1 00:00:04,640 --> 00:00:08,400 Speaker 1: Dead and Hip Hop album review nas in DJ Premiere 2 00:00:08,560 --> 00:00:11,640 Speaker 1: light Years. Look before we get into the review, become 3 00:00:11,640 --> 00:00:14,239 Speaker 1: a patriot, become a YouTube member, so that way you 4 00:00:14,280 --> 00:00:15,320 Speaker 1: get exclusive content. 5 00:00:15,920 --> 00:00:17,640 Speaker 2: Go over there and look at everything we got. 6 00:00:17,680 --> 00:00:19,759 Speaker 1: But I just want to say, first and foremost thank 7 00:00:19,800 --> 00:00:24,320 Speaker 1: you for another wonderful year being a fan. 8 00:00:24,200 --> 00:00:25,840 Speaker 2: And supporter of Dead and Hip Hop. 9 00:00:26,120 --> 00:00:28,360 Speaker 1: You know, we've been doing this since twenty eleven, so 10 00:00:28,400 --> 00:00:31,280 Speaker 1: that it's fourteen going on fifteen years, and we'll see 11 00:00:31,280 --> 00:00:34,240 Speaker 1: you guys in twenty twenty six. But nas in DJ 12 00:00:34,360 --> 00:00:37,839 Speaker 1: Premiere Light Years, I can't remember what with review he 13 00:00:38,000 --> 00:00:41,000 Speaker 1: was just doing, or it might have been a live 14 00:00:41,080 --> 00:00:43,360 Speaker 1: or something to be was like, I'm not worried about Nas, 15 00:00:43,560 --> 00:00:46,839 Speaker 1: I'm worried about DJ Premiere. And I tried then and 16 00:00:46,840 --> 00:00:48,960 Speaker 1: I said, I'm worried about Premiere too, because he just 17 00:00:49,000 --> 00:00:52,120 Speaker 1: made one with Ransom, and Ransom, in my opinion right now, 18 00:00:52,200 --> 00:00:54,880 Speaker 1: is one of the top tierist MC's in the game, 19 00:00:55,600 --> 00:00:58,320 Speaker 1: and that project was a little lackluster. 20 00:00:59,480 --> 00:01:02,200 Speaker 3: This one will a little bit better. I'm gonna jump 21 00:01:02,240 --> 00:01:02,720 Speaker 3: right into it. 22 00:01:02,840 --> 00:01:06,200 Speaker 1: The issue was DJ Premier, and I've seen people say that, well, 23 00:01:06,319 --> 00:01:09,600 Speaker 1: Nads picked the beats, but also Nads picked the producer, like, 24 00:01:09,640 --> 00:01:12,040 Speaker 1: if this is what Premiere had to offer, this is 25 00:01:12,080 --> 00:01:13,080 Speaker 1: what Premiere had to offer. 26 00:01:13,600 --> 00:01:14,840 Speaker 2: I don't think it's horrible. 27 00:01:15,280 --> 00:01:19,560 Speaker 1: I think there are some highlights here, but the DJ 28 00:01:19,720 --> 00:01:24,880 Speaker 1: Premier name brand has a higher bar than what was 29 00:01:24,920 --> 00:01:28,480 Speaker 1: set here, uh historically, and I think that was the 30 00:01:28,520 --> 00:01:32,280 Speaker 1: hardest thing to kind of get over. But Nas as 31 00:01:32,319 --> 00:01:33,880 Speaker 1: A as A as A as A as A as 32 00:01:33,920 --> 00:01:38,319 Speaker 1: a rapper man, this nigga, I just I just don't 33 00:01:38,400 --> 00:01:43,800 Speaker 1: understand how he's still this like this sharp, this, this, this, 34 00:01:43,800 --> 00:01:47,280 Speaker 1: this this tapped in right now. You know what I'm saying, 35 00:01:47,280 --> 00:01:50,640 Speaker 1: not just from an executive producer and running mass appeal, 36 00:01:51,080 --> 00:01:54,160 Speaker 1: but like the rapp it, like his rapp it is 37 00:01:54,240 --> 00:01:54,920 Speaker 1: really good here. 38 00:01:56,800 --> 00:01:59,080 Speaker 4: And if you gotta include the features too, his feature 39 00:01:59,120 --> 00:02:01,200 Speaker 4: run throughout this this year. 40 00:02:01,080 --> 00:02:06,600 Speaker 1: Yeah, his future run exactly. Nas is definitely on a rampage. 41 00:02:07,400 --> 00:02:10,360 Speaker 1: I'm interested to see if like this continues or this 42 00:02:10,480 --> 00:02:12,160 Speaker 1: was just like a twenty twenty five thing or he's 43 00:02:12,200 --> 00:02:14,600 Speaker 1: like fuck it, like I'm here, like you know, I'm 44 00:02:14,680 --> 00:02:16,680 Speaker 1: just gonna keepdropping. I'm gonna keep working with all of 45 00:02:16,720 --> 00:02:18,519 Speaker 1: these producers, like I'm gonna just keep doing all of 46 00:02:18,560 --> 00:02:22,000 Speaker 1: this stuff. I don't know, but yeah, man, nah, like 47 00:02:22,080 --> 00:02:25,880 Speaker 1: I enjoyed this project because of Nas, not saying that. 48 00:02:26,320 --> 00:02:30,200 Speaker 1: I don't think DJ Premiere just I don't know. I 49 00:02:30,240 --> 00:02:33,720 Speaker 1: just feel like he didn't meet Nas at where Nas 50 00:02:33,760 --> 00:02:39,000 Speaker 1: was at on this project. But yeah, man, like it's cool, 51 00:02:39,160 --> 00:02:39,960 Speaker 1: I fuck with it. 52 00:02:39,960 --> 00:02:44,240 Speaker 5: But yeah, he didn't, he didn't meet him. 53 00:02:44,280 --> 00:02:44,400 Speaker 3: Man. 54 00:02:44,440 --> 00:02:47,680 Speaker 6: It was a little I had hope. 55 00:02:49,160 --> 00:02:51,919 Speaker 5: Because they just haven't really missed to me with these 56 00:02:52,000 --> 00:02:57,079 Speaker 5: releases or whatever else, Like it's no way that this 57 00:02:57,160 --> 00:03:02,680 Speaker 5: can happen on the Nas at Nas project, and especially 58 00:03:02,680 --> 00:03:04,680 Speaker 5: with all the verses that he's been putting on them 59 00:03:04,760 --> 00:03:07,040 Speaker 5: or whatever, and in the beats he's. 60 00:03:06,880 --> 00:03:08,240 Speaker 6: Been rhyming over on that. 61 00:03:09,040 --> 00:03:12,480 Speaker 5: So yeah, man, I was just like, damn, man like, 62 00:03:12,520 --> 00:03:14,880 Speaker 5: because I remember that being everybody's concerned. 63 00:03:14,880 --> 00:03:19,320 Speaker 6: Everybody's concern was Premier. And and here's the thing. 64 00:03:19,440 --> 00:03:23,800 Speaker 5: I think if this came out like years ago, maybe 65 00:03:23,840 --> 00:03:26,360 Speaker 5: it'll be Okay, it'll be it'll be a little bit 66 00:03:26,400 --> 00:03:31,440 Speaker 5: more palatable. But it sounds like Premiere makes it sound 67 00:03:31,520 --> 00:03:34,239 Speaker 5: dating almost like with some of the beats, like it 68 00:03:34,360 --> 00:03:38,440 Speaker 5: just didn't have any like like soul, Like it was 69 00:03:38,520 --> 00:03:42,480 Speaker 5: missing some sort of like soul to it, like I 70 00:03:42,520 --> 00:03:44,960 Speaker 5: wanted I didn't want to hear nas over some of 71 00:03:44,960 --> 00:03:49,560 Speaker 5: the I don't know, like it was just like damn, 72 00:03:49,760 --> 00:03:52,600 Speaker 5: And I was wondering, like, damn did he did he 73 00:03:52,680 --> 00:03:53,680 Speaker 5: pick these beats? 74 00:03:55,520 --> 00:03:56,520 Speaker 6: Like damn? 75 00:03:57,480 --> 00:03:59,840 Speaker 1: He had to to a degree, But it's just what 76 00:04:00,040 --> 00:04:03,200 Speaker 1: Premiere had, like Premire with it feel right. 77 00:04:03,120 --> 00:04:07,160 Speaker 5: Like there's Premier could have been like I got like 78 00:04:07,160 --> 00:04:08,960 Speaker 5: like like New York state of Mind. That's not how 79 00:04:09,000 --> 00:04:11,320 Speaker 5: that should have sound like New York State of Mind. 80 00:04:11,440 --> 00:04:15,440 Speaker 5: Three should not sound like that, And it sounded and 81 00:04:15,520 --> 00:04:18,600 Speaker 5: and and into a test to that. When they tried 82 00:04:18,640 --> 00:04:21,000 Speaker 5: to mix in New York State of Mind, it didn't 83 00:04:21,000 --> 00:04:24,400 Speaker 5: even it didn't even mess. It sounded like a mess. 84 00:04:24,960 --> 00:04:28,359 Speaker 5: I'm like, what, like, how do you have the I'm like, 85 00:04:28,400 --> 00:04:32,240 Speaker 5: how do you have the what am I trying to say, 86 00:04:32,279 --> 00:04:35,080 Speaker 5: not the blueprint but the the reference? 87 00:04:35,200 --> 00:04:35,360 Speaker 2: Right? 88 00:04:35,440 --> 00:04:39,120 Speaker 5: How do you have the and make that like it 89 00:04:39,279 --> 00:04:41,600 Speaker 5: don't even you know how mayback music always has like 90 00:04:41,600 --> 00:04:45,760 Speaker 5: a certain feel to it and then the mind feel 91 00:04:45,839 --> 00:04:48,400 Speaker 5: to it like this didn't sound This should have sounded 92 00:04:48,400 --> 00:04:52,800 Speaker 5: like real, like like trained music, like I don't know, 93 00:04:52,960 --> 00:04:57,960 Speaker 5: it wasn't that. It wasn't that and that was I'm sorry, 94 00:04:58,600 --> 00:04:59,000 Speaker 5: let me. 95 00:04:59,279 --> 00:05:00,719 Speaker 1: No, no, no, let me up there, let me jump 96 00:05:00,760 --> 00:05:03,680 Speaker 1: every because because I'm one hundred percent with you. Like 97 00:05:03,760 --> 00:05:05,960 Speaker 1: New York State of My Part three felt like they 98 00:05:06,120 --> 00:05:10,200 Speaker 1: close the New York State of minds. It doesn't feel like, oh, 99 00:05:10,480 --> 00:05:12,800 Speaker 1: like this is something that can continue, like we can 100 00:05:12,839 --> 00:05:15,080 Speaker 1: get a part four, a part five potentially, like this 101 00:05:15,200 --> 00:05:18,000 Speaker 1: is like okay, cool, it's over here, like it's done. 102 00:05:18,080 --> 00:05:19,400 Speaker 1: Like I don't want to hear New York State of 103 00:05:19,440 --> 00:05:21,279 Speaker 1: My part four if this is what you gave me 104 00:05:21,279 --> 00:05:24,960 Speaker 1: on part three. And also with the soul take that 105 00:05:25,040 --> 00:05:29,400 Speaker 1: you had, I agree a song like Nasty Nasty Esco 106 00:05:29,520 --> 00:05:33,800 Speaker 1: nasir Bro, that beat is supposed to be grittier than that. 107 00:05:33,839 --> 00:05:38,040 Speaker 1: It's it almost sounded like this nigga was looping the 108 00:05:38,080 --> 00:05:39,800 Speaker 1: tape for real man. It's like, you know what I'm 109 00:05:39,800 --> 00:05:41,400 Speaker 1: gonna do. I'm gonna just loop the whole tape for 110 00:05:41,440 --> 00:05:43,440 Speaker 1: this whole project. It's like, nah, nigga, like we're twenty 111 00:05:43,480 --> 00:05:44,760 Speaker 1: twenty five, bro, like. 112 00:05:44,800 --> 00:05:45,680 Speaker 6: Nah, yeah. 113 00:05:45,720 --> 00:05:48,440 Speaker 5: He did not sound like a seasoned producer and like 114 00:05:48,880 --> 00:05:51,919 Speaker 5: and like it's like he tried to, you know, do 115 00:05:52,000 --> 00:05:55,640 Speaker 5: a signature cuts and scratches, but it just that wasn't enough. 116 00:05:56,320 --> 00:05:58,200 Speaker 6: You know what I'm saying like you need more than that, 117 00:05:58,400 --> 00:05:59,880 Speaker 6: Like that ain't gonna save this. 118 00:06:00,440 --> 00:06:03,240 Speaker 5: The cussing scratches are always dope from premiere, but it 119 00:06:03,320 --> 00:06:06,479 Speaker 5: did not save the beats and the songs here and 120 00:06:06,520 --> 00:06:09,039 Speaker 5: then like going from New York state of mind to 121 00:06:09,800 --> 00:06:14,080 Speaker 5: fucking Welcome to the Underground, like that should have sound 122 00:06:14,200 --> 00:06:16,520 Speaker 5: that again, that should have sounded like the underground. 123 00:06:16,560 --> 00:06:17,320 Speaker 6: That didn't sound like No. 124 00:06:17,920 --> 00:06:21,560 Speaker 5: Man, I was just like, I was really perplexed listening 125 00:06:21,600 --> 00:06:24,120 Speaker 5: to this. And I've listened to it in different places, 126 00:06:24,160 --> 00:06:26,200 Speaker 5: like I've listened to it in the AirPods, i listened 127 00:06:26,240 --> 00:06:28,000 Speaker 5: to it on the way to work. I've listened to 128 00:06:28,000 --> 00:06:30,400 Speaker 5: it in different situations, and I'm like, man, it just 129 00:06:30,520 --> 00:06:34,320 Speaker 5: does it's lacking soul. It's lacking like it don't even 130 00:06:34,360 --> 00:06:36,880 Speaker 5: feel like a hearty meal. It sounds like nah, it's 131 00:06:36,960 --> 00:06:41,960 Speaker 5: just rapping over damn almost like some throwaway beats. And 132 00:06:42,400 --> 00:06:44,800 Speaker 5: I hate to be disrespectful like that to the legend, 133 00:06:45,440 --> 00:06:48,480 Speaker 5: but man, they just did not They just hey, man, 134 00:06:48,520 --> 00:06:50,039 Speaker 5: it just was not a good marriage. 135 00:06:50,279 --> 00:06:53,440 Speaker 6: It was just not a good marriage, like damn. 136 00:06:53,480 --> 00:06:55,560 Speaker 5: Man, Like like they and like some of them they 137 00:06:55,600 --> 00:06:58,480 Speaker 5: almost got it, Like songs that kings like that sound 138 00:06:58,560 --> 00:07:00,680 Speaker 5: had a good, good sounds to it, like like it 139 00:07:00,800 --> 00:07:03,360 Speaker 5: was certain ones that had it, but it still wasn't 140 00:07:03,440 --> 00:07:09,080 Speaker 5: quite it. It was disappointing. Man like this, this like 141 00:07:09,279 --> 00:07:12,560 Speaker 5: sonically this was this was very disappointed. Nah, It's definitely 142 00:07:12,560 --> 00:07:14,720 Speaker 5: brought it with the lyrics, but I feel like even 143 00:07:14,720 --> 00:07:17,600 Speaker 5: the lyrics that he had, he was just good, but 144 00:07:18,960 --> 00:07:21,600 Speaker 5: it made it seem like he wasn't. I even know 145 00:07:21,720 --> 00:07:24,240 Speaker 5: he was, but but the beef just wasn't. It just 146 00:07:24,320 --> 00:07:28,040 Speaker 5: didn't match. It's like the rhyms are there, but it 147 00:07:28,160 --> 00:07:32,480 Speaker 5: just didn't connect. Like man, this is probably one of 148 00:07:32,480 --> 00:07:36,760 Speaker 5: the most disappointing projects that have dropped this year, like 149 00:07:36,840 --> 00:07:41,720 Speaker 5: for real, for real, like this, this is this is crazy. 150 00:07:43,040 --> 00:07:46,400 Speaker 4: I only agree with you guys on The New York 151 00:07:46,440 --> 00:07:49,160 Speaker 4: State of Mind Part three and they're welcome to the 152 00:07:49,240 --> 00:07:51,000 Speaker 4: Underground and I don't. 153 00:07:51,040 --> 00:07:51,320 Speaker 3: I didn't. 154 00:07:51,320 --> 00:07:52,320 Speaker 7: I didn't care if I get ready. 155 00:07:52,400 --> 00:07:54,480 Speaker 4: But other than that, I couldn't disagree with you guys 156 00:07:54,640 --> 00:07:57,680 Speaker 4: anymore than I can because I thought this was definitely 157 00:07:57,840 --> 00:08:00,720 Speaker 4: a solid project, a good project from a premiere. 158 00:08:00,920 --> 00:08:02,440 Speaker 7: Yes, I was worried about Premiere. 159 00:08:03,160 --> 00:08:07,320 Speaker 4: I think I think what what what they wanted to do? 160 00:08:07,920 --> 00:08:09,520 Speaker 4: What they wanted to do? They did I think this 161 00:08:09,680 --> 00:08:12,520 Speaker 4: was just this was an old to hip hop. Yeah, 162 00:08:12,560 --> 00:08:16,240 Speaker 4: and and and that's fine. Paulse tap pause, Paulse Tapes 163 00:08:16,360 --> 00:08:17,280 Speaker 4: was fucking phenomenal. 164 00:08:17,320 --> 00:08:18,320 Speaker 7: It was it was relatable. 165 00:08:19,480 --> 00:08:22,480 Speaker 4: Writers was fucking dope as hell because there there Nives 166 00:08:22,520 --> 00:08:22,960 Speaker 4: was talking. 167 00:08:22,760 --> 00:08:26,920 Speaker 7: About of hip hop. That was cool. 168 00:08:27,440 --> 00:08:30,480 Speaker 4: Sons was a Sons was a great sequel to the Daughters. 169 00:08:30,520 --> 00:08:34,720 Speaker 4: I thought that was fucking dope. That was fucking dope. 170 00:08:34,840 --> 00:08:39,680 Speaker 4: This time was dope as hell. Nasty Esco. 171 00:08:40,000 --> 00:08:41,920 Speaker 7: I disagree with you on that one, people. 172 00:08:41,960 --> 00:08:44,400 Speaker 4: I thought that was I thought I thought that beat 173 00:08:44,440 --> 00:08:46,959 Speaker 4: on there was perfect for that for what Nives did 174 00:08:46,960 --> 00:08:50,600 Speaker 4: on their fucking my Story Your Story Nias and easy again, 175 00:08:50,760 --> 00:08:55,160 Speaker 4: fucking floating, like fucking crazy, perfect beat. That was a 176 00:08:55,200 --> 00:08:57,640 Speaker 4: grown man beat that Premiere gave Naves and a Z 177 00:08:57,800 --> 00:08:58,600 Speaker 4: which was perfect. 178 00:08:59,040 --> 00:09:02,160 Speaker 7: Banquet to the Lady. That was a fucking great song. 179 00:09:02,200 --> 00:09:03,120 Speaker 7: I love the way how. 180 00:09:04,920 --> 00:09:06,520 Speaker 3: Yeah, I said, yeah, bou. 181 00:09:06,400 --> 00:09:08,240 Speaker 7: Que to the ladies. I thought that was so dope. 182 00:09:08,280 --> 00:09:10,880 Speaker 4: Holy paid hamas to to to the women and hip 183 00:09:10,880 --> 00:09:13,480 Speaker 4: hop kind of similar to the same way with Els 184 00:09:13,520 --> 00:09:14,760 Speaker 4: I did, but it was mostly just like a O 185 00:09:14,920 --> 00:09:15,760 Speaker 4: D two black women. 186 00:09:15,840 --> 00:09:17,240 Speaker 7: But I thought that was dope. 187 00:09:17,800 --> 00:09:21,360 Speaker 4: Junkie is dope because Nis is just a hip hop dude. 188 00:09:21,440 --> 00:09:24,800 Speaker 4: Like he is a hip hop dude through and through. 189 00:09:25,120 --> 00:09:29,080 Speaker 4: Now I'm gonna be honest. My first listen the first 190 00:09:29,120 --> 00:09:31,640 Speaker 4: half of the album was a struggle. This second from 191 00:09:31,960 --> 00:09:35,640 Speaker 4: from from writers. This this is my first listen from writers. 192 00:09:35,720 --> 00:09:37,400 Speaker 4: All the way to the end, I was like, okay, yeah, 193 00:09:37,400 --> 00:09:41,240 Speaker 4: we're there. That first half was a struggle. But My 194 00:09:41,320 --> 00:09:43,560 Speaker 4: Life Is Real picked up that I fuck. 195 00:09:43,679 --> 00:09:45,320 Speaker 7: At first. I was like, okay, this was cool. 196 00:09:45,720 --> 00:09:47,240 Speaker 4: I fucking loved My Life Is Really. That was a 197 00:09:47,240 --> 00:09:49,960 Speaker 4: great way to start the album. I thousand percent agree 198 00:09:50,000 --> 00:09:50,440 Speaker 4: with y'all. 199 00:09:50,440 --> 00:09:50,640 Speaker 3: Two. 200 00:09:50,720 --> 00:09:53,520 Speaker 4: With New York State of Mind Part three, I was like, bruh, 201 00:09:54,080 --> 00:09:57,160 Speaker 4: what the fuck is this? I said this, this this disappointment, 202 00:09:57,400 --> 00:09:59,480 Speaker 4: get that out of there, Welcome to the Underground. I 203 00:09:59,520 --> 00:10:03,600 Speaker 4: remember when he uh premiered that track at him and 204 00:10:03,679 --> 00:10:05,840 Speaker 4: Him and Alchemist was at doing their shows and he 205 00:10:05,880 --> 00:10:07,640 Speaker 4: premiered that track. I was like, I'm not really too 206 00:10:07,679 --> 00:10:09,640 Speaker 4: high on that one. So yeah, New York State of 207 00:10:09,679 --> 00:10:11,720 Speaker 4: Mind walking to the Underground and get Ready with like 208 00:10:11,760 --> 00:10:15,520 Speaker 4: the tracks, I was kind of like, eh, mad Man, 209 00:10:16,360 --> 00:10:19,160 Speaker 4: mad Man, brou what the fuck y'all? 210 00:10:19,559 --> 00:10:21,000 Speaker 7: No one mentioned mad Man. 211 00:10:21,160 --> 00:10:25,160 Speaker 4: That ship was fucking crazy, like yeah, and then at 212 00:10:25,160 --> 00:10:28,600 Speaker 4: that point for mad Man, Pause Tapes, Writers Sons, is 213 00:10:28,679 --> 00:10:31,319 Speaker 4: time nasty. This was a good project. This was this 214 00:10:31,400 --> 00:10:34,959 Speaker 4: was definitely a fucking good project. And then another another 215 00:10:35,000 --> 00:10:37,199 Speaker 4: one I was disappointed in too. I was a little disappointing. 216 00:10:37,679 --> 00:10:40,760 Speaker 4: Was Third Childhood. I was expecting coming from Second Childhood 217 00:10:41,040 --> 00:10:43,880 Speaker 4: off and still madic I was. I was hoping he 218 00:10:44,000 --> 00:10:45,880 Speaker 4: was going to finish it strong. So I definitely ding 219 00:10:46,000 --> 00:10:47,920 Speaker 4: him a little bit for not finishing the project strong 220 00:10:48,240 --> 00:10:52,040 Speaker 4: with Third Childhood, especially having that title. Man, this this was, 221 00:10:52,080 --> 00:10:53,120 Speaker 4: this was a good project. 222 00:10:53,120 --> 00:10:54,200 Speaker 7: This was a good project. 223 00:10:54,280 --> 00:10:54,520 Speaker 3: Is it? 224 00:10:54,520 --> 00:10:57,920 Speaker 6: This was what you want to saying? 225 00:10:58,400 --> 00:11:01,160 Speaker 7: No? No, this was just this is far from average. 226 00:11:01,240 --> 00:11:04,000 Speaker 6: Half of this, half of this was okay. 227 00:11:05,000 --> 00:11:07,280 Speaker 4: The three tracks, the two tracks I grew with, I 228 00:11:07,440 --> 00:11:09,480 Speaker 4: need three, get Ready, New York state of Mind. 229 00:11:09,520 --> 00:11:10,440 Speaker 7: That was a bad run. 230 00:11:10,559 --> 00:11:12,320 Speaker 4: Get Ready New York state of Mind Part three and 231 00:11:12,360 --> 00:11:17,040 Speaker 4: Welcome to Underground. After that, I mean everything else, I 232 00:11:17,040 --> 00:11:17,800 Speaker 4: wouldn't skip it. 233 00:11:18,679 --> 00:11:24,160 Speaker 5: Everything, everything goes on. That second half was great. It's okay, like. 234 00:11:24,640 --> 00:11:29,439 Speaker 7: My life is my life is real? Bang ready You're ready? 235 00:11:30,280 --> 00:11:30,679 Speaker 3: Get right? 236 00:11:31,120 --> 00:11:32,240 Speaker 6: Your story was good with. 237 00:11:32,200 --> 00:11:37,480 Speaker 4: A man man as soon as you junking writers. Yes, yes, 238 00:11:37,520 --> 00:11:41,040 Speaker 4: I love junking. I mean that's not that's nahs. He 239 00:11:41,160 --> 00:11:43,280 Speaker 4: is a hip hop He's a hip hop junkie. I 240 00:11:43,360 --> 00:11:45,720 Speaker 4: like the I like the seventh from Apps and ship 241 00:11:45,840 --> 00:11:48,520 Speaker 4: like that ship Man. This was this is a good project. 242 00:11:48,559 --> 00:11:49,360 Speaker 6: I think Premiere. 243 00:11:50,040 --> 00:11:52,440 Speaker 4: Yeah, I wasn't the reason why I was working because 244 00:11:52,440 --> 00:11:54,040 Speaker 4: I was like, Okay, let me let me take off 245 00:11:54,080 --> 00:11:57,720 Speaker 4: my early two thousands Premiere that I that I'm expecting 246 00:11:57,800 --> 00:11:58,560 Speaker 4: or hoping to get. 247 00:11:58,880 --> 00:12:00,360 Speaker 7: No, I ain't gonna do that to legend. 248 00:12:00,360 --> 00:12:01,000 Speaker 3: I think this was this. 249 00:12:01,160 --> 00:12:04,000 Speaker 4: I think he gave not naw some solid beats. Were 250 00:12:04,000 --> 00:12:06,920 Speaker 4: they super great? Where they you know what? I was 251 00:12:06,960 --> 00:12:10,520 Speaker 4: hoping for Premiere to do? No, But they wasn't. They 252 00:12:10,640 --> 00:12:12,760 Speaker 4: wasn't what I was worried about. I would say that 253 00:12:13,000 --> 00:12:15,200 Speaker 4: I was worried coming into this project. 254 00:12:15,240 --> 00:12:15,720 Speaker 3: I've said it. 255 00:12:16,520 --> 00:12:18,320 Speaker 4: People tell you I said it plenty of times. I 256 00:12:18,360 --> 00:12:19,600 Speaker 4: was worried about promo, gunner it. 257 00:12:19,880 --> 00:12:21,720 Speaker 7: But this, this was, this is over. 258 00:12:22,559 --> 00:12:24,160 Speaker 2: He b He didn't. 259 00:12:24,480 --> 00:12:27,439 Speaker 1: Premiere didn't meet his own standard. Bro, Like, I felt like, 260 00:12:27,480 --> 00:12:29,400 Speaker 1: you're just giving the mail. That's cool, you know, I 261 00:12:29,480 --> 00:12:32,560 Speaker 1: understand the producers. Your niggas got to stick together and ship, bro. 262 00:12:32,559 --> 00:12:35,880 Speaker 4: Like he he didn't meet his you're talking to a 263 00:12:35,960 --> 00:12:39,880 Speaker 4: nigga that you're talking to the wrong nigga that you 264 00:12:39,960 --> 00:12:41,439 Speaker 4: know I didn't this. 265 00:12:41,520 --> 00:12:45,440 Speaker 6: DJ premiere B I know, I know I'm not saying 266 00:12:45,440 --> 00:12:46,319 Speaker 6: that a standard. 267 00:12:46,559 --> 00:12:47,720 Speaker 7: I'm not saying that as a. 268 00:12:47,640 --> 00:12:50,439 Speaker 6: Certain standard, and he did not meet that standard. 269 00:12:50,480 --> 00:12:53,800 Speaker 5: Bro, if you can seriously say DJ like like he 270 00:12:53,840 --> 00:12:55,920 Speaker 5: brought his game and brought his A game. 271 00:12:56,200 --> 00:13:00,559 Speaker 7: I didn't say I didn't. I didn't say that. 272 00:13:01,240 --> 00:13:03,280 Speaker 4: I just said I disagree with y'all text when. 273 00:13:03,120 --> 00:13:03,880 Speaker 6: I was respected. 274 00:13:05,320 --> 00:13:09,400 Speaker 3: Your grade represents how giving it like not. 275 00:13:09,400 --> 00:13:12,720 Speaker 4: Being we'll talking tell you what a de plus Like 276 00:13:12,760 --> 00:13:14,360 Speaker 4: the way y'all talking, y'all sound like this is like 277 00:13:14,360 --> 00:13:17,680 Speaker 4: a D plus. And I know that I am saying 278 00:13:18,520 --> 00:13:19,240 Speaker 4: in the way y'all. 279 00:13:19,040 --> 00:13:22,199 Speaker 6: Talking that I just frustrated. I'm frustrated. 280 00:13:22,240 --> 00:13:24,599 Speaker 5: Had to get my frustrations out like I had to 281 00:13:24,600 --> 00:13:28,160 Speaker 5: get my frustrations out, like because like you, I know 282 00:13:28,240 --> 00:13:30,199 Speaker 5: you said get ready isn't good, but you. 283 00:13:30,200 --> 00:13:32,720 Speaker 6: Felt like my life is real. It was a strong. 284 00:13:32,440 --> 00:13:35,839 Speaker 5: Opening track from a DJ premiere in nas Yes collaboration 285 00:13:35,960 --> 00:13:36,400 Speaker 5: had to swing. 286 00:13:36,480 --> 00:13:38,480 Speaker 4: It had it had the classic DJ premire swing bro, 287 00:13:39,200 --> 00:13:40,520 Speaker 4: classic DJ premiere swing. 288 00:13:40,640 --> 00:13:41,120 Speaker 6: I don't know. 289 00:13:41,440 --> 00:13:44,080 Speaker 5: That's why I think. That's what That's why I think. 290 00:13:44,160 --> 00:13:50,839 Speaker 5: I don't know, Man, I'm when it opened up, I 291 00:13:51,000 --> 00:13:52,199 Speaker 5: had to look at the things. I was like, Man, 292 00:13:52,240 --> 00:13:54,280 Speaker 5: I skipped the first track because I don't know this 293 00:13:54,400 --> 00:13:57,520 Speaker 5: is man. When I hit play, I did not believe 294 00:13:57,559 --> 00:14:01,200 Speaker 5: that was the first track. About what we've heard nons 295 00:14:01,280 --> 00:14:03,960 Speaker 5: on up until this point. Does this Does that song 296 00:14:04,000 --> 00:14:07,880 Speaker 5: compare to everything he's been releasing up until this point, 297 00:14:08,600 --> 00:14:11,880 Speaker 5: And that's the way you start your your record. It 298 00:14:11,960 --> 00:14:15,679 Speaker 5: don't match, bro, Like, that's not what I mean he did. 299 00:14:15,720 --> 00:14:18,080 Speaker 4: He just did six albums with hip Boy so with no, no. 300 00:14:17,760 --> 00:14:20,880 Speaker 5: No, no, I'm not talking about I'm talking about the 301 00:14:20,920 --> 00:14:23,560 Speaker 5: other stuff he's released on mass Field, like like everything, 302 00:14:23,640 --> 00:14:26,120 Speaker 5: all the features that he released, that doesn't hold a 303 00:14:26,280 --> 00:14:29,000 Speaker 5: candle to them, to those tracks, I. 304 00:14:28,880 --> 00:14:30,720 Speaker 7: Would to say hold a candle. But I mean, you know, 305 00:14:30,800 --> 00:14:31,440 Speaker 7: it's an argument. 306 00:14:31,680 --> 00:14:33,520 Speaker 4: I mean, I'm not mad at that. I'm not mad 307 00:14:33,560 --> 00:14:35,840 Speaker 4: at that argument. I mean, that's that's that's an argument. Yeah, 308 00:14:35,880 --> 00:14:37,920 Speaker 4: I mean, I'm not and I'm not saying my life 309 00:14:38,000 --> 00:14:39,880 Speaker 4: is real. It's the best opener out of the whole 310 00:14:39,920 --> 00:14:43,200 Speaker 4: MASSI pill run. It's a son of Song and it growing, 311 00:14:43,640 --> 00:14:44,520 Speaker 4: it actually grewing. 312 00:14:44,960 --> 00:14:45,920 Speaker 3: I didn't like it at first. 313 00:14:46,360 --> 00:14:49,000 Speaker 4: Yeah, I'm still standing strong with tracks two, three, or 314 00:14:49,000 --> 00:14:54,600 Speaker 4: four not being the ones that I'm like, Yeah, for 315 00:14:54,760 --> 00:14:56,600 Speaker 4: mad Man on the rest of Down, I'm letting this 316 00:14:56,600 --> 00:14:57,160 Speaker 4: thing ride. 317 00:14:57,200 --> 00:14:59,640 Speaker 6: Mad Man on the rest Down. It's okay. 318 00:15:00,160 --> 00:15:04,160 Speaker 4: Now now's writing is writing fire. 319 00:15:04,240 --> 00:15:06,720 Speaker 5: Yeah, that's personally fine. 320 00:15:06,960 --> 00:15:09,400 Speaker 4: So for y'all, is basically just premiere Like y'all. 321 00:15:09,280 --> 00:15:12,640 Speaker 5: Yeah, you understand what you're saying, because it's hard to 322 00:15:12,720 --> 00:15:14,600 Speaker 5: not like the track. When you got him, you got 323 00:15:15,000 --> 00:15:17,640 Speaker 5: nas rapping like he's wrapping on writers in Paul's taste, 324 00:15:17,800 --> 00:15:20,880 Speaker 5: it's hard not to to not be like, oh man, 325 00:15:20,920 --> 00:15:23,200 Speaker 5: he really brought this, brought this. 326 00:15:23,280 --> 00:15:25,280 Speaker 6: Some life to it. But it's just it's just. 327 00:15:26,960 --> 00:15:28,760 Speaker 5: It's like, you know, it could be so much better, 328 00:15:28,800 --> 00:15:31,520 Speaker 5: and premiered with it is something a little different. It 329 00:15:31,640 --> 00:15:36,280 Speaker 5: just felt like it was lacking some sort of soul. Hmmm, Yeah, 330 00:15:36,280 --> 00:15:37,920 Speaker 5: I just felt like it was lacking some sort of soul. 331 00:15:37,960 --> 00:15:39,920 Speaker 5: But I will give you the ones that you highlighted, 332 00:15:39,920 --> 00:15:42,080 Speaker 5: the ones that you point out, they are good, Like 333 00:15:42,080 --> 00:15:46,000 Speaker 5: I said, story like like sons and kids. I already 334 00:15:46,000 --> 00:15:48,680 Speaker 5: mentioned writers Paul's tape was cool, even though I feel 335 00:15:48,720 --> 00:15:50,240 Speaker 5: like that was just a just a loop or. 336 00:15:50,200 --> 00:15:53,600 Speaker 6: Whatever, but I like what it was. That was. 337 00:15:54,520 --> 00:15:55,080 Speaker 4: I know what. 338 00:15:56,840 --> 00:16:00,280 Speaker 5: I know, I know what I know explaining about making 339 00:16:00,280 --> 00:16:03,680 Speaker 5: the beat and all that. But I'm just like, that's fine. 340 00:16:03,720 --> 00:16:05,720 Speaker 5: I'm not even gonna give me. I'm not even gonna 341 00:16:06,080 --> 00:16:09,800 Speaker 5: that was correct over there first those first man, the 342 00:16:09,840 --> 00:16:12,080 Speaker 5: way that the way this thing open, man just left. 343 00:16:11,880 --> 00:16:15,320 Speaker 7: It just it just it just started off shaky for you, pretty. 344 00:16:15,240 --> 00:16:20,880 Speaker 6: Started off super ship that it is stay shaky. 345 00:16:20,960 --> 00:16:22,480 Speaker 7: King was talking. 346 00:16:22,480 --> 00:16:22,760 Speaker 3: It was. 347 00:16:24,560 --> 00:16:26,600 Speaker 6: Like I said, I said, sons and Kings. 348 00:16:26,640 --> 00:16:28,640 Speaker 5: I said, Writers is cool because he's, like I said, 349 00:16:28,680 --> 00:16:30,440 Speaker 5: he's talking about the graffiti writers and all that. 350 00:16:30,440 --> 00:16:31,080 Speaker 6: That was dope. 351 00:16:31,440 --> 00:16:33,840 Speaker 5: The homage she was paying to the women and hip 352 00:16:33,840 --> 00:16:36,080 Speaker 5: hop like all of that stuff was cool. The asy 353 00:16:36,240 --> 00:16:40,160 Speaker 5: feature was cool. I don't know, man, but like yeah, 354 00:16:40,280 --> 00:16:42,720 Speaker 5: it's just I just wanted something a little bit more. 355 00:16:43,960 --> 00:16:45,440 Speaker 6: I just wanted something a little bit more. 356 00:16:45,600 --> 00:16:47,600 Speaker 3: Be We were kind of talking about a little bit 357 00:16:47,640 --> 00:16:51,840 Speaker 3: in the Dennis Sports chat and I, you know, I 358 00:16:51,880 --> 00:16:56,320 Speaker 3: made a comment that that first beat and I'll say, here, 359 00:16:57,000 --> 00:16:59,760 Speaker 3: you know this is what we do there. You gonna 360 00:16:59,760 --> 00:17:02,600 Speaker 3: be hones honest. I said that When I heard that 361 00:17:02,600 --> 00:17:06,280 Speaker 3: that beat the first time, the open the track, I 362 00:17:06,359 --> 00:17:08,600 Speaker 3: was like, it sounded like it was made by A 363 00:17:10,280 --> 00:17:15,200 Speaker 3: like he put in a prompt that said, Chack, can 364 00:17:15,280 --> 00:17:19,080 Speaker 3: you make a beat that sounds like DJ premiere? That 365 00:17:19,240 --> 00:17:22,199 Speaker 3: was my first thought. It did not hit for me. 366 00:17:24,520 --> 00:17:30,240 Speaker 3: Get Ready, It's way better New York state of Mind. 367 00:17:31,119 --> 00:17:33,639 Speaker 3: I was like, ah, that's that's not living up to 368 00:17:33,760 --> 00:17:39,439 Speaker 3: the standard. Walking Underground that was a huge just I 369 00:17:39,480 --> 00:17:44,520 Speaker 3: messed with that joint, mad Man. I messed with that joint. 370 00:17:45,880 --> 00:17:47,720 Speaker 6: You mess with Welcome to the Underground, you mess with. 371 00:17:49,480 --> 00:17:52,879 Speaker 3: Really damn Yeah, I do like working Underground. 372 00:17:53,680 --> 00:17:57,080 Speaker 4: That three song round was just that was that was bad. 373 00:17:57,800 --> 00:17:59,679 Speaker 3: What was the throw? The two throw. 374 00:18:02,240 --> 00:18:05,160 Speaker 4: Get Ready, New York State of Mind and on Ground. 375 00:18:05,200 --> 00:18:05,920 Speaker 3: That was a bad run. 376 00:18:06,240 --> 00:18:08,040 Speaker 4: That was a that was a bad run in the album. 377 00:18:08,119 --> 00:18:10,040 Speaker 3: I like that. 378 00:18:12,520 --> 00:18:15,600 Speaker 4: I like now that that one would sound more. That 379 00:18:15,640 --> 00:18:18,040 Speaker 4: didn't sound like a premiere. That sounded more like A. 380 00:18:18,960 --> 00:18:21,760 Speaker 3: Can't like it because he old yeah and I liked it. 381 00:18:21,840 --> 00:18:23,840 Speaker 6: I like to sample on New York State of Mind. 382 00:18:24,560 --> 00:18:25,160 Speaker 6: I just don't. 383 00:18:25,359 --> 00:18:26,520 Speaker 7: But he didn't do it good. 384 00:18:27,440 --> 00:18:29,760 Speaker 4: It was too much going on. 385 00:18:28,720 --> 00:18:34,200 Speaker 3: It was Yeah, it was a set up that that. 386 00:18:34,280 --> 00:18:36,040 Speaker 7: Didn't with y'all on that ship. 387 00:18:36,040 --> 00:18:37,680 Speaker 4: That New York State of Mind three was just Oh 388 00:18:37,720 --> 00:18:40,000 Speaker 4: my god, talk about a letdown for a. 389 00:18:40,200 --> 00:18:43,399 Speaker 7: For a classic song like that. 390 00:18:43,400 --> 00:18:46,760 Speaker 4: That's a fucking letdown. Now, that's a letdown, right. I 391 00:18:46,800 --> 00:18:49,640 Speaker 4: was like, brou, what the fuck? I'm sorry, I can't 392 00:18:49,640 --> 00:18:50,040 Speaker 4: go ahead. 393 00:18:50,320 --> 00:18:52,800 Speaker 3: But you know what, though it is a little bit different. 394 00:18:52,880 --> 00:18:54,800 Speaker 3: I think the more I hear it be, the better 395 00:18:54,840 --> 00:18:58,200 Speaker 3: it gets to me. But but I you know, I'm 396 00:18:58,240 --> 00:19:00,840 Speaker 3: not going to sit here and argue guys up and 397 00:19:00,880 --> 00:19:03,880 Speaker 3: down about that track. But what I will say though, 398 00:19:04,560 --> 00:19:06,320 Speaker 3: is that I definitely disagree with you guys on the 399 00:19:06,320 --> 00:19:09,320 Speaker 3: production B you had. B. I was waiting to hear 400 00:19:09,359 --> 00:19:10,680 Speaker 3: what you had to say because I thought I was 401 00:19:10,680 --> 00:19:15,000 Speaker 3: gonna be solo on this joint. In terms of understanding 402 00:19:15,040 --> 00:19:17,639 Speaker 3: and appreciating what Premiere did on this joint, they are 403 00:19:17,680 --> 00:19:19,600 Speaker 3: like seven beats on here that I that I like, 404 00:19:20,280 --> 00:19:25,080 Speaker 3: and B, I think I followed a similar track that 405 00:19:25,160 --> 00:19:27,919 Speaker 3: you did. Like the first time, it felt like it 406 00:19:27,960 --> 00:19:30,800 Speaker 3: felt like Premiere was winded. Bro. It felt like, you know, 407 00:19:31,320 --> 00:19:33,960 Speaker 3: like he went back, he went on the court man, 408 00:19:34,280 --> 00:19:34,600 Speaker 3: you know. 409 00:19:34,960 --> 00:19:38,600 Speaker 4: Try to hoot there with the young fellas, and was like, ah, 410 00:19:40,640 --> 00:19:44,520 Speaker 4: up a little winded, Bro, But the more I played 411 00:19:44,600 --> 00:19:47,640 Speaker 4: this ship, man, the better. 412 00:19:47,480 --> 00:19:49,920 Speaker 3: This ship started to sound. And I started to really 413 00:19:49,920 --> 00:19:52,679 Speaker 3: settle in, and I had to really think, think, and 414 00:19:52,840 --> 00:19:56,800 Speaker 3: like really think about what type of producer Premiere is. 415 00:19:56,920 --> 00:20:01,560 Speaker 3: This is This is in his wheelhouse, you know, and 416 00:20:01,840 --> 00:20:05,280 Speaker 3: and it is to a certain degree like what you 417 00:20:05,280 --> 00:20:09,480 Speaker 3: guys said and definitely owe to the hip hops. But 418 00:20:09,600 --> 00:20:14,280 Speaker 3: more importantly, he crafted these beats specifically just for fornas. 419 00:20:14,320 --> 00:20:16,920 Speaker 3: And I went back and and listened to the beats 420 00:20:16,960 --> 00:20:19,560 Speaker 3: that were on Cabin in the Sky, and I can 421 00:20:19,640 --> 00:20:24,280 Speaker 3: easily hear those three beats that were on there, you know. 422 00:20:24,520 --> 00:20:26,240 Speaker 3: And I think, I don't know if you guys like 423 00:20:26,320 --> 00:20:29,679 Speaker 3: those or not, you know. And I know conceptionally and 424 00:20:29,760 --> 00:20:32,840 Speaker 3: just as a whole package, the album, you know, is 425 00:20:33,440 --> 00:20:34,399 Speaker 3: probably better. 426 00:20:35,080 --> 00:20:39,119 Speaker 2: But man, like what you shouldn't bail to. 427 00:20:42,400 --> 00:20:43,960 Speaker 1: This is this is the reason why I say y'all 428 00:20:44,000 --> 00:20:47,439 Speaker 1: shooting bail because back and again this is why I 429 00:20:47,440 --> 00:20:49,119 Speaker 1: said he didn't meet his own standard in terms of 430 00:20:49,200 --> 00:20:53,040 Speaker 1: DJ Premiere and NOS. When DJ Premiere and NADS make 431 00:20:53,080 --> 00:20:56,280 Speaker 1: a song, you have a fucking ugly face. From the 432 00:20:56,320 --> 00:21:00,400 Speaker 1: moment that ship dropped, Bro, between the way he's rapping it. 433 00:21:01,000 --> 00:21:04,040 Speaker 1: Not every song, but the majority of like the overwhelming 434 00:21:04,080 --> 00:21:07,080 Speaker 1: majority of DJ Premiere and nas bro like you got like, 435 00:21:07,320 --> 00:21:10,320 Speaker 1: oh my god, like I didn't. I didn't have that face, 436 00:21:10,600 --> 00:21:12,240 Speaker 1: not one time listening to this project. 437 00:21:12,240 --> 00:21:13,000 Speaker 3: I gave you I didn't have. 438 00:21:13,800 --> 00:21:15,639 Speaker 4: I don't give you ugly face because you're listening to 439 00:21:15,800 --> 00:21:19,200 Speaker 4: nos Okay, but but but but but he he tripped 440 00:21:19,320 --> 00:21:19,680 Speaker 4: the second. 441 00:21:20,080 --> 00:21:23,600 Speaker 2: Don't get crafted. He's perfect, the perfect soundscape for I 442 00:21:23,760 --> 00:21:25,120 Speaker 2: gave you power, right. 443 00:21:25,200 --> 00:21:27,200 Speaker 4: You can tell that your face because you listening to 444 00:21:27,280 --> 00:21:28,199 Speaker 4: what the same thing. 445 00:21:28,680 --> 00:21:30,920 Speaker 8: It's a sound give me, but give me it gave 446 00:21:30,960 --> 00:21:32,760 Speaker 8: me an ugly face in a in a sense that 447 00:21:32,920 --> 00:21:36,240 Speaker 8: damn like what the fuck is like like you could 448 00:21:36,280 --> 00:21:39,200 Speaker 8: tell that he was inspired by that beat and that 449 00:21:39,320 --> 00:21:41,560 Speaker 8: ship and that ship pulled that that that type of 450 00:21:42,040 --> 00:21:43,040 Speaker 8: writing out of nons. 451 00:21:43,240 --> 00:21:46,159 Speaker 4: Yeah, I give you because what we heard NAS was 452 00:21:46,160 --> 00:21:47,879 Speaker 4: saying it wasn't because that beat is not. 453 00:21:48,280 --> 00:21:49,000 Speaker 2: I don't disagree. 454 00:21:49,040 --> 00:21:51,520 Speaker 3: I don't disagree, but we know that that beat definitely 455 00:21:51,760 --> 00:21:52,760 Speaker 3: took made that. 456 00:21:52,880 --> 00:21:56,480 Speaker 4: That story called was great, but it wasn't exactly face. 457 00:21:56,800 --> 00:21:58,560 Speaker 2: I give you that. Fine, I give you that. 458 00:21:58,880 --> 00:22:01,399 Speaker 1: But what I'm saying, though, is is that you can't 459 00:22:01,640 --> 00:22:03,359 Speaker 1: neither one of you Tube can sit here with a 460 00:22:03,400 --> 00:22:05,239 Speaker 1: straight face and be like you had at least one 461 00:22:05,320 --> 00:22:07,400 Speaker 1: stank face listening to this mad Man. 462 00:22:09,680 --> 00:22:11,800 Speaker 7: Okay, I'm telling you, I'm not telling you what. 463 00:22:11,880 --> 00:22:12,320 Speaker 3: That's cool. 464 00:22:12,480 --> 00:22:15,879 Speaker 4: That's you heard me mad Man and I praise Man Man, 465 00:22:16,280 --> 00:22:17,640 Speaker 4: that's cool, that's cool. 466 00:22:17,720 --> 00:22:18,159 Speaker 3: I praised. 467 00:22:18,200 --> 00:22:19,679 Speaker 4: That was the first song I praised. I was mad 468 00:22:19,720 --> 00:22:21,560 Speaker 4: at Jady mentioned I'm like, why the fun y'alln't. 469 00:22:21,240 --> 00:22:21,840 Speaker 3: Talking about mad Man. 470 00:22:21,880 --> 00:22:29,919 Speaker 4: That's what's crazy because I was, Yeah, so your mad. 471 00:22:29,800 --> 00:22:31,320 Speaker 7: Man is thanky stanky face. 472 00:22:32,119 --> 00:22:32,439 Speaker 3: M h. 473 00:22:34,400 --> 00:22:34,960 Speaker 7: What was you saying? 474 00:22:35,000 --> 00:22:37,520 Speaker 3: Can anyway? 475 00:22:38,119 --> 00:22:41,880 Speaker 6: Yeah, saying more you listen to it and more better. 476 00:22:42,119 --> 00:22:44,280 Speaker 2: Yeah, Man, like you're forcing to like it? 477 00:22:45,400 --> 00:22:49,760 Speaker 3: Well you know what that that that could be a take, right, 478 00:22:50,000 --> 00:22:55,640 Speaker 3: But I mean repeatedly I've said that music gets better 479 00:22:55,800 --> 00:22:59,720 Speaker 3: over time, that you can rediscover and hear things differently 480 00:23:00,119 --> 00:23:02,199 Speaker 3: the more you listen to It happened to all of us, 481 00:23:02,960 --> 00:23:06,400 Speaker 3: even to you agree. I don't. 482 00:23:06,400 --> 00:23:07,120 Speaker 2: I don't disagree. 483 00:23:07,160 --> 00:23:13,080 Speaker 3: I just don't. For them, it's just like medium to 484 00:23:13,240 --> 00:23:18,159 Speaker 3: understand the context of the production and with nods, rapping bro, 485 00:23:18,520 --> 00:23:27,720 Speaker 3: what the bro listening gave ship over here, Man, we 486 00:23:27,920 --> 00:23:29,199 Speaker 3: gave gods praise a. 487 00:23:29,240 --> 00:23:31,520 Speaker 6: Minute, y'all. Wait a man who said I was going wrapping, 488 00:23:31,840 --> 00:23:37,280 Speaker 6: who said, ro you know no it was not me. No, 489 00:23:37,440 --> 00:23:37,760 Speaker 6: I didn't know. 490 00:23:38,400 --> 00:23:38,919 Speaker 3: Wasn't wrapping? 491 00:23:40,000 --> 00:23:41,600 Speaker 4: Said said, clearly was the production. 492 00:23:41,760 --> 00:23:44,720 Speaker 7: He just said the production just to messed him up. 493 00:23:46,040 --> 00:23:49,960 Speaker 3: Man, Bro that that crypto currency ship him talking about 494 00:23:50,000 --> 00:23:53,600 Speaker 3: the stop game the video. Hey man, not now, I 495 00:23:53,720 --> 00:23:54,800 Speaker 3: was talking that ship. 496 00:23:55,000 --> 00:23:55,119 Speaker 6: Bro. 497 00:23:58,040 --> 00:24:02,119 Speaker 3: I found out. I was saying my statement and my story, 498 00:24:02,240 --> 00:24:06,000 Speaker 3: your story, Mike God, that ship, My goodness. 499 00:24:05,800 --> 00:24:07,080 Speaker 2: You talking about him? 500 00:24:07,640 --> 00:24:08,520 Speaker 7: But not missed Bro? 501 00:24:10,160 --> 00:24:10,560 Speaker 2: They do not. 502 00:24:14,280 --> 00:24:17,640 Speaker 3: Yes, are you crazy? Face? 503 00:24:17,720 --> 00:24:17,800 Speaker 6: Bro? 504 00:24:18,119 --> 00:24:20,959 Speaker 1: That was not stink face, but it was good. They 505 00:24:21,040 --> 00:24:24,680 Speaker 1: saw the good together. But that's not steak face the 506 00:24:24,840 --> 00:24:30,280 Speaker 1: meat Come on, Ken, No, No, the fact the fact 507 00:24:30,320 --> 00:24:32,479 Speaker 1: that you can recreate it, The fact that you can 508 00:24:32,560 --> 00:24:35,119 Speaker 1: recreate it like that says everything that that me and 509 00:24:35,200 --> 00:24:35,920 Speaker 1: Rody is talking about. 510 00:24:35,960 --> 00:24:38,080 Speaker 3: That is probably one of the craziest things you've ever 511 00:24:38,160 --> 00:24:42,320 Speaker 3: said in the history of that. We're not We recite 512 00:24:42,400 --> 00:24:44,360 Speaker 3: beats and stuff all the time. 513 00:24:45,840 --> 00:24:47,480 Speaker 7: About that was crazy. 514 00:24:48,080 --> 00:24:51,359 Speaker 2: You bothered that ship out of damn near but than California. 515 00:24:51,480 --> 00:25:00,720 Speaker 3: Love, I can bro, you what California? Come on? Sorry, 516 00:25:02,680 --> 00:25:06,399 Speaker 3: I got something? Oh my god, did get it? Out, Bro, Like, 517 00:25:06,840 --> 00:25:08,960 Speaker 3: you need to tell me we can't recreate and say 518 00:25:09,119 --> 00:25:11,119 Speaker 3: callum for your love. Are you serious. 519 00:25:13,040 --> 00:25:16,560 Speaker 2: That this mediocre bro Bell? 520 00:25:17,240 --> 00:25:19,240 Speaker 3: Yeah, y'all, y'all both working at the same Bell bonds 521 00:25:19,280 --> 00:25:20,000 Speaker 3: in this place today. 522 00:25:20,720 --> 00:25:22,359 Speaker 7: I don't shoot Bill. You're talking. 523 00:25:22,440 --> 00:25:25,200 Speaker 4: You're talking to the least bell person on this damn show. 524 00:25:25,119 --> 00:25:27,280 Speaker 3: One million percent. But today you shoot the son. 525 00:25:27,600 --> 00:25:30,880 Speaker 4: I'm not shooting none, I'm not shooting I'm not sure 526 00:25:31,400 --> 00:25:31,920 Speaker 4: single Bell. 527 00:25:33,960 --> 00:25:34,639 Speaker 3: Check my record. 528 00:25:34,680 --> 00:25:35,400 Speaker 7: I don't shoot Bill. 529 00:25:38,000 --> 00:25:40,600 Speaker 3: Oh and boot cat Man back to the ladies, to 530 00:25:40,680 --> 00:25:45,400 Speaker 3: the ladies, bro Man, Bro amazing, amazing. I love that song. 531 00:25:45,600 --> 00:25:48,520 Speaker 4: Be he needed he need to do a video for 532 00:25:48,600 --> 00:25:50,200 Speaker 4: that song. He need do a video for that ship. 533 00:25:50,280 --> 00:25:53,280 Speaker 3: Bro. I saw your tweet and I love the I 534 00:25:53,359 --> 00:25:56,200 Speaker 3: love how Premiere took that L L cool J. 535 00:25:56,920 --> 00:26:01,720 Speaker 4: Yes, yes, classic, the classic Premiere scratching and the beat 536 00:26:01,760 --> 00:26:03,600 Speaker 4: on the beat Bro, Like, he kept he kept it. 537 00:26:03,840 --> 00:26:06,040 Speaker 7: He Premier kept it safe. I would say that Premiere 538 00:26:06,160 --> 00:26:07,040 Speaker 7: definitely was safe. 539 00:26:07,720 --> 00:26:10,879 Speaker 4: If if if I was, if this was if this 540 00:26:11,119 --> 00:26:12,920 Speaker 4: was two thousand and two and they made this album, 541 00:26:12,920 --> 00:26:15,080 Speaker 4: I'd be like, oh yeah, Premiere, No, you crazier than this. 542 00:26:15,520 --> 00:26:16,640 Speaker 7: Premiere was definitely safe. 543 00:26:16,680 --> 00:26:17,879 Speaker 4: If I was to give it if I was to 544 00:26:18,000 --> 00:26:21,280 Speaker 4: kind of shoot or something, yeah, like, yeah, Premiere, you 545 00:26:21,359 --> 00:26:23,119 Speaker 4: played a little bit too safe for my for my 546 00:26:23,880 --> 00:26:26,680 Speaker 4: for my expectations and for what I would like from 547 00:26:26,720 --> 00:26:30,359 Speaker 4: a Premier produced project. He was very safe, you know 548 00:26:30,359 --> 00:26:32,720 Speaker 4: what I'm saying. So I definitely will say that Ken 549 00:26:33,720 --> 00:26:36,800 Speaker 4: Premiere was he was very fucking safe. He he he 550 00:26:36,920 --> 00:26:38,920 Speaker 4: stayed on that line and he was fucking safe. 551 00:26:38,960 --> 00:26:39,080 Speaker 3: Bro. 552 00:26:39,960 --> 00:26:41,679 Speaker 4: So if I was, if I was to critique him 553 00:26:41,680 --> 00:26:44,440 Speaker 4: on that on the production, that he was definitely fucking safe. 554 00:26:44,640 --> 00:26:46,119 Speaker 4: Besides the three tracks that I ain't like. 555 00:26:47,560 --> 00:26:50,120 Speaker 3: Right, well, let's get into these damn grades, bro, y'all 556 00:26:50,160 --> 00:26:57,879 Speaker 3: waller last thing to the Ladies though, I thought that 557 00:26:58,080 --> 00:27:03,119 Speaker 3: was a beautiful song. Uh, very similar to writers you know, 558 00:27:03,440 --> 00:27:06,080 Speaker 3: show Everybody, Very similar to Junkie as well. 559 00:27:07,160 --> 00:27:09,359 Speaker 7: Little hieroglyphics. Baby, you know what I'm saying. 560 00:27:10,320 --> 00:27:15,960 Speaker 3: Listening to him rap like it, it's it's a culture feeling. 561 00:27:17,600 --> 00:27:18,000 Speaker 2: This thing. 562 00:27:18,560 --> 00:27:21,600 Speaker 3: It just it feels like it. Oh that and ration 563 00:27:21,920 --> 00:27:25,840 Speaker 3: of like hip hop and the art form you know, 564 00:27:26,560 --> 00:27:30,920 Speaker 3: in like this purest format and this is thirty years later. 565 00:27:31,000 --> 00:27:32,680 Speaker 3: Who knows what they could have done. 566 00:27:32,600 --> 00:27:34,880 Speaker 7: You know, uh right five years ago? 567 00:27:35,840 --> 00:27:41,080 Speaker 3: Bro, Yeah, it, you know, so, and I was definitely 568 00:27:41,119 --> 00:27:43,040 Speaker 3: trying to think about it within that contest as well. 569 00:27:43,119 --> 00:27:47,960 Speaker 3: But when when listening to him like talk about rap 570 00:27:48,119 --> 00:27:53,040 Speaker 3: rap and appreciate the woman and hip hop and then 571 00:27:53,160 --> 00:27:59,560 Speaker 3: to name the variety of rappers from like like that 572 00:27:59,800 --> 00:28:06,600 Speaker 3: makes all kind of like yo yo, yeah rapala set 573 00:28:06,680 --> 00:28:11,920 Speaker 3: ship Shay got a shout out, bro, Bro. 574 00:28:12,040 --> 00:28:14,719 Speaker 4: Eternia the attorney shout out was fucking crazy. 575 00:28:15,880 --> 00:28:16,000 Speaker 3: Bro. 576 00:28:17,160 --> 00:28:18,840 Speaker 7: I'm like, what the do you know about Eternia? 577 00:28:18,920 --> 00:28:19,000 Speaker 3: Bro? 578 00:28:19,640 --> 00:28:22,000 Speaker 4: He tapped in for really shouting out Eternia. 579 00:28:22,760 --> 00:28:24,840 Speaker 3: That's what I felt. I was like, no disrespect because 580 00:28:25,000 --> 00:28:28,680 Speaker 3: it caught me like what the fact what? I was like, No, 581 00:28:29,560 --> 00:28:32,200 Speaker 3: it's not like he ain't tapped in, But yeah, that 582 00:28:32,359 --> 00:28:35,520 Speaker 3: that one caught me by surprise. Bro, he's freaking freaking 583 00:28:35,680 --> 00:28:38,480 Speaker 3: fratby man. 584 00:28:39,360 --> 00:28:40,200 Speaker 2: He was naming women. 585 00:28:40,240 --> 00:28:41,920 Speaker 4: I was like, god, damn, I said that. 586 00:28:42,120 --> 00:28:44,080 Speaker 7: I didn't hear that name is so long? Like yeah, 587 00:28:44,080 --> 00:28:46,240 Speaker 7: that ship was crazy, Yeah it was. 588 00:28:46,360 --> 00:28:48,960 Speaker 3: It was incredibly incredibly dope, and I think and I 589 00:28:49,120 --> 00:28:51,640 Speaker 3: was seeing some of the reactions on on Twitter and 590 00:28:51,800 --> 00:28:56,520 Speaker 3: it definitely made a lot of a lot of them's day. 591 00:28:56,680 --> 00:28:56,760 Speaker 6: Bro. 592 00:28:58,040 --> 00:29:00,400 Speaker 3: So yeah, man, that that that ship was that ship 593 00:29:00,480 --> 00:29:02,880 Speaker 3: was dope. Probably one of one of the best songs 594 00:29:03,080 --> 00:29:05,640 Speaker 3: you know that that I've heard this year in terms 595 00:29:05,680 --> 00:29:06,960 Speaker 3: of what he did with this song. I think he 596 00:29:07,040 --> 00:29:10,320 Speaker 3: asked you that that ship you know really really well. 597 00:29:10,400 --> 00:29:13,560 Speaker 1: But all right, let's get to these review grades of 598 00:29:13,640 --> 00:29:16,560 Speaker 1: this your first time here. We're creating the flow, the lyrics, 599 00:29:16,640 --> 00:29:19,160 Speaker 1: the production, the features, that execution and replay value, and 600 00:29:19,160 --> 00:29:21,760 Speaker 1: the overall all. Started off with the flow B plus 601 00:29:21,840 --> 00:29:22,040 Speaker 1: for me. 602 00:29:25,240 --> 00:29:26,480 Speaker 6: Same on flow B plus. 603 00:29:29,480 --> 00:29:31,520 Speaker 7: Uh, I guess I go go next. 604 00:29:31,760 --> 00:29:37,160 Speaker 3: A minus on flow, Yeah, yeah, I'm at A minus 605 00:29:37,240 --> 00:29:38,240 Speaker 3: up yeah. 606 00:29:39,240 --> 00:29:41,560 Speaker 7: Yeah, yeah, no, I mean yeah, it's. 607 00:29:42,880 --> 00:29:43,520 Speaker 3: Always floats. 608 00:29:44,840 --> 00:29:46,440 Speaker 2: Lyrics I'm at a B plus as well. 609 00:29:47,880 --> 00:29:49,080 Speaker 6: Lyrics. I'm at an A minus. 610 00:29:50,840 --> 00:29:57,360 Speaker 7: A minus on lyrics, I'm at an A I'm in yeah. 611 00:29:57,320 --> 00:30:00,040 Speaker 4: With Soliday, I mean yeah, everything he was talking I 612 00:30:00,120 --> 00:30:01,840 Speaker 4: think he was talking about here was on point. 613 00:30:01,920 --> 00:30:02,120 Speaker 3: Yeah. 614 00:30:02,920 --> 00:30:06,960 Speaker 2: Production, I'm at a C production. 615 00:30:07,080 --> 00:30:08,240 Speaker 6: I'm at a C minus. 616 00:30:09,760 --> 00:30:13,680 Speaker 7: I metter B minus on production, matter be matter be 617 00:30:13,800 --> 00:30:14,240 Speaker 7: on production. 618 00:30:15,960 --> 00:30:16,080 Speaker 4: Uh. 619 00:30:16,280 --> 00:30:17,840 Speaker 2: Features, I'm at a B minus. 620 00:30:18,720 --> 00:30:20,360 Speaker 6: I got a solid B on future. 621 00:30:21,680 --> 00:30:26,480 Speaker 4: I gotta B plus on future. Mm hmm, I gotta 622 00:30:27,040 --> 00:30:30,680 Speaker 4: gott I'm not damn straight you no, no, I do too. 623 00:30:30,840 --> 00:30:31,480 Speaker 3: I do too. 624 00:30:33,480 --> 00:30:34,360 Speaker 4: Hey kids ship. 625 00:30:35,080 --> 00:30:41,560 Speaker 3: I know, man, No, you're right, I mean no playing Yeah, 626 00:30:42,360 --> 00:30:42,560 Speaker 3: you know. 627 00:30:43,040 --> 00:30:47,720 Speaker 1: Look to it's too hot. Why because because then what 628 00:30:47,800 --> 00:30:50,080 Speaker 1: you're saying is, what what what's that joy that they got? 629 00:30:51,920 --> 00:30:52,040 Speaker 3: Uh? 630 00:30:52,360 --> 00:30:54,440 Speaker 2: That iconic you don't bad with names? B what what 631 00:30:54,480 --> 00:30:55,840 Speaker 2: what's the joy that that they got? 632 00:30:57,520 --> 00:30:59,080 Speaker 7: Life a Life's a bitch? 633 00:30:59,160 --> 00:31:00,400 Speaker 2: Yeah, up to them. 634 00:31:00,880 --> 00:31:02,440 Speaker 3: So then so then what you're saying, so that what 635 00:31:02,520 --> 00:31:05,600 Speaker 3: you're saying is is that like it's on par with 636 00:31:05,760 --> 00:31:06,280 Speaker 3: Life a Bitch. 637 00:31:06,520 --> 00:31:07,000 Speaker 2: To me, it's not. 638 00:31:07,520 --> 00:31:09,680 Speaker 3: That's if you're talking about the song. I'm talking about 639 00:31:10,080 --> 00:31:10,600 Speaker 3: the rapper. 640 00:31:11,920 --> 00:31:15,400 Speaker 1: I'm talking about the feature with nads. Like if you're 641 00:31:15,480 --> 00:31:18,280 Speaker 1: grading this one as an A obviously, I think Life 642 00:31:18,320 --> 00:31:20,600 Speaker 1: of Bitches an A plus. But to me, they're not 643 00:31:20,680 --> 00:31:24,160 Speaker 1: in the same stratosphere, Like this is a tier below that. 644 00:31:24,440 --> 00:31:26,560 Speaker 1: Even though he saw real good I get and you 645 00:31:26,640 --> 00:31:28,760 Speaker 1: know how I feel about A Z Can. We talked 646 00:31:28,760 --> 00:31:30,120 Speaker 1: about A two three years ago. 647 00:31:30,440 --> 00:31:33,160 Speaker 2: By y'all, I didn't give. 648 00:31:33,120 --> 00:31:35,120 Speaker 3: Him no people were talking about you. 649 00:31:35,440 --> 00:31:36,520 Speaker 2: I'm talking to cat. 650 00:31:37,880 --> 00:31:41,360 Speaker 3: Staying on. Staying on the can is one of that 651 00:31:41,600 --> 00:31:42,800 Speaker 3: ship was fucking dope. 652 00:31:42,920 --> 00:31:46,440 Speaker 4: You were straight that that was The New York State 653 00:31:46,480 --> 00:31:48,800 Speaker 4: of Mind, Part three, let me down. I was before 654 00:31:48,840 --> 00:31:50,360 Speaker 4: I got to that AZ trick out like, man, please 655 00:31:50,400 --> 00:31:52,760 Speaker 4: don't let this ship at this point. 656 00:31:52,840 --> 00:31:54,480 Speaker 3: Man. As soon as they start going back, I was. 657 00:31:54,520 --> 00:31:56,320 Speaker 7: Like, bro, I was like, oh my god, yep. 658 00:31:56,520 --> 00:31:57,239 Speaker 4: I was like, we here. 659 00:31:57,880 --> 00:31:58,680 Speaker 3: I was like, we here. 660 00:31:59,560 --> 00:32:02,160 Speaker 2: Execute you shouldn't. I'm at a C execution. 661 00:32:02,360 --> 00:32:03,520 Speaker 6: I'm at a C minus. 662 00:32:04,880 --> 00:32:11,280 Speaker 7: I met a be minus on execution sequences, be on execution. Damn. 663 00:32:11,320 --> 00:32:11,840 Speaker 7: Can you are you? 664 00:32:11,960 --> 00:32:14,760 Speaker 4: You're the highest grade out of everybody. That's the fucking wild. 665 00:32:15,120 --> 00:32:19,840 Speaker 3: All right, go ahead, Yeah, replay volume matter C plus 666 00:32:21,240 --> 00:32:22,400 Speaker 3: replay value at. 667 00:32:22,320 --> 00:32:23,720 Speaker 6: A D what. 668 00:32:27,400 --> 00:32:29,040 Speaker 7: I'm at a silid B for replay. 669 00:32:30,160 --> 00:32:32,840 Speaker 3: I'm not playing this. You should. 670 00:32:36,600 --> 00:32:40,680 Speaker 6: I tried a kid, god, man, I might give it 671 00:32:40,800 --> 00:32:44,320 Speaker 6: one more? Can one one more? Just for just for 672 00:32:44,440 --> 00:32:47,920 Speaker 6: the just for the respect of the two legends man 673 00:32:48,040 --> 00:32:51,600 Speaker 6: gave D on this. It's not no, it's not it's 674 00:32:51,720 --> 00:32:53,240 Speaker 6: not nos. This is replace. 675 00:32:54,080 --> 00:32:56,560 Speaker 7: This is album B. 676 00:32:57,400 --> 00:32:59,560 Speaker 6: I don't like the sound skate. I'm not playing this. 677 00:32:59,760 --> 00:33:02,200 Speaker 6: I'm not bumping like. I don't like how it sounds. 678 00:33:02,680 --> 00:33:05,520 Speaker 6: The second half is fine, but I can't even get 679 00:33:05,600 --> 00:33:06,400 Speaker 6: through the first half. 680 00:33:07,000 --> 00:33:07,800 Speaker 7: Mm hmmmm. 681 00:33:09,120 --> 00:33:11,320 Speaker 3: I'm with you, d B. 682 00:33:13,120 --> 00:33:19,960 Speaker 5: I did note this is a premiere project album. Bro, 683 00:33:20,600 --> 00:33:23,240 Speaker 5: you're talking about replay value, talking about. 684 00:33:23,000 --> 00:33:24,640 Speaker 7: Replay just seeing the fact that he got a D 685 00:33:24,880 --> 00:33:26,320 Speaker 7: in the report, that's wild. 686 00:33:27,280 --> 00:33:29,720 Speaker 3: You know what I'm saying. We should be allowed with premiere, 687 00:33:34,040 --> 00:33:38,040 Speaker 3: the overall, the overall, just for the record, Yeah, replay value. 688 00:33:38,080 --> 00:33:41,040 Speaker 3: I'm with you, b I'm at to be as well. Man. 689 00:33:42,160 --> 00:33:44,040 Speaker 3: I've been playing it, bro, like, yeah. 690 00:33:44,880 --> 00:33:45,840 Speaker 7: Yeah, this is in Conway. 691 00:33:45,920 --> 00:33:46,120 Speaker 2: I was. 692 00:33:46,200 --> 00:33:50,080 Speaker 4: That's all I was playing all weekend niggas overall matter 693 00:33:50,120 --> 00:33:52,440 Speaker 4: C plus overall. 694 00:33:52,440 --> 00:33:53,440 Speaker 6: I'm at a C minus. 695 00:33:54,680 --> 00:33:55,520 Speaker 7: I'm at a solid b. 696 00:33:58,120 --> 00:34:04,200 Speaker 1: Uh yeah to be oh man, Look, we appreciate everybody 697 00:34:04,760 --> 00:34:06,040 Speaker 1: tapping into that of hip hop. 698 00:34:06,120 --> 00:34:08,480 Speaker 2: Bailbosman Show today. 699 00:34:09,000 --> 00:34:13,080 Speaker 3: I could go be plus while you're talking shit, that's cool. 700 00:34:14,560 --> 00:34:15,239 Speaker 2: You ain't hurting me. 701 00:34:15,880 --> 00:34:18,240 Speaker 1: People don't come bet you in the common section because 702 00:34:18,280 --> 00:34:20,239 Speaker 1: you know what it is. Look, the conversation after the 703 00:34:20,280 --> 00:34:22,080 Speaker 1: conversation is in the common section. 704 00:34:22,480 --> 00:34:23,040 Speaker 2: Let us know. 705 00:34:23,520 --> 00:34:27,439 Speaker 1: Hey, am I wrong for calling the bsy and can 706 00:34:27,560 --> 00:34:29,120 Speaker 1: the Bail Bosman's of the crew tonight? 707 00:34:29,280 --> 00:34:29,919 Speaker 2: Am I wrong? 708 00:34:30,120 --> 00:34:32,320 Speaker 1: I've just let me know because I feel like the 709 00:34:32,400 --> 00:34:34,640 Speaker 1: majority of y'all feel like me and modest on this one. 710 00:34:34,840 --> 00:34:36,640 Speaker 2: But it is what it is now is is definitely 711 00:34:36,920 --> 00:34:37,400 Speaker 2: a legend. 712 00:34:37,760 --> 00:34:40,440 Speaker 1: Premiere is definitely a legend, whether you love it or 713 00:34:40,520 --> 00:34:42,680 Speaker 1: you hate it, or you're somewhere in the middle. Again, 714 00:34:42,719 --> 00:34:46,000 Speaker 1: we appreciate you guys consuming that that of hip hop content, 715 00:34:46,520 --> 00:34:50,200 Speaker 1: and we'll catch you guys next year because this is 716 00:34:50,280 --> 00:34:54,040 Speaker 1: the last review of the year. So in all honesty 717 00:34:54,200 --> 00:34:58,960 Speaker 1: from a from entertainment standpoint, we couldn't. 718 00:34:58,640 --> 00:35:01,120 Speaker 2: Have done it any better. Thank you, NAS and DJ Premiere. 719 00:35:01,320 --> 00:35:02,560 Speaker 2: Catch you guys in twenty twenty six. 720 00:35:02,719 --> 00:35:05,319 Speaker 3: I know, right, peace, last review of the year. Man, 721 00:35:05,400 --> 00:35:06,920 Speaker 3: we just did nads like that, bro. 722 00:35:07,040 --> 00:35:10,480 Speaker 6: That's that's why y'all keep saying why y'all keep saying 723 00:35:10,520 --> 00:35:11,680 Speaker 6: we did nas like that? 724 00:35:12,040 --> 00:35:17,160 Speaker 3: Damn man. We clearly said it was Premiere. Clearly look 725 00:35:17,239 --> 00:35:19,279 Speaker 3: clearly let Rid down. We out