1 00:00:04,360 --> 00:00:06,400 Speaker 1: I'm not gonna make y'all do one gotta go, but 2 00:00:06,559 --> 00:00:11,200 Speaker 1: rank these albums Ematic, Rated I, Chronic and thirty six 3 00:00:11,280 --> 00:00:18,880 Speaker 1: Chambers Love Always d h h, that's crazy. M damn man, 4 00:00:19,079 --> 00:00:20,680 Speaker 1: because Chronic. 5 00:00:21,000 --> 00:00:22,200 Speaker 2: Fucking Chronic bro. 6 00:00:24,160 --> 00:00:28,600 Speaker 1: But thirty six Chambers though, bruh, like you're talking about 7 00:00:28,680 --> 00:00:32,320 Speaker 1: a genre defining album. Thirty six Chambers was on some 8 00:00:32,479 --> 00:00:33,159 Speaker 1: other ship. 9 00:00:33,280 --> 00:00:33,760 Speaker 3: Bruh. 10 00:00:34,159 --> 00:00:39,839 Speaker 1: So I go today mm hmm, I go Chronic at 11 00:00:39,840 --> 00:00:43,000 Speaker 1: one mm hmm, thirty six at two. 12 00:00:45,240 --> 00:00:51,360 Speaker 2: Damn. I know that's that is that is. 13 00:00:55,440 --> 00:00:59,160 Speaker 1: Ah man, that's this is crazy because yeah, like I mean, 14 00:00:59,240 --> 00:01:01,960 Speaker 1: I it's like I can't pick. It's like it's like 15 00:01:02,000 --> 00:01:04,880 Speaker 1: it's like it's like if I had this is crazy 16 00:01:04,920 --> 00:01:09,040 Speaker 1: that it's unfair. I just hate that you got throwing 17 00:01:09,080 --> 00:01:10,760 Speaker 1: a West Coast album in there like that. 18 00:01:10,760 --> 00:01:11,520 Speaker 4: That's messed up. 19 00:01:12,080 --> 00:01:16,199 Speaker 1: So I had three, like these are classic albums like. 20 00:01:16,680 --> 00:01:18,440 Speaker 4: Agro, what's number three? 21 00:01:18,520 --> 00:01:20,560 Speaker 2: We know that classic three? 22 00:01:21,040 --> 00:01:23,319 Speaker 1: I would say three, I go raided dying for I 23 00:01:23,319 --> 00:01:23,960 Speaker 1: go Illmatic. 24 00:01:25,280 --> 00:01:28,840 Speaker 2: Wow, Okay, that's completely opposite. So be, I thought you 25 00:01:28,959 --> 00:01:32,240 Speaker 2: was going to put thirty six Chambers list. I thought 26 00:01:32,280 --> 00:01:34,800 Speaker 2: he was going to put well because I know how 27 00:01:34,800 --> 00:01:37,000 Speaker 2: he feels about ematic and ready to die. I love 28 00:01:38,160 --> 00:01:40,680 Speaker 2: I know you do. I know you do. I just 29 00:01:40,720 --> 00:01:45,039 Speaker 2: thought that I thought you loved illmatic and chronic more. 30 00:01:45,120 --> 00:01:46,479 Speaker 2: I thought that was going to be your number one 31 00:01:46,520 --> 00:01:48,800 Speaker 2: and two next ready to die and then. 32 00:01:49,240 --> 00:01:51,480 Speaker 1: Next week it can be raided to die, thirty six 33 00:01:51,560 --> 00:01:56,920 Speaker 1: chronic and illmatic like bro. I mean, it's I feel. Look, 34 00:01:59,160 --> 00:02:01,360 Speaker 1: I don't think I can ever put thirty six last. 35 00:02:01,640 --> 00:02:03,440 Speaker 1: Now if I do rank them, I don't think thirty 36 00:02:03,440 --> 00:02:04,640 Speaker 1: six will ever come last. 37 00:02:05,000 --> 00:02:06,360 Speaker 2: Everybody else had it last, b. 38 00:02:06,560 --> 00:02:09,480 Speaker 1: But y'all not really WO fans like that, so I expected. 39 00:02:10,680 --> 00:02:12,880 Speaker 2: Y'all see what it is man. The whole cruise here, 40 00:02:12,919 --> 00:02:16,800 Speaker 2: we're doing another mail bag super chat. Hopefully we do 41 00:02:16,840 --> 00:02:20,120 Speaker 2: more than one. We got one out the way, uh 42 00:02:20,200 --> 00:02:23,639 Speaker 2: that we did last week that with adamal Brown when 43 00:02:23,680 --> 00:02:27,920 Speaker 2: Bezi was absent. So there you go. You got Bee's answer. 44 00:02:28,200 --> 00:02:30,760 Speaker 2: But the whole cruise here, pass it over to Ken. 45 00:02:31,320 --> 00:02:35,680 Speaker 2: We will try to knock at least two. Maybe maybe 46 00:02:35,960 --> 00:02:39,200 Speaker 2: you know it's de end so sometimes we don't. 47 00:02:39,520 --> 00:02:47,320 Speaker 5: This is from a strained underscore joy y'all, mm hmm, 48 00:02:47,520 --> 00:02:49,280 Speaker 5: what album would y'all? 49 00:02:49,320 --> 00:02:51,600 Speaker 3: The race and this impact. 50 00:02:51,840 --> 00:02:53,600 Speaker 4: You said you had one. Which one are you going with? 51 00:02:54,480 --> 00:02:57,600 Speaker 2: Yeah? The one the one I had, And it's gonna 52 00:02:57,600 --> 00:03:01,680 Speaker 2: be a fuck up reason because the impact, Because I 53 00:03:01,720 --> 00:03:05,359 Speaker 2: felt that it didn't really have an impact, you know 54 00:03:05,360 --> 00:03:07,160 Speaker 2: what I'm saying. I think people talked about it. I 55 00:03:07,200 --> 00:03:12,600 Speaker 2: think it's classic, but did it change the game? And 56 00:03:12,720 --> 00:03:15,880 Speaker 2: for me, as much as I love this particular project, 57 00:03:15,880 --> 00:03:19,240 Speaker 2: bro was Khalifa cushion on his juice? I could erase 58 00:03:19,280 --> 00:03:22,360 Speaker 2: that from hip hop and be okay with it as 59 00:03:22,440 --> 00:03:24,800 Speaker 2: much as I love it, because I feel it didn't 60 00:03:24,800 --> 00:03:26,600 Speaker 2: really have an impact. I don't feel like. 61 00:03:30,919 --> 00:03:34,519 Speaker 3: With the album that you like the question? 62 00:03:34,800 --> 00:03:37,920 Speaker 2: Yeah, it says what do you mean? And he rased 63 00:03:37,960 --> 00:03:39,040 Speaker 2: its impact. 64 00:03:39,360 --> 00:03:41,280 Speaker 3: You said it doesn't have an impact though. 65 00:03:41,360 --> 00:03:44,600 Speaker 2: For me it didn't. So that's the reason why I'm 66 00:03:44,600 --> 00:03:46,440 Speaker 2: picking it, Like you. 67 00:03:46,360 --> 00:03:48,600 Speaker 1: Think that had an impact that you would race. 68 00:03:48,720 --> 00:03:50,560 Speaker 5: Well, I think what he's saying is that it had 69 00:03:50,600 --> 00:03:54,240 Speaker 5: an impact in hip hop. He just didn't feel the 70 00:03:54,280 --> 00:03:59,560 Speaker 5: impact personally himself. Yeah, it was an impact that was 71 00:04:00,360 --> 00:04:02,080 Speaker 5: directly felt by hip hop. 72 00:04:02,800 --> 00:04:06,840 Speaker 2: Yeah, it's one of the blog era classic projects. You 73 00:04:06,880 --> 00:04:09,280 Speaker 2: know what I'm saying. The impact for me, I thought 74 00:04:09,320 --> 00:04:12,120 Speaker 2: was very minimal. You know, I don't think that anybody 75 00:04:12,200 --> 00:04:17,480 Speaker 2: has really copied that or tried to be Whiz per se. 76 00:04:17,839 --> 00:04:19,880 Speaker 2: So to me, that's why I'm saying that the impact 77 00:04:19,920 --> 00:04:22,480 Speaker 2: I felt was minimal, but it is classic, and when 78 00:04:22,520 --> 00:04:25,760 Speaker 2: you have a classic project, it's definitely impactful. I'm pretty 79 00:04:25,800 --> 00:04:29,320 Speaker 2: sure that it it spawned other rappers to want to rap, 80 00:04:29,480 --> 00:04:31,160 Speaker 2: like they're like, oh shit, if Whiz can do this, 81 00:04:31,200 --> 00:04:32,960 Speaker 2: I can rap, you know what I'm saying. But that 82 00:04:33,000 --> 00:04:35,200 Speaker 2: would be the one I would erase because for me, 83 00:04:36,240 --> 00:04:40,040 Speaker 2: it has minimal impact to hip hop as a landscape. 84 00:04:40,279 --> 00:04:42,479 Speaker 2: So I'm cool with getting rid of that and me 85 00:04:42,640 --> 00:04:44,640 Speaker 2: keeping so many others. 86 00:04:44,920 --> 00:04:46,520 Speaker 3: So you're saying, we won't even miss it. 87 00:04:48,600 --> 00:04:49,200 Speaker 2: To a degree. 88 00:04:49,640 --> 00:04:52,479 Speaker 6: Yeah, I'm still trying to understand your angle, but I 89 00:04:52,520 --> 00:04:53,800 Speaker 6: guess I get yourn angle. 90 00:04:53,839 --> 00:04:56,120 Speaker 4: But that's not the way I took that question. 91 00:04:57,120 --> 00:05:00,279 Speaker 2: Well, because of the impact. The second part of that, like, 92 00:05:00,320 --> 00:05:04,680 Speaker 2: because think about like we erased DMX, we erased jay Z, 93 00:05:04,839 --> 00:05:09,080 Speaker 2: we erased NAS, like the impact, there will be so 94 00:05:09,200 --> 00:05:12,479 Speaker 2: many less artists, you know what I'm saying like that, 95 00:05:12,760 --> 00:05:17,000 Speaker 2: Like I'm not cool with erasing an album like that 96 00:05:17,560 --> 00:05:18,600 Speaker 2: or an artist like that. 97 00:05:19,720 --> 00:05:22,280 Speaker 4: You got slick, You gotta slick on that one. Argue, 98 00:05:23,520 --> 00:05:27,080 Speaker 4: I did you gotta slick on that? Yeah we did. 99 00:05:27,240 --> 00:05:28,359 Speaker 4: We got real slick on that. 100 00:05:28,560 --> 00:05:30,320 Speaker 2: But it was classic though it's not. It's not like 101 00:05:30,360 --> 00:05:31,680 Speaker 2: I gave away some trash. 102 00:05:31,560 --> 00:05:34,839 Speaker 3: Like specified classic but it didn't. 103 00:05:35,000 --> 00:05:37,760 Speaker 2: But you know, well, I'll going with one. 104 00:05:39,920 --> 00:05:40,000 Speaker 3: That. 105 00:05:40,200 --> 00:05:43,840 Speaker 6: Yeah, we could have absolutely did without this and what 106 00:05:43,960 --> 00:05:49,320 Speaker 6: came after it with other artists and that's a Little 107 00:05:49,320 --> 00:05:52,920 Speaker 6: bow Wow the Way of the Dog. This is like 108 00:05:53,000 --> 00:05:55,160 Speaker 6: my worst era of hip hop. 109 00:05:55,440 --> 00:05:56,279 Speaker 4: I did not. 110 00:05:56,320 --> 00:05:59,560 Speaker 6: This, this this era of hip hop, this short stink 111 00:05:59,760 --> 00:06:02,320 Speaker 6: here Pop, the Little bow Wows and all the other ones, 112 00:06:02,320 --> 00:06:04,240 Speaker 6: the little Romeos that followed him after that. 113 00:06:05,120 --> 00:06:08,159 Speaker 4: I could have so did without this, without this in 114 00:06:08,279 --> 00:06:08,720 Speaker 4: hip hop. 115 00:06:09,040 --> 00:06:12,040 Speaker 6: I think it's I think it's such a low point 116 00:06:12,240 --> 00:06:15,120 Speaker 6: in hip hop. Little boye Wow being the biggest guy 117 00:06:15,200 --> 00:06:18,240 Speaker 6: on the radio was such a low point in hip hop. 118 00:06:19,400 --> 00:06:25,120 Speaker 6: Him Romeo was the biggest, Little Romeo Bye Wow. All 119 00:06:25,160 --> 00:06:27,680 Speaker 6: of those guys were the biggest guys on the radio 120 00:06:27,760 --> 00:06:31,760 Speaker 6: at that time for hip hop representing hip hop. Oh 121 00:06:31,839 --> 00:06:35,479 Speaker 6: my god, I hated it. I didn't even listen to 122 00:06:35,520 --> 00:06:36,680 Speaker 6: hip hop around this time. 123 00:06:38,520 --> 00:06:39,039 Speaker 2: In the radio. 124 00:06:40,120 --> 00:06:42,640 Speaker 6: Yeah yeah, but see, yeah, I listened to the radio 125 00:06:42,680 --> 00:06:44,840 Speaker 6: a lot around that time because that around that time, 126 00:06:44,839 --> 00:06:48,279 Speaker 6: I was still purchasing CDs and stuff, and yeah, it 127 00:06:48,360 --> 00:06:50,200 Speaker 6: wasn't like God. 128 00:06:51,560 --> 00:06:53,840 Speaker 1: Is kind of similar to yours, right, actually. 129 00:06:56,400 --> 00:07:00,200 Speaker 4: Say, God, believe I hated this. 130 00:07:00,120 --> 00:07:03,200 Speaker 1: It's for the same It's it's a different artist and album, 131 00:07:03,360 --> 00:07:05,239 Speaker 1: but it's for it's kind of for the same reasons 132 00:07:05,279 --> 00:07:07,320 Speaker 1: that you're picking that artist that. 133 00:07:08,279 --> 00:07:12,440 Speaker 7: Yeah, that's it, man, I despise that like to this day, 134 00:07:12,600 --> 00:07:16,520 Speaker 7: Like you had grown ass women like in bi Wow, bro, Like, 135 00:07:17,160 --> 00:07:19,880 Speaker 7: so you just it's. 136 00:07:19,800 --> 00:07:24,000 Speaker 2: Not it was crazy. I was getting them grown chicks. 137 00:07:24,040 --> 00:07:24,240 Speaker 1: Man. 138 00:07:24,880 --> 00:07:25,720 Speaker 4: That was crazy. 139 00:07:26,360 --> 00:07:29,160 Speaker 2: That was that was a wild time, right, I'm with you, bro. 140 00:07:29,520 --> 00:07:32,080 Speaker 4: Was like, what what are y'all doing? 141 00:07:32,240 --> 00:07:37,000 Speaker 2: Crazy? He had the daughters, the aunties, the mama's bro, 142 00:07:37,520 --> 00:07:39,880 Speaker 2: he was crazy, all generations. 143 00:07:40,080 --> 00:07:45,680 Speaker 6: Yeah, it was absolutely crazy, man, no mine. 144 00:07:47,080 --> 00:07:49,600 Speaker 1: It was literally around that same time, probably the same 145 00:07:49,680 --> 00:07:58,640 Speaker 1: year two right, Nelly Country Grammar pretty much pretty much 146 00:07:58,680 --> 00:08:02,560 Speaker 1: for the same ident for the same reasons you said. Really, 147 00:08:02,600 --> 00:08:05,080 Speaker 1: I mean, with the exception of the girls, like you know, 148 00:08:05,160 --> 00:08:07,840 Speaker 1: but like, yeah, it was just it was it was. 149 00:08:08,000 --> 00:08:09,560 Speaker 1: It was a bad time, bro. 150 00:08:09,760 --> 00:08:10,440 Speaker 2: It was that. 151 00:08:10,520 --> 00:08:12,040 Speaker 1: And they both came out in two thousand. I'm looking 152 00:08:12,040 --> 00:08:13,480 Speaker 1: at it right now. Both of those albums came out 153 00:08:13,480 --> 00:08:15,080 Speaker 1: in two thousands. It was a bad time. 154 00:08:15,280 --> 00:08:15,960 Speaker 3: It was such a. 155 00:08:15,880 --> 00:08:20,040 Speaker 2: Funny I did. 156 00:08:20,160 --> 00:08:22,440 Speaker 4: I was that. I'm talking who came first? 157 00:08:22,480 --> 00:08:22,720 Speaker 2: Beat? 158 00:08:25,320 --> 00:08:27,040 Speaker 1: Let me let me look hold on Okay, Yeah, Nelly 159 00:08:27,120 --> 00:08:29,120 Speaker 1: was June twenty Yes, that was right, June twenty seven, 160 00:08:29,200 --> 00:08:29,760 Speaker 1: two thousand. 161 00:08:30,360 --> 00:08:36,800 Speaker 2: But but okay, so you said erase that album? Yeah? Impact? 162 00:08:36,880 --> 00:08:40,200 Speaker 2: What impact you felt that Nelly had on music? 163 00:08:40,880 --> 00:08:45,240 Speaker 5: He helped a rapper by the name of Chingy. 164 00:08:46,960 --> 00:08:48,280 Speaker 3: Get have a career. 165 00:08:48,440 --> 00:08:53,800 Speaker 1: J Kwan that that ja Kwan eras And yeah, well 166 00:08:54,920 --> 00:08:57,599 Speaker 1: you can cause you say era Jaquin had a song. 167 00:08:58,120 --> 00:09:00,640 Speaker 2: And what was he a last? 168 00:09:01,640 --> 00:09:01,840 Speaker 4: Yeah? 169 00:09:01,840 --> 00:09:04,080 Speaker 2: But was he a lasting artist though? Like was he 170 00:09:04,720 --> 00:09:07,160 Speaker 2: like he was a one hit wonder? 171 00:09:07,240 --> 00:09:07,800 Speaker 1: He was? 172 00:09:07,840 --> 00:09:08,080 Speaker 3: He was? 173 00:09:08,760 --> 00:09:12,000 Speaker 2: That's that's nothing to be proud of, you responded, One wonders. 174 00:09:14,360 --> 00:09:16,800 Speaker 3: Nearly had a nerve to go after cares one. 175 00:09:17,040 --> 00:09:19,320 Speaker 2: But it was the album was. 176 00:09:19,720 --> 00:09:22,800 Speaker 5: Yes, it was because if the album ever came, if 177 00:09:22,840 --> 00:09:26,400 Speaker 5: that album never came out, if he never got popular 178 00:09:26,440 --> 00:09:28,520 Speaker 5: and it never became a thing, he never would have 179 00:09:28,520 --> 00:09:28,839 Speaker 5: had to. 180 00:09:28,800 --> 00:09:29,719 Speaker 3: Be with cares one. 181 00:09:30,240 --> 00:09:35,280 Speaker 2: I'll accept I'm not accepting Nelly. 182 00:09:36,760 --> 00:09:39,080 Speaker 1: That ship, Get that ship the hell out of here, bro. 183 00:09:40,880 --> 00:09:43,800 Speaker 4: Hell out of here, get that ship the hell I. 184 00:09:43,800 --> 00:09:46,160 Speaker 2: Used to I used to bump that. I used to 185 00:09:46,200 --> 00:09:55,920 Speaker 2: bump that. Get that. Around this time, you had a 186 00:09:55,920 --> 00:09:57,559 Speaker 2: system in your car. Hold on, let me pull it. 187 00:09:59,600 --> 00:10:02,360 Speaker 2: There was track on there, no crazy you know what. 188 00:10:02,400 --> 00:10:04,400 Speaker 1: I was playing that when I had my sister in 189 00:10:04,440 --> 00:10:06,840 Speaker 1: my car. Around this time, I was playing three six 190 00:10:06,880 --> 00:10:09,760 Speaker 1: bro Project pat three six, That's what was getting played. 191 00:10:10,160 --> 00:10:12,040 Speaker 1: If anybody came with Nelly, I would have been just 192 00:10:12,080 --> 00:10:15,000 Speaker 1: like Stacey from Society. Man get that ship off this ship. 193 00:10:15,040 --> 00:10:16,280 Speaker 2: Don't get no play in this ride. 194 00:10:16,720 --> 00:10:19,520 Speaker 1: I don't playing Nelly ship around me because three six 195 00:10:19,559 --> 00:10:20,599 Speaker 1: still had the holes. 196 00:10:22,000 --> 00:10:23,240 Speaker 2: I mean the women. 197 00:10:23,320 --> 00:10:29,760 Speaker 1: I'm sorry, Oh yeah what three six still and drew 198 00:10:29,840 --> 00:10:32,160 Speaker 1: the women, so I didn't have to play on Nelly 199 00:10:32,200 --> 00:10:34,040 Speaker 1: to draw the women. I stay at three six in 200 00:10:34,120 --> 00:10:35,520 Speaker 1: Project Pat bro b. 201 00:10:36,480 --> 00:10:38,719 Speaker 2: I'm not saying I needed to play Nelly to get 202 00:10:38,720 --> 00:10:42,560 Speaker 2: the to get the chicks. I'm just saying that album 203 00:10:42,720 --> 00:10:46,600 Speaker 2: has some crazy ass based on a lot of these songs. 204 00:10:47,440 --> 00:10:52,840 Speaker 2: You know, look other songs. I was bumping three six. 205 00:10:52,880 --> 00:10:54,640 Speaker 2: I was still bumping a ball m j G. I 206 00:10:54,679 --> 00:10:58,080 Speaker 2: was still bumping Trick Daddy like I was bumping other ship. 207 00:10:58,760 --> 00:11:00,959 Speaker 2: But but Nellie was into rotation back. 208 00:11:01,040 --> 00:11:05,760 Speaker 1: They absolutely no, I'm not. It's absolutely horrible that can 209 00:11:05,760 --> 00:11:06,040 Speaker 1: get on. 210 00:11:06,280 --> 00:11:09,200 Speaker 4: Yeah, I played some Nelly song, but I did not 211 00:11:09,440 --> 00:11:10,360 Speaker 4: buy Nelly album. 212 00:11:11,960 --> 00:11:13,160 Speaker 2: So what album you racing? 213 00:11:13,240 --> 00:11:13,400 Speaker 4: Can? 214 00:11:13,679 --> 00:11:18,880 Speaker 3: Man? Everybody know? Bro, it's it's it's no secret, you know. 215 00:11:19,320 --> 00:11:21,360 Speaker 5: And I ain't gonna even do a long lead in 216 00:11:21,720 --> 00:11:23,839 Speaker 5: and't even try to hype it up and even try 217 00:11:23,880 --> 00:11:24,440 Speaker 5: to do anything. 218 00:11:24,480 --> 00:11:27,319 Speaker 3: Get Kanye ate aweight and heartbreak out of here. Bro, 219 00:11:28,720 --> 00:11:30,000 Speaker 3: It's easy. 220 00:11:30,120 --> 00:11:32,320 Speaker 2: I'm sure somebody as soon as they saw. 221 00:11:32,200 --> 00:11:34,760 Speaker 5: The title this video, they already knew what I'm getting 222 00:11:34,760 --> 00:11:35,240 Speaker 5: out of here? 223 00:11:35,640 --> 00:11:37,840 Speaker 2: Can can We don't get it away. We don't get 224 00:11:37,920 --> 00:11:39,199 Speaker 2: kid cutting exactly. 225 00:11:39,240 --> 00:11:42,760 Speaker 1: We don't get we don't get out of here, get 226 00:11:42,760 --> 00:11:44,280 Speaker 1: out of here. 227 00:11:43,880 --> 00:11:48,440 Speaker 4: You see what I'm going, Bro? 228 00:11:48,640 --> 00:11:51,120 Speaker 3: We could We're good around here. Bro. 229 00:11:51,600 --> 00:11:56,679 Speaker 5: Like this this album, I'll just never forget how it 230 00:11:56,920 --> 00:12:01,400 Speaker 5: just tricks so many people and to thinking that Kanye 231 00:12:01,600 --> 00:12:01,960 Speaker 5: was this. 232 00:12:02,040 --> 00:12:06,520 Speaker 3: Great genius and artists and all of this stuff. 233 00:12:06,559 --> 00:12:10,920 Speaker 5: Man, I'll never forget that moment when this joint dropped 234 00:12:11,559 --> 00:12:13,520 Speaker 5: and people just fell for it. 235 00:12:14,120 --> 00:12:16,240 Speaker 3: They just fell for everything. 236 00:12:16,400 --> 00:12:16,640 Speaker 4: Bro. 237 00:12:17,320 --> 00:12:20,840 Speaker 5: It was amazing how fast people got just got brainwashed 238 00:12:21,400 --> 00:12:22,880 Speaker 5: because this man went around and. 239 00:12:22,880 --> 00:12:26,240 Speaker 3: Was telling you what he was he put he pulled 240 00:12:26,280 --> 00:12:27,040 Speaker 3: a law Wayne Trick. 241 00:12:27,600 --> 00:12:29,720 Speaker 2: I think I think you're still hating. I think you're 242 00:12:29,720 --> 00:12:32,680 Speaker 2: still hating on this album. Can But you know what, Look, look, 243 00:12:33,160 --> 00:12:37,640 Speaker 2: I'll give y'all one that answers both questions. Not in 244 00:12:37,679 --> 00:12:42,400 Speaker 2: a slick way. Okay, give me T Pain rapper turned 245 00:12:42,480 --> 00:12:47,280 Speaker 2: singer because of the act. Look look, look, I have 246 00:12:47,360 --> 00:12:50,480 Speaker 2: no qualms about T Paint. I fucking love T Paint right, 247 00:12:50,559 --> 00:12:53,560 Speaker 2: and I think that the album Three Rings still goes. 248 00:12:53,480 --> 00:12:54,480 Speaker 3: Today, right. 249 00:12:54,880 --> 00:12:56,600 Speaker 2: I fuck with T Paint heavy, and I think he 250 00:12:56,840 --> 00:13:01,520 Speaker 2: was next to Warren or not Nate Dogg, next to 251 00:13:01,600 --> 00:13:04,600 Speaker 2: Nate dog the best hook guys in hip hop to me, 252 00:13:05,000 --> 00:13:09,240 Speaker 2: but what the impact that T Paint had? What the 253 00:13:09,440 --> 00:13:16,600 Speaker 2: fucking uh uh uh uh oh my god z had 254 00:13:16,640 --> 00:13:19,440 Speaker 2: to make a song? Bro, Yeah, he doesn't make a 255 00:13:19,480 --> 00:13:25,920 Speaker 2: song about it. That back to me, it's more so erased, 256 00:13:25,960 --> 00:13:31,239 Speaker 2: the impact, the impact gone because it just it changed 257 00:13:31,960 --> 00:13:35,640 Speaker 2: not just him, It changed R and B. It changed music. Well, 258 00:13:35,720 --> 00:13:39,400 Speaker 2: T Paint did change music, and I think out of 259 00:13:39,400 --> 00:13:41,680 Speaker 2: everybody that we named here, I think that was the 260 00:13:41,720 --> 00:13:46,640 Speaker 2: most impactful. Uh situation, So rapper turned singer gotta go. 261 00:13:48,360 --> 00:13:50,680 Speaker 6: Yeah, him and Nelly, him and Nelly on the most 262 00:13:50,760 --> 00:13:54,000 Speaker 6: impact on this list. Yeah, I'm sorry, no, no, no, 263 00:13:54,040 --> 00:13:57,280 Speaker 6: not Nelly, not Nelly, Kanye. 264 00:13:58,160 --> 00:14:00,520 Speaker 2: But but you know what, though I feel I feel 265 00:14:00,559 --> 00:14:05,400 Speaker 2: like Kanye is extremely impactful, but kan Kanye the way 266 00:14:05,480 --> 00:14:09,080 Speaker 2: he is, it's like you can't copy it because then 267 00:14:09,240 --> 00:14:12,880 Speaker 2: like everybody knows it's a copy, you know what I'm saying. 268 00:14:12,800 --> 00:14:15,560 Speaker 3: Like, yeah, what about But. 269 00:14:17,040 --> 00:14:19,520 Speaker 2: I feel like so so, I don't think people use 270 00:14:19,600 --> 00:14:22,480 Speaker 2: the auto tune ship because of Kanye. They used it 271 00:14:22,520 --> 00:14:25,560 Speaker 2: because of t pain. Kanye did it in a in 272 00:14:25,600 --> 00:14:27,480 Speaker 2: a in my opinion, in the creative way, which is 273 00:14:27,520 --> 00:14:30,000 Speaker 2: why everybody fucked with except for can you know what 274 00:14:30,040 --> 00:14:30,400 Speaker 2: I'm saying. 275 00:14:31,040 --> 00:14:34,840 Speaker 6: It wasn't necessarily like the auto tune that people was 276 00:14:34,920 --> 00:14:37,320 Speaker 6: using because of Kanye, because Wayne was using it too, 277 00:14:37,960 --> 00:14:41,160 Speaker 6: But it was it was more so that like the 278 00:14:41,640 --> 00:14:45,080 Speaker 6: like the singing song kind of kind of soft like 279 00:14:45,320 --> 00:14:46,800 Speaker 6: kind of a lootic stuff. 280 00:14:46,840 --> 00:14:49,160 Speaker 4: That's what people took from the Kanye it away. 281 00:14:49,200 --> 00:14:51,760 Speaker 2: Niga so so wait hold on so so so if 282 00:14:51,760 --> 00:14:53,520 Speaker 2: we so, if we want to throw something else in 283 00:14:53,560 --> 00:14:56,480 Speaker 2: the pot in terms of sing song GI, then Drake 284 00:14:56,600 --> 00:14:59,880 Speaker 2: so far gone. I don't really remember hearing that type 285 00:14:59,920 --> 00:15:02,680 Speaker 2: of music. So far gone, that's Kanye. 286 00:15:02,920 --> 00:15:05,160 Speaker 4: That's away, Kanye fluid on that. 287 00:15:05,160 --> 00:15:08,800 Speaker 2: That's that we did it, so far gone come before. 288 00:15:08,560 --> 00:15:11,440 Speaker 1: Eight o eights, No, it always. 289 00:15:11,560 --> 00:15:15,400 Speaker 4: Yeah, Kanye made that, made that possible. He made it 290 00:15:15,440 --> 00:15:16,600 Speaker 4: so they can Yeah. 291 00:15:16,920 --> 00:15:20,040 Speaker 2: Wait, what knowledge, man? Do the knowledge get out of here? 292 00:15:20,480 --> 00:15:22,960 Speaker 4: Do the knowledge, nigga? 293 00:15:23,800 --> 00:15:25,560 Speaker 2: You know, I mean listen to your boys. 294 00:15:25,240 --> 00:15:29,240 Speaker 6: Mans man the ways did it and ushered it in. 295 00:15:29,840 --> 00:15:32,520 Speaker 4: He ushered in that whole movement came out first. 296 00:15:33,000 --> 00:15:35,560 Speaker 2: Okay, well, yeah, I ain't gonna, ain't gonna look, I 297 00:15:35,600 --> 00:15:37,840 Speaker 2: ain't gonna play with the facts. You know what I'm saying, 298 00:15:38,600 --> 00:15:42,720 Speaker 2: the facts My memory did not serve me correctly today. 299 00:15:43,120 --> 00:15:44,240 Speaker 4: That's what I'm saying. It's Kanye. 300 00:15:45,400 --> 00:15:48,000 Speaker 6: Kanye and your picture are two good picks as for 301 00:15:48,080 --> 00:15:50,240 Speaker 6: as impact and what they did to hip hop. 302 00:15:50,560 --> 00:15:52,800 Speaker 2: And and again I love t Pain. I still with pain, 303 00:15:52,920 --> 00:15:55,080 Speaker 2: but he fucked up the game, bro. 304 00:15:56,040 --> 00:15:56,760 Speaker 3: He fucked. 305 00:15:59,160 --> 00:16:01,240 Speaker 2: He fucked it up. Yeah, we said we're gonna try 306 00:16:01,240 --> 00:16:03,560 Speaker 2: to get through more than one. Then happen this time. 307 00:16:03,600 --> 00:16:06,600 Speaker 2: But you know, look, that's why we call that end. 308 00:16:06,600 --> 00:16:06,680 Speaker 4: Bro. 309 00:16:06,800 --> 00:16:09,560 Speaker 2: It's a that in conversation sometimes they last longer than 310 00:16:09,600 --> 00:16:13,560 Speaker 2: what they should. Got bes input yep on the One 311 00:16:13,560 --> 00:16:17,680 Speaker 2: Guy or ranking those four albums. You know what I'm saying. 312 00:16:18,720 --> 00:16:21,520 Speaker 2: Next time, we got to get Beata react to AB's 313 00:16:21,640 --> 00:16:27,720 Speaker 2: take because it was hot as hell, like super hot, 314 00:16:27,800 --> 00:16:37,920 Speaker 2: but like Nelly, it's so hot here. But look, we'll 315 00:16:37,960 --> 00:16:40,320 Speaker 2: catch you on the next one. Keep sending in your 316 00:16:40,320 --> 00:16:43,000 Speaker 2: super test, We'll keep answering them either on the spot 317 00:16:43,360 --> 00:16:45,920 Speaker 2: or make more content. But again, we appreciate you guys. 318 00:16:46,040 --> 00:16:47,200 Speaker 2: Catch you next time we out Peace.