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Speaker 1: Oh my god, are we live?

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Speaker 2: We live? Oh my god? What's up y'all? Welcome to

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Speaker 2: another Daddy Hip Hop Live.

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Speaker 3: Man.

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Speaker 1: I'm your host, Rod aka Modest Media to my Love,

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Speaker 1: got my Homeboy three twenty four seven.

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Speaker 2: Let Up, Let Up? What up?

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Speaker 1: Thank you for coming through. I know you have some

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Speaker 1: science issues going on, but love, you're here for the people,

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Speaker 1: Here for the people. Man, push it through, man, I

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Speaker 1: appreciate you. Man over in front of we got b's

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Speaker 1: at four thirty and kennoy inch, what y'all live?

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Speaker 4: What's up with y'all?

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Speaker 2: We got on the way. B what we just finished doing?

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Speaker 5: B oh, we just got finished doing another Level seven

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Speaker 5: video follow up from the last video that ride almost

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Speaker 5: had a hard so we did a follow up and

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Speaker 5: we put our we put our mc h level So

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Speaker 5: that's that was fun.

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Speaker 4: So I can't wait for y'all to check that one out.

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Speaker 4: That that's that's the good one. And we also did

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Speaker 4: a video shoutut to y'all in the super Chat.

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Speaker 5: This was a super chat video we recorded when we

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Speaker 5: ranked RTJ and al Kas albums together, the first four

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Speaker 5: albums and RTJ and four albums and we ranked those

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Speaker 5: so yeah, man, we got some got some good contents

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Speaker 5: of fun content coming y'all.

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Speaker 1: Way.

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Speaker 2: Nah, yeah, so man, you don't look out for.

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Speaker 6: That, man.

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Speaker 1: Yeah, that that that's man. Y'all had me hot man, what.

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Speaker 2: Oh my god? What are you doing me like?

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Speaker 1: It's so funny live man. But yeah, we gotta follow up.

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Speaker 1: Cor shout out to du play man. I gave him

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Speaker 1: his flowers on the video or whatever, because I finally

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Speaker 1: got around to watching the actual video. But yeah, man,

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Speaker 1: it's pretty dope, pretty dope dude.

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Speaker 2: Man.

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Speaker 1: So yeah, so yeah, that's on the way before we

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Speaker 1: get into this conversation. I know y'all see the see

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Speaker 1: the title super chats, highly encourage send those in.

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Speaker 2: Now we how long we got be? I don't forgotten

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Speaker 2: now man, man, ask me, man, we got here about

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Speaker 2: nine o five, So what was you getting in fifteen minutes?

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Speaker 2: Twenty twenty five? Not twenty five? Oh shit, look all.

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Speaker 1: Right there, you know, be being generous man, y'all have

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Speaker 1: it to nine to twenty five to get your super

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Speaker 1: chats in. That is when we go over your questions, statements,

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Speaker 1: superstickers or whatever. We just show you guys love and

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Speaker 1: you know, tap back in with the community.

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Speaker 2: So definitely send those in now.

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Speaker 5: Man.

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Speaker 2: It's always fun to go through those with y'all, So yeah,

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Speaker 2: do that now.

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Speaker 1: But today we are here to talk about Metro's crash out.

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Speaker 2: Hey.

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Speaker 1: I saw it like like like kind of buzzing on

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Speaker 1: the internet. He was going at people about his album

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Speaker 1: and stuff, but it went a little deep like and

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Speaker 1: then that's when he started talking about you know, well,

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Speaker 1: you know, we need to bring back regional sound or whatever,

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Speaker 1: and that's what we's that's the part that we're gonna

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Speaker 1: focus on today is Metro bruming right about regional sounds dying.

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Speaker 1: And I want to say that came up somewhere else.

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Speaker 1: I forgot what we were doing listening. I brought up

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Speaker 1: the Big Son.

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Speaker 4: I asked him.

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Speaker 2: I asked him.

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Speaker 5: I asked them that they feel like hip hop get

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Speaker 5: back to regional sound, and.

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Speaker 2: They pretty much agree.

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Speaker 4: They were pretty much on board with it.

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Speaker 2: Yeah, So go back and watch that.

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Speaker 7: It's the two player in uh the listening with two player,

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Speaker 7: which is Big Son and Coke.

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Speaker 1: You know what I'm saying.

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Speaker 7: So go watch that really good interview, really dope music too.

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Speaker 7: So if you're a Patreon, y'all heard the unreleased Ship,

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Speaker 7: which is, but we had to run.

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Speaker 2: We had to run that back like that.

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Speaker 1: That That track was crazy but no, yeah, yeah, because

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Speaker 1: it was very regional sounding southern son. Yeah, so it

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Speaker 1: was it was dope. It was dope. I really really

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Speaker 1: enjoyed it. They haven't dropped yet, right.

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Speaker 2: They did. Well.

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Speaker 7: I saw that they had dropped a single. I didn't

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Speaker 7: know it was a EP, but you know, I take

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Speaker 7: Can's word for it.

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Speaker 2: Got you, got you?

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Speaker 1: So yeah, I'm gonna go around the room.

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Speaker 2: That's how I'm gonna do this.

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Speaker 1: I'm gonna go around the room and just see if

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Speaker 1: y'all kind of agree with what, uh.

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Speaker 2: What Metro is saying about, you know, regional sound and is.

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Speaker 1: It actually died does because basically what he's saying is like,

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Speaker 1: you know, you can't even tell where somebody's from these days,

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Speaker 1: you know what I'm saying?

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Speaker 2: Real quick, y'all. Have y'all heard his take? I have

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Speaker 2: listened to it.

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Speaker 1: I didn't listen to it.

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Speaker 5: Yeah, No, I kind of skimmed through it, so I

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Speaker 5: didn't like, sit down and listen to it.

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Speaker 1: Listen to it, have you? Yeah, Yeah, it's kind of

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Speaker 1: kind of rough, kind of rough.

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Speaker 5: Listen to me, Okay, I don't know, didn't have that

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Speaker 5: twenty ten Atlanta sound that it did, Okay, but I mean,

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Speaker 5: but what is it you know for us?

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Speaker 2: I want to hear that.

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Speaker 1: Yeah, you will listen to listen to that, Yeah, recreating that.

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Speaker 2: Because here's my thing. I'll give my take on the

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Speaker 2: regional thing.

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Speaker 1: Like I think even if its like say a Southern

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Speaker 1: rapper raps on a on a beat, Let's say, you know,

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Speaker 1: LP Alchemist Darren or.

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Speaker 2: Whatever or whatever, like if he still has this same

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Speaker 2: like like say, if he's from Ato, he's.

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Speaker 1: Talking about shot of this, shot of that, and you

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Speaker 1: know what I'm saying, no fu talking about all that shit.

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Speaker 2: That still I think makes it.

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Speaker 1: Regional in my opinion, Like he's just playing around with

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Speaker 1: different beats now now he don't necessarily have to just

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Speaker 1: like the eight Await ship and all that that, you know,

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Speaker 1: the club ship, the strip club shit, you know what

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Speaker 1: I'm saying. But I think as long as they're true,

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Speaker 1: like Ti I right, TA sounds Atlanta. Yeah, So it

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Speaker 1: don't really matter to me what Tia raps over. He's

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Speaker 1: gonna always sound like to me, he's gonna always sound

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Speaker 1: like an Atlanta rapping to me.

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Speaker 7: Yeah, of course, because because inherently the artists themselves sound Southern, right,

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Speaker 7: So so I feel I feel like this about the

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Speaker 7: regional sound, right. I don't disagree with what you're saying.

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Speaker 7: There are certain artists that are just gonna sound like

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Speaker 7: where they are from because they can't help their accents right, right,

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Speaker 7: Even even you know me and can we reacted to

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Speaker 7: one of Sahai or Tuasahai's freestyles, right, you can can

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Speaker 7: be lacking on them. So I've been putting them on

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Speaker 7: when we do D three sixty five lives. Sahai don't

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Speaker 7: sound like in Atlanta nigga, but there's certain words and

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Speaker 7: things that he references that's like, if you know, you know, right,

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Speaker 7: Like like one of the freestyles he said tongue and groove. Yeah,

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Speaker 7: that can just be a fly line. But if you're

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Speaker 7: from Atlanta, you know exactly what he's talking. When he

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Speaker 7: talked about Redan, when he talked about certain aspects of Atlanta,

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Speaker 7: he is Atlanta, right. But taking it a step further,

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Speaker 7: I do think sonically we have lost regional sounds.

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Speaker 1: Right artists.

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Speaker 7: There's certain people that's just gonna sound like that, like

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Speaker 7: Benny and Grizela they're gonna sound like from New York.

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Speaker 1: No matter what fuck they could wrap on every track,

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Speaker 1: they could.

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Speaker 7: Make a whole project of trap beats, they're gonna sound

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Speaker 7: like they're from New York.

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Speaker 1: You know what I'm saying.

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Speaker 7: But I think sonically we have lost the regionality of music.

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Speaker 1: And I do agree.

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Speaker 7: I think he was mentioned in the Internet, you know

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Speaker 7: what I'm saying, has kind of made it where there

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Speaker 7: is no uniqueness because everybody wants to just.

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Speaker 1: Do what's hot.

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Speaker 4: Because before we kind of we kind of relied on radio.

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Speaker 4: So like if you if you go to a radio

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Speaker 4: in that town like that, you're gonna hear.

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Speaker 5: Ship from that town rather it's Oakland, rather it's Houston, Miami.

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Speaker 7: And you only have a handful that go national that

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Speaker 7: is from Miami, but it's getting played everywhere.

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Speaker 4: But you're gonna hear that Miami ship. You gonna hear

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Speaker 4: that New York ship.

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Speaker 5: You're gonna hear that Chicago ship, you gonna hear that

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Speaker 5: Cleveland ship, you know what I'm saying. So, yeah, I

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Speaker 5: think it's because we relied on.

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Speaker 4: Radio, And you're right, Internet did kind of like blur

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Speaker 4: the lines.

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Speaker 1: A little bit.

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Speaker 7: Yeah, because because you know, I think what has happened

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Speaker 7: in hip hop, uh and I think this is the industry,

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Speaker 7: is that they're trying to recreate what was making money.

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Speaker 7: So if the South is hot, well ship, let's recreate

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Speaker 7: this and then you have a million versions of this

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Speaker 7: and then over the long run, now people have lost

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Speaker 7: their sound in their area because they're just.

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Speaker 1: Trying to make what's hot, you know what I'm saying.

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Speaker 7: I think that's the reason, part of the reason why

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Speaker 7: we came together and made that a hip hop to

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Speaker 7: be like not just for the regionality shit, but to

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Speaker 7: pinpoint and highlight people that are dope regardless. But I

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Speaker 7: think that we lost it. When I say we, I

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Speaker 7: say hip hop. I think hip hop has lost its.

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Speaker 1: Way of being true to where you are from. But

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Speaker 1: what if those artists just don't want to stay in

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Speaker 1: the box, like they want to explore out and do

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Speaker 1: other things.

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Speaker 7: And you know what, that's fine because like one of

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Speaker 7: my favorite joints that I felt was kind of like

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Speaker 7: a crossover of sounds, right was when Little John came

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Speaker 7: out with Crup music and he had that the last

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Speaker 7: song called Grand Finale.

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Speaker 1: Then Nigga had ice q Jada, Kiss Ti.

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Speaker 7: Nas and that shit was a Southern beat, but everybody

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Speaker 7: brought their region from a voice perspective of like their

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Speaker 7: own to that beat, and I thought that that was

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Speaker 7: It's so fucking amazing. But I feel that artists themselves now,

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Speaker 7: for the most part, sound very southerns sound very Atlanta

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Speaker 7: because Atlanta has been running hip hop for twenty plus

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Speaker 7: years now. So I feel like a lot of artists

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Speaker 7: sound like that. But I do think that there are

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Speaker 7: areas that still have their core sound, like when we

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Speaker 7: go and we listen to Cali, Like Cali to me

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Speaker 7: hasn't really emulated a lot of the Southern or what's popular,

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Speaker 7: like them niggas do what they do. The Bay sounds

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Speaker 7: like the Bay. La sounds like La. You know what

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Speaker 7: I'm saying. Other aspects of Cali, you look. I think

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Speaker 7: there's like New York to me lost their way, like

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Speaker 7: in general.

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Speaker 1: You know, obviously you have other people that you know.

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Speaker 7: Still have a whole proud to booth BAP and other

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Speaker 7: type stuff, primo and that type shit. But for the

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Speaker 7: most part, I feel New York has lost their way.

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Speaker 7: I think Chicago has lost their way.

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Speaker 2: I think that's where it started.

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Speaker 1: Like in my opinion I think is when New York

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Speaker 1: started sounding like the South.

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Speaker 5: Yes, even even I hate to use him as an example,

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Speaker 5: but he was right when he said it. I mean,

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Speaker 5: we call a lot of flack was saying when Trenda

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Speaker 5: James was like, I'll go in New York and listen

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Speaker 5: to the radio.

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Speaker 2: It sounds just like a Landa rao.

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Speaker 5: He that's kind of bad, Like for someone on the

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Speaker 5: outside go there and be like, damn, I sound.

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Speaker 4: Like I'm and you in New York.

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Speaker 1: You know what I'm saying.

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Speaker 4: That was You're right right.

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Speaker 2: I think that was definitely the pinpoint.

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Speaker 1: Yeah, that's the That's the main example I could think of,

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Speaker 1: because when I really started thinking about it, I was like, well, ship,

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Speaker 1: I mean, some of these people sound like where they're from,

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Speaker 1: Like you know what the Chicago had the whole drill

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Speaker 1: mute movement.

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Speaker 2: Like they had like they had ship that sounded like.

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Speaker 1: But but the thing about Chicago, I don't know, like

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Speaker 1: Chicago got all kind of fastest.

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Speaker 7: Right, it does, it does, but drill has taken over

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Speaker 7: as like the the main.

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Speaker 2: That's what I'm saying, what is what is Chicago now?

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Speaker 7: I think they are reinventing themselves, you know, shout out

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Speaker 7: the big spens.

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Speaker 1: Shout out the I Am God, shout shout out to.

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Speaker 7: Mc jenkins, you know, like Bready Carter. They're reinventing themselves,

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Speaker 7: you know. But yes, your music has backed down some

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Speaker 7: got you.

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Speaker 2: I'm gonna go over to you next, b because being

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Speaker 2: from Detroit, I feel like Detroit is another one of

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Speaker 2: those places, because they got that that side of baby ship.

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Speaker 2: You know what I'm saying. What is that called like the.

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Speaker 4: Like the street? Yeah, you got street lords.

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Speaker 2: What is that called? That style? Grizzlies and all that

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Speaker 2: ship like.

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Speaker 4: Just called that's the street ship. We just called the street.

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Speaker 2: But then y'all got people like Roy. So what's your

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Speaker 2: what's your take on it? Like, how do you feel

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Speaker 2: about regional regional rap?

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Speaker 1: I like it.

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Speaker 4: I mean, I'm with you round.

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Speaker 5: I mean I don't we don't have to boxing every

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Speaker 5: single and if you from this part, you gotta sound

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Speaker 5: like this. I'm okay with some artists, like before you

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Speaker 5: said it's gonna be some artist that's gonna kind of

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Speaker 5: strike and and kind of touch on everything else.

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Speaker 1: But I like the regional sound.

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Speaker 5: I like being in the city, Like I want to

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Speaker 5: know in the part of town, like I want to

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Speaker 5: hear that sound of that city. If I'm in Houston, Like,

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Speaker 5: I want to feel like I'm in Houston when I'm

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Speaker 5: hearing stuff.

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Speaker 4: If I'm in whatever.

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Speaker 5: City, whatever in the city, like if I'm in La, Yeah,

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Speaker 5: I want to feel like I'm in some l a ship.

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Speaker 2: So do you feel like I'm dying? I feel like

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Speaker 2: I feel like you said, do you.

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Speaker 1: Feel like you get that sound when you go to

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Speaker 1: and you hear hear people from these places?

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Speaker 5: It's starting to come back. I think that's why the

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Speaker 5: conversation is being brought up here. I feel like because

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Speaker 5: just think how happy people was with Kendrick making gn

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Speaker 5: X that was probably his most West Coast and signing

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Speaker 5: out and his desography and he was loving that. And

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Speaker 5: I think there's shertain places that haven't lost like like

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Speaker 5: I said, CALLI, Like, I don't think CALLI.

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Speaker 1: Has lost their regionality.

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Speaker 7: Like I had Tyler Tyler be doing. But Tyler is

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Speaker 7: an artist, he always has been. I'm just saying like

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Speaker 7: he's never been boxed in ear. He ain't making No,

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Speaker 7: He's not that nigga.

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Speaker 2: So that's what I'm saying. I feel like CALLI.

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Speaker 1: They do got they people that be making that you know,

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Speaker 1: that Cali bounce ship, But they do have a lot

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Speaker 1: of people that also just don't make straight CALLI sound.

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Speaker 7: One hundred it is. It's more like the blog era

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Speaker 7: type ship. But they don't sound like somewhere else. Earl

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Speaker 7: don't sound like Atlanta. Tyler don't sound like Atlanta.

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Speaker 2: Tyler sounds like a lot of the.

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Speaker 1: Earl exactly about had a bunch of talents and you

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Speaker 1: had a bunch of Earls rapping from the West Coast,

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Speaker 1: you will suddenly lose the regional sound if you have

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Speaker 1: people doing the same thing that they're doing one hundred percent.

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Speaker 1: But but but okay, so so you know, I always

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Speaker 1: talk about balance, like it's okay to have the Earls

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Speaker 1: and and the Tylers.

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Speaker 7: But we have the tfs, we have the school Boys,

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Speaker 7: we have the Larry Jews, we have the e forties.

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Speaker 2: Like school Boy he.

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Speaker 1: Kind of ventures off into some other territories, but he

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Speaker 1: has Joys that sound very West Coast too.

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Speaker 4: I would one.

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Speaker 1: You know what I'm saying, it's the most West Coast

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Speaker 1: and out of all of them. Yeah, but all I'm

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Speaker 1: saying game, the game very West Coast, but he also

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Speaker 1: does a lot of the East Coast shit too. He definitely

319
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Speaker 1: sounds very his style is very New York from Cali.

320
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Speaker 1: Sometimes like his accident, don't even sound like you're from

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Speaker 1: Caldy to me. Sometime like yeah, he don't really sound

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Speaker 1: like that to me.

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Speaker 7: But but but either way, there's balance in Cali, but

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Speaker 7: there's still a very strong.

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Speaker 1: Regionality over there Detroit. Some of the ship does sound

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Speaker 1: a little Southern, but there's still very strong regionality there.

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Speaker 2: You know what I'm saying.

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00:14:33,640 --> 00:14:34,520
Speaker 1: Who sounds Southern?

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00:14:35,320 --> 00:14:38,160
Speaker 7: Like the style like the t Grizzlies and them, I

330
00:14:38,160 --> 00:14:43,320
Speaker 7: feel like it's Southern inspired. That ain't Southern bro so

331
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Speaker 7: so so would you say that like Drill was Southern

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Speaker 7: inspired Southern inspired?

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00:14:49,680 --> 00:14:52,400
Speaker 2: I don't think so. I think that's it sounds. I wouldn't.

334
00:14:52,560 --> 00:14:53,840
Speaker 2: I would have never heard nothing like that.

335
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Speaker 4: When I think of Drill, I think it's strict in Chicago.

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Speaker 1: I don't think of nothing in the South neither.

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Speaker 8: Yeah, A good as a I'll give you from Cali,

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Speaker 8: I would say, someone like right Rich. Most people don't

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Speaker 8: don't don't realize that he's even from Cali. Like a

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Speaker 8: lot of people would assume he's im.

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Speaker 2: When y'all did a.

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Speaker 8: Review for his album, ill thought. I think a lot

343
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Speaker 8: of y'all initially thought he was from from Yea thought he.

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Speaker 9: Was from Atlanta.

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Speaker 2: I thought Rich was from here some ship.

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Speaker 1: He makes popular sounding music. Before we get any even that,

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Speaker 1: I want to get Ken's thoughts, Ken, how do you

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Speaker 1: feeling about uh what Metro is saying?

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Speaker 2: Like he feels like regional sound is dying? Ship?

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Speaker 1: What happened said ship?

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00:15:36,280 --> 00:15:36,400
Speaker 5: Uh?

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Speaker 2: Okay?

353
00:15:37,720 --> 00:15:44,280
Speaker 3: So I don't think Metro is wrong. I think Metro

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Speaker 3: has a point.

355
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Speaker 2: Interesting.

356
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Speaker 3: I think we talked about this when Kendrid released gn

357
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Speaker 3: X Okay. I think Metro should not use this album

358
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Speaker 3: to make that point.

359
00:16:00,240 --> 00:16:01,960
Speaker 2: No, I think that's the issue.

360
00:16:02,200 --> 00:16:02,920
Speaker 1: That's the issue.

361
00:16:02,960 --> 00:16:06,200
Speaker 3: He's trying to come over the excuse for an album

362
00:16:06,240 --> 00:16:07,440
Speaker 3: that just doesn't sound good.

363
00:16:08,080 --> 00:16:09,960
Speaker 2: So he mad because people don't like the album. The

364
00:16:10,000 --> 00:16:11,520
Speaker 2: appum ain't selling. So now you want to say, oh,

365
00:16:11,560 --> 00:16:12,800
Speaker 2: we should get back the regional sound.

366
00:16:13,160 --> 00:16:17,960
Speaker 3: Nah, bro, like you do make regional music. Dude, you're

367
00:16:18,120 --> 00:16:22,560
Speaker 3: Metro fucking booming right. We know your sound. You are Atlanta?

368
00:16:22,920 --> 00:16:25,440
Speaker 3: Yeah twenty one. All these people that he worked with,

369
00:16:26,160 --> 00:16:29,680
Speaker 3: Drake ran his assn same features why does Drake come here?

370
00:16:29,760 --> 00:16:32,560
Speaker 3: He wanted this southern sound, so you make this this

371
00:16:32,560 --> 00:16:35,960
Speaker 3: this album that goes all the way back to twenty ten.

372
00:16:36,880 --> 00:16:40,360
Speaker 3: People don't there's a group of people that don't like it.

373
00:16:40,480 --> 00:16:41,960
Speaker 3: There's about twenty thousand that do.

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00:16:44,160 --> 00:16:46,000
Speaker 4: And that his records as messed up.

375
00:16:46,040 --> 00:16:49,600
Speaker 5: Can that's what he sold to I think I don't

376
00:16:49,600 --> 00:16:53,480
Speaker 5: think he's going to say, shut up, that was fucked

377
00:16:53,560 --> 00:16:55,200
Speaker 5: up one the sonny what that fucked up?

378
00:16:55,520 --> 00:16:55,960
Speaker 1: Shut up?

379
00:16:57,800 --> 00:16:58,200
Speaker 4: Damn.

380
00:17:00,800 --> 00:17:03,560
Speaker 3: But then now your point is, oh, well, if you

381
00:17:03,560 --> 00:17:04,880
Speaker 3: ain't from Atlanta, you ain't.

382
00:17:04,680 --> 00:17:06,240
Speaker 2: You ain't get it. You go on to this Twitter

383
00:17:06,359 --> 00:17:08,160
Speaker 2: rant trying to explain the.

384
00:17:08,119 --> 00:17:10,600
Speaker 3: Reasons why people don't like it or why people don't

385
00:17:10,600 --> 00:17:13,560
Speaker 3: get it, which he's right, which is right. Jalen and

386
00:17:13,640 --> 00:17:16,000
Speaker 3: Nick they were talking about it. Nick don't really rock

387
00:17:16,040 --> 00:17:18,480
Speaker 3: with it like that, you know, but it grew on Spike.

388
00:17:18,520 --> 00:17:20,160
Speaker 3: I was talking to him about it on I think

389
00:17:20,200 --> 00:17:22,679
Speaker 3: on Dead and Sports. But the fact of the matter is,

390
00:17:23,520 --> 00:17:26,240
Speaker 3: you know, I think you can make that point without

391
00:17:26,400 --> 00:17:27,600
Speaker 3: trying to cover.

392
00:17:27,520 --> 00:17:30,280
Speaker 2: Up for the lackluster performers of the album.

393
00:17:30,480 --> 00:17:32,679
Speaker 3: I don't think there's anything wrong with him doing like

394
00:17:32,720 --> 00:17:38,280
Speaker 3: a mixtape to honor the sound of Atlanta back in

395
00:17:38,320 --> 00:17:42,520
Speaker 3: twenty ten. Black Motherbuckers know that shit, because you know,

396
00:17:42,560 --> 00:17:48,639
Speaker 3: if I like bro Jayalen was like, if I forget

397
00:17:48,680 --> 00:17:51,960
Speaker 3: how you put it, but basically he said, unless you

398
00:17:52,119 --> 00:17:54,760
Speaker 3: from a certain time, Podo grew up in a certain time,

399
00:17:54,840 --> 00:17:57,160
Speaker 3: whatever you was in high school or whatever, he said,

400
00:17:57,720 --> 00:17:59,440
Speaker 3: then you're not gonna like that album. Basically, he was

401
00:17:59,560 --> 00:18:01,320
Speaker 3: just trying to tell me that not to listen to it,

402
00:18:01,400 --> 00:18:04,479
Speaker 3: because you know, I you know, I was, and I

403
00:18:04,600 --> 00:18:08,000
Speaker 3: was too O B. But I keep up with what

404
00:18:08,160 --> 00:18:11,119
Speaker 3: was going on, Like I know the Roscoe dashes and

405
00:18:11,200 --> 00:18:15,879
Speaker 3: the Travis not Travis, but what's the uh who the other?

406
00:18:16,720 --> 00:18:20,560
Speaker 2: Yeah? Yes, Travis Porter? Yeah, I remember we all remember.

407
00:18:20,240 --> 00:18:26,119
Speaker 3: Him, right, yeah, King Camp, Yeah yeah, remember the dudes.

408
00:18:26,160 --> 00:18:28,719
Speaker 2: Man, the ship just doesn't sound looking good. And when

409
00:18:28,760 --> 00:18:30,120
Speaker 2: I'm listening to it, I'm.

410
00:18:29,960 --> 00:18:32,760
Speaker 3: Like, I remember some of the sound there, and I'm like,

411
00:18:32,920 --> 00:18:34,840
Speaker 3: I don't hear some of the sound there, you know,

412
00:18:34,920 --> 00:18:36,520
Speaker 3: the first I got to it with the Walker joint

413
00:18:36,560 --> 00:18:37,880
Speaker 3: on it, So.

414
00:18:38,119 --> 00:18:40,600
Speaker 2: Oh yeah that's when it that's that would sounded good.

415
00:18:41,000 --> 00:18:42,640
Speaker 2: Yeah yeah yeah.

416
00:18:44,160 --> 00:18:47,919
Speaker 3: So my thing is, yes, he's right, you know, I

417
00:18:47,960 --> 00:18:50,120
Speaker 3: think it would be dope to get it because That's

418
00:18:50,119 --> 00:18:52,159
Speaker 3: one of the redeeming calls we like about Genet's Like,

419
00:18:52,200 --> 00:18:55,040
Speaker 3: when I think about growing up listening to music back

420
00:18:55,200 --> 00:18:58,120
Speaker 3: back back in my day, you know, it was good

421
00:18:58,200 --> 00:19:00,600
Speaker 3: to be like, man, you know, you know, I want

422
00:19:00,600 --> 00:19:02,679
Speaker 3: to listen to some West Coast shit right now, and

423
00:19:02,720 --> 00:19:03,760
Speaker 3: you go put on some.

424
00:19:03,640 --> 00:19:06,240
Speaker 1: E forties, some DJ quick and ship like that.

425
00:19:06,359 --> 00:19:09,080
Speaker 3: You can like go, you can go to another coach

426
00:19:09,160 --> 00:19:11,600
Speaker 3: and listen to shit. You can go up up north

427
00:19:11,600 --> 00:19:12,040
Speaker 3: and listen to.

428
00:19:12,080 --> 00:19:12,760
Speaker 2: Some ship like that.

429
00:19:12,880 --> 00:19:14,840
Speaker 3: You can go to the Midwest and the listeners of

430
00:19:14,880 --> 00:19:16,480
Speaker 3: ship like Twister do or Die some.

431
00:19:16,440 --> 00:19:17,120
Speaker 2: Ship like that.

432
00:19:17,440 --> 00:19:20,680
Speaker 3: You can travel in the music. We can't travel in

433
00:19:20,720 --> 00:19:23,440
Speaker 3: the music right now. It's kind of the point he's saying,

434
00:19:23,800 --> 00:19:26,399
Speaker 3: that's what made g and that's so dope. You know,

435
00:19:26,600 --> 00:19:28,640
Speaker 3: we can listen to fucking E forty. We can listen

436
00:19:28,720 --> 00:19:30,919
Speaker 3: to hyphie music back in the day. We can go

437
00:19:31,000 --> 00:19:33,520
Speaker 3: to the Bay with all having to leave our fucking

438
00:19:33,600 --> 00:19:34,400
Speaker 3: damn seats.

439
00:19:35,080 --> 00:19:37,240
Speaker 2: So he's right in that regard.

440
00:19:37,960 --> 00:19:43,560
Speaker 3: It's just I, you know, I just think, Nah, that's

441
00:19:43,600 --> 00:19:45,480
Speaker 3: not you know, that's that's not the movie. But to

442
00:19:45,480 --> 00:19:47,800
Speaker 3: have this larger conversation, I think it's good to have

443
00:19:47,840 --> 00:19:51,080
Speaker 3: that you know, and and that was one of the

444
00:19:51,080 --> 00:19:53,879
Speaker 3: things that you know that and I would love to

445
00:19:53,920 --> 00:19:55,639
Speaker 3: get back to that sound. But when you guys think

446
00:19:55,680 --> 00:19:57,320
Speaker 3: about drill music, what do you be you.

447
00:19:57,480 --> 00:19:57,920
Speaker 2: Just said it?

448
00:19:58,320 --> 00:20:02,840
Speaker 3: What do you think about Chicago? Yeah, that's them. We

449
00:20:02,920 --> 00:20:04,240
Speaker 3: know exactly what that is.

450
00:20:05,000 --> 00:20:08,399
Speaker 2: So you know that's my whole Dame. Do y'all feel

451
00:20:08,400 --> 00:20:12,680
Speaker 2: like Megan it sound it sounds like Texas? I think

452
00:20:12,840 --> 00:20:13,240
Speaker 2: she does.

453
00:20:13,320 --> 00:20:14,680
Speaker 1: Yeah, yeah, she does.

454
00:20:15,080 --> 00:20:21,440
Speaker 2: Like as her tall slim throw. We can go to Texas.

455
00:20:21,440 --> 00:20:22,840
Speaker 1: Bro, who's our favorite guy?

456
00:20:23,920 --> 00:20:28,160
Speaker 2: Chameleon? What is his name is? Chameleonaire Community?

457
00:20:29,280 --> 00:20:32,399
Speaker 1: Who the nigga that we like?

458
00:20:33,640 --> 00:20:34,880
Speaker 4: Max So green Back?

459
00:20:34,960 --> 00:20:35,040
Speaker 5: So?

460
00:20:35,359 --> 00:20:38,400
Speaker 7: But nah, who's the other one we keep doing the wrong,

461
00:20:39,240 --> 00:20:40,320
Speaker 7: wrong fucking album?

462
00:20:40,640 --> 00:20:41,240
Speaker 2: Sauce Walker?

463
00:20:41,359 --> 00:20:44,720
Speaker 1: Sauce Walker. I'm saying he definitely sounds like Texas.

464
00:20:44,960 --> 00:20:51,240
Speaker 7: Uh, who's the Mexican Mexican otund like Texas be sound

465
00:20:51,280 --> 00:20:52,320
Speaker 7: like Texas?

466
00:20:52,359 --> 00:20:54,359
Speaker 2: When I say, can I slightly disagree with you? I

467
00:20:54,520 --> 00:20:56,160
Speaker 2: feel like regional sound is still there.

468
00:20:56,200 --> 00:20:58,879
Speaker 1: I think it's what you're paying attention to because like

469
00:20:58,880 --> 00:21:03,360
Speaker 1: like Tennessee, I still think Tennessee still has Tennessee sounds, right,

470
00:21:04,200 --> 00:21:12,119
Speaker 1: Like I'm gonna sound like they're from Tennessee, Like, yeah, like,

471
00:21:12,240 --> 00:21:15,520
Speaker 1: I think they still have a regional sound in my opinion.

472
00:21:15,680 --> 00:21:18,119
Speaker 7: Yeah, but I also feel like they get lumped up

473
00:21:18,119 --> 00:21:20,240
Speaker 7: with Atlanta, like I think.

474
00:21:20,119 --> 00:21:22,399
Speaker 2: That's just a South thing. Yeah, I think that's just

475
00:21:22,400 --> 00:21:22,960
Speaker 2: a South thing.

476
00:21:23,000 --> 00:21:27,800
Speaker 1: But I think they absolutely still sound like like now, granted,

477
00:21:28,200 --> 00:21:31,840
Speaker 1: you know three six created a mephis down that we

478
00:21:31,880 --> 00:21:32,280
Speaker 1: don't hear.

479
00:21:32,359 --> 00:21:34,680
Speaker 2: No more like that, well we don't hear a lot.

480
00:21:34,880 --> 00:21:36,960
Speaker 4: We don't hear a lot of created another mephis sound

481
00:21:38,200 --> 00:21:38,920
Speaker 4: was exactly.

482
00:21:39,840 --> 00:21:42,680
Speaker 1: But again, that's why I keep going back to to

483
00:21:43,320 --> 00:21:47,480
Speaker 1: like certain vernacular and certain like things you say, like

484
00:21:47,520 --> 00:21:49,560
Speaker 1: you know what I'm saying. That's why I feel like

485
00:21:49,600 --> 00:21:51,840
Speaker 1: that never dies. Like when you start doing ship that

486
00:21:51,840 --> 00:21:54,080
Speaker 1: you don't sound like you're from your area. Yeah, Like

487
00:21:54,119 --> 00:21:56,000
Speaker 1: I think that that's where it gets a little foggy

488
00:21:56,040 --> 00:21:56,240
Speaker 1: for me.

489
00:21:57,040 --> 00:22:01,320
Speaker 7: But I think that the crux of the conversation that

490
00:22:01,359 --> 00:22:03,840
Speaker 7: we're having is that a lot of the people that

491
00:22:03,920 --> 00:22:08,159
Speaker 7: we named are either established or already well known, right Like,

492
00:22:08,240 --> 00:22:11,200
Speaker 7: even if they may be underground, they may not be commercial,

493
00:22:11,240 --> 00:22:14,439
Speaker 7: but they have that regionality. I think a lot of

494
00:22:14,480 --> 00:22:19,840
Speaker 7: the up and coming artists don't have regionality. Those are

495
00:22:19,880 --> 00:22:23,320
Speaker 7: the ones that sound like everything else that's popular.

496
00:22:25,760 --> 00:22:27,159
Speaker 1: I don't listen to a lot of white Do you

497
00:22:27,200 --> 00:22:35,159
Speaker 1: think sounds like he don't sh jiz throwing No, no, no, no,

498
00:22:35,560 --> 00:22:37,280
Speaker 1: what he It's kind of like what I said with

499
00:22:37,359 --> 00:22:41,639
Speaker 1: Sahai right, Like sonically to my ear, he don't always

500
00:22:41,640 --> 00:22:42,560
Speaker 1: sound like Atlanta.

501
00:22:42,920 --> 00:22:45,639
Speaker 7: But what he's saying does Jid is like that to me?

502
00:22:46,080 --> 00:22:48,640
Speaker 7: Like he don't sound like a nigga that that's from Atlanta.

503
00:22:48,720 --> 00:22:52,080
Speaker 7: But when you hear what he's saying, yes he's I

504
00:22:52,200 --> 00:22:53,840
Speaker 7: know where he's from. You know what I'm saying, But

505
00:22:54,119 --> 00:22:56,879
Speaker 7: sonically he don't sound like like like like ti, I

506
00:22:57,119 --> 00:23:00,200
Speaker 7: like the moment I says a sentence, you know where

507
00:23:00,200 --> 00:23:00,560
Speaker 7: he's from.

508
00:23:00,760 --> 00:23:04,600
Speaker 2: No, yeah, like like I feel like Jed is an

509
00:23:04,600 --> 00:23:06,399
Speaker 2: involved Atlanta rapper.

510
00:23:06,920 --> 00:23:08,800
Speaker 1: I give you that because like think about it like this,

511
00:23:09,040 --> 00:23:12,040
Speaker 1: like should we had Andre three stacks? He's straight out

512
00:23:12,040 --> 00:23:15,240
Speaker 1: of Atlanta and he but he had that Twain to

513
00:23:15,320 --> 00:23:15,960
Speaker 1: him too though, like.

514
00:23:18,400 --> 00:23:19,880
Speaker 2: Jed has it too, So.

515
00:23:19,800 --> 00:23:24,080
Speaker 1: That's what it's different. Yeah, it's more modern. Yeah, yeah,

516
00:23:25,000 --> 00:23:25,720
Speaker 1: but I don't know.

517
00:23:25,760 --> 00:23:31,440
Speaker 7: I guess when I hear Jid talk or rap, I initially.

518
00:23:30,920 --> 00:23:32,080
Speaker 1: Atlanta don't come to mind.

519
00:23:32,200 --> 00:23:32,240
Speaker 2: Me.

520
00:23:32,800 --> 00:23:36,480
Speaker 7: But when I heard or what he's rapping about, then

521
00:23:36,520 --> 00:23:37,719
Speaker 7: it's like, oh, yeah, that's Atlanta.

522
00:23:37,760 --> 00:23:40,520
Speaker 2: That's what I'm saying. He's he's an elevated Atlanta rapper.

523
00:23:41,040 --> 00:23:41,760
Speaker 2: I give Atlanta.

524
00:23:41,840 --> 00:23:44,760
Speaker 1: Jed is very Atlanta, one hundred percent, like, but he's

525
00:23:44,800 --> 00:23:47,600
Speaker 1: just elevated man. So that's what I'm saying. Like, I

526
00:23:47,680 --> 00:23:49,680
Speaker 1: just feel like I don't know. I just feel like

527
00:23:49,720 --> 00:23:53,760
Speaker 1: it's more so I don't know. I don't know if

528
00:23:53,800 --> 00:23:57,320
Speaker 1: it's done is like he's saying it is so like

529
00:23:57,359 --> 00:23:59,280
Speaker 1: does j Cole sound like he's from North Carolina.

530
00:23:59,320 --> 00:24:06,280
Speaker 2: I don't know Carolina sounds like Pete Poplo. He's from

531
00:24:06,359 --> 00:24:07,200
Speaker 2: south of North.

532
00:24:07,040 --> 00:24:09,280
Speaker 1: North Yeah, so yeah, I don't know Carolina.

533
00:24:10,280 --> 00:24:13,000
Speaker 2: When you say North Carolina, I think Pete Poplo. I

534
00:24:13,040 --> 00:24:15,359
Speaker 2: don't know. I don't know what North Carolina sound like.

535
00:24:15,440 --> 00:24:19,760
Speaker 2: Little Brother, Yeah, but I don't even see I see.

536
00:24:19,840 --> 00:24:22,679
Speaker 2: I think Little Brother don't sound regionally either.

537
00:24:22,600 --> 00:24:26,640
Speaker 1: Because because they they say they they city wasn't giving

538
00:24:26,640 --> 00:24:28,560
Speaker 1: them love, like they area wasn't giving them love.

539
00:24:28,920 --> 00:24:31,439
Speaker 9: It's Carolina is like it's weird.

540
00:24:31,480 --> 00:24:32,360
Speaker 4: It's like it is.

541
00:24:32,440 --> 00:24:35,240
Speaker 8: It's more so I think more so what you mentioned

542
00:24:35,280 --> 00:24:38,320
Speaker 8: before about like the voice or the accident and stuff like.

543
00:24:38,600 --> 00:24:40,840
Speaker 8: It's more so that versus us actually having like a

544
00:24:40,920 --> 00:24:43,440
Speaker 8: legitimate like sonic sound, because even when you think most

545
00:24:43,560 --> 00:24:45,679
Speaker 8: like most people don't even realize when the artists from

546
00:24:45,720 --> 00:24:48,720
Speaker 8: the Carolina, most people don't even realize that people like

547
00:24:48,800 --> 00:24:50,800
Speaker 8: Childish Major it was a dope ass producer.

548
00:24:50,840 --> 00:24:51,680
Speaker 1: He's from the Carolina.

549
00:24:51,760 --> 00:24:54,080
Speaker 2: So yeah, they in a weird place right there.

550
00:24:54,080 --> 00:24:57,600
Speaker 1: They're they're right there right above all the South Ship

551
00:24:58,359 --> 00:25:01,639
Speaker 1: and then and they're just below like like like the

552
00:25:01,720 --> 00:25:03,359
Speaker 1: d C the d m V area.

553
00:25:03,840 --> 00:25:06,040
Speaker 8: It's like they have they have a major city in Charlotte,

554
00:25:06,040 --> 00:25:08,360
Speaker 8: but it's not as big as.

555
00:25:08,640 --> 00:25:12,679
Speaker 1: So they all right, so Virginia. Does Virginia have a sound?

556
00:25:13,640 --> 00:25:15,760
Speaker 1: So the only thing the thing I know about Virginia

557
00:25:15,840 --> 00:25:18,680
Speaker 1: is go go yeah, right, so.

558
00:25:22,600 --> 00:25:24,840
Speaker 2: All that like I said or whatever.

559
00:25:24,840 --> 00:25:30,040
Speaker 1: So I always the who who are the main like

560
00:25:30,240 --> 00:25:32,199
Speaker 1: rappers that was coming out to d m V.

561
00:25:34,520 --> 00:25:35,960
Speaker 2: And he was doing that he was doing.

562
00:25:37,320 --> 00:25:40,280
Speaker 1: He didn't especially early on or whatever. And he had

563
00:25:40,280 --> 00:25:43,240
Speaker 1: the clips. The clips is doing like coke wrap ship.

564
00:25:43,560 --> 00:25:45,680
Speaker 1: I don't know if that's necessarily.

565
00:25:45,240 --> 00:25:49,040
Speaker 5: And he produces you got Teddy Riley Timberland for real.

566
00:25:49,680 --> 00:25:53,080
Speaker 1: Yeah, so I think they're in a weird place too,

567
00:25:53,800 --> 00:25:56,000
Speaker 1: So what's the regional sound for them? So that's what

568
00:25:56,000 --> 00:25:59,320
Speaker 1: I'm saying, like like like, is it really dying or

569
00:25:59,440 --> 00:26:01,199
Speaker 1: is it just I don't know, man, like what.

570
00:26:04,080 --> 00:26:06,439
Speaker 2: The identities haven't been truly established.

571
00:26:06,960 --> 00:26:08,040
Speaker 1: Some places are like that.

572
00:26:08,080 --> 00:26:10,359
Speaker 7: And that's the reason why I named them, because I

573
00:26:10,400 --> 00:26:13,480
Speaker 7: felt like they've always been in this ambiguous hip hop

574
00:26:13,560 --> 00:26:16,800
Speaker 7: space where it's like, what is their sound? Because there's

575
00:26:16,800 --> 00:26:18,479
Speaker 7: a lot of dope rappers that come from there, but

576
00:26:18,560 --> 00:26:21,000
Speaker 7: they don't necessarily sound the same. But I think at

577
00:26:21,000 --> 00:26:22,880
Speaker 7: the end of the day, a lot of hip hop

578
00:26:22,960 --> 00:26:24,000
Speaker 7: sounds very Southern.

579
00:26:24,520 --> 00:26:27,160
Speaker 1: I think that's the overarching I think that's the overarching thing.

580
00:26:27,320 --> 00:26:29,360
Speaker 1: And that's why I say. I think if we take

581
00:26:29,400 --> 00:26:31,920
Speaker 1: the major cities and if they're not doing what they

582
00:26:31,960 --> 00:26:34,680
Speaker 1: normally do, that's when I feel like the regional sound

583
00:26:34,720 --> 00:26:36,800
Speaker 1: is done. Like when New York started starting like the South,

584
00:26:37,160 --> 00:26:39,960
Speaker 1: it's like, Okay, what the fuck y'all doing? When you

585
00:26:40,040 --> 00:26:45,080
Speaker 1: got like, even though I love him, Denzel Curry, you

586
00:26:45,119 --> 00:26:45,960
Speaker 1: don't sound like Miami.

587
00:26:46,000 --> 00:26:46,919
Speaker 2: You don't sound like Miami.

588
00:26:48,280 --> 00:26:52,480
Speaker 1: Yeah, early early with Miami heat, but the city's been

589
00:26:52,520 --> 00:26:55,000
Speaker 1: doing you don't know where you're from youn't know where

590
00:26:55,040 --> 00:26:55,400
Speaker 1: he's from.

591
00:26:55,680 --> 00:26:55,840
Speaker 2: Now.

592
00:26:55,880 --> 00:26:57,520
Speaker 1: Some of the stuff he says, like like jit and

593
00:26:57,520 --> 00:26:59,520
Speaker 1: ship like that, you can tell he's from Florida.

594
00:26:59,640 --> 00:27:03,919
Speaker 2: But for the most part it's a little ambiguous, like

595
00:27:03,920 --> 00:27:05,120
Speaker 2: you can't really tell where he's from.

596
00:27:05,640 --> 00:27:10,640
Speaker 8: Last Florida centric album he put with Zoo, right, Yeah, yeah, right,

597
00:27:10,960 --> 00:27:14,160
Speaker 8: that's real Florida heavy. That's the last project he's really

598
00:27:14,240 --> 00:27:16,280
Speaker 8: like shown that his recent stuff.

599
00:27:16,640 --> 00:27:19,560
Speaker 1: But when you listen to Kodak all the Kodak ship

600
00:27:19,600 --> 00:27:23,560
Speaker 1: is Miami, right, And I feel like Ross too, like

601
00:27:23,880 --> 00:27:26,520
Speaker 1: still still you can still tell you from Miami. Yeah,

602
00:27:27,040 --> 00:27:29,040
Speaker 1: That's what I'm saying, Like, I don't know, y'all. I

603
00:27:29,040 --> 00:27:31,320
Speaker 1: don't know if it's dying. I don't.

604
00:27:31,320 --> 00:27:34,200
Speaker 2: I don't. I don't know if it's dying. Metro just talking.

605
00:27:35,720 --> 00:27:40,560
Speaker 9: They disagree with you about this, but you.

606
00:27:42,240 --> 00:27:46,240
Speaker 2: Taboo, Taboo, don't sound like that's from from South like South.

607
00:27:45,960 --> 00:27:49,200
Speaker 9: Florida, so that I can't speak on too much because

608
00:27:49,200 --> 00:27:50,399
Speaker 9: I'm not from Florida.

609
00:27:50,520 --> 00:27:54,879
Speaker 2: No. Sounds like that's when those Carol.

610
00:27:54,680 --> 00:27:59,280
Speaker 1: City calling Denzela widow when he made that album.

611
00:27:59,680 --> 00:28:03,520
Speaker 2: I can like, nah, but early Denzel.

612
00:28:03,200 --> 00:28:06,600
Speaker 1: Yeah yeah, but I think it's when the major cities

613
00:28:06,640 --> 00:28:08,840
Speaker 1: the major artists starts sounding like different places.

614
00:28:08,880 --> 00:28:11,399
Speaker 2: I think that's where where where people where? It starts

615
00:28:11,400 --> 00:28:13,240
Speaker 2: getting kind of like rocky.

616
00:28:13,080 --> 00:28:16,639
Speaker 5: Sound like from Yeah, Like you know, I had no

617
00:28:16,680 --> 00:28:17,640
Speaker 5: idea he was from New York.

618
00:28:18,240 --> 00:28:20,600
Speaker 1: Nobody would know, nobody would have know his name.

619
00:28:20,720 --> 00:28:25,520
Speaker 2: His real name was rock Kim, Like what exactly? So yeah,

620
00:28:25,520 --> 00:28:26,879
Speaker 2: I don't know, man, I don't know.

621
00:28:26,920 --> 00:28:30,160
Speaker 1: If it's not anybody any final thoughts on what Metro

622
00:28:30,240 --> 00:28:32,240
Speaker 1: is talking about. I think can hit it on the

623
00:28:32,280 --> 00:28:35,679
Speaker 1: head with the like he just people didn't like the album,

624
00:28:35,760 --> 00:28:38,880
Speaker 1: so this is what he grabbed grab for. But I

625
00:28:39,160 --> 00:28:42,120
Speaker 1: don't think this is a is a good debate for him.

626
00:28:42,040 --> 00:28:45,520
Speaker 2: With this album. You you tried. You tried to go with.

627
00:28:45,520 --> 00:28:49,680
Speaker 1: Atlanta nostalgia, right right, not like it's not a regional

628
00:28:49,680 --> 00:28:51,280
Speaker 1: because that's not Atlanta anymore.

629
00:28:51,320 --> 00:28:55,240
Speaker 8: He went for a very specific yeah era time stamp,

630
00:28:55,320 --> 00:28:57,960
Speaker 8: like within like the two thousands, but even within that

631
00:28:58,120 --> 00:28:59,880
Speaker 8: time stuff itself, it's multiple like this.

632
00:29:00,160 --> 00:29:04,040
Speaker 1: It sounds kind of like, yeah.

633
00:29:02,720 --> 00:29:05,200
Speaker 8: You got the Snap era, you got the part you know,

634
00:29:05,240 --> 00:29:07,600
Speaker 8: the last part, the Bleing era, you got the cross areas,

635
00:29:07,640 --> 00:29:09,480
Speaker 8: like all that is kind of like thrown into that one.

636
00:29:09,800 --> 00:29:12,160
Speaker 1: The GZ drama, you know what I'm saying.

637
00:29:12,760 --> 00:29:16,360
Speaker 3: Yeah, and and and look like I read the comments,

638
00:29:16,480 --> 00:29:19,479
Speaker 3: like all of the people that got it, that remember

639
00:29:19,560 --> 00:29:22,200
Speaker 3: that time that messed with it, they messed with it heavy.

640
00:29:22,800 --> 00:29:26,280
Speaker 3: So it definitely reached this this intended audience. It definitely

641
00:29:26,280 --> 00:29:29,200
Speaker 3: accomplished what he set out to accomplish, you know, But

642
00:29:29,240 --> 00:29:32,160
Speaker 3: it's gonna be an extreme disconnect for a lot of

643
00:29:32,200 --> 00:29:35,480
Speaker 3: people that wasn't aware that that's what the album is

644
00:29:35,520 --> 00:29:37,040
Speaker 3: gonna sound like. And I don't know what type of

645
00:29:37,080 --> 00:29:38,960
Speaker 3: marketing or promoting. I don't know if he told people

646
00:29:39,000 --> 00:29:41,840
Speaker 3: in advance and then people started listening like what the

647
00:29:41,840 --> 00:29:42,360
Speaker 3: fuck is this?

648
00:29:42,960 --> 00:29:45,040
Speaker 2: And then that's when it started. I don't have any

649
00:29:45,040 --> 00:29:45,680
Speaker 2: of the history.

650
00:29:45,800 --> 00:29:48,800
Speaker 3: All I know is Jay was like he gave me

651
00:29:48,840 --> 00:29:52,120
Speaker 3: a disclaimer, you know, and that was that was a

652
00:29:52,160 --> 00:29:56,960
Speaker 3: bad time sign for me. But but I'm for it.

653
00:29:57,080 --> 00:29:59,600
Speaker 3: Like I like when artists were like, Yo, I'm gonna

654
00:29:59,640 --> 00:30:01,720
Speaker 3: just go a tribute to this particular era sound.

655
00:30:01,760 --> 00:30:04,120
Speaker 2: I think that's that's dope. But you don't like Billy

656
00:30:04,160 --> 00:30:04,880
Speaker 2: Gang Cussington.

657
00:30:06,680 --> 00:30:15,560
Speaker 3: He yeah, it's the whole thing. He he well, okay,

658
00:30:15,800 --> 00:30:21,760
Speaker 3: not even targeting a specific year sound element.

659
00:30:21,480 --> 00:30:23,760
Speaker 7: But but I feel like, that's what belly Gay has

660
00:30:23,800 --> 00:30:28,240
Speaker 7: done with his music. He sounds like early two thousands Atlanta.

661
00:30:29,080 --> 00:30:31,800
Speaker 7: Does he not like that's what sonically he's going for?

662
00:30:32,520 --> 00:30:33,960
Speaker 2: Then why Metro get him?

663
00:30:34,800 --> 00:30:39,040
Speaker 1: Because he's he's not on the level yet, he's still

664
00:30:39,080 --> 00:30:42,400
Speaker 1: on the up and up, like he's only selling out

665
00:30:42,400 --> 00:30:42,880
Speaker 1: in Atlanta.

666
00:30:42,920 --> 00:30:45,640
Speaker 2: Bro, I'm not here this ship on belly g.

667
00:30:49,040 --> 00:30:51,160
Speaker 1: You give props to.

668
00:30:51,200 --> 00:30:55,440
Speaker 7: Those artists that pay odes and homage to what it

669
00:30:55,600 --> 00:30:57,239
Speaker 7: used to be, and that's what he do. But you

670
00:30:57,400 --> 00:31:01,080
Speaker 7: don't like belly Gay, Okay, so you contradict yourself.

671
00:31:01,760 --> 00:31:05,840
Speaker 2: Just he just ain't that good, Okay, you know.

672
00:31:06,520 --> 00:31:08,440
Speaker 1: Like Metro's probably he ain't that good. So you should

673
00:31:08,440 --> 00:31:14,200
Speaker 1: have got Billy gang be anyone thoughts on this on

674
00:31:14,280 --> 00:31:17,440
Speaker 1: what uh Metro said? Man, where you where you're at

675
00:31:17,520 --> 00:31:17,880
Speaker 1: right now?

676
00:31:18,760 --> 00:31:22,200
Speaker 2: After the discussion, I mean.

677
00:31:22,360 --> 00:31:24,080
Speaker 4: I'm still with it. Bring bring Rey.

678
00:31:24,080 --> 00:31:26,520
Speaker 5: I would like to have regional soundback. I would like

679
00:31:26,560 --> 00:31:28,360
Speaker 5: to have some amas. I'm like, oh, man, that should

680
00:31:28,400 --> 00:31:30,760
Speaker 5: sounds so such and such. It sounds so such and such.

681
00:31:30,840 --> 00:31:35,480
Speaker 5: So that's where I met with. Does Drake sound like Toronto?

682
00:31:36,440 --> 00:31:36,600
Speaker 6: No?

683
00:31:36,720 --> 00:31:37,600
Speaker 4: I don't even know how.

684
00:31:39,000 --> 00:31:40,800
Speaker 1: Well you know what you know what.

685
00:31:43,240 --> 00:31:43,800
Speaker 2: He did.

686
00:31:45,720 --> 00:31:49,120
Speaker 7: Because remember I even said it in that review, like

687
00:31:49,200 --> 00:31:52,440
Speaker 7: because I didn't know that Toronto had such a Caribbean

688
00:31:52,680 --> 00:31:57,720
Speaker 7: and like like vibe. So after going there and then

689
00:31:57,800 --> 00:32:01,440
Speaker 7: hearing that project, that's the most Toronto sounding project that

690
00:32:01,480 --> 00:32:04,320
Speaker 7: he had out of all of his entire discography. So

691
00:32:04,680 --> 00:32:07,080
Speaker 7: and then like, I don't know if y'all heard his second.

692
00:32:06,800 --> 00:32:12,680
Speaker 3: Single, the one with Yeah that must be another one

693
00:32:12,680 --> 00:32:20,840
Speaker 3: then well Central from the UK, Yeah, the UK.

694
00:32:19,920 --> 00:32:21,200
Speaker 2: So yeah, I have heard it. Yeah.

695
00:32:21,280 --> 00:32:24,520
Speaker 7: So like the way he's sounding on there with that accent,

696
00:32:24,960 --> 00:32:26,960
Speaker 7: that's very Toronto.

697
00:32:27,200 --> 00:32:33,800
Speaker 2: He's desperate, bro, dang he is that ship it was yeah,

698
00:32:34,000 --> 00:32:38,280
Speaker 2: came and went. Bro that ship flocked. Bro, I'll tell

699
00:32:38,320 --> 00:32:41,560
Speaker 2: you somebody that doesn't sound like where they're from. That's

700
00:32:41,680 --> 00:32:42,440
Speaker 2: Travis Scott.

701
00:32:44,280 --> 00:32:46,760
Speaker 1: Like what is like what he's doing that that don't

702
00:32:47,160 --> 00:32:50,000
Speaker 1: that's not that's not the Texas.

703
00:32:51,360 --> 00:32:53,800
Speaker 2: You know what I'm saying. I don't know, Like it's

704
00:32:53,880 --> 00:32:54,880
Speaker 2: it's cool what he does.

705
00:32:54,920 --> 00:32:58,280
Speaker 1: But yeah, that's where the line started getting blurried, like

706
00:32:58,760 --> 00:32:59,640
Speaker 1: he's from Texas.

707
00:33:00,000 --> 00:33:00,680
Speaker 2: He's from Texas.

708
00:33:01,520 --> 00:33:04,120
Speaker 7: Nobody would have I thought he was from Atlanta when

709
00:33:04,160 --> 00:33:05,880
Speaker 7: he first came out, like with Rodeo and all that

710
00:33:05,920 --> 00:33:08,320
Speaker 7: ship and you know, being or making music with t

711
00:33:08,440 --> 00:33:10,320
Speaker 7: I and everybody from here. I like, yeah, I thought

712
00:33:10,320 --> 00:33:11,920
Speaker 7: he was from here, as you.

713
00:33:12,000 --> 00:33:14,719
Speaker 8: Knows, because he always talking about the Astros.

714
00:33:15,160 --> 00:33:16,720
Speaker 2: Oh, I didn't even put that together.

715
00:33:17,960 --> 00:33:20,760
Speaker 9: That's all the reason. That's the only time I.

716
00:33:20,840 --> 00:33:23,560
Speaker 2: Never even put that ship together. Wow.

717
00:33:24,120 --> 00:33:26,120
Speaker 7: You know, he don't really talk about Texas that much,

718
00:33:26,160 --> 00:33:27,680
Speaker 7: but here he'll throw it every now.

719
00:33:28,600 --> 00:33:31,920
Speaker 2: Talking about astro world that much either. Mm hmm. You

720
00:33:32,120 --> 00:33:41,080
Speaker 2: know who doing something like Atlanta though? Gucca man. When

721
00:33:41,120 --> 00:33:41,520
Speaker 2: you hear.

722
00:33:41,480 --> 00:33:45,960
Speaker 5: Gucci man, you are you are taking the trip through Atlanta, baby,

723
00:33:46,400 --> 00:33:47,760
Speaker 5: taking the trip that.

724
00:33:51,000 --> 00:33:52,360
Speaker 1: T I is undeniable.

725
00:33:52,600 --> 00:33:54,720
Speaker 7: Like them niggas start talking, it's like, oh yeah, I

726
00:33:54,800 --> 00:33:58,400
Speaker 7: know exactly, don't matter how many big you know, not

727
00:33:59,720 --> 00:34:04,720
Speaker 7: from good at Yeah, gonna be stretched.

728
00:34:07,520 --> 00:34:12,440
Speaker 1: Somebody said, right, so real coop before we go to

729
00:34:12,440 --> 00:34:15,040
Speaker 1: the super chest. Somebody said, NBA, young boy, sound is regional.

730
00:34:15,040 --> 00:34:16,440
Speaker 2: I don't even know where he's from. What is he from?

731
00:34:16,560 --> 00:34:17,319
Speaker 1: I don't know from.

732
00:34:18,719 --> 00:34:19,200
Speaker 2: I can't.

733
00:34:20,880 --> 00:34:22,800
Speaker 9: You're not from well, I'm not a big.

734
00:34:24,160 --> 00:34:24,759
Speaker 1: You know what I'm saying.

735
00:34:25,600 --> 00:34:28,000
Speaker 2: I'm pretty sure I thought it was from Louisiana.

736
00:34:28,000 --> 00:34:29,600
Speaker 4: I'm pretty sure I'm about to google.

737
00:34:31,640 --> 00:34:37,839
Speaker 1: Oh, Louisiana. Does he got that sound like a little

738
00:34:37,840 --> 00:34:44,200
Speaker 1: boozy sound from here? Oh yeah, little boos gonna always

739
00:34:44,280 --> 00:34:48,200
Speaker 1: be Yeah, he's always Louisiana. The way currency talks is

740
00:34:48,320 --> 00:34:49,120
Speaker 1: very Louisiana.

741
00:34:50,360 --> 00:34:51,799
Speaker 2: But he didn't make that music though.

742
00:34:52,640 --> 00:34:55,200
Speaker 1: He don't sound like he from from that sonically, no,

743
00:34:55,440 --> 00:34:59,320
Speaker 1: like his beats, No, but he do. It's kind of

744
00:34:59,360 --> 00:35:01,520
Speaker 1: like t I like, as soon as he starts talking,

745
00:35:01,680 --> 00:35:02,879
Speaker 1: there's only one place you're from.

746
00:35:04,960 --> 00:35:06,480
Speaker 2: Yeah, Kevin Gate, sound like you're from there?

747
00:35:06,680 --> 00:35:08,840
Speaker 1: Yeah yeah, yeah, yeah to say that.

748
00:35:09,640 --> 00:35:11,640
Speaker 2: But all right, man, yeah, so I guess we kind

749
00:35:11,680 --> 00:35:14,120
Speaker 2: of I don't know. I don't know if we have

750
00:35:14,200 --> 00:35:20,440
Speaker 2: a solid, a solid take on this.

751
00:35:21,040 --> 00:35:22,919
Speaker 1: I mean, I feel like my take is pretty solid.

752
00:35:23,280 --> 00:35:25,200
Speaker 1: I don't feel like it's dying. I think it's just

753
00:35:25,280 --> 00:35:26,239
Speaker 1: what you're paying attention to.

754
00:35:26,320 --> 00:35:28,600
Speaker 2: I do think people from the areas some people do

755
00:35:28,760 --> 00:35:33,359
Speaker 2: sound like where they're from. But yeah, I think it's

756
00:35:33,400 --> 00:35:35,520
Speaker 2: coming back. Yeah, okay, that's what we said.

757
00:35:35,600 --> 00:35:39,400
Speaker 7: Yeah, yeah, I think it's coming back, not necessarily like

758
00:35:39,719 --> 00:35:44,279
Speaker 7: in mass but to your point, it depends on what

759
00:35:44,360 --> 00:35:46,480
Speaker 7: you're listening to. But I definitely think it's coming back.

760
00:35:46,520 --> 00:35:50,080
Speaker 7: I think people are starting to shed. I sound like Atlanta.

761
00:35:50,680 --> 00:35:51,640
Speaker 1: I think people want to.

762
00:35:51,680 --> 00:35:55,840
Speaker 7: Sound however they sound or where they're from, so I

763
00:35:55,920 --> 00:35:57,560
Speaker 7: definitely think it's changing back.

764
00:35:59,040 --> 00:36:01,440
Speaker 2: All right, cool, All right, Well that's our take on that.

765
00:36:02,000 --> 00:36:03,799
Speaker 1: Should we probably talk about some more of y'all had

766
00:36:03,880 --> 00:36:07,279
Speaker 1: questions regarding it, But yeah, thank you guys so much

767
00:36:07,320 --> 00:36:10,080
Speaker 1: for sending your super chests and and at this part

768
00:36:10,160 --> 00:36:10,600
Speaker 1: of the show.

769
00:36:10,680 --> 00:36:12,600
Speaker 2: This is why I hand it over to Ken to

770
00:36:12,760 --> 00:36:13,960
Speaker 2: go through those super chests.

771
00:36:14,239 --> 00:36:17,640
Speaker 3: Ken, you got it, Josh Brose, people said, people close

772
00:36:17,680 --> 00:36:19,840
Speaker 3: to MF said, he watches you guys. I was curious

773
00:36:19,880 --> 00:36:22,000
Speaker 3: if that made you feel proud, if that's the right word,

774
00:36:22,600 --> 00:36:25,040
Speaker 3: or the big name artists watch you guys, not bother you.

775
00:36:25,160 --> 00:36:32,160
Speaker 7: Either way, it makes personally I feel I feel proud

776
00:36:32,239 --> 00:36:35,080
Speaker 7: that we are. I always say this, like you can

777
00:36:36,040 --> 00:36:38,360
Speaker 7: hip hop without mentioning that a hip hop. Maybe we

778
00:36:38,440 --> 00:36:42,600
Speaker 7: don't have like a big time table or a big

779
00:36:42,719 --> 00:36:45,960
Speaker 7: sentence or even a paragraph in the pantheon a hip hop,

780
00:36:46,080 --> 00:36:48,560
Speaker 7: but you gotta mention us, you know what I'm saying.

781
00:36:48,600 --> 00:36:51,000
Speaker 7: So for me, that alone makes us proud, makes me

782
00:36:51,160 --> 00:36:54,800
Speaker 7: proud of what we've been able to accomplish, regardless of

783
00:36:54,880 --> 00:36:56,600
Speaker 7: whoever watches.

784
00:36:56,400 --> 00:36:58,719
Speaker 1: Or not, Like I'm cool, you know, because I know

785
00:36:58,800 --> 00:37:01,440
Speaker 1: that they are. You know, they may never mention us

786
00:37:01,719 --> 00:37:04,320
Speaker 1: or you know, hit us up or nothing like that,

787
00:37:04,520 --> 00:37:06,800
Speaker 1: but I know that they are, so you know, it

788
00:37:06,920 --> 00:37:09,160
Speaker 1: is what it is. I'm cool cool either way.

789
00:37:09,680 --> 00:37:11,839
Speaker 2: I mean I thought it was dope. I don't.

790
00:37:12,000 --> 00:37:18,040
Speaker 3: It doesn't alter how our reviewer talk about album. You know,

791
00:37:19,120 --> 00:37:24,480
Speaker 3: someone'll probably say that ship. But nevertheless, I thought I

792
00:37:24,520 --> 00:37:26,520
Speaker 3: thought it was dope when when we were viewed Scarface

793
00:37:26,600 --> 00:37:27,080
Speaker 3: Joint and.

794
00:37:28,600 --> 00:37:38,799
Speaker 2: That that ship was crazy. But I never imagined like, yeah, yeah,

795
00:37:38,920 --> 00:37:41,160
Speaker 2: that ship was insane, bro Scarface.

796
00:37:41,960 --> 00:37:45,040
Speaker 1: Yeah, it's it's dope when it happens, and you know

797
00:37:45,160 --> 00:37:47,719
Speaker 1: with certain artists, like when it happened with Kendrick, like

798
00:37:47,840 --> 00:37:51,120
Speaker 1: that was super dope. When it happened with Loupe, even

799
00:37:51,160 --> 00:37:54,239
Speaker 1: though he was like kind of mad, I won't say mad.

800
00:37:54,320 --> 00:37:55,880
Speaker 1: He was the type of way he just felt the

801
00:37:55,880 --> 00:37:58,200
Speaker 1: type of way about some stuff were saying. But then

802
00:37:58,239 --> 00:38:01,960
Speaker 1: we we we clarify and we we was good after that.

803
00:38:02,840 --> 00:38:06,520
Speaker 1: So I just like when they actually acknowledge it, like

804
00:38:06,640 --> 00:38:09,560
Speaker 1: don't why you just sitting back just kind of big

805
00:38:09,560 --> 00:38:10,640
Speaker 1: shout out to Bis Staples.

806
00:38:10,800 --> 00:38:14,440
Speaker 2: You know, he's you know what I'm saying it's that

807
00:38:14,680 --> 00:38:17,320
Speaker 2: rocky he used to he Mick Jenkins is another.

808
00:38:17,280 --> 00:38:20,360
Speaker 7: Yeah yeah, James Denjoe Curry, you know he kind of

809
00:38:20,400 --> 00:38:22,000
Speaker 7: felt the type of way before, but then he came

810
00:38:22,080 --> 00:38:24,160
Speaker 7: around and you know he fuck with us. So yeah, yeah,

811
00:38:24,200 --> 00:38:26,439
Speaker 7: you know, like like it's cool, you know ship even

812
00:38:27,000 --> 00:38:29,120
Speaker 7: thirty eight Special, you know what I'm saying.

813
00:38:29,239 --> 00:38:33,560
Speaker 1: So you know they're allside gun. Yeah, so yeah, it's

814
00:38:33,600 --> 00:38:36,959
Speaker 1: just it's cool when it's at front, it is cool,

815
00:38:37,000 --> 00:38:39,200
Speaker 1: like you know, we put so much time into this.

816
00:38:40,200 --> 00:38:43,320
Speaker 2: They you know, you know they acknowledge it.

817
00:38:43,480 --> 00:38:45,400
Speaker 1: You know, they just make a break. I don't make

818
00:38:45,440 --> 00:38:48,200
Speaker 1: a break and it definitely don't opinion, not at all.

819
00:38:48,320 --> 00:38:51,520
Speaker 1: But but but it's dope, win when it when it

820
00:38:51,640 --> 00:38:56,719
Speaker 1: is or whatever. So yeah, yeah, yeah man, you know

821
00:38:57,120 --> 00:39:00,759
Speaker 1: my thing is move on to the We have wrap fans, bro.

822
00:39:00,920 --> 00:39:03,840
Speaker 1: We always be because we wrap fans and I always

823
00:39:03,880 --> 00:39:06,760
Speaker 1: will be doing stuff for artists.

824
00:39:06,840 --> 00:39:13,880
Speaker 2: And we're done. We're cooked, Like I said, so arterials,

825
00:39:14,680 --> 00:39:15,680
Speaker 2: uh Stover.

826
00:39:17,360 --> 00:39:22,320
Speaker 3: Better hook it up Anderson Anderson park on Ensulada or

827
00:39:22,360 --> 00:39:23,719
Speaker 3: stove got cooked.

828
00:39:23,520 --> 00:39:25,520
Speaker 2: On stove, got.

829
00:39:27,360 --> 00:39:30,319
Speaker 5: The crowd Stove guy in the console and when they

830
00:39:30,480 --> 00:39:32,960
Speaker 5: was when they did it, the whole crowd sung the hook, Bro,

831
00:39:33,080 --> 00:39:34,439
Speaker 5: and you know you want to say nothing.

832
00:39:34,480 --> 00:39:36,120
Speaker 2: You know the first thing I thought, that's why should

833
00:39:36,120 --> 00:39:37,400
Speaker 2: put the verse on it?

834
00:39:38,160 --> 00:39:38,279
Speaker 1: Bro?

835
00:39:38,960 --> 00:39:42,040
Speaker 2: Oh yeah, such a missed opportunity. They need to do

836
00:39:42,080 --> 00:39:45,200
Speaker 2: a remix of that to give the verse. Give him

837
00:39:45,200 --> 00:39:47,040
Speaker 2: a verse? What happened? Remixes?

838
00:39:47,080 --> 00:39:47,480
Speaker 9: Man, you know.

839
00:39:49,400 --> 00:39:51,240
Speaker 2: That's what we need. Remixes.

840
00:39:51,360 --> 00:39:55,200
Speaker 1: B Give us some two or three you know what, remix.

841
00:39:55,160 --> 00:39:58,319
Speaker 5: Remix of so big, because remember Kendrick said he wanted

842
00:39:58,320 --> 00:40:00,560
Speaker 5: to be on that, but he only turned in some change.

843
00:40:00,760 --> 00:40:05,600
Speaker 5: Give us a remix with Kendrick bursulb remix collab.

844
00:40:06,320 --> 00:40:12,760
Speaker 3: Yeah, well, he was doing all kind of weird re mix.

845
00:40:17,520 --> 00:40:17,680
Speaker 2: Can.

846
00:40:17,719 --> 00:40:19,080
Speaker 3: I don't know if he was remixing. I think he

847
00:40:19,200 --> 00:40:25,320
Speaker 3: was just mixing something. Geez, have ever heard of the

848
00:40:25,400 --> 00:40:26,160
Speaker 3: rapper j Live?

849
00:40:26,560 --> 00:40:30,280
Speaker 1: Yes, he was on. He was on on the showcase

850
00:40:30,320 --> 00:40:34,279
Speaker 1: at a three C thirteen three showcase headline and rock

851
00:40:34,360 --> 00:40:37,919
Speaker 1: that one we worked with. We had some Harry Yeah,

852
00:40:38,080 --> 00:40:39,200
Speaker 1: we have some Joe Budden.

853
00:40:40,040 --> 00:40:42,480
Speaker 2: Yeah, we have him on our showcase. He's just at

854
00:40:42,480 --> 00:40:43,120
Speaker 2: the same venue.

855
00:40:43,440 --> 00:40:44,719
Speaker 1: Oh that's right, that's right, that's right.

856
00:40:44,800 --> 00:40:48,640
Speaker 2: I'm tripping. I'm tripping, I'm tripping. He was there but nah, yeah, yeah,

857
00:40:48,680 --> 00:40:50,440
Speaker 2: we had j Live, we had.

858
00:40:52,840 --> 00:40:58,560
Speaker 1: Rock obviously, who else we had fucking Atmosphere not atmosphere.

859
00:40:58,600 --> 00:41:01,520
Speaker 2: What was the other dude that might copy?

860
00:41:01,640 --> 00:41:07,440
Speaker 7: Right cop Coppy right, yeah, Bronze, Nazarethze Book Brown Bug Brown.

861
00:41:08,440 --> 00:41:11,680
Speaker 2: Yeah, she was dope, man like. Yeah, she's not the same,

862
00:41:11,719 --> 00:41:12,919
Speaker 2: No one, it's not the same.

863
00:41:14,080 --> 00:41:18,400
Speaker 3: Make our own dead, Ramada, Life is beautiful versus Alfredo

864
00:41:18,520 --> 00:41:19,640
Speaker 3: two it's.

865
00:41:19,560 --> 00:41:23,920
Speaker 2: Not closed and Alfredo Mary June and uh two chains

866
00:41:23,960 --> 00:41:28,120
Speaker 2: but no Fredo two. Man. Yeah, life is beautiful, dope,

867
00:41:28,239 --> 00:41:30,120
Speaker 2: it's good. It's a solid take.

868
00:41:30,200 --> 00:41:31,759
Speaker 1: Then it make what it made my top five?

869
00:41:32,640 --> 00:41:36,440
Speaker 2: Yeah, oh no, I might go Life is beautiful. Yeah,

870
00:41:36,520 --> 00:41:41,200
Speaker 2: shout out and see the tick? What the fuck was

871
00:41:41,400 --> 00:41:46,799
Speaker 2: the king Ken Ken was hosting We all everybody holds

872
00:41:46,880 --> 00:41:50,120
Speaker 2: this lp me. I was just killing Yeah, yeah, Busy

873
00:41:50,160 --> 00:41:50,799
Speaker 2: and Mike held that.

874
00:41:50,880 --> 00:41:55,319
Speaker 3: Downright Andrew Hey cand three sixty five reveal the new

875
00:41:55,400 --> 00:41:56,160
Speaker 3: Yeak Project.

876
00:41:56,719 --> 00:42:01,920
Speaker 7: Yeah, I think I saw him post that somewhere. Oh,

877
00:42:02,000 --> 00:42:04,640
Speaker 7: I think you set me a d M so yeah, no,

878
00:42:04,760 --> 00:42:07,040
Speaker 7: we got you. It's definitely gonna be on the dock.

879
00:42:07,200 --> 00:42:10,000
Speaker 2: Some of my listen list, someone listen list, He's.

880
00:42:09,880 --> 00:42:12,040
Speaker 1: Gonna be on the docket can't funk with so we

881
00:42:12,160 --> 00:42:12,880
Speaker 1: definitely gotta do it.

882
00:42:13,040 --> 00:42:16,000
Speaker 3: I'm not I like the last album made my top

883
00:42:16,120 --> 00:42:20,640
Speaker 3: ten with him, I can like an album and I

884
00:42:21,800 --> 00:42:25,760
Speaker 3: can't what you said, I like the Larry June Project.

885
00:42:25,800 --> 00:42:27,600
Speaker 2: That that mean I fuck with Larry Junes. Not yet.

886
00:42:28,800 --> 00:42:31,400
Speaker 1: I need you to like two more and then then

887
00:42:31,480 --> 00:42:32,040
Speaker 1: then I.

888
00:42:32,040 --> 00:42:32,920
Speaker 2: Can say that.

889
00:42:33,000 --> 00:42:37,719
Speaker 3: I just acknowledged that. It's like it's like we Mike

890
00:42:37,880 --> 00:42:40,040
Speaker 3: like the Lil Yati joint. I don't know, he might say,

891
00:42:40,840 --> 00:42:44,279
Speaker 3: I don't know anyway. Uh as is with Metro bringing

892
00:42:44,320 --> 00:42:46,440
Speaker 3: back ring tone rap. Would you be excited for a

893
00:42:46,560 --> 00:42:51,200
Speaker 3: Blan error throwback? Now if Metro said we need to

894
00:42:51,520 --> 00:42:54,360
Speaker 3: do some throwback ship he now, that's a different discussion

895
00:42:54,400 --> 00:42:57,080
Speaker 3: because Blan throwback Bling Arrow will be kind.

896
00:42:56,960 --> 00:43:00,840
Speaker 5: Of like Then released the song It's sounded very like

897
00:43:02,120 --> 00:43:03,880
Speaker 5: cash Money is from the late nineties.

898
00:43:04,000 --> 00:43:04,120
Speaker 2: Ish.

899
00:43:05,680 --> 00:43:08,000
Speaker 5: I feel like he releases but nobody really talked about

900
00:43:08,080 --> 00:43:10,000
Speaker 5: they really talked about it like that.

901
00:43:10,360 --> 00:43:11,040
Speaker 4: It sounded dated.

902
00:43:11,280 --> 00:43:12,080
Speaker 2: I feel like he dropped.

903
00:43:12,160 --> 00:43:13,760
Speaker 4: He tried to release a song and it just signed

904
00:43:13,880 --> 00:43:15,919
Speaker 4: so like nineteen ninety seven.

905
00:43:17,040 --> 00:43:19,600
Speaker 8: I know, I'm not saying as he's a good artist,

906
00:43:19,640 --> 00:43:21,839
Speaker 8: but Yellow has been all his music has definitely been

907
00:43:21,920 --> 00:43:23,040
Speaker 8: from from it.

908
00:43:23,160 --> 00:43:26,280
Speaker 4: Sure has it, sure has like like all that sounds.

909
00:43:28,040 --> 00:43:28,480
Speaker 4: I agree.

910
00:43:28,680 --> 00:43:29,080
Speaker 2: I agree.

911
00:43:29,160 --> 00:43:31,680
Speaker 9: So he studied that era too, I agree, Son, he

912
00:43:31,800 --> 00:43:34,279
Speaker 9: sure did, is he is? He's doing it as good.

913
00:43:34,800 --> 00:43:37,640
Speaker 8: No, but that's you can definitely tell us what like

914
00:43:37,680 --> 00:43:40,200
Speaker 8: I feel like more we're going to start seeing that because.

915
00:43:40,160 --> 00:43:42,480
Speaker 4: Who would be a good blank Air throwback project? Who

916
00:43:42,800 --> 00:43:43,439
Speaker 4: would make.

917
00:43:43,400 --> 00:43:46,680
Speaker 2: One soldier boy so era?

918
00:43:47,040 --> 00:43:51,279
Speaker 3: No, No, he's a blinking not blink I'm thinking what

919
00:43:53,960 --> 00:43:57,440
Speaker 3: would be just yeah, which artist?

920
00:43:58,760 --> 00:43:59,640
Speaker 2: He just got it?

921
00:44:00,239 --> 00:44:03,160
Speaker 4: Like they didn't They didn't care for that song.

922
00:44:03,280 --> 00:44:07,160
Speaker 2: Dude, you gotta listen to the Gucci G ship yep,

923
00:44:07,600 --> 00:44:11,240
Speaker 2: but yeah, see that joint. I want to hear juvenile.

924
00:44:13,280 --> 00:44:17,319
Speaker 2: I don't know if you still got it? Really, you've

925
00:44:17,320 --> 00:44:19,279
Speaker 2: seen this tiny desk. He's going off.

926
00:44:20,120 --> 00:44:21,280
Speaker 1: He's doing the classics.

927
00:44:21,400 --> 00:44:23,640
Speaker 2: That's what I'm saying. So you said, you know, but I.

928
00:44:23,640 --> 00:44:25,000
Speaker 1: Don't know if I don't know if he still got

929
00:44:25,080 --> 00:44:28,719
Speaker 1: it now, Like after listening to Gucci, I think b

930
00:44:28,840 --> 00:44:37,360
Speaker 1: G still got it. Maybe not single, Yeah, Lil Wayne

931
00:44:37,520 --> 00:44:38,160
Speaker 1: throw back.

932
00:44:41,440 --> 00:44:44,360
Speaker 2: That like you might be on something with that. I

933
00:44:44,400 --> 00:44:47,399
Speaker 2: think he has the ability to do it right. Yeah,

934
00:44:47,480 --> 00:44:50,280
Speaker 2: don't take much yeah, yeah, I mean that that goes.

935
00:44:50,200 --> 00:44:51,239
Speaker 9: Right back to what we always saying.

936
00:44:51,239 --> 00:44:52,880
Speaker 8: He needs to lock in with a producer, like he

937
00:44:53,320 --> 00:44:55,440
Speaker 8: needs to have someone there that's gonna say this is

938
00:44:55,520 --> 00:44:56,879
Speaker 8: the sound do your ship.

939
00:44:57,560 --> 00:45:01,399
Speaker 3: Yeah but nah, I think if it's done right, I'll

940
00:45:01,440 --> 00:45:04,240
Speaker 3: be here for and let us know that that's exactly

941
00:45:04,320 --> 00:45:07,560
Speaker 3: what you're doing, don't just trick us and the project.

942
00:45:07,920 --> 00:45:09,080
Speaker 3: And then we were like, what the hell is this?

943
00:45:09,200 --> 00:45:11,000
Speaker 3: If I know going in and like now I'm paying

944
00:45:11,080 --> 00:45:14,400
Speaker 3: tribute to the Blade era, then you know I can

945
00:45:14,480 --> 00:45:18,319
Speaker 3: adjust my ears. Josh Rose, my young guy Young Drove,

946
00:45:18,840 --> 00:45:21,120
Speaker 3: My guy Young Drove Got to Shine on the Metro

947
00:45:21,280 --> 00:45:23,239
Speaker 3: tape that was dope, Young Drove Got.

948
00:45:23,640 --> 00:45:25,560
Speaker 2: He just put out a project ten piece something.

949
00:45:25,800 --> 00:45:27,880
Speaker 1: Yeah, but I want yeah ten piece Hot mild or

950
00:45:27,920 --> 00:45:30,560
Speaker 1: some something like that. I meant to listen to that

951
00:45:30,920 --> 00:45:33,480
Speaker 1: because I like Young Droe, but I didn't like him

952
00:45:33,480 --> 00:45:38,680
Speaker 1: on his tape. Yeah, I did them justice aspiring enough.

953
00:45:38,719 --> 00:45:41,839
Speaker 3: I don't think Yeah, the Young Row ten piece Hot

954
00:45:41,960 --> 00:45:43,960
Speaker 3: was all right, okay barely.

955
00:45:44,760 --> 00:45:47,040
Speaker 2: It's like I want to hear Young Joe on different

956
00:45:47,040 --> 00:45:47,440
Speaker 2: different shit.

957
00:45:47,480 --> 00:45:49,759
Speaker 1: I've been saying that since we started getting hip hop

958
00:45:49,760 --> 00:45:53,360
Speaker 1: because I feel like I don't know, man, it.

959
00:45:53,440 --> 00:45:54,640
Speaker 2: Felt like he never hit his peak.

960
00:45:55,080 --> 00:45:59,080
Speaker 1: Yeah yeah, It's like I feel like it's something he's.

961
00:45:58,640 --> 00:46:00,839
Speaker 2: He hasn't found the rights sound yeah.

962
00:46:01,520 --> 00:46:03,800
Speaker 7: And I will say this, thats Theytoven Joint that we

963
00:46:03,880 --> 00:46:06,680
Speaker 7: did can that we didn't realize Christian Project and Drew

964
00:46:06,760 --> 00:46:09,920
Speaker 7: had like two songs on there, like Droe sounded amazing

965
00:46:10,000 --> 00:46:12,520
Speaker 7: on that, so I think dro still got it. It's

966
00:46:12,640 --> 00:46:15,080
Speaker 7: just the ball ain't rolling.

967
00:46:15,800 --> 00:46:16,600
Speaker 2: The ball ain't rolling.

968
00:46:16,680 --> 00:46:20,040
Speaker 1: I just don't think he's found like what a good marriage,

969
00:46:20,520 --> 00:46:22,480
Speaker 1: yeah would beat and producer.

970
00:46:22,560 --> 00:46:24,920
Speaker 2: I feel like somebody needs to figure that out for him.

971
00:46:25,120 --> 00:46:28,399
Speaker 7: I think he needs Atoven Joint just him and a yeah,

972
00:46:28,440 --> 00:46:30,960
Speaker 7: because again on that project, like it sounded good.

973
00:46:32,719 --> 00:46:36,200
Speaker 3: Uh the Linguasher better instrumental still dre and Shook Ones too.

974
00:46:38,360 --> 00:46:42,560
Speaker 2: Better instrumentals. Which one that's tough.

975
00:46:43,200 --> 00:46:44,439
Speaker 1: There's no wrong answer here.

976
00:46:44,360 --> 00:46:48,200
Speaker 2: Though, I'm gonna go Shook Ones.

977
00:46:50,239 --> 00:46:51,760
Speaker 9: I feel like Ones is just too classic.

978
00:46:52,080 --> 00:46:52,399
Speaker 2: This one.

979
00:46:53,640 --> 00:46:55,560
Speaker 4: Shook Ones is a little man.

980
00:46:56,920 --> 00:46:58,520
Speaker 8: I feel like I feel like that that's Shook Ones

981
00:46:58,600 --> 00:47:02,359
Speaker 8: is one of those like it's beat Yeah. In all

982
00:47:02,400 --> 00:47:04,440
Speaker 8: these type of col like, no matter how well your

983
00:47:04,520 --> 00:47:05,560
Speaker 8: knowledge is of hip hop.

984
00:47:05,480 --> 00:47:07,279
Speaker 2: People notice that what I'm saying when that shit at

985
00:47:07,280 --> 00:47:12,400
Speaker 2: eight mile, Yeah, that was the eight mile It was

986
00:47:12,480 --> 00:47:17,080
Speaker 2: the freestyle beat O the like. Yeah, but I was

987
00:47:17,120 --> 00:47:20,640
Speaker 2: still study. Are you all right? Black Rods? All right?

988
00:47:20,680 --> 00:47:23,600
Speaker 3: Then y'all going to see em Stands movie this weekend?

989
00:47:24,160 --> 00:47:26,400
Speaker 3: Also be did you see the feet article on the

990
00:47:26,480 --> 00:47:29,720
Speaker 3: hip hop shot? So unreleased photos were posted.

991
00:47:29,840 --> 00:47:34,080
Speaker 4: I didn't see it. The first Free Press Detroit Free Press.

992
00:47:34,120 --> 00:47:40,600
Speaker 2: He's talking about the Free Okay movie coming on yea.

993
00:47:42,760 --> 00:47:44,279
Speaker 4: Is it coming to theaters or is it like I

994
00:47:44,400 --> 00:47:44,800
Speaker 4: don't know.

995
00:47:44,920 --> 00:47:47,239
Speaker 2: I meant to look it up, but yeah, limited theaters

996
00:47:47,320 --> 00:47:49,520
Speaker 2: or something like that, like probably.

997
00:47:51,040 --> 00:47:54,280
Speaker 3: It's about like the song, Like, if it's in theaters,

998
00:47:54,280 --> 00:47:56,920
Speaker 3: I go check it out. Yeah, I'll go check it

999
00:47:56,960 --> 00:48:01,359
Speaker 3: out to see what was about. Let me see look, yeah,

1000
00:48:01,360 --> 00:48:05,920
Speaker 3: I think that would be that would be dope, oh documentary.

1001
00:48:06,400 --> 00:48:07,279
Speaker 2: But yeah, I'll check it out.

1002
00:48:07,800 --> 00:48:07,880
Speaker 1: Uh.

1003
00:48:08,040 --> 00:48:10,960
Speaker 3: Nathan Crosby Rod was going hard for m F Doom

1004
00:48:11,080 --> 00:48:13,160
Speaker 3: during the Level seven a rap video, but years ago

1005
00:48:13,200 --> 00:48:14,880
Speaker 3: when y'all did the report card for Doom, he.

1006
00:48:14,960 --> 00:48:18,520
Speaker 2: Wasn't too high on Doom. That's no Dune was up

1007
00:48:18,560 --> 00:48:19,840
Speaker 2: there for as I remember.

1008
00:48:19,920 --> 00:48:22,800
Speaker 1: I don't remember the exact grade, but but we just

1009
00:48:22,960 --> 00:48:26,480
Speaker 1: was talking about that though, because we just did somebody.

1010
00:48:26,760 --> 00:48:30,640
Speaker 1: Oh well, yeah, okay, we just hated Cat. Yeah, coming,

1011
00:48:30,719 --> 00:48:34,279
Speaker 1: we just did car. But it's so many different categories

1012
00:48:34,320 --> 00:48:39,040
Speaker 1: when it comes to that. That's not just rapping ability,

1013
00:48:40,160 --> 00:48:43,120
Speaker 1: you know what I'm saying. So so that that's probably

1014
00:48:43,120 --> 00:48:44,759
Speaker 1: you know, just because you know, I would put Doom

1015
00:48:44,840 --> 00:48:48,000
Speaker 1: as an elite rapper, it's possible that he wanted to

1016
00:48:48,040 --> 00:48:49,320
Speaker 1: get a highest score based.

1017
00:48:49,120 --> 00:48:50,400
Speaker 2: On you know, some other things.

1018
00:48:51,040 --> 00:48:53,839
Speaker 8: Yeah, because you're not you're not rating doing No, he's

1019
00:48:53,840 --> 00:48:56,080
Speaker 8: a great rapper. You're not rating Doom high on something

1020
00:48:56,160 --> 00:48:57,360
Speaker 8: like versatility.

1021
00:48:57,040 --> 00:49:00,359
Speaker 1: Like yeah, so yeah, I remember giving here a good

1022
00:49:00,400 --> 00:49:04,359
Speaker 1: rating though, so somebody said him, I remember rating doing

1023
00:49:04,400 --> 00:49:04,919
Speaker 1: pretty high.

1024
00:49:05,360 --> 00:49:05,560
Speaker 2: Yeah.

1025
00:49:05,560 --> 00:49:08,120
Speaker 9: I think the only little score you gave him was

1026
00:49:08,160 --> 00:49:08,800
Speaker 9: the versatility.

1027
00:49:08,920 --> 00:49:10,560
Speaker 2: I think, yeah, I think that was it. Like I

1028
00:49:10,640 --> 00:49:13,560
Speaker 2: feel like I rated Yeah, what are you talking about?

1029
00:49:13,960 --> 00:49:17,160
Speaker 3: Malcolm Jadakins never, at any point of his career was

1030
00:49:17,280 --> 00:49:18,720
Speaker 3: top five dead or alive.

1031
00:49:19,719 --> 00:49:22,040
Speaker 2: T I never was King of the South. This is

1032
00:49:22,080 --> 00:49:26,080
Speaker 2: forever scarface fact. Wayne was never the best rapper alive

1033
00:49:26,320 --> 00:49:27,200
Speaker 2: fat market.

1034
00:49:28,080 --> 00:49:31,759
Speaker 1: Yes, y'all wouldn't say that TI I was really running

1035
00:49:32,040 --> 00:49:34,080
Speaker 1: like t I wasn't the most popular in the South

1036
00:49:34,200 --> 00:49:34,799
Speaker 1: during his run.

1037
00:49:36,600 --> 00:49:38,080
Speaker 2: I think t I was king of the South at

1038
00:49:38,120 --> 00:49:38,399
Speaker 2: the point.

1039
00:49:38,640 --> 00:49:42,560
Speaker 1: Yeah, who else was? The only other competition really was

1040
00:49:42,680 --> 00:49:45,279
Speaker 1: g Z at the time, and yeah he still wasn't

1041
00:49:45,800 --> 00:49:46,640
Speaker 1: And I think t I was.

1042
00:49:46,640 --> 00:49:47,279
Speaker 2: Bigger than g Z.

1043
00:49:47,520 --> 00:49:50,360
Speaker 8: If you if you give the game his flowers for

1044
00:49:50,560 --> 00:49:52,600
Speaker 8: for representing the West coast during his time, you had

1045
00:49:52,640 --> 00:49:54,120
Speaker 8: to give Ti I his flowers representing the.

1046
00:49:54,120 --> 00:49:54,920
Speaker 2: South during his time.

1047
00:49:55,160 --> 00:49:58,359
Speaker 7: Yeah, Like like t I was the number one dude

1048
00:49:58,400 --> 00:50:00,520
Speaker 7: out of Atlanta for a good stretch.

1049
00:50:03,560 --> 00:50:05,400
Speaker 2: He said forever. Scarface though.

1050
00:50:07,719 --> 00:50:11,080
Speaker 1: He just had a yeah blue and we did the South.

1051
00:50:11,160 --> 00:50:13,480
Speaker 4: When we did the South bracket, he was he was

1052
00:50:13,560 --> 00:50:15,839
Speaker 4: our winner, So we did a South Southern.

1053
00:50:16,560 --> 00:50:19,360
Speaker 3: It's always going to belong to Scarface, even though be

1054
00:50:19,480 --> 00:50:20,359
Speaker 3: disrespecting them.

1055
00:50:20,400 --> 00:50:24,600
Speaker 2: But we'll leave that now. Ever, disrespect Scarface. Dwayne Pearce.

1056
00:50:24,640 --> 00:50:26,880
Speaker 3: I think there's still a lot of artists making regional

1057
00:50:26,920 --> 00:50:30,480
Speaker 3: sounding music, but people jump on waves. Detroit sound became

1058
00:50:30,640 --> 00:50:32,359
Speaker 3: more mainstream not too long ago.

1059
00:50:34,800 --> 00:50:36,719
Speaker 2: I agree. That's that's why I'm met with it.

1060
00:50:37,040 --> 00:50:39,520
Speaker 1: Like, I think regional sound is still there, but you know,

1061
00:50:39,680 --> 00:50:41,959
Speaker 1: people jump on you know, people get inspired by certain

1062
00:50:42,000 --> 00:50:45,120
Speaker 1: things and they might hop into these different ways, but

1063
00:50:45,440 --> 00:50:46,080
Speaker 1: they'll come back.

1064
00:50:47,360 --> 00:50:51,760
Speaker 3: This man made a regional twenty ten sound. It's crazy

1065
00:50:53,000 --> 00:50:53,480
Speaker 3: a Mauda.

1066
00:50:53,520 --> 00:50:57,240
Speaker 2: How would you rate on the seven levels of rappers?

1067
00:50:58,280 --> 00:51:02,319
Speaker 3: Big Shine with two chains? It's low Wayne plus. Will

1068
00:51:02,400 --> 00:51:04,160
Speaker 3: the new Yeak project be in the chamber?

1069
00:51:05,120 --> 00:51:07,360
Speaker 7: Ye will probably be on D three sixty five? And

1070
00:51:07,600 --> 00:51:11,120
Speaker 7: your question has already been pre answered. His chopping suit.

1071
00:51:11,520 --> 00:51:14,799
Speaker 7: That video is dropping suit. So and I think all

1072
00:51:14,840 --> 00:51:16,680
Speaker 7: of those rappers you named we put in the video.

1073
00:51:18,280 --> 00:51:23,920
Speaker 1: Wayne was already mentioned. Yeah, Wayne was mentioned too, like

1074
00:51:24,480 --> 00:51:28,280
Speaker 1: in his video he was on the got chart gotcha?

1075
00:51:28,440 --> 00:51:31,440
Speaker 1: So yeah, I tried to put all right, it's just

1076
00:51:31,480 --> 00:51:33,960
Speaker 1: to give you an idea, what's coming.

1077
00:51:33,800 --> 00:51:37,080
Speaker 2: Like I tried to Is that way he or he

1078
00:51:37,160 --> 00:51:39,040
Speaker 2: didn't have on it on his charts? So whatever?

1079
00:51:39,160 --> 00:51:39,800
Speaker 4: The same for me.

1080
00:51:40,320 --> 00:51:50,400
Speaker 2: Yeah, So where where? Who? Where's lo Wanne going? Wayne?

1081
00:51:50,480 --> 00:51:53,480
Speaker 7: I think he's level six because I think he has

1082
00:51:53,600 --> 00:51:57,560
Speaker 7: inspired a generation. I was talking about Lil Wayne babies

1083
00:51:57,600 --> 00:52:01,720
Speaker 7: all day and at his prime he definitely level six rappers.

1084
00:52:03,000 --> 00:52:04,239
Speaker 1: You could I can agree with.

1085
00:52:04,320 --> 00:52:05,880
Speaker 4: I mean even I'm not the biggest fan of them,

1086
00:52:05,880 --> 00:52:06,200
Speaker 4: but I can.

1087
00:52:06,520 --> 00:52:07,200
Speaker 1: Yeah, I can.

1088
00:52:07,400 --> 00:52:09,640
Speaker 4: Based on that description I can agree.

1089
00:52:09,400 --> 00:52:11,280
Speaker 1: On because you could even make it. I can probably

1090
00:52:11,400 --> 00:52:11,719
Speaker 1: put them.

1091
00:52:13,160 --> 00:52:17,399
Speaker 2: I think I feel like five is a more comfortable spot.

1092
00:52:17,520 --> 00:52:20,960
Speaker 1: Five is right, but he has fired generations.

1093
00:52:22,160 --> 00:52:30,840
Speaker 2: Yea question description watching the new seven levels?

1094
00:52:35,360 --> 00:52:36,520
Speaker 4: Next question can.

1095
00:52:39,640 --> 00:52:43,560
Speaker 2: Wow, it's Wayne seven.

1096
00:52:43,360 --> 00:52:47,200
Speaker 7: Bro, he could make an argument. I was gonna say

1097
00:52:47,200 --> 00:52:48,799
Speaker 7: that you canna make an argument, but I would put

1098
00:52:48,840 --> 00:52:49,480
Speaker 7: an argument.

1099
00:52:49,680 --> 00:52:54,240
Speaker 2: You can make an argument with the five. I'm not mad.

1100
00:52:57,120 --> 00:52:58,080
Speaker 10: I put them there.

1101
00:52:58,440 --> 00:53:01,720
Speaker 1: I'm not putting them there, but you can make an argument.

1102
00:53:04,960 --> 00:53:10,480
Speaker 2: He's not a level seven rappers, he said. You can

1103
00:53:10,560 --> 00:53:11,240
Speaker 2: make the argument.

1104
00:53:12,200 --> 00:53:13,000
Speaker 1: I will entertain it.

1105
00:53:14,320 --> 00:53:14,560
Speaker 2: He's not.

1106
00:53:15,760 --> 00:53:18,040
Speaker 1: We'll say that the rappers I had at level seven.

1107
00:53:18,120 --> 00:53:19,319
Speaker 4: He's right, it's not that level.

1108
00:53:20,000 --> 00:53:21,439
Speaker 1: Super chat Yeah.

1109
00:53:21,520 --> 00:53:24,400
Speaker 3: Next the language one gotta go, biggie flow, possi delivery,

1110
00:53:24,560 --> 00:53:28,560
Speaker 3: non's lyricism or technical ability technical.

1111
00:53:30,960 --> 00:53:34,000
Speaker 7: Because that because all those other parts make a good song.

1112
00:53:34,120 --> 00:53:36,520
Speaker 7: The technical ability you you don't have to have that

1113
00:53:36,640 --> 00:53:37,319
Speaker 7: to have a good song.

1114
00:53:38,080 --> 00:53:41,439
Speaker 2: Wait, what is the same one, gotta go, biggie flow,

1115
00:53:41,520 --> 00:53:43,360
Speaker 2: possibily mm hmmm.

1116
00:53:45,440 --> 00:53:47,279
Speaker 7: I think the other three are more important to making

1117
00:53:47,320 --> 00:53:49,520
Speaker 7: a good song than technical ability.

1118
00:53:52,120 --> 00:53:55,360
Speaker 2: Okay, I'm with y'all with the tech ability.

1119
00:53:59,400 --> 00:54:04,000
Speaker 8: Mm hmmm, I know.

1120
00:54:06,440 --> 00:54:08,040
Speaker 1: I think I might get rid of the Biggest flow.

1121
00:54:11,080 --> 00:54:13,120
Speaker 1: Next question, I think I like get rid of the

1122
00:54:13,120 --> 00:54:18,279
Speaker 1: Biggie flow. You wild that I always picked over Big

1123
00:54:18,520 --> 00:54:20,359
Speaker 1: Like you know what I'm saying, I always picked.

1124
00:54:21,040 --> 00:54:24,040
Speaker 2: That's not the best take. I take delivery over Biggie's

1125
00:54:24,040 --> 00:54:24,640
Speaker 2: flow any day.

1126
00:54:25,080 --> 00:54:31,200
Speaker 1: Okay, that's fine, even lyricism. But but like, because I

1127
00:54:31,280 --> 00:54:34,600
Speaker 1: appreciate his technical ability. I like what he brought to

1128
00:54:34,760 --> 00:54:38,040
Speaker 1: hip hop with that he he he. I feel like

1129
00:54:38,080 --> 00:54:40,960
Speaker 1: he elevated hip hop with that ship, like.

1130
00:54:41,120 --> 00:54:47,680
Speaker 2: Like adding words, adding that elevate hip hop with his flow.

1131
00:54:51,120 --> 00:54:52,400
Speaker 2: All right, elevate.

1132
00:54:54,520 --> 00:54:56,560
Speaker 1: Next question. Next question.

1133
00:54:58,080 --> 00:55:00,800
Speaker 3: In relation to the topic, do you guys like regional

1134
00:55:01,000 --> 00:55:03,920
Speaker 3: sound and acquired tastes with each other?

1135
00:55:05,600 --> 00:55:06,000
Speaker 2: It can?

1136
00:55:07,560 --> 00:55:10,319
Speaker 7: It can because I don't really like like the high

1137
00:55:10,400 --> 00:55:12,200
Speaker 7: feed stuff and I don't like too many.

1138
00:55:13,280 --> 00:55:15,560
Speaker 1: I'm just say personal. I think that's an acquired taste.

1139
00:55:16,239 --> 00:55:17,680
Speaker 1: I think that's an acquired taste.

1140
00:55:17,680 --> 00:55:17,960
Speaker 2: I got.

1141
00:55:18,239 --> 00:55:18,439
Speaker 1: Yeah.

1142
00:55:18,480 --> 00:55:19,160
Speaker 2: I think there's.

1143
00:55:19,080 --> 00:55:22,759
Speaker 1: Certain parts or certain places in hip hop that are

1144
00:55:22,840 --> 00:55:23,640
Speaker 1: acquired tastes.

1145
00:55:25,680 --> 00:55:30,000
Speaker 2: Mm hmm, honest see relations and top of you guys,

1146
00:55:30,120 --> 00:55:32,279
Speaker 2: we're gonna said acquired taste with each other.

1147
00:55:32,640 --> 00:55:34,160
Speaker 1: Some places are an acquired taste.

1148
00:55:34,239 --> 00:55:36,600
Speaker 8: Yeah, but we're just real quick. But even then though,

1149
00:55:36,719 --> 00:55:38,279
Speaker 8: like I get what you're saying, I don't. I don't

1150
00:55:38,320 --> 00:55:40,600
Speaker 8: fully disagree with you're saying. People, But even then it's

1151
00:55:40,680 --> 00:55:43,719
Speaker 8: like it's those those high feed tracks, they still have

1152
00:55:43,960 --> 00:55:46,960
Speaker 8: that baseline kind of like West Coast type of like

1153
00:55:47,120 --> 00:55:50,160
Speaker 8: regional sound too, So what that necessarily like would that

1154
00:55:50,360 --> 00:55:50,879
Speaker 8: really count?

1155
00:55:52,400 --> 00:55:58,000
Speaker 7: So okay, So there are regional sounds that I don't

1156
00:55:58,000 --> 00:56:02,759
Speaker 7: think require an acquired It is just it's just good, right,

1157
00:56:02,920 --> 00:56:06,040
Speaker 7: like uh, doctor d with the with the g funk right,

1158
00:56:06,200 --> 00:56:10,719
Speaker 7: like like creating that aura of West Coast that wasn't

1159
00:56:10,880 --> 00:56:13,239
Speaker 7: nobody had to That wasn't an acquired taste.

1160
00:56:13,280 --> 00:56:15,440
Speaker 1: It was just everybody fuck with it because it was

1161
00:56:15,520 --> 00:56:16,080
Speaker 1: that dope.

1162
00:56:16,600 --> 00:56:19,480
Speaker 7: But I do think like Bay Area is more of

1163
00:56:19,520 --> 00:56:22,359
Speaker 7: an acquired taste than everybody fucking with it. So it's

1164
00:56:22,520 --> 00:56:26,120
Speaker 7: like New York drill, Yes, like that's an acquired taste

1165
00:56:26,520 --> 00:56:33,200
Speaker 7: back people fuck with all the way all the way,

1166
00:56:33,280 --> 00:56:37,520
Speaker 7: but but New like like like there's certain people like

1167
00:56:37,760 --> 00:56:39,960
Speaker 7: like like Alchemist has a New York sound.

1168
00:56:40,000 --> 00:56:41,400
Speaker 1: It doesn't sound like a Cali sign, but like that

1169
00:56:41,480 --> 00:56:42,160
Speaker 1: New York sound.

1170
00:56:42,360 --> 00:56:44,759
Speaker 7: Everything he did with my Deep Primo, you know what

1171
00:56:44,800 --> 00:56:46,400
Speaker 7: I'm saying, Everything that he did for New York.

1172
00:56:46,480 --> 00:56:48,680
Speaker 1: That's what I'm talking about, Like people fuck with that.

1173
00:56:49,600 --> 00:56:52,800
Speaker 9: Plus at one point, boom Back was like that the standard,

1174
00:56:53,280 --> 00:56:53,760
Speaker 9: the standards.

1175
00:56:53,760 --> 00:56:56,359
Speaker 2: So I get you. Yeah, I see what you're saying.

1176
00:56:56,480 --> 00:56:59,080
Speaker 2: But I do think they kind of go hand in hand.

1177
00:56:59,120 --> 00:57:01,319
Speaker 2: Though I think I.

1178
00:57:01,320 --> 00:57:05,279
Speaker 1: Think it's separate because because there's certain places that there

1179
00:57:05,440 --> 00:57:07,920
Speaker 1: sound just it isn't very like like okay, like.

1180
00:57:10,040 --> 00:57:13,200
Speaker 7: That's an acquired taste, right, yeah, but it's reasonal though

1181
00:57:15,960 --> 00:57:21,240
Speaker 7: moving the chat chat like like I don't like Go Go, Okay,

1182
00:57:21,440 --> 00:57:24,240
Speaker 7: my wife loves it because she grew up in Virginia.

1183
00:57:25,440 --> 00:57:27,479
Speaker 1: You know what I'm saying, So like, but it's cool,

1184
00:57:27,520 --> 00:57:28,280
Speaker 1: I just gonna.

1185
00:57:28,040 --> 00:57:28,400
Speaker 2: Fuck with it.

1186
00:57:28,480 --> 00:57:30,320
Speaker 1: You don't like Go Go, Nah, but I like house

1187
00:57:30,400 --> 00:57:31,600
Speaker 1: music because I grew up in Chicago.

1188
00:57:33,000 --> 00:57:34,240
Speaker 2: Yeah, I don't know, I see how.

1189
00:57:36,240 --> 00:57:38,680
Speaker 1: But that but that's what I'm said. It's an acquired taste.

1190
00:57:39,000 --> 00:57:40,000
Speaker 1: It's an acquired taste.

1191
00:57:41,560 --> 00:57:42,840
Speaker 2: They do go hand in hand.

1192
00:57:43,000 --> 00:57:46,360
Speaker 7: But I think that like for for for the examples

1193
00:57:46,440 --> 00:57:48,800
Speaker 7: I gave, you're probably gonna fuck with that sound if

1194
00:57:48,840 --> 00:57:52,160
Speaker 7: you grew up in that area or up on that music.

1195
00:57:53,600 --> 00:57:55,160
Speaker 7: Like for me, I didn't grow up on Go Go.

1196
00:57:55,400 --> 00:57:57,720
Speaker 7: I don't like Go go, but I like House even

1197
00:57:57,760 --> 00:57:59,880
Speaker 7: though it's very similar but different.

1198
00:58:00,080 --> 00:58:05,640
Speaker 2: Better duo Clips or Dazz corrupt the dog.

1199
00:58:07,720 --> 00:58:08,640
Speaker 1: I'm gonna go Clips.

1200
00:58:11,920 --> 00:58:21,840
Speaker 2: I'm man, dazn't corrupt. Was a time man there was.

1201
00:58:23,480 --> 00:58:25,479
Speaker 4: Yeah, their highs was high, but they have some lows.

1202
00:58:26,600 --> 00:58:27,920
Speaker 2: The very high.

1203
00:58:28,360 --> 00:58:33,240
Speaker 3: Well, we don't have criteria, so I think DA's corrupt

1204
00:58:34,440 --> 00:58:42,840
Speaker 3: wrap circles. Okay, bro, what but I agree with me,

1205
00:58:43,080 --> 00:58:45,800
Speaker 3: Like their highs are high, but I'm talking about rapping.

1206
00:58:47,000 --> 00:58:51,080
Speaker 1: We're talking about better duo. Yeah, I gotta give it

1207
00:58:51,160 --> 00:58:54,040
Speaker 1: to Clips just for like, like Woo Young said, the

1208
00:58:54,160 --> 00:58:57,320
Speaker 1: longevity of them, Like I think like the fact that

1209
00:58:57,360 --> 00:58:58,439
Speaker 1: they were able to do what they.

1210
00:58:58,400 --> 00:59:02,680
Speaker 5: Did today said something your ship dog Pound you hear

1211
00:59:02,760 --> 00:59:04,280
Speaker 5: damn like may Drop last year.

1212
00:59:04,320 --> 00:59:05,440
Speaker 2: I know you keep talking about it.

1213
00:59:05,520 --> 00:59:08,160
Speaker 4: I mean, my guys, and that's now.

1214
00:59:08,200 --> 00:59:08,800
Speaker 1: That's definitely.

1215
00:59:08,800 --> 00:59:11,000
Speaker 4: They did a great job of capturing the regional sound

1216
00:59:11,080 --> 00:59:13,760
Speaker 4: with that album. Like that ship sounded like some ship we.

1217
00:59:13,880 --> 00:59:15,320
Speaker 2: Used to listen to. That's why I keep telling you

1218
00:59:15,520 --> 00:59:21,880
Speaker 2: this corrupt.

1219
00:59:22,520 --> 00:59:24,520
Speaker 4: Yeah, man, listen to that Dog Pound ship.

1220
00:59:24,600 --> 00:59:28,400
Speaker 2: Bro. Yeah, melics right, that's right up right now. We

1221
00:59:28,480 --> 00:59:32,880
Speaker 2: used West. We used to listen to Malice.

1222
00:59:32,920 --> 00:59:33,720
Speaker 1: To go back to Church.

1223
00:59:34,360 --> 00:59:36,680
Speaker 2: I have the message around with corrupting that.

1224
00:59:36,960 --> 00:59:42,280
Speaker 3: The next question, Bro, I'm just saying, Brock, you better,

1225
00:59:44,680 --> 00:59:45,919
Speaker 3: you better listen, bro.

1226
00:59:47,720 --> 00:59:54,320
Speaker 2: Man Man's respectful. Look. Man, I'm not disrespected. I'm not either.

1227
00:59:55,160 --> 00:59:57,320
Speaker 2: I'm not either. Like I said, the only thing that

1228
00:59:57,520 --> 00:59:59,400
Speaker 2: I can give the clips is like, you know they've

1229
00:59:59,400 --> 01:00:03,560
Speaker 2: been you know what they just did in the longevity.

1230
01:00:04,880 --> 01:00:08,040
Speaker 2: But Nah, that isn't corrupt. They'll give him hell lethal

1231
01:00:08,320 --> 01:00:12,080
Speaker 2: they'll give him here, Camille shout out to Camille. What up, y'all.

1232
01:00:12,160 --> 01:00:14,240
Speaker 3: I'm not just a dating hip hop fan, but an

1233
01:00:14,440 --> 01:00:18,240
Speaker 3: architect and material designer. Ever thought about I puting up

1234
01:00:18,280 --> 01:00:21,280
Speaker 3: some frame posters on the walls or when that mess

1235
01:00:21,400 --> 01:00:23,680
Speaker 3: up the sound or lighting set up?

1236
01:00:24,280 --> 01:00:29,160
Speaker 1: No, I always wanted to do that set design, and

1237
01:00:29,320 --> 01:00:31,520
Speaker 1: that was gonna be part of the thing that I

1238
01:00:31,560 --> 01:00:33,400
Speaker 1: don't know if you you watch, I can't remember. If

1239
01:00:33,400 --> 01:00:36,160
Speaker 1: you watch frames, it's the mic still on. We shoot

1240
01:00:36,200 --> 01:00:38,640
Speaker 1: that upstairs, and I always want to do that with

1241
01:00:38,760 --> 01:00:41,640
Speaker 1: that room. But we got some stuff that's about to

1242
01:00:41,680 --> 01:00:42,800
Speaker 1: happen soon, so so.

1243
01:00:42,880 --> 01:00:43,200
Speaker 2: I got it.

1244
01:00:43,480 --> 01:00:46,840
Speaker 1: It's like I kind of keep changing up the looks

1245
01:00:46,880 --> 01:00:48,920
Speaker 1: that I want, But I always have wanted like a

1246
01:00:49,040 --> 01:00:54,000
Speaker 1: hip hop centric look with pictures and stuff that kind

1247
01:00:54,040 --> 01:00:58,200
Speaker 1: of represent us. I've always wanted that, so yeah, like nah, man,

1248
01:00:58,320 --> 01:01:01,160
Speaker 1: yeah that's what that's the ex was an interior designer.

1249
01:01:01,280 --> 01:01:11,400
Speaker 2: I really respect interior design. What was that software all? Okay? Yeah, yeah, yeah, no,

1250
01:01:11,640 --> 01:01:14,680
Speaker 2: no shout shut that's dope. Yeah, but no. Always yeah,

1251
01:01:14,680 --> 01:01:19,080
Speaker 2: I've always wanted to elevate the show by putting certain

1252
01:01:19,120 --> 01:01:22,080
Speaker 2: aesthetic in the room. That's why I just I kind

1253
01:01:22,120 --> 01:01:24,400
Speaker 2: of liked the new setup. You know, we got five places,

1254
01:01:24,520 --> 01:01:29,040
Speaker 2: boom boxes, lights, and ship so I always want to

1255
01:01:29,160 --> 01:01:29,360
Speaker 2: do that.

1256
01:01:29,600 --> 01:01:32,080
Speaker 3: But you know, I hate we never got around the

1257
01:01:33,400 --> 01:01:35,800
Speaker 3: hooking up the upstairs the way we talked about it

1258
01:01:35,800 --> 01:01:36,360
Speaker 3: in the beginning.

1259
01:01:36,520 --> 01:01:38,040
Speaker 1: Yeah, we got a picture, we got a story, like

1260
01:01:38,200 --> 01:01:41,120
Speaker 1: like Ken and I have been sending back for pictures

1261
01:01:41,160 --> 01:01:42,840
Speaker 1: and all kinds of stuff how we wanted to look,

1262
01:01:43,320 --> 01:01:43,720
Speaker 1: but we just.

1263
01:01:43,720 --> 01:01:48,280
Speaker 2: Never got around to doing was gonna be dope, said

1264
01:01:48,280 --> 01:01:52,080
Speaker 2: we need plants. We put plants upstairs? Yeah yeah, right,

1265
01:01:52,160 --> 01:01:54,040
Speaker 2: we did. We did. We started kind of trying to

1266
01:01:54,080 --> 01:01:56,000
Speaker 2: work on it, but it just we just never got there.

1267
01:01:57,560 --> 01:02:02,320
Speaker 3: Yeah. Uh, this is is the project brought back a

1268
01:02:02,360 --> 01:02:05,440
Speaker 3: lot of nostalgic of me in middle school when Swag

1269
01:02:05,720 --> 01:02:07,400
Speaker 3: was it, But I can't lie. Most of the music

1270
01:02:07,560 --> 01:02:10,960
Speaker 3: is dated and WAT looking back, you know. Okay, So

1271
01:02:12,000 --> 01:02:15,640
Speaker 3: I think that's fine. Like oftentimes, you know, every once

1272
01:02:15,680 --> 01:02:18,040
Speaker 3: in a while, occasionally, you know, we'll be like some

1273
01:02:18,120 --> 01:02:21,320
Speaker 3: of the stuff we listened to would fall in the

1274
01:02:21,360 --> 01:02:22,080
Speaker 3: same category.

1275
01:02:22,200 --> 01:02:26,640
Speaker 2: That's you know, so hey man, watch your mouth. But

1276
01:02:27,480 --> 01:02:29,680
Speaker 2: that is just what it is. That's what we grew

1277
01:02:29,760 --> 01:02:30,280
Speaker 2: up listening to.

1278
01:02:31,000 --> 01:02:33,440
Speaker 5: And I want to say we said that about when

1279
01:02:33,480 --> 01:02:35,560
Speaker 5: we did the Classic of You on Strata Compton. It

1280
01:02:35,680 --> 01:02:37,800
Speaker 5: was like, as much as we loved that album, we

1281
01:02:37,920 --> 01:02:39,600
Speaker 5: listened to it now it's like, yeah, this shit definitely

1282
01:02:39,640 --> 01:02:43,920
Speaker 5: sounds very dated. It's still it's still a one of

1283
01:02:44,000 --> 01:02:45,720
Speaker 5: the all time greats, you know what I'm saying.

1284
01:02:47,160 --> 01:02:50,480
Speaker 3: So, yeah, but that's that's that's your teenage years, bro,

1285
01:02:50,600 --> 01:02:55,120
Speaker 3: your formative years or whatever. And I think that's fine.

1286
01:02:55,280 --> 01:02:57,360
Speaker 3: You know, I can point out a lot of WAT

1287
01:02:57,440 --> 01:03:00,920
Speaker 3: rappers that I still wouldn't know that's away, So there's

1288
01:03:00,960 --> 01:03:03,160
Speaker 3: anything wrong with that. And I think that the project

1289
01:03:03,240 --> 01:03:06,640
Speaker 3: was intended to tap into the nostalgia and I think

1290
01:03:06,680 --> 01:03:11,240
Speaker 3: he just should know that, you know, But everything would

1291
01:03:11,240 --> 01:03:16,040
Speaker 3: have been fine not fussing at folks, why forever Jay's

1292
01:03:16,080 --> 01:03:18,640
Speaker 3: hiding a child. That's not a topic of discussion for y'all.

1293
01:03:21,840 --> 01:03:24,200
Speaker 7: He's been dealing with this one dude that has been

1294
01:03:24,440 --> 01:03:27,760
Speaker 7: ongoing with paternity tests. He just dropped the lawsuit like

1295
01:03:28,080 --> 01:03:30,160
Speaker 7: he's just a whole bunch of stuff but nothing some

1296
01:03:30,280 --> 01:03:32,720
Speaker 7: statiated which is why I never mentioned it.

1297
01:03:33,760 --> 01:03:40,920
Speaker 1: We'll definitely identified child. He looked just like Jado. He

1298
01:03:40,960 --> 01:03:42,360
Speaker 1: looked just like the child.

1299
01:03:44,640 --> 01:03:47,920
Speaker 7: Nahu because, like I said, he's been off and on

1300
01:03:48,120 --> 01:03:50,960
Speaker 7: with the lawsuit. Just recently he dropped it and he

1301
01:03:51,000 --> 01:03:53,440
Speaker 7: went on social media saying, you know his reasons why

1302
01:03:53,520 --> 01:03:55,320
Speaker 7: this that the third but he said the truth will

1303
01:03:55,360 --> 01:03:56,520
Speaker 7: come to light all this type stuff.

1304
01:03:56,520 --> 01:03:59,080
Speaker 2: But he looked like j Broh and Jay said that ship.

1305
01:03:59,600 --> 01:04:06,520
Speaker 7: Yeah, he he looked like he sounded like him too. Yeah,

1306
01:04:07,800 --> 01:04:10,640
Speaker 7: But I'm just saying he looking sound like him. I'm

1307
01:04:10,680 --> 01:04:12,080
Speaker 7: not saying that that's his kids.

1308
01:04:15,800 --> 01:04:18,400
Speaker 2: Receipts. Just just just look it up.

1309
01:04:24,440 --> 01:04:26,840
Speaker 3: Brian Bumper, I'm at I'm at that age. I had

1310
01:04:26,920 --> 01:04:29,120
Speaker 3: to put my pride to the side. I'm taking blue

1311
01:04:29,320 --> 01:04:30,320
Speaker 3: shoe pills down.

1312
01:04:33,600 --> 01:04:37,360
Speaker 9: Why you should have saw that coming from Alloway.

1313
01:04:37,880 --> 01:04:38,360
Speaker 2: I didn't.

1314
01:04:38,840 --> 01:04:44,280
Speaker 3: But in Simmons are still hoping y'all do a Jeff

1315
01:04:45,040 --> 01:04:46,000
Speaker 3: album review.

1316
01:04:48,840 --> 01:04:53,040
Speaker 2: Color gray or when Angels Cry? That's probab his cousin somebody,

1317
01:04:57,200 --> 01:04:58,400
Speaker 2: probably cousin somebody.

1318
01:05:01,640 --> 01:05:08,560
Speaker 3: Okay, all right, you know, yeah, we'll look at it. Yeah, Jeff,

1319
01:05:08,760 --> 01:05:12,200
Speaker 3: all right, Jeff, all right for a second that you

1320
01:05:12,320 --> 01:05:15,640
Speaker 3: look like that V look like a w do a

1321
01:05:15,720 --> 01:05:19,000
Speaker 3: dumb take. I already got all one times that be

1322
01:05:19,040 --> 01:05:22,240
Speaker 3: shutting us down. Bro, that's that Jeff Solid.

1323
01:05:22,280 --> 01:05:28,880
Speaker 2: He not really known. Ye, I ain't never heard of him.

1324
01:05:29,360 --> 01:05:33,280
Speaker 3: Uh, flying artist, flying Indigo Chip. What artists do you

1325
01:05:33,320 --> 01:05:35,280
Speaker 3: feel sounds really good on a beat, but you don't

1326
01:05:35,320 --> 01:05:37,000
Speaker 3: particularly care for the music of lyrics?

1327
01:05:37,800 --> 01:05:42,720
Speaker 2: Mmm, good on a beat, but don't care for their lyrics.

1328
01:05:45,160 --> 01:05:46,000
Speaker 2: That's a good question.

1329
01:05:47,480 --> 01:05:49,400
Speaker 1: The first person that comes to mind, but I do

1330
01:05:49,520 --> 01:05:51,760
Speaker 1: fuck with what he says most of the time is

1331
01:05:51,840 --> 01:05:54,880
Speaker 1: Dom Kennedy. I like how he sounds on the beat

1332
01:05:54,920 --> 01:05:58,480
Speaker 1: and everything, but he don't really be saying too much.

1333
01:05:59,640 --> 01:06:04,840
Speaker 1: M hm he said whom it's the first person that

1334
01:06:04,880 --> 01:06:05,439
Speaker 1: comes to mind.

1335
01:06:07,560 --> 01:06:10,760
Speaker 2: Mm hmmm, I might said Larry June. Mm hmm.

1336
01:06:11,360 --> 01:06:13,520
Speaker 7: I like what he says though he said he has

1337
01:06:13,560 --> 01:06:17,520
Speaker 7: a lot of positive sh Rick Ross. That's a good one.

1338
01:06:18,000 --> 01:06:20,680
Speaker 7: That's a really good one. He sounds better than what

1339
01:06:20,760 --> 01:06:25,160
Speaker 7: he's saying. Yeah, I can't think of anybody.

1340
01:06:26,400 --> 01:06:29,720
Speaker 2: I don't know why Larrussell comes to mind, but you

1341
01:06:29,840 --> 01:06:31,320
Speaker 2: do you even like how he sounds?

1342
01:06:31,880 --> 01:06:33,200
Speaker 1: You don't even like how he sounds.

1343
01:06:33,240 --> 01:06:35,080
Speaker 2: I don't even know if I like him. You don't.

1344
01:06:35,480 --> 01:06:38,640
Speaker 3: He just sounded good on something some album we just did.

1345
01:06:38,720 --> 01:06:40,640
Speaker 3: That's probably why, because he sounded good.

1346
01:06:40,560 --> 01:06:47,479
Speaker 2: On that on that song. But yeah that's yeah. Yeah,

1347
01:06:47,560 --> 01:06:53,400
Speaker 2: I don't know why, but yeah, m hm mm hmm

1348
01:06:53,920 --> 01:06:58,520
Speaker 2: jay Worthy. Hell, yeah, he sound better than what he's saying.

1349
01:06:59,600 --> 01:07:02,520
Speaker 2: Uh oh oh, that's what we're saying. Yeah, that's good.

1350
01:07:04,240 --> 01:07:07,320
Speaker 1: Neither for He's a health sound good on the beat.

1351
01:07:07,400 --> 01:07:13,880
Speaker 1: To me, he's not a chance key block. I like,

1352
01:07:14,800 --> 01:07:18,120
Speaker 1: I like, but I don't really care for what he's saying.

1353
01:07:18,840 --> 01:07:21,480
Speaker 1: I like how you sound well.

1354
01:07:21,560 --> 01:07:24,840
Speaker 8: But alsomber he said, like their music or lyrics. I

1355
01:07:24,880 --> 01:07:26,760
Speaker 8: think I guess he's saying, like these are like they don't.

1356
01:07:27,120 --> 01:07:29,120
Speaker 8: You could acknowledge that they sound good when you do

1357
01:07:29,320 --> 01:07:31,520
Speaker 8: hear them, but they don't. They don't give you what

1358
01:07:31,720 --> 01:07:33,320
Speaker 8: like what you need to really seek them out. So

1359
01:07:33,440 --> 01:07:35,000
Speaker 8: let me go listen to a project. Let me check

1360
01:07:35,040 --> 01:07:36,920
Speaker 8: out the song that he just dropped the world the case.

1361
01:07:36,960 --> 01:07:39,720
Speaker 7: Maybe I feel like that about like I with him,

1362
01:07:39,720 --> 01:07:41,720
Speaker 7: but I'm not like, oh I need this new key

1363
01:07:41,760 --> 01:07:42,760
Speaker 7: block like I got you.

1364
01:07:42,920 --> 01:07:45,040
Speaker 1: You know what I'm saying, Like he cool, I'll check

1365
01:07:45,080 --> 01:07:46,080
Speaker 1: it out when I check it out, Okay.

1366
01:07:46,120 --> 01:07:47,480
Speaker 8: So that gives me a good example. I'm like that

1367
01:07:47,560 --> 01:07:50,520
Speaker 8: with Travis Scotty. I like how Travis Scott sounds. That's

1368
01:07:50,560 --> 01:07:53,240
Speaker 8: a good one, but his actual like I don't have

1369
01:07:53,400 --> 01:07:55,439
Speaker 8: the drive to go to his actual albums and listen

1370
01:07:55,480 --> 01:07:55,880
Speaker 8: to albums.

1371
01:07:55,920 --> 01:07:59,880
Speaker 2: That's a good one. That's cool. That's a good one.

1372
01:08:00,000 --> 01:08:02,200
Speaker 2: That's a good one. That's probably my pick Travis Scott

1373
01:08:02,360 --> 01:08:03,920
Speaker 2: because I like it. I like what he be on.

1374
01:08:04,040 --> 01:08:13,960
Speaker 3: Sometime somebody says me, no, bro, Donald Man, if you

1375
01:08:14,040 --> 01:08:16,600
Speaker 3: were the hip hop Daniel Boone, which region of the

1376
01:08:16,680 --> 01:08:18,720
Speaker 3: US that's not particularly known for hip hop? Would you

1377
01:08:18,800 --> 01:08:22,160
Speaker 3: trailblaze world as well if you want.

1378
01:08:24,960 --> 01:08:34,240
Speaker 6: Sot Okay, So if you were, which region, give me

1379
01:08:34,360 --> 01:08:35,320
Speaker 6: some white kids.

1380
01:08:36,720 --> 01:08:37,920
Speaker 2: Him make all kind of money.

1381
01:08:38,439 --> 01:08:43,479
Speaker 1: So subdivision hip hop can on our college football.

1382
01:08:43,560 --> 01:08:45,519
Speaker 7: You know, today, I told everybody I was like in

1383
01:08:45,600 --> 01:08:48,719
Speaker 7: six different leagues, so obviously I created like five coaches

1384
01:08:48,760 --> 01:08:51,920
Speaker 7: out of those six different leagues. So I've been doing

1385
01:08:52,280 --> 01:08:55,400
Speaker 7: musical artists, you know what I'm saying. And I looked

1386
01:08:55,479 --> 01:08:58,839
Speaker 7: up New Mexico, and New Mexico actually has.

1387
01:08:58,880 --> 01:09:01,840
Speaker 1: Like quite a few motherfuckers that we never heard of,

1388
01:09:02,280 --> 01:09:04,960
Speaker 1: and I made my coach one of them, Wan Gotti,

1389
01:09:05,200 --> 01:09:07,360
Speaker 1: like he's somebody. So I'll probably go to New Mexico

1390
01:09:07,479 --> 01:09:11,200
Speaker 1: just because I read one Gotty like this.

1391
01:09:11,760 --> 01:09:14,800
Speaker 7: This man is got John Gotti, bro One Gotti like,

1392
01:09:15,120 --> 01:09:17,400
Speaker 7: So I would probably do New Mexico though I think

1393
01:09:17,439 --> 01:09:20,240
Speaker 7: it's uncharted territory. You know, you got you got the

1394
01:09:20,360 --> 01:09:24,320
Speaker 7: southern super Southern Mexicans down there, you got Texas you're saying.

1395
01:09:24,360 --> 01:09:27,360
Speaker 7: So I feel like it's an untapped region with big

1396
01:09:27,479 --> 01:09:29,000
Speaker 7: potential if you're that nice.

1397
01:09:30,120 --> 01:09:35,040
Speaker 4: Hmmm about Vegas, I guess considered West coast, Yeah, but.

1398
01:09:35,439 --> 01:09:38,519
Speaker 1: It's still untapped. Like the only the only artist is

1399
01:09:38,720 --> 01:09:42,080
Speaker 1: uh he was part of Value. What's his name? Like

1400
01:09:42,160 --> 01:09:45,680
Speaker 1: this mix tape Dizzy, Right, that's like the only no

1401
01:09:45,960 --> 01:09:46,840
Speaker 1: nigga from Vegas.

1402
01:09:47,040 --> 01:09:50,840
Speaker 2: I think the only untapped places are only untapped place.

1403
01:09:51,680 --> 01:09:55,240
Speaker 2: It's probably Northeast, Like what's in Who's who's wrapping out?

1404
01:09:56,040 --> 01:09:56,599
Speaker 1: Like Portland?

1405
01:09:56,680 --> 01:09:57,639
Speaker 2: Who's rapping out of New.

1406
01:09:57,960 --> 01:10:02,040
Speaker 5: Northeastry, Yeah, England and like rain and all that.

1407
01:10:02,040 --> 01:10:02,920
Speaker 2: Who wrapping out of them?

1408
01:10:03,400 --> 01:10:06,840
Speaker 1: I don't know who's wrapping out of Maine, but niggas

1409
01:10:06,840 --> 01:10:08,120
Speaker 1: wrap out of Boston.

1410
01:10:07,800 --> 01:10:10,320
Speaker 2: Though, But that's not that's I don't think that's Northeast'

1411
01:10:13,080 --> 01:10:16,880
Speaker 2: that's Massachusetts. Yeah, that's not on tap.

1412
01:10:18,000 --> 01:10:24,080
Speaker 1: Yeah, I think that the I don't even want to

1413
01:10:24,080 --> 01:10:28,920
Speaker 1: say the Midwest, but the middle like Iowa, North Dakota,

1414
01:10:29,520 --> 01:10:30,360
Speaker 1: South Dakota.

1415
01:10:30,439 --> 01:10:33,680
Speaker 2: Like what the right mountain Rocky mountains? Yeah, all that

1416
01:10:33,800 --> 01:10:40,840
Speaker 2: ship you talk, it's gonna be some Mormon rap. Yeah,

1417
01:10:42,280 --> 01:10:45,320
Speaker 2: Mormon rap is crazy. I walked fifty miles a day.

1418
01:10:45,439 --> 01:10:51,719
Speaker 2: What you know about that? All right? I don't know, Dean,

1419
01:10:52,479 --> 01:10:54,160
Speaker 2: this maining for Camber. Anyone can chime?

1420
01:10:54,240 --> 01:10:57,280
Speaker 3: Man, would you prefer Cleos singing to you about tea

1421
01:10:58,280 --> 01:11:06,280
Speaker 3: or Jill Scott singing to you about Risin' not a wrong.

1422
01:11:07,680 --> 01:11:14,840
Speaker 2: Giving him grips the season? Bros? Good to be I

1423
01:11:14,920 --> 01:11:17,920
Speaker 2: know I know what you picked. Yeah, yeah, Jills got

1424
01:11:18,080 --> 01:11:19,240
Speaker 2: bro Oh no no, no, I'm not.

1425
01:11:19,800 --> 01:11:23,640
Speaker 1: I'm saying that, bro.

1426
01:11:24,439 --> 01:11:27,759
Speaker 2: Yeah, you already know saying about some grits.

1427
01:11:28,000 --> 01:11:32,800
Speaker 1: Man, I mean, she's gonna flip the hell out that ship.

1428
01:11:33,880 --> 01:11:35,800
Speaker 1: You hear me, She's gonna talk about mixing them and

1429
01:11:35,960 --> 01:11:48,400
Speaker 1: then everything they are. Yes, you know, you know, yeah,

1430
01:11:49,360 --> 01:11:53,200
Speaker 1: you already know she's gonna freaking hell. She's gonna freak

1431
01:11:53,240 --> 01:11:58,200
Speaker 1: it bro mm hmm oh she sees this and about grits.

1432
01:11:59,439 --> 01:12:03,360
Speaker 2: Yeah, man, she already had a song about singing about food.

1433
01:12:03,800 --> 01:12:08,760
Speaker 2: It was on the first album Royal on Ice. She

1434
01:12:09,320 --> 01:12:12,120
Speaker 2: she she's song about Crown Rorior on Ice.

1435
01:12:12,439 --> 01:12:14,640
Speaker 4: Bro, what are we doing here?

1436
01:12:15,160 --> 01:12:18,200
Speaker 2: Bruh, Yeah, give me grits, Me.

1437
01:12:18,560 --> 01:12:23,560
Speaker 3: Give me grits. Bro tweets Overendors. Which rapper do you

1438
01:12:23,640 --> 01:12:26,120
Speaker 3: think was the best protege? I e put on by

1439
01:12:26,160 --> 01:12:31,280
Speaker 3: another star? Bleak two Chains, Beanie Killer, Mike, Schoolboy, Q

1440
01:12:31,600 --> 01:12:33,560
Speaker 3: Lloyd Banks, Joel's.

1441
01:12:33,680 --> 01:12:37,880
Speaker 2: Killing Mike like as a combo too was the best

1442
01:12:38,040 --> 01:12:40,439
Speaker 2: protege but another star.

1443
01:12:40,760 --> 01:12:41,519
Speaker 9: I'm gonna go with you.

1444
01:12:43,320 --> 01:12:45,559
Speaker 2: Well who q school Boy?

1445
01:12:45,760 --> 01:12:45,920
Speaker 1: Yeah?

1446
01:12:46,600 --> 01:12:48,160
Speaker 8: The reason I go with you because you know, if

1447
01:12:48,160 --> 01:12:49,560
Speaker 8: you I'm pretty sure you listen to the story. You

1448
01:12:49,680 --> 01:12:51,920
Speaker 8: didn't even he was Yeah, he didn't want to wrap.

1449
01:12:51,960 --> 01:12:53,479
Speaker 2: He was the man.

1450
01:12:53,960 --> 01:12:56,200
Speaker 9: Kendrid was like, no, nigga, get yours over here in

1451
01:12:56,200 --> 01:12:57,639
Speaker 9: the studio is dope.

1452
01:12:59,520 --> 01:13:01,559
Speaker 1: I'm gonna go I'm gonna go to change. I would

1453
01:13:01,600 --> 01:13:05,640
Speaker 1: have never thought two changes. Would have never thought he

1454
01:13:05,640 --> 01:13:07,960
Speaker 1: would have been this big. Ain't no way he had

1455
01:13:08,120 --> 01:13:10,040
Speaker 1: he had a big song, but.

1456
01:13:11,840 --> 01:13:13,800
Speaker 2: He would he would have got this far, Like this

1457
01:13:14,000 --> 01:13:15,400
Speaker 2: is crazy, what change?

1458
01:13:16,560 --> 01:13:19,879
Speaker 7: I didn't think he was gonna survive the sabotage Ludacris

1459
01:13:19,960 --> 01:13:21,200
Speaker 7: and dt P had on him.

1460
01:13:22,160 --> 01:13:23,080
Speaker 1: You're saying that, so to.

1461
01:13:23,160 --> 01:13:26,280
Speaker 7: Come out and rebrand and be bigger than ever and

1462
01:13:26,360 --> 01:13:29,320
Speaker 7: then now you know, do the whole commercial ship.

1463
01:13:29,360 --> 01:13:33,000
Speaker 1: But now transition to independency, like that is big.

1464
01:13:33,120 --> 01:13:36,439
Speaker 7: But but if we're talking like the best rapper in

1465
01:13:36,600 --> 01:13:40,519
Speaker 7: terms of rapping ability and master levels, give me kill

1466
01:13:40,560 --> 01:13:40,840
Speaker 7: a bike.

1467
01:13:42,000 --> 01:13:52,439
Speaker 2: Give I was going Beanie because Beanie was nasty bro.

1468
01:13:53,360 --> 01:13:56,840
Speaker 2: His room was small, and he was still he was.

1469
01:13:58,080 --> 01:14:01,080
Speaker 2: He was the best rapper on that list though uh

1470
01:14:02,160 --> 01:14:03,320
Speaker 2: maybe not the list off.

1471
01:14:04,560 --> 01:14:07,799
Speaker 3: Okay, so nobody saying which metro beat y'all feels showed

1472
01:14:08,040 --> 01:14:09,360
Speaker 3: his prowess.

1473
01:14:10,160 --> 01:14:14,439
Speaker 5: Either Metro Spider or Superhero off the Heroes and Villains

1474
01:14:14,479 --> 01:14:17,480
Speaker 5: album I was earlier, Yeah, Superheroes.

1475
01:14:17,520 --> 01:14:19,400
Speaker 2: Dope, you ain't listening to new stuff, Sony.

1476
01:14:19,560 --> 01:14:22,240
Speaker 8: No, I have, But it's like I grew up in

1477
01:14:22,320 --> 01:14:24,840
Speaker 8: the era, so I completely understand, you know, with Doc

1478
01:14:24,920 --> 01:14:26,680
Speaker 8: and everything was saying on saying you, I have some

1479
01:14:26,920 --> 01:14:28,760
Speaker 8: some tracks and stuff here that I haven't given a full,

1480
01:14:28,800 --> 01:14:30,880
Speaker 8: full blown listen though you don't like it.

1481
01:14:31,360 --> 01:14:32,600
Speaker 9: It's not it's not that I don't like.

1482
01:14:32,640 --> 01:14:36,120
Speaker 8: I just I have Have you finished the full album?

1483
01:14:36,120 --> 01:14:38,240
Speaker 8: I've only got like halfway through. That's, you know, mainly

1484
01:14:38,280 --> 01:14:40,320
Speaker 8: because of me. I've liked what I've heard, but it's

1485
01:14:40,320 --> 01:14:42,080
Speaker 8: definitely I don't think it's an album. Album gonna be

1486
01:14:42,160 --> 01:14:44,240
Speaker 8: like however you play, because I don't particularly like I

1487
01:14:44,320 --> 01:14:46,320
Speaker 8: grew up in the area, but I was also listening

1488
01:14:46,320 --> 01:14:47,559
Speaker 8: to other ship, Like I was a nigga that had

1489
01:14:47,600 --> 01:14:48,120
Speaker 8: the backpack on.

1490
01:14:48,360 --> 01:14:51,519
Speaker 2: So so you feel like he mastered all seven levels

1491
01:14:51,560 --> 01:14:56,639
Speaker 2: on that that ship.

1492
01:14:58,439 --> 01:15:02,760
Speaker 1: Looking back at it, what he said that it didn't

1493
01:15:02,760 --> 01:15:05,600
Speaker 1: sound like some dragon balls, that it was funny, but

1494
01:15:06,680 --> 01:15:08,719
Speaker 1: but what was So what is it about those tracks?

1495
01:15:08,840 --> 01:15:11,280
Speaker 2: You feel like you just I was being funny, but

1496
01:15:11,720 --> 01:15:13,800
Speaker 2: you know I'm being serious, Like what what is the metro?

1497
01:15:14,040 --> 01:15:16,519
Speaker 5: Yeah when you said the prop is yeah, I mean

1498
01:15:16,560 --> 01:15:19,400
Speaker 5: I just think those beats as hard as I think.

1499
01:15:19,479 --> 01:15:23,840
Speaker 5: That's like, that's to me, that's like almost a damn

1500
01:15:23,840 --> 01:15:27,479
Speaker 5: the signature metro metro booming as type beat.

1501
01:15:27,520 --> 01:15:28,200
Speaker 1: What was he doing?

1502
01:15:29,479 --> 01:15:31,160
Speaker 2: What was what was the signature to you?

1503
01:15:33,520 --> 01:15:36,080
Speaker 4: I can't explain it. I can't articulate it.

1504
01:15:36,720 --> 01:15:37,920
Speaker 2: Really, it's a feel.

1505
01:15:38,200 --> 01:15:41,720
Speaker 1: Yeah, it's a field artic that superhero bro when that

1506
01:15:42,000 --> 01:15:44,960
Speaker 1: come on man, the base that build up.

1507
01:15:45,000 --> 01:15:47,400
Speaker 5: Yeah yeah, it's like how it sweeps, but then the

1508
01:15:47,479 --> 01:15:49,760
Speaker 5: base just metrod.

1509
01:15:50,439 --> 01:15:51,320
Speaker 2: Yeah that hardest.

1510
01:15:52,080 --> 01:15:53,519
Speaker 9: That's one of those beats that make you go from

1511
01:15:53,560 --> 01:15:54,439
Speaker 9: like eighty to hundred.

1512
01:15:54,720 --> 01:15:56,640
Speaker 2: Ye cy crazy.

1513
01:15:56,920 --> 01:16:00,640
Speaker 4: Crazy superhero superhero SuperH Yeah, you.

1514
01:16:00,640 --> 01:16:07,040
Speaker 8: Don't know that, you know, it's one of those matter

1515
01:16:07,080 --> 01:16:08,640
Speaker 8: of fact that that's the one with future and and

1516
01:16:08,840 --> 01:16:10,519
Speaker 8: then y'all. The only thing y'all didn't like was he

1517
01:16:10,560 --> 01:16:13,360
Speaker 8: had the Chris Brown like like beat switch towards the

1518
01:16:13,479 --> 01:16:15,200
Speaker 8: outro part of the song that's about it.

1519
01:16:16,360 --> 01:16:18,160
Speaker 1: That was all over social media like that.

1520
01:16:19,240 --> 01:16:21,040
Speaker 2: So that's why they're mad about this new album.

1521
01:16:21,200 --> 01:16:24,360
Speaker 3: Okay, uh arterial, I feel it's time to have a

1522
01:16:24,400 --> 01:16:27,640
Speaker 3: conversation about Derringer. His work has always been dope, but

1523
01:16:27,680 --> 01:16:31,479
Speaker 3: it seems he's getting better with time, especially especially recently.

1524
01:16:33,439 --> 01:16:38,840
Speaker 2: M Is Darringer getting better with time? Is he getting

1525
01:16:38,880 --> 01:16:41,240
Speaker 2: better with time? Yeah? Is he getting better? As a prod?

1526
01:16:41,760 --> 01:16:43,120
Speaker 4: I mean I think he's been.

1527
01:16:45,120 --> 01:16:47,599
Speaker 1: Yeah, yeah, I think I feel like he's.

1528
01:16:49,000 --> 01:16:49,200
Speaker 2: Good.

1529
01:16:49,400 --> 01:16:51,439
Speaker 5: And that's pretty much it. I don't think there's anything

1530
01:16:51,479 --> 01:16:52,799
Speaker 5: that's been improved from.

1531
01:16:53,560 --> 01:16:56,080
Speaker 2: He don't have no versatility being being like some of

1532
01:16:56,120 --> 01:16:57,200
Speaker 2: the last joes he did.

1533
01:16:59,000 --> 01:16:59,720
Speaker 4: Trying to clips me.

1534
01:17:03,080 --> 01:17:06,760
Speaker 2: Oh man, Yeah, but I don't know. I don't know

1535
01:17:06,800 --> 01:17:08,600
Speaker 2: if it's I don't know if we're there yet. I

1536
01:17:08,640 --> 01:17:12,640
Speaker 2: don't know if we're there yet. I don't know.

1537
01:17:13,680 --> 01:17:17,800
Speaker 3: I don't know if we had a conversation yet. But

1538
01:17:18,360 --> 01:17:18,800
Speaker 3: we'll see.

1539
01:17:20,439 --> 01:17:23,920
Speaker 2: Or I need a boss man in Sauce walk up project.

1540
01:17:25,840 --> 01:17:26,759
Speaker 1: That will be interesting.

1541
01:17:28,000 --> 01:17:30,360
Speaker 4: I don't want that Sauce and Darringer project that's.

1542
01:17:31,880 --> 01:17:35,800
Speaker 9: Speaking of, Like we haven't heard about that suit man.

1543
01:17:36,080 --> 01:17:40,640
Speaker 5: Hell, he just kept putting with Conway or whatever, and

1544
01:17:40,760 --> 01:17:42,640
Speaker 5: then I thought it was coming once he made the

1545
01:17:42,760 --> 01:17:43,920
Speaker 5: video and stuff for it.

1546
01:17:44,040 --> 01:17:46,720
Speaker 8: But and then last time he talked about it was

1547
01:17:46,760 --> 01:17:50,720
Speaker 8: when he freaked out over over that that conductor. Yeah,

1548
01:17:50,760 --> 01:17:52,800
Speaker 8: that's the last time he really said, oh you know this,

1549
01:17:52,960 --> 01:17:55,040
Speaker 8: this coming, this coming up right now.

1550
01:17:55,200 --> 01:17:56,519
Speaker 2: So yeah, now we need that.

1551
01:17:56,960 --> 01:17:57,120
Speaker 3: Man.

1552
01:17:57,160 --> 01:17:58,800
Speaker 1: I want that because I know me and we always

1553
01:17:58,800 --> 01:18:01,000
Speaker 1: talking about to clip with him and bus. Oh my god,

1554
01:18:01,120 --> 01:18:01,839
Speaker 1: that beat.

1555
01:18:03,320 --> 01:18:07,120
Speaker 4: We need that project, you know what.

1556
01:18:07,360 --> 01:18:11,760
Speaker 1: Hopefully it'll be what's that series that he has that

1557
01:18:11,880 --> 01:18:13,439
Speaker 1: we like that drop at the end and we didn't

1558
01:18:13,439 --> 01:18:20,120
Speaker 1: get to talk about it. Uh, hopefully it's at YEP

1559
01:18:20,240 --> 01:18:21,720
Speaker 1: and it's toward the end of the year.

1560
01:18:21,800 --> 01:18:28,040
Speaker 2: Hopefully Negro. Would y'all swap music taste with anyone from

1561
01:18:28,080 --> 01:18:30,719
Speaker 2: the crew? That could be a video.

1562
01:18:30,800 --> 01:18:34,040
Speaker 9: I wanna swish you can answer now, but I think

1563
01:18:34,040 --> 01:18:34,640
Speaker 9: that can make it, do.

1564
01:18:36,560 --> 01:18:40,519
Speaker 2: You guys? Yeah, like just some I don't know.

1565
01:18:40,680 --> 01:18:42,080
Speaker 8: I think that could be fun. I gotta think about it,

1566
01:18:42,080 --> 01:18:43,240
Speaker 8: but I think that could be like turned to the

1567
01:18:43,320 --> 01:18:44,040
Speaker 8: game type thing.

1568
01:18:44,760 --> 01:18:44,960
Speaker 3: Hot.

1569
01:18:45,080 --> 01:18:48,439
Speaker 1: Well you enlightened me because my answer is no, I'll

1570
01:18:48,439 --> 01:18:48,680
Speaker 1: tell you.

1571
01:18:51,080 --> 01:18:51,639
Speaker 2: Like your taste.

1572
01:18:51,760 --> 01:18:55,080
Speaker 7: I like my taste, but but also because I feel

1573
01:18:55,160 --> 01:18:57,920
Speaker 7: like my taste has evolved the most out of everybody here,

1574
01:18:59,439 --> 01:19:02,880
Speaker 7: like ship I was you know for me to say.

1575
01:19:02,760 --> 01:19:06,680
Speaker 1: I like Rob Marcy in respect cop back in twenty eleven.

1576
01:19:06,439 --> 01:19:07,479
Speaker 2: You think the hell? No?

1577
01:19:08,880 --> 01:19:12,760
Speaker 3: All right, well, let Sonny cook Andrew when we get

1578
01:19:12,800 --> 01:19:14,760
Speaker 3: in the story will happened with y'all in complex?

1579
01:19:15,800 --> 01:19:15,960
Speaker 5: Man?

1580
01:19:16,000 --> 01:19:18,880
Speaker 2: What you're talking about? What he said? Well, when we're

1581
01:19:18,880 --> 01:19:23,439
Speaker 2: getting the story of here, we have some complex hey,

1582
01:19:23,520 --> 01:19:25,280
Speaker 2: business is business and business.

1583
01:19:25,880 --> 01:19:26,759
Speaker 1: Way back when.

1584
01:19:30,720 --> 01:19:31,439
Speaker 2: We had a call.

1585
01:19:32,080 --> 01:19:36,040
Speaker 3: Yeah, business is business. Business will always be bus calls

1586
01:19:36,080 --> 01:19:37,280
Speaker 3: with big entities that.

1587
01:19:37,400 --> 01:19:40,040
Speaker 1: Everybody knows that we've been doing this for a very

1588
01:19:40,200 --> 01:19:44,160
Speaker 1: long time. We've had calls with just just know we've

1589
01:19:44,200 --> 01:19:45,360
Speaker 1: had some calls.

1590
01:19:46,760 --> 01:19:54,559
Speaker 2: Well, so never don't people be nosy. I don't even

1591
01:19:54,600 --> 01:19:59,000
Speaker 2: think it's that that. It's not even a juicy story.

1592
01:19:59,200 --> 01:20:01,719
Speaker 1: It's not a j it's literally just business.

1593
01:20:01,800 --> 01:20:10,600
Speaker 2: That didn't enough. I just said, drink water business. M C.

1594
01:20:10,880 --> 01:20:13,560
Speaker 2: T what up Dutch fan again with the question, and

1595
01:20:13,680 --> 01:20:14,240
Speaker 2: he's Dutch.

1596
01:20:15,080 --> 01:20:19,840
Speaker 3: Yeah, he's overseas, which hip hop subgenres at least two

1597
01:20:19,920 --> 01:20:23,080
Speaker 3: blends so surprisingly well for y'all. I heard a jazz

1598
01:20:23,160 --> 01:20:25,679
Speaker 3: and drill merge beating, was like, wow, it's all a dope.

1599
01:20:26,720 --> 01:20:29,240
Speaker 2: Jazz is drill. I gotta hear this.

1600
01:20:29,600 --> 01:20:33,720
Speaker 1: M C. Yeah, that's I can't even fathom what that

1601
01:20:33,720 --> 01:20:34,360
Speaker 1: would sound like.

1602
01:20:37,640 --> 01:20:40,679
Speaker 3: Yeah, I don't know, I don't know. That's that's hmmm.

1603
01:20:41,880 --> 01:20:52,120
Speaker 2: Uh, jazz and drill like horns and ship like, yeah,

1604
01:20:52,760 --> 01:20:54,680
Speaker 2: you know what, I honestly don't know. I feel like

1605
01:20:54,760 --> 01:20:59,400
Speaker 2: there's there's an answer to this somewhere. But somebody said, drazz,

1606
01:20:59,560 --> 01:21:02,840
Speaker 2: that's what ship.

1607
01:21:04,920 --> 01:21:05,080
Speaker 1: You know.

1608
01:21:07,439 --> 01:21:09,360
Speaker 2: I feel like it's some of these newer casts that's

1609
01:21:09,400 --> 01:21:13,760
Speaker 2: doing some stuff with me. Oh well, now I don't

1610
01:21:13,760 --> 01:21:20,080
Speaker 2: know if it's Yeah, I'm curious because I'm thinking about.

1611
01:21:19,880 --> 01:21:23,200
Speaker 3: The London drugs. But they're doing some interesting thing with samples.

1612
01:21:23,200 --> 01:21:25,479
Speaker 3: I don't know if it's blending sub genres though.

1613
01:21:25,400 --> 01:21:25,720
Speaker 2: No, it's not.

1614
01:21:26,040 --> 01:21:31,560
Speaker 1: It's not blending to sample based to be what I

1615
01:21:31,640 --> 01:21:32,799
Speaker 1: think would be interesting.

1616
01:21:32,840 --> 01:21:35,760
Speaker 7: I don't know if anybody has done it, but like,

1617
01:21:35,920 --> 01:21:38,160
Speaker 7: if you can merge country and trap.

1618
01:21:38,479 --> 01:21:42,679
Speaker 1: Somebody just said that country. Yeah, okay, this is yeah.

1619
01:21:42,960 --> 01:21:44,479
Speaker 1: I don't even have my phone, so you know what

1620
01:21:44,520 --> 01:21:48,040
Speaker 1: I'm saying. But yeah, I think country and trap would

1621
01:21:48,160 --> 01:21:55,479
Speaker 1: make an interesting blend. M h, yeah, I'm not yeah, portugals. Hey,

1622
01:21:55,520 --> 01:21:56,479
Speaker 1: all things for the contents.

1623
01:21:56,520 --> 01:21:59,439
Speaker 3: Thoughts on be et discontinuing the BT and BT hip

1624
01:21:59,479 --> 01:22:01,360
Speaker 3: hop war and definitely.

1625
01:22:01,280 --> 01:22:02,639
Speaker 1: Yeah, I sent that in the group chat.

1626
01:22:02,760 --> 01:22:05,479
Speaker 2: Nobody said nothing because I don't know what's going on.

1627
01:22:06,080 --> 01:22:07,600
Speaker 1: I don't nobody know what's going on.

1628
01:22:08,960 --> 01:22:09,320
Speaker 4: Canceling.

1629
01:22:09,479 --> 01:22:12,320
Speaker 1: Yeah, they didn't put out no disclaimer, they didn't put

1630
01:22:12,320 --> 01:22:16,280
Speaker 1: out no nothing. Yeah, just like that in BT on

1631
01:22:16,360 --> 01:22:21,080
Speaker 1: My White Person anyway, it is now, it is now yeah. Yeah,

1632
01:22:21,280 --> 01:22:24,360
Speaker 1: Now I don't know, but I know it's not black.

1633
01:22:24,560 --> 01:22:27,040
Speaker 2: It was blanked entertainment.

1634
01:22:27,439 --> 01:22:29,400
Speaker 9: It hasn't been black, I want to say for it's

1635
01:22:29,439 --> 01:22:29,920
Speaker 9: been a minute.

1636
01:22:30,000 --> 01:22:32,040
Speaker 1: Yes, while got the year, but.

1637
01:22:33,600 --> 01:22:35,240
Speaker 4: I mean, haven't they been getting a bad rep for

1638
01:22:35,320 --> 01:22:36,400
Speaker 4: the past couple of years anyway?

1639
01:22:36,479 --> 01:22:37,960
Speaker 1: I know, like the writings on.

1640
01:22:38,000 --> 01:22:41,800
Speaker 7: The wall, get rid of it, bro Yeah, that's one

1641
01:22:41,840 --> 01:22:44,480
Speaker 7: of the most popular award shows.

1642
01:22:44,439 --> 01:22:47,200
Speaker 2: But it's definitely it's not you know what, it might

1643
01:22:47,320 --> 01:22:48,800
Speaker 2: come back, should not coming back.

1644
01:22:48,960 --> 01:22:49,879
Speaker 4: She's gonna be on YouTube.

1645
01:22:51,720 --> 01:22:54,479
Speaker 1: Yeah, that should not coming back. You don't think so,

1646
01:22:56,600 --> 01:22:58,160
Speaker 1: because why would it go away in the first place.

1647
01:22:59,000 --> 01:23:01,240
Speaker 1: They ain't rappers too popular for it not to ever

1648
01:23:01,320 --> 01:23:01,720
Speaker 1: come back.

1649
01:23:01,840 --> 01:23:04,200
Speaker 7: And that's the and that's the reason why I don't

1650
01:23:04,200 --> 01:23:05,640
Speaker 7: think it's gonna come back, because.

1651
01:23:05,360 --> 01:23:06,800
Speaker 1: It's their most watched theme.

1652
01:23:07,240 --> 01:23:11,280
Speaker 3: I think Ralph is right, but there's a there's an

1653
01:23:11,360 --> 01:23:14,280
Speaker 3: other conversation in broaderness that I want to have.

1654
01:23:15,840 --> 01:23:21,200
Speaker 2: Later. Okay, but yeah, I don't forget it. I'm not

1655
01:23:21,400 --> 01:23:22,120
Speaker 2: put it in notes.

1656
01:23:23,479 --> 01:23:33,240
Speaker 3: Yeah, thoughts on Fantano and academics beef, what the beef?

1657
01:23:34,160 --> 01:23:35,559
Speaker 2: What you been bu.

1658
01:23:36,920 --> 01:23:38,360
Speaker 1: I don't I don't follow him like that.

1659
01:23:39,320 --> 01:23:42,919
Speaker 2: They're not yes, yes, Pantano.

1660
01:23:43,479 --> 01:23:47,280
Speaker 3: Academics is trying to take Fantano down on some old

1661
01:23:47,320 --> 01:23:49,639
Speaker 3: stuff that he's already addressed in the past.

1662
01:23:49,720 --> 01:23:54,680
Speaker 7: Okay, so so so academics is dump Okay, Okay, I

1663
01:23:54,720 --> 01:23:55,040
Speaker 7: didn't know that.

1664
01:23:55,120 --> 01:23:56,280
Speaker 1: I didn't know that that was academic.

1665
01:23:56,760 --> 01:23:59,000
Speaker 7: So I saw what people are talking about with Fantanic,

1666
01:23:59,040 --> 01:24:00,880
Speaker 7: but I didn't know academic was stirring upon it.

1667
01:24:01,120 --> 01:24:01,400
Speaker 2: Okay.

1668
01:24:01,560 --> 01:24:03,639
Speaker 8: Well, I'm just put it out there because I don't

1669
01:24:03,640 --> 01:24:06,120
Speaker 8: know myself. I don't know if he actually it was

1670
01:24:06,240 --> 01:24:08,720
Speaker 8: the source that started or he just jumped on it

1671
01:24:08,960 --> 01:24:11,439
Speaker 8: and he's pushing it further because he has to do

1672
01:24:11,600 --> 01:24:12,120
Speaker 8: the platform.

1673
01:24:12,640 --> 01:24:15,920
Speaker 2: I find disclaimer.

1674
01:24:16,240 --> 01:24:20,000
Speaker 3: Either way, it goes yeah, because he and just won't

1675
01:24:20,120 --> 01:24:23,400
Speaker 3: let it go. Fantana put up an eight minute response video.

1676
01:24:23,960 --> 01:24:25,719
Speaker 2: Neil dropping Drake, so you know that's his man.

1677
01:24:25,720 --> 01:24:30,719
Speaker 3: You know, yeah, and kirkle Cucko whatever the Twitter account

1678
01:24:30,840 --> 01:24:33,320
Speaker 3: has been trying to They keep trying to amplify and

1679
01:24:33,840 --> 01:24:35,040
Speaker 3: push this whole thing up.

1680
01:24:35,520 --> 01:24:36,640
Speaker 2: So that that's all.

1681
01:24:36,720 --> 01:24:41,560
Speaker 3: I there's a larger conversation that took place on the

1682
01:24:41,760 --> 01:24:45,840
Speaker 3: is the Mike Salon podcast. You guys have to listen

1683
01:24:45,920 --> 01:24:49,840
Speaker 3: to it there, but it's not it's not on the

1684
01:24:49,880 --> 01:24:53,120
Speaker 3: public one though, So yeah, Mike charmed into Yeah. Yeah,

1685
01:24:53,160 --> 01:24:58,680
Speaker 3: we had a whole conversation about it. Yeah so yeah,

1686
01:24:58,920 --> 01:25:01,679
Speaker 3: so but but yeah, that's just a little bit.

1687
01:25:01,600 --> 01:25:03,879
Speaker 4: Of what but I'm a patriot man everywhere.

1688
01:25:05,160 --> 01:25:08,719
Speaker 3: Yeah, Donaldvan, what's the last song that made you dance

1689
01:25:08,840 --> 01:25:09,400
Speaker 3: in public?

1690
01:25:09,800 --> 01:25:12,960
Speaker 2: Before I let go? I don't know. I'm just throwing

1691
01:25:17,360 --> 01:25:22,280
Speaker 2: not like us to make it dance dance. Thought I wasn't.

1692
01:25:22,360 --> 01:25:26,000
Speaker 5: I wasn't really outside a lot and my wife we

1693
01:25:26,240 --> 01:25:28,800
Speaker 5: was when we was watching it at the pop up show,

1694
01:25:29,200 --> 01:25:29,439
Speaker 5: I was.

1695
01:25:29,640 --> 01:25:31,639
Speaker 2: I was in Ruba.

1696
01:25:32,040 --> 01:25:34,400
Speaker 4: We was in a Ruba and I remember we made

1697
01:25:34,880 --> 01:25:36,360
Speaker 4: after we had dinner. We was like, we gotta go

1698
01:25:36,439 --> 01:25:36,960
Speaker 4: back and watch.

1699
01:25:37,360 --> 01:25:38,920
Speaker 5: We was watching that ship and when he when he

1700
01:25:39,200 --> 01:25:41,479
Speaker 5: ran back not like us, like three times. Yeah, we

1701
01:25:41,520 --> 01:25:43,320
Speaker 5: were definitely in that in our hotel room, Kirk walking

1702
01:25:44,040 --> 01:25:49,320
Speaker 5: so that yeah, that should gets you moving. Yeah, I was, well,

1703
01:25:49,360 --> 01:25:50,280
Speaker 5: oh you know what, hold on?

1704
01:25:50,400 --> 01:25:50,640
Speaker 2: Hold on?

1705
01:25:51,120 --> 01:25:54,760
Speaker 7: So not publicly, you know, because he said public. Yeah,

1706
01:25:54,960 --> 01:25:57,120
Speaker 7: like it wasn't a public but in my house it

1707
01:25:57,280 --> 01:26:01,320
Speaker 7: was Freddy and Larry June's last project.

1708
01:26:01,800 --> 01:26:03,640
Speaker 2: He was dancing. Yeah, he was.

1709
01:26:06,760 --> 01:26:11,599
Speaker 1: Like, hold on, it wasn't me dancing. Freddy was my wife,

1710
01:26:17,200 --> 01:26:20,760
Speaker 1: but it was the Larry June joint because I was

1711
01:26:20,840 --> 01:26:23,720
Speaker 1: cooking breakfast and I was like, like you, I was

1712
01:26:23,760 --> 01:26:24,800
Speaker 1: like kind of crip walking.

1713
01:26:24,840 --> 01:26:26,240
Speaker 2: And then my son came back. He was.

1714
01:26:29,360 --> 01:26:30,719
Speaker 1: Now my wife was dancing to Freddy.

1715
01:26:30,760 --> 01:26:35,599
Speaker 2: It wasn't me dancing to Larry June as wild.

1716
01:26:36,920 --> 01:26:41,360
Speaker 1: Hey, it depends on what your idea of dancing is. Like,

1717
01:26:41,479 --> 01:26:46,479
Speaker 1: I was just kind of like making because it's not

1718
01:26:46,720 --> 01:26:48,320
Speaker 1: the words that make you move.

1719
01:26:48,880 --> 01:26:53,639
Speaker 7: The bet and Carlo produced a hell of five Larry

1720
01:26:53,760 --> 01:26:54,280
Speaker 7: June joint.

1721
01:26:56,160 --> 01:26:59,040
Speaker 1: I was just, hey, go listen to the project before

1722
01:26:59,040 --> 01:26:59,360
Speaker 1: you start.

1723
01:27:00,600 --> 01:27:01,960
Speaker 9: I was lasting reactions.

1724
01:27:05,439 --> 01:27:07,479
Speaker 3: Oh man, all right, just a couple of more will

1725
01:27:07,520 --> 01:27:09,080
Speaker 3: be done off top of right of people as the

1726
01:27:09,120 --> 01:27:13,280
Speaker 3: most kicks and right, I see with the Jordan's fours. Also,

1727
01:27:13,320 --> 01:27:15,080
Speaker 3: where do you usually get your thoughts from their fresh

1728
01:27:15,160 --> 01:27:16,400
Speaker 3: as Af.

1729
01:27:17,120 --> 01:27:18,439
Speaker 2: Appreciated it, appreciate it.

1730
01:27:19,720 --> 01:27:22,240
Speaker 7: I think I may have surpassed robby a little bit.

1731
01:27:22,520 --> 01:27:24,960
Speaker 7: But ever since I had my son and he about

1732
01:27:25,000 --> 01:27:27,760
Speaker 7: to be three, I stopped. Bro I have not bought

1733
01:27:27,840 --> 01:27:34,640
Speaker 7: anything new in some years. You said that at one point, ye,

1734
01:27:35,640 --> 01:27:38,679
Speaker 7: But I made it. I made a comeback like I started. Yeah,

1735
01:27:38,880 --> 01:27:41,600
Speaker 7: you know what I'm saying started.

1736
01:27:40,760 --> 01:27:44,400
Speaker 1: Yeah, yeah, because Rod definitely had way more kicks than that.

1737
01:27:44,720 --> 01:27:46,160
Speaker 1: And then get your son kicks.

1738
01:27:46,360 --> 01:27:49,960
Speaker 2: Yeah, you know what I'm saying. That's fun. You know

1739
01:27:50,000 --> 01:27:50,479
Speaker 2: what I'm saying.

1740
01:27:50,840 --> 01:27:51,479
Speaker 1: You know what I'm saying.

1741
01:27:52,400 --> 01:27:54,880
Speaker 2: Yeah, boxes and kicks for for Ribby.

1742
01:27:55,080 --> 01:27:58,120
Speaker 4: Yeah, I stopped, bro, boxes and kicks for Ricky.

1743
01:27:58,160 --> 01:28:02,040
Speaker 1: I stopped ever since I had my It's been three

1744
01:28:02,080 --> 01:28:03,360
Speaker 1: years since I bought a pair of shoes.

1745
01:28:04,120 --> 01:28:06,639
Speaker 2: But that's dope. You noticed that these are the four

1746
01:28:06,840 --> 01:28:08,720
Speaker 2: r ms, Like, yeah, like.

1747
01:28:09,800 --> 01:28:12,360
Speaker 1: We got sneaker hands, bro, Yeah, sneaker heads.

1748
01:28:13,080 --> 01:28:14,680
Speaker 2: Like the fact that he realized that these are the

1749
01:28:14,800 --> 01:28:17,240
Speaker 2: r ms, that's crazy, Like, yeah, that's dope.

1750
01:28:18,160 --> 01:28:21,720
Speaker 1: Matter of fact, he's one of the last ones I bought, bro, Yeah,

1751
01:28:21,720 --> 01:28:22,679
Speaker 1: the last ones I bought.

1752
01:28:23,280 --> 01:28:25,840
Speaker 2: And socks, man, I don't know if I want to

1753
01:28:25,880 --> 01:28:27,160
Speaker 2: give my sock though.

1754
01:28:30,880 --> 01:28:33,840
Speaker 1: Many key gate keepers.

1755
01:28:41,680 --> 01:28:43,799
Speaker 2: Danced you feeling.

1756
01:28:46,920 --> 01:28:50,920
Speaker 1: Got to be some serious ship going on here.

1757
01:28:54,680 --> 01:28:55,680
Speaker 2: It's serious, Bro.

1758
01:28:57,240 --> 01:28:59,200
Speaker 4: Why why do you think I asked these questions?

1759
01:29:01,640 --> 01:29:02,320
Speaker 2: You're stupid?

1760
01:29:02,439 --> 01:29:04,679
Speaker 4: Man, I really was trying to picture that ship.

1761
01:29:04,760 --> 01:29:15,559
Speaker 10: Yeah, I'm sorry, somebody the song it's so man reference track.

1762
01:29:17,479 --> 01:29:18,960
Speaker 4: I feel like I need a reference track.

1763
01:29:22,080 --> 01:29:22,719
Speaker 1: Like the one day.

1764
01:29:25,920 --> 01:29:33,240
Speaker 2: Oh man, man, I still love. That is crazy, bro

1765
01:29:34,160 --> 01:29:35,480
Speaker 2: y'all need to start.

1766
01:29:37,560 --> 01:29:37,720
Speaker 3: Right.

1767
01:29:37,840 --> 01:29:41,800
Speaker 2: That's this kids, Hey three twelve? What I'll get them

1768
01:29:41,800 --> 01:29:46,160
Speaker 2: one of my sock plugs? All all right, odd socks,

1769
01:29:46,840 --> 01:29:47,920
Speaker 2: I socks. You're welcome.

1770
01:29:48,600 --> 01:29:52,640
Speaker 1: You go to odd Socks, you get fine, find some

1771
01:29:52,840 --> 01:29:54,599
Speaker 1: pretty cool stuff there.

1772
01:29:55,120 --> 01:29:57,920
Speaker 2: So yeah, so much for a g keeping. It's one.

1773
01:29:58,160 --> 01:30:00,240
Speaker 2: You know, I won't get another one, but that one

1774
01:30:00,280 --> 01:30:01,200
Speaker 2: of them? All right?

1775
01:30:01,240 --> 01:30:03,680
Speaker 3: One back to back albums, Have to Go, Ready to Die,

1776
01:30:03,840 --> 01:30:07,759
Speaker 3: Life After Death, m F Doom, Matt Villainy and Food, Kendred,

1777
01:30:07,920 --> 01:30:11,720
Speaker 3: Good Kid, Mad City, Butterfly or Outcasts at Aliens Aquomini.

1778
01:30:13,920 --> 01:30:18,120
Speaker 3: Mm hmm, keeping Kendrick, I'm keeping out casts.

1779
01:30:22,640 --> 01:30:23,519
Speaker 1: You know my answer?

1780
01:30:26,200 --> 01:30:29,000
Speaker 2: All right, let's see, I might gotta keep bigger one

1781
01:30:30,680 --> 01:30:31,120
Speaker 2: have to go.

1782
01:30:35,640 --> 01:30:36,000
Speaker 1: Mm hm.

1783
01:30:38,560 --> 01:30:41,800
Speaker 5: Oh okay, I'm gonna admit the bias is taking over,

1784
01:30:41,960 --> 01:30:43,280
Speaker 5: So Kendrick gotta go.

1785
01:30:43,760 --> 01:30:44,920
Speaker 1: I'm not Bigger.

1786
01:30:44,960 --> 01:30:46,679
Speaker 4: Ready to Die in Life as Death is not going

1787
01:30:47,439 --> 01:30:51,480
Speaker 4: m F Doom, No our Cast, Hell no, damn.

1788
01:30:51,400 --> 01:30:56,400
Speaker 2: You're getting rid of Good Kid, Massy Butterfly. I am

1789
01:30:56,680 --> 01:31:07,479
Speaker 2: that's tough. Oh well, damn, oh man, I'll probably go

1790
01:31:09,520 --> 01:31:14,680
Speaker 2: outcasts because I still got my southern playeristic. At the

1791
01:31:14,760 --> 01:31:17,240
Speaker 2: end of the day, I still got Southern players, so

1792
01:31:17,439 --> 01:31:20,719
Speaker 2: I'll be good. I'll be I'll be straight.

1793
01:31:22,000 --> 01:31:28,280
Speaker 3: That's tough though, all right, Jush Rose, what is your

1794
01:31:28,320 --> 01:31:30,280
Speaker 3: favorite hip hop interview of all time? For me, it's

1795
01:31:30,360 --> 01:31:32,680
Speaker 3: Jay Z's four for four Rap Radar interview. I'm a

1796
01:31:32,840 --> 01:31:34,880
Speaker 3: Jay stands could listen to him all day, but that

1797
01:31:35,000 --> 01:31:36,519
Speaker 3: one has so many gems in it.

1798
01:31:37,200 --> 01:31:37,760
Speaker 2: Damn I didn't.

1799
01:31:37,840 --> 01:31:39,680
Speaker 1: I didn't even know that interview in this.

1800
01:31:43,160 --> 01:31:46,360
Speaker 2: For me? Jerseys, Yeah, oh you know what I do

1801
01:31:46,439 --> 01:31:48,400
Speaker 2: remember seeing some inserts of it.

1802
01:31:49,360 --> 01:31:49,720
Speaker 3: Mm hmm.

1803
01:31:50,680 --> 01:31:57,120
Speaker 2: Favorite hip hop interview of all time? Mm hmm. I'll

1804
01:31:57,160 --> 01:31:59,080
Speaker 2: be wrong if I said Kendrick because he shout the Sun,

1805
01:32:01,120 --> 01:32:04,040
Speaker 2: but nah, interview. I feel like this one.

1806
01:32:04,160 --> 01:32:07,440
Speaker 5: It's one, and I just hated was on this damn platform.

1807
01:32:08,840 --> 01:32:11,040
Speaker 5: But red Man, I think it was his first one

1808
01:32:12,160 --> 01:32:15,160
Speaker 5: man when he talked about mc hammer bro Oh my god,

1809
01:32:15,920 --> 01:32:17,640
Speaker 5: I'm not even gonna mention that platform he was on,

1810
01:32:17,760 --> 01:32:19,320
Speaker 5: but he talked about mc hammer.

1811
01:32:19,400 --> 01:32:22,160
Speaker 4: How he was talking about Hammer on his debut album,

1812
01:32:22,160 --> 01:32:23,120
Speaker 4: and mc Hammer.

1813
01:32:22,960 --> 01:32:25,720
Speaker 5: Posted him just the way he was telling that ship

1814
01:32:25,920 --> 01:32:28,720
Speaker 5: was still It's still funny as fuck. I just hate

1815
01:32:28,760 --> 01:32:31,360
Speaker 5: this on that damn platform though, But yeah, that's one

1816
01:32:31,360 --> 01:32:34,599
Speaker 5: of my favorite on b because Redman so fucking silly.

1817
01:32:34,720 --> 01:32:34,880
Speaker 2: Man.

1818
01:32:35,680 --> 01:32:37,120
Speaker 5: God, the way he was, the way he was talking

1819
01:32:37,120 --> 01:32:42,080
Speaker 5: about Hammer, he was he'sid Hammer approached him.

1820
01:32:41,960 --> 01:32:44,080
Speaker 4: And ship he was like, yeah, man three five sevent

1821
01:32:44,200 --> 01:32:45,040
Speaker 4: the bitch was ready to.

1822
01:32:45,000 --> 01:32:45,559
Speaker 2: Beat her as.

1823
01:32:47,640 --> 01:32:49,400
Speaker 1: It was so funny. Man all that was ready to

1824
01:32:49,439 --> 01:32:50,439
Speaker 1: scrap all of them.

1825
01:32:51,160 --> 01:32:53,479
Speaker 4: So yeah, I gotta go with that one. Off the

1826
01:32:53,520 --> 01:32:54,120
Speaker 4: top of my head.

1827
01:32:54,840 --> 01:32:56,680
Speaker 2: I love it. I feel like there's something that I

1828
01:32:56,800 --> 01:32:59,200
Speaker 2: was like, I know that Ben Segull, like play with

1829
01:32:59,280 --> 01:33:02,400
Speaker 2: something safe on the Breakfast Club.

1830
01:33:02,520 --> 01:33:04,799
Speaker 4: That man, that Red Man ship.

1831
01:33:04,720 --> 01:33:08,479
Speaker 2: Man who's in the Breakfast Club was good too. It

1832
01:33:08,680 --> 01:33:09,960
Speaker 2: was scared hell.

1833
01:33:10,040 --> 01:33:16,120
Speaker 4: Yeah, it was because he had Angela. He that was

1834
01:33:16,479 --> 01:33:19,840
Speaker 4: that Red Man ship Man. Oh my god. He was

1835
01:33:19,920 --> 01:33:21,920
Speaker 4: like yeah, I was like, sir, yes, sir.

1836
01:33:23,400 --> 01:33:25,599
Speaker 5: He was like he was like he was like Red

1837
01:33:25,680 --> 01:33:27,280
Speaker 5: Man tried to play it off like yeah, I was like,

1838
01:33:27,320 --> 01:33:30,360
Speaker 5: all right, cool, he said, but it's that sir, yes, sir,

1839
01:33:30,760 --> 01:33:33,320
Speaker 5: Like don't you ever talk about my mama, young man.

1840
01:33:34,120 --> 01:33:37,160
Speaker 2: It was like, damn about that hip hop Alchemists and

1841
01:33:37,280 --> 01:33:38,280
Speaker 2: you know, you know.

1842
01:33:42,240 --> 01:33:43,000
Speaker 1: Is legendary.

1843
01:33:43,800 --> 01:33:46,439
Speaker 4: This man called a calf to the studio who was at.

1844
01:33:47,320 --> 01:33:48,840
Speaker 5: Then he rode with me in the whip to the

1845
01:33:49,160 --> 01:33:51,920
Speaker 5: damn venue to ghost face show that she was crazy.

1846
01:33:52,160 --> 01:33:55,560
Speaker 2: Legend. That whole that whole moment was legend. Yeah. It

1847
01:33:55,760 --> 01:33:58,080
Speaker 2: was like people didn't like they saw the video from

1848
01:33:58,120 --> 01:33:59,360
Speaker 2: that and they.

1849
01:33:59,320 --> 01:34:02,040
Speaker 5: Don't know there and the fact that he was such

1850
01:34:02,160 --> 01:34:04,280
Speaker 5: fans of us, bro, Like he was just like he

1851
01:34:04,360 --> 01:34:06,160
Speaker 5: was like, oh yeah, I'm taking the cab y'all, like

1852
01:34:06,400 --> 01:34:07,719
Speaker 5: I'm coming to do this interview.

1853
01:34:07,760 --> 01:34:08,479
Speaker 2: That was crazy.

1854
01:34:08,560 --> 01:34:14,599
Speaker 5: And then he rolled back, that's crazy, that's crazy. Show

1855
01:34:15,800 --> 01:34:19,000
Speaker 5: we got there, we saw rotten right, Jean Gray Air

1856
01:34:19,520 --> 01:34:19,960
Speaker 5: was crazy.

1857
01:34:20,040 --> 01:34:20,120
Speaker 6: Bro.

1858
01:34:20,320 --> 01:34:21,360
Speaker 2: That was a crazy night.

1859
01:34:21,400 --> 01:34:22,160
Speaker 1: It was a crazy night.

1860
01:34:22,400 --> 01:34:23,479
Speaker 2: That was a crazy night of hip hop.

1861
01:34:24,240 --> 01:34:27,120
Speaker 7: A three C has given us some of our best moments,

1862
01:34:27,400 --> 01:34:28,640
Speaker 7: you know what I'm saying, And I think that's the

1863
01:34:28,680 --> 01:34:30,800
Speaker 7: reason why we say it like it's just not the same.

1864
01:34:30,880 --> 01:34:33,280
Speaker 7: But yes, that was a crazy night. I can't think

1865
01:34:33,320 --> 01:34:35,200
Speaker 7: of another one off the top of my head. But

1866
01:34:35,280 --> 01:34:38,559
Speaker 7: that's what I was thinking about. And obviously y'all have.

1867
01:34:38,640 --> 01:34:40,600
Speaker 1: Biased because we were there, you know what I'm saying, Like,

1868
01:34:40,680 --> 01:34:42,600
Speaker 1: we like that was just different, Bro.

1869
01:34:42,720 --> 01:34:45,479
Speaker 7: I think I think, honestly, that's our best interview you know,

1870
01:34:45,600 --> 01:34:48,519
Speaker 7: and no shame to everybody that we've had on the

1871
01:34:48,600 --> 01:34:51,639
Speaker 7: listening because those have been dope too, but the Alchemist

1872
01:34:51,760 --> 01:34:53,679
Speaker 7: interview is by far our best interview.

1873
01:34:56,439 --> 01:34:59,479
Speaker 3: Okay, uh Dean, would y'all make the argument of regional

1874
01:34:59,560 --> 01:35:02,599
Speaker 3: sound also including Tupac considering he's originally from the East

1875
01:35:02,640 --> 01:35:03,639
Speaker 3: Coast or is that different?

1876
01:35:03,720 --> 01:35:04,800
Speaker 2: And I'm tripping.

1877
01:35:06,040 --> 01:35:11,280
Speaker 1: It is it is different because you know, like Ludacris

1878
01:35:11,479 --> 01:35:13,680
Speaker 1: is from Chicago because that's where he was born, but

1879
01:35:13,760 --> 01:35:15,760
Speaker 1: he grew up in Atlanta, so he hasn't.

1880
01:35:15,680 --> 01:35:23,240
Speaker 5: He didn't rep East Coast city, Cokelands, l a like,

1881
01:35:24,360 --> 01:35:26,760
Speaker 5: So that's why it's different. That's why it's okay that

1882
01:35:27,200 --> 01:35:29,680
Speaker 5: you know, we consider him a West Coast artist even

1883
01:35:29,720 --> 01:35:30,599
Speaker 5: though he wasn't born there.

1884
01:35:30,800 --> 01:35:33,240
Speaker 1: That's that's fine. Mm hmm.

1885
01:35:35,960 --> 01:35:37,040
Speaker 2: Same thing with Earl two.

1886
01:35:36,920 --> 01:35:42,919
Speaker 3: Right from Chicago, Yeah, somewhere anyone. The decline comes from quality.

1887
01:35:43,240 --> 01:35:45,360
Speaker 3: A lot of artists an't making since there music just

1888
01:35:45,439 --> 01:35:48,280
Speaker 3: for the fame in the bag, which never lasts the

1889
01:35:48,360 --> 01:35:51,200
Speaker 3: best out, now, don't that's a good point.

1890
01:35:52,600 --> 01:35:54,839
Speaker 1: That's that's a that's a big part of why.

1891
01:35:57,320 --> 01:36:00,719
Speaker 3: Coming through to close us out, I will h answer

1892
01:36:00,800 --> 01:36:05,200
Speaker 3: this question. Mister Town's ninety. We will be having a

1893
01:36:05,280 --> 01:36:07,519
Speaker 3: conversation about ice cubes, War.

1894
01:36:07,439 --> 01:36:09,320
Speaker 2: Of the worlds Uh.

1895
01:36:10,000 --> 01:36:11,200
Speaker 4: Me and my wife watched that ship.

1896
01:36:12,040 --> 01:36:13,760
Speaker 2: Don't say that I want to. I want to. He's

1897
01:36:13,760 --> 01:36:17,599
Speaker 2: not doing it, but you know, I still want.

1898
01:36:17,479 --> 01:36:20,080
Speaker 1: To cut out experience it. I know you've been talking,

1899
01:36:20,720 --> 01:36:21,280
Speaker 1: I know you've.

1900
01:36:21,120 --> 01:36:22,560
Speaker 2: Been saying stuff, but I still just want to.

1901
01:36:22,640 --> 01:36:23,160
Speaker 3: I know, I know.

1902
01:36:24,200 --> 01:36:26,360
Speaker 2: Yeah, that's that's why I just I need you guys

1903
01:36:26,400 --> 01:36:29,880
Speaker 2: to experience it. What John is that movie considered South?

1904
01:36:30,000 --> 01:36:34,080
Speaker 1: I probably wrote comedy. You don't laugh so much of

1905
01:36:34,160 --> 01:36:34,559
Speaker 1: that ship?

1906
01:36:35,560 --> 01:36:39,080
Speaker 3: Yeah, yeah, yeah, anyway, so, yes, there will be a

1907
01:36:39,160 --> 01:36:46,040
Speaker 3: discussion coming. Uh. We actually talked about it Sunday, Sunday.

1908
01:36:46,120 --> 01:36:50,080
Speaker 3: Yeah yeah, I was just telling him about the movie

1909
01:36:50,320 --> 01:36:53,920
Speaker 3: Sunday and this whole thing is blowing up. It's so crazy,

1910
01:36:53,960 --> 01:36:59,000
Speaker 3: Bro's so yeah. So anyway, we're gonna leave it there.

1911
01:36:59,040 --> 01:37:01,439
Speaker 1: Man, that's another thing that I haven't done since having

1912
01:37:01,479 --> 01:37:02,759
Speaker 1: a kid, go to the movies.

1913
01:37:03,160 --> 01:37:06,120
Speaker 2: Oh really, God, dang, yeah, it been like three years. Bro.

1914
01:37:06,680 --> 01:37:09,280
Speaker 1: You you didn't think about taking him and someone He

1915
01:37:09,400 --> 01:37:12,639
Speaker 1: doesn't like loud noises? Oh okay, like at all, I'll

1916
01:37:12,680 --> 01:37:16,160
Speaker 1: turn up the TV. He'd be like Daddy's loud, not loud,

1917
01:37:16,200 --> 01:37:19,760
Speaker 1: but gotcha alright cool, that's it you're saying.

1918
01:37:20,800 --> 01:37:23,640
Speaker 2: Alright, Well, thank y'all man once again for tapping in

1919
01:37:23,760 --> 01:37:26,160
Speaker 2: with us man on these uh daddy hip hop lives.

1920
01:37:26,200 --> 01:37:29,599
Speaker 1: These always fun, uh, just to kind of discuss things

1921
01:37:29,720 --> 01:37:31,479
Speaker 1: live in front of you guys and just kind of

1922
01:37:32,120 --> 01:37:34,040
Speaker 1: you know, tap in with the other rap fans of

1923
01:37:34,120 --> 01:37:38,200
Speaker 1: the world. Again, appreciate y'all for the super chats. Always

1924
01:37:38,280 --> 01:37:40,080
Speaker 1: helps uh to support the show.

1925
01:37:40,160 --> 01:37:41,920
Speaker 2: You know, maybe we can get some pictures and frames

1926
01:37:41,960 --> 01:37:44,599
Speaker 2: on the wall, you know, with with the super chat

1927
01:37:44,680 --> 01:37:48,200
Speaker 2: money shout out to Camilla's her name right, yeah new designer.

1928
01:37:49,520 --> 01:37:51,960
Speaker 2: But yeah, man, til next time. Man, we'll catchy' all

1929
01:37:52,000 --> 01:37:53,640
Speaker 2: on another live. I got one last thing.

1930
01:37:53,720 --> 01:37:57,200
Speaker 4: He put the camera on me real quick and anybody

1931
01:37:57,320 --> 01:37:59,280
Speaker 4: got some video of them dancing the Larry ge will

1932
01:37:59,280 --> 01:37:59,600
Speaker 4: send it to.

1933
01:37:59,640 --> 01:38:05,960
Speaker 2: Me like mellow WINANSO.

1934
01:38:06,040 --> 01:38:09,200
Speaker 3: Man, go watch the Alchemists interview you guys haven't, Yeah,

1935
01:38:09,240 --> 01:38:12,519
Speaker 3: go for so so go watch the Alchemist in alright, man,

1936
01:38:14,760 --> 01:38:15,160
Speaker 3: Pisa