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Speaker 1: Yo, you do, and we back and we will. Man,

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Speaker 1: I want to say, I want to say for everybody

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Speaker 1: that's here early. You know what I'm saying to the show.

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Speaker 1: You know, we moved at the time a little bit

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Speaker 1: because we finished recording a little bit earlier. Uh. I

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Speaker 1: just want to get y'all little bit of updates, man,

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Speaker 1: the listener may I d K has confirmed, so we

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Speaker 1: will be having I d K I believe next Wednesday,

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Speaker 1: so stay tuned for that. I d K is dropping

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Speaker 1: a project that we also got early that we will

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Speaker 1: be dropping on its release today. So again shout out

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Speaker 1: to I d K and his team and will have

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Speaker 1: him on the listening as well. Pick his brain a

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Speaker 1: little bit because bros. Probably y'all not ready for it. Bro,

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Speaker 1: y'all not ready for it? All three of us we

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Speaker 1: we we thoroughly enjoyed it. That's all beating up of course. Man,

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Speaker 1: you know shit, they got gonna salesman also tentatively confirmed

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Speaker 1: for the listening. It's Conductor Bro. We have a problem.

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Speaker 1: We got a problem, right We getting conductor. We getting

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Speaker 1: Conductor Williams Bro. So you know that's TVD. We're working

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Speaker 1: on the timing obviously, you know with artists. They like

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Speaker 1: to do these type of things when they have music

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Speaker 1: coming out, so it's part of their promotional rollout. So

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Speaker 1: we are waiting on the perfect time to have conductor,

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Speaker 1: but he has agreed to it. We got a couple

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Speaker 1: of other people that's kind of you know what I'm saying,

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Speaker 1: Samarine Bubbling, but you know it ain't know and ain't confirmed.

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Speaker 1: I'm getting you the two that I know we gonna get.

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Speaker 1: But yeah, Conductor Williams in ninety K. We will have

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Speaker 1: them on the listening fairly soon, so stay tuned for that.

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Speaker 1: The top one hundred. I know I keep talking about it.

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Speaker 1: We are going to drop that soon. I'm not going

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Speaker 1: to get into the details of everything because we have

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Speaker 1: content behind the scenes. They're all of that type stuff.

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Speaker 1: So y'all get to just ask to how and why

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Speaker 1: we came up with what we did. But it is

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Speaker 1: coming out fairly soon TVD as well. Everything is TBD. Man.

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Speaker 1: You know, it's early twenty twenty six. We're getting our

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Speaker 1: bearings back together. As you can see, we are a

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Speaker 1: three man weave currently. You know, we're gonna add the

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Speaker 1: fourth man back at some point as of right now,

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Speaker 1: you know, he's a three man. We were gonna hold

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Speaker 1: it down to shout out to my co host, modest

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Speaker 1: media can be ends and I'm the Captain Mathew for

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Speaker 1: twenty four to seven, all day, every day, and today

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Speaker 1: we got I ain't gonna say a jam pack rundown,

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Speaker 1: but we definitely got some gossipy things that we need

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Speaker 1: to talk about. You know, typically when what we do

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Speaker 1: these rundowns, especially live, I give you guys some albums

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Speaker 1: that are going to release for the month, but my

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Speaker 1: sources they didn't really have much and things that I

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Speaker 1: didn't couldn't really like. I was like, I don't think

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Speaker 1: that that's gonna come out, So I said, let me pivot.

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Speaker 1: We don't talk about some hip hop albums turning twenty

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Speaker 1: because you know, we got to talk about the music

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Speaker 1: man that the hip hop. So these albums are turning

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Speaker 1: twenty and twenty twenty six, it's making me feel old. Man.

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Speaker 1: T I King is turning twenty this year. You see

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Speaker 1: he back right?

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Speaker 2: Yeah?

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Speaker 1: Yeah, yeah, man, he chopped it off. Mate, he chopped

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Speaker 1: it off. Did you listen to the song?

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Speaker 2: Oh? I was about to ask, oh, hey, like what

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Speaker 2: you man me too? With Pharrell?

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Speaker 3: Yeah, hey man, t I was going crazy bro crazy

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Speaker 3: that that ship was.

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Speaker 2: I was like, Yo, what was this Pharrell that on clips?

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Speaker 1: Hey ain't can can By? Oh my goodness, show Man.

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Speaker 1: But no, t I did definitely sound that good. King

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Speaker 1: twenty years old this year, ghost Face, Killer Fish Scale

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Speaker 1: that's twenty years old this year, Rick ross Port of Miami,

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Speaker 1: every Day US and Hustling twenty years old this year.

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Speaker 1: Loope Food and Liquor Rod. That's one of your favorites

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Speaker 1: Bron twenty. Yeah, I know, I know it feels like

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Speaker 1: it though. Yeah, I remember when I listened to that.

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Speaker 1: That was a while ago, like yeah, yeah, that was

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Speaker 1: like that was like a like a like a fiance

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Speaker 1: ago like that. Why I feel it feels old because

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Speaker 1: I remember like that that was a time, like you

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Speaker 1: know what I mean. So that was like my first,

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Speaker 1: my first crib, my first Like so yeah, it feels

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Speaker 1: like that's twenty years old. Yeah. Yeah, somebody feel twenty,

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Speaker 1: while some of them are. It's like real it, you know,

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Speaker 1: like to me, when I look at t I's King,

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Speaker 1: it looks twenty. It don't sound twenty to me. But

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Speaker 1: you know, like obviously the nostalgia and the memories you

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Speaker 1: got attached to it. Then it's like damn. Yeah, Rick

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Speaker 1: ross Port of Miami feels twenty to me. Loope's Food

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Speaker 1: and Liquor doesn't. It doesn't seem like it's twenty. But

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Speaker 1: it feels like it's twenty, but it doesn't seem like it.

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Speaker 1: Like when I saw, like, damn twenty the game Doctor Advocate,

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Speaker 1: that's twenty years old this year. That's crazy, Like that's crazy,

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Speaker 1: don't damn. But when I think about that too, yeah,

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Speaker 1: because I remember when I listened to the Just the

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Speaker 1: documentary and that, like I was still in college, so yeah,

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Speaker 1: it makes.

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Speaker 4: Sense, like I'm like, damn it is that should be twenty?

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Speaker 2: Yeah?

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Speaker 1: Yeah, jay Z Kingdom come twenty years old, twenty years

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Speaker 1: old the comeback album that that, Yeah.

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Speaker 2: Wow, it was slept on still left on even he

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Speaker 2: and then.

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Speaker 1: And then his last album yeah no, one undred percent.

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Speaker 1: He never ranks it high. But I think I think

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Speaker 1: that's also pressure from the fans to like, yeah, he doesn't.

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Speaker 2: Yeah.

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Speaker 1: Uh so this last album, I was like, damn, this

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Speaker 1: is twin clips hell hath no fury bro?

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Speaker 4: Yeah no, for sure that feels too.

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Speaker 3: On Deck said that, who was it a B I

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Speaker 3: think ab said it was.

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Speaker 1: Mid hell had no fury. M hmm wow. And you

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Speaker 1: know what, man, we need we we we need to

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Speaker 1: do uh an off Friday between uh hip Hop Round

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Speaker 1: Table and on deck them. Them two entities need to

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Speaker 1: need to duke it out, bro, because they wild. But

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Speaker 1: moving on, well, moving I don't think super chats. Oh yeah, yeah,

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Speaker 1: my bad, my bad, super chats. Hey look man, y'all

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Speaker 1: got to m M. Nine o'clock. Y'all got to nine

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Speaker 1: o'clock to get in your super chests. We will close

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Speaker 1: the super chests at nine o'clock. And you know what

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Speaker 1: I'm saying, sent them in. That's how we continue to

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Speaker 1: keep the lights on at that a hip hop. You

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Speaker 1: know what I'm saying. Appreciate the support. Super Chats are

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Speaker 1: always encouraged, and we will turn them off at nine pm.

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Speaker 1: But you can always say superstickers. It could always become

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Speaker 1: a YouTube patriot, a YouTube member, or a Patreon so

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Speaker 1: that way you guys can get more content because we're

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Speaker 1: always dropping content over there. But moving on versus January thirtieth,

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Speaker 1: I saw this little late, so I added it to

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Speaker 1: the rundown. The little late. We ain't gotta spend a

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Speaker 1: lot of time here, but I thought that the pairing

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Speaker 1: was very interesting. I already know who Ken got because

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Speaker 1: he cause you know, he just don't like one of

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Speaker 1: these producers. But we got Mike Will made it versus

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Speaker 1: hit Boy January thirtieth. I don't know the time, but

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Speaker 1: I'm pretty sure it'll be like nine o'clock or something

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Speaker 1: like that Eastern. But how y'all feel about this versus?

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Speaker 1: I like the matchup. It's interesting matchup. I think they

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Speaker 1: have two different things going on. Like Mike Will had

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Speaker 1: a really really solid run. His name was everywhere, like

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Speaker 1: he had to.

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Speaker 4: Raise schrummers and all that, like like yeah.

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Speaker 1: It's kind of like I'm trying to think what all

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Speaker 1: hit Boy has, uh, because it's they be stuffed that

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Speaker 1: I ain't even realize hip Boy did mm hmm, Like

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Speaker 1: like that's the thing about hip Boy.

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Speaker 4: He might hit you like he's like, yo, damn, I

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Speaker 4: forgot he did that.

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Speaker 1: I ain't even realize he did that because because he

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Speaker 1: got joints Our good Kid back City.

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Speaker 4: I know That's what I'm saying. That's what I'm saying.

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Speaker 1: So it's so like yeah, man, yeah, hi hit Boy,

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Speaker 1: hit Boy, Mike, Mike come on top, come out on

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Speaker 1: top on this one, because, like I said, Mike Will,

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Speaker 1: was was a time, was an era, it was a

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Speaker 1: specific eraror that that I think hip Boy might be

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Speaker 1: able to trump with some of those bangers that he has. So,

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Speaker 1: I don't know. It's interesting though, it's it's interesting though.

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Speaker 3: I think that hit Boy is going to cook. Mike

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Speaker 3: Will made it.

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Speaker 1: Interesting ing.

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Speaker 2: Yep.

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Speaker 3: And I think for the reasons that you said, Rod,

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Speaker 3: he got some sleepers that nobody know about.

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Speaker 1: Man, he got some sleepers, Bro, you got.

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Speaker 2: Some and that's gonna do it, and that's gonna do it.

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Speaker 3: So on deck, so stay tuned, make sure you gotta

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Speaker 3: subscribed to the channel. Because the No Limit we did

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Speaker 3: the No Limit Cash Money live with on Deck. There

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Speaker 3: may be a round two of that thirtieth as well.

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Speaker 3: So Spike kicked me up from on deck and we're

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Speaker 3: talking about it. So if so, we would definitely be uh,

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Speaker 3: you're watching that joint live is again. So but yeah,

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Speaker 3: I don't know, man, I think hit Boy gonna I

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Speaker 3: don't know, Hey, it's I think it's gonna be bad.

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Speaker 1: Damn.

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Speaker 4: Did he do niggas in parent swait a minute?

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Speaker 2: He did?

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Speaker 1: He did hip Boy, hit Boy Bro. The name fits Bro,

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Speaker 1: the name fits the name Bro. Yeah, him Boy got

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Speaker 1: some bangles, Bro Bros in every Bro. He's tapped in

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Speaker 1: super commercial, He's tapped in Underground, He's tapping everywhere, Bro.

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Speaker 1: Hip Boy, hit Boy really put in some work. But

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Speaker 1: I think Mike will because you know, you talk about

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Speaker 1: the run modest like Mike. Yeah, So he got joint

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Speaker 1: He's gonna have joints to come back that, you know

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Speaker 1: what I'm saying. So I think it's gonna be interesting.

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Speaker 1: I can. I'm picking hit Boy because hit Boy, you know,

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Speaker 1: I think he's a little bit more versatile in the

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Speaker 1: player the selection that he's gonna pick in my opinion.

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Speaker 1: But but I'm not sleeping on my will.

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Speaker 2: Bro.

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Speaker 1: Mike Will had some big ass hits.

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Speaker 3: Yeah, he can his hits. He could be top heavy,

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Speaker 3: but he may run out like.

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Speaker 1: Yep one like I think he might be able to

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Speaker 1: knock out a couple of hit boys big hits. But

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Speaker 1: but I think Hi Boy, Yep, he's gonna pull some space. Bro,

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Speaker 1: He's gonna pull some spaces. Definitely gonna pull some space.

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Speaker 1: But but I think hit Boy got more space than

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Speaker 1: Mike Wildo that's the thing. That's the thing. But I'm

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Speaker 1: here for it, like I saw it late and I'm like,

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Speaker 1: oh yeah, no, we definitely gotta give our thoughts on that.

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Speaker 1: M hm uh. But you know what, because because Mike

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Speaker 1: Will has Humble Bro, Mike Bro, Mike Will got, Mike

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Speaker 1: Will got, he got Humble, d n A and xxx. Wow,

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Speaker 1: that's that that damn project. That's what I'm saying. He

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Speaker 1: had a little run man, like like, oh man, and

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Speaker 1: that's not even you didn't even talk about the future

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Speaker 1: joints he got, I know, to move that dope. Yeah yeah, yeah, bro,

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Speaker 1: Like you know what, I don't know if it's a

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Speaker 1: wash can it's not a wash I don't know if

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Speaker 1: it's not. I like xs X though, Rob I love it,

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Speaker 1: so you know, you may not play it, but I

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Speaker 1: do love it, so damn you you gotta move that dope. Man. No,

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Speaker 1: you know what, y'all.

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Speaker 4: This this is a damn good battle. Actually it's a

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Speaker 4: good bottle.

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Speaker 1: I'm looking at these tracks because you got I mean

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Speaker 1: the Race Sherman ships like Black Beatles and all that,

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Speaker 1: like like he got that stuff. So man, this this

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Speaker 1: might this, this this might this might be all right,

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Speaker 1: mm hmmm, that's right.

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Speaker 2: Mm hmm.

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Speaker 1: Can't hate, can't be hating.

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Speaker 2: I'm not.

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Speaker 1: Hate Mike Will a little bit though, just a little bit,

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Speaker 1: can or or or would you say you're ignorant?

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Speaker 2: You No, I'm familiar. I just think I think. I

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Speaker 2: think people.

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Speaker 3: Are ignorant to hit boys tracks. I think, yeah, I

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Speaker 3: think because I think that's what it is. And I

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Speaker 3: think that's when people when he plays that track, but like,

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Speaker 3: oh shit.

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Speaker 2: He did that ship, he did that, he did that.

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Speaker 2: That's what I'm thinking it's gonna happen.

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Speaker 1: Yeah, yeah, I think hit Boy's gonna have way more

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Speaker 1: of those moments than Mike Will. I think Mike Will

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Speaker 1: have a handful of him, like, oh I didn't know

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Speaker 1: he did that one, But I think hit Boy is

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Speaker 1: definitely gonna have that. I think hit Boy's gonna surprise people.

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Speaker 1: But moving on, we just reviewed this, so stay tuned

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Speaker 1: for the review. Aside, Rocky, don't be dumb? Did he

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Speaker 1: take too long to drop Man? And the reason why

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Speaker 1: I'm asking that question is originally he was projected to

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Speaker 1: sell two hundred thousand units. However, some his vinyls haven't

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Speaker 1: shipped yet, and that was forty five thousand of his

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Speaker 1: sale out of that two hundred k, and they haven't shipped,

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Speaker 1: so that's why his I'm trying to find the number, bro.

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Speaker 1: I just add the number, and that k is what

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Speaker 1: forty five K is in vinyl sales, which now projects

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Speaker 1: into the digital sales to one hundred and thirty thousand.

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Speaker 1: But because the vinyls haven't shipped, I think it's only

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Speaker 1: like seventy K that have come from digital, So I

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Speaker 1: think that's a start drop off from the two hundred

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Speaker 1: k projected. That being said, and I know we reviewed it,

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Speaker 1: and I know it's still an open wound right now. However,

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Speaker 1: do you feel that he waited too long and that's

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Speaker 1: impacting his sales?

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Speaker 2: No?

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Speaker 1: Wait?

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Speaker 3: Wait, wait, so do I I think no, no, no, no,

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Speaker 3: because if that's if the adjustment is based on a

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Speaker 3: technicality like the fact that he just has a ship,

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Speaker 3: then I think it's unfair for them to hold that

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Speaker 3: against him in terms of his sales, because what happens

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Speaker 3: when they go out the next week, like we're just

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Speaker 3: gonna bump it right back up. So I think his

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Speaker 3: fan base is still there in terms of because the

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Speaker 3: fact that people even bought that many says, says, enough.

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Speaker 2: Now, the thing about it is that real quickly here, okay,

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Speaker 2: real cood clarity.

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Speaker 1: So he has sold one hundred and thirty thousand vinyls

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Speaker 1: of forty five thousand have not shipped, so that's why

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Speaker 1: it's not counting toward the album cell. So he sold

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Speaker 1: one hundred and thirty thousand vinyl which that's that's huge,

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Speaker 1: that's huge.

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Speaker 2: Yeah yeah, yeah yeah.

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Speaker 3: So now we're just getting into numbers and how this

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Speaker 3: shit is calculated. So I'm not gonna hold that against them.

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Speaker 3: What I was gonna say that the people when you know,

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Speaker 3: maybe if they heard the album and stream the album

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Speaker 3: and counsel the order, then we're talking about a different thing.

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Speaker 3: But you know, but I think with Asap man like

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Speaker 3: he he was hot, you know, he was hot.

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Speaker 2: You know, he started off rough on on dead end.

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Speaker 2: You know.

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Speaker 3: Uh, some of us didn't like him.

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Speaker 2: Some of us came around.

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Speaker 3: I know Mike has said numerous times he came around

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Speaker 3: in terms of liking a SAP. You know, I liked

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Speaker 3: I like app projects from him, like testing.

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Speaker 2: Uh. I want to say, and but.

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Speaker 3: Eight years is a long time and the man that

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Speaker 3: got domesticated bruh, and you know, I think that people

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Speaker 3: have a tendency to lose interest. You're talking about fans

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Speaker 3: that he had back in the day that are now

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Speaker 3: almost a decade older.

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Speaker 2: You know, they're growing with.

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Speaker 3: Him, and they changed their circumstances, change, etcetera, etcetera. So

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Speaker 3: he didn't get a chance to really age with him now.

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Speaker 2: In assessing the album.

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Speaker 3: When I say some of this commentary for this discussion,

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Speaker 3: at one point when I.

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Speaker 2: Was listening to it, I was like, you know what

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Speaker 2: it feels like Asap just.

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Speaker 3: Kind of wanted to do an album, and he wasn't

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Speaker 3: really thinking about like what people wanted. It's just like,

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Speaker 3: this is just what I want to do. These are

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Speaker 3: the sounds I wanted to explore, and this is what

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Speaker 3: I'm gonna do, and I'm gonna do this album for me.

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Speaker 3: So again, I think he had some really good ideas

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Speaker 3: and stuff that he wanted to explore. And I think

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Speaker 3: it was smart. Even though I didn't like him, I

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Speaker 3: think it was smart for him to not go all

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Speaker 3: the way in and just kind of do a couple

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Speaker 3: of tracks here and there. But I do think that

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Speaker 3: taking eight years is a long time. Five you can

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Speaker 3: probably get away with eight is extremely.

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Speaker 2: Long time and then.

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Speaker 3: If you drop it own with God to be absolute heat.

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Speaker 4: Yeah, it's been eight years.

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Speaker 1: Yeah bro, Yeah, like I said, like for the last

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Speaker 1: three years it has been it's been getting pushed back,

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Speaker 1: so that that that's why I'm like, I don't even

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Speaker 1: know if the final result of what we got is

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Speaker 1: what he envisioned in the first place, you know, because

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Speaker 1: you would drop, he would drop, you know, a single

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Speaker 1: to promote it, and then it's like, oh, album pushed back,

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Speaker 1: So now that single was no longer on the problem,

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Speaker 1: like you know what I'm saying, like it was. It

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Speaker 1: just feels like it may have changed so many times

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Speaker 1: in the length of time that it's been out there.

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Speaker 1: But mhm, but can I go ahead? No, no, go ahead,

336
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Speaker 1: go ahead. I'm just saying, yeah, it does make it

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Speaker 1: kind of hard to talk about it since we just

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Speaker 1: reviewed it without giving away too much. But but yeah,

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Speaker 1: I did not realize it was eight years and does

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Speaker 1: put a different perspective on things. What ever, Yeah, I

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Speaker 1: didn't know he was gonna go sales route with the

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Speaker 1: question or whatever. I was just saying, think like kind

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Speaker 1: of what King was saying, like with the fans in

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Speaker 1: the years, amount of years that it has been or whatever,

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Speaker 1: because I don't even think Kintrick is going that long, right,

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Speaker 1: Kinrick hasn't been eight years, like five?

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Speaker 2: Six?

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Speaker 4: Yeah, yeah, yeah, yeah, so.

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Speaker 1: Yeah, I don't know.

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Speaker 4: For me, if it's always excitement for a South Rocky album, I.

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Speaker 1: Just like it when it comes out, you know what

352
00:19:30,680 --> 00:19:36,240
Speaker 1: I'm saying. But it's never like anticipation for ASAP for me. Yeah,

353
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Speaker 1: And I don't even know what the ASAT fan is

354
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Speaker 1: these days, be quite honest, you know. You know, Rod,

355
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Speaker 1: I don't. I don't disagree because them niggas donet growed up,

356
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Speaker 1: you know what I'm saying. We're talking to blog era,

357
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Speaker 1: you know, fans that are now thirty plus with kids.

358
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Speaker 1: You know, obviously Rocky got kids now, you know. So

359
00:19:56,200 --> 00:19:59,080
Speaker 1: so yeah, yeah, he's a different dude. He's a he's

360
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Speaker 1: a different guy. Yeah, you know what I'm saying, Like

361
00:20:01,440 --> 00:20:03,439
Speaker 1: like and you can you can tell an album, you know,

362
00:20:03,520 --> 00:20:06,480
Speaker 1: like not one time he say we're getting jiggy with

363
00:20:06,520 --> 00:20:08,680
Speaker 1: this shit, you know, like like you know what I'm saying,

364
00:20:08,800 --> 00:20:11,040
Speaker 1: and you know he used to used to say jiggy,

365
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Speaker 1: you know what I'm saying, Like in his state, like

366
00:20:12,760 --> 00:20:17,040
Speaker 1: you know, like, so he's he's a changed human being,

367
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Speaker 1: you know what I'm saying. The music represents that a

368
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Speaker 1: little bit. But going back to the album sales can

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Speaker 1: I think it will be interesting to see and I

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00:20:25,840 --> 00:20:27,840
Speaker 1: don't know if it will get reported, and you know,

371
00:20:28,200 --> 00:20:30,240
Speaker 1: unless it comes out on the article, we ain't got

372
00:20:30,240 --> 00:20:34,080
Speaker 1: sources like that. But if people are going to cancel,

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Speaker 1: you know what I'm saying, or maybe it is a

374
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Speaker 1: media spin of the forty five thousand that have not shipped,

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Speaker 1: those are cancelations, I think that is a different topic

376
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Speaker 1: of conversation, and that's kind of like why I phrase

377
00:20:45,760 --> 00:20:48,680
Speaker 1: it the way I did. But but I think it's

378
00:20:48,680 --> 00:20:52,440
Speaker 1: something to keep an eye out on to see how

379
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Speaker 1: people feel about this particular project after waiting for so long.

380
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Speaker 1: You know, I don't know if everybody's gonna feel how

381
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Speaker 1: we feel.

382
00:21:00,160 --> 00:21:05,600
Speaker 3: Yeah, And you know, it's an interesting approach like this

383
00:21:06,000 --> 00:21:12,239
Speaker 3: two disc thing with two tracks this too. There may

384
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Speaker 3: be more to that, I'm sure, maybe I hope. I

385
00:21:16,640 --> 00:21:22,160
Speaker 3: don't know, we'll see, but you know, I hey, look man,

386
00:21:22,280 --> 00:21:26,320
Speaker 3: like maybe from here he's gonna he's going to continue

387
00:21:26,359 --> 00:21:29,919
Speaker 3: to put out work. And you know, he was in

388
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Speaker 3: a lot of you know, a lot of stuff over

389
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Speaker 3: the last couple of years, and you know that could

390
00:21:35,440 --> 00:21:40,480
Speaker 3: lead to to what has happened. And his fans seemed

391
00:21:40,520 --> 00:21:42,439
Speaker 3: like are still rocking with him. They're buying it, like

392
00:21:42,680 --> 00:21:45,160
Speaker 3: if I was an asap rocky fan like that, I'm

393
00:21:45,200 --> 00:21:48,280
Speaker 3: still buying it. Like if Kendrick dropped took an eight

394
00:21:48,359 --> 00:21:50,359
Speaker 3: year weight, I would still buy it even if I

395
00:21:50,400 --> 00:21:52,600
Speaker 3: didn't love the album. You know, I've always done that

396
00:21:53,720 --> 00:21:57,440
Speaker 3: because I'm just gonna spore who who rock with. So

397
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Speaker 3: as long as he didn't fall off like I ask,

398
00:21:59,800 --> 00:22:01,840
Speaker 3: you got to the point where he just completely fell off,

399
00:22:02,720 --> 00:22:04,919
Speaker 3: you know, so at that point, at some point you

400
00:22:05,000 --> 00:22:06,080
Speaker 3: just got to be like, you know, I.

401
00:22:06,119 --> 00:22:08,280
Speaker 2: Can't, I can't do this. This is insanity.

402
00:22:08,840 --> 00:22:11,800
Speaker 3: But but we're in a new We're in a new era.

403
00:22:11,920 --> 00:22:17,400
Speaker 3: We're in a new time where people move on quickly. However,

404
00:22:18,440 --> 00:22:22,720
Speaker 3: this fan base probably isn't really in that sort of

405
00:22:22,880 --> 00:22:25,880
Speaker 3: like they're on the edge of where it's been, like

406
00:22:26,280 --> 00:22:28,000
Speaker 3: I'm moving to the next theme, to the next theme,

407
00:22:28,040 --> 00:22:29,760
Speaker 3: to the next thing, So they may be more willing

408
00:22:30,040 --> 00:22:32,480
Speaker 3: to be patient with him. But if you sell just

409
00:22:32,560 --> 00:22:34,919
Speaker 3: using ava sales as contest, that's what we got right,

410
00:22:35,000 --> 00:22:35,840
Speaker 3: now because we don't want to.

411
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Speaker 2: Get too far into the review.

412
00:22:37,400 --> 00:22:40,359
Speaker 3: But if you use, if you sell two hundred thousand,

413
00:22:40,359 --> 00:22:42,960
Speaker 3: that's not bad after years.

414
00:22:42,920 --> 00:22:46,359
Speaker 1: Yeah, yeah, no, and not in this climate where you

415
00:22:46,400 --> 00:22:50,800
Speaker 1: know the stream or the download doesn't really count, you know,

416
00:22:50,880 --> 00:22:53,280
Speaker 1: like you have to have but so many to equal one,

417
00:22:53,359 --> 00:22:54,520
Speaker 1: and you know, it is.

418
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Speaker 2: What it is.

419
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Speaker 1: So, you know, I was a little surprised of the

420
00:22:56,960 --> 00:22:59,640
Speaker 1: physical copy perspective, like doing it one hundred and thirty

421
00:22:59,680 --> 00:23:02,959
Speaker 1: thousand in twenty twenty six, that's a lot, especially vinyl,

422
00:23:03,400 --> 00:23:04,760
Speaker 1: you know what I'm saying. And I know I've I've

423
00:23:04,760 --> 00:23:07,600
Speaker 1: read reports where Vinyl, you know, it's coming back, there's

424
00:23:07,600 --> 00:23:13,040
Speaker 1: a resurgence in physical media, So I'm not too surprised,

425
00:23:13,040 --> 00:23:17,119
Speaker 1: but I am surprised at ASoP Rocky the older, a

426
00:23:17,240 --> 00:23:21,119
Speaker 1: Sop Rocky fan now purchasing vinyl to support Rocky. I

427
00:23:21,119 --> 00:23:24,919
Speaker 1: think that's an interesting turn of events because you know,

428
00:23:24,920 --> 00:23:27,919
Speaker 1: when Rocky first came out, that's not his family is

429
00:23:27,920 --> 00:23:30,280
Speaker 1: not gonna buy no fucking vinyl back then, you know

430
00:23:30,320 --> 00:23:32,639
Speaker 1: what I'm saying, But now they are, so that just

431
00:23:32,680 --> 00:23:36,440
Speaker 1: shows the maturity of the fan base, you know, growing

432
00:23:36,520 --> 00:23:36,840
Speaker 1: up with it.

433
00:23:36,920 --> 00:23:41,480
Speaker 3: Yeah yeah, yeah, speaking of physical I just I absolutely

434
00:23:41,560 --> 00:23:45,119
Speaker 3: saw this on Pittons of Planes that I d K

435
00:23:45,560 --> 00:23:46,800
Speaker 3: speaking of earlier.

436
00:23:46,960 --> 00:23:47,640
Speaker 2: He's selling a.

437
00:23:47,680 --> 00:23:54,119
Speaker 3: Midstape inside a fully functional CD player, so he wrote,

438
00:23:54,359 --> 00:23:57,000
Speaker 3: he put it on Instagram. When you buy a t

439
00:23:57,560 --> 00:24:00,760
Speaker 3: S CD player, it comes with the bootlet mistape, which

440
00:24:00,760 --> 00:24:03,480
Speaker 3: includes an unreleased song that no one else would have

441
00:24:03,600 --> 00:24:04,159
Speaker 3: but you and I.

442
00:24:04,240 --> 00:24:08,000
Speaker 2: Each player has its own bus this song that's dope

443
00:24:08,040 --> 00:24:08,480
Speaker 2: as fuck.

444
00:24:08,960 --> 00:24:10,840
Speaker 3: This is what I know what I know what the

445
00:24:10,880 --> 00:24:14,080
Speaker 3: acronym stands for. Now we don't have only review even

446
00:24:14,119 --> 00:24:15,280
Speaker 3: the devil smiles.

447
00:24:16,000 --> 00:24:22,080
Speaker 1: Ah okay, okay, So look ken, I'm gonna go. I'm

448
00:24:22,160 --> 00:24:25,600
Speaker 1: going a very small little tangent here. My brother has

449
00:24:25,640 --> 00:24:28,879
Speaker 1: a homie out here. My age. You know what I'm saying,

450
00:24:28,920 --> 00:24:30,800
Speaker 1: my age. So he grew up in the era that

451
00:24:30,880 --> 00:24:33,280
Speaker 1: we grew up in car audio on this then and

452
00:24:33,280 --> 00:24:36,680
Speaker 1: the third we had a conversation of how watts are

453
00:24:36,760 --> 00:24:38,840
Speaker 1: so much cheaper now, you know what I'm saying, Like,

454
00:24:38,880 --> 00:24:40,320
Speaker 1: remember back in the day we were about like a

455
00:24:40,400 --> 00:24:43,000
Speaker 1: Rockford Fossgate one thousand wide app. You're paying two one

456
00:24:43,080 --> 00:24:45,240
Speaker 1: hundred and thirteen hundred dollars for that amp. He's like,

457
00:24:45,280 --> 00:24:46,879
Speaker 1: now you get you a thousand wild Amp for three

458
00:24:47,000 --> 00:24:49,440
Speaker 1: hundred dollars. You said quality, you know what I'm saying,

459
00:24:49,440 --> 00:24:52,879
Speaker 1: So like the wattage in the technology is just so

460
00:24:52,960 --> 00:24:55,919
Speaker 1: much cheaper because then the man isn't there anymore. Right, So,

461
00:24:56,119 --> 00:24:58,480
Speaker 1: going back to the rap round table conversation that we

462
00:24:58,520 --> 00:25:01,440
Speaker 1: had a week or two ago in terms of like

463
00:25:01,480 --> 00:25:03,879
Speaker 1: when I was talking about the bubbles and being directed

464
00:25:03,960 --> 00:25:07,120
Speaker 1: consumer and fuck the radio and the middleman and all

465
00:25:07,119 --> 00:25:09,320
Speaker 1: that type shit, this is how you do it. This

466
00:25:09,400 --> 00:25:11,440
Speaker 1: is that bubble that I was talking about that I

467
00:25:11,560 --> 00:25:13,840
Speaker 1: d K is tapping into that. You know, I gave

468
00:25:13,880 --> 00:25:17,520
Speaker 1: the example with Mick Jenkins. You know that's so dope.

469
00:25:17,600 --> 00:25:21,199
Speaker 1: To you buy the mixtape, I'm giving you a CD player,

470
00:25:21,400 --> 00:25:23,680
Speaker 1: And that's where I'm like, I'm tapping it into can

471
00:25:24,600 --> 00:25:27,280
Speaker 1: CD players. When we was growing up, like the Walkmans

472
00:25:27,440 --> 00:25:30,080
Speaker 1: where we were spending one hundred plus on that, I'm

473
00:25:30,080 --> 00:25:32,040
Speaker 1: pretty sure you can get a Walkman now for like

474
00:25:32,119 --> 00:25:35,680
Speaker 1: five dollars, seven dollars, you know, because the way they're

475
00:25:35,680 --> 00:25:39,359
Speaker 1: doing Walker's now, it's like kind of Bluetooth too as well,

476
00:25:39,400 --> 00:25:42,000
Speaker 1: Like it has different kind of features, so it's a

477
00:25:42,040 --> 00:25:46,000
Speaker 1: little bit more than five. Like it's okay up, okay,

478
00:25:46,000 --> 00:25:49,520
Speaker 1: but but if you get directly with a manufacturer, I'm

479
00:25:49,560 --> 00:25:52,000
Speaker 1: pretty sure, Like if you say, hey, all I needed

480
00:25:52,080 --> 00:25:56,119
Speaker 1: is to play skip pause and have some type of

481
00:25:56,240 --> 00:25:58,920
Speaker 1: skip features so that way, you know, you remember how

482
00:25:59,040 --> 00:26:02,479
Speaker 1: that was such a big thing. But like that version

483
00:26:02,560 --> 00:26:04,440
Speaker 1: of it, like not going into the store, but going

484
00:26:04,440 --> 00:26:06,480
Speaker 1: directly to a manufacturer has to be cheap as him,

485
00:26:06,800 --> 00:26:08,600
Speaker 1: you know what I'm saying. So like for him to

486
00:26:08,640 --> 00:26:10,639
Speaker 1: do something like that, I think it's super dope. I

487
00:26:10,640 --> 00:26:14,600
Speaker 1: think it's super nostalgic, and it makes sense with the project.

488
00:26:14,720 --> 00:26:16,879
Speaker 1: So if you guys didn't already, no, look we got

489
00:26:16,920 --> 00:26:18,800
Speaker 1: it early, bro, and I said it in the review.

490
00:26:18,960 --> 00:26:21,320
Speaker 1: We got it early. We're dropping the review the same

491
00:26:21,400 --> 00:26:24,480
Speaker 1: day that the project dropped, so you know, you guys

492
00:26:24,480 --> 00:26:29,000
Speaker 1: got it. But look, Superchats is closed, you know, as

493
00:26:29,000 --> 00:26:30,960
Speaker 1: of six minutes ago. But we was, you know, on

494
00:26:31,000 --> 00:26:34,199
Speaker 1: the flow state, so I didn't want to stop, you know.

495
00:26:34,280 --> 00:26:41,600
Speaker 1: But but look, the next topic I don't want to

496
00:26:41,640 --> 00:26:43,840
Speaker 1: stay here long because I'm pretty sure you guys are

497
00:26:43,840 --> 00:26:45,720
Speaker 1: going to cover it on is the mic if you

498
00:26:45,720 --> 00:26:50,160
Speaker 1: guys haven't already, But Nicki Minaj's br has she lost

499
00:26:50,800 --> 00:26:54,080
Speaker 1: all her marbles because now she's going at Don Lemon,

500
00:26:54,960 --> 00:26:57,639
Speaker 1: and I know that I gave her the title of

501
00:26:57,640 --> 00:27:00,399
Speaker 1: the angry Black Woman when she was going at Cardi

502
00:27:00,480 --> 00:27:03,520
Speaker 1: B and Hey, I'm like, hey, I'm gonna quadruple down

503
00:27:03,560 --> 00:27:05,560
Speaker 1: on that because I felt like that's exactly what that

504
00:27:05,720 --> 00:27:08,680
Speaker 1: was in that moment. And it just seems like, I

505
00:27:08,720 --> 00:27:12,200
Speaker 1: don't know, bro, like seeing what she's telling Don Lemon,

506
00:27:12,680 --> 00:27:18,000
Speaker 1: like you know, she said, don see sucking Lemon is disgusting.

507
00:27:18,040 --> 00:27:20,639
Speaker 1: How dare you I want that thug in jail. He

508
00:27:20,680 --> 00:27:23,680
Speaker 1: would never do that to any other religion. Lock him up.

509
00:27:24,920 --> 00:27:28,800
Speaker 1: And she's you know, in lockstep with MAGA and the

510
00:27:28,840 --> 00:27:32,600
Speaker 1: Trump administration like on everything. You know what I'm saying, Like,

511
00:27:32,960 --> 00:27:38,280
Speaker 1: it just seems like she'd have lost her shit, bro,

512
00:27:39,240 --> 00:27:43,119
Speaker 1: she you know, and I just wanted I just wanted

513
00:27:43,119 --> 00:27:45,520
Speaker 1: your thoughts on you know, and I don't want to

514
00:27:45,520 --> 00:27:47,439
Speaker 1: get into you know, how we got here none of that,

515
00:27:47,520 --> 00:27:54,480
Speaker 1: but just its Nicki Minaj. Can we support her in

516
00:27:54,520 --> 00:28:03,920
Speaker 1: twenty twenty six? No, the simple no, what we talking

517
00:28:03,960 --> 00:28:05,920
Speaker 1: about she was a little turning point, bro, Like what

518
00:28:06,080 --> 00:28:07,159
Speaker 1: we talking about? No?

519
00:28:08,760 --> 00:28:12,560
Speaker 4: The simple answer is absolutely no. She's lost her marvels.

520
00:28:12,640 --> 00:28:15,160
Speaker 4: Like I don't know what's going on with her. I mean,

521
00:28:15,160 --> 00:28:16,800
Speaker 4: we saw it coming, you know what I'm saying.

522
00:28:16,880 --> 00:28:20,240
Speaker 1: We saw it coming with the whole really kind of

523
00:28:20,280 --> 00:28:22,240
Speaker 1: before the Cardi b I would say I would even

524
00:28:22,280 --> 00:28:25,000
Speaker 1: go as far as back as as with Meghan. You know,

525
00:28:25,000 --> 00:28:28,199
Speaker 1: when she was dropping those horrible distance to Meghan, she

526
00:28:28,359 --> 00:28:31,159
Speaker 1: just seemed like out of her mind. Then she's been

527
00:28:31,200 --> 00:28:33,159
Speaker 1: out of her mind for us, like since she lost

528
00:28:33,200 --> 00:28:36,400
Speaker 1: the crown and all of that, she's just been delusional

529
00:28:37,240 --> 00:28:40,600
Speaker 1: and like it's just it's just a constant spiral we've

530
00:28:40,640 --> 00:28:41,960
Speaker 1: been seeing with Nicki Minaja.

531
00:28:42,040 --> 00:28:46,440
Speaker 4: Naj's gotten to the depths right now, like like you

532
00:28:46,480 --> 00:28:46,960
Speaker 4: know what I mean.

533
00:28:47,320 --> 00:28:49,360
Speaker 1: Like, one could also say that, you know, she could

534
00:28:49,400 --> 00:28:52,360
Speaker 1: be doing all of this because all of the legal issues,

535
00:28:52,680 --> 00:28:55,360
Speaker 1: the legal issues that she's dealing with, she could be

536
00:28:55,400 --> 00:28:58,080
Speaker 1: looking for support from the other side to try to

537
00:28:58,080 --> 00:29:00,280
Speaker 1: get some of these these cases off of her, Like

538
00:29:00,560 --> 00:29:02,560
Speaker 1: specifically the one when she has to sell her house.

539
00:29:03,040 --> 00:29:04,440
Speaker 1: I don't know if y'all saw that, but she has

540
00:29:04,480 --> 00:29:08,080
Speaker 1: to sell her house to or they're gonna take her

541
00:29:08,120 --> 00:29:11,240
Speaker 1: house because she hasn't paid some legal fees for when

542
00:29:11,280 --> 00:29:15,080
Speaker 1: her husband hit somebody. So part of me is like,

543
00:29:15,160 --> 00:29:17,640
Speaker 1: is she doing all this to try to get some

544
00:29:17,680 --> 00:29:20,240
Speaker 1: sort of party or I don't like, like some type

545
00:29:20,240 --> 00:29:22,600
Speaker 1: of some from from the other side to try to

546
00:29:22,640 --> 00:29:25,640
Speaker 1: dismiss something like it's just like, okay, what are you doing?

547
00:29:25,720 --> 00:29:28,880
Speaker 4: It just seems like super crazy the stuff that she's

548
00:29:28,880 --> 00:29:29,360
Speaker 4: been doing.

549
00:29:30,000 --> 00:29:33,840
Speaker 1: Yeah, yeah, super.

550
00:29:33,560 --> 00:29:43,520
Speaker 2: Crazy she's done. I think that.

551
00:29:45,760 --> 00:29:49,120
Speaker 3: You know, she can't get away with this stuff because

552
00:29:49,200 --> 00:29:53,560
Speaker 3: that sort of crowd is okay with that.

553
00:29:54,720 --> 00:29:54,880
Speaker 1: Uh.

554
00:29:56,000 --> 00:29:56,640
Speaker 2: I think she.

555
00:29:58,400 --> 00:30:04,800
Speaker 3: Also may have some new work coming out, uh new album.

556
00:30:05,800 --> 00:30:08,920
Speaker 1: I don't think that album dropping. Can she could be?

557
00:30:09,280 --> 00:30:12,640
Speaker 4: This would be her worst drop if that album drops.

558
00:30:13,480 --> 00:30:16,840
Speaker 2: My question is I don't know what we'll see. We'll see.

559
00:30:16,840 --> 00:30:20,240
Speaker 3: It's gonna be interesting to see if if what she's

560
00:30:20,320 --> 00:30:22,880
Speaker 3: doing trans moves moves the needle.

561
00:30:23,080 --> 00:30:26,360
Speaker 4: Bro she lose she lost so many followers that she

562
00:30:26,440 --> 00:30:30,520
Speaker 4: did she deactivated her Instagram. I want to say one

563
00:30:30,560 --> 00:30:34,320
Speaker 4: of those accounts she closed really like she lost so

564
00:30:34,440 --> 00:30:37,880
Speaker 4: many followers, bro, Like and we know Magga ain't gonna

565
00:30:37,920 --> 00:30:40,840
Speaker 4: buy her albums, like the same way they don't support

566
00:30:40,880 --> 00:30:43,320
Speaker 4: other people that that that get behind them. And then

567
00:30:43,320 --> 00:30:45,800
Speaker 4: when it's time for me, like like they're gonna do

568
00:30:45,800 --> 00:30:48,040
Speaker 4: the same thing to Nick Minas, like like they're not

569
00:30:48,080 --> 00:30:50,920
Speaker 4: buying your albums. They're just using using your face and

570
00:30:50,960 --> 00:30:55,240
Speaker 4: your voice as a black woman. So yeah, that's it.

571
00:30:56,080 --> 00:31:00,640
Speaker 3: Well, she's had a couple of songs, uh chart this

572
00:31:00,720 --> 00:31:04,000
Speaker 3: year and a spike, so something's happening.

573
00:31:04,320 --> 00:31:07,920
Speaker 1: Her songs are like her being featured her songs.

574
00:31:08,200 --> 00:31:09,640
Speaker 2: Yeah, her songs.

575
00:31:11,000 --> 00:31:15,320
Speaker 3: But either way it go, we'll we'll, we'll see. The

576
00:31:15,680 --> 00:31:19,280
Speaker 3: thing I was wondering is that why are you met

577
00:31:19,320 --> 00:31:26,400
Speaker 3: at Don Lemon? Like when did you become political like that?

578
00:31:27,400 --> 00:31:32,520
Speaker 3: And what is the end goal here for her? Do

579
00:31:32,560 --> 00:31:39,360
Speaker 3: you feel rejected by hip hop because you go back

580
00:31:39,400 --> 00:31:45,440
Speaker 3: to where hip hop started? Public Enemy, I ask you,

581
00:31:45,600 --> 00:31:48,960
Speaker 3: even though he has some controversial stuff, et cetera, et cetera, Like,

582
00:31:50,040 --> 00:31:52,440
Speaker 3: it wasn't it was it was it was anti this,

583
00:31:52,720 --> 00:31:54,600
Speaker 3: It wasn't in support of this.

584
00:31:55,360 --> 00:31:56,800
Speaker 2: So your ana counter.

585
00:31:56,600 --> 00:32:04,280
Speaker 3: To the beginning of the culture. So what are you

586
00:32:04,520 --> 00:32:08,560
Speaker 3: looking to accomplish because there is no coming back. You're

587
00:32:08,640 --> 00:32:13,040
Speaker 3: putting everything that you have into one. You have super

588
00:32:13,080 --> 00:32:16,680
Speaker 3: diehard fans and you're hoping that they are in alignment

589
00:32:16,880 --> 00:32:24,440
Speaker 3: with how you think politically. So there's that because black

590
00:32:24,480 --> 00:32:31,760
Speaker 3: people and others, they'll remember this, so you go from it.

591
00:32:32,080 --> 00:32:35,360
Speaker 3: It's kind of crazy, like she's the new Kanye. I

592
00:32:35,360 --> 00:32:38,280
Speaker 3: mean people have said that, and I think it's accurate.

593
00:32:38,400 --> 00:32:42,280
Speaker 3: She's she's on her Kanye wave right now, and now

594
00:32:42,320 --> 00:32:46,360
Speaker 3: it's like, Okay, well there's Kanye, now it's Nikki, And

595
00:32:46,400 --> 00:32:47,440
Speaker 3: I think there's somebody.

596
00:32:47,200 --> 00:32:49,040
Speaker 2: Else that recently did some crazy shit like this.

597
00:32:50,160 --> 00:32:57,840
Speaker 3: You know who's next, And if it's profitable, then who

598
00:32:58,000 --> 00:33:01,440
Speaker 3: is in a position to where their career is struggling

599
00:33:02,160 --> 00:33:04,680
Speaker 3: to where they were really willing they will be willing

600
00:33:04,720 --> 00:33:09,719
Speaker 3: to try this because she basically got kicked out to

601
00:33:09,760 --> 00:33:12,640
Speaker 3: a certain degree. Megan and all the other ones were

602
00:33:12,640 --> 00:33:15,640
Speaker 3: more popular than her. People loved her, and people didn't

603
00:33:15,720 --> 00:33:18,400
Speaker 3: like all the controversy that she was doing before she

604
00:33:18,480 --> 00:33:23,440
Speaker 3: did all this, So she's completely completely sold out.

605
00:33:23,960 --> 00:33:29,080
Speaker 2: I mean, she's out of here and there is no turning.

606
00:33:29,240 --> 00:33:34,240
Speaker 1: Back, not now. Yeah, No, I don't disagree, Kase. You know,

607
00:33:34,520 --> 00:33:39,680
Speaker 1: I think Nikki's biggest misstep was not embracing and creating

608
00:33:39,800 --> 00:33:43,400
Speaker 1: these these controversies that didn't need to happen. You know,

609
00:33:43,480 --> 00:33:46,600
Speaker 1: she would embrace Megan, she would embrace Cardi like she

610
00:33:46,760 --> 00:33:48,920
Speaker 1: would like. I think hip hop would still have her

611
00:33:49,000 --> 00:33:51,600
Speaker 1: back like they once did. You know, she wouldn't have

612
00:33:51,600 --> 00:33:57,320
Speaker 1: had to result to what she's currently doing now, you know. Yeah, No,

613
00:33:57,480 --> 00:34:03,080
Speaker 1: it's it's sad and it is disconcerned because it's like,

614
00:34:04,400 --> 00:34:06,280
Speaker 1: I don't know, if you're in your right mind, you

615
00:34:06,600 --> 00:34:09,160
Speaker 1: know what I'm saying, Like, just just how far of

616
00:34:09,200 --> 00:34:11,520
Speaker 1: personal attacks, not just you know, on Don Lemon, but

617
00:34:11,600 --> 00:34:14,560
Speaker 1: on Cardi B and Megan and just people in general.

618
00:34:14,719 --> 00:34:18,280
Speaker 1: Is like why, like like that's not what a normal,

619
00:34:18,360 --> 00:34:21,840
Speaker 1: sane person would like would do? You know what I'm saying, Like,

620
00:34:22,400 --> 00:34:25,200
Speaker 1: I don't know, like so public, so public, because it's

621
00:34:25,239 --> 00:34:28,279
Speaker 1: one thing like if she had Carti's phone number and

622
00:34:28,320 --> 00:34:30,680
Speaker 1: she blowing Cardi up, you know what I'm saying, like

623
00:34:30,680 --> 00:34:33,719
Speaker 1: like personally, you know, but to put it out there

624
00:34:33,719 --> 00:34:37,480
Speaker 1: on public forums for other people that I digest, that like,

625
00:34:37,520 --> 00:34:39,480
Speaker 1: to me, it just shows a lack of character first

626
00:34:39,520 --> 00:34:45,279
Speaker 1: and foremost and secondly, you know, I don't know. It's

627
00:34:45,320 --> 00:34:48,879
Speaker 1: just it's weird to see this and to see where

628
00:34:48,960 --> 00:34:52,720
Speaker 1: where she's gotten to now. But you know, we'll leave.

629
00:34:52,560 --> 00:34:55,200
Speaker 3: It where Charlie Kirk didn't even like her, which is crazy,

630
00:34:55,440 --> 00:35:00,480
Speaker 3: Like you know, I think there's been video of him,

631
00:35:01,520 --> 00:35:04,440
Speaker 3: video of him service and criticizing him, Yeah, criticizing her

632
00:35:04,440 --> 00:35:09,000
Speaker 3: talking about her. You know, hey, yeah, Lee Dalleving alone, Man,

633
00:35:10,000 --> 00:35:11,760
Speaker 3: he ain't do he ain't doing anything in anybody.

634
00:35:12,440 --> 00:35:18,080
Speaker 1: All right, So look, the main story, the main story up.

635
00:35:19,400 --> 00:35:20,799
Speaker 4: But I wanted to real quick.

636
00:35:20,840 --> 00:35:22,719
Speaker 1: I think we should open up the super chests for

637
00:35:22,760 --> 00:35:25,799
Speaker 1: like five more minutes because we started early and I

638
00:35:25,800 --> 00:35:26,600
Speaker 1: see some people.

639
00:35:26,640 --> 00:35:30,600
Speaker 3: They're still okay. Yeah, I got.

640
00:35:31,040 --> 00:35:33,440
Speaker 1: Yeah because some people came in later like thinking it

641
00:35:33,520 --> 00:35:38,560
Speaker 1: was gonna you know, probably nine. So yeah, we've seen

642
00:35:38,560 --> 00:35:40,080
Speaker 1: your super chat scene. If you still got Hi, we're

643
00:35:40,080 --> 00:35:42,680
Speaker 1: not gonna keep him for him for too long. But

644
00:35:42,680 --> 00:35:44,400
Speaker 1: but yeah, go ahead and to the minute if you have,

645
00:35:44,560 --> 00:35:46,480
Speaker 1: if you have something you want to contribute to the show.

646
00:35:48,719 --> 00:35:48,839
Speaker 3: Uh.

647
00:35:49,080 --> 00:35:51,000
Speaker 1: But yeah, last thing I say about Niki to the

648
00:35:51,080 --> 00:35:56,600
Speaker 1: last thing, Yeah, for me, it's she's been here for me. Man,

649
00:35:56,640 --> 00:35:59,359
Speaker 1: it's for a while down Like I think it's just

650
00:35:59,400 --> 00:36:05,239
Speaker 1: been like a steady spiral. I know, but it's just

651
00:36:05,239 --> 00:36:07,960
Speaker 1: getting worse as it gets closer. Like like even back

652
00:36:08,000 --> 00:36:10,880
Speaker 1: when you know when she uh was when sheen she

653
00:36:10,880 --> 00:36:14,279
Speaker 1: couldn't go number one over who was it? Uh? Who's

654
00:36:14,320 --> 00:36:20,960
Speaker 1: the boy out of Texas? Uh? He got number one

655
00:36:21,000 --> 00:36:24,840
Speaker 1: over her? What's his name? Damn?

656
00:36:24,920 --> 00:36:28,680
Speaker 4: Chad Helly what's his name, Travis Scott.

657
00:36:29,160 --> 00:36:31,440
Speaker 1: That's time Travis Scott had got number one over and

658
00:36:31,480 --> 00:36:33,920
Speaker 1: she was going at Travis Scott and talking about how

659
00:36:33,960 --> 00:36:35,920
Speaker 1: all well you you're selling all this other stuff to

660
00:36:35,920 --> 00:36:38,960
Speaker 1: get your thing number one and all that. Ever since then, bro,

661
00:36:39,080 --> 00:36:42,719
Speaker 1: she's been just spiraling down since that, Like I feel

662
00:36:42,800 --> 00:36:46,439
Speaker 1: like ever since that, like it's been thing after thing

663
00:36:46,600 --> 00:36:52,600
Speaker 1: after thing, and she just cannot recover. She just cannot recover. Yeah,

664
00:36:52,640 --> 00:36:55,560
Speaker 1: I don't disagree. And I remember, I remember my take

665
00:36:55,600 --> 00:36:59,040
Speaker 1: on that too, was like, it's it's the business of

666
00:36:59,120 --> 00:37:01,440
Speaker 1: hip hop, bro, like, like it's not just music, Like,

667
00:37:01,440 --> 00:37:03,640
Speaker 1: what else are you sullid? You know what I'm saying

668
00:37:03,640 --> 00:37:06,480
Speaker 1: to make your fan based and new people interested in

669
00:37:06,480 --> 00:37:08,839
Speaker 1: what you got going on? So yeah, it is what

670
00:37:08,880 --> 00:37:10,520
Speaker 1: it is. Man, I'm over Niki. I don't want to

671
00:37:10,520 --> 00:37:14,399
Speaker 1: talk about Nicki no more. If we talk about Nicki

672
00:37:14,400 --> 00:37:15,879
Speaker 1: on that of hip hop, it's not because I brought

673
00:37:15,920 --> 00:37:18,799
Speaker 1: her up. I promise you that. That being said, this

674
00:37:18,880 --> 00:37:21,799
Speaker 1: is the reason why we are here, mister Rogerick Davis. Yes,

675
00:37:21,840 --> 00:37:24,399
Speaker 1: I'm using his government name because the way he has

676
00:37:24,440 --> 00:37:27,920
Speaker 1: handled it, he's handling it like a civilized person that

677
00:37:27,960 --> 00:37:30,640
Speaker 1: we did not know Gucci Main to be, but did

678
00:37:30,680 --> 00:37:34,200
Speaker 1: Gucci Man get Gucci Maine? Did that happen?

679
00:37:34,320 --> 00:37:34,480
Speaker 2: Man?

680
00:37:34,560 --> 00:37:37,160
Speaker 1: Look, if you guys been living under a rock. This

681
00:37:37,280 --> 00:37:40,040
Speaker 1: has been a very big thing in the hip hop

682
00:37:40,040 --> 00:37:43,200
Speaker 1: community the beginning of the year. But before I get

683
00:37:43,200 --> 00:37:45,359
Speaker 1: into the actual story, let me ask y'all. Did y'all

684
00:37:45,360 --> 00:37:47,920
Speaker 1: hear Pou Shisty's FDL first day out?

685
00:37:48,160 --> 00:37:53,000
Speaker 2: Hey? Hey, hey man, that shit bang, that shit bang.

686
00:37:53,120 --> 00:37:55,200
Speaker 1: Bro. My brother was playing that shit because I saw

687
00:37:55,239 --> 00:37:58,320
Speaker 1: it when it released. I'll get to it, man. I

688
00:37:58,400 --> 00:38:00,000
Speaker 1: got into whip with my brother Man and my brother

689
00:38:00,440 --> 00:38:02,799
Speaker 1: I said, hey man, this is hard, bro, this shit

690
00:38:02,920 --> 00:38:05,919
Speaker 1: is hard, So shout out puseais Stee. You know, thankfully.

691
00:38:06,239 --> 00:38:09,560
Speaker 1: You know he's out of his current legal drama. You

692
00:38:09,600 --> 00:38:11,640
Speaker 1: know what I'm saying. He's on house arrested until April.

693
00:38:12,800 --> 00:38:17,960
Speaker 1: But Gucci Main, obviously Pushaiste is signed to Gucci Man's

694
00:38:18,000 --> 00:38:22,640
Speaker 1: label ten seventeen, and push Heisty is also the cousin

695
00:38:22,880 --> 00:38:28,239
Speaker 1: of Scar, which was also signed to Gucci Main's ten

696
00:38:28,320 --> 00:38:30,920
Speaker 1: seventeen label. A couple of years ago. He had tragically

697
00:38:30,960 --> 00:38:33,600
Speaker 1: passed from an overdose, and there was a lot of

698
00:38:33,600 --> 00:38:38,480
Speaker 1: controversy surrounding that because Gucci at first didn't even want

699
00:38:38,719 --> 00:38:40,560
Speaker 1: or I don't want to say he didn't want to,

700
00:38:40,600 --> 00:38:43,600
Speaker 1: but his family was making it seem like ten seventeen

701
00:38:43,640 --> 00:38:46,359
Speaker 1: the label wasn't going to help out with any of

702
00:38:46,480 --> 00:38:51,959
Speaker 1: the funeral arrangements. Then they went. Then they shelled out

703
00:38:52,400 --> 00:38:54,600
Speaker 1: ten k. The family was like, hey, you know, there's

704
00:38:54,640 --> 00:38:55,960
Speaker 1: still you know, a lot of stuff we had to

705
00:38:55,960 --> 00:38:57,239
Speaker 1: come out of pocket for this.

706
00:38:57,360 --> 00:38:58,040
Speaker 2: That and the third.

707
00:38:58,200 --> 00:39:02,800
Speaker 1: Obviously that was a host that you fast forward. Push

708
00:39:02,800 --> 00:39:06,680
Speaker 1: Heisty had got locked up. Push Heisty and Scar both

709
00:39:06,760 --> 00:39:15,040
Speaker 1: from Memphis, so is Yogati. So when push Heisty got out,

710
00:39:15,239 --> 00:39:17,360
Speaker 1: not only did he get out of jail, he wanted

711
00:39:17,440 --> 00:39:21,040
Speaker 1: out of that ten seventeen contract. Obviously because of the

712
00:39:21,080 --> 00:39:23,719
Speaker 1: situation with his cousin and other things as well, but

713
00:39:23,800 --> 00:39:28,279
Speaker 1: he wanted out, and Gucci was like hell not as

714
00:39:28,360 --> 00:39:32,520
Speaker 1: most label people with a high charting act like push

715
00:39:32,520 --> 00:39:35,160
Speaker 1: Heisty would not let them out of their current contract.

716
00:39:35,680 --> 00:39:38,640
Speaker 1: That being said, Pushisi took it to the streets allegedly

717
00:39:39,440 --> 00:39:42,520
Speaker 1: and had Gucci Ma Gucci man bro had that man

718
00:39:42,600 --> 00:39:45,239
Speaker 1: hemmed up talking about he got robbed, you know, had

719
00:39:45,239 --> 00:39:49,040
Speaker 1: that man at gunpoint and was trying to force that man,

720
00:39:49,640 --> 00:39:52,759
Speaker 1: you know, into late nineties, early two thousand tactics of

721
00:39:52,800 --> 00:39:56,759
Speaker 1: getting out of a contract through force and duress. Now

722
00:39:56,800 --> 00:39:59,799
Speaker 1: that being said, you know contracts, and let's just say,

723
00:40:00,040 --> 00:40:03,480
Speaker 1: if Gucci did sign the release, Gucci does have legal

724
00:40:03,480 --> 00:40:07,000
Speaker 1: footing to say, hey, I was under duress during you

725
00:40:07,000 --> 00:40:11,880
Speaker 1: know this negotiation for X, Y and Z reasons. Therefore

726
00:40:12,400 --> 00:40:15,400
Speaker 1: the release is null and void if he wants to

727
00:40:15,440 --> 00:40:18,120
Speaker 1: stand on that leg. But this is all alleged and

728
00:40:18,320 --> 00:40:22,319
Speaker 1: all a rumor. I'm going to start off here the

729
00:40:22,360 --> 00:40:25,279
Speaker 1: Gucci man. I know this bro. Nobody would have even

730
00:40:25,320 --> 00:40:29,680
Speaker 1: thought of even like contemplating doing something like this. That's

731
00:40:29,760 --> 00:40:34,319
Speaker 1: number one. Number two. I don't put it past Bushisty,

732
00:40:34,800 --> 00:40:36,719
Speaker 1: especially when you look at some of the things that

733
00:40:36,880 --> 00:40:40,880
Speaker 1: you know he's been tied to. You know, I wouldn't

734
00:40:40,880 --> 00:40:43,879
Speaker 1: necessarily put it past them. But I don't know if

735
00:40:43,880 --> 00:40:46,759
Speaker 1: this went down the way that it's all saying that

736
00:40:46,960 --> 00:40:51,800
Speaker 1: it's it's gone down, and Gucci being quiet as quiet

737
00:40:51,840 --> 00:40:54,800
Speaker 1: as he has been handling it, very immature, you know

738
00:40:54,840 --> 00:40:59,160
Speaker 1: what I'm saying, Like he hasn't engaged, you know, seemingly

739
00:40:59,480 --> 00:41:04,640
Speaker 1: he posts it an i G post of diamond splits

740
00:41:04,680 --> 00:41:06,480
Speaker 1: and it's like this is where we roll up and

741
00:41:06,520 --> 00:41:11,080
Speaker 1: people are saying that that is a subtle shot to Pisty.

742
00:41:11,400 --> 00:41:13,200
Speaker 1: Maybe he's going over my head. I don't get it.

743
00:41:13,239 --> 00:41:15,720
Speaker 1: But you know, how do y'all feel about this whole

744
00:41:15,719 --> 00:41:19,520
Speaker 1: situation Poush Heisty feeling the type of way in the

745
00:41:19,600 --> 00:41:23,200
Speaker 1: rumor of him holding Gucci Mane up to get him

746
00:41:23,200 --> 00:41:23,759
Speaker 1: out of his deal.

747
00:41:26,480 --> 00:41:33,680
Speaker 3: Man, come on, man, that no, and I'm not I'm

748
00:41:33,680 --> 00:41:38,280
Speaker 3: not discrediting p Sisty street credit at all at all.

749
00:41:38,920 --> 00:41:41,319
Speaker 3: First and foremost, let me let me make that very

750
00:41:41,400 --> 00:41:49,240
Speaker 3: very clear. Pool if you're mister Sisty, yeah, mis watching

751
00:41:49,840 --> 00:41:53,960
Speaker 3: you know. But but no, man, I need I need

752
00:41:54,400 --> 00:41:58,560
Speaker 3: substantiated rumors to believe something.

753
00:41:58,280 --> 00:41:59,080
Speaker 2: Like this happens.

754
00:41:59,719 --> 00:42:02,680
Speaker 3: What And I'm definitely not trying to hear anything Adam

755
00:42:02,719 --> 00:42:06,279
Speaker 3: twenty two has to say, of all people, no, like,

756
00:42:06,400 --> 00:42:08,160
Speaker 3: why is he even putting that out there? He needs

757
00:42:08,200 --> 00:42:11,080
Speaker 3: to watch himself startings and put some stuff out there

758
00:42:11,120 --> 00:42:14,600
Speaker 3: like that he might get caught up. So no, man,

759
00:42:14,680 --> 00:42:17,600
Speaker 3: I don't. I don't believe this for one bit. I

760
00:42:17,680 --> 00:42:21,040
Speaker 3: need to. I need I need more. Well, well you

761
00:42:21,080 --> 00:42:25,319
Speaker 3: know this this ain't this ain't happening. Nah No, absolutely

762
00:42:25,360 --> 00:42:28,960
Speaker 3: not and why would Pool do this?

763
00:42:29,040 --> 00:42:29,200
Speaker 2: Bro?

764
00:42:29,280 --> 00:42:32,560
Speaker 3: He just got out on top of that, like, that's

765
00:42:32,680 --> 00:42:34,640
Speaker 3: that's that would be crazy for him to even be

766
00:42:34,760 --> 00:42:37,359
Speaker 3: caught around in some mess like that.

767
00:42:38,320 --> 00:42:39,640
Speaker 2: He'll probably end up going back.

768
00:42:40,080 --> 00:42:46,680
Speaker 1: But Ken allegedly, you know, allegedly. But you know, street guys, bro, Like,

769
00:42:46,719 --> 00:42:51,080
Speaker 1: they don't have logic in the same way that non

770
00:42:51,120 --> 00:42:55,800
Speaker 1: street guys have logic, you know, And doing time for

771
00:42:55,920 --> 00:42:58,880
Speaker 1: some of these street guys is just it's you know,

772
00:42:58,880 --> 00:43:00,759
Speaker 1: they only do two days the day they come in

773
00:43:00,800 --> 00:43:02,239
Speaker 1: and they come out, you know what I'm saying. Like,

774
00:43:02,320 --> 00:43:05,640
Speaker 1: so that mentality is there, And like you said, I'm

775
00:43:05,640 --> 00:43:09,600
Speaker 1: not I'm not questionings street credibility either. Man just did

776
00:43:09,640 --> 00:43:12,239
Speaker 1: some good time over there. You know that he gave

777
00:43:12,280 --> 00:43:16,440
Speaker 1: to the government. That being said, again, I just I

778
00:43:16,480 --> 00:43:21,480
Speaker 1: don't if you if if he was signed to somebody else,

779
00:43:21,920 --> 00:43:25,680
Speaker 1: I may have believed this a little bit more. Not Gucci, Bro,

780
00:43:25,760 --> 00:43:29,240
Speaker 1: I just I don't see who's gonna strong arm Gucci

781
00:43:29,320 --> 00:43:32,080
Speaker 1: to get him out they deal like Gucci. I just

782
00:43:32,200 --> 00:43:35,080
Speaker 1: I don't. I don't. I need video evidence, bro, I

783
00:43:35,080 --> 00:43:38,040
Speaker 1: need I need video proof that Gucci was was was

784
00:43:38,400 --> 00:43:40,600
Speaker 1: tied up? Bro, Like, I just you know what I'm

785
00:43:40,600 --> 00:43:44,239
Speaker 1: saying I just don't believe it. I just I don't know,

786
00:43:44,360 --> 00:43:50,360
Speaker 1: like I take Gucci main street cred, you know, like

787
00:43:50,400 --> 00:43:52,640
Speaker 1: to the umpteenth degree, like we we didn't. We didn't

788
00:43:52,680 --> 00:43:55,000
Speaker 1: see this man do some do some stuff and be

789
00:43:55,040 --> 00:43:58,600
Speaker 1: involved with some stuff. I don't think. I don't think

790
00:43:58,640 --> 00:44:01,680
Speaker 1: this this happened in that way because other things would

791
00:44:01,719 --> 00:44:08,799
Speaker 1: have been leaked Paul, you know double n tiendre there. Yeah,

792
00:44:09,080 --> 00:44:12,520
Speaker 1: I'm just yeah this when y'all y'all got it, I'm not.

793
00:44:13,400 --> 00:44:16,080
Speaker 1: When I saw this on the rundown, I didn't even

794
00:44:16,200 --> 00:44:19,520
Speaker 1: know that this was like big news, be quite honest,

795
00:44:19,600 --> 00:44:22,920
Speaker 1: like I just yeah.

796
00:44:23,120 --> 00:44:30,040
Speaker 3: To the point, rod H, Gucci had to respond. That's

797
00:44:30,160 --> 00:44:32,719
Speaker 3: that's how big it got. Like if it was just

798
00:44:32,960 --> 00:44:37,440
Speaker 3: hear say here there like whack one hundred had said something,

799
00:44:38,520 --> 00:44:43,640
Speaker 3: Gucci actually had to go on Instagram and show his chain,

800
00:44:43,680 --> 00:44:46,319
Speaker 3: and so it got to a point where Gucci had

801
00:44:46,320 --> 00:44:48,839
Speaker 3: to let people know like, hey man, y'all don't don't

802
00:44:48,840 --> 00:44:51,439
Speaker 3: believe that ship that y'all hearing out there, They ain't

803
00:44:51,840 --> 00:44:55,040
Speaker 3: and what you think it is? So yeah that that

804
00:44:55,040 --> 00:44:59,319
Speaker 3: that that's why if Gucci didn't respond, you know.

805
00:45:02,160 --> 00:45:07,600
Speaker 1: Yeah, yeah, that's yeah.

806
00:45:06,440 --> 00:45:08,919
Speaker 2: Yeah, that's it. Yeah.

807
00:45:09,040 --> 00:45:12,720
Speaker 1: Well look man, uh, that's the rundown. That's the rundown.

808
00:45:13,040 --> 00:45:16,719
Speaker 1: We won't get into, uh the super chats. So that's

809
00:45:16,760 --> 00:45:19,239
Speaker 1: where we pass it off to Ken brother man. Ken,

810
00:45:19,680 --> 00:45:22,440
Speaker 1: He's gonna read these joints.

811
00:45:24,000 --> 00:45:28,040
Speaker 3: All right, cool, but I'm glad, uh, mister shisty bad.

812
00:45:28,080 --> 00:45:30,640
Speaker 2: We need more street music, FIFA, we.

813
00:45:30,600 --> 00:45:34,320
Speaker 3: Do we need yeah, yeah, yeah, So hopefully.

814
00:45:35,320 --> 00:45:40,160
Speaker 2: We stay on the right path. Jonathan and Dan Derez,

815
00:45:40,200 --> 00:45:42,240
Speaker 2: where do you see Danny hip hop in three years?

816
00:45:42,280 --> 00:45:42,759
Speaker 2: That is a.

817
00:45:44,239 --> 00:45:50,920
Speaker 3: Question, Uh, very good question. I mean should I mean,

818
00:45:50,960 --> 00:45:56,880
Speaker 3: I think I'll still be here, so you know, you know, yeah,

819
00:45:56,920 --> 00:46:03,120
Speaker 3: I think and in three years a lot will definitely

820
00:46:03,160 --> 00:46:07,160
Speaker 3: have been changed by then. I think that, you know,

821
00:46:07,280 --> 00:46:11,360
Speaker 3: we continue to age, of course, and I think the

822
00:46:11,440 --> 00:46:14,440
Speaker 3: channel itself, in terms of type of coverage stuff that

823
00:46:14,480 --> 00:46:18,319
Speaker 3: we discussed the sea several foundationally will will more than

824
00:46:18,400 --> 00:46:24,560
Speaker 3: likely change, uh to adapt to that and be more

825
00:46:24,640 --> 00:46:32,880
Speaker 3: of a uh the foundational piece of community.

826
00:46:33,320 --> 00:46:35,600
Speaker 2: I really would like to really really get like a

827
00:46:35,600 --> 00:46:36,879
Speaker 2: community aspect going.

828
00:46:37,160 --> 00:46:38,920
Speaker 3: I feel like there there and I ain't gonna say

829
00:46:38,920 --> 00:46:41,279
Speaker 3: it a lot on here, but there is something that

830
00:46:41,320 --> 00:46:44,800
Speaker 3: I see that is missing from the game and uh,

831
00:46:44,960 --> 00:46:46,720
Speaker 3: and hopefully in three years.

832
00:46:46,480 --> 00:46:49,240
Speaker 2: I think we could fill that gap, feel that space.

833
00:46:50,880 --> 00:46:53,719
Speaker 1: Yeah, I will say this, Ken. You know, you talked

834
00:46:53,719 --> 00:46:56,560
Speaker 1: about us getting old, like you know, you already you've

835
00:46:56,600 --> 00:46:59,200
Speaker 1: been old from since we started, and I'm you know,

836
00:46:59,239 --> 00:47:01,720
Speaker 1: I'm just now getting in there. I'm just not getting

837
00:47:01,719 --> 00:47:05,000
Speaker 1: the grades and ship. Bro, I don't know, bro like

838
00:47:05,120 --> 00:47:07,520
Speaker 1: you know, three years from now, I think, you know,

839
00:47:07,520 --> 00:47:10,399
Speaker 1: and I had these conversations, we can you know, trying

840
00:47:10,400 --> 00:47:14,640
Speaker 1: to bring other entities on to diversify our content creation.

841
00:47:15,160 --> 00:47:17,640
Speaker 1: That is, so it's not just solely us. I know,

842
00:47:17,719 --> 00:47:20,640
Speaker 1: we we we haven't done a really good job so

843
00:47:20,760 --> 00:47:24,160
Speaker 1: far with finally bringing on Deck on. But you know,

844
00:47:24,200 --> 00:47:26,560
Speaker 1: for me, I feel like, you know, bringing on Deck

845
00:47:26,680 --> 00:47:30,600
Speaker 1: and a couple other entities to create content for us

846
00:47:30,640 --> 00:47:33,279
Speaker 1: in addition to the content that we already do. I

847
00:47:33,280 --> 00:47:35,239
Speaker 1: think that that is part of the Den and hip

848
00:47:35,280 --> 00:47:39,919
Speaker 1: hop future, you know, because because the things that y'all

849
00:47:39,960 --> 00:47:41,920
Speaker 1: don't see, bro, Like, it takes a lot of planning,

850
00:47:41,920 --> 00:47:43,480
Speaker 1: it takes a lot of editing, it takes a lot.

851
00:47:43,560 --> 00:47:46,560
Speaker 1: It just takes a lot for us to do what

852
00:47:46,640 --> 00:47:50,239
Speaker 1: we do. And I think, you know, sometimes we don't

853
00:47:50,280 --> 00:47:53,240
Speaker 1: cover some things. You know, it just it's not because

854
00:47:53,239 --> 00:47:57,000
Speaker 1: we don't want to. It's just it's almost impossible for

855
00:47:57,080 --> 00:48:00,440
Speaker 1: us to cover everything. And I think to cover those gaps,

856
00:48:00,440 --> 00:48:03,600
Speaker 1: we need to bring other people into the Dead of

857
00:48:03,680 --> 00:48:05,799
Speaker 1: hip Hop universe, you know. And I think we've done

858
00:48:05,800 --> 00:48:07,759
Speaker 1: it already, you know, with Den in Sports and a

859
00:48:07,800 --> 00:48:11,360
Speaker 1: couple other entities. But I think we need more content

860
00:48:11,440 --> 00:48:15,399
Speaker 1: creators to create content license to dead in hip Hop.

861
00:48:15,800 --> 00:48:20,680
Speaker 1: But outside of that, you know, Ship I should still

862
00:48:20,680 --> 00:48:22,520
Speaker 1: be here, you know what I'm saying. I think Modest

863
00:48:22,520 --> 00:48:25,680
Speaker 1: Wild still be here. I think be should still be here.

864
00:48:25,760 --> 00:48:28,480
Speaker 1: But you know, life changes, bro. You know we're getting

865
00:48:28,480 --> 00:48:30,959
Speaker 1: to that age too, you know, like you know, other

866
00:48:31,120 --> 00:48:35,840
Speaker 1: other things that take time become priority, you know what

867
00:48:35,880 --> 00:48:38,080
Speaker 1: I'm saying, So I just leave it there. Us three

868
00:48:38,160 --> 00:48:40,560
Speaker 1: have kids, bruh. And you know my kid is fucking

869
00:48:40,600 --> 00:48:43,360
Speaker 1: growing up, like you're gonna be four this year already.

870
00:48:43,480 --> 00:48:44,920
Speaker 1: You know, It's like where the hell did the time go?

871
00:48:45,080 --> 00:48:48,200
Speaker 1: So you know, as he gets older, there's gonna be

872
00:48:48,239 --> 00:48:52,000
Speaker 1: things that I'm gonna want to do time wise, uh,

873
00:48:52,160 --> 00:48:55,120
Speaker 1: for for him, and you know for me too. You know,

874
00:48:55,200 --> 00:48:57,040
Speaker 1: as I get older, man, the only things you take

875
00:48:57,080 --> 00:48:59,480
Speaker 1: with you is your memory. So you know, but we

876
00:48:59,480 --> 00:49:00,719
Speaker 1: should still be around in three years.

877
00:49:02,120 --> 00:49:06,040
Speaker 4: Yeah, I think I was just talking to Ken about it.

878
00:49:06,080 --> 00:49:11,280
Speaker 1: Man. I still got really hot hopes for us, especially

879
00:49:11,280 --> 00:49:14,040
Speaker 1: within three years, but probably less than that. Man, I

880
00:49:14,080 --> 00:49:16,680
Speaker 1: think we're in a very transitional phase right now. I mean,

881
00:49:16,719 --> 00:49:18,960
Speaker 1: in a week we will be fifteen years and with

882
00:49:19,080 --> 00:49:22,960
Speaker 1: that in hip hop, bro in a week's time will

883
00:49:23,040 --> 00:49:24,120
Speaker 1: be fifteen years.

884
00:49:24,200 --> 00:49:24,839
Speaker 2: And so I.

885
00:49:24,800 --> 00:49:27,920
Speaker 4: Think, you know, I think I think it's just a

886
00:49:27,920 --> 00:49:29,880
Speaker 4: matter matter of like just regrouping.

887
00:49:30,080 --> 00:49:33,800
Speaker 1: I can absolutely see like the crew coming back together,

888
00:49:33,920 --> 00:49:37,360
Speaker 1: not in like full force, but definitely in a situation

889
00:49:37,480 --> 00:49:41,200
Speaker 1: where you'll get us like sparingly as a as as

890
00:49:41,239 --> 00:49:43,600
Speaker 1: like a whole team, you know what I'm saying for

891
00:49:43,719 --> 00:49:47,240
Speaker 1: special occasions, like I definitely see that. I definitely see

892
00:49:47,800 --> 00:49:53,640
Speaker 1: just a revived old old feeling of what we what

893
00:49:53,719 --> 00:49:56,239
Speaker 1: we wance work or whatever. But right now, I think

894
00:49:56,239 --> 00:49:59,080
Speaker 1: we just kind of holding on holding strong. And I

895
00:49:59,120 --> 00:50:01,279
Speaker 1: just appreciate you guys, like I've been seeing in the

896
00:50:01,280 --> 00:50:03,440
Speaker 1: comments that y'all just still holding strong with us. So

897
00:50:03,960 --> 00:50:05,440
Speaker 1: I just think it's just gonna take a little bit

898
00:50:05,480 --> 00:50:07,399
Speaker 1: more time for us to get our footing. Like I said,

899
00:50:07,480 --> 00:50:09,800
Speaker 1: life changes in fifteen years like a lot of things

900
00:50:09,800 --> 00:50:13,080
Speaker 1: have changed, so we're just trying to maneuver around that.

901
00:50:13,200 --> 00:50:17,160
Speaker 1: So I think, honestly, sometime this year, I feel like,

902
00:50:17,640 --> 00:50:21,879
Speaker 1: you know, we're proper planning, proper ideas that we can

903
00:50:21,960 --> 00:50:24,960
Speaker 1: we can get that that old feeling back. We almost

904
00:50:25,040 --> 00:50:26,520
Speaker 1: kind of caught it when we went to the house

905
00:50:27,080 --> 00:50:28,920
Speaker 1: or whatever. But I think, I think we just need

906
00:50:28,960 --> 00:50:34,000
Speaker 1: to make a couple of different moves. Like I think

907
00:50:34,640 --> 00:50:38,000
Speaker 1: the way that the industry shifted kind of put put

908
00:50:38,000 --> 00:50:40,680
Speaker 1: a hawk on us, like, you know, financially like, which

909
00:50:40,680 --> 00:50:42,839
Speaker 1: is which is why we can't really keep people here.

910
00:50:42,920 --> 00:50:45,840
Speaker 1: That's why we're always trying to push for like Patreon support,

911
00:50:46,440 --> 00:50:49,360
Speaker 1: super chat support. Like if we had the type of

912
00:50:49,400 --> 00:50:51,640
Speaker 1: support that a lot of these bigger entities have, like

913
00:50:51,680 --> 00:50:54,880
Speaker 1: the Joe Budden's, like the Charlotte Kainz Man, it'll still

914
00:50:54,920 --> 00:50:57,480
Speaker 1: be like full force. But because we don't have that,

915
00:50:57,960 --> 00:51:00,839
Speaker 1: it's hard to kind of maintain it, right. So I'm

916
00:51:00,920 --> 00:51:02,759
Speaker 1: just hoping that, you know, with a little bit, a

917
00:51:02,840 --> 00:51:06,960
Speaker 1: little bit more direction and consistency, that we can get

918
00:51:07,000 --> 00:51:10,840
Speaker 1: to a point where we could have, you know, have

919
00:51:10,960 --> 00:51:13,520
Speaker 1: this as a main option for people. I think if

920
00:51:13,520 --> 00:51:15,279
Speaker 1: we can get that back, we can get back what

921
00:51:15,360 --> 00:51:15,840
Speaker 1: we had.

922
00:51:20,360 --> 00:51:23,919
Speaker 3: All right, As is, Pitchfork is about to put certain

923
00:51:23,960 --> 00:51:27,400
Speaker 3: aspects of their reviews behind a paywall, and everyone is

924
00:51:27,400 --> 00:51:33,360
Speaker 3: clowning them. It's music journalism dying and or losing respect.

925
00:51:33,800 --> 00:51:40,480
Speaker 3: Who I don't think that's a bad move though, being

926
00:51:40,520 --> 00:51:43,840
Speaker 3: in the content creation space. You know, Rob literally just

927
00:51:43,880 --> 00:51:47,319
Speaker 3: said it, you know, like the game has changed, you know,

928
00:51:47,719 --> 00:51:50,920
Speaker 3: when we first got into the game, paywall like they

929
00:51:50,960 --> 00:51:51,880
Speaker 3: got not you know.

930
00:51:51,840 --> 00:51:53,839
Speaker 1: What I'm saying. But like now, I do think that

931
00:51:54,160 --> 00:51:57,040
Speaker 1: there should be content behind the paywall, but I also

932
00:51:57,120 --> 00:51:59,680
Speaker 1: feel that you should have them a lot of content

933
00:52:00,120 --> 00:52:02,640
Speaker 1: that's free for consumers, you know what I'm saying, because

934
00:52:02,680 --> 00:52:04,600
Speaker 1: not everybody is gonna be a die hard fan, So

935
00:52:04,840 --> 00:52:07,640
Speaker 1: I'm cool with that. But I don't think that you know,

936
00:52:07,920 --> 00:52:12,200
Speaker 1: and look, these two guys right here can agree. I've

937
00:52:12,200 --> 00:52:15,839
Speaker 1: been I've been pushing for paywall reviews for the last

938
00:52:15,880 --> 00:52:19,600
Speaker 1: three to five years. Brow I was, I was before

939
00:52:19,680 --> 00:52:23,279
Speaker 1: Pitchfork in terms of that, So I've been pushing for that.

940
00:52:23,360 --> 00:52:26,200
Speaker 1: I don't I don't think it's a bad idea. I

941
00:52:26,239 --> 00:52:30,520
Speaker 1: do think journalism is changing. I think you know, again,

942
00:52:30,560 --> 00:52:33,400
Speaker 1: what Rob was talking about, like, you know, just the

943
00:52:33,480 --> 00:52:37,839
Speaker 1: industry changing. The people that have the most clout in this,

944
00:52:38,120 --> 00:52:44,000
Speaker 1: in this journalistic space are the streamers. Now it's it's

945
00:52:44,040 --> 00:52:46,680
Speaker 1: it's it's not even us like like you know, like

946
00:52:46,680 --> 00:52:49,200
Speaker 1: like like the hip hop entities, like, it's not us,

947
00:52:49,280 --> 00:52:52,120
Speaker 1: it's the streamers. The hip hop artists are going to

948
00:52:52,160 --> 00:52:55,720
Speaker 1: the streamers to play their stuff. So the game has changed,

949
00:52:55,719 --> 00:52:59,200
Speaker 1: and you gotta adapt. And if you're gonna be you know,

950
00:53:00,160 --> 00:53:02,359
Speaker 1: if you're going to put in the time and try

951
00:53:02,400 --> 00:53:07,359
Speaker 1: to get some type of revenue out of it, there

952
00:53:07,400 --> 00:53:09,839
Speaker 1: has to be a paywall somewhere. You have to put

953
00:53:09,840 --> 00:53:12,239
Speaker 1: something behind the paywall. It's just it is what it is.

954
00:53:12,280 --> 00:53:17,200
Speaker 1: So I'm not y'all shouldn't clown them. It's just where

955
00:53:17,200 --> 00:53:20,640
Speaker 1: we are in terms of journalistic coverage.

956
00:53:21,280 --> 00:53:25,960
Speaker 4: Pitchfork like talking about the written reviews behind a paywall,

957
00:53:28,160 --> 00:53:29,440
Speaker 4: written the reviews.

958
00:53:29,040 --> 00:53:38,160
Speaker 1: Though what I'm just applying because obviously we do video,

959
00:53:38,719 --> 00:53:43,080
Speaker 1: you know, they do written but it's not that different.

960
00:53:43,560 --> 00:53:46,800
Speaker 1: So it's very different. You're talking about like like grown

961
00:53:46,880 --> 00:53:51,800
Speaker 1: men trying to get together produce shows and come together

962
00:53:51,880 --> 00:53:55,440
Speaker 1: to do to do a fully edited review versus like

963
00:53:55,520 --> 00:53:59,080
Speaker 1: somebody just writing head not taking away from journalism in

964
00:53:59,120 --> 00:54:00,640
Speaker 1: that way, you know what I'm saying. I'm just saying

965
00:54:00,680 --> 00:54:02,640
Speaker 1: that I think it's I think what we do is

966
00:54:02,640 --> 00:54:04,920
Speaker 1: a lot different, you know what I'm saying, And and

967
00:54:04,920 --> 00:54:09,120
Speaker 1: and it's in a different could be put behind a paywall,

968
00:54:09,239 --> 00:54:13,320
Speaker 1: Like I don't think it's the same. So I don't disagree.

969
00:54:13,320 --> 00:54:15,160
Speaker 1: I don't think it's the same. But I'm looking at

970
00:54:15,200 --> 00:54:18,360
Speaker 1: it for like content to content, like that's their content.

971
00:54:19,280 --> 00:54:22,120
Speaker 1: And I'm just saying, regardless of whatever type of content

972
00:54:22,160 --> 00:54:24,760
Speaker 1: that you create, you should have some type of paywall.

973
00:54:25,320 --> 00:54:30,040
Speaker 1: That's just their content. That's their business model. I wouldn't

974
00:54:30,080 --> 00:54:32,279
Speaker 1: want to be in that business model because I think

975
00:54:33,080 --> 00:54:37,359
Speaker 1: words are dying right like like podcast is what's hot,

976
00:54:37,440 --> 00:54:39,840
Speaker 1: video is what's hot. You know, people sitting down to

977
00:54:39,960 --> 00:54:42,920
Speaker 1: read is just not like it's you know so. But

978
00:54:42,920 --> 00:54:46,200
Speaker 1: but it's their content. So because I'm looking at it

979
00:54:46,360 --> 00:54:49,399
Speaker 1: solely from that lens, it's not a bad business move.

980
00:54:49,520 --> 00:54:51,640
Speaker 1: I just don't think it's sustainable. I think it is

981
00:54:51,680 --> 00:54:53,960
Speaker 1: for them though, because like they've lost a lot of

982
00:54:53,960 --> 00:54:58,800
Speaker 1: credibility for their reviews, like people always talking about yeah,

983
00:54:58,920 --> 00:55:01,440
Speaker 1: any other audacity put them behind a pay on them

984
00:55:02,120 --> 00:55:05,719
Speaker 1: that's kind of crazy. But but do you think I

985
00:55:05,760 --> 00:55:08,040
Speaker 1: think people are still gonna pay. I think Pitchfork has

986
00:55:08,080 --> 00:55:12,520
Speaker 1: some If they do, they do, I'm not gonna knock it,

987
00:55:12,600 --> 00:55:13,960
Speaker 1: you know what I'm saying. I'm just saying that. You know,

988
00:55:14,040 --> 00:55:23,520
Speaker 1: for me, I'm like, okay, yeah, yeah.

989
00:55:22,480 --> 00:55:25,000
Speaker 2: I don't. I have a lot of thoughts.

990
00:55:25,080 --> 00:55:28,000
Speaker 3: We don't have time, but it's just thoughts in general,

991
00:55:28,160 --> 00:55:33,960
Speaker 3: just about the media business as a whole and different

992
00:55:35,200 --> 00:55:40,160
Speaker 3: survival tactics and strategies that that companies are are doing.

993
00:55:40,280 --> 00:55:42,719
Speaker 3: US spent a lot of time studying and watching the

994
00:55:42,760 --> 00:55:46,000
Speaker 3: space and reading and listening to a lot of entities

995
00:55:46,160 --> 00:55:48,440
Speaker 3: just about it. Because it changes so much you have

996
00:55:48,520 --> 00:55:51,520
Speaker 3: to keep track of what's happening to even know if

997
00:55:51,520 --> 00:55:54,879
Speaker 3: it's worth the next move. I think that they more

998
00:55:54,920 --> 00:55:58,680
Speaker 3: than likely spent a lot of time thinking about the

999
00:55:58,800 --> 00:56:01,759
Speaker 3: decision because they know oh that, and probably felt that

1000
00:56:01,800 --> 00:56:04,319
Speaker 3: they were going to get clowned for it. I think,

1001
00:56:04,360 --> 00:56:08,279
Speaker 3: what the idea that they have. I think it's a

1002
00:56:08,320 --> 00:56:11,440
Speaker 3: good idea. I understand people are clown them for it,

1003
00:56:11,480 --> 00:56:16,319
Speaker 3: but it feels but I think reading up on it

1004
00:56:16,400 --> 00:56:18,880
Speaker 3: right here, I don't think it's a bad idea that

1005
00:56:18,960 --> 00:56:19,840
Speaker 3: they have.

1006
00:56:21,280 --> 00:56:22,719
Speaker 2: You know, in place, But.

1007
00:56:24,440 --> 00:56:29,239
Speaker 3: You know, I think the question really is about music

1008
00:56:29,280 --> 00:56:36,200
Speaker 3: journalism dying or losing respect, and man, that that is,

1009
00:56:36,239 --> 00:56:44,399
Speaker 3: that is that is tough because reactions really messed everything up,

1010
00:56:45,760 --> 00:56:51,160
Speaker 3: and I have to ask myself how sustainable is reactions.

1011
00:56:51,239 --> 00:56:53,440
Speaker 2: Reactions are so powerful.

1012
00:56:53,640 --> 00:56:58,440
Speaker 3: That YouTube started to change how they deal with copywritten material.

1013
00:57:02,400 --> 00:57:06,719
Speaker 3: So people want people and so yeah, so, but I

1014
00:57:06,719 --> 00:57:10,359
Speaker 3: don't think music journalism as a whole will die. It's

1015
00:57:10,360 --> 00:57:14,160
Speaker 3: been around since fifty sixty. It's just evolving. It's just transforming,

1016
00:57:14,960 --> 00:57:17,240
Speaker 3: you know. And I think there are people that will

1017
00:57:17,320 --> 00:57:21,040
Speaker 3: want high end thoughts and commentary about it instead of

1018
00:57:21,080 --> 00:57:24,360
Speaker 3: just watching somebody bob their head on a on a

1019
00:57:24,440 --> 00:57:28,800
Speaker 3: video screen, you know. And I think that I think

1020
00:57:28,800 --> 00:57:31,280
Speaker 3: that people will always want that. So I think there's

1021
00:57:31,320 --> 00:57:35,480
Speaker 3: a there's a demographic and audience for everything. So it's

1022
00:57:35,560 --> 00:57:39,440
Speaker 3: just evolving and changing and we'll see what is going

1023
00:57:39,480 --> 00:57:42,840
Speaker 3: to be next. Because you got to think about what

1024
00:57:43,040 --> 00:57:47,640
Speaker 3: impact AI will have in this space as well. When

1025
00:57:47,640 --> 00:57:51,160
Speaker 3: it comes to reviews and journalism and stuff like that.

1026
00:57:51,240 --> 00:57:54,640
Speaker 3: You know, people may not even well, people may not

1027
00:57:54,720 --> 00:57:58,400
Speaker 3: even read going back to reading, people may not even

1028
00:57:58,560 --> 00:58:01,919
Speaker 3: read the kind They may just have it read to them.

1029
00:58:01,960 --> 00:58:04,960
Speaker 3: That is the thing that's happening, So you know, so

1030
00:58:05,320 --> 00:58:07,640
Speaker 3: it's just evolving. I think that's what's happening.

1031
00:58:08,480 --> 00:58:15,840
Speaker 1: It is. I think media that is consumed like where

1032
00:58:15,880 --> 00:58:20,000
Speaker 1: you have to be stationary, that that style of of

1033
00:58:20,040 --> 00:58:23,680
Speaker 1: consuming it is dying and it's it's it's damn near dead.

1034
00:58:24,280 --> 00:58:26,680
Speaker 1: Like like Ken said, like, you know, I could get

1035
00:58:26,680 --> 00:58:29,160
Speaker 1: an article read to me. I think I think that

1036
00:58:29,160 --> 00:58:33,640
Speaker 1: the thing about media consumption Now, if I can't do

1037
00:58:33,760 --> 00:58:39,400
Speaker 1: it on the go, it's it's dead. It's dead.

1038
00:58:39,520 --> 00:58:40,160
Speaker 2: Yeah, you could.

1039
00:58:40,200 --> 00:58:42,800
Speaker 1: You can watch us on the go on your phone.

1040
00:58:43,280 --> 00:58:45,360
Speaker 1: You can listen, you know what I'm saying, like podcast like,

1041
00:58:45,680 --> 00:58:47,640
Speaker 1: but if I had to sit down and do it,

1042
00:58:48,200 --> 00:58:52,160
Speaker 1: that type of media is dead. Uh.

1043
00:58:52,320 --> 00:58:54,960
Speaker 3: Aaron Rocky about to hit the career hot numbers wise,

1044
00:58:55,040 --> 00:58:56,920
Speaker 3: I don't know about missing his moment with this one

1045
00:58:57,000 --> 00:59:03,000
Speaker 3: album was solid though in sauce slid on that one train. Yes,

1046
00:59:03,240 --> 00:59:05,040
Speaker 3: I think he's gonna do the numbers because I think

1047
00:59:05,080 --> 00:59:09,000
Speaker 3: so many people have been waiting and driving force behind

1048
00:59:09,040 --> 00:59:15,440
Speaker 3: it because of the anticipation. So you know, so yeah,

1049
00:59:16,320 --> 00:59:18,280
Speaker 3: we'll see. But yeah, that's a good point.

1050
00:59:18,960 --> 00:59:19,080
Speaker 1: Uh.

1051
00:59:20,280 --> 00:59:23,720
Speaker 3: Jonathan and Nandez, what are the worst songs y'all heard

1052
00:59:23,800 --> 00:59:24,400
Speaker 3: last year?

1053
00:59:26,880 --> 00:59:32,360
Speaker 1: That's a video worst songs we heard last year? Damn.

1054
00:59:35,080 --> 00:59:39,880
Speaker 2: Oh man, I have to go through names.

1055
00:59:40,360 --> 00:59:44,160
Speaker 1: Yeah, I have to go through too, But I I

1056
00:59:44,240 --> 00:59:47,920
Speaker 1: want to say, like, it's hard to say worse because

1057
00:59:48,120 --> 00:59:50,200
Speaker 1: it was songs that messed up some albums for me,

1058
00:59:50,280 --> 00:59:53,760
Speaker 1: like jis album, right, there were some songs the other

1059
00:59:53,840 --> 01:00:00,280
Speaker 1: that that rested up for me. Damn worst songs. Yeah,

1060
01:00:00,280 --> 01:00:01,960
Speaker 1: I would have to go back through because it was

1061
01:00:02,000 --> 01:00:04,120
Speaker 1: a lot of stuff that I wasn't really feeling last year.

1062
01:00:05,320 --> 01:00:07,600
Speaker 1: I did like a lot of stuff, but it was

1063
01:00:07,640 --> 01:00:11,200
Speaker 1: some stuff that I wasn't feeling like that too. But

1064
01:00:11,280 --> 01:00:13,480
Speaker 1: I can't really think right now, but I think that

1065
01:00:13,560 --> 01:00:16,840
Speaker 1: could be an interesting video.

1066
01:00:17,600 --> 01:00:19,160
Speaker 2: Yeah, I'll give way.

1067
01:00:20,920 --> 01:00:22,280
Speaker 1: Definitely had some songs I did.

1068
01:00:22,120 --> 01:00:26,520
Speaker 2: Not First album of the Year, Man.

1069
01:00:26,520 --> 01:00:29,800
Speaker 1: Joy Badass had some songs I did not like. Man

1070
01:00:30,680 --> 01:00:37,360
Speaker 1: that was the biggest letdown of Yes, yes man, yeah

1071
01:00:37,400 --> 01:00:37,800
Speaker 1: he did.

1072
01:00:38,320 --> 01:00:38,400
Speaker 4: So.

1073
01:00:38,480 --> 01:00:41,680
Speaker 1: Yeah, I would have to go back through and see, like, okay,

1074
01:00:41,720 --> 01:00:44,640
Speaker 1: what what albums and that stuff, because that's the thing,

1075
01:00:44,720 --> 01:00:47,560
Speaker 1: like I'm not listening to how it's gonna be the worst.

1076
01:00:47,920 --> 01:00:50,320
Speaker 1: I'm probably gonna skip it, like you know what I'm saying.

1077
01:00:52,200 --> 01:00:54,280
Speaker 1: More like I'm gonna skip it. So yeah, I didn't

1078
01:00:54,280 --> 01:00:57,120
Speaker 1: even listen to it. That's an interesting question.

1079
01:01:00,640 --> 01:01:03,800
Speaker 3: Yeah, yeah, I'll get back to you. I like stuff

1080
01:01:03,800 --> 01:01:08,400
Speaker 3: like I go find you a list the worst something Wayne.

1081
01:01:08,120 --> 01:01:08,680
Speaker 4: Had something too.

1082
01:01:08,720 --> 01:01:11,360
Speaker 1: I saw somebody say, yeah, you had some bad songs,

1083
01:01:11,520 --> 01:01:16,120
Speaker 1: had some bad songs. Yeah, between Joey and and Lil Wayne. Yeah,

1084
01:01:17,040 --> 01:01:19,560
Speaker 1: those are probably some of my worst songs. Probably came

1085
01:01:19,640 --> 01:01:21,680
Speaker 1: for those albums.

1086
01:01:23,080 --> 01:01:23,400
Speaker 2: As it is.

1087
01:01:23,560 --> 01:01:27,080
Speaker 3: Travis responded to Push and interview, saying for real, actually

1088
01:01:27,080 --> 01:01:30,400
Speaker 3: invite him to the Clips studio session and then interrupt

1089
01:01:30,480 --> 01:01:32,920
Speaker 3: them and push just distant for cloud thoughts.

1090
01:01:33,840 --> 01:01:37,160
Speaker 1: I saw that. I saw that, yeah, because he was

1091
01:01:37,200 --> 01:01:39,160
Speaker 1: talking about how you know, he didn't come in there

1092
01:01:39,160 --> 01:01:40,840
Speaker 1: with a film crew and all that. He was like,

1093
01:01:40,880 --> 01:01:43,320
Speaker 1: Clips had a film crew, and you know, if you

1094
01:01:43,320 --> 01:01:45,840
Speaker 1: got to use my name for the rollout, so be it.

1095
01:01:46,200 --> 01:01:50,480
Speaker 1: So like hey, hey hey, And then he said he's

1096
01:01:50,480 --> 01:01:55,280
Speaker 1: gonna put his all into the next album. Yeah, you know,

1097
01:01:55,360 --> 01:01:59,400
Speaker 1: I don't know, bro, I don't know. Why did you?

1098
01:01:59,440 --> 01:02:02,960
Speaker 1: Doesn't necessarily mean that there wasn't attention or you know,

1099
01:02:03,120 --> 01:02:07,560
Speaker 1: other things there with with uh pushing himself. So I

1100
01:02:07,560 --> 01:02:08,760
Speaker 1: don't know. I don't know.

1101
01:02:10,120 --> 01:02:13,560
Speaker 3: Joey bad As started a whole fake beef to sell

1102
01:02:13,560 --> 01:02:17,600
Speaker 3: an album. So there could be some truth to what

1103
01:02:17,640 --> 01:02:21,320
Speaker 3: Travis Scott is saying, because remember I was like, because

1104
01:02:21,320 --> 01:02:23,600
Speaker 3: even when we were talking about I was like I

1105
01:02:23,680 --> 01:02:27,480
Speaker 3: was kind of wondering what the whole big deal was

1106
01:02:27,800 --> 01:02:31,480
Speaker 3: and why, you know, So the timing was very interesting,

1107
01:02:32,400 --> 01:02:36,439
Speaker 3: you know, when it all went down. So I think

1108
01:02:36,480 --> 01:02:40,480
Speaker 3: it's possible that he did that. And maybe if we're

1109
01:02:40,520 --> 01:02:42,520
Speaker 3: Travis talking about he's gonna put his all into the album,

1110
01:02:42,600 --> 01:02:45,480
Speaker 3: he's bringing this back up to let people know he

1111
01:02:45,520 --> 01:02:48,240
Speaker 3: got an album coming. And now that he's bringing this

1112
01:02:48,320 --> 01:02:50,560
Speaker 3: back up, it's gonna keep that whole thing going in

1113
01:02:50,600 --> 01:02:53,600
Speaker 3: the media news cycle, and then people are gonna listen

1114
01:02:53,600 --> 01:02:55,680
Speaker 3: to the album because they're gonna expect to wait for

1115
01:02:55,960 --> 01:03:00,720
Speaker 3: him to dissembat well really watch Rent repeat.

1116
01:03:02,880 --> 01:03:07,720
Speaker 2: So where Sophie at Sophie?

1117
01:03:08,640 --> 01:03:11,040
Speaker 4: I miss Sophie, man. I was thinking about her the

1118
01:03:11,080 --> 01:03:11,480
Speaker 4: other day.

1119
01:03:11,480 --> 01:03:16,360
Speaker 1: I was looking at what was it some old video

1120
01:03:16,520 --> 01:03:18,240
Speaker 1: or something like that. I was like, man, some people

1121
01:03:18,280 --> 01:03:21,080
Speaker 1: was funny as hell. There was It's it's the mice

1122
01:03:21,080 --> 01:03:27,200
Speaker 1: stalone joints. Yeah, Sophie was so cool. But now Sophie still, man,

1123
01:03:27,240 --> 01:03:31,000
Speaker 1: she she's still a homie man, she came to Bee's

1124
01:03:31,080 --> 01:03:36,880
Speaker 1: wedding joint, she came to the after party. Mm hmm.

1125
01:03:37,280 --> 01:03:40,840
Speaker 1: Sophie still out here many Sophie good?

1126
01:03:41,800 --> 01:03:42,800
Speaker 4: Uh?

1127
01:03:42,960 --> 01:03:47,120
Speaker 3: Melani Man definitely bumping that a sap, especially in the

1128
01:03:47,120 --> 01:03:49,880
Speaker 3: whip only two joints I don't like.

1129
01:03:50,040 --> 01:03:52,360
Speaker 2: The rest is a thought.

1130
01:03:52,760 --> 01:03:54,520
Speaker 1: I think I know the ones that you don't like.

1131
01:03:54,600 --> 01:03:54,960
Speaker 2: Fire.

1132
01:03:56,120 --> 01:04:02,760
Speaker 1: Yeah, yeah, review this probably about his Friday, So yeah,

1133
01:04:02,760 --> 01:04:04,720
Speaker 1: we just reviewed it, man, So yeah, definitely come back

1134
01:04:04,720 --> 01:04:08,000
Speaker 1: and check it out. No, no, no, no, King's coming on Friday,

1135
01:04:08,480 --> 01:04:09,400
Speaker 1: so it'll be after.

1136
01:04:12,680 --> 01:04:16,400
Speaker 4: No, what's what's Friday?

1137
01:04:17,200 --> 01:04:19,960
Speaker 1: Yeah? I thought, k come on on? Uh is that

1138
01:04:20,000 --> 01:04:32,200
Speaker 1: the third? Mm hmm I believe so hold on, ooh,

1139
01:04:32,520 --> 01:04:36,040
Speaker 1: you're right, So it'll be this week though, it'll be

1140
01:04:36,040 --> 01:04:40,520
Speaker 1: this week. Yeah, it'll be be awesome. It'll be awesome. Uh.

1141
01:04:40,800 --> 01:04:47,240
Speaker 3: Jonathan and Nandez thoughts on the Bad Bunny super Bowl promo. Amen,

1142
01:04:48,080 --> 01:04:50,200
Speaker 3: I haven't seen it.

1143
01:04:50,360 --> 01:04:56,160
Speaker 1: You know, it's it's very much so like h it's

1144
01:04:56,320 --> 01:04:59,600
Speaker 1: very like understated to a degree, you know what I'm saying.

1145
01:04:59,680 --> 01:05:02,400
Speaker 1: Like he's just showing a whole bunch of different latinos

1146
01:05:02,400 --> 01:05:07,160
Speaker 1: and stuff like that. Look, I just hope Ice Ice

1147
01:05:07,240 --> 01:05:09,280
Speaker 1: ain't you know what I'm saying already, Like you know,

1148
01:05:09,400 --> 01:05:11,920
Speaker 1: loaded up with the paddy wagons outside the venue. Bro.

1149
01:05:12,360 --> 01:05:15,160
Speaker 1: I just I just hope that that's not what this is.

1150
01:05:15,280 --> 01:05:17,840
Speaker 1: But but you know, I'm here for it, man. You

1151
01:05:17,880 --> 01:05:19,360
Speaker 1: know I already said I think it's gonna be the

1152
01:05:19,360 --> 01:05:22,160
Speaker 1: biggest Super Bowl performers of all time. So I'm here

1153
01:05:22,200 --> 01:05:24,480
Speaker 1: for it. I think it's gonna be interesting to look

1154
01:05:24,520 --> 01:05:30,160
Speaker 1: at the reactions to people. Not only that's in the stands,

1155
01:05:30,200 --> 01:05:32,840
Speaker 1: but like you know, what people put on social media,

1156
01:05:33,320 --> 01:05:37,760
Speaker 1: because eighty shit, ninety six percent of what he's gonna

1157
01:05:37,800 --> 01:05:39,640
Speaker 1: do is gonna be in Spanish. Bro, you know what

1158
01:05:39,640 --> 01:05:42,280
Speaker 1: I'm saying. So it's gonna be very interesting. But I

1159
01:05:42,280 --> 01:05:44,440
Speaker 1: think that people around the world are gonna be tuned in.

1160
01:05:47,520 --> 01:05:50,880
Speaker 2: Okay, all right, I can't wait. I can't wait.

1161
01:05:51,240 --> 01:05:55,320
Speaker 3: I'm here for some pissed off white folks and others.

1162
01:05:55,560 --> 01:05:57,680
Speaker 2: They won't be alone. It just won't be white folks

1163
01:05:57,680 --> 01:05:58,400
Speaker 2: by themselves.

1164
01:05:58,840 --> 01:06:01,000
Speaker 3: Uh, Nick, you gonna be right there with him.

1165
01:06:01,440 --> 01:06:02,760
Speaker 2: Uh.

1166
01:06:03,240 --> 01:06:06,960
Speaker 3: As Is Drake was right, Rocky should have stayed in fashion.

1167
01:06:09,400 --> 01:06:12,600
Speaker 2: I guess he didn't like the album, all right.

1168
01:06:12,920 --> 01:06:13,400
Speaker 1: Uh?

1169
01:06:14,960 --> 01:06:18,040
Speaker 3: And this is hot take for your eyes only. His

1170
01:06:18,080 --> 01:06:22,320
Speaker 3: Aged Grapes Fully and his Cold's Best.

1171
01:06:22,880 --> 01:06:25,680
Speaker 1: That's a good album. Man. We just we just we

1172
01:06:25,840 --> 01:06:29,840
Speaker 1: just had this conversation last night before Dead in Sports?

1173
01:06:29,840 --> 01:06:30,600
Speaker 1: Did we not? Can?

1174
01:06:31,240 --> 01:06:31,720
Speaker 2: Uh? Did?

1175
01:06:34,080 --> 01:06:37,040
Speaker 1: I think? Didn't? Didn't? Who was it? It was Spike

1176
01:06:38,360 --> 01:06:40,400
Speaker 1: and Jalen. Yeah, they said that that was one of

1177
01:06:40,400 --> 01:06:45,200
Speaker 1: his worst albums. Here's the thing, it is an album.

1178
01:06:45,720 --> 01:06:48,600
Speaker 1: I don't mind that album. You know what I'm saying.

1179
01:06:48,720 --> 01:06:50,760
Speaker 1: I don't. I don't mind now you know the whole

1180
01:06:50,760 --> 01:06:53,520
Speaker 1: fold and closing. You know, there's a couple of things down. Okay, cool,

1181
01:06:54,120 --> 01:06:56,880
Speaker 1: I'm good on that. But like the project, I think

1182
01:06:57,000 --> 01:07:01,200
Speaker 1: is super solid, super solid solid.

1183
01:07:02,920 --> 01:07:07,439
Speaker 2: Okay, I think it's solid Age Gracefully. We'll see.

1184
01:07:07,840 --> 01:07:11,640
Speaker 3: I may go through j Cole's discography in preparation for

1185
01:07:11,680 --> 01:07:15,439
Speaker 3: the new album. Nah, because I don't have enough time.

1186
01:07:15,480 --> 01:07:19,400
Speaker 3: That's February sixth, that's not but I may give it

1187
01:07:19,440 --> 01:07:23,800
Speaker 3: a span. I don't know about Agent Gracefully though. But yeah,

1188
01:07:23,960 --> 01:07:27,360
Speaker 3: it's interesting seeing people's I was surprised by their take.

1189
01:07:27,320 --> 01:07:33,040
Speaker 2: Fifo on Dead in Sports. Mm hmmm, because people love it,

1190
01:07:33,440 --> 01:07:35,400
Speaker 2: you know. I mean I think I was critical of it, but.

1191
01:07:37,040 --> 01:07:41,080
Speaker 3: Nothing new Black Ross, who was the wrap MVP last

1192
01:07:41,160 --> 01:07:45,480
Speaker 3: year Na's massive Peal Run, Clips, Old School Promo Run

1193
01:07:45,520 --> 01:07:46,040
Speaker 3: and album.

1194
01:07:46,320 --> 01:07:48,760
Speaker 2: Tyler is starring in Marty Big tour.

1195
01:07:48,720 --> 01:07:55,000
Speaker 3: Album Clips Clips Mann.

1196
01:07:54,880 --> 01:07:58,040
Speaker 1: Can't, can't. We're talking most valuable because here's the thing,

1197
01:07:58,360 --> 01:08:02,480
Speaker 1: not only did he affected his own discography, he affected

1198
01:08:02,840 --> 01:08:06,680
Speaker 1: hip hop history last year with mass appeal and all

1199
01:08:06,720 --> 01:08:09,040
Speaker 1: of the joints. The slick Rick joint was really good.

1200
01:08:09,440 --> 01:08:12,640
Speaker 1: The only built for Cuban Links two was really good.

1201
01:08:13,840 --> 01:08:16,839
Speaker 1: Ghost Face Drop there's another one. I know I'm missing

1202
01:08:17,560 --> 01:08:23,360
Speaker 1: Big they Live. So now, to me, he was the

1203
01:08:23,360 --> 01:08:27,840
Speaker 1: most valuable, you know, not because of his own personal work,

1204
01:08:28,160 --> 01:08:30,640
Speaker 1: but because of what he meant to hip hop last year. Bro,

1205
01:08:30,840 --> 01:08:34,880
Speaker 1: like he he had his finger in a lot falls.

1206
01:08:35,680 --> 01:08:38,200
Speaker 2: I don't know, man, I don't know if.

1207
01:08:39,680 --> 01:08:44,479
Speaker 3: That clip album, clips album like that's from it went all?

1208
01:08:44,560 --> 01:08:45,559
Speaker 2: We went through the whole year.

1209
01:08:46,240 --> 01:08:48,120
Speaker 1: Where where where was it a YO Top Team?

1210
01:08:50,560 --> 01:08:54,479
Speaker 3: It was on the second half of you know, the

1211
01:08:54,479 --> 01:08:57,360
Speaker 3: bottom half of the top ten, I think. But you're saying,

1212
01:08:57,479 --> 01:08:58,599
Speaker 3: m VP, get out of here.

1213
01:08:58,600 --> 01:09:00,320
Speaker 1: Bro. If it wasn't number one, I can hear.

1214
01:09:00,360 --> 01:09:09,920
Speaker 3: You know that logic is flawed, but wow, you're sitting

1215
01:09:09,920 --> 01:09:11,559
Speaker 3: there to have to be number one for me to

1216
01:09:11,800 --> 01:09:16,639
Speaker 3: grade or evaluate how they how the performance of what

1217
01:09:16,680 --> 01:09:21,439
Speaker 3: they did last year. I'm looking at their impact that

1218
01:09:21,600 --> 01:09:25,919
Speaker 3: was felt everywhere. NAS hit a specific demo and age bracket.

1219
01:09:26,520 --> 01:09:33,040
Speaker 1: NAS hit every every change of season. NAS had something

1220
01:09:33,080 --> 01:09:37,480
Speaker 1: out bro that people was talking about that was impactful

1221
01:09:37,479 --> 01:09:39,599
Speaker 1: the hip hop. Look now I'm not you know, look,

1222
01:09:39,640 --> 01:09:42,000
Speaker 1: I had Clips as number one, you know what I'm saying.

1223
01:09:42,000 --> 01:09:44,280
Speaker 1: So I feel like I'm very qualified to speak on

1224
01:09:44,479 --> 01:09:46,760
Speaker 1: what clips meant to the twenty twenty five hip hop.

1225
01:09:48,360 --> 01:09:51,080
Speaker 1: But if I'm looking at it objectively and I'm looking

1226
01:09:51,120 --> 01:09:56,160
Speaker 1: at it valuable, right, I think nobody was more valuable

1227
01:09:56,160 --> 01:10:00,240
Speaker 1: to hip hop last year than Nass last year. Last

1228
01:10:00,280 --> 01:10:01,439
Speaker 1: year over clips?

1229
01:10:02,520 --> 01:10:07,479
Speaker 2: Yeah, he' listen value where not?

1230
01:10:07,880 --> 01:10:10,439
Speaker 1: Hey, he didn't say what was the best project? He

1231
01:10:10,479 --> 01:10:13,360
Speaker 1: said who was more talking about best project? I'm talking

1232
01:10:13,360 --> 01:10:17,920
Speaker 1: about cultural impact. What they did with that rollout was

1233
01:10:18,000 --> 01:10:22,760
Speaker 1: something to be studied, bro, I mean it, it was

1234
01:10:22,800 --> 01:10:24,760
Speaker 1: something to be study with it. I mean it damn

1235
01:10:24,760 --> 01:10:28,080
Speaker 1: near won them like album like bro Like, what they

1236
01:10:28,120 --> 01:10:32,440
Speaker 1: did with that rollout was crazy. It's Clips we're talking about,

1237
01:10:32,720 --> 01:10:35,519
Speaker 1: and they had they had much were talking about. I

1238
01:10:35,520 --> 01:10:39,680
Speaker 1: remember I just saw something where where they had like

1239
01:10:40,000 --> 01:10:44,360
Speaker 1: new fans and old fans at the same show like that.

1240
01:10:44,439 --> 01:10:48,439
Speaker 1: I saw that, like, like bro, man was crazy. Yeah,

1241
01:10:48,439 --> 01:10:52,320
Speaker 1: because like to do that in twenty twenty five is wild, bro.

1242
01:10:53,160 --> 01:10:56,200
Speaker 1: That's how I forgot out coming off the heels of

1243
01:10:56,640 --> 01:11:02,639
Speaker 1: a Kendrick like takeover. Like, man, come on, come on now,

1244
01:11:02,640 --> 01:11:04,360
Speaker 1: what NABS did with Masfield was dope.

1245
01:11:04,439 --> 01:11:06,559
Speaker 4: Don't get me wrong, Like it was. It was a great,

1246
01:11:06,680 --> 01:11:08,439
Speaker 4: great thing that he did. But I don't know.

1247
01:11:08,479 --> 01:11:11,160
Speaker 1: I don't know if it's over the Clips thing, man,

1248
01:11:12,920 --> 01:11:14,559
Speaker 1: I don't know if it's over the Clips thing. Man.

1249
01:11:14,600 --> 01:11:18,040
Speaker 4: The Clips made so much noise and to and then

1250
01:11:18,120 --> 01:11:19,840
Speaker 4: for it to actually be good.

1251
01:11:20,320 --> 01:11:23,760
Speaker 3: Come on, bro, I mean they're giving Kendrick at least

1252
01:11:23,760 --> 01:11:26,760
Speaker 3: I think they're gonna give Kendrick a run for his

1253
01:11:26,920 --> 01:11:30,120
Speaker 3: money for this money for g and as, I think

1254
01:11:30,200 --> 01:11:31,600
Speaker 3: I think they're gonna win it.

1255
01:11:32,120 --> 01:11:37,920
Speaker 1: Bro, what Clips did and and No No Nas album

1256
01:11:38,040 --> 01:11:41,519
Speaker 1: is gonna be even eating and talks for that, Yeah,

1257
01:11:41,560 --> 01:11:41,880
Speaker 1: I know.

1258
01:11:42,560 --> 01:11:42,760
Speaker 2: Yeah.

1259
01:11:42,800 --> 01:11:46,240
Speaker 1: Look, look, if we're going one for one like Project

1260
01:11:46,320 --> 01:11:49,400
Speaker 1: No Clips tops everything right. And that's the reason why

1261
01:11:49,400 --> 01:11:51,439
Speaker 1: I was number one of my lists. If I with

1262
01:11:51,560 --> 01:11:54,000
Speaker 1: Black Flag four five oh six just said Mantains was

1263
01:11:54,040 --> 01:11:58,360
Speaker 1: the real MVP. People was like because because everybody was

1264
01:11:58,360 --> 01:12:02,080
Speaker 1: expected push the t one but no, Mountins came out

1265
01:12:02,200 --> 01:12:05,120
Speaker 1: like nah, bro, this why I'm big bro. Mm hmmm,

1266
01:12:05,479 --> 01:12:08,759
Speaker 1: this why I'm big Bro. It's clips Bro clips Clet's

1267
01:12:08,760 --> 01:12:10,000
Speaker 1: did something specialist year.

1268
01:12:10,040 --> 01:12:10,160
Speaker 2: Man.

1269
01:12:10,320 --> 01:12:12,840
Speaker 1: I wish every I kind of wish more people would

1270
01:12:12,880 --> 01:12:16,280
Speaker 1: have would have followed that that formula because.

1271
01:12:17,640 --> 01:12:20,760
Speaker 4: I know it's not but it felt good. It felt

1272
01:12:21,000 --> 01:12:21,879
Speaker 4: it had a feeling.

1273
01:12:21,960 --> 01:12:24,759
Speaker 1: Man, it did it did? I don't I don't disagree.

1274
01:12:26,000 --> 01:12:29,320
Speaker 1: I just think the volume of what NAS did was

1275
01:12:29,320 --> 01:12:33,240
Speaker 1: was impactful wasn't but no, no, no, what what what

1276
01:12:33,280 --> 01:12:36,639
Speaker 1: they did And it's a great contender, I give you that,

1277
01:12:36,800 --> 01:12:40,960
Speaker 1: but it's just it's clips edges them. Man, it just

1278
01:12:41,040 --> 01:12:41,719
Speaker 1: does man.

1279
01:12:44,120 --> 01:12:46,519
Speaker 2: Mhm Josh Bro.

1280
01:12:46,640 --> 01:12:50,720
Speaker 1: Someone from.

1281
01:12:50,720 --> 01:12:54,920
Speaker 3: Someone from M's team has apparently hit it at M

1282
01:12:54,920 --> 01:12:56,120
Speaker 3: being on the fall off.

1283
01:12:56,760 --> 01:12:59,680
Speaker 2: Are you here for a cold and M collapse?

1284
01:13:00,280 --> 01:13:05,240
Speaker 1: You absolutely, you know, like Cole is one of the

1285
01:13:05,240 --> 01:13:09,400
Speaker 1: greatest of his generation and so is Eminem, so you know,

1286
01:13:09,479 --> 01:13:12,760
Speaker 1: and they don't have music together already, so yes, you know,

1287
01:13:12,840 --> 01:13:16,080
Speaker 1: like what we heard with uh, I wanted to say

1288
01:13:16,080 --> 01:13:19,800
Speaker 1: throw but the mix it that Jid did before the

1289
01:13:19,880 --> 01:13:22,759
Speaker 1: album and he had like no, like if that's the eminem.

1290
01:13:22,800 --> 01:13:23,280
Speaker 2: We get it.

1291
01:13:23,400 --> 01:13:25,479
Speaker 1: Yes, if we get a Skylar great eminem, then no.

1292
01:13:26,040 --> 01:13:27,759
Speaker 4: Yeah, and we're gonna get the other eminent.

1293
01:13:27,800 --> 01:13:30,439
Speaker 1: We're gonna get exactly because Jake Cole gonna be rapping.

1294
01:13:30,640 --> 01:13:36,040
Speaker 1: Yeah yeah, yeah, like like yeah, that's what people gotta remember.

1295
01:13:36,120 --> 01:13:39,000
Speaker 1: Like him is still an elite rapper, bro, like with

1296
01:13:39,120 --> 01:13:41,960
Speaker 1: the right people, the right rappers, Like he's gonna bring

1297
01:13:42,000 --> 01:13:44,920
Speaker 1: it like every time. Remember when we heard him with grip,

1298
01:13:45,479 --> 01:13:47,760
Speaker 1: Like it's like, bron, you put him in him in

1299
01:13:47,760 --> 01:13:50,160
Speaker 1: the right room, We'll get the m that you that

1300
01:13:50,240 --> 01:13:50,599
Speaker 1: you love.

1301
01:13:51,320 --> 01:13:56,400
Speaker 3: Yep, yep, agree, Yeah, And I mean where else can

1302
01:13:56,479 --> 01:14:01,640
Speaker 3: eminem be corny and get away with it? Can disease

1303
01:14:02,280 --> 01:14:05,519
Speaker 3: complex name and be a Young Boy twenty twenty five

1304
01:14:05,600 --> 01:14:07,120
Speaker 3: rapper of the your thoughts.

1305
01:14:07,080 --> 01:14:09,880
Speaker 4: That's crazy.

1306
01:14:10,680 --> 01:14:15,360
Speaker 1: I don't know rid rapper of the year, bro, you look,

1307
01:14:15,560 --> 01:14:17,360
Speaker 1: I don't. I don't think that there was a more

1308
01:14:17,479 --> 01:14:21,800
Speaker 1: viral rapper based on his music in twenty twenty five

1309
01:14:21,920 --> 01:14:24,799
Speaker 1: more than Young Boy. And here's the thing, I've never

1310
01:14:25,000 --> 01:14:27,960
Speaker 1: ever in my life listened to a Young Boy project

1311
01:14:28,920 --> 01:14:30,720
Speaker 1: The Joy that he just drow. I listened to the

1312
01:14:30,840 --> 01:14:32,960
Speaker 1: to the intro because I think I saw some some

1313
01:14:33,160 --> 01:14:35,719
Speaker 1: media entity talk about, Yo, it's this young Boy's hardest

1314
01:14:35,760 --> 01:14:38,120
Speaker 1: intro ever. So I was like, well, shit, let me listen.

1315
01:14:38,160 --> 01:14:40,439
Speaker 1: I've never listened to young Boy before, and I was like, yeah,

1316
01:14:40,439 --> 01:14:43,360
Speaker 1: this is not for me. But when you look at

1317
01:14:43,600 --> 01:14:47,479
Speaker 1: the fucking venues, rod, Bro, there's not many hip hop

1318
01:14:47,600 --> 01:14:50,960
Speaker 1: artists doing that, you know what I'm saying, Like, they're

1319
01:14:51,040 --> 01:14:53,320
Speaker 1: just not And I'm giving that Nigga Rapper of the

1320
01:14:53,360 --> 01:14:56,400
Speaker 1: Year just based off of what I saw. Now, if

1321
01:14:56,400 --> 01:15:03,040
Speaker 1: we're talking bars, its malice one malice shot all of

1322
01:15:03,720 --> 01:15:05,280
Speaker 1: hip hop, you know what I'm saying.

1323
01:15:06,840 --> 01:15:10,400
Speaker 3: Yeah, it would depend on our criteria, of course, but

1324
01:15:10,840 --> 01:15:15,639
Speaker 3: so you're right, Fifo in terms of like performance, Malice

1325
01:15:17,000 --> 01:15:20,240
Speaker 3: more than likely he should be the guy. But it

1326
01:15:20,360 --> 01:15:22,720
Speaker 3: be a young boy. Got to a point, Rob where

1327
01:15:22,720 --> 01:15:24,479
Speaker 3: we were talking about him on is the Mace still one?

1328
01:15:24,520 --> 01:15:24,720
Speaker 2: Bro?

1329
01:15:25,680 --> 01:15:29,360
Speaker 3: Like that's how like we don't even listen to his music,

1330
01:15:29,920 --> 01:15:34,240
Speaker 3: but he was so his his his reach was.

1331
01:15:34,200 --> 01:15:38,000
Speaker 2: So large that we were just in marvel at what

1332
01:15:38,080 --> 01:15:38,679
Speaker 2: was going on.

1333
01:15:39,680 --> 01:15:44,000
Speaker 3: So I understand I could see them nominating him as

1334
01:15:44,080 --> 01:15:47,120
Speaker 3: Rapper of the Year and its complex.

1335
01:15:46,680 --> 01:15:47,479
Speaker 2: Too, and.

1336
01:15:49,520 --> 01:15:54,640
Speaker 1: Yeah yeah over CARDI, Yeah, yeah, I think out of

1337
01:15:54,680 --> 01:15:57,639
Speaker 1: all of the way m rappers. There wasn't a bigger

1338
01:15:57,680 --> 01:15:59,840
Speaker 1: rapper to walk than than than Young Boy last year?

1339
01:16:02,600 --> 01:16:05,000
Speaker 1: Why why didn't? Why we we wasn't feeling that throughout

1340
01:16:05,000 --> 01:16:06,760
Speaker 1: the year. I feel like there was a moment when

1341
01:16:06,800 --> 01:16:08,840
Speaker 1: we saw it and felt it. But I don't feel

1342
01:16:08,840 --> 01:16:11,840
Speaker 1: like that was a moment throughout the year because we

1343
01:16:11,840 --> 01:16:13,000
Speaker 1: don't listen to his music.

1344
01:16:13,520 --> 01:16:14,040
Speaker 2: I think it was.

1345
01:16:14,080 --> 01:16:17,200
Speaker 1: I feel like that moment happened like like somewhere amid

1346
01:16:17,360 --> 01:16:19,479
Speaker 1: to the to towards the end, when we started seeing

1347
01:16:19,479 --> 01:16:20,439
Speaker 1: that concert stuff.

1348
01:16:22,720 --> 01:16:25,559
Speaker 3: I think, well, I think it just okay, So I

1349
01:16:25,560 --> 01:16:29,280
Speaker 3: think it started and I think it just it just

1350
01:16:29,439 --> 01:16:33,080
Speaker 3: swelled to the point where it reached us like you

1351
01:16:33,080 --> 01:16:35,040
Speaker 3: would see or at least I would see stuff here

1352
01:16:35,080 --> 01:16:37,240
Speaker 3: and there seeing stuff here and there, and then it

1353
01:16:37,360 --> 01:16:40,360
Speaker 3: just got to the point where now here go Spike like,

1354
01:16:40,400 --> 01:16:43,639
Speaker 3: hey man, you're doing this? Then you and then then

1355
01:16:43,640 --> 01:16:45,720
Speaker 3: it hits the group chats and stuff like that, so

1356
01:16:45,760 --> 01:16:51,200
Speaker 3: then it becomes like viral, so to speak. But yeah,

1357
01:16:51,240 --> 01:16:55,240
Speaker 3: I think it started way before it got to everybody

1358
01:16:55,280 --> 01:16:56,000
Speaker 3: else's radar.

1359
01:16:58,320 --> 01:17:02,559
Speaker 1: Agreed, But yeah, what about like I know we talked

1360
01:17:02,560 --> 01:17:06,320
Speaker 1: about charts. What about the charts? The top charts I

1361
01:17:06,360 --> 01:17:07,720
Speaker 1: don't see that nowhere.

1362
01:17:09,520 --> 01:17:10,960
Speaker 2: Like that chart.

1363
01:17:13,200 --> 01:17:15,280
Speaker 1: Yeah, he's a sellout tour.

1364
01:17:15,479 --> 01:17:19,559
Speaker 3: Y Cardi is good though, Cardi is a good, good contender.

1365
01:17:20,040 --> 01:17:21,639
Speaker 3: You know, I don't think you could probably be wrong

1366
01:17:21,880 --> 01:17:23,360
Speaker 3: with one or the other.

1367
01:17:25,840 --> 01:17:28,160
Speaker 2: Yeah, I think I'm looking at total NBA young boy.

1368
01:17:28,200 --> 01:17:30,040
Speaker 4: Yeah, I think I'm looking at totality.

1369
01:17:30,120 --> 01:17:33,400
Speaker 1: I don't know anybody outside of the yns that listen

1370
01:17:33,479 --> 01:17:38,439
Speaker 1: to NBA young boy. I don't know yet specifically for

1371
01:17:38,720 --> 01:17:40,800
Speaker 1: you know what I'm saying. So how like if he

1372
01:17:40,880 --> 01:17:46,519
Speaker 1: can't like if he's the impact? Is the virality the impact? Like, Bro,

1373
01:17:46,720 --> 01:17:49,000
Speaker 1: we don't listen to it and we're talking about him. Bro,

1374
01:17:49,360 --> 01:17:52,760
Speaker 1: I understand it's to be the biggest rapper when you

1375
01:17:52,840 --> 01:17:55,800
Speaker 1: only have a select group of people listening, because because

1376
01:17:55,840 --> 01:17:57,840
Speaker 1: because we're talking about Rapper of the year and we

1377
01:17:57,960 --> 01:18:01,720
Speaker 1: know that the entity in terms of complex, they take

1378
01:18:01,800 --> 01:18:04,840
Speaker 1: a lot of other factors into that and just based

1379
01:18:04,880 --> 01:18:08,080
Speaker 1: on the virality and the fact that three people that's

1380
01:18:08,160 --> 01:18:12,120
Speaker 1: over the ages of forty and I'm closer to forty three. Now, yeah,

1381
01:18:12,160 --> 01:18:14,040
Speaker 1: we say all the time we saw it, but we

1382
01:18:14,080 --> 01:18:17,400
Speaker 1: don't know any of his records. But but, but but

1383
01:18:17,560 --> 01:18:19,840
Speaker 1: that adds credibility to why he is the rapper of

1384
01:18:19,840 --> 01:18:25,439
Speaker 1: the year. We talk about it and don't listen. Bruh.

1385
01:18:25,720 --> 01:18:28,120
Speaker 1: The fact that we don't know but we're talking about

1386
01:18:28,200 --> 01:18:29,320
Speaker 1: him says a lot.

1387
01:18:29,240 --> 01:18:30,519
Speaker 4: Because that's the viral thing.

1388
01:18:30,600 --> 01:18:32,720
Speaker 1: Okay, I don't want to keep arguing it, but that's

1389
01:18:32,760 --> 01:18:34,599
Speaker 1: a viral thing that we just don't miss because we're

1390
01:18:34,600 --> 01:18:36,200
Speaker 1: in the hip hop world, but.

1391
01:18:36,520 --> 01:18:39,360
Speaker 4: We don't even know this man's I can't name one one.

1392
01:18:40,160 --> 01:18:42,000
Speaker 1: But you know what, though, Rod, the thing is is

1393
01:18:42,040 --> 01:18:44,240
Speaker 1: that even people outside of the hip hop world was

1394
01:18:44,280 --> 01:18:47,680
Speaker 1: talking about it, and that's the thing. And look for

1395
01:18:47,760 --> 01:18:52,400
Speaker 1: me personally, rapper the year of twenty twenty five, Malice

1396
01:18:52,400 --> 01:18:56,000
Speaker 1: would be there, but in all honesty, it would probably

1397
01:18:56,080 --> 01:18:58,360
Speaker 1: have to be Bruis a Wolf. I don't think nobody

1398
01:18:58,439 --> 01:19:03,719
Speaker 1: dropped two projects that high quality.

1399
01:19:04,720 --> 01:19:08,840
Speaker 3: I said this on a on this the Maestlon. I

1400
01:19:08,840 --> 01:19:10,280
Speaker 3: think it was one of the pre shows. But I

1401
01:19:10,320 --> 01:19:14,639
Speaker 3: actually do know a song by him Miles, because Miles

1402
01:19:14,640 --> 01:19:16,479
Speaker 3: would walk around singing it all the time.

1403
01:19:16,479 --> 01:19:19,520
Speaker 2: It's the right Foot Freak song.

1404
01:19:20,120 --> 01:19:22,639
Speaker 3: And I didn't know it was NB A Young Boy

1405
01:19:22,880 --> 01:19:24,680
Speaker 3: and one day I was just like, it'd be a

1406
01:19:24,760 --> 01:19:26,559
Speaker 3: Young Boy songs and I was like, wait a minute.

1407
01:19:26,560 --> 01:19:29,320
Speaker 3: That's why you're running around rapping all the time. That's

1408
01:19:29,320 --> 01:19:32,599
Speaker 3: how I know one, not because I listened to it, but.

1409
01:19:34,160 --> 01:19:34,960
Speaker 2: It's in my house.

1410
01:19:36,880 --> 01:19:40,439
Speaker 1: I don't know, and shout out to Aaron V M

1411
01:19:40,560 --> 01:19:44,880
Speaker 1: six w P. He said, look, uh, he said, it's Cardi.

1412
01:19:45,320 --> 01:19:47,800
Speaker 1: He said he sold out his tour three hundred k

1413
01:19:47,960 --> 01:19:50,040
Speaker 1: first week and sales in a crazy feature room. But

1414
01:19:50,160 --> 01:19:52,880
Speaker 1: I don't listen to Cardi either, so I don't know. Yea,

1415
01:19:52,920 --> 01:19:59,000
Speaker 1: I'm telling you, I think total is CARDI think yeah.

1416
01:19:59,160 --> 01:20:02,880
Speaker 2: But for the old head, yeah was big.

1417
01:20:05,360 --> 01:20:08,240
Speaker 1: We're coming from my old head, you know, I'm officially

1418
01:20:08,280 --> 01:20:10,000
Speaker 1: there now, coming from my old head. To me, it

1419
01:20:10,000 --> 01:20:12,720
Speaker 1: was Bruis a Wolf. I don't think nobody had a

1420
01:20:12,720 --> 01:20:15,040
Speaker 1: better two album run last year than him.

1421
01:20:15,240 --> 01:20:18,920
Speaker 3: So all right, who's winning the Best Rap Album at

1422
01:20:18,920 --> 01:20:21,719
Speaker 3: the Grammars twenty twenty six clips?

1423
01:20:22,520 --> 01:20:25,439
Speaker 1: I hope they do just well deserved.

1424
01:20:26,200 --> 01:20:28,639
Speaker 4: Let's see what's up. We talked about this.

1425
01:20:28,720 --> 01:20:33,080
Speaker 2: Right mm hmm. Everybody got genets.

1426
01:20:32,680 --> 01:20:37,479
Speaker 1: Though, it's gonna be your tough to beat. Yeah, because

1427
01:20:37,479 --> 01:20:40,200
Speaker 1: it's not like us. Bro if not like US, wasn't

1428
01:20:40,200 --> 01:20:43,200
Speaker 1: on there. Okay, so we got Chromo Kopeia Tyler, the

1429
01:20:43,280 --> 01:20:49,280
Speaker 1: creator gn X, Kendred God does like a glorious gorilla

1430
01:20:49,400 --> 01:20:51,640
Speaker 1: and let gods what I'm out? Yeah, it's gonna be

1431
01:20:51,680 --> 01:20:56,160
Speaker 1: hard to beat gn X. Yeah' GMx eclips my biggest

1432
01:20:56,160 --> 01:20:59,200
Speaker 1: clips though Chroma Kobe had a good had had a

1433
01:21:00,160 --> 01:21:04,120
Speaker 1: had a nice little backing behind it too. Yeah. Look,

1434
01:21:04,800 --> 01:21:08,000
Speaker 1: in twenty twenty four, I put Chromokopia over gn X

1435
01:21:08,080 --> 01:21:10,720
Speaker 1: for me, so I think it's a better body of

1436
01:21:10,760 --> 01:21:14,920
Speaker 1: work personally, So I feel it, but I don't know,

1437
01:21:16,360 --> 01:21:18,360
Speaker 1: not like us, is that on gn X or is

1438
01:21:18,400 --> 01:21:19,320
Speaker 1: it not on gn X?

1439
01:21:21,320 --> 01:21:22,880
Speaker 4: It's not that was that was?

1440
01:21:24,280 --> 01:21:29,439
Speaker 1: Yeah? That was? That was one track. I think it

1441
01:21:29,479 --> 01:21:36,120
Speaker 1: should be CLIPS. Personally, I think it should be clips, y'all.

1442
01:21:36,120 --> 01:21:36,519
Speaker 1: I don't know.

1443
01:21:38,439 --> 01:21:38,920
Speaker 2: I don't know.

1444
01:21:39,040 --> 01:21:42,880
Speaker 1: I think Kendrick still edges the CLIPS, but I wouldn't

1445
01:21:42,920 --> 01:21:47,800
Speaker 1: be mad if Clips wanted. Yeah, but it's definitely one

1446
01:21:47,800 --> 01:21:49,000
Speaker 1: of those three though.

1447
01:21:52,560 --> 01:21:52,920
Speaker 2: It's not.

1448
01:21:53,120 --> 01:21:55,439
Speaker 3: It's not a it's not a three album race.

1449
01:21:55,479 --> 01:21:58,080
Speaker 1: It's too So do you think Tyler's out of it?

1450
01:21:58,920 --> 01:22:05,120
Speaker 1: I do, so had had had a big like people

1451
01:22:05,200 --> 01:22:08,599
Speaker 1: love like man, people was really loving that Chromo coopea

1452
01:22:08,760 --> 01:22:11,200
Speaker 1: like like I think you probably forgot, but yeah, Chromo

1453
01:22:11,240 --> 01:22:19,639
Speaker 1: copy is super huge mm hmm. Yeah, but I feel

1454
01:22:19,680 --> 01:22:22,480
Speaker 1: you know, I think it is g n X and

1455
01:22:22,479 --> 01:22:23,559
Speaker 1: and clips though.

1456
01:22:25,640 --> 01:22:33,400
Speaker 2: They gave Tyler Aaron s gp on swat Team makes

1457
01:22:33,479 --> 01:22:36,360
Speaker 2: up for no our.

1458
01:22:39,240 --> 01:22:40,000
Speaker 1: I don't follow.

1459
01:22:40,560 --> 01:22:43,680
Speaker 3: He's talking about Don't be Done Swat Team. I think

1460
01:22:43,720 --> 01:22:49,040
Speaker 3: the producer that made that did swat Team. Uh, because

1461
01:22:49,040 --> 01:22:49,479
Speaker 3: I don't think.

1462
01:22:50,360 --> 01:22:55,519
Speaker 2: I don't know. Yeah, I don't know, but.

1463
01:22:55,479 --> 01:22:59,200
Speaker 3: I think he's talking about the Yeah, the.

1464
01:22:58,320 --> 01:23:00,280
Speaker 2: Space cost Pert. Yeah.

1465
01:23:00,439 --> 01:23:02,559
Speaker 3: Look, I know y'all got a limit, so I appreciate it.

1466
01:23:03,320 --> 01:23:06,080
Speaker 3: Thanks chat for the assists. Space Ghost Pert.

1467
01:23:07,120 --> 01:23:08,519
Speaker 1: Oh that's what that was.

1468
01:23:09,200 --> 01:23:13,240
Speaker 2: Mm hmmm. Yeah that's bad, y'all.

1469
01:23:13,560 --> 01:23:14,519
Speaker 4: I like that try to.

1470
01:23:16,280 --> 01:23:20,519
Speaker 2: Yeah, that was like a struggle for me. Uh, space

1471
01:23:20,600 --> 01:23:21,439
Speaker 2: goes all right with me?

1472
01:23:24,200 --> 01:23:24,400
Speaker 1: Yeah?

1473
01:23:25,040 --> 01:23:29,080
Speaker 3: That that classic sound, that's that what they call it,

1474
01:23:29,160 --> 01:23:32,120
Speaker 3: Cloud rapink cloud.

1475
01:23:31,920 --> 01:23:35,639
Speaker 1: Rap, Space Ghost and clams Casino created that that sound

1476
01:23:35,680 --> 01:23:36,840
Speaker 1: for Rocky early On.

1477
01:23:39,000 --> 01:23:39,240
Speaker 2: Yeah.

1478
01:23:40,280 --> 01:23:43,679
Speaker 3: Uh, flying in ago testing or don't be dumb testing testing.

1479
01:23:44,720 --> 01:23:51,360
Speaker 1: I'm with you. I gotta listen to testing again. It's

1480
01:23:51,400 --> 01:23:54,040
Speaker 1: better than don't be dumb, man. I gotta listen to

1481
01:23:54,080 --> 01:23:56,800
Speaker 1: it again, all right.

1482
01:23:57,439 --> 01:24:01,320
Speaker 2: Uh.

1483
01:24:01,520 --> 01:24:03,840
Speaker 3: Charlomage God said the concept of the Big Three is

1484
01:24:03,880 --> 01:24:06,479
Speaker 3: dead and it's irrelevant, katok won and we should move

1485
01:24:06,520 --> 01:24:12,320
Speaker 3: on thoughts. No, I disagree with that, and I'll tell

1486
01:24:12,360 --> 01:24:15,240
Speaker 3: you why. I think competition always makes hip hop good.

1487
01:24:15,360 --> 01:24:18,439
Speaker 3: And if we just declare a winner and move on,

1488
01:24:18,680 --> 01:24:22,720
Speaker 3: then who's gonna try to make the best music to

1489
01:24:22,800 --> 01:24:23,479
Speaker 3: take him down?

1490
01:24:24,920 --> 01:24:25,840
Speaker 4: Who can beat ka do?

1491
01:24:27,080 --> 01:24:31,599
Speaker 3: It doesn't matter. We want people to try to beat Katt.

1492
01:24:32,160 --> 01:24:33,559
Speaker 1: I don't know if anybody should.

1493
01:24:36,560 --> 01:24:36,960
Speaker 2: I can't.

1494
01:24:37,560 --> 01:24:46,679
Speaker 1: It's kind of like Jordan's and like, like, what's another Mayweather? Mayweather? Yeah,

1495
01:24:46,720 --> 01:24:49,080
Speaker 1: it's like, well, I don't know, Yeah, yeah, it's kind

1496
01:24:49,080 --> 01:24:52,080
Speaker 1: of like Jordan Mayweather. It's like some people are just

1497
01:24:52,160 --> 01:24:56,280
Speaker 1: great man, like, like just just leave him alone. I

1498
01:24:56,560 --> 01:24:58,920
Speaker 1: kind of agree with him here because because you can

1499
01:24:58,960 --> 01:25:01,400
Speaker 1: get yourself as a major trouble messing around with Kendrick

1500
01:25:02,560 --> 01:25:02,920
Speaker 1: as we.

1501
01:25:02,920 --> 01:25:06,080
Speaker 3: Saw, and we'll get great music out of it if

1502
01:25:06,120 --> 01:25:08,799
Speaker 3: you respond, if he decides to respond.

1503
01:25:08,920 --> 01:25:11,080
Speaker 4: But but but we'll get great music from Kendrick. But

1504
01:25:11,200 --> 01:25:13,080
Speaker 4: other people's careers will be into.

1505
01:25:15,640 --> 01:25:17,120
Speaker 2: Like maybe, but I think he would.

1506
01:25:17,320 --> 01:25:20,040
Speaker 3: He would only respond to somebody he feels his worth

1507
01:25:20,080 --> 01:25:25,240
Speaker 3: responding to, as we've seen. But yeah, he will only

1508
01:25:25,280 --> 01:25:27,920
Speaker 3: respond to people that he feels is worth responding to.

1509
01:25:28,000 --> 01:25:33,240
Speaker 3: As we've seen, so it would be an elite rapper

1510
01:25:33,600 --> 01:25:36,240
Speaker 3: that could go total toe with him.

1511
01:25:36,320 --> 01:25:38,600
Speaker 1: I think if I had to pick somebody to go

1512
01:25:38,640 --> 01:25:41,400
Speaker 1: to total toad with Kendrick, it.

1513
01:25:41,360 --> 01:25:47,519
Speaker 4: Would be probably Loope. I think Loupe could do.

1514
01:25:47,520 --> 01:25:50,680
Speaker 2: It, and that ship would be crazy like I do.

1515
01:25:50,840 --> 01:25:53,600
Speaker 1: Think Loupe can do it like a very very like

1516
01:25:56,000 --> 01:26:01,280
Speaker 1: no pun intended late, like laser focused. You know, the

1517
01:26:01,280 --> 01:26:03,280
Speaker 1: thing about Loop and the reason why I think he

1518
01:26:03,280 --> 01:26:06,120
Speaker 1: would lose the k Dot and why k Dot is

1519
01:26:06,160 --> 01:26:08,879
Speaker 1: the person you don't want to fuck with is because

1520
01:26:09,080 --> 01:26:12,680
Speaker 1: Loop a ship go over your head. K Dot is

1521
01:26:12,720 --> 01:26:14,280
Speaker 1: punching you in your face.

1522
01:26:14,600 --> 01:26:18,559
Speaker 2: He would make it complex and Kenset.

1523
01:26:19,080 --> 01:26:22,400
Speaker 1: I understand all that, but but just by way of

1524
01:26:22,560 --> 01:26:27,000
Speaker 1: Lupe's rapping nature, there's gonna be things that just it

1525
01:26:27,080 --> 01:26:29,679
Speaker 1: don't hit like he thought he punched and you moved

1526
01:26:29,720 --> 01:26:32,000
Speaker 1: a little bit and you didn't really you didn't really

1527
01:26:32,200 --> 01:26:35,200
Speaker 1: stick the punch. And I think that's what I think

1528
01:26:35,200 --> 01:26:37,000
Speaker 1: that's what happened, and I think that's what would happen

1529
01:26:37,080 --> 01:26:39,880
Speaker 1: to Lupe against k I don't know, man, because because

1530
01:26:39,880 --> 01:26:43,920
Speaker 1: it's not like Lupe is incapable of making big records,

1531
01:26:44,120 --> 01:26:47,519
Speaker 1: because we've seen him make big records and I think

1532
01:26:48,720 --> 01:26:52,000
Speaker 1: how to dumb it down song? But but his biggest

1533
01:26:52,040 --> 01:26:56,679
Speaker 1: record isn't as big as Kendrick's smallest record, big record

1534
01:26:56,760 --> 01:26:58,519
Speaker 1: like commercial successfully record.

1535
01:27:02,160 --> 01:27:04,360
Speaker 4: Yeah, I must have forgot what hold.

1536
01:27:06,120 --> 01:27:06,479
Speaker 5: Hold on?

1537
01:27:06,680 --> 01:27:10,320
Speaker 1: Second, Bro, he's not on it. Look from we're talking

1538
01:27:10,400 --> 01:27:13,000
Speaker 1: like a hit perspective, he's nowhere near on the same

1539
01:27:13,080 --> 01:27:19,920
Speaker 1: level as Kadok from a hip show. The show goes on, Okay, superstar,

1540
01:27:22,840 --> 01:27:24,800
Speaker 1: dave you hip hop say my life, Like, what are

1541
01:27:24,800 --> 01:27:29,599
Speaker 1: we talking about records? I'm not saying that they're not big.

1542
01:27:29,800 --> 01:27:32,240
Speaker 1: I didn't say that Loop don't have big records. What

1543
01:27:32,280 --> 01:27:36,240
Speaker 1: I'm saying is his biggest record is not bigger than Katos.

1544
01:27:37,560 --> 01:27:40,000
Speaker 1: Like why he's he's here's my thing, Here's my thing.

1545
01:27:40,080 --> 01:27:43,680
Speaker 1: Whether it's it's bigger than than Kaitos records or not,

1546
01:27:43,920 --> 01:27:46,160
Speaker 1: we know he's capable of making these type of records,

1547
01:27:46,200 --> 01:27:49,320
Speaker 1: right that didn't necessarily go for people's head. So that's

1548
01:27:49,320 --> 01:27:52,200
Speaker 1: what I'm saying. If anybody could do it, I think

1549
01:27:52,200 --> 01:27:54,360
Speaker 1: it's k do. I mean, I think it's I think

1550
01:27:54,360 --> 01:27:58,599
Speaker 1: it's Loop and Loupe don't have the level of aggression either, bro.

1551
01:28:03,040 --> 01:28:03,320
Speaker 2: Like that.

1552
01:28:04,680 --> 01:28:07,640
Speaker 1: Look he from the whometown bro. I fucked with Loope,

1553
01:28:07,880 --> 01:28:10,120
Speaker 1: but bruh, nobody's fucking with k Dot though.

1554
01:28:10,240 --> 01:28:13,400
Speaker 3: That's the thing. And again, don't disrespect Lupe like that.

1555
01:28:13,800 --> 01:28:16,439
Speaker 3: But here's here's the thing. So so even if we

1556
01:28:16,479 --> 01:28:21,000
Speaker 3: want to say out of that era, k Dot is

1557
01:28:21,040 --> 01:28:25,040
Speaker 3: the guy. So he's crowned king of that era, and

1558
01:28:25,080 --> 01:28:30,160
Speaker 3: he rightfully won. I think following him this new breed

1559
01:28:30,200 --> 01:28:35,080
Speaker 3: of rappers that's behind them, because they're aging out the

1560
01:28:35,200 --> 01:28:38,320
Speaker 3: concept of the Big three, I think we should retain

1561
01:28:39,040 --> 01:28:41,519
Speaker 3: and we need to figure out who that is going

1562
01:28:41,560 --> 01:28:43,799
Speaker 3: to be and keep that around so they can compete

1563
01:28:44,240 --> 01:28:44,840
Speaker 3: with each other.

1564
01:28:45,320 --> 01:28:47,880
Speaker 2: That's what I'm I'm saying, no, no, no, not see.

1565
01:28:47,960 --> 01:28:51,200
Speaker 1: And I disagree with that take. I agree with your

1566
01:28:51,240 --> 01:28:55,200
Speaker 1: overall take in terms of competition breed success, I wouldn't

1567
01:28:55,200 --> 01:28:59,160
Speaker 1: mainly percent agree with that, But the Big Three became

1568
01:28:59,200 --> 01:29:01,640
Speaker 1: a concept because we had a Big three. Like I

1569
01:29:01,680 --> 01:29:05,919
Speaker 1: don't think we need to fit eras into the previous

1570
01:29:06,000 --> 01:29:09,240
Speaker 1: eras Big three. Whatever this new era is, we just

1571
01:29:09,360 --> 01:29:11,680
Speaker 1: identify it and roll with it. I don't think we

1572
01:29:11,760 --> 01:29:14,559
Speaker 1: have to keep the model or the concept of the

1573
01:29:14,560 --> 01:29:17,880
Speaker 1: Big Three alive. We just have to identify what the

1574
01:29:17,920 --> 01:29:22,040
Speaker 1: next generation's greats are whatever that is.

1575
01:29:22,120 --> 01:29:25,719
Speaker 3: We've always had a great We always had We've always

1576
01:29:25,760 --> 01:29:26,599
Speaker 3: had a left off bro.

1577
01:29:27,160 --> 01:29:28,559
Speaker 2: Jay Z was the guy.

1578
01:29:29,400 --> 01:29:33,680
Speaker 1: Can I'm not I'm not saying that, but but we

1579
01:29:33,680 --> 01:29:38,160
Speaker 1: weren't talking Big three back then. We weren't talking Big three.

1580
01:29:38,280 --> 01:29:39,160
Speaker 1: That wasn't a thing.

1581
01:29:42,640 --> 01:29:42,840
Speaker 2: Yeah.

1582
01:29:44,120 --> 01:29:46,560
Speaker 1: But but but again I'm not, but I'm saying we

1583
01:29:46,600 --> 01:29:50,439
Speaker 1: shouldn't fit this circle into a square somewhere. Like the

1584
01:29:50,439 --> 01:29:53,640
Speaker 1: next generation. The next generation needs to identify what it

1585
01:29:53,760 --> 01:29:56,719
Speaker 1: is that defines their generation. We can't take the previous

1586
01:29:56,760 --> 01:29:58,479
Speaker 1: generation and be like, oh, well it has to be

1587
01:29:58,479 --> 01:30:02,599
Speaker 1: a big three. No that just in this era it

1588
01:30:02,640 --> 01:30:06,000
Speaker 1: was fun, like it was fun. I don't. I don't

1589
01:30:06,000 --> 01:30:08,960
Speaker 1: fully disagree with you, but it does make it fun.

1590
01:30:09,040 --> 01:30:10,920
Speaker 4: I just don't. Yeah, yeah, I don't know.

1591
01:30:11,880 --> 01:30:14,559
Speaker 2: CARDI NB a young boy. And whoever that third guy is.

1592
01:30:14,600 --> 01:30:20,679
Speaker 3: Come on, man, you can't you always have people fighting

1593
01:30:20,840 --> 01:30:24,320
Speaker 3: Nas and Jay and whoever the third guy is poking big.

1594
01:30:24,160 --> 01:30:27,760
Speaker 1: It was no, there was no third guy. That's the point. Can.

1595
01:30:28,880 --> 01:30:32,639
Speaker 3: It was two, okay, big two, but now we got

1596
01:30:32,640 --> 01:30:34,280
Speaker 3: three and we're gonna add three.

1597
01:30:34,600 --> 01:30:40,360
Speaker 1: No, no, no, no, no, I'm not man. The chat the

1598
01:30:40,439 --> 01:30:42,600
Speaker 1: chat to agree with me, bro, like, we can't. We

1599
01:30:42,640 --> 01:30:47,320
Speaker 1: can't force. They can't. We can't force what happened in

1600
01:30:47,320 --> 01:30:50,960
Speaker 1: the previous era. Whatever happens happens. We just got to identify.

1601
01:30:52,200 --> 01:30:53,720
Speaker 4: I do like competition and hip hop.

1602
01:30:53,720 --> 01:30:56,840
Speaker 1: Don't get me wrong. Yes, yes, I'm for that, and

1603
01:30:56,840 --> 01:31:00,599
Speaker 1: that's why I said I'm with your overall you point.

1604
01:31:01,120 --> 01:31:04,879
Speaker 1: I'm just not with pigeonholding a big three across multiple

1605
01:31:04,880 --> 01:31:09,120
Speaker 1: erarors moving forward because k Dot Drake and Jake Cole

1606
01:31:09,320 --> 01:31:13,479
Speaker 1: were that like, no, no, but that's why let's go

1607
01:31:13,600 --> 01:31:16,320
Speaker 1: through this. I was gonna say, that's why I kind

1608
01:31:16,320 --> 01:31:19,080
Speaker 1: of agree with Sela man though, like, just just do

1609
01:31:19,160 --> 01:31:19,880
Speaker 1: what y'all doing.

1610
01:31:19,960 --> 01:31:24,720
Speaker 4: Just leave k Dot alone. You can't touch unless.

1611
01:31:24,840 --> 01:31:28,599
Speaker 2: Hey, hey all, thanks for the content. Why you eat

1612
01:31:28,600 --> 01:31:31,360
Speaker 2: Beezy pancakes? Bro?

1613
01:31:32,120 --> 01:31:36,519
Speaker 1: I didn't know it was beasy pancakes. I didn't. I

1614
01:31:36,520 --> 01:31:40,000
Speaker 1: didn't know there was pancakes. It's the bike salons. When

1615
01:31:40,000 --> 01:31:42,880
Speaker 1: we brought it up breaking up, brought it up on there.

1616
01:31:43,000 --> 01:31:45,080
Speaker 4: Oh my god, I can't remember why we brought it up.

1617
01:31:45,240 --> 01:31:45,360
Speaker 1: Man.

1618
01:31:45,400 --> 01:31:46,960
Speaker 4: That ship was so funny, bro.

1619
01:31:48,240 --> 01:31:53,640
Speaker 1: But look, we don't see be mad much but me

1620
01:31:53,800 --> 01:31:58,920
Speaker 1: it was hot at you boy, especially especially yeah, yeah, yeah,

1621
01:31:58,880 --> 01:32:01,960
Speaker 1: because they closed. If y'all, y'all gotta go listen. Is

1622
01:32:02,000 --> 01:32:04,439
Speaker 1: the mic still on? And we brought it up this past.

1623
01:32:05,000 --> 01:32:05,880
Speaker 1: Is it a drop today?

1624
01:32:06,800 --> 01:32:07,360
Speaker 2: Yes, it's out.

1625
01:32:07,880 --> 01:32:10,360
Speaker 1: It's out today. Man, I don't know if y'all listen

1626
01:32:10,400 --> 01:32:12,400
Speaker 1: to Mike still, but man, we brought up that man

1627
01:32:12,439 --> 01:32:18,680
Speaker 1: were rolling. Oh my god. Look, I'm obviously I did it,

1628
01:32:18,760 --> 01:32:22,360
Speaker 1: but I didn't intentionally do it because I pulled up

1629
01:32:22,479 --> 01:32:24,080
Speaker 1: late and it was like, oh, yeah, you know they

1630
01:32:24,160 --> 01:32:26,400
Speaker 1: ordered food and I was like, all right, bet so,

1631
01:32:26,479 --> 01:32:29,160
Speaker 1: like you know, I didn't know people ordered specific ship.

1632
01:32:29,520 --> 01:32:31,479
Speaker 1: So I sat down and I was like, so there's

1633
01:32:31,479 --> 01:32:34,559
Speaker 1: anybody's and nobody said nothing, bro. I just started eating

1634
01:32:35,560 --> 01:32:38,439
Speaker 1: and then here comes be coming into the room like

1635
01:32:38,439 --> 01:32:40,200
Speaker 1: two three minutes and he's like, man with my pancakes

1636
01:32:40,200 --> 01:32:42,080
Speaker 1: at and everybody looking at me.

1637
01:32:42,160 --> 01:32:44,880
Speaker 4: I'm like, well, like is it cool?

1638
01:32:45,040 --> 01:32:46,280
Speaker 1: So it is?

1639
01:32:47,160 --> 01:32:50,000
Speaker 4: Oh my Oh, y'all gotta go listen?

1640
01:32:50,160 --> 01:32:50,920
Speaker 1: Is Mike still.

1641
01:32:52,880 --> 01:32:55,320
Speaker 4: Laughing as jesus?

1642
01:32:56,280 --> 01:32:56,360
Speaker 2: Uh?

1643
01:32:56,560 --> 01:32:59,000
Speaker 3: Just a couple more Donaldvan, Which artist with ten or

1644
01:32:59,040 --> 01:33:02,000
Speaker 3: more albums do you you think has the best winning percentage?

1645
01:33:03,439 --> 01:33:04,719
Speaker 2: The best winning percentage?

1646
01:33:04,760 --> 01:33:07,120
Speaker 3: That's that's a good question, I know, Rob Marcy and

1647
01:33:07,160 --> 01:33:12,000
Speaker 3: Odyssey or two that have a high westside gun.

1648
01:33:12,800 --> 01:33:15,800
Speaker 1: What's that gun is up there? To cause up there?

1649
01:33:16,600 --> 01:33:21,000
Speaker 1: Mm hmmm, who's the who's the who made goll you are?

1650
01:33:24,040 --> 01:33:24,280
Speaker 2: Billy?

1651
01:33:24,960 --> 01:33:28,200
Speaker 1: Billy Woods is up there? Breddy gives us up there.

1652
01:33:28,479 --> 01:33:29,519
Speaker 4: Frey gives up there too.

1653
01:33:29,960 --> 01:33:31,120
Speaker 1: Freddy gives is up there.

1654
01:33:32,840 --> 01:33:38,200
Speaker 4: Yes, I feel like we did this hip hop discography.

1655
01:33:39,600 --> 01:33:42,560
Speaker 1: No, but but but but not as particular as this,

1656
01:33:42,760 --> 01:33:46,200
Speaker 1: like albums and winning percentage. I like this.

1657
01:33:47,560 --> 01:33:48,080
Speaker 2: I like this.

1658
01:33:52,720 --> 01:33:56,280
Speaker 1: Because they have to have ten man like because because

1659
01:33:56,320 --> 01:33:59,920
Speaker 1: that's what I'm thinking that well about ten. If you

1660
01:34:00,120 --> 01:34:05,480
Speaker 1: don't get ten albums, he got ten projects.

1661
01:34:06,080 --> 01:34:09,920
Speaker 2: If yeah, I didn't, I just included everything.

1662
01:34:10,080 --> 01:34:11,719
Speaker 1: Okay, so everything okay.

1663
01:34:14,360 --> 01:34:17,240
Speaker 2: Obviously does have twelve studio albums.

1664
01:34:19,240 --> 01:34:22,680
Speaker 1: Up there. Yeah, he fits the Rock Mary's up there.

1665
01:34:23,800 --> 01:34:25,720
Speaker 3: I think Rock Marcy is like right at nine or

1666
01:34:26,000 --> 01:34:29,280
Speaker 3: nine or ten. But he has the collab albums, So

1667
01:34:29,400 --> 01:34:31,040
Speaker 3: I think he meets the criteria.

1668
01:34:34,479 --> 01:34:36,120
Speaker 4: Ship I put, I mean, I put J.

1669
01:34:36,880 --> 01:34:41,080
Speaker 1: Yeah. I think Jay's in there too, by one percentage

1670
01:34:41,120 --> 01:34:46,360
Speaker 1: though I mean it's not I mean, we got it

1671
01:34:46,479 --> 01:34:48,760
Speaker 1: means Jay albums that aren't better than others, But it

1672
01:34:48,800 --> 01:34:50,200
Speaker 1: don't mean that the albums are bad.

1673
01:34:52,479 --> 01:34:57,880
Speaker 4: What's his bad albums. Say Blueprint two?

1674
01:34:59,320 --> 01:35:01,439
Speaker 1: Nah, Blueprints? Who was top five? What you're talking about?

1675
01:35:03,280 --> 01:35:06,280
Speaker 1: He hasn't in his top five? But I don't know.

1676
01:35:06,600 --> 01:35:08,880
Speaker 1: And I happened in the top five to the wrong

1677
01:35:09,000 --> 01:35:09,400
Speaker 1: J fan.

1678
01:35:10,000 --> 01:35:12,200
Speaker 4: Oh Body got a good good Yeah, Body's a good

1679
01:35:12,280 --> 01:35:12,760
Speaker 4: answer too.

1680
01:35:14,160 --> 01:35:15,240
Speaker 2: I feel so.

1681
01:35:15,960 --> 01:35:17,960
Speaker 1: I feel like a lot of the stuff Body put

1682
01:35:18,040 --> 01:35:22,760
Speaker 1: out last year lower than win percentage. I think Le's

1683
01:35:22,800 --> 01:35:28,000
Speaker 1: got a good ten now. I think it's his win

1684
01:35:28,080 --> 01:35:34,479
Speaker 1: percentage is still low though, mmm mm hmm, like he

1685
01:35:34,680 --> 01:35:38,679
Speaker 1: just got over like like I would say six hundred,

1686
01:35:39,280 --> 01:35:41,760
Speaker 1: just you know, with the with the last run. I'm

1687
01:35:41,760 --> 01:35:44,679
Speaker 1: still waiting. I'm still waiting on them bad jay Z albums.

1688
01:35:44,720 --> 01:35:46,160
Speaker 1: Which one is you talking about? Oh?

1689
01:35:47,040 --> 01:35:53,080
Speaker 4: Hold on real Quick, blue Print, Reasonable Doubt black album for.

1690
01:35:54,760 --> 01:35:55,320
Speaker 2: Blue Print?

1691
01:35:56,520 --> 01:35:59,240
Speaker 1: Look, we all three of us with keingdom come, but

1692
01:35:59,320 --> 01:36:03,160
Speaker 1: I think can census consensus would be that's not a

1693
01:36:03,200 --> 01:36:08,599
Speaker 1: win for j consensus. It's not that's not them come

1694
01:36:08,960 --> 01:36:09,599
Speaker 1: keeping them coming?

1695
01:36:09,760 --> 01:36:12,920
Speaker 4: Oh hell no, Keen of coms. What that's in there?

1696
01:36:12,960 --> 01:36:15,160
Speaker 1: Bro? What are we talking about? Mines? I fun with it,

1697
01:36:15,240 --> 01:36:16,960
Speaker 1: but I don't think that people with it like that.

1698
01:36:17,200 --> 01:36:19,840
Speaker 1: People are wrong. Okay, but but but but but we

1699
01:36:20,000 --> 01:36:24,720
Speaker 1: represent the people. Invalid, we represent the people. There's not

1700
01:36:24,880 --> 01:36:27,320
Speaker 1: many J albums that are bad. You got American Gangster.

1701
01:36:28,560 --> 01:36:32,639
Speaker 4: I think, like, what are we talking about?

1702
01:36:33,640 --> 01:36:36,320
Speaker 2: I think, uh, what is that?

1703
01:36:37,240 --> 01:36:37,840
Speaker 1: You're pretty?

1704
01:36:37,960 --> 01:36:38,599
Speaker 4: Pretty pretty.

1705
01:36:40,640 --> 01:36:44,240
Speaker 1: I don't think Volume three is a win. It got

1706
01:36:44,360 --> 01:36:47,680
Speaker 1: hard songs, but like the entirety of that album, I

1707
01:36:47,720 --> 01:36:54,439
Speaker 1: don't think it's a win. I don't. But okay, but

1708
01:36:55,400 --> 01:36:57,200
Speaker 1: but but but but the thing Okay, So, like when

1709
01:36:57,240 --> 01:37:01,920
Speaker 1: I'm looking at winning percentage, I'm like, is eighty percent

1710
01:37:02,000 --> 01:37:05,839
Speaker 1: of that album non skippable? Right? Because we're not talking classic,

1711
01:37:06,000 --> 01:37:09,280
Speaker 1: so like it's seventy five percent of the album non skippable?

1712
01:37:09,640 --> 01:37:14,519
Speaker 1: And for me, Volume three is not that. Okay, you

1713
01:37:14,560 --> 01:37:16,920
Speaker 1: know what I'm saying. So so that's why I wouldn't

1714
01:37:16,960 --> 01:37:19,400
Speaker 1: count it as a win. I don't think it's a

1715
01:37:19,479 --> 01:37:21,439
Speaker 1: bad album, but I wouldn't count it as a win.

1716
01:37:22,600 --> 01:37:28,920
Speaker 1: Kingdom come from the massive perspective. Personally it is to me,

1717
01:37:29,400 --> 01:37:32,960
Speaker 1: But I don't think it's a win both best of

1718
01:37:33,000 --> 01:37:38,240
Speaker 1: both worlds. That I don't think that's a win. That's

1719
01:37:38,240 --> 01:37:42,960
Speaker 1: a both worlds you talk about that. It's why this guy,

1720
01:37:43,240 --> 01:37:46,400
Speaker 1: you know, I don't know. That's that's part of compilationsion,

1721
01:37:48,160 --> 01:37:49,800
Speaker 1: So then you can't put wash the thrown in there

1722
01:37:50,040 --> 01:37:52,920
Speaker 1: about solo, I mean you can't watch the thrown out.

1723
01:37:52,960 --> 01:37:54,320
Speaker 1: But look what, I don't want to stay on this

1724
01:37:54,360 --> 01:37:54,680
Speaker 1: too long?

1725
01:37:55,120 --> 01:37:59,040
Speaker 2: Mm hmm all right, Uh shout out to wrap round

1726
01:37:59,120 --> 01:38:03,360
Speaker 2: tables loud to the hip hop up again.

1727
01:38:06,080 --> 01:38:08,360
Speaker 3: And only one more after this, R I P to

1728
01:38:08,439 --> 01:38:13,400
Speaker 3: mister white folks, green beans, mister white folks, who is

1729
01:38:13,439 --> 01:38:13,880
Speaker 3: that that?

1730
01:38:16,720 --> 01:38:18,679
Speaker 4: I don't know, mister white folks?

1731
01:38:19,920 --> 01:38:20,040
Speaker 1: Uh?

1732
01:38:20,520 --> 01:38:23,200
Speaker 3: And last is jay Z gonna buy a stove guy

1733
01:38:23,280 --> 01:38:25,760
Speaker 3: out of all this? Contrasts absolutely not jay Z. He

1734
01:38:25,800 --> 01:38:29,080
Speaker 3: ain't putting up that money, bro. But he'll tell him,

1735
01:38:29,680 --> 01:38:31,720
Speaker 3: He'll tell him how to get out of it. He'll

1736
01:38:31,760 --> 01:38:33,280
Speaker 3: help him get out of it. I don't know if

1737
01:38:33,320 --> 01:38:36,800
Speaker 3: he's gonna buy it, buy him out of it.

1738
01:38:39,120 --> 01:38:43,800
Speaker 1: Social media and fluence, so he's a social media. One

1739
01:38:43,880 --> 01:38:46,280
Speaker 1: day ago he died motorcycle crash. I don't know what

1740
01:38:46,439 --> 01:38:48,120
Speaker 1: that is though. I never heard of him about r

1741
01:38:48,120 --> 01:38:53,120
Speaker 1: I P. Yeah and that's it.

1742
01:38:55,360 --> 01:38:57,439
Speaker 3: So yeah, no, I think, but I think Jay's on

1743
01:38:57,520 --> 01:38:59,960
Speaker 3: the Jay's on the job, bro. He's gonna get he

1744
01:39:00,120 --> 01:39:01,759
Speaker 3: gonna make it, He's gonna make it happen.

1745
01:39:02,640 --> 01:39:05,960
Speaker 1: Around saying said, King of com is largely skippable, y'all

1746
01:39:06,080 --> 01:39:07,439
Speaker 1: crazy crazy.

1747
01:39:10,560 --> 01:39:21,400
Speaker 5: It has some skipps, debate, challenge, hell, conversation.

1748
01:39:23,200 --> 01:39:23,479
Speaker 1: People.

1749
01:39:24,360 --> 01:39:24,599
Speaker 2: People.

1750
01:39:24,640 --> 01:39:27,000
Speaker 3: You're right, Rob, people are wrong. I just don't understand.

1751
01:39:27,040 --> 01:39:28,400
Speaker 3: I just never understood it. Bro.

1752
01:39:28,640 --> 01:39:30,479
Speaker 1: Well I guess I know what the next life is

1753
01:39:30,520 --> 01:39:33,160
Speaker 1: gonna be debated. Kingdom coming.

1754
01:39:34,000 --> 01:39:35,400
Speaker 3: We're gonna have to set that up. We gonta to

1755
01:39:35,439 --> 01:39:40,799
Speaker 3: figure out, Like damn, bro, that's crazy.

1756
01:39:42,760 --> 01:39:47,080
Speaker 1: Yeah yeah, it has skip.

1757
01:39:50,240 --> 01:39:53,280
Speaker 2: Anyway. Yeah, that's look I got man.

1758
01:39:54,000 --> 01:40:01,599
Speaker 1: Appreciate your brother, Appreciate everybody that pulled up for the live.

1759
01:40:01,840 --> 01:40:04,360
Speaker 1: You already know. We'll be back next week. Today we

1760
01:40:04,479 --> 01:40:07,760
Speaker 1: talked about hip hop albums turning twenty real quick. That

1761
01:40:08,000 --> 01:40:10,599
Speaker 1: is t I King, ghost Face, Fish Scale, Rick Rossport

1762
01:40:10,640 --> 01:40:13,240
Speaker 1: of Miami, Loope, Food and Liquor, the Game Doctor Advocate,

1763
01:40:13,680 --> 01:40:15,560
Speaker 1: Jay Z, King of Cup and Clips. He'll have no

1764
01:40:15,680 --> 01:40:18,640
Speaker 1: fury all those albums turning twenty. Obviously there's more, but

1765
01:40:18,760 --> 01:40:21,200
Speaker 1: these are the ones that resonate with that in hip hop.

1766
01:40:22,000 --> 01:40:24,160
Speaker 1: The versus Mike Will Made It versus hit Boy, who

1767
01:40:24,240 --> 01:40:30,560
Speaker 1: do you have? I think hit Boy is gonna who

1768
01:40:30,680 --> 01:40:31,000
Speaker 1: said that?

1769
01:40:32,200 --> 01:40:34,240
Speaker 2: Got the chat? Oh yeah no?

1770
01:40:34,400 --> 01:40:38,519
Speaker 1: They trolling at this point, Mike will made it versus

1771
01:40:38,600 --> 01:40:40,800
Speaker 1: hit Boy, Who Do You Got? I think is gonna

1772
01:40:40,800 --> 01:40:42,680
Speaker 1: surprise a lot of people. I don't think they know

1773
01:40:42,800 --> 01:40:46,320
Speaker 1: his entire catalog, but I think Mike will Is as

1774
01:40:46,400 --> 01:40:50,800
Speaker 1: well will surprise people. Niki lost It. I don't know

1775
01:40:50,800 --> 01:40:53,439
Speaker 1: if we need to continue to cover her on that

1776
01:40:53,640 --> 01:40:56,599
Speaker 1: and hip hop. This will be my last time because

1777
01:40:56,640 --> 01:41:01,679
Speaker 1: I'm over the situation. Rocky, you know what I'm saying.

1778
01:41:01,920 --> 01:41:04,439
Speaker 1: The album selves look a little Rocky. I don't know.

1779
01:41:04,520 --> 01:41:06,439
Speaker 1: You gotta get you got to get the FedEx people,

1780
01:41:06,479 --> 01:41:08,600
Speaker 1: you know what I'm saying, Get them vinyls moving so

1781
01:41:08,680 --> 01:41:11,320
Speaker 1: that way they could count. And Gucci Man got Gucci

1782
01:41:11,400 --> 01:41:12,880
Speaker 1: main or did he not?

1783
01:41:13,280 --> 01:41:14,600
Speaker 2: I don't know. You let us know.

1784
01:41:15,360 --> 01:41:17,559
Speaker 1: Po Sisty. You know he went back to the streets

1785
01:41:17,600 --> 01:41:20,640
Speaker 1: and trying to get out of his ten seventeen contract.

1786
01:41:21,479 --> 01:41:24,599
Speaker 1: That being said, that's another rundown next week. I don't

1787
01:41:24,640 --> 01:41:26,320
Speaker 1: know what the hell we're doing, but we will be

1788
01:41:26,439 --> 01:41:30,439
Speaker 1: live nine pm or earlier, so make sure you stay tuned.

1789
01:41:30,720 --> 01:41:34,320
Speaker 1: Top one hundred is coming tvd shout out, Wrap, round Table,

1790
01:41:34,360 --> 01:41:38,120
Speaker 1: shout out on TV podcasts, and we will catch y'all

1791
01:41:38,960 --> 01:41:44,719
Speaker 1: next week. Bullshit reasonable Okay, yeah no, can't. Can't stop

1792
01:41:44,760 --> 01:41:47,280
Speaker 1: the street, stoup the street, stop the stream because they

1793
01:41:47,400 --> 01:41:51,280
Speaker 1: getting crazy. They getting crazy. Won't have to smack somebody

1794
01:41:51,360 --> 01:41:51,519
Speaker 1: can

1795
01:41:52,800 --> 01:41:55,920
Speaker 2: Oh my god, we'll catch y'all next week, man,