1 00:00:04,440 --> 00:00:10,399 Speaker 1: Dead and hip Hop album review Danny Brown Start up. 2 00:00:11,760 --> 00:00:15,880 Speaker 2: Yes, sir, look before we get into the review, make 3 00:00:15,920 --> 00:00:18,600 Speaker 2: sure you check out our Patreon because we got hell 4 00:00:18,640 --> 00:00:20,800 Speaker 2: of stuff over there that you don't get on the channel. 5 00:00:21,480 --> 00:00:23,959 Speaker 2: And you also can nominate stuff, you know what I'm saying, Like, 6 00:00:24,000 --> 00:00:30,800 Speaker 2: nominate the request line, Nominate am I, Johonna blank or else? 7 00:00:30,800 --> 00:00:32,479 Speaker 2: Can they nominate basy don't. 8 00:00:32,320 --> 00:00:34,599 Speaker 3: Mean like you said, ranking desography. 9 00:00:34,720 --> 00:00:42,000 Speaker 2: Desographies, y'all could definitely go on there watch the content. 10 00:00:42,120 --> 00:00:45,400 Speaker 2: If you're at the nomination level, nominate those albums, projects 11 00:00:45,400 --> 00:00:47,720 Speaker 2: and artists, you know what I'm saying. Also, the listening, 12 00:00:47,760 --> 00:00:52,600 Speaker 2: you get the full experience of listening with the unreleased. 13 00:00:52,120 --> 00:00:55,000 Speaker 1: Song that the artists that come on to the listening 14 00:00:55,280 --> 00:00:55,680 Speaker 1: drop for. 15 00:00:55,720 --> 00:00:58,760 Speaker 2: You can't get that anywhere else, So make sure you 16 00:00:58,760 --> 00:01:01,200 Speaker 2: go check out Patreon or you become a YouTube member. 17 00:01:01,400 --> 00:01:04,520 Speaker 1: But today we're doing Danny Brown Star Dust. 18 00:01:04,760 --> 00:01:04,920 Speaker 4: Yo. 19 00:01:05,040 --> 00:01:08,000 Speaker 2: I'm not honestly like when I was listening to this, 20 00:01:08,120 --> 00:01:12,800 Speaker 2: I had a surreal moment listening to this album because 21 00:01:12,840 --> 00:01:17,400 Speaker 2: I was like, Yo, I'm getting old number one because 22 00:01:18,880 --> 00:01:22,520 Speaker 2: when we started that in hip hop and Danny Brown 23 00:01:22,560 --> 00:01:25,720 Speaker 2: came out with Triple X, A time traveler FIFA. When 24 00:01:25,760 --> 00:01:27,840 Speaker 2: it came to me at that point in time and 25 00:01:27,920 --> 00:01:30,639 Speaker 2: handed me this project and said this is where Danny 26 00:01:30,640 --> 00:01:33,399 Speaker 2: Brown is gonna go musically, I would have told my 27 00:01:33,440 --> 00:01:36,080 Speaker 2: I would have slapped myself, bro, like, not you lying, bro, 28 00:01:36,160 --> 00:01:38,600 Speaker 2: Like this is not you know what I'm saying where 29 00:01:39,600 --> 00:01:41,480 Speaker 2: sonically I thought Danny Brown would go. 30 00:01:42,000 --> 00:01:45,720 Speaker 1: But I really like it because it shows extreme growth 31 00:01:46,080 --> 00:01:50,880 Speaker 1: and not just musically, but just like he's grown as 32 00:01:50,920 --> 00:01:54,120 Speaker 1: a person and as an individual, bro, Like he actually 33 00:01:54,200 --> 00:01:57,880 Speaker 1: cares about people and himself and others. You know what 34 00:01:57,920 --> 00:01:58,320 Speaker 1: I'm saying. 35 00:01:58,560 --> 00:02:01,040 Speaker 2: Not saying that he did it once before, but he 36 00:02:01,120 --> 00:02:05,520 Speaker 2: was definitely a much wilder person. You could tell by 37 00:02:06,200 --> 00:02:08,320 Speaker 2: the shows if you don't know what I'm talking about, 38 00:02:08,720 --> 00:02:11,320 Speaker 2: you know, trying to do your Google's. He was doing 39 00:02:11,320 --> 00:02:14,119 Speaker 2: crazy shit on shows. But it was just like indicative 40 00:02:14,120 --> 00:02:16,720 Speaker 2: of his music. And to hear him here where he's like, 41 00:02:16,720 --> 00:02:19,240 Speaker 2: you know, everything I do is for you and you know, 42 00:02:19,320 --> 00:02:23,040 Speaker 2: the softer sounds but still being chaotic and crazy Danny 43 00:02:23,160 --> 00:02:28,680 Speaker 2: Brown is. I feel I feel very proud of him, 44 00:02:28,880 --> 00:02:31,760 Speaker 2: as you know, like a listener and a fan just 45 00:02:31,800 --> 00:02:33,840 Speaker 2: seeing the growth of Danny you know what I'm saying. 46 00:02:33,960 --> 00:02:36,760 Speaker 2: You know, the last album we did Garanta, you know, 47 00:02:36,919 --> 00:02:39,639 Speaker 2: just just hearing the evolution, it's kind of crazy. Bro, 48 00:02:39,919 --> 00:02:41,960 Speaker 2: It's kind of crazy to see how far he's come, 49 00:02:42,040 --> 00:02:45,880 Speaker 2: but he's still true to how wild and crazy he is. 50 00:02:46,080 --> 00:02:47,959 Speaker 1: Another thing that really made me think. 51 00:02:48,240 --> 00:02:50,960 Speaker 2: Like a comparison, I was like, bro, like, I think 52 00:02:51,000 --> 00:02:54,400 Speaker 2: he's this generation is ODB Bro Like like just like 53 00:02:54,440 --> 00:02:58,959 Speaker 2: the things he's doing, Like nobody's this weird. Like, yeah, 54 00:02:58,960 --> 00:03:01,400 Speaker 2: you could throw Jpegan, and I think there's other people 55 00:03:01,440 --> 00:03:03,799 Speaker 2: that you could throw in this bucket, but I think 56 00:03:03,880 --> 00:03:07,600 Speaker 2: Daddy does it defense Bro, Like, this album was. 57 00:03:09,480 --> 00:03:11,480 Speaker 1: Was really good. I didn't know what to expect. I 58 00:03:11,520 --> 00:03:12,600 Speaker 1: know that's one of my taglines. 59 00:03:12,600 --> 00:03:14,920 Speaker 2: I haven't said it in a minute, but this was 60 00:03:15,160 --> 00:03:17,960 Speaker 2: different and executed really well. 61 00:03:18,000 --> 00:03:22,800 Speaker 5: Man like Fifo Bruh, Like I know we was talking 62 00:03:22,800 --> 00:03:26,520 Speaker 5: about like you know when clips dropped, they starting they 63 00:03:26,680 --> 00:03:29,200 Speaker 5: start off start off with an album song with birds 64 00:03:29,200 --> 00:03:29,880 Speaker 5: Don't Sing. 65 00:03:30,400 --> 00:03:34,160 Speaker 3: Brud, this fucking Book of Daniel Brouh and mind You. 66 00:03:34,360 --> 00:03:36,640 Speaker 5: I've listened to a lot of Danny Brown albums, I 67 00:03:36,640 --> 00:03:39,320 Speaker 5: mean all the way back to a Staate Detroit, Troy 68 00:03:39,400 --> 00:03:41,640 Speaker 5: State of Mind mixtapes and all that stuff. The Hybrid 69 00:03:41,840 --> 00:03:44,880 Speaker 5: Hot soup, Bro, this is probably like a top five 70 00:03:44,960 --> 00:03:46,240 Speaker 5: Danny Brown song for me. 71 00:03:46,280 --> 00:03:47,520 Speaker 3: Man, that shiit see. 72 00:03:47,520 --> 00:03:50,640 Speaker 5: He started this album off so so fucking good with 73 00:03:50,680 --> 00:03:53,560 Speaker 5: Book of Daniel Bro. It's literally like a just a 74 00:03:53,560 --> 00:03:57,160 Speaker 5: combination of just everything Danny Brown up to this point. 75 00:03:56,960 --> 00:03:59,520 Speaker 3: And as as. 76 00:03:58,520 --> 00:04:00,360 Speaker 5: A long time listening to Danny Brown, and that was 77 00:04:00,440 --> 00:04:02,920 Speaker 5: such a great way to start the album off. I 78 00:04:02,920 --> 00:04:05,880 Speaker 5: remember when I saw the video the first single, Starburst, 79 00:04:06,040 --> 00:04:08,760 Speaker 5: which was I was like, okay, ooh, I'm like, just 80 00:04:09,040 --> 00:04:11,160 Speaker 5: shout out to Holly, the producer he produced on his 81 00:04:11,240 --> 00:04:14,200 Speaker 5: last album as well. So I was just like, man, 82 00:04:14,760 --> 00:04:16,560 Speaker 5: this is what the album gonna sound like. And then 83 00:04:16,640 --> 00:04:19,159 Speaker 5: he started messing with some sounds that I was like, Okay, 84 00:04:19,200 --> 00:04:21,919 Speaker 5: this is really not my cup of tea, Like Copycats 85 00:04:22,000 --> 00:04:24,880 Speaker 5: is not my cup of tea nineteen ninety nine and 86 00:04:25,000 --> 00:04:28,000 Speaker 5: Flowers is not my cup of tea sonically sonically. But 87 00:04:28,080 --> 00:04:29,880 Speaker 5: I will say, and I think I remember, I think 88 00:04:29,960 --> 00:04:32,280 Speaker 5: Kim was talking about this last week when we were shooting 89 00:04:32,440 --> 00:04:35,560 Speaker 5: when we shot f If it's anything you can say 90 00:04:35,560 --> 00:04:39,159 Speaker 5: about Danny Brown, that motherfucker can rap over any I've 91 00:04:39,160 --> 00:04:41,880 Speaker 5: heard him rap over all types of production. This man 92 00:04:41,920 --> 00:04:44,159 Speaker 5: had an album executive produced by q Tip A couple 93 00:04:44,240 --> 00:04:46,680 Speaker 5: albums ago, like for him to rap over that type 94 00:04:46,680 --> 00:04:48,800 Speaker 5: of production, didn't rap over this, didn't wrap over the 95 00:04:48,800 --> 00:04:51,920 Speaker 5: stuff like Black milkshit to rap over like this man, 96 00:04:52,120 --> 00:04:53,599 Speaker 5: Danny Brown could rap over anything. 97 00:04:54,080 --> 00:04:56,599 Speaker 3: But yeah, some of the stuff. Some of the stuff 98 00:04:56,640 --> 00:04:58,400 Speaker 3: I was just like, lift you up. 99 00:04:58,440 --> 00:05:00,599 Speaker 5: Though it picked back up for me when it got 100 00:05:00,200 --> 00:05:02,960 Speaker 5: to because it took me to some like Detroit house 101 00:05:03,040 --> 00:05:04,120 Speaker 5: music type of shit that be. 102 00:05:04,600 --> 00:05:06,919 Speaker 3: Yeah, so lift you up with dope as fuck. 103 00:05:06,960 --> 00:05:09,839 Speaker 2: With you before you just to lift you up nineteen 104 00:05:09,920 --> 00:05:15,200 Speaker 2: ninety nine that was perky, jerky, like damn near clipping, Like, 105 00:05:15,839 --> 00:05:17,080 Speaker 2: how did you feel about that? 106 00:05:17,080 --> 00:05:18,479 Speaker 1: Because you didn't part? 107 00:05:18,800 --> 00:05:22,960 Speaker 5: But yeah, again, like the stuff that sonically that I 108 00:05:22,960 --> 00:05:25,240 Speaker 5: didn't like, I didn't like just because of reduction. It 109 00:05:25,279 --> 00:05:28,200 Speaker 5: wasn't because of Danny Brown, because I was amazed, Like 110 00:05:28,680 --> 00:05:30,479 Speaker 5: when Flowers came on, I was like, how to fuck 111 00:05:30,480 --> 00:05:30,960 Speaker 5: you gonna. 112 00:05:30,800 --> 00:05:31,279 Speaker 3: Hyme over this? 113 00:05:31,440 --> 00:05:34,839 Speaker 5: And then I was like, god, damn, like how is 114 00:05:34,880 --> 00:05:38,039 Speaker 5: he rhyming over this type of production? So you know, 115 00:05:38,640 --> 00:05:40,800 Speaker 5: I was really more impressed with Danny Brown, even for 116 00:05:40,839 --> 00:05:42,880 Speaker 5: this song sonically that I didn't like. But I'm just 117 00:05:42,960 --> 00:05:44,640 Speaker 5: kind of talking about the stuff that I that I 118 00:05:44,680 --> 00:05:46,680 Speaker 5: did like on this album, Like I said, lift you up, 119 00:05:47,440 --> 00:05:53,040 Speaker 5: what you see baby, whatever the case, right from wrong. 120 00:05:53,120 --> 00:05:55,599 Speaker 5: It's another one of my favorite joints. I Love and 121 00:05:55,640 --> 00:05:57,960 Speaker 5: then All for You. So like some of those joints 122 00:05:58,440 --> 00:06:01,400 Speaker 5: sonically that I really enjoyed. The stuff that I just 123 00:06:01,440 --> 00:06:03,560 Speaker 5: didn't like, I didn't like like I was just like, 124 00:06:03,680 --> 00:06:04,880 Speaker 5: m this shit. 125 00:06:04,720 --> 00:06:07,040 Speaker 3: Sounds so poppy, but it was sounding. 126 00:06:07,279 --> 00:06:09,000 Speaker 5: Some of the sounds he was messing with on here 127 00:06:09,160 --> 00:06:11,440 Speaker 5: was very pop sounding, and I mean, I'm pretty sure 128 00:06:11,960 --> 00:06:14,200 Speaker 5: it was intentional. Danny Brown probably wanted to RhE over 129 00:06:14,240 --> 00:06:15,840 Speaker 5: this type of shit because he's that type of MC 130 00:06:15,960 --> 00:06:18,279 Speaker 5: that can rhyme over that type of shit. So I'm 131 00:06:18,279 --> 00:06:20,840 Speaker 5: not even questioning, like why would he do it. It's 132 00:06:20,920 --> 00:06:23,560 Speaker 5: kind of like, well, okay, this because he gave me 133 00:06:23,640 --> 00:06:26,640 Speaker 5: so many different albums with so many different sounds. It's 134 00:06:26,720 --> 00:06:29,719 Speaker 5: not like he's been using this same type of sound 135 00:06:29,800 --> 00:06:33,120 Speaker 5: with every fucking album, So him rhyming over this shit 136 00:06:33,279 --> 00:06:35,360 Speaker 5: was like, Okay, I kind of get it, even though 137 00:06:35,360 --> 00:06:36,960 Speaker 5: if I don't care for it, I'm like, man, how 138 00:06:36,960 --> 00:06:38,960 Speaker 5: the fuck is he still rhyming over this shit? But 139 00:06:39,480 --> 00:06:42,640 Speaker 5: I'm definitely glad I got a good amount of enjoyment 140 00:06:42,640 --> 00:06:44,479 Speaker 5: on his album because I was worried, like after the 141 00:06:44,480 --> 00:06:47,600 Speaker 5: first two tracks. He came out strong, came out fucking strong, 142 00:06:47,600 --> 00:06:50,240 Speaker 5: and so, like I said, Book of Daniels, probably, I'm curious. 143 00:06:50,279 --> 00:06:51,520 Speaker 5: I wish we had him on the listen because I 144 00:06:51,520 --> 00:06:53,120 Speaker 5: want to ask him. It's that one of his favorite songs, 145 00:06:53,120 --> 00:06:55,240 Speaker 5: because that Book of Daniel's like my top five Danny 146 00:06:55,279 --> 00:06:58,440 Speaker 5: Brown song. But yeah, Copycast ninety nine Flowers. That's when 147 00:06:58,440 --> 00:07:00,000 Speaker 5: they got shaky from me. I was like, oh man, 148 00:07:00,080 --> 00:07:02,640 Speaker 5: I'm not liking this so far, but yeah, lift you up. 149 00:07:02,720 --> 00:07:04,880 Speaker 5: It picked back up for me, and yeah, pretty much 150 00:07:04,920 --> 00:07:07,800 Speaker 5: the second half of his album, I was like, okay, good, good, 151 00:07:07,800 --> 00:07:08,560 Speaker 5: shit Danny Brown. 152 00:07:08,600 --> 00:07:09,880 Speaker 3: He finished strong. 153 00:07:10,000 --> 00:07:12,320 Speaker 5: But like I said, the ones that I didn't like, 154 00:07:12,480 --> 00:07:15,040 Speaker 5: I was just like, this shit sound just the sound 155 00:07:15,120 --> 00:07:15,800 Speaker 5: just wasn't for me. 156 00:07:15,960 --> 00:07:17,320 Speaker 3: Some of the some of the sounds on some of 157 00:07:17,320 --> 00:07:18,880 Speaker 3: the songs, I was just like. 158 00:07:19,680 --> 00:07:21,840 Speaker 5: Yeah, I can't do it. And I thought this was 159 00:07:21,880 --> 00:07:23,960 Speaker 5: gonna be on his Bruis brigade level. I think he 160 00:07:24,040 --> 00:07:26,080 Speaker 5: still he's still with his label, Warp Records. So I 161 00:07:26,120 --> 00:07:30,520 Speaker 5: thought the last album was gonna Conoranda Coronoranta. I thought 162 00:07:30,560 --> 00:07:33,080 Speaker 5: that was his last album. Yeah, Karunta, I thought that 163 00:07:33,160 --> 00:07:35,680 Speaker 5: was his last album Underwarp Records, but I see he's 164 00:07:35,680 --> 00:07:36,840 Speaker 5: still under Warp Records. 165 00:07:36,840 --> 00:07:40,360 Speaker 3: But but yeah, man, it's shit. I fucked with it. 166 00:07:40,400 --> 00:07:42,160 Speaker 3: I mean, overall, I do like the album. 167 00:07:42,200 --> 00:07:44,160 Speaker 5: It's just the songs that I didn't like, I didn't 168 00:07:44,240 --> 00:07:45,800 Speaker 5: like and the songs that I fuck with, I really 169 00:07:45,840 --> 00:07:48,400 Speaker 5: really fuck with. So and Danny Brown rapping on here 170 00:07:48,440 --> 00:07:51,200 Speaker 5: this is fucking superb. His content was very superb too, 171 00:07:51,280 --> 00:07:53,800 Speaker 5: Like he was definitely talking about some heavy ship. 172 00:07:53,720 --> 00:07:54,480 Speaker 3: And he's been talking. 173 00:07:54,520 --> 00:07:57,920 Speaker 5: He's been on some real introspective heavy shit now, especially 174 00:07:58,520 --> 00:08:01,640 Speaker 5: shit since the joint he did with Q Tip, like 175 00:08:01,680 --> 00:08:03,560 Speaker 5: since that album so and I know we reviewed that 176 00:08:03,640 --> 00:08:07,160 Speaker 5: one too, So yeah, I mean, Danny Brown has been nuts. 177 00:08:07,160 --> 00:08:08,840 Speaker 3: But yeah, I fuck with this album, man, I like it. 178 00:08:10,000 --> 00:08:14,280 Speaker 4: Yeah, this this, this was this was tough for me. Yes, 179 00:08:14,880 --> 00:08:19,400 Speaker 4: this was hard to get through. Yeah. I just wasn't 180 00:08:19,480 --> 00:08:20,400 Speaker 4: rocking with the sound. 181 00:08:20,920 --> 00:08:24,840 Speaker 2: I mean, yeah, I agree that the first song Book 182 00:08:24,840 --> 00:08:27,760 Speaker 2: of Daniel kind of set me up and started us 183 00:08:27,760 --> 00:08:31,320 Speaker 2: setting up too, because I was just like, okay, yeah, 184 00:08:31,480 --> 00:08:36,960 Speaker 2: but then yeah, man, yeah, oh man, they're gonna stay here, 185 00:08:37,080 --> 00:08:39,640 Speaker 2: and it kind of did until it got to lift 186 00:08:39,679 --> 00:08:40,000 Speaker 2: me up. 187 00:08:40,000 --> 00:08:43,680 Speaker 4: Even though like that that kind of m popping. 188 00:08:43,440 --> 00:08:48,040 Speaker 2: Sound, it's it felt good. It was like I feel good, 189 00:08:48,520 --> 00:08:50,560 Speaker 2: so you know what I'm saying. So I was just like, okay, cool, 190 00:08:50,559 --> 00:08:52,560 Speaker 2: I could rock with that. And then it goes back 191 00:08:52,600 --> 00:08:55,520 Speaker 2: to like green Light, where had people like some of 192 00:08:55,559 --> 00:08:57,720 Speaker 2: the melodies on here that people, you know, the singing 193 00:08:57,760 --> 00:09:01,240 Speaker 2: and stuff. I just wasn't feeling that, like, I don't 194 00:09:01,280 --> 00:09:03,439 Speaker 2: think I came back around to. 195 00:09:03,040 --> 00:09:06,840 Speaker 4: The end the song. The end of the end was 196 00:09:07,120 --> 00:09:10,280 Speaker 4: really the end, he said. 197 00:09:10,280 --> 00:09:13,120 Speaker 6: When it's over, he said, the end the. 198 00:09:13,120 --> 00:09:14,160 Speaker 4: Song is called. 199 00:09:16,520 --> 00:09:19,600 Speaker 3: The song that the end of for you. He finished 200 00:09:19,600 --> 00:09:20,320 Speaker 3: it out strong with that. 201 00:09:20,440 --> 00:09:22,600 Speaker 2: Yeah, yeah, yeah, he finished it out strong. But that 202 00:09:22,760 --> 00:09:27,040 Speaker 2: that mid section, Yeah, that mid section was tough anything. 203 00:09:27,240 --> 00:09:29,880 Speaker 2: And it was tough about it because the lyrics, like 204 00:09:29,920 --> 00:09:34,880 Speaker 2: y'all said, are there. The lyrics absolutely there. But the 205 00:09:34,960 --> 00:09:37,560 Speaker 2: thing is, man, you know, it's not it's not for 206 00:09:37,640 --> 00:09:40,440 Speaker 2: me the sound and stuff. But I love that he 207 00:09:40,640 --> 00:09:44,280 Speaker 2: sounds like just free right. It sounds like he's just like, 208 00:09:44,920 --> 00:09:46,640 Speaker 2: you know, this is what I want to make, and 209 00:09:46,679 --> 00:09:50,040 Speaker 2: it sounds like he authentically wants to make it. So 210 00:09:50,080 --> 00:09:52,480 Speaker 2: that's what I respect about the sound. It kind of 211 00:09:52,480 --> 00:09:55,760 Speaker 2: reminds me of that Tyler album where he just was 212 00:09:55,800 --> 00:09:58,120 Speaker 2: doing like the loud sounds and stuff, but it felt 213 00:09:58,200 --> 00:10:00,199 Speaker 2: like that's what Tyler wanted to do in that moment, 214 00:10:00,400 --> 00:10:02,280 Speaker 2: not Chromakope, but the one he did after that. 215 00:10:02,280 --> 00:10:04,240 Speaker 4: I don't even I forgot, you know. 216 00:10:05,120 --> 00:10:06,160 Speaker 3: About the dance album like that. 217 00:10:06,280 --> 00:10:08,439 Speaker 4: Yeah, yeah, and it sounds like he just wanted to 218 00:10:08,440 --> 00:10:10,160 Speaker 4: get off on it. The same thing with this man. 219 00:10:11,880 --> 00:10:13,760 Speaker 2: He just sounds like and I know on the last 220 00:10:13,800 --> 00:10:16,440 Speaker 2: album he was quote unquote sober at that point, but 221 00:10:16,480 --> 00:10:19,360 Speaker 2: it just sounds like sober in a different way on 222 00:10:19,400 --> 00:10:22,160 Speaker 2: this one. He feels lighter on this one, whereas the 223 00:10:22,160 --> 00:10:24,480 Speaker 2: other one was kind of somber or whatever. 224 00:10:25,760 --> 00:10:25,960 Speaker 6: Yeah. 225 00:10:26,040 --> 00:10:28,400 Speaker 2: Yeah, this was like he's sober and just kind of 226 00:10:28,800 --> 00:10:31,320 Speaker 2: just happy, you know what I'm saying, and in a 227 00:10:31,320 --> 00:10:33,680 Speaker 2: good place to reflect on some of the things that 228 00:10:34,160 --> 00:10:35,800 Speaker 2: you know, he was doing earlier. 229 00:10:35,440 --> 00:10:38,040 Speaker 4: On in his career. So I love that for him, 230 00:10:38,240 --> 00:10:38,840 Speaker 4: you know what I'm saying. 231 00:10:39,080 --> 00:10:43,040 Speaker 2: Like I may not like the overall soundscape of this album, 232 00:10:43,040 --> 00:10:45,600 Speaker 2: but I like what he's talking about, and I like 233 00:10:45,720 --> 00:10:48,520 Speaker 2: where he is in a place of comfortability to be 234 00:10:48,559 --> 00:10:52,520 Speaker 2: able to make an album like this, like authentically or whatever. 235 00:10:53,840 --> 00:10:57,160 Speaker 2: And just not boxing himself in right, like he's taking 236 00:10:57,280 --> 00:10:59,280 Speaker 2: chances with sounds like you said, he could wrap up 237 00:10:59,400 --> 00:11:01,600 Speaker 2: Dawn there anything, and that's something to be said up. 238 00:11:02,440 --> 00:11:03,079 Speaker 4: You know what I'm saying. 239 00:11:03,240 --> 00:11:04,800 Speaker 2: But you know why I was, like I said, why 240 00:11:04,840 --> 00:11:06,959 Speaker 2: it was tough for me to get through it. I 241 00:11:07,000 --> 00:11:10,480 Speaker 2: do still respect it a lot. I respected a lot 242 00:11:10,559 --> 00:11:13,880 Speaker 2: what he's doing. I don't have to like this album. Yeah, 243 00:11:14,280 --> 00:11:14,880 Speaker 2: you know what I'm saying. 244 00:11:15,080 --> 00:11:17,959 Speaker 5: I get it because I mean because when it got 245 00:11:17,960 --> 00:11:19,840 Speaker 5: to that tough part for me, Ryder, I was I 246 00:11:19,880 --> 00:11:21,720 Speaker 5: was about to be like, let me just chalk it up, 247 00:11:21,760 --> 00:11:23,560 Speaker 5: as you know, I catch him on the next one 248 00:11:23,600 --> 00:11:28,920 Speaker 5: because it's like, I mean, I understand, I completely understand 249 00:11:28,920 --> 00:11:30,880 Speaker 5: what Y was saying. I mean, it's I think the 250 00:11:30,920 --> 00:11:32,760 Speaker 5: only difference is it kind of came back around for me. 251 00:11:32,840 --> 00:11:33,640 Speaker 3: It didn't. It didn't. 252 00:11:33,679 --> 00:11:36,000 Speaker 5: It didn't tape off, you know, it didn't get worse 253 00:11:36,080 --> 00:11:38,120 Speaker 5: or it didn't stay at that the songs that I 254 00:11:38,120 --> 00:11:38,880 Speaker 5: didn't like at all. 255 00:11:38,960 --> 00:11:40,560 Speaker 4: But where did you come back around for you? 256 00:11:41,200 --> 00:11:41,800 Speaker 1: Lift You Up? 257 00:11:42,040 --> 00:11:43,600 Speaker 4: Yeah, That's what I'm saying. I like, Lift You Up, 258 00:11:43,600 --> 00:11:45,360 Speaker 4: but then it kind of dropped back off. Yeah? 259 00:11:45,400 --> 00:11:49,960 Speaker 5: What what what you see though? 260 00:11:50,160 --> 00:11:51,040 Speaker 3: Yeah, I mean it was. 261 00:11:51,080 --> 00:11:51,360 Speaker 4: It was. 262 00:11:51,440 --> 00:11:53,679 Speaker 5: It was some spots whatever the K shout out to 263 00:11:53,880 --> 00:11:56,320 Speaker 5: h who's I don't know who that broke that broke chick. 264 00:11:57,360 --> 00:11:59,839 Speaker 3: It's broken. She was fucking fired. So yeah, whatever the K, 265 00:12:00,240 --> 00:12:01,960 Speaker 3: Like I said, yeah, it was. It was you know, 266 00:12:02,040 --> 00:12:03,360 Speaker 3: here and there it was like, Okay, I don't like 267 00:12:03,400 --> 00:12:04,920 Speaker 3: the song. I like the song, I don't like the song. 268 00:12:04,920 --> 00:12:06,240 Speaker 3: I like this song. I like the song. I don't 269 00:12:06,320 --> 00:12:07,480 Speaker 3: like this song. I don't like this Yeah. 270 00:12:07,520 --> 00:12:13,839 Speaker 5: So it was like baby, yeah, yeah, yeah, So I. 271 00:12:13,960 --> 00:12:16,560 Speaker 2: Mess with your take, you know what I'm saying, because like, 272 00:12:16,679 --> 00:12:18,360 Speaker 2: I don't think he made this for the hip hop 273 00:12:18,440 --> 00:12:22,080 Speaker 2: head but but I messed with your take because I 274 00:12:22,120 --> 00:12:25,360 Speaker 2: agree where Danny Brown does feel free and it doesn't 275 00:12:25,520 --> 00:12:29,200 Speaker 2: sound forced like it's like they made him do this, 276 00:12:29,280 --> 00:12:32,920 Speaker 2: so he's just doing it like he's doing it. Just 277 00:12:32,920 --> 00:12:35,440 Speaker 2: wanted to see if no, I feel like, nah, I 278 00:12:35,559 --> 00:12:40,160 Speaker 2: like that. I like you so yeah, yes, that's why 279 00:12:40,200 --> 00:12:41,720 Speaker 2: I respect it. Well, you know a lot of people 280 00:12:41,800 --> 00:12:44,320 Speaker 2: will take chances like like I think, and I know 281 00:12:44,360 --> 00:12:46,800 Speaker 2: they say they put that on that on his lenk, 282 00:12:47,400 --> 00:12:49,160 Speaker 2: but it didn't sound authentic. 283 00:12:48,960 --> 00:12:51,679 Speaker 4: And authentic authentic. 284 00:12:51,679 --> 00:12:54,360 Speaker 2: It does, and that's the reason why I liked it 285 00:12:54,440 --> 00:12:57,040 Speaker 2: because if this is where you told me Danny Brown 286 00:12:57,080 --> 00:12:59,560 Speaker 2: would be as a person and as a lyricism just 287 00:12:59,600 --> 00:13:03,120 Speaker 2: as a position, I wouldn't have believed it because this 288 00:13:03,360 --> 00:13:08,640 Speaker 2: is honestly very he'd friendly pop, you know what I'm saying, Like, 289 00:13:08,640 --> 00:13:12,200 Speaker 2: obviously take away some of the purse words and stuff 290 00:13:12,240 --> 00:13:14,600 Speaker 2: like that, but bruh, like this is. 291 00:13:16,120 --> 00:13:17,320 Speaker 1: I don't know if he. 292 00:13:17,320 --> 00:13:21,400 Speaker 2: Was going for mainstream, but this obviously he was through 293 00:13:21,440 --> 00:13:26,640 Speaker 2: the sound, but again authentically being himself. I like, what's 294 00:13:26,800 --> 00:13:29,720 Speaker 2: here being objective, you know what I'm saying, Like because 295 00:13:29,760 --> 00:13:32,440 Speaker 2: he didn't make this for me. I'm not going out 296 00:13:32,480 --> 00:13:34,760 Speaker 2: trying to buy like pop records and stuff like that. 297 00:13:34,760 --> 00:13:37,160 Speaker 2: That's just not what I bumped to. And I think, 298 00:13:37,240 --> 00:13:38,960 Speaker 2: you know, when we do the grades, you'll see where 299 00:13:39,000 --> 00:13:42,400 Speaker 2: that is reflected. But I do think as a body 300 00:13:42,480 --> 00:13:45,840 Speaker 2: of work and just seeing him from the beginning the 301 00:13:46,000 --> 00:13:48,840 Speaker 2: growth is kind of like, bro, like this this is 302 00:13:48,880 --> 00:13:50,679 Speaker 2: really good. So that's why said I mess with your 303 00:13:50,720 --> 00:13:53,480 Speaker 2: take because I understand where you're coming from with it 304 00:13:53,880 --> 00:13:56,200 Speaker 2: because that's pretty much my sentiment too. Yeah, and I 305 00:13:56,240 --> 00:13:58,160 Speaker 2: hope he does too if he sees this like it's 306 00:13:58,240 --> 00:14:00,640 Speaker 2: you know what I'm saying, like it have nothing to 307 00:14:00,679 --> 00:14:03,520 Speaker 2: do with and I'm sure he knows that, he knows, 308 00:14:03,600 --> 00:14:06,720 Speaker 2: he has to know not everybody's gonna rock with the sound, 309 00:14:06,760 --> 00:14:09,200 Speaker 2: and even if they or something that would have to 310 00:14:09,200 --> 00:14:12,040 Speaker 2: grow on people, right, he has to understand that this, 311 00:14:12,040 --> 00:14:14,640 Speaker 2: this is, this is shaking up the cultural movie. 312 00:14:15,080 --> 00:14:20,520 Speaker 6: I found this album fascinating and I think it's it's 313 00:14:20,560 --> 00:14:22,240 Speaker 6: a part because of Danny Brown and a lot of 314 00:14:22,280 --> 00:14:25,520 Speaker 6: things that you guys just said, yeah, you know, I 315 00:14:25,520 --> 00:14:30,600 Speaker 6: think I definitely agree with, you know, his ability, his 316 00:14:30,600 --> 00:14:36,520 Speaker 6: his his talent just resonates strongly on this album for 317 00:14:36,800 --> 00:14:40,840 Speaker 6: him to be able, for him to wrap over ed 318 00:14:41,040 --> 00:14:44,400 Speaker 6: M beats and you know, all kinds of other sounds, 319 00:14:44,640 --> 00:14:48,120 Speaker 6: and it really really really caught me off guard because 320 00:14:48,520 --> 00:14:51,280 Speaker 6: you know, Book of Daniels sound like, you know, it's 321 00:14:51,480 --> 00:14:53,160 Speaker 6: I'm with you one hundred percent, but that's that's a 322 00:14:53,200 --> 00:14:55,720 Speaker 6: hell of opening track, very introspective and everything like that, 323 00:14:56,440 --> 00:14:59,480 Speaker 6: and uh, and then it just kept going on and 324 00:14:59,480 --> 00:15:01,480 Speaker 6: on and on, and then I think right around nineteen 325 00:15:01,560 --> 00:15:04,200 Speaker 6: ninety nine, like I was listening to it and I 326 00:15:04,280 --> 00:15:06,480 Speaker 6: just found myself just tapping my foot right along to 327 00:15:06,600 --> 00:15:08,840 Speaker 6: the beat, and I'm like, God, damn that shit fast 328 00:15:09,160 --> 00:15:12,520 Speaker 6: and he's just killing it, and you know, then Flowers 329 00:15:12,600 --> 00:15:14,680 Speaker 6: hit and then you know, like you guys already talking 330 00:15:14,680 --> 00:15:18,000 Speaker 6: about would lift you up, green light what you see, 331 00:15:18,040 --> 00:15:19,760 Speaker 6: like those joints kind of. 332 00:15:20,400 --> 00:15:21,320 Speaker 1: Came back around. 333 00:15:21,800 --> 00:15:24,040 Speaker 6: But the more I listened to it, the more the 334 00:15:24,040 --> 00:15:27,160 Speaker 6: rest of it started to really feel comfortable for me, 335 00:15:27,720 --> 00:15:31,800 Speaker 6: Like baby is a good trap that I like that joint, 336 00:15:31,960 --> 00:15:35,680 Speaker 6: I can't even say it. Love my life, love my life, 337 00:15:36,120 --> 00:15:41,760 Speaker 6: love my life. Rhythm Wise, beat Wise is an insane 338 00:15:41,960 --> 00:15:45,080 Speaker 6: freaking track, Like it's a lot going on there, and 339 00:15:45,080 --> 00:15:47,760 Speaker 6: he just wrapped it right along with it, right from wrong. 340 00:15:48,080 --> 00:15:49,840 Speaker 6: And I thought that eight minute track at the end 341 00:15:50,480 --> 00:15:53,920 Speaker 6: was a great record as well, So you got But 342 00:15:55,160 --> 00:15:58,080 Speaker 6: I think Danny, when you have a lot of people 343 00:15:58,080 --> 00:16:00,920 Speaker 6: in the underground, you know, and Mike has always been 344 00:16:00,920 --> 00:16:02,880 Speaker 6: a proponent, and you know, in the early years, I 345 00:16:02,880 --> 00:16:07,520 Speaker 6: always pushed and showed this that you know, it's limitless 346 00:16:07,560 --> 00:16:10,200 Speaker 6: in terms of where rap could go or what it 347 00:16:10,240 --> 00:16:15,080 Speaker 6: could sound like. And Danny, in an effortless way to me, 348 00:16:16,680 --> 00:16:21,960 Speaker 6: really proved that on on the level that he's at 349 00:16:22,480 --> 00:16:27,160 Speaker 6: and you guys are right, it's authentically him. This is 350 00:16:27,280 --> 00:16:28,480 Speaker 6: just what he wants to do. 351 00:16:28,560 --> 00:16:29,960 Speaker 3: This is just where he's at. 352 00:16:30,280 --> 00:16:32,480 Speaker 6: And the thing about it is, you know, there were 353 00:16:32,520 --> 00:16:34,560 Speaker 6: other albums that he did where he sperarimitted with different 354 00:16:34,560 --> 00:16:37,560 Speaker 6: sounds that I did not like, you know, and that's 355 00:16:37,600 --> 00:16:40,760 Speaker 6: documented on the channel as well. And but you know, 356 00:16:41,040 --> 00:16:44,040 Speaker 6: but when I listened to this, I was like, Yo, 357 00:16:44,520 --> 00:16:49,440 Speaker 6: this is actually really really really interesting. It's rapping is 358 00:16:49,480 --> 00:16:56,040 Speaker 6: really really good. The beat and production is not what 359 00:16:57,280 --> 00:17:03,080 Speaker 6: it's typical, but you know, I mean, I will listen 360 00:17:03,120 --> 00:17:05,359 Speaker 6: to stuff like this, so the production didn't throw me 361 00:17:05,400 --> 00:17:07,199 Speaker 6: off all that much. I'm not familiar with some of 362 00:17:07,200 --> 00:17:09,440 Speaker 6: these artists on here, but I was just really more 363 00:17:09,440 --> 00:17:11,560 Speaker 6: interested in what Canne was doing and how he was 364 00:17:11,600 --> 00:17:13,920 Speaker 6: doing it. And the more I listened to it, man, 365 00:17:13,960 --> 00:17:17,480 Speaker 6: the more the more comfortable I think. I said that 366 00:17:17,560 --> 00:17:20,560 Speaker 6: already is where I'm at with it, and other tracks 367 00:17:20,720 --> 00:17:25,520 Speaker 6: start to stand out. I think this is actually pretty 368 00:17:25,600 --> 00:17:30,000 Speaker 6: damn good. I think this is actually pretty good. And 369 00:17:30,520 --> 00:17:33,840 Speaker 6: after my first listen, I really said but I was. 370 00:17:33,800 --> 00:17:34,639 Speaker 4: Like, yeah, I don't know. 371 00:17:35,840 --> 00:17:38,359 Speaker 6: I liked what he was doing, but I don't know, 372 00:17:39,000 --> 00:17:42,000 Speaker 6: I don't know if if I'm with it. But I 373 00:17:42,080 --> 00:17:45,320 Speaker 6: kept coming back to the album, and the more I listened, 374 00:17:45,359 --> 00:17:49,439 Speaker 6: I was like, Nah, this is actually pretty good what 375 00:17:49,560 --> 00:17:54,880 Speaker 6: he's doing with this joint, surprisingly for me. So yeah, man, 376 00:17:54,960 --> 00:17:59,080 Speaker 6: I love what he did here, you know, on this album, 377 00:17:59,760 --> 00:18:03,920 Speaker 6: I think Danny Bro can do whatever. 378 00:18:03,480 --> 00:18:06,600 Speaker 3: Whatever he won't man, and this album proved it. 379 00:18:06,640 --> 00:18:06,800 Speaker 4: Bro. 380 00:18:07,320 --> 00:18:10,320 Speaker 3: This album has literally solidified him on that can see. 381 00:18:10,119 --> 00:18:13,760 Speaker 6: When he said the top three whatever anybody else? You know, 382 00:18:13,800 --> 00:18:17,639 Speaker 6: it's just like, hey, Bro, not saying I agree with it, 383 00:18:17,720 --> 00:18:18,360 Speaker 6: but I get it. 384 00:18:18,640 --> 00:18:22,240 Speaker 5: Yeah yeah, because who's gonna dare him to wrap over 385 00:18:22,280 --> 00:18:24,359 Speaker 5: this type of stuff? Like what artists is going to 386 00:18:24,400 --> 00:18:27,800 Speaker 5: be there enough that's gonna be crazy enough to try 387 00:18:27,840 --> 00:18:29,560 Speaker 5: to rap over that ship? That's just crazy. 388 00:18:29,800 --> 00:18:32,560 Speaker 4: I mean I think he mentioned it would. 389 00:18:34,480 --> 00:18:38,800 Speaker 6: Yeah, yeah, there's some other rappers that can. But I'm 390 00:18:38,840 --> 00:18:43,080 Speaker 6: just thinking about like, you know, uh, it's just I 391 00:18:43,080 --> 00:18:45,960 Speaker 6: don't know for on Danny's level, Like we're getting into 392 00:18:46,000 --> 00:18:48,199 Speaker 6: the throes of the underground, so. 393 00:18:48,560 --> 00:18:51,520 Speaker 1: Ken, you know, you know, and I funk with your 394 00:18:51,560 --> 00:18:52,000 Speaker 1: take too. 395 00:18:52,880 --> 00:18:55,520 Speaker 2: You don't want another artist that I feel that he 396 00:18:55,840 --> 00:18:57,480 Speaker 2: should have reached out to, But I'm pretty sure he 397 00:18:57,480 --> 00:18:59,600 Speaker 2: didn't know that he was on his wavelength to was 398 00:18:59,640 --> 00:19:04,160 Speaker 2: at it. I think Kryp put this outre amazing out 399 00:19:04,200 --> 00:19:07,439 Speaker 2: here with the direction that he's going. Now, let me 400 00:19:07,480 --> 00:19:10,160 Speaker 2: ask this, you know, kind of like in a general sense, 401 00:19:11,000 --> 00:19:13,040 Speaker 2: because I feel like we're starting to see more and 402 00:19:13,119 --> 00:19:17,200 Speaker 2: more hip hop artists kind of pivot and do more 403 00:19:17,680 --> 00:19:21,639 Speaker 2: of you know, alternative pop, like just you know, just 404 00:19:21,720 --> 00:19:23,480 Speaker 2: do like they don't want to be boxed in. 405 00:19:24,359 --> 00:19:27,600 Speaker 1: Do you think that that's just a trend or this. 406 00:19:27,440 --> 00:19:31,439 Speaker 2: Is part of the the issue with hip hop not 407 00:19:32,400 --> 00:19:35,840 Speaker 2: being kind of like what it once was, Like, do 408 00:19:35,880 --> 00:19:39,080 Speaker 2: you like, do you you think this is the new 409 00:19:39,680 --> 00:19:42,320 Speaker 2: route for hip hop artists? And then I have a 410 00:19:42,359 --> 00:19:45,399 Speaker 2: follow up question directly to Ken, do you feel the 411 00:19:45,400 --> 00:19:48,600 Speaker 2: type of way Ken? Because people like Post Malone use 412 00:19:48,760 --> 00:19:52,720 Speaker 2: hip hop and then bounce, So is this, you know, 413 00:19:52,760 --> 00:19:55,920 Speaker 2: potentially a departure for other hip hop artists as well? 414 00:19:56,080 --> 00:19:57,840 Speaker 5: I mean I think with this, I think it's just 415 00:19:57,920 --> 00:19:59,520 Speaker 5: Danny Brown door what the fuck you want to do? 416 00:20:00,080 --> 00:20:03,440 Speaker 5: Can I can see him making something completely that sound 417 00:20:03,440 --> 00:20:06,000 Speaker 5: different from this on this next project. I mean, none 418 00:20:06,000 --> 00:20:09,480 Speaker 5: of his projects sound alike. So mm hmmm, yeah, No, 419 00:20:09,800 --> 00:20:11,920 Speaker 5: I think this is just this is Danny Brown's. Well, 420 00:20:12,080 --> 00:20:14,000 Speaker 5: it's like it's never been It's not like we've been 421 00:20:14,000 --> 00:20:16,440 Speaker 5: getting a certain type of sound from Danny Brown. 422 00:20:16,640 --> 00:20:17,520 Speaker 3: It's not like if it. 423 00:20:17,480 --> 00:20:21,520 Speaker 5: Was like a conway of somebody or Benny making the 424 00:20:21,600 --> 00:20:25,280 Speaker 5: album like this or going like this far left from 425 00:20:25,359 --> 00:20:27,720 Speaker 5: where we used to hearing them sound. Danny Brown always 426 00:20:27,800 --> 00:20:31,000 Speaker 5: kind of been. He's always been like that, quirky, I'm 427 00:20:31,040 --> 00:20:32,800 Speaker 5: gonna play around with some shit. I'm I'm gonna do 428 00:20:32,800 --> 00:20:34,919 Speaker 5: something different with the production. I'm gonna hyme different on this. 429 00:20:35,080 --> 00:20:38,200 Speaker 5: So I don't I don't think this is using Danny 430 00:20:38,200 --> 00:20:40,920 Speaker 5: Brown as as I don't know, not Danny Brown. 431 00:20:41,000 --> 00:20:42,640 Speaker 3: He's that dude different bron. 432 00:20:43,119 --> 00:20:44,880 Speaker 6: Yeah, we gotta get ready for the lot, But I don't. 433 00:20:44,960 --> 00:20:48,240 Speaker 6: I think there's a different between cultural appropriation. 434 00:20:49,280 --> 00:20:52,199 Speaker 3: No, he's definitely not. Yeah, he's definitely not doing that. 435 00:20:52,400 --> 00:20:53,320 Speaker 3: He's definitely been. 436 00:20:54,080 --> 00:20:56,880 Speaker 6: I think this is a reflection of something that's been 437 00:20:57,640 --> 00:21:00,679 Speaker 6: present in the community, and I think it's also a 438 00:21:00,720 --> 00:21:04,760 Speaker 6: reflection of the generation that's behind us that listens to 439 00:21:05,200 --> 00:21:10,640 Speaker 6: an assortment of different sounds. So that asks their their flexibility. 440 00:21:11,040 --> 00:21:13,920 Speaker 2: That's what's up, all right, So look real quick, let's 441 00:21:13,960 --> 00:21:16,400 Speaker 2: get through the grades. If this is your first time, 442 00:21:16,760 --> 00:21:19,600 Speaker 2: we grade the flow, the lyrics, the production, the features, 443 00:21:19,600 --> 00:21:23,320 Speaker 2: the execution, the replay value, and then the overall all 444 00:21:23,359 --> 00:21:24,560 Speaker 2: started off with the flow. 445 00:21:24,880 --> 00:21:30,000 Speaker 4: Give me a B plus on the flow of Solid b. 446 00:21:32,800 --> 00:21:35,160 Speaker 3: Oh, you got a minus on the flow? 447 00:21:35,840 --> 00:21:39,760 Speaker 1: Okay, Ken, what you got for lyrics? B plus? Yeah? 448 00:21:39,760 --> 00:21:41,119 Speaker 3: I got a minus on the lyrics. 449 00:21:41,119 --> 00:21:43,040 Speaker 5: He was talking about some crazy He's talking about some 450 00:21:43,040 --> 00:21:44,600 Speaker 5: heavy ship on his albums. 451 00:21:44,680 --> 00:21:48,159 Speaker 2: On the lyrics, I'm also at a B plus on 452 00:21:48,280 --> 00:21:48,920 Speaker 2: the lyrics. 453 00:21:49,280 --> 00:21:51,040 Speaker 1: In terms of the production, I'm atta. 454 00:21:50,800 --> 00:21:54,080 Speaker 4: Be same man be on production. 455 00:21:55,200 --> 00:21:58,040 Speaker 3: I'm mad a C plus. I'm at C plus on production. 456 00:21:59,280 --> 00:22:01,680 Speaker 4: I met to be. That's what's up. 457 00:22:02,560 --> 00:22:06,080 Speaker 1: What about the features? Can I better be on the features? 458 00:22:06,520 --> 00:22:09,440 Speaker 5: I better be minus? I mean really, I mean besides 459 00:22:09,480 --> 00:22:12,520 Speaker 5: that is broken. I mean none of the other features really, 460 00:22:12,600 --> 00:22:15,320 Speaker 5: like you know, stood out for me that much like that. 461 00:22:15,440 --> 00:22:16,720 Speaker 5: So I get to be a minus. 462 00:22:17,520 --> 00:22:19,200 Speaker 4: Yeah, I'm gonna see on those features. 463 00:22:20,920 --> 00:22:25,000 Speaker 2: Can I I'm gonna be on the features? Execution, I 464 00:22:25,119 --> 00:22:26,440 Speaker 2: better be plus. 465 00:22:27,720 --> 00:22:32,159 Speaker 5: Execution, execution, sequencing. If I'm throwing sequence in here, I'm 466 00:22:32,160 --> 00:22:34,280 Speaker 5: gonna do C plus. I would have gave be minus, 467 00:22:34,280 --> 00:22:36,800 Speaker 5: but I'm gonna give a C plus just for the secrec. 468 00:22:37,960 --> 00:22:48,880 Speaker 7: Ship ye know, yeah, yeah, yeah, yeah. 469 00:22:49,800 --> 00:22:53,040 Speaker 4: I'm not a fan of the album. So sequence is 470 00:22:53,040 --> 00:22:53,840 Speaker 4: an issue for me? 471 00:22:54,119 --> 00:22:57,879 Speaker 1: Can replay value said to be at be minus for 472 00:22:58,000 --> 00:22:59,639 Speaker 1: me C minus for me? 473 00:23:00,119 --> 00:23:03,240 Speaker 2: I'm at a see. As much as I like it, 474 00:23:03,800 --> 00:23:07,680 Speaker 2: I don't see me coming back to it personally because 475 00:23:07,680 --> 00:23:09,760 Speaker 2: it's just not my cup of tea. But you know, 476 00:23:10,560 --> 00:23:13,800 Speaker 2: it'll definitely make its way onto playlists because it's very 477 00:23:14,359 --> 00:23:17,480 Speaker 2: safe music and good music, you know. And I don't 478 00:23:17,480 --> 00:23:20,600 Speaker 2: want to say that's saying that it's degrading his music. 479 00:23:20,680 --> 00:23:22,840 Speaker 2: But overall, I'm at a B. I think this project 480 00:23:22,880 --> 00:23:25,720 Speaker 2: is a BE overall, not quite a B at a 481 00:23:25,720 --> 00:23:26,640 Speaker 2: C plus. 482 00:23:26,960 --> 00:23:29,399 Speaker 6: Yeah, I'm a I'm at a B plus, I'm at 483 00:23:29,480 --> 00:23:32,720 Speaker 6: a solid broll, So it looks like we're not that 484 00:23:32,800 --> 00:23:34,280 Speaker 6: far off, you know. 485 00:23:34,359 --> 00:23:37,320 Speaker 2: I think there's there's there's definitely a spectrum here of 486 00:23:37,960 --> 00:23:40,280 Speaker 2: what we personally like, what we don't like. But I 487 00:23:40,320 --> 00:23:42,359 Speaker 2: think at the end of the day, we all respect 488 00:23:42,440 --> 00:23:47,280 Speaker 2: Daddy Brown and his amazing ability to be authentically himself 489 00:23:47,440 --> 00:23:50,280 Speaker 2: and literally kill whatever beat you put in front of them. 490 00:23:50,280 --> 00:23:52,959 Speaker 2: I think we all agree there. Where the disagreements come 491 00:23:53,080 --> 00:23:56,080 Speaker 2: is personally music, this, that, and the third. 492 00:23:56,080 --> 00:23:56,880 Speaker 1: But it is what it is. 493 00:23:57,160 --> 00:23:59,520 Speaker 2: How do you feel, because you already know the conversation 494 00:23:59,560 --> 00:24:02,280 Speaker 2: after the conversation is in the comments section. So let 495 00:24:02,359 --> 00:24:05,919 Speaker 2: us know a great project if you like, and let 496 00:24:06,040 --> 00:24:09,439 Speaker 2: us know if you like it or you don't. And 497 00:24:09,560 --> 00:24:11,320 Speaker 2: if you don't like it, what is your favorite Danny 498 00:24:11,320 --> 00:24:11,960 Speaker 2: Brown project? 499 00:24:12,000 --> 00:24:14,120 Speaker 1: So we'll catch you guys next time we out. 500 00:24:14,160 --> 00:24:17,760 Speaker 3: Danny Brown, come on listening, man, there we go, So. 501 00:24:18,720 --> 00:24:20,720 Speaker 1: There we go. All right, we'll catch you guys next 502 00:24:20,760 --> 00:24:21,200 Speaker 1: time we out.