1 00:00:03,400 --> 00:00:04,200 Speaker 1: We are alive. 2 00:00:08,920 --> 00:00:09,360 Speaker 2: Ship. 3 00:00:10,160 --> 00:00:10,559 Speaker 1: What up? 4 00:00:10,880 --> 00:00:11,200 Speaker 3: What up? 5 00:00:11,200 --> 00:00:11,760 Speaker 1: Everybody? 6 00:00:12,280 --> 00:00:13,480 Speaker 2: What's going on? What's going on? 7 00:00:13,560 --> 00:00:13,960 Speaker 4: Good people? 8 00:00:14,280 --> 00:00:16,560 Speaker 5: I mean you go ahead, how at the chat? Let 9 00:00:16,560 --> 00:00:19,079 Speaker 5: me see what the people talking about. Trying to walk 10 00:00:19,079 --> 00:00:19,960 Speaker 5: with the people. 11 00:00:22,520 --> 00:00:24,360 Speaker 2: Let them know they get it. Don't play no ship 12 00:00:28,000 --> 00:00:32,040 Speaker 2: ship you know what I'm saying. Waiting on ride here, 13 00:00:32,120 --> 00:00:35,680 Speaker 2: you know what I'm saying. It's not you're typically hosted. 14 00:00:35,720 --> 00:00:37,160 Speaker 2: If not, you know, I hosted. 15 00:00:37,600 --> 00:00:38,120 Speaker 4: I'm host. 16 00:00:39,200 --> 00:00:39,559 Speaker 1: That's right. 17 00:00:40,440 --> 00:00:42,720 Speaker 2: I'm gonna say, man, because I man, I I hosted. 18 00:00:42,760 --> 00:00:43,639 Speaker 4: You know, I could be the. 19 00:00:43,600 --> 00:00:49,560 Speaker 2: Captain now, I could beat Yeah. Yeah, I'm a bade 20 00:00:49,720 --> 00:00:50,239 Speaker 2: for you, right though. 21 00:00:50,320 --> 00:00:53,880 Speaker 4: You're right, oh, b C. So we talked about my bears. 22 00:00:53,880 --> 00:00:57,680 Speaker 4: How do you feel about your lions? Bro? Oh? 23 00:00:58,920 --> 00:01:01,600 Speaker 2: I mean to be honest with you, going into the season, 24 00:01:01,640 --> 00:01:02,200 Speaker 2: I kind of knew that. 25 00:01:02,320 --> 00:01:04,160 Speaker 5: I kind of knew there was gonna be uh, they 26 00:01:04,160 --> 00:01:06,560 Speaker 5: were gonna be food for one. They got they got 27 00:01:06,560 --> 00:01:08,360 Speaker 5: a very tough schedule. That's what you get for going 28 00:01:08,400 --> 00:01:09,119 Speaker 5: fifteen in two. 29 00:01:09,120 --> 00:01:12,959 Speaker 2: The previous season. And yeah yeah, and. 30 00:01:12,880 --> 00:01:15,800 Speaker 5: Now we lost both our coordinators. So I was already 31 00:01:15,880 --> 00:01:17,280 Speaker 5: I was already going to the season. 32 00:01:17,080 --> 00:01:17,600 Speaker 2: Kind of iffy. 33 00:01:18,000 --> 00:01:20,400 Speaker 5: But I mean I'm still yeah, it's still Lions every day. 34 00:01:20,520 --> 00:01:24,399 Speaker 5: But you know, I'm I wasn't expecting like we're going 35 00:01:24,440 --> 00:01:27,240 Speaker 5: to make another run or anything like that, like you know, now, hell, 36 00:01:27,280 --> 00:01:29,760 Speaker 5: we're fighting for our playoff lives. So it looked like 37 00:01:30,319 --> 00:01:32,280 Speaker 5: it looked like they might not make the playoffs the 38 00:01:32,319 --> 00:01:35,760 Speaker 5: way this is going. So I don't know, brouh, I 39 00:01:35,800 --> 00:01:38,480 Speaker 5: don't know. I'm just happy with my Pistons right now. 40 00:01:40,720 --> 00:01:45,160 Speaker 5: This basketball season is is wonderful. Yeah, basketball is crazy. 41 00:01:46,680 --> 00:01:47,200 Speaker 1: I feel that. 42 00:01:47,360 --> 00:01:49,200 Speaker 5: I feel that, yeah, but no, yeah, you know, I 43 00:01:49,320 --> 00:01:52,880 Speaker 5: wasn't literally, yeah, I was not expecting Lions to be like, yeah, 44 00:01:52,880 --> 00:01:54,840 Speaker 5: we're gonna go fourteen and three this year, or we're 45 00:01:54,840 --> 00:01:56,520 Speaker 5: gonna go thirteen and something this year. 46 00:01:56,560 --> 00:01:59,480 Speaker 2: Like no, I knew we was gonna be struggling. 47 00:02:00,120 --> 00:02:05,080 Speaker 4: Yeah yeah, now but Detroit, Yeah, y'all, y'all, y'all, all right, 48 00:02:05,080 --> 00:02:07,400 Speaker 4: do you think do you think the Pistons need to 49 00:02:07,520 --> 00:02:10,000 Speaker 4: make a move? Do you or do you? Are you 50 00:02:10,080 --> 00:02:11,640 Speaker 4: okay with where you are right now? 51 00:02:12,840 --> 00:02:15,000 Speaker 5: I mean seventeen and four, bro, I'm okay with what 52 00:02:15,040 --> 00:02:18,160 Speaker 5: we're doing right now. I like it, but I mean 53 00:02:20,000 --> 00:02:22,960 Speaker 5: it just depends on what the moves are. Like, you know, 54 00:02:23,040 --> 00:02:25,359 Speaker 5: I just gotta see what the movie. I gotta see 55 00:02:25,360 --> 00:02:27,639 Speaker 5: a trade and be like, okay, okay, that out of 56 00:02:27,680 --> 00:02:29,359 Speaker 5: work with that. I don't want to see nothing stupid. 57 00:02:29,400 --> 00:02:32,679 Speaker 5: That's just gonna mess up the like we're doing. We're 58 00:02:32,680 --> 00:02:34,880 Speaker 5: doing good right now to what we're playing right now. 59 00:02:34,960 --> 00:02:35,200 Speaker 1: I like. 60 00:02:35,280 --> 00:02:36,880 Speaker 2: I like the trajectory we're going right now. 61 00:02:37,360 --> 00:02:40,920 Speaker 4: Yeah, I don't. I don't disagree. I'm with you. Last 62 00:02:41,000 --> 00:02:44,360 Speaker 4: off topic before we get into it, busy. 63 00:02:45,440 --> 00:02:45,799 Speaker 3: Have you. 64 00:02:48,639 --> 00:02:51,400 Speaker 4: Have you watched Okay see at all this season? 65 00:02:51,880 --> 00:02:52,440 Speaker 2: Bruh? 66 00:02:52,840 --> 00:02:54,720 Speaker 4: Have I? 67 00:02:55,160 --> 00:02:55,400 Speaker 2: Yes? 68 00:02:56,120 --> 00:02:56,320 Speaker 1: Bro? 69 00:02:56,400 --> 00:02:59,560 Speaker 4: It's not fair, It is not fair. It's not fair. 70 00:02:59,800 --> 00:03:01,800 Speaker 4: I think I think they're gonna break the seventy three 71 00:03:01,840 --> 00:03:02,440 Speaker 4: and nine record. 72 00:03:03,600 --> 00:03:07,400 Speaker 2: Oh you heard it first here on you're going out 73 00:03:07,440 --> 00:03:08,160 Speaker 2: the limb like that. 74 00:03:09,040 --> 00:03:11,400 Speaker 5: So you're telling me they're gonna win seventy four or 75 00:03:11,440 --> 00:03:12,400 Speaker 5: more games, that's what? 76 00:03:12,480 --> 00:03:16,359 Speaker 4: Yes, yes, yes, I think they're gonna set the mark 77 00:03:16,400 --> 00:03:18,000 Speaker 4: that's never gonna beat again. I think they win the 78 00:03:18,040 --> 00:03:20,760 Speaker 4: championship again this year. And here, and here's the crazy part. 79 00:03:20,800 --> 00:03:23,800 Speaker 4: If they win seventy four the winch they better not 80 00:03:23,840 --> 00:03:26,280 Speaker 4: be going to to go to state because I think 81 00:03:26,320 --> 00:03:29,799 Speaker 4: the only team that can really beat them, honestly is Denver, 82 00:03:29,880 --> 00:03:33,480 Speaker 4: and I don't think Denver still doesn't have enough weapons, Like, 83 00:03:33,600 --> 00:03:36,920 Speaker 4: I don't think they have enough artillery to really the 84 00:03:36,960 --> 00:03:38,280 Speaker 4: master firepower over this. 85 00:03:38,440 --> 00:03:41,200 Speaker 5: Man said they gonna they're gonna win seventy four or 86 00:03:41,240 --> 00:03:42,880 Speaker 5: more game, Rod, Did you hear. 87 00:03:42,760 --> 00:03:49,480 Speaker 4: This nineteen and one right now? Something like that? 88 00:03:49,560 --> 00:03:51,280 Speaker 2: Yeah. 89 00:03:53,560 --> 00:03:56,080 Speaker 4: But you know what, though, Ro, I think with them 90 00:03:56,520 --> 00:03:59,839 Speaker 4: it feels different because they're so young they already won. 91 00:04:01,600 --> 00:04:04,920 Speaker 4: It just feels different. And then they have two They're 92 00:04:04,960 --> 00:04:08,520 Speaker 4: gonna have two lottery picks. Bro, they have the Clippers 93 00:04:08,560 --> 00:04:10,480 Speaker 4: lottery picking. I think the Clippers are like five and 94 00:04:10,600 --> 00:04:16,000 Speaker 4: sixteen or something business like that. It's unprotected. So they're 95 00:04:16,080 --> 00:04:19,000 Speaker 4: this good, and they could potentially add two top ten 96 00:04:19,080 --> 00:04:20,159 Speaker 4: niggas to this roster. 97 00:04:20,360 --> 00:04:24,680 Speaker 2: It's unfair, right, isn't it is? 98 00:04:24,960 --> 00:04:28,320 Speaker 4: But look, I am the host tonight. We are doing 99 00:04:28,440 --> 00:04:31,279 Speaker 4: a rundown. Is Hey, look man, we haven't done a 100 00:04:31,320 --> 00:04:34,080 Speaker 4: rundown some goddamn months. But you know a lot of 101 00:04:34,080 --> 00:04:36,360 Speaker 4: things have changed. You know, I'm no longer in Atlanta, 102 00:04:36,680 --> 00:04:41,120 Speaker 4: so that's why we're virtual. The holidays just happened, you know, 103 00:04:41,200 --> 00:04:43,039 Speaker 4: we just had to figure stuff out. Man, how the 104 00:04:43,040 --> 00:04:45,200 Speaker 4: hell we're gonna keep giving y'all all this great content. 105 00:04:45,440 --> 00:04:48,600 Speaker 4: Life be life man, Yeah, life be lifing man, Life 106 00:04:48,680 --> 00:04:50,920 Speaker 4: be lifing. Then you pull up my run. Then okay, 107 00:04:50,960 --> 00:04:53,119 Speaker 4: there we go. All right, So the Rundown, y'all already 108 00:04:53,160 --> 00:04:54,800 Speaker 4: see the title of it. That is going to be 109 00:04:54,880 --> 00:04:58,240 Speaker 4: the main topic of conversation. So send in your super chats. 110 00:04:58,279 --> 00:05:01,400 Speaker 4: They are all welcome. That's how we do these joints 111 00:05:01,400 --> 00:05:07,280 Speaker 4: every Wednesday. So sending your super chats a few minutes, 112 00:05:08,000 --> 00:05:09,960 Speaker 4: thank you. So y'all got to nine twenty five to 113 00:05:10,040 --> 00:05:14,680 Speaker 4: sending your superchats. Whether it's in regards to Diddy or 114 00:05:14,720 --> 00:05:17,240 Speaker 4: anything else that we are going to talk about. I'm 115 00:05:17,279 --> 00:05:20,360 Speaker 4: going to tell you now the Rundout is very music heavy. 116 00:05:21,000 --> 00:05:23,880 Speaker 4: But again, send all of your superchats and in talking 117 00:05:23,960 --> 00:05:26,640 Speaker 4: about music and what you should be listening to. 118 00:05:27,000 --> 00:05:27,240 Speaker 1: Then it. 119 00:05:27,320 --> 00:05:30,400 Speaker 4: Hip hop is officially baking their top one hundred albums 120 00:05:30,960 --> 00:05:34,560 Speaker 4: list that should be out at the very beginning of 121 00:05:34,760 --> 00:05:39,560 Speaker 4: twenty twenty six. All right, So look, there are some parameters. 122 00:05:39,600 --> 00:05:41,400 Speaker 4: I am not going to give you the details here, 123 00:05:41,440 --> 00:05:43,719 Speaker 4: but I will say this. If you want to know 124 00:05:43,800 --> 00:05:46,920 Speaker 4: how why certain albums did not make it, I will 125 00:05:46,960 --> 00:05:50,120 Speaker 4: suggest that you become a YouTube member or a Patreon today, 126 00:05:50,360 --> 00:05:53,720 Speaker 4: so that we got that motherfucking behind the scenes content. 127 00:05:53,920 --> 00:05:58,800 Speaker 4: You got it. Hey, if you want Look, here's the thing. 128 00:05:59,080 --> 00:06:00,640 Speaker 4: There's no way that we could have made a top 129 00:06:00,640 --> 00:06:04,000 Speaker 4: one hundred album list without Mike Ceatown. So Mike Seatown 130 00:06:04,160 --> 00:06:06,960 Speaker 4: is heavily involved. You know what I'm saying in terms 131 00:06:07,000 --> 00:06:10,640 Speaker 4: of pick, He's heavily involved. Become a patriot of YouTube 132 00:06:10,680 --> 00:06:12,120 Speaker 4: members so that way you get all the behind the 133 00:06:12,120 --> 00:06:14,520 Speaker 4: scenes shit, because if not, you already know. If you 134 00:06:14,720 --> 00:06:17,599 Speaker 4: if you broke a cheap like me, but you're gonna 135 00:06:17,600 --> 00:06:21,160 Speaker 4: get the free bro you won't get the list. Just say, hey, man, 136 00:06:21,200 --> 00:06:23,160 Speaker 4: my pocket is thin right now, my body. But look, 137 00:06:23,240 --> 00:06:26,160 Speaker 4: I'm just saying you don't get the list and live 138 00:06:26,200 --> 00:06:30,159 Speaker 4: with it. Question it, share it, do whatever it is 139 00:06:30,160 --> 00:06:32,280 Speaker 4: that you do with all these other publications. Go make 140 00:06:32,320 --> 00:06:35,400 Speaker 4: your own content in regards of the hundred that we 141 00:06:35,480 --> 00:06:36,040 Speaker 4: came up with. 142 00:06:36,279 --> 00:06:36,840 Speaker 1: Go do that. 143 00:06:37,320 --> 00:06:38,680 Speaker 4: You know what I'm saying. But at the end of 144 00:06:38,720 --> 00:06:40,400 Speaker 4: the day, if you want to know how and why, 145 00:06:41,360 --> 00:06:45,839 Speaker 4: and there's hours of content, okay, we have hours of 146 00:06:45,880 --> 00:06:49,159 Speaker 4: behind the scenes content, So go become a patrion today. 147 00:06:49,400 --> 00:06:51,479 Speaker 4: But today, like I said, man, we're talking about the 148 00:06:51,560 --> 00:06:53,760 Speaker 4: music it's been a minute. I'm not gonna go back 149 00:06:53,800 --> 00:06:55,640 Speaker 4: into all of the other months that we've missed, but 150 00:06:55,680 --> 00:06:59,320 Speaker 4: the December releases as of now, shout out Max B. 151 00:06:59,440 --> 00:07:01,960 Speaker 4: Man he was in care already sixteen years, dropped a 152 00:07:02,040 --> 00:07:06,080 Speaker 4: single and he announced an album, Max b public Domain 153 00:07:06,200 --> 00:07:10,160 Speaker 4: seven The purs dropping December third. Little Baby the Leaks 154 00:07:10,200 --> 00:07:13,840 Speaker 4: also dropping December third. We have on December fourth, we 155 00:07:13,920 --> 00:07:16,440 Speaker 4: had Red Veil. Shout out to Isaiah I think he's 156 00:07:16,440 --> 00:07:20,560 Speaker 4: the one that put it onto him. Sankofa Big Crit 157 00:07:20,760 --> 00:07:26,440 Speaker 4: dedicated to Catie Barrett's Volume one. Now here's the thing. 158 00:07:27,040 --> 00:07:28,760 Speaker 4: I know some people close to Big Crit I was 159 00:07:28,840 --> 00:07:34,080 Speaker 4: hit up personally because they went to his release party 160 00:07:34,640 --> 00:07:38,760 Speaker 4: and that it's one of them ones shall see. 161 00:07:38,760 --> 00:07:41,960 Speaker 5: Man because his last two ones been a little disappointing, 162 00:07:42,120 --> 00:07:44,520 Speaker 5: so hopefully, hopefully he's bringing it back. 163 00:07:44,560 --> 00:07:46,760 Speaker 2: He's bringing it back. Still one of my favorites. 164 00:07:46,800 --> 00:07:46,920 Speaker 4: Man. 165 00:07:46,920 --> 00:07:48,600 Speaker 2: I still fucking Crit, Yeah. 166 00:07:48,440 --> 00:07:49,160 Speaker 1: Yeah, Krit. 167 00:07:49,240 --> 00:07:51,920 Speaker 4: Krit has too much of a great discography for one 168 00:07:51,960 --> 00:07:54,520 Speaker 4: or two projects that I'm I ain't fucking with him 169 00:07:54,520 --> 00:07:59,200 Speaker 4: no more. No. I still bum Beat, Instatic, Select the 170 00:07:59,240 --> 00:08:01,200 Speaker 4: k you Go like this, Chill Static five, we got 171 00:08:01,200 --> 00:08:03,080 Speaker 4: to do it on d three sixty five. It's crazy 172 00:08:03,120 --> 00:08:06,840 Speaker 4: that they have five fucking tapes together, and I know 173 00:08:06,920 --> 00:08:08,080 Speaker 4: the last two are really dope. 174 00:08:08,120 --> 00:08:08,800 Speaker 1: Four and three. 175 00:08:09,000 --> 00:08:11,680 Speaker 4: Me and Kim review those two. They're really good, So 176 00:08:11,720 --> 00:08:15,160 Speaker 4: go check that out. Eric Sermon Dynamic Duos Volume one. 177 00:08:16,080 --> 00:08:21,000 Speaker 4: We also got Homeboy Sam Man. These titles getting pretty silly. 178 00:08:21,280 --> 00:08:27,040 Speaker 4: A ka can't sell four sky I know that's that's 179 00:08:27,040 --> 00:08:27,600 Speaker 4: what they look like. 180 00:08:29,240 --> 00:08:31,200 Speaker 3: Sky Zoozy. 181 00:08:33,080 --> 00:08:36,920 Speaker 4: Hey, hey, sky zoo Views of a Lifetime. 182 00:08:37,360 --> 00:08:38,880 Speaker 1: You heard it? 183 00:08:38,920 --> 00:08:41,760 Speaker 2: You heard that? 184 00:08:41,960 --> 00:08:42,280 Speaker 1: Crazy? 185 00:08:42,600 --> 00:08:42,760 Speaker 4: Nice? 186 00:08:42,840 --> 00:08:44,720 Speaker 2: Yeah, I put in the chat. 187 00:08:44,960 --> 00:08:48,040 Speaker 4: That yeatnam Man sky Zoo's been on a run. What 188 00:08:48,080 --> 00:08:49,640 Speaker 4: was the Life of Saint? That was one of the 189 00:08:49,679 --> 00:08:53,680 Speaker 4: last ones. Yeah, bro, yeah, he's definitely Yeah, that was good. 190 00:08:54,520 --> 00:08:57,839 Speaker 4: Oh Diddy, I don't remember that. I think that was 191 00:08:57,880 --> 00:08:59,800 Speaker 4: the last one that I listened to from him. The 192 00:08:59,840 --> 00:09:02,559 Speaker 4: Game and Mike and Keys, this is actually a DJ 193 00:09:02,800 --> 00:09:10,640 Speaker 4: Drama against the Grills mixtape. Every movie needs a trailer. 194 00:09:12,040 --> 00:09:15,199 Speaker 2: Production. I'm curious to hear how that's gonna sound. 195 00:09:15,600 --> 00:09:19,360 Speaker 4: Me too, because Mike and Keys they did a lot 196 00:09:19,360 --> 00:09:22,960 Speaker 4: of the production on Victory Lap and whatever you feel 197 00:09:22,960 --> 00:09:26,760 Speaker 4: about Nipsey Hustle as a rapper, we cannot dismiss that 198 00:09:26,800 --> 00:09:31,880 Speaker 4: the quality of the production on that album. Yeah, yep. 199 00:09:32,240 --> 00:09:34,560 Speaker 4: And we also have and we will talk about this. 200 00:09:34,559 --> 00:09:37,000 Speaker 4: This is one of our topics of conversation Roddy Rich 201 00:09:37,080 --> 00:09:41,199 Speaker 4: the Navy album. On December twelfth, we got three albums 202 00:09:41,440 --> 00:09:44,040 Speaker 4: that are supposed to drop. We got Conway Can't Kill 203 00:09:44,080 --> 00:09:46,719 Speaker 4: God with Bullets Love that album title name that is 204 00:09:47,000 --> 00:09:49,560 Speaker 4: super hard. I hope that the project is just as 205 00:09:49,600 --> 00:09:51,320 Speaker 4: hard as this is. 206 00:09:51,360 --> 00:09:52,920 Speaker 2: Distribute the Rognation too. 207 00:09:53,320 --> 00:09:57,199 Speaker 4: Mm hmm okay, And then we also got. 208 00:09:57,440 --> 00:09:58,880 Speaker 2: Yep, we got the distributions packet. 209 00:10:00,480 --> 00:10:03,520 Speaker 4: We also got on December twelfth, we got Kanye West 210 00:10:03,600 --> 00:10:07,040 Speaker 4: Bully and we also got NADS and DJ Premiere light Years. 211 00:10:07,760 --> 00:10:09,040 Speaker 2: So real quick, people. 212 00:10:09,120 --> 00:10:10,959 Speaker 5: I asked King this when we was at the Kuji 213 00:10:11,080 --> 00:10:14,240 Speaker 5: Rap Show Sunday, What are your predictions on this? 214 00:10:14,360 --> 00:10:16,440 Speaker 2: On this Nas and Primo, Like, are. 215 00:10:16,360 --> 00:10:21,079 Speaker 5: Y'all any expectations any like you know, let me just wait, 216 00:10:21,320 --> 00:10:24,840 Speaker 5: y'all expecting it to be kind of like I'm waiting. 217 00:10:25,000 --> 00:10:28,080 Speaker 4: I'm waiting because I feel like it could be great 218 00:10:28,120 --> 00:10:29,640 Speaker 4: and I feel like it could be a dud because 219 00:10:29,640 --> 00:10:32,520 Speaker 4: we've waited so long for it, Like like like the 220 00:10:32,600 --> 00:10:35,920 Speaker 4: joint that Premiere got with Ransom. I like it don't 221 00:10:35,920 --> 00:10:39,640 Speaker 4: necessarily love it. I really like it, though I felt 222 00:10:39,679 --> 00:10:43,880 Speaker 4: like I don't know, I'm just I'm a wait bie. 223 00:10:44,720 --> 00:10:47,360 Speaker 4: I'm trying to go into it no expectation. I just 224 00:10:47,360 --> 00:10:48,920 Speaker 4: want to see what they come up with. And I 225 00:10:48,960 --> 00:10:49,640 Speaker 4: do like the name. 226 00:10:50,520 --> 00:10:54,839 Speaker 2: What about you? Any expectations. 227 00:10:55,920 --> 00:10:58,320 Speaker 5: I feel like, man, he finishing out this year with 228 00:10:58,440 --> 00:10:59,559 Speaker 5: what he's been doing, Massive Pill. 229 00:10:59,640 --> 00:11:01,960 Speaker 2: I'm like, it can't be. It can't be bad, right, 230 00:11:02,080 --> 00:11:02,560 Speaker 2: like you can't. 231 00:11:02,800 --> 00:11:05,760 Speaker 6: I don't think so nothing is shown that I think 232 00:11:05,800 --> 00:11:09,360 Speaker 6: we talked about this off camera, Like I just can't imagine. 233 00:11:08,920 --> 00:11:11,920 Speaker 3: It being like like why would this one be back? Right? 234 00:11:12,000 --> 00:11:13,000 Speaker 3: That's what I like. 235 00:11:13,280 --> 00:11:17,200 Speaker 6: Anything's been good, right everything? Yeah, like even the ones 236 00:11:17,240 --> 00:11:18,800 Speaker 6: that was just like I think you just just like 237 00:11:18,880 --> 00:11:20,800 Speaker 6: kind of looking warm on the what is it? 238 00:11:20,800 --> 00:11:22,520 Speaker 2: The ghost ghost Face one? 239 00:11:22,559 --> 00:11:23,320 Speaker 3: Ghost Face one? 240 00:11:23,600 --> 00:11:24,839 Speaker 4: But it's still a good album. 241 00:11:25,400 --> 00:11:26,440 Speaker 3: But it's not like it's bad. 242 00:11:26,840 --> 00:11:29,240 Speaker 6: Yeah, it's not like I don't understand like why this 243 00:11:29,280 --> 00:11:30,120 Speaker 6: would be any different? 244 00:11:31,240 --> 00:11:33,439 Speaker 2: Yeah, yeah, it's crazy. 245 00:11:33,720 --> 00:11:35,559 Speaker 5: I just like there's no way that there's no way 246 00:11:35,600 --> 00:11:38,320 Speaker 5: they they they dropped the ball on this, right, no way. 247 00:11:38,520 --> 00:11:40,839 Speaker 3: Yeah, I don't think so. 248 00:11:40,840 --> 00:11:43,679 Speaker 4: So any other projects that you guys are interested in 249 00:11:43,920 --> 00:11:46,000 Speaker 4: out of everything that's supposed to be dropping in the summer. 250 00:11:47,240 --> 00:11:51,200 Speaker 3: Man, I like this, saying Cofa album by Red Veil. 251 00:11:51,520 --> 00:11:52,719 Speaker 3: We listened to him on. 252 00:11:52,679 --> 00:11:57,200 Speaker 6: A it was like, I think Isaiah had brought him 253 00:11:57,240 --> 00:12:02,080 Speaker 6: to a common, did he? So yeah, I like that, dude. 254 00:12:02,080 --> 00:12:04,320 Speaker 6: So I'm interested to see what that what that sounds like? 255 00:12:04,440 --> 00:12:06,720 Speaker 6: You know, And like I said, I I like Big Crit. 256 00:12:06,760 --> 00:12:09,520 Speaker 6: I want Big Krit to win still, so you know, yeah. 257 00:12:10,679 --> 00:12:12,240 Speaker 3: What that sounds like? That's tomorrow? 258 00:12:13,440 --> 00:12:14,880 Speaker 4: Mm hmmm mm hmm. 259 00:12:16,920 --> 00:12:20,920 Speaker 3: What else? Yeah, those are like the main two. 260 00:12:21,800 --> 00:12:23,640 Speaker 1: Wait, all of these are dropping on Thursday. 261 00:12:25,120 --> 00:12:29,440 Speaker 4: So the one the ones dropping tomorrow are Red Veil, 262 00:12:29,559 --> 00:12:32,200 Speaker 4: Big Crit one beat Eric Simmon Homeboys, saying. 263 00:12:32,000 --> 00:12:32,480 Speaker 1: That's what I mean. 264 00:12:32,559 --> 00:12:35,680 Speaker 4: I'm sorry guys, the game and Roddy Rinch. 265 00:12:36,440 --> 00:12:37,600 Speaker 1: Yeah very interesting. 266 00:12:38,640 --> 00:12:42,599 Speaker 6: Yeah, yeah, just like you already said, noahs in the 267 00:12:42,960 --> 00:12:45,080 Speaker 6: DJ for me and Conway. I'm always up for a 268 00:12:45,080 --> 00:12:46,280 Speaker 6: Conway project. 269 00:12:46,080 --> 00:12:50,840 Speaker 4: Of course. Yeah, I'm looking forward to to Conway the game, 270 00:12:51,880 --> 00:12:55,199 Speaker 4: Big Crit. Those are the ones I'm like, I'm I'm 271 00:12:55,240 --> 00:12:57,559 Speaker 4: just pressing play as soon as I it's available. 272 00:12:57,679 --> 00:13:03,720 Speaker 3: So, uh, you think that game gonna be good? 273 00:13:05,480 --> 00:13:08,960 Speaker 4: I hope. So it's it's it's against the grills, you 274 00:13:09,000 --> 00:13:11,040 Speaker 4: know what I'm saying. So he's never done against the 275 00:13:11,080 --> 00:13:14,439 Speaker 4: grills project. Uh, DJ Drama has been on a run 276 00:13:14,520 --> 00:13:17,600 Speaker 4: in terms of getting back into the gainst the grills. 277 00:13:17,600 --> 00:13:19,640 Speaker 4: Some of these have not been good, Like that last 278 00:13:19,720 --> 00:13:22,680 Speaker 4: jez One. I was so underwhelmed after like the live 279 00:13:22,720 --> 00:13:24,719 Speaker 4: performances and shit he was doing. And he ended it 280 00:13:24,760 --> 00:13:27,720 Speaker 4: in Detroit, and you know, they announced the project. I 281 00:13:27,720 --> 00:13:30,000 Speaker 4: listened to it. I was I was highly disappointed. But 282 00:13:30,080 --> 00:13:32,520 Speaker 4: I'm just glad that DJ Drama, you know, an integral 283 00:13:32,600 --> 00:13:36,079 Speaker 4: part of the mixtape era blog era, is back at it. 284 00:13:36,200 --> 00:13:38,520 Speaker 4: And I think with the production of Mike and y 285 00:13:38,559 --> 00:13:40,440 Speaker 4: because the whole thing is produced by Mike and Keys 286 00:13:41,679 --> 00:13:44,520 Speaker 4: and we know game correct like it. To me, it's 287 00:13:44,559 --> 00:13:47,720 Speaker 4: it's I can't fathom that it's gonna be bad, but 288 00:13:47,760 --> 00:13:49,720 Speaker 4: it can't be. I just don't think it will be. 289 00:13:50,080 --> 00:13:52,080 Speaker 3: I saw somewhere that he was tapped trying to tap 290 00:13:52,160 --> 00:13:54,280 Speaker 3: Kanye for production on it. Did y'all see that? 291 00:13:54,920 --> 00:13:58,640 Speaker 4: I think, no, no, no, no, no, no no, And this 292 00:13:58,679 --> 00:14:00,920 Speaker 4: is actually okay. Look, so we is gonna jump ahead, 293 00:14:00,960 --> 00:14:05,839 Speaker 4: So well, game on no no, because it's one of 294 00:14:05,880 --> 00:14:09,280 Speaker 4: the topics of conversation. So there's no reason to prolong it, 295 00:14:09,400 --> 00:14:12,240 Speaker 4: so we'll just talk about this right now. So, in 296 00:14:12,320 --> 00:14:18,640 Speaker 4: terms of Game tapping Kanye, it was they're gonna they 297 00:14:19,000 --> 00:14:22,760 Speaker 4: redid Crack Music and Game has a verse on it now, 298 00:14:23,320 --> 00:14:26,960 Speaker 4: so it's not just you know, the the ad libs 299 00:14:26,960 --> 00:14:30,960 Speaker 4: and the hook, like he's doing the h an actual 300 00:14:31,040 --> 00:14:33,920 Speaker 4: verse on that joint. Oh okay, that's getting re released 301 00:14:33,960 --> 00:14:36,120 Speaker 4: and put in on the on the mixtape. So that's 302 00:14:36,160 --> 00:14:38,520 Speaker 4: where he kind of tapped the Kanye. 303 00:14:41,160 --> 00:14:41,520 Speaker 2: Okay. 304 00:14:41,760 --> 00:14:44,800 Speaker 5: Yeah, I always I always wanted to hear Game do 305 00:14:44,880 --> 00:14:47,000 Speaker 5: a verse on that joint when back when it came out, 306 00:14:47,040 --> 00:14:49,480 Speaker 5: because you know, yeah, Game was he was hot at 307 00:14:49,480 --> 00:14:49,840 Speaker 5: that time. 308 00:14:49,880 --> 00:14:51,280 Speaker 2: So yeah, I was surprised you only had him do 309 00:14:51,320 --> 00:14:51,600 Speaker 2: the hook. 310 00:14:52,560 --> 00:14:55,240 Speaker 4: Yeah, So look, I'll actually read part of the article 311 00:14:55,280 --> 00:14:57,760 Speaker 4: says the content rapper made an announcement during an interview 312 00:14:58,000 --> 00:15:01,160 Speaker 4: with Real ninety two point three LA's The The Cruise Show, 313 00:15:01,360 --> 00:15:04,000 Speaker 4: revealing that he and ye will release a sequel to 314 00:15:04,040 --> 00:15:07,680 Speaker 4: their classic Late Registration collaboration Crack Music. It's called Crack 315 00:15:07,800 --> 00:15:10,680 Speaker 4: Music Too, he said. With the original song, YEA called 316 00:15:10,720 --> 00:15:13,040 Speaker 4: me to the studio and I rolled up. He wanted 317 00:15:13,040 --> 00:15:14,560 Speaker 4: me to do a verse and get on the hook, 318 00:15:14,800 --> 00:15:16,680 Speaker 4: but I had some fine ship in the car, so 319 00:15:16,720 --> 00:15:19,760 Speaker 4: I was like, that's that crack music, nigga, and I left, 320 00:15:19,960 --> 00:15:22,160 Speaker 4: he said, But the fans always was like, man, you 321 00:15:22,160 --> 00:15:24,160 Speaker 4: should have had to put a verse on crack music. 322 00:15:24,280 --> 00:15:25,160 Speaker 4: So we redid it. 323 00:15:25,320 --> 00:15:27,520 Speaker 2: You didn't pro a verse because you had a chick 324 00:15:27,560 --> 00:15:33,120 Speaker 2: in the car. I don't know about mind. 325 00:15:33,240 --> 00:15:35,720 Speaker 5: I'm not talking about yeah you No, no, no, I'm not. 326 00:15:35,800 --> 00:15:38,360 Speaker 5: I'm not saying that I'm going off on youth. It's 327 00:15:38,360 --> 00:15:43,120 Speaker 5: just like, yeah, it's kind of a lame skis right there. Yeah, 328 00:15:43,240 --> 00:15:46,400 Speaker 5: especially at that time when at that time during Kanye 329 00:15:46,760 --> 00:15:48,720 Speaker 5: that was the college drop out late for registration error. 330 00:15:48,800 --> 00:15:51,120 Speaker 2: Oh yeah, no, you've been laid down that verse, bro. 331 00:15:51,880 --> 00:15:52,240 Speaker 1: Yeah. 332 00:15:52,280 --> 00:15:55,080 Speaker 4: So this is other things that games should have in 333 00:15:55,120 --> 00:15:57,200 Speaker 4: regard to this project, he says, it's gonna be It's 334 00:15:57,200 --> 00:15:57,800 Speaker 4: gonna be good. 335 00:15:57,840 --> 00:15:58,040 Speaker 3: Man. 336 00:15:58,360 --> 00:16:00,280 Speaker 4: He told Jay Cruse, it's my first time I'm doing 337 00:16:00,320 --> 00:16:05,080 Speaker 4: against the grills. I always talked about it over the years. 338 00:16:06,080 --> 00:16:09,400 Speaker 4: Two Days nineteen songs from Scratch. In addition to Kanye West, 339 00:16:09,400 --> 00:16:12,960 Speaker 4: the mixtape will feature fellow Left Coast lyricist Mazi and 340 00:16:13,040 --> 00:16:18,960 Speaker 4: R and B cooner crooner Jeremiah See Anything else important, 341 00:16:20,280 --> 00:16:22,560 Speaker 4: he said every movie needs a trailer will serve as 342 00:16:22,600 --> 00:16:26,240 Speaker 4: a precursor to the game's long awaited album, The documentary three, 343 00:16:26,320 --> 00:16:29,000 Speaker 4: what was supposed to drop this year to coincide with 344 00:16:29,000 --> 00:16:31,640 Speaker 4: the twentieth anniversary, but will now arrive in early twenty 345 00:16:31,680 --> 00:16:32,200 Speaker 4: twenty six. 346 00:16:33,600 --> 00:16:35,040 Speaker 2: Okay, documentary three. 347 00:16:35,120 --> 00:16:39,160 Speaker 4: Huh, Documentary three. I'm here for it. I felt obviously 348 00:16:39,160 --> 00:16:42,520 Speaker 4: the first one is a classic. I think Documentary two, 349 00:16:43,400 --> 00:16:47,120 Speaker 4: you know, for me, was was really good. So I'm 350 00:16:47,120 --> 00:16:48,320 Speaker 4: here for documentary three. 351 00:16:51,600 --> 00:16:52,680 Speaker 2: I gotta I gotta see. 352 00:16:53,760 --> 00:16:57,440 Speaker 5: I think the last Game out ninetety two was the 353 00:16:57,520 --> 00:16:58,200 Speaker 5: last game album. 354 00:16:58,200 --> 00:16:59,400 Speaker 4: I think a little good. 355 00:17:00,360 --> 00:17:03,840 Speaker 5: He dropped another one. A whole bunch of pregnant women 356 00:17:03,960 --> 00:17:05,040 Speaker 5: was in the studio or whatever. 357 00:17:05,240 --> 00:17:07,400 Speaker 2: I know, I forgot the name of that one. Yeah, yeah, 358 00:17:08,880 --> 00:17:10,760 Speaker 2: My thing is Okay. 359 00:17:10,840 --> 00:17:14,320 Speaker 7: So I guess if it's just fans service because his 360 00:17:14,359 --> 00:17:19,400 Speaker 7: fans want to hear this verse and him rapped over 361 00:17:19,440 --> 00:17:22,720 Speaker 7: that beat and that verse, and I guess it makes 362 00:17:22,760 --> 00:17:28,840 Speaker 7: sense what for him to do, uh with Kanye of 363 00:17:28,960 --> 00:17:31,080 Speaker 7: all people right now, it's almost like, Bro, you're just 364 00:17:31,080 --> 00:17:33,080 Speaker 7: trying to get on your right now. 365 00:17:33,119 --> 00:17:37,920 Speaker 1: Bro, you know, just just be controversial just for the sake. 366 00:17:37,800 --> 00:17:42,760 Speaker 7: Of it, so I don't know, and and he's saying 367 00:17:42,800 --> 00:17:43,680 Speaker 7: it's a new verse. 368 00:17:45,160 --> 00:17:47,240 Speaker 4: Yeah, like they said, they redid it, so I don't 369 00:17:47,280 --> 00:17:48,760 Speaker 4: know if it's going to be like so it's an 370 00:17:48,800 --> 00:17:51,880 Speaker 4: old verse and he just rewrapped the old verse though 371 00:17:52,880 --> 00:17:57,000 Speaker 4: he never originally wrapped on that first one. He's just 372 00:17:57,040 --> 00:17:59,359 Speaker 4: saying that they're kind of redoing it because he's always 373 00:17:59,440 --> 00:18:02,040 Speaker 4: got that, you know, from the fans, that they wanted 374 00:18:02,040 --> 00:18:05,480 Speaker 4: a verse, so they redid one. So I don't know 375 00:18:05,480 --> 00:18:06,600 Speaker 4: if it's gonna be a new beat. I don't know 376 00:18:06,600 --> 00:18:08,879 Speaker 4: if it's gonna be the old beat, Like, I don't know, 377 00:18:09,320 --> 00:18:11,119 Speaker 4: but we just know that there is going to be 378 00:18:11,160 --> 00:18:12,400 Speaker 4: a crack music too. 379 00:18:13,960 --> 00:18:18,440 Speaker 1: Okay, all right, Yeah, so the. 380 00:18:18,440 --> 00:18:21,360 Speaker 4: Last topic before we get into fifty cent y'all got 381 00:18:21,359 --> 00:18:24,680 Speaker 4: four minutes to send in your super chats. Push back 382 00:18:24,800 --> 00:18:28,960 Speaker 4: like a bad barber with some clippers. Bro Roddy Rich. 383 00:18:29,040 --> 00:18:29,200 Speaker 1: Bro. 384 00:18:29,880 --> 00:18:32,160 Speaker 4: I look, and I'm not saying that we are fans 385 00:18:32,160 --> 00:18:35,840 Speaker 4: of Roddy Rich, but he had one of the biggest singles, 386 00:18:36,119 --> 00:18:39,879 Speaker 4: you know, one of the most viral joints you know, 387 00:18:40,000 --> 00:18:44,680 Speaker 4: some years ago. So this album has been highly anticipated. 388 00:18:45,080 --> 00:18:48,280 Speaker 4: It was supposed to originally drop back in December of 389 00:18:48,320 --> 00:18:51,920 Speaker 4: twenty twenty four, then got pushed back to February twenty five, 390 00:18:52,000 --> 00:18:56,280 Speaker 4: then April, July, October, now December of this year, and 391 00:18:56,359 --> 00:18:58,320 Speaker 4: now there's rumors that is going to be pushed back 392 00:18:58,359 --> 00:19:01,320 Speaker 4: again because all of the pre saves have been removed 393 00:19:01,359 --> 00:19:06,000 Speaker 4: from Apple, sparking yet another setback. Are And again, I 394 00:19:06,040 --> 00:19:09,960 Speaker 4: know you guys aren't necessarily fans of Arready Rich and 395 00:19:10,000 --> 00:19:12,800 Speaker 4: you probably don't care about him as an artist. However, 396 00:19:13,400 --> 00:19:16,400 Speaker 4: do you think his fans should be worried that this 397 00:19:16,480 --> 00:19:19,359 Speaker 4: album has been pushed back for over a year going 398 00:19:19,440 --> 00:19:20,080 Speaker 4: on too now? 399 00:19:22,440 --> 00:19:22,640 Speaker 1: Yeah? 400 00:19:22,680 --> 00:19:29,760 Speaker 5: I feel like, oh damn, damn. 401 00:19:30,520 --> 00:19:39,440 Speaker 7: That's yeah, yeah, they should, you know. It's it's been 402 00:19:39,480 --> 00:19:42,960 Speaker 7: a minute for for him to release, and I don't 403 00:19:42,960 --> 00:19:49,800 Speaker 7: know what the issue is, but I think if I'm him, 404 00:19:51,000 --> 00:19:57,720 Speaker 7: I'm not delaying this any any longer, you know, because bro, 405 00:19:57,880 --> 00:20:01,760 Speaker 7: like he had that that one big hit and maybe another. 406 00:20:01,520 --> 00:20:10,040 Speaker 4: One the box. Oh let me see. He might have 407 00:20:10,160 --> 00:20:14,359 Speaker 4: a distribution, but I'm not sure, are you Rich? 408 00:20:14,720 --> 00:20:16,800 Speaker 2: I'm curious if he's like signed to a label or whatever. 409 00:20:18,760 --> 00:20:19,520 Speaker 1: Yeah, I mean, you. 410 00:20:19,400 --> 00:20:21,960 Speaker 7: Know, with with with with all this, man, I think 411 00:20:21,960 --> 00:20:24,159 Speaker 7: people are really if people are really really waiting on 412 00:20:24,200 --> 00:20:25,919 Speaker 7: this album's third album or whatever. 413 00:20:26,520 --> 00:20:31,920 Speaker 1: Uh, and it's been on that height. Like like you, I. 414 00:20:31,840 --> 00:20:33,959 Speaker 7: Think that you have a well, I don't know, hip 415 00:20:34,000 --> 00:20:35,600 Speaker 7: hop's in a weird place now where you can have 416 00:20:35,680 --> 00:20:38,480 Speaker 7: like niche fan bases and a concentrated fan base and 417 00:20:38,520 --> 00:20:40,760 Speaker 7: you don't have to worry about those sort of MASSI 418 00:20:40,760 --> 00:20:45,000 Speaker 7: appeal sort of outreach, right. But I also think that 419 00:20:45,920 --> 00:20:51,800 Speaker 7: you know, people in today's uh world like stuff and 420 00:20:51,840 --> 00:20:53,680 Speaker 7: I like to consume stuff, and they don't want to wait. 421 00:20:54,280 --> 00:20:56,159 Speaker 7: And if they've been waiting for another year, then you 422 00:20:56,200 --> 00:21:00,040 Speaker 7: push you back again and then like what are you 423 00:21:00,080 --> 00:21:03,240 Speaker 7: doing in between that time? Like is going to make 424 00:21:03,280 --> 00:21:06,480 Speaker 7: them get frustrated, extremely frustrated. I mean we were the 425 00:21:06,520 --> 00:21:09,000 Speaker 7: same way. Wait to go on details. After a while 426 00:21:09,000 --> 00:21:10,600 Speaker 7: we were like, man, I don't know. 427 00:21:10,840 --> 00:21:12,520 Speaker 2: Hear it anyway, right, right? 428 00:21:13,160 --> 00:21:15,520 Speaker 4: And even with aside Rocky's project, right, like he's been 429 00:21:15,520 --> 00:21:18,119 Speaker 4: getting pushed back, but can I don't disagree, right, Like, 430 00:21:18,200 --> 00:21:20,239 Speaker 4: when we look at the landscape of hip hop that 431 00:21:20,320 --> 00:21:22,600 Speaker 4: you have like major artists and then you have these 432 00:21:22,720 --> 00:21:24,760 Speaker 4: independent artists. I don't even want to call them underground 433 00:21:24,760 --> 00:21:26,960 Speaker 4: no more because I think they're beyond that title. But 434 00:21:27,040 --> 00:21:30,040 Speaker 4: you have these independent artists that get these rabid fan bases, 435 00:21:30,520 --> 00:21:33,520 Speaker 4: but that is built over time and with a lot 436 00:21:33,520 --> 00:21:36,120 Speaker 4: of volume as well. For the most part, I don't 437 00:21:36,119 --> 00:21:42,080 Speaker 4: think Roddy Rich qualifies for the independent label type of 438 00:21:42,160 --> 00:21:44,480 Speaker 4: artists because even though he is signed to his own 439 00:21:44,560 --> 00:21:47,840 Speaker 4: label and then that label, the Science Atlantic, I will say, 440 00:21:48,600 --> 00:21:53,960 Speaker 4: can I think his fan base is more commercial, you know. 441 00:21:54,000 --> 00:21:57,440 Speaker 4: I don't think he has a an established base that's 442 00:21:57,520 --> 00:22:00,680 Speaker 4: just going to listen to any and everything, you know 443 00:22:00,680 --> 00:22:03,440 Speaker 4: what I'm saying, kind of like currency, the Larry Junes 444 00:22:03,440 --> 00:22:06,159 Speaker 4: of the world, you know, the Rock Marcy, like just 445 00:22:06,200 --> 00:22:08,480 Speaker 4: a whole bunch of these like independent. I don't think 446 00:22:08,520 --> 00:22:11,520 Speaker 4: he's that, And I think Atlantic has a lot to 447 00:22:11,600 --> 00:22:15,240 Speaker 4: do with this. When we see an album push back 448 00:22:15,359 --> 00:22:17,720 Speaker 4: like that, you know, like once or twice, okay, cool, 449 00:22:17,840 --> 00:22:22,640 Speaker 4: some clearances between samples and or versus and shit like that. 450 00:22:22,760 --> 00:22:26,520 Speaker 4: I get it. But bro, we're going on two years. 451 00:22:26,880 --> 00:22:29,199 Speaker 4: It was supposed to drop December twenty twenty four, and 452 00:22:29,240 --> 00:22:32,320 Speaker 4: we're in December twenty twenty five, and at the earliers 453 00:22:32,359 --> 00:22:35,520 Speaker 4: it'll be December twenty twenty six. That's a whole long time. 454 00:22:35,359 --> 00:22:39,280 Speaker 7: Man, And he didn't really follow up the first one, right, like, 455 00:22:39,800 --> 00:22:43,760 Speaker 7: and it's hard. It's really really difficult to follow up 456 00:22:43,800 --> 00:22:50,800 Speaker 7: a single that that huge, So I understand that I 457 00:22:50,840 --> 00:22:55,600 Speaker 7: won't criticize him for that, but even with the second one, 458 00:22:55,600 --> 00:22:58,600 Speaker 7: like it just felt like to me, there wasn't a 459 00:22:58,640 --> 00:23:02,800 Speaker 7: lot of momentum with you know, stuff that they released 460 00:23:02,840 --> 00:23:05,560 Speaker 7: after that. You know that that made it across my way. 461 00:23:05,760 --> 00:23:06,359 Speaker 1: So to your. 462 00:23:06,280 --> 00:23:10,920 Speaker 7: Point, you know, for his fans that are tuned into him, 463 00:23:11,000 --> 00:23:13,159 Speaker 7: it probably wasn't gonna make my way, you know. But 464 00:23:13,320 --> 00:23:15,280 Speaker 7: for people that are tuned in to him that like 465 00:23:15,359 --> 00:23:17,720 Speaker 7: that sort of music, it probably made it to them, 466 00:23:18,320 --> 00:23:20,679 Speaker 7: and they probably like it, and they're probably definitely going 467 00:23:20,760 --> 00:23:23,160 Speaker 7: to be extremely upset that they're not going to get 468 00:23:23,200 --> 00:23:25,360 Speaker 7: the Navy album. 469 00:23:25,480 --> 00:23:27,720 Speaker 1: So uh, I'm kind of curious. 470 00:23:27,440 --> 00:23:30,080 Speaker 7: To hear what what what he what he's doing though, 471 00:23:31,640 --> 00:23:33,800 Speaker 7: see if he but Saluta Hill for staying around. 472 00:23:33,800 --> 00:23:35,080 Speaker 1: It's tough. It's tough, I. 473 00:23:35,119 --> 00:23:38,439 Speaker 2: Hear, bro, especially tension spans some of these fans. 474 00:23:38,440 --> 00:23:38,600 Speaker 1: Bro. 475 00:23:39,240 --> 00:23:39,879 Speaker 2: It is tough. 476 00:23:40,800 --> 00:23:44,040 Speaker 4: But look, your super chests are now closed as of 477 00:23:44,119 --> 00:23:47,400 Speaker 4: sixty seconds ago, So again, appreciate all of the superchests 478 00:23:47,480 --> 00:23:50,000 Speaker 4: that were sent in. And now we're going to transition. 479 00:23:50,080 --> 00:23:53,520 Speaker 4: Man to the main topic, fifty set. He's a man 480 00:23:53,560 --> 00:23:55,040 Speaker 4: of his word. I don't know if y'all saw The 481 00:23:55,040 --> 00:23:57,520 Speaker 4: Breakfast Club, like a month or two ago, when Dame 482 00:23:57,600 --> 00:24:03,400 Speaker 4: Dash was talking about fifty and this particular biopic or 483 00:24:03,920 --> 00:24:06,080 Speaker 4: documentary or whatever the hell you want to call it, 484 00:24:06,560 --> 00:24:10,320 Speaker 4: and you know, Dame was like, well, where's the fifty joint? Well, 485 00:24:10,359 --> 00:24:12,840 Speaker 4: here it is. It's on Netflix Live and direct now 486 00:24:12,880 --> 00:24:16,320 Speaker 4: with full transparency and disclosure. I have not watched it. 487 00:24:16,359 --> 00:24:19,520 Speaker 4: I know Modis has not watched it, so we have 488 00:24:19,640 --> 00:24:22,800 Speaker 4: not watched it. We have not watched the biopic. But 489 00:24:24,080 --> 00:24:30,320 Speaker 4: there are there's footage that we don't know how fifty 490 00:24:30,359 --> 00:24:36,720 Speaker 4: obtained for this documentary, and Diddy's legal team has issue 491 00:24:36,720 --> 00:24:39,320 Speaker 4: with it. I will read you something from Diddy's legal team. 492 00:24:39,440 --> 00:24:41,200 Speaker 4: They have a lot of quotables, but I felt like 493 00:24:41,280 --> 00:24:45,520 Speaker 4: this one was the most appropriate. So Netflix is blatantly 494 00:24:46,040 --> 00:24:51,520 Speaker 4: or plainly desperate to sensationalize every minute of mister Combe's 495 00:24:51,560 --> 00:24:55,480 Speaker 4: life without regard for truth, in order to capitalize on 496 00:24:55,560 --> 00:24:59,320 Speaker 4: a never ending media frenzy. If Netflix cared about the 497 00:24:59,320 --> 00:25:02,600 Speaker 4: truth or about mister Combs's legal rights, it will not 498 00:25:02,680 --> 00:25:07,480 Speaker 4: be ripping private footage out of context. Including conversations with 499 00:25:07,600 --> 00:25:11,359 Speaker 4: his lawyers that were never intended for public viewing. No 500 00:25:11,560 --> 00:25:14,840 Speaker 4: rights in that material were ever transferred to Netflix or 501 00:25:15,000 --> 00:25:18,880 Speaker 4: any third party. So even though fifty is a man 502 00:25:18,880 --> 00:25:22,640 Speaker 4: in his word and true fifty cent fashion, he has 503 00:25:22,720 --> 00:25:27,600 Speaker 4: given us some stuff that is very questionable but obviously 504 00:25:27,880 --> 00:25:32,800 Speaker 4: true the fifty cent Take that, take that. 505 00:25:34,200 --> 00:25:35,760 Speaker 1: So the fifty. 506 00:25:36,000 --> 00:25:40,560 Speaker 4: Once again go too far? Or is he within the 507 00:25:40,600 --> 00:25:43,560 Speaker 4: bounds of doing what fifty cent does? 508 00:25:44,880 --> 00:25:45,080 Speaker 1: I mean? 509 00:25:45,119 --> 00:25:47,160 Speaker 3: Yeah, it's in the bounce of what fifty cent does? 510 00:25:47,280 --> 00:25:47,600 Speaker 3: I mean? 511 00:25:47,720 --> 00:25:52,439 Speaker 6: He is the troller all trollers at this point. But 512 00:25:52,840 --> 00:25:54,840 Speaker 6: I wanted to address on the stuff that you said. 513 00:25:55,119 --> 00:25:56,040 Speaker 3: I did hear that. 514 00:25:57,600 --> 00:26:03,760 Speaker 6: That did? He was filming that stuff for possible public uh, 515 00:26:04,800 --> 00:26:06,840 Speaker 6: for for him to make his own documentary or something 516 00:26:06,880 --> 00:26:10,240 Speaker 6: like that, to like leading up to the to the case. 517 00:26:10,640 --> 00:26:13,560 Speaker 6: So I think that's why the footage is even because 518 00:26:13,600 --> 00:26:15,560 Speaker 6: I'm like, how how did he like how is this 519 00:26:15,680 --> 00:26:18,800 Speaker 6: even the thing? Like, you know, how why is he 520 00:26:18,880 --> 00:26:20,480 Speaker 6: filming this? Like you know what I'm saying. But he 521 00:26:20,560 --> 00:26:23,520 Speaker 6: was filming it to document everything leading up And like 522 00:26:23,560 --> 00:26:26,359 Speaker 6: I said, I haven't watched it yet, but uh, May's 523 00:26:26,480 --> 00:26:28,200 Speaker 6: washed it and she's kind of told me a little 524 00:26:28,240 --> 00:26:29,560 Speaker 6: bit about it or whatever. 525 00:26:29,600 --> 00:26:30,959 Speaker 3: I just told her. I just I don't know, man, 526 00:26:30,960 --> 00:26:33,240 Speaker 3: I just I can't bring myself to personally. 527 00:26:33,359 --> 00:26:35,240 Speaker 2: I feel like it's like three of them out there already. 528 00:26:35,280 --> 00:26:39,720 Speaker 5: I almost feel like it's like a lot of documentaries. 529 00:26:40,280 --> 00:26:42,400 Speaker 3: This is different because he got actual footage. 530 00:26:42,720 --> 00:26:44,520 Speaker 6: I think that to be stuff, and all the ones 531 00:26:44,520 --> 00:26:46,879 Speaker 6: that's out like that are just like they're pulling this 532 00:26:47,440 --> 00:26:48,720 Speaker 6: that's out. 533 00:26:48,600 --> 00:26:52,280 Speaker 3: There, Yeah, like Layer two from what I what I know. 534 00:26:52,320 --> 00:26:56,960 Speaker 6: But they also have like like very like unreleased footage 535 00:26:57,400 --> 00:26:57,760 Speaker 6: or whatever. 536 00:26:57,960 --> 00:27:01,960 Speaker 4: Yes, yes, So like the conversation in the article, they 537 00:27:01,960 --> 00:27:04,640 Speaker 4: had excerpts of the conversation that Diddy was having with 538 00:27:04,680 --> 00:27:07,520 Speaker 4: his lawyers and essentially he was like, you know, we 539 00:27:07,560 --> 00:27:10,760 Speaker 4: gotta do whatever it is. And obviously I'm paraphrasing, we 540 00:27:10,800 --> 00:27:13,479 Speaker 4: gotta do whatever it is because we're losing. And is 541 00:27:13,480 --> 00:27:16,920 Speaker 4: that the third There was also another part of fifties 542 00:27:16,920 --> 00:27:21,639 Speaker 4: documentary where he had a video of Diddy like amongst 543 00:27:21,640 --> 00:27:23,800 Speaker 4: the people in Brooklyn or Harlem or you know one 544 00:27:23,800 --> 00:27:26,520 Speaker 4: of the boroughs in New York, and he was like, yeah, 545 00:27:26,560 --> 00:27:28,639 Speaker 4: give me some hand sanitizer because it's like hugging one 546 00:27:28,720 --> 00:27:29,719 Speaker 4: hundred and fifty people. 547 00:27:30,119 --> 00:27:34,560 Speaker 1: So I was a hand sanitizer. 548 00:27:35,280 --> 00:27:40,640 Speaker 5: I'm just but no if I if i'm if I'm 549 00:27:41,080 --> 00:27:44,119 Speaker 5: somewhat semi famous person and I depped up like I'm 550 00:27:44,200 --> 00:27:45,680 Speaker 5: touching different hands. 551 00:27:47,280 --> 00:27:48,640 Speaker 2: And sanitizing my hands too. 552 00:27:48,840 --> 00:27:56,000 Speaker 4: Another wrong fifties justification says, it shows you hit Diddy's character, 553 00:27:56,280 --> 00:27:58,320 Speaker 4: which is why he used what he used in the 554 00:27:58,320 --> 00:28:02,520 Speaker 4: way that he used it, and that's justification for it. Look, 555 00:28:02,680 --> 00:28:05,360 Speaker 4: I'll put it to you like this, I do right, 556 00:28:05,400 --> 00:28:07,399 Speaker 4: I do agree with you. Fifty is the troll of 557 00:28:07,440 --> 00:28:11,840 Speaker 4: all trolls. This is obviously within the bounds of fifty cents. 558 00:28:12,960 --> 00:28:18,080 Speaker 4: I do think that Netflix is definitely going to have 559 00:28:18,200 --> 00:28:24,080 Speaker 4: to figure out the legalities in some of this material 560 00:28:24,119 --> 00:28:28,119 Speaker 4: that he used if it was never cleared for Netflix 561 00:28:28,200 --> 00:28:31,280 Speaker 4: and or fifty cent or any third party to use 562 00:28:31,560 --> 00:28:35,240 Speaker 4: in their biopic or documentary or whatever coverage they want 563 00:28:35,240 --> 00:28:38,640 Speaker 4: to use of Diddy. So all that being said, I 564 00:28:38,680 --> 00:28:41,600 Speaker 4: do think there is a legal there's going to be 565 00:28:41,680 --> 00:28:44,760 Speaker 4: like a legal back and forth here, But in the 566 00:28:44,800 --> 00:28:48,400 Speaker 4: bounds of fifty it is. That's why I named it, 567 00:28:48,440 --> 00:28:50,240 Speaker 4: you know, fifty a man of his word. He said 568 00:28:50,240 --> 00:28:51,520 Speaker 4: he was going to do it, and he did it. 569 00:28:53,840 --> 00:28:56,920 Speaker 6: Yeah, do y'all have any desire to watch it because 570 00:28:56,920 --> 00:28:58,960 Speaker 6: I feel I think the public is kind of split 571 00:28:59,000 --> 00:28:59,680 Speaker 6: on it, Like. 572 00:29:01,760 --> 00:29:02,720 Speaker 2: I kind of don't. 573 00:29:02,880 --> 00:29:03,400 Speaker 4: I mean. 574 00:29:04,840 --> 00:29:06,960 Speaker 5: Like I mean, like you said, it's different, but it's 575 00:29:07,000 --> 00:29:09,240 Speaker 5: like I feel like it's what they're gonna talk about 576 00:29:09,280 --> 00:29:09,600 Speaker 5: on here. 577 00:29:09,480 --> 00:29:10,520 Speaker 2: That we kind of already don't know. 578 00:29:10,560 --> 00:29:13,600 Speaker 5: I don't know almost, but you know, I could be wrong, 579 00:29:13,640 --> 00:29:15,600 Speaker 5: but I still have really no desire to watch it. 580 00:29:16,640 --> 00:29:18,640 Speaker 4: Yeah, you know, I cut on Netflix the other day 581 00:29:18,640 --> 00:29:21,200 Speaker 4: and I saw it. I was like, dah, should I 582 00:29:21,240 --> 00:29:24,360 Speaker 4: press play? I just I just you know, it just 583 00:29:24,440 --> 00:29:27,440 Speaker 4: kind of like what we just said, Like I like, 584 00:29:27,520 --> 00:29:31,320 Speaker 4: I already know so much about it, and like do 585 00:29:31,440 --> 00:29:33,520 Speaker 4: I need another document? Like what else am I going 586 00:29:33,560 --> 00:29:36,680 Speaker 4: to learn? Like you know what I'm saying, Like the 587 00:29:36,720 --> 00:29:39,600 Speaker 4: things that we thought was gonna be salacious and sensation, 588 00:29:39,880 --> 00:29:42,000 Speaker 4: Like none of that shit even came out, So like 589 00:29:42,520 --> 00:29:44,640 Speaker 4: fifty don't have it or the whole world will be 590 00:29:44,640 --> 00:29:47,320 Speaker 4: talking about it. So it's just a different perspective with 591 00:29:47,520 --> 00:29:50,239 Speaker 4: some maybe unseen footage that we've seen. So I'm just 592 00:29:50,280 --> 00:29:53,360 Speaker 4: I'm kind of over the Diddy drama at this point. 593 00:29:53,640 --> 00:29:56,640 Speaker 4: So personally, I'm just I'm over bro. 594 00:29:56,720 --> 00:29:58,560 Speaker 2: I don't fifty just don't like him. 595 00:29:58,800 --> 00:30:00,720 Speaker 5: He don't like Diddy and he's doing this because he 596 00:30:00,720 --> 00:30:02,280 Speaker 5: can do it pretty much. 597 00:30:05,040 --> 00:30:08,120 Speaker 4: So Ken there was a I don't know if this 598 00:30:08,240 --> 00:30:10,920 Speaker 4: is the start of it, but Fifty talks about this 599 00:30:11,000 --> 00:30:13,240 Speaker 4: a lot as to when he started looking at Diddy. 600 00:30:13,320 --> 00:30:16,080 Speaker 4: Different was you know, when Diddy was coming up or 601 00:30:16,120 --> 00:30:20,000 Speaker 4: I'm sorry, when Fifty was coming up? What the movie 602 00:30:20,080 --> 00:30:20,520 Speaker 4: Get Rich? 603 00:30:20,600 --> 00:30:21,360 Speaker 1: Or I try And. 604 00:30:23,920 --> 00:30:29,680 Speaker 4: Around that time, Didd he asked Fifty if he wanted 605 00:30:29,720 --> 00:30:32,680 Speaker 4: to go take him shopping. He said, like that's when 606 00:30:32,720 --> 00:30:35,320 Speaker 4: he knew that. It's like, okay, bro, you throw it off, 607 00:30:35,360 --> 00:30:38,040 Speaker 4: Like I'm like, what grow man takes another girl man shopping? 608 00:30:38,120 --> 00:30:40,720 Speaker 4: Like that's not what we like? Know, Like you know 609 00:30:40,720 --> 00:30:42,680 Speaker 4: what I'm saying. So ever since then that was kind 610 00:30:42,680 --> 00:30:45,720 Speaker 4: of like the line, uh for fifty and then he's 611 00:30:45,760 --> 00:30:47,360 Speaker 4: just been trolling Diddy ever since. 612 00:30:48,040 --> 00:30:51,320 Speaker 6: And my thing is like again like with the whole 613 00:30:51,360 --> 00:30:55,960 Speaker 6: Diddy situation, like okay, so did he like dudes. 614 00:30:57,320 --> 00:30:57,760 Speaker 1: Like that? 615 00:30:57,840 --> 00:30:59,640 Speaker 6: Like you're you're mad at him because he liked dudes? 616 00:30:59,760 --> 00:31:01,720 Speaker 6: I don't know, Like I just don't. I just don't. 617 00:31:02,480 --> 00:31:05,120 Speaker 6: I just don't get it. It just seems seems childish 618 00:31:05,200 --> 00:31:05,440 Speaker 6: to me. 619 00:31:06,640 --> 00:31:07,560 Speaker 2: He seems very passive. 620 00:31:07,920 --> 00:31:09,000 Speaker 3: This is very plead stuff. 621 00:31:09,000 --> 00:31:12,680 Speaker 6: You and I just you know, sometimes it's funny sometimes 622 00:31:12,680 --> 00:31:14,520 Speaker 6: like really, dude, most of the time, it's like really, man, 623 00:31:15,160 --> 00:31:16,760 Speaker 6: Most of the time when I see the fifty trolling 624 00:31:16,800 --> 00:31:17,720 Speaker 6: and stuff, it's. 625 00:31:17,560 --> 00:31:19,840 Speaker 3: Not even like funny to me. It's just like, he 626 00:31:20,080 --> 00:31:21,280 Speaker 3: go again, you know what I'm saying. 627 00:31:21,280 --> 00:31:24,840 Speaker 6: So this is just another another elevated version of that, 628 00:31:25,080 --> 00:31:27,560 Speaker 6: like here you go again. I have no desire to 629 00:31:27,600 --> 00:31:30,640 Speaker 6: do like like like because let's just be honest, like 630 00:31:30,720 --> 00:31:34,840 Speaker 6: I'm sure, I'm sure Fifty's clauses at aren't clean. 631 00:31:35,240 --> 00:31:37,280 Speaker 3: You know what I'm saying, right right, So it's just 632 00:31:37,320 --> 00:31:39,640 Speaker 3: like really like you know what I'm saying. Like I 633 00:31:39,680 --> 00:31:41,880 Speaker 3: could see if it was kind of like the the R. 634 00:31:41,960 --> 00:31:45,000 Speaker 6: Kelly thing where it was like the victims making you know, 635 00:31:45,120 --> 00:31:51,280 Speaker 6: a documentary about you know, their uh, the guy that 636 00:31:51,840 --> 00:31:53,720 Speaker 6: violated them, because it's them. 637 00:31:53,760 --> 00:31:56,400 Speaker 3: They want to get out their story. Right, this is 638 00:31:56,400 --> 00:31:56,960 Speaker 3: fifty cents. 639 00:31:57,000 --> 00:31:59,080 Speaker 6: You just don't like the dude, Like it's not like 640 00:31:59,160 --> 00:32:02,200 Speaker 6: he really did something to you, so like well. 641 00:32:03,160 --> 00:32:06,360 Speaker 4: So so modest also came to answer the question with 642 00:32:06,480 --> 00:32:09,320 Speaker 4: another situation too. When fifty was coming up, Remember when 643 00:32:09,320 --> 00:32:11,640 Speaker 4: he had that song how to Rob he wasn't signing anybody, 644 00:32:11,960 --> 00:32:14,239 Speaker 4: and then that kind of like blew him up. The 645 00:32:14,280 --> 00:32:17,680 Speaker 4: word on the street is that like the industry number 646 00:32:17,680 --> 00:32:20,000 Speaker 4: one was was scared of fifty and number two they 647 00:32:20,000 --> 00:32:23,080 Speaker 4: didn't want to necessarily sign them, and did He was 648 00:32:23,120 --> 00:32:24,640 Speaker 4: one of those people that was kind of, you know, 649 00:32:24,680 --> 00:32:26,840 Speaker 4: trying to blackball them and don't sign them, and this 650 00:32:26,920 --> 00:32:29,880 Speaker 4: that and the third and you know Eminem and doctor 651 00:32:29,960 --> 00:32:31,800 Speaker 4: J was like fuck all that, Like this dude is 652 00:32:31,840 --> 00:32:33,920 Speaker 4: the ship. So you know what I'm saying. So like 653 00:32:34,080 --> 00:32:38,240 Speaker 4: just the industry not accepting fifty at the beginning either, 654 00:32:38,560 --> 00:32:40,880 Speaker 4: in addition to did He trying to take him shopping, 655 00:32:41,120 --> 00:32:43,040 Speaker 4: it's kind of like the disdain that thing. 656 00:32:43,200 --> 00:32:46,840 Speaker 3: Still, you're grown man, and you have major success. 657 00:32:47,240 --> 00:32:49,760 Speaker 6: So that obusly didn't stop you from from getting to 658 00:32:49,800 --> 00:32:53,000 Speaker 6: where you inevitably got to, right. 659 00:32:53,120 --> 00:32:55,440 Speaker 4: But it could have, But it could have, like if 660 00:32:55,480 --> 00:33:01,720 Speaker 4: Eminem and dre never took that hit, but it did. 661 00:33:02,080 --> 00:33:02,560 Speaker 4: They didn't. 662 00:33:02,960 --> 00:33:05,800 Speaker 3: But you you're a very successful man. 663 00:33:05,960 --> 00:33:11,400 Speaker 6: You're a very like why are you at this? 664 00:33:11,600 --> 00:33:15,000 Speaker 3: It's crazy to me. It's it's it's really it's silly. 665 00:33:15,600 --> 00:33:17,280 Speaker 2: It is silly. It's very silly. 666 00:33:17,600 --> 00:33:20,040 Speaker 3: It's so silly bro, like you you're rich as hell, 667 00:33:21,200 --> 00:33:22,320 Speaker 3: Like why are you worried about this? 668 00:33:22,960 --> 00:33:26,040 Speaker 6: He's already already in trouble, Like he's already his name 669 00:33:26,120 --> 00:33:27,080 Speaker 6: is already tarnished. 670 00:33:27,600 --> 00:33:30,400 Speaker 3: Like we don't need this, We just don't. 671 00:33:30,480 --> 00:33:33,560 Speaker 4: But but but but you know what though, Rod, Like. 672 00:33:35,680 --> 00:33:37,000 Speaker 1: We don't need it? 673 00:33:37,880 --> 00:33:42,200 Speaker 4: But why not though? Like because again I haven't watched it, 674 00:33:42,240 --> 00:33:43,959 Speaker 4: you haven't watched it, and they has given you some 675 00:33:44,040 --> 00:33:47,840 Speaker 4: insight on it? What if this is the best VACUU 676 00:33:48,000 --> 00:33:51,720 Speaker 4: series or you know, bopic or whatever the hell again 677 00:33:51,760 --> 00:33:55,560 Speaker 4: you want to call it of the situation? You know 678 00:33:55,600 --> 00:33:56,160 Speaker 4: it's not. 679 00:33:56,840 --> 00:33:57,240 Speaker 1: Mm hmm. 680 00:33:57,920 --> 00:33:59,520 Speaker 3: It gives me vibes. 681 00:34:00,600 --> 00:34:01,440 Speaker 4: Mm Okay. 682 00:34:01,520 --> 00:34:08,640 Speaker 5: Now you're going right out here shaking the table on 683 00:34:08,719 --> 00:34:09,160 Speaker 5: the hose. 684 00:34:09,239 --> 00:34:13,360 Speaker 4: You know what I'm saying, I don't know, I don't know, 685 00:34:13,360 --> 00:34:15,120 Speaker 4: but I don't know if I could co sign that one. 686 00:34:15,440 --> 00:34:16,799 Speaker 4: I don't know I sign that one. 687 00:34:17,080 --> 00:34:19,080 Speaker 6: We are look but my fingers Like this at the 688 00:34:19,160 --> 00:34:21,760 Speaker 6: end of the day, the information, certain information is already 689 00:34:21,800 --> 00:34:24,359 Speaker 6: out there, like I don't know what else what else 690 00:34:24,400 --> 00:34:26,800 Speaker 6: we need? Like why I just don't I just ultimately 691 00:34:26,840 --> 00:34:27,879 Speaker 6: just don't, but. 692 00:34:28,640 --> 00:34:30,440 Speaker 5: Be honest with you, the stuff that I probably gonna 693 00:34:30,440 --> 00:34:32,320 Speaker 5: be interested in seeing anway, It's probably already gonna be 694 00:34:32,360 --> 00:34:33,880 Speaker 5: on Twitter, so I mean, I can just watch it 695 00:34:33,920 --> 00:34:36,960 Speaker 5: on Twitter. They're gonna probably put clips in search up. 696 00:34:37,920 --> 00:34:40,319 Speaker 5: It's gonna be everywhere, so I don't have to watch it. 697 00:34:40,800 --> 00:34:42,160 Speaker 5: They're gonna watch it, so I don't have to. 698 00:34:43,920 --> 00:34:46,520 Speaker 7: So there was another issue that happened in two thousand 699 00:34:46,560 --> 00:34:50,080 Speaker 7: and five, uh, when fifty was. 700 00:34:50,040 --> 00:34:51,480 Speaker 1: Trying to sign Mace. 701 00:34:53,480 --> 00:34:58,440 Speaker 7: And apparently Combs was doing what comes does when it 702 00:34:58,440 --> 00:34:59,880 Speaker 7: comes to business practices. 703 00:35:00,080 --> 00:35:02,200 Speaker 1: So that was. 704 00:35:02,320 --> 00:35:06,279 Speaker 7: Something i'volu been two million and fifty Sam Mace isn't 705 00:35:06,280 --> 00:35:09,120 Speaker 7: worth two million. And then there was a disc track 706 00:35:09,880 --> 00:35:14,600 Speaker 7: that was released as well. Uh the year after and 707 00:35:15,160 --> 00:35:19,839 Speaker 7: looking at this on ew dot com, some. 708 00:35:19,800 --> 00:35:22,920 Speaker 1: Of this stuff started to actually come starting to remember 709 00:35:22,920 --> 00:35:25,520 Speaker 1: some of this stuff. Uh, so it's interesting. 710 00:35:25,520 --> 00:35:28,439 Speaker 7: But yeah, it seemed like it started around that time 711 00:35:28,520 --> 00:35:31,680 Speaker 7: as well, with this whole Mace contract thing. 712 00:35:31,840 --> 00:35:34,960 Speaker 1: So, uh, it's it's it's a lot of different things on. 713 00:35:35,280 --> 00:35:38,360 Speaker 5: It was another rumor too that Diddy was talking to 714 00:35:38,400 --> 00:35:40,240 Speaker 5: fifties baby Mom or some ship. 715 00:35:40,160 --> 00:35:42,160 Speaker 3: Like that too. 716 00:35:42,480 --> 00:35:46,960 Speaker 2: Yeah, it's petty. I know, I know, I know, I'm 717 00:35:46,960 --> 00:35:47,960 Speaker 2: with you, right, I'm with you. 718 00:35:48,040 --> 00:35:50,440 Speaker 1: I just they never needed a reason. 719 00:35:51,520 --> 00:35:53,400 Speaker 6: I only doesn't need a reason, can man, That's what 720 00:35:53,400 --> 00:35:55,560 Speaker 6: I'm saying. It's just like an ultimate troll. I mean, 721 00:35:55,600 --> 00:35:58,760 Speaker 6: you know, but I don't know that I've been saying, 722 00:35:58,840 --> 00:36:02,960 Speaker 6: like why for me, It's just I can't take no 723 00:36:03,040 --> 00:36:04,279 Speaker 6: time on my day to watch this. 724 00:36:05,840 --> 00:36:10,120 Speaker 7: I might watch it if from board, you know. But 725 00:36:10,160 --> 00:36:15,560 Speaker 7: I think fifty fifty accomplishes go like he's winning here. 726 00:36:15,920 --> 00:36:20,400 Speaker 7: He got the publicity that he was seeking and driving 727 00:36:20,440 --> 00:36:21,000 Speaker 7: up attention. 728 00:36:21,440 --> 00:36:23,480 Speaker 1: Everybody's covering it, including us. 729 00:36:25,000 --> 00:36:25,400 Speaker 5: And. 730 00:36:27,640 --> 00:36:30,719 Speaker 7: One out of four may go watch it. And I'm 731 00:36:30,719 --> 00:36:32,399 Speaker 7: not a definitive on watching it because I got. 732 00:36:32,360 --> 00:36:33,360 Speaker 1: A lot of other stuff to watch. 733 00:36:33,840 --> 00:36:37,200 Speaker 7: But but I'm not opposed to watching it, you know. 734 00:36:37,560 --> 00:36:39,520 Speaker 7: And I haven't watched any of the other ones as well. 735 00:36:39,560 --> 00:36:41,000 Speaker 1: Out of the three. 736 00:36:40,800 --> 00:36:42,759 Speaker 7: Or four that's been released, I can't I don't know 737 00:36:42,840 --> 00:36:44,880 Speaker 7: the total count. This would be the one that I 738 00:36:44,920 --> 00:36:49,560 Speaker 7: would watch over all the other ones. 739 00:36:50,200 --> 00:36:51,919 Speaker 1: Yeah, yep, yeap. 740 00:36:52,280 --> 00:36:54,399 Speaker 3: He could produce like we know that. 741 00:36:55,600 --> 00:36:56,160 Speaker 1: Mm hmmm. 742 00:36:56,680 --> 00:37:01,000 Speaker 7: So my thing with this whole situation is that I 743 00:37:01,200 --> 00:37:08,879 Speaker 7: know that Diddy's lawyers are claiming that they didn't give 744 00:37:08,960 --> 00:37:13,480 Speaker 7: him the rights to the footage. The question I would 745 00:37:13,600 --> 00:37:16,279 Speaker 7: have and maybe they know the answer, but sometimes they 746 00:37:16,280 --> 00:37:19,600 Speaker 7: play in the media as well to get the public 747 00:37:19,600 --> 00:37:20,240 Speaker 7: on the side. 748 00:37:20,520 --> 00:37:23,160 Speaker 1: Is did they even own the rights to the footage? 749 00:37:23,960 --> 00:37:26,759 Speaker 7: They may have contracted it out with somebody else to 750 00:37:26,840 --> 00:37:30,040 Speaker 7: do it, and they may not have one hundred ownership 751 00:37:30,239 --> 00:37:32,360 Speaker 7: of it. 752 00:37:33,239 --> 00:37:37,319 Speaker 4: Yeah, how do you not own your own content that 753 00:37:37,360 --> 00:37:38,360 Speaker 4: you recorded yourself? 754 00:37:38,800 --> 00:37:41,280 Speaker 3: He didn't recorded himself, yet somebody recorded. 755 00:37:41,360 --> 00:37:48,600 Speaker 6: I think like somebody recorded it and. 756 00:37:45,600 --> 00:37:50,240 Speaker 1: And they could have and they could have legally sold 757 00:37:50,280 --> 00:37:51,920 Speaker 1: it to fifty. 758 00:37:52,360 --> 00:37:57,719 Speaker 6: Yeah, and depending on their agreement, they have rights to 759 00:37:57,760 --> 00:37:58,360 Speaker 6: the footage. 760 00:38:00,000 --> 00:38:02,000 Speaker 1: I don't know why think about it like this that 761 00:38:03,840 --> 00:38:07,839 Speaker 1: mm hmm, yep, yep, yep. Ye, Ron knows thinking about 762 00:38:07,840 --> 00:38:08,120 Speaker 1: it like this? 763 00:38:08,239 --> 00:38:13,920 Speaker 7: Also, right, if you are Netflix, stop trading at what 764 00:38:14,040 --> 00:38:16,040 Speaker 7: a thousand dollars a share of something like that? Nine 765 00:38:16,080 --> 00:38:18,760 Speaker 7: hundreds one thousand dollars a share. You're a huge public 766 00:38:18,800 --> 00:38:23,279 Speaker 7: company and you're also fifty cent. Would you be this 767 00:38:23,760 --> 00:38:28,080 Speaker 7: reckless if your Netflix? Would you enter into an agreement 768 00:38:28,360 --> 00:38:30,480 Speaker 7: with fifty cent over something like this? 769 00:38:30,800 --> 00:38:32,279 Speaker 1: If all of. 770 00:38:32,239 --> 00:38:37,480 Speaker 7: The odes were not dotted and t's we're not crossed. 771 00:38:37,680 --> 00:38:43,920 Speaker 6: Somebody said, which could have happened during the raid? 772 00:38:45,840 --> 00:38:50,799 Speaker 7: Yep, So you know, I you know, maybe they did, 773 00:38:50,920 --> 00:38:53,799 Speaker 7: maybe they didn't, maybe, you know, I don't know. It's 774 00:38:53,880 --> 00:38:58,160 Speaker 7: just would would you as a company put yourself in 775 00:38:58,320 --> 00:39:02,920 Speaker 7: this sort of liability or maybe if your Netflix, you 776 00:39:03,880 --> 00:39:08,960 Speaker 7: placed all of the liability on fifty and remove yourself 777 00:39:09,000 --> 00:39:11,120 Speaker 7: from it in case there is a lawsuit. 778 00:39:11,200 --> 00:39:13,640 Speaker 1: So they could have worked out that sort of deal too, to. 779 00:39:13,600 --> 00:39:17,880 Speaker 7: Wherever anything comes down, then then they're excluded from it contractually, 780 00:39:18,560 --> 00:39:20,920 Speaker 7: and then everything all the burden relies on, you know, 781 00:39:21,200 --> 00:39:21,839 Speaker 7: on fifty cent. 782 00:39:22,680 --> 00:39:26,160 Speaker 3: Yeah, they're saying that he attained it legally at the 783 00:39:26,239 --> 00:39:27,000 Speaker 3: end of the day. 784 00:39:27,640 --> 00:39:31,239 Speaker 1: And Netflix said that, right right, that was a Netflix statement. 785 00:39:31,640 --> 00:39:34,120 Speaker 3: I believe, so it was on ABC News and Variety. 786 00:39:35,239 --> 00:39:40,200 Speaker 6: But but yeah, so, I mean I can't imagine him 787 00:39:40,480 --> 00:39:43,200 Speaker 6: seeing this all the way through not crossing his t's 788 00:39:43,200 --> 00:39:45,560 Speaker 6: and Dottie's eyes, you know what I mean. Like, I 789 00:39:45,560 --> 00:39:48,279 Speaker 6: can't imagine him like like, because I say, fifty cent 790 00:39:48,320 --> 00:39:50,040 Speaker 6: is a very rich man as well, we know he 791 00:39:50,080 --> 00:39:54,239 Speaker 6: probably got great lawyers as well, So yeah, I can't 792 00:39:54,280 --> 00:40:00,240 Speaker 6: imagine him not, you know, legally. 793 00:40:00,080 --> 00:40:03,279 Speaker 3: Taining this footage and putting it out this way on Netflix. 794 00:40:04,440 --> 00:40:08,120 Speaker 7: Mm hmmm, and the lawyers making sure that they're covered, 795 00:40:08,680 --> 00:40:11,279 Speaker 7: Like yeah, so I don't know. 796 00:40:11,480 --> 00:40:12,160 Speaker 1: I mean, if. 797 00:40:12,320 --> 00:40:15,239 Speaker 7: There's a lawsuit and all the details we will find out. 798 00:40:16,440 --> 00:40:19,680 Speaker 7: I don't know, either of us know. We're just kind 799 00:40:19,680 --> 00:40:23,359 Speaker 7: of talking through it. But yeah, it seems like there's 800 00:40:23,400 --> 00:40:27,520 Speaker 7: definitely some some pr maneuver is taking place with how 801 00:40:27,520 --> 00:40:30,120 Speaker 7: they're putting this stuff out and for Netflix to come 802 00:40:30,120 --> 00:40:32,840 Speaker 7: out and write a statement saying that nah, nah, this 803 00:40:33,040 --> 00:40:36,799 Speaker 7: is we're on up and up here is telling me 804 00:40:36,880 --> 00:40:44,000 Speaker 7: that they feel like they're they're covered. So yeah, so 805 00:40:44,520 --> 00:40:47,480 Speaker 7: you know, I don't know, I don't know, you know, 806 00:40:47,640 --> 00:40:49,600 Speaker 7: I mean, that's kind of why I also want to 807 00:40:49,719 --> 00:40:52,120 Speaker 7: like what's in the damn documentary that they sowing up 808 00:40:52,120 --> 00:40:54,800 Speaker 7: in arms about, Like you know, I saw. 809 00:40:56,719 --> 00:40:56,839 Speaker 1: Them. 810 00:40:56,880 --> 00:40:59,040 Speaker 6: They're painting him like from beginning to the end, like 811 00:40:59,120 --> 00:41:02,399 Speaker 6: tying them to Big murder, tying him to Tupac's murder. 812 00:41:02,400 --> 00:41:05,200 Speaker 3: It's deeper than this, than what he's there for right now. 813 00:41:05,840 --> 00:41:09,160 Speaker 6: It's just the timeline of before he became like cause 814 00:41:09,200 --> 00:41:11,040 Speaker 6: he started off as like a party promoter. 815 00:41:11,560 --> 00:41:14,640 Speaker 3: So they start there and then then worked their way. 816 00:41:14,760 --> 00:41:18,160 Speaker 7: Yeah, because there was a has tied him to that 817 00:41:18,160 --> 00:41:20,160 Speaker 7: that murder as well before. 818 00:41:20,280 --> 00:41:22,200 Speaker 1: This is the first time he's once done that. 819 00:41:23,920 --> 00:41:27,480 Speaker 3: No, murder Tupac too. 820 00:41:28,600 --> 00:41:31,239 Speaker 4: Yeah. And also when he was a party promoter, there 821 00:41:31,280 --> 00:41:33,640 Speaker 4: was a club he was promoting where they were like 822 00:41:34,120 --> 00:41:36,279 Speaker 4: multiple people that that passed away. 823 00:41:36,239 --> 00:41:38,200 Speaker 3: Passed away, like nine people. So I think that's in 824 00:41:38,239 --> 00:41:38,920 Speaker 3: the documentary. 825 00:41:39,880 --> 00:41:42,759 Speaker 1: I think that's oh ship, I want to watch it now. 826 00:41:43,680 --> 00:41:46,919 Speaker 5: Look at you you can you know, I got better. 827 00:41:47,560 --> 00:41:48,080 Speaker 4: I got better. 828 00:41:50,360 --> 00:41:52,680 Speaker 1: In the background, man was. 829 00:41:52,640 --> 00:41:54,160 Speaker 2: Like, yeah, I got I got other stuff I gotta 830 00:41:54,160 --> 00:41:54,400 Speaker 2: look at. 831 00:41:54,400 --> 00:41:55,720 Speaker 4: Anyway, they say. 832 00:41:55,560 --> 00:41:57,560 Speaker 6: They had Dookie Fresh on the mic, like, hey, yo, 833 00:41:57,760 --> 00:42:02,520 Speaker 6: y'all when that raid happened, happened in that uh in 834 00:42:02,600 --> 00:42:04,400 Speaker 6: that school when he was promoting it, like he had 835 00:42:04,480 --> 00:42:06,200 Speaker 6: Dougie Fresh on the night telling people. 836 00:42:05,920 --> 00:42:06,640 Speaker 1: Like you call. 837 00:42:08,640 --> 00:42:13,040 Speaker 4: Really yeah, yeah, I've seen that before. 838 00:42:13,520 --> 00:42:16,440 Speaker 6: Look, man, I'm telling you if if if anybody's gonna 839 00:42:16,480 --> 00:42:18,720 Speaker 6: do it, it's gonna be pretty said like keep going. 840 00:42:18,560 --> 00:42:18,880 Speaker 3: To do it? 841 00:42:19,000 --> 00:42:21,160 Speaker 1: Right mm hmm. 842 00:42:21,840 --> 00:42:27,360 Speaker 3: I just can't watch it though personally now now that 843 00:42:27,440 --> 00:42:31,600 Speaker 3: we're talking about it, Yeah, you're gonna come. 844 00:42:31,440 --> 00:42:33,279 Speaker 2: Back here, you're gonna be like, yo, man, y'all watch 845 00:42:33,280 --> 00:42:33,600 Speaker 2: that ship. 846 00:42:33,640 --> 00:42:36,960 Speaker 5: Many they watched the whole thing. 847 00:42:36,120 --> 00:42:37,919 Speaker 1: You know what I'm saying. 848 00:42:38,200 --> 00:42:43,240 Speaker 3: I know what I but yeah, that's. 849 00:42:44,840 --> 00:42:49,680 Speaker 2: Yeah, I know I know. 850 00:42:48,800 --> 00:42:51,879 Speaker 4: All right man, super chats, super chats. Those are thoughts 851 00:42:51,960 --> 00:42:55,640 Speaker 4: on the fifty cent documentary, like we said, uh clear, 852 00:42:56,000 --> 00:42:59,880 Speaker 4: and you know, just just just being full disclosure, bro. 853 00:43:00,120 --> 00:43:02,680 Speaker 4: Like we we have not watched it, but we see 854 00:43:02,719 --> 00:43:06,200 Speaker 4: people talking. We're seeing you know, the lawyers talking. So 855 00:43:06,440 --> 00:43:10,200 Speaker 4: these are just our thoughts. But again, appreciate everybody sending 856 00:43:10,280 --> 00:43:12,680 Speaker 4: in the super chats and Ken, this is where you 857 00:43:12,719 --> 00:43:14,560 Speaker 4: read all of these joints. 858 00:43:16,040 --> 00:43:18,319 Speaker 1: Young Dashi. Did he say some of that footash was 859 00:43:18,480 --> 00:43:20,239 Speaker 1: unauthor rise. 860 00:43:20,160 --> 00:43:24,880 Speaker 7: Which we have already discussed as well, So of course 861 00:43:25,000 --> 00:43:28,080 Speaker 7: he's going to say that time will tell, the facts will. 862 00:43:29,560 --> 00:43:32,960 Speaker 1: Reveal themselves over time if it goes that far. TJ. Merryman, 863 00:43:33,040 --> 00:43:35,680 Speaker 1: twenty eight oh two. Y'all re react to the hard 864 00:43:35,719 --> 00:43:36,200 Speaker 1: part four. 865 00:43:36,760 --> 00:43:38,799 Speaker 7: A lot of what Kendrick said in twenty seventeen is 866 00:43:38,880 --> 00:43:41,400 Speaker 7: very telling to twenty twenty five. 867 00:43:42,120 --> 00:43:42,719 Speaker 3: I'll just re. 868 00:43:42,719 --> 00:43:45,000 Speaker 6: Listened to that like a while ago, but not like 869 00:43:46,080 --> 00:43:49,440 Speaker 6: deeply like that though, yeah, not in context of yeah. 870 00:43:49,280 --> 00:43:52,520 Speaker 1: Yeah I like that, I may I may do that. 871 00:43:53,480 --> 00:43:57,480 Speaker 4: I think we I think we should like revisit, you know, 872 00:43:57,600 --> 00:44:00,359 Speaker 4: some songs of the past that we all like, really 873 00:44:00,480 --> 00:44:02,799 Speaker 4: liked and just kind of rereact because we've been in 874 00:44:02,840 --> 00:44:05,600 Speaker 4: it for a minute now and things either have aged 875 00:44:05,640 --> 00:44:08,880 Speaker 4: gracefully or you know, they haven't. So I think we 876 00:44:08,880 --> 00:44:13,080 Speaker 4: should definitely like retouch some of these joints parts No. 877 00:44:13,040 --> 00:44:18,080 Speaker 7: Diddy, waste and pain, best dilelebate running the light or 878 00:44:18,160 --> 00:44:19,080 Speaker 7: stakes is how? 879 00:44:23,600 --> 00:44:24,439 Speaker 4: That's a big question. 880 00:44:26,000 --> 00:44:30,560 Speaker 2: I mean, here, y'all, niggas. He didn't say, just beat. 881 00:44:32,400 --> 00:44:39,080 Speaker 3: Come on, if anybody go judge this, I got I can't. 882 00:44:39,200 --> 00:44:40,880 Speaker 2: I know what you You probably picking the light? 883 00:44:40,880 --> 00:44:41,200 Speaker 1: Ain't you. 884 00:44:44,040 --> 00:44:48,600 Speaker 2: Picking a light? You're probably picking a light? Oh man. 885 00:44:48,719 --> 00:44:52,200 Speaker 5: I'm just thinking like how how he took those samples 886 00:44:52,200 --> 00:44:53,279 Speaker 5: and flipping the way he did. 887 00:44:53,280 --> 00:44:56,400 Speaker 2: That's what I'm really thinking of. Ship he was crazy 888 00:44:56,440 --> 00:44:57,839 Speaker 2: on all them joints. I don't know if I can 889 00:44:57,880 --> 00:44:59,759 Speaker 2: pick one. I don't know if I can pick one. 890 00:45:00,320 --> 00:45:04,000 Speaker 1: Damn high. 891 00:45:07,160 --> 00:45:18,280 Speaker 5: Uh, I guess today I'm an pick stakes as I. 892 00:45:15,080 --> 00:45:16,000 Speaker 2: I really can't pick one. 893 00:45:16,000 --> 00:45:23,680 Speaker 1: I can't mm hmmm A b on that. And we 894 00:45:23,719 --> 00:45:26,880 Speaker 1: didn't mention it on the review, but you it was. 895 00:45:26,960 --> 00:45:32,480 Speaker 8: You caught the on the very the opening track. Yes, 896 00:45:32,760 --> 00:45:37,479 Speaker 8: that was so with the streams with the violin bro man, yes, 897 00:45:37,600 --> 00:45:41,279 Speaker 8: bro yes, I peaped it because then he said, because 898 00:45:41,320 --> 00:45:43,000 Speaker 8: the stakes are high and in there that's the strings 899 00:45:43,080 --> 00:45:43,360 Speaker 8: came in. 900 00:45:43,480 --> 00:45:45,320 Speaker 2: I was like, oh man, they dirty as hell for that. 901 00:45:46,400 --> 00:45:49,919 Speaker 1: Yeah yeah, I do like running running. 902 00:45:49,920 --> 00:45:54,440 Speaker 5: That's good to saying fucking amazing. It's like, bro, I 903 00:45:54,480 --> 00:45:55,160 Speaker 5: can't pick one. 904 00:45:58,120 --> 00:45:59,960 Speaker 2: There's no there's really no wrong hands. 905 00:46:01,000 --> 00:46:02,080 Speaker 4: I'm at this time. 906 00:46:02,239 --> 00:46:04,880 Speaker 1: You're right, be I'm gonna go like, yeah, I know 907 00:46:04,880 --> 00:46:05,600 Speaker 1: you're gonna pick the light. 908 00:46:07,080 --> 00:46:11,560 Speaker 3: Just yeah, yeah, they are. 909 00:46:11,680 --> 00:46:13,879 Speaker 5: There's no wrong answer here. It's no like, oh, you're 910 00:46:13,920 --> 00:46:16,200 Speaker 5: tripping if you say one over the other. 911 00:46:17,360 --> 00:46:20,799 Speaker 1: Yeah, all right, appreciate that waste of pain and crew. 912 00:46:22,800 --> 00:46:25,120 Speaker 7: For the Dead of hip Hop Top one hundred album's video, 913 00:46:25,760 --> 00:46:28,160 Speaker 7: you gotta start with the o G Dead of hip 914 00:46:28,200 --> 00:46:32,839 Speaker 7: Hop conversation video with a knife wonder looking forward to 915 00:46:32,960 --> 00:46:34,520 Speaker 7: the list slash video. 916 00:46:37,040 --> 00:46:41,400 Speaker 5: Man, that's gonna be tell y'a the emotions people, just 917 00:46:42,280 --> 00:46:45,160 Speaker 5: it is ship so funny. 918 00:46:45,960 --> 00:46:47,240 Speaker 3: This whole thing is gonna be great. 919 00:46:49,280 --> 00:46:53,360 Speaker 2: This is gonna be so funny. Man, that is so funny. 920 00:46:53,520 --> 00:46:57,640 Speaker 2: This is so funny. Bro, I can't I can't. 921 00:46:57,800 --> 00:46:59,600 Speaker 5: I can't wait for y'all to see this damn video. 922 00:47:00,600 --> 00:47:03,600 Speaker 5: Oh my god, y'all go to Joe, y'all gonna love it. 923 00:47:04,440 --> 00:47:09,440 Speaker 7: Oh my god, young Dashie one gotta go Busy edition. 924 00:47:10,960 --> 00:47:14,200 Speaker 1: Able to fl Studio or logic Pro able. 925 00:47:13,960 --> 00:47:16,399 Speaker 5: To able to because I still I still can't figure 926 00:47:16,440 --> 00:47:19,799 Speaker 5: that shit out. People talk very highly of Ableton. They 927 00:47:20,120 --> 00:47:22,919 Speaker 5: they they are like that is my go to doll, 928 00:47:23,160 --> 00:47:25,480 Speaker 5: but I just I still have not figured I know 929 00:47:25,520 --> 00:47:28,600 Speaker 5: how to use fl Studio also known as free Loops. 930 00:47:28,680 --> 00:47:30,279 Speaker 2: I know how to use free Loops, and I use 931 00:47:30,360 --> 00:47:31,440 Speaker 2: Logic Pro Machine. 932 00:47:31,560 --> 00:47:33,640 Speaker 5: Logic Pro is like my like my one two punch 933 00:47:34,080 --> 00:47:36,919 Speaker 5: when it comes to making beats. So yeah, I gotta one, 934 00:47:36,920 --> 00:47:38,759 Speaker 5: gotta go it, gotta be able. 935 00:47:38,520 --> 00:47:41,320 Speaker 3: To speaking the knife one and he used free loops right. 936 00:47:41,560 --> 00:47:45,880 Speaker 2: Yeah, well not anymore. He is a machine. He started 937 00:47:45,880 --> 00:47:48,000 Speaker 2: he started off. Yeah, the early Little Brother albums and 938 00:47:48,000 --> 00:47:49,680 Speaker 2: all that stuff. It's all on free loops. 939 00:47:50,840 --> 00:47:55,040 Speaker 1: Yeah, yeah, all right one. 940 00:47:55,440 --> 00:47:59,960 Speaker 7: Jonathan Ernandez Ronick Ken off topic. I recommend watching Twinless 941 00:48:00,120 --> 00:48:04,240 Speaker 7: and Anniversary both start dealing O'Brien from Team Wolf. 942 00:48:04,320 --> 00:48:11,120 Speaker 1: He's very good in them. Mm hmm, okay, I'll take that. Yeah, 943 00:48:11,160 --> 00:48:12,560 Speaker 1: let me let me let me go ahead and write 944 00:48:12,600 --> 00:48:17,759 Speaker 1: that down now. I forget you. Twin list all. 945 00:48:17,760 --> 00:48:25,200 Speaker 7: Right now, Jonathan, Yeah, he's pretty straight up and I 946 00:48:25,280 --> 00:48:26,399 Speaker 7: like the dealing O'Brien guy. 947 00:48:28,120 --> 00:48:29,839 Speaker 1: Yeah, I like him. I watched Tea Wolf. 948 00:48:29,880 --> 00:48:37,040 Speaker 7: I like Team Wolf. I thought Wolf was good Team Wold. 949 00:48:37,160 --> 00:48:40,319 Speaker 7: This guy was also in the Maze Runner too, So 950 00:48:40,560 --> 00:48:45,719 Speaker 7: all right, appreciate that, uh Donald Van anyone explaying the 951 00:48:45,920 --> 00:48:49,920 Speaker 7: n O E Chopper NBA young boy beef asking for 952 00:48:50,080 --> 00:48:51,120 Speaker 7: a friend. 953 00:48:50,880 --> 00:48:55,720 Speaker 2: Bro, I have the slightest idea. So they got beef, Yes, 954 00:48:56,920 --> 00:48:59,920 Speaker 2: they got beef, But I don't know why. You know 955 00:49:00,080 --> 00:49:00,920 Speaker 2: people have seen. 956 00:49:00,840 --> 00:49:03,839 Speaker 3: Him bron be a young boy. I know he's showing that. 957 00:49:03,800 --> 00:49:08,000 Speaker 5: He got yeah in the in the chopper. Yes, Michael 958 00:49:08,040 --> 00:49:09,680 Speaker 5: Jackson style. Baby, you know what I'm saying. 959 00:49:12,480 --> 00:49:21,400 Speaker 7: Man, that that that video, b. 960 00:49:17,920 --> 00:49:22,360 Speaker 3: Bro, he is funny. He is serious. 961 00:49:23,760 --> 00:49:25,640 Speaker 2: Oh man, that ship was so insane. 962 00:49:25,719 --> 00:49:26,880 Speaker 3: Bro, he is serious. 963 00:49:27,280 --> 00:49:28,600 Speaker 5: I can't believe he didn't catch you win none of 964 00:49:28,640 --> 00:49:30,799 Speaker 5: this before. This is great, But I don't know why 965 00:49:30,800 --> 00:49:33,080 Speaker 5: they beefing do To answer your question, I don't don't. 966 00:49:33,160 --> 00:49:34,839 Speaker 1: I don't know the history. 967 00:49:35,120 --> 00:49:40,560 Speaker 2: Come on, Tim can TMZ can't get it. That's KMZ 968 00:49:40,680 --> 00:49:42,840 Speaker 2: over there, you're KMZ there you go. 969 00:49:43,560 --> 00:49:44,920 Speaker 3: They fighting for the spot. 970 00:49:46,760 --> 00:49:48,680 Speaker 1: That's what he's going to lose that NBA. 971 00:49:50,040 --> 00:49:53,759 Speaker 5: Yeah, right, like yeah, any chopper. He wished he had 972 00:49:53,760 --> 00:49:57,320 Speaker 5: a fan based like any any NBA young boy crazy 973 00:49:57,840 --> 00:50:00,000 Speaker 5: that man, just so a stadium, I mean not stadium, 974 00:50:00,040 --> 00:50:00,880 Speaker 5: the arena tour. 975 00:50:04,040 --> 00:50:04,680 Speaker 3: Relevant man. 976 00:50:06,080 --> 00:50:08,319 Speaker 7: I don't know which which I you know I get, 977 00:50:08,440 --> 00:50:13,480 Speaker 7: but yeah, it goes back to a U A distrack. 978 00:50:13,680 --> 00:50:19,040 Speaker 1: Ko. Uh that was released? Uh well, well hold on, 979 00:50:19,080 --> 00:50:19,920 Speaker 1: hold on, I mean me. 980 00:50:22,120 --> 00:50:24,200 Speaker 3: And did that? 981 00:50:25,320 --> 00:50:26,120 Speaker 1: Yeah he did, he did. 982 00:50:26,520 --> 00:50:28,880 Speaker 7: It's something about a dream, So I'm on this article 983 00:50:28,880 --> 00:50:30,960 Speaker 7: about hot hot, hot new hip hop. 984 00:50:32,680 --> 00:50:33,280 Speaker 1: He said. 985 00:50:34,040 --> 00:50:36,080 Speaker 7: I was waking out of my sleep with a vivid 986 00:50:36,160 --> 00:50:40,480 Speaker 7: dream and total rolling stone this the dream was beholding 987 00:50:40,520 --> 00:50:42,239 Speaker 7: in young Boy's head in my hand, and I was 988 00:50:42,280 --> 00:50:44,080 Speaker 7: bringing the head to my father when I woke up. 989 00:50:44,080 --> 00:50:47,400 Speaker 1: I wanted to pray about it and see what it meant. Personally. 990 00:50:47,400 --> 00:50:50,520 Speaker 7: We've already had issues, but I can't say that these 991 00:50:50,600 --> 00:50:53,280 Speaker 7: issues have zero reason as to why I made the record. 992 00:50:53,840 --> 00:50:55,319 Speaker 7: But some of the things that were said, and we 993 00:50:55,320 --> 00:50:57,759 Speaker 7: had a conversa about conversation about this earliest, more so 994 00:50:57,920 --> 00:51:00,840 Speaker 7: can't be you as personal and could be viewed as like, 995 00:51:00,880 --> 00:51:02,680 Speaker 7: oh yeah, I don't fuck with you, I don't like you, 996 00:51:02,840 --> 00:51:05,439 Speaker 7: this that whoop. But it's more so speaking of something 997 00:51:05,480 --> 00:51:08,239 Speaker 7: that's controlling him and speaking of what has possession of 998 00:51:08,320 --> 00:51:12,200 Speaker 7: him and I love him. So uh yeah, I have 999 00:51:12,239 --> 00:51:13,920 Speaker 7: no idea what any of this means. 1000 00:51:14,160 --> 00:51:14,399 Speaker 1: What. 1001 00:51:17,800 --> 00:51:23,439 Speaker 6: Yeah, to me, it's m hm Now I'm just saying 1002 00:51:23,440 --> 00:51:25,120 Speaker 6: to me, it's just like they're fighting for it. Well, 1003 00:51:25,200 --> 00:51:26,520 Speaker 6: he's fighting to get that spot. 1004 00:51:28,280 --> 00:51:30,840 Speaker 7: Yeah, it definitely seems like he's trying to take advantage 1005 00:51:31,000 --> 00:51:35,640 Speaker 7: of like the attention that young boy has and trying 1006 00:51:35,640 --> 00:51:40,959 Speaker 7: to siphon off some of that, you know. So but yeah, 1007 00:51:41,040 --> 00:51:44,319 Speaker 7: apparently it came to him in a vision, so it 1008 00:51:44,400 --> 00:51:49,440 Speaker 7: seemed like it's just maybe also rajious ship, bro, you know, 1009 00:51:49,480 --> 00:51:50,600 Speaker 7: maybe it's a radio ship. 1010 00:51:51,560 --> 00:51:55,040 Speaker 1: Ray J y J came out and says that he 1011 00:51:55,239 --> 00:51:56,960 Speaker 1: just yeah he be. 1012 00:51:57,520 --> 00:52:00,680 Speaker 7: Ray J said that he does the things that he 1013 00:52:01,040 --> 00:52:06,160 Speaker 7: he do for attention to stay relevant and that's why 1014 00:52:06,200 --> 00:52:11,560 Speaker 7: he beat the crazy and doing all that stuff. Otherwise, 1015 00:52:11,600 --> 00:52:16,480 Speaker 7: why would anybody talk about all right yeah he said it. 1016 00:52:17,840 --> 00:52:20,680 Speaker 2: Yeah that's crazy. 1017 00:52:20,800 --> 00:52:30,759 Speaker 7: Yeah yeah, uh yeah so so anyway, but yeah, but 1018 00:52:30,960 --> 00:52:32,399 Speaker 7: you're really asking the roll show. 1019 00:52:33,360 --> 00:52:37,560 Speaker 5: Yeah, we're to ask for that. We don't ask another friend. 1020 00:52:38,440 --> 00:52:39,880 Speaker 5: He's asking for a friend. 1021 00:52:40,520 --> 00:52:41,320 Speaker 2: That's another one. 1022 00:52:42,480 --> 00:52:46,360 Speaker 1: Yeah, what are some rap songs carried by the hook. 1023 00:52:50,040 --> 00:52:51,200 Speaker 2: That's a good question. 1024 00:52:52,160 --> 00:52:53,080 Speaker 4: I like that as Uh. 1025 00:52:53,760 --> 00:52:56,080 Speaker 2: What are some of the rap songs that's carried by 1026 00:52:56,120 --> 00:52:56,560 Speaker 2: the hoop? 1027 00:53:00,320 --> 00:53:04,719 Speaker 7: I can name one, gave one Man because I think 1028 00:53:04,719 --> 00:53:06,040 Speaker 7: we should definitely talk about this. 1029 00:53:06,400 --> 00:53:10,560 Speaker 2: Ain't no fun mm hmm my Snoop Dog Snoop and 1030 00:53:10,600 --> 00:53:11,160 Speaker 2: Nate Dog. 1031 00:53:12,840 --> 00:53:15,720 Speaker 1: Damn. That's that's a good one. 1032 00:53:17,280 --> 00:53:18,279 Speaker 3: But the verses are good. 1033 00:53:19,280 --> 00:53:23,799 Speaker 2: But what we've seen the most though, really like that hook. 1034 00:53:23,880 --> 00:53:24,000 Speaker 1: Bro. 1035 00:53:25,719 --> 00:53:26,640 Speaker 3: Yeah, I guess so. 1036 00:53:28,360 --> 00:53:31,800 Speaker 5: Yeah, like that Nate Dog verse more than anything. 1037 00:53:31,800 --> 00:53:34,759 Speaker 2: If we are singing the verse we said, but other 1038 00:53:34,800 --> 00:53:36,080 Speaker 2: than that, we go right to the hook. 1039 00:53:36,960 --> 00:53:39,600 Speaker 4: I was gonna say, like like anything, Nate Dog in 1040 00:53:39,719 --> 00:53:42,480 Speaker 4: it ship like he always stole the show. But I 1041 00:53:42,480 --> 00:53:44,399 Speaker 4: feel like no, definitely be a me content though. 1042 00:53:45,160 --> 00:53:49,120 Speaker 7: Yeah yeah, Killo beats o G Happy Holidays, fellas Me 1043 00:53:49,160 --> 00:53:54,480 Speaker 7: and my homie Sharon sts Sticks album Concrete Dreams dropped 1044 00:53:54,560 --> 00:53:58,200 Speaker 7: last week. It bumps in the Whip Fifo definitely spending 1045 00:53:58,239 --> 00:53:59,200 Speaker 7: if y'all got some time. 1046 00:53:59,239 --> 00:54:03,880 Speaker 1: We're based out of Dallas. 1047 00:54:02,160 --> 00:54:07,400 Speaker 4: Okay, the new hometown. The new hometown, Hold on, hold on, 1048 00:54:07,480 --> 00:54:09,399 Speaker 4: hold on opening up. 1049 00:54:10,640 --> 00:54:16,839 Speaker 7: Music right now, and I'm gonna go ahead and add 1050 00:54:16,920 --> 00:54:18,120 Speaker 7: that to uh. 1051 00:54:18,719 --> 00:54:19,440 Speaker 1: Press play on it. 1052 00:54:19,560 --> 00:54:29,440 Speaker 7: So the Concrete dreams. 1053 00:54:28,120 --> 00:54:30,919 Speaker 3: You better go dumb hard. I remember I broke down 1054 00:54:30,960 --> 00:54:31,840 Speaker 3: like a jump card. 1055 00:54:32,000 --> 00:54:34,719 Speaker 5: I needed Robbie playing it on the on the on 1056 00:54:34,760 --> 00:54:35,600 Speaker 5: the spot all the time. 1057 00:54:37,480 --> 00:54:39,080 Speaker 3: That's what's nep though. 1058 00:54:40,280 --> 00:54:42,080 Speaker 1: It's whether it's oh there in Dallas. 1059 00:54:43,280 --> 00:54:47,000 Speaker 3: Mm hmmm, alright, so s. 1060 00:54:47,320 --> 00:54:52,960 Speaker 4: That's look I added it. I added it. 1061 00:54:53,520 --> 00:54:56,839 Speaker 7: Yeah, this is what I just played worth it got 1062 00:54:56,840 --> 00:54:58,719 Speaker 7: a little not to it too, So all right, yeah, 1063 00:54:58,719 --> 00:55:00,040 Speaker 7: I'll give the spand. 1064 00:55:00,520 --> 00:55:04,600 Speaker 4: Oh he got JVN on there? Okay? 1065 00:55:05,680 --> 00:55:05,919 Speaker 1: Yeah? 1066 00:55:07,320 --> 00:55:10,759 Speaker 7: Uh, Jonathan or that movie score that could be made 1067 00:55:10,760 --> 00:55:14,280 Speaker 7: into a crazy beat. 1068 00:55:13,800 --> 00:55:15,960 Speaker 6: Movie score that can be made into a crazy beat 1069 00:55:18,080 --> 00:55:20,960 Speaker 6: we just did we said being in some samples, but 1070 00:55:21,000 --> 00:55:22,560 Speaker 6: I don't know if y'all saying movies that said the 1071 00:55:22,560 --> 00:55:25,200 Speaker 6: movie I said, Harry Potter theme. 1072 00:55:25,080 --> 00:55:29,800 Speaker 5: Song, Hey yeah, yeah, Harry probably definitely got some clipable 1073 00:55:30,440 --> 00:55:32,440 Speaker 5: music for me. 1074 00:55:32,560 --> 00:55:36,360 Speaker 4: Scarface. The Weekend album had a lot of Scarface themed 1075 00:55:36,719 --> 00:55:38,880 Speaker 4: production on there. But I think Scarface is one of 1076 00:55:38,920 --> 00:55:42,840 Speaker 4: those ones. Even though the secondary beat to so be 1077 00:55:43,000 --> 00:55:47,960 Speaker 4: it it was very Scarface like, uh, you know, without 1078 00:55:48,000 --> 00:55:52,800 Speaker 4: the Indian beat. So yeah, I definitely think Scarface is 1079 00:55:52,840 --> 00:56:02,600 Speaker 4: one of those ones. What else movie movie score. 1080 00:56:04,719 --> 00:56:06,200 Speaker 3: That's some of the hardest movie. 1081 00:56:06,400 --> 00:56:11,520 Speaker 4: Kill Bill, kill Bill. Yeah, yeah, because Ship Rob Banks 1082 00:56:11,680 --> 00:56:17,959 Speaker 4: and oh it's another big rapper. They got a song 1083 00:56:18,000 --> 00:56:20,440 Speaker 4: hold on, I got it on the playlist. It's super hard. 1084 00:56:20,760 --> 00:56:22,680 Speaker 4: It's super hard, and they used to kill Bill ship. 1085 00:56:23,440 --> 00:56:24,040 Speaker 3: Mm hmmm. 1086 00:56:34,080 --> 00:56:40,280 Speaker 4: It's called chill Bill remix with Drum and Denzel Curry, 1087 00:56:40,680 --> 00:56:42,560 Speaker 4: Rob Stone. I said, I don't know who the fuck 1088 00:56:42,600 --> 00:56:45,279 Speaker 4: I said, but chill Bill remixed. That's that beat his 1089 00:56:45,360 --> 00:56:48,839 Speaker 4: dumb hard. So kill Bill is another movie score that 1090 00:56:48,920 --> 00:56:49,960 Speaker 4: goes hard. 1091 00:56:50,800 --> 00:56:54,880 Speaker 7: Okay, Black blod Blood, Cell Gotta hold y'all feats to 1092 00:56:54,960 --> 00:56:57,000 Speaker 7: the fire. Did you get a chance to listen to 1093 00:56:57,120 --> 00:57:03,319 Speaker 7: Lux by Roselia? I go ahead, people, I was just 1094 00:57:03,320 --> 00:57:05,959 Speaker 7: gonna say, I haven't. I just haven't listened to it yet. 1095 00:57:06,320 --> 00:57:09,400 Speaker 7: Over over over the holiday, we was listening to some 1096 00:57:09,440 --> 00:57:12,719 Speaker 7: other stuff. I just I haven't. Though I got you, 1097 00:57:13,040 --> 00:57:14,600 Speaker 7: I got you Black Blood. 1098 00:57:14,680 --> 00:57:15,920 Speaker 1: I started as well. 1099 00:57:16,360 --> 00:57:18,880 Speaker 7: I started it as well, if I have not finished it, 1100 00:57:18,920 --> 00:57:22,480 Speaker 7: but I did start listening to it. I like the 1101 00:57:22,480 --> 00:57:24,360 Speaker 7: first couple of tracks that I heard, but I do 1102 00:57:24,400 --> 00:57:24,920 Speaker 7: want to finish. 1103 00:57:25,360 --> 00:57:29,360 Speaker 4: Whoo who So she's obviously saying in Spanish, all right 1104 00:57:29,560 --> 00:57:30,680 Speaker 4: or not? Or what like? 1105 00:57:30,680 --> 00:57:31,360 Speaker 1: What like? What? 1106 00:57:31,480 --> 00:57:32,320 Speaker 4: Is what is it? 1107 00:57:35,080 --> 00:57:37,280 Speaker 7: Yeah, yeah, I think that is it. Yeah, I think 1108 00:57:37,800 --> 00:57:41,560 Speaker 7: Jesus a singer, Spanish singer, but like, who would you 1109 00:57:41,600 --> 00:57:42,160 Speaker 7: compare it to. 1110 00:57:44,920 --> 00:57:45,120 Speaker 1: One? 1111 00:57:46,880 --> 00:57:49,760 Speaker 4: I don't about, don't even don't even trip here. I 1112 00:57:49,760 --> 00:57:51,760 Speaker 4: got you, I got you, but I got it though 1113 00:57:51,760 --> 00:57:53,800 Speaker 4: black blood cell I just I just haven't had an 1114 00:57:53,800 --> 00:57:55,760 Speaker 4: opportunity yet, but I got you. 1115 00:57:56,120 --> 00:57:57,760 Speaker 2: Well, my feet is still in the fire because I 1116 00:57:57,760 --> 00:57:58,480 Speaker 2: didn't listen to it. 1117 00:58:02,560 --> 00:58:02,960 Speaker 1: Mm hmm. 1118 00:58:03,920 --> 00:58:07,720 Speaker 7: Last one, uh portogos, Hey all, thanks for the content. 1119 00:58:07,800 --> 00:58:10,880 Speaker 1: Also Spotify buying that sample snitching site. 1120 00:58:11,400 --> 00:58:15,800 Speaker 2: Oh who sampled it? Yeah that's yeah, yeah, that's crazy smart. 1121 00:58:15,520 --> 00:58:16,320 Speaker 1: Business move. 1122 00:58:17,680 --> 00:58:18,480 Speaker 3: Spotify. 1123 00:58:18,520 --> 00:58:19,040 Speaker 4: Spotify. 1124 00:58:19,560 --> 00:58:21,680 Speaker 5: Yeah, so I guess you can kind of like know 1125 00:58:21,920 --> 00:58:24,680 Speaker 5: whenever you hear a record like what they sample record 1126 00:58:24,680 --> 00:58:25,840 Speaker 5: they sampled it from or whatever. 1127 00:58:25,880 --> 00:58:27,440 Speaker 2: I guess I guess that's what it's gonna do with. 1128 00:58:27,600 --> 00:58:31,160 Speaker 5: I don't know how to Spotify algorithms work, but I 1129 00:58:31,160 --> 00:58:32,960 Speaker 5: don't know, you know, I don't know how that's gonna work. 1130 00:58:33,000 --> 00:58:35,720 Speaker 4: But yeah no, but but I think it's dope, Like, 1131 00:58:35,840 --> 00:58:37,480 Speaker 4: you know, because there's many things that you could do. 1132 00:58:37,560 --> 00:58:42,280 Speaker 4: I'll algorithmically, like if you like this particular song and 1133 00:58:42,320 --> 00:58:45,680 Speaker 4: it has like a very like it's sample based, but 1134 00:58:45,760 --> 00:58:48,280 Speaker 4: you may not know the sample. It'll just start recommending 1135 00:58:48,600 --> 00:58:52,400 Speaker 4: other songs that have that sample that are from other 1136 00:58:52,480 --> 00:58:54,440 Speaker 4: songs that were sampled by that artist, you know what 1137 00:58:54,440 --> 00:58:57,240 Speaker 4: I'm saying. So I think Spotify could do a lot 1138 00:58:57,240 --> 00:59:00,080 Speaker 4: with that because I'm an Apple music guy, but I 1139 00:59:00,080 --> 00:59:02,959 Speaker 4: think Spotify is the best in recommending and I could 1140 00:59:02,960 --> 00:59:05,360 Speaker 4: just see how they can just again use this algorithm 1141 00:59:05,800 --> 00:59:10,400 Speaker 4: algorithmic lead to recommend other stuff that you should be 1142 00:59:10,440 --> 00:59:12,800 Speaker 4: listening to based off what you listen to. So, I like, 1143 00:59:12,840 --> 00:59:13,960 Speaker 4: I think it's a good business move. 1144 00:59:16,560 --> 00:59:19,240 Speaker 5: Uh, somebody producer head, I don't care for it. I 1145 00:59:19,240 --> 00:59:21,480 Speaker 5: don't like it that much. I mean, yeah, it's it's 1146 00:59:21,880 --> 00:59:25,000 Speaker 5: but you know, it ain't gonna me. Not liking it's 1147 00:59:25,000 --> 00:59:26,400 Speaker 5: not gonna stop Spotify from doing it. 1148 00:59:26,440 --> 00:59:29,440 Speaker 4: So because because it b I feel you from a 1149 00:59:29,440 --> 00:59:32,880 Speaker 4: producer standpoint, but from a consumer standpoint makes sense. 1150 00:59:33,960 --> 00:59:36,640 Speaker 3: Why why do they consider it sample snitching? 1151 00:59:38,600 --> 00:59:41,960 Speaker 5: It is because it is It literally tells you what 1152 00:59:41,960 --> 00:59:44,600 Speaker 5: what they sample, what point of the of the sample 1153 00:59:44,680 --> 00:59:47,439 Speaker 5: the song is sampled at, like at the thirty second 1154 00:59:47,680 --> 00:59:50,080 Speaker 5: thirty five second mark, this is the this is the 1155 00:59:50,120 --> 00:59:53,480 Speaker 5: beat that they that they sample from or whatever. Whatever, 1156 00:59:53,800 --> 00:59:56,920 Speaker 5: and it shows you all the songs that sampled it 1157 00:59:56,960 --> 00:59:59,000 Speaker 5: with song with hip hop song, or if it's sampled 1158 00:59:59,000 --> 01:00:00,960 Speaker 5: the jazz song, and it showed like this jazz song 1159 01:00:01,040 --> 01:00:03,360 Speaker 5: was sampled on such and such, such and such, like 1160 01:00:03,400 --> 01:00:04,640 Speaker 5: it is everything. 1161 01:00:05,280 --> 01:00:11,480 Speaker 6: So is it sample because that person didn't acquire the 1162 01:00:11,640 --> 01:00:14,040 Speaker 6: sample legally or something so that No. 1163 01:00:13,880 --> 01:00:16,320 Speaker 5: It's just it's just a thing where it's like yo, man, 1164 01:00:16,320 --> 01:00:18,480 Speaker 5: what's that sample? It's like you don't want to you 1165 01:00:18,560 --> 01:00:20,640 Speaker 5: kind don't want to tell people what you're sampling. I mean, 1166 01:00:20,680 --> 01:00:23,160 Speaker 5: you know, it's it's like one of those I don't know. 1167 01:00:23,200 --> 01:00:24,919 Speaker 5: It's like it's one of those I'd rather just catch 1168 01:00:24,960 --> 01:00:28,080 Speaker 5: it or like here, I'm like, oh man, like that's 1169 01:00:28,080 --> 01:00:30,920 Speaker 5: just right what you say? 1170 01:00:31,280 --> 01:00:31,480 Speaker 1: Right? 1171 01:00:31,560 --> 01:00:33,880 Speaker 3: So that I mean because that's what I've always done. 1172 01:00:33,920 --> 01:00:35,960 Speaker 6: It like can to tell you when we start, like, man, 1173 01:00:35,960 --> 01:00:38,960 Speaker 6: that sounds like the record, this record or whatever. 1174 01:00:39,040 --> 01:00:41,880 Speaker 5: Yeah, yeah, so that way is different. It's like, okay, 1175 01:00:42,080 --> 01:00:43,800 Speaker 5: I discovered it just by hearing it, but like. 1176 01:00:44,480 --> 01:00:46,960 Speaker 2: I don't know, it's it's like one I can't it's 1177 01:00:47,000 --> 01:00:49,800 Speaker 2: hard to explain it. I can't. I can't articulate why 1178 01:00:49,880 --> 01:00:51,360 Speaker 2: it's it's whack. 1179 01:00:51,760 --> 01:00:54,640 Speaker 6: See the reason I would say if it was snitching, 1180 01:00:54,680 --> 01:00:55,720 Speaker 6: it would be because of. 1181 01:00:58,160 --> 01:01:04,160 Speaker 3: M B watch turn up you did. But yeah, that's 1182 01:01:04,200 --> 01:01:05,320 Speaker 3: that's the only way I. 1183 01:01:05,240 --> 01:01:09,200 Speaker 6: Can see it, because I think it's cool to be 1184 01:01:09,240 --> 01:01:12,000 Speaker 6: able to identify like, oh man, that sounds like such 1185 01:01:12,000 --> 01:01:12,280 Speaker 6: as such. 1186 01:01:12,360 --> 01:01:19,880 Speaker 7: So I don't know, yeah, yeah, I get it from 1187 01:01:20,040 --> 01:01:22,960 Speaker 7: their perspective. From the business side, they just want to 1188 01:01:23,000 --> 01:01:25,600 Speaker 7: create a deeper relationship between the listener and the song, 1189 01:01:27,280 --> 01:01:30,520 Speaker 7: you know, so they can go explore more if if 1190 01:01:30,640 --> 01:01:31,959 Speaker 7: if they want to to. 1191 01:01:31,840 --> 01:01:36,480 Speaker 1: See who's doing what. It totally makes sense. 1192 01:01:37,280 --> 01:01:43,240 Speaker 7: The the the who simple site has always been. 1193 01:01:43,120 --> 01:01:45,120 Speaker 2: Around, yeah, always been around. 1194 01:01:45,440 --> 01:01:49,280 Speaker 5: Yeah yeah, yeah, so it Spotify though by a big 1195 01:01:49,440 --> 01:01:52,080 Speaker 5: entity like this, so yeah. 1196 01:01:51,560 --> 01:01:56,600 Speaker 7: Yeah, which which could which could force them to possibly 1197 01:01:57,600 --> 01:02:02,720 Speaker 7: bring further because of their lawyers and things like that, 1198 01:02:02,760 --> 01:02:05,400 Speaker 7: because I don't know the legal makeup of who's sample 1199 01:02:06,440 --> 01:02:10,920 Speaker 7: and what liabilities they hold. But now who knows what 1200 01:02:10,960 --> 01:02:15,440 Speaker 7: they can do with this and how they could weaponize 1201 01:02:15,480 --> 01:02:18,840 Speaker 7: this against certain people like could it affect. 1202 01:02:20,200 --> 01:02:20,640 Speaker 1: Artists? 1203 01:02:20,840 --> 01:02:24,480 Speaker 7: Yeah, yeah, that can you know, at the time don't 1204 01:02:24,520 --> 01:02:29,200 Speaker 7: have the ability to you know, uh clear sample, you know, 1205 01:02:29,840 --> 01:02:33,800 Speaker 7: so it could definitely have an impact on creativity in 1206 01:02:33,840 --> 01:02:37,520 Speaker 7: that way, depending on what how it runs it through 1207 01:02:37,560 --> 01:02:41,200 Speaker 7: whatever song DNA that it has to identify that. 1208 01:02:41,320 --> 01:02:44,520 Speaker 1: So but you know, we'll we'll see. 1209 01:02:44,560 --> 01:02:48,160 Speaker 7: But for the users of Spotify who liked that, they 1210 01:02:48,200 --> 01:02:48,880 Speaker 7: will like this. 1211 01:02:50,800 --> 01:02:53,040 Speaker 2: Possibly, yeah it will. 1212 01:02:54,760 --> 01:02:57,280 Speaker 7: But yeah, I'm kind of weird because I like discovering 1213 01:02:57,280 --> 01:02:59,280 Speaker 7: my own samples, you know, when I listen to stuff. 1214 01:03:00,640 --> 01:03:03,280 Speaker 7: So it's and this has always been a thing. There 1215 01:03:03,320 --> 01:03:07,600 Speaker 7: were there were websites that will put together, uh, a 1216 01:03:07,640 --> 01:03:13,000 Speaker 7: whole zip file of just samples from an album and 1217 01:03:13,080 --> 01:03:15,600 Speaker 7: they would have the original artists and the original song 1218 01:03:16,240 --> 01:03:17,880 Speaker 7: and they will put all this stuff together. And people 1219 01:03:17,960 --> 01:03:20,520 Speaker 7: had an issue with that because they were like, you're 1220 01:03:20,560 --> 01:03:21,760 Speaker 7: you're snitching. 1221 01:03:22,280 --> 01:03:22,480 Speaker 1: You know. 1222 01:03:22,720 --> 01:03:26,600 Speaker 7: But but anyway, but yeah, that's that's that's what I So, 1223 01:03:26,640 --> 01:03:27,560 Speaker 7: it's always been a thing. 1224 01:03:28,640 --> 01:03:31,080 Speaker 3: Yeah, that was It's cool man. 1225 01:03:31,240 --> 01:03:33,240 Speaker 6: That's how I found like Little Beaber, like Welcome to 1226 01:03:33,240 --> 01:03:36,520 Speaker 6: the Party like that. That's like that was a sample. 1227 01:03:36,640 --> 01:03:38,160 Speaker 6: I was like, oh dang, So I listened to his 1228 01:03:38,280 --> 01:03:40,920 Speaker 6: music off of that, So. 1229 01:03:40,920 --> 01:03:44,440 Speaker 7: I don't know, And this album was dope. We got 1230 01:03:44,480 --> 01:03:49,240 Speaker 7: some dope ship too, Yeah, yeah, a Little Beaver's type. 1231 01:03:51,120 --> 01:03:56,720 Speaker 1: Yeah we're good. No more shout the supersticker. By the way, 1232 01:03:56,760 --> 01:03:57,880 Speaker 1: he just dropped that dinner. 1233 01:03:59,720 --> 01:04:03,880 Speaker 4: Much dying, bro, My AirPod is died. My computer said, hey, nigga, 1234 01:04:04,360 --> 01:04:07,440 Speaker 4: you got a couple of minutes before You're not on 1235 01:04:07,560 --> 01:04:10,840 Speaker 4: this live no more. So again, I appreciate everybody that 1236 01:04:10,880 --> 01:04:14,439 Speaker 4: came through sent the super chat. Again, appreciate y'all. Check 1237 01:04:14,480 --> 01:04:18,120 Speaker 4: out check us out for beginning of next year, very 1238 01:04:18,160 --> 01:04:21,360 Speaker 4: early next year, we're gonna drop that one hundred best 1239 01:04:21,440 --> 01:04:24,520 Speaker 4: hip Hop Albums. Also, make sure you become a patroon 1240 01:04:24,600 --> 01:04:26,040 Speaker 4: or YouTube number so that where you get all of 1241 01:04:26,040 --> 01:04:27,600 Speaker 4: the behind the scenes so that way you get to 1242 01:04:27,680 --> 01:04:31,440 Speaker 4: understand how and why some albums did not make it 1243 01:04:31,480 --> 01:04:35,480 Speaker 4: in the criteria of the list itself in general. But again, man, 1244 01:04:35,520 --> 01:04:39,480 Speaker 4: appreciate y'all. Love y'all. We'll catch y'all next Wednesday with 1245 01:04:39,600 --> 01:04:43,200 Speaker 4: another live and more content because we are those guys 1246 01:04:43,600 --> 01:04:49,760 Speaker 4: that in hip hop twive bars bars. 1247 01:04:50,520 --> 01:04:55,720 Speaker 6: Okay, you ain't only rapper, Rod, you ain't the only 1248 01:04:55,800 --> 01:04:56,160 Speaker 6: rapper