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Speaker 1: And lego.

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Speaker 2: Mm yeah, mhmm.

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Speaker 1: Okay, oh m hm yeah did you see.

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Speaker 3: Yeh oh uh uh ship.

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Speaker 4: I mean y'all sound fine to me, So it must

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Speaker 4: be streamline streamward my son audience.

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Speaker 2: That's so yeah, um hm.

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Speaker 5: M hm.

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Speaker 4: You don't think of the story and then we're gonna

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Speaker 4: have the Theiah.

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Speaker 2: Was getting.

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Speaker 1: Scroll setting.

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Speaker 2: Yeah, yeah, that's what it's back with me?

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Speaker 5: Yeah, all right, y is not how we signing, were

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Speaker 5: clear to do clear?

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Speaker 2: What's up? What's up? M hm, yes, it's back. It's back.

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Speaker 2: See y'all talking all y'all talking all that jazz they

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Speaker 2: said better.

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Speaker 5: Yeah, they all seem better. They're talking address.

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Speaker 6: M hm hm yeah, sorry, wrong, it's on wrong input.

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Speaker 3: Down there.

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Speaker 7: That's what I'm saying because when Sunny was speaking and

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Speaker 7: he signed clear, yeah, Rob said Rob all right bet uh.

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Speaker 2: Yeah man.

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Speaker 8: Look, I'm the host today. Uh it's a live rundown.

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Speaker 8: And I know why y'all here because we are reacting

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Speaker 8: to Drake's what that I missed? Now we're not reacting

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Speaker 8: to the whole music video, but just our takes, you

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Speaker 8: know what I'm saying. Obviously, I hope everybody did they

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Speaker 8: they google's and they research and watched the video and

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Speaker 8: so that we.

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Speaker 6: Briefly talked about it mix on this past Okay, we

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Speaker 6: tend to talk about some music stuff.

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Speaker 3: Got you got this Wednesday, but.

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Speaker 8: But it's a jam packed rundown. I'll give you the

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Speaker 8: rundown before we run it down. So we're gonna talk

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Speaker 8: about July releases. Oh yeah, super chats busy. What time

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Speaker 8: we're giving them to be the official supertat keeper nine

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Speaker 8: twenty five is the official time, so you have eleven

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Speaker 8: minutes to get your super chats in. So the rundown

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Speaker 8: is we're gonna be talking about the July releases. Raycon

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Speaker 8: talks his new album dropping August first. Obviously we got Drake.

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Speaker 8: We're gonna be talking about Minaje Against the Machine and

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Speaker 8: our takes on the Jim Jones versus nos. So get

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Speaker 8: your super chats in and we will answer them accordingly.

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Speaker 8: But here are the July releases. We have Freddy Gibbs

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Speaker 8: and an Alchemist Alfredo two is TBD. I'm just excited,

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Speaker 8: so I'm jumping the gun. They said that it's coming,

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Speaker 8: we just don't know when. We don't know if it's

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Speaker 8: gonna be July. I it's gonna be August or I

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Speaker 8: think it's gonna before this year's out. Oh, definitely, definitely,

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Speaker 8: because with the first one be when they announced it

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Speaker 8: versus how it dropped. They recorded that asap. Like he

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Speaker 8: was talking about the motherfucker Michael Jordan documentary. You know

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Speaker 8: what I'm saying, Like, Nigga, that shit just came out.

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Speaker 8: You just recorded this yesterday, you know.

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Speaker 2: What I'm saying.

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Speaker 8: So I think the way that they work, we will

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Speaker 8: get it as soon as they're done. I don't think

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Speaker 8: there's gonna be a lot of label and you know

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Speaker 8: red tape involved. They ain't gonna have to do what

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Speaker 8: the clips did, you know what I'm saying, by themselves

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Speaker 8: and buy himself out, but clips let God sort them out.

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Speaker 8: Is coming out the eleventh Open Mike Eagle, Neighborhood Gods

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Speaker 8: Unlimited coming out the eleventh as well, Yellowwolf and j

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Speaker 8: Michael Phillips, Whiskey and Roses coming out on the eleventh

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Speaker 8: as well.

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Speaker 2: And we also have Joinner.

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Speaker 3: Lucas eighty h two ADHD two.

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Speaker 8: Can Don't Do That dropping on the eighteenth of this month,

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Speaker 8: Roddy Rich The Navy album dropping on the eighteenth, Yello

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Speaker 8: the Ball Brother Jesus, League of my Own dropping on

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Speaker 8: the eighteenth as well, and Kevin Gates continues the Luca

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Speaker 8: Brossey series with Luca Brosse four on the twenty third

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Speaker 8: of this month.

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Speaker 2: Any of those joints that you guys are looking forward to, Yeah.

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Speaker 8: Obviously, you know, obviously open my Eagle clips.

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Speaker 2: Yeah, that's it. That's it. So I don't care for

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Speaker 2: Yellow anymore.

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Speaker 6: It's the first three, first three, you said, that's it.

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Speaker 6: Nobody else, the same ones, same ones.

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Speaker 2: Yeah, Okay, I.

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Speaker 8: Want to say, Look, I'm not saying I'm here for it,

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Speaker 8: but I would like to see what Roddy Rich does.

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Speaker 2: You know, obviously after the Box.

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Speaker 8: Has been a big fall off, so I want to

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Speaker 8: see if he could kind of get some of the

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Speaker 8: momentum back or because I think it's is make or

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Speaker 8: breaking for him.

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Speaker 2: So I'm more so curious of the trajectory of Roddy

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Speaker 2: Rich versus the actual music. And Kevin Gates. Fuck with

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Speaker 2: Kevin Gates, So I'm gonna check it out.

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Speaker 1: But Kevin Gates, the.

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Speaker 2: Luca Brosseis joints have been, you know, been all.

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Speaker 9: Right, man, I can't tell you the last time of

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Speaker 9: listen to it. Kevin Gates projected.

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Speaker 5: Three project You don't think you have never been inclined

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Speaker 5: to one?

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Speaker 2: Listen to it?

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Speaker 1: Well, I mean yeah, I can't say you missing much,

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Speaker 1: but you.

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Speaker 2: See what I'm saying. Ship I'm talking about.

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Speaker 9: Uh so we got we got a yellow Wolf and Joyner.

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Speaker 9: Who is the somebody in yellow Wolf with some other.

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Speaker 2: Guy j Michael Phillips. I don't know who he is.

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Speaker 1: That's not the guy from that was in Mortarcombat? Who

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Speaker 1: Johnny Cage not the black guy Jack's No, he was

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Speaker 1: the only black guy in Mortal Kombat.

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Speaker 2: Bro.

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Speaker 3: Yeah, I don't know what can talking about. He was

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Speaker 3: toking you.

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Speaker 5: I don't know he's talking about. Yeah, but the same

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Speaker 5: one is what I mentioned.

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Speaker 7: Yeah, the ones I'm interested in. All the rest of

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Speaker 7: them is like when last time writing Ridge drop something,

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Speaker 7: It's been a minute.

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Speaker 8: That That's why I said, I'm more interested to see

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Speaker 8: what this does for his career, because, like I said.

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Speaker 3: It's making to break it if people still care for him.

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Speaker 8: I think people are interested what I'm interested in. Michael

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Speaker 8: John White, Lord, holy shit? Can you talking about spawn?

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Speaker 1: You way off?

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Speaker 8: But all right, man, look we ain't we ain't gonna

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Speaker 8: keep going back and forth about the July releases. We

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Speaker 8: got something really dope dropping August first, and that's the himself,

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Speaker 8: the original chef.

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Speaker 2: Everybody when you say chef now they think it's Chef Curry.

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Speaker 2: You know what I'm saying. You know he should he

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Speaker 2: done took over the Moniker.

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Speaker 8: But however, the original Chef ray Kwan, he is dropping

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Speaker 8: a new album on mass Appeal, and I want to

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Speaker 8: talk about the people that are scheduled to be on there.

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Speaker 2: It's a part of the naves.

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Speaker 7: What NAS doing when Mass pill he's releasing, I think

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Speaker 7: like seven projects got already released a visual album with

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Speaker 7: slicker Y. I think the ray Kuon joined his next,

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Speaker 7: and then ghost Face, my Deep Big al and then

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Speaker 7: not finally a NAS and pre premiere album. So that's

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Speaker 7: the joints he's doing.

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Speaker 8: And if you want to hear me and ken starts

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Speaker 8: on the slick Rick joint, we did it for D

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Speaker 8: through sixty five, so go check that out, patrons get

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Speaker 8: it first. But on the ray Kwon joint, he's going

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Speaker 8: to have ghost Face Killer of course, Methomatic Inspector, Deck

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Speaker 8: Nas and Griselda. Yep, it just says Griselda. Well says

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Speaker 8: Griselda Flavor. Conway, the Machine and Westside Gun are also featured,

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Speaker 8: so maybe no Benny. Hopefully we get Benny, but if not, hey,

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Speaker 8: you know, two out of three, nigga, you still win it.

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Speaker 7: Yeah, that makes sense because I remember I remember seeing

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Speaker 7: the clips some years ago when I think West Side

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Speaker 7: and Conway was performing and there was a summer in

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Speaker 7: New York and Ray Kuan got on stage and was

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Speaker 7: like picking them up, like you know, giving them their

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Speaker 7: flowers or whatever, like, yeah, like pass them the torch

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Speaker 7: or whatever. So yeah, that makes sense that they'll be

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Speaker 7: on this on his new album.

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Speaker 2: So would you you feel the type of boy if

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Speaker 2: Betty's not no no while, why.

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Speaker 3: Should we I type of way?

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Speaker 1: Yeah? Yeah, that's that's gonna be interesting.

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Speaker 10: Uh.

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Speaker 9: You know, I have looked much into what Massive Pillow

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Speaker 9: are doing with their Old School series. But you know,

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Speaker 9: I think this because I don't know, do we know

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Speaker 9: producer anything, It's gonna be if he's right goal with this.

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Speaker 7: I'm looking for the producer. That's why I'm interested in

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Speaker 7: the features. I'm definitely I mean the features we already

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Speaker 7: know men been killing ship and it'll be dope to

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Speaker 7: hear him right away Inspected Deck again.

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Speaker 3: You know, Na, this is definitely gonna be great.

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Speaker 7: To hear, and yeah, so features is like, okay, I

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Speaker 7: don't want to see who's gonna be producing this joint.

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Speaker 2: Yeah we got we got four minut it's for your

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Speaker 2: super chat, so make sure you get them in.

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Speaker 1: So that that could make or break it. But Rick

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Speaker 1: Rik has been doing this thing.

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Speaker 9: I think Master Piel got a good understanding of you

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Speaker 9: know what old he's like myself.

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Speaker 7: I feel like yeah, because I mean now it's execuly

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Speaker 7: producing all these projects that you know with Daylight, I

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Speaker 7: think I have got to mention the Daylight doing the

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Speaker 7: album with them as well. So yeah, I don't know,

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Speaker 7: I think yeah, it's a part of that.

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Speaker 1: Did you say metha Man was part of that group? No?

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Speaker 2: No, I mean he just featured.

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Speaker 1: Okay, okay, now somebody get Method Man in the booth.

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Speaker 8: So Ken talking about menta Man and b you talk

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Speaker 8: about Mental Man and inspected that back on the track.

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Speaker 8: Ray Quarn, also on the IG Live, talked about trying

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Speaker 8: to get Wu Tang back together and these are his words.

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Speaker 2: I mean, we're trying to get it together.

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Speaker 8: You know, everybody spread out everybody's doing something great in

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Speaker 8: their life, so when it's time for everybody to get

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Speaker 8: in the room, it just seems like it's the hardest ship.

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Speaker 2: In the world. But it ain't like we don't want to.

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Speaker 8: So in lieu of, you know, trying to get another

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Speaker 8: Wu Tang project together, and you know, like obviously met

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Speaker 8: the man, we talked about his feature Run. You know,

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Speaker 8: he's doing great on TV and in movies and ship

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Speaker 8: like that in his acting career.

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Speaker 1: You know, that's why you rapping like that that I

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Speaker 1: think his role is run on Power is over.

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Speaker 2: Now He's gonna be all right. He was.

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Speaker 8: He's transitioning nicely over there. But I feel Ray Quant,

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Speaker 8: you know what I'm saying. Obviously, these guys are long

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Speaker 8: in the tooth when it comes to their career. They

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Speaker 8: got a lot of endeavors that have a lot of roots,

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Speaker 8: and even sometimes just with us, like trying to get

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Speaker 8: line ship up, it's not the easiest thing. And there's

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Speaker 8: there's way more Wu Tang members than are than hip

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Speaker 8: hop members. So I definitely understand trying to put all

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Speaker 8: of that together. But are you interested in potentially another.

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Speaker 2: Wu Tang album? Panzone's producing it?

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Speaker 7: Because I mean I don't because it hadn't really been

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Speaker 7: It's not like he's been in the like it's not

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Speaker 7: like he's having a second or third run right now.

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Speaker 3: So I mean, I can't remember the last time we

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Speaker 3: heard it, Like, so who would you want to produce it?

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Speaker 2: Because you're always very critical.

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Speaker 3: Over Wu Tang.

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Speaker 2: Name like three people, three producers, you were like mean,

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Speaker 2: Conductor definitely be.

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Speaker 7: I can definitely see him giving him some weird off

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Speaker 7: kilter ship. I think that I think Conductor would be nice.

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Speaker 3: Who else.

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Speaker 2: I would say manly, But I don't know if he is.

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Speaker 7: I don't know if he can I don't know if

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Speaker 7: he's a fit for the stylemist probably could because I mean,

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Speaker 7: come has done what he's done work with ghost Face before,

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Speaker 7: so I can see.

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Speaker 3: That potentially happening.

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Speaker 2: And ship, I feel like I'm forgetting somebody.

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Speaker 3: Getting somebody else.

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Speaker 7: But like, don't even try to go for no radio

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Speaker 7: ship like you like just all hard ship. Yeah, I

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Speaker 7: can't think of I can't think of another Polo Brown. Yeah,

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Speaker 7: he done some work with ghost Face, so I can see.

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Speaker 2: I can see.

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Speaker 7: And yeah, some of the other WOO members wrapped over

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Speaker 7: a Polo Brown ship. So I can see him making

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Speaker 7: some ship for Rock Marcy Rock Marci there. Yeah he

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Speaker 7: ghost Face and Kwan. Yeah so they don't work together,

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Speaker 7: so yeah yeah, hell yeah, Okay, okay, that's what's up.

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Speaker 8: Well, at the point of the show, you you feel

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Speaker 8: type of way about Wu Tang just kind of whatever.

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Speaker 7: Yeah, it's kind of whatever. But I'm with depends on

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Speaker 7: who producing it. Bro, I'm not worried about the rhyming.

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Speaker 7: It's just who's who's producing it.

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Speaker 2: Okay, Okay, Well, you know we're here for the main

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Speaker 2: event today.

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Speaker 6: This is j fole say, real slick, how we are

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Speaker 6: cutting the super chests off before we get into the

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Speaker 6: Drake cono.

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Speaker 2: Yeah, yeah, I ain't realized that.

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Speaker 3: I didn't even realize that we cutting it off before

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Speaker 3: we talk about it.

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Speaker 6: That niggas got sixty times up about to say, I mean,

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Speaker 6: I got cracking up. It's I didn't even realize.

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Speaker 2: I'm a veto five more minutes.

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Speaker 8: So the way we could get into it, we could

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Speaker 8: throw some takes out there and then they can. So look,

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Speaker 8: the reason why we're here is Drakes. What did I

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Speaker 8: miss dropped an official video?

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Speaker 2: Let's go, let's go.

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Speaker 8: Initial reactions, I'll started off. I felt like he did

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Speaker 8: this on the iPhone. Mm hm, you know what I'm saying.

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Speaker 8: And I also felt I feel like Drake with a

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Speaker 8: tough guy act is not the Drake that we want

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Speaker 8: all of the guns by the pool, Like, what type

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Speaker 8: of message the video? I'm talking about the video. I'm

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Speaker 8: talking about the video. What type of messaging are you

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Speaker 8: trying to send?

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Speaker 3: You see that you've seen that when you're talking about

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Speaker 3: talking to the kids and ship.

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Speaker 2: Like what nou?

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Speaker 1: Yeah?

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Speaker 2: I was like, Drake, yeah, yeah, it was to me,

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Speaker 2: this song reminds me of family.

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Speaker 3: Yeah, don't look away now, don't look away now.

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Speaker 2: I thought I thought the video Individuals was interesting.

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Speaker 3: Like I'm dancing in an ice box.

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Speaker 1: Where his heart used to be.

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Speaker 3: You know what I'm saying, Like, I'm dancing an icebox.

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Speaker 8: Man, And I just this this this sounded it felt

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Speaker 8: like Family Matters, which was the best dis track from

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Speaker 8: Draking the whole joint.

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Speaker 2: And I don't think that this is when I heard it,

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Speaker 2: because I heard it before I saw it.

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Speaker 6: Okay, okay, but when I saw the video, I'm just like, bro, like,

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Speaker 6: why why are we trying to be tough here?

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Speaker 1: Why?

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00:16:11,600 --> 00:16:11,760
Speaker 2: Why?

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Speaker 3: Why you gotta show that you got an arsenal, Like

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Speaker 3: you're not gonna do nothing with it.

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Speaker 5: Man, that's not your job. This like, all this ship

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Speaker 5: is nulling, boy.

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Speaker 2: I said this before.

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Speaker 7: Dog, you're swing Once that happens, all that ship you're

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Speaker 7: talking about.

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Speaker 3: Dull boy. If Drake, you know what, if Drake would.

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Speaker 6: Have never like tried to sue over a battle track,

302
00:16:36,560 --> 00:16:38,600
Speaker 6: he could have said he could send all the subs

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Speaker 6: and all the ship to anybody, I wouldn't even care.

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Speaker 5: I go ahead, you know, get your ship off. You're mad,

305
00:16:45,360 --> 00:16:51,280
Speaker 5: But Dog, you sue, the ship is done. It's nothing,

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Speaker 5: it's nothing else here.

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Speaker 2: You can't forgive it.

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00:16:54,040 --> 00:16:55,080
Speaker 3: You can't. I can't forgive it.

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Speaker 5: Bro, you did it.

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Speaker 7: You did it a cop, you did a damn you

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Speaker 7: did a male version of Karen to the hip hop.

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Speaker 7: So I feel like all this tough ship you're talking

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Speaker 7: about it's nulling boy.

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Speaker 2: Well here here here's the thing, right, Like, I.

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00:17:11,200 --> 00:17:12,479
Speaker 3: Don't care if your feelings are hurt.

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Speaker 2: You don't got no friends, busy.

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Speaker 8: I agree, BZ, I agree, But I do feel Drake

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Speaker 8: where you know? And I also saw people put it

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Speaker 8: together montages of.

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Speaker 2: K died and and what I say in the chat.

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00:17:26,960 --> 00:17:28,960
Speaker 5: I remember you put that in the chat. I was like,

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00:17:29,680 --> 00:17:31,240
Speaker 5: that should have been his angle from the get go.

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Speaker 3: No one didn't even win.

324
00:17:34,320 --> 00:17:34,399
Speaker 2: So.

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00:17:36,480 --> 00:17:38,400
Speaker 1: Because I didn't see that we're talking about.

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Speaker 8: So so essentially people are putting together montages where k

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Speaker 8: Dot before the fame, like when he was still performing

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Speaker 8: in the malls, right, was saying, hey, yo, like Drake

329
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Speaker 8: hit me up, and Drake said, you know, I'm hand picked.

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Speaker 2: You know, I'm going to tour with him.

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Speaker 3: But they then did that, though, what do you mean

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00:17:55,240 --> 00:17:58,520
Speaker 3: they've been that, they've been like showed that footage. Of

333
00:17:58,680 --> 00:18:02,600
Speaker 3: course it's oh, but but again, this is what he could.

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00:18:02,720 --> 00:18:03,320
Speaker 3: He was that angle.

335
00:18:04,440 --> 00:18:07,040
Speaker 8: Yeah, and this is what we me and b was

336
00:18:07,080 --> 00:18:09,320
Speaker 8: in agreement here. You know last year during the beef

337
00:18:09,359 --> 00:18:12,159
Speaker 8: and everything, you should have big bro them because that

338
00:18:12,160 --> 00:18:13,040
Speaker 8: would have been a better angle.

339
00:18:13,200 --> 00:18:15,480
Speaker 3: That was the best thing, That was the best aim.

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00:18:16,000 --> 00:18:18,280
Speaker 8: And you know, obviously all of these interviews and things

341
00:18:18,320 --> 00:18:20,920
Speaker 8: are resurfacing where Rocky is like, yo, like Drake is

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Speaker 8: my man. You know, Drake didn't want to from me

343
00:18:22,800 --> 00:18:24,040
Speaker 8: here and trying to sign me. He didn't want no

344
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Speaker 8: money from me. All he wanted to do is just put.

345
00:18:26,400 --> 00:18:29,479
Speaker 7: Me on Drake's stands is going over. They're working over

346
00:18:29,560 --> 00:18:32,080
Speaker 7: time can so okay, can't. But but but again that's

347
00:18:32,119 --> 00:18:34,359
Speaker 7: what But that's what he's addressing.

348
00:18:34,400 --> 00:18:36,000
Speaker 2: And what did I miss? Like, what did I miss

349
00:18:36,040 --> 00:18:36,679
Speaker 2: from you niggas?

350
00:18:36,840 --> 00:18:37,399
Speaker 3: You miss that?

351
00:18:37,560 --> 00:18:42,280
Speaker 1: It's that it was like ten five year I put

352
00:18:42,400 --> 00:18:46,120
Speaker 1: y'all on because now here's the thing. I'm not caping

353
00:18:46,240 --> 00:18:48,280
Speaker 1: for Drake. I'm like Superman.

354
00:18:48,520 --> 00:18:52,000
Speaker 8: I'm I'm explaining it because I agree with Beezy and

355
00:18:52,080 --> 00:18:54,520
Speaker 8: I've been said it like you can't sue and it

356
00:18:55,320 --> 00:18:57,960
Speaker 8: exactly That's what I'm doing right now because it sounds

357
00:18:58,000 --> 00:19:01,480
Speaker 8: like I'm caping for him. But I also understand, like, bruh,

358
00:19:01,760 --> 00:19:04,040
Speaker 8: I put your niggas on. I didn't try to Weekend

359
00:19:04,119 --> 00:19:06,359
Speaker 8: y'all because he tried to sign Weekend and put him

360
00:19:06,359 --> 00:19:07,360
Speaker 8: in the Ovo Sweatshop.

361
00:19:07,560 --> 00:19:08,880
Speaker 3: He didn't want to do that to Kata.

362
00:19:08,960 --> 00:19:10,600
Speaker 8: He didn't try to do that to Asi Brocky, and

363
00:19:10,600 --> 00:19:12,359
Speaker 8: didn't try to do that to a lot of niggas

364
00:19:12,400 --> 00:19:15,760
Speaker 8: that he extended the Olive brench on and also a

365
00:19:15,760 --> 00:19:18,040
Speaker 8: whole bunch of niggas that he gave features and ship

366
00:19:18,160 --> 00:19:22,000
Speaker 8: to and put on. Think about how many people Drake

367
00:19:22,240 --> 00:19:27,760
Speaker 8: made Hotter Migo's primary with Versace, Migo's wouldn't be who

368
00:19:27,760 --> 00:19:28,880
Speaker 8: they are if it wasn't for Drake.

369
00:19:30,160 --> 00:19:33,160
Speaker 2: I'm just saying, they come on, let's be honest. Let's

370
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Speaker 2: be honest. So so all I'm saying is is I

371
00:19:37,280 --> 00:19:40,159
Speaker 2: get the angle on what did I miss? Like I

372
00:19:40,320 --> 00:19:40,720
Speaker 2: get word?

373
00:19:42,000 --> 00:19:43,160
Speaker 3: Yeah, he said, what did I miss?

374
00:19:43,960 --> 00:19:47,440
Speaker 1: I put all your iraid is he talking about? He's

375
00:19:47,440 --> 00:19:51,600
Speaker 1: talking about the fucking industry? Can he made a whole

376
00:19:51,680 --> 00:19:55,240
Speaker 1: album with Future? He like, he's done a lot, Look.

377
00:19:56,040 --> 00:19:58,159
Speaker 3: But then he did the ship too Future about the

378
00:19:58,240 --> 00:19:59,080
Speaker 3: whole girl shit?

379
00:19:59,359 --> 00:20:01,720
Speaker 2: Like you understand that? At that point?

380
00:20:01,920 --> 00:20:04,000
Speaker 3: Is it's like, what are we supposed to do? Supposed

381
00:20:04,000 --> 00:20:04,440
Speaker 3: to that?

382
00:20:05,080 --> 00:20:07,159
Speaker 2: He said, Look, we're talking about the.

383
00:20:07,240 --> 00:20:12,480
Speaker 3: Song miss That's what you missed. You missed that you

384
00:20:12,720 --> 00:20:16,640
Speaker 3: you snitched on on fucking Future?

385
00:20:17,600 --> 00:20:20,520
Speaker 2: That what you did the frunction with Future, That's what

386
00:20:20,560 --> 00:20:22,399
Speaker 2: you missed? What the Future?

387
00:20:23,440 --> 00:20:25,680
Speaker 6: I can't remember exactly what happened. It was something about

388
00:20:25,720 --> 00:20:29,040
Speaker 6: some some some some he was pillow talking to a chick.

389
00:20:31,119 --> 00:20:31,560
Speaker 3: To a chick.

390
00:20:31,680 --> 00:20:34,119
Speaker 8: They said that that's a rumor, that's not true, but

391
00:20:34,800 --> 00:20:36,520
Speaker 8: they said that they was messing with the same chick.

392
00:20:36,840 --> 00:20:46,200
Speaker 2: That happens in the industry. That's what he means, Nigga,

393
00:20:46,280 --> 00:20:50,920
Speaker 2: this is crazy outside of the lawsuit.

394
00:20:51,520 --> 00:20:55,560
Speaker 7: Outside of that, it ain't no outside of that. So

395
00:20:55,680 --> 00:20:57,600
Speaker 7: this picture is people pressure.

396
00:20:57,600 --> 00:20:59,879
Speaker 3: We we you know, we scrapping. This is perfect for

397
00:21:00,040 --> 00:21:00,320
Speaker 3: we're like.

398
00:21:00,920 --> 00:21:02,080
Speaker 1: Real quick scrap.

399
00:21:04,280 --> 00:21:07,960
Speaker 6: Our a a drake miss taking accountability for his actions

400
00:21:08,000 --> 00:21:09,320
Speaker 6: before and after the beach.

401
00:21:09,640 --> 00:21:11,080
Speaker 3: That's exactly what he means.

402
00:21:11,160 --> 00:21:13,960
Speaker 2: You that is that is correct answer?

403
00:21:14,119 --> 00:21:16,400
Speaker 3: Right, great way to some of the Now you want

404
00:21:16,440 --> 00:21:18,640
Speaker 3: to cry a bright because you lost.

405
00:21:19,359 --> 00:21:20,840
Speaker 2: Now you want to cry what miss?

406
00:21:21,560 --> 00:21:24,480
Speaker 5: It's like, it's like you go out. It's like we

407
00:21:24,600 --> 00:21:26,320
Speaker 5: duke it out up front, right, you duke it out.

408
00:21:26,520 --> 00:21:27,360
Speaker 2: You have a good fight.

409
00:21:27,840 --> 00:21:29,720
Speaker 5: You might get the best of me and go and

410
00:21:29,840 --> 00:21:33,280
Speaker 5: be like, hey, officer, just the man that assaulted me.

411
00:21:34,440 --> 00:21:36,320
Speaker 3: Yeah, that's what that.

412
00:21:39,760 --> 00:21:45,080
Speaker 5: Po initiate the fight after Kendrick said, we don't got

413
00:21:45,200 --> 00:21:45,680
Speaker 5: to get personal.

414
00:21:45,720 --> 00:21:49,000
Speaker 7: It's a friendly fate. You win, you win below the

415
00:21:49,080 --> 00:21:53,119
Speaker 7: belt first. It's very care activity, bro.

416
00:21:54,280 --> 00:21:55,399
Speaker 2: But she is done.

417
00:21:56,000 --> 00:21:57,200
Speaker 5: When he did that, it's done.

418
00:21:57,800 --> 00:22:02,000
Speaker 2: I'm like, oh, he's a rap. It's a rap.

419
00:22:02,080 --> 00:22:06,160
Speaker 6: Brow Yeah, I feel you be like even like taking

420
00:22:06,200 --> 00:22:09,200
Speaker 6: that aside, it just sounds like I really it's really

421
00:22:09,240 --> 00:22:11,280
Speaker 6: crazy that people are feeling this this track like this,

422
00:22:11,520 --> 00:22:16,080
Speaker 6: like because it does sound like he's crying like about like, yo,

423
00:22:16,680 --> 00:22:18,600
Speaker 6: you and my friend, I thought we were friends.

424
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Speaker 2: This nigga's a grown ass man.

425
00:22:21,080 --> 00:22:24,920
Speaker 6: Bro, he's almost forty and you, like you crying about people,

426
00:22:25,000 --> 00:22:25,600
Speaker 6: not your friend.

427
00:22:25,680 --> 00:22:26,879
Speaker 2: No, Drake is almost forty.

428
00:22:26,920 --> 00:22:27,040
Speaker 1: Bro.

429
00:22:27,200 --> 00:22:29,560
Speaker 2: Bro, it's crazy to me that that that people are

430
00:22:29,640 --> 00:22:31,040
Speaker 2: condoning this now.

431
00:22:31,160 --> 00:22:32,600
Speaker 6: Now, if you want to say, oh, yeah, you know

432
00:22:33,200 --> 00:22:36,520
Speaker 6: it sounds cool and the records cool, you can see

433
00:22:36,520 --> 00:22:37,160
Speaker 6: it being a hit.

434
00:22:37,560 --> 00:22:39,399
Speaker 3: Sure, I'll give you that. I'll give you that.

435
00:22:39,480 --> 00:22:42,000
Speaker 6: It has a sound, it has that Drake. I've been

436
00:22:42,040 --> 00:22:44,239
Speaker 6: a Drake fan and this is a Drake formula right here.

437
00:22:44,680 --> 00:22:47,159
Speaker 6: It's it's repetitive. He's saying, let's go, let's go all

438
00:22:47,200 --> 00:22:50,119
Speaker 6: the time. What that I miss is very catchy. But

439
00:22:50,200 --> 00:22:51,879
Speaker 6: at the end of the day, you take the you

440
00:22:52,000 --> 00:22:54,720
Speaker 6: take the fed ship, you take the you take the

441
00:22:54,920 --> 00:22:58,119
Speaker 6: like him, just crying about not taking accountability for what

442
00:22:58,320 --> 00:23:01,200
Speaker 6: you did. Yes, like you, you you did so many

443
00:23:01,240 --> 00:23:03,320
Speaker 6: people dirty. We don't we didn't forget about this ship.

444
00:23:03,880 --> 00:23:05,960
Speaker 6: You talked ship about a lot of people.

445
00:23:05,840 --> 00:23:07,960
Speaker 8: Right, So so all right, let me let let me

446
00:23:08,040 --> 00:23:16,440
Speaker 8: read some of the lyrics, right, why it's not that

447
00:23:16,880 --> 00:23:18,760
Speaker 8: So look, this is this is part of the first verse.

448
00:23:19,000 --> 00:23:22,119
Speaker 8: You niggas just better not ask for now I'm reading it.

449
00:23:22,119 --> 00:23:25,359
Speaker 8: I'm not gonna rap it. Your niggas just better not

450
00:23:25,560 --> 00:23:28,080
Speaker 8: ask for no favors. Let's go, let's go, let's go.

451
00:23:28,720 --> 00:23:31,240
Speaker 8: It's love for my brothers and death to a trader.

452
00:23:31,760 --> 00:23:33,200
Speaker 1: Let's go. Who's the trader.

453
00:23:33,359 --> 00:23:37,120
Speaker 2: Yeah, she might decide to say no to me now,

454
00:23:37,760 --> 00:23:40,720
Speaker 2: but say yes to me later. Let's go. Let's go.

455
00:23:41,400 --> 00:23:45,680
Speaker 2: Let's go. Yeah, her ass is all natty like Florida Gator.

456
00:23:45,760 --> 00:23:48,240
Speaker 1: Wait, yeah, let's go.

457
00:23:51,400 --> 00:23:54,600
Speaker 8: What's the back to back? What what's the get back

458
00:23:54,720 --> 00:23:58,359
Speaker 8: for niggas TVD. I look like this ship.

459
00:23:58,840 --> 00:24:01,400
Speaker 2: It looks like this ship make like a BTC. Yeah,

460
00:24:01,440 --> 00:24:02,320
Speaker 2: you are making it worse.

461
00:24:02,560 --> 00:24:02,760
Speaker 1: Yeah.

462
00:24:02,800 --> 00:24:05,400
Speaker 2: I don't know why you're reading that. It's not that deep.

463
00:24:05,600 --> 00:24:08,800
Speaker 1: Yeah, I mean I thought that was something important. I

464
00:24:08,840 --> 00:24:10,760
Speaker 1: thought you really put out something in the layrics.

465
00:24:12,880 --> 00:24:16,080
Speaker 2: This is coming up. Yeah. Your niggas get punched.

466
00:24:16,560 --> 00:24:19,800
Speaker 8: Yeah, niggas get punched in the face on some TLC ship,

467
00:24:20,760 --> 00:24:22,520
Speaker 8: on the dead guy, some TLC ship.

468
00:24:22,560 --> 00:24:25,160
Speaker 2: Because my nigga, you're gonna need a chili ice pack

469
00:24:25,240 --> 00:24:26,160
Speaker 2: over your left eye.

470
00:24:27,920 --> 00:24:30,119
Speaker 8: I'm back in your city tonight, walking around with my

471
00:24:30,280 --> 00:24:33,960
Speaker 8: head high. I saw bro to pop out with them,

472
00:24:34,800 --> 00:24:39,119
Speaker 8: but Ben Dick riding gang since headlines. It feels like

473
00:24:39,240 --> 00:24:42,240
Speaker 8: nobody's there until you start giving out two tones, and

474
00:24:42,359 --> 00:24:44,240
Speaker 8: nobody cares until.

475
00:24:44,000 --> 00:24:45,679
Speaker 2: The front of your two.

476
00:24:47,160 --> 00:24:51,640
Speaker 1: All right, okay, look, come on, break it down again.

477
00:24:55,000 --> 00:24:59,840
Speaker 2: I can't like, oh god.

478
00:25:00,480 --> 00:25:01,840
Speaker 1: I think this is.

479
00:25:03,520 --> 00:25:08,520
Speaker 9: Absolutely a great move by Drake. I think this makes

480
00:25:08,720 --> 00:25:12,720
Speaker 9: the perfect sense for him to do this. And Roberta

481
00:25:12,800 --> 00:25:16,640
Speaker 9: laid out some reasons why beats catch beats good.

482
00:25:16,920 --> 00:25:17,560
Speaker 1: It's catch it.

483
00:25:17,680 --> 00:25:24,040
Speaker 9: It's a Drake song, and you're trying to now redefine

484
00:25:24,240 --> 00:25:28,000
Speaker 9: or re establish a set of rules for yourself, get

485
00:25:28,119 --> 00:25:30,920
Speaker 9: back to just make not I hope this made. This

486
00:25:31,119 --> 00:25:33,320
Speaker 9: is the last time he kind of address it and

487
00:25:33,440 --> 00:25:37,320
Speaker 9: kind of like do a reset and say, like, you know,

488
00:25:37,440 --> 00:25:40,800
Speaker 9: address I guess traders and other people that's.

489
00:25:40,640 --> 00:25:44,320
Speaker 1: Doing it wrong and stuff like that, you know, and

490
00:25:44,480 --> 00:25:49,080
Speaker 1: just let that go. Because if he can replicate songs

491
00:25:50,280 --> 00:25:52,960
Speaker 1: like that to just make people.

492
00:25:52,760 --> 00:25:57,600
Speaker 9: Forget, making people forget you know, yeah, no, not yet.

493
00:25:57,840 --> 00:25:59,600
Speaker 9: But what I'm saying, if that's what I'm saying, you

494
00:25:59,680 --> 00:26:03,919
Speaker 9: saying forward, going forward. This is him doing a reset.

495
00:26:04,880 --> 00:26:08,320
Speaker 5: It's like, hey, y'all niggas traders, let me let me

496
00:26:08,680 --> 00:26:10,480
Speaker 5: focus on that's what you're saying.

497
00:26:10,560 --> 00:26:11,560
Speaker 1: Yep, what did I miss?

498
00:26:11,640 --> 00:26:13,800
Speaker 9: I already know y'all some snakes whatever, even though I

499
00:26:13,880 --> 00:26:15,720
Speaker 9: was a snake to you or whatever, whatever, whatever. I

500
00:26:15,760 --> 00:26:18,200
Speaker 9: don't know whatever the situation was. But I think in

501
00:26:18,320 --> 00:26:21,200
Speaker 9: terms of a song, I think is is. It's a

502
00:26:21,240 --> 00:26:22,720
Speaker 9: good approach, you know.

503
00:26:22,800 --> 00:26:24,880
Speaker 1: I think it's a good approach to kind of trying

504
00:26:24,920 --> 00:26:26,440
Speaker 1: to do a career reset.

505
00:26:26,960 --> 00:26:29,440
Speaker 7: That's what we've all talked about, like this is his

506
00:26:29,680 --> 00:26:34,240
Speaker 7: last shot. Oh yeah, because I mean, and yeah, this

507
00:26:34,480 --> 00:26:36,360
Speaker 7: is it. But even if the album is a dud,

508
00:26:36,400 --> 00:26:37,760
Speaker 7: people not gonna admit that it's a dud.

509
00:26:38,040 --> 00:26:41,720
Speaker 9: So, but imagine it's gonna to be well out of

510
00:26:41,760 --> 00:26:44,239
Speaker 9: curiosity to see if you're gonna say something about Kendrick, Right,

511
00:26:45,200 --> 00:26:48,440
Speaker 9: But I think to go ahead and do this to

512
00:26:48,600 --> 00:26:50,320
Speaker 9: kind of maybe going to get that out of the

513
00:26:50,359 --> 00:26:53,080
Speaker 9: way because people listening because they want to see if

514
00:26:53,119 --> 00:26:56,600
Speaker 9: he says anything and duel resetting like all right, what

515
00:26:56,680 --> 00:26:58,280
Speaker 9: it mean? It's okay, so trader blah blah blah, and

516
00:26:58,400 --> 00:27:01,040
Speaker 9: just get back to doing like a Drake album. That's

517
00:27:01,080 --> 00:27:02,840
Speaker 9: actually good man, if.

518
00:27:02,760 --> 00:27:05,239
Speaker 7: His whole album is something like on What I Miss, Bro,

519
00:27:06,520 --> 00:27:10,960
Speaker 7: that's gonna be. I hope he I hope he comes

520
00:27:11,040 --> 00:27:15,480
Speaker 7: back like refresh or like refocused. But if we're going

521
00:27:15,560 --> 00:27:18,960
Speaker 7: off of this song right here, it just it's a

522
00:27:19,040 --> 00:27:22,159
Speaker 7: bad way with you. I mean, hopefully this is all right.

523
00:27:22,280 --> 00:27:23,920
Speaker 6: Let me get this ship out the way, let me

524
00:27:24,119 --> 00:27:27,320
Speaker 6: get this off my chest and like you said, reset focus.

525
00:27:27,440 --> 00:27:29,120
Speaker 5: But I don't know, man, this is not a good

526
00:27:29,119 --> 00:27:30,040
Speaker 5: way to start this off.

527
00:27:30,480 --> 00:27:33,280
Speaker 1: I don't think it's I don't think it's a bad way.

528
00:27:34,160 --> 00:27:36,480
Speaker 3: I think that he should just act like it's just

529
00:27:36,680 --> 00:27:37,040
Speaker 3: this is it?

530
00:27:37,359 --> 00:27:39,600
Speaker 6: The only thing I'll give you can I don't mean

531
00:27:39,600 --> 00:27:42,280
Speaker 6: to say it like that, but that I'll give you

532
00:27:43,119 --> 00:27:47,320
Speaker 6: is that. Yeah, don't say Kendrick name. Better talk about

533
00:27:47,359 --> 00:27:50,560
Speaker 6: everybody else. Yeah, don't talk about Kendrick. I say, you

534
00:27:50,600 --> 00:27:53,359
Speaker 6: don't even do that, bro. That's what he's doing though.

535
00:27:53,359 --> 00:27:57,200
Speaker 6: He's talking about everybody else but Kendrick on this he's saying,

536
00:27:57,280 --> 00:27:59,240
Speaker 6: he's saying, what did I miss? I don't think he's

537
00:27:59,240 --> 00:28:01,920
Speaker 6: talking about Kendrick, right, he's not. I think he's talking

538
00:28:01,960 --> 00:28:06,760
Speaker 6: about everybody else. Associated what I saw pop out with

539
00:28:06,880 --> 00:28:08,879
Speaker 6: with Old Boy and all that he's not He's not

540
00:28:08,960 --> 00:28:11,399
Speaker 6: addressing Kidreds exactly because that's like the mart Rose and

541
00:28:11,400 --> 00:28:16,600
Speaker 6: that's Lebron. Yes, everybody that would do it because they

542
00:28:16,680 --> 00:28:17,480
Speaker 6: think about it, right.

543
00:28:17,440 --> 00:28:20,480
Speaker 3: Like at Drake's or Drake before the Beef.

544
00:28:20,880 --> 00:28:23,320
Speaker 8: Drake before the Beef had niggas from the Golden State

545
00:28:23,400 --> 00:28:26,359
Speaker 8: Warriors at his house hooping and ship he he he

546
00:28:26,520 --> 00:28:29,119
Speaker 8: talked at least I could assume some of the lyrics

547
00:28:29,240 --> 00:28:31,400
Speaker 8: were associated to that. He was at my house looking

548
00:28:31,440 --> 00:28:33,000
Speaker 8: at all these chicks and doing all of this type

549
00:28:33,000 --> 00:28:33,399
Speaker 8: of stuff.

550
00:28:33,680 --> 00:28:36,800
Speaker 3: We did I miss Like, like how did I miss this?

551
00:28:36,920 --> 00:28:38,440
Speaker 1: He thought people fuck with him?

552
00:28:39,320 --> 00:28:39,680
Speaker 2: They didn't.

553
00:28:39,720 --> 00:28:42,720
Speaker 1: He didn't understand that people was using him as leverage

554
00:28:42,920 --> 00:28:45,840
Speaker 1: or favors because of what did you say earlier? He

555
00:28:46,000 --> 00:28:50,000
Speaker 1: makes people at that Drake back then were blowing people

556
00:28:50,080 --> 00:28:52,520
Speaker 1: up and made people hot. That's what he missed that

557
00:28:52,640 --> 00:28:53,640
Speaker 1: he was being used.

558
00:28:54,680 --> 00:28:56,240
Speaker 2: And then with people.

559
00:28:56,160 --> 00:28:59,440
Speaker 1: When he got into this this little tift with with

560
00:28:59,640 --> 00:29:02,360
Speaker 1: Kidreds and he got exposed and called out by somebody

561
00:29:02,640 --> 00:29:07,200
Speaker 1: that had just power to do it, they realized like, okay,

562
00:29:07,280 --> 00:29:11,080
Speaker 1: well ship, I'm out here, okay.

563
00:29:11,200 --> 00:29:13,120
Speaker 8: So so with some of the with some of the

564
00:29:13,200 --> 00:29:15,280
Speaker 8: rap artists. I'll give you that, But let's talk about

565
00:29:15,280 --> 00:29:17,480
Speaker 8: the basketball players like Lebron James. Let's talk about the

566
00:29:17,520 --> 00:29:18,120
Speaker 8: Marty Rosen.

567
00:29:19,400 --> 00:29:22,480
Speaker 1: I feel you, But Lebron James don't need Drake.

568
00:29:22,520 --> 00:29:22,600
Speaker 2: Bro.

569
00:29:23,040 --> 00:29:24,560
Speaker 3: It's not about meeting Drake Ken.

570
00:29:24,680 --> 00:29:28,320
Speaker 8: It's about it's about having people in the same stratosphere

571
00:29:28,320 --> 00:29:30,440
Speaker 8: as you, right, and being cool with them.

572
00:29:30,720 --> 00:29:35,040
Speaker 1: But and that's fine, but when you're damaged goods like

573
00:29:35,160 --> 00:29:39,600
Speaker 1: Drake became damaged goods and I'm Lebron James, I'm not

574
00:29:39,640 --> 00:29:40,280
Speaker 1: gonna fuck.

575
00:29:40,120 --> 00:29:42,080
Speaker 2: With you, Bro. Drake got Lebron ted.

576
00:29:42,480 --> 00:29:44,400
Speaker 1: Don't you do think about that?

577
00:29:44,680 --> 00:29:50,040
Speaker 2: You you got, you got, not that, So now you're

578
00:29:50,120 --> 00:29:50,680
Speaker 2: not a.

579
00:29:50,960 --> 00:29:55,640
Speaker 1: Plus level But okay, but that's weeks. Fuck if me

580
00:29:55,760 --> 00:29:58,680
Speaker 1: and you connected on like on a friendship level, and

581
00:29:58,800 --> 00:30:01,560
Speaker 1: that's it, that's the Drake to even think that that

582
00:30:01,720 --> 00:30:06,280
Speaker 1: was a friendship level thing? Why? Why?

583
00:30:06,440 --> 00:30:08,600
Speaker 3: Why is that kid? Because first of all, Drake is

584
00:30:08,760 --> 00:30:12,920
Speaker 3: gonna have many he's asking himself right now. We wants

585
00:30:12,960 --> 00:30:16,640
Speaker 3: to know what he is but exactly all right, So

586
00:30:17,040 --> 00:30:17,960
Speaker 3: that's why we're here.

587
00:30:18,120 --> 00:30:20,880
Speaker 1: And that's why I said I feel I feel him

588
00:30:20,920 --> 00:30:24,000
Speaker 1: on some of the relationships that fell out that I

589
00:30:24,080 --> 00:30:28,280
Speaker 1: didn't think were like, the rap is fickle.

590
00:30:28,720 --> 00:30:31,720
Speaker 6: We know that Kendrick said keep the family away, and

591
00:30:32,600 --> 00:30:37,400
Speaker 6: one of the Lebron said, all right, like bet got you.

592
00:30:38,080 --> 00:30:38,240
Speaker 2: Hey.

593
00:30:38,600 --> 00:30:42,600
Speaker 8: All I know is that some of the relationship. Again,

594
00:30:42,720 --> 00:30:46,880
Speaker 8: we know that the entertainment industry right beyond music industry.

595
00:30:47,240 --> 00:30:50,120
Speaker 8: Lebron is in the entertainment industry. All these names are

596
00:30:50,160 --> 00:30:51,280
Speaker 8: in the entertainment industry.

597
00:30:51,520 --> 00:30:55,080
Speaker 6: So I understand that relationships are fickled, but sometimes you

598
00:30:55,440 --> 00:30:57,160
Speaker 6: do garner.

599
00:30:57,000 --> 00:30:59,320
Speaker 3: Real relationships, real friendships out.

600
00:30:59,240 --> 00:31:04,000
Speaker 2: Of these things. And I think that Lamar the Marta Rosen, Lebron,

601
00:31:04,160 --> 00:31:05,440
Speaker 2: James really hurt.

602
00:31:06,000 --> 00:31:09,080
Speaker 3: I think some of those basketball player relationships, I'm really hurt.

603
00:31:09,160 --> 00:31:09,520
Speaker 1: I'm sure.

604
00:31:09,880 --> 00:31:12,520
Speaker 9: All I'm saying, I'm sure that now he's he's so

605
00:31:12,760 --> 00:31:14,680
Speaker 9: now he's he's alone, and now he's trying to figure

606
00:31:14,680 --> 00:31:16,040
Speaker 9: out what to do next. And I think the next

607
00:31:16,080 --> 00:31:19,240
Speaker 9: thing you do is you got it out there. You

608
00:31:19,320 --> 00:31:21,480
Speaker 9: wrote your little love letter, your sod letter or whatever.

609
00:31:21,600 --> 00:31:23,800
Speaker 9: You're closing this chapter. Now get on and see if

610
00:31:23,800 --> 00:31:25,760
Speaker 9: you can replicate and file other hits on this thing.

611
00:31:26,080 --> 00:31:28,400
Speaker 9: Has Drake shaved his hair or anything like that, He's

612
00:31:28,480 --> 00:31:30,880
Speaker 9: not okay. You know women tend to do that when

613
00:31:30,920 --> 00:31:32,600
Speaker 9: they kind of got.

614
00:31:35,800 --> 00:31:37,160
Speaker 1: He brought it.

615
00:31:37,360 --> 00:31:41,840
Speaker 4: He brought It's not as long, but but he still

616
00:31:41,880 --> 00:31:42,360
Speaker 4: got brains.

617
00:31:42,800 --> 00:31:44,520
Speaker 9: You know, when a woman going there and they started

618
00:31:44,560 --> 00:31:48,120
Speaker 9: doing something with their hair, bro that means they going

619
00:31:48,240 --> 00:31:51,680
Speaker 9: through some trauma. That means a woman going through some trauma,

620
00:31:51,760 --> 00:31:52,960
Speaker 9: they just got to start fresh.

621
00:31:53,120 --> 00:31:54,520
Speaker 2: You think he's going through some like nick.

622
00:31:54,800 --> 00:31:57,320
Speaker 9: If if he if he if he cut his hair off,

623
00:31:57,440 --> 00:31:59,600
Speaker 9: or he cut the brains off and growing brad And

624
00:32:00,120 --> 00:32:01,440
Speaker 9: I'm trying to let me adjust.

625
00:32:02,640 --> 00:32:03,400
Speaker 2: I am black mom.

626
00:32:03,960 --> 00:32:04,160
Speaker 1: People.

627
00:32:04,240 --> 00:32:06,520
Speaker 8: Do you truly believe everyone you have met in the

628
00:32:06,640 --> 00:32:10,000
Speaker 8: industry it's truly your friend or just an industry friend. No,

629
00:32:10,280 --> 00:32:14,440
Speaker 8: I have industry acquaintances. I don't even have industry friends.

630
00:32:14,920 --> 00:32:15,600
Speaker 3: You know what I'm saying.

631
00:32:17,880 --> 00:32:18,840
Speaker 2: Yeah, that's what he's saying.

632
00:32:18,960 --> 00:32:22,760
Speaker 8: No, No, I did y'all not hear what the I

633
00:32:22,880 --> 00:32:26,400
Speaker 8: said that not all relationships are going to be true friendships.

634
00:32:26,960 --> 00:32:29,680
Speaker 8: I'm saying that some of them could be true friendships.

635
00:32:29,920 --> 00:32:31,720
Speaker 8: And I think that he feels a type of way

636
00:32:31,800 --> 00:32:34,000
Speaker 8: by the ones he thought were two friendships.

637
00:32:34,240 --> 00:32:37,120
Speaker 10: Nigga, don't get a niggave name or tatten on you

638
00:32:37,200 --> 00:32:44,320
Speaker 10: if you don't think that, yo, like we died, I

639
00:32:44,400 --> 00:32:48,200
Speaker 10: would never outside of my parents or my brothers or

640
00:32:48,360 --> 00:32:49,520
Speaker 10: my or my kids.

641
00:32:49,920 --> 00:32:52,000
Speaker 3: I wouldn't a name of it. It's like the name

642
00:32:52,040 --> 00:32:55,320
Speaker 3: I have that my mama. I can't tease that my

643
00:32:55,400 --> 00:32:56,720
Speaker 3: mama gonna be my mama for friend.

644
00:32:56,880 --> 00:32:58,600
Speaker 4: And this nigga took a step further. He don't got

645
00:32:58,680 --> 00:33:00,600
Speaker 4: just your name, he got real murals like.

646
00:33:02,760 --> 00:33:06,280
Speaker 8: So all that being said, all that being said, I'm

647
00:33:06,320 --> 00:33:09,760
Speaker 8: pretty sure he felt that some of these relationships were

648
00:33:09,800 --> 00:33:12,960
Speaker 8: real or deeper than what they were.

649
00:33:13,640 --> 00:33:16,360
Speaker 4: Damn, I don't know, I feel you, but my perse

650
00:33:16,840 --> 00:33:19,400
Speaker 4: is like, how can I put it? I don't care

651
00:33:19,480 --> 00:33:22,440
Speaker 4: to hear you sob and and and rap about and

652
00:33:22,600 --> 00:33:25,600
Speaker 4: especially something, especially some niggas who can't even rap back

653
00:33:25,680 --> 00:33:28,440
Speaker 4: like these these aren't rappers, they're they're they're basketball players.

654
00:33:28,680 --> 00:33:30,680
Speaker 4: If you feel that type of way and that deep

655
00:33:30,720 --> 00:33:34,080
Speaker 4: about it, have a conversation with these niggas, because sonically speaking,

656
00:33:34,400 --> 00:33:37,160
Speaker 4: the song itself isn't a bad song. It's literally just

657
00:33:37,240 --> 00:33:40,320
Speaker 4: the content, wish the content he makes this just a

658
00:33:40,480 --> 00:33:45,280
Speaker 4: regular summer's chill vibe type shit. This takes off, I

659
00:33:45,400 --> 00:33:47,480
Speaker 4: promise you like it goes on tiptop. It's because he's

660
00:33:47,520 --> 00:33:50,720
Speaker 4: trying to keep trying to do this whole revisit of you.

661
00:33:50,920 --> 00:33:53,520
Speaker 4: You like, you can't say you can't come out acting

662
00:33:53,640 --> 00:33:55,440
Speaker 4: like you got shot up and you Louke Cage and

663
00:33:55,480 --> 00:33:57,640
Speaker 4: then then cancel the tour and then fast forward and

664
00:33:57,640 --> 00:33:59,840
Speaker 4: to oh what I miss And it's like, bro leave

665
00:33:59,840 --> 00:34:01,479
Speaker 4: it at this point, just move on from him.

666
00:34:01,800 --> 00:34:04,120
Speaker 9: And that's why he's getting clown for it, you know,

667
00:34:04,360 --> 00:34:07,520
Speaker 9: because of that reason. But yeah, that's why I think, Like,

668
00:34:08,040 --> 00:34:12,960
Speaker 9: that's what I'm saying. Be like, if he just does

669
00:34:14,000 --> 00:34:16,440
Speaker 9: sticks to a formula like what he just did and

670
00:34:16,600 --> 00:34:19,200
Speaker 9: leave all the other ship along Drake, bounce back.

671
00:34:20,000 --> 00:34:20,759
Speaker 1: I think he got he.

672
00:34:20,800 --> 00:34:21,320
Speaker 2: Got a shot.

673
00:34:21,520 --> 00:34:24,759
Speaker 8: So you say bounce back like you mean to be

674
00:34:25,000 --> 00:34:29,520
Speaker 8: where he was, or to to assume the losses that

675
00:34:29,640 --> 00:34:32,680
Speaker 8: have happened and then just and re establish.

676
00:34:32,400 --> 00:34:33,600
Speaker 2: A new peak.

677
00:34:34,320 --> 00:34:36,120
Speaker 1: I think this could be the role to recovery.

678
00:34:37,120 --> 00:34:38,160
Speaker 2: You're not answering the question.

679
00:34:38,640 --> 00:34:41,400
Speaker 8: Are you saying that he can regain what he lost

680
00:34:41,800 --> 00:34:44,680
Speaker 8: or is he going to reset a new bar that's lowered.

681
00:34:45,480 --> 00:34:48,680
Speaker 1: I think he could regain what are you crazy? But

682
00:34:48,760 --> 00:34:51,600
Speaker 1: that's why I said roll to recovery for crazy.

683
00:34:51,360 --> 00:34:52,919
Speaker 7: It's coming from you because I know you've been yelling

684
00:34:52,920 --> 00:34:56,319
Speaker 7: out unship for the last that's not happened six seven years.

685
00:34:56,440 --> 00:34:57,360
Speaker 2: That's not interesting.

686
00:34:57,800 --> 00:34:59,839
Speaker 4: Yeah, I also agree with this second the letter.

687
00:35:00,600 --> 00:35:03,560
Speaker 3: Yeah, like like there's gonna be a new bar set.

688
00:35:04,040 --> 00:35:05,279
Speaker 2: It ain't gonna be what it used to be.

689
00:35:05,640 --> 00:35:07,640
Speaker 3: It's just not well, I don't look.

690
00:35:08,760 --> 00:35:11,640
Speaker 9: The biggest thing we want to I think the conversation

691
00:35:11,920 --> 00:35:15,520
Speaker 9: is can Drake bounce back and get back to the

692
00:35:15,600 --> 00:35:21,520
Speaker 9: stature because he took some serious damage, you know. And

693
00:35:22,080 --> 00:35:24,480
Speaker 9: I think that if and we've always said it depends

694
00:35:24,520 --> 00:35:27,400
Speaker 9: on what this album is, and if he's able to

695
00:35:27,480 --> 00:35:34,080
Speaker 9: make songs that are of quality for Drake, like this

696
00:35:34,280 --> 00:35:36,240
Speaker 9: song with the beat and all the other stuff minus

697
00:35:36,320 --> 00:35:43,719
Speaker 9: the other content that give leverage to Drake fans, then

698
00:35:43,840 --> 00:35:45,239
Speaker 9: if one of them take off it.

699
00:35:45,280 --> 00:35:51,600
Speaker 1: Becomes a hit, hey man, Like then he's digging himself

700
00:35:51,640 --> 00:35:52,120
Speaker 1: out the frame.

701
00:35:52,560 --> 00:35:54,960
Speaker 2: And this is why I said, and I'm standing on

702
00:35:55,080 --> 00:35:56,319
Speaker 2: what I said a year ago.

703
00:35:56,600 --> 00:36:00,520
Speaker 8: He's gonna get job and and I and I explained

704
00:36:00,560 --> 00:36:04,200
Speaker 8: in context, then I'll re explain it now. I don't

705
00:36:04,320 --> 00:36:07,600
Speaker 8: think that there's going to quote unquote be a hit.

706
00:36:07,840 --> 00:36:10,520
Speaker 8: He's gonna sell. You're not gonna be able to suppress

707
00:36:10,600 --> 00:36:11,239
Speaker 8: Drake to zero.

708
00:36:11,320 --> 00:36:13,839
Speaker 1: It's not about sales. It's about cultural irrelevance.

709
00:36:14,719 --> 00:36:17,239
Speaker 8: You're not gonna be able to suppress Drake to a

710
00:36:17,400 --> 00:36:21,800
Speaker 8: degree where he's irrelevant because of the beef, because of everything.

711
00:36:22,000 --> 00:36:26,359
Speaker 8: There's still a level of relevancy there. However, it's never

712
00:36:26,480 --> 00:36:29,440
Speaker 8: going to take off like it once did. People aren't

713
00:36:29,480 --> 00:36:32,239
Speaker 8: going to be people are not gonna want to be Drake.

714
00:36:32,520 --> 00:36:35,120
Speaker 8: There were artists that wanted to be Drake coming up,

715
00:36:35,400 --> 00:36:37,520
Speaker 8: and that's the cultural relevancy that you're talking about.

716
00:36:37,719 --> 00:36:40,440
Speaker 2: He would all all of the guys that we talk about.

717
00:36:40,680 --> 00:36:41,799
Speaker 2: And it's not even about sales.

718
00:36:41,880 --> 00:36:45,360
Speaker 8: Jay Z never had a number one album, right, DMX

719
00:36:45,440 --> 00:36:47,799
Speaker 8: had His first two in the same year were number

720
00:36:47,800 --> 00:36:50,600
Speaker 8: one albums. DMX was hotter than j but Jay was,

721
00:36:50,880 --> 00:36:54,839
Speaker 8: in my opinion, more culturally relevant than DMX. How many

722
00:36:54,960 --> 00:36:56,800
Speaker 8: niggas was really trying to be DMX.

723
00:36:56,560 --> 00:37:00,640
Speaker 9: Versus Biddy same culture irrelevant who I think later on,

724
00:37:00,800 --> 00:37:02,080
Speaker 9: but DMX was that guy.

725
00:37:03,080 --> 00:37:07,600
Speaker 1: Not niggas bro DMX had motherfuckers like a bark, but

726
00:37:07,840 --> 00:37:09,840
Speaker 1: the people didn't want people did it.

727
00:37:10,680 --> 00:37:14,920
Speaker 8: Most people didn't want to try to become DMX. You

728
00:37:15,040 --> 00:37:18,160
Speaker 8: were either DMX or you know what I'm saying. He

729
00:37:18,520 --> 00:37:21,840
Speaker 8: represented the hood niggas jay Z was something that was

730
00:37:21,920 --> 00:37:24,600
Speaker 8: a figure that you tried to aspire to a birth

731
00:37:25,719 --> 00:37:28,040
Speaker 8: Drake the same way Drake was like, Oh, I'm trying

732
00:37:28,120 --> 00:37:30,800
Speaker 8: to get like Drake, and he birthed a lot of

733
00:37:30,880 --> 00:37:31,600
Speaker 8: Drake babies.

734
00:37:32,520 --> 00:37:35,040
Speaker 3: That's not gonna happen no more. That's what I mean

735
00:37:35,080 --> 00:37:36,319
Speaker 3: about him getting JA ruled.

736
00:37:36,360 --> 00:37:36,680
Speaker 1: I don't know.

737
00:37:36,760 --> 00:37:39,440
Speaker 9: I think you had a lot of people that wanted

738
00:37:39,520 --> 00:37:44,200
Speaker 9: to that's that's sitting on the sidelines, that want to

739
00:37:44,200 --> 00:37:46,200
Speaker 9: see how this play out. They want to see what

740
00:37:46,320 --> 00:37:52,400
Speaker 9: this next album does and if if, if it doesn't

741
00:37:52,960 --> 00:37:55,719
Speaker 9: move the needle. And I'm not talking about numbers. I'm

742
00:37:55,760 --> 00:37:57,680
Speaker 9: not talking about streams, I'm not talking about anything like that.

743
00:37:58,760 --> 00:38:02,520
Speaker 9: I'm talking about culture, the Drake that we all know.

744
00:38:03,440 --> 00:38:06,960
Speaker 9: If if it doesn't do that, maybe they'll kind of

745
00:38:07,000 --> 00:38:09,239
Speaker 9: step aside and like, all right, well he's really out

746
00:38:09,280 --> 00:38:12,520
Speaker 9: of here. But you know, if it's successful, then they've

747
00:38:12,600 --> 00:38:14,160
Speaker 9: maintained their relationship with him.

748
00:38:14,640 --> 00:38:16,960
Speaker 8: Nah, because I think I think where Drake is now,

749
00:38:17,040 --> 00:38:18,360
Speaker 8: I don't I don't know if he's gonna make the

750
00:38:18,400 --> 00:38:22,080
Speaker 8: same mistake twice like and I think that's again why

751
00:38:22,200 --> 00:38:26,600
Speaker 8: I like the idea of the song, like what that

752
00:38:26,719 --> 00:38:29,800
Speaker 8: I miss is like, Okay, he's reflecting, Like damn, you know,

753
00:38:29,880 --> 00:38:31,560
Speaker 8: I thought I thought I was cool with these niggas.

754
00:38:31,600 --> 00:38:34,160
Speaker 8: Now all these niggas done turned on me. I think

755
00:38:34,239 --> 00:38:37,000
Speaker 8: that moving forward, why is he gonna Why is he

756
00:38:37,040 --> 00:38:39,040
Speaker 8: gonna feature anybody? Why am I gonna put anybody on?

757
00:38:39,120 --> 00:38:40,719
Speaker 8: Why am I gonna do any of these things that

758
00:38:40,760 --> 00:38:41,120
Speaker 8: I did.

759
00:38:41,040 --> 00:38:46,120
Speaker 1: In the past. Wait, you think he's gonna go solo Drake?

760
00:38:47,280 --> 00:38:49,040
Speaker 2: What would be the purpose for him to do what

761
00:38:49,160 --> 00:38:49,960
Speaker 2: he did in the past.

762
00:38:50,880 --> 00:38:55,239
Speaker 1: Why not? Why not? Because he's still bigger than ninety

763
00:38:55,320 --> 00:38:57,920
Speaker 1: nine percent of the niggas making music. But that goes,

764
00:38:58,080 --> 00:38:59,879
Speaker 1: But that goes kind of what I'm saying.

765
00:39:00,080 --> 00:39:03,279
Speaker 9: I still think Drake's roller desks can get people on

766
00:39:03,560 --> 00:39:06,239
Speaker 9: a feature bro, And I think that would he wants to.

767
00:39:07,760 --> 00:39:11,200
Speaker 1: Because he isn't able to do the ship by himself.

768
00:39:11,320 --> 00:39:11,800
Speaker 2: Yes he is.

769
00:39:12,360 --> 00:39:13,239
Speaker 1: He needs help.

770
00:39:13,400 --> 00:39:17,000
Speaker 2: No he don't, No, he don't he? Ken?

771
00:39:17,400 --> 00:39:19,439
Speaker 3: You remember when you always need.

772
00:39:19,760 --> 00:39:24,000
Speaker 1: Ken, always needed other people stay relevant? Do you know? Ken?

773
00:39:24,360 --> 00:39:26,719
Speaker 2: Do you know when when he signed to U M. G. Right,

774
00:39:26,800 --> 00:39:29,840
Speaker 2: he got an advance and we all know what it advances.

775
00:39:29,920 --> 00:39:31,719
Speaker 8: Right, it's alone that you got to pay back with

776
00:39:31,800 --> 00:39:33,560
Speaker 8: interest all of this type of ship, the points, this, that,

777
00:39:33,600 --> 00:39:35,320
Speaker 8: and the third all that industry jargon.

778
00:39:35,800 --> 00:39:37,680
Speaker 2: Do you know he paid back that four hundred million

779
00:39:37,680 --> 00:39:38,400
Speaker 2: within the first year.

780
00:39:38,600 --> 00:39:41,680
Speaker 3: What does that have to do with anything that needs that?

781
00:39:41,800 --> 00:39:46,880
Speaker 3: He don't need nobody you don't need that needs that.

782
00:39:47,320 --> 00:39:51,360
Speaker 2: That Ken we talked about where he where he re signed,

783
00:39:51,600 --> 00:39:52,759
Speaker 2: should he go independent?

784
00:39:52,880 --> 00:39:54,759
Speaker 3: He didn't need to go sign the U m G.

785
00:39:55,840 --> 00:39:58,880
Speaker 4: And that's the point the main I hear with the

786
00:39:59,400 --> 00:40:03,080
Speaker 4: argument that we can't just get off a year and

787
00:40:03,160 --> 00:40:07,439
Speaker 4: some change of Dragon Drake for literally taking and being

788
00:40:08,680 --> 00:40:13,640
Speaker 4: what's the what's the word, uh colonizer right, and then say,

789
00:40:13,960 --> 00:40:15,840
Speaker 4: oh he could be independent, he could do by himself.

790
00:40:15,880 --> 00:40:18,200
Speaker 4: He literally didn't do it by himself. If that's the case.

791
00:40:18,440 --> 00:40:21,200
Speaker 4: He took and had other people right from him, put

792
00:40:21,280 --> 00:40:23,160
Speaker 4: him in different rooms. He took from other artists.

793
00:40:24,560 --> 00:40:25,759
Speaker 2: All of that being said.

794
00:40:26,840 --> 00:40:29,120
Speaker 3: The bigger name though, and all and all of that

795
00:40:30,200 --> 00:40:30,759
Speaker 3: and all of that.

796
00:40:30,840 --> 00:40:32,840
Speaker 8: He's bigger than the future, He's bigger than he was,

797
00:40:32,880 --> 00:40:35,800
Speaker 8: bigger than Kendrick, He's bigger than every other person that

798
00:40:35,960 --> 00:40:36,760
Speaker 8: he featured.

799
00:40:37,160 --> 00:40:40,120
Speaker 3: Yeah, it was a way to stay popping and stay hot,

800
00:40:40,200 --> 00:40:41,840
Speaker 3: to stay into the streets.

801
00:40:44,360 --> 00:40:47,719
Speaker 2: Still a bigger artist ways to stay relevant, And.

802
00:40:47,719 --> 00:40:49,640
Speaker 4: How can he continue to ride the ways when the

803
00:40:49,680 --> 00:40:52,440
Speaker 4: biggest beef he just went into call that out directly

804
00:40:52,680 --> 00:40:54,040
Speaker 4: and and all and.

805
00:40:54,080 --> 00:40:55,879
Speaker 2: All I'm saying is that he doesn't need to ride

806
00:40:55,880 --> 00:40:57,680
Speaker 2: away to stay relevant. Then he gonna.

807
00:40:57,719 --> 00:40:58,200
Speaker 4: Then he's gonna.

808
00:40:58,280 --> 00:40:58,719
Speaker 1: That's how.

809
00:41:00,640 --> 00:41:02,480
Speaker 3: I don't think he needs to do that again to

810
00:41:02,600 --> 00:41:03,280
Speaker 3: stay relevant.

811
00:41:04,040 --> 00:41:06,680
Speaker 2: He can't lose its argument here.

812
00:41:07,040 --> 00:41:07,880
Speaker 3: What are you arguing.

813
00:41:08,440 --> 00:41:12,960
Speaker 8: I'm saying, I don't see Drake making the same mistake twice.

814
00:41:13,400 --> 00:41:16,160
Speaker 8: I don't see him jumping on waves. I don't see

815
00:41:16,239 --> 00:41:18,439
Speaker 8: him doing the features and all of that type of shit.

816
00:41:18,640 --> 00:41:21,680
Speaker 8: Now I'm not saying zero features. I think there's still

817
00:41:21,680 --> 00:41:23,040
Speaker 8: gonna be people. He's gonna be cool.

818
00:41:23,200 --> 00:41:24,719
Speaker 6: So I guess I'm gonna get confused because you said

819
00:41:24,719 --> 00:41:25,960
Speaker 6: he's getting John Rude.

820
00:41:26,000 --> 00:41:26,960
Speaker 2: Is he not getting jar Rud?

821
00:41:27,040 --> 00:41:29,520
Speaker 8: Or is he is getting draw r He's okay, So

822
00:41:29,719 --> 00:41:32,960
Speaker 8: it's a version of twenty twenty five Jonard, And that's

823
00:41:33,000 --> 00:41:37,080
Speaker 8: what I said, Like he's going to He's gonna take

824
00:41:37,120 --> 00:41:37,799
Speaker 8: a major hit.

825
00:41:37,880 --> 00:41:39,320
Speaker 3: And that's why I said it's.

826
00:41:39,200 --> 00:41:40,800
Speaker 2: A new bar that's being reset.

827
00:41:41,080 --> 00:41:44,399
Speaker 3: He's not going to reach the heights that he once did.

828
00:41:44,800 --> 00:41:46,960
Speaker 8: It's going to be a new bar of a prime

829
00:41:47,160 --> 00:41:50,520
Speaker 8: or a peak that's going to be significantly lower than

830
00:41:50,560 --> 00:41:54,600
Speaker 8: what it was. And I don't see him making songs

831
00:41:55,000 --> 00:41:59,840
Speaker 8: with other people that are to the same level or

832
00:42:00,000 --> 00:42:02,760
Speaker 8: bringing people up again. I just I hope he doesn't

833
00:42:02,840 --> 00:42:03,799
Speaker 8: because it bit.

834
00:42:03,840 --> 00:42:04,480
Speaker 1: Him in the ass.

835
00:42:05,600 --> 00:42:09,760
Speaker 3: Okay, that's all I'm saying. That's all I'm saying.

836
00:42:10,239 --> 00:42:14,000
Speaker 1: I think that's I don't know. I don't know if

837
00:42:14,040 --> 00:42:15,640
Speaker 1: that bit him in the ass. I think.

838
00:42:17,800 --> 00:42:24,719
Speaker 9: I think the beef exposed fake friends. If the beef

839
00:42:24,840 --> 00:42:30,280
Speaker 9: never happened, he's not bitten the ass. What's the like Friday?

840
00:42:31,080 --> 00:42:35,319
Speaker 9: That shit don't ever happen. It only happened.

841
00:42:35,000 --> 00:42:37,360
Speaker 1: Because people were like, Okay, well I don't need this

842
00:42:37,440 --> 00:42:38,040
Speaker 1: nigga anymore.

843
00:42:38,120 --> 00:42:40,560
Speaker 8: I think it may happen, just may have taken longer.

844
00:42:40,600 --> 00:42:42,200
Speaker 8: I don't think it would have been everybody.

845
00:42:43,160 --> 00:42:43,480
Speaker 3: Why not?

846
00:42:43,960 --> 00:42:46,479
Speaker 1: Obviously we have our business, but we have his money.

847
00:42:47,040 --> 00:42:50,200
Speaker 8: We haven't seen Rick Ross and Drake make a song

848
00:42:50,280 --> 00:42:54,680
Speaker 8: in a very long time, so eventually they would have

849
00:42:54,719 --> 00:42:57,760
Speaker 8: had a fallen out, maybe not as public, but already

850
00:42:57,800 --> 00:43:00,919
Speaker 8: the collaborations weren't there anymore. Can been almost ten years

851
00:43:00,920 --> 00:43:01,880
Speaker 8: since they fucking collapse.

852
00:43:02,239 --> 00:43:09,000
Speaker 9: Yeah, yeah, yeah, what I Rocky did something, tends to

853
00:43:09,200 --> 00:43:11,879
Speaker 9: use people that a little bit below his stature. After

854
00:43:11,920 --> 00:43:16,600
Speaker 9: a while, everybody was below his stature. That's the point we.

855
00:43:16,719 --> 00:43:18,320
Speaker 1: Cross the dragon about the same.

856
00:43:21,320 --> 00:43:21,880
Speaker 3: What did I miss?

857
00:43:25,480 --> 00:43:28,200
Speaker 1: I was saying, what did I miss?

858
00:43:28,600 --> 00:43:32,200
Speaker 3: Let's let's close out whatever before Yeah, last text on

859
00:43:32,320 --> 00:43:32,680
Speaker 3: that man.

860
00:43:35,600 --> 00:43:38,440
Speaker 2: Yeah, I liked the idea of the song. I thought

861
00:43:38,480 --> 00:43:40,399
Speaker 2: the visuals were not a good look.

862
00:43:47,560 --> 00:43:49,279
Speaker 6: I get it.

863
00:43:49,760 --> 00:43:51,720
Speaker 2: I think it's the best angle he could have taken.

864
00:43:51,880 --> 00:43:54,719
Speaker 6: But at the same time, it makes him look bad

865
00:43:54,760 --> 00:43:58,880
Speaker 6: because he he just he's playing victim out of something

866
00:43:58,920 --> 00:44:01,239
Speaker 6: that you started, like something that.

867
00:44:01,360 --> 00:44:02,840
Speaker 2: You egged on.

868
00:44:03,239 --> 00:44:04,000
Speaker 4: Yes, he's.

869
00:44:05,440 --> 00:44:09,120
Speaker 2: So that's why. Yeah, it's like you kept begging, but

870
00:44:09,239 --> 00:44:10,640
Speaker 2: what what what ken you doing?

871
00:44:10,760 --> 00:44:14,920
Speaker 3: Drop drop drop drop, like like like he like you

872
00:44:15,160 --> 00:44:18,120
Speaker 3: created this, yes, and because you lost.

873
00:44:18,840 --> 00:44:20,719
Speaker 2: Now you're crying like what did I miss? And now

874
00:44:20,760 --> 00:44:22,440
Speaker 2: you Oh my god, I thought you was on by

875
00:44:22,520 --> 00:44:22,960
Speaker 2: my side.

876
00:44:23,480 --> 00:44:25,680
Speaker 6: Blah blah blah blah. It just sounds like a grown

877
00:44:25,760 --> 00:44:28,440
Speaker 6: man crying about friends. And it's just so wacked.

878
00:44:30,040 --> 00:44:32,400
Speaker 4: Whole song lame gas likeness.

879
00:44:32,800 --> 00:44:36,800
Speaker 2: And you're calling calling the ship iceman. So I'm thinking,

880
00:44:36,920 --> 00:44:39,160
Speaker 2: like you just all that ship just like bounce.

881
00:44:39,320 --> 00:44:41,279
Speaker 6: I feel like you just you call hardy he ain't

882
00:44:41,280 --> 00:44:44,359
Speaker 6: worried about that ship and the first song you dropped, right,

883
00:44:45,160 --> 00:44:47,120
Speaker 6: it's like you're worried about it and you're still swing.

884
00:44:47,280 --> 00:44:48,960
Speaker 6: So why are you That's I'm curious. Why are you

885
00:44:49,040 --> 00:44:51,759
Speaker 6: calling that iceman? You know what I'm saying, Like, I

886
00:44:51,800 --> 00:44:53,120
Speaker 6: don't know, man, you.

887
00:44:53,120 --> 00:44:55,120
Speaker 4: Need to switch the title from iceman read the room,

888
00:44:55,200 --> 00:45:01,080
Speaker 4: Broedter Freeze mister like mister free from the Batman something.

889
00:45:03,280 --> 00:45:05,680
Speaker 2: Sensitivity. Yeah, but so yeah, that's that.

890
00:45:07,280 --> 00:45:09,480
Speaker 6: Yeah, yeah, so I man, it's just it's it's hard

891
00:45:09,520 --> 00:45:11,920
Speaker 6: for me to fully rock with it, you know what

892
00:45:11,960 --> 00:45:15,400
Speaker 6: I'm saying, because of that, because of the going to

893
00:45:15,480 --> 00:45:19,959
Speaker 6: the police ship, because the whole like grown men crying

894
00:45:20,000 --> 00:45:23,320
Speaker 6: about other grown men not being your friend, right, like

895
00:45:23,520 --> 00:45:26,759
Speaker 6: like it's just like, come on, man, like nah, I

896
00:45:26,800 --> 00:45:29,560
Speaker 6: can't rock with it, like like like like like some said,

897
00:45:29,640 --> 00:45:33,880
Speaker 6: like it sounds cool, but the content, it's like.

898
00:45:35,400 --> 00:45:36,720
Speaker 2: I just can't get with the content.

899
00:45:36,840 --> 00:45:38,600
Speaker 4: Like I asked exactly, That's the first start I had.

900
00:45:38,640 --> 00:45:40,520
Speaker 4: I was like, bro, if he if he did, if

901
00:45:40,560 --> 00:45:43,040
Speaker 4: he left all this alone as far as content wise,

902
00:45:43,120 --> 00:45:45,800
Speaker 4: what he was talking talking about touching on the in theverse,

903
00:45:46,120 --> 00:45:47,880
Speaker 4: even if he wants to throw in a little I

904
00:45:47,960 --> 00:45:51,360
Speaker 4: don't mind him throwing a little small, just relevant stuff

905
00:45:51,400 --> 00:45:54,040
Speaker 4: kind of like was saying, right, because at the same time,

906
00:45:54,120 --> 00:45:56,239
Speaker 4: it's like, I don't I don't expect you not to,

907
00:45:56,719 --> 00:45:58,960
Speaker 4: like not to speak about what you felt was a

908
00:45:59,000 --> 00:46:01,560
Speaker 4: relationship between you and Lebron and tomorrow and stuff.

909
00:46:01,600 --> 00:46:02,239
Speaker 3: Like at all.

910
00:46:02,680 --> 00:46:03,680
Speaker 2: I don't you know what I mean.

911
00:46:03,760 --> 00:46:07,280
Speaker 4: But it's like you've been on this this victimizing campaign

912
00:46:07,440 --> 00:46:10,120
Speaker 4: run ever since it started, like, oh, look at me.

913
00:46:11,360 --> 00:46:15,000
Speaker 4: Nobody likes me. I have no friends for real, And

914
00:46:15,040 --> 00:46:17,640
Speaker 4: it's like no offense is like realistically speaking, especially you

915
00:46:17,680 --> 00:46:21,040
Speaker 4: know people who are just regular like us. It's like, Bro,

916
00:46:21,719 --> 00:46:23,880
Speaker 4: you should have been realized that it was a business relationship.

917
00:46:24,040 --> 00:46:24,520
Speaker 3: Man Drake.

918
00:46:24,600 --> 00:46:27,279
Speaker 4: Drake's acting like Martin did when at the what'sh Mac

919
00:46:27,320 --> 00:46:29,440
Speaker 4: caller came through and if and then told him to come.

920
00:46:29,520 --> 00:46:34,239
Speaker 4: He said, yea, you can come on the show. Then

921
00:46:34,239 --> 00:46:36,320
Speaker 4: when he shows up, Varnell tells him what he snaps.

922
00:46:36,360 --> 00:46:38,839
Speaker 4: He's like, Bro, that's Hollywood talk. He's he's I told

923
00:46:38,920 --> 00:46:40,759
Speaker 4: such and such to come over to my house fifty

924
00:46:40,760 --> 00:46:45,719
Speaker 4: million times. He said, He's our probably get spread exactly.

925
00:46:46,200 --> 00:46:49,360
Speaker 4: So I think it's just we're seeing that in real lifetime.

926
00:46:49,520 --> 00:46:51,719
Speaker 4: Like Drake was in that situation. He was the martin

927
00:46:51,800 --> 00:46:54,239
Speaker 4: that situation. He thought, whoa, were cool, I'm about to

928
00:46:54,280 --> 00:46:55,759
Speaker 4: come over and see the lake and all this other

929
00:46:55,800 --> 00:46:58,400
Speaker 4: stuff and everything like that. And then when ship actually

930
00:46:58,480 --> 00:47:00,800
Speaker 4: hits the fan, they see a celebrity or like you

931
00:47:00,840 --> 00:47:04,200
Speaker 4: said that this start is entertainer like Lebron, choose what's

932
00:47:04,239 --> 00:47:06,759
Speaker 4: going to benefit him more likely better than the long run.

933
00:47:07,040 --> 00:47:08,000
Speaker 4: He gets upset about it.

934
00:47:08,200 --> 00:47:13,120
Speaker 2: Yeah, man, yeah, yeah, Ken, final take some what did

935
00:47:13,160 --> 00:47:13,520
Speaker 2: I miss?

936
00:47:15,760 --> 00:47:17,200
Speaker 9: I think it's a good idea. I think it's a

937
00:47:17,239 --> 00:47:27,200
Speaker 9: good approach. I think embraced victimhood. And it's not best stuff,

938
00:47:27,239 --> 00:47:31,560
Speaker 9: but I think that's that's it. Like Drake is isn't

939
00:47:31,600 --> 00:47:35,080
Speaker 9: always been a sensitive rapper that talks about his feelings.

940
00:47:35,480 --> 00:47:38,160
Speaker 1: This is no different. This is no difference.

941
00:47:38,160 --> 00:47:40,359
Speaker 9: It just comes off of him getting this ass whoop

942
00:47:41,480 --> 00:47:48,160
Speaker 9: off of a fight that he started and people, you know,

943
00:47:48,520 --> 00:47:51,080
Speaker 9: rightfulus soul like, oh yeah, I don't feel bad for

944
00:47:51,160 --> 00:47:52,719
Speaker 9: him because you shouldn't have been messing with them, man,

945
00:47:54,280 --> 00:47:56,800
Speaker 9: But now he's running around, you know, coming out of

946
00:47:56,840 --> 00:47:59,759
Speaker 9: the nurse office. He's on the cane, got a black eye,

947
00:47:59,760 --> 00:48:02,000
Speaker 9: and ship. You know, there's some people that were like, damn,

948
00:48:02,040 --> 00:48:04,440
Speaker 9: he have to beat that man that bad, you know,

949
00:48:05,160 --> 00:48:05,600
Speaker 9: But I.

950
00:48:05,680 --> 00:48:09,720
Speaker 1: Think embrace it and get the fans on your side,

951
00:48:09,960 --> 00:48:13,279
Speaker 1: and then from there turn around and try to make

952
00:48:13,520 --> 00:48:16,360
Speaker 1: quality songs, try to make a hit and try your

953
00:48:16,680 --> 00:48:17,360
Speaker 1: your recovery.

954
00:48:18,120 --> 00:48:22,480
Speaker 2: Well, I know who's not embracing who minage against me.

955
00:48:23,800 --> 00:48:27,040
Speaker 3: We're still going to the topics. Think it's times it up.

956
00:48:27,760 --> 00:48:30,480
Speaker 2: I know this is gonna go. Yeah, we're not. I

957
00:48:30,560 --> 00:48:33,160
Speaker 2: guess we're not gonna You're not gonna run it down.

958
00:48:33,200 --> 00:48:34,120
Speaker 2: I don't like cool.

959
00:48:34,200 --> 00:48:36,560
Speaker 3: I mean, I mean, we spent a lot of time

960
00:48:36,640 --> 00:48:43,400
Speaker 3: talking about this. Can slipped up these bus up in

961
00:48:43,480 --> 00:48:45,520
Speaker 3: your chest. Like Jory Man, I'm telling you I been

962
00:48:45,840 --> 00:48:51,080
Speaker 3: fights one ship. You know what I'm saying. You remember

963
00:48:51,120 --> 00:48:51,439
Speaker 3: that ship.

964
00:48:52,000 --> 00:48:54,800
Speaker 2: Ain't nobody you just call everybody. I'm going with this

965
00:48:57,239 --> 00:49:02,439
Speaker 2: he's talking about. You know what I'm saying. I did.

966
00:49:04,640 --> 00:49:07,160
Speaker 1: But I do think they wanted us to hear about

967
00:49:07,200 --> 00:49:10,560
Speaker 1: the Jim Jones. We just have to keep a brief.

968
00:49:12,040 --> 00:49:13,040
Speaker 1: People did tease it.

969
00:49:14,200 --> 00:49:18,799
Speaker 2: I teased all of it. This ten o'clock. We're gonna

970
00:49:18,800 --> 00:49:22,480
Speaker 2: have to adjust how many times we got. I know,

971
00:49:22,680 --> 00:49:27,759
Speaker 2: I saw a lot coming. That's yeah, we'll just another time.

972
00:49:29,280 --> 00:49:32,120
Speaker 9: It's gonna be it's already, it's gonna all right, it's

973
00:49:32,120 --> 00:49:34,560
Speaker 9: gonna be super by then we'll not talk about it.

974
00:49:35,640 --> 00:49:37,239
Speaker 2: Think it's got bad times, all right.

975
00:49:37,360 --> 00:49:39,360
Speaker 9: But we did have a conversation that actually, as a

976
00:49:39,400 --> 00:49:41,120
Speaker 9: matter of fact, we had a conversation about.

977
00:49:40,920 --> 00:49:43,160
Speaker 1: It on the Mice Saloon. I forgot what episode, but

978
00:49:43,840 --> 00:49:45,560
Speaker 1: maybe I can find that since y'all want to hear.

979
00:49:45,760 --> 00:49:50,120
Speaker 1: What's what? Yeah, we did, yeah, right when it was happening.

980
00:49:50,560 --> 00:49:55,200
Speaker 9: Uh boom, t J Thomas start bench cut Bad Album Edition,

981
00:49:55,360 --> 00:49:59,400
Speaker 9: Drake for all the Dolts, Wayne Carter sits Eminem revival.

982
00:50:02,239 --> 00:50:06,000
Speaker 8: Whoa, that's actually Drake from all the Dogs. Is that

983
00:50:06,160 --> 00:50:08,640
Speaker 8: like the with the extended joint Conductor?

984
00:50:09,760 --> 00:50:14,120
Speaker 2: No, no, no, no, twenty one. Yeah we do.

985
00:50:14,200 --> 00:50:17,160
Speaker 4: We're doing We're doing the base version, No deluxe is okay?

986
00:50:17,560 --> 00:50:23,880
Speaker 8: Get that Carter six, Yeah that's getting cut. Yeah, Eminem

987
00:50:23,960 --> 00:50:26,360
Speaker 8: is getting benched. It was coming with Drake is.

988
00:50:26,400 --> 00:50:36,200
Speaker 3: Started, Oh start okay, so Drake starting, Yeah, yeah, that's

989
00:50:36,239 --> 00:50:40,160
Speaker 3: the one with the flag. Yeah, that's with the flag.

990
00:50:40,239 --> 00:50:41,640
Speaker 2: I think so that's getting cut.

991
00:50:42,360 --> 00:50:44,719
Speaker 3: I mean, I'm benching Carter six.

992
00:50:44,680 --> 00:50:47,000
Speaker 2: I'm a bench and I'm cutting.

993
00:50:50,719 --> 00:50:53,640
Speaker 3: Remember that. I think you don't remember that eminem album.

994
00:50:53,960 --> 00:50:57,400
Speaker 3: That's yeah, look at look at the album.

995
00:50:58,000 --> 00:51:00,520
Speaker 7: Remember we because remember he turned around made it made

996
00:51:00,560 --> 00:51:01,680
Speaker 7: them Cozi ship.

997
00:51:02,040 --> 00:51:05,000
Speaker 2: That's after coming. I mean this is before, Bro.

998
00:51:05,920 --> 00:51:09,320
Speaker 3: I thought this was I thought Revivable was the revival

999
00:51:09,360 --> 00:51:11,239
Speaker 3: of comic I get them mixed up.

1000
00:51:11,880 --> 00:51:15,600
Speaker 4: It was that bad talking like he had p Bro.

1001
00:51:16,440 --> 00:51:20,600
Speaker 7: I think I think he forgot. I think he I think, yes,

1002
00:51:20,760 --> 00:51:24,759
Speaker 7: I'm telling you, Bro, just this snipp I think you

1003
00:51:24,840 --> 00:51:28,839
Speaker 7: forgot that one got to be cut, Bro, that one

1004
00:51:28,920 --> 00:51:30,839
Speaker 7: gotta be cut bad.

1005
00:51:32,040 --> 00:51:37,440
Speaker 6: Opened with Beyonce, that that revival was bad, Bro, Like

1006
00:51:37,520 --> 00:51:39,080
Speaker 6: I said, let me turned right back around and made

1007
00:51:39,600 --> 00:51:40,400
Speaker 6: because of that, because I.

1008
00:51:41,160 --> 00:51:46,280
Speaker 2: Remember that, I remember that. You might be right. Mhmm okay,

1009
00:51:46,640 --> 00:51:49,120
Speaker 2: I'm like Dan Man, not like that that.

1010
00:51:51,640 --> 00:51:52,560
Speaker 4: It's not that bad.

1011
00:51:52,719 --> 00:51:55,120
Speaker 5: I think if you're listening to Revival, you'll be like worse.

1012
00:51:58,520 --> 00:52:03,160
Speaker 1: I could I could bench that, especially that Peanuts song.

1013
00:52:05,200 --> 00:52:09,439
Speaker 9: Uh oh man, bruh. I hope this ain't. I ain't

1014
00:52:09,480 --> 00:52:11,480
Speaker 9: even reading that, Bro. I don't even know if that's

1015
00:52:11,600 --> 00:52:12,040
Speaker 9: real or not.

1016
00:52:12,880 --> 00:52:17,719
Speaker 1: It was ah, I think it's this was trolling. I

1017
00:52:17,760 --> 00:52:19,640
Speaker 1: thought he I thought he put a real spoiling here.

1018
00:52:19,680 --> 00:52:22,680
Speaker 1: But I'm being stupid. Uh.

1019
00:52:22,719 --> 00:52:24,480
Speaker 9: The end of the Superman was crazy when Les Luther

1020
00:52:24,560 --> 00:52:26,160
Speaker 9: made an appearance of those Who Man, it's not like

1021
00:52:26,280 --> 00:52:27,440
Speaker 9: us to start a bumping Kendrick.

1022
00:52:27,640 --> 00:52:31,239
Speaker 2: Oh okay, okay, okay, been crazy, Bro.

1023
00:52:31,440 --> 00:52:35,480
Speaker 1: I was like, bro, GETU is out of here anyway? Uh?

1024
00:52:35,560 --> 00:52:37,840
Speaker 9: A teal star, but one gotta go k do intros

1025
00:52:38,080 --> 00:52:41,400
Speaker 9: Sharane Wesley's theory United in Grief whacked up murals.

1026
00:52:42,600 --> 00:52:43,640
Speaker 4: All right, where I gonna go?

1027
00:52:45,040 --> 00:52:48,239
Speaker 2: One gotta go? Oh, I don't know where we're gonna go.

1028
00:52:49,200 --> 00:52:50,800
Speaker 2: United in Grief was what album?

1029
00:52:54,640 --> 00:52:59,200
Speaker 4: Yeah, that's the one which ironically had started That's the one.

1030
00:52:59,320 --> 00:53:01,520
Speaker 4: TikTok Tied in Grief too.

1031
00:53:03,560 --> 00:53:06,239
Speaker 2: I'm picking Grief, Yes, yeah, I think I'm picking United

1032
00:53:06,280 --> 00:53:06,600
Speaker 2: in Grief.

1033
00:53:06,640 --> 00:53:09,600
Speaker 1: I know, I know, I know what I know.

1034
00:53:09,840 --> 00:53:12,880
Speaker 2: Isaiah thought I was gonna pick Wesley's Theory. But that

1035
00:53:12,920 --> 00:53:16,160
Speaker 2: ship is amazing. But but I understand the importance of it.

1036
00:53:16,280 --> 00:53:17,000
Speaker 3: It's just for me.

1037
00:53:17,360 --> 00:53:19,839
Speaker 2: It's just not my favorite off the album we had.

1038
00:53:20,280 --> 00:53:20,760
Speaker 2: I forgot.

1039
00:53:20,920 --> 00:53:23,640
Speaker 6: I forgot what that video was about, but I understand

1040
00:53:23,680 --> 00:53:27,160
Speaker 6: the importance of how it started off the album as

1041
00:53:27,200 --> 00:53:28,080
Speaker 6: an album starter.

1042
00:53:28,520 --> 00:53:30,400
Speaker 4: Oh fun fact about it. I think I shared it

1043
00:53:30,440 --> 00:53:33,320
Speaker 4: with earlier that I want to say, Wessele did that

1044
00:53:33,440 --> 00:53:37,399
Speaker 4: beat was originally Matt Miller's off, which one Wesley's theory

1045
00:53:37,880 --> 00:53:41,160
Speaker 4: really Yeah, yeah he didn't. I think I think I

1046
00:53:41,200 --> 00:53:43,920
Speaker 4: said he's fussing that to your maybe, yeah, I think

1047
00:53:43,920 --> 00:53:46,000
Speaker 4: I think it's I think somebody posted uh like the

1048
00:53:46,120 --> 00:53:49,400
Speaker 4: original like scrap draft that he made over it. It

1049
00:53:49,680 --> 00:53:52,560
Speaker 4: sounds a little bit different, but the main sample and

1050
00:53:52,600 --> 00:53:53,640
Speaker 4: stuff like that is there.

1051
00:53:53,520 --> 00:53:53,600
Speaker 1: So.

1052
00:53:55,520 --> 00:53:58,320
Speaker 9: All right, Uh, Josh bro song is cool, but I

1053
00:53:58,360 --> 00:54:00,640
Speaker 9: hope the vibe is an outlier on the album. Give

1054
00:54:00,719 --> 00:54:02,440
Speaker 9: us one or two tracks with dressing the beef, how

1055
00:54:02,520 --> 00:54:04,480
Speaker 9: you feel the rest? Give us Bankers.

1056
00:54:04,560 --> 00:54:06,120
Speaker 2: That's kind of what I was saying, saying, you.

1057
00:54:07,840 --> 00:54:09,960
Speaker 9: Like, I don't think there should be any more songs

1058
00:54:09,960 --> 00:54:12,680
Speaker 9: about addressing the beef. I do disagree with that, but

1059
00:54:13,360 --> 00:54:15,759
Speaker 9: that's that's a that's a line of what I was saying, you.

1060
00:54:15,800 --> 00:54:19,239
Speaker 6: Know, yeah, mm hmmm, because I know we were saying

1061
00:54:19,280 --> 00:54:21,680
Speaker 6: that maybe he should go to Conductor route and all that.

1062
00:54:22,320 --> 00:54:24,080
Speaker 3: Y'all still feel that way or just go with hits.

1063
00:54:25,200 --> 00:54:27,280
Speaker 1: Oh, that is a very good question.

1064
00:54:27,320 --> 00:54:30,520
Speaker 9: I've always said I wanted Drake Rapper, I know, but Drake,

1065
00:54:31,000 --> 00:54:34,560
Speaker 9: Drake Recovery needs a hit. Like at this point, trying

1066
00:54:34,600 --> 00:54:38,440
Speaker 9: to do conductive, you're trying to be in the culture.

1067
00:54:38,120 --> 00:54:41,800
Speaker 1: Quote unquote he could do, wants to do.

1068
00:54:43,080 --> 00:54:44,200
Speaker 4: Yeah, gotta.

1069
00:54:45,560 --> 00:54:47,239
Speaker 1: You gotta you gotta dig yourself out of this whole.

1070
00:54:47,280 --> 00:54:52,120
Speaker 8: Bro, I don't I think trying to go after the

1071
00:54:52,239 --> 00:54:54,080
Speaker 8: hit is setting yourself up for failure.

1072
00:54:55,160 --> 00:54:56,200
Speaker 1: That's his best approach.

1073
00:54:56,800 --> 00:54:58,160
Speaker 4: He's he's a pop artist.

1074
00:54:58,280 --> 00:55:00,200
Speaker 6: I think you're I think he's going to strike out

1075
00:55:01,560 --> 00:55:03,320
Speaker 6: and that's why it strikes out. And that's why I

1076
00:55:03,360 --> 00:55:07,279
Speaker 6: say he's getting Then he strikes out. But I think

1077
00:55:07,520 --> 00:55:11,960
Speaker 6: it's it's gonna be tough either way, you know. So, uh,

1078
00:55:12,320 --> 00:55:14,279
Speaker 6: you do a conductor ship, then people gonna accuse you

1079
00:55:14,360 --> 00:55:15,919
Speaker 6: of trying to Yeah.

1080
00:55:15,960 --> 00:55:20,080
Speaker 2: But but but you gain respect. What do you mean?

1081
00:55:20,239 --> 00:55:23,640
Speaker 9: No, nobody's gonna respect him because now you're being uh,

1082
00:55:23,960 --> 00:55:26,760
Speaker 9: you're you're one of the vampires off centers.

1083
00:55:26,760 --> 00:55:28,560
Speaker 4: Again, this is cultural appropriation.

1084
00:55:30,960 --> 00:55:31,920
Speaker 3: But he's a hip hop.

1085
00:55:31,880 --> 00:55:33,560
Speaker 2: Artist, don't.

1086
00:55:35,560 --> 00:55:46,160
Speaker 1: Get more. Look, there's category, there's there's there's categories of

1087
00:55:46,239 --> 00:55:46,919
Speaker 1: hip hop music.

1088
00:55:48,040 --> 00:55:49,000
Speaker 2: It's sub genres.

1089
00:55:49,440 --> 00:55:51,160
Speaker 3: But he's in hip hop.

1090
00:55:51,840 --> 00:55:57,759
Speaker 8: Yeah, he's not just a pop artist. He transcends hip hop,

1091
00:55:57,960 --> 00:55:59,640
Speaker 8: but he's a hip hop artist at the court, I

1092
00:56:00,080 --> 00:56:03,800
Speaker 8: got you all right, Well, hold on, are y'all not

1093
00:56:03,880 --> 00:56:05,040
Speaker 8: calling him a hip hop artist?

1094
00:56:05,440 --> 00:56:09,280
Speaker 3: Okay, okay, I just thought.

1095
00:56:09,080 --> 00:56:10,520
Speaker 1: I was on an island because I got two other

1096
00:56:10,640 --> 00:56:13,239
Speaker 1: niggas over here just quiet as head personally letting this

1097
00:56:13,400 --> 00:56:16,560
Speaker 1: dude over here talk crazy. I'm just saying that Drake

1098
00:56:16,960 --> 00:56:19,879
Speaker 1: is whether he's hip hop or not, he makes pop hits.

1099
00:56:19,960 --> 00:56:25,120
Speaker 8: He makes big hitsductor ship but he already right, he's

1100
00:56:25,200 --> 00:56:27,400
Speaker 8: did it before and people call him a voter.

1101
00:56:27,320 --> 00:56:27,839
Speaker 1: For that ship.

1102
00:56:28,800 --> 00:56:31,640
Speaker 2: I didn't see that, or is that you calling him that?

1103
00:56:33,360 --> 00:56:33,960
Speaker 2: Did y'all see?

1104
00:56:34,040 --> 00:56:35,120
Speaker 3: Did you try to people that ship?

1105
00:56:35,200 --> 00:56:36,560
Speaker 1: And nobody's gonna believe it.

1106
00:56:36,680 --> 00:56:37,880
Speaker 3: He need to get young.

1107
00:56:37,800 --> 00:56:41,120
Speaker 1: Thug ass on the fucking phone and try to make

1108
00:56:41,200 --> 00:56:42,239
Speaker 1: another motherfucking hit.

1109
00:56:43,080 --> 00:56:43,880
Speaker 3: That's the bro.

1110
00:56:44,200 --> 00:56:46,520
Speaker 1: That is his best way to fight back.

1111
00:56:46,560 --> 00:56:47,200
Speaker 2: Bro, it's not.

1112
00:56:48,440 --> 00:56:51,720
Speaker 4: I'll say that he has a better chance with getting

1113
00:56:51,760 --> 00:56:53,920
Speaker 4: the hit and going to pop route than he is

1114
00:56:54,040 --> 00:56:56,279
Speaker 4: trying to go on to respect of the underground all

1115
00:56:56,360 --> 00:56:58,120
Speaker 4: that type of stuff, going to hip that the really

1116
00:56:58,160 --> 00:56:59,200
Speaker 4: extreme hip hop route.

1117
00:56:59,200 --> 00:56:59,799
Speaker 2: I agree with him.

1118
00:57:00,440 --> 00:57:02,440
Speaker 4: His chances are better. We're gonna pop and getting his.

1119
00:57:02,600 --> 00:57:03,880
Speaker 2: Well we can agree to disagree.

1120
00:57:04,719 --> 00:57:06,920
Speaker 9: Why whatever do y'all see whole next to puff if

1121
00:57:06,920 --> 00:57:08,000
Speaker 9: he's out of jail soon.

1122
00:57:08,600 --> 00:57:10,960
Speaker 2: No, I'm going distance himself.

1123
00:57:11,280 --> 00:57:11,880
Speaker 3: I don't think so.

1124
00:57:13,000 --> 00:57:15,960
Speaker 9: Oh yeah, I thought because apparently something going on with Nicki,

1125
00:57:16,040 --> 00:57:17,560
Speaker 9: Minajen and Jays.

1126
00:57:18,080 --> 00:57:18,360
Speaker 2: I thought.

1127
00:57:18,560 --> 00:57:18,880
Speaker 1: I don't know.

1128
00:57:18,920 --> 00:57:22,840
Speaker 2: It's different from yeah, but it's from the stellar title.

1129
00:57:22,880 --> 00:57:26,680
Speaker 1: It's more business related than oh ja c's whole title

1130
00:57:28,800 --> 00:57:32,840
Speaker 1: about title or stay back? Yeah, it's been a minute,

1131
00:57:33,000 --> 00:57:35,840
Speaker 1: so they what? So this fight is about something that

1132
00:57:35,920 --> 00:57:36,840
Speaker 1: already happened years ago.

1133
00:57:37,560 --> 00:57:39,920
Speaker 8: Nikki is saying that she's old between one hundred and

1134
00:57:39,960 --> 00:57:43,280
Speaker 8: two hundred million dollars because she was a stakeholder Entitled

1135
00:57:43,640 --> 00:57:46,760
Speaker 8: and that's how jay Z paid her, was in title

1136
00:57:46,840 --> 00:57:49,960
Speaker 8: stock and now it was evolved and she has not

1137
00:57:50,080 --> 00:57:51,560
Speaker 8: gotten paid off of her stock.

1138
00:57:52,520 --> 00:57:53,720
Speaker 2: So she feel a type of way.

1139
00:57:54,200 --> 00:57:58,200
Speaker 9: That's how somebody else her say she didn't sign the paperwork. Look,

1140
00:57:58,280 --> 00:58:00,840
Speaker 9: I don't know either, that's all what take what you want.

1141
00:58:00,880 --> 00:58:02,880
Speaker 2: I'm just letting you know what NII tell you what

1142
00:58:02,960 --> 00:58:04,720
Speaker 2: you want, tell you what you want.

1143
00:58:05,360 --> 00:58:08,320
Speaker 9: So uh, but she need to produce that paperwork. But

1144
00:58:08,440 --> 00:58:12,320
Speaker 9: if she would have never mind, sound like she ma up.

1145
00:58:14,160 --> 00:58:16,000
Speaker 9: But yeah, y'all know how whole get done.

1146
00:58:16,040 --> 00:58:20,880
Speaker 1: Bro. Oh the hell you're gonna see who and did

1147
00:58:21,000 --> 00:58:26,720
Speaker 1: it somewhere. I'll be shocked if he did that. Jay

1148
00:58:26,840 --> 00:58:33,840
Speaker 1: Z will always protect his image. Frank Tank appreciate the donation.

1149
00:58:34,840 --> 00:58:38,600
Speaker 9: Disease, Uh busy when Elder which elder ring boss can

1150
00:58:38,720 --> 00:58:39,960
Speaker 9: drop the hardest disk track?

1151
00:58:40,640 --> 00:58:45,480
Speaker 2: Goffrey? The first Elder Lord Godfrey.

1152
00:58:45,920 --> 00:58:47,680
Speaker 5: He did a lot of talking. He talked a lot

1153
00:58:47,720 --> 00:58:50,680
Speaker 5: of ship. Yeah, I'm saying Godfrey.

1154
00:58:50,920 --> 00:58:51,440
Speaker 2: Was that a game?

1155
00:58:51,640 --> 00:58:51,840
Speaker 3: Yeah?

1156
00:58:52,520 --> 00:58:52,720
Speaker 2: Yeah?

1157
00:58:53,640 --> 00:58:55,320
Speaker 1: Is that the way you be playing on Twitch?

1158
00:58:56,240 --> 00:58:57,200
Speaker 2: Man? I played it on Twitch?

1159
00:58:57,280 --> 00:59:02,040
Speaker 7: Yeah, ok yeah, okay, that's whooped up the hardest boss

1160
00:59:02,080 --> 00:59:03,720
Speaker 7: on it. Everybody said it was super hard and I

1161
00:59:04,120 --> 00:59:07,560
Speaker 7: whooped their ass up. I remember whooped their ass up?

1162
00:59:07,640 --> 00:59:07,880
Speaker 2: Quick?

1163
00:59:08,840 --> 00:59:14,800
Speaker 1: Damn do mesical music. It's a video it is the

1164
00:59:14,920 --> 00:59:18,440
Speaker 1: video game character is not like that? Uh?

1165
00:59:19,320 --> 00:59:22,080
Speaker 9: That Ao, Dad and crew that m J R Kelly

1166
00:59:22,120 --> 00:59:26,600
Speaker 9: debate at the beginning of the recent mice long episode

1167
00:59:26,680 --> 00:59:28,840
Speaker 9: was great back and forth and also what's feet for

1168
00:59:28,880 --> 00:59:31,760
Speaker 9: a start on Spike having R Kelly over MJ?

1169
00:59:32,200 --> 00:59:33,560
Speaker 2: What context is this is?

1170
00:59:33,680 --> 00:59:36,960
Speaker 3: Are we talking like singer like we're talking kids?

1171
00:59:37,040 --> 00:59:37,080
Speaker 1: Like?

1172
00:59:37,160 --> 00:59:37,440
Speaker 2: What like?

1173
00:59:37,640 --> 00:59:38,960
Speaker 1: What was it was about?

1174
00:59:39,040 --> 00:59:43,000
Speaker 9: Billboards chart. It was about Billboard's R and B rankings.

1175
00:59:43,960 --> 00:59:46,400
Speaker 9: That was the contest about. The conversation got started and

1176
00:59:46,520 --> 00:59:48,760
Speaker 9: they had R Kelly.

1177
00:59:48,680 --> 00:59:50,720
Speaker 2: Like nine was Michael Jackson?

1178
00:59:51,080 --> 00:59:53,920
Speaker 9: I mean, you know, Michael Jackson was He definitely wasn't nine,

1179
00:59:53,960 --> 00:59:58,840
Speaker 9: he was higher than but then yeah, but anyway, so

1180
00:59:59,240 --> 01:00:01,560
Speaker 9: there's no content really, It's just that.

1181
01:00:01,800 --> 01:00:05,960
Speaker 6: Was Spike just thought that R. Kelly should be ranked

1182
01:00:06,000 --> 01:00:09,480
Speaker 6: high to him, Like, actually, I think that's an argument.

1183
01:00:10,800 --> 01:00:14,960
Speaker 6: I think it's an argument because there's certain things that R.

1184
01:00:15,040 --> 01:00:18,320
Speaker 6: Kelly does better than Michael Jackson. He's a better he's

1185
01:00:18,320 --> 01:00:20,840
Speaker 6: a better songwriter like Michael Jackson ever really wrote a

1186
01:00:20,880 --> 01:00:22,600
Speaker 6: lot of his ship that was Quincy.

1187
01:00:24,280 --> 01:00:24,600
Speaker 1: And Shop.

1188
01:00:24,720 --> 01:00:27,320
Speaker 8: R Kelly has wrote for Michael Jackson, So I think

1189
01:00:27,600 --> 01:00:32,640
Speaker 8: from that aspect, obviously R Kelly's better singing. I think

1190
01:00:32,840 --> 01:00:38,240
Speaker 8: R Kelly has more range, But we can debate that entertainment.

1191
01:00:38,800 --> 01:00:47,520
Speaker 8: Michael Jackson is the best entertainer ever. Hello, Damn, I haven't.

1192
01:00:48,160 --> 01:00:50,080
Speaker 8: I don't know if I'll put R Kelly over Michael

1193
01:00:50,480 --> 01:00:53,320
Speaker 8: like overall, but I think I think it's the bait.

1194
01:00:53,480 --> 01:00:54,600
Speaker 2: We think R Kelly is top three.

1195
01:00:55,080 --> 01:00:57,160
Speaker 5: Yeah damn really yeah?

1196
01:00:57,840 --> 01:01:02,480
Speaker 2: Oh, a top three R and b artists of all time. Yeah,

1197
01:01:03,720 --> 01:01:07,200
Speaker 2: you look, you look at his discography. Bro, like he

1198
01:01:07,280 --> 01:01:08,200
Speaker 2: got a couple of misses.

1199
01:01:08,400 --> 01:01:12,280
Speaker 6: Put him over Stevie, Wonder, Prince Yep, and Michael Jackson.

1200
01:01:13,560 --> 01:01:15,640
Speaker 6: Mike is the one that so you put him over,

1201
01:01:15,840 --> 01:01:16,880
Speaker 6: putting them over Stevie one.

1202
01:01:17,200 --> 01:01:18,640
Speaker 2: Was he not for me?

1203
01:01:19,280 --> 01:01:21,840
Speaker 3: Yeah he doesn't know, Yeah he doesn't.

1204
01:01:22,440 --> 01:01:23,040
Speaker 2: Yeah for me?

1205
01:01:23,360 --> 01:01:23,840
Speaker 3: You do know.

1206
01:01:24,400 --> 01:01:26,680
Speaker 2: I know Stevie like that, but I didn't grow up

1207
01:01:26,720 --> 01:01:27,160
Speaker 2: on Stevie.

1208
01:01:27,280 --> 01:01:29,480
Speaker 1: But you know, you know what everybody else knows about Stevie.

1209
01:01:29,520 --> 01:01:31,760
Speaker 2: That's enough. Yeah, I put R Kelly over.

1210
01:01:33,520 --> 01:01:35,920
Speaker 3: Don't take this worse than his it is.

1211
01:01:38,840 --> 01:01:41,120
Speaker 2: That's crazy, that is wild.

1212
01:01:42,160 --> 01:01:47,959
Speaker 9: Hold on, I don't even want to do this, but okay,

1213
01:01:48,040 --> 01:01:49,840
Speaker 9: give me your give me your three again.

1214
01:01:50,640 --> 01:01:55,000
Speaker 2: R Kelly, R Kelly, Michael, and Stevie. Those are like

1215
01:01:55,040 --> 01:01:57,160
Speaker 2: top three. But I would put R Kelly over Stevie.

1216
01:01:57,400 --> 01:01:58,160
Speaker 5: So you put R Kelly.

1217
01:01:58,800 --> 01:02:02,480
Speaker 1: You're talking about ranking in your top three, Yeah, but

1218
01:02:02,560 --> 01:02:04,360
Speaker 1: he's ranking ranking him over.

1219
01:02:04,560 --> 01:02:05,840
Speaker 2: Yeah, personal take.

1220
01:02:07,480 --> 01:02:09,480
Speaker 3: But I'm not going to argue and be like now

1221
01:02:09,600 --> 01:02:11,600
Speaker 3: you're off, like you're wrong.

1222
01:02:11,760 --> 01:02:16,880
Speaker 2: We're gonna argue. Yeah, that's cool, that's cool.

1223
01:02:16,920 --> 01:02:18,880
Speaker 3: I'll take R Kelly, m hmm.

1224
01:02:19,200 --> 01:02:20,000
Speaker 2: I don't even put R.

1225
01:02:20,040 --> 01:02:21,080
Speaker 3: Kelly over Aretha Frank.

1226
01:02:21,600 --> 01:02:22,840
Speaker 2: Bro M.

1227
01:02:23,320 --> 01:02:26,160
Speaker 3: I don't think do niggas realize Aretha Frank?

1228
01:02:26,240 --> 01:02:27,040
Speaker 2: What I know, y'all.

1229
01:02:27,720 --> 01:02:29,880
Speaker 6: Yeah, I'm talking about people, and I don't think you

1230
01:02:30,080 --> 01:02:36,080
Speaker 6: realize gospel. B He's the top three when she's the

1231
01:02:36,120 --> 01:02:38,960
Speaker 6: top three right when she be Yeah, she's the top

1232
01:02:39,000 --> 01:02:39,720
Speaker 6: three for a reason.

1233
01:02:39,760 --> 01:02:40,400
Speaker 2: Broh.

1234
01:02:40,440 --> 01:02:42,600
Speaker 4: You start talking about Kelly, you start getting towards like

1235
01:02:42,720 --> 01:02:43,160
Speaker 4: top ten.

1236
01:02:43,920 --> 01:02:47,120
Speaker 3: Yeah, yeah Kelly. If someone says R.

1237
01:02:47,160 --> 01:02:48,760
Speaker 5: Kelly is the top ten RB artist of all time,

1238
01:02:48,880 --> 01:02:50,920
Speaker 5: I have no argument with that. I'm not gonna say

1239
01:02:50,920 --> 01:02:52,440
Speaker 5: you tripping, you say.

1240
01:02:52,280 --> 01:02:54,360
Speaker 4: Top five, depending on who you got, who you got,

1241
01:02:54,400 --> 01:02:55,040
Speaker 4: you know him over?

1242
01:02:56,000 --> 01:02:57,840
Speaker 7: It gets a little shaky, get a little shaky because

1243
01:02:57,840 --> 01:02:59,040
Speaker 7: I'm not putting Marvin Gaye over.

1244
01:02:59,080 --> 01:03:00,760
Speaker 3: I'm not putting him Marvin Gaye.

1245
01:03:00,880 --> 01:03:02,240
Speaker 2: I think we still gotta have this commo.

1246
01:03:02,320 --> 01:03:05,680
Speaker 1: So we're gonna yeah, all right. I appreciate that.

1247
01:03:05,960 --> 01:03:08,680
Speaker 9: Zach And if you guys are not listening to his micenon,

1248
01:03:09,520 --> 01:03:13,480
Speaker 9: go to YouTube, go to your podcast app, search it up.

1249
01:03:14,040 --> 01:03:16,400
Speaker 9: We do talk about music on there. It's it's a

1250
01:03:16,680 --> 01:03:20,440
Speaker 9: it's a it's a politics and pop culture show. So

1251
01:03:21,400 --> 01:03:25,280
Speaker 9: and that's where this this came from. This actually this

1252
01:03:25,480 --> 01:03:27,360
Speaker 9: was actually on the live show. Y'all can actually go

1253
01:03:27,480 --> 01:03:30,760
Speaker 9: watch this right now, not right now, but after we're

1254
01:03:30,800 --> 01:03:33,880
Speaker 9: done here, go to YouTube channel YouTube dot com is

1255
01:03:33,920 --> 01:03:35,920
Speaker 9: the Mice and watch the recent live That's where this

1256
01:03:36,000 --> 01:03:38,320
Speaker 9: conversation happened, all right, t J.

1257
01:03:38,440 --> 01:03:38,720
Speaker 1: Thomas.

1258
01:03:38,840 --> 01:03:42,160
Speaker 9: Between JD and Dinzel Curry, who do you think gets

1259
01:03:42,240 --> 01:03:44,120
Speaker 9: more credit as a rapper than Denzel Curry?

1260
01:03:44,200 --> 01:03:47,680
Speaker 1: I think they both are even a skill and in disciography.

1261
01:03:54,800 --> 01:03:57,760
Speaker 8: I think the reason why Jig gets more credit than

1262
01:03:57,840 --> 01:04:02,439
Speaker 8: Denzel is he starts it off at a higher level,

1263
01:04:02,960 --> 01:04:04,560
Speaker 8: you know what I'm saying, Like Denzel had to go

1264
01:04:04,640 --> 01:04:05,360
Speaker 8: through the underground.

1265
01:04:05,360 --> 01:04:06,400
Speaker 2: IM saying that Jed did it.

1266
01:04:06,760 --> 01:04:09,240
Speaker 8: But by the time we knew who Jid was after

1267
01:04:09,360 --> 01:04:12,000
Speaker 8: Never Never Story, he was already on Dreamville.

1268
01:04:12,480 --> 01:04:14,320
Speaker 2: So he he just had a bigger platform.

1269
01:04:14,400 --> 01:04:17,240
Speaker 8: He was out there to the masses more where Denzel

1270
01:04:17,720 --> 01:04:19,640
Speaker 8: had to get a little bit more out the mud.

1271
01:04:20,160 --> 01:04:22,880
Speaker 8: And I think Denzel had to grow as a rapper

1272
01:04:23,560 --> 01:04:26,320
Speaker 8: like Jid in my opinion, was like.

1273
01:04:26,760 --> 01:04:27,960
Speaker 2: What the fuck is this guy?

1274
01:04:28,040 --> 01:04:28,800
Speaker 3: From day one?

1275
01:04:29,200 --> 01:04:31,440
Speaker 2: Where Denzel kind of like Rick Ross and a lot

1276
01:04:31,480 --> 01:04:32,960
Speaker 2: of Miami rappers, had.

1277
01:04:32,920 --> 01:04:33,760
Speaker 3: An acquired taste.

1278
01:04:33,880 --> 01:04:35,080
Speaker 2: Yeah, like he had to grow.

1279
01:04:35,640 --> 01:04:39,360
Speaker 8: He had to grow where Jed was already he had superpowers.

1280
01:04:39,880 --> 01:04:43,040
Speaker 8: Denzel did it for the most part. He had acquired

1281
01:04:43,080 --> 01:04:47,160
Speaker 8: him later. Yeah, somebody said it very simply. Jed had

1282
01:04:47,240 --> 01:04:50,720
Speaker 8: cold Dizzel did not. M That's just really the answer.

1283
01:04:51,160 --> 01:04:54,080
Speaker 2: Yeah, even though I feel like Cole should have done

1284
01:04:54,120 --> 01:04:58,760
Speaker 2: more with he did with that roster in general.

1285
01:05:01,360 --> 01:05:02,040
Speaker 1: And him and m.

1286
01:05:04,520 --> 01:05:08,800
Speaker 4: Hm hmmp. As far as the notable features and.

1287
01:05:08,800 --> 01:05:11,880
Speaker 5: Stuff you're talking about, that's all people talking about.

1288
01:05:12,200 --> 01:05:17,680
Speaker 1: Yeah, that that amplified Ji. Yeah, and it's exposed, so

1289
01:05:17,800 --> 01:05:18,160
Speaker 1: that's why.

1290
01:05:18,400 --> 01:05:20,400
Speaker 2: But do you think he would have gotten those features

1291
01:05:20,400 --> 01:05:23,960
Speaker 2: early on if he wasn't on Dream Probably not.

1292
01:05:24,520 --> 01:05:24,880
Speaker 1: Mhm.

1293
01:05:25,200 --> 01:05:29,760
Speaker 4: I give you I gave you that cold he got

1294
01:05:29,840 --> 01:05:31,160
Speaker 4: he got, he got the cold effect, he got the

1295
01:05:31,200 --> 01:05:32,520
Speaker 4: cold inspectors.

1296
01:05:36,840 --> 01:05:52,240
Speaker 3: Next about it. No mccond, we look like nig.

1297
01:05:54,640 --> 01:05:55,200
Speaker 2: What's happening?

1298
01:05:55,320 --> 01:05:57,320
Speaker 11: But I love the joke. I was just wanted to

1299
01:05:57,360 --> 01:06:03,280
Speaker 11: make sure we asked some questions. But my god, that ship, y'all,

1300
01:06:06,280 --> 01:06:07,640
Speaker 11: my nigga, like.

1301
01:06:13,800 --> 01:06:14,919
Speaker 1: Nigga, was quiet as.

1302
01:06:18,840 --> 01:06:19,760
Speaker 2: Anybody else seen this.

1303
01:06:20,560 --> 01:06:22,080
Speaker 3: I watch you know on the screw.

1304
01:06:27,440 --> 01:06:33,840
Speaker 2: H man. Lord, I'm glad you're good.

1305
01:06:34,000 --> 01:06:35,800
Speaker 4: Man, he said this is an AI.

1306
01:06:36,440 --> 01:06:40,560
Speaker 9: Oh man, do y'all mess with the God dude's been

1307
01:06:40,600 --> 01:06:42,480
Speaker 9: on the crazy rin He's been my most listened to

1308
01:06:42,600 --> 01:06:43,520
Speaker 9: artists for a minute now.

1309
01:06:44,080 --> 01:06:47,560
Speaker 6: Absolutely. I've been meaning to listen to the new project. Uh,

1310
01:06:48,520 --> 01:06:50,080
Speaker 6: but I didn't get I didn't get a chance to get.

1311
01:06:50,200 --> 01:06:52,200
Speaker 2: I haven't got to it yet either. But yeah, man,

1312
01:06:52,200 --> 01:06:56,560
Speaker 2: he's that dude wrapped alongside my Homi. I'm not the

1313
01:06:56,640 --> 01:06:59,360
Speaker 2: biggest guy for him. I wasn't either at first, but man,

1314
01:06:59,440 --> 01:07:03,760
Speaker 2: he got Yeah, he because I didn't care. I don't

1315
01:07:03,760 --> 01:07:04,160
Speaker 2: care for me.

1316
01:07:05,000 --> 01:07:09,120
Speaker 6: He really likes him, my brother. I have three older

1317
01:07:09,160 --> 01:07:11,400
Speaker 6: brother in laws and they all fucking love God for him.

1318
01:07:11,920 --> 01:07:15,200
Speaker 2: Yeah he does. Yeah, I'm not saying he just he

1319
01:07:15,640 --> 01:07:18,120
Speaker 2: definitely grew on me. Yeah, he might be Rock Marciano

1320
01:07:18,200 --> 01:07:19,400
Speaker 2: for me. Maybe I like him.

1321
01:07:19,480 --> 01:07:23,440
Speaker 1: Later on I could see yeah, yeah, he's putting this

1322
01:07:23,560 --> 01:07:23,840
Speaker 1: a word.

1323
01:07:23,920 --> 01:07:24,000
Speaker 3: Bro.

1324
01:07:25,200 --> 01:07:27,480
Speaker 1: Let's let's let's wait. Have we reviewed one of his

1325
01:07:27,560 --> 01:07:31,680
Speaker 1: dung Hey man, let's let's let's let's put him in there. Bro,

1326
01:07:31,960 --> 01:07:34,560
Speaker 1: he just dropped something, so yeah, let's put him in there.

1327
01:07:35,240 --> 01:07:35,360
Speaker 7: Uh.

1328
01:07:35,600 --> 01:07:38,480
Speaker 9: Any chance of ever getting a ludicrous album ranking video

1329
01:07:38,760 --> 01:07:41,320
Speaker 9: looks like the only dad of hip hop video talking

1330
01:07:41,320 --> 01:07:42,520
Speaker 9: about Luca Is.

1331
01:07:42,560 --> 01:07:44,760
Speaker 1: When he responded to Williams.

1332
01:07:44,560 --> 01:07:49,040
Speaker 2: This nigga said, he is bitter hell.

1333
01:07:50,880 --> 01:07:58,040
Speaker 8: Patre Yeah yeah, Look, ranking discographies is a Patreon exclusive.

1334
01:07:58,160 --> 01:07:59,920
Speaker 8: So if you would like for us to do that,

1335
01:08:00,720 --> 01:08:03,880
Speaker 8: get or become a Patriot at the nomination level and

1336
01:08:04,000 --> 01:08:06,560
Speaker 8: nominated and then people will vote and if it wins,

1337
01:08:06,680 --> 01:08:09,040
Speaker 8: we'll do it. But it's gonna be Patreon exclusive, so.

1338
01:08:09,800 --> 01:08:10,440
Speaker 2: It is what it is.

1339
01:08:10,520 --> 01:08:14,840
Speaker 1: It won't be on the channel, all right, but that

1340
01:08:15,400 --> 01:08:18,000
Speaker 1: would be interesting. I don't know why somebody will want

1341
01:08:18,000 --> 01:08:22,200
Speaker 1: to Luca discover arterial.

1342
01:08:23,479 --> 01:08:27,040
Speaker 3: Did you get that?

1343
01:08:27,240 --> 01:08:30,000
Speaker 9: Is spoils in my mind right anyway? Artio, so one

1344
01:08:30,040 --> 01:08:33,439
Speaker 9: gotta go, Teddy P. Luther songs, Love t k O,

1345
01:08:34,240 --> 01:08:38,320
Speaker 9: Come Go with Me, never too much or endless Loud, never.

1346
01:08:38,240 --> 01:08:42,160
Speaker 2: Too much like going nowhere? Love t k O Ain't

1347
01:08:42,160 --> 01:08:42,599
Speaker 2: going nowhere.

1348
01:08:42,720 --> 01:08:43,280
Speaker 1: That's for me.

1349
01:08:43,360 --> 01:08:48,880
Speaker 9: It's never too much mm how sway because endless love

1350
01:08:49,000 --> 01:08:50,960
Speaker 9: is a classic. Love t k O is a classic.

1351
01:08:51,000 --> 01:08:52,280
Speaker 9: Coming go with Me as a classic.

1352
01:08:52,360 --> 01:08:53,360
Speaker 2: I think I'm with you on that.

1353
01:08:53,880 --> 01:08:56,160
Speaker 3: I think I'm with you on that, kid, I think

1354
01:08:56,240 --> 01:08:56,720
Speaker 3: I might be.

1355
01:08:56,800 --> 01:08:57,800
Speaker 2: With you too much?

1356
01:08:57,880 --> 01:09:01,360
Speaker 1: Not a classic, though it's less of a class than

1357
01:09:01,400 --> 01:09:01,920
Speaker 1: the other three.

1358
01:09:03,240 --> 01:09:06,080
Speaker 2: This ain't fair though, it's not really.

1359
01:09:06,120 --> 01:09:07,759
Speaker 3: What's gonna throw one Luther.

1360
01:09:07,640 --> 01:09:08,120
Speaker 2: Joint in there?

1361
01:09:08,160 --> 01:09:11,200
Speaker 7: Yeah he throught he should throw two, No sense he

1362
01:09:11,240 --> 01:09:12,640
Speaker 7: should threw too Luther joints in there.

1363
01:09:12,720 --> 01:09:14,920
Speaker 2: He should he should have the half and half. Yeah,

1364
01:09:16,880 --> 01:09:17,400
Speaker 2: because I'm.

1365
01:09:17,320 --> 01:09:20,040
Speaker 6: Teddy p songs, bro, Come on, that was Wait, it's

1366
01:09:20,080 --> 01:09:23,280
Speaker 6: the Endless Love of Luther's song. That was on fair Bro,

1367
01:09:24,360 --> 01:09:25,519
Speaker 6: Endless Love of Luther's song.

1368
01:09:26,479 --> 01:09:30,680
Speaker 2: Yeah, so he did put too, Okay, I think he might.

1369
01:09:30,720 --> 01:09:35,240
Speaker 7: I think he might be saying, oh yeah, from which

1370
01:09:35,240 --> 01:09:39,080
Speaker 7: you can't think I'm with you, come go with me?

1371
01:09:39,520 --> 01:09:41,880
Speaker 7: I think I'm with you, can come go with me?

1372
01:09:42,120 --> 01:09:45,879
Speaker 2: Is doing it's gotta go for ye Oh.

1373
01:09:48,120 --> 01:09:49,439
Speaker 5: No, that one, that's one of the ones.

1374
01:09:49,479 --> 01:09:50,080
Speaker 2: I gotta stay.

1375
01:09:51,240 --> 01:09:54,240
Speaker 6: I can't let go never too much hold on let

1376
01:09:54,240 --> 01:10:02,439
Speaker 6: me see. Yeah, I probably get really endless love. Yeah, yeah,

1377
01:10:02,439 --> 01:10:04,439
Speaker 6: that's the one I'm getting with. Wait, wait, it's one

1378
01:10:04,479 --> 01:10:07,479
Speaker 6: gotta go right Yeah, yeah, I'm getting rid of endless love.

1379
01:10:08,840 --> 01:10:10,080
Speaker 6: That's the one with Maroc Carey.

1380
01:10:11,000 --> 01:10:14,120
Speaker 2: And you said never too much can be? What was

1381
01:10:14,160 --> 01:10:16,599
Speaker 2: going yeah with that one.

1382
01:10:16,560 --> 01:10:20,599
Speaker 6: To Fendless love is for me? Yeah, I couldn't remember

1383
01:10:20,640 --> 01:10:26,400
Speaker 6: the song, but that's it. Yeah, I'm getting rid of

1384
01:10:26,439 --> 01:10:26,720
Speaker 6: that one.

1385
01:10:26,800 --> 01:10:27,760
Speaker 1: I can do without that one.

1386
01:10:28,720 --> 01:10:33,800
Speaker 6: That was like a ballot, Shelter said. And let's love too, Yeah, Shelton. Yeah,

1387
01:10:33,840 --> 01:10:36,800
Speaker 6: if y'all listen to this, y'all remember that one with

1388
01:10:37,000 --> 01:10:37,719
Speaker 6: Marock care.

1389
01:10:39,160 --> 01:10:40,320
Speaker 3: Yeah, no, I'm good on that one.

1390
01:10:41,439 --> 01:10:44,439
Speaker 9: Glintendo just became a new member. They were trying to

1391
01:10:44,479 --> 01:10:47,800
Speaker 9: send in a super chat to correct the record, but

1392
01:10:47,920 --> 01:10:52,320
Speaker 9: they're closed. So if you want to, I think you

1393
01:10:52,400 --> 01:10:53,360
Speaker 9: do get a member's chat.

1394
01:10:53,880 --> 01:11:01,080
Speaker 1: Yeah, so you can use it for that if you

1395
01:11:01,120 --> 01:11:05,160
Speaker 1: want to. I didn't.

1396
01:11:05,600 --> 01:11:06,680
Speaker 2: I didn't realize that was him.

1397
01:11:12,920 --> 01:11:13,040
Speaker 1: Uh.

1398
01:11:13,240 --> 01:11:16,320
Speaker 9: Some ways ago Alchemists got criticized for using the Realist

1399
01:11:16,320 --> 01:11:19,559
Speaker 9: sample on the single as well as the AI video.

1400
01:11:19,720 --> 01:11:20,519
Speaker 1: Any thoughts on this.

1401
01:11:21,520 --> 01:11:24,960
Speaker 2: I thought he used AI a cover art. I didn't

1402
01:11:25,000 --> 01:11:26,320
Speaker 2: know they used AI video.

1403
01:11:26,600 --> 01:11:29,479
Speaker 4: Yeah, so they used AI for both the cover art

1404
01:11:29,560 --> 01:11:32,439
Speaker 4: and for the animation visual that they did for the

1405
01:11:32,479 --> 01:11:33,000
Speaker 4: first single.

1406
01:11:33,960 --> 01:11:35,280
Speaker 2: Yeah, I know they did it first.

1407
01:11:36,400 --> 01:11:36,599
Speaker 3: Yeah.

1408
01:11:36,840 --> 01:11:39,400
Speaker 6: It's the same beat from the Realists. Yeah yeah, yeah,

1409
01:11:39,520 --> 01:11:41,040
Speaker 6: So he getting criticized for what.

1410
01:11:41,240 --> 01:11:42,600
Speaker 2: Now using it?

1411
01:11:42,880 --> 01:11:45,760
Speaker 4: So so one read you, I guess. Honestly, it's kind

1412
01:11:45,760 --> 01:11:48,320
Speaker 4: of were. The main criticism I've seen is just for

1413
01:11:48,400 --> 01:11:51,679
Speaker 4: the actual use of AI, and I guess it's because

1414
01:11:51,840 --> 01:11:54,320
Speaker 4: you know, I guess for at least for a lot

1415
01:11:54,360 --> 01:11:56,040
Speaker 4: of people, that may be a little shocking to see

1416
01:11:56,160 --> 01:12:00,200
Speaker 4: older artists like uh, you know, Alchemists and Ericabadu kind

1417
01:12:00,240 --> 01:12:03,360
Speaker 4: to tap into AI in any shape or form of fashion,

1418
01:12:04,280 --> 01:12:06,040
Speaker 4: because it's just I don't know that I guess that's

1419
01:12:06,040 --> 01:12:14,280
Speaker 4: what people are shocked about. I was claring, Yeah, I'm

1420
01:12:14,360 --> 01:12:17,360
Speaker 4: just clarified exactly what. Yeah, that that's what people seem

1421
01:12:17,400 --> 01:12:19,160
Speaker 4: to be most like, that's what people have said about.

1422
01:12:19,160 --> 01:12:22,200
Speaker 4: It's just like it's like, you know, you kind of

1423
01:12:22,240 --> 01:12:24,920
Speaker 4: expect more. I guess younger new arts like if Gonna

1424
01:12:25,040 --> 01:12:27,240
Speaker 4: gonna coming out and back in AI is not shocking,

1425
01:12:27,360 --> 01:12:28,000
Speaker 4: you know what I'm saying.

1426
01:12:28,560 --> 01:12:29,880
Speaker 2: Yeah, I tweeted about the song.

1427
01:12:30,200 --> 01:12:32,960
Speaker 4: Yeah, like, but I do kind of agree that older

1428
01:12:33,160 --> 01:12:35,760
Speaker 4: artists more quote unquote o g it kind of comes

1429
01:12:35,800 --> 01:12:37,559
Speaker 4: off a little bit more like okay, like I wouldn't

1430
01:12:38,520 --> 01:12:40,759
Speaker 4: think that, you know, those seems to be more subt

1431
01:12:41,920 --> 01:12:42,160
Speaker 4: And this.

1432
01:12:42,439 --> 01:12:44,200
Speaker 8: Was, you know, because I've been saying in some of

1433
01:12:44,240 --> 01:12:46,080
Speaker 8: the comments and stuff like that, I had to address

1434
01:12:46,120 --> 01:12:49,720
Speaker 8: some of them. Like what I was saying about the

1435
01:12:49,800 --> 01:12:53,040
Speaker 8: adoption of AI is that the adoption in and of

1436
01:12:53,120 --> 01:12:56,960
Speaker 8: itself is not a bad thing and it's not gonna

1437
01:12:57,000 --> 01:12:59,959
Speaker 8: go anywhere, so you should be using it to your advantage.

1438
01:13:00,520 --> 01:13:03,479
Speaker 8: What I am against and this is not necessarily alchemist

1439
01:13:03,560 --> 01:13:07,960
Speaker 8: and Erica Badou was the Timberland thing of him taking

1440
01:13:08,120 --> 01:13:11,679
Speaker 8: other artist ship, putting it through Suno and it coming

1441
01:13:11,720 --> 01:13:14,280
Speaker 8: out ninety eight percent the same, and then saying, oh,

1442
01:13:14,360 --> 01:13:16,040
Speaker 8: this is my ship that I created with Suno.

1443
01:13:16,680 --> 01:13:21,400
Speaker 2: That is greasy, that is egregious. That's not how you

1444
01:13:21,520 --> 01:13:24,840
Speaker 2: should be using AI. That is wrong. That is wrong

1445
01:13:24,920 --> 01:13:25,559
Speaker 2: for the artists.

1446
01:13:25,920 --> 01:13:29,479
Speaker 8: However, if you are using AI to create visuals, if

1447
01:13:29,479 --> 01:13:32,840
Speaker 8: you are using AI to create cover art, I don't

1448
01:13:32,880 --> 01:13:33,639
Speaker 8: see what's.

1449
01:13:33,479 --> 01:13:35,600
Speaker 5: This because I got this man right here that can

1450
01:13:35,640 --> 01:13:38,519
Speaker 5: create visuals for But if I don't want to go.

1451
01:13:38,560 --> 01:13:46,000
Speaker 12: There round this time, because I already seem again it's

1452
01:13:46,040 --> 01:13:46,720
Speaker 12: a it's a tool.

1453
01:13:47,479 --> 01:13:49,600
Speaker 1: It's a tool. Yeah, We've got a lot of more

1454
01:13:49,680 --> 01:13:52,719
Speaker 1: super jazz to get through. TJ.

1455
01:13:52,840 --> 01:13:56,160
Speaker 9: Merriman, Besy, how do you feel about intros Ribbon in

1456
01:13:56,200 --> 01:13:58,599
Speaker 9: the Sky song in nineteen ninety three compared to Stevie

1457
01:13:58,680 --> 01:13:59,200
Speaker 9: Wonders song.

1458
01:13:59,240 --> 01:13:59,960
Speaker 3: They did a great job.

1459
01:14:00,320 --> 01:14:01,200
Speaker 2: I thought they did it great?

1460
01:14:01,320 --> 01:14:02,760
Speaker 3: Was they did a great job.

1461
01:14:03,360 --> 01:14:07,320
Speaker 2: Yeah, he did a great job like this, it's just

1462
01:14:07,760 --> 01:14:11,280
Speaker 2: right there with the original. You know, it's it's great.

1463
01:14:11,720 --> 01:14:13,080
Speaker 1: They made their own they.

1464
01:14:13,040 --> 01:14:14,240
Speaker 2: Did it was great.

1465
01:14:14,840 --> 01:14:15,479
Speaker 3: Yeah, I love it.

1466
01:14:16,360 --> 01:14:17,120
Speaker 2: I fucking love it.

1467
01:14:17,439 --> 01:14:19,439
Speaker 4: I think Glintendo said he got he was able to

1468
01:14:19,840 --> 01:14:22,560
Speaker 4: submit another one his member chat Glintendo.

1469
01:14:22,600 --> 01:14:25,160
Speaker 9: I don't see the super chat thing or members chat.

1470
01:14:25,240 --> 01:14:26,800
Speaker 9: I don't know how you do it, but yeah, I

1471
01:14:26,840 --> 01:14:30,719
Speaker 9: don't see it yet. But yeah, yeah, all right cool?

1472
01:14:31,200 --> 01:14:34,400
Speaker 9: Uh seven twenty one. Why do you think Kendrick hasn't

1473
01:14:34,439 --> 01:14:36,640
Speaker 9: addressed or dissed Kanye yet? And will you be just

1474
01:14:36,800 --> 01:14:39,519
Speaker 9: wanted if he doesn't? Yeay was hell of disrespectful like Drake.

1475
01:14:39,600 --> 01:14:44,920
Speaker 6: Was, I mean, because Kane's Kanye is like self sabotage

1476
01:14:44,920 --> 01:14:46,800
Speaker 6: at this point. I mean it's like it's like kind

1477
01:14:46,840 --> 01:14:49,439
Speaker 6: of like just let him dig his own, Yeah, dig

1478
01:14:49,640 --> 01:14:52,840
Speaker 6: his own. Great because then he released music and no

1479
01:14:52,920 --> 01:14:56,240
Speaker 6: one cared about it, like then his fans still I

1480
01:14:56,280 --> 01:14:59,720
Speaker 6: think he still has like a core fan base, but generally, yeah,

1481
01:14:59,720 --> 01:15:04,600
Speaker 6: it's like people kind of yeah, Kanye is not a peer. Ye,

1482
01:15:05,000 --> 01:15:07,760
Speaker 6: Kanye is not a peer like and like y'all said,

1483
01:15:07,840 --> 01:15:09,679
Speaker 6: like he's self sabotaged.

1484
01:15:09,120 --> 01:15:11,760
Speaker 8: Like you're gonna dig your own grade. Bro, Ain't nothing

1485
01:15:11,800 --> 01:15:15,080
Speaker 8: I can do or say that's gonna dig it faster exactly.

1486
01:15:15,160 --> 01:15:17,960
Speaker 6: Yeah, you're gonna You're gonna you're gonna check up Bob

1487
01:15:18,000 --> 01:15:19,439
Speaker 6: yourself pretty much.

1488
01:15:19,479 --> 01:15:21,240
Speaker 2: You know what I'm saying. You gotta say nothing.

1489
01:15:21,439 --> 01:15:23,840
Speaker 4: You think about when's the last time anybody's actually talked

1490
01:15:23,840 --> 01:15:24,960
Speaker 4: about Kanye just because of the.

1491
01:15:25,040 --> 01:15:28,360
Speaker 2: Music, Right, It's been a very long time. It's about

1492
01:15:28,400 --> 01:15:29,439
Speaker 2: the antics, exactly.

1493
01:15:29,560 --> 01:15:32,080
Speaker 4: I haven't it's been a wild so I've seen Kanye

1494
01:15:32,360 --> 01:15:34,639
Speaker 4: just get trending because oh, this is a dope album,

1495
01:15:34,760 --> 01:15:35,439
Speaker 4: this is a dope song.

1496
01:15:35,600 --> 01:15:37,680
Speaker 8: And you know what's even crazy to like the interviews

1497
01:15:37,800 --> 01:15:40,240
Speaker 8: of other artists, Like you know, there's this one Chris

1498
01:15:40,320 --> 01:15:42,960
Speaker 8: Brown interview going and he didn't mention Kanye by name,

1499
01:15:43,000 --> 01:15:45,599
Speaker 8: but as you hear him talk like you know who

1500
01:15:45,640 --> 01:15:47,479
Speaker 8: it is, and then you see the clipp and it's

1501
01:15:47,520 --> 01:15:48,960
Speaker 8: just like, bro, like Kanye has been on this ship

1502
01:15:48,960 --> 01:15:49,559
Speaker 8: for a minute now.

1503
01:15:51,840 --> 01:15:55,200
Speaker 1: Uh. Brian twelve said you ranked wrapped in the closet

1504
01:15:55,280 --> 01:15:56,920
Speaker 1: over all of those. I don't know what that means.

1505
01:15:58,000 --> 01:16:00,439
Speaker 1: Who twelve? This was a a while ago.

1506
01:16:01,520 --> 01:16:03,280
Speaker 9: I think Marty and somebody in the chat one of

1507
01:16:03,360 --> 01:16:05,160
Speaker 9: the guys that's been here for a minute asked me

1508
01:16:05,240 --> 01:16:06,720
Speaker 9: to read it, So I just wanted to read it.

1509
01:16:07,840 --> 01:16:10,920
Speaker 1: Uh name that we Malcolm Setx.

1510
01:16:10,960 --> 01:16:14,120
Speaker 9: Y'all did a twenty sixteen don't let's say oh freshman

1511
01:16:14,120 --> 01:16:16,280
Speaker 9: class video shitting on ninety percent of the list that

1512
01:16:16,439 --> 01:16:20,000
Speaker 9: take eight horribly. Twenty sixteen turned out to be one

1513
01:16:20,000 --> 01:16:23,400
Speaker 9: of the best classes ever. Are y'all going back? Are

1514
01:16:23,520 --> 01:16:25,639
Speaker 9: y'all going to go back and revisit some of these

1515
01:16:25,680 --> 01:16:26,240
Speaker 9: bad takes?

1516
01:16:26,520 --> 01:16:28,679
Speaker 3: We thought we already I thought we already we talked

1517
01:16:28,680 --> 01:16:29,439
Speaker 3: about this before.

1518
01:16:29,840 --> 01:16:31,080
Speaker 2: No, we didn't.

1519
01:16:32,680 --> 01:16:34,320
Speaker 7: We didn't talk about I thought when we did the

1520
01:16:34,560 --> 01:16:37,519
Speaker 7: freshman class bracket, we kind of we praised twenty sixteen.

1521
01:16:37,840 --> 01:16:39,800
Speaker 4: Well yeah, I mean, y'all y'all kind y yeah, y'all

1522
01:16:39,800 --> 01:16:42,439
Speaker 4: talked about it in the bracket, But y'all never, I

1523
01:16:42,479 --> 01:16:45,640
Speaker 4: guess said going back and visit we did?

1524
01:16:45,960 --> 01:16:47,120
Speaker 2: We did, I mean, we.

1525
01:16:47,200 --> 01:16:49,240
Speaker 7: Did say, like damn, twenty sixteen was probably like the

1526
01:16:49,360 --> 01:16:52,240
Speaker 7: last big class to like do something.

1527
01:16:52,360 --> 01:16:55,479
Speaker 2: We didn't say that. So So twenty sixteen had Anderson

1528
01:16:55,520 --> 01:17:01,240
Speaker 2: Potter on the Navy's Jay Gerbo little yachty Den carry.

1529
01:17:02,240 --> 01:17:04,040
Speaker 2: It was evert called that black.

1530
01:17:05,600 --> 01:17:09,160
Speaker 4: Twenty one I think he I think I think he

1531
01:17:09,320 --> 01:17:11,479
Speaker 4: means like he actually wants y'all to go and hear

1532
01:17:11,640 --> 01:17:14,439
Speaker 4: the actual bad takes y'all made and react to the

1533
01:17:14,600 --> 01:17:15,400
Speaker 4: take like I would.

1534
01:17:15,560 --> 01:17:17,160
Speaker 3: I would like to go see what we said about.

1535
01:17:17,479 --> 01:17:19,519
Speaker 4: That's why I think that you know, correct me if

1536
01:17:19,520 --> 01:17:19,840
Speaker 4: I'm wrong.

1537
01:17:20,280 --> 01:17:24,320
Speaker 8: Well, here's the thing, right, Like I know for everybody

1538
01:17:24,400 --> 01:17:27,080
Speaker 8: in the room, twenty one sage had to grow on us.

1539
01:17:27,280 --> 01:17:30,519
Speaker 2: We didn't like them originally and let me and Sonny

1540
01:17:30,720 --> 01:17:32,160
Speaker 2: did we critique their cipher?

1541
01:17:32,280 --> 01:17:34,760
Speaker 7: Because I think that's what I think, that's what we

1542
01:17:34,880 --> 01:17:38,559
Speaker 7: was critiqued and more than like and that cipher wasn't

1543
01:17:38,640 --> 01:17:39,000
Speaker 7: that good?

1544
01:17:39,120 --> 01:17:39,800
Speaker 1: Yeah he was.

1545
01:17:40,479 --> 01:17:41,639
Speaker 3: One was bad, Yeah.

1546
01:17:43,000 --> 01:17:43,360
Speaker 1: Was bad.

1547
01:17:44,040 --> 01:17:45,840
Speaker 2: Black was Yeah, these dudes were.

1548
01:17:45,960 --> 01:17:47,559
Speaker 3: So if we talked about.

1549
01:17:53,880 --> 01:17:56,200
Speaker 7: When those stuff was coming out, we was talking about

1550
01:17:56,240 --> 01:17:57,280
Speaker 7: them cyphers and stuff.

1551
01:17:57,400 --> 01:18:00,600
Speaker 4: So yeah, that this was our correct me.

1552
01:18:03,000 --> 01:18:04,960
Speaker 8: It's something that we've been talking about that we just

1553
01:18:05,080 --> 01:18:09,200
Speaker 8: never fully do consistently. But we need to react to

1554
01:18:09,280 --> 01:18:11,519
Speaker 8: our own videos and that should be one of the

1555
01:18:11,600 --> 01:18:12,080
Speaker 8: ones that we do.

1556
01:18:14,200 --> 01:18:16,759
Speaker 1: Frank Tank, Who's production do you like better? J? Coles

1557
01:18:16,840 --> 01:18:17,160
Speaker 1: or Tyler.

1558
01:18:17,320 --> 01:18:20,799
Speaker 9: Creators also taken into account guest production, like co producing

1559
01:18:20,840 --> 01:18:26,080
Speaker 9: High Power for Kendrick, whose production do you like better?

1560
01:18:27,600 --> 01:18:29,840
Speaker 8: I feel like Tyler is just not really getting in

1561
01:18:29,960 --> 01:18:33,680
Speaker 8: his bag as a as a creative.

1562
01:18:33,320 --> 01:18:34,879
Speaker 2: Tyler just because how he involved.

1563
01:18:35,320 --> 01:18:39,600
Speaker 7: Just listening to his production from Baskets, Yeah, Tyler, his

1564
01:18:39,760 --> 01:18:41,760
Speaker 7: production involved involve a lot more than J.

1565
01:18:41,880 --> 01:18:42,200
Speaker 3: Cole's.

1566
01:18:43,040 --> 01:18:46,000
Speaker 8: Yeah, J Coles is more basic. But but J Coles

1567
01:18:46,080 --> 01:18:48,920
Speaker 8: is He's had hits though, where Tyler hasn't.

1568
01:18:49,760 --> 01:18:50,000
Speaker 2: Yeah.

1569
01:18:50,200 --> 01:18:52,280
Speaker 4: But also one thing I will say when if we're

1570
01:18:52,320 --> 01:18:54,240
Speaker 4: just talking about production, because obviously the things that go

1571
01:18:54,320 --> 01:18:56,120
Speaker 4: on in his is not just a productions you know,

1572
01:18:56,760 --> 01:18:58,400
Speaker 4: you know a bunch of different factors. But if we're

1573
01:18:58,439 --> 01:19:00,200
Speaker 4: just talking true with production, the one that I will

1574
01:19:00,280 --> 01:19:03,800
Speaker 4: say is that Tyler did make like a a very

1575
01:19:04,000 --> 01:19:06,439
Speaker 4: niche like type of sound, Like you could recognize the

1576
01:19:06,479 --> 01:19:10,400
Speaker 4: quote unquote Tyler all the future the type of stuff anywhere,

1577
01:19:10,439 --> 01:19:12,280
Speaker 4: Like if you hear anybody try to do anything like that,

1578
01:19:12,400 --> 01:19:13,960
Speaker 4: that's the first today about Oh that's the Tyler Creer,

1579
01:19:14,000 --> 01:19:16,920
Speaker 4: that's the future sound. So I think I think that's

1580
01:19:17,000 --> 01:19:18,679
Speaker 4: made it a little bit more stand up for me personally.

1581
01:19:18,760 --> 01:19:20,080
Speaker 4: While I like Tylas a little bit more like he

1582
01:19:20,160 --> 01:19:23,200
Speaker 4: has something that's kind of just his Cole does great production.

1583
01:19:23,320 --> 01:19:25,320
Speaker 4: But I don't think he has like that oh like

1584
01:19:25,360 --> 01:19:26,080
Speaker 4: that recognized what?

1585
01:19:26,360 --> 01:19:26,559
Speaker 1: Yeah?

1586
01:19:26,720 --> 01:19:28,719
Speaker 2: Yeah, He's definitely more generic.

1587
01:19:28,920 --> 01:19:29,759
Speaker 1: He fits.

1588
01:19:30,160 --> 01:19:33,320
Speaker 8: He's more ambiguous as a producer, where Tyler is definitely

1589
01:19:33,400 --> 01:19:34,000
Speaker 8: more unique.

1590
01:19:35,400 --> 01:19:38,680
Speaker 2: Who I like better. I had to put my like

1591
01:19:38,920 --> 01:19:41,559
Speaker 2: my rapper hat on, I would probably wrap.

1592
01:19:41,439 --> 01:19:43,720
Speaker 8: Over J Cole's production more than I would rap over

1593
01:19:43,800 --> 01:19:46,560
Speaker 8: Tyler's production. So I'm gonna say J Cole as a

1594
01:19:46,640 --> 01:19:54,360
Speaker 8: rapper for me. Tyler mm hmm, Tyler, Yes, absolutely.

1595
01:19:55,960 --> 01:20:00,679
Speaker 1: All right. Video topic suggestion, favorite and best rap music

1596
01:20:00,800 --> 01:20:02,880
Speaker 1: videos in your opinions? I like that?

1597
01:20:03,160 --> 01:20:05,040
Speaker 2: But talk about this no?

1598
01:20:05,600 --> 01:20:08,719
Speaker 4: No, I think I think somebody might have suggested something

1599
01:20:08,800 --> 01:20:10,840
Speaker 4: previously before. We probably just never actually did.

1600
01:20:11,240 --> 01:20:11,280
Speaker 3: No.

1601
01:20:11,400 --> 01:20:12,960
Speaker 1: I feel like we've talked about it because I always

1602
01:20:13,000 --> 01:20:18,679
Speaker 1: mentioned Johnny Jackson music video Johnny and Buster Williams calm down.

1603
01:20:19,000 --> 01:20:21,400
Speaker 9: Was listening to this before the live what's your favorite

1604
01:20:21,439 --> 01:20:26,040
Speaker 9: song from Three Sis Mafias when the smoke clearstre signs?

1605
01:20:26,240 --> 01:20:27,920
Speaker 9: I felt like it was the purpose so on and

1606
01:20:27,960 --> 01:20:30,599
Speaker 9: close the album. Also, would you'all considered that album a classic?

1607
01:20:31,040 --> 01:20:31,240
Speaker 3: Yes?

1608
01:20:31,600 --> 01:20:33,519
Speaker 7: I say forty four Killers is probably one of my

1609
01:20:33,640 --> 01:20:37,800
Speaker 7: favorite joints on there the blood that yeah, that ship,

1610
01:20:38,000 --> 01:20:41,760
Speaker 7: that was my ship. Oh yeah, man, that was my ship. Yeah,

1611
01:20:42,040 --> 01:20:43,640
Speaker 7: I'm sipping on scissor.

1612
01:20:43,479 --> 01:20:49,599
Speaker 5: Like, yeah, that album is Oh my god, special man.

1613
01:20:52,960 --> 01:20:57,080
Speaker 2: So I know, man, God who running run it?

1614
01:20:59,439 --> 01:21:00,719
Speaker 3: Man? This was special?

1615
01:21:00,800 --> 01:21:00,920
Speaker 1: Bro?

1616
01:21:01,760 --> 01:21:03,200
Speaker 2: Who was special?

1617
01:21:03,320 --> 01:21:03,439
Speaker 3: Bro?

1618
01:21:03,920 --> 01:21:04,120
Speaker 2: Yeah?

1619
01:21:04,160 --> 01:21:04,240
Speaker 3: Bro?

1620
01:21:04,320 --> 01:21:05,360
Speaker 2: That that used to bump.

1621
01:21:07,200 --> 01:21:07,439
Speaker 3: I was.

1622
01:21:09,280 --> 01:21:14,960
Speaker 7: For me the pos joint, Yeah was good to Missus

1623
01:21:14,960 --> 01:21:16,800
Speaker 7: Styles is not clear that this is way better than

1624
01:21:16,840 --> 01:21:19,920
Speaker 7: Missing Styles and I like Missus Styn.

1625
01:21:20,439 --> 01:21:22,800
Speaker 2: I love that album. Who Run It?

1626
01:21:23,400 --> 01:21:24,640
Speaker 1: Like you know, me pulling them up?

1627
01:21:25,280 --> 01:21:25,400
Speaker 3: Yea?

1628
01:21:25,439 --> 01:21:27,600
Speaker 1: Who run? That was it?

1629
01:21:28,120 --> 01:21:36,360
Speaker 2: That was that was all Oh yeah, bro, hey you

1630
01:21:36,600 --> 01:21:39,080
Speaker 2: have Yeah, I'm telling you man that you.

1631
01:21:41,200 --> 01:21:42,240
Speaker 3: Have to have a system.

1632
01:21:49,520 --> 01:21:57,600
Speaker 2: Who read it? Was crazy out of that I'm the

1633
01:21:57,720 --> 01:22:02,160
Speaker 2: best album. That's the best album, And they just arguement, yeah, I'm.

1634
01:22:03,439 --> 01:22:06,320
Speaker 1: Yeah, chat, I don't know about this ship.

1635
01:22:09,080 --> 01:22:12,000
Speaker 7: Three six said they keep saying their first album Cleared It.

1636
01:22:12,920 --> 01:22:14,160
Speaker 7: You think Missic Styles is better.

1637
01:22:14,240 --> 01:22:17,519
Speaker 3: I'm like, no, I love that. I love that album.

1638
01:22:17,760 --> 01:22:20,640
Speaker 7: It was too raw, like people might like that, but

1639
01:22:21,080 --> 01:22:23,719
Speaker 7: they would This one was. It was a perfect combination

1640
01:22:23,800 --> 01:22:25,760
Speaker 7: of anness and polish at the same time.

1641
01:22:26,280 --> 01:22:30,800
Speaker 3: I love it. Yeah that I'm special brocial.

1642
01:22:29,479 --> 01:22:30,599
Speaker 2: This album was really special.

1643
01:22:31,400 --> 01:22:33,280
Speaker 5: I love Missic Styles more than World Domination.

1644
01:22:33,520 --> 01:22:35,599
Speaker 1: So second part, do we consider it a classic?

1645
01:22:36,640 --> 01:22:37,120
Speaker 2: I think so.

1646
01:22:37,680 --> 01:22:38,120
Speaker 6: I think so.

1647
01:22:38,360 --> 01:22:41,439
Speaker 2: I think this is their classic. Yeah it's the Maddon Opus.

1648
01:22:42,400 --> 01:22:46,120
Speaker 3: Yeah this ship Man, that's around the time my first

1649
01:22:46,200 --> 01:22:47,639
Speaker 3: move here too, man, me too.

1650
01:22:48,000 --> 01:22:51,439
Speaker 6: Yeah, Yeah, I played the hell out of this album.

1651
01:22:51,840 --> 01:22:53,519
Speaker 2: I was in tenth grade in high school when this

1652
01:22:53,640 --> 01:22:58,760
Speaker 2: came out, So I'm just saying I was outside that.

1653
01:22:58,880 --> 01:22:59,880
Speaker 1: World Domination was.

1654
01:23:02,280 --> 01:23:05,040
Speaker 5: First, their first, like three four albums, Bro.

1655
01:23:05,160 --> 01:23:07,040
Speaker 7: Three six was on it, Bro, and then you then

1656
01:23:07,080 --> 01:23:11,040
Speaker 7: you include Project Pats shipped to like yeah, three Sex.

1657
01:23:11,040 --> 01:23:13,160
Speaker 2: Was on some ship they were. That was my group.

1658
01:23:14,280 --> 01:23:19,320
Speaker 3: I'm so high All Live smell like you don't have

1659
01:23:19,720 --> 01:23:23,280
Speaker 3: by right? Album was special. That was so good. It

1660
01:23:23,400 --> 01:23:27,240
Speaker 3: was so good. Bro, Oh man, that's did you have

1661
01:23:27,360 --> 01:23:31,720
Speaker 3: the pro I had the regal when this came out.

1662
01:23:32,200 --> 01:23:32,760
Speaker 2: What's the next?

1663
01:23:34,600 --> 01:23:36,800
Speaker 1: I got me Reminiscent.

1664
01:23:39,840 --> 01:23:42,160
Speaker 9: Real slick to and super Chatspoart Drake come Home on

1665
01:23:42,240 --> 01:23:45,320
Speaker 9: y'all ass that's j Foes and yeah they've been going crazy.

1666
01:23:45,840 --> 01:23:49,120
Speaker 1: Drake and Jake Fold. He bought he brought back up, Bro,

1667
01:23:49,680 --> 01:23:49,960
Speaker 1: he did.

1668
01:23:50,400 --> 01:23:52,080
Speaker 2: Yeah, it was it was, it was.

1669
01:23:52,240 --> 01:23:56,920
Speaker 1: It was a gang of Drake fans in there. He

1670
01:23:57,080 --> 01:24:01,000
Speaker 1: wasn't he wasn't solo this time. Lot them see where

1671
01:24:01,040 --> 01:24:03,679
Speaker 1: do I recommend albums for D three sixty five?

1672
01:24:03,800 --> 01:24:05,720
Speaker 3: Gotta be a patron, my guy.

1673
01:24:07,000 --> 01:24:11,400
Speaker 1: So, uh that helps. Yes, they do get priority.

1674
01:24:12,040 --> 01:24:14,240
Speaker 2: No, no, no, no, that's the only ones we're doing now.

1675
01:24:14,400 --> 01:24:15,040
Speaker 1: Is that what I said?

1676
01:24:15,240 --> 01:24:17,320
Speaker 2: That's what That's what I said on the last one.

1677
01:24:17,560 --> 01:24:19,720
Speaker 8: That's the only the only way that you are going

1678
01:24:19,800 --> 01:24:21,639
Speaker 8: to be able to nominate something for D three sixty

1679
01:24:21,720 --> 01:24:24,439
Speaker 8: five is to become a patron and go onto the

1680
01:24:24,520 --> 01:24:28,200
Speaker 8: official posts that we have and just put an album there.

1681
01:24:29,120 --> 01:24:37,360
Speaker 12: Shout out to Danger. Oh I gotta see oh yeah, yeah, yeah,

1682
01:24:37,520 --> 01:24:40,000
Speaker 12: he record. Man, I'll send it to you.

1683
01:24:40,360 --> 01:24:41,920
Speaker 1: I ain't gonna even say anything. I'm just send it

1684
01:24:42,600 --> 01:24:43,120
Speaker 1: to both y'all.

1685
01:24:43,200 --> 01:24:46,840
Speaker 8: I'm gonna send it right, I'm putting not worry about it.

1686
01:24:47,280 --> 01:24:51,000
Speaker 8: Just press play, Just press play, bro because.

1687
01:24:50,880 --> 01:24:54,320
Speaker 1: And then we'll we'll we'll revisit this later. Uh arterial

1688
01:24:54,479 --> 01:24:56,479
Speaker 1: better NBA bars Conway or Stove?

1689
01:24:56,600 --> 01:25:03,680
Speaker 2: God, I was so ransom, but he's not. I'm not

1690
01:25:04,000 --> 01:25:08,559
Speaker 2: better than Conway and got man, he up there. Yeah,

1691
01:25:10,520 --> 01:25:13,360
Speaker 2: I'm going I'm going Stove. Got to know he's just

1692
01:25:13,439 --> 01:25:14,720
Speaker 2: so creative with the ship.

1693
01:25:14,920 --> 01:25:15,040
Speaker 1: Bro.

1694
01:25:15,280 --> 01:25:19,320
Speaker 6: I'm going, Stove got to I love Conway Sports Bars,

1695
01:25:19,439 --> 01:25:21,880
Speaker 6: but Stove God got him.

1696
01:25:21,920 --> 01:25:24,000
Speaker 8: Man, Hey, hey to the previous thing. I'm putting it

1697
01:25:24,080 --> 01:25:25,720
Speaker 8: in the in the in the group chat, Sonny, you

1698
01:25:25,800 --> 01:25:31,000
Speaker 8: need to listen to this ship too. Stole God, he

1699
01:25:31,120 --> 01:25:35,719
Speaker 8: got him slightly slight edge, slight edge.

1700
01:25:36,040 --> 01:25:38,160
Speaker 1: Okay, all uh.

1701
01:25:38,320 --> 01:25:40,960
Speaker 9: Black Ross had a debate with someone who admitted Elza

1702
01:25:41,160 --> 01:25:42,519
Speaker 9: was one of the best to pick up the mic,

1703
01:25:42,600 --> 01:25:44,560
Speaker 9: but he believes he lacks charisma.

1704
01:25:45,240 --> 01:25:48,080
Speaker 2: How do you respond to this, bet you don't like charisma?

1705
01:25:48,240 --> 01:25:49,160
Speaker 2: That's not what he liked.

1706
01:25:49,880 --> 01:25:51,360
Speaker 1: I hear what they're talking about.

1707
01:25:51,360 --> 01:25:51,760
Speaker 3: I know what that.

1708
01:25:52,160 --> 01:25:55,680
Speaker 1: I know why that person said that. Why because I

1709
01:25:55,800 --> 01:25:59,840
Speaker 1: think there is because he's just he's a straight rapper,

1710
01:26:00,120 --> 01:26:03,479
Speaker 1: Like he just wraps. It's not a lot of ups

1711
01:26:03,560 --> 01:26:06,000
Speaker 1: and downs. He just he just bar fest.

1712
01:26:06,240 --> 01:26:06,400
Speaker 2: Yeah.

1713
01:26:06,439 --> 01:26:08,240
Speaker 7: I remember I was having this debate with Mike c

1714
01:26:08,439 --> 01:26:11,720
Speaker 7: town Over because I think he was picking he had

1715
01:26:11,760 --> 01:26:15,280
Speaker 7: picked race over because of that, because of that, because

1716
01:26:15,320 --> 01:26:16,800
Speaker 7: of what, because of what you just said?

1717
01:26:17,240 --> 01:26:20,040
Speaker 5: And I'm like, hell no, all day baby, I was

1718
01:26:20,080 --> 01:26:21,800
Speaker 5: still saying el was I but I'm not mad at that.

1719
01:26:21,880 --> 01:26:23,320
Speaker 3: I mean, I'm not mad at that take. I'm not

1720
01:26:23,560 --> 01:26:29,080
Speaker 3: saying that yeah, I can see that. You got you

1721
01:26:29,160 --> 01:26:31,720
Speaker 3: can see that, like I don't want to see that.

1722
01:26:31,800 --> 01:26:35,080
Speaker 3: I mean he's gonna borrow you up. Yeah, I can

1723
01:26:35,160 --> 01:26:35,640
Speaker 3: kind of see that.

1724
01:26:35,880 --> 01:26:37,200
Speaker 1: That's not a crazy take.

1725
01:26:38,000 --> 01:26:38,760
Speaker 2: It's not too crazy.

1726
01:26:38,760 --> 01:26:40,519
Speaker 7: I may I may still disagree, but I'm not like,

1727
01:26:40,680 --> 01:26:42,679
Speaker 7: oh man, you're tripping and tripping. I'm still I'm still

1728
01:26:43,920 --> 01:26:47,280
Speaker 7: he was. We did our Detroit Bests. He was number

1729
01:26:47,320 --> 01:26:49,000
Speaker 7: one and worse was number two.

1730
01:26:49,240 --> 01:26:50,559
Speaker 1: So yeah, you give.

1731
01:26:51,360 --> 01:26:54,479
Speaker 9: If he had a little bit more bro like people

1732
01:26:54,560 --> 01:26:58,080
Speaker 9: with more people would he probably bored somebody to death.

1733
01:26:58,200 --> 01:27:01,400
Speaker 8: So the definition is of Christmas was compelling attractiveness or

1734
01:27:01,479 --> 01:27:05,000
Speaker 8: charm that can inspire devotion and others also too.

1735
01:27:05,080 --> 01:27:07,800
Speaker 7: And I said this when we review allmatic, like go

1736
01:27:07,960 --> 01:27:10,320
Speaker 7: back and listen to them Slum Village albums, because before

1737
01:27:10,439 --> 01:27:13,360
Speaker 7: he was boring us to death. He actually can make

1738
01:27:13,520 --> 01:27:16,960
Speaker 7: songs like he he proved that during his Slum Village run.

1739
01:27:17,120 --> 01:27:19,840
Speaker 7: So I think people people forget because that's so early

1740
01:27:19,920 --> 01:27:20,479
Speaker 7: in his career.

1741
01:27:20,640 --> 01:27:22,160
Speaker 1: But what what what? What?

1742
01:27:22,320 --> 01:27:26,040
Speaker 2: What was the album that? It was kind of crazy?

1743
01:27:26,040 --> 01:27:28,240
Speaker 6: He had the red cover not that long. It's a

1744
01:27:28,240 --> 01:27:30,519
Speaker 6: couple of years ago. Can we We reviewed it on

1745
01:27:30,640 --> 01:27:31,479
Speaker 6: D three sixty five.

1746
01:27:31,520 --> 01:27:33,880
Speaker 1: Oh, that's the one that had r I p on it.

1747
01:27:34,360 --> 01:27:37,479
Speaker 2: Uh, you recommended it.

1748
01:27:37,760 --> 01:27:40,639
Speaker 9: It's the one he did with he had that guilt Guilty,

1749
01:27:40,920 --> 01:27:45,120
Speaker 9: Guilty Simpson feature on it. Oh, I think that's what

1750
01:27:45,240 --> 01:27:45,840
Speaker 9: he's talking about.

1751
01:27:45,880 --> 01:27:47,439
Speaker 3: It's the one he did with No.

1752
01:27:47,720 --> 01:27:53,200
Speaker 7: Yeah, yeah, that project because you damn Why am I

1753
01:27:53,240 --> 01:27:54,720
Speaker 7: trying to blank the name you're talking about?

1754
01:27:54,720 --> 01:27:55,240
Speaker 2: He did me?

1755
01:27:55,280 --> 01:27:55,720
Speaker 3: Did we all know?

1756
01:27:55,960 --> 01:27:56,200
Speaker 1: Yeah?

1757
01:27:56,400 --> 01:27:59,160
Speaker 3: Like heavy yeah.

1758
01:28:00,320 --> 01:28:02,719
Speaker 8: And then the second part of the definition is divinely

1759
01:28:02,840 --> 01:28:06,720
Speaker 8: conferred power or talent, like that that Nigga's talent is

1760
01:28:06,840 --> 01:28:08,840
Speaker 8: from God, the definition of.

1761
01:28:10,880 --> 01:28:13,800
Speaker 1: Because he doesn't like that, well, maybe just maybe he

1762
01:28:13,920 --> 01:28:18,160
Speaker 1: doesn't lack charisma. Maybe it's personality, Maybe it's his presence.

1763
01:28:18,240 --> 01:28:20,720
Speaker 1: Maybe it's something to make just the person that don't

1764
01:28:20,760 --> 01:28:25,519
Speaker 1: want to listen and to heady ass rap listen to

1765
01:28:25,760 --> 01:28:28,639
Speaker 1: something different, like maybe he switched up his flow, maybe

1766
01:28:28,680 --> 01:28:32,200
Speaker 1: add a little uh change to the way he says

1767
01:28:32,240 --> 01:28:34,759
Speaker 1: a word or something like that to make it interesting

1768
01:28:34,840 --> 01:28:35,439
Speaker 1: to the listener.

1769
01:28:37,040 --> 01:28:40,200
Speaker 2: That's what Christmas is the wrong word.

1770
01:28:42,040 --> 01:28:43,120
Speaker 3: It's not the wrong word.

1771
01:28:43,400 --> 01:28:44,760
Speaker 1: I don't think it's the wrong word either.

1772
01:28:45,120 --> 01:28:49,360
Speaker 2: I don't think I don't understand he said what I

1773
01:28:49,360 --> 01:28:51,439
Speaker 2: don't understand the next.

1774
01:28:51,320 --> 01:28:55,680
Speaker 9: One, right, Rod, are you guys more excited for the

1775
01:28:55,760 --> 01:28:58,840
Speaker 9: Clips or Larry June and Cardio album?

1776
01:28:58,880 --> 01:29:00,439
Speaker 3: And man, I'm a Larry June got fuck that.

1777
01:29:00,560 --> 01:29:06,760
Speaker 8: I'm excited for the clips as we talking about, and

1778
01:29:06,880 --> 01:29:10,280
Speaker 8: I love both of them, niggas for the Clips. Yeah,

1779
01:29:10,479 --> 01:29:13,960
Speaker 8: like Clips, it's been a longer time that we haven't

1780
01:29:13,960 --> 01:29:15,000
Speaker 8: had a Clips project.

1781
01:29:15,320 --> 01:29:18,120
Speaker 2: And then everything we've heard is fucking top tier.

1782
01:29:18,640 --> 01:29:21,560
Speaker 3: Yeah, they gotta make up from until cask drops and

1783
01:29:22,640 --> 01:29:24,920
Speaker 3: they're they're they're rappidy rappers.

1784
01:29:25,479 --> 01:29:28,320
Speaker 8: Larry June is a vibe you throw on Larry June whenever, Like,

1785
01:29:28,640 --> 01:29:33,000
Speaker 8: you're not gonna get the level of artistry or lyricism

1786
01:29:33,520 --> 01:29:36,519
Speaker 8: from the Clips that you're gonna like it's gonna be.

1787
01:29:36,960 --> 01:29:39,960
Speaker 8: It's like a one percent of the one percent you

1788
01:29:40,360 --> 01:29:42,760
Speaker 8: can get other Larry June type ship. You're not gonna

1789
01:29:42,760 --> 01:29:43,800
Speaker 8: get other Clips type ship.

1790
01:29:45,920 --> 01:29:47,880
Speaker 3: And then you gotta add the marriage of for real,

1791
01:29:48,360 --> 01:29:49,840
Speaker 3: the features that they got on there.

1792
01:29:52,000 --> 01:29:52,400
Speaker 2: The time.

1793
01:29:53,360 --> 01:29:57,000
Speaker 1: Yeah, well he Devin was talking to you because you're

1794
01:29:57,040 --> 01:29:58,640
Speaker 1: the only Larry June fan. You're like that.

1795
01:29:58,760 --> 01:30:02,560
Speaker 9: Besides Rod Ross grow and Q said he has lyrical charisma,

1796
01:30:03,080 --> 01:30:04,679
Speaker 9: he doesn't have musical charisma.

1797
01:30:05,880 --> 01:30:10,599
Speaker 1: Mm hmm, so take that for what one. Uh, Okay,

1798
01:30:10,760 --> 01:30:11,439
Speaker 1: that's a distinction.

1799
01:30:12,320 --> 01:30:14,639
Speaker 2: I like that context better. I understand what he's saying.

1800
01:30:15,640 --> 01:30:18,439
Speaker 1: Drake can't do anything right and that hip hop byes.

1801
01:30:18,479 --> 01:30:22,439
Speaker 1: I'm predicting they shipped on this new Drake song. I did.

1802
01:30:22,880 --> 01:30:26,080
Speaker 9: Actually you would be surprised. Yeah, I don't think anybody

1803
01:30:26,160 --> 01:30:27,639
Speaker 9: technically shipped on the song.

1804
01:30:29,680 --> 01:30:31,080
Speaker 2: It's just it's just the content.

1805
01:30:31,240 --> 01:30:34,360
Speaker 7: It's just shooting on on the song, on on on

1806
01:30:34,479 --> 01:30:38,040
Speaker 7: the on the on the song, winding about friends and stuff.

1807
01:30:38,200 --> 01:30:40,560
Speaker 2: Like like the victim thing. I'm just not with it

1808
01:30:41,360 --> 01:30:41,920
Speaker 2: because I like that.

1809
01:30:42,040 --> 01:30:42,880
Speaker 5: I like how it sounds.

1810
01:30:42,920 --> 01:30:44,760
Speaker 1: Well maybe that is, I don't know.

1811
01:30:45,400 --> 01:30:46,240
Speaker 2: I like how it sounds.

1812
01:30:46,400 --> 01:30:48,560
Speaker 1: I don't I don't think. I don't think should is

1813
01:30:48,600 --> 01:30:50,640
Speaker 1: going in in the way that they probably thought. I

1814
01:30:50,640 --> 01:30:51,519
Speaker 1: don't think I was too hard.

1815
01:30:51,680 --> 01:30:52,880
Speaker 2: I don't think like that.

1816
01:30:53,600 --> 01:30:58,800
Speaker 7: When it protection wraps, Yeah, that's hilarious bout the.

1817
01:31:01,080 --> 01:31:03,840
Speaker 3: Right. Uh, he did look like he was witness.

1818
01:31:07,200 --> 01:31:07,360
Speaker 1: Man.

1819
01:31:07,520 --> 01:31:09,479
Speaker 9: It's met the man better now that he was in

1820
01:31:09,560 --> 01:31:11,840
Speaker 9: his prime. And who else do you think has had

1821
01:31:11,880 --> 01:31:13,360
Speaker 9: a solid run post.

1822
01:31:13,160 --> 01:31:15,160
Speaker 3: For I need an album to back that up.

1823
01:31:15,520 --> 01:31:19,479
Speaker 7: Donald, He's definitely he's definitely rapping like he's in his

1824
01:31:19,600 --> 01:31:22,240
Speaker 7: prime or better. But I need to I need a collection.

1825
01:31:22,520 --> 01:31:24,840
Speaker 7: I need a collection of songs to back that up

1826
01:31:24,960 --> 01:31:26,080
Speaker 7: before I make that claim.

1827
01:31:26,760 --> 01:31:30,160
Speaker 2: That's just me and who else had a solid run

1828
01:31:30,240 --> 01:31:31,200
Speaker 2: post forty.

1829
01:31:33,600 --> 01:31:43,519
Speaker 3: Yeah, Ship Black thought mm hmm yeah, Ship, I'm trying

1830
01:31:43,560 --> 01:31:43,760
Speaker 3: to think.

1831
01:31:44,439 --> 01:31:47,040
Speaker 7: Uh, Ship L and q Tip they just released the

1832
01:31:48,040 --> 01:31:49,759
Speaker 7: Rick just had a really damn good album.

1833
01:31:50,000 --> 01:31:52,679
Speaker 2: Yeah, rock Kim had a really good album.

1834
01:31:53,400 --> 01:31:53,599
Speaker 3: Yep.

1835
01:31:55,160 --> 01:32:00,880
Speaker 13: I think he's doing he's doing you can say another

1836
01:32:00,880 --> 01:32:04,920
Speaker 13: one comments another one rock Kim. He's doing the album

1837
01:32:04,960 --> 01:32:05,639
Speaker 13: with a producer.

1838
01:32:06,520 --> 01:32:06,760
Speaker 2: Ship.

1839
01:32:06,760 --> 01:32:11,200
Speaker 7: It's the one producer too, the doing that damn album with.

1840
01:32:11,439 --> 01:32:13,639
Speaker 2: And I saw that, I was like, oh, how old.

1841
01:32:13,680 --> 01:32:14,400
Speaker 2: It's two change.

1842
01:32:14,479 --> 01:32:16,600
Speaker 9: I don't know if methods Okay, you already kind of

1843
01:32:16,600 --> 01:32:18,800
Speaker 9: answered the question. I don't know if method is better

1844
01:32:18,880 --> 01:32:21,400
Speaker 9: in his pride, Yeah, I.

1845
01:32:21,439 --> 01:32:26,240
Speaker 6: Need an album, yeah, like to solidify it, to be like, okay, yeah,

1846
01:32:26,280 --> 01:32:27,439
Speaker 6: he's on a hot streak right now.

1847
01:32:27,520 --> 01:32:32,679
Speaker 2: Yeah, the future is good. But you said future future

1848
01:32:32,760 --> 01:32:33,840
Speaker 2: is over forty I think so.

1849
01:32:34,200 --> 01:32:35,760
Speaker 3: I think. I think I think he's right.

1850
01:32:38,640 --> 01:32:43,400
Speaker 1: Two h uh, well all look that up. Let me

1851
01:32:43,560 --> 01:32:43,840
Speaker 1: move on.

1852
01:32:45,320 --> 01:32:48,759
Speaker 2: It's just forty one one. Wow, geez, yeah, that's crazy.

1853
01:32:48,960 --> 01:32:49,439
Speaker 2: Old geez.

1854
01:32:50,040 --> 01:32:54,320
Speaker 9: Yeah, a doom metal recommendation. My dying bride like Gods

1855
01:32:54,400 --> 01:32:57,479
Speaker 9: of the Sun appreciate it. I will definitely give that

1856
01:32:57,600 --> 01:32:58,000
Speaker 9: a listen.

1857
01:32:58,360 --> 01:33:00,519
Speaker 3: Rock Kim is doing the album produced by the Ghosts.

1858
01:33:01,120 --> 01:33:04,720
Speaker 7: Wo what Yeah, I would say the producers coming what

1859
01:33:04,760 --> 01:33:06,720
Speaker 7: it's called The Real coming out August twenty ninth.

1860
01:33:08,720 --> 01:33:10,360
Speaker 5: I could have remember like he's doing an album with

1861
01:33:10,439 --> 01:33:11,280
Speaker 5: a producer.

1862
01:33:11,040 --> 01:33:15,800
Speaker 9: Was like ghost miss bro, I'm interested it goest be cooking? Yeah, bro,

1863
01:33:16,439 --> 01:33:19,080
Speaker 9: all right, so I'll check that out. I don't know

1864
01:33:19,160 --> 01:33:22,160
Speaker 9: if you're it's nice, Patroon, let me know, but I'll

1865
01:33:22,200 --> 01:33:23,519
Speaker 9: definitely give that a listen to.

1866
01:33:23,760 --> 01:33:25,840
Speaker 1: Uh, back to that listen.

1867
01:33:25,560 --> 01:33:28,640
Speaker 2: Back to that previous question to changes forty seven. So

1868
01:33:28,840 --> 01:33:31,679
Speaker 2: yes he was older. Yeah that almost fifty.

1869
01:33:31,880 --> 01:33:37,400
Speaker 3: That's crazy, little win gotta be forties then, yeah, but

1870
01:33:37,439 --> 01:33:37,640
Speaker 3: he did.

1871
01:33:37,760 --> 01:33:43,240
Speaker 9: Yeah, Melan the Man, y'all checked that new master Killer

1872
01:33:43,280 --> 01:33:45,679
Speaker 9: out album out surprisingly super solid.

1873
01:33:47,600 --> 01:33:49,760
Speaker 1: I think it's on the list of playlist. I gotta

1874
01:33:50,120 --> 01:33:52,679
Speaker 1: check them out, but yeah, I will check it out.

1875
01:33:54,800 --> 01:33:58,680
Speaker 9: Best comeback after an artist got locked up. It's from

1876
01:33:58,720 --> 01:34:00,439
Speaker 9: peace Fled Productions.

1877
01:34:00,840 --> 01:34:05,840
Speaker 6: Tupac right, all eyes on Me, Yeah, that's pretty all

1878
01:34:05,880 --> 01:34:08,719
Speaker 6: eyes on Me and mcabelly. Yeah, pretty obvious.

1879
01:34:08,880 --> 01:34:13,040
Speaker 1: Yeah, I think just to add one in there. Not

1880
01:34:13,200 --> 01:34:17,080
Speaker 1: an album. I know we mentioned album, but I think

1881
01:34:17,360 --> 01:34:18,960
Speaker 1: Grizzley First Day was good.

1882
01:34:19,120 --> 01:34:23,760
Speaker 2: Yeah, Gunner Ship was good too. I mean we're not.

1883
01:34:25,800 --> 01:34:25,880
Speaker 1: Na.

1884
01:34:27,800 --> 01:34:31,280
Speaker 2: Yeah, we're just adding to the We're not saying better.

1885
01:34:32,560 --> 01:34:35,320
Speaker 8: Really up for discussion, Yeah yeah, yeah, we're not saying

1886
01:34:35,400 --> 01:34:36,880
Speaker 8: better than We're just adding to.

1887
01:34:41,000 --> 01:34:41,679
Speaker 2: I wasna.

1888
01:34:43,000 --> 01:34:45,559
Speaker 3: Yeah, based on how the question is asked one.

1889
01:34:47,200 --> 01:34:51,920
Speaker 1: All right, uh Juli Fletcher, I was, I don't think

1890
01:34:51,960 --> 01:34:53,880
Speaker 1: I've seen his name in a minute. Gucci was a

1891
01:34:53,920 --> 01:34:54,360
Speaker 1: good answer.

1892
01:34:54,880 --> 01:34:59,479
Speaker 3: Oh yeah, that's a good answer, but it's still not.

1893
01:35:01,320 --> 01:35:01,840
Speaker 2: A good answer.

1894
01:35:02,360 --> 01:35:04,240
Speaker 1: We were just talking about this on the review. How

1895
01:35:04,240 --> 01:35:04,600
Speaker 1: about that?

1896
01:35:05,040 --> 01:35:07,040
Speaker 9: On the latest Rory and Maul podcast, they had a

1897
01:35:07,040 --> 01:35:09,800
Speaker 9: special guest, Nick Grant. Nick Grant has said that he

1898
01:35:09,880 --> 01:35:11,880
Speaker 9: wants all the smoke with Jed. How do you guys

1899
01:35:12,040 --> 01:35:13,320
Speaker 9: feel and who y'all got?

1900
01:35:13,760 --> 01:35:18,000
Speaker 1: Remember I said Nick Grant Rap show should be talking

1901
01:35:18,040 --> 01:35:19,280
Speaker 1: to listen.

1902
01:35:19,840 --> 01:35:21,280
Speaker 2: Yeah, you know what I'm saying.

1903
01:35:26,160 --> 01:35:26,720
Speaker 1: You know what I'm saying.

1904
01:35:29,760 --> 01:35:32,000
Speaker 3: He was over here first. Grant was over the listening.

1905
01:35:33,680 --> 01:35:34,280
Speaker 3: You know what I'm saying.

1906
01:35:34,479 --> 01:35:36,439
Speaker 7: Yeah, And I told I mentioned to him earlier about

1907
01:35:36,439 --> 01:35:38,960
Speaker 7: the tweet that someone had mentioned that no one is

1908
01:35:39,160 --> 01:35:41,479
Speaker 7: rapping better than Jed, and then Nick Grant said, cap.

1909
01:35:42,880 --> 01:35:47,680
Speaker 8: Yeah, who would I I don't know, bro, Like I

1910
01:35:47,680 --> 01:35:50,519
Speaker 8: would just need to see it happen and then you know,

1911
01:35:50,760 --> 01:35:54,000
Speaker 8: kind of decide. But going into it, it's a toss up, bro,

1912
01:35:54,520 --> 01:35:56,760
Speaker 8: I think either one of them could get either one

1913
01:35:56,840 --> 01:36:00,559
Speaker 8: of them, but I would.

1914
01:36:00,360 --> 01:36:00,760
Speaker 2: Like to see it.

1915
01:36:01,080 --> 01:36:02,680
Speaker 8: Yeah, I would like to see it because it's you know,

1916
01:36:03,240 --> 01:36:06,320
Speaker 8: because based off of the EP that that just had

1917
01:36:06,560 --> 01:36:09,719
Speaker 8: and based off of the album that we just reviewed

1918
01:36:10,160 --> 01:36:14,080
Speaker 8: from Nick Grant, it's a toss up, bro, both of

1919
01:36:14,120 --> 01:36:16,000
Speaker 8: them niggas is I think it's a battle.

1920
01:36:16,320 --> 01:36:18,759
Speaker 2: Yeah, I would say it's it's definitely.

1921
01:36:18,960 --> 01:36:21,360
Speaker 1: I think it's a Jake and I wrapt.

1922
01:36:22,160 --> 01:36:23,080
Speaker 2: I think it's possible.

1923
01:36:23,600 --> 01:36:24,960
Speaker 3: I think it's possible either way.

1924
01:36:26,640 --> 01:36:29,559
Speaker 2: I just got to see it good lyrical And.

1925
01:36:29,520 --> 01:36:31,000
Speaker 4: I would say this to all the people trying to

1926
01:36:31,040 --> 01:36:32,760
Speaker 4: be you know, trying to be funny and everything and

1927
01:36:32,960 --> 01:36:36,200
Speaker 4: chat on some who who's that go do the research,

1928
01:36:36,680 --> 01:36:37,439
Speaker 4: like do knowledge?

1929
01:36:37,560 --> 01:36:45,680
Speaker 1: He he he took it personally, Yeah, because literally they

1930
01:36:45,760 --> 01:36:47,000
Speaker 1: didn't watch our interview with him.

1931
01:36:47,040 --> 01:36:49,320
Speaker 9: If they're saying that, yeah, so they must be trying

1932
01:36:49,360 --> 01:36:52,880
Speaker 9: to be funny. But now Nick Grant is the truth.

1933
01:36:54,000 --> 01:36:59,120
Speaker 9: M hm damn, oh man.

1934
01:37:01,800 --> 01:37:05,960
Speaker 8: I think can before you go, Nick Grant today out

1935
01:37:06,120 --> 01:37:10,040
Speaker 8: rap or rap with any person that's rapping. That includes

1936
01:37:10,080 --> 01:37:12,200
Speaker 8: the k does, That includes the j co's, that includes

1937
01:37:12,240 --> 01:37:14,920
Speaker 8: the Drakes, that includes the Jigs, that includes the Eminem's,

1938
01:37:15,200 --> 01:37:17,479
Speaker 8: and that includes your favorite rapper's favorite rapper.

1939
01:37:17,800 --> 01:37:19,160
Speaker 3: You're not smoking them if you're on the track.

1940
01:37:19,560 --> 01:37:24,320
Speaker 2: No, Nick Grant can out rap or rap with everybody

1941
01:37:24,360 --> 01:37:24,840
Speaker 2: in hip hop.

1942
01:37:25,640 --> 01:37:30,320
Speaker 8: I think Jig could get him on flow. I think

1943
01:37:30,360 --> 01:37:34,320
Speaker 8: stylistically he may be more appealing. But if we're talking

1944
01:37:34,360 --> 01:37:38,000
Speaker 8: about the weight of the words being said, no.

1945
01:37:41,560 --> 01:37:46,839
Speaker 2: It's it's like, what's the eminem and jay z shit renegade?

1946
01:37:48,000 --> 01:37:49,719
Speaker 2: Eminem got j on flow?

1947
01:37:49,760 --> 01:37:52,160
Speaker 8: You listen to what Jay says, Jay was rapping his

1948
01:37:52,280 --> 01:37:56,920
Speaker 8: ass off. I think Jack could outflow Nick, but I

1949
01:37:56,920 --> 01:37:58,160
Speaker 8: don't think he can outrap him.

1950
01:38:00,960 --> 01:38:03,960
Speaker 2: Okay, there's two different things. Yeah, I think.

1951
01:38:04,040 --> 01:38:06,800
Speaker 6: I think I think Jig could probably at the most

1952
01:38:06,840 --> 01:38:13,519
Speaker 6: get him on style bars though yeah yeah, no style.

1953
01:38:13,640 --> 01:38:18,960
Speaker 3: He might edge him on style because because Jim's style

1954
01:38:19,080 --> 01:38:19,439
Speaker 3: is dope.

1955
01:38:21,920 --> 01:38:22,280
Speaker 1: All right.

1956
01:38:23,439 --> 01:38:28,400
Speaker 9: Just a couple of more here, openids on rockies, falling, failing, rollout.

1957
01:38:28,840 --> 01:38:31,840
Speaker 9: He dropped a single recently which flopped hard. Unfortunately, don't

1958
01:38:31,880 --> 01:38:33,519
Speaker 9: be dumb man, he did.

1959
01:38:34,000 --> 01:38:34,040
Speaker 2: He.

1960
01:38:34,560 --> 01:38:35,800
Speaker 1: I didn't know he dropped the single.

1961
01:38:35,920 --> 01:38:38,000
Speaker 9: B I was I was going to listen to the

1962
01:38:38,439 --> 01:38:40,200
Speaker 9: Drake single because I knew we were talking about this,

1963
01:38:40,760 --> 01:38:41,800
Speaker 9: and I was like, Oh, that's.

1964
01:38:41,760 --> 01:38:45,120
Speaker 1: New at Rocky song. You no chance dropped the one too?

1965
01:38:45,520 --> 01:38:51,200
Speaker 2: Yeah, the chance, bro, he been done.

1966
01:38:51,800 --> 01:38:54,840
Speaker 3: Damn nobody come up the Rocky song.

1967
01:38:55,240 --> 01:38:56,240
Speaker 2: I don't say he's been done.

1968
01:38:56,280 --> 01:38:57,880
Speaker 6: He had that one song and he had dropped a

1969
01:38:57,920 --> 01:39:01,680
Speaker 6: little single little yeah, just like to just what was

1970
01:39:01,720 --> 01:39:02,360
Speaker 6: what's that joint?

1971
01:39:02,400 --> 01:39:06,160
Speaker 3: We liked the single he dropped that time? Oh, we

1972
01:39:06,320 --> 01:39:09,360
Speaker 3: had asked Spike, we did.

1973
01:39:09,439 --> 01:39:11,160
Speaker 2: I think it was a rundown or something that we

1974
01:39:11,240 --> 01:39:15,280
Speaker 2: did it I'm talking about. Yeah, Chance was dope.

1975
01:39:15,439 --> 01:39:16,720
Speaker 5: So ain's that Rocky fell off?

1976
01:39:17,560 --> 01:39:17,760
Speaker 3: Yeah?

1977
01:39:18,280 --> 01:39:18,760
Speaker 1: I think so.

1978
01:39:19,120 --> 01:39:20,799
Speaker 2: I don't think I'm asking y'all y'all.

1979
01:39:20,680 --> 01:39:23,320
Speaker 4: Like him, I personally don't think. I honestly just think

1980
01:39:23,360 --> 01:39:24,680
Speaker 4: it's just fatigued this point he.

1981
01:39:27,080 --> 01:39:27,400
Speaker 2: Dropping.

1982
01:39:28,560 --> 01:39:29,760
Speaker 3: Can I finish my point for.

1983
01:39:31,560 --> 01:39:32,160
Speaker 1: The wrong word?

1984
01:39:32,320 --> 01:39:33,880
Speaker 3: No, No, I was using the right word.

1985
01:39:34,120 --> 01:39:37,479
Speaker 4: Let me get to the period. So boo fatigu, because

1986
01:39:37,520 --> 01:39:39,560
Speaker 4: what niggas are tired of waiting to get teased for

1987
01:39:39,640 --> 01:39:40,960
Speaker 4: the album. Just dropped the album.

1988
01:39:41,360 --> 01:39:42,320
Speaker 2: Want to listen to another single?

1989
01:39:42,479 --> 01:39:43,719
Speaker 4: I'm been waiting two three years.

1990
01:39:43,600 --> 01:39:45,280
Speaker 5: For the album I Got you so like trying to

1991
01:39:45,280 --> 01:39:45,800
Speaker 5: get type of thing.

1992
01:39:45,920 --> 01:39:48,280
Speaker 4: Yes, I don't want to hear another snippet. I don't

1993
01:39:48,280 --> 01:39:50,040
Speaker 4: want to hear another single. Fuck you G and O,

1994
01:39:50,120 --> 01:39:52,280
Speaker 4: I G all this damn roll out. Just dropped the

1995
01:39:52,320 --> 01:39:56,320
Speaker 4: damn album. At this point, I think, keep that to ship,

1996
01:39:57,360 --> 01:39:58,960
Speaker 4: you fashion ship. But I think that's what people are at.

1997
01:39:59,000 --> 01:40:00,760
Speaker 4: People are just tired, Like I don't want to be

1998
01:40:01,360 --> 01:40:03,599
Speaker 4: marketed the album no more. Either you drop the album

1999
01:40:03,680 --> 01:40:05,920
Speaker 4: or you don't like It's where you had to cancel

2000
01:40:05,960 --> 01:40:06,760
Speaker 4: pre orders for your.

2001
01:40:07,000 --> 01:40:09,360
Speaker 5: Damn So you you you you're You're over it?

2002
01:40:09,560 --> 01:40:11,880
Speaker 4: Yeah, that's that's about. I'm not you're not paying attention,

2003
01:40:12,000 --> 01:40:14,160
Speaker 4: ain't I'm not clicking on nothing or anything until I

2004
01:40:14,280 --> 01:40:16,080
Speaker 4: actually see but dropped.

2005
01:40:16,520 --> 01:40:19,360
Speaker 8: But this might be the labels doing Maybe they want

2006
01:40:19,400 --> 01:40:22,840
Speaker 8: to be able to gauge the temperature in the room.

2007
01:40:23,040 --> 01:40:25,360
Speaker 4: This may not be rocky, but then they're doing the

2008
01:40:25,400 --> 01:40:25,960
Speaker 4: horrible drop.

2009
01:40:26,000 --> 01:40:26,280
Speaker 2: That's why.

2010
01:40:27,200 --> 01:40:29,800
Speaker 4: But I don't think it's a situation that he fell off.

2011
01:40:29,880 --> 01:40:32,040
Speaker 4: I think it's just like he hasn't been doing anything,

2012
01:40:32,080 --> 01:40:35,240
Speaker 4: and it's like his actual fan base who's been paying

2013
01:40:35,240 --> 01:40:36,800
Speaker 4: attention for the past couple of years at.

2014
01:40:36,760 --> 01:40:41,560
Speaker 2: This time, I needed to let you cook because I

2015
01:40:41,560 --> 01:40:44,320
Speaker 2: feel exactly the same way I saw it. Label he

2016
01:40:44,400 --> 01:40:46,000
Speaker 2: was on label is he not?

2017
01:40:46,360 --> 01:40:48,600
Speaker 4: I mean, I think he got like intribution anything. I

2018
01:40:48,640 --> 01:40:49,839
Speaker 4: think I think he's pretty independent.

2019
01:40:56,000 --> 01:40:58,479
Speaker 2: I'm just being silly. He ain't ship.

2020
01:41:00,600 --> 01:41:02,479
Speaker 4: I mean, like, but like I said, that's that's just

2021
01:41:02,600 --> 01:41:04,200
Speaker 4: my That's how a personal like I see a lot

2022
01:41:04,200 --> 01:41:07,200
Speaker 4: of people say. It's like, like checked out after Taylor Swift,

2023
01:41:07,240 --> 01:41:08,960
Speaker 4: I was like, Okay, Taylor Swift, that's a dope track.

2024
01:41:09,360 --> 01:41:11,559
Speaker 4: Anything else he's dropped after that one, I'm like, I'm good,

2025
01:41:11,600 --> 01:41:13,519
Speaker 4: I made a decision. Back, I'm not clicking and listen

2026
01:41:13,560 --> 01:41:15,000
Speaker 4: to anything else into that album comes out.

2027
01:41:17,320 --> 01:41:21,880
Speaker 1: Mm hmm, all right, not a stand. But y'all's drake

2028
01:41:22,000 --> 01:41:25,439
Speaker 1: bash and getting boring. Oh god, I was trying not

2029
01:41:25,600 --> 01:41:29,800
Speaker 1: to bash. I'm trying to be keeping, but you know,

2030
01:41:30,240 --> 01:41:39,920
Speaker 1: I dank bashed himself. Stop it. J Faul please read

2031
01:41:40,120 --> 01:41:42,840
Speaker 1: Kendrick Goosebumps really slow please.

2032
01:41:44,600 --> 01:41:51,560
Speaker 2: Okay, okay, and uh, I don't know.

2033
01:41:52,280 --> 01:41:55,960
Speaker 9: Shout out to Glintendo I think Glintendo and Trinity Trinity

2034
01:41:56,080 --> 01:42:01,519
Speaker 9: the super tests closed, so that's why you are unable

2035
01:42:01,560 --> 01:42:05,639
Speaker 9: to send one right now. Glintendo just became a member.

2036
01:42:06,760 --> 01:42:10,120
Speaker 9: They never sent the members chat, but I'm gonna read

2037
01:42:10,160 --> 01:42:13,479
Speaker 9: this because they signed up. Uh, he said f MJ

2038
01:42:13,640 --> 01:42:15,800
Speaker 9: wrote his biggest hits. He wrote don't Stop Till You

2039
01:42:15,840 --> 01:42:19,080
Speaker 9: Get Enough. He wrote starting Something, Beat It, Billy Jean,

2040
01:42:19,400 --> 01:42:22,800
Speaker 9: every song on Bad except two. Why is everyone saying

2041
01:42:22,960 --> 01:42:25,519
Speaker 9: MJ didn't write songs? So that's why he was trying

2042
01:42:25,520 --> 01:42:28,080
Speaker 9: to say, super chat correct the record. This is the

2043
01:42:28,120 --> 01:42:29,439
Speaker 9: corrector he was trying to correct.

2044
01:42:30,000 --> 01:42:32,519
Speaker 2: I was always under the assumption Quency wrote the majority

2045
01:42:32,560 --> 01:42:35,560
Speaker 2: of it. Well, you were wrong. I wasn't he produced it,

2046
01:42:35,920 --> 01:42:36,960
Speaker 2: but it.

2047
01:42:38,840 --> 01:42:39,360
Speaker 1: Isaiah.

2048
01:42:39,720 --> 01:42:44,280
Speaker 9: The super chats from earlier, I don't have them here.

2049
01:42:45,560 --> 01:42:48,840
Speaker 9: They may be on that computer, but they're like way

2050
01:42:49,439 --> 01:42:54,680
Speaker 9: like at the top. Wait, yeah, some that came through

2051
01:42:54,720 --> 01:42:57,360
Speaker 9: I think before we went live. Let me chat real quick,

2052
01:42:58,240 --> 01:42:58,880
Speaker 9: just to make sure.

2053
01:42:58,960 --> 01:43:02,479
Speaker 2: But and that Don't Be Dumb song is not on

2054
01:43:03,280 --> 01:43:03,920
Speaker 2: Apple Music.

2055
01:43:04,320 --> 01:43:08,920
Speaker 1: Let me see. But that's that's what I think. Josh

2056
01:43:09,000 --> 01:43:10,639
Speaker 1: Bro said that there may have been soon.

2057
01:43:10,960 --> 01:43:12,800
Speaker 4: You said that Don't Be Dumb song. That's the title

2058
01:43:13,160 --> 01:43:14,639
Speaker 4: that's not the way it's called praise.

2059
01:43:14,920 --> 01:43:18,880
Speaker 2: It's called a prep prep. Yeah so uh bz. He's

2060
01:43:18,920 --> 01:43:19,599
Speaker 2: not on the label.

2061
01:43:19,640 --> 01:43:24,120
Speaker 8: This was released under ASAP Rocking Recordings LLC. Okay, all right,

2062
01:43:25,800 --> 01:43:27,880
Speaker 8: so yeah, so then I'm one hundred percent with you,

2063
01:43:28,560 --> 01:43:30,560
Speaker 8: uh Sonny, but I was already with you, you know,

2064
01:43:31,160 --> 01:43:31,559
Speaker 8: like too.

2065
01:43:31,680 --> 01:43:33,000
Speaker 1: There were two from Josh Bros.

2066
01:43:33,200 --> 01:43:35,280
Speaker 4: Okay, hold on, I'm trying to see if I can findal.

2067
01:43:37,360 --> 01:43:37,800
Speaker 1: Mm hm.

2068
01:43:40,680 --> 01:43:40,880
Speaker 2: Oh.

2069
01:43:41,640 --> 01:43:43,519
Speaker 6: Some miody said, why would you have a time limit

2070
01:43:43,840 --> 01:43:46,599
Speaker 6: for super chats? Because we try to get the funk

2071
01:43:46,680 --> 01:43:47,320
Speaker 6: up out here.

2072
01:43:48,800 --> 01:43:50,479
Speaker 2: Now, because we like to try.

2073
01:43:50,360 --> 01:43:52,040
Speaker 6: To get to all the super chests, and I'm like

2074
01:43:52,520 --> 01:43:54,920
Speaker 6: some people that do super chests, we like to kind

2075
01:43:54,920 --> 01:43:56,800
Speaker 6: of get to all of them. So that gives us

2076
01:43:56,800 --> 01:43:59,680
Speaker 6: an opportunity to get to all of them if we

2077
01:44:00,040 --> 01:44:02,080
Speaker 6: cut them off at a certain time, because if we.

2078
01:44:02,120 --> 01:44:04,280
Speaker 8: Let him go, like, we're gonna skip a lot of them,

2079
01:44:04,840 --> 01:44:07,240
Speaker 8: and I don't we don't feel like that's fair to y'all,

2080
01:44:07,320 --> 01:44:09,720
Speaker 8: Like y'all spending y'all harder and money, we should be

2081
01:44:09,760 --> 01:44:10,800
Speaker 8: able to answer them.

2082
01:44:10,880 --> 01:44:12,600
Speaker 6: But that's why we do these weekly too, though, so

2083
01:44:12,680 --> 01:44:15,160
Speaker 6: we give y'all another opportunity to get the super chats

2084
01:44:15,280 --> 01:44:17,519
Speaker 6: in yeah or whatnot, and.

2085
01:44:17,600 --> 01:44:19,080
Speaker 3: You don't should get here on time.

2086
01:44:19,640 --> 01:44:22,680
Speaker 1: But now everybody can't get your own time because they

2087
01:44:22,760 --> 01:44:24,280
Speaker 1: might be working. They might be out.

2088
01:44:26,439 --> 01:44:30,120
Speaker 3: In late, or they could send the super chat early.

2089
01:44:30,800 --> 01:44:33,599
Speaker 2: Yeah, once we scheduled the live, you can send them.

2090
01:44:34,680 --> 01:44:34,840
Speaker 1: Uh.

2091
01:44:36,360 --> 01:44:37,479
Speaker 4: What was the last one we read off?

2092
01:44:38,840 --> 01:44:40,439
Speaker 2: There's two by Josh bros at the top.

2093
01:44:40,800 --> 01:44:42,040
Speaker 1: Yeah too much?

2094
01:44:43,600 --> 01:44:43,920
Speaker 2: Okay?

2095
01:44:44,680 --> 01:44:47,800
Speaker 4: Uh so the first one by Josh bro says I

2096
01:44:47,920 --> 01:44:50,600
Speaker 4: might be reaching here. But Ken made several mentions.

2097
01:44:50,360 --> 01:44:51,960
Speaker 1: Are you are you able to put it on the screen?

2098
01:44:52,880 --> 01:44:53,479
Speaker 4: I have to switch.

2099
01:44:53,560 --> 01:44:54,559
Speaker 2: I had to find on YouTube.

2100
01:44:56,560 --> 01:44:58,280
Speaker 1: Okay, prevoord to the super check.

2101
01:45:00,720 --> 01:45:04,160
Speaker 2: Uh, I can just make try and make it big

2102
01:45:04,240 --> 01:45:05,360
Speaker 2: on the screen for y'all.

2103
01:45:15,479 --> 01:45:16,759
Speaker 1: When you click it, it don't.

2104
01:45:19,840 --> 01:45:20,880
Speaker 3: We can see it, but they can't.

2105
01:45:21,200 --> 01:45:24,759
Speaker 1: Yeah, oh you don't see the stream.

2106
01:45:24,600 --> 01:45:27,160
Speaker 4: Yard this is I have to go to YouTube again.

2107
01:45:28,320 --> 01:45:34,760
Speaker 2: Yeah, all right, we should just read it. Uh well,

2108
01:45:34,800 --> 01:45:36,320
Speaker 2: put it, yeah, put it like that. We can see

2109
01:45:36,320 --> 01:45:36,519
Speaker 2: it though.

2110
01:45:38,000 --> 01:45:39,760
Speaker 4: So it says I might be reaching here. But Ken

2111
01:45:39,840 --> 01:45:44,160
Speaker 4: made several mentions on h oh the Death of Slim

2112
01:45:44,200 --> 01:45:48,439
Speaker 4: Shade review that he sees eminem as raps, Dave Chappelle

2113
01:45:48,640 --> 01:45:51,280
Speaker 4: and in the Eminence feature. Oh, then he want to

2114
01:45:51,280 --> 01:45:53,439
Speaker 4: know about eminem feature with j He says it's a

2115
01:45:54,160 --> 01:45:58,800
Speaker 4: one or two. Oh oh, he got split up. Okay,

2116
01:45:58,920 --> 01:46:00,600
Speaker 4: this is one whole chat, but he split up in

2117
01:46:00,600 --> 01:46:03,040
Speaker 4: two different chats. Okay it so he said I might

2118
01:46:03,080 --> 01:46:05,240
Speaker 4: be reaching here, But Kim made several mentions on the

2119
01:46:05,320 --> 01:46:07,640
Speaker 4: Death of Slim Shape review that he sees Eminem as

2120
01:46:07,760 --> 01:46:11,960
Speaker 4: raps Dave Chappelle, and on Eminem's future with Jed. He says,

2121
01:46:12,080 --> 01:46:14,599
Speaker 4: never sold myself for the fame and wealth the Dave

2122
01:46:14,680 --> 01:46:17,320
Speaker 4: Chappelle of the rap game. Do you think he's watching

2123
01:46:17,439 --> 01:46:19,560
Speaker 4: as I'm an Eminem Fano saw all our reviews for

2124
01:46:19,640 --> 01:46:22,000
Speaker 4: the album, and I didn't see anyone else make that

2125
01:46:22,120 --> 01:46:22,880
Speaker 4: type of comparison.

2126
01:46:23,880 --> 01:46:25,920
Speaker 1: Damn well, that would be crazy.

2127
01:46:26,280 --> 01:46:28,000
Speaker 2: I will say you're a profit out here.

2128
01:46:28,080 --> 01:46:28,240
Speaker 3: Ken.

2129
01:46:29,800 --> 01:46:34,439
Speaker 8: I will say this that people close to Eminem have

2130
01:46:34,600 --> 01:46:38,200
Speaker 8: told us that he watches everything, including US.

2131
01:46:39,360 --> 01:46:40,720
Speaker 2: I don't know if he still.

2132
01:46:40,920 --> 01:46:44,000
Speaker 8: Watches us, but we know how Eminem is infatuated with

2133
01:46:44,520 --> 01:46:49,240
Speaker 8: the media and trying to tell them off. So I

2134
01:46:49,280 --> 01:46:53,080
Speaker 8: would not be surprised if he did hear that from

2135
01:46:53,160 --> 01:46:57,080
Speaker 8: Ken and then responded to it in jid song.

2136
01:46:57,280 --> 01:46:58,320
Speaker 2: I wouldn't be surprised.

2137
01:47:00,200 --> 01:47:04,080
Speaker 1: Well, I hope you don't watch that Patreon. Uh Jim

2138
01:47:04,600 --> 01:47:05,519
Speaker 1: what report card?

2139
01:47:05,800 --> 01:47:10,840
Speaker 9: Yeah, because in the in the uh patreon jid report card,

2140
01:47:11,080 --> 01:47:13,840
Speaker 9: people and I had a discussion about Mino's verse on

2141
01:47:13,920 --> 01:47:14,519
Speaker 9: the EP.

2142
01:47:16,400 --> 01:47:25,320
Speaker 1: And it wasn't negative, but it was okay, I don't

2143
01:47:25,360 --> 01:47:27,719
Speaker 1: think it was. I don't really think I said anything negative. Okay,

2144
01:47:27,760 --> 01:47:29,840
Speaker 1: So become a patron in terms of how he's rapping.

2145
01:47:29,920 --> 01:47:30,320
Speaker 1: I don't think.

2146
01:47:30,400 --> 01:47:34,120
Speaker 2: So, become a patreon and and and see if you agree,

2147
01:47:34,160 --> 01:47:35,559
Speaker 2: because I disagree and I was there.

2148
01:47:36,960 --> 01:47:42,800
Speaker 1: Yeah, but uh, anyway, I think I was fair. Uh well, no,

2149
01:47:42,920 --> 01:47:44,680
Speaker 1: I wasn't. But I was just pointing out.

2150
01:47:45,280 --> 01:47:47,720
Speaker 9: I was just pointing something out and observation as a

2151
01:47:47,800 --> 01:47:49,759
Speaker 9: round fan from one rap fan to another.

2152
01:47:50,160 --> 01:47:53,880
Speaker 8: That was the last world we don't have anymore. But well, look,

2153
01:47:54,439 --> 01:47:56,880
Speaker 8: uh it's a Rundown live. Did we get to run

2154
01:47:56,960 --> 01:47:58,800
Speaker 8: down all the topics? We did not because it is

2155
01:47:58,920 --> 01:48:00,200
Speaker 8: late and we have.

2156
01:48:01,760 --> 01:48:03,400
Speaker 2: Have bedtimes. So let's go.

2157
01:48:03,600 --> 01:48:10,720
Speaker 3: Let's go. It is what it is.

2158
01:48:12,720 --> 01:48:18,720
Speaker 2: We'll catch you more than likely next week with another live. Yeah.

2159
01:48:18,760 --> 01:48:21,639
Speaker 8: Man, D three sixty five is back. Patreons, get it first.

2160
01:48:22,320 --> 01:48:25,679
Speaker 8: If you want to make an official recommendation. Go ahead

2161
01:48:25,880 --> 01:48:30,040
Speaker 8: and comment on the official post inside of our patret.

2162
01:48:30,400 --> 01:48:30,880
Speaker 2: You know what I'm saying.

2163
01:48:30,920 --> 01:48:33,240
Speaker 3: Become a paid member. You'll be able to do so, and.

2164
01:48:34,880 --> 01:48:39,439
Speaker 8: Man for beusy can modest Sonny your boyfriend for twenty

2165
01:48:39,479 --> 01:48:39,880
Speaker 8: four seven.

2166
01:48:39,880 --> 01:48:41,120
Speaker 2: Man, but y'all this bitch