1 00:00:01,680 --> 00:00:10,760 Speaker 1: The Frames per Second Podcast. Welcome to The Frames per 2 00:00:10,920 --> 00:00:16,600 Speaker 1: Second Podcast. Film review of what is it? One Battle 3 00:00:16,640 --> 00:00:24,320 Speaker 1: after another? Yes, there's one battle after another. And to 4 00:00:24,320 --> 00:00:27,280 Speaker 1: start off with some here, all right, So this was 5 00:00:27,280 --> 00:00:30,240 Speaker 1: a film that was released in theaters this week. It 6 00:00:30,360 --> 00:00:37,000 Speaker 1: was directed by Paul Thomas Anderson, stars Leonardo DiCaprio, Tianna Taylor, 7 00:00:37,040 --> 00:00:44,280 Speaker 1: amongst others. First thoughts, what did you guys think about 8 00:00:44,320 --> 00:00:47,080 Speaker 1: the movie? Right off? Stole with you. I thought it 9 00:00:47,120 --> 00:00:50,960 Speaker 1: was good, man, I thought it was really good. I 10 00:00:51,000 --> 00:00:51,440 Speaker 1: didn't know. 11 00:00:52,040 --> 00:00:54,640 Speaker 2: I know, this is one of the questions, but I 12 00:00:54,640 --> 00:00:57,160 Speaker 2: didn't have any expectations because I didn't see any previews 13 00:00:57,720 --> 00:00:59,959 Speaker 2: or anything, or trailers or anything else. 14 00:01:00,080 --> 00:01:01,080 Speaker 1: I didn't know anything about it. 15 00:01:01,160 --> 00:01:03,720 Speaker 2: I think the only thing I saw was Tianna Taylor 16 00:01:04,400 --> 00:01:05,760 Speaker 2: blasting the rifle. 17 00:01:06,880 --> 00:01:07,920 Speaker 1: Yeah, I think. 18 00:01:07,720 --> 00:01:09,840 Speaker 2: I saw that, like the tail end of that at 19 00:01:10,040 --> 00:01:13,480 Speaker 2: a I don't know what movie I was at, but 20 00:01:13,520 --> 00:01:15,480 Speaker 2: that's the only thing. I had no idea what this 21 00:01:15,480 --> 00:01:19,600 Speaker 2: movie was about or whatever. So yeah, I was pleasantly surprised, like, 22 00:01:19,600 --> 00:01:22,360 Speaker 2: oh man, this is actually pretty damn good. 23 00:01:23,160 --> 00:01:25,560 Speaker 1: So you know, I enjoyed it. I enjoyed a lot. Actually, 24 00:01:25,880 --> 00:01:28,000 Speaker 1: I saw the preview. I thought the preview was good. 25 00:01:28,160 --> 00:01:30,039 Speaker 1: I didn't want to see too many previews to give 26 00:01:30,040 --> 00:01:34,800 Speaker 1: it away. I saw the Rotten Tomatoes scores, like if 27 00:01:34,959 --> 00:01:37,840 Speaker 1: ninety eight percent people were loving it, so I was like, Okay, 28 00:01:37,880 --> 00:01:39,560 Speaker 1: this much be good or they just gassing it because 29 00:01:39,640 --> 00:01:43,000 Speaker 1: Leo is in it. But this was a movie, man, 30 00:01:43,040 --> 00:01:45,560 Speaker 1: This is like this felt like an old school like 31 00:01:45,760 --> 00:01:51,480 Speaker 1: just straight enjoyable, great like movie. Like they did some 32 00:01:51,520 --> 00:01:53,120 Speaker 1: really good stuff with it. I enjoyed some of the 33 00:01:53,120 --> 00:01:57,080 Speaker 1: performances that will get into but I was thoroughly pleased 34 00:01:57,160 --> 00:02:00,920 Speaker 1: with this. Mike will say, you agree, I agree. It 35 00:02:01,000 --> 00:02:04,360 Speaker 1: was excellent. It was excellent. I will admit I fell 36 00:02:04,400 --> 00:02:07,520 Speaker 1: asleep for about fifteen minutes, still had a lot of 37 00:02:07,560 --> 00:02:08,079 Speaker 1: movie looks. 38 00:02:08,680 --> 00:02:11,520 Speaker 3: But luckily, you know, I was able to catch those 39 00:02:11,560 --> 00:02:13,079 Speaker 3: fifteen minutes yesterday when I got home. 40 00:02:13,560 --> 00:02:16,560 Speaker 2: I'm interested to see what fifteen minutes those were, because 41 00:02:16,560 --> 00:02:17,440 Speaker 2: once it got. 42 00:02:17,200 --> 00:02:18,400 Speaker 1: Going, it was it was. 43 00:02:19,000 --> 00:02:23,040 Speaker 3: It was the time jump, right before before the time 44 00:02:23,280 --> 00:02:25,160 Speaker 3: right after the time jump, right when they said it 45 00:02:25,200 --> 00:02:28,560 Speaker 3: was like sixteen years later. I fell asleep, and when 46 00:02:28,560 --> 00:02:31,560 Speaker 3: I woke up, the daughter was kidnapped already or not kidnapped, 47 00:02:31,560 --> 00:02:32,960 Speaker 3: but the daughter was with Regina. 48 00:02:32,680 --> 00:02:36,280 Speaker 1: King ooh, and I was like, I don't know what happened. Fuck. 49 00:02:37,000 --> 00:02:39,720 Speaker 3: And then if you have Patreon for is the mic, 50 00:02:39,800 --> 00:02:41,120 Speaker 3: you'll understand why the rest of it. 51 00:02:41,120 --> 00:02:43,720 Speaker 1: I was kind of thrown off, but I was I 52 00:02:43,760 --> 00:02:44,720 Speaker 1: was likely to keep up. 53 00:02:44,960 --> 00:02:46,400 Speaker 3: I just knew I was gonna have to wait and 54 00:02:46,400 --> 00:02:48,120 Speaker 3: see if it leaked online so I could watch the 55 00:02:48,200 --> 00:02:48,679 Speaker 3: rest of it. 56 00:02:48,840 --> 00:02:50,640 Speaker 1: It was one of those what you said. Once it 57 00:02:50,720 --> 00:02:53,760 Speaker 1: got going, it was like, oh shit, Like I looked 58 00:02:53,760 --> 00:02:56,160 Speaker 1: at the run time and I was like, didn't like 59 00:02:56,639 --> 00:02:58,960 Speaker 1: to another one of these. I was like two gays 60 00:02:59,600 --> 00:03:02,520 Speaker 1: leo movies, bro, Like it didn't feel like that's me. 61 00:03:02,680 --> 00:03:04,800 Speaker 1: It did not feel like two hours for five minutes. 62 00:03:05,040 --> 00:03:06,040 Speaker 1: What do you think about the movie? 63 00:03:06,440 --> 00:03:10,120 Speaker 4: I enjoyed it. Yeah, same thing. Once I saw two 64 00:03:10,160 --> 00:03:11,520 Speaker 4: hours and whatever, I was like. 65 00:03:11,800 --> 00:03:14,560 Speaker 2: I was so mad because I didn't know what the 66 00:03:14,720 --> 00:03:17,320 Speaker 2: man was like, this is almost three hours? 67 00:03:17,360 --> 00:03:19,680 Speaker 1: Oh man, I was it is three hours. You had 68 00:03:19,680 --> 00:03:26,480 Speaker 1: to you had what you asked. Come on, you're talking. 69 00:03:27,919 --> 00:03:35,920 Speaker 1: That's that's what that makes me. That's longer compensation. I'm 70 00:03:35,960 --> 00:03:38,480 Speaker 1: not going by saying it's just questions about the movie. 71 00:03:38,640 --> 00:03:51,880 Speaker 1: Play all that you realized, Like when I saw three hours, 72 00:03:51,880 --> 00:03:56,520 Speaker 1: like who was spiking. But no. 73 00:03:56,640 --> 00:03:58,840 Speaker 4: I was like, man, you gotta be sucking shipping me. 74 00:03:59,120 --> 00:04:02,600 Speaker 4: And you know, the first part was, you know, a 75 00:04:02,600 --> 00:04:05,160 Speaker 4: little slow as they were setting things up. But yeah, 76 00:04:05,160 --> 00:04:09,040 Speaker 4: I'm with you guys, I'm in agreement. Yeah once once 77 00:04:09,080 --> 00:04:11,080 Speaker 4: sixteen years later, now we. 78 00:04:11,240 --> 00:04:14,120 Speaker 1: Roll like the first part because that's that was to 79 00:04:14,560 --> 00:04:16,720 Speaker 1: Taylors like she wasn't in the movie after that. No, 80 00:04:17,240 --> 00:04:20,920 Speaker 1: that was crazy. You know you need to be Yeah. 81 00:04:20,960 --> 00:04:22,240 Speaker 1: I was afraid to even text y'all. 82 00:04:22,360 --> 00:04:24,680 Speaker 4: Was because I almost said, hey, y'all, just heads up, 83 00:04:24,800 --> 00:04:27,359 Speaker 4: is three hour movie, just so y'all can plan accordingly. 84 00:04:27,680 --> 00:04:29,000 Speaker 4: But I was like, man, if I put this a 85 00:04:29,000 --> 00:04:30,719 Speaker 4: three hour movie, then ain't going. 86 00:04:32,200 --> 00:04:35,240 Speaker 1: Google get a response and to make that do that 87 00:04:37,800 --> 00:04:41,600 Speaker 1: something game up? Up. I didn't see it till i 88 00:04:42,000 --> 00:04:44,360 Speaker 1: I got my tickets. Yeah, I didn'tee it till then too. 89 00:04:45,640 --> 00:04:47,120 Speaker 4: I looked ahead of the time because I was trying 90 00:04:47,120 --> 00:04:48,680 Speaker 4: to figure out what time to go, how long I 91 00:04:48,680 --> 00:04:50,560 Speaker 4: was gonna be there, so I could plan around everything 92 00:04:50,600 --> 00:04:51,440 Speaker 4: else going on. 93 00:04:51,640 --> 00:04:54,400 Speaker 1: I was like, man, I went to six fifteen. I 94 00:04:54,440 --> 00:04:56,080 Speaker 1: thought I was be on the movies. 95 00:04:56,320 --> 00:05:00,120 Speaker 2: I wanted to seven, you know, I wanted to seven. 96 00:04:59,120 --> 00:05:04,120 Speaker 1: Yeah, I went to four. It was three forty five 97 00:05:04,200 --> 00:05:04,760 Speaker 1: was the start time? 98 00:05:04,760 --> 00:05:07,920 Speaker 4: Of course it started at four or fifteen six thirty 99 00:05:07,960 --> 00:05:10,680 Speaker 4: bro walking out of it, I'm like, she's but overall, yeah, 100 00:05:10,800 --> 00:05:11,760 Speaker 4: I definitely enjoyed it. 101 00:05:11,800 --> 00:05:13,400 Speaker 1: Packed there too. A lot of people came out to 102 00:05:13,400 --> 00:05:14,760 Speaker 1: see it. Yeah, I was. 103 00:05:15,080 --> 00:05:17,279 Speaker 2: I was like, damn, I didn't. Like I said, I 104 00:05:17,279 --> 00:05:19,000 Speaker 2: had no clue. I was like, why is it so 105 00:05:19,040 --> 00:05:21,600 Speaker 2: hard to find tickets for this? It was yeah, man 106 00:05:22,000 --> 00:05:22,520 Speaker 2: camp Creek. 107 00:05:22,960 --> 00:05:25,279 Speaker 1: Yeah, you I was surprised when you said that on 108 00:05:25,360 --> 00:05:29,520 Speaker 1: this mic. That always empty man. Yeah, I know you 109 00:05:29,560 --> 00:05:32,040 Speaker 1: said that. It's always because I ain't got no good seats. 110 00:05:32,279 --> 00:05:34,760 Speaker 1: All right, so I likely, like I said, we ain't 111 00:05:34,800 --> 00:05:36,760 Speaker 1: going seen by scene, So anything that jumps out to 112 00:05:36,800 --> 00:05:38,000 Speaker 1: you all the scenes bring them up. 113 00:05:38,040 --> 00:05:42,200 Speaker 4: But and real real quick, for a story about Mike's 114 00:05:42,440 --> 00:05:46,200 Speaker 4: viewing experience, you can listen to that is the story. 115 00:05:46,760 --> 00:05:48,000 Speaker 1: But I think that's paton. 116 00:05:48,920 --> 00:05:51,960 Speaker 4: Yeah, but you know what, I'll probably I'll probably clipped 117 00:05:52,000 --> 00:05:53,960 Speaker 4: that and put it on the frames for second Patron. 118 00:05:54,000 --> 00:05:56,720 Speaker 1: How about that makes Yeah, Yeah, that's what I do. 119 00:05:57,040 --> 00:05:59,440 Speaker 1: They don't understand why nobody's up in Mike's did because 120 00:05:59,440 --> 00:06:06,600 Speaker 1: stuff like that so great y'all mentioned Tianna Taylor. I 121 00:06:06,720 --> 00:06:09,440 Speaker 1: liked her performance. I thought she did the job. They 122 00:06:09,440 --> 00:06:11,520 Speaker 1: may have over sexualized up a little bit, but I 123 00:06:11,560 --> 00:06:17,760 Speaker 1: think that was the row. What was the standout performances? 124 00:06:18,040 --> 00:06:19,480 Speaker 1: Was she oversection just in. 125 00:06:19,440 --> 00:06:23,080 Speaker 4: One part bit when when the when the sheriff rolled 126 00:06:23,160 --> 00:06:27,200 Speaker 4: up on her, uh and she was walking around, uh 127 00:06:27,640 --> 00:06:30,160 Speaker 4: like she had somebody on the knees and she's putting 128 00:06:30,160 --> 00:06:30,839 Speaker 4: the gun at him. 129 00:06:31,040 --> 00:06:33,800 Speaker 1: But he was looking through the binoculars. Yeah, and they 130 00:06:33,839 --> 00:06:34,120 Speaker 1: had her. 131 00:06:34,720 --> 00:06:36,720 Speaker 4: It looked like it was definitely being sexualized there, but 132 00:06:36,760 --> 00:06:38,600 Speaker 4: it was supposed to be from his viewpoint, right. 133 00:06:38,680 --> 00:06:40,600 Speaker 1: That's why That's why I did that, because it doesn't 134 00:06:40,600 --> 00:06:43,320 Speaker 1: seem like you don't think even when they went to 135 00:06:43,320 --> 00:06:46,080 Speaker 1: go blow up the tower, she was like, let's funk 136 00:06:46,200 --> 00:06:51,920 Speaker 1: right here. I only thought it was just that one party. Yeah, 137 00:06:52,160 --> 00:06:54,479 Speaker 1: I did. I thought it was a little bit. I mean, 138 00:06:54,520 --> 00:06:56,920 Speaker 1: it wasn't enough to be like I wouldn't I wouldn't 139 00:06:56,920 --> 00:07:00,760 Speaker 1: have ended by man, I just yeah, the whole y'all 140 00:07:00,800 --> 00:07:05,160 Speaker 1: thought the whole like well about like the whole was 141 00:07:05,160 --> 00:07:07,560 Speaker 1: the whole thing? Like, so you go for that's not 142 00:07:07,600 --> 00:07:09,600 Speaker 1: sexualizing her, I don't think so. 143 00:07:09,960 --> 00:07:12,400 Speaker 2: Kind of was like, I mean, why why you have 144 00:07:12,480 --> 00:07:14,160 Speaker 2: to do that, Like why she just can't be a 145 00:07:14,240 --> 00:07:18,600 Speaker 2: fucking rel regular, But why she brought checks up? 146 00:07:18,680 --> 00:07:20,800 Speaker 1: Like when she when he was explaining how they was 147 00:07:20,800 --> 00:07:22,480 Speaker 1: going to do the whole heightst thing, and she was 148 00:07:22,560 --> 00:07:25,400 Speaker 1: like keep talking and then went over there and they 149 00:07:25,400 --> 00:07:27,760 Speaker 1: had six when she was doing planting the bombs in 150 00:07:27,760 --> 00:07:31,680 Speaker 1: the court room, the whole exchange between her and the colonel, 151 00:07:31,720 --> 00:07:33,840 Speaker 1: when she had the colonel and get your get that 152 00:07:33,880 --> 00:07:41,080 Speaker 1: dick cup sexualization character. Sure, I guess I'm not seeing 153 00:07:41,120 --> 00:07:43,160 Speaker 1: the issue with it. I don't see issue. It just 154 00:07:43,160 --> 00:07:45,280 Speaker 1: seemed like a loaded It was just a note for me. 155 00:07:45,560 --> 00:07:47,360 Speaker 1: It just seems like a lot. It just seemed like 156 00:07:47,360 --> 00:07:50,640 Speaker 1: a little too much. Yeah, I think they can win as. 157 00:07:52,640 --> 00:07:56,240 Speaker 2: It wasn't It's just like all your dialogue has to 158 00:07:56,280 --> 00:07:58,520 Speaker 2: have because that's part of the story. 159 00:07:58,600 --> 00:08:05,400 Speaker 1: Yeah, so what she would I don't know. Interesting, Yeah, 160 00:08:05,440 --> 00:08:08,080 Speaker 1: we really don't know. Or she's just a woman that 161 00:08:08,360 --> 00:08:08,960 Speaker 1: likes sex. 162 00:08:09,920 --> 00:08:13,640 Speaker 2: And then the situations though you could like sex, but 163 00:08:13,680 --> 00:08:16,240 Speaker 2: like in these situations, it's like it's like black snake. 164 00:08:16,080 --> 00:08:20,400 Speaker 3: Moan, You've never heard of people that get sexually aroused 165 00:08:20,440 --> 00:08:22,200 Speaker 3: in extremely dangerous situations. 166 00:08:22,640 --> 00:08:25,840 Speaker 2: Sure, get you, I mean, but but like they kept 167 00:08:25,840 --> 00:08:28,880 Speaker 2: doing it. Yeah, so yeah, that's it must have been 168 00:08:28,920 --> 00:08:29,520 Speaker 2: a part of it. 169 00:08:29,800 --> 00:08:32,559 Speaker 1: I mean I just noticed it sound like prudes man. 170 00:08:32,679 --> 00:08:34,839 Speaker 1: I noticed it. I didn't think. I don't have a 171 00:08:34,880 --> 00:08:40,319 Speaker 1: problem with it. I liked it. I like it was 172 00:08:40,320 --> 00:08:44,840 Speaker 1: just it was noticeable. I just thought it. Yeah. 173 00:08:44,880 --> 00:08:49,440 Speaker 4: I think I only noticed it from once, and it 174 00:08:49,520 --> 00:08:53,480 Speaker 4: was visually, not just the character and the things she 175 00:08:53,559 --> 00:08:54,760 Speaker 4: was saying, the things she was doing. 176 00:08:54,800 --> 00:08:58,040 Speaker 1: I thought, that's just who she was, Okay, interesting. I 177 00:08:58,080 --> 00:09:00,800 Speaker 1: think she did a great job. I think Champagne did 178 00:09:00,800 --> 00:09:05,920 Speaker 1: an amazing job. Leo was okay, Leo was okay. I 179 00:09:05,920 --> 00:09:12,000 Speaker 1: don't think he just bodied. You know, you're tripping point. 180 00:09:12,160 --> 00:09:15,640 Speaker 3: I think I'm I'm kind of with Rod. I think 181 00:09:15,679 --> 00:09:20,679 Speaker 3: that I think that everybody did a stellar job. Okay, 182 00:09:20,920 --> 00:09:25,240 Speaker 3: I will I don't think Leo was just okay maybe okay. 183 00:09:25,480 --> 00:09:26,400 Speaker 3: I think he was great. 184 00:09:26,440 --> 00:09:27,120 Speaker 1: He did enjoy it. 185 00:09:27,320 --> 00:09:30,079 Speaker 3: I think Toro was great. That was I think Sean 186 00:09:30,160 --> 00:09:33,760 Speaker 3: Penn murdered this. There was not a slouch in this film. 187 00:09:34,080 --> 00:09:38,520 Speaker 3: Even the new girl I forget her name already, daughter. 188 00:09:39,440 --> 00:09:45,160 Speaker 1: Infinity. I'm not too familiar with her. She's brand new. 189 00:09:45,760 --> 00:09:48,080 Speaker 3: I would and looked her up because she looked like somebody. 190 00:09:48,840 --> 00:09:51,080 Speaker 3: But I think I'm I think I'm just racist. I 191 00:09:51,080 --> 00:09:54,640 Speaker 3: thought it was a little black girl from from Last 192 00:09:54,640 --> 00:09:55,959 Speaker 3: of Us, but that's definitely not. 193 00:09:57,760 --> 00:10:00,800 Speaker 1: But yeah, no, she was great, sneaky. The performance from 194 00:10:00,840 --> 00:10:08,920 Speaker 1: the interrogator, the white Yes, yeah, I remember, he's like 195 00:10:08,920 --> 00:10:13,120 Speaker 1: everybody's like everybody, He's like, he's really good. He was good. 196 00:10:13,360 --> 00:10:17,719 Speaker 1: He's really was good. I don't have a phone. He said, 197 00:10:17,720 --> 00:10:21,760 Speaker 1: you know how many people sit across He was good? Man. 198 00:10:22,559 --> 00:10:24,600 Speaker 1: I like that you brought him up. He was like 199 00:10:24,640 --> 00:10:25,400 Speaker 1: he was a sleeper. 200 00:10:26,000 --> 00:10:28,320 Speaker 4: It was scary, bro, you know how intimidating he was 201 00:10:28,400 --> 00:10:31,040 Speaker 4: just people up and rest people and throwing them in 202 00:10:31,080 --> 00:10:34,560 Speaker 4: and and they have no control, no over what happens 203 00:10:34,559 --> 00:10:34,880 Speaker 4: to them. 204 00:10:35,480 --> 00:10:41,720 Speaker 1: He's not funny. Nom I was like ship, I wasn't. 205 00:10:41,800 --> 00:10:43,960 Speaker 1: I was like me, it was like he did that 206 00:10:44,000 --> 00:10:47,959 Speaker 1: in real life. It was like the p a real interrogator. 207 00:10:48,280 --> 00:10:52,400 Speaker 1: Do this, Mike, what is some performances say one time? 208 00:10:52,480 --> 00:10:55,040 Speaker 1: What were some of the performances that you enjoy stood 209 00:10:55,040 --> 00:10:56,120 Speaker 1: out to you want to talk about. 210 00:10:57,120 --> 00:11:00,000 Speaker 3: I mean, I definitely think miss Cliche, but I definitely 211 00:11:00,080 --> 00:11:04,920 Speaker 3: thank Leo's. I think his was fucking It was great 212 00:11:05,520 --> 00:11:08,240 Speaker 3: and then again Infinity Jones I think might be her name, 213 00:11:08,840 --> 00:11:11,400 Speaker 3: but I thought she was great. And again for being 214 00:11:11,720 --> 00:11:14,880 Speaker 3: a fairly new actress to be put in a movie 215 00:11:14,920 --> 00:11:17,760 Speaker 3: like this with all these top dogs and to hold 216 00:11:17,800 --> 00:11:21,360 Speaker 3: your own that well, I think she has a fucking career. 217 00:11:21,840 --> 00:11:23,680 Speaker 1: But nah, I think those two were great. 218 00:11:23,720 --> 00:11:26,640 Speaker 3: And I didn't realize it was Sean Penn until halfway 219 00:11:26,640 --> 00:11:29,120 Speaker 3: through the movie. I kept being like, he looks really familiar. 220 00:11:29,720 --> 00:11:32,240 Speaker 3: But when I realized it was Sean Penn, I was like, Wow, 221 00:11:32,400 --> 00:11:37,640 Speaker 3: he's really nailing this white supremacist, demilitaristic. 222 00:11:36,920 --> 00:11:39,720 Speaker 1: Cop kind of roll. He killed it. 223 00:11:39,800 --> 00:11:43,839 Speaker 3: Little thing he kept doing with his Yeah, like that talk, 224 00:11:44,880 --> 00:11:51,280 Speaker 3: the walk, that the accurate shi but yeah, just the 225 00:11:51,320 --> 00:11:53,880 Speaker 3: whole even just the whole idea of him being like 226 00:11:55,120 --> 00:11:58,000 Speaker 3: sexually into black women but at the same time being 227 00:11:58,040 --> 00:12:00,040 Speaker 3: this white supremacist love. 228 00:12:06,640 --> 00:12:09,480 Speaker 1: What's your name sounds like a black name? Like black? 229 00:12:09,640 --> 00:12:15,160 Speaker 1: I love black man? He was creepy, man. 230 00:12:15,400 --> 00:12:18,960 Speaker 4: What was your favorite for you know what's interesting? Uh 231 00:12:19,800 --> 00:12:23,880 Speaker 4: We've already mentioned a few uh standouts. And as I 232 00:12:23,920 --> 00:12:27,640 Speaker 4: was sitting here thinking like it almost like it it switched. Yeah, 233 00:12:27,960 --> 00:12:29,720 Speaker 4: you know, as the movie went on, Like at one 234 00:12:29,800 --> 00:12:32,679 Speaker 4: point I thought Tiana was doing a good job, and 235 00:12:32,720 --> 00:12:35,679 Speaker 4: then later on it was like Leo, and then towards 236 00:12:35,720 --> 00:12:38,400 Speaker 4: the end it was it was Champagne, which you know 237 00:12:38,480 --> 00:12:40,679 Speaker 4: I was. I was with Mike. I was like, I 238 00:12:40,720 --> 00:12:42,120 Speaker 4: didn't know who he was. I had to look him 239 00:12:42,160 --> 00:12:45,640 Speaker 4: up while I was watching the movie. I was like, oh, yeah, yeah, 240 00:12:45,920 --> 00:12:48,240 Speaker 4: he's one of those actors that be around, that be 241 00:12:48,280 --> 00:12:50,480 Speaker 4: in movies that people know and give him credit for. 242 00:12:50,640 --> 00:12:53,640 Speaker 4: But yeah, I never really recognized he was in this 243 00:12:53,760 --> 00:12:54,760 Speaker 4: movie Mystic River. 244 00:12:54,960 --> 00:12:59,520 Speaker 1: Yes, the most popular ones. Yes, this movie was in 245 00:12:59,520 --> 00:13:03,360 Speaker 1: this movie A big river. May not have seen this 246 00:13:03,480 --> 00:13:08,320 Speaker 1: class actually, but. 247 00:13:09,960 --> 00:13:12,760 Speaker 4: Yeah, so anyway, so uh and I thought he was 248 00:13:13,360 --> 00:13:16,120 Speaker 4: great towards the end and had been in the middle with. 249 00:13:17,720 --> 00:13:25,760 Speaker 1: But Niro but Marcos Benicio del To, Yeah, yeah, man 250 00:13:25,800 --> 00:13:27,199 Speaker 1: he was. He was so smooth. 251 00:13:27,720 --> 00:13:32,559 Speaker 4: Oh my god, he was get But anyway, and then 252 00:13:32,559 --> 00:13:37,320 Speaker 4: towards the end, Willa like Infinity Jones like yeah the 253 00:13:37,320 --> 00:13:40,920 Speaker 4: way she closed, man, Yeah, so it was it really 254 00:13:41,080 --> 00:13:43,760 Speaker 4: at one point was THEMN there everybody just name was 255 00:13:43,840 --> 00:13:44,480 Speaker 4: doing yes. 256 00:13:44,640 --> 00:13:48,240 Speaker 2: Once what made it so good because everybody had great moments. 257 00:13:48,960 --> 00:13:52,560 Speaker 2: I mean like everybody held their own weight in this movie. 258 00:13:53,000 --> 00:13:56,360 Speaker 1: I remember thinking like get way through like you said, 259 00:13:56,400 --> 00:14:04,040 Speaker 1: like everybody is killing it when Leo kep he's doing Yeah, 260 00:14:04,120 --> 00:14:06,360 Speaker 1: the way he did it was it was good. Who 261 00:14:06,400 --> 00:14:07,439 Speaker 1: was some of your favorite performances. 262 00:14:07,640 --> 00:14:10,080 Speaker 2: I mean we we've already caused this man, like like 263 00:14:10,200 --> 00:14:12,319 Speaker 2: I did not think he was gonna say Leo was 264 00:14:12,360 --> 00:14:15,800 Speaker 2: all right man, because I take man. He was just 265 00:14:15,840 --> 00:14:18,720 Speaker 2: so it was like solely good, like like in moments 266 00:14:18,760 --> 00:14:20,040 Speaker 2: like even when he was like when he saw the 267 00:14:20,080 --> 00:14:21,600 Speaker 2: sense and he crawling on the floor and. 268 00:14:21,520 --> 00:14:26,960 Speaker 1: Ship that was so funny. Man, you got an sit 269 00:14:27,120 --> 00:14:32,160 Speaker 1: down because it's because that's what you were saying. Really 270 00:14:33,800 --> 00:14:36,040 Speaker 1: it was a gud. I love that. But I thought 271 00:14:36,080 --> 00:14:39,040 Speaker 1: Belitio's performance was there was just because how he was 272 00:14:39,040 --> 00:14:41,760 Speaker 1: so called but he was like he was, I gotta 273 00:14:41,760 --> 00:14:44,880 Speaker 1: go pick up. It was a good great good. It 274 00:14:44,960 --> 00:14:47,040 Speaker 1: was how he was acting versus. 275 00:14:47,200 --> 00:14:49,040 Speaker 2: Right, because you had one frantic and you got one's 276 00:14:49,080 --> 00:14:52,560 Speaker 2: acting like exactly so yeah that when he had he 277 00:14:52,600 --> 00:14:54,680 Speaker 2: was trying to get the phone charge and ship he 278 00:14:54,800 --> 00:14:57,280 Speaker 2: was going every socking he saw it because we do 279 00:14:57,440 --> 00:14:58,240 Speaker 2: that ship. 280 00:14:58,000 --> 00:15:00,800 Speaker 1: That was so good. It's so so them too. It 281 00:15:00,920 --> 00:15:05,760 Speaker 1: was he was getting so frustrated, bro, like charge his phone, 282 00:15:06,160 --> 00:15:08,640 Speaker 1: even the ship when he went like, look out the 283 00:15:08,640 --> 00:15:10,760 Speaker 1: window and the ship fell. He was like, my man. 284 00:15:12,480 --> 00:15:20,960 Speaker 1: So it was like, why was that? It couldn't have 285 00:15:21,000 --> 00:15:25,480 Speaker 1: been written and it was just that it was even 286 00:15:26,080 --> 00:15:36,760 Speaker 1: like a leading that's great lead into our favorite scenes 287 00:15:37,160 --> 00:15:39,680 Speaker 1: throughout the movie. That was definitely one of mine, in 288 00:15:39,720 --> 00:15:42,720 Speaker 1: the sense of that whole him being like he said 289 00:15:42,720 --> 00:15:45,200 Speaker 1: he was the what did he say? Did he say 290 00:15:45,280 --> 00:15:48,040 Speaker 1: Mexican Harry tell me? Is that what he said? Uh? 291 00:15:48,120 --> 00:15:53,320 Speaker 1: He said, yeah, you know Latino Harriet. He was like, yeah, 292 00:15:53,320 --> 00:15:55,240 Speaker 1: I'm like Latino Harriet tell me. And then they walked 293 00:15:55,280 --> 00:15:59,640 Speaker 1: through all this stuff and everybody do the protocol was like, man, 294 00:16:00,640 --> 00:16:04,360 Speaker 1: definitely one of my favorite scenes, and I thought it 295 00:16:04,440 --> 00:16:08,120 Speaker 1: was really interesting how they made that car chase interesting, 296 00:16:08,160 --> 00:16:10,320 Speaker 1: how they were going up and down. That was great 297 00:16:10,400 --> 00:16:12,280 Speaker 1: in the would be Quiet I. 298 00:16:16,480 --> 00:16:20,520 Speaker 3: Mikel talk about, Well, first off, I forgot to mention 299 00:16:20,640 --> 00:16:24,200 Speaker 3: that I really liked Regina Regina Haul. 300 00:16:24,320 --> 00:16:26,680 Speaker 1: I always say Regina King Regina Hall. 301 00:16:27,920 --> 00:16:31,760 Speaker 3: I just liked how she was so stoic and she 302 00:16:31,800 --> 00:16:35,360 Speaker 3: said so much with her face without saying anything, even 303 00:16:35,400 --> 00:16:39,320 Speaker 3: when they caught her and the guy was basically being like, 304 00:16:39,360 --> 00:16:41,560 Speaker 3: you're fucking busted. Just go ahead and give everything up. 305 00:16:41,760 --> 00:16:45,080 Speaker 3: She was just so good in that. But yeah, my 306 00:16:45,120 --> 00:16:49,720 Speaker 3: favorite scene was easily the car because that was so psychedelic. 307 00:16:50,000 --> 00:16:52,920 Speaker 3: You could feel it when you're watching that, and it's 308 00:16:52,960 --> 00:16:55,880 Speaker 3: such an interesting thing to do. I've never seen it 309 00:16:55,920 --> 00:16:59,520 Speaker 3: done either. But the whole time I fear, I seriously felt. 310 00:17:00,120 --> 00:17:02,640 Speaker 1: Had liked you moving. Yeah, like I was bounced on Spike. 311 00:17:04,440 --> 00:17:10,080 Speaker 1: I felt that was It was making my stomach tight. Yeah, 312 00:17:10,160 --> 00:17:10,720 Speaker 1: you know what I mean. 313 00:17:10,760 --> 00:17:14,679 Speaker 3: But yeah, that was so good, and it was just tense. 314 00:17:15,119 --> 00:17:18,639 Speaker 3: That whole final like thirty minutes was just so tense 315 00:17:19,200 --> 00:17:21,879 Speaker 3: because you wonder how how close that car had gotten 316 00:17:21,920 --> 00:17:24,200 Speaker 3: by that. Yeah, it's just like and then. 317 00:17:24,240 --> 00:17:26,720 Speaker 1: And then massing each other and you hear the thing 318 00:17:26,800 --> 00:17:28,920 Speaker 1: going off and he knows she close, but he don't 319 00:17:29,000 --> 00:17:31,760 Speaker 1: know where. Yeah, I don't realize she just passed. Oh 320 00:17:32,280 --> 00:17:33,040 Speaker 1: it was so good. 321 00:17:33,480 --> 00:17:37,199 Speaker 3: And that was so smart of her to just speed 322 00:17:37,240 --> 00:17:39,280 Speaker 3: off real quick and then stop and get out the car, 323 00:17:39,560 --> 00:17:41,520 Speaker 3: because I was like, what is she doing? I was 324 00:17:41,560 --> 00:17:43,080 Speaker 3: so lost until he hit it. 325 00:17:43,600 --> 00:17:46,240 Speaker 1: I was like, oh, no one in the movie ever 326 00:17:46,280 --> 00:17:50,199 Speaker 1: done this. Facts really fucking smart. It would have been 327 00:17:50,200 --> 00:17:51,800 Speaker 1: a heel like that. You had to be in a 328 00:17:51,880 --> 00:17:57,160 Speaker 1: situation you can't see that. She realized that she was 329 00:17:57,160 --> 00:17:59,480 Speaker 1: was she she knew what it was like. Yeah, when 330 00:17:59,480 --> 00:18:03,119 Speaker 1: she couldn't see anything right, Yeah, and she knew how 331 00:18:03,119 --> 00:18:05,040 Speaker 1: fast he was going to try to catch her, so 332 00:18:05,040 --> 00:18:07,040 Speaker 1: he wouldn't be able to That was so good. I'm 333 00:18:07,080 --> 00:18:08,600 Speaker 1: surprised no one has ever done that in the movie. 334 00:18:08,640 --> 00:18:11,600 Speaker 1: Is very unique. Another one of my favorite scenes when 335 00:18:11,600 --> 00:18:14,920 Speaker 1: he dropped her off, he was like, he couldn't kill 336 00:18:14,960 --> 00:18:18,040 Speaker 1: her once he thought he was his daughter, the ghost, 337 00:18:18,280 --> 00:18:19,440 Speaker 1: the colonel whatever. 338 00:18:19,520 --> 00:18:24,000 Speaker 3: With the American guy. Yeah, so that part confused me. 339 00:18:24,200 --> 00:18:26,240 Speaker 3: Why did the name American dude kill those people in 340 00:18:26,280 --> 00:18:27,000 Speaker 3: the house. 341 00:18:26,960 --> 00:18:29,680 Speaker 1: He didn't want He said she was a child. That's okay, 342 00:18:29,680 --> 00:18:31,119 Speaker 1: So that's what I thought it was. 343 00:18:31,960 --> 00:18:35,280 Speaker 3: But you had that code the entire time you were 344 00:18:35,359 --> 00:18:38,600 Speaker 3: driving her over there, and I fact, so that's what 345 00:18:38,680 --> 00:18:39,080 Speaker 3: it was. 346 00:18:40,720 --> 00:18:42,320 Speaker 1: It was picking with him, even when he was trying 347 00:18:42,359 --> 00:18:43,080 Speaker 1: to throw her in the car. 348 00:18:43,240 --> 00:18:45,800 Speaker 3: See, I thought that, But then I thought that I 349 00:18:45,840 --> 00:18:47,119 Speaker 3: missed something in that fifteen minutes. 350 00:18:47,840 --> 00:18:50,439 Speaker 1: It was just him having that moral code of like 351 00:18:50,880 --> 00:18:53,960 Speaker 1: they showed reservation for him from the jump, Yeah, from 352 00:18:53,960 --> 00:18:56,800 Speaker 1: the jump, from from the time he asked her, He's like, nope, 353 00:18:56,840 --> 00:18:57,639 Speaker 1: I'm not doing it. 354 00:18:57,920 --> 00:19:00,200 Speaker 2: I don't care if you double the price. Yeah, as 355 00:19:00,200 --> 00:19:02,719 Speaker 2: a child or whatever. And then he's just like, well, 356 00:19:02,760 --> 00:19:04,040 Speaker 2: can you drop him off here? And then when he 357 00:19:04,080 --> 00:19:05,800 Speaker 2: got in the car, he was looking at him weird. 358 00:19:05,840 --> 00:19:07,200 Speaker 2: When he put her in this stuff in. 359 00:19:07,080 --> 00:19:08,840 Speaker 3: The car, I forgot what he asked her. He asked 360 00:19:08,840 --> 00:19:11,920 Speaker 3: her something somebody, Yeah, somebody and somebody come to look 361 00:19:12,000 --> 00:19:14,040 Speaker 3: for you. Yeah, because it's almost like he wanted somebody 362 00:19:14,040 --> 00:19:18,320 Speaker 3: to come look at so it's almost like he waited around. 363 00:19:17,960 --> 00:19:19,960 Speaker 4: To see and then he called somebody to say, yeah, 364 00:19:19,960 --> 00:19:23,520 Speaker 4: we got a body. And then he saw them gasting 365 00:19:23,560 --> 00:19:25,639 Speaker 4: up the boat and he saw that, so. 366 00:19:25,760 --> 00:19:28,280 Speaker 1: He's just like, yeah, they're gonna yeah. Yeah. I think 367 00:19:28,320 --> 00:19:29,919 Speaker 1: that's why he asked her that though, like you have 368 00:19:30,040 --> 00:19:30,560 Speaker 1: somebody coming. 369 00:19:30,680 --> 00:19:32,480 Speaker 4: He came up with a better way to do it though. 370 00:19:32,560 --> 00:19:34,879 Speaker 4: He shot dude in the head and just try to 371 00:19:34,920 --> 00:19:35,680 Speaker 4: bust in the door. 372 00:19:36,160 --> 00:19:37,159 Speaker 1: Essential suicide. 373 00:19:37,200 --> 00:19:39,600 Speaker 3: It seemed like yes, that see, that's all of that 374 00:19:39,720 --> 00:19:42,680 Speaker 3: is what confused me, because it was like I didn't 375 00:19:42,720 --> 00:19:44,000 Speaker 3: understand the turn. 376 00:19:44,600 --> 00:19:46,600 Speaker 1: I thought I missed something. And then he just didn't 377 00:19:46,600 --> 00:19:48,880 Speaker 1: do it very smoothly. He just walked in. He shot 378 00:19:48,920 --> 00:19:50,320 Speaker 1: the one guy, then just walked in the door. 379 00:19:51,040 --> 00:19:52,480 Speaker 3: It was like, well, you knew you were gonna die, 380 00:19:52,480 --> 00:19:55,560 Speaker 3: So maybe he was just ready to die because he 381 00:19:55,600 --> 00:19:57,560 Speaker 3: had done this so many times and he was just like, 382 00:19:57,600 --> 00:20:00,520 Speaker 3: I don't want to be responsible for anybody his dath. 383 00:20:00,560 --> 00:20:01,120 Speaker 1: I'm done. 384 00:20:01,520 --> 00:20:03,440 Speaker 4: Yeah, because he was the one that snatched up the 385 00:20:04,160 --> 00:20:05,480 Speaker 4: guy Billy Godo wherever. 386 00:20:06,280 --> 00:20:12,520 Speaker 1: The guy that snitched Yeah, what were some of your 387 00:20:12,560 --> 00:20:15,399 Speaker 1: favorite scenes? Because I got more to can't you know? 388 00:20:15,440 --> 00:20:21,159 Speaker 4: I think so I do in agreement with which I 389 00:20:21,160 --> 00:20:22,880 Speaker 4: think that might be the consensus around here. 390 00:20:23,200 --> 00:20:27,120 Speaker 1: The car part at the end. But I really loved 391 00:20:27,840 --> 00:20:28,840 Speaker 1: the whole. 392 00:20:30,440 --> 00:20:35,600 Speaker 4: Harriet Mexican Tupman, things like that whole moment, from the 393 00:20:35,640 --> 00:20:40,520 Speaker 4: moment he got there crawling on the floor, the nunshocks, 394 00:20:40,560 --> 00:20:41,640 Speaker 4: and his. 395 00:20:41,960 --> 00:20:44,960 Speaker 1: Calmness throughout the whole thing. 396 00:20:45,600 --> 00:20:50,240 Speaker 4: It was so well organized, It was so well planned, 397 00:20:50,640 --> 00:20:53,120 Speaker 4: and the way they just kind of played off each other, 398 00:20:54,040 --> 00:20:55,679 Speaker 4: and even to the point where he went through the 399 00:20:55,720 --> 00:20:56,760 Speaker 4: trap door and the. 400 00:20:56,840 --> 00:21:01,800 Speaker 1: Carpet that I don't know why that was funny. It was. Yeah, 401 00:21:01,840 --> 00:21:04,800 Speaker 1: it was like the perfect into the city. Yeah, it 402 00:21:04,880 --> 00:21:07,760 Speaker 1: was perfect and nobody that's part of the whole thing. 403 00:21:07,960 --> 00:21:11,600 Speaker 1: Pan They were all very calm. Everybody knew what to do. 404 00:21:11,680 --> 00:21:15,960 Speaker 1: Everything was planned out for a hundred plus years or 405 00:21:16,000 --> 00:21:19,320 Speaker 1: even just planning for right. Yeah, they probably they probably 406 00:21:19,400 --> 00:21:24,840 Speaker 1: have like drills, you know, you know, and then everybody 407 00:21:24,840 --> 00:21:28,000 Speaker 1: got out. Okay, you know, I thought that was so 408 00:21:28,200 --> 00:21:31,760 Speaker 1: dope from him giving him the rifle and then when 409 00:21:31,760 --> 00:21:34,560 Speaker 1: they and I love how you saw like. 410 00:21:36,240 --> 00:21:38,440 Speaker 4: It's maybe you know, we talked about this on his bicycle, 411 00:21:38,480 --> 00:21:42,440 Speaker 4: but I felt like, you see, like an age gap. 412 00:21:43,000 --> 00:21:44,800 Speaker 1: So when he was like, hey. 413 00:21:44,720 --> 00:21:46,040 Speaker 4: You're gonna take him to the roof and then you're 414 00:21:46,040 --> 00:21:47,720 Speaker 4: gonna drop him off, get the car, blah blah blah, 415 00:21:48,000 --> 00:21:56,880 Speaker 4: and the kids just okay, Yeah, he paced and then 416 00:21:56,920 --> 00:21:58,520 Speaker 4: he bro He fell off that roof. 417 00:21:58,680 --> 00:22:00,560 Speaker 1: That was the last straw. He couldn't He couldn't make 418 00:22:00,560 --> 00:22:03,359 Speaker 1: that jump. I loved that because I was wondering, I'm like, okay, 419 00:22:03,359 --> 00:22:05,560 Speaker 1: we go from here because he's not getting out of jail. 420 00:22:06,080 --> 00:22:07,520 Speaker 1: And I even love how they set that up. But 421 00:22:07,560 --> 00:22:10,359 Speaker 1: that whole scene the roof saying and stuff was great. Yeah. Yeah, 422 00:22:10,520 --> 00:22:12,320 Speaker 1: I don't know why he tried to bro ron. I 423 00:22:12,320 --> 00:22:14,119 Speaker 1: don't think he made it. Did he make it halfway? Bro? 424 00:22:14,400 --> 00:22:17,080 Speaker 1: That's why I hit the tree. That's why I hit 425 00:22:17,160 --> 00:22:17,560 Speaker 1: the tree. 426 00:22:17,880 --> 00:22:23,080 Speaker 3: No one was expecting. I was like, whoa, he didn't 427 00:22:23,119 --> 00:22:26,880 Speaker 3: make it right, he got caught. He fucking around, got 428 00:22:26,960 --> 00:22:28,360 Speaker 3: up and got fucking tasted. 429 00:22:29,359 --> 00:22:36,400 Speaker 1: I was, yeah, yeah, how's my gun? I got the gun? 430 00:22:37,280 --> 00:22:39,920 Speaker 1: Got okay? Cool? Yeah he did make it. He gave 431 00:22:40,280 --> 00:22:43,120 Speaker 1: went off the roof, like, what do you mean, I'm 432 00:22:43,119 --> 00:22:45,119 Speaker 1: gonna talk it to you for some scenes, right, but 433 00:22:45,160 --> 00:22:47,080 Speaker 1: I got one speaking to the age gap thing with 434 00:22:47,200 --> 00:22:49,760 Speaker 1: can when they pulled up to the house. This was 435 00:22:49,800 --> 00:22:52,199 Speaker 1: almost in the preview when her friends pulled up to 436 00:22:52,240 --> 00:22:56,639 Speaker 1: the house. Conversation great, Yeah, it was like, why is 437 00:22:56,680 --> 00:23:09,800 Speaker 1: car got to be like that? That was sounded it did? 438 00:23:09,840 --> 00:23:12,280 Speaker 1: It was. I don't think he intended it to be, 439 00:23:12,320 --> 00:23:14,160 Speaker 1: but it definitely sounded racist his head. 440 00:23:14,200 --> 00:23:16,320 Speaker 2: And the thing is he has just asked her. You know, 441 00:23:16,359 --> 00:23:18,400 Speaker 2: I just want to make sure you know what did 442 00:23:18,520 --> 00:23:20,399 Speaker 2: he say? I forgot the word he said, but that 443 00:23:20,480 --> 00:23:26,600 Speaker 2: ship politically red. Yeah, She's like, it's not that hard them. 444 00:23:27,040 --> 00:23:28,159 Speaker 2: He answers to what's up? 445 00:23:28,240 --> 00:23:35,840 Speaker 1: God like, which what what what is he doing? It 446 00:23:35,960 --> 00:23:37,119 Speaker 1: was I forgot how you worded it. 447 00:23:37,640 --> 00:23:40,320 Speaker 4: But but but to your point, though, I think it's 448 00:23:40,440 --> 00:23:44,320 Speaker 4: it's good to like like He's like, okay, I want 449 00:23:44,400 --> 00:23:46,560 Speaker 4: to want to do the spect I just need to 450 00:23:46,560 --> 00:23:47,160 Speaker 4: help me out. 451 00:23:47,720 --> 00:23:50,040 Speaker 1: I'm old because I don't know. Just point me in 452 00:23:50,040 --> 00:23:51,960 Speaker 1: the right direction. I want to do right. I don't 453 00:23:52,000 --> 00:23:54,880 Speaker 1: know what are some of your what are your favorites? Man? 454 00:23:54,880 --> 00:23:57,440 Speaker 1: When he was talking to the to the guy with 455 00:23:57,480 --> 00:24:05,119 Speaker 1: the phone about the colds and ship, what times you 456 00:24:05,320 --> 00:24:11,760 Speaker 1: fucking was like, and I was a sneaking great line. 457 00:24:12,000 --> 00:24:17,679 Speaker 1: Yeah I was. I know, I thought that. I don't know, 458 00:24:17,720 --> 00:24:21,000 Speaker 1: it's not he was just the time he told him 459 00:24:21,000 --> 00:24:24,280 Speaker 1: to cont remember when every time doesn't exist, just think 460 00:24:24,320 --> 00:24:28,080 Speaker 1: that's right, Like he wanted to crazy. 461 00:24:30,080 --> 00:24:31,240 Speaker 3: I was like, wait, did he just look at his 462 00:24:31,320 --> 00:24:34,760 Speaker 3: watch and see that was literally yeah, he's. 463 00:24:34,560 --> 00:24:42,080 Speaker 1: So good man, he said, it's so subten. It felt 464 00:24:42,119 --> 00:24:44,680 Speaker 1: like you had that conversation with customer service person or 465 00:24:44,680 --> 00:24:47,239 Speaker 1: something and they just not helping you, like like let 466 00:24:47,280 --> 00:24:48,480 Speaker 1: me let me speak to your manner. 467 00:24:48,560 --> 00:24:53,199 Speaker 4: Yeah, you know another part of how times have changed. 468 00:24:53,240 --> 00:24:55,560 Speaker 4: When the guy was like, you're triggering. 469 00:24:55,160 --> 00:25:02,000 Speaker 1: Me like my space. I thought it was a young 470 00:25:02,320 --> 00:25:07,560 Speaker 1: white guy and he was like, you fucking liberal. What 471 00:25:07,600 --> 00:25:09,440 Speaker 1: do you called it? An audio trigger? This is an 472 00:25:09,440 --> 00:25:13,160 Speaker 1: audio this is an audio trigger. But but but it's 473 00:25:13,560 --> 00:25:16,760 Speaker 1: I love that he said it because sometimes they do 474 00:25:16,880 --> 00:25:21,280 Speaker 1: be on that little stupid ass ship. Bro. Stop you 475 00:25:21,400 --> 00:25:22,639 Speaker 1: going to this train. 476 00:25:22,800 --> 00:25:25,959 Speaker 4: With these triggers and all this other stuff. Bro, this 477 00:25:26,040 --> 00:25:29,440 Speaker 4: guy is distraught you. He said it right, He said, 478 00:25:29,480 --> 00:25:35,000 Speaker 4: you just caught long. Yeah, you know who I got 479 00:25:35,080 --> 00:25:37,280 Speaker 4: all this information? He said, you called me. 480 00:25:38,880 --> 00:25:41,439 Speaker 1: Oh my god. It was great though. He was your 481 00:25:41,440 --> 00:25:44,080 Speaker 1: commanding Officely, I know you fucking got on. I know 482 00:25:44,160 --> 00:25:53,080 Speaker 1: you got. He's like, I wanted I got the right 483 00:25:53,119 --> 00:25:56,720 Speaker 1: way I want to. He was after some white. I 484 00:25:56,840 --> 00:25:58,720 Speaker 1: was just carrying a moment right there. Got this mother. 485 00:26:00,160 --> 00:26:03,440 Speaker 1: He mad him, man, super liberal white. And then he 486 00:26:04,640 --> 00:26:09,480 Speaker 1: sp remember the past word that got improved Michael Mexican 487 00:26:09,560 --> 00:26:15,359 Speaker 1: shade pussy. That's his favorite thing. He was like, I 488 00:26:15,400 --> 00:26:17,840 Speaker 1: know you're gonna notice what's my favorite? Like do you 489 00:26:17,920 --> 00:26:20,040 Speaker 1: say that early in the movie. And I think they 490 00:26:20,040 --> 00:26:22,720 Speaker 1: were talking about it when they were like doing so okay, 491 00:26:22,840 --> 00:26:24,359 Speaker 1: it was like this is vabe. It was like, man, 492 00:26:24,400 --> 00:26:33,560 Speaker 1: that's a hero. Man apologized. That was good fucking man, 493 00:26:33,600 --> 00:26:35,399 Speaker 1: y'all have said most of it. Oh, I like, I 494 00:26:35,480 --> 00:26:38,840 Speaker 1: like the the paternity test ship was int was good too. 495 00:26:39,080 --> 00:26:41,080 Speaker 1: I like that that ship was in You didn't like 496 00:26:41,119 --> 00:26:43,600 Speaker 1: that one No, I like the scene. It wasn't intense 497 00:26:43,640 --> 00:26:46,440 Speaker 1: to me because the second I saw her pregnant, I 498 00:26:46,440 --> 00:26:49,359 Speaker 1: was like, oh, it's you thought that. Yeah you didn't. 499 00:26:49,600 --> 00:26:51,720 Speaker 1: I thought it kind of like they wouldn't. I think 500 00:26:51,720 --> 00:26:53,119 Speaker 1: I would do that. I know it would be a 501 00:26:53,119 --> 00:26:55,600 Speaker 1: major plot point like that. Yeah, I thought that. 502 00:26:56,200 --> 00:26:58,800 Speaker 3: The second I saw her shooting the gun pregnant, I 503 00:26:58,840 --> 00:26:59,680 Speaker 3: was like, yeah, that's shop. 504 00:27:00,080 --> 00:27:01,919 Speaker 1: Was more so about the intensity of this. It was 505 00:27:01,960 --> 00:27:03,800 Speaker 1: just the scene. The way they executed that. 506 00:27:04,000 --> 00:27:07,640 Speaker 2: Yeah, scene was dope with the wide shots of that place, 507 00:27:07,760 --> 00:27:08,920 Speaker 2: and he was like, you're thinking. 508 00:27:08,680 --> 00:27:14,000 Speaker 1: Of my daughter, right, gay? I'm not gay like your 509 00:27:14,040 --> 00:27:22,560 Speaker 1: shirt some think homosexual. Oh man, this movie was so good. 510 00:27:22,640 --> 00:27:27,520 Speaker 1: It was this was so good, bro. It was tight 511 00:27:27,560 --> 00:27:30,760 Speaker 1: his head think I'm homosexual. 512 00:27:31,680 --> 00:27:34,720 Speaker 2: I like the secret Society scenes be Coulse. That just 513 00:27:34,720 --> 00:27:37,400 Speaker 2: showed like, you know, like you know, these motherfuckers got 514 00:27:37,560 --> 00:27:38,000 Speaker 2: got this. 515 00:27:38,320 --> 00:27:42,879 Speaker 1: It happened one of my favorite scenes in that siding 516 00:27:42,920 --> 00:27:45,840 Speaker 1: thing when he got out of the wreck and he 517 00:27:46,000 --> 00:27:49,960 Speaker 1: was like he was reverse rate. My theater was crazy people. 518 00:27:50,000 --> 00:27:53,040 Speaker 1: That was interesting. Yeah, it was sense. 519 00:27:54,680 --> 00:27:58,240 Speaker 3: Just the terminology okay, and the way he was spinning 520 00:27:58,280 --> 00:28:00,640 Speaker 3: that trying to spend that verse rate. 521 00:28:01,440 --> 00:28:04,800 Speaker 1: But but he's reverse but you get But I. 522 00:28:04,760 --> 00:28:06,960 Speaker 3: Thought it was interesting because when you think about what 523 00:28:07,000 --> 00:28:12,520 Speaker 3: he means by that, like reverse rate, M but was 524 00:28:12,520 --> 00:28:15,800 Speaker 3: that what does that imply that regular rape is regular? 525 00:28:16,080 --> 00:28:19,960 Speaker 1: But but like like uh, forward rape, but think about it. 526 00:28:19,960 --> 00:28:23,040 Speaker 1: Why would he think this is reverse rape? What wouldn't 527 00:28:23,080 --> 00:28:23,960 Speaker 1: be just regular rape? 528 00:28:25,000 --> 00:28:28,159 Speaker 3: So they're making a point of like rape is typically 529 00:28:28,240 --> 00:28:29,360 Speaker 3: male to female. 530 00:28:29,640 --> 00:28:30,480 Speaker 1: But he says, well, this. 531 00:28:30,480 --> 00:28:33,320 Speaker 3: Is just like when people say reverse race is stupid. 532 00:28:33,640 --> 00:28:36,200 Speaker 3: But like him saying reverse rape. I thought that was 533 00:28:36,280 --> 00:28:37,720 Speaker 3: really interesting. 534 00:28:37,320 --> 00:28:39,600 Speaker 1: And I thought they thought it was interesting too. They 535 00:28:39,600 --> 00:28:43,040 Speaker 1: couldn't believe, They didn't believe, they couldn't believe. Just like 536 00:28:43,240 --> 00:28:49,560 Speaker 1: he was just like, we'll explain what I'm taking this. 537 00:28:55,240 --> 00:29:00,920 Speaker 1: I think it was like what God explain? How did 538 00:29:00,920 --> 00:29:02,640 Speaker 1: that work? And I think he made it A boy 539 00:29:02,680 --> 00:29:05,080 Speaker 1: his his his semen. He was like, she wants she 540 00:29:05,160 --> 00:29:08,280 Speaker 1: knew how powerful man. He wanted to get that out. 541 00:29:08,360 --> 00:29:12,200 Speaker 1: That was insane. She was a that's what the white 542 00:29:12,240 --> 00:29:19,160 Speaker 1: guy said that killed me was Oh my god, man. 543 00:29:19,480 --> 00:29:22,080 Speaker 3: The dialogue in this ship was too goddamnit to good, 544 00:29:22,480 --> 00:29:24,640 Speaker 3: too good it was there. 545 00:29:24,560 --> 00:29:28,640 Speaker 4: Was a point with so much stuff, so white and innocent. 546 00:29:28,920 --> 00:29:31,040 Speaker 4: I don't think that anything they were. 547 00:29:30,880 --> 00:29:32,040 Speaker 1: Doing was wrong. 548 00:29:32,440 --> 00:29:36,320 Speaker 4: They called us and they called us bro. Yeah, he's 549 00:29:36,320 --> 00:29:38,880 Speaker 4: in poor mm hmmm. And then it was like and 550 00:29:38,880 --> 00:29:40,920 Speaker 4: then the older white guy he just there just listening 551 00:29:41,000 --> 00:29:43,440 Speaker 4: and them kind of discussed, and then it was like, well, what. 552 00:29:43,400 --> 00:29:44,600 Speaker 1: Do you what do you want me to do? He 553 00:29:44,720 --> 00:29:47,040 Speaker 1: was like, we need to clean eat off the floor, 554 00:29:47,840 --> 00:29:52,800 Speaker 1: dick dirty. I thought that the him, the guy they 555 00:29:52,840 --> 00:29:54,880 Speaker 1: were talking to, that wanted them to go, he wanted 556 00:29:54,960 --> 00:29:57,000 Speaker 1: to go handle with Sean Pinn. I thought that was 557 00:29:57,040 --> 00:29:59,000 Speaker 1: one of the great scenes because I wouldn't expecting that. 558 00:29:59,160 --> 00:30:01,360 Speaker 1: I was like, that car came out of note it 559 00:30:01,440 --> 00:30:05,400 Speaker 1: was gonna be Leo. They called him whatever the car 560 00:30:06,720 --> 00:30:08,720 Speaker 1: that I didn't know. I didn't notice because the car 561 00:30:08,800 --> 00:30:10,480 Speaker 1: was the same color I think, like it was blue 562 00:30:10,520 --> 00:30:13,160 Speaker 1: and a purple car, so it wouldn't I don't know. 563 00:30:13,520 --> 00:30:16,280 Speaker 1: I don't know, but that was one of the more 564 00:30:16,320 --> 00:30:18,960 Speaker 1: surprising scenes for me too. I knew that he was 565 00:30:19,000 --> 00:30:19,240 Speaker 1: on his. 566 00:30:19,280 --> 00:30:22,120 Speaker 3: Way to kill him, So when when the car pulled up, 567 00:30:22,360 --> 00:30:25,440 Speaker 3: I wasn't shocked that that happened. 568 00:30:25,480 --> 00:30:27,280 Speaker 1: I was If anything, I'm more shocked that he didn't 569 00:30:27,280 --> 00:30:28,960 Speaker 1: go verify to kill he did. 570 00:30:29,080 --> 00:30:32,040 Speaker 3: He walked down. He poked him a couple of times 571 00:30:32,120 --> 00:30:33,080 Speaker 3: or whatever, just to make sure. 572 00:30:33,160 --> 00:30:36,560 Speaker 1: Whatever. But that was Leo. He just got the car. 573 00:30:36,760 --> 00:30:38,680 Speaker 1: He looked and he thought he was dead. That he 574 00:30:38,680 --> 00:30:40,240 Speaker 1: didn't do a good job. He's not a very good cleaner. 575 00:30:40,320 --> 00:30:43,600 Speaker 1: Then he looked that he should have made sure he 576 00:30:43,640 --> 00:30:46,840 Speaker 1: looked dead when Leo pulled up on him. He did sure. 577 00:30:46,960 --> 00:30:49,040 Speaker 1: When he came walking over the hill, bro, I was 578 00:30:49,080 --> 00:30:56,200 Speaker 1: like that ship was insand like, come on, terminator, Yeah 579 00:30:56,240 --> 00:30:59,520 Speaker 1: that my THEA went crazy to one of those grooms 580 00:30:59,560 --> 00:31:09,080 Speaker 1: that come out next. At what point We've talked about 581 00:31:09,080 --> 00:31:11,400 Speaker 1: a lot of scenes in the movie. At what point 582 00:31:11,840 --> 00:31:13,720 Speaker 1: did y'all were y'all looking at this and you're like, okay, 583 00:31:13,760 --> 00:31:16,600 Speaker 1: this is good, this is bad, this is just okay. 584 00:31:17,640 --> 00:31:20,040 Speaker 1: Was there a specific scene or it's like scenario and 585 00:31:20,040 --> 00:31:20,800 Speaker 1: it stood out to you. 586 00:31:21,000 --> 00:31:23,480 Speaker 3: For me, it was like twenty minutes in, I'm really 587 00:31:23,560 --> 00:31:26,520 Speaker 3: enjoying what they're doing, even though that's actually I'm lying 588 00:31:26,560 --> 00:31:29,239 Speaker 3: to you. At first, I was annoyed because I was like, 589 00:31:30,240 --> 00:31:34,960 Speaker 3: they're fucking they're making fun of far left activists, and 590 00:31:35,120 --> 00:31:37,200 Speaker 3: I was like, all right, I'm getting annoyed because they 591 00:31:37,240 --> 00:31:37,880 Speaker 3: were making them. 592 00:31:37,720 --> 00:31:39,680 Speaker 1: Seem really stupid and goofy. 593 00:31:40,600 --> 00:31:42,640 Speaker 3: But then I had to just calm down and take 594 00:31:42,720 --> 00:31:45,440 Speaker 3: myself out of things and stop being so fucking serious. 595 00:31:45,920 --> 00:31:48,360 Speaker 3: Then I was like, okay, nah, I'm actually kind of 596 00:31:48,480 --> 00:31:51,720 Speaker 3: enjoying them making far left activists seem a little silly 597 00:31:51,760 --> 00:31:53,880 Speaker 3: and goofy, because at first I was like, Okay, is 598 00:31:53,920 --> 00:31:58,480 Speaker 3: this some weird right wing movie because the lefties are 599 00:31:58,480 --> 00:32:01,760 Speaker 3: being real violent and like, you know, it was almost comical. Yeah, 600 00:32:01,880 --> 00:32:04,440 Speaker 3: I was like, is this a comical right wing movie 601 00:32:04,480 --> 00:32:08,480 Speaker 3: where they're just kind of making fun of far left activists? 602 00:32:09,120 --> 00:32:10,400 Speaker 1: I don't think that's what it was at all. 603 00:32:11,640 --> 00:32:14,600 Speaker 3: Once I killed out and just fell into the movie, 604 00:32:14,680 --> 00:32:16,040 Speaker 3: I was like, no, this is really good. 605 00:32:16,160 --> 00:32:16,480 Speaker 1: So yeah. 606 00:32:16,520 --> 00:32:18,840 Speaker 3: That took about thirty five forty minutes and I was like, 607 00:32:18,840 --> 00:32:21,640 Speaker 3: all right, I'm in it was once the unfortunate part 608 00:32:21,640 --> 00:32:24,120 Speaker 3: I fell asleep on, but once I woke up, I 609 00:32:24,160 --> 00:32:24,560 Speaker 3: was in it. 610 00:32:25,680 --> 00:32:27,040 Speaker 1: You had to sleep on it a little. I had 611 00:32:27,040 --> 00:32:30,480 Speaker 1: to sleep on it in real time. Was it was 612 00:32:30,480 --> 00:32:32,600 Speaker 1: it a point in the movie where you rot? Did 613 00:32:32,680 --> 00:32:34,120 Speaker 1: you see what he initially said? 614 00:32:34,160 --> 00:32:36,160 Speaker 2: The twenty minutes in I was just like, well, I 615 00:32:36,160 --> 00:32:37,960 Speaker 2: think this is because I can kind of see where 616 00:32:37,960 --> 00:32:40,320 Speaker 2: it was going I was like, oh man, this this 617 00:32:40,400 --> 00:32:44,160 Speaker 2: has a really good stride right now. And yeah, just 618 00:32:44,240 --> 00:32:46,960 Speaker 2: kind of seeing like like the music. I liked the 619 00:32:47,040 --> 00:32:50,040 Speaker 2: music too. The music kind of moved the movie along 620 00:32:50,080 --> 00:32:53,440 Speaker 2: as well, like the soundtrack to it. Just seeing like 621 00:32:53,520 --> 00:32:56,360 Speaker 2: how they were, you know, like the whole revolution we 622 00:32:56,400 --> 00:32:58,880 Speaker 2: televis thing and just seeing how they were like moving 623 00:32:58,920 --> 00:33:01,400 Speaker 2: through that the pacing, I was like, oh, the pacing 624 00:33:01,520 --> 00:33:02,800 Speaker 2: is really really good right now. 625 00:33:03,480 --> 00:33:03,600 Speaker 3: Oh. 626 00:33:03,680 --> 00:33:05,280 Speaker 2: I was just thinking of Junkle Pussy when you're talking 627 00:33:05,280 --> 00:33:09,640 Speaker 2: about oh yeah when she was on Yeah that was 628 00:33:10,280 --> 00:33:12,160 Speaker 2: and then you hear the shot off camera. 629 00:33:11,960 --> 00:33:16,840 Speaker 1: And looking like got scared. Oh man, it was I'm like, man, 630 00:33:16,840 --> 00:33:20,240 Speaker 1: this ship is good. Man. In that car scene, why 631 00:33:20,280 --> 00:33:23,160 Speaker 1: when they were swerving through cars, that was really good. 632 00:33:23,280 --> 00:33:25,320 Speaker 1: Like that was good. You know when they like it 633 00:33:25,400 --> 00:33:27,320 Speaker 1: actually crashed, like look they about to crash, and they 634 00:33:27,560 --> 00:33:29,960 Speaker 1: actually crashed because you know, you don't know, they don't 635 00:33:29,960 --> 00:33:31,880 Speaker 1: see that out of it. They'll get out of it 636 00:33:32,000 --> 00:33:35,360 Speaker 1: like the whippy damage like fun and then they're still 637 00:33:35,440 --> 00:33:37,640 Speaker 1: riding around crazy. But no, that ship crashed and they 638 00:33:37,640 --> 00:33:40,400 Speaker 1: had like get out. All that was cool. 639 00:33:40,680 --> 00:33:43,240 Speaker 3: Even after the one dude snitched, we didn't talk about 640 00:33:43,240 --> 00:33:45,760 Speaker 3: that scene. Even after the one dude snitched and the 641 00:33:45,800 --> 00:33:49,000 Speaker 3: cops are coming after the crew and the one woman 642 00:33:49,160 --> 00:33:51,520 Speaker 3: ran through the and the second show the door. She 643 00:33:51,520 --> 00:33:59,719 Speaker 3: got what I didn't not at all. Then when they 644 00:33:59,720 --> 00:34:02,040 Speaker 3: got Jungle Pussy, I was like, damn, they got my girl, 645 00:34:02,480 --> 00:34:04,280 Speaker 3: Jungle Pussy, not Jungle Pussy. 646 00:34:04,520 --> 00:34:08,520 Speaker 1: Yeah, anybody, anybody, but can Was there a moment in 647 00:34:08,560 --> 00:34:14,759 Speaker 1: the movie for you, I'm just making sure it took. 648 00:34:14,920 --> 00:34:20,640 Speaker 4: It took a little longer for me. When Willa got captured. 649 00:34:21,080 --> 00:34:27,000 Speaker 4: That was starting to be the beginning. I think it's 650 00:34:27,000 --> 00:34:31,640 Speaker 4: a it's an interesting movie in terms of like what 651 00:34:31,719 --> 00:34:35,120 Speaker 4: it was it was saying about, you know, revolution, So 652 00:34:35,160 --> 00:34:38,760 Speaker 4: I think it's it's there is very surface level level, 653 00:34:38,840 --> 00:34:43,160 Speaker 4: but there's still some subtleties to it. And and I 654 00:34:43,160 --> 00:34:46,200 Speaker 4: thought that that was that was sort of interesting what 655 00:34:46,239 --> 00:34:48,560 Speaker 4: they were kind of saying. I guess he just pta 656 00:34:48,800 --> 00:34:50,880 Speaker 4: really didn't want people to miss the point of what 657 00:34:50,920 --> 00:34:53,360 Speaker 4: he was trying to say. But it was really towards 658 00:34:53,440 --> 00:34:57,680 Speaker 4: the end, like when she was really by herself and 659 00:34:57,800 --> 00:34:59,239 Speaker 4: there was nobody coming to save her. 660 00:35:00,600 --> 00:35:03,719 Speaker 1: And at the end of the movie, I'm like. 661 00:35:05,360 --> 00:35:06,759 Speaker 4: And I don't even know if this was a point, 662 00:35:06,800 --> 00:35:08,520 Speaker 4: but this was the point I got was like, damn man, 663 00:35:08,560 --> 00:35:09,920 Speaker 4: black women, they only. 664 00:35:10,239 --> 00:35:11,440 Speaker 1: Only saved themselves. 665 00:35:11,800 --> 00:35:14,919 Speaker 4: It was like all this stuff that she was going through, 666 00:35:15,120 --> 00:35:17,759 Speaker 4: the father didn't help her, Like nobody was there to 667 00:35:17,920 --> 00:35:21,440 Speaker 4: help her. She had to do it herself outside of 668 00:35:21,480 --> 00:35:23,640 Speaker 4: the one guy that went in and you know, had 669 00:35:23,680 --> 00:35:24,399 Speaker 4: to change her heart. 670 00:35:24,719 --> 00:35:26,760 Speaker 1: But at the end of the day, her father showed 671 00:35:26,800 --> 00:35:30,600 Speaker 1: up late. Facts she had to figure that and she 672 00:35:30,600 --> 00:35:34,120 Speaker 1: didn't waste bro She was still emotional when he pulled up. 673 00:35:34,680 --> 00:35:39,319 Speaker 1: She was she had been through a lot of trauma. Yeah, yeah, 674 00:35:39,320 --> 00:35:42,359 Speaker 1: because they got and she she and she kind of, 675 00:35:44,200 --> 00:35:47,839 Speaker 1: you know, kind of it's typical teenager would do, right, 676 00:35:47,960 --> 00:35:50,319 Speaker 1: and I noticed kind of just all right, you having 677 00:35:50,400 --> 00:35:52,560 Speaker 1: us go through all this ship this bullshit, nobody's coming 678 00:35:52,600 --> 00:35:54,800 Speaker 1: for you. And he was like, yeah, you'll be surprised. 679 00:35:55,080 --> 00:35:58,440 Speaker 1: And then she got real. And I think part of 680 00:35:58,480 --> 00:36:00,200 Speaker 1: where it worked for me, where it starts of the 681 00:36:00,239 --> 00:36:03,400 Speaker 1: really turn, was when Regina Hall showed up in the bathroom. 682 00:36:03,640 --> 00:36:05,440 Speaker 1: Oh yeah, that was a real good. 683 00:36:05,640 --> 00:36:08,120 Speaker 4: And it showed that all of the things that she 684 00:36:08,400 --> 00:36:13,359 Speaker 4: had been told, she didn't question it. She she went 685 00:36:13,400 --> 00:36:14,960 Speaker 4: along with it. And she was like, all right, bet, 686 00:36:14,960 --> 00:36:16,360 Speaker 4: it's just a lot about the phone. 687 00:36:16,360 --> 00:36:17,920 Speaker 1: But I like how they didn't try to make that 688 00:36:17,960 --> 00:36:19,880 Speaker 1: other thing too, where she was trying to be rebellious 689 00:36:19,880 --> 00:36:22,160 Speaker 1: and not go with her. She knew that she knew 690 00:36:22,160 --> 00:36:26,640 Speaker 1: the password. I'm trusting my dad. Ship just got real. Yeah. 691 00:36:26,800 --> 00:36:29,279 Speaker 4: But yeah, when man, when when he got on the car, 692 00:36:29,320 --> 00:36:32,759 Speaker 4: he was like what green apples whatever it was, and 693 00:36:32,800 --> 00:36:38,000 Speaker 4: he was like what, I don't know, pow like no hesitation, 694 00:36:38,080 --> 00:36:41,680 Speaker 4: Green Acres, Petticoat Junction, it was. 695 00:36:42,440 --> 00:36:43,719 Speaker 1: I used to watch all those shows this. 696 00:36:44,160 --> 00:36:50,200 Speaker 4: Yeah, but yeah, wow, And they didn't even trust her dad. 697 00:36:50,840 --> 00:36:53,200 Speaker 4: So she was like who are you. 698 00:36:53,200 --> 00:36:55,200 Speaker 1: At this point because remember she didn't know that wasn't 699 00:36:55,200 --> 00:36:57,839 Speaker 1: her dad, So like she looking at him now like 700 00:36:58,640 --> 00:37:00,520 Speaker 1: she kept a secret from him too. I don't think 701 00:37:00,560 --> 00:37:04,239 Speaker 1: he don't know, right, he never said that interest Yeah, 702 00:37:04,320 --> 00:37:06,279 Speaker 1: she's probably not going to tell them. There's no reason to, right, 703 00:37:06,400 --> 00:37:10,319 Speaker 1: That's true. That heard them. For me, it was when 704 00:37:10,360 --> 00:37:15,200 Speaker 1: Tianna Taylor was going through Postmark. Oh that was, but 705 00:37:15,520 --> 00:37:20,200 Speaker 1: he thought it was when she was going through post 706 00:37:20,280 --> 00:37:22,120 Speaker 1: post part of Like, I got the gist of the 707 00:37:22,160 --> 00:37:24,720 Speaker 1: movie in the beginning with revolutionary stuff, but what really 708 00:37:24,760 --> 00:37:26,919 Speaker 1: interests me was her leaving and where they were gonna 709 00:37:26,960 --> 00:37:30,480 Speaker 1: go like, Okay, yeah, what's gonna happen now. She was like, 710 00:37:30,520 --> 00:37:34,600 Speaker 1: she's taking my spot. That was really interesting. She said that, yeah, 711 00:37:34,719 --> 00:37:38,080 Speaker 1: maybe not. She said, she taking my spider. That's his girl. 712 00:37:38,120 --> 00:37:40,560 Speaker 1: Now I'm not his girl and I'm not his number 713 00:37:40,600 --> 00:37:41,280 Speaker 1: one girl anymore. 714 00:37:41,400 --> 00:37:46,359 Speaker 4: I thought she was just really thinking about the fact 715 00:37:46,400 --> 00:37:47,520 Speaker 4: that it may not have been his. 716 00:37:47,840 --> 00:37:50,200 Speaker 1: No, she was. 717 00:37:50,280 --> 00:37:52,560 Speaker 3: She was struggling with the fact that she was no 718 00:37:52,640 --> 00:37:55,680 Speaker 3: longer the main focus of Leo's life. 719 00:37:55,719 --> 00:37:58,200 Speaker 1: Because he was looking at him calling her. Yeah, Like 720 00:37:58,239 --> 00:38:01,080 Speaker 1: the back monologue was great, Like she just called him 721 00:38:01,080 --> 00:38:02,720 Speaker 1: like look how you hold your look how you kisses 722 00:38:02,719 --> 00:38:04,919 Speaker 1: her and things like that. All his attention goes there. 723 00:38:06,280 --> 00:38:06,560 Speaker 1: She said. 724 00:38:06,600 --> 00:38:09,239 Speaker 2: People think think I'm crazy to be jealous of my baby, right, 725 00:38:10,440 --> 00:38:11,759 Speaker 2: that was thro off to But. 726 00:38:12,200 --> 00:38:15,160 Speaker 1: Yeah, that's why you said sleep out. 727 00:38:15,320 --> 00:38:17,480 Speaker 2: I was like, yeah, I could relate. But Mama was 728 00:38:17,480 --> 00:38:19,560 Speaker 2: funny too. She was like, she was like, that's I 729 00:38:19,600 --> 00:38:20,560 Speaker 2: think that's hilarious. 730 00:38:20,600 --> 00:38:22,839 Speaker 1: Like when she was talking to him about my daughter, 731 00:38:22,960 --> 00:38:25,440 Speaker 1: She's talk from a long line of revolutionaries, like how 732 00:38:25,440 --> 00:38:27,239 Speaker 1: you're gonna handle that? He's like, you can't fix what 733 00:38:27,360 --> 00:38:30,680 Speaker 1: She called him a stump and stump, Yeah, running you 734 00:38:30,760 --> 00:38:33,279 Speaker 1: are stump. Yeah that was and she ran and she 735 00:38:33,400 --> 00:38:35,360 Speaker 1: was right, and that was Yeah, that was because I 736 00:38:35,400 --> 00:38:38,640 Speaker 1: was waiting to see if that was yeh, she was wrong. 737 00:38:39,200 --> 00:38:41,680 Speaker 1: She got out of there, So yeah, that's why it 738 00:38:41,800 --> 00:38:45,840 Speaker 1: changed for me. My next question, plot holes, anything that 739 00:38:45,880 --> 00:38:48,520 Speaker 1: they messed up that you guys saw that was noticeable. 740 00:38:48,520 --> 00:38:51,160 Speaker 1: Boys Like I just didn't like about the film because 741 00:38:51,160 --> 00:38:52,520 Speaker 1: we've been praising him a lot. 742 00:38:53,000 --> 00:38:57,440 Speaker 3: I don't know that I loved the ultimate ending of 743 00:38:57,520 --> 00:38:58,720 Speaker 3: Tean Taylor's character. 744 00:39:00,120 --> 00:39:00,960 Speaker 1: She just came off like. 745 00:39:00,960 --> 00:39:04,080 Speaker 3: A selfish piece of shit because at first she it 746 00:39:04,120 --> 00:39:06,880 Speaker 3: seemed like, Okay, she was really into Leo. Then she 747 00:39:07,000 --> 00:39:09,800 Speaker 3: had you know, she fucked the colonel. But I thought 748 00:39:09,840 --> 00:39:13,520 Speaker 3: that was just for the revolution to keep things able 749 00:39:13,600 --> 00:39:20,320 Speaker 3: to you know, continue moving. Her snitching. I was like, okay, 750 00:39:20,320 --> 00:39:23,000 Speaker 3: that's fine, But then her dipping out, I was like, Wow, 751 00:39:23,040 --> 00:39:23,640 Speaker 3: that's a lot. 752 00:39:24,360 --> 00:39:24,879 Speaker 1: That's a lot. 753 00:39:24,960 --> 00:39:27,239 Speaker 3: That's a big one eighty for her character. I didn't 754 00:39:27,280 --> 00:39:31,560 Speaker 3: dislike it necessarily, but it kind of just bugged me. 755 00:39:31,800 --> 00:39:32,640 Speaker 1: I think a little bit. 756 00:39:34,000 --> 00:39:38,320 Speaker 4: I too struggle with that, trying to understand like how 757 00:39:38,360 --> 00:39:43,840 Speaker 4: she fit within the overall film outside of just you know, 758 00:39:44,600 --> 00:39:47,640 Speaker 4: having the baby and that being the source of like 759 00:39:48,360 --> 00:39:54,719 Speaker 4: mixed bloods Now, that's bad. What part in like revolution? 760 00:39:56,960 --> 00:39:57,759 Speaker 4: Was she right? 761 00:39:59,040 --> 00:39:59,239 Speaker 1: You know? 762 00:39:59,320 --> 00:40:01,399 Speaker 4: And I guess I was even to the part where 763 00:40:01,480 --> 00:40:03,759 Speaker 4: she slept with the colonel. I was even trying to 764 00:40:04,400 --> 00:40:06,759 Speaker 4: you know, process that part, like why would she do this? 765 00:40:07,400 --> 00:40:07,640 Speaker 1: You know? 766 00:40:09,080 --> 00:40:10,560 Speaker 4: So I agree with what Mike said, but I was 767 00:40:10,560 --> 00:40:14,560 Speaker 4: still like, Okay, maybe I'm missing something. And then for 768 00:40:14,600 --> 00:40:22,680 Speaker 4: her to be a snitch and the nun saying that, oh, 769 00:40:22,800 --> 00:40:25,240 Speaker 4: the daughter of Rat is a baby rat or something 770 00:40:25,280 --> 00:40:27,800 Speaker 4: like that, and that's what she started to find the truth. 771 00:40:27,920 --> 00:40:30,479 Speaker 1: I did think it was interesting using like. 772 00:40:32,280 --> 00:40:35,680 Speaker 4: Religion as a way to kind of hide and mask 773 00:40:36,400 --> 00:40:39,640 Speaker 4: like good and right. You know, both were kind of 774 00:40:39,719 --> 00:40:44,480 Speaker 4: using the church for their own you know, personal whatever 775 00:40:44,960 --> 00:40:48,799 Speaker 4: they were doing. But yeah, it was just like and 776 00:40:48,800 --> 00:40:51,440 Speaker 4: then she just disappeared. She never came back, and she 777 00:40:51,520 --> 00:40:54,719 Speaker 4: just wrote a letter. So it's just like I don't understand, like, 778 00:40:54,800 --> 00:40:58,440 Speaker 4: is there a larger point to what she's doing? You know, 779 00:40:58,520 --> 00:41:01,200 Speaker 4: because one of the things I I picked up was like, 780 00:41:01,719 --> 00:41:05,920 Speaker 4: how you know, you were talking earlier Mike about how 781 00:41:05,960 --> 00:41:09,960 Speaker 4: they were almost making fun of the leftists or whatever, 782 00:41:10,520 --> 00:41:13,960 Speaker 4: and how sort of disorganized at times that they appear 783 00:41:14,200 --> 00:41:16,960 Speaker 4: and the people that were conspiring and doing all this 784 00:41:17,040 --> 00:41:19,759 Speaker 4: were so much buttoning up and organized to the point 785 00:41:19,760 --> 00:41:23,560 Speaker 4: that they have everything like down to a t. And 786 00:41:23,600 --> 00:41:26,000 Speaker 4: you know, you kind of kind of contrast those two 787 00:41:26,239 --> 00:41:29,560 Speaker 4: and you kind of see how they can almost stay 788 00:41:30,280 --> 00:41:32,279 Speaker 4: in power and they were able to squash down this 789 00:41:32,440 --> 00:41:36,240 Speaker 4: thing and now it's gone. This guy's a drug addict 790 00:41:36,320 --> 00:41:38,200 Speaker 4: and you know, a drunk, you. 791 00:41:38,120 --> 00:41:41,640 Speaker 1: Know, and she's a snitch and ran the other ones 792 00:41:41,960 --> 00:41:45,279 Speaker 1: hiding and still trying to fight. They Robin Banks can't 793 00:41:45,320 --> 00:41:45,880 Speaker 1: get that. Like. 794 00:41:45,920 --> 00:41:48,719 Speaker 4: It was just kind of an interesting thing to kind 795 00:41:48,719 --> 00:41:51,880 Speaker 4: of point out, you know, but yeah, it was. It 796 00:41:51,920 --> 00:41:55,799 Speaker 4: was Tianna's character. I just didn't really fully understand what 797 00:41:57,080 --> 00:41:58,680 Speaker 4: if there was one the. 798 00:41:58,640 --> 00:42:02,840 Speaker 1: Point of her. So I got a question when she 799 00:42:03,000 --> 00:42:05,239 Speaker 1: was at the campfire talking when she was pregnant. She 800 00:42:05,320 --> 00:42:08,560 Speaker 1: was like, pussy is the weapon, that's the best weapon 801 00:42:09,520 --> 00:42:13,040 Speaker 1: to the other woman. Yeah, what's that in reference to 802 00:42:13,080 --> 00:42:13,960 Speaker 1: her fucking the colonel? 803 00:42:14,360 --> 00:42:17,600 Speaker 3: Because yes, okay, in my opinion, yes, that's what I 804 00:42:17,640 --> 00:42:20,839 Speaker 3: was asking because she saw that that was the main 805 00:42:20,920 --> 00:42:21,480 Speaker 3: way that she. 806 00:42:21,719 --> 00:42:24,359 Speaker 1: Kept it going. Yes, got it. Okay, I didn't even 807 00:42:24,400 --> 00:42:27,120 Speaker 1: put that together. Just now they were talking about it 808 00:42:27,480 --> 00:42:31,920 Speaker 1: is wrong that's what made him about it. Pussy power. 809 00:42:32,360 --> 00:42:37,640 Speaker 1: I mean, wars thought over absolutely war. You don't want 810 00:42:37,640 --> 00:42:49,480 Speaker 1: to throw the fucking stupid like a real war, right thing? 811 00:42:49,560 --> 00:42:50,319 Speaker 1: I do? Like, I didn't. 812 00:42:50,320 --> 00:42:52,239 Speaker 4: I didn't hate that damn trailer set me up. I 813 00:42:52,360 --> 00:42:53,720 Speaker 4: talked about this movie before. 814 00:42:53,880 --> 00:42:55,440 Speaker 1: I was like, man, I don't know what movie is in, 815 00:42:55,560 --> 00:42:58,680 Speaker 1: but all I saw was a pregnant woman with it 816 00:42:58,719 --> 00:43:00,799 Speaker 1: was a flipping the damn movie b It was on 817 00:43:00,840 --> 00:43:03,920 Speaker 1: the poster. That's good. It was a good scene. That 818 00:43:04,000 --> 00:43:08,600 Speaker 1: was good metography. I was like, damn, anyway, what's your moment? Rod? 819 00:43:08,600 --> 00:43:11,160 Speaker 2: It didn't really work for you. I mean, I won't 820 00:43:11,160 --> 00:43:14,000 Speaker 2: say didn't work. I'm having to pull like, yeah, well 821 00:43:15,080 --> 00:43:19,839 Speaker 2: thin strings. But if I had to pick something, maybe. 822 00:43:24,600 --> 00:43:26,120 Speaker 1: I had it in my head. But that thre what 823 00:43:26,239 --> 00:43:31,000 Speaker 1: you said. It threw me off. It was two moments, huh, 824 00:43:31,400 --> 00:43:34,160 Speaker 1: I said, yeah, yeah I had I just had it. 825 00:43:37,080 --> 00:43:41,839 Speaker 1: Oh the witness protection. I didn't see how she got 826 00:43:41,840 --> 00:43:45,879 Speaker 1: out of that, so yeah that was mine? Yeah go ahead, Yeah, yeah, 827 00:43:45,880 --> 00:43:46,799 Speaker 1: that's that's really it. 828 00:43:46,920 --> 00:43:50,080 Speaker 2: Just that whole It just seemed like too easy for 829 00:43:50,120 --> 00:43:50,880 Speaker 2: her to get out of that. 830 00:43:52,400 --> 00:43:55,680 Speaker 1: Yeah, one hundred. That didn't really make a lot of sense. Yeah, 831 00:43:55,840 --> 00:43:57,239 Speaker 1: because it don't seem like she would have been able 832 00:43:57,239 --> 00:43:57,960 Speaker 1: to cross the border. 833 00:43:58,360 --> 00:43:59,600 Speaker 3: Well, it didn't seem like she should have been able 834 00:43:59,640 --> 00:44:02,720 Speaker 3: to get out that house. He witness protection. She didn't 835 00:44:02,760 --> 00:44:04,839 Speaker 3: kill anybody, She just went out the back door. Yeah 836 00:44:05,080 --> 00:44:09,239 Speaker 3: what and wrote a letter. Put a mask on this, 837 00:44:09,360 --> 00:44:11,239 Speaker 3: puts it on pop for you. That's all we gotta do. 838 00:44:11,480 --> 00:44:16,040 Speaker 3: Unless it wasn't real witness protection. Well, they don't monitor you. 839 00:44:16,080 --> 00:44:19,080 Speaker 1: When I think what he's said is the colonel set 840 00:44:19,120 --> 00:44:21,920 Speaker 1: that up right himself. 841 00:44:22,000 --> 00:44:26,719 Speaker 4: It wasn't like governmental, right, and it probably couldn't have been. No, no, no, 842 00:44:26,760 --> 00:44:28,160 Speaker 4: they said she was in witness protection. 843 00:44:28,280 --> 00:44:29,880 Speaker 2: Yeah, they said, yeah, he had to go get it, 844 00:44:30,000 --> 00:44:32,319 Speaker 2: she had to go to the job, like all of 845 00:44:32,360 --> 00:44:32,920 Speaker 2: these things. 846 00:44:33,000 --> 00:44:35,080 Speaker 1: Like they just said, though, they don't monitor you. 847 00:44:35,160 --> 00:44:37,439 Speaker 4: Once when they were in the room, they were say, yeah, 848 00:44:37,480 --> 00:44:39,319 Speaker 4: she was in witness protection and then she left and 849 00:44:39,360 --> 00:44:40,000 Speaker 4: she disappeared. 850 00:44:40,520 --> 00:44:42,279 Speaker 1: You you could go back to some people have been 851 00:44:42,280 --> 00:44:44,080 Speaker 1: in to go back to their old life. So how 852 00:44:44,160 --> 00:44:47,000 Speaker 1: was the protection because she is supposed it's supposed to 853 00:44:47,000 --> 00:44:49,719 Speaker 1: be in a place that secluded enough to where people 854 00:44:49,719 --> 00:44:51,480 Speaker 1: wouldn't know who you are or what you did. 855 00:44:51,560 --> 00:44:53,400 Speaker 2: Well, I don't think that's the type of she was 856 00:44:53,440 --> 00:44:55,319 Speaker 2: in because they was like, you gotta get a job, 857 00:44:55,640 --> 00:44:56,000 Speaker 2: you got to go. 858 00:44:57,200 --> 00:44:59,480 Speaker 1: They pay you too for being in it, so you 859 00:44:59,600 --> 00:45:01,120 Speaker 1: just do all. Yeah, you get paid to be with 860 00:45:01,160 --> 00:45:01,600 Speaker 1: this protection. 861 00:45:01,680 --> 00:45:05,920 Speaker 2: They need you to testify, you need you have to cooperate, like, yeah, 862 00:45:06,080 --> 00:45:07,799 Speaker 2: you're in this whole thing. 863 00:45:08,160 --> 00:45:11,160 Speaker 1: Yeah, but they don't keep you there. Like if you, 864 00:45:11,239 --> 00:45:13,840 Speaker 1: under your own fruition go back to your life or 865 00:45:13,840 --> 00:45:15,600 Speaker 1: put yourself in danger, that's on you. 866 00:45:15,640 --> 00:45:18,760 Speaker 3: But but I thought part of her being and witness 867 00:45:18,760 --> 00:45:22,800 Speaker 3: protection was wasn't she going to continue feeding them information 868 00:45:22,920 --> 00:45:25,040 Speaker 3: or something or does she already give them to you? 869 00:45:26,400 --> 00:45:28,160 Speaker 1: So then why would they even agree that. I don't 870 00:45:28,200 --> 00:45:31,680 Speaker 1: know that because and why does she even snitch? 871 00:45:32,520 --> 00:45:35,000 Speaker 3: That's what I was to help her daughter, I thought, Really, 872 00:45:35,160 --> 00:45:36,200 Speaker 3: that's why I thought she said. 873 00:45:36,239 --> 00:45:38,640 Speaker 1: Didn't she say that, oh he was threatening. 874 00:45:38,200 --> 00:45:45,120 Speaker 5: Herber something about the daughter, Yeah, because he was kind 875 00:45:45,120 --> 00:45:48,319 Speaker 5: of talking around about way to her. 876 00:45:48,440 --> 00:45:49,960 Speaker 1: I don't even think it's the daughter. I think it. 877 00:45:50,080 --> 00:45:51,920 Speaker 2: I think it was more selfish reason she didn't want 878 00:45:51,960 --> 00:45:54,400 Speaker 2: to be locked up. I think I think she just 879 00:45:54,920 --> 00:45:56,200 Speaker 2: you know, when he said, oh, yeah, you're gonna be 880 00:45:56,200 --> 00:46:00,440 Speaker 2: in it for life, like yeah, she didn't want that. She'lutionary. 881 00:46:00,560 --> 00:46:03,680 Speaker 1: She wanted to be out and about like fighting. Well, 882 00:46:03,760 --> 00:46:06,160 Speaker 1: she ain't much revolutionary. She snitched on the entire crew. 883 00:46:06,920 --> 00:46:10,719 Speaker 4: Threat I think he did threaten Yeah, the daughter. 884 00:46:10,880 --> 00:46:12,400 Speaker 1: I really do need to watch it again, just not 885 00:46:13,239 --> 00:46:15,759 Speaker 1: too damn because it was like it was like it's 886 00:46:15,800 --> 00:46:17,880 Speaker 1: a shame you don't know anybody you can sway. 887 00:46:18,760 --> 00:46:21,879 Speaker 4: Yeah yeah, yeah, yeah in the hospital scene, yeah talking yeah, 888 00:46:22,360 --> 00:46:24,040 Speaker 4: because we're like you're going to be in a long time. 889 00:46:24,120 --> 00:46:27,440 Speaker 4: Some I can't remember exactly what was said, but okay, 890 00:46:27,560 --> 00:46:29,759 Speaker 4: yeah that won't make sense then but. 891 00:46:30,000 --> 00:46:32,400 Speaker 1: If you're in jail and like you can't get to 892 00:46:32,440 --> 00:46:35,479 Speaker 1: your daughter anyway. But that's what I'm saying. I thought 893 00:46:35,480 --> 00:46:37,680 Speaker 1: he was going to go after the daughter, and I 894 00:46:37,719 --> 00:46:38,680 Speaker 1: thought that if. 895 00:46:38,560 --> 00:46:41,080 Speaker 3: She snitched, he wasn't going to But I'm thinking maybe 896 00:46:41,360 --> 00:46:42,680 Speaker 3: or maybe I'm misremembering. 897 00:46:44,040 --> 00:46:45,880 Speaker 1: Yeah, so it was that, and then. 898 00:46:47,800 --> 00:46:51,640 Speaker 2: Yeah, everything's around, all my all my grapes was just 899 00:46:51,680 --> 00:46:53,400 Speaker 2: around like talking to the police. 900 00:46:53,640 --> 00:46:56,440 Speaker 1: Well like so I didn't understand, like why. 901 00:46:57,840 --> 00:47:02,600 Speaker 2: The one friend had to tell Joe knows, like they 902 00:47:02,640 --> 00:47:04,640 Speaker 2: couldn't put you in jail because if I'm telling you, 903 00:47:04,719 --> 00:47:05,000 Speaker 2: like I. 904 00:47:04,960 --> 00:47:07,839 Speaker 1: Don't know, I don't know her number. Like, I didn't 905 00:47:07,920 --> 00:47:12,120 Speaker 1: understand why he had kids. Oh yeah, yeah, yeah, what's 906 00:47:12,160 --> 00:47:15,520 Speaker 1: her name? Willi's friend. I didn't understand why he why 907 00:47:15,560 --> 00:47:17,600 Speaker 1: he had to give give up the information. 908 00:47:18,480 --> 00:47:20,719 Speaker 3: I mean, because they were he was starting a kid, 909 00:47:20,840 --> 00:47:22,440 Speaker 3: the kid didn't know better. 910 00:47:22,520 --> 00:47:27,160 Speaker 1: And the kid that snitch probably feared for their yes 911 00:47:27,840 --> 00:47:30,920 Speaker 1: safety if they're going to Chai because they trains. Yeah. Yeah, 912 00:47:31,000 --> 00:47:32,799 Speaker 1: that's that's why I thought that he was the one, 913 00:47:32,840 --> 00:47:34,759 Speaker 1: because they would have gone to a male prison, right, 914 00:47:35,000 --> 00:47:37,560 Speaker 1: And that's what I think what he thought about they 915 00:47:37,719 --> 00:47:40,840 Speaker 1: sorry interesting, So that's what he said. For me, it 916 00:47:40,920 --> 00:47:42,480 Speaker 1: was a plot hole. I'm like, why did he tell 917 00:47:46,719 --> 00:47:50,680 Speaker 1: the damn dad, it's not that hard? Why did they 918 00:47:50,800 --> 00:47:52,839 Speaker 1: Why did they say that? 919 00:47:52,960 --> 00:47:54,719 Speaker 3: I think it was that That's what I got to 920 00:47:55,040 --> 00:47:58,000 Speaker 3: that is they had the most to lose by going 921 00:47:58,040 --> 00:47:58,480 Speaker 3: to prison. 922 00:47:59,320 --> 00:48:01,400 Speaker 1: Yeah, because it was specific, Like why did you go 923 00:48:01,880 --> 00:48:04,000 Speaker 1: with them? Yes? Good job? 924 00:48:05,719 --> 00:48:10,200 Speaker 3: Yeah, because they would have been brutalized and it's interesting. 925 00:48:10,360 --> 00:48:13,080 Speaker 1: Yeah. Was there a scene in the movie that you 926 00:48:13,080 --> 00:48:15,279 Speaker 1: guys couldn't wait to talk about? 927 00:48:16,760 --> 00:48:20,400 Speaker 4: Carson Cars For me too, that was that it was intense, 928 00:48:20,440 --> 00:48:22,120 Speaker 4: it was crazy, it was really good. 929 00:48:22,280 --> 00:48:24,040 Speaker 1: Yeah. Yeah, that whole scene. 930 00:48:24,560 --> 00:48:28,360 Speaker 4: Uh, the way she shot old boy and no questions 931 00:48:28,440 --> 00:48:31,120 Speaker 4: asked once the cole was get up with. The whole 932 00:48:31,160 --> 00:48:34,800 Speaker 4: car scene was really really, really good, you know, because 933 00:48:35,360 --> 00:48:37,160 Speaker 4: every time she go up here and go down here, 934 00:48:37,160 --> 00:48:38,520 Speaker 4: I kept I kept thinking it was gonna be a 935 00:48:38,560 --> 00:48:40,400 Speaker 4: car something, you know. 936 00:48:40,480 --> 00:48:44,759 Speaker 1: I was like, for me, it was I love the 937 00:48:44,800 --> 00:48:47,920 Speaker 1: payoff of when they first had to run and he 938 00:48:48,040 --> 00:48:49,680 Speaker 1: was giving them the track of thing. He was like, 939 00:48:49,719 --> 00:48:51,719 Speaker 1: if you see somebody with these all, just hand them out. 940 00:48:52,239 --> 00:48:54,200 Speaker 1: But he was telling him all this information and you 941 00:48:54,239 --> 00:48:56,920 Speaker 1: could tell Leo wasn't really taking it. He was like, 942 00:48:57,400 --> 00:49:00,360 Speaker 1: what's happening, What's going on? And then the payoffs sixteen 943 00:49:00,440 --> 00:49:03,040 Speaker 1: years later when he needed to know all of that stuff, 944 00:49:03,080 --> 00:49:06,680 Speaker 1: the dudes telling him, look, bro, this is important. Remember 945 00:49:06,680 --> 00:49:09,000 Speaker 1: this book, read this letter, and throw this shit away, 946 00:49:09,080 --> 00:49:11,160 Speaker 1: but make sure you know all of this stuff. And 947 00:49:11,200 --> 00:49:13,960 Speaker 1: for him to just like forget it sixteen years later, 948 00:49:14,000 --> 00:49:15,320 Speaker 1: I thought that was one of the most interesting. But 949 00:49:15,760 --> 00:49:19,520 Speaker 1: forget absolutely. I would have been I was gonna ask you, 950 00:49:21,120 --> 00:49:24,680 Speaker 1: I would forget it sixteen minutes. I probably wouldn't read 951 00:49:24,719 --> 00:49:26,440 Speaker 1: the book or whatever it was that he told him 952 00:49:26,480 --> 00:49:28,400 Speaker 1: to read. But would y'all have remember any of that Stufhi, 953 00:49:28,480 --> 00:49:30,200 Speaker 1: y'all took it more seriously. I would have definitely taken 954 00:49:30,200 --> 00:49:31,200 Speaker 1: it more serious if I. 955 00:49:31,200 --> 00:49:33,800 Speaker 3: If I am out here and I'm part of the revolution, 956 00:49:34,760 --> 00:49:38,839 Speaker 3: I'm definitely gonna take this more seriously. But to be fair, 957 00:49:39,000 --> 00:49:42,799 Speaker 3: le Leo was a single father. His his girl was 958 00:49:42,840 --> 00:49:44,759 Speaker 3: gone and he was raising the kid by himself. He 959 00:49:44,800 --> 00:49:49,120 Speaker 3: became a drug addict, depressed basically and depressed. So I mean, 960 00:49:49,160 --> 00:49:51,200 Speaker 3: I see why he forgot But bro, write that shit 961 00:49:51,280 --> 00:49:51,800 Speaker 3: down somewhere. 962 00:49:52,040 --> 00:49:56,600 Speaker 1: Yeah, write it down. I know I'm over here. Yeah, 963 00:49:56,840 --> 00:49:59,640 Speaker 1: I would have something, you know. He told me not 964 00:49:59,719 --> 00:50:01,840 Speaker 1: to write damn that. 965 00:50:01,960 --> 00:50:03,840 Speaker 2: Maybe I thought about another scene when he went to 966 00:50:03,920 --> 00:50:05,960 Speaker 2: the classroom, He's like, got a lot of slave. 967 00:50:05,800 --> 00:50:11,520 Speaker 1: Orders on his man. That was great his you got 968 00:50:11,520 --> 00:50:15,640 Speaker 1: to make got all the heavy he got all the 969 00:50:15,640 --> 00:50:18,960 Speaker 1: heavy heads in the n Yeah, you can't smoke that 970 00:50:19,000 --> 00:50:26,920 Speaker 1: in here because he started crying. That's the other thing. 971 00:50:26,920 --> 00:50:28,120 Speaker 1: When I woke up, I was like, why is he 972 00:50:28,200 --> 00:50:32,600 Speaker 1: dressed like that? Using that rope running around because with 973 00:50:32,719 --> 00:50:36,680 Speaker 1: the blue blockers on, why is he dressed like? Why 974 00:50:36,760 --> 00:50:42,279 Speaker 1: is the house coach? He said jump four four that 975 00:50:42,400 --> 00:50:50,920 Speaker 1: was the car. He didn't jump out the car and 976 00:50:50,960 --> 00:50:54,239 Speaker 1: then they showed him doing a little lying Dan pulled 977 00:50:54,280 --> 00:50:54,600 Speaker 1: him off. 978 00:50:54,880 --> 00:50:58,399 Speaker 6: Yeah my god, oh my god. It was just like 979 00:50:58,920 --> 00:51:08,960 Speaker 6: that ship was hold wlarious body doing that. 980 00:51:09,280 --> 00:51:11,680 Speaker 3: But yeah, we didn't talk about Also when when when 981 00:51:12,640 --> 00:51:15,880 Speaker 3: he first went to I'm doing Rod dude, when he 982 00:51:15,920 --> 00:51:19,000 Speaker 3: first when he first went to the hospital, when Leo 983 00:51:19,000 --> 00:51:23,279 Speaker 3: first went to the hospital and that whole network get 984 00:51:23,320 --> 00:51:25,839 Speaker 3: him out, that was that was That was dope. From 985 00:51:25,840 --> 00:51:28,279 Speaker 3: the person that interviewed him to the nurse was like 986 00:51:28,360 --> 00:51:31,000 Speaker 3: that was and it was so she's like, Bob, she 987 00:51:31,040 --> 00:51:32,360 Speaker 3: said it one time he looked up. 988 00:51:32,400 --> 00:51:35,080 Speaker 1: He's like what the Yep, She's like, I can't I 989 00:51:35,120 --> 00:51:37,840 Speaker 1: can't help him. I can't help him. So good. That 990 00:51:37,960 --> 00:51:40,600 Speaker 1: was really good. Oh she was real. Yeah, because he 991 00:51:40,600 --> 00:51:44,000 Speaker 1: didn't looking at her, she said Bob, and then she did. 992 00:51:44,120 --> 00:51:45,840 Speaker 1: Then he looked up and for him to have that 993 00:51:45,960 --> 00:51:48,000 Speaker 1: network set up. I thought it was just fascinating. 994 00:51:48,920 --> 00:51:51,480 Speaker 4: She was walking, Yes, she was walking through kind of 995 00:51:51,480 --> 00:51:54,839 Speaker 4: the questions to ask to get him away from them, 996 00:51:55,160 --> 00:51:56,960 Speaker 4: you know, with the diabetes and stuff like that. But 997 00:51:57,040 --> 00:51:59,879 Speaker 4: I totally missed the name call because he wasn't picking 998 00:51:59,920 --> 00:52:00,200 Speaker 4: it up. 999 00:52:00,239 --> 00:52:02,040 Speaker 1: And so she's like, Bob. That's when she that's when 1000 00:52:02,080 --> 00:52:05,319 Speaker 1: he perked up. She said. One time he looked at 1001 00:52:05,360 --> 00:52:08,359 Speaker 1: me like, what the facts It was so sub It 1002 00:52:08,440 --> 00:52:11,320 Speaker 1: was so good. God, damn, it was so good. Yeah, 1003 00:52:11,360 --> 00:52:14,600 Speaker 1: that was great. We've talked about did little up the expectations. 1004 00:52:14,600 --> 00:52:16,600 Speaker 1: I think everybody said it did. So we're gonna get 1005 00:52:16,600 --> 00:52:20,440 Speaker 1: to the ending and like them sticking to landing. I 1006 00:52:20,560 --> 00:52:23,239 Speaker 1: throw it to you guys after this, it was predictable. 1007 00:52:24,400 --> 00:52:26,799 Speaker 1: What they did to Sean Pinn's character was like, he's 1008 00:52:26,800 --> 00:52:29,000 Speaker 1: not gonna They're gonna kill him. I knew it, but 1009 00:52:29,080 --> 00:52:31,560 Speaker 1: it was still good though. It was still good that 1010 00:52:31,680 --> 00:52:33,960 Speaker 1: they like gassed the room, how he locked him in there, 1011 00:52:34,040 --> 00:52:35,640 Speaker 1: that all of that was great to me. I think 1012 00:52:35,680 --> 00:52:37,760 Speaker 1: they stuck the landing. I thought he's gonna get sniped. 1013 00:52:38,360 --> 00:52:40,040 Speaker 1: I thought it was gonna be a sniper. But then 1014 00:52:40,080 --> 00:52:42,520 Speaker 1: the gas made sense too, So I just thought all 1015 00:52:42,520 --> 00:52:45,000 Speaker 1: of that was incredible. You guys think they stuck the 1016 00:52:45,160 --> 00:52:46,680 Speaker 1: landing slash. 1017 00:52:46,440 --> 00:52:51,719 Speaker 4: Ding Yeah, yeah, I you know, there was no way 1018 00:52:52,000 --> 00:52:56,759 Speaker 4: they were letting him back in, but he you know, 1019 00:52:56,960 --> 00:53:01,040 Speaker 4: had in their eyes, you know, or something like that, 1020 00:53:01,640 --> 00:53:04,000 Speaker 4: and uh, and it crossed the line and they're just like, nah, 1021 00:53:04,040 --> 00:53:08,040 Speaker 4: that's that's we can't stand for this. Even if we 1022 00:53:08,160 --> 00:53:11,680 Speaker 4: believe you at your story, the fact is you're white 1023 00:53:12,320 --> 00:53:12,920 Speaker 4: deck winning. 1024 00:53:13,800 --> 00:53:14,680 Speaker 1: That's crazy. 1025 00:53:16,160 --> 00:53:18,640 Speaker 2: This dude is an asset to them, like he obviously 1026 00:53:18,719 --> 00:53:23,040 Speaker 2: can get shipped done. And the fact that you're gonna 1027 00:53:23,080 --> 00:53:25,879 Speaker 2: not get him because this one thing that he did 1028 00:53:26,120 --> 00:53:28,160 Speaker 2: with a black woman. He's like, Nope, I don't give 1029 00:53:28,160 --> 00:53:31,120 Speaker 2: a fuck if you black ops or whatever. 1030 00:53:31,080 --> 00:53:36,520 Speaker 1: He will be black ops. But but it sounds it 1031 00:53:38,080 --> 00:53:40,960 Speaker 1: sounds about right. It sounds like how a white woman's 1032 00:53:41,120 --> 00:53:43,000 Speaker 1: group behave get know what I'm saying, That's what. 1033 00:53:43,000 --> 00:53:46,399 Speaker 2: That's what's crazy, Like, it don't matter that you're this good, 1034 00:53:46,440 --> 00:53:49,680 Speaker 2: great at what you do, know your dick got dirty. 1035 00:53:49,760 --> 00:53:52,840 Speaker 1: Damn. I just put two and two together. I was 1036 00:53:52,960 --> 00:53:54,920 Speaker 1: wondering how he was able to just hit that. I 1037 00:53:55,000 --> 00:53:56,720 Speaker 1: know he had to go to that time because it's private. 1038 00:53:56,760 --> 00:54:01,600 Speaker 1: I told him that's what. But they mentioned it being 1039 00:54:01,719 --> 00:54:05,759 Speaker 1: a sanctuary city. They knew about the whole system. Because 1040 00:54:05,760 --> 00:54:08,799 Speaker 1: I was wondering and it never occouraged me, like how 1041 00:54:08,880 --> 00:54:10,000 Speaker 1: was he able to just and. 1042 00:54:09,920 --> 00:54:12,000 Speaker 2: They were saying to keep the military to that time, right, 1043 00:54:12,000 --> 00:54:14,000 Speaker 2: they said, the people are going to cooperate, yah, which 1044 00:54:14,080 --> 00:54:16,560 Speaker 2: they did in the hospital. You know all those people 1045 00:54:16,640 --> 00:54:19,120 Speaker 2: like they are trying to protect the people up there, 1046 00:54:19,320 --> 00:54:21,160 Speaker 2: and I thought that, oh that was a part too, 1047 00:54:22,280 --> 00:54:24,960 Speaker 2: doing the riot. And you remember how that ship happened 1048 00:54:25,000 --> 00:54:31,000 Speaker 2: in real time when they had people mad avocavocate tours, 1049 00:54:32,040 --> 00:54:32,480 Speaker 2: the one. 1050 00:54:32,320 --> 00:54:34,280 Speaker 1: That provokes provokes like violence. 1051 00:54:34,320 --> 00:54:37,560 Speaker 2: Basically it's not even like the actual rioters or whatever, 1052 00:54:37,640 --> 00:54:38,719 Speaker 2: the protesters or whatever. 1053 00:54:38,840 --> 00:54:42,000 Speaker 1: It's not the protesters, but they have a rioter come 1054 00:54:42,239 --> 00:54:45,560 Speaker 1: actual somebody come too. I thought about him when I 1055 00:54:45,560 --> 00:54:47,840 Speaker 1: saw that. I was like, yeah, like the one that 1056 00:54:47,920 --> 00:54:50,000 Speaker 1: was disarming people that time, remember the one he was. 1057 00:54:50,040 --> 00:54:53,200 Speaker 1: He was he was in protester clothing, but he was 1058 00:54:53,560 --> 00:54:56,279 Speaker 1: disarmed people that had weapons and ship y'all remember that. 1059 00:54:57,000 --> 00:54:59,600 Speaker 1: I forgot which which protesters was, but it was it 1060 00:54:59,640 --> 00:55:03,280 Speaker 1: was like you know life, real life. Yeah, no, no, no, 1061 00:55:03,280 --> 00:55:03,840 Speaker 1: it sounded like. 1062 00:55:03,800 --> 00:55:06,160 Speaker 2: A fucking movie. But he was disarmed people that had 1063 00:55:06,200 --> 00:55:09,239 Speaker 2: weapons and ship. Y'all don't remember this. We talked about 1064 00:55:09,280 --> 00:55:13,520 Speaker 2: it here on It's the my salon. Yeah, it was 1065 00:55:13,880 --> 00:55:15,560 Speaker 2: because you were saying that it was probably a cop. 1066 00:55:15,840 --> 00:55:17,440 Speaker 2: It was probably a cop that was doing it that 1067 00:55:17,560 --> 00:55:20,280 Speaker 2: was dressed up like a like a you know rider. 1068 00:55:20,840 --> 00:55:23,360 Speaker 2: I keep on saying rider dressed up like a protester, 1069 00:55:23,880 --> 00:55:26,800 Speaker 2: and he was disarmed people that might have had weapons 1070 00:55:27,320 --> 00:55:27,800 Speaker 2: or whatever. 1071 00:55:28,239 --> 00:55:29,960 Speaker 1: Yeah, well and he was. 1072 00:55:30,120 --> 00:55:35,200 Speaker 4: And the way this movie sort of kind of overlays 1073 00:55:35,239 --> 00:55:40,319 Speaker 4: on top of present day, it's definitely a view into 1074 00:55:40,680 --> 00:55:45,279 Speaker 4: the past. Like, you know, he used immigration to do 1075 00:55:45,320 --> 00:55:49,080 Speaker 4: a lot of stuff. You know, they freed people from camps. 1076 00:55:49,520 --> 00:55:52,799 Speaker 4: That's how they wanted the uh you know, uh, lock 1077 00:55:52,880 --> 00:55:55,480 Speaker 4: y'all got on the radar. They got on lock y'all's 1078 00:55:55,560 --> 00:55:59,560 Speaker 4: radar and used immigration to go look for his daughter. 1079 00:55:59,680 --> 00:56:03,440 Speaker 1: But the impurities, so to. 1080 00:56:03,360 --> 00:56:07,399 Speaker 4: Speak, of black people, they do still feel that way 1081 00:56:07,719 --> 00:56:11,000 Speaker 4: in present day. We're not that far removed from And 1082 00:56:11,040 --> 00:56:13,640 Speaker 4: that was the scary thing about you know this movie. 1083 00:56:14,200 --> 00:56:16,719 Speaker 4: You know, they can easily snatch up somebody and hold them, 1084 00:56:16,920 --> 00:56:18,960 Speaker 4: like with the Patriot and all that stuff. Bro, you 1085 00:56:19,000 --> 00:56:22,240 Speaker 4: can be disappeared easy to the country, you know. And 1086 00:56:22,239 --> 00:56:24,200 Speaker 4: and we still don't know what happened to Regina Hall. 1087 00:56:24,360 --> 00:56:26,799 Speaker 1: We still don't know what happened to the revolution. I 1088 00:56:26,800 --> 00:56:29,120 Speaker 1: think we can assume they killed her, you know, they 1089 00:56:29,120 --> 00:56:31,560 Speaker 1: think that's assumption. I don't think. I don't think she's killed. 1090 00:56:31,560 --> 00:56:35,920 Speaker 1: I think she cooperated. So they did cooperate something they 1091 00:56:35,960 --> 00:56:37,240 Speaker 1: never gave a clear answer. 1092 00:56:37,360 --> 00:56:39,279 Speaker 3: Oh no, they didn't give a clear answer, but they 1093 00:56:39,320 --> 00:56:46,120 Speaker 3: implied very heavily that she that she snitched Regina. I 1094 00:56:46,120 --> 00:56:51,320 Speaker 3: didn't take that from it, because right after that happened 1095 00:56:52,239 --> 00:56:53,000 Speaker 3: is wait, what. 1096 00:56:53,000 --> 00:56:53,680 Speaker 1: Happened right after? 1097 00:56:53,719 --> 00:56:56,920 Speaker 2: So after they got her, because they asked what was 1098 00:56:56,960 --> 00:56:58,480 Speaker 2: the question he was trying to get out of her. 1099 00:57:00,080 --> 00:57:01,799 Speaker 2: I'm trying because he was just like, okay, he's with 1100 00:57:01,960 --> 00:57:03,160 Speaker 2: she's with the colonel right now. 1101 00:57:03,160 --> 00:57:07,719 Speaker 1: If you want to protect her, give me. No, they 1102 00:57:07,800 --> 00:57:13,080 Speaker 1: already found That's how they found regime. That's right. That's 1103 00:57:13,080 --> 00:57:17,400 Speaker 1: what I try to tell them what Leo was because 1104 00:57:17,400 --> 00:57:21,320 Speaker 1: he didn't know. She was saying she didn't know, so 1105 00:57:21,440 --> 00:57:25,160 Speaker 1: she couldn't there was something. There wasn't anything for her 1106 00:57:25,200 --> 00:57:28,640 Speaker 1: to tell because it was unless it was the other 1107 00:57:28,640 --> 00:57:31,720 Speaker 1: people that were still in a revolution. But it might 1108 00:57:31,720 --> 00:57:34,400 Speaker 1: have been, but I don't think that's that's so specific though. 1109 00:57:34,640 --> 00:57:38,320 Speaker 3: I feel like right after that that scene, something happened. 1110 00:57:39,120 --> 00:57:41,360 Speaker 1: I thought that made it seem like, oh, she told 1111 00:57:41,560 --> 00:57:43,040 Speaker 1: I thought they were gonna take U somewhere and killed 1112 00:57:43,040 --> 00:57:44,720 Speaker 1: because she didn't say anything because she didn't have nothing 1113 00:57:44,720 --> 00:57:46,640 Speaker 1: to say other than telling them whoever, That's why it 1114 00:57:46,720 --> 00:57:51,360 Speaker 1: was interrogating her. They were interrogating her. But but remember Big, 1115 00:57:52,080 --> 00:57:55,440 Speaker 1: I was gonna say to even further the ending. The 1116 00:57:55,480 --> 00:57:59,000 Speaker 1: revolution was still going because we've seen Will take the 1117 00:57:59,040 --> 00:58:02,640 Speaker 1: call and go out and him telling her to be safe. Yeah, 1118 00:58:02,800 --> 00:58:03,960 Speaker 1: the revolution was still going. 1119 00:58:04,000 --> 00:58:09,360 Speaker 3: But we don't know if Regina Hall's character was involved, right, 1120 00:58:09,440 --> 00:58:12,160 Speaker 3: because we never heard anything else after about her after that. 1121 00:58:12,600 --> 00:58:14,320 Speaker 3: I need to see it again. I feel like I'm 1122 00:58:14,360 --> 00:58:16,560 Speaker 3: with Rod. I feel like there was something that happened 1123 00:58:16,560 --> 00:58:18,120 Speaker 3: that made it seem like she snitched. 1124 00:58:18,480 --> 00:58:20,160 Speaker 1: Yeah, I didn't take this get. 1125 00:58:20,320 --> 00:58:22,640 Speaker 3: Especially her face when he kept like drilling her and 1126 00:58:22,680 --> 00:58:25,000 Speaker 3: she was like looking scared. She wasn't like I'm not 1127 00:58:25,040 --> 00:58:27,800 Speaker 3: gonna tell. There was like a moment where she was 1128 00:58:28,240 --> 00:58:29,640 Speaker 3: she was like, I don't know, I don't know. 1129 00:58:29,720 --> 00:58:33,440 Speaker 1: She started crying because I thought she started kid, you 1130 00:58:33,520 --> 00:58:35,600 Speaker 1: might be right, Spike, maybe I mistook the scene. 1131 00:58:36,080 --> 00:58:38,120 Speaker 2: No, man, you're not mistaking it, because she was just like, 1132 00:58:38,160 --> 00:58:40,440 Speaker 2: I don't know. He was asking her a specific question 1133 00:58:40,520 --> 00:58:42,080 Speaker 2: and she was just like, you know, that's why he's saying, 1134 00:58:42,040 --> 00:58:43,520 Speaker 2: you know, how many people sit across from you? 1135 00:58:43,640 --> 00:58:47,280 Speaker 1: I don't know whatever, Why would he say that. I 1136 00:58:47,320 --> 00:58:48,960 Speaker 1: just don't know what she gave up information. 1137 00:58:49,040 --> 00:58:52,800 Speaker 4: I forgot what information, Yeah, I can't remember, but but yeah, 1138 00:58:52,840 --> 00:58:58,880 Speaker 4: but either way, I think his it's crazy because you 1139 00:58:58,920 --> 00:59:02,640 Speaker 4: talking about Thomas Jefferson, you know, and all these presidents 1140 00:59:02,680 --> 00:59:05,720 Speaker 4: that you know, would sleep with black women, to have 1141 00:59:05,760 --> 00:59:08,680 Speaker 4: babies with him, but still don't like them. You know, 1142 00:59:08,800 --> 00:59:11,000 Speaker 4: that was in essence him and a lot of other 1143 00:59:11,040 --> 00:59:14,920 Speaker 4: white people and still wanted to be part of the cause, 1144 00:59:15,120 --> 00:59:18,640 Speaker 4: you know. And he what I forgot, what they call him, 1145 00:59:18,760 --> 00:59:21,880 Speaker 4: was so fit, sated on being accepted, you know, and 1146 00:59:21,920 --> 00:59:24,360 Speaker 4: still wanted to you know, do his own thing, that 1147 00:59:24,480 --> 00:59:27,920 Speaker 4: he was unwilling to even see what was happening. You know, 1148 00:59:28,000 --> 00:59:33,000 Speaker 4: this trained veteran, this guy walked in clean, just bought 1149 00:59:33,040 --> 00:59:36,440 Speaker 4: everything hook hook whatever the saying is. It was like, 1150 00:59:36,480 --> 00:59:39,280 Speaker 4: oh yeah, my bad, I forgot my keys, got up there, 1151 00:59:39,320 --> 00:59:42,400 Speaker 4: thought he made it, beat up and everything, and that 1152 00:59:42,560 --> 00:59:42,800 Speaker 4: was it. 1153 00:59:42,840 --> 00:59:45,600 Speaker 1: And they accinerated him. Not a trace of him to 1154 00:59:45,640 --> 00:59:47,240 Speaker 1: be find. Nobody ever seen him again. 1155 00:59:47,280 --> 00:59:49,560 Speaker 4: And they move on and they continue to shape the 1156 00:59:49,560 --> 00:59:51,480 Speaker 4: country and in their image. 1157 00:59:52,480 --> 00:59:56,400 Speaker 1: Another great thing I thought about the ending was him, 1158 00:59:56,560 --> 01:00:01,040 Speaker 1: not Leo's character, not standing in little will way to 1159 01:00:01,160 --> 01:00:03,560 Speaker 1: want to be a revolutionary, because that's how he lost 1160 01:00:03,880 --> 01:00:06,240 Speaker 1: the mama. He wanted her to stop, and he just 1161 01:00:06,240 --> 01:00:07,880 Speaker 1: wanted to her her like now that you got kids. 1162 01:00:08,040 --> 01:00:10,680 Speaker 1: I loved that he just let her go do her thing, 1163 01:00:10,880 --> 01:00:14,080 Speaker 1: knowing how dangers it was, but still allowing her to 1164 01:00:14,120 --> 01:00:15,400 Speaker 1: do it because he didn't want to lose it and 1165 01:00:15,640 --> 01:00:18,520 Speaker 1: loved their relationship. I thought that was really good. Yeah. 1166 01:00:18,520 --> 01:00:20,520 Speaker 1: I thought her getting the letter and reading it was good. 1167 01:00:21,920 --> 01:00:22,800 Speaker 1: I thought that was weird. 1168 01:00:23,320 --> 01:00:25,920 Speaker 3: Weird, Yeah, because they were at the table and he 1169 01:00:26,000 --> 01:00:27,120 Speaker 3: was like, Oh, if you want to go read it 1170 01:00:27,160 --> 01:00:29,760 Speaker 3: by yourself, go ahead, And then she walked like ten 1171 01:00:29,800 --> 01:00:32,360 Speaker 3: feet away into that room with the door wide open. 1172 01:00:32,440 --> 01:00:34,560 Speaker 1: It's like, well, you're not really by yourself. I can 1173 01:00:34,960 --> 01:00:37,720 Speaker 1: read it alone. No, like I can still see you. 1174 01:00:37,720 --> 01:00:41,640 Speaker 1: You're not alone because the mom's still alive, right, Yeah, yes, 1175 01:00:41,680 --> 01:00:43,479 Speaker 1: the colonel was lying about her being dead. 1176 01:00:43,600 --> 01:00:47,640 Speaker 3: She's alive and probably in Cuba or New Mexico or somewhere. 1177 01:00:48,520 --> 01:00:48,640 Speaker 1: Well. 1178 01:00:48,680 --> 01:00:50,360 Speaker 3: I guess I took it as she wasn't going to 1179 01:00:50,400 --> 01:00:53,280 Speaker 3: stay in one place, got because they would be looking 1180 01:00:53,320 --> 01:00:53,680 Speaker 3: for her. 1181 01:00:54,280 --> 01:00:57,400 Speaker 1: But yeah, they mustn't have enough money for her. The 1182 01:00:57,440 --> 01:01:02,520 Speaker 1: rest of the movie, scheduling conflict or something. She shoot 1183 01:01:02,520 --> 01:01:05,720 Speaker 1: that Ty the parod move. Probably No, they probably let 1184 01:01:05,760 --> 01:01:07,440 Speaker 1: her go because that made sense for the story. 1185 01:01:07,600 --> 01:01:11,440 Speaker 3: She wasn't the highest paid no actor and it wasn't 1186 01:01:11,480 --> 01:01:14,160 Speaker 3: like she gave the strongest performance out of everybody. 1187 01:01:13,720 --> 01:01:16,040 Speaker 1: There looking mad. 1188 01:01:16,880 --> 01:01:19,480 Speaker 3: That's what she always does. I've never really understood. I mean, 1189 01:01:19,480 --> 01:01:21,840 Speaker 3: I think she's fine, but everyone's like. 1190 01:01:21,840 --> 01:01:25,240 Speaker 1: No, do you want to tell the truth? When I 1191 01:01:25,240 --> 01:01:28,440 Speaker 1: think it's because she's more time. That's all the dancing, 1192 01:01:28,520 --> 01:01:30,480 Speaker 1: the saying, get the actors. She does it all, and 1193 01:01:30,520 --> 01:01:32,720 Speaker 1: that's fine, But I'm not about to hear her pretend 1194 01:01:32,720 --> 01:01:36,560 Speaker 1: that she's a great actor. No, No, she's fine. She's yeah, 1195 01:01:36,840 --> 01:01:39,800 Speaker 1: exactly great. Any more thoughts about the ending. 1196 01:01:40,880 --> 01:01:43,240 Speaker 2: I thought they stuck the larding. Personally, I like it. 1197 01:01:43,520 --> 01:01:45,520 Speaker 2: I like the emotion behind it. When she just came 1198 01:01:45,560 --> 01:01:48,200 Speaker 2: back and hugged him, I liked that. You know, he 1199 01:01:48,320 --> 01:01:51,439 Speaker 2: still was her father. Yep, you know I like that man. 1200 01:01:51,480 --> 01:01:57,200 Speaker 1: And they got phones. Yeah, how to take the picture that? Yep? 1201 01:01:57,480 --> 01:01:59,720 Speaker 1: So the great job by the director this guy did 1202 01:01:59,760 --> 01:02:01,120 Speaker 1: that be blood as well? Yeah? 1203 01:02:01,160 --> 01:02:05,400 Speaker 3: And Magnolia punch drunk in her advice, which I did 1204 01:02:05,480 --> 01:02:05,680 Speaker 3: like to. 1205 01:02:06,000 --> 01:02:08,760 Speaker 1: Yeah he's good man. Yeah, she does a great job, 1206 01:02:09,480 --> 01:02:10,920 Speaker 1: all right. When I saw his name. 1207 01:02:10,960 --> 01:02:13,080 Speaker 3: I thought it was Wes Anderson, and I was like, fuck, 1208 01:02:14,320 --> 01:02:15,800 Speaker 3: I don't want to see it for no fucking three 1209 01:02:15,840 --> 01:02:16,720 Speaker 3: hour Wes Anderson. 1210 01:02:18,280 --> 01:02:20,600 Speaker 1: Alright, if all hearts and minds are clear, the doors 1211 01:02:20,600 --> 01:02:23,400 Speaker 1: of the church are open. Yeah. I didn't. I didn't know. Yeah, 1212 01:02:23,360 --> 01:02:25,360 Speaker 1: I didn't. I just didn't know. I didn't know it 1213 01:02:25,440 --> 01:02:29,640 Speaker 1: was a popular that's all. No. I think I think 1214 01:02:29,840 --> 01:02:32,480 Speaker 1: we hit on everything. Unless y'all got anything else, you know, 1215 01:02:32,480 --> 01:02:34,160 Speaker 1: the movie was as popular. I didn't. 1216 01:02:34,800 --> 01:02:37,720 Speaker 2: I didn't know he's a very popular director. Yeah, yeah, yeah, 1217 01:02:38,000 --> 01:02:40,200 Speaker 2: And I didn't know who directed it. I didn't know 1218 01:02:40,280 --> 01:02:42,160 Speaker 2: anything about this going in right. 1219 01:02:43,000 --> 01:02:46,160 Speaker 1: Well, that has been our review of this movie for 1220 01:02:46,200 --> 01:02:49,720 Speaker 1: the France Per Second podcast, and we're out Peace.