, it is, Yeah, of course it was

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Speaker 2: grape ape, wasn't there?

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Speaker 3: Cards?

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Speaker 1: My god, how'd you grow up? What happened in Saginaw?

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Speaker 1: Show me on the doll where they hurt you not

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Speaker 1: watching gape?

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Speaker 2: Do you think that it's just in the middle or

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Speaker 2: do you think are you gonna bite it?

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Speaker 1: You're gonna do it all one bite?

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Speaker 3: Normally I would put both of them in my mouth

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Speaker 3: at the same time. I think it's gonna be like

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Speaker 3: the caramel cup, where it's gonna be a layer of

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Speaker 3: jelly on top of the peanut.

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Speaker 1: Butter before we eat this.

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Speaker 2: We can agree this is an awful idea, and the

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Speaker 2: people at Reese's have overstepped and know it's an apology.

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Speaker 1: I'm not agreeing with you on any of this. This

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Speaker 1: maybe wonderful.

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Speaker 2: All right, we're going at the same time. Yeah, because

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Speaker 2: that's good for radio. Huh you you know you age

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Speaker 2: before beauty? There it is up? He looks confused. Is

253
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Speaker 2: it is it built in? Is it like mixed in?

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00:13:40,600 --> 00:13:41,800
Speaker 2: It's not a ribbon of jelly?

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Speaker 1: The grapes on the bottom. Oh is it? And it's

256
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Speaker 1: it's it's it's not good. It's not good. I ate

257
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Speaker 1: the rest of it in spite in protests. Mm hmmmm,

258
00:14:03,080 --> 00:14:05,080
Speaker 1: why can't we? Oh?

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Speaker 2: Oh my god, I swear to you. For a second,

260
00:14:09,720 --> 00:14:12,920
Speaker 2: I thought he was gonna puke. I thought fingers was gone.

261
00:14:14,000 --> 00:14:17,880
Speaker 2: That's it's not great. It's unfortunate. Oh, it's not great.

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00:14:17,920 --> 00:14:20,040
Speaker 2: Do you a napkin or a bag?

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00:14:20,160 --> 00:14:25,640
Speaker 1: Oh, someone's house is gonna get egged. Oh, I'll do

264
00:14:25,680 --> 00:14:29,040
Speaker 1: a strawberry one. I hope it's better. You finished it, well,

265
00:14:29,080 --> 00:14:32,000
Speaker 1: of course I did. It's candy, so.

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Speaker 3: This has to be better, right, it has to be

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00:14:37,200 --> 00:14:42,320
Speaker 3: it has to be better. Oh it is, Okay, it is,

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00:14:45,360 --> 00:14:45,840
Speaker 3: Yes it is.

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Speaker 1: But there's no point in this. There's no point to this.

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Speaker 1: This isn't cute. Don't screw with perfection. The strawberry one's better. Yeah.

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Speaker 2: The grape is really over whelming sweet, but not in

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Speaker 2: a grape way, more in a Hey.

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Speaker 1: I don't know what that chemical is, but put it

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Speaker 1: in here. Let's see what happens.

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Speaker 2: I'll tell you what It tastes like the strawberries. Tastes

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Speaker 2: like strawberries. The snosberries tastes like snowsberries.

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Speaker 1: It tastes like.

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Speaker 3: Your mom wanted you to take some grape cough syrup,

279
00:15:22,240 --> 00:15:24,240
Speaker 3: but you wouldn't take it because you know how awful

280
00:15:24,280 --> 00:15:28,440
Speaker 3: that grape cough syrup tastes. So she put some chocolate

281
00:15:28,520 --> 00:15:31,960
Speaker 3: in peanut butter around it to make it more palatable.

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Speaker 3: It tastes like medicine.

283
00:15:34,240 --> 00:15:38,520
Speaker 2: Yeah, I think the bigger story here is that you

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Speaker 2: took perfect candy and you said, how can we.

285
00:15:42,920 --> 00:15:45,040
Speaker 1: And fill in the blank. You know what it is.

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00:15:45,800 --> 00:15:47,720
Speaker 1: I'll tell you. It's a destruction of good will, is

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00:15:47,720 --> 00:15:48,600
Speaker 1: what it is. Racist.

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Speaker 3: It is a quick cash grab. It's like caddy shack too.

289
00:15:52,160 --> 00:15:56,920
Speaker 3: That's what that is right there. It's caddy shack too

290
00:15:57,200 --> 00:15:58,920
Speaker 3: in candy form.

291
00:15:59,280 --> 00:16:03,920
Speaker 4: It's we have something perfect, we can't just be happy

292
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Speaker 4: with it. So what we're doing is we're going to

293
00:16:08,560 --> 00:16:11,280
Speaker 4: flood the market with something else because maybe.

294
00:16:11,040 --> 00:16:13,920
Speaker 5: People are a little bit bored a caddy shack. Let's

295
00:16:13,960 --> 00:16:17,160
Speaker 5: give them caddy Shack too, and we'll make it a

296
00:16:17,160 --> 00:16:20,240
Speaker 5: little familiar. We'll put Chevy Chase in it. But it's

297
00:16:20,360 --> 00:16:22,120
Speaker 5: still awful.

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00:16:23,480 --> 00:16:26,880
Speaker 1: How many years have we been doing the show? Six

299
00:16:27,360 --> 00:16:30,240
Speaker 1: six seven six six seven is the kids? Wot'd say?

300
00:16:31,680 --> 00:16:33,640
Speaker 1: That might be the funniest thing you've ever said on

301
00:16:33,680 --> 00:16:34,120
Speaker 1: the show?

302
00:16:34,160 --> 00:16:38,680
Speaker 6: Ever, how to take us this loan to get a

303
00:16:38,720 --> 00:16:46,320
Speaker 6: caddy shack too? Reference Starry Jackie Mason as Rodney Dangerfield.

304
00:16:46,320 --> 00:16:51,320
Speaker 6: Tell me I'm wrong, Well, it's that our godfather three.

305
00:16:51,480 --> 00:16:57,760
Speaker 1: Take your pack? No oh oh oh, you know what

306
00:16:57,800 --> 00:16:59,800
Speaker 1: to do? You know what this is.

307
00:16:59,800 --> 00:17:02,640
Speaker 2: It's it's cruel and I'm not a prank guy, but

308
00:17:03,440 --> 00:17:04,440
Speaker 2: you give this to your friend.

309
00:17:04,440 --> 00:17:05,800
Speaker 1: Hey, here's a peanut butter cup.

310
00:17:05,840 --> 00:17:09,119
Speaker 2: He got an ext one, probably instilled it from the kids,

311
00:17:09,200 --> 00:17:12,159
Speaker 2: wink wink, And then then you give them that and

312
00:17:12,200 --> 00:17:12,480
Speaker 2: then you.

313
00:17:12,600 --> 00:17:17,159
Speaker 1: Laugh and laugh and laugh as they run puking. And

314
00:17:17,240 --> 00:17:19,800
Speaker 1: who doesn't love watching a good puke?

315
00:17:20,640 --> 00:17:27,720
Speaker 2: Speaking of caddy check too is on Beta Eat Drink

316
00:17:27,760 --> 00:17:31,399
Speaker 2: Smoking is your cigar Bourbon Footy extravaganzelm Tony cats That

317
00:17:31,520 --> 00:17:35,480
Speaker 2: right there is fingers maloy from cle We are smoking

318
00:17:35,520 --> 00:17:39,280
Speaker 2: the asylum zero. We cleaned out the clast kids, cleaned

319
00:17:39,320 --> 00:17:42,480
Speaker 2: out the humid or cleaned out of the liquor cabinet.

320
00:17:42,480 --> 00:17:46,440
Speaker 2: And this is a flavored cigar from cle the Asylum zero.

321
00:17:46,600 --> 00:17:50,760
Speaker 2: It's the Toro six by fifty, Madura wrapper, Hun Duran Piro,

322
00:17:51,119 --> 00:17:52,919
Speaker 2: the rapper, the binder, and the filler.

323
00:17:53,359 --> 00:17:53,560
Speaker 1: Uh.

324
00:17:53,680 --> 00:17:56,359
Speaker 2: Not where I live flavored cigars. And I'm telling you

325
00:17:56,440 --> 00:18:00,000
Speaker 2: right now, not my cigar. Absolutely not where I live.

326
00:18:00,160 --> 00:18:03,679
Speaker 2: Where I live is Defiance Beef. I live for the

327
00:18:03,720 --> 00:18:07,920
Speaker 2: flavor of good steak, of strips of ribbis, of tenderloins.

328
00:18:07,920 --> 00:18:09,320
Speaker 1: Defines beef dot com.

329
00:18:09,359 --> 00:18:13,480
Speaker 2: Now that that is my flavor right there in Indiana,

330
00:18:13,520 --> 00:18:16,760
Speaker 2: ship directly to your door. Use Defiancebeef dot com twenty

331
00:18:16,800 --> 00:18:18,960
Speaker 2: one day age beef, every.

332
00:18:18,920 --> 00:18:22,360
Speaker 1: Part of it. You select quarter coow, halfcow, the whole cow.

333
00:18:22,760 --> 00:18:25,120
Speaker 1: I'm getting a whole cow. Next time. Go to Defiancebeef

334
00:18:25,240 --> 00:18:25,720
Speaker 1: dot com.

335
00:18:25,800 --> 00:18:28,399
Speaker 2: Use promo code Eat drink smoke and get one hundred

336
00:18:28,440 --> 00:18:30,160
Speaker 2: and fifty dollars off your order.

337
00:18:30,320 --> 00:18:33,400
Speaker 1: That is Defiancebeef dot Com. That's the flavor. Kids.

338
00:18:33,560 --> 00:18:35,720
Speaker 2: That twenty one day age makes all the difference. Go

339
00:18:35,840 --> 00:18:39,399
Speaker 2: to defiancebeef dot com. Use promo code Eat drink smoke

340
00:18:39,560 --> 00:18:41,320
Speaker 2: to get one hundred and fifty dollars off your order.

341
00:18:41,440 --> 00:18:43,720
Speaker 1: But I love the notes of tobacco.

342
00:18:43,840 --> 00:18:47,760
Speaker 2: I love finding that that coco or that coffee, understanding

343
00:18:47,760 --> 00:18:50,919
Speaker 2: what that berry is under picking up whether it's a

344
00:18:50,920 --> 00:18:53,360
Speaker 2: grass or a hay, or the seed or other woods.

345
00:18:54,960 --> 00:18:57,360
Speaker 1: And this is sweet.

346
00:18:57,960 --> 00:19:00,639
Speaker 2: You talk about one of those vanilla Starbuck strinths that

347
00:19:00,680 --> 00:19:02,439
Speaker 2: you get over the over the counter that you know,

348
00:19:02,520 --> 00:19:05,879
Speaker 2: the little bottles, there's a little bit of tea going

349
00:19:05,920 --> 00:19:09,920
Speaker 2: on on the nose there with this. There is a

350
00:19:09,920 --> 00:19:13,160
Speaker 2: little bit of nining this, But there is an artificiality

351
00:19:13,520 --> 00:19:16,199
Speaker 2: that I'm never ever gonna get over, and I'm not

352
00:19:16,240 --> 00:19:17,159
Speaker 2: one hundred percent surey I.

353
00:19:17,119 --> 00:19:17,679
Speaker 1: Can finish it.

354
00:19:18,000 --> 00:19:21,600
Speaker 3: I'll finish it like I did the grape Reese's peanut

355
00:19:21,640 --> 00:19:27,679
Speaker 3: buttercupat right up. But having said that, the artificialness that

356
00:19:27,720 --> 00:19:30,520
Speaker 3: you're referring to, I completely agree with you. It is

357
00:19:30,560 --> 00:19:33,920
Speaker 3: dissipating a little bit. But you know, the first third

358
00:19:33,960 --> 00:19:37,960
Speaker 3: of this cigar, when you're trying to enjoy a draw,

359
00:19:38,560 --> 00:19:42,560
Speaker 3: that artificial flavor just lingers on your lips and your tongue,

360
00:19:42,600 --> 00:19:46,200
Speaker 3: and it takes a long time for it to dissipate

361
00:19:46,520 --> 00:19:52,080
Speaker 3: to go away. It's it's not something that I would

362
00:19:52,119 --> 00:19:54,240
Speaker 3: gravitate to, but I understand it.

363
00:19:54,240 --> 00:19:56,720
Speaker 2: It's placed in the market, yes, which is really kind

364
00:19:56,720 --> 00:20:01,439
Speaker 2: of what's important here. What we're discussing. There is a

365
00:20:01,560 --> 00:20:06,119
Speaker 2: place for near everything. There is a smoker for near everything.

366
00:20:06,440 --> 00:20:06,720
Speaker 1: You know.

367
00:20:06,760 --> 00:20:07,720
Speaker 5: This is.

368
00:20:09,240 --> 00:20:11,160
Speaker 2: If I could say this about CIL, and I wonder

369
00:20:11,160 --> 00:20:13,200
Speaker 2: if Christian Nero would be bothered by this.

370
00:20:13,640 --> 00:20:14,040
Speaker 1: Maybe not.

371
00:20:15,880 --> 00:20:17,879
Speaker 2: Cl is a lot of things to a lot of people,

372
00:20:18,080 --> 00:20:21,040
Speaker 2: so I would argue that they have a very different philosophy.

373
00:20:21,720 --> 00:20:23,600
Speaker 2: Then let's say, you know the interview I did with

374
00:20:23,640 --> 00:20:25,280
Speaker 2: Michael Herkclott at Farry Otago.

375
00:20:26,359 --> 00:20:28,520
Speaker 1: We play the hits, and we play them.

376
00:20:28,400 --> 00:20:31,560
Speaker 2: Well, and we've got these core lines, and we just

377
00:20:31,680 --> 00:20:34,840
Speaker 2: do these core lines well, and every now and again

378
00:20:35,200 --> 00:20:36,439
Speaker 2: we throw out a new single.

379
00:20:36,480 --> 00:20:39,320
Speaker 1: But in the main we come to do this.

380
00:20:39,600 --> 00:20:42,360
Speaker 2: You know exactly what you're getting and exactly why we're

381
00:20:42,359 --> 00:20:46,600
Speaker 2: providing it. And we're not interested in providing the next

382
00:20:46,640 --> 00:20:48,600
Speaker 2: new thing and the next new thing. We're interested in

383
00:20:48,600 --> 00:20:52,440
Speaker 2: providing the hits, these things that we do, in doing

384
00:20:52,480 --> 00:20:54,719
Speaker 2: them exceptionally well.

385
00:20:55,200 --> 00:20:56,879
Speaker 1: There is a math to both.

386
00:20:57,359 --> 00:21:00,520
Speaker 2: There is there is a math to both there and

387
00:21:00,560 --> 00:21:04,879
Speaker 2: there is a marketplace for the flavored cigar. And we

388
00:21:04,920 --> 00:21:07,399
Speaker 2: should be clear the marketplace is not just women.

389
00:21:08,280 --> 00:21:10,920
Speaker 1: I think some people see that, you know, oh, oh,

390
00:21:10,560 --> 00:21:12,879
Speaker 1: you want to smoke a cigar? A little lady.

391
00:21:13,080 --> 00:21:15,160
Speaker 2: And by the way, if you're ever using the expression

392
00:21:15,200 --> 00:21:17,040
Speaker 2: a little lady and you're not talking to a three

393
00:21:17,080 --> 00:21:17,640
Speaker 2: year old.

394
00:21:17,760 --> 00:21:20,080
Speaker 1: It's that's that's just terrible. That's it.

395
00:21:20,280 --> 00:21:23,200
Speaker 2: You have to do better because honestly, it's the cliche

396
00:21:23,240 --> 00:21:24,360
Speaker 2: that's just so gross.

397
00:21:24,680 --> 00:21:24,840
Speaker 1: Uh.

398
00:21:25,040 --> 00:21:28,720
Speaker 2: And and you're there is a market for these people,

399
00:21:28,760 --> 00:21:31,000
Speaker 2: there is an interest for these people. These these are

400
00:21:31,160 --> 00:21:33,520
Speaker 2: fun things, and someone's gonna do something for just a

401
00:21:34,200 --> 00:21:35,639
Speaker 2: one off or someone.

402
00:21:35,400 --> 00:21:38,639
Speaker 1: Just wants to be part of it. Right, I get it.

403
00:21:38,920 --> 00:21:42,719
Speaker 1: I'm not gonna say no. For me, I cannot go

404
00:21:42,800 --> 00:21:44,720
Speaker 1: on no and I and I get what you're saying.

405
00:21:44,880 --> 00:21:48,040
Speaker 3: And I admire, you know, companies that are willing to

406
00:21:48,080 --> 00:21:51,159
Speaker 3: try new things. You know, I was struggling. I was like,

407
00:21:51,200 --> 00:21:54,359
Speaker 3: what what have we done? And it was the serenity now, uh,

408
00:21:54,400 --> 00:21:57,679
Speaker 3: insanity later. Ah, That's why I was almost like, I know,

409
00:21:57,720 --> 00:21:59,560
Speaker 3: we've done other asylum before.

410
00:22:00,520 --> 00:22:01,480
Speaker 1: Those weren't flavored.

411
00:22:01,480 --> 00:22:05,600
Speaker 3: No, those weren't flavored. We loved what they did, yeah

412
00:22:05,640 --> 00:22:09,240
Speaker 3: with that, and you know, big fans, it's just just

413
00:22:09,680 --> 00:22:14,679
Speaker 3: this wasn't We're not in their customer wheelhouse with his

414
00:22:14,800 --> 00:22:17,600
Speaker 3: cigar fingers, beloy, is this the asylum?

415
00:22:17,680 --> 00:22:17,840
Speaker 1: Eight?

416
00:22:17,960 --> 00:22:21,600
Speaker 2: Six seven zero. I believe it's eight six seven is

417
00:22:22,080 --> 00:22:23,560
Speaker 2: what they called. And all the kids are gonna be

418
00:22:23,600 --> 00:22:27,359
Speaker 2: excited because it's six seven Uh. Is this in your

419
00:22:27,480 --> 00:22:31,199
Speaker 2: humidor for eleven dollars? No mine either? Is it a

420
00:22:31,200 --> 00:22:34,960
Speaker 2: bad price for eleven dollars? I have no way of telling. Okay,

421
00:22:35,240 --> 00:22:35,960
Speaker 2: I can can't tell.

422
00:22:36,119 --> 00:22:39,320
Speaker 3: Here's where I will throw an olive branch out and

423
00:22:39,359 --> 00:22:42,119
Speaker 3: say it is in my humid or if it's for

424
00:22:42,200 --> 00:22:46,720
Speaker 3: someone else, if it's for someone that doesn't smoke cigars,

425
00:22:46,800 --> 00:22:53,119
Speaker 3: but it's cigar curious, okay, cigar questioning, Yes, exactly, I

426
00:22:53,240 --> 00:22:56,679
Speaker 3: cigar fluid. I could see having this in your humid

427
00:22:56,840 --> 00:22:59,479
Speaker 3: or for someone like that. I was, okay, you know, Uh,

428
00:23:00,200 --> 00:23:04,560
Speaker 3: this is a cigar that's very popular, this style of cigar.

429
00:23:05,280 --> 00:23:08,240
Speaker 3: Try this and see what you think. They try it,

430
00:23:08,280 --> 00:23:12,639
Speaker 3: they like it, then maybe you've got them into the

431
00:23:12,680 --> 00:23:14,840
Speaker 3: lifestyle at that point, and then they can broaden their

432
00:23:14,840 --> 00:23:16,879
Speaker 3: horizons and go into a different direction.

433
00:23:17,400 --> 00:23:22,120
Speaker 1: I'm gonna brought my horizons in about four minutes. Wow. Yeah,

434
00:23:22,359 --> 00:23:25,560
Speaker 1: it's just so not me. And I want to be clear.

435
00:23:25,920 --> 00:23:30,000
Speaker 2: This has nothing to do with cla z Row, which

436
00:23:30,040 --> 00:23:33,119
Speaker 2: is the name of the cigar at all. I have

437
00:23:33,160 --> 00:23:35,480
Speaker 2: their stuff and the human art. I have some of

438
00:23:35,520 --> 00:23:36,280
Speaker 2: the hero stuff.

439
00:23:37,080 --> 00:23:41,240
Speaker 1: I like them. Just I tried. I wanted to try.

440
00:23:41,760 --> 00:23:46,720
Speaker 1: I wanted to be pleasantly surprised. I was neither pleasantly

441
00:23:46,760 --> 00:23:48,360
Speaker 1: nor surprised with that.

442
00:23:49,480 --> 00:23:51,520
Speaker 3: We move into news of the week, Well, there were

443
00:23:51,560 --> 00:23:56,919
Speaker 3: surprises over at the newsroom at CBS Tony, CNBC and

444
00:23:57,000 --> 00:24:00,719
Speaker 3: actually The Daily Mail has the story CBS Saturday Morning.

445
00:24:01,160 --> 00:24:06,160
Speaker 3: Their anchors, Michelle Miller and Dana Jacobson were given pink slips.

446
00:24:06,320 --> 00:24:10,200
Speaker 3: It's been part of a really a cost cutting measure

447
00:24:10,880 --> 00:24:16,040
Speaker 3: over at Paramount sky Dance, the parent company of CBS. Uh,

448
00:24:16,080 --> 00:24:20,320
Speaker 3: they are really cutting back. They're gonna it looks like

449
00:24:20,359 --> 00:24:24,399
Speaker 3: they're going to lay off two thousand people across the organization.

450
00:24:25,440 --> 00:24:28,920
Speaker 3: That was just released in an email on Wednesday.

451
00:24:29,880 --> 00:24:31,240
Speaker 1: Yeah.

452
00:24:31,520 --> 00:24:34,520
Speaker 3: Yeah, but we talked about this a couple of weeks

453
00:24:34,560 --> 00:24:39,480
Speaker 3: ago with NBC and NBC News and Missed Now and

454
00:24:39,560 --> 00:24:41,880
Speaker 3: the whole network that they're spinning off and that could

455
00:24:41,880 --> 00:24:46,400
Speaker 3: be part of ZIMSNBC anymore, and it's gonna be MS now.

456
00:24:47,200 --> 00:24:54,080
Speaker 3: We're seeing a whole reorganization of newsrooms and the tightening

457
00:24:54,119 --> 00:24:58,680
Speaker 3: of the belts. These news organizations continue to shrink, and

458
00:24:59,680 --> 00:25:08,560
Speaker 3: you seem very surprised, Tony. Yeah, yeah, what's what's what's.

459
00:25:12,640 --> 00:25:18,760
Speaker 1: What else you got? I single family? Rent? No, no, no, no, no, no,

460
00:25:19,720 --> 00:25:21,640
Speaker 1: I can't.

461
00:25:21,960 --> 00:25:32,479
Speaker 2: I can't seem to bring myself to care. Oh listen,

462
00:25:32,600 --> 00:25:35,240
Speaker 2: people lose jobs and and that's things. And I'm not

463
00:25:36,560 --> 00:25:40,239
Speaker 2: in very few cases am I hoping somebody loses their job. Uh,

464
00:25:40,600 --> 00:25:44,160
Speaker 2: it's it's just that when it happens in the news industry,

465
00:25:45,040 --> 00:25:47,800
Speaker 2: I'm told what a big deal it is. When happens

466
00:25:47,800 --> 00:25:50,880
Speaker 2: in any other industry, I'm told those people should learn

467
00:25:50,880 --> 00:25:51,320
Speaker 2: to code.

468
00:25:52,200 --> 00:25:53,360
Speaker 1: And so I'm not.

469
00:25:53,680 --> 00:25:58,119
Speaker 2: I won't bring myself to shed tears at all for

470
00:25:58,280 --> 00:25:59,360
Speaker 2: the news industry.

471
00:25:59,520 --> 00:26:03,919
Speaker 1: Of course, you're losing jobs. The whole world is changing.

472
00:26:03,920 --> 00:26:07,439
Speaker 2: The industry has changed, and you're not vaunted because you

473
00:26:07,520 --> 00:26:10,200
Speaker 2: haven't taken care of us. And we should not care.

474
00:26:10,600 --> 00:26:14,200
Speaker 2: If a if a news outlet which gave us dan

475
00:26:14,400 --> 00:26:20,320
Speaker 2: rather and so desperately. I mean, listen, he made up

476
00:26:20,359 --> 00:26:24,440
Speaker 2: stories about George Bush and they engaged in editing a

477
00:26:24,520 --> 00:26:25,320
Speaker 2: video of Donald Trump.

478
00:26:25,359 --> 00:26:27,480
Speaker 1: This isn't about your politics. It's about what they did.

479
00:26:28,160 --> 00:26:31,000
Speaker 2: And now they're they're losing jobs because people are going

480
00:26:31,000 --> 00:26:33,560
Speaker 2: on the places the sponsors are going other places, and

481
00:26:33,640 --> 00:26:38,640
Speaker 2: technology is coming in. Yeah, and and maybe maybe it

482
00:26:38,640 --> 00:26:40,600
Speaker 2: does get personal for me. And I shouldn't be a

483
00:26:40,680 --> 00:26:43,800
Speaker 2: guy who engages this personally. I should be like, yes, well,

484
00:26:43,840 --> 00:26:45,440
Speaker 2: you know, the industry changes, but there is a little

485
00:26:45,440 --> 00:26:49,240
Speaker 2: bit of personal in it for me in that these

486
00:26:49,320 --> 00:26:51,440
Speaker 2: people they.

487
00:26:51,640 --> 00:26:53,280
Speaker 1: Didn't take care of the American people.

488
00:26:53,280 --> 00:26:57,919
Speaker 2: Well, so I'm not going to say anything except I

489
00:26:57,920 --> 00:26:58,760
Speaker 2: hope it all works out.

490
00:26:59,119 --> 00:27:03,719
Speaker 1: I prefer it when you do take it personally. Well, then, uh,

491
00:27:03,840 --> 00:27:04,879
Speaker 1: then I'll get to that next.

492
00:27:09,880 --> 00:27:14,240
Speaker 2: Fingers Maloy, there are allegedly things that men do with

493
00:27:14,320 --> 00:27:17,000
Speaker 2: a midlife crisis, things they do in a midlife crisis,

494
00:27:17,040 --> 00:27:20,040
Speaker 2: things they do when they're around a midlife crisis.

495
00:27:20,560 --> 00:27:25,200
Speaker 1: Is that true or is that just a media narrative. Oh?

496
00:27:25,240 --> 00:27:27,040
Speaker 1: I think it's probably true.

497
00:27:27,520 --> 00:27:30,600
Speaker 3: Huh what if your whole life has been a crisis,

498
00:27:30,680 --> 00:27:31,840
Speaker 3: almost your entire life?

499
00:27:32,000 --> 00:27:34,000
Speaker 1: Pretty sure? You do a radio showing podcast there it

500
00:27:34,040 --> 00:27:35,280
Speaker 1: is d Drink Smoke.

501
00:27:35,280 --> 00:27:38,359
Speaker 2: I'm Tony Katz and that is America's favorite amateur drinker.

502
00:27:38,680 --> 00:27:39,720
Speaker 1: Fingers Maloy.

503
00:27:40,160 --> 00:27:45,080
Speaker 2: Are the people over at vegeoutmag dot com.

504
00:27:45,080 --> 00:27:46,280
Speaker 1: What kind of free.

505
00:27:46,000 --> 00:27:49,040
Speaker 3: Time do you have, fingers Maloy, there's sometimes Tony where

506
00:27:49,040 --> 00:27:50,360
Speaker 3: I just sit back and want.

507
00:27:50,160 --> 00:27:50,760
Speaker 1: To vege out.

508
00:27:51,160 --> 00:27:54,040
Speaker 3: You're like, I need a magazine help me through this,

509
00:27:54,920 --> 00:27:58,040
Speaker 3: and thank god we have veg Out mag Dot. Come

510
00:27:58,119 --> 00:28:00,960
Speaker 3: I do you are you subscriber? You kick the monthly

511
00:28:01,000 --> 00:28:02,320
Speaker 3: magazine delivered to your house.

512
00:28:02,440 --> 00:28:04,520
Speaker 1: All I know is saying the words vetg Out mag

513
00:28:04,640 --> 00:28:09,400
Speaker 1: sounds dirty. It does a little bit. It's not right

514
00:28:09,560 --> 00:28:10,040
Speaker 1: a little bit.

515
00:28:10,280 --> 00:28:13,840
Speaker 2: Eight purchases men make that screen midlife crisis louder than

516
00:28:13,840 --> 00:28:16,200
Speaker 2: a red sports card. And we have discussed the fact

517
00:28:16,560 --> 00:28:19,080
Speaker 2: that I will speak for myself, but I think I

518
00:28:19,119 --> 00:28:20,919
Speaker 2: do speak for fingers. Neither one of us went through

519
00:28:20,920 --> 00:28:28,240
Speaker 2: a midlife No, of course not. But I do find

520
00:28:28,280 --> 00:28:30,399
Speaker 2: the whole. Well, we'll get into this.

521
00:28:30,680 --> 00:28:32,600
Speaker 3: I will hold my tongue until we get into this

522
00:28:32,680 --> 00:28:35,000
Speaker 3: list because I do have a bone to pick with

523
00:28:35,040 --> 00:28:37,080
Speaker 3: one of the narratives about a midlife crisis.

524
00:28:37,520 --> 00:28:40,240
Speaker 2: By the way, we switch cigars to the Oliva or

525
00:28:40,280 --> 00:28:44,960
Speaker 2: Olive a v A Millennio Robusto, which I always keep

526
00:28:45,000 --> 00:28:48,120
Speaker 2: in the human or love you c le will always

527
00:28:48,160 --> 00:28:51,880
Speaker 2: smoke your products, just not the flavor is what it is,

528
00:28:52,160 --> 00:28:53,280
Speaker 2: nothing more, nothing less.

529
00:28:53,600 --> 00:28:54,360
Speaker 1: So here's the.

530
00:28:54,320 --> 00:29:01,720
Speaker 2: List eight things that prove a what is that a

531
00:29:01,760 --> 00:29:02,600
Speaker 2: mid life crisis.

532
00:29:02,680 --> 00:29:05,120
Speaker 1: Yes, more than a read sports car.

533
00:29:05,560 --> 00:29:08,320
Speaker 2: The home gym that costs more than a car, like

534
00:29:08,400 --> 00:29:13,480
Speaker 2: if you get like the full peloton ecosystem.

535
00:29:13,920 --> 00:29:17,480
Speaker 3: Sometimes, what, oh, do I look like I bought a

536
00:29:17,520 --> 00:29:18,480
Speaker 3: home gym?

537
00:29:18,800 --> 00:29:20,880
Speaker 2: Looking like you bought a home gym has nothing to

538
00:29:20,960 --> 00:29:22,760
Speaker 2: do with whether or not you've bought a home Jim.

539
00:29:22,760 --> 00:29:24,800
Speaker 1: I have not bought a home gym. But what bothers me?

540
00:29:24,840 --> 00:29:30,000
Speaker 3: Because I've had this discussion with female friends who were younger,

541
00:29:30,360 --> 00:29:33,000
Speaker 3: who when they see a man in his fifties with

542
00:29:33,120 --> 00:29:37,240
Speaker 3: a sports car, they say, nice car, Sorry about your

543
00:29:37,760 --> 00:29:41,239
Speaker 3: and it's like they go down the whole midlife crisis thing,

544
00:29:41,280 --> 00:29:43,280
Speaker 3: and it's like, listen, I tried to explain to them,

545
00:29:43,440 --> 00:29:48,760
Speaker 3: for a lot of guys who are passionate about vehicles, okay,

546
00:29:48,800 --> 00:29:50,920
Speaker 3: they can't afford a sports car when they're in their

547
00:29:50,960 --> 00:29:53,320
Speaker 3: twenties and thirties because a lot of times they're raising

548
00:29:53,360 --> 00:29:55,960
Speaker 3: a family and can't get that sports car. It's not

549
00:29:56,000 --> 00:29:59,400
Speaker 3: a midlife price. It's this I can finally afford it

550
00:29:59,440 --> 00:30:00,720
Speaker 3: inserts sports car here.

551
00:30:00,800 --> 00:30:03,840
Speaker 2: But you're the first person I ever really say that

552
00:30:04,520 --> 00:30:07,440
Speaker 2: to me in that way. You know, I was I

553
00:30:07,480 --> 00:30:09,840
Speaker 2: was thinking about a Mustang, and I was like, I

554
00:30:09,840 --> 00:30:11,040
Speaker 2: don't know if I could be a guy who gets

555
00:30:11,040 --> 00:30:13,160
Speaker 2: away with a Mustang. He's like, would you just shut

556
00:30:13,440 --> 00:30:17,520
Speaker 2: your stupid dirty mouth and get a Mustang already?

557
00:30:18,320 --> 00:30:21,200
Speaker 1: And you're you're right, And I didn't buy a Mustang.

558
00:30:21,240 --> 00:30:23,480
Speaker 1: But the point is, but did you get the home gym?

559
00:30:24,120 --> 00:30:27,160
Speaker 2: I sure did, and I got it with the extra

560
00:30:27,240 --> 00:30:28,040
Speaker 2: fluffy cushion.

561
00:30:29,520 --> 00:30:32,840
Speaker 1: The point is, you're absolutely right. The the who cares?

562
00:30:33,720 --> 00:30:36,240
Speaker 2: Who cares what somebody else is going to They don't

563
00:30:36,280 --> 00:30:37,120
Speaker 2: know anything about life.

564
00:30:37,240 --> 00:30:38,400
Speaker 1: It's and it's meaningless.

565
00:30:38,840 --> 00:30:41,880
Speaker 2: So sometimes the midlife crisis conversation is nothing more than

566
00:30:41,920 --> 00:30:43,600
Speaker 2: the midlife opportunity conversation.

567
00:30:44,040 --> 00:30:45,640
Speaker 1: That's a good way to put it right, and there's.

568
00:30:45,480 --> 00:30:51,120
Speaker 2: Nothing nothing wrong with that. Uh, You've you've engaged your responsibilities.

569
00:30:51,600 --> 00:30:54,040
Speaker 2: You have succeeded in providing to the best of your

570
00:30:54,040 --> 00:31:00,000
Speaker 2: ability to your responsibilities. Now you can change those responsibilities,

571
00:31:00,440 --> 00:31:04,880
Speaker 2: go have fun. The sudden Vinyl collection also, I don't

572
00:31:04,880 --> 00:31:07,040
Speaker 2: think there's anything to do with the midlife crisis. I

573
00:31:07,080 --> 00:31:12,680
Speaker 2: think this just means your pretentious as hell. No man, seriously,

574
00:31:12,760 --> 00:31:15,320
Speaker 2: Vinyl has such a richness to the sound. You can't

575
00:31:15,360 --> 00:31:17,920
Speaker 2: get that from digital. Man only vinyl can do it.

576
00:31:18,040 --> 00:31:20,640
Speaker 2: Here listen by Steely dan Man. Listen to it in vinyl.

577
00:31:20,640 --> 00:31:22,360
Speaker 2: If you listen to a digital you might as well

578
00:31:22,400 --> 00:31:24,160
Speaker 2: just poke yourself in the eye with a hot stick.

579
00:31:24,480 --> 00:31:27,440
Speaker 2: Oh my god, so great on the vinyl, Man, I

580
00:31:27,520 --> 00:31:32,200
Speaker 2: got this needle from Turkmenistan. It took four different specialized

581
00:31:32,240 --> 00:31:34,920
Speaker 2: priests in order to make it. I had to sacrifice

582
00:31:34,960 --> 00:31:37,600
Speaker 2: two cows in order to get this done. Man, this

583
00:31:37,720 --> 00:31:41,440
Speaker 2: is awesome. He said that to nobody, by the way,

584
00:31:41,480 --> 00:31:42,880
Speaker 2: because it would hang out with him.

585
00:31:43,760 --> 00:31:46,240
Speaker 1: Although that said, I do like vinyl. I think it sounds.

586
00:31:48,480 --> 00:31:51,360
Speaker 3: I will say this about vinyl, and it has nothing

587
00:31:51,400 --> 00:31:52,440
Speaker 3: to do with the sound quality.

588
00:31:53,120 --> 00:31:54,760
Speaker 1: Gen X is kind of the last.

589
00:31:54,520 --> 00:31:58,040
Speaker 3: Generation that had the vinyl, and then you morphed into

590
00:31:58,040 --> 00:32:01,280
Speaker 3: the CDs and now we're completely into the digital world.

591
00:32:01,440 --> 00:32:04,520
Speaker 3: There was something about running and getting that record album

592
00:32:04,960 --> 00:32:07,280
Speaker 3: and then opening up the in the you know, looking

593
00:32:07,320 --> 00:32:12,600
Speaker 3: at the jacket and seeing the tracks. Maybe the lyrics

594
00:32:12,600 --> 00:32:14,920
Speaker 3: were the whole thing was like a whole notes. It

595
00:32:15,000 --> 00:32:17,720
Speaker 3: was exciting. Oh those were the days, Tony.

596
00:32:17,920 --> 00:32:19,960
Speaker 2: There's no way to explain to somebody who was not

597
00:32:20,080 --> 00:32:25,360
Speaker 2: in gen X the idea of your walkman and cassette tapes,

598
00:32:25,840 --> 00:32:28,360
Speaker 2: and then realizing that in a CD you could skip

599
00:32:28,400 --> 00:32:31,680
Speaker 2: to the next song yep, and then you could go

600
00:32:31,760 --> 00:32:33,000
Speaker 2: back whoop.

601
00:32:34,160 --> 00:32:39,920
Speaker 1: That was revelatory revelation. Do you know what it was

602
00:32:40,040 --> 00:32:41,120
Speaker 1: like with an eight track?

603
00:32:41,360 --> 00:32:44,000
Speaker 2: And you couldn't just take the pencil and rewind the

604
00:32:44,080 --> 00:32:46,240
Speaker 2: song in the cassette? No, no, no, you had to listen

605
00:32:46,280 --> 00:32:48,600
Speaker 2: to the whole crap album to get back to.

606
00:32:48,560 --> 00:32:50,000
Speaker 1: The song you wanted. It's true.

607
00:32:50,480 --> 00:32:52,360
Speaker 3: And the other thing too about the CD was being

608
00:32:52,400 --> 00:32:55,600
Speaker 3: able to put a track on repeat right.

609
00:32:56,280 --> 00:32:57,960
Speaker 1: You can't do that with a record album.

610
00:32:58,040 --> 00:33:00,400
Speaker 3: You have to get up, walk all the way over,

611
00:33:00,520 --> 00:33:03,480
Speaker 3: pick up the arm, put the needle back on the tray.

612
00:33:03,520 --> 00:33:05,280
Speaker 3: And of course you can't do it perfectly. I'm not

613
00:33:05,320 --> 00:33:07,920
Speaker 3: a DJ, I'm not Wolfman Jack, and so you got

614
00:33:07,920 --> 00:33:09,800
Speaker 3: to put it back on the line just right to

615
00:33:09,800 --> 00:33:11,240
Speaker 3: be able to hear the song perfectly.

616
00:33:11,240 --> 00:33:12,880
Speaker 1: Again, correct answer? We were looking forward?

617
00:33:12,960 --> 00:33:21,479
Speaker 3: Alan Freed, Oh, Alan Freed, Okay, I'll try better next time. Uh.

618
00:33:21,880 --> 00:33:24,880
Speaker 2: The motorcycle he's afraid to ride. No, that's not a

619
00:33:24,880 --> 00:33:30,640
Speaker 2: midlife crisis. That's being a schmuck. What's the point that's

620
00:33:30,680 --> 00:33:31,360
Speaker 2: being a schmuck?

621
00:33:31,720 --> 00:33:34,080
Speaker 3: I don't understand the point to to be able to

622
00:33:34,120 --> 00:33:38,640
Speaker 3: brag your friends you have a motorcycle. It, don't get one.

623
00:33:38,920 --> 00:33:41,040
Speaker 3: Just don't get one. Get the sports car. You can

624
00:33:41,120 --> 00:33:45,480
Speaker 3: find one vintage that you know isn't a classic for

625
00:33:45,560 --> 00:33:48,480
Speaker 3: the same price as a motorcycle easily, just the get

626
00:33:48,520 --> 00:33:48,920
Speaker 3: the car.

627
00:33:50,760 --> 00:33:52,960
Speaker 2: But do But do you know anybody who's done that.

628
00:33:53,560 --> 00:33:55,840
Speaker 2: I mean we're talking an acdotally, of course. Do you

629
00:33:55,840 --> 00:33:58,040
Speaker 2: know anybody who's bought a motorcycle.

630
00:33:57,600 --> 00:34:00,760
Speaker 1: Is like, I just have it to have it? Know me?

631
00:34:00,840 --> 00:34:09,600
Speaker 3: Either, what's the I can understand buying a motorcycle before

632
00:34:10,160 --> 00:34:13,200
Speaker 3: you go through what you should do, which is gets

633
00:34:13,360 --> 00:34:17,680
Speaker 3: go and get safety training and take the classes. And

634
00:34:17,719 --> 00:34:19,840
Speaker 3: you bought it for some reason before you took the

635
00:34:19,840 --> 00:34:22,080
Speaker 3: classes and then realized, oh my gosh, this is not

636
00:34:22,200 --> 00:34:25,880
Speaker 3: for me. Okay, you made a mistake. But to buy

637
00:34:25,960 --> 00:34:28,600
Speaker 3: one just to tell your friends you have a motorcycle

638
00:34:28,640 --> 00:34:33,000
Speaker 3: and then you're scared to ride it. That what a waste. Yeah,

639
00:34:33,080 --> 00:34:35,240
Speaker 3: and by the way, riding a motorcycle is freaking awesome.

640
00:34:35,520 --> 00:34:40,080
Speaker 2: Yeah, I'm never gonna do it, never going to do it.

641
00:34:42,440 --> 00:34:46,719
Speaker 2: And then here's one the watch that cost his kids

642
00:34:46,840 --> 00:34:51,520
Speaker 2: yearly tuition. Nope, Now, you guys know. I work with

643
00:34:51,800 --> 00:34:56,480
Speaker 2: a group in Indiana called Fletterman von Reest Family Business.

644
00:34:56,600 --> 00:34:59,520
Speaker 2: Thrilled to be their brand ambassador. I'm designing watches with them.

645
00:34:59,600 --> 00:35:03,320
Speaker 2: I wear one all the time, wearing one right now.

646
00:35:03,680 --> 00:35:06,399
Speaker 2: Shop dot von Reest ri E s t E shop

647
00:35:06,440 --> 00:35:09,239
Speaker 2: dot von Reest dot com. Use promo code cats you

648
00:35:09,320 --> 00:35:12,000
Speaker 2: get a discount assembled in Indiana, made to.

649
00:35:11,920 --> 00:35:13,920
Speaker 1: Pass down through the generations. I love what they do.

650
00:35:14,480 --> 00:35:14,920
Speaker 1: Love it.

651
00:35:15,120 --> 00:35:18,200
Speaker 2: Yes, I've got a Rolex there so actually right there,

652
00:35:18,320 --> 00:35:20,799
Speaker 2: I've got a Tutor. I've got a rare Tutor, which

653
00:35:20,840 --> 00:35:23,840
Speaker 2: is like a baby Rolex, the Advisor, which actually has

654
00:35:24,080 --> 00:35:26,160
Speaker 2: an alarm in It's a ringing bell in the watch.

655
00:35:26,520 --> 00:35:27,680
Speaker 1: Nice, it's super cool.

656
00:35:27,880 --> 00:35:30,600
Speaker 2: A first real time piece I had is a nineteen

657
00:35:30,680 --> 00:35:32,319
Speaker 2: fifty nine Hamilton Pinematic.

658
00:35:32,719 --> 00:35:35,280
Speaker 1: I mean I do have a small collection.

659
00:35:36,160 --> 00:35:39,640
Speaker 2: There is nothing wrong with having the one time purchase

660
00:35:40,040 --> 00:35:43,439
Speaker 2: of the sub Mariner, or of the Autumnar, or of

661
00:35:43,960 --> 00:35:46,080
Speaker 2: maybe for you it's a tag write a little bit

662
00:35:46,160 --> 00:35:47,120
Speaker 2: less expensive there.

663
00:35:47,239 --> 00:35:48,400
Speaker 1: There's nothing wrong with that.

664
00:35:48,960 --> 00:35:50,640
Speaker 2: This has to do with whether or not you have

665
00:35:50,680 --> 00:35:53,640
Speaker 2: fulfilled your responsibilities and you are rewarding yourself. There is

666
00:35:53,719 --> 00:35:56,360
Speaker 2: nothing wrong with the reward and that's what make this piece.

667
00:35:56,760 --> 00:36:00,480
Speaker 2: This piece is dopey. This piece, this is saying you

668
00:36:00,480 --> 00:36:03,279
Speaker 2: shouldn't enjoy the things you enjoy. They should kiss off.

669
00:36:03,440 --> 00:36:05,759
Speaker 3: Well, the only thing I will say, shudg out, that's

670
00:36:05,800 --> 00:36:08,560
Speaker 3: what they should do. But having said that, I will say,

671
00:36:08,600 --> 00:36:13,000
Speaker 3: if you are choosing to watch over providing for your family,

672
00:36:13,040 --> 00:36:13,480
Speaker 3: then that's.

673
00:36:13,480 --> 00:36:18,560
Speaker 1: Oh big freaking problem. That's that's a problem. Yes, that's

674
00:36:18,760 --> 00:36:20,120
Speaker 1: that could be crisis.

675
00:36:20,480 --> 00:36:23,360
Speaker 2: Yes, I know I have to feed you, but I'd

676
00:36:23,440 --> 00:36:27,600
Speaker 2: rather have this decoration on my wrist. Yeah, but that's

677
00:36:27,680 --> 00:36:29,560
Speaker 2: that's not even a mid life crisis. That's just not

678
00:36:29,560 --> 00:36:30,080
Speaker 2: being a man.

679
00:36:30,239 --> 00:36:31,640
Speaker 1: Five thirty is dinner time.

680
00:36:31,880 --> 00:36:35,120
Speaker 3: I know it's five thirty, but unfortunately we don't have

681
00:36:35,160 --> 00:36:35,640
Speaker 3: any food.

682
00:36:36,160 --> 00:36:38,960
Speaker 2: Right but if it, if it fills you up to

683
00:36:39,000 --> 00:36:42,280
Speaker 2: look at the time. By the way, you can afford

684
00:36:42,280 --> 00:36:45,280
Speaker 2: the bun reasednreas dot com. You need a good entree

685
00:36:45,640 --> 00:36:49,520
Speaker 2: defiancebeef dot com great sponsor of ours, where you can

686
00:36:49,640 --> 00:36:51,680
Speaker 2: order a quarter, cow, a half or a full. You

687
00:36:51,719 --> 00:36:53,880
Speaker 2: get it butchered exactly the way you want it, and

688
00:36:53,920 --> 00:36:57,520
Speaker 2: it's delivered directly to your door, frozen in the vacuum pack,

689
00:36:57,800 --> 00:36:58,359
Speaker 2: ready to go.

690
00:36:58,560 --> 00:36:59,279
Speaker 1: They are a.

691
00:36:59,200 --> 00:37:02,120
Speaker 2: Farm right here in Indiana, and they are just serving

692
00:37:02,200 --> 00:37:05,839
Speaker 2: up some of the best rib eyes and tenderloins.

693
00:37:05,960 --> 00:37:07,200
Speaker 1: It strips the ground.

694
00:37:07,280 --> 00:37:11,320
Speaker 2: Beef, the brisket absolutely incredible, everything aged twenty one days,

695
00:37:11,640 --> 00:37:14,560
Speaker 2: the flavor of the tenderness, it is all there, and

696
00:37:14,960 --> 00:37:16,600
Speaker 2: you decide how you want it cut.

697
00:37:16,760 --> 00:37:17,920
Speaker 1: You decide the thickness.

698
00:37:17,960 --> 00:37:20,480
Speaker 2: I actually got the call from the butcher yesterday, got

699
00:37:20,520 --> 00:37:22,520
Speaker 2: a call him and say, Okay, here's what I want.

700
00:37:22,640 --> 00:37:23,520
Speaker 1: I'm ready to go.

701
00:37:23,880 --> 00:37:26,520
Speaker 2: I'm telling you I'm gonna have my beef in a week.

702
00:37:26,640 --> 00:37:29,319
Speaker 2: I have been waiting. I have been patient. I've been like,

703
00:37:29,360 --> 00:37:31,560
Speaker 2: you don't worry about me. Last I want to see

704
00:37:31,600 --> 00:37:33,759
Speaker 2: everybody else to be happy. People have been ordering you.

705
00:37:33,800 --> 00:37:36,840
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706
00:37:37,080 --> 00:37:39,840
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707
00:37:40,080 --> 00:37:44,880
Speaker 2: easy to do. It has been fantastic. The meat is incredible.

708
00:37:45,200 --> 00:37:47,360
Speaker 2: The quality and the tenderness and how well it grills

709
00:37:47,480 --> 00:37:51,840
Speaker 2: up and how well it's done is leftovers spectacular. Defiance Beef.

710
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711
00:37:56,080 --> 00:37:57,799
Speaker 2: that's the name of the show, and you will

712
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Speaker 1: Get one hundred and fifty dollars off your order,