1 00:00:04,440 --> 00:00:09,240 Speaker 1: That is hip hop album review. Chance the Rapper star Line. Look, man, 2 00:00:09,280 --> 00:00:12,360 Speaker 1: we are virtual for the next couple of shoots. We 3 00:00:12,520 --> 00:00:18,759 Speaker 1: are in transition of studio space, so we will be virtual, 4 00:00:18,920 --> 00:00:21,000 Speaker 1: you know what I'm saying for the time being. Look, 5 00:00:21,079 --> 00:00:23,279 Speaker 1: make sure that you become a patron because we have 6 00:00:23,360 --> 00:00:27,120 Speaker 1: the request line. We are doing McKinley Dixon. You're already no, no, no, 7 00:00:27,280 --> 00:00:28,920 Speaker 1: the damn album name, so it is what it is. 8 00:00:28,960 --> 00:00:29,680 Speaker 2: Will become a Patrin. 9 00:00:29,760 --> 00:00:31,880 Speaker 1: So that way, you guys can nominate at the nomination level, 10 00:00:31,920 --> 00:00:33,239 Speaker 1: and if you don't want to become a Patrin at 11 00:00:33,240 --> 00:00:36,639 Speaker 1: the nomination level, you can vote on the ones that 12 00:00:36,760 --> 00:00:41,320 Speaker 1: have been nominated. But look, Chance the Rapper star Line. 13 00:00:41,360 --> 00:00:45,720 Speaker 1: It's been six years since his last release and even 14 00:00:45,880 --> 00:00:49,320 Speaker 1: longer than that since an album we can actually listen to. 15 00:00:50,200 --> 00:00:53,560 Speaker 1: This is way more listenable than the Big Day. 16 00:00:53,960 --> 00:00:54,720 Speaker 2: You know what I'm saying. 17 00:00:55,240 --> 00:00:59,160 Speaker 1: It wasn't necessarily a chore to get through it. Chance 18 00:00:59,200 --> 00:01:03,400 Speaker 1: seems like his mind is focused on the rapping and 19 00:01:03,440 --> 00:01:06,560 Speaker 1: I'm and I'm happy for that because he was definitely 20 00:01:06,640 --> 00:01:09,760 Speaker 1: an up and coming talent that kind of got derailed. 21 00:01:11,000 --> 00:01:13,600 Speaker 1: So I'm glad that he's putting out music that they're 22 00:01:13,640 --> 00:01:17,119 Speaker 1: saying we could bump. I was questioning when I saw 23 00:01:17,760 --> 00:01:23,080 Speaker 1: the the album list of the features, like do or 24 00:01:23,120 --> 00:01:25,160 Speaker 1: Die likes a lot and I fucking do it. You know, 25 00:01:25,160 --> 00:01:26,880 Speaker 1: I was born in Chicago fucking to a die head. 26 00:01:27,040 --> 00:01:30,480 Speaker 1: But I'm like, man, like, I ain't know. You know, 27 00:01:30,600 --> 00:01:33,520 Speaker 1: Vic Mensai, he's been you know quiet, obviously, Joey Badass 28 00:01:33,560 --> 00:01:35,800 Speaker 1: has been hot, but you know, you see Young Thug 29 00:01:35,880 --> 00:01:38,679 Speaker 1: and Tea Karina, I'm like, and then Lil Wayne even 30 00:01:38,680 --> 00:01:40,720 Speaker 1: though Little Way they have a good feature on OT 31 00:01:41,480 --> 00:01:44,320 Speaker 1: that Mexican OT, I was like, I don't know, so 32 00:01:44,480 --> 00:01:47,120 Speaker 1: I was a little and then even Jay Electronica, you 33 00:01:47,120 --> 00:01:48,520 Speaker 1: know what I'm saying. So I was like, I don't 34 00:01:48,640 --> 00:01:51,000 Speaker 1: know what's gonna happen here, but I'm not gonna front bro. 35 00:01:51,120 --> 00:01:54,960 Speaker 1: Like the features came to feature, you know what I'm saying. 36 00:01:55,120 --> 00:01:58,360 Speaker 1: I feel like they really did a good job. Bja 37 00:01:58,360 --> 00:02:01,280 Speaker 1: the Chicago kid do It Doc really stole the show 38 00:02:01,320 --> 00:02:03,920 Speaker 1: for me on that song. I was like, damn, man, 39 00:02:04,000 --> 00:02:05,880 Speaker 1: like this do it? I really need to come back, 40 00:02:05,960 --> 00:02:09,560 Speaker 1: like because we got back in the nineties in early 41 00:02:09,600 --> 00:02:12,800 Speaker 1: two thousands, so there's been a mess that they got 42 00:02:13,040 --> 00:02:17,519 Speaker 1: something that was good just being honest, you know, no politics, 43 00:02:17,520 --> 00:02:20,680 Speaker 1: no bs. But now, man, I really feel that chance 44 00:02:20,720 --> 00:02:24,400 Speaker 1: the rapper did a really good job. It's kind of 45 00:02:24,400 --> 00:02:26,160 Speaker 1: what we always thought he was, you know what I'm saying, 46 00:02:26,200 --> 00:02:29,359 Speaker 1: A very positive rapper that gives you a lot of 47 00:02:29,400 --> 00:02:34,520 Speaker 1: personal and introspective bars that's clever at the same time. 48 00:02:34,560 --> 00:02:37,720 Speaker 1: And that's exactly what this project was. And I'm good 49 00:02:37,760 --> 00:02:39,400 Speaker 1: with it, you know what I'm saying, Like, I'm just 50 00:02:39,400 --> 00:02:42,480 Speaker 1: happy that he's at a place now that he's making 51 00:02:42,520 --> 00:02:46,120 Speaker 1: good music again, because the last stuff was just unlistenable? 52 00:02:46,840 --> 00:02:48,560 Speaker 1: Was it really that bad? I meant to go back 53 00:02:48,560 --> 00:02:51,440 Speaker 1: and listen to it. I was like, listening to this, 54 00:02:51,800 --> 00:02:55,520 Speaker 1: well before I even listening listen to it, I was like, man, like, 55 00:02:55,600 --> 00:02:59,519 Speaker 1: I want to see how it sounds today. And I 56 00:02:59,560 --> 00:03:00,919 Speaker 1: didn't get a chance to do it. I wish I 57 00:03:00,919 --> 00:03:02,280 Speaker 1: would have got a chance to do it, but it 58 00:03:02,360 --> 00:03:05,200 Speaker 1: was that bad. You know what we could do, you know, 59 00:03:05,280 --> 00:03:08,280 Speaker 1: content idea we could just do like like a re 60 00:03:08,400 --> 00:03:10,600 Speaker 1: listen live like on twitch. 61 00:03:10,639 --> 00:03:11,960 Speaker 2: You know what I'm saying, just kind of skimmed through 62 00:03:11,960 --> 00:03:12,680 Speaker 2: it a little bit. 63 00:03:13,160 --> 00:03:15,600 Speaker 1: Because I know the overall because I know the overall 64 00:03:15,639 --> 00:03:18,919 Speaker 1: consensus just from anyone that's what's crazy about that album, 65 00:03:19,000 --> 00:03:21,440 Speaker 1: like from anyone that everybody was saying that it was bad. 66 00:03:21,560 --> 00:03:23,960 Speaker 1: So I really did want to go back and listen 67 00:03:24,000 --> 00:03:26,359 Speaker 1: to it before I listened to this one, just to 68 00:03:26,480 --> 00:03:29,280 Speaker 1: kind of put it up against against him and see 69 00:03:29,280 --> 00:03:31,840 Speaker 1: where he was, how he was rapping and stuff like 70 00:03:31,840 --> 00:03:33,760 Speaker 1: how the beats were all of that. I wanted to 71 00:03:33,800 --> 00:03:35,960 Speaker 1: do that because I was like, we really just on 72 00:03:36,120 --> 00:03:38,040 Speaker 1: his man because he was happy to be married, Like 73 00:03:38,120 --> 00:03:43,760 Speaker 1: that's my stuff. Yeah, but I didn't get a chance 74 00:03:43,800 --> 00:03:45,400 Speaker 1: to do it. But man, I did listen to this, 75 00:03:45,600 --> 00:03:47,120 Speaker 1: and I did. I thought I thought it was a 76 00:03:47,160 --> 00:03:49,080 Speaker 1: solid effort. It's like like you, I think you said 77 00:03:49,080 --> 00:03:51,000 Speaker 1: it perfectly. It sounded like you wanted to rap, especially 78 00:03:51,040 --> 00:03:53,520 Speaker 1: come out of the gate, like just the way he 79 00:03:53,680 --> 00:03:56,440 Speaker 1: rapped on it on such a like a beat like 80 00:03:56,440 --> 00:03:58,200 Speaker 1: that that was kind of like all over the place. 81 00:03:58,280 --> 00:04:00,520 Speaker 1: It was all over the place, but it was but 82 00:04:00,560 --> 00:04:03,200 Speaker 1: it sounded dope, like I was like, dang. But it 83 00:04:03,200 --> 00:04:05,360 Speaker 1: also kind of set me up as well because I 84 00:04:05,360 --> 00:04:07,520 Speaker 1: thought the rest of the album was gonna sound like that. 85 00:04:07,640 --> 00:04:11,440 Speaker 1: So in some of the more low melodic spots, it 86 00:04:11,560 --> 00:04:13,320 Speaker 1: made me not feel him as much. I don't know, 87 00:04:13,360 --> 00:04:15,320 Speaker 1: if it was because I was expecting something else. I 88 00:04:15,360 --> 00:04:17,400 Speaker 1: don't know what I was expecting, But you know how 89 00:04:17,440 --> 00:04:20,359 Speaker 1: we talk about sandwiching certain things, and it seemed like 90 00:04:20,360 --> 00:04:23,640 Speaker 1: he was sandwiching all throughout it. Like it seemed like 91 00:04:23,680 --> 00:04:28,160 Speaker 1: he was stacking different moods all from this from the 92 00:04:28,160 --> 00:04:30,440 Speaker 1: beginning to the end, he was just stacking different moods. 93 00:04:30,480 --> 00:04:32,840 Speaker 1: Like it had more energy than it kind of subtle, 94 00:04:33,200 --> 00:04:36,040 Speaker 1: more energy like how we were saying how I was 95 00:04:36,080 --> 00:04:40,240 Speaker 1: saying on the on the Jed project where he sandwiched 96 00:04:40,279 --> 00:04:43,960 Speaker 1: like one section, I feel like he sandwiched different parts 97 00:04:44,120 --> 00:04:45,440 Speaker 1: throughout the album in here. 98 00:04:46,720 --> 00:04:48,880 Speaker 3: But but but I'm with you too, man. I did 99 00:04:49,000 --> 00:04:50,000 Speaker 3: like hearing do It Die. 100 00:04:50,040 --> 00:04:52,120 Speaker 1: They sounded like they didn't miss a beat, Like it 101 00:04:52,240 --> 00:04:55,359 Speaker 1: sounded like that they sounded very comfortable, Like I was like, 102 00:04:55,440 --> 00:04:57,440 Speaker 1: dangn that's that's super dope that he put do It 103 00:04:57,560 --> 00:05:00,240 Speaker 1: down here and just and it was that old do 104 00:05:00,320 --> 00:05:03,760 Speaker 1: what that sound? And you know that Chicago, We know 105 00:05:03,800 --> 00:05:07,240 Speaker 1: that to be Chicago. So I really was feeling that 106 00:05:07,360 --> 00:05:09,000 Speaker 1: it's not like one of my favorite songs. But I 107 00:05:09,920 --> 00:05:11,920 Speaker 1: like kind of like what you're saying again about the JID, 108 00:05:12,000 --> 00:05:14,560 Speaker 1: how y'all like the old to a sound, a certain 109 00:05:14,600 --> 00:05:15,800 Speaker 1: sound escape. 110 00:05:16,279 --> 00:05:19,599 Speaker 3: I like the old to this sound on ride because 111 00:05:19,600 --> 00:05:22,280 Speaker 3: that was do you want to ride? 112 00:05:23,080 --> 00:05:25,160 Speaker 1: Like like I was like, dang, that's dope, Yeah, no, 113 00:05:25,400 --> 00:05:29,320 Speaker 1: no more. Old Man was cool with jam. Jamilla was like, 114 00:05:29,320 --> 00:05:33,839 Speaker 1: like you said, Chicago Kid on the negro problem. Drake 115 00:05:33,920 --> 00:05:36,560 Speaker 1: took to many of with with Baby Chief do it. 116 00:05:37,680 --> 00:05:39,479 Speaker 2: His flow is like crazy. 117 00:05:39,600 --> 00:05:42,360 Speaker 3: I was like, I've never heard him into this. I 118 00:05:42,480 --> 00:05:44,400 Speaker 3: never heard him into I've. 119 00:05:44,320 --> 00:05:46,240 Speaker 4: Been talking about Baby Chief doing bro. 120 00:05:49,160 --> 00:05:52,880 Speaker 3: It was he gotta flow on him, he gotta flow 121 00:05:52,960 --> 00:05:53,480 Speaker 3: on himself. 122 00:05:53,720 --> 00:05:55,800 Speaker 5: That's that's one of the that's one of the ones 123 00:05:55,880 --> 00:05:57,839 Speaker 5: that the teenagers are listening to. 124 00:05:58,080 --> 00:05:59,159 Speaker 3: Okay, Yeah, I. 125 00:06:00,880 --> 00:06:03,120 Speaker 1: Just I just saw something on the headline on him 126 00:06:03,200 --> 00:06:05,800 Speaker 1: or something. It was, Oh it was Mickey FAXTX. He 127 00:06:05,880 --> 00:06:08,359 Speaker 1: said that he got Ai to write his rhymes or 128 00:06:08,360 --> 00:06:09,000 Speaker 1: something like that. 129 00:06:09,160 --> 00:06:10,000 Speaker 3: I just saw that. 130 00:06:10,760 --> 00:06:11,760 Speaker 2: Yeah, I didn't know that. 131 00:06:11,839 --> 00:06:13,719 Speaker 1: I didn't know that was him, But yeah, I saw 132 00:06:13,720 --> 00:06:15,719 Speaker 1: that headline to where they were saying like a rappers 133 00:06:15,800 --> 00:06:17,760 Speaker 1: using GBT, don't get. 134 00:06:17,600 --> 00:06:20,160 Speaker 3: Me don't don't words. But I think it was Baby 135 00:06:20,240 --> 00:06:22,440 Speaker 3: Cheek do it that he said it was it was. 136 00:06:22,480 --> 00:06:24,760 Speaker 1: But regardless of that, you know, I'm not for that, 137 00:06:24,880 --> 00:06:27,320 Speaker 1: but he did flow well whatever if a I wrote it, 138 00:06:27,360 --> 00:06:30,120 Speaker 1: he floated perfectly or whatever, and that's not let's be honest, 139 00:06:30,160 --> 00:06:31,159 Speaker 1: like people write bars. 140 00:06:31,200 --> 00:06:31,960 Speaker 3: It's just a I just. 141 00:06:32,000 --> 00:06:35,039 Speaker 1: Writing bars right now, so that that that's nothing new 142 00:06:35,520 --> 00:06:37,960 Speaker 1: of somebody writing writing bars. So I don't know, I 143 00:06:37,960 --> 00:06:40,360 Speaker 1: could probably give him a little a little leeway there, 144 00:06:40,600 --> 00:06:44,040 Speaker 1: Jay Electronica on just a drop, I thought that was cool. 145 00:06:44,080 --> 00:06:44,640 Speaker 4: I feel like. 146 00:06:46,000 --> 00:06:48,239 Speaker 3: Jail Electronica verse was good. 147 00:06:48,279 --> 00:06:50,880 Speaker 1: But if I feel like I heard it before, like 148 00:06:50,920 --> 00:06:53,680 Speaker 1: I feel like I heard him wrap that stuff before, 149 00:06:53,880 --> 00:06:56,200 Speaker 1: like you know what I'm saying. I mean, he's good. 150 00:06:56,240 --> 00:06:58,159 Speaker 1: I mean, don't get me wrong, Jay Electronica. I love 151 00:06:58,279 --> 00:07:00,240 Speaker 1: I love the bars that he brings. He always brain 152 00:07:00,400 --> 00:07:04,000 Speaker 1: like that that that god flow right like that, you 153 00:07:04,040 --> 00:07:08,720 Speaker 1: know whatever. So I do like that about him. But yeah, 154 00:07:08,800 --> 00:07:13,240 Speaker 1: I like more and more hot energy joints versus the 155 00:07:13,360 --> 00:07:18,400 Speaker 1: versus the uh the slower paced joints on here. But overall, man, 156 00:07:18,400 --> 00:07:20,040 Speaker 1: I thought I thought it was a solid effort, you 157 00:07:20,080 --> 00:07:22,400 Speaker 1: know what I'm saying, Like Chance could definitely rap and 158 00:07:22,440 --> 00:07:24,360 Speaker 1: I think he did. He I think he showcased that 159 00:07:24,440 --> 00:07:26,560 Speaker 1: here that you know what I'm saying, that he has 160 00:07:26,600 --> 00:07:29,640 Speaker 1: a clear mind. He did mention, you know, divorce and 161 00:07:29,720 --> 00:07:32,000 Speaker 1: all that stuff in one of the tracks. He probably 162 00:07:32,040 --> 00:07:34,000 Speaker 1: mentioned it in other places, but he definitely mentioned it. 163 00:07:34,080 --> 00:07:36,400 Speaker 1: And but yeah, I thought that was too cool too 164 00:07:36,400 --> 00:07:38,280 Speaker 1: to just kind of touch on that on that situation 165 00:07:38,360 --> 00:07:40,960 Speaker 1: a little bit. Well overall, man, I thought it was cool. 166 00:07:41,160 --> 00:07:44,200 Speaker 1: I mean, I don't know how much replay value of 167 00:07:44,200 --> 00:07:44,840 Speaker 1: it has with me. 168 00:07:45,480 --> 00:07:46,520 Speaker 3: And I don't know if. 169 00:07:46,440 --> 00:07:49,920 Speaker 1: That's a that's a this album thing, or if that's 170 00:07:49,920 --> 00:07:52,320 Speaker 1: a chance thing. I'm starting to realize. I don't know 171 00:07:52,320 --> 00:07:54,480 Speaker 1: if I was always the biggest chance to rapper fan. 172 00:07:54,640 --> 00:07:58,440 Speaker 1: I just thought he was cool. So I think that's 173 00:07:58,520 --> 00:08:00,880 Speaker 1: just what it is for me. But I thought I 174 00:08:00,880 --> 00:08:01,240 Speaker 1: thought it. 175 00:08:01,200 --> 00:08:03,200 Speaker 3: Was a it was a it was a decent return. 176 00:08:03,720 --> 00:08:06,360 Speaker 3: It was a decent return after all. 177 00:08:06,280 --> 00:08:10,120 Speaker 1: The the backlash that he got from the last album. 178 00:08:10,160 --> 00:08:13,560 Speaker 1: So I think he took his stride here and and 179 00:08:13,560 --> 00:08:15,720 Speaker 1: and did something solid personally. 180 00:08:16,080 --> 00:08:22,440 Speaker 5: You know, for seven songs, Chance was rapping like he 181 00:08:22,520 --> 00:08:28,400 Speaker 5: wanted to get his wife back, and for the rest 182 00:08:28,400 --> 00:08:32,200 Speaker 5: of the album he reminded her of why she left. 183 00:08:34,040 --> 00:08:39,120 Speaker 2: Why are you being so foul? Fou bro. 184 00:08:40,440 --> 00:08:43,040 Speaker 4: Bro, I'm just saying bro. 185 00:08:43,160 --> 00:08:47,800 Speaker 5: Like he came out Blazing Man Star inside intro was 186 00:08:47,960 --> 00:08:51,040 Speaker 5: nice and I was like, all right, that's just one ride. 187 00:08:51,080 --> 00:08:53,319 Speaker 5: I was like, okay, that was nice. It was really 188 00:08:53,360 --> 00:08:57,480 Speaker 5: good to hear doing it. Hey man, that was that 189 00:08:57,520 --> 00:09:01,840 Speaker 5: was that was really nice. No more old men, Negro problem. 190 00:09:01,920 --> 00:09:03,040 Speaker 5: I'm like, dangn man. 191 00:09:03,240 --> 00:09:06,400 Speaker 4: Chance really into a ship right now? 192 00:09:06,520 --> 00:09:10,160 Speaker 5: Then he turned up a little bit with Drape to Mania. 193 00:09:10,600 --> 00:09:11,480 Speaker 4: I'm like, oh ship. 194 00:09:12,240 --> 00:09:15,280 Speaker 5: Even back to Go was was fine. How's and lows 195 00:09:15,280 --> 00:09:20,160 Speaker 5: with Joey Badass, And then it happened, Bro, man, what 196 00:09:20,240 --> 00:09:22,920 Speaker 5: in the world? And when when I heard Linked Me 197 00:09:22,960 --> 00:09:25,360 Speaker 5: to the Future, I don't even see track eight. 198 00:09:25,760 --> 00:09:26,840 Speaker 4: I heard link Me to the Future. 199 00:09:27,200 --> 00:09:28,600 Speaker 5: I was like, all right, well, maybe it's just the 200 00:09:28,640 --> 00:09:30,760 Speaker 5: one off, you know, maybe it's just something. 201 00:09:30,520 --> 00:09:33,040 Speaker 4: You add on a hard drive somewhere or whatever. And 202 00:09:33,160 --> 00:09:34,360 Speaker 4: uh then Gun. 203 00:09:34,120 --> 00:09:36,200 Speaker 5: Of your Purse. Maybe that's a little bit of a comeback. 204 00:09:36,240 --> 00:09:38,440 Speaker 5: I don't know what depends. Tree was a single. We 205 00:09:38,520 --> 00:09:41,320 Speaker 5: heard that one right and then bro at me. But 206 00:09:41,559 --> 00:09:43,959 Speaker 5: pretty much after that, bro, it's just like what what 207 00:09:44,120 --> 00:09:45,800 Speaker 5: what what are we doing? 208 00:09:46,120 --> 00:09:48,600 Speaker 4: Like, what what's happening here? Why? Why? 209 00:09:49,120 --> 00:09:52,240 Speaker 5: The second half of this album is more Chance than 210 00:09:52,280 --> 00:09:53,079 Speaker 5: the first half. 211 00:09:53,120 --> 00:09:55,520 Speaker 4: The Chance can do from what I. 212 00:09:55,440 --> 00:09:58,200 Speaker 5: Heard the first half really really well, and it made 213 00:09:58,240 --> 00:10:00,760 Speaker 5: me start thinking about Coloring Book because I was one 214 00:10:00,800 --> 00:10:03,440 Speaker 5: of the few that liked it when we reviewed it. 215 00:10:03,960 --> 00:10:07,000 Speaker 4: I can't remember, so you, yeah, he liked it. 216 00:10:07,760 --> 00:10:10,719 Speaker 1: I can never I have my memory on certain well 217 00:10:10,760 --> 00:10:13,240 Speaker 1: when it comes to you on chance relationship. 218 00:10:13,520 --> 00:10:16,320 Speaker 5: Oh yeah, Chance. For the most part, Chance can Rap. 219 00:10:16,440 --> 00:10:19,000 Speaker 5: He's just he has a very interesting voice. 220 00:10:19,200 --> 00:10:25,960 Speaker 1: But you didn't like though, Yeah, everybody loves Adrap except 221 00:10:25,960 --> 00:10:29,040 Speaker 1: for Ken, that's what. And everybody didn't like Coloring Book 222 00:10:29,040 --> 00:10:31,680 Speaker 1: except for Ken. So it was it's just been weird. 223 00:10:31,720 --> 00:10:33,199 Speaker 1: We haven't been on the same point. We all have 224 00:10:33,440 --> 00:10:38,719 Speaker 1: a big day one and I don't even think I 225 00:10:38,760 --> 00:10:40,160 Speaker 1: got all the way through it because around that time 226 00:10:40,200 --> 00:10:41,320 Speaker 1: I wasn't doing on the review. 227 00:10:41,440 --> 00:10:44,520 Speaker 3: So I just I think I just could. I didn't. 228 00:10:44,520 --> 00:10:46,880 Speaker 3: I didn't. I didn't even put myself through it or whatever. 229 00:10:47,520 --> 00:10:49,319 Speaker 5: But but no, right, I liked the fact that he 230 00:10:49,400 --> 00:10:51,560 Speaker 5: did address, you know, what was going on with with 231 00:10:51,640 --> 00:10:55,720 Speaker 5: his old situation that was a very public situation, you know, 232 00:10:55,800 --> 00:10:59,120 Speaker 5: to put himself out there like that to get you 233 00:10:59,200 --> 00:11:05,400 Speaker 5: know what appeared to those on the outside humiliated in 234 00:11:05,480 --> 00:11:08,720 Speaker 5: that way. That takes a lot to kind of bounce 235 00:11:08,800 --> 00:11:09,959 Speaker 5: back and recover from that. 236 00:11:10,320 --> 00:11:11,720 Speaker 4: I think I'm in agreement. 237 00:11:11,800 --> 00:11:15,720 Speaker 5: This is a solid effort to return back to the fold, 238 00:11:15,800 --> 00:11:16,200 Speaker 5: to get. 239 00:11:16,080 --> 00:11:17,079 Speaker 4: Your name back out there. 240 00:11:17,080 --> 00:11:19,560 Speaker 5: And I think he has some really really good songs 241 00:11:19,960 --> 00:11:22,760 Speaker 5: that I think for the next album he can really 242 00:11:22,840 --> 00:11:25,679 Speaker 5: kind of kind of work on and experiment with. 243 00:11:25,920 --> 00:11:28,600 Speaker 4: So you know, I'm gonna shoot him a little bell. 244 00:11:29,240 --> 00:11:32,040 Speaker 5: Maybe he didn't want to do too much of what's 245 00:11:32,080 --> 00:11:34,800 Speaker 5: on the top half of this album in fear of 246 00:11:35,040 --> 00:11:38,880 Speaker 5: alienating like the Three Hat fans, right, And I think 247 00:11:38,960 --> 00:11:40,880 Speaker 5: that may be why he kind of went back to 248 00:11:40,920 --> 00:11:43,960 Speaker 5: the stuff that people a little bit more familiar with 249 00:11:44,000 --> 00:11:45,880 Speaker 5: because he had been away for a while and you know, 250 00:11:45,960 --> 00:11:48,360 Speaker 5: you come out and they were like, and people hear that. 251 00:11:48,480 --> 00:11:51,719 Speaker 5: It was like, this isn't the chance I know they 252 00:11:51,760 --> 00:11:54,640 Speaker 5: want to hear probably this stuff after the highs and lows, 253 00:11:54,800 --> 00:11:57,240 Speaker 5: you know. So I'm gonna shoot him a little bit 254 00:11:57,280 --> 00:12:02,720 Speaker 5: of bell. But I think a very solid effort. And man, I. 255 00:12:02,640 --> 00:12:04,679 Speaker 4: Was really rooting for Chance on this one. Man. I 256 00:12:05,200 --> 00:12:07,920 Speaker 4: thought he was gonna pull it out, pull pull, like the. 257 00:12:09,520 --> 00:12:12,800 Speaker 5: Pull out, like a complete project with this one, because 258 00:12:13,160 --> 00:12:15,120 Speaker 5: I mean it was song after song after song after 259 00:12:15,160 --> 00:12:16,839 Speaker 5: song that I was liking and he. 260 00:12:16,880 --> 00:12:17,840 Speaker 4: Was rapping really well. 261 00:12:17,880 --> 00:12:20,280 Speaker 5: I liked the lyrics he was he was addressing, like 262 00:12:20,400 --> 00:12:22,400 Speaker 5: with the Negro problem. I thought that ship was good. 263 00:12:22,480 --> 00:12:25,439 Speaker 5: I'm like, okay, Chance, I love the talk that you're 264 00:12:25,480 --> 00:12:27,960 Speaker 5: on right now. And he just didn't keep it up. 265 00:12:28,000 --> 00:12:32,560 Speaker 5: And and the thing about it is that you have 266 00:12:32,640 --> 00:12:34,160 Speaker 5: an hour and four minutes. 267 00:12:36,200 --> 00:12:37,040 Speaker 3: Mine. 268 00:12:37,559 --> 00:12:38,600 Speaker 4: I think I'm missing the song. 269 00:12:38,679 --> 00:12:42,960 Speaker 5: But that's that's so risky, bro, like that that gives 270 00:12:43,000 --> 00:12:49,679 Speaker 5: you more opportunities to make a misdate potentially, you know, 271 00:12:49,800 --> 00:12:53,400 Speaker 5: for those that don't like that and only like a 272 00:12:53,440 --> 00:12:56,280 Speaker 5: part of the album. But you know, overall though, I 273 00:12:56,280 --> 00:12:59,480 Speaker 5: think the response, oh yes, Space and Time was oh 274 00:12:59,520 --> 00:13:02,920 Speaker 5: my God, Jesus Christ, that song is awful. 275 00:13:03,320 --> 00:13:07,439 Speaker 4: You just play. Yeah, I knew I was missing one. 276 00:13:07,440 --> 00:13:09,800 Speaker 5: I knew Link Me to the Future wasn't the start 277 00:13:10,559 --> 00:13:13,000 Speaker 5: of the bad songs. And that was when I was like, 278 00:13:13,080 --> 00:13:16,000 Speaker 5: a man, maybe you just wanted to sing an experiment 279 00:13:16,040 --> 00:13:18,160 Speaker 5: a little bit, you know, and he's gonna get back 280 00:13:18,160 --> 00:13:18,560 Speaker 5: to the ship. 281 00:13:18,559 --> 00:13:19,680 Speaker 4: And he never got back to the ship. 282 00:13:20,040 --> 00:13:22,400 Speaker 1: So how did y'all feel about gunning your person with 283 00:13:22,679 --> 00:13:25,400 Speaker 1: young thug in Tia Korean? Because like, my only thing 284 00:13:25,559 --> 00:13:29,480 Speaker 1: was I get the repetitive hook. But that was a 285 00:13:29,480 --> 00:13:32,480 Speaker 1: little annoying to me, the repetitive hook. But but I 286 00:13:32,480 --> 00:13:35,520 Speaker 1: did like the song overall. Can I don't don't disagree 287 00:13:35,520 --> 00:13:37,240 Speaker 1: with you with like Space and Time in some of 288 00:13:37,240 --> 00:13:39,640 Speaker 1: them other ones, but he kind of got back to it, 289 00:13:39,760 --> 00:13:42,160 Speaker 1: you know what I'm saying. Gunning Your Person I thought 290 00:13:42,280 --> 00:13:45,080 Speaker 1: was like a hard one, one of the better ones 291 00:13:45,120 --> 00:13:45,720 Speaker 1: that was on here. 292 00:13:46,240 --> 00:13:48,480 Speaker 5: It was better, you know, it was a little return. 293 00:13:49,679 --> 00:13:54,600 Speaker 5: It's just it wasn't enough, you know. Gunning your Person 294 00:13:54,640 --> 00:13:57,760 Speaker 5: was fine, you know. I did like like that one, 295 00:13:57,760 --> 00:14:01,920 Speaker 5: didn't didn't annoy me. I've heard enough of Tree, you know, 296 00:14:01,960 --> 00:14:03,800 Speaker 5: with Lil Wayne and Smino. 297 00:14:04,200 --> 00:14:05,839 Speaker 4: Y bro. 298 00:14:06,240 --> 00:14:07,920 Speaker 1: That's what kind of where I wanted to get to 299 00:14:08,080 --> 00:14:11,200 Speaker 1: right where, Like on the JID review, I was like, 300 00:14:11,240 --> 00:14:14,560 Speaker 1: I was cool with the melodies and things that he 301 00:14:14,679 --> 00:14:17,480 Speaker 1: was doing with those type of songs. Here, I do 302 00:14:17,559 --> 00:14:19,600 Speaker 1: think that like Space and Time is just like no 303 00:14:20,280 --> 00:14:23,880 Speaker 1: like no go, no fly zone at all. But the 304 00:14:24,000 --> 00:14:27,360 Speaker 1: joint Tree with Lil Wayne and Smino, like that is 305 00:14:27,600 --> 00:14:30,280 Speaker 1: like the melodic chance that I do like, you know, 306 00:14:30,760 --> 00:14:33,680 Speaker 1: Gunning your Person again repetitive on the hook, but I 307 00:14:33,800 --> 00:14:35,840 Speaker 1: like that link be in the future. I don't think 308 00:14:35,920 --> 00:14:37,800 Speaker 1: that's I think that's another one where I was just 309 00:14:37,880 --> 00:14:42,440 Speaker 1: like it was cool, that's a chance song. I could 310 00:14:42,520 --> 00:14:45,840 Speaker 1: do without it, but that's a chance song. Like like 311 00:14:45,880 --> 00:14:48,640 Speaker 1: you said, the people that love the chance with the 312 00:14:48,680 --> 00:14:52,360 Speaker 1: three on the hat, Like that's he fed that audience 313 00:14:52,400 --> 00:14:53,760 Speaker 1: with some of these songs. 314 00:14:53,840 --> 00:14:55,520 Speaker 2: So I'm cool, you know what I'm saying. 315 00:14:55,600 --> 00:14:57,840 Speaker 1: I think overall, like I said, he did a good 316 00:14:57,920 --> 00:15:00,880 Speaker 1: job the people that was doubting him him from the 317 00:15:01,000 --> 00:15:04,560 Speaker 1: last album, Like he came out the gates swinging and 318 00:15:04,600 --> 00:15:08,520 Speaker 1: got our ears real quick and then gave his core 319 00:15:08,640 --> 00:15:10,880 Speaker 1: fan base some joints that they really liked. 320 00:15:10,880 --> 00:15:12,840 Speaker 2: And I think he closed it out pretty solid. 321 00:15:14,120 --> 00:15:17,640 Speaker 1: Not as good as the top half, but but but again, 322 00:15:17,800 --> 00:15:21,680 Speaker 1: very solid project I think. And right you talked about expectations, Bro, 323 00:15:21,720 --> 00:15:25,560 Speaker 1: I had zero expectations, Bro, Like I, I didn't even 324 00:15:25,600 --> 00:15:27,000 Speaker 1: know if we was gonna put this one in the 325 00:15:27,120 --> 00:15:28,320 Speaker 1: chamber because of. 326 00:15:28,280 --> 00:15:28,960 Speaker 3: How we had. 327 00:15:29,560 --> 00:15:31,040 Speaker 4: Yeah, we had to we had. 328 00:15:32,160 --> 00:15:33,720 Speaker 2: I mean, I mean we. 329 00:15:33,760 --> 00:15:35,560 Speaker 1: Just talked about it, like how long it's been since 330 00:15:35,560 --> 00:15:38,320 Speaker 1: he dropped something, and we knew that he only made 331 00:15:38,320 --> 00:15:41,800 Speaker 1: that album because you know, he was happy about being married. 332 00:15:41,840 --> 00:15:43,920 Speaker 1: You know what I'm saying, It was like a dedication 333 00:15:44,040 --> 00:15:48,280 Speaker 1: to his to his union or whatever. So we knew 334 00:15:48,320 --> 00:15:50,840 Speaker 1: that because because it's not like he didn't have like 335 00:15:50,880 --> 00:15:55,520 Speaker 1: a track record of of making you know, decent songs. 336 00:15:54,960 --> 00:15:59,600 Speaker 1: Me so so so now that guess versus guess versus. 337 00:15:59,600 --> 00:16:01,720 Speaker 1: So now that that's over, and I feel like, I 338 00:16:01,760 --> 00:16:03,600 Speaker 1: don't know if you remember the songs that you know, 339 00:16:03,640 --> 00:16:05,920 Speaker 1: the releases that he was having, like, I thought they 340 00:16:05,920 --> 00:16:08,000 Speaker 1: were good, like like the ones that we did, the 341 00:16:08,000 --> 00:16:10,520 Speaker 1: one as when we were doing track reviews and stuff. 342 00:16:10,640 --> 00:16:12,600 Speaker 1: I still can't remember the name of it, but but 343 00:16:12,720 --> 00:16:14,320 Speaker 1: I thought that was good. So I was like, man, 344 00:16:14,520 --> 00:16:17,800 Speaker 1: I was curious to see how he handles coming back 345 00:16:17,840 --> 00:16:19,840 Speaker 1: off of something like that, you know what I'm saying, 346 00:16:19,880 --> 00:16:21,840 Speaker 1: because I don't think. I don't think I didn't just 347 00:16:21,880 --> 00:16:24,040 Speaker 1: because he made that album Big Day. I didn't think 348 00:16:24,080 --> 00:16:25,840 Speaker 1: he lost it. I just think he had a moment 349 00:16:25,880 --> 00:16:28,160 Speaker 1: in time. So I never looked at it as like, 350 00:16:28,240 --> 00:16:30,600 Speaker 1: oh man, chance to rapper fell off. I never looked 351 00:16:30,600 --> 00:16:32,680 Speaker 1: at it that way. I just looked at it did 352 00:16:33,320 --> 00:16:38,880 Speaker 1: really yeah, yeah, because he just was going. I thought 353 00:16:38,880 --> 00:16:40,520 Speaker 1: it was just I thought it was I thought it 354 00:16:40,560 --> 00:16:44,440 Speaker 1: was strictly because of a situation. Nah, because because you know, 355 00:16:44,560 --> 00:16:47,120 Speaker 1: look like we're hip hop purists, right, So, like we 356 00:16:47,240 --> 00:16:49,240 Speaker 1: like the bars, we liked the double one Tan just 357 00:16:49,280 --> 00:16:51,200 Speaker 1: we like the crazy flow, we like all of that, 358 00:16:51,600 --> 00:16:53,480 Speaker 1: and we got none of that on Big Day, you 359 00:16:53,560 --> 00:16:56,120 Speaker 1: know what I'm saying. And it wasn't just the content, 360 00:16:56,240 --> 00:16:58,240 Speaker 1: but it was the lack of the things that we 361 00:16:58,320 --> 00:17:02,240 Speaker 1: felt that made Chance special, because Chance is still special. 362 00:17:02,280 --> 00:17:04,840 Speaker 1: I think he displayed that enough here to at least 363 00:17:04,880 --> 00:17:07,159 Speaker 1: for me to go back and be back, you know, 364 00:17:07,280 --> 00:17:08,560 Speaker 1: like lose it. 365 00:17:08,640 --> 00:17:09,720 Speaker 2: But like when you listen to. 366 00:17:11,240 --> 00:17:14,840 Speaker 1: His verse on Altar Light being like Nick what like 367 00:17:14,880 --> 00:17:17,159 Speaker 1: that was one of the best versions of that year, 368 00:17:17,640 --> 00:17:18,359 Speaker 1: you know what I'm saying. 369 00:17:18,400 --> 00:17:20,120 Speaker 2: Like, so he had that. 370 00:17:20,080 --> 00:17:23,639 Speaker 1: Ability and he didn't display that at all on the 371 00:17:23,680 --> 00:17:24,120 Speaker 1: Big Day. 372 00:17:24,520 --> 00:17:25,480 Speaker 3: Like that's what I'm saying. 373 00:17:25,560 --> 00:17:27,800 Speaker 1: I don't think he was inspired, And I think artists 374 00:17:27,840 --> 00:17:30,840 Speaker 1: go through that when they don't feel inspired or it's 375 00:17:30,920 --> 00:17:33,160 Speaker 1: like a certain inspiration that's just I'm not gonna tap 376 00:17:33,200 --> 00:17:35,240 Speaker 1: in with people. And that's just how I took it. 377 00:17:35,280 --> 00:17:37,840 Speaker 1: I know, we don't here to talk about Big Day. 378 00:17:38,000 --> 00:17:42,000 Speaker 1: I think we definitely should re visited, but but yeah, 379 00:17:42,000 --> 00:17:43,639 Speaker 1: it's part of the story. It's a big part of 380 00:17:43,680 --> 00:17:48,120 Speaker 1: the story right, It is like, without that, we don't 381 00:17:48,160 --> 00:17:50,920 Speaker 1: get this. But I like that he seemed like he 382 00:17:51,320 --> 00:17:53,200 Speaker 1: did what he wanted to do on this, you know 383 00:17:53,240 --> 00:17:55,399 Speaker 1: what I'm saying. That was the thing that was one 384 00:17:55,440 --> 00:17:57,439 Speaker 1: of my big takeaways. It might be songs that I 385 00:17:57,440 --> 00:18:00,240 Speaker 1: didn't really care for, but I could respect the act 386 00:18:00,280 --> 00:18:03,200 Speaker 1: that he took that l and stride and then came 387 00:18:03,240 --> 00:18:03,760 Speaker 1: back and just. 388 00:18:03,680 --> 00:18:04,680 Speaker 3: Still did what he wanted to do. 389 00:18:04,720 --> 00:18:06,240 Speaker 1: Because he could have did the rappid rap just to 390 00:18:06,280 --> 00:18:08,920 Speaker 1: prove Mofucker's wrong or whatever, like you know what I'm saying, 391 00:18:09,000 --> 00:18:11,320 Speaker 1: But but he didn't do that. He just showed like 392 00:18:11,760 --> 00:18:15,040 Speaker 1: he showcased everything that he was still able to do, and. 393 00:18:15,000 --> 00:18:16,919 Speaker 3: I thought that was dope. I was like, damgn, I'm not. 394 00:18:17,200 --> 00:18:19,159 Speaker 1: I'm not a huge fan of the album, but I 395 00:18:19,200 --> 00:18:23,440 Speaker 1: do appreciate that he showcased that he's still chance the rapper, 396 00:18:23,760 --> 00:18:25,240 Speaker 1: you know what I'm saying. And he can't do a 397 00:18:25,240 --> 00:18:29,000 Speaker 1: little bit of this to some to to satisfy some fans, 398 00:18:29,040 --> 00:18:30,640 Speaker 1: he can do a little bit of that to satisfy 399 00:18:30,720 --> 00:18:32,200 Speaker 1: some pans. I don't know what people are saying about 400 00:18:32,200 --> 00:18:34,320 Speaker 1: it because I haven't seen any reviews on it, but 401 00:18:34,400 --> 00:18:36,960 Speaker 1: I can imagine that, you know, you know, people are 402 00:18:36,960 --> 00:18:38,119 Speaker 1: thinking that it's pretty solid. 403 00:18:38,160 --> 00:18:40,120 Speaker 3: I don't think it's trash or anything like that. 404 00:18:40,359 --> 00:18:42,920 Speaker 2: Yeah, they should definitely get a warm, a warm reception. 405 00:18:43,359 --> 00:18:48,000 Speaker 5: Yeah, I saw on Twitter, I think somebody said that 406 00:18:48,040 --> 00:18:52,040 Speaker 5: the album made them almost go get their three hat 407 00:18:52,119 --> 00:18:56,800 Speaker 5: out of the closet. M So, you know, people are 408 00:18:57,680 --> 00:19:01,719 Speaker 5: you know, receiving the album really really well, which is 409 00:19:02,320 --> 00:19:04,320 Speaker 5: you know, when I saw that, I was like, okay, 410 00:19:04,640 --> 00:19:06,920 Speaker 5: let me. I was really curious to hear what Chance 411 00:19:07,040 --> 00:19:10,879 Speaker 5: was doing on it, you know, because it's Twitter, you 412 00:19:10,880 --> 00:19:12,199 Speaker 5: gotta take it with the green of sauce. So I 413 00:19:12,280 --> 00:19:14,679 Speaker 5: was like, okay, well, shit is he really doing? You know, 414 00:19:14,840 --> 00:19:18,760 Speaker 5: is it really rapping? Like his chance you know back? 415 00:19:18,800 --> 00:19:20,720 Speaker 5: And I think for a lot of people, they will 416 00:19:20,760 --> 00:19:21,760 Speaker 5: say that he's back. 417 00:19:22,240 --> 00:19:22,439 Speaker 4: You know. 418 00:19:22,520 --> 00:19:25,640 Speaker 5: I think that this is a good return for him. 419 00:19:25,880 --> 00:19:28,720 Speaker 5: You know, there's songs on here that I like. It's 420 00:19:28,760 --> 00:19:30,920 Speaker 5: a handful, but there are a lot of songs in 421 00:19:31,000 --> 00:19:34,879 Speaker 5: here that I think is core fans well absolutely like that. 422 00:19:34,880 --> 00:19:37,080 Speaker 5: That's my belief. I'm sure you guys let us know 423 00:19:37,119 --> 00:19:41,240 Speaker 5: in the comment session. And I think ultimately, you know, 424 00:19:41,400 --> 00:19:44,760 Speaker 5: I think he did a good job of serving two markets. 425 00:19:45,160 --> 00:19:48,639 Speaker 5: And now it's like, can you blend them together to 426 00:19:48,760 --> 00:19:50,760 Speaker 5: make a cohesive unit. 427 00:19:51,680 --> 00:19:53,840 Speaker 4: That'd be really interesting to see if he can do that. 428 00:19:54,760 --> 00:19:55,360 Speaker 3: I'm with you. 429 00:19:55,440 --> 00:19:57,600 Speaker 1: I'm with you, like and I think you said too, 430 00:19:57,680 --> 00:20:01,119 Speaker 1: like the Hour plus, I think and I'm not saying 431 00:20:01,119 --> 00:20:02,600 Speaker 1: that he should have did this. I mean, hey, he 432 00:20:02,640 --> 00:20:04,600 Speaker 1: got he had stuff to say, he wanted to get out, 433 00:20:04,640 --> 00:20:06,520 Speaker 1: so he did an hour plus. But I think definitely 434 00:20:06,680 --> 00:20:09,680 Speaker 1: this album like this would have definitely been better as. 435 00:20:09,359 --> 00:20:13,639 Speaker 3: Shorter, just more focused. But but again, if it was 436 00:20:13,680 --> 00:20:14,280 Speaker 3: shorter and more. 437 00:20:14,200 --> 00:20:16,359 Speaker 1: Focused, we wouldn't have gotten the variety on thing. I 438 00:20:16,359 --> 00:20:18,320 Speaker 1: don't think we would have gotten varadatey and stuff. So 439 00:20:18,680 --> 00:20:21,159 Speaker 1: I'm kind of I'm usually like leaning towards like, oh man, 440 00:20:21,200 --> 00:20:23,479 Speaker 1: he should have made it shorter and more concise, but 441 00:20:23,760 --> 00:20:25,720 Speaker 1: I'm not even gonna say that about this one because 442 00:20:25,720 --> 00:20:28,240 Speaker 1: I liked that he just kind of got it out right, 443 00:20:28,400 --> 00:20:32,240 Speaker 1: like play with different areas, different type of ncs or whatever, 444 00:20:32,400 --> 00:20:35,440 Speaker 1: like you know what I'm saying. Different vocalists Jazmine Sellerman 445 00:20:35,560 --> 00:20:38,640 Speaker 1: BJ like like he really was reaching out to different 446 00:20:39,000 --> 00:20:41,520 Speaker 1: different arenas, different areas, you know what I'm saying. 447 00:20:41,560 --> 00:20:44,600 Speaker 3: So I respect, I respect what he did. 448 00:20:44,600 --> 00:20:48,359 Speaker 5: Man and Roddy even with almost like a different genre 449 00:20:48,440 --> 00:20:51,200 Speaker 5: with Burning your Block. Yeah, yeah, for sure, you know, 450 00:20:51,320 --> 00:20:54,159 Speaker 5: for sure. Yeah, so it's a one off. But you know, 451 00:20:54,200 --> 00:20:57,200 Speaker 5: maybe that's because I I'm not a fan of the song, 452 00:20:57,280 --> 00:21:00,399 Speaker 5: but I don't think he did the song badly. I 453 00:21:00,440 --> 00:21:03,280 Speaker 5: think it could be an area for him to go into. 454 00:21:04,000 --> 00:21:07,400 Speaker 1: I think the hiatus, rod I'm in agreement with you, 455 00:21:07,480 --> 00:21:09,760 Speaker 1: Like the length of this album doesn't bother me because 456 00:21:09,760 --> 00:21:12,160 Speaker 1: of the hiatus that he's had. You know what I'm saying, 457 00:21:12,200 --> 00:21:15,480 Speaker 1: Like when you take that long, I think that, you know, 458 00:21:15,800 --> 00:21:17,800 Speaker 1: and like I said, I really feel like he's serving 459 00:21:17,800 --> 00:21:20,280 Speaker 1: his core fans. I think I think he's serving Chance 460 00:21:20,359 --> 00:21:25,080 Speaker 1: the rapper, you know, fair weather fans, core fans, rap 461 00:21:25,119 --> 00:21:28,600 Speaker 1: fans like, I think he's really serving everybody on this album. 462 00:21:28,640 --> 00:21:31,080 Speaker 1: And I think that when you take almost a decade 463 00:21:31,600 --> 00:21:35,480 Speaker 1: or half of a decade, you know, plus that next project, 464 00:21:35,520 --> 00:21:38,080 Speaker 1: shouldn't you you should it should be this long, like 465 00:21:38,359 --> 00:21:40,280 Speaker 1: you should have way more to get. 466 00:21:40,080 --> 00:21:42,600 Speaker 2: Off of your chests. You know what I'm saying, And 467 00:21:42,640 --> 00:21:43,000 Speaker 2: I agree. 468 00:21:43,040 --> 00:21:44,800 Speaker 1: I don't think it would have I don't think it 469 00:21:44,800 --> 00:21:47,719 Speaker 1: would have felt right if it was shorter, unless it 470 00:21:47,800 --> 00:21:50,720 Speaker 1: was like an ep like if it was intentionally y. 471 00:21:52,000 --> 00:21:53,440 Speaker 2: Yeah, so I'm cool with this. 472 00:21:53,680 --> 00:21:56,080 Speaker 1: I think this buys them a lot of time, you know, 473 00:21:56,160 --> 00:21:58,200 Speaker 1: Like I'm not saying, oh, you know, we need another 474 00:21:58,240 --> 00:22:00,199 Speaker 1: one because you know me, I always like, you know, 475 00:22:00,720 --> 00:22:03,439 Speaker 1: you do continuously drop, you know, but like with this, 476 00:22:03,480 --> 00:22:07,159 Speaker 1: I'm like, bet you know, like I'm good. But also 477 00:22:07,320 --> 00:22:12,120 Speaker 1: you can't take another three four five years either though, Yeah, 478 00:22:12,240 --> 00:22:15,080 Speaker 1: like you like, he gotta because because because you're reeling 479 00:22:15,119 --> 00:22:16,840 Speaker 1: them back in now, you know what I'm saying, like, 480 00:22:17,080 --> 00:22:20,560 Speaker 1: I'm like, okay back like you know, I'm here for Chance. 481 00:22:20,640 --> 00:22:20,840 Speaker 4: Now. 482 00:22:21,320 --> 00:22:22,960 Speaker 1: Before I was just like, like I said, bro, like 483 00:22:23,000 --> 00:22:26,240 Speaker 1: even before that I didn't even really want to listen 484 00:22:26,280 --> 00:22:27,680 Speaker 1: to it because of how bad the last. 485 00:22:27,840 --> 00:22:30,280 Speaker 3: Dang that's crazy. Yeah it was like that. 486 00:22:30,880 --> 00:22:33,880 Speaker 1: But look, we're gonna get into these grades. Let's see 487 00:22:33,880 --> 00:22:36,639 Speaker 1: if these grades represent how everybody feels so far. That 488 00:22:36,800 --> 00:22:39,480 Speaker 1: we said on the album, if you're new here, we 489 00:22:39,720 --> 00:22:42,680 Speaker 1: grade the flow, the lyrics of production, the features, execution, 490 00:22:43,280 --> 00:22:45,000 Speaker 1: and the replay value in the overall. 491 00:22:45,320 --> 00:22:49,520 Speaker 2: So I'll start off with the flow. Give me a bee. 492 00:22:50,240 --> 00:22:52,760 Speaker 3: I'm with you. I gotta be on the flow. It's 493 00:22:52,760 --> 00:22:53,520 Speaker 3: a solid flow. 494 00:22:53,920 --> 00:22:55,919 Speaker 1: Chance has a solid flow I mean it's close to 495 00:22:55,960 --> 00:22:59,080 Speaker 1: it a almost, but nah, it's it's it's a bee 496 00:22:59,119 --> 00:23:03,840 Speaker 1: for me overall. Yeah, he ain't go crazy enough. Yeah yeah, yeah, yeah, yeah, yeah, 497 00:23:03,880 --> 00:23:05,840 Speaker 1: we know he could go crazy. He ain't go crazy enough. 498 00:23:05,960 --> 00:23:07,360 Speaker 1: He played it safe to a degree. 499 00:23:08,160 --> 00:23:08,320 Speaker 2: Right. 500 00:23:08,600 --> 00:23:11,360 Speaker 4: Uh yeah, I met y'all be that's what's up. 501 00:23:12,200 --> 00:23:17,320 Speaker 1: Lyrics, I matter be plus mm hmm, same saying I 502 00:23:17,359 --> 00:23:19,399 Speaker 1: don't know what's going on lately. We've been counting the 503 00:23:19,440 --> 00:23:21,800 Speaker 1: same with the with these first ones, I've met a 504 00:23:21,800 --> 00:23:23,080 Speaker 1: B plus as well. 505 00:23:22,960 --> 00:23:25,919 Speaker 3: Because I like the lyrical content here. I like what 506 00:23:25,960 --> 00:23:28,200 Speaker 3: he's doing here. So so yeah. 507 00:23:28,160 --> 00:23:29,920 Speaker 1: Like I said, even if I didn't like the song, 508 00:23:29,960 --> 00:23:31,240 Speaker 1: I like what he was saying lyrically. 509 00:23:31,359 --> 00:23:33,560 Speaker 3: That's what's crazy about it. So yeah, I'm with you 510 00:23:33,600 --> 00:23:33,800 Speaker 3: on that. 511 00:23:34,160 --> 00:23:39,480 Speaker 5: Yeah, I'm gonna have a step lower. Guys would have BEA. 512 00:23:38,920 --> 00:23:41,399 Speaker 2: That's that's solid production. I'm at a B. 513 00:23:42,000 --> 00:23:43,560 Speaker 3: Yeah, I'm not quite at a B. I'm at a 514 00:23:43,560 --> 00:23:44,159 Speaker 3: C plus. 515 00:23:44,200 --> 00:23:46,280 Speaker 1: I think if the production was a little bit different 516 00:23:46,320 --> 00:23:49,160 Speaker 1: on here, I probably would have liked it a lot more. Actually, 517 00:23:49,840 --> 00:23:52,040 Speaker 1: But because of that, I'm in a C plus. I 518 00:23:52,040 --> 00:23:54,359 Speaker 1: probably could have went be minus just to keep it 519 00:23:54,359 --> 00:23:56,560 Speaker 1: in the B area. But nah, I think I think 520 00:23:56,560 --> 00:23:58,160 Speaker 1: I'm gonna go C plus because I think the beats 521 00:23:58,160 --> 00:23:58,680 Speaker 1: a little better. 522 00:23:58,680 --> 00:24:00,040 Speaker 3: I probably would enjoyed this a lot. 523 00:24:01,040 --> 00:24:01,800 Speaker 4: C plus for me. 524 00:24:03,200 --> 00:24:05,200 Speaker 2: That's what's up. Features. 525 00:24:05,240 --> 00:24:08,440 Speaker 3: I'm at a B plus, Okay, cool, Yeah, I'm gonna 526 00:24:08,440 --> 00:24:09,200 Speaker 3: go a solid B. 527 00:24:09,840 --> 00:24:11,560 Speaker 1: I'm not gonna put the plus on it. I'm gonna 528 00:24:11,560 --> 00:24:14,440 Speaker 1: go a solid B. I was cool with cool with them, 529 00:24:14,480 --> 00:24:16,959 Speaker 1: but not like over press. 530 00:24:17,400 --> 00:24:22,440 Speaker 5: Yeah, I'm at a B minus on the on the features. 531 00:24:22,359 --> 00:24:27,480 Speaker 1: Execution, I gotta be minus here. I felt I could 532 00:24:27,520 --> 00:24:32,920 Speaker 1: have win C plus, but the joints that I really 533 00:24:33,119 --> 00:24:36,000 Speaker 1: because it's only like two joints that I really don't like. 534 00:24:37,040 --> 00:24:39,800 Speaker 1: And you know, we talk about the sandwiching of particular 535 00:24:39,840 --> 00:24:40,880 Speaker 1: songs and stuff like that. 536 00:24:41,160 --> 00:24:42,600 Speaker 2: So I'm gonna stick with the B minus. 537 00:24:42,600 --> 00:24:43,120 Speaker 3: I'm stick. 538 00:24:44,040 --> 00:24:46,239 Speaker 1: I'm gonna go a whole letter grade below. You at 539 00:24:46,240 --> 00:24:48,720 Speaker 1: it with A, well, not a whole I guess this said. 540 00:24:48,760 --> 00:24:52,480 Speaker 1: I'm at a see a solid C. I think the 541 00:24:52,480 --> 00:24:54,960 Speaker 1: sequels kind of average. Like I said, I do feel like, 542 00:24:55,000 --> 00:24:58,000 Speaker 1: you know, I hate the sandwiching thing. But but I 543 00:24:59,080 --> 00:25:01,120 Speaker 1: gave him a little lead here, you know what I'm saying. 544 00:25:01,119 --> 00:25:03,919 Speaker 3: So I'm just gonna go an average C on it. 545 00:25:04,720 --> 00:25:08,040 Speaker 5: I'm at a C minus on the on the execution. 546 00:25:08,480 --> 00:25:11,800 Speaker 2: Replay value, I'm at a C plus. I'm gonna C. 547 00:25:11,920 --> 00:25:20,040 Speaker 1: Plus replay value in a C minus replay. Yeah, Like 548 00:25:20,080 --> 00:25:21,960 Speaker 1: I said, I might go to a couple on here, 549 00:25:22,040 --> 00:25:23,199 Speaker 1: but I'm not. 550 00:25:23,320 --> 00:25:25,280 Speaker 3: I'm just not just not gonna click play on the 551 00:25:25,359 --> 00:25:26,000 Speaker 3: chance album. 552 00:25:26,040 --> 00:25:28,480 Speaker 1: I respect what he did, I'm just not gonna I 553 00:25:28,520 --> 00:25:30,399 Speaker 1: just can't see myself playing it that much. 554 00:25:30,760 --> 00:25:32,840 Speaker 4: Yeah, I got it. I got a good ep off here, bro. 555 00:25:33,520 --> 00:25:33,760 Speaker 2: Yeah. 556 00:25:35,440 --> 00:25:37,960 Speaker 1: Like the plus came from the fact that it was 557 00:25:38,000 --> 00:25:40,000 Speaker 1: more than half of the songs that I would put 558 00:25:40,040 --> 00:25:42,760 Speaker 1: on a playlist, but I'm not pressing play and just 559 00:25:42,840 --> 00:25:46,160 Speaker 1: letting it right out like on this album. So yeah, 560 00:25:46,280 --> 00:25:48,240 Speaker 1: So the plus came because it's more than half of 561 00:25:48,280 --> 00:25:51,240 Speaker 1: the songs that I would put on a playlist. So overall, 562 00:25:51,440 --> 00:25:53,320 Speaker 1: I'm at a B minus. I felt like I could 563 00:25:53,359 --> 00:25:56,000 Speaker 1: have won C plus but it wouldn't really coordinate with 564 00:25:56,040 --> 00:25:58,960 Speaker 1: the rest of my grades. But but again, I think 565 00:25:58,960 --> 00:26:02,840 Speaker 1: it's a very solid especially coming from almost a decade 566 00:26:03,720 --> 00:26:07,320 Speaker 1: gone from a listenable project. So for me, I'm at 567 00:26:07,320 --> 00:26:10,119 Speaker 1: to be minus overall. Yeah, I'm I'm at the C 568 00:26:10,240 --> 00:26:13,040 Speaker 1: plus that you would have gave them. 569 00:26:13,480 --> 00:26:16,000 Speaker 3: You know, I think it's pretty it's pretty indicative on 570 00:26:16,320 --> 00:26:17,080 Speaker 3: my grades. 571 00:26:17,280 --> 00:26:20,200 Speaker 1: I think that it came out to a C plus 572 00:26:20,440 --> 00:26:23,120 Speaker 1: if you ever shoot out or whatever, because I think 573 00:26:23,160 --> 00:26:25,320 Speaker 1: mine was slightly below your grades when we got to 574 00:26:25,400 --> 00:26:27,480 Speaker 1: the second half. So it makes sense that mom b 575 00:26:27,600 --> 00:26:28,200 Speaker 1: C plus. 576 00:26:28,400 --> 00:26:31,800 Speaker 5: Yeah, I'm at a C plus as as well. I 577 00:26:31,880 --> 00:26:35,600 Speaker 5: think for and that as a person, that's not that 578 00:26:35,720 --> 00:26:37,840 Speaker 5: big of a chance to rapper fan. 579 00:26:38,000 --> 00:26:39,480 Speaker 4: So I think that's that's really good. 580 00:26:39,720 --> 00:26:42,600 Speaker 5: But I think for chance fans, I think it's probably 581 00:26:42,680 --> 00:26:46,320 Speaker 5: will be a little higher because they like they may 582 00:26:46,680 --> 00:26:49,920 Speaker 5: like most of the songs that I did not, so well. 583 00:26:49,880 --> 00:26:51,959 Speaker 1: Look, you already know what it is, man, then hip 584 00:26:52,000 --> 00:26:55,320 Speaker 1: hop album reviews. Let us know what you want to 585 00:26:55,560 --> 00:26:57,439 Speaker 1: or let us know what your grades are in the 586 00:26:57,440 --> 00:27:00,240 Speaker 1: common section, because the common section is the common station. 587 00:27:00,320 --> 00:27:02,800 Speaker 1: After the conversation, We'll catch you guys next time with 588 00:27:02,880 --> 00:27:03,239 Speaker 1: another one. 589 00:27:03,320 --> 00:27:04,000 Speaker 2: Were out in peace.