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Speaker 1: The phrase per second podcast.

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Speaker 2: H m hm, y'all gonna out here doing for you

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Speaker 2: to say what I'm gonna do your forph Are y'all

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Speaker 2: gonna do it week to week?

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Speaker 3: Gonna bring that up because it comes out on Sundays,

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Speaker 3: So I don't know how that's gonna work. And Nate,

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Speaker 3: they wants to be on it, so she said, just

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Speaker 3: let her know. If it's a week to week, y'all

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Speaker 3: doing the batches, what y'all gonna do? If we did

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Speaker 3: it week to we could would have to be virtual.

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Speaker 4: It would have to be virtual, and I think we

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Speaker 4: should do that week the week, but which means virtual Monday.

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Speaker 2: I'll sacrifice for Euphoria. I'm not sacrificed for Paradise.

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Speaker 1: So we have to see if if she's free on

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Speaker 1: Monday too.

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Speaker 3: Is the new season? Is the hype big enough?

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Speaker 1: It seemed like it.

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Speaker 2: I agree.

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Speaker 4: It seems like there's a lot of talk, like I'm

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Speaker 4: saying commercials, they pushing it.

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Speaker 1: Now you were just in this movie.

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Speaker 2: And hold up, because I know I've been hold up.

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Speaker 5: I've been thinking about conversations and people saying like your

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Speaker 5: Phizz is not in it, and Fizz is like the

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Speaker 5: like the moral levity, like how they're going.

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Speaker 3: Yeah, so it's like, is it just gonna be just

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Speaker 3: but wold ship the whole time? The sister though, I

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Speaker 3: thought she was gone. When it feels a day, I

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Speaker 3: thought no. Talking about storm read and the mom Yeah,

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Speaker 3: storm Readers for Moral Liberty though, mm hmmm. I don't know.

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Speaker 3: I don't know. I don't think it's gonna hold up.

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Speaker 3: I think it's gonna be pretty wide personally some Monday.

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Speaker 3: Could you record on Mondays win started winning? But you

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Speaker 3: it'll be next week's here. I don't depend on what

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Speaker 3: time because I started I start a new job on

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Speaker 3: the twenty. Oh congrats, that's dope. Would you do you

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Speaker 3: be here on Monday? I mean, if I my job

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Speaker 3: is virtual, I probably wouldn't get home to like seven

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Speaker 3: coming from here to where I live there, so about

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Speaker 3: seven thirty if if they want to record that later,

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Speaker 3: I mean, it's up to you all the time.

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Speaker 2: I mean, if you would it be better to do

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Speaker 2: it in person. Is that what you're getting at?

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Speaker 3: Yeah, because my new job is like three minutes away

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Speaker 3: from here, but it's better for him.

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Speaker 4: Yeah, that's that's what I'm saying normally in this office

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Speaker 4: on Mondays, so he'll be around the corner too.

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Speaker 3: It's like five less than five minutes. So the first

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Speaker 3: one comes out, it come out to fourteenth. So the

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Speaker 3: first one be the fifteenth, right, I thought it come

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Speaker 3: on on twelfth. I thought twelfth too, So I don't

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Speaker 3: start to the twentieth. So starting after the twentieth, I

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Speaker 3: could do it in perching. It would be quicker if

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Speaker 3: y'all wanted. But if we did it virtual, I wouldn't

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Speaker 3: be able to do it to about seven thirty.

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Speaker 4: The only thing would be Nay getting here in person.

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Speaker 3: Yeah, I doubt she's gonna want to do that. On

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Speaker 3: a Monday.

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Speaker 2: I could do it.

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Speaker 3: I was just listening to well paying my gas right now? Yeah,

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Speaker 3: but yeah, I could do virtually like seven thirty. That's fine.

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Speaker 3: It'll be run.

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Speaker 2: About Rod and even Nick Nick probably Nick can probably

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Speaker 2: jump on that.

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Speaker 4: That's what I'm throwing the mind daddy. On Wednesday, Wait

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Speaker 4: till this gas price come down? Right, I was like, bro,

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Speaker 4: hell no, seventy fucking dollars.

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Speaker 2: Jesus, I put a fifty yesterday. My litt last car

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Speaker 2: shit hurt me.

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Speaker 3: Diesel is five twenty nine. Bro sh is fucking crazy

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Speaker 3: hurt me.

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Speaker 1: I don't know.

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Speaker 4: We want to leave my side, bro. Yeah, and you're

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Speaker 4: all the way down in the boat.

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Speaker 3: Yes, which I should have been covering. Is Invincible? That

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Speaker 3: girl that I showed you, she really like it.

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Speaker 2: She she if you want.

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Speaker 3: If you were watching it, I don't think. I don't

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Speaker 3: think I'm caught up. I think I'm one episode back.

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Speaker 1: Five.

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Speaker 2: Yeah, Mike, you in for some that came out Sunday.

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Speaker 2: When did the newest episode come out? Tuesday or Wednesday?

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Speaker 2: And I know it's in the middle of the week. I

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Speaker 2: just get a notification in the middle. I just stop

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Speaker 2: what I'm doing and go watching Invisible.

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Speaker 3: I was in Knoxville from Wednesday to Monday, so I

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Speaker 3: don't think I saw that.

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Speaker 2: Man, when you get home, go watch Invincible. I forgot

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Speaker 2: about dollars.

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Speaker 3: I also bit trying to get on the pit. But

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Speaker 3: I'll check it out. Oh right, So I guess it's

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Speaker 3: a early day.

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Speaker 1: Yeah, because I don't. Yeah, it will be.

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Speaker 3: It's all we got is list in source code life

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Speaker 3: trailer reaction. We ain't doing it. Oh, we can do that,

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Speaker 3: I guess if you have something. Yeah, that's it's easy.

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Speaker 2: Okay.

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Speaker 5: Plus I won't be here in two weeks, even like

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Speaker 5: throughout that week. Yah, I'm going to boy so I

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Speaker 5: won't be Yeah.

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Speaker 1: I don't like pattle label and Mike McDonald don't.

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Speaker 3: Do those zip lines. You see that girl got killed

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Speaker 3: from here doing the zipline. Mm hm you talking about

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Speaker 3: from years ago? No, it just happened. This just happened.

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Speaker 2: I remember the one woman died on the zipline. They

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Speaker 2: said she cut her leg and got us flush eating

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Speaker 2: virus from a zipline.

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Speaker 3: They said, just let her die from a head injury,

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Speaker 3: like she did the zipline thing and hit her head

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Speaker 3: on something and she was okay. But then once they

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Speaker 3: left the zipline place, she started feeling dizzy and fainted

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Speaker 3: and they took her to the hospital and she died

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Speaker 3: in the hospital. Did she have a helmet on? They didn't.

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Speaker 3: They were real vague about what happened.

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Speaker 5: But from Marietta, let me tell you like this, I

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Speaker 5: drive a car every day and watch the pit anything.

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Speaker 2: Too shit because I do it to j.

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Speaker 5: All right, folks, welcome to another episode of the Frames

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Speaker 5: per Second podcast. You know, we got a not foreign

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Speaker 5: voice but not usually hosting voice, uh me doc hosting

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Speaker 5: to with me I have Ken, Spike and Mike see time.

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Speaker 2: And even though we're covering this film the drama.

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Speaker 5: Which is more of a rom com, kind of a

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Speaker 5: dark comedy, this is probably more of like Rod's Wheelhouse.

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Speaker 5: I will actually be cover covering this film. And before

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Speaker 5: we get into the note nuts and boats of it, damn,

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Speaker 5: are y'all familiar with the situation that's going on with

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Speaker 5: the director?

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Speaker 2: No?

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Speaker 3: Okay, all right, And so I want to say this.

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Speaker 5: It came to my attention last night, and I kind

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Speaker 5: of wanted to let the cast know, but I also

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Speaker 5: want their thoughts on just how they feel about the film.

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Speaker 5: So I didn't As a producer, I just didn't really

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Speaker 5: let them know. So I'll take responsibility of them not

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Speaker 5: knowing this. He wrote a letter to I can't remember

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Speaker 5: the newspaper article about ten years or so where he

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Speaker 5: was having a relationship and he was in Norway where

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Speaker 5: he was twenty seven having a relationship with a sixteen

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Speaker 5: year old.

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Speaker 2: Now that age is that was the age of consent.

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Speaker 3: But he was writing a letter.

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Speaker 2: His friends disapprove of it, but he didn't see anything wrong.

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Speaker 3: It was real.

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Speaker 2: It was real creepy.

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Speaker 5: So yeah, just to give some I do feel like

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Speaker 5: the topic in this movie is still worth covering. And

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Speaker 5: granted this is just me learning about this last night,

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Speaker 5: but I did want to acknowledge that before we got

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Speaker 5: into the film.

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Speaker 3: So oh man, you knew, No, you think I would

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Speaker 3: have went mm hmm you listening?

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Speaker 2: Well?

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Speaker 5: All right, So first things, First, man, what are your

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Speaker 5: overall thoughts of the film.

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Speaker 1: This is my kind of mess Ain't alive?

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Speaker 4: Bro?

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Speaker 1: Yeah?

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Speaker 4: Yeah, it's the way it was shot, edited, the kind

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Speaker 4: of you know, jumping back and forth, you know, touch

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Speaker 4: some some getting used to it. But right when we

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Speaker 4: got to the end, I was like, oh ship, here

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Speaker 4: we go. So so it paid off for me.

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Speaker 3: Okay, what about your spoke? I saw this a notion,

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Speaker 3: had no idea what it was, so I looked it up.

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Speaker 3: I read one sentence and said love story.

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Speaker 2: I was like, oh shit. I got to the movies

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Speaker 2: as the.

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Speaker 3: First person there, and when people seen it, it was

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Speaker 3: people like, cause you tell when you ordered to AMC,

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Speaker 3: it's gonna before And I started noticing the people coming in.

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Speaker 3: I'm like, oh my god, I really I'm not gonna

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Speaker 3: white people number the young white teenager and I was like,

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Speaker 3: I'm gonna hate this, but I love this. This ship

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Speaker 3: was fire. I was thinking about this when I loved

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Speaker 3: I thought about this when I woke up this. This

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Speaker 3: movie was good. I like the way it shot to

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Speaker 3: King's point. I think the ending was predictable, but they

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Speaker 3: still nailed it. Like I liked the whole movie.

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Speaker 2: This was fire.

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Speaker 3: But you, Mike, I'm surprised I loved it. I didn't

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Speaker 3: think they're gonna like it.

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Speaker 1: Yeah.

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Speaker 3: I thought this was fantastic.

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Speaker 2: It was great. The acting was fucking incredible, incredible, the

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Speaker 2: topics were very interesting, the way things played out, the commentary,

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Speaker 2: the critique.

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Speaker 3: All that was just fucking great.

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Speaker 5: Yeah for four Like, I really love this, Like I

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Speaker 5: put it on my story and a lot of my

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Speaker 5: friends like you like that, are like, yeah, I let

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Speaker 5: go see it.

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Speaker 3: Like that's how I felt like it was marketing wrong.

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Speaker 5: Yeah, well no, I think I think yeah, because that

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Speaker 5: was I was talking at a bar last night with

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Speaker 5: my friends with my friends and they were telling me

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Speaker 5: the spectations of what they think it's going to be,

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Speaker 5: and I'm like, Okay, that may be. You may not

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Speaker 5: like it if you really set on those expectations of

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Speaker 5: the film being like that.

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Speaker 2: But if you're open to where it takes you. We'll

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Speaker 2: be fine. I'm curious what was it marketed as? Like,

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Speaker 2: like what I saw romantic?

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Speaker 3: That's what I read, and I stopped.

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Speaker 1: I was like, damn, nothing romantic about this ship at all?

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Speaker 3: Was romantic? I mean, but it's not romantic?

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Speaker 1: My okay.

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Speaker 4: My idea of what are this was way darker than

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Speaker 4: what I expected.

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Speaker 3: And I think that's part.

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Speaker 2: Of it too, is questioning like love and romance, like

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Speaker 2: what does that really mean?

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Speaker 3: It reminded me of the movie I've been trying to

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Speaker 3: get you to watch Closer. It's similar, it's similar in

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Speaker 3: tone to that I'm putting.

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Speaker 5: I'm gonna put it on the list because I got

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Speaker 5: I got Mike's movie in the Mood for Love on

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Speaker 5: the list for when I got When I When I Travel,

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Speaker 5: And then I'll put that on the list too.

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Speaker 2: But it's actually good though you ain't even seen it.

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Speaker 2: I don't have to you recommended it.

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Speaker 3: I don't trust you watch when you come back.

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Speaker 1: Well.

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Speaker 5: We opened up the film with our introductions to Emma

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Speaker 5: and Charlie. They meet in a coffee shop where Charlie

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Speaker 5: discovers the disability that Emma is definitely one ear while

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Speaker 5: trying to hit on her. What were your first impressions

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Speaker 5: on both of these characters in the opening scene about

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Speaker 5: their romance.

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Speaker 2: I was like, I'm not gonna like this movie. I

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Speaker 2: was like, it's fucking cutesie. I don't care about this.

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Speaker 2: I was like, all right, whatever. And I was also

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Speaker 2: getting the feeling which might go to what you just

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Speaker 2: told me, but it was like, I feel like Robert

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Speaker 2: Pattinson is much older than some dad, but that's probably

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Speaker 2: not true. I think I just always think that she's

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Speaker 2: like sixteen or some shit.

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Speaker 3: This is this is a dude to play Batman Twilight.

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Speaker 2: I just always feel like he's like forty yeah, and

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Speaker 2: she's like, you know, nineteen or some shit. I'm sure

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Speaker 2: that's wrong, but either way, I was just like, Okay,

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Speaker 2: this is a cute seed love story, all right whatever.

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Speaker 3: I was thinking the same thing. Corny white guy really

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Speaker 3: attracted black girl. I really don't even see this well

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Speaker 3: colored lady of color. I really don't see this going.

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Speaker 3: And I don't think she's black. She's black. She's black, yeah, she.

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Speaker 5: From She from the Babe and she's from the Babe.

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Speaker 5: Bro that you got to see that video time hollering

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Speaker 5: meeting her family.

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Speaker 3: That is so fun. I haven't seen that there.

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Speaker 5: You're right, You're right, they all right because he's yeah,

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Speaker 5: like I got cool about it.

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Speaker 2: But you can tell you little off like she got water, Like, yeah,

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Speaker 2: she got shett.

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Speaker 3: I remember that. That's a difference between the two.

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Speaker 1: Yeah.

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Speaker 3: But yeah, I was with Mike. I was like, Okay,

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Speaker 3: f gonna do something corny with this movie. I don't

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Speaker 3: know if I'm here for it, but yeah, she's from Oakland,

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Speaker 3: my boy. Okay, yeah, I remember that. Now you're talking

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Speaker 3: about the video. I definitely remember that.

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Speaker 1: Now. Yeah. I was like, y'all got it? You felt.

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Speaker 3: I guess. I was just here.

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Speaker 1: I was just here.

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Speaker 3: I didn't like, didn't turn me off either way. It

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Speaker 3: was all right cool. What do you think about the flashback.

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Speaker 5: Scenes that we were getting they learning about the romance

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Speaker 5: that they were having.

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Speaker 3: That's when I became interested. I was like, Okay, from

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Speaker 3: it to the story a different way. I wonder why

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Speaker 3: they're telling the story, like just jumping back and forth

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Speaker 3: from back and forth to the present day. And I

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Speaker 3: thought it was interesting. It was a unique way to

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Speaker 3: move down the timeline. I thought that was dope. Yeah,

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Speaker 3: I agree. How'd you feel can.

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Speaker 1: Didn't seem like they really liked each other?

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Speaker 3: You got that one.

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Speaker 4: Well, he seemed like he had sort of issues with

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Speaker 4: with some of the things that she did. So I

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Speaker 4: thought that this was you know, uh, because he was

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Speaker 4: talking about she laughed and stuff like that.

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Speaker 1: That what we're talking about.

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Speaker 2: Yeah, but he said it was adorable, but it's obnoxious.

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Speaker 2: So I got what he meant.

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Speaker 1: Okay, okay, you don't notice that.

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Speaker 2: I mean, my girl has stuff like that where it's like,

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Speaker 2: oh my god, that's terrible. But I like it that

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Speaker 2: you do.

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Speaker 4: So like they were complaining about one another though, so

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Speaker 4: it seemed like they were about to get married but

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Speaker 4: didn't want to get married, or maybe that would just

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Speaker 4: have an apprehensions about it.

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Speaker 3: Get any of that, I don't think at it all.

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Speaker 3: I got that they really were infatuated with each other.

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Speaker 3: All those little small things good. Yeah, I'm just into you.

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Speaker 5: Even when she found out he didn't read the book, yeah,

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Speaker 5: she was still like, She's like, okay, let's just keep Yeah.

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Speaker 3: I liked the conversation with him and the black dude.

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Speaker 3: He was like, it's weird that you didn't. It was like,

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Speaker 3: it's weird that I thought it was weird that he

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Speaker 3: didn't read it. I agreed with his black friend.

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Speaker 2: It's like, I didn't think that was really I think

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Speaker 2: it's almost like, if you read the whole book before

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Speaker 2: the facts, what makes you a creep?

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Speaker 1: Yeah?

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Speaker 2: I feel like if I brought this up to you,

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Speaker 2: then I obviously it probably would come up on the date,

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Speaker 2: so you at least want to read the cliff notes.

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Speaker 2: I agree with that part. I just wouldn't have read

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Speaker 2: the whole book. Yeah, going there, you're gonna sit and

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Speaker 2: read the whole book a first day. It's if I

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Speaker 2: told you this, like on the third date, we already

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Speaker 2: get to know each other. I'm like, I'm really feeling you.

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Speaker 2: I don't even know who you are yet. Like, I'm

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Speaker 2: not about to take my time to read a whole book.

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Speaker 2: Let's take like hours out of my day before I date.

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Speaker 3: I might would do that. I might well do that. Damn,

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Speaker 3: especially for it's a day. Get the ask like that.

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Speaker 3: Damn you put extra work for the ass All right?

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Speaker 5: Well, any scenes, we learned about their romance, and we

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Speaker 5: also learned that they're engaged. So like y'all mentioned Charlie's

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Speaker 5: practicing his wedding speech with his best man.

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Speaker 3: Who we meet is Mike, but we also meet.

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Speaker 5: Rachel, and like the past conversations with Emma, and I

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Speaker 5: don't need y'all to react to anything, but.

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Speaker 3: It's I mentioned Rachel. That's all. It was like, you

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Speaker 3: come out to care. But what did y'a think about?

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Speaker 3: I guess y'all already mentioned it.

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Speaker 5: It's just the editing as far as it going back

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Speaker 5: and how like did it it allowed the movie to

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Speaker 5: flow better?

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Speaker 3: Did it kind of take away from it? Though they

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Speaker 3: had just been traditional, I don't think I would have

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Speaker 3: liked it as much this.

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Speaker 2: This brought me into the story more. It kept taking

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Speaker 2: you to different places, and you got more information each

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Speaker 2: place you went to. I loved it. Yeah, I like the.

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Speaker 3: Editing, and the editing was definitely cool.

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Speaker 2: But it wasn't until we get to the the wine

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Speaker 2: tasting that actually got pulled in. Before that I was like,

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Speaker 2: all right, this is a little cute, little love story.

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Speaker 2: And I like, I can't remember his name, the black guy.

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Speaker 2: Everything I see him, I like him. He's always good.

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Speaker 2: I ain't never seen him anything, I bet you, I

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Speaker 2: can't think. I cannot think of his name anyway, he's

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Speaker 2: becoming like the dude from shrinking. That was just on

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Speaker 2: the recent episode of the pic. You start seeing him

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Speaker 2: pop up. You can't remember the names, like seeing you everywhere.

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Speaker 3: Now like my boy from the bear to the patre chef.

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Speaker 3: So well, Mike just mentioned, well know, before we get there.

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Speaker 5: In preparation for the wedding, there they went and did

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Speaker 5: a dance, and but they're leaving practice and they see

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Speaker 5: their ceremony DJ smoking heroin. So while testing the foods

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Speaker 5: and and the wines at the at the dinner with

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Speaker 5: their best man, with the best man in the Native honor,

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Speaker 5: they shared their skepticism of about hiring them for the wedding.

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Speaker 3: Spike was the DJ wrong for doing little heroin, you know,

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Speaker 3: a little little dope she was party. It was a

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Speaker 3: big issue. It wasn't none of their business. I feel

360
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Speaker 3: like I wouldn't have fired. I don't think I think

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Speaker 3: they made too big because you know, people who do

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Speaker 3: crack right, you know, and I don't judge. Yeah, let

363
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Speaker 3: it rock out man on that glass day, right, I

364
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Speaker 3: wouldn't supposed to see her right there, man, So like, yeah,

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Speaker 3: I think they were overreacting.

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Speaker 1: You know, what's she really doing heroin, Yes, yeah, yes,

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Speaker 1: because she had me. Damn.

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Speaker 3: They're convinced that then there's only a few drugs you're

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Speaker 3: doing out there there, louling Ford.

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Speaker 1: Heroin.

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Speaker 3: And I don't think you really just smoke.

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Speaker 2: Crack that way, you know, the pip like if you

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Speaker 2: see somebody smoking out of a little alumin foild thing

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Speaker 2: like that.

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Speaker 1: Yeah, you think it was an issue. What's she good

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Speaker 1: at a job? They didn't know yet, No, I thought

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Speaker 1: I thought they had just finished during the dance, because

378
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Speaker 1: remember she put that song.

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Speaker 2: That racist motherfucker. They did look alike, but you're racist motherfucker.

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Speaker 1: So yeah, they were right because they don't know what

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Speaker 1: I didn't know. I thought it was the same she.

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Speaker 3: Had to get haired, no good recommendation. They were like

383
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Speaker 3: for them to hire her for a win and she

384
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Speaker 3: I feel like she had, but they don't.

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Speaker 1: I thought I thought it was the dance teacher.

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Speaker 3: Well business, what business is it of theirs? Or what

387
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Speaker 3: she do with her free time?

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Speaker 2: I got both sides, and I do think that. I mean,

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Speaker 2: I think they were really setting this up to see

390
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Speaker 2: how the personality of Emma they would it was different

391
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Speaker 2: from I forget Charlie. How their their levels of acceptance

392
00:18:39,040 --> 00:18:45,399
Speaker 2: are different. But I one get why you'd be like,

393
00:18:45,440 --> 00:18:47,159
Speaker 2: wait a minute, Like if she was smoking weed, I

394
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Speaker 2: wouldn't think that Heroin is different, cractice different. Yes, if

395
00:18:53,760 --> 00:18:55,639
Speaker 2: she stored a lot of coke, I'd be like, all right, whatever,

396
00:18:56,080 --> 00:18:59,360
Speaker 2: who cares. But you're out in the open smoking Heroine.

397
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Speaker 3: It's out of the open.

398
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Speaker 1: More so for me.

399
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Speaker 3: I just can't do your job New York City.

400
00:19:05,560 --> 00:19:08,320
Speaker 2: I mean, bro, you out in the open, you were

401
00:19:08,320 --> 00:19:10,760
Speaker 2: fun of our field. Didn't do it like it ain't

402
00:19:10,840 --> 00:19:11,320
Speaker 2: nothing like.

403
00:19:13,520 --> 00:19:15,280
Speaker 3: I've been told. Hero A smell when you do it

404
00:19:15,920 --> 00:19:17,320
Speaker 3: is like you out here.

405
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Speaker 1: It is Heroin. No like I don't know, open like

406
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Speaker 1: that and get away with it.

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00:19:22,080 --> 00:19:23,480
Speaker 3: What can you? Yes?

408
00:19:24,320 --> 00:19:26,560
Speaker 2: What do you ask if white people smoke Heroin? I'm

409
00:19:26,560 --> 00:19:29,439
Speaker 2: the open people. You remember I told the story of

410
00:19:29,480 --> 00:19:32,880
Speaker 2: the of the when we played Philly, my old band,

411
00:19:32,920 --> 00:19:34,920
Speaker 2: they took all of our money and they said there

412
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Speaker 2: was no door money and they were smoking fucking Heroin upstairs.

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Speaker 1: I don't know if I can remember that story and

414
00:19:40,400 --> 00:19:41,040
Speaker 1: we could smell it.

415
00:19:41,080 --> 00:19:44,040
Speaker 2: I was like, bro, are y'all serious? That is not

416
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Speaker 2: I won't say normal, but that's not that crazy.

417
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Speaker 3: White drugs and public for white people is part of

418
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Speaker 3: the privilege.

419
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Speaker 2: We gotta hide and we go to jail.

420
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Speaker 3: We got a hide. It was broad, it was a

421
00:19:55,080 --> 00:19:57,560
Speaker 3: lot of it was nighttime, it was at a party.

422
00:19:57,880 --> 00:20:01,159
Speaker 3: She stepped people people outside and.

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00:20:03,400 --> 00:20:06,800
Speaker 2: Outside and open for me, like, damn, you store the

424
00:20:06,880 --> 00:20:10,399
Speaker 2: heroin out in the open, and just like I snowed

425
00:20:10,400 --> 00:20:12,240
Speaker 2: the line up in front of I guess like I'm

426
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Speaker 2: doing heroin in front of a building.

427
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Speaker 1: So what is that?

428
00:20:15,359 --> 00:20:15,959
Speaker 3: Bad judgment?

429
00:20:16,840 --> 00:20:18,520
Speaker 2: It shows bad judgment And I don't know if I

430
00:20:18,520 --> 00:20:21,320
Speaker 2: can trust you to be there on time. You might

431
00:20:21,400 --> 00:20:22,840
Speaker 2: steal a bridesmaid's purse.

432
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Speaker 1: I don't know.

433
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Speaker 5: We don't get back to all that when we get

434
00:20:26,400 --> 00:20:28,800
Speaker 5: but if that's the reason, we gonna get back to that.

435
00:20:30,520 --> 00:20:33,879
Speaker 5: So while still at the at the taste thing, this

436
00:20:33,960 --> 00:20:37,639
Speaker 5: leads to Rachel sharing how her and Mike answered the

437
00:20:37,720 --> 00:20:40,760
Speaker 5: question what's the worst thing you've ever done.

438
00:20:40,640 --> 00:20:41,600
Speaker 3: Before they were married?

439
00:20:41,680 --> 00:20:42,040
Speaker 2: Terrible?

440
00:20:42,480 --> 00:20:45,679
Speaker 5: Now, before we completely dive into this sequence, I'm going

441
00:20:45,720 --> 00:20:48,600
Speaker 5: to ask this question a couple of times, but at

442
00:20:48,600 --> 00:20:52,200
Speaker 5: this moment, who is probably your most unlikely, at this moment,

443
00:20:52,240 --> 00:20:55,760
Speaker 5: your most unlikable character, and why if you have one?

444
00:20:55,920 --> 00:20:59,320
Speaker 2: I didn't have one with everybody trying to get.

445
00:20:59,200 --> 00:20:59,720
Speaker 1: Through the movie.

446
00:21:01,200 --> 00:21:03,480
Speaker 3: I didn't like tell my man to lead and dude

447
00:21:04,560 --> 00:21:07,480
Speaker 3: Charlie and I didn't like him. Why he just seemed

448
00:21:07,520 --> 00:21:14,359
Speaker 3: like a dick, Charlie. Charlie looked like he was a

449
00:21:14,400 --> 00:21:18,240
Speaker 3: dick to me. He was more he wouldn't like with

450
00:21:18,359 --> 00:21:20,480
Speaker 3: the dance thing, like he wouldn't like he was just

451
00:21:20,640 --> 00:21:21,159
Speaker 3: stuck up.

452
00:21:21,240 --> 00:21:24,520
Speaker 4: He had his moments, but he definitely came across as

453
00:21:24,520 --> 00:21:25,840
Speaker 4: more of a pushover.

454
00:21:25,400 --> 00:21:25,959
Speaker 1: And stuff like that.

455
00:21:26,280 --> 00:21:27,800
Speaker 3: He was stuck up to me because even with the

456
00:21:27,880 --> 00:21:30,240
Speaker 3: dancing in the car before he was she was wasting

457
00:21:30,280 --> 00:21:32,480
Speaker 3: her time, like he didn't think that that was funny.

458
00:21:32,560 --> 00:21:34,600
Speaker 3: When he was bitching at her and she pulled his

459
00:21:34,680 --> 00:21:37,000
Speaker 3: pants down when they were trying to change the dance,

460
00:21:37,040 --> 00:21:39,080
Speaker 3: she was like, I ain't trying to do this choreograph

461
00:21:39,200 --> 00:21:41,119
Speaker 3: dance that I went and I want to let I

462
00:21:41,119 --> 00:21:42,280
Speaker 3: didn't take him to suck up.

463
00:21:42,800 --> 00:21:45,760
Speaker 2: He can't dance, yeah, and he was embarrassed, so he

464
00:21:45,840 --> 00:21:48,520
Speaker 2: was trying to get her to just be like, let's

465
00:21:48,520 --> 00:21:49,560
Speaker 2: just try or whatever.

466
00:21:50,280 --> 00:21:51,479
Speaker 3: I didn't take it as stuck up.

467
00:21:52,400 --> 00:21:53,800
Speaker 4: If he was trying to make him do something he

468
00:21:53,800 --> 00:21:57,119
Speaker 4: didn't want to do, it was his idea.

469
00:21:56,480 --> 00:21:59,440
Speaker 1: Yea. At that point he realized he didn't want to

470
00:21:59,480 --> 00:21:59,960
Speaker 1: do it anymore.

471
00:22:00,359 --> 00:22:01,920
Speaker 2: No, she didn't want to do it. She was like,

472
00:22:02,000 --> 00:22:04,199
Speaker 2: this is stupid. He kept trying to get it right.

473
00:22:04,240 --> 00:22:06,520
Speaker 2: He was so rigid, and I gotta get this step right.

474
00:22:06,960 --> 00:22:10,280
Speaker 2: She No, she didn't want to good at it. He

475
00:22:10,400 --> 00:22:12,040
Speaker 2: wasn't good at it. So he started freaking out a

476
00:22:12,080 --> 00:22:13,600
Speaker 2: little bit, and she was like, Okay, let's just not

477
00:22:13,640 --> 00:22:13,800
Speaker 2: do it.

478
00:22:13,840 --> 00:22:15,399
Speaker 3: That's why she played the different songs. Yeah, and they

479
00:22:15,560 --> 00:22:18,760
Speaker 3: played a little fun song and got upset. Yeah.

480
00:22:18,800 --> 00:22:21,480
Speaker 2: That was again trying to show their difference and personality.

481
00:22:21,600 --> 00:22:24,800
Speaker 2: She's always accepting and she's always trying to give people

482
00:22:24,800 --> 00:22:26,800
Speaker 2: the benefit of the doubt and make things comfortable.

483
00:22:26,800 --> 00:22:28,640
Speaker 3: That's what I thought. They were not made for each other.

484
00:22:28,680 --> 00:22:30,760
Speaker 3: They just looked like. That's what I was wondering too.

485
00:22:31,000 --> 00:22:32,919
Speaker 3: Where this movie going like they're gonna break up for

486
00:22:32,920 --> 00:22:33,679
Speaker 3: some reasons.

487
00:22:33,840 --> 00:22:37,200
Speaker 1: I thought they were a good match. That ship was toxic.

488
00:22:38,040 --> 00:22:39,880
Speaker 3: I didn't get that at all. I didn't get that.

489
00:22:40,119 --> 00:22:41,960
Speaker 1: It looked like they weren't being truthful to each other.

490
00:22:42,840 --> 00:22:44,760
Speaker 3: I thought the opposite. I thought they were in love.

491
00:22:45,400 --> 00:22:47,199
Speaker 5: I thought they were really in love, especially even at

492
00:22:47,240 --> 00:22:50,200
Speaker 5: the taste then too. Before for the question, I asked,

493
00:22:50,200 --> 00:22:53,199
Speaker 5: like they were really vibing, Like you could tell like

494
00:22:53,240 --> 00:22:55,680
Speaker 5: they were really into each other, the way they were

495
00:22:55,680 --> 00:22:58,679
Speaker 5: talking about the food, and how she would like he

496
00:22:58,840 --> 00:23:02,720
Speaker 5: was he would she would basically say something about about

497
00:23:02,760 --> 00:23:04,920
Speaker 5: like what would needed to be decided upon, and he

498
00:23:04,960 --> 00:23:06,320
Speaker 5: would reinforce it and help her.

499
00:23:06,320 --> 00:23:08,800
Speaker 3: Like, Yeah, I thought it was they were good.

500
00:23:09,040 --> 00:23:11,160
Speaker 1: I thought that was just in her face, just appeasing.

501
00:23:11,280 --> 00:23:14,000
Speaker 3: I just thought he was a dick. Now, I think

502
00:23:14,080 --> 00:23:16,080
Speaker 3: Robert Patterson did a good job with that character. He

503
00:23:16,080 --> 00:23:17,680
Speaker 3: did a good job. He did a good job acting.

504
00:23:17,720 --> 00:23:18,880
Speaker 3: But I just like the characters.

505
00:23:19,480 --> 00:23:21,520
Speaker 1: It seemed like a completely different person.

506
00:23:21,560 --> 00:23:24,840
Speaker 4: He had a good mannerisms, the way of talking like,

507
00:23:24,960 --> 00:23:26,399
Speaker 4: he did a really good.

508
00:23:26,320 --> 00:23:30,080
Speaker 2: Job because he is he from England for real, I

509
00:23:30,080 --> 00:23:33,080
Speaker 2: don't know. I thought he was from here. Maybe I

510
00:23:33,080 --> 00:23:35,640
Speaker 2: don't hear a white man so they all could be.

511
00:23:40,280 --> 00:23:40,720
Speaker 3: All right.

512
00:23:40,800 --> 00:23:44,480
Speaker 5: So Rachel volunteers that Mike shares the chairs his story

513
00:23:44,520 --> 00:23:46,840
Speaker 5: and that the whole table wouldn't share as men in

514
00:23:46,880 --> 00:23:51,560
Speaker 5: here never what would you have done if you were Mike.

515
00:23:53,760 --> 00:23:57,240
Speaker 5: Mike's a black dude, And if she's trying to force

516
00:23:57,280 --> 00:23:58,000
Speaker 5: me to tell the story.

517
00:23:58,080 --> 00:24:03,000
Speaker 3: Yeah, we ain't doing that. We ain't doing that at all.

518
00:24:03,960 --> 00:24:05,560
Speaker 3: I one, I don't feel like I feel like his

519
00:24:05,800 --> 00:24:10,560
Speaker 3: was the least bad? What wait?

520
00:24:10,640 --> 00:24:14,920
Speaker 2: Am I not remembering that he kind of hid behind

521
00:24:14,960 --> 00:24:16,480
Speaker 2: his girl while she got bit by a dog.

522
00:24:16,920 --> 00:24:18,320
Speaker 3: You think he was the least bad?

523
00:24:19,080 --> 00:24:24,399
Speaker 4: It's not, it's I think it's far less.

524
00:24:25,119 --> 00:24:28,159
Speaker 3: What was Charlotte? Okay?

525
00:24:28,240 --> 00:24:31,159
Speaker 2: You think Mike had the least bad? You think Charlie

526
00:24:31,160 --> 00:24:32,399
Speaker 2: had the least bad? Who do you think at the

527
00:24:32,480 --> 00:24:32,920
Speaker 2: least bad?

528
00:24:33,960 --> 00:24:34,360
Speaker 1: What was.

529
00:24:39,080 --> 00:24:42,600
Speaker 2: That's the worst one to me out of all four? Yeah,

530
00:24:43,600 --> 00:24:46,040
Speaker 2: I'm more stuck on the least bad. That's the part

531
00:24:46,080 --> 00:24:49,800
Speaker 2: that's tripping me out. I mean for him that I

532
00:24:49,840 --> 00:24:50,240
Speaker 2: feel like.

533
00:24:50,600 --> 00:24:52,960
Speaker 3: We should rank him. I'm just bugged out by y'all's ranking.

534
00:24:53,000 --> 00:24:54,520
Speaker 3: I feel like that tracks for him. It was a girl,

535
00:24:54,560 --> 00:24:57,000
Speaker 3: he really didn't like her anyway, crazy dog in the

536
00:24:57,080 --> 00:24:59,240
Speaker 3: alley he putting her in from And you think that's

537
00:24:59,280 --> 00:25:01,520
Speaker 3: the least bad? Okay? And you still have an answer?

538
00:25:02,240 --> 00:25:04,320
Speaker 3: I mean I have.

539
00:25:04,920 --> 00:25:06,879
Speaker 5: I have been bullied before, So that's why cyber bullion.

540
00:25:06,920 --> 00:25:09,800
Speaker 5: I know how, but I don't know. I really don't

541
00:25:09,800 --> 00:25:12,040
Speaker 5: know when I was like that's it.

542
00:25:12,240 --> 00:25:15,120
Speaker 3: But he made him leave town. Yeah, it's a big deal.

543
00:25:15,160 --> 00:25:18,000
Speaker 3: He up his whole bottom too, right, I think I'm

544
00:25:18,119 --> 00:25:19,440
Speaker 3: questioning what movie y'all saw.

545
00:25:19,800 --> 00:25:22,639
Speaker 2: What are you saying Amas was the least bad. She

546
00:25:22,680 --> 00:25:28,080
Speaker 2: didn't do anything. Hers was easily the least bad. Everybody

547
00:25:28,119 --> 00:25:30,919
Speaker 2: else actually did so affected the person.

548
00:25:31,840 --> 00:25:32,680
Speaker 1: He's not wrong.

549
00:25:32,880 --> 00:25:38,040
Speaker 2: I let let I like getting into the movie.

550
00:25:38,760 --> 00:25:43,760
Speaker 3: Wow, right, right, because but when we watched him.

551
00:25:43,800 --> 00:25:45,480
Speaker 5: While watching the movie, I'm seeing that this ain't that

552
00:25:45,480 --> 00:25:47,359
Speaker 5: big of a deal. But I'm sitting here thinking, I

553
00:25:47,440 --> 00:25:48,320
Speaker 5: let Yeah, for.

554
00:25:48,200 --> 00:25:51,479
Speaker 1: Whatever reason, I was only comparing the three. You know what.

555
00:25:51,640 --> 00:25:52,440
Speaker 3: Actually, you're right.

556
00:25:52,520 --> 00:25:54,640
Speaker 2: I actually I mentioned I ked all four, but I'm

557
00:25:54,640 --> 00:25:59,080
Speaker 2: still just thinking about total total outside of it. To

558
00:25:59,160 --> 00:26:01,960
Speaker 2: your point in my head, actually excluded her because she

559
00:26:01,960 --> 00:26:04,560
Speaker 2: didn't do it exactly. I'm yeah, I get that's what

560
00:26:04,560 --> 00:26:09,199
Speaker 2: I'm saying. I get, Yeah, a good call. Yeah yeah,

561
00:26:08,359 --> 00:26:11,160
Speaker 2: I wasn't thinking about it and I said all four.

562
00:26:11,200 --> 00:26:12,800
Speaker 2: But I'm still to think these other three are just

563
00:26:12,800 --> 00:26:16,359
Speaker 2: the that's terrible to people. Everybody else was a piece

564
00:26:16,400 --> 00:26:19,440
Speaker 2: of ship. You talk about you just know, I.

565
00:26:19,359 --> 00:26:21,840
Speaker 3: Mean, just what is a girl getting malled by a dog?

566
00:26:22,560 --> 00:26:24,080
Speaker 6: Break up with that don't matter?

567
00:26:24,840 --> 00:26:26,800
Speaker 3: That's fucked up. That's abusive.

568
00:26:27,000 --> 00:26:29,680
Speaker 2: You mean, man, that's abusive. I would not have told

569
00:26:29,680 --> 00:26:31,679
Speaker 2: that story, and I would have told my girl he

570
00:26:31,680 --> 00:26:32,560
Speaker 2: needs to shut the fuck up.

571
00:26:33,359 --> 00:26:37,000
Speaker 3: Yeah that right now. The joke is the game is over.

572
00:26:37,680 --> 00:26:38,520
Speaker 3: You need to shut up.

573
00:26:38,560 --> 00:26:39,560
Speaker 1: So he got pumped.

574
00:26:39,600 --> 00:26:42,400
Speaker 2: So when when Rachel volunteered that, everybody at the table

575
00:26:42,440 --> 00:26:44,880
Speaker 2: wouldn't do it if you were Charlie.

576
00:26:45,080 --> 00:26:47,560
Speaker 3: What you have said, Charlie was was whatever. You know

577
00:26:47,680 --> 00:26:48,160
Speaker 3: what I'm saying.

578
00:26:48,280 --> 00:26:51,280
Speaker 2: When she volunteers that, everybody at the even though mike's

579
00:26:51,320 --> 00:26:53,960
Speaker 2: your homeboy, you can see Mike is uneasy about it. Yeah,

580
00:26:54,000 --> 00:26:56,359
Speaker 2: and now his girl is at the table saying, all

581
00:26:56,400 --> 00:26:58,320
Speaker 2: of us gonna tell us how the worst thing here?

582
00:26:58,440 --> 00:27:01,480
Speaker 2: It's a fun game, because I would definitely play the game.

583
00:27:03,240 --> 00:27:03,560
Speaker 1: I could.

584
00:27:04,080 --> 00:27:07,320
Speaker 2: The thing about it is this, if there's something that's

585
00:27:07,480 --> 00:27:09,160
Speaker 2: that fucked up, I'm.

586
00:27:08,960 --> 00:27:09,840
Speaker 6: Just not gonna say it.

587
00:27:10,680 --> 00:27:14,240
Speaker 2: Say something else. The time I went on the first

588
00:27:14,280 --> 00:27:16,000
Speaker 2: date and I shot in her backyard, that's the worst

589
00:27:16,000 --> 00:27:16,600
Speaker 2: thing I've ever done.

590
00:27:17,240 --> 00:27:23,040
Speaker 3: There, you go, that's a real story. That's worse.

591
00:27:27,680 --> 00:27:31,439
Speaker 2: Nonut, I didn't hurt anybody. I had the ship and

592
00:27:31,480 --> 00:27:32,880
Speaker 2: she was in the shower, So I was like, well,

593
00:27:32,960 --> 00:27:37,480
Speaker 2: I got a ship, so I wouldn't shot in her backyard.

594
00:27:37,920 --> 00:27:42,520
Speaker 2: Better to wait till she came out. I was like,

595
00:27:42,560 --> 00:27:49,320
Speaker 2: I gotta you know, I couldn't hold it, bro My

596
00:27:49,359 --> 00:27:53,320
Speaker 2: shit came out clean right in the backyard. But I'm

597
00:27:53,320 --> 00:27:54,920
Speaker 2: saying like, I would have just said something like that

598
00:27:55,240 --> 00:27:56,480
Speaker 2: there should I can tell you that's worse.

599
00:27:56,680 --> 00:27:59,920
Speaker 1: I would never Yeah, I never would have played that

600
00:28:00,160 --> 00:28:00,880
Speaker 1: game at all.

601
00:28:01,040 --> 00:28:01,640
Speaker 3: I wouldn't play.

602
00:28:02,440 --> 00:28:05,239
Speaker 5: No, the worst I would tell I think I think

603
00:28:05,280 --> 00:28:07,000
Speaker 5: I'm definitely telling my partner before we get married.

604
00:28:07,040 --> 00:28:10,960
Speaker 2: Though that's not that's a good point. I'm down because

605
00:28:11,960 --> 00:28:14,840
Speaker 2: I kind of will. I'll be jumping ahead if I said, yeah, yeah,

606
00:28:14,960 --> 00:28:21,320
Speaker 2: I wouldn't you understand, I tell your nose. Well, if

607
00:28:21,400 --> 00:28:23,840
Speaker 2: I would have told my partner, it would have been

608
00:28:24,000 --> 00:28:25,840
Speaker 2: before we were actually engaged.

609
00:28:26,640 --> 00:28:27,960
Speaker 3: I'm not gonna wait to.

610
00:28:28,320 --> 00:28:31,520
Speaker 2: In some change to tell him. Like, Yo, when I

611
00:28:31,600 --> 00:28:33,480
Speaker 2: was a kid, I got fucking bullied and I was

612
00:28:33,520 --> 00:28:34,959
Speaker 2: gonna I was planning a school shooting.

613
00:28:35,880 --> 00:28:39,280
Speaker 3: Either that, I'm to keep it to myself. Yeah, so

614
00:28:39,400 --> 00:28:40,960
Speaker 3: that comes early on in relationship.

615
00:28:41,000 --> 00:28:42,640
Speaker 2: Yeah, Like, look, let me go ahead and tell you

616
00:28:42,720 --> 00:28:45,440
Speaker 2: the worst ship that I got, because it might come on.

617
00:28:45,600 --> 00:28:47,600
Speaker 2: I'm just saying that eventually I would tell them.

618
00:28:47,600 --> 00:28:49,400
Speaker 5: If I'm really fucking with you and I think we

619
00:28:49,480 --> 00:28:50,800
Speaker 5: locked in, I want you to know.

620
00:28:51,280 --> 00:28:52,480
Speaker 1: You will tell your bad ship.

621
00:28:52,800 --> 00:28:55,280
Speaker 3: Yeah, I want. I wanted them to have a full

622
00:28:55,360 --> 00:28:56,120
Speaker 3: understanding of me.

623
00:28:56,400 --> 00:28:57,760
Speaker 2: You know, I want to find it out later.

624
00:28:57,920 --> 00:28:59,000
Speaker 3: Yeah, exactly.

625
00:28:59,040 --> 00:29:01,680
Speaker 1: Michael knows about well we're going to the whole other

626
00:29:01,840 --> 00:29:02,480
Speaker 1: we're gonna move.

627
00:29:03,000 --> 00:29:04,640
Speaker 3: I feel like you can't tell me that after we

628
00:29:04,720 --> 00:29:08,080
Speaker 3: already married. That's my part, Yes, yeah.

629
00:29:08,080 --> 00:29:10,440
Speaker 5: Yeah, that's why I said before, like, right, sometimes you're

630
00:29:10,440 --> 00:29:12,400
Speaker 5: gonna know everything. I'm gonna give you my darkest secrets,

631
00:29:12,520 --> 00:29:13,960
Speaker 5: Like you need to know everything.

632
00:29:13,920 --> 00:29:16,280
Speaker 2: Because you would be mad if she didn't, if you

633
00:29:16,360 --> 00:29:19,320
Speaker 2: came out and found out that she had a twelvesome

634
00:29:20,080 --> 00:29:22,400
Speaker 2: or whatever, you'd be like, I can't believe you didn't

635
00:29:22,400 --> 00:29:28,720
Speaker 2: tell me that. All right, divorce, you don't want to

636
00:29:28,720 --> 00:29:30,320
Speaker 2: get a divorce. That's why you tell him ahead of time.

637
00:29:31,360 --> 00:29:33,080
Speaker 2: Think about that Canary.

638
00:29:34,800 --> 00:29:37,840
Speaker 1: You're not gonna let it go probably.

639
00:29:37,560 --> 00:29:38,920
Speaker 3: Not with the twelve some of the shooting.

640
00:29:39,040 --> 00:29:39,720
Speaker 1: There's a lot of people.

641
00:29:40,240 --> 00:29:43,680
Speaker 3: That's good. That's a good clarify, which what we're talking

642
00:29:43,680 --> 00:29:48,800
Speaker 3: about clarified. Yeah, I mean I knew what Chim was thinking.

643
00:29:48,840 --> 00:29:50,000
Speaker 1: You don't care about the school shooting.

644
00:29:50,000 --> 00:29:53,720
Speaker 3: You'd rather be a school shooting. He'd rather be a

645
00:29:53,720 --> 00:29:57,760
Speaker 3: school shoot than all y'all shooting. Right, Oh my god.

646
00:29:58,360 --> 00:30:01,280
Speaker 2: If I'm in if we just if we deep deep

647
00:30:01,280 --> 00:30:07,080
Speaker 2: in it, they were deep. I don't know, man, if.

648
00:30:06,440 --> 00:30:08,120
Speaker 3: She's it was just all on her.

649
00:30:08,160 --> 00:30:10,600
Speaker 2: If it was like an orgy, no, it was a

650
00:30:10,600 --> 00:30:13,400
Speaker 2: twelve se Does that mean but that could.

651
00:30:13,760 --> 00:30:14,320
Speaker 1: You know what I'm saying?

652
00:30:15,200 --> 00:30:19,680
Speaker 3: Yeah, yeah, yeah, everybody having a good old time.

653
00:30:19,720 --> 00:30:22,720
Speaker 1: Then I'm like trying to make it make sense.

654
00:30:22,960 --> 00:30:25,720
Speaker 2: Now I'm being honest, like I'm talking about it was

655
00:30:25,720 --> 00:30:27,640
Speaker 2: like you had a good night, right if you now

656
00:30:27,680 --> 00:30:29,720
Speaker 2: it was the thing he was habitually doing. No, just

657
00:30:29,720 --> 00:30:33,400
Speaker 2: the one time it was twelve dudes and one hurt. Yeah, wait,

658
00:30:33,560 --> 00:30:37,280
Speaker 2: because I have now twelve on one, I can't do.

659
00:30:37,360 --> 00:30:39,160
Speaker 2: But if it's like an orgy, everybody's having a good

660
00:30:39,160 --> 00:30:41,040
Speaker 2: old time and you know or can I mean, I

661
00:30:41,120 --> 00:30:42,520
Speaker 2: might be able to do all. I'm not to ask

662
00:30:42,680 --> 00:30:44,960
Speaker 2: questions like how did this happen? That would be my

663
00:30:45,240 --> 00:30:47,680
Speaker 2: I would have the context of it would have too

664
00:30:47,720 --> 00:30:48,400
Speaker 2: big sense to me.

665
00:30:49,200 --> 00:30:50,720
Speaker 3: Twelve something means you're all in the room at the

666
00:30:50,760 --> 00:30:51,200
Speaker 3: same time.

667
00:30:51,480 --> 00:30:52,760
Speaker 1: Yeah, I was let it go?

668
00:30:52,840 --> 00:30:54,400
Speaker 2: I mean, if it was, it was well before me,

669
00:30:54,440 --> 00:30:57,960
Speaker 2: who cares? She's the thing about it is your girl?

670
00:30:58,360 --> 00:31:01,120
Speaker 2: Would you would you cry if she had fuck twelve guys?

671
00:31:01,160 --> 00:31:01,560
Speaker 1: Period?

672
00:31:02,160 --> 00:31:02,360
Speaker 6: Right?

673
00:31:02,480 --> 00:31:03,920
Speaker 3: So it's just a matter that there was twelve guys

674
00:31:03,920 --> 00:31:05,800
Speaker 3: at one one time. It's the one time.

675
00:31:07,680 --> 00:31:11,760
Speaker 1: Reworded rewriting.

676
00:31:16,520 --> 00:31:22,560
Speaker 3: How the twelve is defined, it's minus kain. That's the

677
00:31:22,640 --> 00:31:23,120
Speaker 3: old math.

678
00:31:23,880 --> 00:31:25,720
Speaker 2: I can't say it could have been twelve different rooms,

679
00:31:26,400 --> 00:31:27,760
Speaker 2: could be twelve different houses.

680
00:31:31,360 --> 00:31:37,080
Speaker 1: Oh shit, and everybody listen, say whatever the all your vote.

681
00:31:36,880 --> 00:31:37,680
Speaker 3: Bullshit, I'm.

682
00:31:39,240 --> 00:31:39,720
Speaker 1: I'm out.

683
00:31:42,160 --> 00:31:44,800
Speaker 7: You would love to have more content from frames per second.

684
00:31:45,040 --> 00:31:47,360
Speaker 7: Become a patron where you can contribute to what we

685
00:31:47,440 --> 00:31:50,600
Speaker 7: review and discuss. Our patreon gives the listeners the power

686
00:31:50,680 --> 00:31:53,720
Speaker 7: to nominate and vote a monthly discussion in film review,

687
00:31:54,040 --> 00:31:57,120
Speaker 7: while also nominating and voting on weekly solo reviews from

688
00:31:57,120 --> 00:32:00,000
Speaker 7: each cast member. You also get the opportunity to vote

689
00:32:00,080 --> 00:32:04,240
Speaker 7: on the publicly released anniversary film, all exclusive to our Patreon.

690
00:32:04,480 --> 00:32:07,840
Speaker 7: So become a patron at patreon dot com frames per

691
00:32:07,920 --> 00:32:10,800
Speaker 7: second where there are two tears you can choose from.

692
00:32:10,960 --> 00:32:14,840
Speaker 7: That's patreon dot com forward slash frames per second.

693
00:32:19,200 --> 00:32:23,160
Speaker 3: All right, Well, At the conclusion of this scene, though.

694
00:32:22,960 --> 00:32:26,320
Speaker 5: We get the plot twist that's revealed that Emma said

695
00:32:26,360 --> 00:32:28,960
Speaker 5: she wants planning a school shooting.

696
00:32:30,760 --> 00:32:33,400
Speaker 3: Did this change the tone of the film? Hell yeah.

697
00:32:33,520 --> 00:32:35,640
Speaker 3: I sit up in my seat from here, I'm like, oh,

698
00:32:35,680 --> 00:32:36,840
Speaker 3: you know, you reclined.

699
00:32:40,240 --> 00:32:43,680
Speaker 2: Like okay, because I was thinking to myself, like, what

700
00:32:43,720 --> 00:32:45,480
Speaker 2: the fuck would I do if somebody told me that,

701
00:32:46,280 --> 00:32:47,720
Speaker 2: like did they planned the school shoot?

702
00:32:47,800 --> 00:32:50,600
Speaker 3: Like how would I judge them? So that's it got

703
00:32:50,720 --> 00:32:53,080
Speaker 3: super interesting to me right there. And their response is

704
00:32:53,640 --> 00:32:54,360
Speaker 3: this is what you're thinking of?

705
00:32:54,480 --> 00:32:54,800
Speaker 1: Response?

706
00:32:56,280 --> 00:32:59,080
Speaker 3: I thought that white lady was being a car you

707
00:32:59,240 --> 00:33:01,720
Speaker 3: unders with you. I understand that you had a cousin

708
00:33:02,800 --> 00:33:05,080
Speaker 3: that you We don't even know if she was cool

709
00:33:05,240 --> 00:33:06,600
Speaker 3: or not, Like, I don't know if you just brought up.

710
00:33:06,600 --> 00:33:08,400
Speaker 3: They never really got to the bottom of it. They did,

711
00:33:09,000 --> 00:33:11,240
Speaker 3: they weren't close members. That what you got from a

712
00:33:11,280 --> 00:33:12,360
Speaker 3: meeting and scene because.

713
00:33:12,520 --> 00:33:15,040
Speaker 2: When he met up with her on the street, yeah

714
00:33:15,080 --> 00:33:16,760
Speaker 2: she was yeah, it was pretty, but she was like

715
00:33:16,840 --> 00:33:19,760
Speaker 2: vague and scene, Well, that's my family, Yeah exactly.

716
00:33:19,840 --> 00:33:21,120
Speaker 3: That's not what you would say if you were close

717
00:33:21,120 --> 00:33:23,200
Speaker 3: close to your cousin. Okay, you got it, But yeah,

718
00:33:23,200 --> 00:33:26,960
Speaker 3: I thought the the responses were interesting, and then I'm

719
00:33:27,000 --> 00:33:30,040
Speaker 3: immediately thinking, now, okay, where is this movie going from here?

720
00:33:30,880 --> 00:33:33,200
Speaker 2: So yeah, that was super interesting.

721
00:33:37,560 --> 00:33:40,640
Speaker 4: I did not sit up, but I was like, first,

722
00:33:40,680 --> 00:33:42,600
Speaker 4: first I thought she was just fucking with him.

723
00:33:42,600 --> 00:33:45,120
Speaker 1: I thought she was lying, and then I'm like, oh,

724
00:33:45,160 --> 00:33:48,160
Speaker 1: she's serious. Then I was like, well, she didn't do it,

725
00:33:49,120 --> 00:33:52,200
Speaker 1: and then I was like that's it, and then I

726
00:33:52,280 --> 00:33:55,240
Speaker 1: was like okay, And then the reaction from Rachel, I

727
00:33:55,280 --> 00:33:58,280
Speaker 1: was like, oh, I hate this motherfucker. And I was

728
00:33:58,600 --> 00:34:00,320
Speaker 1: waiting for somebody.

729
00:34:00,320 --> 00:34:03,560
Speaker 4: At that table to check her yes, and no one

730
00:34:03,800 --> 00:34:06,960
Speaker 4: ever did, and it bothered the ship out of me

731
00:34:07,360 --> 00:34:09,680
Speaker 4: that she went the rest of the movie without getting checked.

732
00:34:09,760 --> 00:34:15,239
Speaker 1: I she evil. I hate that motherfucker. But but I

733
00:34:15,320 --> 00:34:17,680
Speaker 1: was like, well, she didn't do it, then, why why

734
00:34:17,760 --> 00:34:21,080
Speaker 1: is everybody so freaked out about it? You know? So

735
00:34:21,120 --> 00:34:23,200
Speaker 1: that that was the thing that was bothering.

736
00:34:22,800 --> 00:34:26,839
Speaker 3: Me about you, Mike. I think it's crazy to tell

737
00:34:26,880 --> 00:34:28,239
Speaker 3: somebody that.

738
00:34:29,040 --> 00:34:30,600
Speaker 1: Oh, And that was the other thing I never would

739
00:34:30,600 --> 00:34:31,440
Speaker 1: have said.

740
00:34:31,440 --> 00:34:34,759
Speaker 3: I think it's yeah, what probably would scare me more

741
00:34:34,800 --> 00:34:36,480
Speaker 3: than you doing it because you didn't do it like

742
00:34:36,520 --> 00:34:38,680
Speaker 3: you said. And we come to find out she actually

743
00:34:38,680 --> 00:34:42,400
Speaker 3: became an activist. But I just feeling like you telling

744
00:34:42,480 --> 00:34:44,279
Speaker 3: me is like a warning or something like that.

745
00:34:44,280 --> 00:34:46,040
Speaker 1: See, I didn't. I didn't take it as like a

746
00:34:46,080 --> 00:34:48,040
Speaker 1: warning at all, you know.

747
00:34:48,120 --> 00:34:51,160
Speaker 4: And I think maybe she felt that since she did

748
00:34:51,239 --> 00:34:53,719
Speaker 4: not do it and it was okay to tell it,

749
00:34:54,920 --> 00:34:56,120
Speaker 4: you know, But I don't know.

750
00:34:56,160 --> 00:34:59,319
Speaker 1: I didn't. I didn't take it as a warning. Yeah,

751
00:34:59,360 --> 00:35:01,319
Speaker 1: I don't know. I didn't read it that way.

752
00:35:02,600 --> 00:35:03,879
Speaker 3: So yeah, I didn't take it as a warning.

753
00:35:03,880 --> 00:35:05,400
Speaker 2: And I also don't take that she thought it was

754
00:35:05,400 --> 00:35:06,480
Speaker 2: not that big of a deal and me go ahead

755
00:35:06,520 --> 00:35:09,319
Speaker 2: and tell I believe her that she was drunk because

756
00:35:09,360 --> 00:35:12,200
Speaker 2: she said she says multiple times, I was drinking and

757
00:35:12,239 --> 00:35:15,200
Speaker 2: she threw up, and well she threw up multiple times

758
00:35:15,239 --> 00:35:16,279
Speaker 2: whenever she talked about it.

759
00:35:16,400 --> 00:35:17,960
Speaker 1: I thought that excuse, but go ahead.

760
00:35:18,080 --> 00:35:20,560
Speaker 2: No, I did at first, until I really thought about it,

761
00:35:20,600 --> 00:35:22,120
Speaker 2: I was like, there's no reason she would have told

762
00:35:22,120 --> 00:35:24,720
Speaker 2: that story. I think that she was a little bit tipsy,

763
00:35:24,760 --> 00:35:27,479
Speaker 2: because if you watch her expressions when he pulled another drink,

764
00:35:27,560 --> 00:35:29,799
Speaker 2: she they focus in on They focused on the drink,

765
00:35:30,120 --> 00:35:31,520
Speaker 2: but they also kept showing her face.

766
00:35:31,520 --> 00:35:32,799
Speaker 3: When the other people were given their.

767
00:35:32,719 --> 00:35:36,040
Speaker 2: Stories, she was like, oh God, don't call me. She

768
00:35:36,120 --> 00:35:38,680
Speaker 2: was she was tipsy and it got to her and

769
00:35:38,719 --> 00:35:43,680
Speaker 2: she just fucking spilled her dumb guts. But I understand

770
00:35:43,680 --> 00:35:46,040
Speaker 2: why they flipped out because that's a very taboo thing.

771
00:35:46,960 --> 00:35:49,440
Speaker 2: But personally, if my girl told me that, I'd be like,

772
00:35:49,440 --> 00:35:52,239
Speaker 2: all right, you didn't do it right, cool, let's move on.

773
00:35:53,040 --> 00:35:56,600
Speaker 2: I wouldn't have bugged out because the first thing I caught,

774
00:35:56,840 --> 00:36:00,640
Speaker 2: besides the Rachel being a fucking Karen, was nobody asked

775
00:36:00,640 --> 00:36:04,279
Speaker 2: her why, because my thing is my thing is this

776
00:36:04,640 --> 00:36:08,319
Speaker 2: Rachel's was the fucking worst. You locked a special needs

777
00:36:08,360 --> 00:36:10,919
Speaker 2: kid in a closet and left him and didn't say shit,

778
00:36:11,840 --> 00:36:13,480
Speaker 2: and they found him luckily, and he was.

779
00:36:13,480 --> 00:36:16,360
Speaker 1: Okay, and that day and she still didn't think that.

780
00:36:16,560 --> 00:36:20,760
Speaker 2: She was like that was That part was pissing me off.

781
00:36:21,360 --> 00:36:25,720
Speaker 2: But nobody asked her, like, okay, well, why why did.

782
00:36:25,560 --> 00:36:27,280
Speaker 3: You want to do the school shooting.

783
00:36:28,600 --> 00:36:30,640
Speaker 2: I mean, as somebody that was bullied in school, I

784
00:36:30,640 --> 00:36:32,680
Speaker 2: never thought about shooting up a school because that wasn't

785
00:36:32,680 --> 00:36:33,520
Speaker 2: the thing yet for us.

786
00:36:34,400 --> 00:36:36,360
Speaker 3: I graduated before Columbine happened.

787
00:36:37,160 --> 00:36:39,560
Speaker 2: I can't say I might have thought that shit too,

788
00:36:40,200 --> 00:36:42,360
Speaker 2: not shoot up the entire school. I'm like, yes, in

789
00:36:42,400 --> 00:36:45,600
Speaker 2: trouble but I might have been like, man, yo, how

790
00:36:45,640 --> 00:36:49,759
Speaker 2: can I get revenge on these motherfuckers ruining my fucking life.

791
00:36:49,840 --> 00:36:52,560
Speaker 2: Definitely thought about some niggas was just bullying me when

792
00:36:52,600 --> 00:36:53,680
Speaker 2: I was at my first school, like.

793
00:36:55,000 --> 00:36:57,800
Speaker 3: Yeah, how can I end it? Like I can't you

794
00:36:57,920 --> 00:36:58,400
Speaker 3: big than me?

795
00:36:58,480 --> 00:36:58,799
Speaker 1: I can't.

796
00:36:58,840 --> 00:37:01,040
Speaker 5: I'm not gonna beat you hand on, Like so I

797
00:37:01,120 --> 00:37:03,279
Speaker 5: bring something and I want to beat your ass. I

798
00:37:03,320 --> 00:37:05,239
Speaker 5: thought about it, like I bring a back and beat

799
00:37:05,239 --> 00:37:06,799
Speaker 5: your ass in front of everybody, and you won't beat

800
00:37:06,840 --> 00:37:07,359
Speaker 5: on me no more.

801
00:37:07,640 --> 00:37:10,000
Speaker 2: Because mine was a group of people. It wasn't like

802
00:37:10,000 --> 00:37:11,759
Speaker 2: it was just one, two or three. It was like,

803
00:37:12,440 --> 00:37:15,000
Speaker 2: damn it, the whole fucking basketball team, the whole all

804
00:37:15,080 --> 00:37:18,239
Speaker 2: the jocks fucking hated me. So I looked at it

805
00:37:18,320 --> 00:37:21,359
Speaker 2: and I was like all right, But I also knew

806
00:37:21,360 --> 00:37:23,239
Speaker 2: I was watching a movie and I was like, Okay,

807
00:37:23,239 --> 00:37:26,120
Speaker 2: they're gonna flip out. But I can't remember which one

808
00:37:26,160 --> 00:37:28,600
Speaker 2: of y'all said it I was. I was pissed that

809
00:37:28,680 --> 00:37:31,399
Speaker 2: she didn't get checked either. Mike should have been like, Yo,

810
00:37:31,480 --> 00:37:32,640
Speaker 2: you need to fucking chill out.

811
00:37:35,360 --> 00:37:39,799
Speaker 3: Mike was a pussy. He was a bitch because she

812
00:37:39,880 --> 00:37:42,000
Speaker 3: was doing way too Like I get it, it's an

813
00:37:42,000 --> 00:37:44,920
Speaker 3: emotional tie to her with her cousin allegedly, but it

814
00:37:45,000 --> 00:37:45,400
Speaker 3: wasn't that.

815
00:37:45,560 --> 00:37:48,960
Speaker 2: It was just like, yes, because your friends like you just

816
00:37:49,000 --> 00:37:52,400
Speaker 2: want to be on a more high exactly. That's it

817
00:37:52,440 --> 00:37:54,560
Speaker 2: seemed like she never even liked Hima because you went

818
00:37:54,640 --> 00:37:57,560
Speaker 2: this fucking like she said, I didn't do it one.

819
00:37:57,680 --> 00:38:02,680
Speaker 2: Everybody's telling you very meekly to chill out, and he's

820
00:38:02,680 --> 00:38:05,040
Speaker 2: still taking it to the like oh my god, like

821
00:38:05,360 --> 00:38:05,799
Speaker 2: shut up.

822
00:38:06,000 --> 00:38:15,960
Speaker 4: Damn yeah, I was thinking to say. I was like, man,

823
00:38:16,200 --> 00:38:20,279
Speaker 4: Jesus Christ, somebody please like, oh my god.

824
00:38:20,280 --> 00:38:23,080
Speaker 3: This scene was so well done. Oh my god, this

825
00:38:23,160 --> 00:38:24,000
Speaker 3: scene was so.

826
00:38:24,280 --> 00:38:28,719
Speaker 2: Especially because Charlie was like, wait, did you really do it?

827
00:38:29,880 --> 00:38:41,960
Speaker 3: He got laughing. He couldn't take believe this scene was

828
00:38:42,040 --> 00:38:44,759
Speaker 3: so good. And I'm thinking about how stupid his face looked.

829
00:38:44,760 --> 00:38:46,959
Speaker 3: Great now to know his whole character.

830
00:38:46,680 --> 00:38:47,759
Speaker 1: Art now left.

831
00:38:50,200 --> 00:38:53,120
Speaker 2: I really don't think I would have bugged out. I'm like, okay, yeah,

832
00:38:54,800 --> 00:38:55,800
Speaker 2: you planned the school shoot.

833
00:38:55,800 --> 00:38:56,600
Speaker 3: How far did you go with it?

834
00:38:56,600 --> 00:38:56,719
Speaker 2: Oh?

835
00:38:56,760 --> 00:38:57,880
Speaker 3: I brought the gun to the school.

836
00:38:58,040 --> 00:39:01,480
Speaker 2: What are you he bought the It's crazy, but you

837
00:39:01,480 --> 00:39:02,040
Speaker 2: didn't do it.

838
00:39:02,400 --> 00:39:03,040
Speaker 3: Let's move on.

839
00:39:03,400 --> 00:39:05,920
Speaker 2: You fucking hid behind your girl and usually as a

840
00:39:05,960 --> 00:39:08,520
Speaker 2: human shield. You have no moral high ground right now.

841
00:39:09,120 --> 00:39:11,400
Speaker 2: You locked the special needs kid in a closet, You

842
00:39:11,400 --> 00:39:14,640
Speaker 2: have no moral And then Charlie fucking cyberboy some kid

843
00:39:14,680 --> 00:39:15,800
Speaker 2: until he cried and moved.

844
00:39:17,320 --> 00:39:18,400
Speaker 3: Y'all can't say shit to me.

845
00:39:19,080 --> 00:39:21,560
Speaker 5: The only reason I do. I was on the fence

846
00:39:21,600 --> 00:39:23,600
Speaker 5: with Charlie is because he was like, could you still

847
00:39:23,600 --> 00:39:27,239
Speaker 5: did it? But he was like, they moved because it

848
00:39:27,320 --> 00:39:27,800
Speaker 5: was coincy.

849
00:39:27,800 --> 00:39:29,480
Speaker 3: He said it was maybe a coincidence, said they move

850
00:39:29,520 --> 00:39:31,120
Speaker 3: at the same time, but he didn't know. Yeah, he

851
00:39:31,120 --> 00:39:34,120
Speaker 3: didn't know. Yeah, it's still that he did was fucked up.

852
00:39:34,200 --> 00:39:34,799
Speaker 3: It was just he was.

853
00:39:34,719 --> 00:39:37,120
Speaker 5: Trying to like lean into like, yeah, he was this

854
00:39:37,200 --> 00:39:37,799
Speaker 5: innocent guy.

855
00:39:37,920 --> 00:39:39,839
Speaker 2: So it made it feel like they made the punch

856
00:39:39,840 --> 00:39:41,720
Speaker 2: feel a little less as heavy.

857
00:39:41,840 --> 00:39:47,560
Speaker 3: Yeah yeah, so at being berated by Rachel think about it.

858
00:39:49,800 --> 00:39:53,560
Speaker 5: Uh, it did change the tone of the film for me,

859
00:39:53,800 --> 00:39:56,560
Speaker 5: Like it made me I didn't sit up, but I

860
00:39:56,600 --> 00:40:00,920
Speaker 5: was like we and some ship now, yeah, and it wasn't.

861
00:40:01,280 --> 00:40:03,640
Speaker 5: I saw the trailer, so I knew eventually applied like

862
00:40:03,680 --> 00:40:05,880
Speaker 5: the twist was coming. I didn't know what it was

863
00:40:05,880 --> 00:40:07,839
Speaker 5: gonna be, though, Like I didn't know, Like they gave

864
00:40:07,920 --> 00:40:09,600
Speaker 5: me enough to know that something.

865
00:40:09,360 --> 00:40:11,240
Speaker 2: Changed them from being all happy and lovely.

866
00:40:11,360 --> 00:40:12,040
Speaker 3: So I was like, all right.

867
00:40:12,200 --> 00:40:14,520
Speaker 2: So when it was like like, oh, so, y'all gonna

868
00:40:14,520 --> 00:40:16,239
Speaker 2: talk like y'all gonna have to talk about this, like

869
00:40:16,239 --> 00:40:18,600
Speaker 2: we're gonna have to have a conversation about this, That's

870
00:40:18,600 --> 00:40:20,520
Speaker 2: what made me more intrigued about the tone.

871
00:40:20,520 --> 00:40:21,799
Speaker 5: I was like, so, but how are you gonna make

872
00:40:21,840 --> 00:40:26,960
Speaker 5: this a rom com? If this is what it was?

873
00:40:27,120 --> 00:40:28,719
Speaker 2: And the trailer tricked? You don't know if anybody else

874
00:40:28,760 --> 00:40:30,480
Speaker 2: watched the trailer. The trailer makes it seem like Robert

875
00:40:30,480 --> 00:40:31,200
Speaker 2: Pattinson has.

876
00:40:31,120 --> 00:40:33,640
Speaker 3: The fucked up thing? Did I thought I was there?

877
00:40:33,920 --> 00:40:37,759
Speaker 2: Oh, I read it like Robert Pattinson has because the

878
00:40:37,800 --> 00:40:39,440
Speaker 2: trailer makes it seem like he's spending the rest of

879
00:40:39,440 --> 00:40:41,160
Speaker 2: the movie trying to get her back. Maybe I was

880
00:40:41,360 --> 00:40:42,919
Speaker 2: to pay close to off attention. That's what I got

881
00:40:42,920 --> 00:40:45,279
Speaker 2: from the trailer. So when it ended up being her,

882
00:40:45,680 --> 00:40:47,279
Speaker 2: that's why it hit be so hard because I wasn't

883
00:40:47,280 --> 00:40:50,319
Speaker 2: expecting it. I was expecting his shit to be fucked up.

884
00:40:50,640 --> 00:40:52,200
Speaker 5: So when he gave the cyber bullion, you thought they

885
00:40:52,239 --> 00:40:53,360
Speaker 5: were gonna come back to something.

886
00:40:53,680 --> 00:40:55,440
Speaker 2: Yes, I thought what he was doing was he was

887
00:40:55,440 --> 00:40:57,880
Speaker 2: doing what we settled earlier. Just give them some bullshit,

888
00:40:58,200 --> 00:41:00,399
Speaker 2: but your real thing is worse. That's what I thought

889
00:41:00,400 --> 00:41:02,600
Speaker 2: they were doing. So I thought they were gonna leave.

890
00:41:03,040 --> 00:41:04,799
Speaker 2: And at some point he was gonna tell her like,

891
00:41:04,920 --> 00:41:06,680
Speaker 2: all right, look what I really did was I killed

892
00:41:06,680 --> 00:41:09,759
Speaker 2: a baby. You know what I mean? I shot a

893
00:41:09,800 --> 00:41:11,799
Speaker 2: baby in the head, you know.

894
00:41:13,160 --> 00:41:15,920
Speaker 1: Darn well? Yeah.

895
00:41:15,960 --> 00:41:19,240
Speaker 5: So ever, being berated by Rachel, Emmitt vomits at the table,

896
00:41:20,080 --> 00:41:23,400
Speaker 5: Charlie and Emma return home, where the two head to

897
00:41:23,440 --> 00:41:26,200
Speaker 5: bed without really speaking on what just happened because Charlie

898
00:41:26,239 --> 00:41:27,480
Speaker 5: doesn't want to really talk about it.

899
00:41:28,239 --> 00:41:29,640
Speaker 3: However, the next morning.

900
00:41:29,440 --> 00:41:34,879
Speaker 2: Before they both uh get up, we get a couple

901
00:41:34,960 --> 00:41:39,000
Speaker 2: of cutaways of both the wedding conversation and the relationship

902
00:41:39,000 --> 00:41:39,520
Speaker 2: between the two.

903
00:41:40,000 --> 00:41:43,040
Speaker 5: How did you feel about these these cutaways? How did

904
00:41:43,040 --> 00:41:45,280
Speaker 5: it impact the impending conversation?

905
00:41:45,520 --> 00:41:47,040
Speaker 3: Was the conversation with the black guy? Rue?

906
00:41:47,800 --> 00:41:50,840
Speaker 2: What was they like a dream? I honestly don't know,

907
00:41:50,960 --> 00:41:54,520
Speaker 2: Jo too, I couldn't It was that was right? Yeah, okay?

908
00:41:55,000 --> 00:41:55,200
Speaker 3: Yeah?

909
00:41:55,239 --> 00:41:57,839
Speaker 2: He was like, you need to leave right now. Don't

910
00:41:57,840 --> 00:42:00,160
Speaker 2: even go back to ging clothes. I was like, no,

911
00:42:00,680 --> 00:42:02,880
Speaker 2: don't even go get your clothes, just leave. Because they

912
00:42:02,920 --> 00:42:04,680
Speaker 2: showed it happening, and then they then they kind of

913
00:42:04,719 --> 00:42:07,440
Speaker 2: like did like a slow pan of Zundeia sitting on

914
00:42:07,480 --> 00:42:09,000
Speaker 2: the bed, so you kind of get the impression that

915
00:42:09,040 --> 00:42:13,480
Speaker 2: this is her master head, the same thing that he Yes,

916
00:42:13,760 --> 00:42:14,240
Speaker 2: he also.

917
00:42:14,120 --> 00:42:17,879
Speaker 3: Had a dream of the wedding everybody was shot.

918
00:42:18,360 --> 00:42:21,000
Speaker 2: That was crazy. Yeah, yeah, I think it was fake.

919
00:42:21,560 --> 00:42:23,960
Speaker 4: I think it was where the editing kind of really

920
00:42:24,239 --> 00:42:27,080
Speaker 4: started to come in and help help the movie, because

921
00:42:27,239 --> 00:42:30,200
Speaker 4: now you're getting to see like their imagination. But they

922
00:42:30,239 --> 00:42:33,000
Speaker 4: have been doing this the whole time, so it's hard to,

923
00:42:33,760 --> 00:42:39,000
Speaker 4: you know, separate truth from reality real I mean, but.

924
00:42:39,160 --> 00:42:40,000
Speaker 3: Is it truth in fiction?

925
00:42:40,160 --> 00:42:40,839
Speaker 1: Yes? Thank you.

926
00:42:42,719 --> 00:42:46,080
Speaker 5: So Charlie begins to ask Emma questions about why she

927
00:42:46,120 --> 00:42:48,319
Speaker 5: felt this way, how close she was to doing it,

928
00:42:48,320 --> 00:42:50,719
Speaker 5: et cetera. At this moment, Who are you feeling more

929
00:42:50,760 --> 00:42:53,120
Speaker 5: empathetic for Emma, Charlie?

930
00:42:54,480 --> 00:42:55,960
Speaker 3: Why would I feel empathy for Charlie?

931
00:43:01,880 --> 00:43:03,040
Speaker 1: Of course? I mean you're talking.

932
00:43:02,880 --> 00:43:05,680
Speaker 3: About Spike, know, I was, That's who I was talking to.

933
00:43:06,560 --> 00:43:09,920
Speaker 3: What for to marry a crazy person?

934
00:43:10,040 --> 00:43:14,840
Speaker 6: She's not crazy?

935
00:43:13,680 --> 00:43:16,560
Speaker 3: Hat hold on, hold on?

936
00:43:16,680 --> 00:43:24,799
Speaker 8: I felt him like, hey, listen, let's slow down on

937
00:43:25,840 --> 00:43:26,960
Speaker 8: be realistic about this.

938
00:43:27,000 --> 00:43:30,000
Speaker 2: Slow down, Like, listen, listen, let's put this win back

939
00:43:30,080 --> 00:43:30,640
Speaker 2: a little bit.

940
00:43:31,160 --> 00:43:35,960
Speaker 4: Was a little punk tune, because why are you acting

941
00:43:36,160 --> 00:43:38,280
Speaker 4: like this just shooting anybody?

942
00:43:38,280 --> 00:43:41,239
Speaker 3: If you act like she's gonna cute because you got

943
00:43:41,239 --> 00:43:44,520
Speaker 3: the pencil. Yeah, because then she started playing back in your.

944
00:43:44,360 --> 00:43:46,760
Speaker 4: Mind, like when she snapped out you get your ship

945
00:43:46,760 --> 00:43:50,200
Speaker 4: together then staying a line.

946
00:43:51,280 --> 00:43:52,960
Speaker 3: That's why I would have scared me because I ain't

947
00:43:53,040 --> 00:43:54,360
Speaker 3: doing Aliday.

948
00:43:55,760 --> 00:43:56,160
Speaker 1: Alive.

949
00:43:56,360 --> 00:44:00,920
Speaker 3: You might come Byn, sir. I felt him.

950
00:44:02,280 --> 00:44:04,160
Speaker 2: I mean, they were trying to make you feel it because,

951
00:44:04,200 --> 00:44:06,120
Speaker 2: like you know, he went back and he started thinking.

952
00:44:05,920 --> 00:44:17,400
Speaker 3: About when they were like he was like, hold on,

953
00:44:17,480 --> 00:44:18,200
Speaker 3: hold I remember that.

954
00:44:19,520 --> 00:44:19,719
Speaker 1: Huh.

955
00:44:20,560 --> 00:44:25,840
Speaker 3: I would, yes, yes, you're right.

956
00:44:26,320 --> 00:44:28,000
Speaker 1: But yeah, but it seemed normal to me.

957
00:44:28,239 --> 00:44:31,600
Speaker 4: But I think given what he knew knows now is

958
00:44:32,080 --> 00:44:33,919
Speaker 4: he's looking at her differently like Spike would.

959
00:44:34,560 --> 00:44:35,960
Speaker 1: He was at the like a little pump bro.

960
00:44:36,080 --> 00:44:38,239
Speaker 2: You gotta also consider who we're talking about. This is

961
00:44:38,280 --> 00:44:41,400
Speaker 2: like some little wafy white boy from from England where

962
00:44:41,400 --> 00:44:43,200
Speaker 2: these problems don't happen over there, and they're kind of

963
00:44:43,200 --> 00:44:45,719
Speaker 2: they're kind of setting the president, like even just by

964
00:44:45,719 --> 00:44:47,200
Speaker 2: the way he walked up and approached her and he

965
00:44:47,280 --> 00:44:49,799
Speaker 2: was just like all meek and you know, I think

966
00:44:49,800 --> 00:44:51,360
Speaker 2: they were trying to set it up like he would

967
00:44:51,360 --> 00:44:53,560
Speaker 2: not be used to this. Let me tell you something

968
00:44:53,600 --> 00:44:57,040
Speaker 2: right now, if my girl did what uh Emma did

969
00:44:57,120 --> 00:44:59,200
Speaker 2: in front of that taxi, I'd be like, oh, you

970
00:44:59,200 --> 00:45:03,319
Speaker 2: would get you home. I love this because I'm the

971
00:45:03,320 --> 00:45:05,680
Speaker 2: one that's always doing this and she's always with.

972
00:45:05,600 --> 00:45:08,920
Speaker 3: Like stop stop, and I'm like, what your man? Stop

973
00:45:09,040 --> 00:45:10,880
Speaker 3: Like She's like, who cares?

974
00:45:10,920 --> 00:45:16,320
Speaker 2: Let it go, And I'm like, god, damn it. But Noah, Anyway,

975
00:45:17,360 --> 00:45:18,880
Speaker 2: I don't have any empathy for trying.

976
00:45:19,120 --> 00:45:20,920
Speaker 3: Because even when he was doing the ain't nothing wrong.

977
00:45:21,000 --> 00:45:23,440
Speaker 2: Nothing that she did just now, bro, everything was like

978
00:45:23,600 --> 00:45:26,120
Speaker 2: just even the slap, Like the slap. You can be

979
00:45:26,160 --> 00:45:29,439
Speaker 2: like sleepy, I know you loving this ship, but damn,

980
00:45:29,480 --> 00:45:31,759
Speaker 2: hold on, that's but he did she hit him again.

981
00:45:31,800 --> 00:45:33,400
Speaker 2: That's what I'm saying that even if you don't like

982
00:45:33,440 --> 00:45:35,760
Speaker 2: it and it happens with your partner, there's a conversation

983
00:45:35,800 --> 00:45:38,040
Speaker 2: to be having. Hold On, let's talk about why you

984
00:45:38,080 --> 00:45:39,520
Speaker 2: feel comfortable slapping.

985
00:45:39,280 --> 00:45:41,720
Speaker 1: Me without consent.

986
00:45:42,840 --> 00:45:45,080
Speaker 2: No, he told her he gave the impression that he

987
00:45:45,080 --> 00:45:46,760
Speaker 2: didn't like it, and she still did it again.

988
00:45:47,080 --> 00:45:50,399
Speaker 3: I thought that said after the second one.

989
00:45:50,560 --> 00:45:53,080
Speaker 2: Yeah, but I thought After the first one, he was like,

990
00:45:53,120 --> 00:45:55,759
Speaker 2: what the hell?

991
00:45:56,960 --> 00:45:58,719
Speaker 3: He rolled with the first one and the second one

992
00:45:58,760 --> 00:46:01,280
Speaker 3: he was liked. He smacked his ax again.

993
00:46:01,760 --> 00:46:02,920
Speaker 1: She had like three times.

994
00:46:03,239 --> 00:46:07,799
Speaker 3: It was three yes, Derwin did it? Yeah, I can,

995
00:46:07,960 --> 00:46:08,200
Speaker 3: I can.

996
00:46:09,080 --> 00:46:11,880
Speaker 2: Even that didn't seem out the It wasn't that crazy

997
00:46:11,920 --> 00:46:13,480
Speaker 2: of a thing, like if my girl slapped me, like

998
00:46:13,520 --> 00:46:16,239
Speaker 2: a let's let's talk about baby, why you feel so

999
00:46:16,320 --> 00:46:18,640
Speaker 2: comfortable you think you can slap me while we we

1000
00:46:18,719 --> 00:46:20,520
Speaker 2: just need to we need to talk about this. I

1001
00:46:20,520 --> 00:46:22,520
Speaker 2: don't look at you being crazy, even though with the

1002
00:46:22,560 --> 00:46:25,200
Speaker 2: situation that he was in, I still won't look at

1003
00:46:25,200 --> 00:46:26,160
Speaker 2: you as being crazy.

1004
00:46:26,160 --> 00:46:29,080
Speaker 3: It's just like you gotta that's a thing for you.

1005
00:46:29,239 --> 00:46:31,959
Speaker 3: I guess it's when you add all of them together. Though,

1006
00:46:32,280 --> 00:46:34,480
Speaker 3: that's why I would be because now I'm like, now,

1007
00:46:35,520 --> 00:46:37,200
Speaker 3: at one point, you got to where you was about

1008
00:46:37,200 --> 00:46:39,840
Speaker 3: to shoot up for school, So what would scare me?

1009
00:46:39,920 --> 00:46:41,560
Speaker 3: Can you ask why I would be tripping? Because I

1010
00:46:42,239 --> 00:46:45,000
Speaker 3: don't know how far you're gonna go. If it may happen,

1011
00:46:45,000 --> 00:46:46,399
Speaker 3: you might decide to shoot me one.

1012
00:46:46,360 --> 00:46:48,799
Speaker 2: Day, you know what I'm saying, Like, I don't know

1013
00:46:48,840 --> 00:46:51,440
Speaker 2: how far it's gonna go before you get to your

1014
00:46:51,480 --> 00:46:52,440
Speaker 2: breaking point.

1015
00:46:52,640 --> 00:46:54,040
Speaker 3: Okay, you know what I'm saying. I don't know your

1016
00:46:54,080 --> 00:46:54,759
Speaker 3: breaking point, no one.

1017
00:46:54,840 --> 00:46:56,960
Speaker 4: But this was like and they showed it like she

1018
00:46:57,160 --> 00:47:00,040
Speaker 4: was constantly being bullied.

1019
00:46:59,560 --> 00:47:02,399
Speaker 2: And but you don't got no context of that as

1020
00:47:02,440 --> 00:47:04,640
Speaker 2: her husband, they made it make.

1021
00:47:04,600 --> 00:47:07,840
Speaker 3: Sense, but have the conversation she even told.

1022
00:47:07,840 --> 00:47:09,520
Speaker 4: But at the same time, the only way it would

1023
00:47:09,520 --> 00:47:12,400
Speaker 4: get that to that point with you is if you

1024
00:47:12,480 --> 00:47:16,000
Speaker 4: were doing that same ship to her that some of

1025
00:47:16,040 --> 00:47:18,560
Speaker 4: the people were doing. So if you were fine and

1026
00:47:18,600 --> 00:47:21,640
Speaker 4: the relationship was fine as it was, you're safe.

1027
00:47:21,760 --> 00:47:24,080
Speaker 5: And I guess I'm not gonna get that complete rience,

1028
00:47:24,160 --> 00:47:27,040
Speaker 5: So let's get it as far as like. Within the

1029
00:47:27,080 --> 00:47:31,399
Speaker 5: review itself, we also began to get scenes from Emma's past,

1030
00:47:31,560 --> 00:47:35,160
Speaker 5: So before you even before we see that Charlie is

1031
00:47:35,200 --> 00:47:40,279
Speaker 5: thinking about being slapped in the cross Crosswalks situation, we

1032
00:47:40,400 --> 00:47:44,839
Speaker 5: begin to get the backstory about Emma. So what did

1033
00:47:44,880 --> 00:47:50,120
Speaker 5: you think of Emma's responses and Robert's questioning in this moment,

1034
00:47:51,719 --> 00:47:58,879
Speaker 5: m It felt like a kid that like she never

1035
00:47:59,840 --> 00:48:02,560
Speaker 5: he hitting at the therapy thing. She never really talked

1036
00:48:02,560 --> 00:48:04,840
Speaker 5: it out, and you could tell she never really talked

1037
00:48:04,880 --> 00:48:08,080
Speaker 5: it out. So it was interesting in the sense of

1038
00:48:08,080 --> 00:48:10,839
Speaker 5: the movie, hearing her talk through this with somebody who

1039
00:48:10,840 --> 00:48:13,759
Speaker 5: she loved. What I didn't like is his response, like

1040
00:48:13,800 --> 00:48:15,520
Speaker 5: he wasn't as open to it as I feel like

1041
00:48:15,560 --> 00:48:16,160
Speaker 5: he should have been.

1042
00:48:16,880 --> 00:48:19,080
Speaker 3: He was being kind of judgemential. We too late in

1043
00:48:19,120 --> 00:48:22,840
Speaker 3: the relationship to be that judgemental. So I do agree

1044
00:48:22,880 --> 00:48:23,960
Speaker 3: with you guys there.

1045
00:48:25,120 --> 00:48:27,640
Speaker 1: Yeah, yeah, I agree with Spike Man. He wasn't trying

1046
00:48:27,640 --> 00:48:28,120
Speaker 1: to listen.

1047
00:48:28,400 --> 00:48:31,480
Speaker 4: Yeah, And I felt like, you know, he was also

1048
00:48:31,640 --> 00:48:34,920
Speaker 4: putting more pressure on her for something that she didn't

1049
00:48:35,440 --> 00:48:38,600
Speaker 4: go through with, you know, trying to really understand it.

1050
00:48:39,160 --> 00:48:41,800
Speaker 4: And I was wondering how she would react and respond

1051
00:48:41,840 --> 00:48:45,480
Speaker 4: to that pressure because I have that scene of the wedding.

1052
00:48:46,239 --> 00:48:48,319
Speaker 1: So now at this point, I'm writing a movie in

1053
00:48:48,360 --> 00:48:48,759
Speaker 1: my head.

1054
00:48:49,120 --> 00:48:51,880
Speaker 4: They're gonna keep badgering her and pressuring her into this,

1055
00:48:51,920 --> 00:48:54,759
Speaker 4: so she's gonna fucking snap. So what that scene was

1056
00:48:54,920 --> 00:48:58,239
Speaker 4: that we saw that I guess was his imagination. I

1057
00:48:58,280 --> 00:49:00,319
Speaker 4: thought that that was real and that we were going

1058
00:49:00,360 --> 00:49:04,440
Speaker 4: to eventually get there because of everybody else, the Karen,

1059
00:49:04,680 --> 00:49:05,279
Speaker 4: Mike and.

1060
00:49:05,239 --> 00:49:07,279
Speaker 3: Then Charlie, I had the same thought. I was like,

1061
00:49:08,120 --> 00:49:11,239
Speaker 3: are they gonna end this movie like that? I had thought.

1062
00:49:12,120 --> 00:49:15,040
Speaker 5: I didn't feel that way I felt because she was

1063
00:49:15,040 --> 00:49:20,239
Speaker 5: also she's also threw up again. I just felt that

1064
00:49:20,400 --> 00:49:25,600
Speaker 5: she she had a lot of empathy or like just

1065
00:49:25,600 --> 00:49:26,239
Speaker 5: she just felt bad.

1066
00:49:26,280 --> 00:49:28,319
Speaker 3: She really felt bad for even having the thought back then.

1067
00:49:28,400 --> 00:49:31,960
Speaker 5: Yeah, I felt more of an uneasiness from her when

1068
00:49:32,000 --> 00:49:35,200
Speaker 5: he was questioning her, like she was trying her best

1069
00:49:35,200 --> 00:49:37,960
Speaker 5: to be honest with him, but because he wasn't as

1070
00:49:38,000 --> 00:49:41,560
Speaker 5: welcoming or like handling handling the questions with tech, he

1071
00:49:41,640 --> 00:49:43,319
Speaker 5: was just more so trying to make himself feel better

1072
00:49:43,360 --> 00:49:45,480
Speaker 5: as compared to being empathetic for her. That's why I

1073
00:49:45,719 --> 00:49:48,600
Speaker 5: have no empathy for her compared to Charlie, because it's

1074
00:49:48,600 --> 00:49:51,040
Speaker 5: like you're not even giving her the space to really

1075
00:49:51,120 --> 00:49:52,160
Speaker 5: like get.

1076
00:49:52,000 --> 00:49:54,080
Speaker 2: Through this and talk to you the way she should

1077
00:49:54,160 --> 00:49:58,520
Speaker 2: be able to. And so yeah, I didn't I didn't

1078
00:49:58,560 --> 00:50:00,480
Speaker 2: take take it as far as like.

1079
00:50:00,840 --> 00:50:02,560
Speaker 3: You bring up a good point there in the sense

1080
00:50:02,600 --> 00:50:08,239
Speaker 3: of it's more normalized here and she's American versus him

1081
00:50:08,280 --> 00:50:10,719
Speaker 3: being an England person. And even the other move we

1082
00:50:10,760 --> 00:50:13,520
Speaker 3: did with the age and they had the whole school

1083
00:50:13,520 --> 00:50:16,560
Speaker 3: shooting thing with there what's the name of it, you

1084
00:50:16,680 --> 00:50:21,799
Speaker 3: know what I'm talking about? The slant, yes, slanted, like

1085
00:50:22,280 --> 00:50:26,160
Speaker 3: how normalized it is in American like culture, and she

1086
00:50:26,400 --> 00:50:28,920
Speaker 3: was thinking, like, I mean, it's just something that we do.

1087
00:50:29,160 --> 00:50:31,799
Speaker 3: I know, what's fucked up. She's probably thinking her head,

1088
00:50:31,880 --> 00:50:34,359
Speaker 3: but it was normal to me. So it seems so

1089
00:50:34,400 --> 00:50:36,520
Speaker 3: obscure and crazy because that don't happen where you're from.

1090
00:50:36,520 --> 00:50:38,800
Speaker 3: It happens where I'm from. I was getting bullied and

1091
00:50:38,880 --> 00:50:41,000
Speaker 3: tho it was like, that's to the length I got to.

1092
00:50:41,520 --> 00:50:44,440
Speaker 3: So I did agree with the difference of cultures and

1093
00:50:44,440 --> 00:50:46,719
Speaker 3: how it would be so shocking to him and her

1094
00:50:46,920 --> 00:50:49,279
Speaker 3: just talking about it more calmly, trying to figure it

1095
00:50:49,280 --> 00:50:50,879
Speaker 3: out for him.

1096
00:50:50,960 --> 00:50:54,319
Speaker 5: Yes, I think for Rachel and Mike not No, that's

1097
00:50:54,360 --> 00:50:56,600
Speaker 5: not their excuse. But even she said it, she was like,

1098
00:50:56,640 --> 00:50:58,120
Speaker 5: a lot was happened when she was in school. A

1099
00:50:58,160 --> 00:51:00,239
Speaker 5: lot was happening in a lot of school. She was

1100
00:51:00,560 --> 00:51:03,280
Speaker 5: always happening, And I guess somewhat somewhere along the line.

1101
00:51:03,160 --> 00:51:05,680
Speaker 3: She thought it was cool to even speak to idolized

1102
00:51:05,680 --> 00:51:06,400
Speaker 3: and some of the schools.

1103
00:51:06,440 --> 00:51:08,480
Speaker 5: Yeah, like it kind of got normalized, which is something

1104
00:51:08,520 --> 00:51:11,280
Speaker 5: that kids today like it's a way to be remembered,

1105
00:51:11,320 --> 00:51:14,239
Speaker 5: and it's becoming more and more common because it's like, yo,

1106
00:51:14,800 --> 00:51:17,800
Speaker 5: nobody's doing anything about it, but that person is remembered

1107
00:51:17,800 --> 00:51:19,319
Speaker 5: from doing a person to do.

1108
00:51:19,239 --> 00:51:20,360
Speaker 3: Something crazy at the school.

1109
00:51:21,760 --> 00:51:24,320
Speaker 5: So yeah, I think we got a lot here about

1110
00:51:24,320 --> 00:51:27,359
Speaker 5: Emma's past two She also talked about her moving from

1111
00:51:27,480 --> 00:51:29,479
Speaker 5: schools and how she didn't have no friend Like she said,

1112
00:51:29,680 --> 00:51:32,000
Speaker 5: when she was younger it was fine, and then when she.

1113
00:51:32,080 --> 00:51:34,919
Speaker 3: Moved in middle school she didn't really have that many friends.

1114
00:51:35,040 --> 00:51:38,040
Speaker 3: He saw the kids picking on her, So we get

1115
00:51:38,080 --> 00:51:41,560
Speaker 3: a lot there. Her parents went around like she didn't

1116
00:51:41,560 --> 00:51:44,040
Speaker 3: talk to them, really said. Yeah, it was a lot

1117
00:51:44,080 --> 00:51:47,120
Speaker 3: that added up to as the viewer of like, Okay,

1118
00:51:47,120 --> 00:51:48,440
Speaker 3: I get it, that's how it happened.

1119
00:51:48,640 --> 00:51:50,600
Speaker 2: Maybe she couldn't read, maybe.

1120
00:51:52,080 --> 00:51:53,360
Speaker 1: Check out.

1121
00:51:55,440 --> 00:51:59,359
Speaker 5: Unfortunately the couple can that cannot continue the conversation and

1122
00:51:59,400 --> 00:52:01,800
Speaker 5: they have to me with the photographer. But the photographer

1123
00:52:01,840 --> 00:52:04,960
Speaker 5: sensed the uncomfortability between the two of them and offers

1124
00:52:05,000 --> 00:52:07,520
Speaker 5: to do a practice run now while the pictures are

1125
00:52:07,560 --> 00:52:10,759
Speaker 5: being taken. This is when Charlie begins to start thinking

1126
00:52:10,800 --> 00:52:13,040
Speaker 5: about the past of it. It's like while they're taking

1127
00:52:13,080 --> 00:52:17,600
Speaker 5: the picture and he's thinking about he's even read, like

1128
00:52:17,920 --> 00:52:21,880
Speaker 5: reimagining her as a fourteen year old as he's with her,

1129
00:52:22,200 --> 00:52:24,719
Speaker 5: like looking at him, what did y'all think of this,

1130
00:52:24,719 --> 00:52:26,880
Speaker 5: this scene and how they used the cutaway.

1131
00:52:27,040 --> 00:52:29,080
Speaker 3: All of this was so good in the sense of,

1132
00:52:29,160 --> 00:52:33,560
Speaker 3: like the photographer of feeling something was off, and then

1133
00:52:33,600 --> 00:52:35,080
Speaker 3: when she was taking a piece, she's like, no, a

1134
00:52:35,120 --> 00:52:38,400
Speaker 3: real smile, Like, no, a smile, And he just couldn't

1135
00:52:38,400 --> 00:52:40,360
Speaker 3: bring himself to be happy in that moment because he

1136
00:52:40,400 --> 00:52:42,680
Speaker 3: was thinking about the shooting and shit. The way that

1137
00:52:42,719 --> 00:52:44,880
Speaker 3: they shot this and told this was so well, just

1138
00:52:44,920 --> 00:52:47,160
Speaker 3: like through the photographer, like, I can see that there's

1139
00:52:47,200 --> 00:52:49,560
Speaker 3: an awkwardness here that y'all ain't got over and y'all

1140
00:52:49,600 --> 00:52:51,400
Speaker 3: need to work on it, and neither wanted them being there,

1141
00:52:51,400 --> 00:52:54,840
Speaker 3: because she also was like, I wonder what he's thinking,

1142
00:52:54,880 --> 00:52:57,719
Speaker 3: which was making her anxious. So because she could feel

1143
00:52:57,719 --> 00:53:00,239
Speaker 3: that he was she knew he was off. He was

1144
00:53:00,280 --> 00:53:02,680
Speaker 3: anxious about what he was thinking about her, and she

1145
00:53:02,800 --> 00:53:04,480
Speaker 3: was anxious about what he was thinking about her.

1146
00:53:04,560 --> 00:53:08,759
Speaker 4: So yeah, yeah, I know it was good. I think

1147
00:53:08,960 --> 00:53:12,240
Speaker 4: using a younger version of her in that moment was dope.

1148
00:53:13,080 --> 00:53:14,719
Speaker 1: That was a great choice.

1149
00:53:15,400 --> 00:53:19,160
Speaker 4: And there was even a cut to the woman behind

1150
00:53:19,160 --> 00:53:24,200
Speaker 4: the desk, and I don't know what that meant. I

1151
00:53:24,239 --> 00:53:26,200
Speaker 4: was like, dang, is this motherfucker gonna start cheating.

1152
00:53:26,239 --> 00:53:26,439
Speaker 1: Now.

1153
00:53:27,040 --> 00:53:28,680
Speaker 3: I thought the tension was so thick that she could

1154
00:53:28,719 --> 00:53:31,560
Speaker 3: even tell he could even feel it, Like even the

1155
00:53:31,600 --> 00:53:33,320
Speaker 3: resecretary is like, what's wrong with dude?

1156
00:53:33,920 --> 00:53:34,160
Speaker 1: Yeah?

1157
00:53:34,200 --> 00:53:36,000
Speaker 4: But no, all this was good him trying to force

1158
00:53:36,080 --> 00:53:38,239
Speaker 4: that smile. I think I thought this was good here

1159
00:53:38,640 --> 00:53:39,480
Speaker 4: trying to force.

1160
00:53:39,320 --> 00:53:41,160
Speaker 3: A smile that was a real smile.

1161
00:53:41,440 --> 00:53:46,400
Speaker 5: Yeah, so you said shot And so the scene started

1162
00:53:46,480 --> 00:53:48,800
Speaker 5: out with her like, I'm gonna shoot your parents?

1163
00:53:50,520 --> 00:53:51,399
Speaker 1: Like did that?

1164
00:53:51,520 --> 00:53:54,600
Speaker 3: Did that comedy work for y'all? Did it undercut the tension?

1165
00:53:54,680 --> 00:53:55,160
Speaker 1: It worked?

1166
00:53:55,160 --> 00:53:58,960
Speaker 3: It worked. It was like the same tone as this movie.

1167
00:53:59,440 --> 00:53:59,719
Speaker 3: It was.

1168
00:53:59,760 --> 00:54:00,440
Speaker 1: It was so good.

1169
00:54:00,480 --> 00:54:00,880
Speaker 2: I liked it.

1170
00:54:01,320 --> 00:54:02,520
Speaker 1: Yeah, I do like that.

1171
00:54:02,640 --> 00:54:05,560
Speaker 4: I actually laughed in the theater at that because you

1172
00:54:05,600 --> 00:54:06,799
Speaker 4: can get what they were doing.

1173
00:54:06,800 --> 00:54:07,720
Speaker 1: But it's still worked.

1174
00:54:08,440 --> 00:54:10,080
Speaker 4: So it was a good player on words and how

1175
00:54:10,440 --> 00:54:15,600
Speaker 4: the meanings of words change, you know, when you have

1176
00:54:16,760 --> 00:54:19,600
Speaker 4: some other thing in your head, Like the whole contest

1177
00:54:19,640 --> 00:54:22,279
Speaker 4: of that word just became completely different form both of them,

1178
00:54:22,760 --> 00:54:24,720
Speaker 4: and all the thinking about is are the shooting shooting

1179
00:54:24,719 --> 00:54:27,520
Speaker 4: shootings and not in relation to like this photo.

1180
00:54:27,640 --> 00:54:30,600
Speaker 2: And she just kept going, I'm gonna shoot you way

1181
00:54:30,600 --> 00:54:31,799
Speaker 2: she pointed at them, shoot you.

1182
00:54:34,080 --> 00:54:37,920
Speaker 3: I was in there laughing. They got three like audible

1183
00:54:37,960 --> 00:54:39,480
Speaker 3: moments from me in this field. I think that was

1184
00:54:39,520 --> 00:54:41,840
Speaker 3: the laugh and then the gaspit the two other.

1185
00:54:41,719 --> 00:54:44,600
Speaker 2: Ones, the gas said, the two other ones, I'm like,

1186
00:54:44,680 --> 00:54:46,520
Speaker 2: oh ship, like I said it out loud.

1187
00:54:46,680 --> 00:54:48,399
Speaker 5: There's a time I said, I said what the fuck?

1188
00:54:49,719 --> 00:54:51,440
Speaker 5: And like the white woman next to me looked at me.

1189
00:54:52,320 --> 00:54:54,160
Speaker 5: I'm gonna yea explain that.

1190
00:54:54,239 --> 00:54:56,520
Speaker 3: I think my whole theateruse it was younger people. So

1191
00:54:56,520 --> 00:54:59,399
Speaker 3: I collectively, in the same moments, was like, oh, what

1192
00:54:59,440 --> 00:55:04,080
Speaker 3: the fuck? So all right, Well, so you give both.

1193
00:55:04,120 --> 00:55:06,040
Speaker 5: You can feel the uneasiness from both of the from

1194
00:55:06,040 --> 00:55:09,879
Speaker 5: both of the characters. Once back home, Charlie asked how

1195
00:55:10,239 --> 00:55:16,640
Speaker 5: how close she was to committing the shooting when he

1196
00:55:16,760 --> 00:55:20,360
Speaker 5: learns that there was another shooting and the fallout from

1197
00:55:20,400 --> 00:55:24,680
Speaker 5: that is what caused Emma to stop. We also begin

1198
00:55:24,760 --> 00:55:28,440
Speaker 5: to see these mall the mall, like the the conversations

1199
00:55:28,480 --> 00:55:30,200
Speaker 5: around the mall shooting that stopped her.

1200
00:55:30,640 --> 00:55:33,000
Speaker 3: Uh did the film begin.

1201
00:55:32,920 --> 00:55:36,719
Speaker 5: To like build out a more developed mt 'all with this,

1202
00:55:36,800 --> 00:55:40,120
Speaker 5: Giving with how heavy this topic was, did did that

1203
00:55:40,239 --> 00:55:42,680
Speaker 5: help give us a lot of the insight for Emma?

1204
00:55:43,080 --> 00:55:46,400
Speaker 3: Yeah, it made sense, like even more so when we

1205
00:55:46,480 --> 00:55:49,080
Speaker 3: start to learn who she is and how you shouldn't

1206
00:55:49,120 --> 00:55:51,920
Speaker 3: be judging her because she became an advocate, like she

1207
00:55:52,040 --> 00:55:55,359
Speaker 3: started speaking against it heavily, and like she she got

1208
00:55:55,360 --> 00:55:57,919
Speaker 3: into gun groups and did the protests, and I think

1209
00:55:57,960 --> 00:56:00,239
Speaker 3: even later on the Dad's speech talked a lot about

1210
00:56:00,239 --> 00:56:03,280
Speaker 3: that too. So it was something that was very dark

1211
00:56:03,360 --> 00:56:07,000
Speaker 3: and haunting that turned her into an activist for it.

1212
00:56:07,080 --> 00:56:10,960
Speaker 3: And I thought that was very depthful for her character

1213
00:56:11,000 --> 00:56:13,239
Speaker 3: and it gave it more and as a viewer, them

1214
00:56:13,280 --> 00:56:15,120
Speaker 3: empathizing with her more of for having to go through

1215
00:56:15,120 --> 00:56:17,360
Speaker 3: this with these stuck up as people.

1216
00:56:17,400 --> 00:56:19,040
Speaker 2: Do you think it was enough for her to make

1217
00:56:19,040 --> 00:56:19,600
Speaker 2: a change?

1218
00:56:20,440 --> 00:56:20,800
Speaker 3: What about you?

1219
00:56:20,800 --> 00:56:25,359
Speaker 1: Again? Yeah? Yeah, I do.

1220
00:56:25,600 --> 00:56:31,279
Speaker 4: I wonder because I don't know if Rachel knew that,

1221
00:56:32,040 --> 00:56:34,560
Speaker 4: and if she did know that, well, she found out,

1222
00:56:34,680 --> 00:56:36,120
Speaker 4: but it still wasn't enough for her.

1223
00:56:36,160 --> 00:56:38,839
Speaker 3: It wouldn't it. Nothing was gonna be enough.

1224
00:56:38,920 --> 00:56:43,920
Speaker 4: Yeah, And you know the one thing that she's upset

1225
00:56:44,200 --> 00:56:47,719
Speaker 4: with her about, she turned into an advocate, you know,

1226
00:56:48,120 --> 00:56:50,279
Speaker 4: against and trying to prevent them.

1227
00:56:50,800 --> 00:56:52,359
Speaker 1: So you know, she's.

1228
00:56:52,160 --> 00:56:56,520
Speaker 4: Actually doing more good now, you know, off of something

1229
00:56:56,560 --> 00:57:00,759
Speaker 4: that she was actually about to do and and that

1230
00:57:00,800 --> 00:57:03,480
Speaker 4: could help, you know, save other people so you don't

1231
00:57:03,480 --> 00:57:06,120
Speaker 4: have the same emotional feeling or fake emotional feeling that

1232
00:57:06,160 --> 00:57:10,600
Speaker 4: you do about your cousin. So, but I did like

1233
00:57:10,800 --> 00:57:12,880
Speaker 4: that they did that with her.

1234
00:57:13,080 --> 00:57:13,279
Speaker 1: You know.

1235
00:57:13,360 --> 00:57:15,040
Speaker 4: I think it did a good job of kind of

1236
00:57:15,120 --> 00:57:18,040
Speaker 4: rounding out, you know, her character, showing everything that she

1237
00:57:18,080 --> 00:57:22,040
Speaker 4: went through. The reason why she didn't do it makes sense,

1238
00:57:22,120 --> 00:57:25,480
Speaker 4: even her practicing and all those stuff was well done.

1239
00:57:25,520 --> 00:57:27,480
Speaker 4: And some of the other reasons why she didn't do it,

1240
00:57:27,520 --> 00:57:30,840
Speaker 4: Like she was recording her video and the computer kept, yeah,

1241
00:57:30,960 --> 00:57:33,080
Speaker 4: checking up. So it was a lot of signs in

1242
00:57:33,120 --> 00:57:36,760
Speaker 4: the universe about that stopped her from doing it.

1243
00:57:36,640 --> 00:57:40,360
Speaker 1: And then she turned around and became an advocate. You know.

1244
00:57:40,480 --> 00:57:43,280
Speaker 3: For so, I thought that was dope. Yeah, this isn't

1245
00:57:43,320 --> 00:57:43,880
Speaker 3: this is enough.

1246
00:57:43,920 --> 00:57:46,240
Speaker 5: And like for me, I think the biggest thing was

1247
00:57:46,320 --> 00:57:49,640
Speaker 5: just community, like we show it showed, it was showing

1248
00:57:49,640 --> 00:57:52,680
Speaker 5: its important community with us. Like the reason she wanted

1249
00:57:52,680 --> 00:57:54,760
Speaker 5: to do is because she felt alone nobody cared, and

1250
00:57:55,320 --> 00:57:57,720
Speaker 5: as time went on, she realized that, all right, there

1251
00:57:57,760 --> 00:57:58,600
Speaker 5: are people who.

1252
00:57:58,440 --> 00:57:59,480
Speaker 3: Actually care about me.

1253
00:58:00,840 --> 00:58:02,880
Speaker 2: When the boy first asked her to become a part

1254
00:58:02,920 --> 00:58:07,400
Speaker 2: of the group, that was un sparked when they asked

1255
00:58:07,400 --> 00:58:10,760
Speaker 2: her to be the leader to speak like that really

1256
00:58:11,040 --> 00:58:12,720
Speaker 2: was a big change for her too. You can see

1257
00:58:12,720 --> 00:58:15,360
Speaker 2: how much it mattered to her and how much it

1258
00:58:15,440 --> 00:58:16,520
Speaker 2: felt good to be.

1259
00:58:16,520 --> 00:58:19,360
Speaker 3: Seen and being in the community. So shouldn't she have

1260
00:58:19,480 --> 00:58:21,880
Speaker 3: included that at the wine tasting Like that would have

1261
00:58:21,880 --> 00:58:23,560
Speaker 3: made it come off a little bit better, y'all don't think,

1262
00:58:23,640 --> 00:58:24,840
Speaker 3: I mean, how would she?

1263
00:58:24,920 --> 00:58:25,120
Speaker 2: Though?

1264
00:58:25,320 --> 00:58:27,560
Speaker 3: Would? She said? Well, the worst thing I ever did,

1265
00:58:27,800 --> 00:58:31,520
Speaker 3: I almost or I had the thought that I was

1266
00:58:31,560 --> 00:58:34,400
Speaker 3: going to shoot up with school. That led me to

1267
00:58:34,600 --> 00:58:38,680
Speaker 3: gun advocacy. It's just that the third you think they

1268
00:58:38,680 --> 00:58:39,320
Speaker 3: would still be there.

1269
00:58:39,320 --> 00:58:40,600
Speaker 2: I don't think you have to. You shouldn't have to

1270
00:58:40,600 --> 00:58:42,200
Speaker 2: add that last bit, is what I'm.

1271
00:58:42,240 --> 00:58:43,520
Speaker 3: But I feel like if you do add it, then

1272
00:58:43,520 --> 00:58:45,720
Speaker 3: they don't have the like if she get mad, then

1273
00:58:45,760 --> 00:58:46,480
Speaker 3: she just a can't.

1274
00:58:46,480 --> 00:58:48,640
Speaker 5: But if you in a space where you trust, you

1275
00:58:48,640 --> 00:58:50,480
Speaker 5: think you could trust these people, these other and like,

1276
00:58:50,560 --> 00:58:52,440
Speaker 5: I shouldn't have to give you the caveat of oh,

1277
00:58:52,480 --> 00:58:55,040
Speaker 5: look who I am now it's like I made a

1278
00:58:55,080 --> 00:58:56,800
Speaker 5: mistake and that's not who I am.

1279
00:58:56,840 --> 00:58:59,280
Speaker 2: But the way after that, Rachel was down down the

1280
00:58:59,280 --> 00:59:00,960
Speaker 2: throat from there, like she didn't have a chance to

1281
00:59:01,000 --> 00:59:04,360
Speaker 2: ever say, but I'm not that person. But she felt

1282
00:59:04,400 --> 00:59:05,040
Speaker 2: bad about it too.

1283
00:59:05,080 --> 00:59:08,000
Speaker 5: It's just it doesn't help if you already feel bad

1284
00:59:08,040 --> 00:59:10,320
Speaker 5: about something and in somebody, just even though you know,

1285
00:59:10,440 --> 00:59:13,920
Speaker 5: like it's not as bad as the jot it, I

1286
00:59:13,960 --> 00:59:14,880
Speaker 5: feel bad about this.

1287
00:59:16,400 --> 00:59:17,400
Speaker 3: She acking.

1288
00:59:17,600 --> 00:59:19,360
Speaker 1: Yeah, she never I think that was the thing.

1289
00:59:19,480 --> 00:59:21,320
Speaker 4: She never got a chance to even get to that

1290
00:59:21,360 --> 00:59:24,440
Speaker 4: because nobody really asked any any really good follow up

1291
00:59:24,520 --> 00:59:25,520
Speaker 4: questions or probing.

1292
00:59:25,720 --> 00:59:29,280
Speaker 1: It was very judging and attacking and anger.

1293
00:59:29,600 --> 00:59:33,000
Speaker 4: So emotionally like she she puts up the shield and

1294
00:59:33,040 --> 00:59:36,120
Speaker 4: she starts defending herself and she becomes more withdrawn.

1295
00:59:36,240 --> 00:59:38,600
Speaker 1: You know. Yeah, you don't have to add those.

1296
00:59:38,400 --> 00:59:41,360
Speaker 4: Sort of additional pieces of context, but sometimes it does

1297
00:59:41,480 --> 00:59:43,560
Speaker 4: help depending on the person, you know.

1298
00:59:43,920 --> 00:59:47,440
Speaker 1: But in this particular case, I don't think it.

1299
00:59:47,400 --> 00:59:49,280
Speaker 4: Would have helped with Rachel at all, because she had

1300
00:59:49,320 --> 00:59:52,320
Speaker 4: already been up her mind, so she can she can

1301
00:59:52,360 --> 00:59:56,000
Speaker 4: add whatever she wants to Hey, and I was an advocate,

1302
00:59:56,160 --> 00:59:57,800
Speaker 4: you know, against it, and this is all the things

1303
00:59:57,800 --> 00:59:59,080
Speaker 4: that I've did, and she.

1304
00:59:58,960 --> 01:00:01,800
Speaker 1: Can run down a resume. It wouldn't have mattered.

1305
01:00:01,480 --> 01:00:02,160
Speaker 3: To her.

1306
01:00:03,520 --> 01:00:08,080
Speaker 5: Fair So eventually Emma does no longer want to talk

1307
01:00:08,080 --> 01:00:11,520
Speaker 5: about the conversation. I have the conversation about the situation anymore.

1308
01:00:11,920 --> 01:00:14,720
Speaker 5: She later tells Charlie that she cannot get in contact

1309
01:00:14,760 --> 01:00:19,200
Speaker 5: with Rachel as she has contracted to do something for

1310
01:00:19,280 --> 01:00:21,640
Speaker 5: her job and it's also her maid of honor.

1311
01:00:22,680 --> 01:00:25,080
Speaker 3: We all agree Rachel was fucked up for ghosting the ride.

1312
01:00:25,200 --> 01:00:27,680
Speaker 2: Yes, all right?

1313
01:00:27,720 --> 01:00:32,160
Speaker 5: So the next morning, Charlie's reaction and perceived paranoia has

1314
01:00:32,240 --> 01:00:36,280
Speaker 5: him up rewriting his wedding speech.

1315
01:00:37,160 --> 01:00:39,959
Speaker 3: He also threw away a mug that had a gun

1316
01:00:40,000 --> 01:00:40,280
Speaker 3: on it.

1317
01:00:40,320 --> 01:00:42,760
Speaker 2: Shoot me if I don't have coffee or some shit

1318
01:00:42,880 --> 01:00:45,360
Speaker 2: is said, and.

1319
01:00:46,320 --> 01:00:49,880
Speaker 5: It's just off, like we at least I noticed, And

1320
01:00:49,960 --> 01:00:52,360
Speaker 5: can you probably know this too. I'm just gonna speak

1321
01:00:52,760 --> 01:00:56,160
Speaker 5: like hyperboles. You already know you fuck up in the

1322
01:00:56,200 --> 01:00:58,360
Speaker 5: morning if your girl come to you and you walk

1323
01:00:58,400 --> 01:01:01,760
Speaker 5: past and she said, well my kiss, like that should

1324
01:01:01,760 --> 01:01:03,120
Speaker 5: have been your first time I got a button back,

1325
01:01:03,480 --> 01:01:06,360
Speaker 5: like you know when she asks for some affection.

1326
01:01:07,200 --> 01:01:12,200
Speaker 3: Yeah, you know, I'm off. I get it together, And

1327
01:01:12,240 --> 01:01:15,240
Speaker 3: he still couldn't get it together, and then he deleted.

1328
01:01:15,280 --> 01:01:18,040
Speaker 3: He started deleting the whole guy, damn with the whole page.

1329
01:01:18,560 --> 01:01:21,280
Speaker 2: First he was taking out like she has empathy and

1330
01:01:21,640 --> 01:01:24,640
Speaker 2: carries the other people's kind I'm like, hold on, how

1331
01:01:24,640 --> 01:01:28,240
Speaker 2: did all that in my head, I'm all that, yeah,

1332
01:01:28,400 --> 01:01:30,560
Speaker 2: I agree with you there, but he's just so in

1333
01:01:30,640 --> 01:01:31,520
Speaker 2: his head about it.

1334
01:01:31,680 --> 01:01:34,880
Speaker 3: I think they did a wonderful job, like just shooting

1335
01:01:34,920 --> 01:01:39,280
Speaker 3: and portraying his characters, Like I can't stop thinking about

1336
01:01:39,280 --> 01:01:42,240
Speaker 3: this ship, Like this person that I thought that I knew,

1337
01:01:42,400 --> 01:01:45,080
Speaker 3: like almost did this horrendous thing and I just came.

1338
01:01:46,080 --> 01:01:49,640
Speaker 2: You thought like that's like you you now see this

1339
01:01:49,720 --> 01:01:52,480
Speaker 2: opens the door for you to think like, well, what's

1340
01:01:52,520 --> 01:01:54,560
Speaker 2: the worst thing that she's capable of? That is that's

1341
01:01:54,800 --> 01:01:57,280
Speaker 2: we're all capable of the worst though, But you don't

1342
01:01:57,280 --> 01:02:01,120
Speaker 2: think that about your partner until like it's really capable

1343
01:02:01,160 --> 01:02:01,400
Speaker 2: of it.

1344
01:02:01,440 --> 01:02:03,640
Speaker 3: That's true. We are all, I think, but you don't

1345
01:02:03,680 --> 01:02:06,840
Speaker 3: think of like your partner in their bin. So there's

1346
01:02:06,840 --> 01:02:10,600
Speaker 3: a scene, there's a scene that's gonna come back to

1347
01:02:10,680 --> 01:02:13,240
Speaker 3: that that that I want I'm gonna bring up. But

1348
01:02:13,280 --> 01:02:15,480
Speaker 3: we're all My point is we're all capable of it.

1349
01:02:15,560 --> 01:02:18,480
Speaker 5: So I don't look at it as like I think

1350
01:02:18,520 --> 01:02:22,960
Speaker 5: my girl is not capable of ever snapping Like I

1351
01:02:23,000 --> 01:02:24,800
Speaker 5: think it's all how.

1352
01:02:24,680 --> 01:02:26,480
Speaker 2: You know, how you kind of got not? I think

1353
01:02:27,200 --> 01:02:30,080
Speaker 2: you really don't. You think you do, but you really don't.

1354
01:02:30,440 --> 01:02:31,760
Speaker 1: Maybe because I think the worst.

1355
01:02:31,920 --> 01:02:34,480
Speaker 4: I think people are capable of awful things so and

1356
01:02:34,520 --> 01:02:36,480
Speaker 4: I think that they just don't tell us the things,

1357
01:02:36,720 --> 01:02:40,200
Speaker 4: like the things that go on people here. We have

1358
01:02:40,280 --> 01:02:44,400
Speaker 4: no idea what's in there? You know it, bro, if

1359
01:02:44,400 --> 01:02:48,400
Speaker 4: you knew the random ship or the dark ship people

1360
01:02:48,600 --> 01:02:53,480
Speaker 4: have that, you know, like, it would change your perception

1361
01:02:53,640 --> 01:02:54,360
Speaker 4: of all of them.

1362
01:02:54,560 --> 01:02:56,400
Speaker 2: You don't even got to share this bike. I'm pretty

1363
01:02:56,400 --> 01:02:59,840
Speaker 2: sure you done have a dark thought. And you're like, no,

1364
01:03:00,080 --> 01:03:02,120
Speaker 2: give me the funk out, like I'm better than this ship.

1365
01:03:02,240 --> 01:03:05,880
Speaker 5: Like nah, so that's what I'm saying, Like, yeah, he

1366
01:03:05,920 --> 01:03:09,280
Speaker 5: can be capable of it, but that don't mean that,

1367
01:03:09,280 --> 01:03:16,400
Speaker 5: that don't mean nothing. Eventually they go back to the

1368
01:03:16,400 --> 01:03:19,400
Speaker 5: there you did the scene with the I thought it

1369
01:03:19,440 --> 01:03:22,240
Speaker 5: was funny throughout the way you were Uh when she

1370
01:03:22,320 --> 01:03:23,520
Speaker 5: had the knife.

1371
01:03:24,280 --> 01:03:28,240
Speaker 3: Yeah, nervously she jumped the knife. Then she goes back.

1372
01:03:29,600 --> 01:03:29,880
Speaker 1: Stab.

1373
01:03:31,240 --> 01:03:34,120
Speaker 3: She was like, so like what they jump down?

1374
01:03:34,240 --> 01:03:34,919
Speaker 2: That ship was good?

1375
01:03:35,000 --> 01:03:36,200
Speaker 3: That was really good.

1376
01:03:36,880 --> 01:03:42,160
Speaker 2: And he even he even asked about like the car accident,

1377
01:03:42,200 --> 01:03:44,439
Speaker 2: like he's trying to probe himself and trying to put

1378
01:03:44,480 --> 01:03:47,120
Speaker 2: you why, like what's her trauma response to this? What

1379
01:03:47,120 --> 01:03:49,000
Speaker 2: did y'all think about him asking like, did that car

1380
01:03:49,200 --> 01:03:51,320
Speaker 2: accident have an impact on I thought that.

1381
01:03:51,320 --> 01:03:54,000
Speaker 3: He was trying to get to have you ever been

1382
01:03:54,040 --> 01:03:56,200
Speaker 3: to therapy? Without asking have you ever been a therapy?

1383
01:03:56,320 --> 01:03:58,880
Speaker 3: He was getting to like, Okay, you've seen that traumatic event.

1384
01:03:58,920 --> 01:04:01,880
Speaker 3: Did you do anything about out and the thing happened?

1385
01:04:02,120 --> 01:04:03,760
Speaker 3: Without flat out being a dick and be like have

1386
01:04:03,800 --> 01:04:06,400
Speaker 3: you been in therapy before? Which I feel like would

1387
01:04:06,440 --> 01:04:07,240
Speaker 3: have been a better question.

1388
01:04:08,000 --> 01:04:13,400
Speaker 1: Yeah, can forward that mic up appreciate.

1389
01:04:15,760 --> 01:04:20,280
Speaker 3: So eventually we are introduced.

1390
01:04:20,360 --> 01:04:22,760
Speaker 5: Charlie goes to work and we're introduced to Misha, and

1391
01:04:22,800 --> 01:04:24,840
Speaker 5: he asks Misha about a book that was on his

1392
01:04:24,920 --> 01:04:27,800
Speaker 5: desk that has women with guns and he doesn't know

1393
01:04:27,800 --> 01:04:29,520
Speaker 5: where it comes from, but.

1394
01:04:29,560 --> 01:04:30,280
Speaker 3: He doesn't really know.

1395
01:04:31,000 --> 01:04:33,800
Speaker 5: But Emma is also asked about Rachel at her job

1396
01:04:34,800 --> 01:04:37,200
Speaker 5: and so basically he says, just let Rachel go because

1397
01:04:37,200 --> 01:04:37,960
Speaker 5: she's unresponsible.

1398
01:04:38,840 --> 01:04:40,200
Speaker 3: Was Emma wrong for doing this to Rachel?

1399
01:04:41,400 --> 01:04:44,440
Speaker 1: Hell nah? And that's what she deserved?

1400
01:04:45,480 --> 01:04:48,360
Speaker 4: So no, I thought I thought it was well deserved, like,

1401
01:04:48,600 --> 01:04:51,840
Speaker 4: and Rachel hasn't been around those other things, so you

1402
01:04:52,080 --> 01:04:55,680
Speaker 4: are you basically did abandon your job because you still

1403
01:04:55,680 --> 01:04:57,560
Speaker 4: have feelings about Emma.

1404
01:04:57,720 --> 01:05:00,240
Speaker 1: So yeah, she got exactly what she deserved.

1405
01:05:00,040 --> 01:05:02,400
Speaker 3: And then feel so entitled to say it was your

1406
01:05:02,400 --> 01:05:03,760
Speaker 3: fault they let me go, Like.

1407
01:05:03,800 --> 01:05:06,640
Speaker 4: One minute you are project, you still work there, like

1408
01:05:06,920 --> 01:05:07,840
Speaker 4: you just off the project.

1409
01:05:07,960 --> 01:05:09,800
Speaker 3: We thought it was a project for the wedding that

1410
01:05:09,880 --> 01:05:12,800
Speaker 3: they hired the outsource to her, that's what I thought.

1411
01:05:12,840 --> 01:05:14,720
Speaker 3: I'm not sure. I thought. I don't know.

1412
01:05:14,720 --> 01:05:16,920
Speaker 2: I thought it was just a project for whatever the company.

1413
01:05:16,960 --> 01:05:21,800
Speaker 3: She's yeah, well, anyway, like you said, she aghosted the

1414
01:05:22,200 --> 01:05:24,720
Speaker 3: responsibilities and then try to put it back on em

1415
01:05:24,760 --> 01:05:26,480
Speaker 3: of like oh, you told them to let me.

1416
01:05:26,440 --> 01:05:28,120
Speaker 1: Go, and the level of entitlement.

1417
01:05:28,560 --> 01:05:30,800
Speaker 4: You could just dip up off of a project and

1418
01:05:30,880 --> 01:05:34,200
Speaker 4: it'll be okay, yes, you know at your at your job,

1419
01:05:34,440 --> 01:05:37,360
Speaker 4: like where and why may we in America?

1420
01:05:37,400 --> 01:05:41,240
Speaker 5: In some places, so later on when they're home they

1421
01:05:41,240 --> 01:05:42,000
Speaker 5: try to have sex.

1422
01:05:42,040 --> 01:05:46,200
Speaker 2: But you know, Charlie unfortunate. He can't get out of

1423
01:05:46,240 --> 01:05:51,200
Speaker 2: his head. It can't get out nigga do Bro, Like.

1424
01:05:51,480 --> 01:05:53,080
Speaker 4: This is way too much at this point for me,

1425
01:05:53,200 --> 01:05:57,160
Speaker 4: Like Bro, like you really like so in your head

1426
01:05:57,200 --> 01:05:58,600
Speaker 4: that's affected your other head, like.

1427
01:05:58,600 --> 01:06:01,840
Speaker 1: For real, like this where we are, like it doesn't

1428
01:06:01,840 --> 01:06:02,840
Speaker 1: make sense.

1429
01:06:02,640 --> 01:06:07,240
Speaker 4: Like Bro, you you really are done with Emma, Like

1430
01:06:07,360 --> 01:06:10,520
Speaker 4: because of this one thing and you just can't let

1431
01:06:10,640 --> 01:06:10,880
Speaker 4: it go.

1432
01:06:11,200 --> 01:06:14,040
Speaker 1: Crow the funk up this ship was getting on my nerves.

1433
01:06:15,000 --> 01:06:17,760
Speaker 1: He was, he's just as bad as Emma at this point.

1434
01:06:18,360 --> 01:06:19,400
Speaker 3: Why this is bad?

1435
01:06:20,280 --> 01:06:23,280
Speaker 4: Yeah, it's it's it's a very emotional response, but it's

1436
01:06:23,280 --> 01:06:26,000
Speaker 4: a different one. Like he eventually got to the point

1437
01:06:26,000 --> 01:06:28,520
Speaker 4: where he was able to move past, but right now

1438
01:06:28,680 --> 01:06:30,280
Speaker 4: he's treating her the same.

1439
01:06:30,560 --> 01:06:34,160
Speaker 1: Did he ever past I don't know, honestly. Yeah, well

1440
01:06:34,520 --> 01:06:37,680
Speaker 1: think about it, but I think he I think he finally, No,

1441
01:06:37,720 --> 01:06:38,320
Speaker 1: I think he did.

1442
01:06:38,680 --> 01:06:41,040
Speaker 4: I think he was able to get to a point

1443
01:06:41,320 --> 01:06:45,560
Speaker 4: of of where he was comfortable moving forward.

1444
01:06:45,560 --> 01:06:47,200
Speaker 3: He moved past it when he got hands and feet

1445
01:06:47,200 --> 01:06:49,400
Speaker 3: put on him, But I don't know if he moved.

1446
01:06:49,600 --> 01:06:54,120
Speaker 5: He gave us like a finale, like letting us know

1447
01:06:54,200 --> 01:06:55,040
Speaker 5: he is past it.

1448
01:06:55,120 --> 01:06:57,000
Speaker 3: I don't think he moved past it until he looked

1449
01:06:57,000 --> 01:06:59,320
Speaker 3: in the mirror seeing his face and we're getting ahead

1450
01:06:59,320 --> 01:07:00,640
Speaker 3: a little bit. But when he looked in the mirror

1451
01:07:00,680 --> 01:07:02,480
Speaker 3: scene this space, She's like all this for this.

1452
01:07:03,320 --> 01:07:07,360
Speaker 5: Yeah, I mean, even in this situation, Emma tries the

1453
01:07:07,440 --> 01:07:10,680
Speaker 5: best role playing and trying down.

1454
01:07:11,560 --> 01:07:13,360
Speaker 3: That was one of the that was the audible people like,

1455
01:07:13,400 --> 01:07:15,880
Speaker 3: oh she was that after this or that that's right

1456
01:07:16,600 --> 01:07:20,520
Speaker 3: down there because now she's still trying to get him

1457
01:07:20,560 --> 01:07:22,920
Speaker 3: to you know, they're doing the role playing and ship.

1458
01:07:22,640 --> 01:07:25,720
Speaker 2: And he and he ends up like trying to like

1459
01:07:26,880 --> 01:07:32,520
Speaker 2: ease attention, ends up head buttoner like nigga, she said,

1460
01:07:32,560 --> 01:07:33,800
Speaker 2: what the fuck?

1461
01:07:36,040 --> 01:07:40,520
Speaker 3: But from here, Rachel ends up calling thre talking about

1462
01:07:41,040 --> 01:07:45,000
Speaker 3: now when they were arguing about it, and he tried

1463
01:07:45,000 --> 01:07:49,520
Speaker 3: to pull her move and pull her pants down, head

1464
01:07:49,520 --> 01:07:51,960
Speaker 3: buttered on the way up, showing how nervous he was.

1465
01:07:52,000 --> 01:07:53,680
Speaker 3: But he's trying, trying.

1466
01:07:54,120 --> 01:07:54,920
Speaker 1: He's coming around.

1467
01:07:56,160 --> 01:07:58,680
Speaker 5: Emma calls Rachel and saying that she no longer wants

1468
01:07:58,680 --> 01:08:01,040
Speaker 5: to be in the wedding so because you feel like

1469
01:08:01,040 --> 01:08:02,800
Speaker 5: it'll be disrespectful to her cousin who was.

1470
01:08:02,720 --> 01:08:06,040
Speaker 3: A victim in a school shoe. So Charlie decides to

1471
01:08:06,040 --> 01:08:07,760
Speaker 3: go see her. Is it I see on your face?

1472
01:08:07,760 --> 01:08:09,280
Speaker 5: I ain't gonna ask the question I was gonna constantly

1473
01:08:09,320 --> 01:08:11,600
Speaker 5: ask you who's the most unlikable character at this At this.

1474
01:08:11,560 --> 01:08:15,840
Speaker 4: Point, oh, I justa easily yeah. And it's like you're

1475
01:08:16,000 --> 01:08:19,439
Speaker 4: doing this for what. It's not gonna solve or change anything.

1476
01:08:19,479 --> 01:08:22,120
Speaker 4: She's not gonna get the fuck up and walk. Nothing

1477
01:08:22,200 --> 01:08:24,960
Speaker 4: changes you're doing this for yourself to make yourself feel good,

1478
01:08:24,960 --> 01:08:26,519
Speaker 4: but you're not changing the world.

1479
01:08:26,720 --> 01:08:27,519
Speaker 2: You're doing ship.

1480
01:08:27,840 --> 01:08:29,680
Speaker 3: Y'all want to know what I said? What the fuck?

1481
01:08:29,760 --> 01:08:30,080
Speaker 1: At what?

1482
01:08:30,960 --> 01:08:34,719
Speaker 3: She was like, Mike, group around guns. That was funny,

1483
01:08:35,640 --> 01:08:39,000
Speaker 3: that was funny. What the fuck?

1484
01:08:40,200 --> 01:08:41,200
Speaker 1: Have the same response?

1485
01:08:41,680 --> 01:08:46,840
Speaker 2: Yeah, an no guns, group run guns and I'm not scared.

1486
01:08:46,920 --> 01:08:48,920
Speaker 2: And I said him before he responded kind of looking

1487
01:08:49,000 --> 01:08:52,120
Speaker 2: like what right around guns?

1488
01:08:52,280 --> 01:08:55,200
Speaker 1: What the ship raised?

1489
01:08:55,280 --> 01:08:55,800
Speaker 2: That ship?

1490
01:08:55,880 --> 01:08:56,360
Speaker 3: You saying?

1491
01:08:57,120 --> 01:09:02,040
Speaker 1: She said so casually, like like like I believed her.

1492
01:09:02,600 --> 01:09:08,040
Speaker 1: I was like they had talked about it. Geez.

1493
01:09:09,160 --> 01:09:14,479
Speaker 2: She even says in this uh, I think Charlie was

1494
01:09:14,479 --> 01:09:15,840
Speaker 2: trying to ask us first.

1495
01:09:16,040 --> 01:09:17,720
Speaker 3: So Charlie was trying to defend him.

1496
01:09:17,720 --> 01:09:19,280
Speaker 2: But I think he did a good job of doing it,

1497
01:09:19,320 --> 01:09:22,320
Speaker 2: even though he was lying on her behalf.

1498
01:09:22,000 --> 01:09:23,800
Speaker 3: Because this is when he said the nigh but she

1499
01:09:23,920 --> 01:09:26,360
Speaker 3: was close to I think, yeah, he was doing the

1500
01:09:26,360 --> 01:09:28,360
Speaker 3: best he could with what he had with the people

1501
01:09:28,360 --> 01:09:31,880
Speaker 3: that he was talking to. Like this is at this point,

1502
01:09:31,880 --> 01:09:35,080
Speaker 3: we're going through with the wind, and I need to

1503
01:09:35,160 --> 01:09:38,800
Speaker 3: make this conversation go a certain type of ways so

1504
01:09:38,920 --> 01:09:42,120
Speaker 3: the winding ain't ruined. So I'm trying I'm grasping his

1505
01:09:42,280 --> 01:09:44,559
Speaker 3: crosst any kind of way I can get them to

1506
01:09:44,560 --> 01:09:46,280
Speaker 3: get back on her side at least have some type

1507
01:09:46,320 --> 01:09:48,639
Speaker 3: of empathy for So I think he did fairly well.

1508
01:09:48,960 --> 01:09:51,960
Speaker 4: He did what he could because we've seen like he

1509
01:09:51,960 --> 01:09:56,600
Speaker 4: he's not He's a very awkward guy. So he's in

1510
01:09:56,640 --> 01:10:00,479
Speaker 4: an awkward decision a situation he's maybe he's with it

1511
01:10:00,560 --> 01:10:04,880
Speaker 4: himself to move forward, and he wants the wedding to

1512
01:10:04,960 --> 01:10:08,200
Speaker 4: be as comfortable as possible. So he was basically trying

1513
01:10:08,200 --> 01:10:11,360
Speaker 4: to talk them down off the let, off the let.

1514
01:10:11,479 --> 01:10:15,320
Speaker 4: But my thing is, I think at some point, Spike Jaalen,

1515
01:10:15,840 --> 01:10:17,320
Speaker 4: he should have pulled his boy to the side.

1516
01:10:17,360 --> 01:10:21,479
Speaker 1: Michael like, Brol you need to get your girl under

1517
01:10:21,479 --> 01:10:23,160
Speaker 1: control because this is I.

1518
01:10:23,280 --> 01:10:24,120
Speaker 3: Don't even have lied.

1519
01:10:24,280 --> 01:10:26,160
Speaker 2: Fucked them, bro, you can't come to the wind.

1520
01:10:27,280 --> 01:10:28,880
Speaker 1: I mean, that's his boy.

1521
01:10:28,920 --> 01:10:33,080
Speaker 2: Though Charlie still ain't accepted himself, so he was fucked up.

1522
01:10:33,320 --> 01:10:35,160
Speaker 2: So that's that's why it happened the way he did.

1523
01:10:35,240 --> 01:10:36,920
Speaker 3: But still fuck them like.

1524
01:10:38,200 --> 01:10:41,200
Speaker 1: Girl crazy with it. Though Mike was fun, it was

1525
01:10:41,240 --> 01:10:44,200
Speaker 1: it was Rachel. She was holding on to it.

1526
01:10:44,479 --> 01:10:47,280
Speaker 3: Either way. She an extension to you, my boy, but

1527
01:10:47,320 --> 01:10:48,240
Speaker 3: that's his best friend.

1528
01:10:48,280 --> 01:10:51,599
Speaker 2: Though in extension your best friend need to fix.

1529
01:10:51,439 --> 01:10:53,519
Speaker 1: It, but I wouldn't.

1530
01:10:53,520 --> 01:10:55,840
Speaker 4: I want to invite my my, my best friend to

1531
01:10:55,880 --> 01:10:56,320
Speaker 4: the wedding.

1532
01:10:56,720 --> 01:10:57,880
Speaker 1: How do you check your girl?

1533
01:10:58,040 --> 01:10:59,720
Speaker 2: I mean, I'm gonna tell him, like, yo, bro, she

1534
01:10:59,760 --> 01:11:03,080
Speaker 2: get it together straight up, like just like that, because

1535
01:11:03,080 --> 01:11:04,160
Speaker 2: you ain't gonna come here without her.

1536
01:11:04,560 --> 01:11:04,840
Speaker 3: I ain't.

1537
01:11:04,880 --> 01:11:06,840
Speaker 5: Listen, I'm gonna respect you enough to not fuck up

1538
01:11:06,880 --> 01:11:09,479
Speaker 5: your household. But I need for you to figure that

1539
01:11:09,520 --> 01:11:11,880
Speaker 5: out for me, so you don't fuck up my house.

1540
01:11:11,960 --> 01:11:15,680
Speaker 2: Yeah, exactly, So, I mean, yeah, I get it was

1541
01:11:15,680 --> 01:11:18,960
Speaker 2: close to the wedding, but at that point, man, we don't,

1542
01:11:19,000 --> 01:11:21,679
Speaker 2: you know, we'll figure out somebody in the black party, someone,

1543
01:11:21,720 --> 01:11:24,000
Speaker 2: We'll figure something about somebody to do this ship that

1544
01:11:24,080 --> 01:11:25,800
Speaker 2: he was supposed to do when she was supposed to do.

1545
01:11:25,960 --> 01:11:26,800
Speaker 3: I'm not gonna I'm not.

1546
01:11:26,840 --> 01:11:28,439
Speaker 5: I don't have to lie in your path, especially for

1547
01:11:28,479 --> 01:11:29,920
Speaker 5: something that's not as deep as y'all are.

1548
01:11:29,880 --> 01:11:30,519
Speaker 3: Making it right now.

1549
01:11:30,560 --> 01:11:32,880
Speaker 2: Fact agree.

1550
01:11:33,640 --> 01:11:36,559
Speaker 5: I also, I know there's a conversation about people having

1551
01:11:36,600 --> 01:11:38,000
Speaker 5: like some people are on the side of like this

1552
01:11:38,120 --> 01:11:41,080
Speaker 5: is crazy that she did this. But I also wonder too,

1553
01:11:41,439 --> 01:11:44,000
Speaker 5: how much does race play effect in that, because in

1554
01:11:44,080 --> 01:11:47,400
Speaker 5: that it's black compared to if it was a white,

1555
01:11:47,600 --> 01:11:50,559
Speaker 5: white woman who said this, because there was even a

1556
01:11:50,560 --> 01:11:52,360
Speaker 5: comment in the flashbacks about.

1557
01:11:52,479 --> 01:11:54,840
Speaker 3: When women don't really do this, it's a it's a

1558
01:11:54,840 --> 01:11:55,320
Speaker 3: white man.

1559
01:11:57,880 --> 01:12:00,920
Speaker 4: I didn't see color in this one. It felt like

1560
01:12:01,000 --> 01:12:03,479
Speaker 4: it was more about the school's shootings in general. The

1561
01:12:03,479 --> 01:12:07,040
Speaker 4: only color was when he when she applauded to Mike.

1562
01:12:08,439 --> 01:12:11,559
Speaker 4: So I didn't even think about it in that respect.

1563
01:12:12,760 --> 01:12:16,320
Speaker 4: So I didn't know people were having that conversation because yeah,

1564
01:12:16,360 --> 01:12:20,839
Speaker 4: I mean, it is typically mostly white man or white people,

1565
01:12:21,800 --> 01:12:24,600
Speaker 4: you know, which is why they made the DC Sniper

1566
01:12:24,920 --> 01:12:27,799
Speaker 4: was such a thing for for us when that happened,

1567
01:12:27,800 --> 01:12:31,240
Speaker 4: he turned out to be black. So no, I never

1568
01:12:31,240 --> 01:12:33,920
Speaker 4: thought about it from that perspective. Well it was just

1569
01:12:33,920 --> 01:12:34,800
Speaker 4: because she was black.

1570
01:12:35,360 --> 01:12:39,040
Speaker 5: Yeah, I'm just wondering, like, outside of the movie, how

1571
01:12:39,080 --> 01:12:43,240
Speaker 5: people will perceive what she said because she is black.

1572
01:12:43,600 --> 01:12:45,720
Speaker 5: Do they give it more like, oh, like she's she's

1573
01:12:45,760 --> 01:12:48,760
Speaker 5: black and she was about to do school compared to

1574
01:12:49,040 --> 01:12:50,679
Speaker 5: how you gotta think about it, how.

1575
01:12:50,520 --> 01:12:55,800
Speaker 4: They because it's a rarity of black not even that

1576
01:12:55,840 --> 01:12:58,360
Speaker 4: as a rarity, just about how we're perceived, like it's

1577
01:12:58,400 --> 01:12:59,840
Speaker 4: always mental health for them.

1578
01:13:00,080 --> 01:13:03,160
Speaker 2: A white person does something that's the extreme compare for us,

1579
01:13:03,240 --> 01:13:05,639
Speaker 2: it's just like that's just in our DNA that we're violent,

1580
01:13:05,760 --> 01:13:07,760
Speaker 2: and that's we're reckless and we don't give a fuck.

1581
01:13:08,000 --> 01:13:11,120
Speaker 2: So her, as a black person singing this, they probably

1582
01:13:11,120 --> 01:13:13,040
Speaker 2: do to, oh, that's in her DNA to say something

1583
01:13:13,080 --> 01:13:14,840
Speaker 2: like that, like she's not one of the good niggers,

1584
01:13:15,240 --> 01:13:17,760
Speaker 2: you know what I'm saying. So it could be a

1585
01:13:17,800 --> 01:13:20,080
Speaker 2: difference there when people look at it compared to if

1586
01:13:20,080 --> 01:13:21,519
Speaker 2: it was a white woman, they would have probably took

1587
01:13:21,520 --> 01:13:22,880
Speaker 2: the time and be like, but did you have the

1588
01:13:22,920 --> 01:13:25,519
Speaker 2: right resources? Did they actually support you the way that

1589
01:13:25,560 --> 01:13:29,320
Speaker 2: you needed to be supported. I wonder how people actually

1590
01:13:29,720 --> 01:13:33,240
Speaker 2: are looking at it too that way, because even Rachel

1591
01:13:33,360 --> 01:13:37,840
Speaker 2: Rachel was like Charlie said something about you know, guns

1592
01:13:37,840 --> 01:13:42,120
Speaker 2: of hypo, like basically hyper everywhere here, and Rachel says,

1593
01:13:42,160 --> 01:13:45,639
Speaker 2: so it's America's fault, Like I was like, that should

1594
01:13:45,640 --> 01:13:46,360
Speaker 2: make me chuck, like.

1595
01:13:47,160 --> 01:13:55,000
Speaker 4: Yeah, yeah, yeah. And she knows that because she grew

1596
01:13:55,080 --> 01:13:56,360
Speaker 4: up here and she lives.

1597
01:13:56,040 --> 01:13:58,400
Speaker 3: Here, But as a privileged white woman, she don't see it.

1598
01:13:58,800 --> 01:13:59,840
Speaker 3: She don't think that that's the.

1599
01:14:00,400 --> 01:14:03,320
Speaker 1: When there's nothing but white people. I mean literally, but.

1600
01:14:03,240 --> 01:14:05,360
Speaker 3: I don't agree with I'm just looking at.

1601
01:14:05,360 --> 01:14:06,360
Speaker 1: There's no way she can.

1602
01:14:06,560 --> 01:14:08,680
Speaker 4: Okay, I see what you got saying in terms of

1603
01:14:08,960 --> 01:14:12,200
Speaker 4: but I think the it's almost like she lumping the

1604
01:14:12,280 --> 01:14:15,400
Speaker 4: violence and guns into just one bucket and that's it.

1605
01:14:15,920 --> 01:14:19,520
Speaker 1: Regardless of Like so with there's black.

1606
01:14:19,280 --> 01:14:21,599
Speaker 4: People in the story that they're telling with black people

1607
01:14:21,680 --> 01:14:23,759
Speaker 4: and guns in terms of like gang violence and stuff

1608
01:14:23,800 --> 01:14:26,160
Speaker 4: like that, and then there's white people in this store

1609
01:14:26,200 --> 01:14:28,879
Speaker 4: with their guns when it comes to mostly school shootings

1610
01:14:28,880 --> 01:14:32,400
Speaker 4: and stuff like that. And so for her, maybe because

1611
01:14:32,400 --> 01:14:35,000
Speaker 4: of the visual imagery that she's constantly seeing for that

1612
01:14:35,240 --> 01:14:38,759
Speaker 4: she's maybe to your point, it's associating guns and black

1613
01:14:38,800 --> 01:14:42,400
Speaker 4: people and excluding the other aspect of it, even.

1614
01:14:42,160 --> 01:14:44,120
Speaker 1: Though the subject of this.

1615
01:14:44,040 --> 01:14:48,280
Speaker 4: Whole thing is about what primarily happens with the white side.

1616
01:14:48,080 --> 01:14:51,680
Speaker 1: Of gun violence. So if she's just saying it's all

1617
01:14:51,680 --> 01:14:52,400
Speaker 1: one of the same.

1618
01:14:52,200 --> 01:14:54,240
Speaker 4: And it's just all black people, then yeah, I can

1619
01:14:54,280 --> 01:14:57,639
Speaker 4: see that, but she should know that it's mostly white people.

1620
01:14:57,720 --> 01:15:01,120
Speaker 5: Anyway, I think it's all And the more I talk

1621
01:15:01,160 --> 01:15:02,640
Speaker 5: about it with y'all, I think all of this was

1622
01:15:02,680 --> 01:15:08,480
Speaker 5: about racism because the mic situation obviously, like you're correlating

1623
01:15:08,640 --> 01:15:10,280
Speaker 5: that in the way she said it was he was

1624
01:15:10,320 --> 01:15:13,200
Speaker 5: around guns and he turned out all right. You know

1625
01:15:13,240 --> 01:15:15,080
Speaker 5: what I'm saying, he's blended, but it's the other black

1626
01:15:15,120 --> 01:15:16,880
Speaker 5: person who was around guns and they didn't turn all right.

1627
01:15:17,400 --> 01:15:21,040
Speaker 5: And even with Charlie's response of talking about the trauma

1628
01:15:21,080 --> 01:15:26,680
Speaker 5: she experienced, he started saying it was interesting, like he

1629
01:15:26,720 --> 01:15:30,439
Speaker 5: started getting fascinated by the idea that may if it

1630
01:15:30,520 --> 01:15:33,120
Speaker 5: was a trauma response, it would be He didn't say fascinate,

1631
01:15:33,240 --> 01:15:35,240
Speaker 5: an interest that's interesting, right, but you could tell he

1632
01:15:35,320 --> 01:15:36,680
Speaker 5: was kind of fascinated.

1633
01:15:36,200 --> 01:15:39,040
Speaker 2: By this idea of like, oh my girl may be

1634
01:15:39,080 --> 01:15:40,400
Speaker 2: like one of those black people.

1635
01:15:41,600 --> 01:15:42,760
Speaker 3: Interesting and I never thought about it.

1636
01:15:43,000 --> 01:15:45,400
Speaker 2: The more I'm talking about it, I could I am

1637
01:15:45,560 --> 01:15:47,280
Speaker 2: thinking about because he did say it was interesting. He

1638
01:15:47,800 --> 01:15:49,479
Speaker 2: kind of like smiled, and that's just that what is

1639
01:15:49,520 --> 01:15:53,200
Speaker 2: interesting about it. And you know what I'm saying, more interested.

1640
01:15:52,920 --> 01:15:57,519
Speaker 4: In because he's from England in an Americanized way though,

1641
01:15:58,160 --> 01:16:00,000
Speaker 4: and less about their color.

1642
01:16:00,280 --> 01:16:01,280
Speaker 3: Could be but I would have.

1643
01:16:01,400 --> 01:16:04,160
Speaker 5: I mean, I think the more I think about this conversation,

1644
01:16:04,240 --> 01:16:07,519
Speaker 5: especially with Mike sitting right there and how everything was

1645
01:16:07,560 --> 01:16:09,080
Speaker 5: just being framed and talked about.

1646
01:16:08,960 --> 01:16:11,840
Speaker 3: I think this was more of a race conversation. Mm hmm.

1647
01:16:12,280 --> 01:16:13,680
Speaker 3: I didn't think about it that way, but I see

1648
01:16:13,720 --> 01:16:14,560
Speaker 3: what you're saying.

1649
01:16:16,120 --> 01:16:20,679
Speaker 5: So well from here, Sam c's uh, I mean, Charlie

1650
01:16:20,680 --> 01:16:22,639
Speaker 5: c Sam in the street and tries to talk to her,

1651
01:16:22,920 --> 01:16:24,280
Speaker 5: which ultimately.

1652
01:16:23,800 --> 01:16:26,160
Speaker 1: Doesn't go well. So he returns to work.

1653
01:16:26,160 --> 01:16:27,040
Speaker 3: We talked about how.

1654
01:16:26,920 --> 01:16:29,160
Speaker 5: She basically said that that he was wild in at

1655
01:16:29,200 --> 01:16:33,280
Speaker 5: this point. Yeah, and that's basically what's gonna be. My

1656
01:16:33,320 --> 01:16:35,920
Speaker 5: next question is like, how.

1657
01:16:35,880 --> 01:16:37,320
Speaker 3: Much is is Charlie fucking up.

1658
01:16:39,120 --> 01:16:41,400
Speaker 2: A lot?

1659
01:16:41,200 --> 01:16:41,360
Speaker 1: Lot?

1660
01:16:41,960 --> 01:16:44,880
Speaker 2: Because when he gets to work, he ends up asking

1661
01:16:44,920 --> 01:16:48,120
Speaker 2: Mesha what is the worst thing she's ever done? And hypothetically,

1662
01:16:48,160 --> 01:16:50,360
Speaker 2: what would she do if her boyfriend playing the school shooting?

1663
01:16:50,840 --> 01:16:53,559
Speaker 2: So this is some of these lines are that funny

1664
01:16:53,560 --> 01:16:56,840
Speaker 2: to me. The way she was reacting, like she's like,

1665
01:16:56,960 --> 01:17:05,400
Speaker 2: you saw my ex? Did this work for y'all? Yes,

1666
01:17:05,720 --> 01:17:06,519
Speaker 2: all of this work.

1667
01:17:06,560 --> 01:17:06,840
Speaker 1: I think.

1668
01:17:06,840 --> 01:17:09,440
Speaker 3: I love what it led up to in that situation.

1669
01:17:09,600 --> 01:17:14,439
Speaker 3: I love because she was kind of he he went

1670
01:17:14,560 --> 01:17:16,760
Speaker 3: from This is kind of a turning point for him

1671
01:17:16,760 --> 01:17:19,479
Speaker 3: because he went from feeling like she was feeling to

1672
01:17:19,600 --> 01:17:22,519
Speaker 3: actually hearing her and he was like, you sound done

1673
01:17:22,520 --> 01:17:24,960
Speaker 3: the wait, wait a minute, this sound dumb, And that

1674
01:17:25,040 --> 01:17:27,360
Speaker 3: had been his position the whole movie, but it took

1675
01:17:27,439 --> 01:17:30,360
Speaker 3: someone else to come at the same position for it

1676
01:17:30,400 --> 01:17:33,640
Speaker 3: to be like, Okay, I am, I'm tripping. So I

1677
01:17:33,720 --> 01:17:36,120
Speaker 3: liked how they did this, did she.

1678
01:17:39,280 --> 01:17:43,479
Speaker 4: At this point? Now I'm getting sick of Charlie. Are

1679
01:17:43,479 --> 01:17:46,640
Speaker 4: you probably getting in the middle now baby bounce all

1680
01:17:46,680 --> 01:17:47,000
Speaker 4: over bit?

1681
01:17:48,520 --> 01:17:48,720
Speaker 1: Well?

1682
01:17:50,920 --> 01:17:54,200
Speaker 4: But yeah, at this point I'm over Charlie. I'm like, bro,

1683
01:17:54,560 --> 01:18:00,920
Speaker 4: like you're asking everybody. You just cannot make peace with

1684
01:18:01,080 --> 01:18:03,640
Speaker 4: this situation. And now I'm starting to think, and now

1685
01:18:03,640 --> 01:18:05,679
Speaker 4: I'm writing a movie in my head. I'm like, well, shit,

1686
01:18:05,840 --> 01:18:07,800
Speaker 4: is he gonna shoot up the wedding? Because I still

1687
01:18:07,840 --> 01:18:10,519
Speaker 4: don't even know. I still think that's real at this point,

1688
01:18:10,920 --> 01:18:12,720
Speaker 4: like is he gonna lose it and start shooting up

1689
01:18:12,760 --> 01:18:15,120
Speaker 4: the wedding? So he's just freaking out. Then he started

1690
01:18:15,120 --> 01:18:18,000
Speaker 4: crying and me, she's just oblivious to it. What I

1691
01:18:18,040 --> 01:18:21,960
Speaker 4: loved about when she said, you've seen my boyfriend and

1692
01:18:22,000 --> 01:18:27,000
Speaker 4: then he was like your stereotypical like white male that

1693
01:18:27,040 --> 01:18:30,679
Speaker 4: looked like he would do some shit like that, you know, violent.

1694
01:18:31,000 --> 01:18:33,720
Speaker 1: He was very violent, but I guess we'll get there.

1695
01:18:33,800 --> 01:18:37,240
Speaker 4: But anyway, so I thought that that was interesting as well,

1696
01:18:37,240 --> 01:18:39,240
Speaker 4: because he looks like the one that when we eventually

1697
01:18:39,280 --> 01:18:41,760
Speaker 4: see him, like one of those gun toting Americans.

1698
01:18:41,880 --> 01:18:46,680
Speaker 2: Thanks. Yeah, he yeah, I don't know, man, I didn't know.

1699
01:18:47,920 --> 01:18:50,559
Speaker 5: Sitting there thinking about it. Do you think that she

1700
01:18:50,760 --> 01:18:56,240
Speaker 5: was more so conveying like the opposite of what Robert

1701
01:18:56,880 --> 01:18:57,400
Speaker 5: I was thinking?

1702
01:18:58,520 --> 01:19:02,240
Speaker 3: I think did she was conveying the same thing that

1703
01:19:02,280 --> 01:19:06,000
Speaker 3: he was thinking, but him hearing it. She bade him

1704
01:19:06,000 --> 01:19:09,920
Speaker 3: start to realize how ridiculous he was sounding when she

1705
01:19:10,000 --> 01:19:13,880
Speaker 3: saying she would like leave and misaking. Yeah, she was.

1706
01:19:13,920 --> 01:19:14,400
Speaker 1: She was.

1707
01:19:14,400 --> 01:19:16,880
Speaker 2: She wasn't defending him what I'm saying. Yes, she was

1708
01:19:16,920 --> 01:19:19,000
Speaker 2: against it. She was I would call the police, said,

1709
01:19:19,920 --> 01:19:23,680
Speaker 2: And he was like, was asking the questions that he

1710
01:19:23,760 --> 01:19:27,240
Speaker 2: kind of knew the answers like a good person would say,

1711
01:19:27,280 --> 01:19:29,720
Speaker 2: like a person who was understanding was saying, but he

1712
01:19:29,800 --> 01:19:33,400
Speaker 2: was allowing her to reinforce the negatives. Yeah, And that

1713
01:19:33,560 --> 01:19:35,240
Speaker 2: was the issue I was having when I'm like, you're

1714
01:19:35,280 --> 01:19:37,360
Speaker 2: answering the question like you're asking any of these questions

1715
01:19:37,400 --> 01:19:39,320
Speaker 2: because to you, deep down, you know that what the

1716
01:19:39,320 --> 01:19:42,040
Speaker 2: answer should be, but you don't feel that way. And

1717
01:19:42,040 --> 01:19:44,240
Speaker 2: that's why he got mad, because he knew he was

1718
01:19:44,280 --> 01:19:46,400
Speaker 2: agreeing with us, yes, because that's what he was feeling,

1719
01:19:46,479 --> 01:19:48,560
Speaker 2: like deep down he knew the answers was the opposite.

1720
01:19:48,720 --> 01:19:51,160
Speaker 3: See, he was feeling what she was saying. I took

1721
01:19:51,200 --> 01:19:54,559
Speaker 3: it as he finally started to understand how fucking dumb

1722
01:19:54,920 --> 01:19:56,720
Speaker 3: he sounded about.

1723
01:19:56,439 --> 01:19:58,880
Speaker 2: This now because if I think if he did, he

1724
01:19:58,880 --> 01:20:01,479
Speaker 2: would and I got upset at the so he felt

1725
01:20:01,479 --> 01:20:03,720
Speaker 2: like he was hold up a mirror. Yeah, okay, he

1726
01:20:03,960 --> 01:20:07,720
Speaker 2: felt like, fuck, I'm like, I like, I'm giving into

1727
01:20:07,800 --> 01:20:08,080
Speaker 2: this ship.

1728
01:20:08,600 --> 01:20:09,559
Speaker 1: Some in there, some.

1729
01:20:12,040 --> 01:20:15,320
Speaker 3: Recognized what he recognized, like I do sound like because

1730
01:20:15,439 --> 01:20:17,320
Speaker 3: he threw his drink out of frustration in the sense

1731
01:20:17,400 --> 01:20:20,320
Speaker 3: of I hate that I agree with her, but I

1732
01:20:20,360 --> 01:20:22,840
Speaker 3: know it's wrong. So yeah, I think this is a

1733
01:20:22,840 --> 01:20:23,400
Speaker 3: great scene.

1734
01:20:23,520 --> 01:20:26,759
Speaker 1: You don't know what called the police way what exactly?

1735
01:20:26,840 --> 01:20:27,679
Speaker 1: Like stupid?

1736
01:20:27,760 --> 01:20:30,160
Speaker 3: My girlfriend almost shot up a school like what yeah,

1737
01:20:31,120 --> 01:20:35,240
Speaker 3: years ten plus years ago. So then we transitioned to

1738
01:20:35,439 --> 01:20:39,639
Speaker 3: the DJ being fired. But well, you gotta talk about

1739
01:20:39,640 --> 01:20:42,360
Speaker 3: the kiss stuff. I'm gonna get that. I was like, okay,

1740
01:20:42,439 --> 01:20:43,600
Speaker 3: got you, got you, got you.

1741
01:20:43,720 --> 01:20:47,040
Speaker 5: But Charlie is still acting a little uneven then before.

1742
01:20:48,240 --> 01:20:52,120
Speaker 5: So through the cut scenes we see he cheated by kissing.

1743
01:20:53,240 --> 01:20:59,800
Speaker 2: He didn't actually cheat what he said he didn't. I

1744
01:20:59,800 --> 01:21:02,280
Speaker 2: thought you was saying he didn't fit.

1745
01:21:02,200 --> 01:21:05,680
Speaker 1: For me, and I was like you almost had me.

1746
01:21:06,080 --> 01:21:11,720
Speaker 3: Yeah, cheated. Oh Ship. I was so shocked at this.

1747
01:21:11,800 --> 01:21:13,240
Speaker 3: I was not expecting it.

1748
01:21:13,760 --> 01:21:16,880
Speaker 2: They they that when he leaned in and kissed her,

1749
01:21:16,960 --> 01:21:18,880
Speaker 2: and then like she was receptive of it.

1750
01:21:18,960 --> 01:21:22,200
Speaker 3: I really pushed him first the first and then she yeah,

1751
01:21:22,600 --> 01:21:25,040
Speaker 3: and then the whole like I was. That was another

1752
01:21:25,080 --> 01:21:28,240
Speaker 3: audible oh, Ship, Like I did not see that coming.

1753
01:21:28,320 --> 01:21:30,960
Speaker 3: And I was like, oh, and it's just like you

1754
01:21:31,080 --> 01:21:34,519
Speaker 3: was watching this spiral out of control, like it went

1755
01:21:34,520 --> 01:21:37,080
Speaker 3: from the wheelchair scene to the scene where he having

1756
01:21:37,120 --> 01:21:39,800
Speaker 3: lunch with her. Now he kissing her and bending her over.

1757
01:21:39,880 --> 01:21:42,160
Speaker 1: I'm like, oh man, it's man.

1758
01:21:42,520 --> 01:21:51,000
Speaker 3: She turned around brop.

1759
01:21:52,080 --> 01:21:55,720
Speaker 2: That nigga ripped like you gotta work the rest of

1760
01:21:55,760 --> 01:21:56,040
Speaker 2: the day.

1761
01:21:56,160 --> 01:21:57,760
Speaker 3: That was she said, I can't believe you just ripped.

1762
01:21:58,360 --> 01:21:59,400
Speaker 3: He wasn't thinking about Ship.

1763
01:21:59,439 --> 01:22:01,599
Speaker 2: He was just like, I'm trying to get I gotta

1764
01:22:01,640 --> 01:22:02,839
Speaker 2: put these feelings somewhere.

1765
01:22:02,880 --> 01:22:06,560
Speaker 1: I ain't just because she liked that skirt up with

1766
01:22:06,840 --> 01:22:09,080
Speaker 1: she was over.

1767
01:22:09,120 --> 01:22:13,439
Speaker 2: I was like, like, look at me, sh it just

1768
01:22:13,520 --> 01:22:15,840
Speaker 2: is like it just reinforced Oh, you're a shitty person

1769
01:22:16,520 --> 01:22:18,360
Speaker 2: after like you just told me you just cheated.

1770
01:22:19,080 --> 01:22:20,280
Speaker 3: That's the worst thing you've done, is you.

1771
01:22:20,280 --> 01:22:23,200
Speaker 2: Cheated on somebody, and the way you're doing it right now,

1772
01:22:23,280 --> 01:22:25,559
Speaker 2: like it's not like caught up in the moment trying

1773
01:22:25,560 --> 01:22:27,280
Speaker 2: to stop. Like that first kiss was the thing that

1774
01:22:27,360 --> 01:22:30,160
Speaker 2: cut you all golf. But after that you was like,

1775
01:22:30,280 --> 01:22:31,840
Speaker 2: and you brought up a good point about her being

1776
01:22:31,840 --> 01:22:34,080
Speaker 2: a shitty person. That's how a shitty person will respond

1777
01:22:34,200 --> 01:22:36,479
Speaker 2: to the school shooting ship from the previous scene.

1778
01:22:36,560 --> 01:22:37,920
Speaker 3: So they they tied that in.

1779
01:22:38,040 --> 01:22:39,160
Speaker 2: Well, yeah that is good.

1780
01:22:40,800 --> 01:22:47,240
Speaker 1: Yeah, that that was funny. I'm glad he didn't do

1781
01:22:47,320 --> 01:22:49,720
Speaker 1: it all the way. But yeah, I mean, I don't know.

1782
01:22:49,760 --> 01:22:51,759
Speaker 1: I think I think, I think they.

1783
01:22:51,600 --> 01:22:56,360
Speaker 4: Can get past the Yeah they could, Yeah, anyway.

1784
01:22:56,080 --> 01:22:58,439
Speaker 3: They could have what's gonna happen?

1785
01:22:58,520 --> 01:23:00,599
Speaker 2: But that ship, It was funny that nigga, the way

1786
01:23:00,640 --> 01:23:08,200
Speaker 2: he even stopped to like, I don't even know what

1787
01:23:08,200 --> 01:23:08,719
Speaker 2: I'm doing.

1788
01:23:09,880 --> 01:23:18,559
Speaker 3: Did that he better than mostly got it this far,

1789
01:23:20,000 --> 01:23:29,160
Speaker 3: especially after she just bent it over got me. It

1790
01:23:29,280 --> 01:23:35,240
Speaker 3: was right, I just that was that was the That's

1791
01:23:35,280 --> 01:23:36,960
Speaker 3: why it's funny. When he gets asked if he's sexually

1792
01:23:36,960 --> 01:23:45,200
Speaker 3: harassed her, he was like, I know she was ready,

1793
01:23:45,200 --> 01:23:47,360
Speaker 3: he was ready. I don't know if it was harassment.

1794
01:23:47,760 --> 01:23:56,400
Speaker 3: Oh God, did Emma handling the firing of the d J. Well, yes,

1795
01:23:57,880 --> 01:24:00,880
Speaker 3: I think she did because he he was being a bitch,

1796
01:24:01,520 --> 01:24:05,240
Speaker 3: the bubble husband. She made him, he made he put

1797
01:24:05,240 --> 01:24:07,400
Speaker 3: her in that position to have to do that because

1798
01:24:07,439 --> 01:24:09,800
Speaker 3: you're not handling it like we said we were going

1799
01:24:09,880 --> 01:24:11,800
Speaker 3: to handle it. You letting her walk all over you.

1800
01:24:12,080 --> 01:24:13,920
Speaker 3: She feels like she can walk all over you. She

1801
01:24:14,080 --> 01:24:16,040
Speaker 3: talking to us any kind of way. If you're not

1802
01:24:16,040 --> 01:24:17,679
Speaker 3: gonna do it, I'm gonna do it. Yeah, get out,

1803
01:24:17,880 --> 01:24:20,200
Speaker 3: especially this younna call me a what ever she called

1804
01:24:20,200 --> 01:24:23,600
Speaker 3: her cunt or whatever it may be. I think you

1805
01:24:23,640 --> 01:24:25,439
Speaker 3: said you're being a cunt. Yeah, Like, get out.

1806
01:24:25,800 --> 01:24:30,599
Speaker 4: You ain't handling this, yeah, yeah, yeah, Because at this point,

1807
01:24:30,680 --> 01:24:35,439
Speaker 4: he's a he's a pump and he's been a punk

1808
01:24:35,600 --> 01:24:38,959
Speaker 4: since he I mean since the beginning. He's a very passive,

1809
01:24:39,880 --> 01:24:44,960
Speaker 4: you know, uh guy. So and now he's going through

1810
01:24:45,000 --> 01:24:49,719
Speaker 4: this emotional spiral of everything so and now and everything

1811
01:24:49,720 --> 01:24:50,439
Speaker 4: that just happened.

1812
01:24:50,439 --> 01:24:53,400
Speaker 1: So he's done for like at this point it's a

1813
01:24:53,479 --> 01:24:56,040
Speaker 1: rap for him. He's just cheating on her.

1814
01:24:56,320 --> 01:25:01,240
Speaker 4: And he is now seeing everything with the differen lens.

1815
01:25:01,760 --> 01:25:05,200
Speaker 4: So now you know, baby feel guilty for what he did,

1816
01:25:05,240 --> 01:25:08,360
Speaker 4: But he wasn't going to fire her at all, so

1817
01:25:08,640 --> 01:25:11,120
Speaker 4: and she just did the thing that he wouldn't there,

1818
01:25:11,160 --> 01:25:11,720
Speaker 4: they wouldn't do.

1819
01:25:12,439 --> 01:25:14,680
Speaker 1: So yeah, I think she.

1820
01:25:15,640 --> 01:25:20,200
Speaker 2: Again as a DJ, I think it was fucked up

1821
01:25:20,240 --> 01:25:21,720
Speaker 2: for him to sit there and watch her set up

1822
01:25:21,840 --> 01:25:24,360
Speaker 2: and you tell that's whatever was one of the things

1823
01:25:24,400 --> 01:25:26,240
Speaker 2: that did pissed me all And like she said, y'all

1824
01:25:26,240 --> 01:25:27,679
Speaker 2: wait till I set up to do this ship.

1825
01:25:27,840 --> 01:25:30,759
Speaker 3: Like for me, most of the deposit paid.

1826
01:25:30,600 --> 01:25:33,519
Speaker 5: All right, at least I know, I'm I'm gonna make

1827
01:25:33,520 --> 01:25:35,519
Speaker 5: that money for you booking this day. But you made

1828
01:25:35,520 --> 01:25:37,639
Speaker 5: me come here set this ship up, and theyin't gonna

1829
01:25:37,640 --> 01:25:39,720
Speaker 5: tell me that. That's what I was confused by too.

1830
01:25:39,760 --> 01:25:41,120
Speaker 5: I thought, I was like, why do you wait till

1831
01:25:41,120 --> 01:25:42,400
Speaker 5: the day of the wedding?

1832
01:25:42,479 --> 01:25:44,920
Speaker 4: Like that was stupid because they were distracted by everything

1833
01:25:44,960 --> 01:25:46,880
Speaker 4: else that was going on. They never really got back

1834
01:25:46,920 --> 01:25:48,000
Speaker 4: to the heroine issue and.

1835
01:25:48,040 --> 01:25:50,719
Speaker 3: You might as well just leave it at that point.

1836
01:25:50,840 --> 01:25:53,440
Speaker 3: I also feel like it wasn't done attack.

1837
01:25:54,920 --> 01:25:57,040
Speaker 5: And I think I think, I think that's piece of it,

1838
01:25:57,080 --> 01:25:59,720
Speaker 5: and I think that's probably a little bit of em

1839
01:26:00,040 --> 01:26:01,600
Speaker 5: reacting to how she was being treated to.

1840
01:26:02,920 --> 01:26:04,280
Speaker 3: There was a way to do that better.

1841
01:26:04,320 --> 01:26:08,479
Speaker 2: To me, Like as a person who's going through people

1842
01:26:08,600 --> 01:26:10,559
Speaker 2: judging you from something that you're doing.

1843
01:26:11,840 --> 01:26:16,840
Speaker 3: That you did that is not as bad as people

1844
01:26:16,840 --> 01:26:17,479
Speaker 3: are making it be.

1845
01:26:19,600 --> 01:26:21,640
Speaker 2: We I ain't gonna do Heroin, and I don't really

1846
01:26:21,680 --> 01:26:24,040
Speaker 2: think anybody else should. But I don't think if you

1847
01:26:24,320 --> 01:26:26,840
Speaker 2: if you enjoying Heroin for yourself, that's your that's your life.

1848
01:26:26,880 --> 01:26:29,960
Speaker 2: So again, if there's a conversation that can be had

1849
01:26:30,000 --> 01:26:33,120
Speaker 2: in this moment as compared to just you did hairing,

1850
01:26:33,160 --> 01:26:33,759
Speaker 2: get the fuck.

1851
01:26:33,600 --> 01:26:34,679
Speaker 1: Out and are you good?

1852
01:26:36,040 --> 01:26:37,920
Speaker 3: Yeah, it seemed like she was a good DJ. Though

1853
01:26:37,920 --> 01:26:46,519
Speaker 3: I think it seems like she's a good DJ, all right.

1854
01:26:47,880 --> 01:26:50,240
Speaker 5: So we get to the wedding day and then we

1855
01:26:50,360 --> 01:26:53,519
Speaker 5: learned that Rachel does decide to be the maid of

1856
01:26:53,560 --> 01:26:55,440
Speaker 5: honor and Misha is also in attendance.

1857
01:26:56,160 --> 01:26:58,320
Speaker 2: We also know that they get a DJ. I didn't

1858
01:26:58,320 --> 01:26:59,640
Speaker 2: really get much from this scene. I don't think the

1859
01:26:59,640 --> 01:27:01,040
Speaker 2: scene was just to set up for what was gonna

1860
01:27:01,040 --> 01:27:01,439
Speaker 2: come later.

1861
01:27:02,720 --> 01:27:04,479
Speaker 5: But they were talking to the DJ in the hallway

1862
01:27:04,520 --> 01:27:07,840
Speaker 5: and pop sound before that when they were talking to

1863
01:27:07,880 --> 01:27:09,760
Speaker 5: him any first, and he was like, he basically said

1864
01:27:09,760 --> 01:27:12,960
Speaker 5: fuck about the duch weird though I was trying to figure.

1865
01:27:12,720 --> 01:27:18,120
Speaker 1: It out for just to comedy because he was weird.

1866
01:27:18,240 --> 01:27:20,080
Speaker 3: Yeah, I didn't really pick up what it was putting

1867
01:27:20,080 --> 01:27:21,479
Speaker 3: none there, So that's why I was gonna ask you.

1868
01:27:22,200 --> 01:27:22,840
Speaker 3: I didn't get it.

1869
01:27:23,920 --> 01:27:27,160
Speaker 5: But my father's give my father's gives a toast. Rachel

1870
01:27:27,200 --> 01:27:28,000
Speaker 5: also gives a toast.

1871
01:27:28,800 --> 01:27:30,880
Speaker 2: Will Both Emma and Charlie are still dealing with the

1872
01:27:30,880 --> 01:27:32,240
Speaker 2: paranoid of just the room.

1873
01:27:32,640 --> 01:27:33,960
Speaker 3: What did you think of the.

1874
01:27:33,680 --> 01:27:37,240
Speaker 2: Of the toast from from both of them, from both

1875
01:27:37,280 --> 01:27:38,519
Speaker 2: the dad and from Rachel.

1876
01:27:39,520 --> 01:27:42,880
Speaker 4: The dad was it was interesting because we know the truth.

1877
01:27:43,439 --> 01:27:47,639
Speaker 4: So listen to the dad speak about the daughter. Seeing

1878
01:27:47,720 --> 01:27:51,360
Speaker 4: Rachel's reaction, Oh my god, it was just really really

1879
01:27:51,400 --> 01:27:54,000
Speaker 4: really bothering the fuck out of me. I just I

1880
01:27:54,120 --> 01:27:57,040
Speaker 4: just really needed some other female there that just slapped

1881
01:27:57,040 --> 01:27:57,800
Speaker 4: the ship out of her.

1882
01:27:59,760 --> 01:28:02,120
Speaker 2: It's to tell her like he did check the lead.

1883
01:28:02,240 --> 01:28:03,880
Speaker 4: He did get to the point was like, god damn,

1884
01:28:03,880 --> 01:28:07,320
Speaker 4: he did check it well in a way he was

1885
01:28:07,360 --> 01:28:08,720
Speaker 4: basically he did call her out.

1886
01:28:08,760 --> 01:28:10,439
Speaker 1: He was like shut up or chill out.

1887
01:28:10,479 --> 01:28:11,800
Speaker 4: I can't remember exactly like he said it, but he

1888
01:28:11,840 --> 01:28:13,120
Speaker 4: signed a black when he did that ship.

1889
01:28:13,640 --> 01:28:15,479
Speaker 1: But he was over her ship. I think she actually

1890
01:28:15,520 --> 01:28:16,559
Speaker 1: got quiet for a little bit.

1891
01:28:17,000 --> 01:28:20,240
Speaker 4: But but he was giving this beautiful speech, and it

1892
01:28:20,360 --> 01:28:23,280
Speaker 4: was like, and you even became an avagant and then

1893
01:28:23,280 --> 01:28:25,680
Speaker 4: my gun and seriously disappeared. I'm like, shit, you just

1894
01:28:25,760 --> 01:28:28,800
Speaker 4: have no idea the things we don't we.

1895
01:28:28,479 --> 01:28:32,040
Speaker 1: We I don't know about our kids. It's kind of crazy.

1896
01:28:32,600 --> 01:28:36,719
Speaker 4: But when that motherfucking ship popped, when I tell y'all,

1897
01:28:36,840 --> 01:28:43,880
Speaker 4: I laughed out loud my whole theater dump because remember

1898
01:28:43,960 --> 01:28:46,439
Speaker 4: I'm still thinking somebody gonna come through and shoot that

1899
01:28:46,479 --> 01:28:47,240
Speaker 4: motherfucker up.

1900
01:28:48,040 --> 01:28:55,400
Speaker 1: When that ship popped, everybody got shuk. He was like, man,

1901
01:28:55,439 --> 01:28:57,120
Speaker 1: I can't even think. I don't know how.

1902
01:28:58,080 --> 01:29:04,439
Speaker 2: It's just a black man ship around, got.

1903
01:29:03,360 --> 01:29:08,639
Speaker 1: He he asked, And I think that's what the DJ

1904
01:29:08,880 --> 01:29:11,360
Speaker 1: was there the show. He was awkward and goofy. So

1905
01:29:11,439 --> 01:29:14,080
Speaker 1: when it popped, you have contests for his personality, like,

1906
01:29:14,080 --> 01:29:16,640
Speaker 1: oh yeah, sorry. So it made sense for why that

1907
01:29:16,640 --> 01:29:21,439
Speaker 1: ship would happen, man bro Bro that ship was funny

1908
01:29:21,479 --> 01:29:22,920
Speaker 1: to me. Fact and he was.

1909
01:29:22,840 --> 01:29:27,559
Speaker 4: A military guy too. Yeah, so there's that part to it. So, uh,

1910
01:29:27,720 --> 01:29:29,639
Speaker 4: which is another layer to the to the movie.

1911
01:29:29,640 --> 01:29:32,120
Speaker 3: And then when he sit down he asked me, said so,

1912
01:29:32,479 --> 01:29:34,160
Speaker 3: what did he asking me? He said, so, y'all grew

1913
01:29:34,200 --> 01:29:35,080
Speaker 3: up with guns in the house.

1914
01:29:35,280 --> 01:29:36,680
Speaker 1: Yeah, why did you have guns in the house and

1915
01:29:36,760 --> 01:29:37,800
Speaker 1: something like that was really weird.

1916
01:29:38,000 --> 01:29:40,320
Speaker 3: She looked at him like, nigga, if you don't shut up.

1917
01:29:41,080 --> 01:29:41,960
Speaker 3: I thought that was good.

1918
01:29:43,000 --> 01:29:45,640
Speaker 5: I mean, at this point, his paranoia is getting the

1919
01:29:45,640 --> 01:29:48,200
Speaker 5: best of him and her, and she's in the bathroom

1920
01:29:48,240 --> 01:29:51,759
Speaker 5: and she thinks that Misha knows about school shooting.

1921
01:29:51,800 --> 01:29:55,120
Speaker 3: I would have did that happen because somebody said something,

1922
01:29:55,160 --> 01:29:56,800
Speaker 3: But I don't know if she was imagining.

1923
01:29:56,520 --> 01:29:58,840
Speaker 5: But it could have been her just saying talking to

1924
01:29:58,880 --> 01:30:02,000
Speaker 5: somebody about Yeah, he came and talked to her.

1925
01:30:02,360 --> 01:30:04,759
Speaker 3: He asked me some weird question about some school shoes.

1926
01:30:04,760 --> 01:30:10,040
Speaker 3: You know what I'm saying. So that forces Emma to

1927
01:30:10,160 --> 01:30:14,080
Speaker 3: tell Charlie I need to go talk to me. I'm

1928
01:30:14,080 --> 01:30:17,080
Speaker 3: gonna bring her. No, no, no, no, no.

1929
01:30:17,600 --> 01:30:20,000
Speaker 2: What what would you No?

1930
01:30:20,240 --> 01:30:22,960
Speaker 3: Absolutely not, Absolutely we don't got to talk to her.

1931
01:30:23,040 --> 01:30:26,920
Speaker 3: I'm sure she don't know. I'm sure you do not know.

1932
01:30:27,360 --> 01:30:27,800
Speaker 3: She don't know.

1933
01:30:27,880 --> 01:30:28,880
Speaker 1: Ship you gotta check this.

1934
01:30:29,280 --> 01:30:32,760
Speaker 4: You gotta stop, don't take your don't go get her

1935
01:30:32,800 --> 01:30:33,519
Speaker 4: in from that now.

1936
01:30:33,760 --> 01:30:36,240
Speaker 3: No, we ain't nothing y'all need to talk about. Absolutely not.

1937
01:30:36,320 --> 01:30:38,040
Speaker 3: I'll ask her, as a matter of fact, I'll ask

1938
01:30:38,080 --> 01:30:40,080
Speaker 3: her to see let me fix this, baby, I got this.

1939
01:30:40,200 --> 01:30:41,840
Speaker 3: You don't even got to worry you look about it.

1940
01:30:41,880 --> 01:30:42,360
Speaker 1: Let me take it.

1941
01:30:42,400 --> 01:30:44,519
Speaker 4: But you know you don't wear the so called pants

1942
01:30:44,520 --> 01:30:47,680
Speaker 4: and in the relationship, so at this point, and you know,

1943
01:30:47,760 --> 01:30:49,559
Speaker 4: once a black woman made up a mind.

1944
01:30:49,400 --> 01:30:52,280
Speaker 2: Bro rap, so you at least got to go with

1945
01:30:52,320 --> 01:30:54,720
Speaker 2: her and be like you gotta give the signal and

1946
01:30:54,760 --> 01:30:55,080
Speaker 2: be like.

1947
01:30:55,640 --> 01:30:56,840
Speaker 3: You see the way he had looked what she came

1948
01:30:56,840 --> 01:30:57,640
Speaker 3: in and he was trying to.

1949
01:30:57,840 --> 01:31:04,960
Speaker 2: Like, you gotta gotta know she don't know, like she

1950
01:31:05,080 --> 01:31:06,320
Speaker 2: just came out with it.

1951
01:31:06,840 --> 01:31:08,760
Speaker 3: I was like, oh, it was another when I say

1952
01:31:08,920 --> 01:31:10,320
Speaker 3: I was the loudest, I.

1953
01:31:10,280 --> 01:31:13,800
Speaker 2: Said, oh, you know, as soon as she saw him

1954
01:31:13,840 --> 01:31:16,720
Speaker 2: in there, She's like, he just came on to me.

1955
01:31:16,840 --> 01:31:23,840
Speaker 3: He kissed, he kissed me. I was like, oh.

1956
01:31:23,120 --> 01:31:26,400
Speaker 4: Damn, I felt so bad. Form it was like what, yeah, yeah,

1957
01:31:26,479 --> 01:31:29,120
Speaker 4: I feel bad for her. Yeah, because she didn't deserve that.

1958
01:31:29,520 --> 01:31:30,479
Speaker 1: She did not man.

1959
01:31:30,680 --> 01:31:32,600
Speaker 3: And it was like it wasn't even what I was like,

1960
01:31:32,640 --> 01:31:32,960
Speaker 3: I got.

1961
01:31:33,240 --> 01:31:34,960
Speaker 2: It ain't just the thing that I was coming to

1962
01:31:35,000 --> 01:31:37,439
Speaker 2: get you for now, it's this whole other thing that

1963
01:31:37,560 --> 01:31:39,479
Speaker 2: may be even worse than the thing that I came

1964
01:31:39,560 --> 01:31:41,880
Speaker 2: to get you. The thing that made it on top

1965
01:31:41,920 --> 01:31:44,920
Speaker 2: of that worst she was confiding in this whole about

1966
01:31:45,000 --> 01:31:47,040
Speaker 2: me and about like you was talking.

1967
01:31:46,760 --> 01:31:52,040
Speaker 1: To her about asked you that, yes, I just asked, what.

1968
01:31:52,000 --> 01:31:54,160
Speaker 3: Do you think happened in that room when they were like?

1969
01:31:54,200 --> 01:31:55,960
Speaker 2: What do you think happened in that room? When Misha

1970
01:31:56,080 --> 01:31:58,200
Speaker 2: left and we didn't see them but leave that room?

1971
01:31:58,800 --> 01:32:00,559
Speaker 3: I can't that's the you can tell.

1972
01:32:00,680 --> 01:32:02,680
Speaker 2: But how she was tense when they was came, she

1973
01:32:02,720 --> 01:32:05,000
Speaker 2: would that was her Daddy was looking at.

1974
01:32:04,960 --> 01:32:08,080
Speaker 3: Her like you think he knew something was up.

1975
01:32:08,160 --> 01:32:09,880
Speaker 2: I wanted to see what was going on with I

1976
01:32:09,880 --> 01:32:11,160
Speaker 2: did because a black woman.

1977
01:32:10,960 --> 01:32:13,960
Speaker 3: Finding out all that one time. She had a little

1978
01:32:14,000 --> 01:32:16,559
Speaker 3: sweat on her forehead and there like, well you lucky

1979
01:32:16,560 --> 01:32:17,360
Speaker 3: you made it out at all.

1980
01:32:17,439 --> 01:32:19,840
Speaker 1: And Rachel speak speech was a piece of ship too.

1981
01:32:20,080 --> 01:32:24,200
Speaker 3: Yeah I have something to say and yeah, And that's

1982
01:32:24,200 --> 01:32:26,599
Speaker 3: another way where her husband got to like, no, it's cool, Yeah,

1983
01:32:27,200 --> 01:32:28,519
Speaker 3: you don't got to say ship man.

1984
01:32:28,560 --> 01:32:30,719
Speaker 4: But at this point you're not trying to ruin the wedding.

1985
01:32:30,760 --> 01:32:33,479
Speaker 4: You're just praying that she doesn't go there. Yeah, and

1986
01:32:33,520 --> 01:32:35,840
Speaker 4: I thought she was and I was like, oh my god,

1987
01:32:35,920 --> 01:32:39,679
Speaker 4: she's gonna actually do it. But yeah, he yeah, he

1988
01:32:39,880 --> 01:32:41,680
Speaker 4: was frustrating me At this point, I'm like, bro, if

1989
01:32:41,680 --> 01:32:44,120
Speaker 4: you don't get her in control.

1990
01:32:44,560 --> 01:32:45,880
Speaker 2: And control.

1991
01:32:47,920 --> 01:32:49,839
Speaker 1: Well Charlie your little comments.

1992
01:32:54,840 --> 01:32:59,880
Speaker 5: When Charlie is tasked to finally give his toast, he

1993
01:33:00,000 --> 01:33:02,559
Speaker 5: he is just all over the place because he doesne

1994
01:33:02,640 --> 01:33:06,559
Speaker 5: got caught cheating at this point. He don't know what

1995
01:33:06,600 --> 01:33:09,000
Speaker 5: people know in the room. He don't know what's going on.

1996
01:33:09,360 --> 01:33:11,680
Speaker 5: What yall think about this toast man? How did y'all

1997
01:33:11,680 --> 01:33:15,240
Speaker 5: feel about Charlie? Like were you feeling for him? Did

1998
01:33:15,280 --> 01:33:17,960
Speaker 5: you not give a fuck? I feel deserve it.

1999
01:33:18,080 --> 01:33:21,400
Speaker 3: I felt for him, and like he should have did

2000
01:33:21,439 --> 01:33:22,519
Speaker 3: the same thing Emma.

2001
01:33:22,360 --> 01:33:24,200
Speaker 2: Did well, kept it really brief.

2002
01:33:24,640 --> 01:33:26,840
Speaker 3: He should have been like, you know, we don't want

2003
01:33:26,840 --> 01:33:29,240
Speaker 3: to do speeches or something like that, or I had

2004
01:33:29,240 --> 01:33:32,519
Speaker 3: something but I'm just overwhelmed and keep it moving. But

2005
01:33:32,640 --> 01:33:35,360
Speaker 3: he tried to save it with the speech that he

2006
01:33:35,400 --> 01:33:37,559
Speaker 3: had deleted, so I'm sure he hadn't been practicing. And

2007
01:33:37,600 --> 01:33:42,160
Speaker 3: then he wanted to just freestyle in that move like nah, bro,

2008
01:33:42,439 --> 01:33:45,800
Speaker 3: like there was a cringe worthy that was secondhand embarrassing moment.

2009
01:33:45,840 --> 01:33:48,840
Speaker 2: He was like, oh no, bro ya, what about you?

2010
01:33:48,920 --> 01:33:52,479
Speaker 1: Ken? Yeah, second hand embarrassment is exactly it.

2011
01:33:52,560 --> 01:33:55,160
Speaker 4: I'm like because I'm like, there's no way he's gonna

2012
01:33:55,200 --> 01:33:57,360
Speaker 4: just start, because I'm trying to think about, like, how

2013
01:33:57,439 --> 01:33:59,200
Speaker 4: is he gonna get to sing all the shit?

2014
01:33:59,240 --> 01:34:00,400
Speaker 1: And he just starts Ireland.

2015
01:34:00,400 --> 01:34:02,639
Speaker 4: But I think they did a good job of kind

2016
01:34:02,640 --> 01:34:04,600
Speaker 4: of showing this has been his character.

2017
01:34:04,400 --> 01:34:05,280
Speaker 1: The whole movie.

2018
01:34:06,040 --> 01:34:10,240
Speaker 4: So he is uncomfortable and he just starts saying shit.

2019
01:34:10,720 --> 01:34:12,800
Speaker 4: You know, he's awkward. So when he just got up

2020
01:34:12,800 --> 01:34:15,000
Speaker 4: there and just started. And I also like when they

2021
01:34:15,120 --> 01:34:17,920
Speaker 4: showed him taking the shot of the alcohol, you know,

2022
01:34:18,080 --> 01:34:20,479
Speaker 4: so he doubled down on the liquor he probably had

2023
01:34:20,479 --> 01:34:23,160
Speaker 4: already been drinking. It goes back to what Mike was

2024
01:34:23,160 --> 01:34:25,800
Speaker 4: saying about Emma earlier at the table when she was

2025
01:34:25,880 --> 01:34:28,439
Speaker 4: drinking and she just started saying some shit that she

2026
01:34:28,520 --> 01:34:31,280
Speaker 4: probably wasn't wouldn't have said if she was in her

2027
01:34:31,360 --> 01:34:31,800
Speaker 4: right mind.

2028
01:34:31,840 --> 01:34:37,599
Speaker 1: He did the same thing, and he said he didn't

2029
01:34:37,640 --> 01:34:40,960
Speaker 1: say that she did the school shooting.

2030
01:34:41,000 --> 01:34:43,280
Speaker 4: I think he just said she didn't do it, so

2031
01:34:43,360 --> 01:34:46,080
Speaker 4: it's fine, but nobody still know what she was talking about.

2032
01:34:47,080 --> 01:34:50,320
Speaker 4: It was when he started talking about Misha this thing.

2033
01:34:50,600 --> 01:34:53,920
Speaker 2: I loved hearing him in the background, like you can

2034
01:34:54,000 --> 01:35:00,360
Speaker 2: hear buddy, like what he did brot was as a

2035
01:35:00,439 --> 01:35:03,880
Speaker 2: nigga you know what he's thinking back then, and you

2036
01:35:04,000 --> 01:35:06,920
Speaker 2: had the nerve to say, y'all shut the fuck up

2037
01:35:06,960 --> 01:35:11,439
Speaker 2: on shut the hell up, bro, bro, are you that corner?

2038
01:35:11,880 --> 01:35:12,639
Speaker 3: Yeah you got me.

2039
01:35:13,479 --> 01:35:13,840
Speaker 1: I got it.

2040
01:35:13,880 --> 01:35:15,880
Speaker 2: I got a step to you now because you think.

2041
01:35:15,760 --> 01:35:19,599
Speaker 4: I'm a full hold like NA, but he really because

2042
01:35:19,600 --> 01:35:20,799
Speaker 4: again he's very awkward.

2043
01:35:20,880 --> 01:35:23,040
Speaker 1: He's just spiraling. I don't even think he know. He

2044
01:35:23,160 --> 01:35:26,120
Speaker 1: just heard noise and he just lashed out like y'all

2045
01:35:26,160 --> 01:35:27,360
Speaker 1: shut the fuck up back there.

2046
01:35:27,680 --> 01:35:29,040
Speaker 3: He got the right one today.

2047
01:35:29,439 --> 01:35:32,880
Speaker 2: Even with him inspiring smiling, he knew who was back

2048
01:35:32,920 --> 01:35:35,439
Speaker 2: there making it like, you know, I just blew, I

2049
01:35:35,479 --> 01:35:35,800
Speaker 2: just blew.

2050
01:35:35,920 --> 01:35:38,760
Speaker 4: He just met the moo because he freaked out when

2051
01:35:38,760 --> 01:35:40,760
Speaker 4: he walked up to him the first time, and just

2052
01:35:40,800 --> 01:35:45,200
Speaker 4: to introduce himself. That was a big motherfucker is pretty tall,

2053
01:35:45,600 --> 01:35:47,680
Speaker 4: you know so, and that motherfucker was taller than him.

2054
01:35:47,800 --> 01:35:51,080
Speaker 3: He gave the little boy back pay all right, man, congratulations.

2055
01:35:51,880 --> 01:35:54,080
Speaker 4: That motherfucker walked up and he looked like one of

2056
01:35:54,120 --> 01:35:57,559
Speaker 4: the He look like a military motherfucker, bro or some

2057
01:35:57,640 --> 01:35:59,080
Speaker 4: type of athlete or something.

2058
01:35:59,479 --> 01:36:03,120
Speaker 3: He said what he said, did you sexual? Did you sexually?

2059
01:36:03,120 --> 01:36:07,360
Speaker 1: A rass which means Misha told some boys right. She lied,

2060
01:36:07,479 --> 01:36:09,320
Speaker 1: She completely lied. I got that ship off.

2061
01:36:11,840 --> 01:36:14,720
Speaker 2: I don't know, man, well, I won't say lie. She

2062
01:36:14,720 --> 01:36:16,720
Speaker 2: probably puts him sauts on it. I don't even know,

2063
01:36:16,760 --> 01:36:18,439
Speaker 2: because she was trying to get out of it.

2064
01:36:18,720 --> 01:36:20,680
Speaker 3: He kissed me. You heard her, you can hear it.

2065
01:36:22,360 --> 01:36:28,080
Speaker 4: He did the first encounter that when he kissed her. Yes,

2066
01:36:28,240 --> 01:36:30,520
Speaker 4: that is, but once she consented.

2067
01:36:31,840 --> 01:36:34,920
Speaker 2: I mean, that's the thing about consent. They're going to

2068
01:36:34,960 --> 01:36:37,040
Speaker 2: say it's a power dynamic because he was her boss.

2069
01:36:37,880 --> 01:36:38,559
Speaker 2: He wasn't her boss.

2070
01:36:38,560 --> 01:36:40,160
Speaker 3: I think so. I thought he was he when he

2071
01:36:40,200 --> 01:36:43,519
Speaker 3: went into her office, maybe because his title on the

2072
01:36:43,560 --> 01:36:44,360
Speaker 3: thing said.

2073
01:36:46,520 --> 01:36:46,720
Speaker 1: Yeah.

2074
01:36:47,120 --> 01:36:49,720
Speaker 3: Like and if that's the case, then I'm looking at

2075
01:36:49,760 --> 01:36:51,479
Speaker 3: that scene different too, the way she been there. I

2076
01:36:51,479 --> 01:36:53,840
Speaker 3: was like, yeah, you're my boss. I gotta do this.

2077
01:36:54,000 --> 01:36:56,080
Speaker 3: I thought that's why they showed this title, because they showed.

2078
01:36:55,920 --> 01:36:58,720
Speaker 5: Him in office. I'm looking at that scene different now.

2079
01:36:58,720 --> 01:37:01,400
Speaker 5: It's like, oh, like she felt that I have to

2080
01:37:01,400 --> 01:37:03,960
Speaker 5: do Yeah. So now she did get sexual harassed.

2081
01:37:03,640 --> 01:37:06,960
Speaker 1: Like no that that that scene didn't play out in

2082
01:37:07,040 --> 01:37:10,880
Speaker 1: that way. But she she was, she was she went

2083
01:37:11,000 --> 01:37:12,160
Speaker 1: for We all saw that.

2084
01:37:13,040 --> 01:37:14,719
Speaker 3: But kin, that's how the story is gonna be told.

2085
01:37:14,720 --> 01:37:18,719
Speaker 3: That's how the story. But that's not that is the story.

2086
01:37:18,720 --> 01:37:20,639
Speaker 3: You're right, Yeah, that's not even start being told.

2087
01:37:21,000 --> 01:37:23,280
Speaker 2: The thing is she if it's power because of the

2088
01:37:23,280 --> 01:37:26,280
Speaker 2: power that sexual I think about it. If her boss

2089
01:37:26,360 --> 01:37:28,439
Speaker 2: kisses her and she doesn't want it, in the back

2090
01:37:28,439 --> 01:37:30,559
Speaker 2: of her head, I don't do this, He's gonna find us.

2091
01:37:30,600 --> 01:37:33,200
Speaker 2: So now I have to get into this whole situation

2092
01:37:34,000 --> 01:37:35,559
Speaker 2: in order for me to keep my job.

2093
01:37:35,640 --> 01:37:37,760
Speaker 3: That's to me. That played into to me. That played

2094
01:37:37,760 --> 01:37:39,880
Speaker 3: into the willingness of it when she first she had

2095
01:37:39,920 --> 01:37:42,080
Speaker 3: to process it, and once she processed, she was like,

2096
01:37:42,720 --> 01:37:43,960
Speaker 3: that's I thought she was the boss.

2097
01:37:44,040 --> 01:37:44,920
Speaker 1: That's what the boss.

2098
01:37:44,920 --> 01:37:46,600
Speaker 2: But yeah, if that's the case, then yeah, and the

2099
01:37:46,640 --> 01:37:49,280
Speaker 2: way she because she probably thinking I told him I cheated.

2100
01:37:49,400 --> 01:37:53,160
Speaker 2: Now you thinking again take advantage? Like all that matters

2101
01:37:53,240 --> 01:37:54,960
Speaker 2: if that's the now. So now it's it's just adding

2102
01:37:55,000 --> 01:37:55,640
Speaker 2: more to it for me.

2103
01:37:55,720 --> 01:38:00,679
Speaker 4: Yeah, yeah, No, I don't disagree with what you're saying

2104
01:38:00,680 --> 01:38:05,400
Speaker 4: in other contexts in this movie. What what I saw,

2105
01:38:05,520 --> 01:38:10,880
Speaker 4: what y'all saw was none of that ship and the

2106
01:38:10,960 --> 01:38:13,479
Speaker 4: story will be told the way y'all said it, But

2107
01:38:13,640 --> 01:38:17,680
Speaker 4: y'all know good and damn will that she wanted that

2108
01:38:17,720 --> 01:38:18,880
Speaker 4: ship and she went for.

2109
01:38:22,840 --> 01:38:24,080
Speaker 3: Twitter right now.

2110
01:38:24,320 --> 01:38:24,519
Speaker 2: Six.

2111
01:38:28,920 --> 01:38:30,160
Speaker 3: You can't do that.

2112
01:38:31,560 --> 01:38:33,760
Speaker 5: Yeah, even the way it's just even I'm thinking about

2113
01:38:33,800 --> 01:38:35,920
Speaker 5: the way she did it too. It was like assume

2114
01:38:36,000 --> 01:38:39,599
Speaker 5: the position type ship like it wasn't on something like

2115
01:38:40,000 --> 01:38:42,720
Speaker 5: this is the spur of the moment attracted to him.

2116
01:38:43,040 --> 01:38:45,280
Speaker 3: She wasn't in that way. Yeah, she just did it

2117
01:38:45,280 --> 01:38:49,519
Speaker 3: because she felt like this what's required right now. No,

2118
01:38:49,840 --> 01:38:50,400
Speaker 3: she wasn't.

2119
01:38:50,960 --> 01:38:54,080
Speaker 1: Yeah that's what you is that what you're saying you

2120
01:38:54,160 --> 01:38:57,479
Speaker 1: think happened, yes, or you just saying that's how people

2121
01:38:57,479 --> 01:38:58,240
Speaker 1: are gonna look at it.

2122
01:38:58,320 --> 01:39:01,679
Speaker 3: I'm saying that's how she's telling the story. We watched

2123
01:39:01,680 --> 01:39:02,160
Speaker 3: it happen.

2124
01:39:02,520 --> 01:39:03,680
Speaker 1: Okay, that's.

2125
01:39:04,960 --> 01:39:06,040
Speaker 2: Knowing that that's her boss.

2126
01:39:06,080 --> 01:39:08,040
Speaker 3: I kind of took it that way as well, Like

2127
01:39:08,120 --> 01:39:10,120
Speaker 3: she's looking at this from I thought she was looking

2128
01:39:10,120 --> 01:39:12,320
Speaker 3: at it from a power dynamic standpoint when.

2129
01:39:12,160 --> 01:39:12,960
Speaker 1: It first happened.

2130
01:39:13,000 --> 01:39:18,080
Speaker 3: Yeah. No, she wasn't turned on or nothing gave like

2131
01:39:18,160 --> 01:39:18,680
Speaker 3: she was just.

2132
01:39:19,120 --> 01:39:25,439
Speaker 1: Recoupable any sort of I have to do.

2133
01:39:25,880 --> 01:39:30,360
Speaker 2: Never mind, I want to take it the boss though,

2134
01:39:31,080 --> 01:39:34,640
Speaker 2: I'm telling you his title was something like superintendent, like

2135
01:39:34,680 --> 01:39:37,200
Speaker 2: he was the head head curator of the museum.

2136
01:39:37,200 --> 01:39:39,519
Speaker 3: That's what his title was head curatoric, I don't say

2137
01:39:39,560 --> 01:39:43,280
Speaker 3: that she's the boss, says a coworker. Either way, that's

2138
01:39:43,320 --> 01:39:46,160
Speaker 3: the head curator. Like I'm thinking that she asking to

2139
01:39:46,240 --> 01:39:48,000
Speaker 3: him because he went to about that book. It was like,

2140
01:39:48,000 --> 01:39:49,439
Speaker 3: how does this book get on my desk? She's like

2141
01:39:49,560 --> 01:39:54,000
Speaker 3: the mail. So I'm thinking that she answers to him.

2142
01:39:54,160 --> 01:39:54,679
Speaker 3: Could be.

2143
01:39:59,080 --> 01:40:05,880
Speaker 5: So we we go to we get we transition to

2144
01:40:06,360 --> 01:40:09,480
Speaker 5: uh Charlie back at his apartment.

2145
01:40:10,880 --> 01:40:14,280
Speaker 3: With blood on his tucks, and we.

2146
01:40:14,240 --> 01:40:16,240
Speaker 2: Don't really see completely how the blood got there. We

2147
01:40:16,320 --> 01:40:18,280
Speaker 2: just know that Blake approached him, so we just didn't

2148
01:40:18,360 --> 01:40:22,160
Speaker 2: got the beats. But while he's looking for him, get

2149
01:40:22,160 --> 01:40:26,040
Speaker 2: a transition back to the scene where Blake approaches him

2150
01:40:26,439 --> 01:40:27,759
Speaker 2: and this nigga head.

2151
01:40:27,920 --> 01:40:31,719
Speaker 4: But this nigga, he looked like a crazy white boy

2152
01:40:31,800 --> 01:40:34,960
Speaker 4: the first time we were in the first time we saw.

2153
01:40:34,800 --> 01:40:37,479
Speaker 3: Him, I said the same. I said that that tip,

2154
01:40:37,520 --> 01:40:39,479
Speaker 3: that that looked like a typical move for him. Like

2155
01:40:39,680 --> 01:40:42,360
Speaker 3: I'm started with the hands, but like I'm leading with

2156
01:40:44,240 --> 01:40:46,599
Speaker 3: crazy motherfucker's leading with the head.

2157
01:40:46,680 --> 01:40:53,240
Speaker 2: But geez, I can't but the nigga I pressed my hand,

2158
01:40:53,800 --> 01:40:54,639
Speaker 2: could I do wonder?

2159
01:40:55,040 --> 01:40:59,160
Speaker 3: Nigas head? But I'm like why should go there feeling too.

2160
01:41:00,680 --> 01:41:04,000
Speaker 2: I'd rather my hand be hurt your head head.

2161
01:41:04,040 --> 01:41:06,600
Speaker 1: But it's crazy.

2162
01:41:08,400 --> 01:41:09,840
Speaker 3: I don't do that ship like I don't.

2163
01:41:09,920 --> 01:41:10,400
Speaker 1: I just don't.

2164
01:41:10,680 --> 01:41:12,880
Speaker 3: I ain't never bumped my head and it felt I couldn't.

2165
01:41:13,200 --> 01:41:15,559
Speaker 2: That's what I'm saying. I always I've hit my head

2166
01:41:15,560 --> 01:41:17,559
Speaker 2: a bunch of times and it has not felt good

2167
01:41:17,640 --> 01:41:19,320
Speaker 2: to that, Like I always hurt.

2168
01:41:19,720 --> 01:41:21,080
Speaker 3: Like I never understood that.

2169
01:41:21,200 --> 01:41:25,879
Speaker 1: If you apply the force and stuff is different. No, man,

2170
01:41:26,080 --> 01:41:26,719
Speaker 1: I have to study.

2171
01:41:27,760 --> 01:41:29,840
Speaker 5: That's why UFC when they be doing that and yeah,

2172
01:41:29,960 --> 01:41:33,400
Speaker 5: like yeah, y'all better than y'all, y'all love it different differently.

2173
01:41:33,680 --> 01:41:35,720
Speaker 3: He looked like a UFC dude, That's what he looked like,

2174
01:41:35,840 --> 01:41:40,519
Speaker 3: some big tall UFC fight. What did y'all think of

2175
01:41:40,840 --> 01:41:42,280
Speaker 3: Robert Pattinson's performance here?

2176
01:41:42,320 --> 01:41:44,920
Speaker 2: Like being alone and playing the music and that was good,

2177
01:41:45,400 --> 01:41:47,760
Speaker 2: hugging itself and ship like that, like even looking in

2178
01:41:47,840 --> 01:41:50,960
Speaker 2: the mirror of facial acting. It's just like, man, all

2179
01:41:51,000 --> 01:41:51,719
Speaker 2: of this for this.

2180
01:41:52,240 --> 01:41:56,680
Speaker 3: Like I fucked everything up, bro, I fucked everything up

2181
01:41:56,840 --> 01:41:58,559
Speaker 3: just being in my head like you could see it

2182
01:41:58,680 --> 01:42:00,920
Speaker 3: all over his face. That was that was dope.

2183
01:42:01,680 --> 01:42:06,000
Speaker 5: I really with this because that in this moment even

2184
01:42:06,200 --> 01:42:08,160
Speaker 5: playing the music, and he like slowed out the dance.

2185
01:42:08,800 --> 01:42:11,000
Speaker 5: I was like, I'm trying to find some sense of happiness,

2186
01:42:11,160 --> 01:42:13,720
Speaker 5: trying to find some joy here because I'm fun.

2187
01:42:13,880 --> 01:42:16,360
Speaker 2: This is all fucked up, because I'm fucked up on

2188
01:42:16,479 --> 01:42:18,080
Speaker 2: what's supposed to be the best day of my best

2189
01:42:18,120 --> 01:42:20,720
Speaker 2: day of my life, and I'm just fucked up and

2190
01:42:21,200 --> 01:42:21,760
Speaker 2: stupid ass.

2191
01:42:21,800 --> 01:42:26,480
Speaker 1: Can let some ship go? Now? Look at your dumb ass.

2192
01:42:25,439 --> 01:42:27,960
Speaker 3: It seems said so much without saying ship.

2193
01:42:29,320 --> 01:42:33,680
Speaker 1: He said, yeah, that she whenever he's being a dick

2194
01:42:33,800 --> 01:42:34,280
Speaker 1: or something like that.

2195
01:42:35,800 --> 01:42:36,040
Speaker 3: Yeah.

2196
01:42:36,080 --> 01:42:38,639
Speaker 2: Man, I thought this scene was a real dope scene

2197
01:42:38,640 --> 01:42:39,800
Speaker 2: to put right before the ending.

2198
01:42:39,960 --> 01:42:42,519
Speaker 3: At this point, I guess the ending though, Okay, so

2199
01:42:42,880 --> 01:42:44,439
Speaker 3: this was like when they was doing this, or like

2200
01:42:44,520 --> 01:42:46,519
Speaker 3: he going to the diner and she gonna come to

2201
01:42:46,560 --> 01:42:48,920
Speaker 3: the dinner. I didn't get all the way with what

2202
01:42:48,920 --> 01:42:51,040
Speaker 3: they do, what they was gonna do when she sit down,

2203
01:42:51,320 --> 01:42:52,759
Speaker 3: but I was like, they're gonna meet at the diner,

2204
01:42:53,200 --> 01:42:56,320
Speaker 3: which I wasn't mad at. I feel like it was appropriate.

2205
01:42:56,840 --> 01:42:59,360
Speaker 4: I didn't, but I was wondering how they're going to

2206
01:42:59,720 --> 01:43:03,400
Speaker 4: end it. But I thought the ending worked because they

2207
01:43:03,439 --> 01:43:07,880
Speaker 4: both now have fucked up one way or the other.

2208
01:43:08,000 --> 01:43:11,080
Speaker 4: So even though I don't, I think this fuck up

2209
01:43:11,280 --> 01:43:14,000
Speaker 4: is way worse. But I think they look now as

2210
01:43:14,160 --> 01:43:17,839
Speaker 4: view equally. I think now she's saying that there's something

2211
01:43:17,920 --> 01:43:20,920
Speaker 4: that you can't get over with me, and now there's

2212
01:43:20,960 --> 01:43:23,720
Speaker 4: something that I can't get over with you. So when

2213
01:43:23,760 --> 01:43:25,880
Speaker 4: they tried this role playing thing before, when they wanted

2214
01:43:25,920 --> 01:43:28,160
Speaker 4: to start over, that's how she wanted to start over,

2215
01:43:28,200 --> 01:43:32,599
Speaker 4: to get him comfortable by needing a completely different person,

2216
01:43:33,000 --> 01:43:34,519
Speaker 4: and she wanted to go ahead and do the same

2217
01:43:34,520 --> 01:43:35,160
Speaker 4: thing with him.

2218
01:43:35,280 --> 01:43:37,000
Speaker 1: And this is how she's gonna cope.

2219
01:43:37,280 --> 01:43:39,839
Speaker 3: I don't know if that's how that's gonna work. Really,

2220
01:43:40,520 --> 01:43:41,120
Speaker 3: I looked at it.

2221
01:43:41,360 --> 01:43:43,479
Speaker 1: You don't think it's gonna work, or I.

2222
01:43:43,720 --> 01:43:49,519
Speaker 3: Mean, he fucked up. It's like he fucked up everything,

2223
01:43:49,560 --> 01:43:51,400
Speaker 3: even the thing that he can't get over. You should

2224
01:43:51,400 --> 01:43:53,960
Speaker 3: be able to get over what the fuck? So he hasn't, though,

2225
01:43:54,080 --> 01:43:56,240
Speaker 3: But that's his problem. I don't think.

2226
01:43:56,600 --> 01:43:58,519
Speaker 1: I don't think it's his problem. But it's a problem

2227
01:43:58,560 --> 01:43:59,280
Speaker 1: for both of them.

2228
01:43:59,320 --> 01:44:03,479
Speaker 2: Though it's a problem for her. But if she stays

2229
01:44:03,520 --> 01:44:06,680
Speaker 2: with him, and she is, but they we don't know that.

2230
01:44:06,760 --> 01:44:08,160
Speaker 3: I don't know that. I think that's the point.

2231
01:44:08,160 --> 01:44:11,400
Speaker 4: But I think up to the wedding, though they both

2232
01:44:11,439 --> 01:44:15,200
Speaker 4: have at some point agreed to move forward, her and him,

2233
01:44:15,320 --> 01:44:18,439
Speaker 4: so so she agreed to stay with him and he

2234
01:44:18,479 --> 01:44:19,519
Speaker 4: agreed to stay with her.

2235
01:44:20,040 --> 01:44:21,160
Speaker 1: It's just that he.

2236
01:44:21,120 --> 01:44:25,240
Speaker 4: Went in and fucked it up by having by not

2237
01:44:25,360 --> 01:44:29,559
Speaker 4: letting it go and having that sexual assault with old

2238
01:44:29,560 --> 01:44:31,160
Speaker 4: girl as.

2239
01:44:31,080 --> 01:44:31,639
Speaker 1: They call it.

2240
01:44:31,680 --> 01:44:34,600
Speaker 5: But my issue is that Emma never did anything to

2241
01:44:34,680 --> 01:44:38,679
Speaker 5: question her loyalty to him. I agree, like she never

2242
01:44:38,800 --> 01:44:44,200
Speaker 5: There was never anything that she did that should have

2243
01:44:44,240 --> 01:44:46,400
Speaker 5: made him feel like the relationship doesn't work.

2244
01:44:47,200 --> 01:44:51,519
Speaker 3: So I agree. I think she actually doubled down like

2245
01:44:51,760 --> 01:44:54,400
Speaker 3: this is how much I fuck with you? You fucked you,

2246
01:44:54,960 --> 01:44:59,040
Speaker 3: like I feel like her even coming to that the

2247
01:44:59,080 --> 01:45:01,040
Speaker 3: Dieter sitting down in doing a role place like I

2248
01:45:01,080 --> 01:45:02,880
Speaker 3: told your dumb ass like you know how women, I

2249
01:45:02,920 --> 01:45:05,519
Speaker 3: told your stupid AsSalt eve it alone. Now look at you,

2250
01:45:05,520 --> 01:45:07,559
Speaker 3: you sit in the diner on your weddnight with the

2251
01:45:07,600 --> 01:45:10,200
Speaker 3: beats on your face, and I had to come, not

2252
01:45:10,520 --> 01:45:12,800
Speaker 3: save you, but I had to come start this over

2253
01:45:12,840 --> 01:45:15,479
Speaker 3: because you couldn't leave some dump shit alone. And I

2254
01:45:15,520 --> 01:45:17,599
Speaker 3: think that spoke to the like how much she actually

2255
01:45:17,640 --> 01:45:19,559
Speaker 3: loved him, because she was saying, like I really fuck

2256
01:45:19,600 --> 01:45:22,040
Speaker 3: with I've never loved nobody like this before. And even

2257
01:45:22,040 --> 01:45:23,680
Speaker 3: though she was mad, and she was mad that he

2258
01:45:23,680 --> 01:45:26,120
Speaker 3: couldn't get over and she probably was mad, and he's

2259
01:45:26,120 --> 01:45:30,439
Speaker 3: gonna have a conversation about that kiss. So that's another

2260
01:45:30,479 --> 01:45:32,840
Speaker 3: conversation is going to be had about that. But even

2261
01:45:32,880 --> 01:45:35,960
Speaker 3: her going to the diner was her saying, I'm here

2262
01:45:36,000 --> 01:45:38,320
Speaker 3: for this. This is this is love to me, and

2263
01:45:38,360 --> 01:45:41,320
Speaker 3: you're my person, and I'm going to forgive you and

2264
01:45:41,439 --> 01:45:43,120
Speaker 3: let's do the thing that I tried to get you

2265
01:45:43,160 --> 01:45:46,160
Speaker 3: to do in the hotel and start over and excuse

2266
01:45:46,200 --> 01:45:48,640
Speaker 3: me in the apartment and start over and leave this

2267
01:45:48,680 --> 01:45:51,040
Speaker 3: shit behind us. And she came, it's like, I'm still

2268
01:45:51,080 --> 01:45:53,800
Speaker 3: willing to do that, even though you fucked everything up.

2269
01:45:54,400 --> 01:45:56,120
Speaker 1: Yeah, that's what I thought. It was. The sales are

2270
01:45:56,160 --> 01:45:56,639
Speaker 1: not equal.

2271
01:45:57,640 --> 01:45:59,160
Speaker 3: Why she didn't have no sense to know.

2272
01:45:59,160 --> 01:46:02,759
Speaker 1: What I'm just saying. So, but they're they're they're not equal.

2273
01:46:02,840 --> 01:46:08,680
Speaker 4: He has done more harm because he has violated their trust.

2274
01:46:09,160 --> 01:46:12,040
Speaker 1: Before he she didn't do that.

2275
01:46:13,200 --> 01:46:16,720
Speaker 4: Her sin or negative thought or whatever we want to

2276
01:46:16,760 --> 01:46:20,280
Speaker 4: call it, was when she was a kid, you know,

2277
01:46:20,360 --> 01:46:23,559
Speaker 4: a teenager, she thought about doing well, she almost went

2278
01:46:23,600 --> 01:46:26,080
Speaker 4: through with doing something because she did take the rifle

2279
01:46:26,120 --> 01:46:26,639
Speaker 4: to the school.

2280
01:46:27,320 --> 01:46:28,400
Speaker 1: She just didn't do it.

2281
01:46:28,600 --> 01:46:30,360
Speaker 3: But I don't even think that's a sin. I think

2282
01:46:30,360 --> 01:46:33,400
Speaker 3: that even speaks a testament to her, the woman that

2283
01:46:33,520 --> 01:46:37,240
Speaker 3: saved the relationship, because even that I was open enough

2284
01:46:37,240 --> 01:46:39,840
Speaker 3: to tell you that, that's I really don't want to

2285
01:46:39,840 --> 01:46:40,639
Speaker 3: tell nobody.

2286
01:46:40,760 --> 01:46:43,320
Speaker 4: She wasn't open to tell that, but she told him

2287
01:46:43,880 --> 01:46:47,519
Speaker 4: because of the stupid ass game. And yeah, and you know,

2288
01:46:47,680 --> 01:46:49,920
Speaker 4: if we go with what Michae was saying, she was drunk.

2289
01:46:50,200 --> 01:46:51,760
Speaker 1: She never was gonna tell him that at all. If

2290
01:46:51,760 --> 01:46:53,559
Speaker 1: that game never come up, she never would have.

2291
01:46:53,600 --> 01:46:55,320
Speaker 3: That's not I mean, I don't think I would hold

2292
01:46:55,360 --> 01:46:56,080
Speaker 3: that again to her.

2293
01:46:56,840 --> 01:46:58,559
Speaker 1: He shouldn't have. I thought it was stupid.

2294
01:46:58,640 --> 01:47:03,160
Speaker 5: Yeah, So I mean, I think it's also a big

2295
01:47:03,200 --> 01:47:05,080
Speaker 5: assumption that they're gonna be together.

2296
01:47:06,439 --> 01:47:07,320
Speaker 2: I assumed that they were.

2297
01:47:07,520 --> 01:47:08,080
Speaker 3: Yeah, I don't know.

2298
01:47:08,160 --> 01:47:09,679
Speaker 5: I don't think if that's what I was from the scene,

2299
01:47:09,720 --> 01:47:12,000
Speaker 5: I think I think it leaves us it's just ambiguous.

2300
01:47:12,000 --> 01:47:13,639
Speaker 5: And I'm fine with that as far as like what's

2301
01:47:13,640 --> 01:47:17,320
Speaker 5: gonna be next, Like maybe from because the conversation feels

2302
01:47:17,320 --> 01:47:19,360
Speaker 5: like this is the conversation that needs to be had

2303
01:47:19,760 --> 01:47:21,559
Speaker 5: and we don't know what comes because if she really

2304
01:47:21,600 --> 01:47:22,240
Speaker 5: breaks it down.

2305
01:47:24,640 --> 01:47:25,479
Speaker 3: You cheated on.

2306
01:47:25,479 --> 01:47:28,479
Speaker 5: Me, Yeah, y'all, y'all are saying that's probably the biggest thing,

2307
01:47:28,640 --> 01:47:31,040
Speaker 5: But it's not that. It's the fact that you didn't

2308
01:47:31,080 --> 01:47:34,519
Speaker 5: trust me and you were second guessing me as a person,

2309
01:47:34,960 --> 01:47:37,800
Speaker 5: and through that you showed up as a totally different person.

2310
01:47:39,000 --> 01:47:42,280
Speaker 3: Fair point, Like you, all this spirals.

2311
01:47:41,840 --> 01:47:44,600
Speaker 5: From you being fixated on something and you became a

2312
01:47:44,640 --> 01:47:47,360
Speaker 5: totally different person. In my eyes, you ended up like

2313
01:47:48,400 --> 01:47:50,160
Speaker 5: if you really gets you don't know, but you were

2314
01:47:50,200 --> 01:47:53,000
Speaker 5: lying about my past to other people. You were talking

2315
01:47:53,040 --> 01:47:55,200
Speaker 5: about me to somebody else, then you want to kiss

2316
01:47:55,280 --> 01:47:57,559
Speaker 5: that person, then you lie to my face about it.

2317
01:47:58,040 --> 01:48:01,240
Speaker 5: So this person that I thought like you basically became

2318
01:48:01,280 --> 01:48:03,000
Speaker 5: what you thought I was. You thought I was a

2319
01:48:03,040 --> 01:48:07,479
Speaker 5: totally different person because of one thing, but you showed

2320
01:48:07,520 --> 01:48:10,639
Speaker 5: up because of this one thing, a totally different person to.

2321
01:48:10,640 --> 01:48:12,760
Speaker 3: Your point about it being and like, I love how

2322
01:48:12,760 --> 01:48:15,200
Speaker 3: ambiguous it was. I didn't need a happy inded I

2323
01:48:15,200 --> 01:48:18,479
Speaker 3: didn't need after this seeing them to go and have kids,

2324
01:48:18,520 --> 01:48:20,840
Speaker 3: and like I didn't need it. This was perfect on

2325
01:48:20,880 --> 01:48:23,760
Speaker 3: how they ended it, Like cause you said, we know

2326
01:48:23,800 --> 01:48:26,920
Speaker 3: black women, there's definitely gonna be another conversation about their kids,

2327
01:48:26,960 --> 01:48:31,439
Speaker 3: that's gonna happen, and even with them like starting over,

2328
01:48:31,560 --> 01:48:33,280
Speaker 3: like they just meant who was to say that? Like

2329
01:48:33,320 --> 01:48:35,200
Speaker 3: you said that it will go that far, like they

2330
01:48:35,240 --> 01:48:38,240
Speaker 3: may realize stuff or have realized stuff about each other

2331
01:48:38,280 --> 01:48:40,240
Speaker 3: where it's like, I ain't fucking with you like that.

2332
01:48:40,680 --> 01:48:43,599
Speaker 3: I thought I was, but now that we've restarted, let's

2333
01:48:43,680 --> 01:48:45,720
Speaker 3: not so. I love how they edit it.

2334
01:48:45,960 --> 01:48:48,479
Speaker 1: I liked it. I liked and two I do think

2335
01:48:48,560 --> 01:48:50,639
Speaker 1: and uh, the way I see it, I do see

2336
01:48:50,680 --> 01:48:53,519
Speaker 1: them still being together. I think it took a lot

2337
01:48:53,640 --> 01:48:56,639
Speaker 1: for her to sit down at that table. You can

2338
01:48:56,800 --> 01:48:59,000
Speaker 1: see it. She was struggling.

2339
01:48:59,080 --> 01:49:00,080
Speaker 3: She did a great job at.

2340
01:49:00,080 --> 01:49:01,080
Speaker 1: To get through that.

2341
01:49:01,800 --> 01:49:07,760
Speaker 4: Knowing that he did that the day before or a

2342
01:49:07,800 --> 01:49:11,839
Speaker 4: couple of days before that that broke her. In addition

2343
01:49:11,840 --> 01:49:14,479
Speaker 4: to everything else you just laid out, that's enough for

2344
01:49:14,520 --> 01:49:17,120
Speaker 4: her to walk away from the table. I think there's

2345
01:49:17,160 --> 01:49:19,200
Speaker 4: a lot of work that has to be done in

2346
01:49:19,280 --> 01:49:23,840
Speaker 4: terms of what one thing she knows is that I

2347
01:49:23,880 --> 01:49:27,360
Speaker 4: think she can really know that he absolutely loves and

2348
01:49:27,400 --> 01:49:31,160
Speaker 4: adores her. And I think what she'll have to try

2349
01:49:31,200 --> 01:49:33,720
Speaker 4: to make piece. Yeah, And I think what she'll have

2350
01:49:33,800 --> 01:49:34,280
Speaker 4: to make.

2351
01:49:34,160 --> 01:49:39,640
Speaker 1: Pieces is what he did was an emotional reaction to

2352
01:49:39,880 --> 01:49:42,840
Speaker 1: a thing that he couldn't understand and he wasn't able

2353
01:49:42,840 --> 01:49:43,320
Speaker 1: to process.

2354
01:49:43,439 --> 01:49:46,600
Speaker 5: And I think, but I don't think he nah. I

2355
01:49:46,640 --> 01:49:48,559
Speaker 5: think I guess I look at it a little bit different.

2356
01:49:48,720 --> 01:49:50,840
Speaker 5: I don't think he loves and adore her because.

2357
01:49:53,400 --> 01:49:57,920
Speaker 2: He if he truly loved and endure her when he

2358
01:49:57,960 --> 01:50:00,479
Speaker 2: was having that conversation with Misha and he he realized

2359
01:50:00,520 --> 01:50:01,519
Speaker 2: how fucked up it was.

2360
01:50:02,120 --> 01:50:04,879
Speaker 3: That would have been enough like that.

2361
01:50:04,640 --> 01:50:06,880
Speaker 5: That's that should have like it should have a like

2362
01:50:07,160 --> 01:50:08,839
Speaker 5: way before that should have been fixed.

2363
01:50:09,280 --> 01:50:11,160
Speaker 3: But that should have been like for you right there

2364
01:50:11,200 --> 01:50:14,439
Speaker 3: that moment, to be like, you know what.

2365
01:50:16,280 --> 01:50:18,719
Speaker 5: Everything I'm asking me should And even though I'm asking

2366
01:50:18,760 --> 01:50:20,920
Speaker 5: these questions and I'm not getting ask I know the

2367
01:50:20,960 --> 01:50:21,760
Speaker 5: answer deep down.

2368
01:50:22,040 --> 01:50:23,880
Speaker 1: But he still was willing to go through with the wedding.

2369
01:50:23,960 --> 01:50:26,320
Speaker 4: I think if he he was, he was he was

2370
01:50:27,280 --> 01:50:31,799
Speaker 4: he was finding ways to move forward in spite of

2371
01:50:32,200 --> 01:50:34,759
Speaker 4: like him questioning or having concerns about a character.

2372
01:50:35,120 --> 01:50:38,479
Speaker 2: I think that's just he's not confrontational. For one, We've

2373
01:50:38,560 --> 01:50:39,320
Speaker 2: learned that fact.

2374
01:50:39,520 --> 01:50:43,040
Speaker 5: So calling off the wedding is a totally that's a

2375
01:50:43,080 --> 01:50:44,960
Speaker 5: big ass thing to do right before days of.

2376
01:50:45,840 --> 01:50:47,840
Speaker 3: So for him that's not that big of a for

2377
01:50:47,920 --> 01:50:48,479
Speaker 3: his character.

2378
01:50:48,680 --> 01:50:52,000
Speaker 2: That's not something for him to do, like he doesn't

2379
01:50:52,040 --> 01:50:53,640
Speaker 2: know how to He wouldn't know how to do that

2380
01:50:53,680 --> 01:50:55,439
Speaker 2: in the first place, so he would have probably just

2381
01:50:55,439 --> 01:50:58,080
Speaker 2: continued to go along to get along, like that's not

2382
01:50:58,120 --> 01:51:00,439
Speaker 2: something and we've learned in his character he does doesn't

2383
01:51:00,520 --> 01:51:01,280
Speaker 2: have that in him.

2384
01:51:01,760 --> 01:51:04,080
Speaker 3: So just because he was going along with the wedding.

2385
01:51:03,920 --> 01:51:05,200
Speaker 5: That didn't prove to me that he was in love

2386
01:51:05,200 --> 01:51:07,240
Speaker 5: with her, and then he really seen some value in it,

2387
01:51:07,479 --> 01:51:09,400
Speaker 5: like you spend all his money as days ahead, like

2388
01:51:09,400 --> 01:51:10,800
Speaker 5: at this point we locked in.

2389
01:51:11,240 --> 01:51:13,479
Speaker 4: I feel like the way I was reading is that

2390
01:51:13,520 --> 01:51:15,960
Speaker 4: he didn't want to leave her over this, and he

2391
01:51:16,040 --> 01:51:18,080
Speaker 4: was gonna find a way to get past it. I

2392
01:51:18,120 --> 01:51:22,360
Speaker 4: think what really messed him up was the kiss, and

2393
01:51:22,400 --> 01:51:24,840
Speaker 4: I think that that's where he was really freaking out,

2394
01:51:24,920 --> 01:51:26,880
Speaker 4: especially when he started seeing him, because he knew at

2395
01:51:26,880 --> 01:51:28,040
Speaker 4: that point he really.

2396
01:51:27,760 --> 01:51:28,519
Speaker 1: Did fuck up.

2397
01:51:29,640 --> 01:51:31,639
Speaker 4: But I think there's a lot of things that will

2398
01:51:31,720 --> 01:51:34,120
Speaker 4: have to be resolved, like because he still got to

2399
01:51:34,120 --> 01:51:37,360
Speaker 4: deal with the dad that shit still because that's what

2400
01:51:37,360 --> 01:51:38,840
Speaker 4: I'm thinking about, Oh, you got to deal with the

2401
01:51:38,920 --> 01:51:40,720
Speaker 4: dad or everybody else.

2402
01:51:40,720 --> 01:51:42,000
Speaker 1: El was at the wedding like.

2403
01:51:42,520 --> 01:51:46,479
Speaker 4: So maybe all right, maybe the fallout from all of this,

2404
01:51:46,720 --> 01:51:50,519
Speaker 4: maybe the external factors maybe too much for them to

2405
01:51:50,960 --> 01:51:53,920
Speaker 4: get past. But I think if they isolate themselves and

2406
01:51:54,040 --> 01:51:56,400
Speaker 4: just focus on each other, I think they'll be able

2407
01:51:56,479 --> 01:51:59,439
Speaker 4: to move forward. They want to be together, yes, then

2408
01:51:59,520 --> 01:52:02,479
Speaker 4: agree with it, and you know, it's up to them

2409
01:52:02,560 --> 01:52:05,920
Speaker 4: to find out and realize how strong the love that

2410
01:52:05,960 --> 01:52:09,160
Speaker 4: they have is for one another. Isn't enough to put

2411
01:52:09,200 --> 01:52:11,800
Speaker 4: these things aside and move forward with you know, a

2412
01:52:11,840 --> 01:52:12,479
Speaker 4: future together?

2413
01:52:17,240 --> 01:52:17,880
Speaker 1: What on you' all?

2414
01:52:17,920 --> 01:52:21,280
Speaker 2: Mike here, I had to leave the review because of

2415
01:52:21,280 --> 01:52:24,160
Speaker 2: a family emergency, but because I enjoyed the movie so

2416
01:52:24,280 --> 01:52:27,160
Speaker 2: much and I was actually enjoying the conversation that we

2417
01:52:27,160 --> 01:52:29,640
Speaker 2: were having about it, I wanted to go ahead and

2418
01:52:29,720 --> 01:52:32,000
Speaker 2: give my thoughts on the rest of the film.

2419
01:52:32,560 --> 01:52:34,559
Speaker 6: So yeah, here we go.

2420
01:52:34,680 --> 01:52:37,360
Speaker 2: I went ahead and I took the questions that Jalen

2421
01:52:37,479 --> 01:52:40,000
Speaker 2: asked the crew and just kind of answered them on

2422
01:52:40,040 --> 01:52:44,439
Speaker 2: my own. So I went from the point of I

2423
01:52:44,479 --> 01:52:48,280
Speaker 2: had to leave to the end. And yeah, so Jyalen

2424
01:52:48,400 --> 01:52:52,120
Speaker 2: was asking what did you think about Emma's responses to

2425
01:52:53,280 --> 01:52:57,559
Speaker 2: Charlie's questioning. I actually agree with the guys that Charlie

2426
01:52:57,600 --> 01:53:00,600
Speaker 2: was being a bit too judgmental, and it kind of

2427
01:53:00,640 --> 01:53:02,400
Speaker 2: goes to what I was saying earlier about the fact

2428
01:53:02,400 --> 01:53:05,120
Speaker 2: that no one really asked Emma if she was okay.

2429
01:53:05,200 --> 01:53:09,160
Speaker 2: They just started to immediately think about themselves and how

2430
01:53:09,200 --> 01:53:12,920
Speaker 2: they feel and if they're in danger. Like no one

2431
01:53:12,960 --> 01:53:15,400
Speaker 2: there showed up for Emma in that moment. They only

2432
01:53:15,439 --> 01:53:18,680
Speaker 2: wanted to feel better about their own situations. That's how

2433
01:53:18,720 --> 01:53:22,519
Speaker 2: I saw it, Like no one even recognized the fact

2434
01:53:22,560 --> 01:53:25,040
Speaker 2: that Emma has to go the rest of her life

2435
01:53:26,200 --> 01:53:29,240
Speaker 2: with a deaf ear, you know, an injury that reminds

2436
01:53:29,280 --> 01:53:32,639
Speaker 2: her daily of a terrible decision that she almost made.

2437
01:53:33,120 --> 01:53:35,160
Speaker 6: Like Charlie, Rachel, and Mike.

2438
01:53:35,000 --> 01:53:39,320
Speaker 2: They're all able to address their past harms or whatever,

2439
01:53:39,760 --> 01:53:43,360
Speaker 2: but they can completely move on from them and you know,

2440
01:53:43,760 --> 01:53:45,720
Speaker 2: act like they never happened, even if the people that

2441
01:53:45,720 --> 01:53:48,280
Speaker 2: they harmed can't do that. And out of the four

2442
01:53:48,320 --> 01:53:52,120
Speaker 2: of them, only Emma is actually physically harmed by the

2443
01:53:52,160 --> 01:53:56,360
Speaker 2: actions she took and is regularly reminded of that thing

2444
01:53:56,400 --> 01:53:58,840
Speaker 2: that she did. So for the next part, they're kind

2445
01:53:58,880 --> 01:54:00,960
Speaker 2: of talking about the scene with thetographer, and they're also

2446
01:54:01,040 --> 01:54:04,200
Speaker 2: talking about that scene where they're kind of flashing to

2447
01:54:05,400 --> 01:54:09,639
Speaker 2: Charlie looking like he's dating the younger version of Emma.

2448
01:54:10,080 --> 01:54:12,719
Speaker 2: I agree that this scene was done really well, especially

2449
01:54:12,760 --> 01:54:16,920
Speaker 2: the picture part, because the picture it follows that scene

2450
01:54:16,920 --> 01:54:19,439
Speaker 2: where the photographer is she kept saying like, I'm gonna

2451
01:54:19,439 --> 01:54:21,400
Speaker 2: shoot you, and I'm gonna shoot your parents, and I'm

2452
01:54:21,400 --> 01:54:24,320
Speaker 2: going to shoot your grandparents, and of course it's a

2453
01:54:24,360 --> 01:54:27,439
Speaker 2: play on words, but it was so well done because

2454
01:54:27,439 --> 01:54:30,720
Speaker 2: it shows just how much that's weighing on Charlie, and

2455
01:54:30,760 --> 01:54:34,680
Speaker 2: that carries over into the pictures, like he looks incredibly

2456
01:54:34,880 --> 01:54:38,680
Speaker 2: uncomfortable the whole time because he no longer thinks he's

2457
01:54:38,800 --> 01:54:42,320
Speaker 2: he knows the person that he's marrying, right, So when

2458
01:54:42,360 --> 01:54:48,200
Speaker 2: it shows us Charlie walking with the teenage version of Emma,

2459
01:54:48,360 --> 01:54:50,200
Speaker 2: I thought that was a really good touch because it

2460
01:54:50,200 --> 01:54:54,520
Speaker 2: showed that Charlie thought he was dating or engaged to

2461
01:54:54,640 --> 01:54:59,000
Speaker 2: a completely different person. He's now marrying the old Emma,

2462
01:54:59,120 --> 01:55:03,120
Speaker 2: and in his she hasn't moved on from that. You know,

2463
01:55:04,080 --> 01:55:07,879
Speaker 2: she's still that person to Charlie and he can't separate

2464
01:55:07,920 --> 01:55:12,000
Speaker 2: the two. So about the scene where Charlie is kind

2465
01:55:12,000 --> 01:55:14,800
Speaker 2: of asking her if she did anything to get better,

2466
01:55:16,880 --> 01:55:18,960
Speaker 2: I think that that scene was really interesting because it

2467
01:55:19,000 --> 01:55:23,560
Speaker 2: showed us that Emma wasn't just some quote unquote crazy

2468
01:55:23,640 --> 01:55:29,680
Speaker 2: kid who wanted to shoot students, right. She changed after

2469
01:55:29,800 --> 01:55:35,520
Speaker 2: she saw the impact of what she was thinking about doing.

2470
01:55:35,960 --> 01:55:38,480
Speaker 2: You know, she sees the other school shooting and the

2471
01:55:38,560 --> 01:55:42,240
Speaker 2: kids that were impacted by that. So I think what

2472
01:55:42,360 --> 01:55:45,120
Speaker 2: this whole scene shows us is Emma just had a

2473
01:55:45,120 --> 01:55:48,200
Speaker 2: moment of anger and bad judgment, but she understood that

2474
01:55:48,320 --> 01:55:50,960
Speaker 2: she never really wanted to actually hurt anyone.

2475
01:55:52,080 --> 01:55:55,120
Speaker 6: It also shows us it also kind.

2476
01:55:54,920 --> 01:55:57,680
Speaker 2: Of serves as a reminder to us to not always

2477
01:55:57,760 --> 01:56:00,880
Speaker 2: judge people just because they've done terrible things or had

2478
01:56:00,960 --> 01:56:03,840
Speaker 2: terrible thoughts in the past. You know that people can

2479
01:56:03,880 --> 01:56:07,280
Speaker 2: make changes, and if they make tangible changes to their

2480
01:56:07,320 --> 01:56:10,280
Speaker 2: behavior and they make an effort to help other people

2481
01:56:10,360 --> 01:56:13,440
Speaker 2: that are maybe going through that, then I think that

2482
01:56:13,480 --> 01:56:18,160
Speaker 2: should count towards how they're viewed. Right, And this side thing,

2483
01:56:18,200 --> 01:56:20,640
Speaker 2: it kind of goes to show what I'm always talking

2484
01:56:20,640 --> 01:56:23,720
Speaker 2: about with like fuckers like Andrew Schultz. You're like, just

2485
01:56:23,760 --> 01:56:28,280
Speaker 2: giving an apology isn't enough to rectify his mistake. You know,

2486
01:56:28,520 --> 01:56:32,600
Speaker 2: you have to make tangible moves, tangible changes.

2487
01:56:32,880 --> 01:56:34,920
Speaker 6: To the part where Charlie is kind.

2488
01:56:34,840 --> 01:56:39,520
Speaker 2: Of asking Emma questions about her childhood and kind of probing,

2489
01:56:41,040 --> 01:56:42,600
Speaker 2: you know, because there's that part where he has he

2490
01:56:42,680 --> 01:56:45,840
Speaker 2: just deletes his entire wedding speech. But I think for

2491
01:56:45,880 --> 01:56:48,560
Speaker 2: this part I actually agree with Spike. Charlie was trying

2492
01:56:48,600 --> 01:56:51,720
Speaker 2: to find out what work she had done to get better.

2493
01:56:51,880 --> 01:56:54,520
Speaker 2: That's why he's asking about therapy. It's not really about,

2494
01:56:54,920 --> 01:56:59,400
Speaker 2: you know, did it help her. It's more so he

2495
01:56:59,520 --> 01:57:02,320
Speaker 2: was self trying to find out what the therapist may

2496
01:57:02,360 --> 01:57:04,240
Speaker 2: have said the issue.

2497
01:57:03,880 --> 01:57:06,120
Speaker 6: With Emma might be, and he's just trying to make.

2498
01:57:06,080 --> 01:57:08,440
Speaker 2: Himself feel better by saying, well, she went to therapy,

2499
01:57:08,560 --> 01:57:11,280
Speaker 2: so this is in the past and she's better now.

2500
01:57:11,880 --> 01:57:16,360
Speaker 2: Now to the part where it shows, uh, Charlie and

2501
01:57:16,400 --> 01:57:18,800
Speaker 2: Emma trying to have sex and Charlie can't really get

2502
01:57:18,840 --> 01:57:21,960
Speaker 2: it up or whatever. For this part, I actually disagree

2503
01:57:22,000 --> 01:57:25,400
Speaker 2: with Ken. I think this whole thing does make complete sense.

2504
01:57:26,120 --> 01:57:29,800
Speaker 2: Even if he was accepting of what she'd done, it

2505
01:57:29,880 --> 01:57:32,440
Speaker 2: makes sense to me that this would affect his ability

2506
01:57:32,440 --> 01:57:33,480
Speaker 2: to perform sexually.

2507
01:57:34,560 --> 01:57:37,200
Speaker 6: And I think the fact that it was affecting him sexually.

2508
01:57:36,840 --> 01:57:41,720
Speaker 2: Shows that he does actually have care for Emma deep down.

2509
01:57:43,320 --> 01:57:46,480
Speaker 2: If this was just a piece of ass situation to Charlie.

2510
01:57:46,560 --> 01:57:47,840
Speaker 2: I think he could have just used her as a

2511
01:57:47,840 --> 01:57:50,560
Speaker 2: fuck doll, did his thing, and then just moved on.

2512
01:57:50,760 --> 01:57:54,120
Speaker 2: But him hyper focusing on what she had done tells

2513
01:57:54,160 --> 01:57:57,800
Speaker 2: me that he he sees sex with her as more

2514
01:57:58,000 --> 01:58:02,080
Speaker 2: than just sex. It's actually an act. Right, not saying

2515
01:58:02,080 --> 01:58:04,160
Speaker 2: he's right for hyper focusing. I'm just saying that I

2516
01:58:04,240 --> 01:58:07,040
Speaker 2: get it in that moment, and I'm also with Spike.

2517
01:58:07,120 --> 01:58:09,920
Speaker 2: He definitely did not move past it until the end

2518
01:58:10,080 --> 01:58:13,200
Speaker 2: of the actual movie and when they're discussing the part

2519
01:58:13,200 --> 01:58:17,040
Speaker 2: where Rachel says that Mike grew up around guns. This

2520
01:58:17,200 --> 01:58:20,520
Speaker 2: just outlines that someone can still be racist even if

2521
01:58:20,520 --> 01:58:24,800
Speaker 2: they're in an interracial relationship like them being in genuine love,

2522
01:58:24,960 --> 01:58:29,360
Speaker 2: like they could be infatuated just head over heels in

2523
01:58:29,440 --> 01:58:33,800
Speaker 2: love with their partner. But that doesn't remove racial parameters

2524
01:58:33,920 --> 01:58:37,400
Speaker 2: or biases from the situation, right. But what it really

2525
01:58:37,440 --> 01:58:39,400
Speaker 2: told me here is that she was going to use

2526
01:58:39,400 --> 01:58:43,080
Speaker 2: her partner's race to back up her prejudices about Emma,

2527
01:58:43,480 --> 01:58:47,920
Speaker 2: and that is peak fuckery to me. To the part

2528
01:58:47,920 --> 01:58:50,680
Speaker 2: where they're discussing was Charlie wrong for the way he

2529
01:58:50,800 --> 01:58:55,520
Speaker 2: defended Emma, No, I actually don't think Charlie did a

2530
01:58:55,560 --> 01:58:58,200
Speaker 2: good job. I don't think he did quote all he

2531
01:58:58,240 --> 01:59:03,800
Speaker 2: could do more about Charlie to me than it did Emma.

2532
01:59:03,960 --> 01:59:06,840
Speaker 2: You know what I mean. He was partly defending Emma

2533
01:59:06,880 --> 01:59:11,200
Speaker 2: to himself, like trying to convince himself of the same

2534
01:59:11,240 --> 01:59:15,200
Speaker 2: shit that he was saying to Rachel and Mike. I

2535
01:59:15,240 --> 01:59:19,240
Speaker 2: do disagree with y'all about how Mike needs to get

2536
01:59:19,240 --> 01:59:22,800
Speaker 2: his woman quote under control. I mean, I'm sure it

2537
01:59:22,880 --> 01:59:27,200
Speaker 2: was partly joke, but look, man, she's her own person.

2538
01:59:27,320 --> 01:59:30,480
Speaker 2: Rachel is her own person, so men getting their women

2539
01:59:30,520 --> 01:59:32,600
Speaker 2: under control to me is just some cave man bullshit.

2540
01:59:32,960 --> 01:59:36,520
Speaker 2: I do agree that he should have pulled he being Charlie,

2541
01:59:36,520 --> 01:59:39,720
Speaker 2: he should have pulled Mike aside and said, look, man like,

2542
01:59:39,840 --> 01:59:43,240
Speaker 2: can you have a conversation with her and maybe explain

2543
01:59:43,360 --> 01:59:46,240
Speaker 2: my side because if she can't move past this, then

2544
01:59:46,240 --> 01:59:47,840
Speaker 2: I'm going to have to remove her from the wedding.

2545
01:59:47,880 --> 01:59:50,920
Speaker 2: And since you're my homeboy, I don't want this to

2546
01:59:50,960 --> 01:59:54,960
Speaker 2: affect you or affect how you see me and our friendship.

2547
01:59:55,480 --> 01:59:57,120
Speaker 6: And boom that's done.

2548
01:59:57,880 --> 02:00:02,680
Speaker 2: Maybe that's some antics for quote getting your woman under control.

2549
02:00:02,920 --> 02:00:04,720
Speaker 6: I don't know, but I.

2550
02:00:05,040 --> 02:00:07,640
Speaker 2: Also agree with Ken here that I don't think the

2551
02:00:07,640 --> 02:00:09,880
Speaker 2: way that Rachel was attacking Emma in terms of the

2552
02:00:09,880 --> 02:00:12,960
Speaker 2: school shooting was based in race at all, at least

2553
02:00:12,640 --> 02:00:15,760
Speaker 2: I didn't see it that way. And the retort from

2554
02:00:15,760 --> 02:00:18,920
Speaker 2: Emma to the teacher about school shootings only being men

2555
02:00:19,080 --> 02:00:21,000
Speaker 2: was more to show that Emma had done her research

2556
02:00:22,120 --> 02:00:24,920
Speaker 2: on this because she knew that there were a few

2557
02:00:24,960 --> 02:00:27,960
Speaker 2: women who had done it too. I didn't take it

2558
02:00:28,000 --> 02:00:30,800
Speaker 2: as hey, there are black people that do it, or

2559
02:00:30,800 --> 02:00:32,640
Speaker 2: there are black women. I didn't read it that way.

2560
02:00:34,160 --> 02:00:37,240
Speaker 2: This may have been a way for Emma to kind

2561
02:00:37,240 --> 02:00:41,040
Speaker 2: of justify her involvement in what she was doing, but

2562
02:00:41,040 --> 02:00:42,880
Speaker 2: it also may be a way to kind of level

2563
02:00:42,880 --> 02:00:45,600
Speaker 2: the playing field and say, like, hey, women are going

2564
02:00:45,600 --> 02:00:48,120
Speaker 2: through shit too, that may make them go do fucked

2565
02:00:48,200 --> 02:00:52,720
Speaker 2: up things. But I think all if I'm looking at

2566
02:00:52,720 --> 02:00:54,920
Speaker 2: it as a whole, I think it was more to

2567
02:00:54,960 --> 02:00:59,080
Speaker 2: say like, nope, look I'm here and I'm valid in

2568
02:00:59,160 --> 02:01:01,880
Speaker 2: a really fucked up way. I think that's what Emma

2569
02:01:01,960 --> 02:01:03,960
Speaker 2: was doing. And I don't think Charlie was looking at

2570
02:01:03,960 --> 02:01:06,760
Speaker 2: it from a race conversation either. I think he was

2571
02:01:06,800 --> 02:01:08,960
Speaker 2: looking at it more from the perspective of him not

2572
02:01:09,080 --> 02:01:13,200
Speaker 2: thinking she was one of those type of Americans I

2573
02:01:13,280 --> 02:01:16,240
Speaker 2: didn't see the race thing in this conversation, but I

2574
02:01:16,280 --> 02:01:18,800
Speaker 2: could be totally wrong, and I'm open to being totally wrong.

2575
02:01:19,400 --> 02:01:22,720
Speaker 2: So when they're talking about the part where Robert is

2576
02:01:22,720 --> 02:01:26,720
Speaker 2: talking to Misha, I agree with Jalen about the moment

2577
02:01:26,800 --> 02:01:29,520
Speaker 2: he was talking to her and she was repeating the

2578
02:01:29,560 --> 02:01:32,480
Speaker 2: shit that he was thinking. I think he was mad

2579
02:01:32,480 --> 02:01:35,440
Speaker 2: at himself for having these thoughts, and hearing them out

2580
02:01:35,440 --> 02:01:37,320
Speaker 2: loud made him realize just how much of a dumb

2581
02:01:37,400 --> 02:01:40,680
Speaker 2: ass he was being. Okay, so the cheating thing, so

2582
02:01:41,360 --> 02:01:44,520
Speaker 2: all right. My take on the whole situation is I

2583
02:01:44,560 --> 02:01:47,960
Speaker 2: feel like the entire movie is about perception, Like Rachel

2584
02:01:48,160 --> 02:01:52,160
Speaker 2: and Charlie's perception of Emma. Then we have this situation

2585
02:01:52,240 --> 02:01:55,160
Speaker 2: which outlines Charlie's perception of Misha.

2586
02:01:55,720 --> 02:01:57,280
Speaker 6: Right, she says she's cheated on her.

2587
02:01:57,160 --> 02:02:01,000
Speaker 2: Ex before, So Charlie immediately perceives that Emma is just

2588
02:02:01,200 --> 02:02:04,080
Speaker 2: a cheater, right, And she thinks that she's just a whore,

2589
02:02:04,400 --> 02:02:06,240
Speaker 2: and he thinks that, okay.

2590
02:02:05,960 --> 02:02:07,440
Speaker 6: Well she'll she'll cheat with me.

2591
02:02:08,880 --> 02:02:10,920
Speaker 2: I think this was less about him being her boss

2592
02:02:11,040 --> 02:02:13,200
Speaker 2: and more about him being a man who can't let

2593
02:02:13,240 --> 02:02:17,880
Speaker 2: go of his perceptions of other people's past he's doing

2594
02:02:17,920 --> 02:02:19,640
Speaker 2: the same thing to Misha if you think about it,

2595
02:02:19,880 --> 02:02:22,840
Speaker 2: that he's doing to Emma right to him, what Emma

2596
02:02:22,880 --> 02:02:27,080
Speaker 2: did in her past defines who she is now, And yeah,

2597
02:02:27,120 --> 02:02:30,000
Speaker 2: like the same goes for Misha to him. But also

2598
02:02:30,040 --> 02:02:32,280
Speaker 2: I think we have to outline here even in the

2599
02:02:32,360 --> 02:02:36,120
Speaker 2: discussion that the crew had, no one really asked what

2600
02:02:36,160 --> 02:02:39,040
Speaker 2: was up with Misha. We just immediately buy that she's

2601
02:02:39,040 --> 02:02:42,320
Speaker 2: a whoreor and that she did a bad thing, just

2602
02:02:42,640 --> 02:02:45,920
Speaker 2: like Emma. Right, And when y'all are talking about was

2603
02:02:45,960 --> 02:02:47,880
Speaker 2: the firing handled well?

2604
02:02:47,960 --> 02:02:49,640
Speaker 6: Like, did Emma handle that properly?

2605
02:02:49,880 --> 02:02:52,240
Speaker 2: What the firing outline to me is that all of

2606
02:02:52,280 --> 02:02:55,520
Speaker 2: this shit happening is changing Emma's attitude and worldview, like

2607
02:02:55,600 --> 02:02:59,360
Speaker 2: she's no longer empathetic towards the DJ. But when y'all

2608
02:02:59,560 --> 02:03:02,320
Speaker 2: y'all talk about the awkward DJ shows up and we're

2609
02:03:02,320 --> 02:03:05,240
Speaker 2: talking about the wedding and when that pop happened, I

2610
02:03:05,240 --> 02:03:09,680
Speaker 2: agree with Ken that shit was fucking hilarious. I hollered

2611
02:03:09,880 --> 02:03:11,280
Speaker 2: that was one of those moments that I was going

2612
02:03:11,320 --> 02:03:13,080
Speaker 2: to discuss with y'all that I was the only one

2613
02:03:13,160 --> 02:03:14,880
Speaker 2: laughing out loud in my theater. I don't know what

2614
02:03:14,880 --> 02:03:17,600
Speaker 2: the hell was going on there. Now, let's talk about

2615
02:03:17,640 --> 02:03:20,240
Speaker 2: the real point of contention that I saw in the

2616
02:03:20,280 --> 02:03:23,960
Speaker 2: cruise review, the whole power dynamic thing. When it came

2617
02:03:24,000 --> 02:03:28,440
Speaker 2: to Charlie and Misha. I thought that was a really

2618
02:03:28,440 --> 02:03:31,880
Speaker 2: interesting conversation that they had. But again, I think the

2619
02:03:31,920 --> 02:03:36,480
Speaker 2: whole movie, including this part, is really about perception. We

2620
02:03:36,520 --> 02:03:39,120
Speaker 2: see it one way, and you know, because we see

2621
02:03:39,160 --> 02:03:42,360
Speaker 2: it that way, we're convinced that that's the only way

2622
02:03:42,440 --> 02:03:45,240
Speaker 2: it could possibly be. Like, I didn't personally see it

2623
02:03:45,240 --> 02:03:47,880
Speaker 2: as any type of assault when I watched the movie,

2624
02:03:47,920 --> 02:03:50,640
Speaker 2: because I didn't know Charlie was her boss until Spike

2625
02:03:50,720 --> 02:03:51,040
Speaker 2: said it.

2626
02:03:52,120 --> 02:03:54,120
Speaker 6: And I'm still not sure if that's the case.

2627
02:03:54,200 --> 02:03:54,560
Speaker 3: I don't know.

2628
02:03:54,600 --> 02:03:57,440
Speaker 2: If she's just a coworker or she's a subordinate I

2629
02:03:57,520 --> 02:04:02,959
Speaker 2: don't know. But was Misha totally down with what was happening,

2630
02:04:03,320 --> 02:04:05,720
Speaker 2: or did she see it as a situation where she

2631
02:04:05,880 --> 02:04:07,920
Speaker 2: had to give in in order to not make her

2632
02:04:08,040 --> 02:04:11,920
Speaker 2: job situation worse. We don't know, And I think that's

2633
02:04:11,960 --> 02:04:14,920
Speaker 2: the brilliance of this movie. It all depends on our

2634
02:04:14,960 --> 02:04:19,320
Speaker 2: perception of the scene and about the viewer's willingness to

2635
02:04:19,400 --> 02:04:24,000
Speaker 2: even entertain a perception that's not our own and by

2636
02:04:24,120 --> 02:04:27,920
Speaker 2: y'all's conversation, it's pretty clear how that played out for y'all,

2637
02:04:28,400 --> 02:04:30,520
Speaker 2: But I don't know, man, I think it's I think

2638
02:04:30,560 --> 02:04:33,720
Speaker 2: the introduction of the power dynamic is actually very interesting.

2639
02:04:34,320 --> 02:04:37,600
Speaker 2: I think it's also worth mentioning something that was not

2640
02:04:37,720 --> 02:04:41,840
Speaker 2: mentioned in y'all's discussion. The scene of Charlie cheating with

2641
02:04:42,000 --> 02:04:44,720
Speaker 2: Misha was intercut with the firing of the DJ.

2642
02:04:44,920 --> 02:04:47,160
Speaker 6: So if you watch it, it's really cool because.

2643
02:04:47,560 --> 02:04:49,760
Speaker 2: It cuts from the part where the DJ's saying I

2644
02:04:49,880 --> 02:04:52,560
Speaker 2: didn't do it when they're accusing her of smoking heroin,

2645
02:04:53,760 --> 02:04:57,640
Speaker 2: but she's still fired, and we're seeing Charlie's face while

2646
02:04:57,680 --> 02:05:00,520
Speaker 2: this is all happening, and then it's also cutting to

2647
02:05:00,640 --> 02:05:04,000
Speaker 2: him cheating with Misha and him stopping himself, so he's

2648
02:05:04,000 --> 02:05:07,960
Speaker 2: definitely thinking, just like the DJ is saying I didn't

2649
02:05:08,000 --> 02:05:11,000
Speaker 2: do it. Right, So it gives this idea of Charlie

2650
02:05:11,080 --> 02:05:14,720
Speaker 2: kind of panicking that Emma would dump him for something

2651
02:05:14,760 --> 02:05:18,240
Speaker 2: that he quote unquote didn't really do, the same way

2652
02:05:18,400 --> 02:05:21,480
Speaker 2: she's dumping the DJ over something that DJ says she

2653
02:05:21,600 --> 02:05:24,040
Speaker 2: didn't do. I thought that scene was really really dope,

2654
02:05:24,440 --> 02:05:26,880
Speaker 2: And yeah, my thoughts about the ending, man, I agree

2655
02:05:26,880 --> 02:05:30,200
Speaker 2: With Jalen, the biggest takeaway for me is that Charlie

2656
02:05:30,280 --> 02:05:33,440
Speaker 2: perceived what Emma did in a certain way and showed

2657
02:05:33,520 --> 02:05:37,400
Speaker 2: up to the relationship as a completely different person, which

2658
02:05:37,600 --> 02:05:41,920
Speaker 2: is something he was like accusing Emma of right not

2659
02:05:42,080 --> 02:05:45,000
Speaker 2: being the person that he fell in love with, and

2660
02:05:45,480 --> 02:05:49,760
Speaker 2: in his paranoid hyper focusing, he ended up becoming a

2661
02:05:49,760 --> 02:05:51,960
Speaker 2: different person than the one she fell in love with.

2662
02:05:52,560 --> 02:05:54,760
Speaker 2: So her showing up to the diner at the end

2663
02:05:55,120 --> 02:05:58,480
Speaker 2: was her saying that, unlike you, Charlie, I'm willing to

2664
02:05:58,600 --> 02:06:02,280
Speaker 2: accept that these in the past and that we should

2665
02:06:02,360 --> 02:06:06,040
Speaker 2: start over. We should not linger on the terrible things

2666
02:06:06,080 --> 02:06:08,400
Speaker 2: that you did, because you did some fucked up shit,

2667
02:06:08,640 --> 02:06:10,840
Speaker 2: but because I love you, I'm willing to let it go.

2668
02:06:11,760 --> 02:06:14,840
Speaker 2: I'm also a bit with Jalen. Charlie doesn't love and

2669
02:06:14,960 --> 02:06:19,240
Speaker 2: adore her, at least not the way that not the

2670
02:06:19,240 --> 02:06:21,560
Speaker 2: way that that I think a lot of people will

2671
02:06:21,560 --> 02:06:24,840
Speaker 2: get the impression of. I feel like he loves her,

2672
02:06:25,680 --> 02:06:29,280
Speaker 2: but he loves and adores the idea of her more

2673
02:06:29,320 --> 02:06:32,520
Speaker 2: than her herself. Right, he definitely loves her, but I

2674
02:06:32,560 --> 02:06:34,600
Speaker 2: just don't think he loves her to the degree that

2675
02:06:34,600 --> 02:06:38,360
Speaker 2: that Ken and Spike thinks he does. But but yeah, overall,

2676
02:06:38,480 --> 02:06:41,720
Speaker 2: I think this was a brilliant film. I think some

2677
02:06:41,760 --> 02:06:44,680
Speaker 2: of the best pieces of art don't just hand you answers.

2678
02:06:44,760 --> 02:06:48,200
Speaker 2: They they introduce questions and they and they spend a

2679
02:06:48,320 --> 02:06:51,000
Speaker 2: large amount of time kind of forcing you to analyze

2680
02:06:51,240 --> 02:06:53,800
Speaker 2: just how important those questions actually are.

2681
02:06:54,680 --> 02:06:56,200
Speaker 6: And yeah, this film does that.

2682
02:06:56,360 --> 02:06:56,680
Speaker 3: Man.

2683
02:06:56,880 --> 02:06:57,920
Speaker 6: I totally agree with Ken.

2684
02:06:58,320 --> 02:07:03,240
Speaker 2: It talks about school shootings without really addressing a school shooting,

2685
02:07:04,320 --> 02:07:06,640
Speaker 2: but bigger than that, I think it really pushes the

2686
02:07:06,680 --> 02:07:10,680
Speaker 2: discussion of how and why we perceive things the way

2687
02:07:10,720 --> 02:07:13,920
Speaker 2: that we do, and why certain things hold more weight

2688
02:07:14,040 --> 02:07:17,560
Speaker 2: than other things might. So yeah, it's not essentially really

2689
02:07:17,600 --> 02:07:20,360
Speaker 2: about the school shooting itself. It's more so about the

2690
02:07:20,400 --> 02:07:23,800
Speaker 2: idea of why the school shooting holds that kind of

2691
02:07:23,840 --> 02:07:28,320
Speaker 2: attention or that kind of care or anger or whatever

2692
02:07:28,400 --> 02:07:30,640
Speaker 2: you want to say for someone like a Rachel or

2693
02:07:30,680 --> 02:07:32,280
Speaker 2: someone like Charlie or someone like Mike.

2694
02:07:32,600 --> 02:07:34,960
Speaker 6: So yeah, I thought that it handled the whole idea

2695
02:07:35,080 --> 02:07:35,640
Speaker 6: really well.

2696
02:07:36,040 --> 02:07:39,200
Speaker 2: Excellent film, And yeah, I wish I could have discussed

2697
02:07:39,240 --> 02:07:40,320
Speaker 2: it more with the crew.

2698
02:07:40,080 --> 02:07:40,840
Speaker 1: But there you go.

2699
02:07:40,880 --> 02:07:42,080
Speaker 2: There's my thoughts.

2700
02:07:43,680 --> 02:07:44,080
Speaker 1: Load to me.

2701
02:07:45,240 --> 02:07:49,400
Speaker 4: I think, yeah, I see it because I think the

2702
02:07:49,480 --> 02:07:50,240
Speaker 4: boy would have been.

2703
02:07:50,600 --> 02:07:52,720
Speaker 3: I think that's just some toxic shit we tell ourselves.

2704
02:07:52,920 --> 02:07:55,520
Speaker 4: Well I thought it was toxic from the very beginning,

2705
02:07:55,520 --> 02:07:56,760
Speaker 4: but yeah, totally it was different.

2706
02:07:57,040 --> 02:07:58,800
Speaker 3: I think love is what brought both of them to

2707
02:07:58,840 --> 02:08:00,560
Speaker 3: that dinner. If she don't love him, she ain't going

2708
02:08:00,600 --> 02:08:02,720
Speaker 3: back to that nine I didn't say by her, and

2709
02:08:02,720 --> 02:08:04,320
Speaker 3: I love him like I mean he loves her.

2710
02:08:04,600 --> 02:08:06,840
Speaker 2: I mean I think he realized how much he loved

2711
02:08:06,840 --> 02:08:09,880
Speaker 2: her as all of this shit was happy man, as

2712
02:08:09,880 --> 02:08:12,840
Speaker 2: a man, I have my past train b and as

2713
02:08:12,880 --> 02:08:15,000
Speaker 2: pissed as she was in that moment, she still she

2714
02:08:15,040 --> 02:08:18,160
Speaker 2: still heard me out, she still came back, talked to me.

2715
02:08:18,240 --> 02:08:20,680
Speaker 2: But when she sat down and thought about it, she

2716
02:08:20,840 --> 02:08:23,760
Speaker 2: moved on with her life like black women will sit

2717
02:08:23,800 --> 02:08:25,720
Speaker 2: down and listen to because because they love you. But

2718
02:08:25,760 --> 02:08:29,320
Speaker 2: that don't mean she's gonna stay like sometimes I mean

2719
02:08:29,320 --> 02:08:32,560
Speaker 2: they they do stay. Sometimes they sit down there, they

2720
02:08:32,600 --> 02:08:33,400
Speaker 2: think about it and be.

2721
02:08:33,400 --> 02:08:36,280
Speaker 3: Like, nah, this rights too much disrespect. To that point,

2722
02:08:36,360 --> 02:08:38,080
Speaker 3: I still don't think that text will help, because if

2723
02:08:38,080 --> 02:08:40,040
Speaker 3: she did love him, she wouldn't have went so like

2724
02:08:40,080 --> 02:08:42,120
Speaker 3: you're right. She might have sit there, might have listened,

2725
02:08:42,240 --> 02:08:44,800
Speaker 3: might have Yeah, I do love you, but I'm not

2726
02:08:44,840 --> 02:08:47,879
Speaker 3: doing this with you, So yeah, two things could be true.

2727
02:08:48,080 --> 02:08:49,360
Speaker 1: But he was the one called.

2728
02:08:50,360 --> 02:08:53,880
Speaker 4: It still came down to her decision because he was

2729
02:08:53,920 --> 02:08:58,720
Speaker 4: calling no answer, texting no answer, and she made the

2730
02:08:59,800 --> 02:09:01,480
Speaker 4: She he was the one that went to the dinner,

2731
02:09:02,080 --> 02:09:04,280
Speaker 4: walked right past him, just to let that motherfucker know,

2732
02:09:05,360 --> 02:09:06,960
Speaker 4: and then sat down. They took him a minute to

2733
02:09:06,960 --> 02:09:09,160
Speaker 4: pick up on what was going on, and then you

2734
02:09:09,200 --> 02:09:11,640
Speaker 4: can see the two of them, him realizing that, oh,

2735
02:09:11,800 --> 02:09:15,000
Speaker 4: she's trying to just wipe the select clean, and this

2736
02:09:15,040 --> 02:09:17,040
Speaker 4: is her way of doing it because she tried it before,

2737
02:09:17,640 --> 02:09:18,720
Speaker 4: and we're gonna move forward.

2738
02:09:19,280 --> 02:09:22,280
Speaker 3: You have kids. You think she asked her dad for advice?

2739
02:09:22,320 --> 02:09:23,840
Speaker 3: He told her to go to the diner and told

2740
02:09:23,840 --> 02:09:24,839
Speaker 3: her to leave him alone.

2741
02:09:26,160 --> 02:09:29,640
Speaker 1: I think she didn't ask her dad for advice. You did? Did?

2742
02:09:29,920 --> 02:09:32,080
Speaker 1: He probably would have been like, leave that motherfucker alone?

2743
02:09:33,360 --> 02:09:36,280
Speaker 3: What was what you think alone? Leave alone?

2744
02:09:37,240 --> 02:09:37,480
Speaker 1: Yeah?

2745
02:09:38,480 --> 02:09:42,200
Speaker 4: Because right all these seasons, you hurt my baby, and yeah,

2746
02:09:42,320 --> 02:09:45,120
Speaker 4: fucking yeah, you know the movie.

2747
02:09:44,920 --> 02:09:46,800
Speaker 1: Ship would have been like, but if you really love him,

2748
02:09:46,840 --> 02:09:47,280
Speaker 1: then you.

2749
02:09:47,200 --> 02:09:49,560
Speaker 5: Know you fucked up, like you fucked up her wedding

2750
02:09:49,600 --> 02:09:50,680
Speaker 5: and you cheated on her.

2751
02:09:51,440 --> 02:09:53,840
Speaker 3: Yeah we're good alone.

2752
02:09:53,960 --> 02:09:58,880
Speaker 1: Yeah, over the mom maybe not so much white.

2753
02:10:00,600 --> 02:10:02,280
Speaker 5: I don't know, man, I think we I think we

2754
02:10:02,320 --> 02:10:05,640
Speaker 5: see different on the ending and that's cool. I mean

2755
02:10:05,720 --> 02:10:07,400
Speaker 5: there's a lot of things we see different in this film,

2756
02:10:07,440 --> 02:10:09,560
Speaker 5: which makes it a good a good conversation piece.

2757
02:10:10,760 --> 02:10:12,920
Speaker 3: This might be my favorite movie. That's where it's at

2758
02:10:13,000 --> 02:10:14,880
Speaker 3: for me right now. It might be my favorite. Yeah,

2759
02:10:14,920 --> 02:10:15,800
Speaker 3: so so far, like.

2760
02:10:16,880 --> 02:10:20,360
Speaker 5: It balanced the comedy, the heaviness, the tension, felt like

2761
02:10:20,680 --> 02:10:22,240
Speaker 5: when they needed to be there, it was there.

2762
02:10:22,400 --> 02:10:23,080
Speaker 2: It was good.

2763
02:10:23,160 --> 02:10:24,800
Speaker 3: This was this is a good experience.

2764
02:10:24,920 --> 02:10:27,520
Speaker 4: It's a hell of a way, a very creative way

2765
02:10:27,640 --> 02:10:33,000
Speaker 4: to make commentary about school shootings without using the school shooting.

2766
02:10:33,200 --> 02:10:34,280
Speaker 1: Yes, that's what.

2767
02:10:34,200 --> 02:10:35,440
Speaker 3: I loved about it. I was like, oh my god,

2768
02:10:35,480 --> 02:10:37,680
Speaker 3: this is brilliant. Yeah that's I was in the movie

2769
02:10:37,680 --> 02:10:41,240
Speaker 3: thinking that it's a smart as fun so yeah, it's good.

2770
02:10:41,400 --> 02:10:41,600
Speaker 1: Yeah.

2771
02:10:41,760 --> 02:10:44,080
Speaker 5: Again, we did talk about the director y'all, so yeah,

2772
02:10:44,160 --> 02:10:46,640
Speaker 5: like I did bring it there just so y'all aware

2773
02:10:46,640 --> 02:10:46,800
Speaker 5: of it.

2774
02:10:46,840 --> 02:10:50,480
Speaker 2: But again, art from artists is a great piece of work.

2775
02:10:51,800 --> 02:10:54,720
Speaker 2: But ship did they We talked to Nolan this week.

2776
02:10:56,280 --> 02:10:58,960
Speaker 2: Mm hmm, you ain't seen you, you ain't seen invisible.

2777
02:10:59,280 --> 02:11:00,760
Speaker 2: I'm gonna tell you out to know them.

2778
02:11:00,600 --> 02:11:03,400
Speaker 1: This week Okay, so.

2779
02:11:04,880 --> 02:11:07,880
Speaker 3: Yeah, y'all who saw it? Yeah, so all that ship

2780
02:11:07,920 --> 02:11:09,920
Speaker 3: King was talking about. Yeah, but.

2781
02:11:11,520 --> 02:11:16,320
Speaker 2: Other than that, man follow us on Twitter and Instagram.

2782
02:11:16,320 --> 02:11:20,640
Speaker 5: At FPS Podcasts also joined the reddit thread. We have

2783
02:11:20,720 --> 02:11:21,880
Speaker 5: a lot of conversations there.

2784
02:11:21,920 --> 02:11:24,600
Speaker 2: But if you want some some more, if some more

2785
02:11:25,200 --> 02:11:29,560
Speaker 2: content from trailer reactions to Solo reviews the nominating films,

2786
02:11:29,880 --> 02:11:31,560
Speaker 2: make sure to join the patreon. That's where you're gonna

2787
02:11:31,560 --> 02:11:34,120
Speaker 2: get more access and as a as a Patreon, you

2788
02:11:34,160 --> 02:11:35,320
Speaker 2: get a whole lot of control there.

2789
02:11:35,360 --> 02:11:37,200
Speaker 3: So yeah, until next time, peace,