1 00:00:04,440 --> 00:00:09,840 Speaker 1: Daddy hip hop conversations outcasts kind of inducted into the 2 00:00:09,920 --> 00:00:12,400 Speaker 1: rock and roll Hall of Fame. 3 00:00:12,800 --> 00:00:15,480 Speaker 2: Just call the music Hall of Fame, music Hall of Fame. 4 00:00:16,560 --> 00:00:19,560 Speaker 3: I don't understand you know what I'm saying, like just 5 00:00:19,600 --> 00:00:22,319 Speaker 3: the whole rock and roll like where we blurred the line? 6 00:00:22,400 --> 00:00:25,880 Speaker 3: Like when did the lines get blurred with the whole 7 00:00:26,000 --> 00:00:28,280 Speaker 3: rock and roll Hall of Fame to like you said, 8 00:00:28,360 --> 00:00:29,680 Speaker 3: music hall of Fame, you. 9 00:00:29,640 --> 00:00:38,960 Speaker 1: Know, d I affirmative action for anyway you know, he 10 00:00:39,440 --> 00:00:42,040 Speaker 1: let me, let me, let me touch before they damn 11 00:00:42,200 --> 00:00:45,680 Speaker 1: all the damn black hip hop artists stricken from the 12 00:00:45,720 --> 00:00:48,280 Speaker 1: record taking out of there. My name is Kenneth be 13 00:00:48,400 --> 00:00:50,479 Speaker 1: enjoying on you. I got b I got right, And 14 00:00:50,520 --> 00:00:52,680 Speaker 1: we have a guest Jay. You already are the speaking 15 00:00:53,120 --> 00:00:55,920 Speaker 1: what's her brother? Welcome to the show. I'm glad to 16 00:00:55,960 --> 00:00:59,160 Speaker 1: have you here real quick. Just let people know where 17 00:00:59,160 --> 00:01:00,760 Speaker 1: they can find you at everybody. 18 00:01:00,800 --> 00:01:03,480 Speaker 3: You can follow me on Instagram at ja y R 19 00:01:03,600 --> 00:01:06,640 Speaker 3: three d. Also follow my YouTube channel which is YouTube 20 00:01:06,680 --> 00:01:11,480 Speaker 3: dot com slash at R three d View, Red's View 21 00:01:11,560 --> 00:01:14,200 Speaker 3: R three d s View. Uh so y'all can check 22 00:01:14,240 --> 00:01:16,679 Speaker 3: me out there as well. Also, who gave you a podcast? 23 00:01:17,080 --> 00:01:19,560 Speaker 3: Go to YouTube dot com slash at who gave you 24 00:01:19,600 --> 00:01:20,600 Speaker 3: a podcast. 25 00:01:20,200 --> 00:01:21,760 Speaker 4: And then follow our Instagram page. 26 00:01:21,600 --> 00:01:23,640 Speaker 1: As well, just to quit overview of some of the 27 00:01:23,640 --> 00:01:25,600 Speaker 1: things we're gonna talk about. We're definitely going to talk about, 28 00:01:25,680 --> 00:01:28,480 Speaker 1: you know, our reactions to them being inducted into the 29 00:01:28,480 --> 00:01:35,000 Speaker 1: Hall of Fame, talk about the performance andre three thousands absence, uh, 30 00:01:35,680 --> 00:01:38,720 Speaker 1: you know, their legacy and hip hop and just hip hop, 31 00:01:38,840 --> 00:01:41,480 Speaker 1: you know, in the rock and roll just overall. So 32 00:01:41,520 --> 00:01:46,039 Speaker 1: it finally happened they got inducted into the Hall of Fame. 33 00:01:48,680 --> 00:01:51,080 Speaker 1: What did you Was this long overdue or was this 34 00:01:51,160 --> 00:01:53,040 Speaker 1: right on time? What do y'all think? 35 00:01:54,000 --> 00:01:56,160 Speaker 2: I mean, remember, like I said, it's max it. 36 00:01:56,320 --> 00:02:00,320 Speaker 5: I don't know, what's I feel like older groups should 37 00:02:00,320 --> 00:02:03,080 Speaker 5: be in before some of the newer groups, like being 38 00:02:03,200 --> 00:02:04,400 Speaker 5: so I feel like it should go in like in 39 00:02:04,440 --> 00:02:06,520 Speaker 5: the chronological type of order almost. 40 00:02:06,560 --> 00:02:10,240 Speaker 2: I feel like it, like are they deserving definitely? Okay? 41 00:02:10,639 --> 00:02:13,360 Speaker 5: Is like yeah, you think of like some of the 42 00:02:13,400 --> 00:02:17,160 Speaker 5: best dual hip hop groups out there. Ever, I mean, 43 00:02:17,240 --> 00:02:20,560 Speaker 5: you know they're right there. The did first one is 44 00:02:20,600 --> 00:02:23,280 Speaker 5: always mentioned, so I mean, you know it's you. I 45 00:02:23,360 --> 00:02:25,600 Speaker 5: guess you can't say it's overdue, but it's just like, yeah, 46 00:02:25,880 --> 00:02:29,800 Speaker 5: it's newer groups of groups that came out after them, 47 00:02:29,880 --> 00:02:32,160 Speaker 5: got in there before them or whatever. Missy got in 48 00:02:32,200 --> 00:02:34,919 Speaker 5: before them. So it's just like, I don't know how 49 00:02:35,120 --> 00:02:38,200 Speaker 5: you determine that, but yeah, they definitely deserve it being 50 00:02:38,440 --> 00:02:40,320 Speaker 5: I'm glad to see them, glad to see them and 51 00:02:40,360 --> 00:02:42,240 Speaker 5: saw them the whole Duncheon family up there on stage 52 00:02:42,240 --> 00:02:44,200 Speaker 5: and stuff in RP Recordrede he should have been he 53 00:02:44,200 --> 00:02:44,639 Speaker 5: should have. 54 00:02:44,560 --> 00:02:46,120 Speaker 2: Been there, for sure. 55 00:02:46,040 --> 00:02:48,080 Speaker 5: It was just to witness that, to be there be 56 00:02:48,120 --> 00:02:49,520 Speaker 5: a part of that because he was a big part 57 00:02:50,000 --> 00:02:51,880 Speaker 5: of their sound and them coming up. So like when 58 00:02:51,960 --> 00:02:55,240 Speaker 5: Andre was saying about that small room, great things happened 59 00:02:55,280 --> 00:02:56,160 Speaker 5: in the small rooms. 60 00:02:56,240 --> 00:02:57,960 Speaker 2: So yeah, man, it was dope. 61 00:02:58,120 --> 00:03:00,639 Speaker 5: Was it was definitely dope to see the flowers while 62 00:03:00,639 --> 00:03:02,040 Speaker 5: they while they're still with us. 63 00:03:02,400 --> 00:03:05,600 Speaker 1: Yeah, well were all some of y'alls in this reactions, 64 00:03:05,880 --> 00:03:06,120 Speaker 1: you know? 65 00:03:06,200 --> 00:03:09,400 Speaker 4: So, I mean it is I ain't gonna say long 66 00:03:09,440 --> 00:03:09,799 Speaker 4: over to me. 67 00:03:09,840 --> 00:03:11,840 Speaker 3: It's right on time, you know what I'm saying, Like 68 00:03:12,240 --> 00:03:15,320 Speaker 3: they've been around for a minute, and I think that 69 00:03:16,960 --> 00:03:18,960 Speaker 3: everything just kind of aligned with it. It could have 70 00:03:19,000 --> 00:03:20,919 Speaker 3: been earlier, but you know, I'm not tripping as long 71 00:03:20,960 --> 00:03:23,480 Speaker 3: as it did happen. But me personally, I'm just not 72 00:03:23,600 --> 00:03:26,760 Speaker 3: looking towards rappers getting in the rock and roll but 73 00:03:27,160 --> 00:03:29,480 Speaker 3: Hall of Fame. But it's great when they when it happens, 74 00:03:29,960 --> 00:03:32,320 Speaker 3: but I just always just kind of get thrown off because, 75 00:03:32,360 --> 00:03:34,120 Speaker 3: like you know, missy Ellie and everything, I thought the 76 00:03:34,200 --> 00:03:35,960 Speaker 3: rock and Roll Hall of Fame was rock and roll. 77 00:03:36,600 --> 00:03:39,240 Speaker 3: But one thing I can say comfortably is I'm tired 78 00:03:39,240 --> 00:03:40,360 Speaker 3: of Andre three thousand. 79 00:03:41,400 --> 00:03:46,839 Speaker 4: Whoa, You're tired of it? I'm tired of hot man, Like, bro, 80 00:03:47,120 --> 00:03:48,760 Speaker 4: what's the Shenanigans. 81 00:03:48,160 --> 00:03:51,600 Speaker 3: Thee like him not showing, like doing those homans, his absence, 82 00:03:51,920 --> 00:03:55,200 Speaker 3: the Fluid album, the Piano album, just the bullshit, Like 83 00:03:55,240 --> 00:03:57,520 Speaker 3: I'm tired of it, Like I'm over it, Like I 84 00:03:57,560 --> 00:04:00,360 Speaker 3: got over it, I think, just one hundred percent. Once 85 00:04:00,360 --> 00:04:03,839 Speaker 3: he put out that Flute album for the fifty year 86 00:04:03,880 --> 00:04:06,120 Speaker 3: anniversary of hip Hop and all that other stuff, was 87 00:04:06,200 --> 00:04:10,200 Speaker 3: like it's yeah, cause it's like I understand, like you know, 88 00:04:10,240 --> 00:04:13,880 Speaker 3: I'm on some a different wave link right now, agism 89 00:04:13,960 --> 00:04:15,360 Speaker 3: he you know what am I gonna wrap about? 90 00:04:15,360 --> 00:04:17,479 Speaker 4: My colonoscal y'all all that shit? 91 00:04:17,600 --> 00:04:21,359 Speaker 3: Okay, cool, I get it right, But it comes to 92 00:04:21,400 --> 00:04:25,040 Speaker 3: a point where just for hip hop, the culture, like 93 00:04:25,640 --> 00:04:27,280 Speaker 3: we want to see you. You know what I'm saying 94 00:04:27,480 --> 00:04:29,960 Speaker 3: rocking with big Boy. I'm not saying work on no 95 00:04:30,000 --> 00:04:32,080 Speaker 3: other album. But I just feel like we put him on. 96 00:04:32,080 --> 00:04:33,880 Speaker 2: That moment he should have been on stage. 97 00:04:33,960 --> 00:04:38,560 Speaker 3: It's the excuse, Like I know he don't want the fame, 98 00:04:38,600 --> 00:04:41,320 Speaker 3: and he wrapped about it on comment with t I 99 00:04:41,400 --> 00:04:42,080 Speaker 3: and stuff like that. 100 00:04:42,160 --> 00:04:43,760 Speaker 4: I get it, man, but it's just I don't know. 101 00:04:43,920 --> 00:04:45,919 Speaker 4: I guess we do. We spend a lot of energy 102 00:04:45,960 --> 00:04:47,800 Speaker 4: putting him on a pedestal. 103 00:04:47,760 --> 00:04:49,120 Speaker 2: And it's like he's not giving. 104 00:04:49,080 --> 00:04:52,039 Speaker 3: No, he don't get it's not reciprocated. And it's it's 105 00:04:52,120 --> 00:04:58,560 Speaker 3: other people who who who barely get mentioned that that 106 00:04:58,640 --> 00:05:01,360 Speaker 3: should get mentioned. But you got this man getting mentioned 107 00:05:01,400 --> 00:05:03,400 Speaker 3: all the time at all times. Andre three thousand here 108 00:05:03,360 --> 00:05:06,440 Speaker 3: Andrew thousand there, and he'd just be pissing on, you know, 109 00:05:06,680 --> 00:05:08,080 Speaker 3: piss pissing, ring. 110 00:05:08,480 --> 00:05:10,840 Speaker 1: Putting time, and you did come in high. 111 00:05:12,080 --> 00:05:14,880 Speaker 6: Tired of it, bro, damn bro like like think about 112 00:05:15,000 --> 00:05:20,640 Speaker 6: like though, like just like he's put his tom correct correct. Yeah, 113 00:05:20,720 --> 00:05:23,360 Speaker 6: so like Nigga ain't gotta make another song in his 114 00:05:23,440 --> 00:05:26,080 Speaker 6: life and Nick ain't gotta rap another word lyric. And 115 00:05:26,240 --> 00:05:29,159 Speaker 6: I think you're getting caught up in rappers that keep 116 00:05:29,200 --> 00:05:32,880 Speaker 6: going and don't fizzle out, whereas I think he's trying to, 117 00:05:32,920 --> 00:05:37,159 Speaker 6: you know, ye the rap gracefully, like you know Jordan 118 00:05:37,279 --> 00:05:39,800 Speaker 6: with the last shot type of situation. I think that's 119 00:05:40,120 --> 00:05:41,280 Speaker 6: that's where he's going with it. 120 00:05:41,400 --> 00:05:43,800 Speaker 1: Like he just already mentioned he's never been really big 121 00:05:43,839 --> 00:05:44,360 Speaker 1: on the fame. 122 00:05:45,000 --> 00:05:47,200 Speaker 4: He's always pushed pushed. 123 00:05:46,839 --> 00:05:49,760 Speaker 1: Brownies when it came to just music in general. 124 00:05:49,839 --> 00:05:51,800 Speaker 4: I mean, love alone isn't a. 125 00:05:51,800 --> 00:05:55,040 Speaker 6: Rap out like that's a that's he pushed brown just 126 00:05:55,600 --> 00:05:56,039 Speaker 6: your style. 127 00:05:56,520 --> 00:05:57,480 Speaker 1: So when you talk. 128 00:05:57,360 --> 00:06:01,440 Speaker 6: About the Piano album and the Flu album. 129 00:06:00,440 --> 00:06:02,240 Speaker 1: Sure it's not what you know we are. 130 00:06:02,279 --> 00:06:04,240 Speaker 6: None of us really want to hear that, you know which, 131 00:06:04,400 --> 00:06:06,760 Speaker 6: even though with the flu Alum shit pobs though, if 132 00:06:06,800 --> 00:06:10,560 Speaker 6: you put a planning in the right setting, I think 133 00:06:10,600 --> 00:06:11,440 Speaker 6: that's just him man. 134 00:06:11,520 --> 00:06:13,080 Speaker 1: I think he just I think. 135 00:06:12,880 --> 00:06:18,400 Speaker 6: He's earned that creative expression space to live wherever he 136 00:06:18,440 --> 00:06:21,719 Speaker 6: wants to live. I mean, and you say, like, like, 137 00:06:22,440 --> 00:06:23,880 Speaker 6: do you see what this man is doing just in 138 00:06:24,000 --> 00:06:26,640 Speaker 6: random city, just popping up with random people, like like 139 00:06:27,320 --> 00:06:30,360 Speaker 6: doing free shows on the street, Like like, I don't know, man, 140 00:06:30,520 --> 00:06:34,440 Speaker 6: I just feel like I feel like he deserves a 141 00:06:34,480 --> 00:06:37,280 Speaker 6: little bit more respect than that, because I mean, like, 142 00:06:37,279 --> 00:06:38,440 Speaker 6: like I said, we do want it. 143 00:06:38,480 --> 00:06:38,919 Speaker 1: I want it. 144 00:06:39,080 --> 00:06:40,920 Speaker 6: I wish he could wrap some more, but I could 145 00:06:40,960 --> 00:06:43,200 Speaker 6: just listen to all the other raps he's given us 146 00:06:43,200 --> 00:06:48,000 Speaker 6: to this point, so they definitely deserve it. If he 147 00:06:48,000 --> 00:06:50,359 Speaker 6: didn't want to show off, I mean, you don't have 148 00:06:50,400 --> 00:06:53,279 Speaker 6: to show up to these people. Fucking this is fine 149 00:06:53,320 --> 00:06:55,040 Speaker 6: for me. Like, like, he showed up this stuff the 150 00:06:55,279 --> 00:06:56,480 Speaker 6: reward because it is. 151 00:06:56,440 --> 00:06:58,840 Speaker 1: An honor or whatever. But I don't know what his 152 00:06:58,960 --> 00:07:03,120 Speaker 1: reason was for not showing up but not performing performing, yeah, 153 00:07:03,360 --> 00:07:04,320 Speaker 1: performing or whatever. 154 00:07:04,360 --> 00:07:07,680 Speaker 6: But I mean, I think he's done ward enough for 155 00:07:07,720 --> 00:07:10,000 Speaker 6: the culture to. 156 00:07:11,120 --> 00:07:12,880 Speaker 5: And I'm pretty sure I'm pretty sure him and Big 157 00:07:12,920 --> 00:07:15,240 Speaker 5: Boy had a conversation. I'm pretty sure big Boy knew that, 158 00:07:15,920 --> 00:07:17,400 Speaker 5: like ya, I'm gonna be there with you to get 159 00:07:17,480 --> 00:07:20,160 Speaker 5: you know, to you know, to to have this moment, 160 00:07:20,200 --> 00:07:22,400 Speaker 5: but like I'm not gonna perform. I'm pretty sure Big 161 00:07:22,400 --> 00:07:23,680 Speaker 5: Boy do that. I'm pretty sure they talk. 162 00:07:24,040 --> 00:07:29,480 Speaker 6: It would be different if he hasn't already expressed industry 163 00:07:29,160 --> 00:07:32,880 Speaker 6: and not one of all that. He's already expressed that, 164 00:07:32,920 --> 00:07:34,400 Speaker 6: but he knew he had to be there with his 165 00:07:34,440 --> 00:07:39,720 Speaker 6: brother to accept the reward. Performers part. I'm like you said, 166 00:07:39,880 --> 00:07:41,080 Speaker 6: I'm sure they had a conversation. 167 00:07:42,280 --> 00:07:48,400 Speaker 1: I'll show up. Yeah, I bet Andrew probably over it, bro, 168 00:07:49,840 --> 00:07:52,240 Speaker 1: but I mean big boy, Yeah. 169 00:07:52,280 --> 00:07:55,720 Speaker 3: But my thing is I understand that he has put 170 00:07:55,800 --> 00:07:58,000 Speaker 3: in the work to do with thatever he want to do. 171 00:07:58,160 --> 00:07:58,800 Speaker 4: I get it. 172 00:07:59,160 --> 00:08:01,680 Speaker 3: But the game made you. You know what I'm saying. 173 00:08:01,680 --> 00:08:05,200 Speaker 3: You contributed to the game. But we're the ones who 174 00:08:05,200 --> 00:08:07,400 Speaker 3: bought the records. We're the one, and it ain't like 175 00:08:07,440 --> 00:08:09,840 Speaker 3: we're asking for Andre three. I mean, I would love 176 00:08:09,840 --> 00:08:11,720 Speaker 3: a Andre three SAX solo album. I'm not saying I 177 00:08:11,720 --> 00:08:14,440 Speaker 3: wouldn't want that, But what I'm saying is is that 178 00:08:15,040 --> 00:08:18,560 Speaker 3: I don't feel like it's reciprocated enough because you you 179 00:08:18,680 --> 00:08:21,920 Speaker 3: supposed to these are We still pay his bills, like 180 00:08:21,960 --> 00:08:24,760 Speaker 3: when you stream the music. We still support him. He 181 00:08:24,880 --> 00:08:27,240 Speaker 3: still makes a living off of the shit. You can't 182 00:08:27,240 --> 00:08:28,800 Speaker 3: say that he don't. And I understand if he don't 183 00:08:28,840 --> 00:08:30,720 Speaker 3: want to go around doing a tour and all that stuff. 184 00:08:30,840 --> 00:08:32,440 Speaker 3: But the simple thing is, you know what I'm saying, 185 00:08:32,559 --> 00:08:35,319 Speaker 3: Like the not gonna say the culture because that's the 186 00:08:35,400 --> 00:08:37,280 Speaker 3: Rock and Roll Hall of Fame, right, but say b 187 00:08:37,360 --> 00:08:41,120 Speaker 3: E T save BT Awards, or fuck it if we 188 00:08:41,320 --> 00:08:43,079 Speaker 3: came together and did an award show. You know what 189 00:08:43,080 --> 00:08:47,520 Speaker 3: I'm saying, because like Icon Award whatever like that. What's 190 00:08:47,559 --> 00:08:50,680 Speaker 3: the harm in you showing up, receiving the award, doing 191 00:08:50,679 --> 00:08:53,200 Speaker 3: a performance, not saying you got to go on the tour? 192 00:08:54,040 --> 00:08:55,640 Speaker 4: Didn't they perform at one music fest? 193 00:08:55,840 --> 00:08:56,040 Speaker 1: No? 194 00:08:56,040 --> 00:08:59,079 Speaker 3: No, no, they did their own shows and it happened 195 00:08:59,120 --> 00:09:02,040 Speaker 3: to be like a woman one music was Remember that? 196 00:09:02,880 --> 00:09:05,480 Speaker 1: Oh yeah I remember that. Yeah, it was like ten 197 00:09:05,559 --> 00:09:06,960 Speaker 1: years that was the last time he performed. 198 00:09:07,000 --> 00:09:07,800 Speaker 2: That was ten years ago. 199 00:09:07,920 --> 00:09:11,440 Speaker 1: Yeah, yeah, I was on this. Yeah that was in 200 00:09:11,760 --> 00:09:14,120 Speaker 1: that was in the park right Cial Park Centennial party. 201 00:09:14,160 --> 00:09:18,320 Speaker 1: I was there like two days fifteen, like that pull 202 00:09:18,440 --> 00:09:21,360 Speaker 1: up and random mass parking lots ship. 203 00:09:21,520 --> 00:09:24,480 Speaker 2: Yeah, I've seeing it. Yeah, I've been saying, yeah, I've 204 00:09:24,480 --> 00:09:25,960 Speaker 2: been Yeah, I've seen it. 205 00:09:26,920 --> 00:09:28,440 Speaker 4: What showed though, flute. 206 00:09:29,600 --> 00:09:30,240 Speaker 1: All he's doing that. 207 00:09:30,400 --> 00:09:34,559 Speaker 6: But people appreciate it though, because he's fucking three stays 208 00:09:34,559 --> 00:09:37,040 Speaker 6: like and like you see him around the city just whatever, 209 00:09:37,200 --> 00:09:39,760 Speaker 6: like he's just he walk he cool, like. 210 00:09:40,120 --> 00:09:43,559 Speaker 1: Walking around like a mythological figure. Yeah, it's just like 211 00:09:45,080 --> 00:09:49,280 Speaker 1: it was disappointing though, because when I saw you, he wasn't. 212 00:09:49,320 --> 00:09:52,800 Speaker 1: Before I saw Big boy up there and you know, yeah, 213 00:09:53,240 --> 00:09:57,839 Speaker 1: and Jim had to perform. Besides yeah, but I mean 214 00:09:57,880 --> 00:10:00,000 Speaker 1: everybody a bit boy up there, bro performed. 215 00:10:00,080 --> 00:10:00,680 Speaker 2: They joints. 216 00:10:01,960 --> 00:10:04,440 Speaker 3: That's all I'm saying. I feel like a lot of 217 00:10:05,240 --> 00:10:07,480 Speaker 3: Outcast Pepper is a big deal. 218 00:10:07,559 --> 00:10:07,760 Speaker 1: Man. 219 00:10:08,600 --> 00:10:11,080 Speaker 2: They were the hip hop backs. 220 00:10:11,520 --> 00:10:15,840 Speaker 1: They did the same. Now they that's the same class 221 00:10:16,080 --> 00:10:17,320 Speaker 1: damns people. 222 00:10:17,720 --> 00:10:20,040 Speaker 4: Uh class bro. 223 00:10:20,320 --> 00:10:22,319 Speaker 1: That is dope. That is Remember. 224 00:10:23,600 --> 00:10:28,080 Speaker 3: Yeah, you said they in the same class the same. 225 00:10:28,120 --> 00:10:32,320 Speaker 5: It was in the same same Okay, I guess yeah right, 226 00:10:32,720 --> 00:10:36,760 Speaker 5: they performance, no play came out. Did they dance? Because 227 00:10:36,760 --> 00:10:38,800 Speaker 5: you know they they I know they had something to 228 00:10:38,840 --> 00:10:41,720 Speaker 5: work do with to push it song rather video, wives 229 00:10:41,760 --> 00:10:44,000 Speaker 5: or creography. So that's why they was there. And they 230 00:10:44,000 --> 00:10:46,160 Speaker 5: brought in Vogue out and they performed with a man like. 231 00:10:47,080 --> 00:10:47,679 Speaker 1: Brought that up. 232 00:10:48,559 --> 00:10:52,479 Speaker 3: They keep getting overlooked because Outcasts is so fucking colossal 233 00:10:53,040 --> 00:10:56,040 Speaker 3: that you forget the contributions that what they did shouldet. 234 00:10:55,679 --> 00:10:59,040 Speaker 4: To say to Yeah, the same and it was dope 235 00:10:59,080 --> 00:10:59,520 Speaker 4: that Missy. 236 00:10:59,559 --> 00:11:01,120 Speaker 5: I'm glad that I was the perfect person to have 237 00:11:01,200 --> 00:11:03,360 Speaker 5: them to like bring them out as Missy because she 238 00:11:03,920 --> 00:11:06,599 Speaker 5: was just gave them the most utmost respect and was 239 00:11:06,679 --> 00:11:09,480 Speaker 5: like without them, it wouldn't be like it was. That 240 00:11:09,640 --> 00:11:11,839 Speaker 5: was the perfect person to speak for them, like to 241 00:11:11,920 --> 00:11:14,400 Speaker 5: have missy uh induct them into all the into the 242 00:11:14,480 --> 00:11:16,800 Speaker 5: rock and Hall of Fame. So yeah, don't forget let's 243 00:11:16,800 --> 00:11:17,880 Speaker 5: not forget about. 244 00:11:17,600 --> 00:11:20,120 Speaker 1: Yeah, we can't forget about the ladies and channel. 245 00:11:20,200 --> 00:11:23,760 Speaker 2: We cannot queens, right, the originated queen. 246 00:11:23,840 --> 00:11:24,040 Speaker 1: Yeah. 247 00:11:24,040 --> 00:11:26,880 Speaker 3: I still play push It to the day and it's 248 00:11:26,880 --> 00:11:28,560 Speaker 3: still getting we don't talk about that and. 249 00:11:28,920 --> 00:11:31,800 Speaker 1: Before pushing the whole everybody got. 250 00:11:31,679 --> 00:11:34,120 Speaker 3: Up and I'm talking about from kids, yes, all the 251 00:11:34,120 --> 00:11:37,360 Speaker 3: way to adults senior citizens. Every time I play that record, 252 00:11:37,400 --> 00:11:39,320 Speaker 3: it's kind of the same reaction and that's low key 253 00:11:39,520 --> 00:11:41,320 Speaker 3: because you don't I don't know why they don't get 254 00:11:41,600 --> 00:11:43,720 Speaker 3: the flowers, you know what I'm saying. 255 00:11:43,920 --> 00:11:45,200 Speaker 4: Flowers, they got the flowers. 256 00:11:45,320 --> 00:11:49,040 Speaker 1: Flowers. Yeah, that was good, I will say. Not seeing 257 00:11:49,080 --> 00:11:53,319 Speaker 1: her perform, I was like, what is he doing? And why? 258 00:11:54,720 --> 00:11:57,880 Speaker 1: I know, I know it's just him, but at the 259 00:11:57,880 --> 00:12:00,720 Speaker 1: same time was like, come on, b Yeah, it's like 260 00:12:00,880 --> 00:12:06,680 Speaker 1: come on man, like you doing you let your boy go? 261 00:12:06,800 --> 00:12:10,880 Speaker 1: Like this is your boy man? Like like it's nothing new. 262 00:12:11,240 --> 00:12:14,840 Speaker 1: Oh man. It was like she is out here like and. 263 00:12:16,320 --> 00:12:16,640 Speaker 2: Lyrics. 264 00:12:17,320 --> 00:12:19,679 Speaker 1: I want to get to the performances. Bro, Yeah, you 265 00:12:19,720 --> 00:12:22,640 Speaker 1: had Doja, you had Big Boy, you had Jid, you 266 00:12:22,760 --> 00:12:26,920 Speaker 1: had Tyler Jane up there sleeping. 267 00:12:27,600 --> 00:12:28,120 Speaker 4: Killed b B. 268 00:12:28,320 --> 00:12:28,880 Speaker 2: He killed that. 269 00:12:29,920 --> 00:12:33,319 Speaker 1: Yeah. Yeah. But man, when when Doja came out there 270 00:12:33,360 --> 00:12:36,719 Speaker 1: bro and the singing part, I was like, okay, cool. 271 00:12:38,120 --> 00:12:38,440 Speaker 2: Man. 272 00:12:38,679 --> 00:12:41,440 Speaker 1: When she, I was like, did she just forget the lyrics? 273 00:12:42,559 --> 00:12:47,960 Speaker 1: You should want to call and respond? B. I saw something. 274 00:12:49,520 --> 00:12:55,760 Speaker 3: She Yeah, she probably it's probably her. She had that 275 00:12:55,800 --> 00:13:02,440 Speaker 3: look she show, yeah, Bro, because she probably you know, 276 00:13:02,520 --> 00:13:04,280 Speaker 3: you be having to rehearse that thing, you know, Like 277 00:13:04,320 --> 00:13:07,120 Speaker 3: I remember back when Nasi did the Tupac triput Keep 278 00:13:07,160 --> 00:13:10,080 Speaker 3: your head up when they did Hip hop ar one, Yeah, 279 00:13:10,320 --> 00:13:10,600 Speaker 3: I was. 280 00:13:10,559 --> 00:13:12,880 Speaker 4: Looking like I was like, oh, he's gonna suck up, 281 00:13:13,040 --> 00:13:13,720 Speaker 4: He's gonna fuck us. 282 00:13:13,960 --> 00:13:17,000 Speaker 3: I hate tribute shows are cool, but like, don't I 283 00:13:17,000 --> 00:13:18,680 Speaker 3: remember I think NAS did the whole song. 284 00:13:18,920 --> 00:13:19,160 Speaker 1: Yeah. 285 00:13:19,240 --> 00:13:20,559 Speaker 4: I want to say that. 286 00:13:20,559 --> 00:13:26,440 Speaker 1: Was crazy, but yeah, but no Tyler. Tyler Tyler was crazy. 287 00:13:26,520 --> 00:13:28,320 Speaker 2: Bro had energy and everything. 288 00:13:28,440 --> 00:13:30,400 Speaker 5: Like you could tell he was a fan of he 289 00:13:30,480 --> 00:13:35,720 Speaker 5: was he was rich, he was ready forever. That's probably 290 00:13:35,760 --> 00:13:38,240 Speaker 5: one of his favorite outcast songs. I wouldn't be surprised. 291 00:13:38,440 --> 00:13:41,920 Speaker 5: Most most guys around his age kind of gravitated toward 292 00:13:41,960 --> 00:13:45,760 Speaker 5: stink on you more than and I bet you Tyler's 293 00:13:45,760 --> 00:13:46,439 Speaker 5: probably one of them. 294 00:13:46,520 --> 00:13:49,760 Speaker 1: And you think about that song, the tempo, the energy, 295 00:13:50,240 --> 00:13:52,960 Speaker 1: and you think about the one he just released it 296 00:13:52,960 --> 00:13:55,800 Speaker 1: it's a line and I was like, man, Tyler is 297 00:13:55,920 --> 00:14:01,000 Speaker 1: so extra. Yeah until now when they walked their ass 298 00:14:01,000 --> 00:14:06,600 Speaker 1: out on that stage. Man, Janelle Money. 299 00:14:07,040 --> 00:14:07,839 Speaker 2: She's super extra. 300 00:14:08,320 --> 00:14:13,600 Speaker 1: The bro Rod, she threw the guitar, Janelle, she threw 301 00:14:13,640 --> 00:14:18,199 Speaker 1: the guitar. Her background singers, going dances, going crazy. She's 302 00:14:18,360 --> 00:14:20,800 Speaker 1: killing it. She put on a hell of a show. 303 00:14:21,240 --> 00:14:23,040 Speaker 1: Rod she was on. She was on the ground like 304 00:14:23,080 --> 00:14:26,840 Speaker 1: fucking Prince Bro. She was on the table, legs up 305 00:14:26,880 --> 00:14:31,520 Speaker 1: and everything. She was going crazy. SAME's going crazy. Janelle 306 00:14:31,560 --> 00:14:33,280 Speaker 1: said this Masha. 307 00:14:34,000 --> 00:14:36,040 Speaker 2: From from here and she like. 308 00:14:37,560 --> 00:14:37,760 Speaker 1: Yeah. 309 00:14:37,760 --> 00:14:40,560 Speaker 4: Once she signed the Big Boy okay. 310 00:14:41,840 --> 00:14:46,400 Speaker 5: Early on, yeah, man, it was it wasn't cracking. 311 00:14:47,200 --> 00:14:48,440 Speaker 4: I was like, oh my god. 312 00:14:48,760 --> 00:14:48,880 Speaker 1: Yo. 313 00:14:49,200 --> 00:14:52,480 Speaker 5: Also to go back to saltn Pepper, Spinderella is the 314 00:14:52,520 --> 00:14:54,720 Speaker 5: first female DJ to be inducted into the right. 315 00:14:54,720 --> 00:14:55,800 Speaker 1: Hall of Fame, damn. 316 00:14:56,160 --> 00:14:58,600 Speaker 3: And I'm glad they got it straight with Spinderella too, 317 00:14:58,600 --> 00:15:01,600 Speaker 3: because they weren't getting along for and all that other story. 318 00:15:01,880 --> 00:15:02,560 Speaker 4: I'm glad they. 319 00:15:02,960 --> 00:15:04,600 Speaker 2: Spin as a kid. Oh my gosh, she was the 320 00:15:04,600 --> 00:15:05,880 Speaker 2: one when I was a. 321 00:15:05,920 --> 00:15:09,400 Speaker 5: Kid man spin man, Oh my god, I'd be like, man, 322 00:15:09,480 --> 00:15:12,680 Speaker 5: damn so people who I promise man. 323 00:15:14,080 --> 00:15:16,360 Speaker 4: Have me days every time? Yeah, she. 324 00:15:17,920 --> 00:15:21,000 Speaker 1: Feature got perfect. 325 00:15:21,680 --> 00:15:26,520 Speaker 3: Okay okay, yeah, okay, yeah yeah yeah. 326 00:15:26,400 --> 00:15:27,520 Speaker 1: Been around since then. 327 00:15:27,800 --> 00:15:32,040 Speaker 5: Okay, her face, that's why she that's why she brought 328 00:15:32,040 --> 00:15:33,400 Speaker 5: that white. 329 00:15:33,520 --> 00:15:36,040 Speaker 4: Yeah that was her gimmick. 330 00:15:36,360 --> 00:15:39,880 Speaker 1: Yeah yeah, but no, it was it was it was. 331 00:15:39,920 --> 00:15:42,800 Speaker 1: It was dope, man. People seem to be excited. I 332 00:15:42,840 --> 00:15:46,040 Speaker 1: mean they they're definitely one of hip hop's biggest duos, 333 00:15:46,080 --> 00:15:49,360 Speaker 1: if not the biggest due ever. Yeah in hip hop. 334 00:15:49,480 --> 00:15:53,800 Speaker 1: Yeah yeah, A long way man from Southern playing list 335 00:15:53,840 --> 00:15:58,040 Speaker 1: and catle that music right yeah this yeah, yeah, from 336 00:15:58,080 --> 00:15:59,760 Speaker 1: the South. Got something to say all the way to 337 00:15:59,880 --> 00:16:03,960 Speaker 1: me now and to Andre, you know, being on brand. 338 00:16:04,600 --> 00:16:06,480 Speaker 1: You know what's your favorite album. 339 00:16:06,640 --> 00:16:11,240 Speaker 3: It's a tie between a Quemini and at Aliens. It's 340 00:16:11,280 --> 00:16:12,760 Speaker 3: it's a tie between those. 341 00:16:14,000 --> 00:16:14,280 Speaker 4: Man. 342 00:16:14,560 --> 00:16:16,880 Speaker 5: Yeah, it's like it's like that for me too. It's 343 00:16:16,960 --> 00:16:20,120 Speaker 5: like depend on the day. Yeah, I said, Criminie, and 344 00:16:20,160 --> 00:16:23,840 Speaker 5: you asked me two months later. I'm gonna say it's. 345 00:16:22,960 --> 00:16:23,600 Speaker 4: It's real hard. 346 00:16:23,760 --> 00:16:25,840 Speaker 3: I'm kind of leaning right now. It's like you said, 347 00:16:25,880 --> 00:16:28,440 Speaker 3: I'm leaning right now towards at L but I'm not sure. 348 00:16:28,440 --> 00:16:31,200 Speaker 3: But I got a question though, uh because c J 349 00:16:31,320 --> 00:16:34,200 Speaker 3: said this on the last podcast a couple of days ago. 350 00:16:34,720 --> 00:16:37,720 Speaker 4: He said, Stink on You is their worst album. 351 00:16:38,880 --> 00:16:39,160 Speaker 1: It's not. 352 00:16:39,360 --> 00:16:42,560 Speaker 4: It's not the worst. He said, I was ranking fourth fourth. 353 00:16:42,920 --> 00:16:46,200 Speaker 3: He said it was borderline like not he said slow 354 00:16:46,560 --> 00:16:48,360 Speaker 3: like I said, was a trash He said, nah, I 355 00:16:48,360 --> 00:16:51,560 Speaker 3: ain't gonna say trash, but it really wasn't isn't as 356 00:16:51,600 --> 00:16:54,400 Speaker 3: good as people projected out. You know, it's their fourth 357 00:16:54,560 --> 00:16:56,880 Speaker 3: best album, fourth best one. Yeah, after after the first 358 00:16:56,880 --> 00:16:57,440 Speaker 3: three albums. 359 00:16:57,480 --> 00:16:59,560 Speaker 4: Then it's on you because the fourth three of the 360 00:16:59,600 --> 00:17:00,840 Speaker 4: first three album it just. 361 00:17:00,760 --> 00:17:04,480 Speaker 5: Get God here Yeah, yeah, God herein right is right. 362 00:17:05,000 --> 00:17:10,200 Speaker 1: Yeah, it's a good album. Trash. I don't know about 363 00:17:10,200 --> 00:17:10,719 Speaker 1: that one. 364 00:17:10,840 --> 00:17:11,359 Speaker 2: That's crazy. 365 00:17:11,480 --> 00:17:13,160 Speaker 1: I don't know about that, but that's. 366 00:17:13,400 --> 00:17:15,560 Speaker 5: Here he didn't hear out of wow, But do you 367 00:17:15,720 --> 00:17:17,000 Speaker 5: do we count that as yes? 368 00:17:17,160 --> 00:17:18,119 Speaker 4: We do? Okay? 369 00:17:18,680 --> 00:17:18,920 Speaker 2: Album? 370 00:17:19,000 --> 00:17:22,240 Speaker 3: So and I'm like, when people say, you know, it 371 00:17:22,280 --> 00:17:24,679 Speaker 3: looks like pretty much every artist has an album that 372 00:17:24,760 --> 00:17:27,840 Speaker 3: somebody doesn't care for. You know what I'm saying out 373 00:17:27,840 --> 00:17:29,920 Speaker 3: of Wow, I'll be trying to give them grace with that. 374 00:17:30,400 --> 00:17:34,240 Speaker 3: But yeah, do you put stink on your over love below? 375 00:17:34,720 --> 00:17:34,960 Speaker 1: Yeah? 376 00:17:35,480 --> 00:17:38,920 Speaker 5: Okay, all right, and I mean I love Love Below too, 377 00:17:39,000 --> 00:17:40,800 Speaker 5: but yeah, I put I put on. 378 00:17:42,880 --> 00:17:53,040 Speaker 7: Yeah album. Okay, My number one is that is man, 379 00:17:53,200 --> 00:17:57,120 Speaker 7: that's a bingers Yeah, mm hmm. 380 00:18:03,560 --> 00:18:07,080 Speaker 5: Yes, always before, there's always gonna be after them. First three, 381 00:18:08,000 --> 00:18:10,040 Speaker 5: the first three is is it for me? 382 00:18:10,720 --> 00:18:16,120 Speaker 1: Yep? I think Outcasts they're hip hop's most fearless creative 383 00:18:16,160 --> 00:18:22,320 Speaker 1: group ever in hip hop. Fearless creatively creatively. Yeah, in 384 00:18:22,400 --> 00:18:23,360 Speaker 1: terms of creativity. 385 00:18:24,640 --> 00:18:27,080 Speaker 4: When you say fearless. 386 00:18:26,680 --> 00:18:30,919 Speaker 1: Like think about like every album sounds different when you 387 00:18:31,000 --> 00:18:34,320 Speaker 1: drop something like Southern playerlistic kind of music and then 388 00:18:34,760 --> 00:18:39,280 Speaker 1: you jump to some at l is completely different, but 389 00:18:39,320 --> 00:18:41,320 Speaker 1: you pull it off and then from that you go 390 00:18:41,400 --> 00:18:44,800 Speaker 1: to Aquimini and then you go from Aquimini to Stink 391 00:18:44,840 --> 00:18:48,320 Speaker 1: on You and then leve Below. Like they kept like 392 00:18:48,520 --> 00:18:54,399 Speaker 1: pushing boundaries and really relying on number one, their ability 393 00:18:54,440 --> 00:18:57,600 Speaker 1: and creativity as artists and that the fans and that 394 00:18:57,680 --> 00:18:59,320 Speaker 1: the music will be good enough that the fans would 395 00:18:59,400 --> 00:19:03,080 Speaker 1: keep going with them, you know, and they just kept 396 00:19:03,320 --> 00:19:06,960 Speaker 1: growing and larger like that. That that takes a lot 397 00:19:06,960 --> 00:19:10,159 Speaker 1: of fearlessness to do something like that. Most people just 398 00:19:10,160 --> 00:19:13,520 Speaker 1: stay were in the comfort zone. But they never did. 399 00:19:13,880 --> 00:19:16,560 Speaker 1: Like you got about all the duos and hip hop, 400 00:19:17,160 --> 00:19:20,639 Speaker 1: what other duo has been this? 401 00:19:21,560 --> 00:19:25,159 Speaker 3: They're number one duo, creative like and fearless with it. 402 00:19:25,760 --> 00:19:28,200 Speaker 3: Ain't no other duo pushed the envelope like they did, 403 00:19:28,400 --> 00:19:32,120 Speaker 3: as far as like from dressing that alternative like, ain't 404 00:19:32,160 --> 00:19:35,320 Speaker 3: no rap group, well rap duo and it's hard to 405 00:19:35,320 --> 00:19:39,480 Speaker 3: say too rap group duo. I always separate them just 406 00:19:39,520 --> 00:19:41,600 Speaker 3: simply for the fact that it's if you got at 407 00:19:41,680 --> 00:19:42,399 Speaker 3: least three people. 408 00:19:42,400 --> 00:19:46,120 Speaker 1: I look at that just like it it should be. Yeah. 409 00:19:46,160 --> 00:19:49,600 Speaker 4: So I mean yeah, like I mean because UGK never 410 00:19:49,680 --> 00:19:50,080 Speaker 4: did that. 411 00:19:50,680 --> 00:19:51,359 Speaker 1: No, they didn't. 412 00:19:51,440 --> 00:19:55,080 Speaker 4: Mob Deep never did that, did that? 413 00:19:55,960 --> 00:19:59,080 Speaker 5: Yeah, I mean yeah, you might be on something game. Yeah, 414 00:19:59,119 --> 00:20:01,400 Speaker 5: and I never thought I never thought of it that way. 415 00:20:01,680 --> 00:20:06,280 Speaker 1: Yeah. Yeah, Well, just just asking the question. 416 00:20:06,920 --> 00:20:07,560 Speaker 2: That's a good one. 417 00:20:07,760 --> 00:20:10,320 Speaker 1: Yeah, and closing who should be next? 418 00:20:10,880 --> 00:20:15,320 Speaker 2: Bhutang im about probably GM was in there. 419 00:20:15,880 --> 00:20:16,480 Speaker 4: Yeah, they in there. 420 00:20:16,840 --> 00:20:20,520 Speaker 2: I want to stay in there, Wang, yeah, Tang. 421 00:20:20,800 --> 00:20:23,200 Speaker 3: It's only right for Bone thus to be there. It's 422 00:20:23,240 --> 00:20:26,200 Speaker 3: in Cleveland, Bone Thugs, It's in Cleveland next year. 423 00:20:27,440 --> 00:20:27,960 Speaker 4: Hall of Fames? 424 00:20:28,680 --> 00:20:30,480 Speaker 1: Are you joking? Serious. 425 00:20:33,960 --> 00:20:35,000 Speaker 2: I give it Bone. 426 00:20:34,720 --> 00:20:37,080 Speaker 1: Thus is a Hall of They deserve to be in 427 00:20:37,080 --> 00:20:37,640 Speaker 1: the Hall of Fame. 428 00:20:37,720 --> 00:20:40,080 Speaker 4: They're about to get a Hollywood star next year. 429 00:20:40,359 --> 00:20:44,520 Speaker 5: Really, m yes, sir, maybe it could be in line, 430 00:20:44,960 --> 00:20:46,840 Speaker 5: It could be would definitely be in there. 431 00:20:47,200 --> 00:20:51,000 Speaker 2: If Bone get in before, that's a riot. 432 00:20:51,640 --> 00:20:52,440 Speaker 4: That's crazy. 433 00:20:52,440 --> 00:20:56,960 Speaker 1: There's no way Bone should get in before. And I'm 434 00:20:57,080 --> 00:20:57,679 Speaker 1: still tripping. 435 00:20:57,720 --> 00:21:01,960 Speaker 5: Why if is in there, they're Wu Tanged To me, 436 00:21:02,080 --> 00:21:03,160 Speaker 5: their impact is down. 437 00:21:03,160 --> 00:21:05,639 Speaker 2: They're pretty much the same Wu Tang in n w A. 438 00:21:05,800 --> 00:21:07,080 Speaker 2: Why is not in there? 439 00:21:07,600 --> 00:21:07,879 Speaker 1: Well? 440 00:21:08,560 --> 00:21:15,040 Speaker 3: Musically though, is Wu Tang's music more like influential? Like 441 00:21:15,280 --> 00:21:17,879 Speaker 3: I look at Wu Tang more as like their collective 442 00:21:18,600 --> 00:21:22,640 Speaker 3: influence the culture more than just the music did maybe 443 00:21:22,640 --> 00:21:24,399 Speaker 3: individually some of them, did you know? 444 00:21:25,040 --> 00:21:28,080 Speaker 5: That's how dope of a group they was. Individually, they 445 00:21:28,119 --> 00:21:31,159 Speaker 5: still went out and killed shit individually they did, they 446 00:21:31,160 --> 00:21:32,800 Speaker 5: ain't with a new addition, Like that's why I put 447 00:21:32,800 --> 00:21:35,840 Speaker 5: them in there. They are the best R and B 448 00:21:35,880 --> 00:21:38,200 Speaker 5: groups because it's like as a group they're great. 449 00:21:38,280 --> 00:21:41,520 Speaker 2: But they even killed shit individually. They spread out, that's 450 00:21:41,520 --> 00:21:43,000 Speaker 2: what they spread. 451 00:21:42,680 --> 00:21:46,439 Speaker 3: Out and styre killing shit individually, but them together though, Like, 452 00:21:47,119 --> 00:21:49,440 Speaker 3: was it as impactful musically? 453 00:21:49,760 --> 00:21:49,960 Speaker 1: Yeah? 454 00:21:50,400 --> 00:21:54,200 Speaker 3: What albums besides like the Chambers Wutang forever, that's where 455 00:21:54,240 --> 00:21:54,600 Speaker 3: you stop. 456 00:21:55,640 --> 00:21:57,680 Speaker 5: That's still impactful though n w A give me a 457 00:21:57,840 --> 00:22:02,880 Speaker 5: w A strata often and then, but also uh Niggas 458 00:22:02,880 --> 00:22:07,840 Speaker 5: for Life was the precursor the g funk. Yeah, but right, 459 00:22:08,600 --> 00:22:11,560 Speaker 5: but still that's about the same amount. But then look 460 00:22:11,560 --> 00:22:13,840 Speaker 5: at look at what n w A did was spread 461 00:22:13,880 --> 00:22:16,680 Speaker 5: out that that's what I'm saying, and Wu Tang pretty 462 00:22:16,720 --> 00:22:18,560 Speaker 5: much put a coast on their back when. 463 00:22:18,400 --> 00:22:21,760 Speaker 3: They was getting the ass. That's true, they brought back. Yeah, 464 00:22:21,840 --> 00:22:22,560 Speaker 3: that's true. 465 00:22:22,640 --> 00:22:23,120 Speaker 1: That's true. 466 00:22:23,320 --> 00:22:23,840 Speaker 4: They should be. 467 00:22:24,119 --> 00:22:27,120 Speaker 5: I feel like them too is just as equally, especially 468 00:22:27,160 --> 00:22:28,520 Speaker 5: for their represented for their coast. 469 00:22:28,640 --> 00:22:30,600 Speaker 2: I feel like if n w A in there, Wu 470 00:22:30,640 --> 00:22:31,560 Speaker 2: Tang should have been in there. 471 00:22:31,600 --> 00:22:32,680 Speaker 1: Yeah, you gotta write them a letter. 472 00:22:33,400 --> 00:22:34,200 Speaker 2: They should have been in there. 473 00:22:35,000 --> 00:22:37,200 Speaker 4: I'm willing to bet they're going to be in there. 474 00:22:37,200 --> 00:22:38,720 Speaker 2: They have that should be next. I feel like that 475 00:22:38,760 --> 00:22:39,119 Speaker 2: should be. 476 00:22:39,240 --> 00:22:43,240 Speaker 1: It feels like oversight. Yeah, it feels like oversight. I 477 00:22:43,320 --> 00:22:45,879 Speaker 1: wonder they got any brothers, any leroy is on that 478 00:22:47,160 --> 00:22:47,440 Speaker 1: in there. 479 00:22:47,560 --> 00:22:52,520 Speaker 5: If Triben there already tribing there, try got in last 480 00:22:52,960 --> 00:22:54,160 Speaker 5: two years ago, last. 481 00:22:54,000 --> 00:22:54,760 Speaker 2: Year, two years ago. 482 00:22:54,920 --> 00:22:56,200 Speaker 1: They should definitely be in there. 483 00:22:56,400 --> 00:22:57,920 Speaker 2: I feel like if they should have been in the 484 00:22:57,960 --> 00:22:58,480 Speaker 2: same class. 485 00:22:58,560 --> 00:23:03,160 Speaker 1: Yeah, I think opinion, Yeah, yeah, they definitely had an impact. 486 00:23:03,240 --> 00:23:06,320 Speaker 5: Yeah, I'm surprised they wasn't. I'm surprised they went in there. 487 00:23:06,720 --> 00:23:10,320 Speaker 1: I'm still stuck on Bone Why why why wouldn't they 488 00:23:10,320 --> 00:23:13,359 Speaker 1: be I'm not arguing with that. 489 00:23:13,440 --> 00:23:15,000 Speaker 5: Let me arguing with the Bone Why wouldn't they be? 490 00:23:15,320 --> 00:23:17,520 Speaker 5: They just shouldn't get in before. But I'm not arguing with. 491 00:23:17,760 --> 00:23:19,919 Speaker 1: Why do they need to be in there? There's the 492 00:23:19,960 --> 00:23:23,080 Speaker 1: most what's the argument for they're the most? Have they 493 00:23:23,119 --> 00:23:25,960 Speaker 1: even been nominated or are you just put in your 494 00:23:26,359 --> 00:23:26,879 Speaker 1: well they. 495 00:23:26,760 --> 00:23:30,640 Speaker 3: Have, well, they've It's been talks about it. I mean really, yes, 496 00:23:31,119 --> 00:23:32,760 Speaker 3: why do you think they getting the Hollywood start? 497 00:23:34,040 --> 00:23:36,160 Speaker 1: Not even though they would getting the star? Yeah? 498 00:23:37,040 --> 00:23:40,119 Speaker 4: You doing it? I ain't doing it. 499 00:23:40,160 --> 00:23:42,280 Speaker 3: But I represent for the Thubs, I represent for the 500 00:23:42,280 --> 00:23:44,119 Speaker 3: w you see, I got my Woo tank shit on. 501 00:23:44,640 --> 00:23:47,159 Speaker 3: But h but now they're one of the most influential 502 00:23:47,200 --> 00:23:47,960 Speaker 3: rap groups. 503 00:23:48,280 --> 00:23:49,919 Speaker 4: I say this is who I feel like. 504 00:23:49,960 --> 00:23:54,240 Speaker 3: The most influential rap groups are Bone, n W A, 505 00:23:54,520 --> 00:23:57,320 Speaker 3: three six Mafia. A lot of the rap that you 506 00:23:57,400 --> 00:24:01,320 Speaker 3: hear now is Bone flows on three six beats. So 507 00:24:01,359 --> 00:24:04,919 Speaker 3: it's like if they're you got migos, but just a 508 00:24:05,000 --> 00:24:07,840 Speaker 3: whole game. Like at one point, Usher like said it, 509 00:24:07,960 --> 00:24:10,520 Speaker 3: and then Brian Michael Cox said, like that two thousands, 510 00:24:10,560 --> 00:24:12,960 Speaker 3: early two thousands R and B where they were writing 511 00:24:12,960 --> 00:24:14,919 Speaker 3: for Mariah Care, writing for Usher and stuff like that. 512 00:24:15,040 --> 00:24:18,080 Speaker 3: He said that because he was on tanking the podcast 513 00:24:18,560 --> 00:24:19,320 Speaker 3: Arms Money. 514 00:24:19,880 --> 00:24:20,840 Speaker 2: You know what I'm know? 515 00:24:20,920 --> 00:24:21,159 Speaker 1: R and B. 516 00:24:21,359 --> 00:24:24,760 Speaker 4: Yes, that's R and B and rap, you know what 517 00:24:24,800 --> 00:24:25,120 Speaker 4: I'm saying. 518 00:24:25,160 --> 00:24:26,959 Speaker 3: So I feel like I wouldn't be mad at three 519 00:24:27,040 --> 00:24:29,680 Speaker 3: six being in there too, uh, because they were rock 520 00:24:29,720 --> 00:24:32,560 Speaker 3: stars and we're talking about rock and Roll Hall of Fame. 521 00:24:33,880 --> 00:24:38,159 Speaker 1: Yeah, there's a whole other conversation about us needing our 522 00:24:38,200 --> 00:24:40,160 Speaker 1: own institution that we're not going to go there. 523 00:24:41,320 --> 00:24:45,720 Speaker 5: But because Bone was kind of like melodic rap before melody. 524 00:24:44,840 --> 00:24:50,200 Speaker 3: Were huge, they called them, Yes I'm saying it was 525 00:24:50,240 --> 00:24:52,280 Speaker 3: like the Beatles they used to compare. I mean, they 526 00:24:52,320 --> 00:24:54,679 Speaker 3: broke the Beatles records back then. So it's just you 527 00:24:54,720 --> 00:24:56,520 Speaker 3: know what the problem is. And we talked about this 528 00:24:56,560 --> 00:24:59,160 Speaker 3: with a No Limit versus Cash Money ship. People thought 529 00:24:59,200 --> 00:25:01,680 Speaker 3: cash Money was gonna beat No Limit because we think 530 00:25:01,680 --> 00:25:03,399 Speaker 3: of the two thousands on up. When it comes to 531 00:25:03,440 --> 00:25:05,960 Speaker 3: cash money, you get stuck in that nineties, and I 532 00:25:05,960 --> 00:25:07,760 Speaker 3: think that's what happened with Salt and Pepper two. But 533 00:25:07,800 --> 00:25:09,119 Speaker 3: then when you go back and look at it, you 534 00:25:09,200 --> 00:25:11,560 Speaker 3: be like, damn, hold on, they did this, do that, 535 00:25:11,640 --> 00:25:13,320 Speaker 3: And then it'll take a beacon of light like me 536 00:25:13,400 --> 00:25:15,640 Speaker 3: to be like, hey, look at this. But you probably 537 00:25:15,720 --> 00:25:19,600 Speaker 3: just think about a decade versus somebody in the two 538 00:25:19,600 --> 00:25:20,280 Speaker 3: thousands on. 539 00:25:20,320 --> 00:25:22,439 Speaker 1: Up that you might see all I have to do 540 00:25:22,480 --> 00:25:25,399 Speaker 1: that with a Buster rhymes. That's another one, bro, I 541 00:25:26,160 --> 00:25:29,320 Speaker 1: be I think I forgot. I forgot Buster had like 542 00:25:30,119 --> 00:25:30,680 Speaker 1: first his. 543 00:25:30,640 --> 00:25:33,480 Speaker 2: First three, like three albums. 544 00:25:32,880 --> 00:25:37,560 Speaker 1: Man yeahs bro Yeah, yeah, bust bangers, Bro. I completely 545 00:25:37,640 --> 00:25:42,320 Speaker 1: forgot yeah. Yeah, So you know, but okay, that's interesting. 546 00:25:42,400 --> 00:25:44,280 Speaker 1: I have to think about that. Maybe I think they 547 00:25:44,320 --> 00:25:47,640 Speaker 1: are forgotten group in hip hop that people that don't 548 00:25:47,680 --> 00:25:48,680 Speaker 1: get it they. 549 00:25:49,160 --> 00:25:51,320 Speaker 2: Call him a lot of rap. Now we didn't know. 550 00:25:51,520 --> 00:25:53,760 Speaker 5: We didn't call it that because we didn't know that 551 00:25:53,760 --> 00:25:55,000 Speaker 5: that was you know what I'm saying. 552 00:25:55,480 --> 00:25:56,080 Speaker 2: Niggas created. 553 00:25:56,840 --> 00:25:59,199 Speaker 3: Yeah, them niggas was singing. They were like the ghetto 554 00:25:59,280 --> 00:26:02,000 Speaker 3: boys to men like you. When you when you go 555 00:26:02,080 --> 00:26:03,800 Speaker 3: back and listen to that ship, they were in it 556 00:26:04,000 --> 00:26:05,760 Speaker 3: like and then the thing with them is you had 557 00:26:05,800 --> 00:26:08,520 Speaker 3: Busy who had the lighter voice. Then you had Crazy 558 00:26:08,600 --> 00:26:10,439 Speaker 3: had a darker voice, and then Lazy was like ten 559 00:26:10,560 --> 00:26:13,000 Speaker 3: or so him in wishbones letting him and wishbone like 560 00:26:13,040 --> 00:26:15,199 Speaker 3: and then you hear East ninety nine is what like? 561 00:26:15,320 --> 00:26:19,840 Speaker 1: What would you got to. 562 00:26:21,359 --> 00:26:26,160 Speaker 4: Here for that? That west? Anything with Midwest West coast? 563 00:26:26,240 --> 00:26:29,000 Speaker 1: Like, Hey, I'm here, daddy hip hop, daddy hip hop 564 00:26:29,040 --> 00:26:32,680 Speaker 1: conversation in its truest form, bro yeap, but shout out 565 00:26:32,680 --> 00:26:37,439 Speaker 1: to outcast, shout out to the queens, Salt and Pepper. 566 00:26:37,600 --> 00:26:42,040 Speaker 1: For sure, I'm glad they got in, and I'm glad 567 00:26:42,080 --> 00:26:45,959 Speaker 1: you guys brought them up, because yeah, everybody forgetting about them. 568 00:26:46,000 --> 00:26:47,240 Speaker 1: All right, man, we'll leave it that. We'll cut you 569 00:26:47,280 --> 00:26:49,040 Speaker 1: guys next time we out. Peace. Peace,