1 00:00:05,120 --> 00:00:06,199 Speaker 1: Man, we early. 2 00:00:07,480 --> 00:00:08,959 Speaker 2: The Trailmingo's over here. 3 00:00:08,760 --> 00:00:10,040 Speaker 1: Man we earlier than a month. 4 00:00:11,600 --> 00:00:17,920 Speaker 2: No audio issues, yeah, because we're remote. 5 00:00:17,440 --> 00:00:19,919 Speaker 3: But no, we've been good with that outside of me 6 00:00:20,000 --> 00:00:24,360 Speaker 3: not pushing a button that one or twice. 7 00:00:24,760 --> 00:00:29,920 Speaker 2: But yeah, you know how y'all brother's doing Mane doing great, 8 00:00:30,000 --> 00:00:32,480 Speaker 2: Man doing great? How about you good? 9 00:00:32,920 --> 00:00:34,560 Speaker 1: You know what's interesting. 10 00:00:35,800 --> 00:00:38,880 Speaker 2: And we're not going to jump into it, but we've 11 00:00:38,920 --> 00:00:42,920 Speaker 2: been in Atlanta now for a very long time and 12 00:00:43,000 --> 00:00:46,159 Speaker 2: we've seen a lot, like we've seen the advent of 13 00:00:46,800 --> 00:00:53,040 Speaker 2: trap music, We've seen this situation now with Young Thug. 14 00:00:54,320 --> 00:01:00,080 Speaker 2: We've seen a lot that's happened in Atlanta. Do you 15 00:01:00,080 --> 00:01:02,520 Speaker 2: want to share like one of your most memorable hip 16 00:01:02,520 --> 00:01:04,720 Speaker 2: hop moments here. 17 00:01:07,680 --> 00:01:09,600 Speaker 1: Of like of Atlanta, Like. 18 00:01:09,680 --> 00:01:16,880 Speaker 3: Just well, I have a memory. I have a memory Fifo. 19 00:01:19,000 --> 00:01:22,000 Speaker 3: You know, I don't know we can call it a moment, 20 00:01:22,120 --> 00:01:26,920 Speaker 3: but uh hm it was. And this is going to 21 00:01:26,959 --> 00:01:29,720 Speaker 3: be interesting because this guy was was just brought up 22 00:01:29,720 --> 00:01:33,160 Speaker 3: in one of our discussions. But it was the All 23 00:01:33,200 --> 00:01:37,080 Speaker 3: Star weekend I think for the NBA mm hmm, and 24 00:01:38,720 --> 00:01:43,319 Speaker 3: there were there was a promo team in the streets 25 00:01:43,319 --> 00:01:45,840 Speaker 3: because in the All Star Game, you go down to 26 00:01:46,400 --> 00:01:49,680 Speaker 3: the down to the city and you go to the 27 00:01:49,760 --> 00:01:52,240 Speaker 3: to the strip and you just drive up and down 28 00:01:52,240 --> 00:01:55,560 Speaker 3: the road. And they shipped me packed and somebody was 29 00:01:55,560 --> 00:02:00,560 Speaker 3: handing out CDs and got the city, threw it in 30 00:02:00,640 --> 00:02:02,720 Speaker 3: my back through the threw it on the floor or something. 31 00:02:02,760 --> 00:02:06,600 Speaker 3: This I'm with it. A couple of months later, this 32 00:02:06,720 --> 00:02:10,120 Speaker 3: song was being played all over the radio and it 33 00:02:10,200 --> 00:02:14,959 Speaker 3: was down Down Baby, Don't let It Go, Sugar Sugar, 34 00:02:14,960 --> 00:02:20,680 Speaker 3: Coco Pop, whatever it was called. The Street team was 35 00:02:20,760 --> 00:02:25,160 Speaker 3: handing out the Nelly single that night and I had 36 00:02:25,200 --> 00:02:28,160 Speaker 3: it and I lost that bitch like because I you know, 37 00:02:28,160 --> 00:02:30,160 Speaker 3: he thought it was a train. That motherfucker ended up 38 00:02:30,160 --> 00:02:34,120 Speaker 3: blowing up and was all all on the radio crazy. 39 00:02:34,560 --> 00:02:36,800 Speaker 3: So that that's definitely a hip hop memory for me. 40 00:02:37,840 --> 00:02:40,640 Speaker 2: Okay, what about you busy? You got a hip hop 41 00:02:40,720 --> 00:02:41,639 Speaker 2: Atlanta moment? 42 00:02:43,440 --> 00:02:46,680 Speaker 4: Just really just nostalgia, just remembering when I first moved 43 00:02:46,720 --> 00:02:50,440 Speaker 4: down here and I thought I got I thought I 44 00:02:50,600 --> 00:02:54,880 Speaker 4: kind of got away from from Usher and Little John. Yeah, yeah, 45 00:02:54,919 --> 00:02:56,720 Speaker 4: because that song had just came out when I moved 46 00:02:56,760 --> 00:02:59,560 Speaker 4: out here. And if I thought I got away from 47 00:02:59,680 --> 00:03:03,880 Speaker 4: Detroit when I moved down here, bro, that shit was 48 00:03:04,040 --> 00:03:08,520 Speaker 4: amplified times a thousand. You talk about I thought I 49 00:03:08,520 --> 00:03:11,200 Speaker 4: would be. I thought I was sick a little usher 50 00:03:11,280 --> 00:03:14,400 Speaker 4: and Little John. Yeah then, bro, I was, I was 51 00:03:14,440 --> 00:03:16,360 Speaker 4: ready to damn. I was about to damn shoot somebody. 52 00:03:16,400 --> 00:03:20,160 Speaker 4: Every time that Damn song came out, they played the 53 00:03:20,520 --> 00:03:25,080 Speaker 4: hell out of that song when I moved, And I mean, 54 00:03:25,639 --> 00:03:27,120 Speaker 4: and I should have known better because I'm like, okay, 55 00:03:27,440 --> 00:03:28,400 Speaker 4: I'm living down in. 56 00:03:28,360 --> 00:03:31,640 Speaker 1: The city where two Eightilians are from. 57 00:03:31,960 --> 00:03:35,920 Speaker 4: Man, they played that ship like crazy, bro, like everywhere 58 00:03:35,960 --> 00:03:38,280 Speaker 4: you matter of fact, that was like Little John was 59 00:03:38,360 --> 00:03:40,880 Speaker 4: killing everything that year, bro. Like he was on the 60 00:03:40,960 --> 00:03:46,040 Speaker 4: radio as far as it was anything that was hot 61 00:03:46,200 --> 00:03:48,800 Speaker 4: that was that was getting spins like crazy. 62 00:03:48,840 --> 00:03:49,560 Speaker 2: It was produced. 63 00:03:50,360 --> 00:03:52,840 Speaker 4: It was a ninety five percent chance that Little John 64 00:03:52,960 --> 00:03:56,760 Speaker 4: was producing like that that two thousand and four, two 65 00:03:56,800 --> 00:03:59,760 Speaker 4: thousand and five, Little John run was crazy. 66 00:04:00,120 --> 00:04:03,560 Speaker 1: It's not everybody as a producer. Yeah, Like he was everywhere, bro. 67 00:04:04,040 --> 00:04:06,320 Speaker 2: Yeah, and not just like you know with his own 68 00:04:06,760 --> 00:04:09,920 Speaker 2: crunk music, but you know, he dabbled into reggae throne 69 00:04:09,920 --> 00:04:12,560 Speaker 2: with Pitbull, so like he was he was crossing over. 70 00:04:12,960 --> 00:04:16,320 Speaker 2: So he was crossing over to the Latino urban market. 71 00:04:16,640 --> 00:04:20,200 Speaker 2: He was into pop music. Like Little John was definitely everywhere. 72 00:04:20,680 --> 00:04:23,760 Speaker 2: My moment and then I think, I think you'll remember. 73 00:04:23,880 --> 00:04:28,280 Speaker 2: Obviously everybody in Atlanta remembers this, but our proximity to 74 00:04:28,640 --> 00:04:32,040 Speaker 2: this was crazy. 75 00:04:32,080 --> 00:04:32,479 Speaker 1: As him. 76 00:04:33,400 --> 00:04:36,760 Speaker 2: I'll never forget it. It was BT hip Hop Awards 77 00:04:37,279 --> 00:04:39,480 Speaker 2: is when t I had got locked up for having 78 00:04:39,640 --> 00:04:43,160 Speaker 2: trying to make that gun transaction, and that literally happened 79 00:04:43,480 --> 00:04:46,320 Speaker 2: down the street from where we all worked at that 80 00:04:46,360 --> 00:04:50,520 Speaker 2: Walgreens and it was in the performance was happening at 81 00:04:51,120 --> 00:04:53,600 Speaker 2: the Fox Theater. And I'll never forget it was on 82 00:04:53,600 --> 00:04:55,560 Speaker 2: a Friday, because we was about to go do Big 83 00:04:55,600 --> 00:04:59,400 Speaker 2: Ball on Friday, like and the traffic was crazy and 84 00:04:59,440 --> 00:05:03,200 Speaker 2: for everybody I don't know, dead and hip hop started 85 00:05:03,200 --> 00:05:06,600 Speaker 2: in the cubicles, but the essence of that and hip 86 00:05:06,600 --> 00:05:09,560 Speaker 2: hop started at Central Park on the basketball courts, and 87 00:05:09,600 --> 00:05:11,480 Speaker 2: every Friday we used to call a Big Ball of Friday. 88 00:05:11,640 --> 00:05:13,080 Speaker 2: B was out there, Camp was out there, I was 89 00:05:13,120 --> 00:05:16,039 Speaker 2: out there, Modis was out there, and we used to hoop. 90 00:05:16,080 --> 00:05:19,719 Speaker 2: But going that Friday was crazy, you know what I'm saying. 91 00:05:20,040 --> 00:05:22,760 Speaker 2: So obviously he already was detaining everything by the time 92 00:05:22,880 --> 00:05:26,880 Speaker 2: we got out there, but the traffic is just everything. 93 00:05:26,920 --> 00:05:29,280 Speaker 2: The buzz in the city was crazy, and to know 94 00:05:29,320 --> 00:05:31,040 Speaker 2: that that happened like right down the street from. 95 00:05:30,960 --> 00:05:31,600 Speaker 1: Where we was. 96 00:05:32,240 --> 00:05:36,960 Speaker 2: That's my hip hop moment. Yeah, Mike's layup, shout out 97 00:05:37,400 --> 00:05:40,760 Speaker 2: Rob Pasta. No, Mike was not out there. Mike was 98 00:05:40,800 --> 00:05:47,040 Speaker 2: not a hooper. That being said, I'm the captain and 99 00:05:47,080 --> 00:05:50,279 Speaker 2: this is a Rundown live. Modis is not here today, 100 00:05:50,760 --> 00:05:53,800 Speaker 2: but it don't matter because it's not a regular show. 101 00:05:54,080 --> 00:05:56,760 Speaker 2: I'm the captain. I'm going I'm be steering the ship 102 00:05:57,120 --> 00:06:01,760 Speaker 2: and today. Look, man, it's a young Thugs. We ain't 103 00:06:01,800 --> 00:06:04,560 Speaker 2: really talk about much outside of Young Thug and we 104 00:06:04,680 --> 00:06:07,279 Speaker 2: also want to be talking about the music. And the 105 00:06:07,400 --> 00:06:11,640 Speaker 2: music that we're talking about is the September releases. So 106 00:06:11,760 --> 00:06:14,320 Speaker 2: as of right now, it's still obviously very early in 107 00:06:14,360 --> 00:06:20,240 Speaker 2: the month. More releases can be could be coming out, 108 00:06:20,640 --> 00:06:22,719 Speaker 2: but as of right now, you know, I did my 109 00:06:22,880 --> 00:06:24,680 Speaker 2: due diligence and these are the only ones that I 110 00:06:24,680 --> 00:06:25,200 Speaker 2: could find. 111 00:06:25,920 --> 00:06:29,760 Speaker 4: Yay, Yo, You've got the encouraged superchas, man, my man, 112 00:06:30,200 --> 00:06:31,240 Speaker 4: and give them the time frame. 113 00:06:31,600 --> 00:06:34,080 Speaker 2: Yeah. Hey, look, since we was early, we're giving you 114 00:06:34,120 --> 00:06:37,600 Speaker 2: to nine to fifteen. Nine to fifteen for the super chats. 115 00:06:37,640 --> 00:06:39,760 Speaker 2: We was ten minutes early. You know what I'm saying. 116 00:06:39,800 --> 00:06:42,920 Speaker 2: So if you do the math, you know what I'm saying, 117 00:06:42,960 --> 00:06:46,320 Speaker 2: you get you getting extra time. So nine to fifteen 118 00:06:46,680 --> 00:06:48,960 Speaker 2: is when the superchats will be over. Send them in, 119 00:06:49,279 --> 00:06:53,800 Speaker 2: please make them pertinent to the topic at hand. If 120 00:06:53,880 --> 00:06:56,600 Speaker 2: you send something else, that's cool, We appreciate it. We'll 121 00:06:56,640 --> 00:06:59,200 Speaker 2: do another mail back episode is you can see we've 122 00:06:59,200 --> 00:07:01,880 Speaker 2: been knocking those out for you guys. But yes, nine 123 00:07:01,880 --> 00:07:03,279 Speaker 2: fifteen is on the super chats. 124 00:07:03,560 --> 00:07:08,640 Speaker 3: Yeah. I did a couple of Patreon videos too. We 125 00:07:08,680 --> 00:07:13,640 Speaker 3: did the ranked ghost ghost Faces discography. We uh did 126 00:07:13,640 --> 00:07:18,200 Speaker 3: Donald chat about class worst versus on classic songs and 127 00:07:18,240 --> 00:07:21,080 Speaker 3: what was all the d MS report. 128 00:07:20,440 --> 00:07:23,880 Speaker 2: Support card yep, yep, So you don't want wait, hold on, 129 00:07:23,960 --> 00:07:28,160 Speaker 2: can you don't want to miss that because BZ loves. 130 00:07:27,960 --> 00:07:30,520 Speaker 1: D m x so was amazing. 131 00:07:30,840 --> 00:07:38,040 Speaker 3: Yes, yeah, and uh and yeah, there's also a pilot 132 00:07:38,600 --> 00:07:41,840 Speaker 3: episode of a new series that we're testing out that's 133 00:07:41,880 --> 00:07:44,360 Speaker 3: on Patreon. People seem to be liking it. So we 134 00:07:44,280 --> 00:07:47,280 Speaker 3: were recorded the video, uh, the second episode of that 135 00:07:47,480 --> 00:07:50,200 Speaker 3: today as well. So we got some stuff yep. 136 00:07:50,280 --> 00:07:53,320 Speaker 2: So that so that is going to be released to 137 00:07:53,360 --> 00:07:55,880 Speaker 2: the patroons first and then the YouTube sheet took get 138 00:07:55,880 --> 00:07:59,160 Speaker 2: it and again become a Patreons So that way you 139 00:07:59,160 --> 00:08:01,400 Speaker 2: can get a first also, D three sixty five Ken. 140 00:08:01,960 --> 00:08:04,920 Speaker 2: We are a month ahead, so things that will be 141 00:08:05,320 --> 00:08:08,559 Speaker 2: dropped this month, patroons and members got it last month. 142 00:08:08,760 --> 00:08:10,800 Speaker 2: So if you want more content, that's where you get 143 00:08:10,840 --> 00:08:13,840 Speaker 2: more deabi hip hop content. Again, appreciate everybody that's over there. 144 00:08:13,960 --> 00:08:18,280 Speaker 2: But today Rundown Live September releases we have ya. I 145 00:08:18,320 --> 00:08:20,520 Speaker 2: don't have the dates. I just got the artists and 146 00:08:20,560 --> 00:08:25,120 Speaker 2: the titles. We got Kanye now known as Yay dropping 147 00:08:25,120 --> 00:08:29,520 Speaker 2: an album named Bullies. We also got Cardi B and 148 00:08:29,720 --> 00:08:33,440 Speaker 2: Either Drama. We got ty Dollars signed with Tycoon. We 149 00:08:33,520 --> 00:08:39,560 Speaker 2: got Statics, Selecta was P and the Mussolini Choose or Lose. 150 00:08:40,040 --> 00:08:42,560 Speaker 2: I definitely want to listen to that. And we got 151 00:08:42,679 --> 00:08:48,840 Speaker 2: Daz Dyllinger Retaliation, Revenge and Get Back three, any of 152 00:08:48,840 --> 00:08:50,400 Speaker 2: those joys that you guys are interested in. 153 00:08:50,960 --> 00:08:53,000 Speaker 4: I want to hear what Dad's gonna say about Snoop 154 00:08:53,000 --> 00:08:55,280 Speaker 4: because the whole album is supposed to be Him Distant Snoop, 155 00:08:55,400 --> 00:09:00,319 Speaker 4: So I definitely really the whole album, whole album going 156 00:09:00,320 --> 00:09:00,760 Speaker 4: that Snoop. 157 00:09:00,840 --> 00:09:03,320 Speaker 1: I think it's like twelve songs supposed. 158 00:09:02,960 --> 00:09:04,800 Speaker 4: To be going to Snoop, the whole the whole album 159 00:09:04,880 --> 00:09:07,320 Speaker 4: so I don't want to hear with Dad's talk about 160 00:09:07,320 --> 00:09:07,800 Speaker 4: on that ship. 161 00:09:08,440 --> 00:09:09,520 Speaker 3: But that's a messy ship. 162 00:09:09,600 --> 00:09:12,920 Speaker 1: Be damn it is. It's messy. I know it is. 163 00:09:13,600 --> 00:09:14,320 Speaker 1: I know it is. 164 00:09:15,040 --> 00:09:20,120 Speaker 3: Uh. To answer the questions, Static was p and the 165 00:09:20,200 --> 00:09:21,640 Speaker 3: Musilini choose to lose. 166 00:09:22,480 --> 00:09:23,480 Speaker 1: Yeah, that's the one. 167 00:09:23,520 --> 00:09:27,080 Speaker 3: That's that's that's gonna be some ship, bro, you know 168 00:09:27,440 --> 00:09:31,280 Speaker 3: was P he be going off too. Uh, that's gonna 169 00:09:31,280 --> 00:09:32,800 Speaker 3: be some pemp ship for real, real. 170 00:09:33,280 --> 00:09:36,840 Speaker 2: With Static selected with the beats oh man, because he 171 00:09:36,960 --> 00:09:40,080 Speaker 2: be he'd be super smooth with it. 172 00:09:39,040 --> 00:09:45,080 Speaker 3: So yeah, he had recently or not just recently listen 173 00:09:45,080 --> 00:09:47,360 Speaker 3: to the project that he did that I that I like. 174 00:09:47,480 --> 00:09:52,160 Speaker 3: I can't remember the name of it though, but. 175 00:09:50,960 --> 00:09:57,240 Speaker 2: Yeah, alrighty, So today we are talking about the mayor 176 00:09:57,800 --> 00:10:02,599 Speaker 2: of Atlanta, which has been nominated as you Thug, not 177 00:10:02,800 --> 00:10:06,480 Speaker 2: Rad Atlanta, Rat Atlanta Manso. That's the new name that 178 00:10:07,000 --> 00:10:11,719 Speaker 2: has been given to us because of these things that 179 00:10:11,960 --> 00:10:17,400 Speaker 2: have transpired, these anonymous leaks in regards to what Young 180 00:10:17,480 --> 00:10:20,400 Speaker 2: Thug had to say. Now, look, we're gonna play a 181 00:10:20,400 --> 00:10:24,079 Speaker 2: real quick video shout out to Double Excel. They are 182 00:10:24,160 --> 00:10:28,960 Speaker 2: going to pretty much give us a condensed timeline of 183 00:10:29,040 --> 00:10:34,719 Speaker 2: everything that has transpired in terms of the ratting allegations 184 00:10:35,040 --> 00:10:37,080 Speaker 2: or truth, however you may see it. 185 00:10:38,520 --> 00:10:41,640 Speaker 5: Accused of being a snitch, and then all hell broke loose. 186 00:10:41,880 --> 00:10:44,240 Speaker 5: I'm about to give you all the full breakdown. Yesterday, 187 00:10:44,280 --> 00:10:47,000 Speaker 5: a two hour interrogation of Young Thug resurface where he 188 00:10:47,080 --> 00:10:50,080 Speaker 5: named drop pee Wee Rosco, the man convicted and connection 189 00:10:50,240 --> 00:10:52,760 Speaker 5: with the twenty fifteen Little Wayne tour bus shooting. Fans 190 00:10:52,800 --> 00:10:55,440 Speaker 5: called it snitching, and it's extra messy because Doug has 191 00:10:55,480 --> 00:10:58,600 Speaker 5: long leaned into the gun of snitch narratives. Young Thug firebacks, 192 00:10:58,600 --> 00:11:00,920 Speaker 5: saying they didn't play my enterig game video on court 193 00:11:00,920 --> 00:11:02,600 Speaker 5: because I helped my brother rat. 194 00:11:02,640 --> 00:11:04,079 Speaker 6: Where then pe Wee. 195 00:11:03,960 --> 00:11:07,040 Speaker 5: Rosco himself when lives, saying Young Thug did not rat, 196 00:11:07,120 --> 00:11:09,840 Speaker 5: even calling him clean as listeren but Pee Wee flipped 197 00:11:09,840 --> 00:11:12,320 Speaker 5: it on others, saying the real rats are Ralo Gunna 198 00:11:12,400 --> 00:11:15,600 Speaker 5: in Little Duke Quick context, Rallo is in yl He's 199 00:11:15,640 --> 00:11:18,560 Speaker 5: an Atlanta rapper from his own Famerica camp. Ralloh clapped 200 00:11:18,600 --> 00:11:21,320 Speaker 5: back denying snitching, saying he'd fight Pee Wee one on one, 201 00:11:21,559 --> 00:11:24,640 Speaker 5: and even exposed paperwork that allegedly shows Young Thug gave 202 00:11:24,679 --> 00:11:26,600 Speaker 5: info in a murder case in the back of a 203 00:11:26,600 --> 00:11:29,000 Speaker 5: squad car. By the way, this is an older incident 204 00:11:29,040 --> 00:11:29,800 Speaker 5: that has nothing to. 205 00:11:29,760 --> 00:11:31,200 Speaker 6: Do with the ysel Rico case. 206 00:11:31,400 --> 00:11:34,280 Speaker 5: YSL Mondo also joined in, calling Young Thug a rat 207 00:11:34,400 --> 00:11:37,800 Speaker 5: and dragging Peewee, saying he's brainwashed. Meanwhile, Little Duke went 208 00:11:37,880 --> 00:11:40,440 Speaker 5: at yat God, he claiming Yak once told prosecutors that 209 00:11:40,480 --> 00:11:43,040 Speaker 5: he gave Duke a gun to retaliate against a rival 210 00:11:43,080 --> 00:11:45,760 Speaker 5: gang in twenty fifteen. Well, Young Thug just responded to 211 00:11:45,800 --> 00:11:48,400 Speaker 5: the motion posted by Ralo saying this motion got fouled 212 00:11:48,400 --> 00:11:50,280 Speaker 5: because the detective line and said I made a statement 213 00:11:50,280 --> 00:11:52,400 Speaker 5: in the back of a police car stupid that never 214 00:11:52,440 --> 00:11:54,480 Speaker 5: ever happened. Stop trying to make me one of those 215 00:11:54,520 --> 00:11:57,920 Speaker 5: boys dead before dishonored this way kids. This sparked an 216 00:11:57,920 --> 00:12:00,959 Speaker 5: extensive back and forth between him and raw Rato. Feels 217 00:12:01,040 --> 00:12:03,480 Speaker 5: like the same energy given to him and Gunna needs 218 00:12:03,480 --> 00:12:05,839 Speaker 5: to be applied to Young Thug, while Thug seems to 219 00:12:05,840 --> 00:12:08,800 Speaker 5: believe the situations are different. He tweeted, I tried to 220 00:12:08,840 --> 00:12:11,679 Speaker 5: free my man's you tried to fry yours. Rallo than 221 00:12:11,760 --> 00:12:14,280 Speaker 5: fire back, responding, well it don't look like you freedom 222 00:12:14,280 --> 00:12:15,920 Speaker 5: to us twin fans are. 223 00:12:15,880 --> 00:12:17,280 Speaker 6: Reacting to all the chaos too. 224 00:12:17,360 --> 00:12:20,520 Speaker 5: One user responded to Young Thug's interrogation posts saying, legit, 225 00:12:20,640 --> 00:12:22,600 Speaker 5: nothing Gunna said was using court either. 226 00:12:22,880 --> 00:12:24,440 Speaker 6: You can't move the goalpost now. 227 00:12:24,640 --> 00:12:27,360 Speaker 5: Another tweeted, little baby in the worst position of all 228 00:12:27,400 --> 00:12:29,520 Speaker 5: because you turn your back on the ude taught you 229 00:12:29,559 --> 00:12:31,680 Speaker 5: how to wrap to stand by it on the same 230 00:12:32,000 --> 00:12:34,000 Speaker 5: when you could have just stayed out. The chaos is 231 00:12:34,000 --> 00:12:36,079 Speaker 5: still going down right now, but will be sure to 232 00:12:36,160 --> 00:12:38,400 Speaker 5: keep you updated. Make sure you calming down below your 233 00:12:38,400 --> 00:12:39,400 Speaker 5: thoughts on the situation. 234 00:12:41,360 --> 00:12:43,839 Speaker 2: Lot going on, Bro, this is getting messy. And Ken 235 00:12:43,880 --> 00:12:46,240 Speaker 2: I want to add to that video as well, because 236 00:12:46,280 --> 00:12:50,200 Speaker 2: there was a conversation between that also got leaked. Conversation 237 00:12:50,320 --> 00:12:53,040 Speaker 2: between twenty one Savage and Young Thug. Obviously I'm going 238 00:12:53,080 --> 00:12:56,480 Speaker 2: to paraphrase it in a feeful way, but essentially what 239 00:12:56,600 --> 00:13:00,880 Speaker 2: happened was Thug called twenty one when he was locked 240 00:13:00,960 --> 00:13:03,600 Speaker 2: up and told him that he wanted to make a song, 241 00:13:03,640 --> 00:13:07,840 Speaker 2: if not a whole album, dising Gunner and twenty one 242 00:13:08,120 --> 00:13:10,160 Speaker 2: was basically saying, are you sure that that's what you 243 00:13:10,240 --> 00:13:13,560 Speaker 2: want to do, and Young that was like hell yeah, 244 00:13:13,640 --> 00:13:14,320 Speaker 2: like he rad it. 245 00:13:14,880 --> 00:13:16,240 Speaker 1: Now that's forward. 246 00:13:16,240 --> 00:13:20,200 Speaker 2: In the conversation, essentially twenty one was like, well, you 247 00:13:20,240 --> 00:13:22,240 Speaker 2: told your brother to take the same plea deal, so 248 00:13:22,240 --> 00:13:27,120 Speaker 2: it's a specific type of plea deal, where essentially Gunna 249 00:13:27,200 --> 00:13:31,880 Speaker 2: said that why Asel was a criminal organization so that 250 00:13:31,920 --> 00:13:36,440 Speaker 2: way he can get free. In a conversation that Young 251 00:13:36,480 --> 00:13:40,040 Speaker 2: Thug's brother told twenty one, he basically said that Young 252 00:13:40,120 --> 00:13:42,880 Speaker 2: Thug told him and a couple of other associates to 253 00:13:42,960 --> 00:13:45,160 Speaker 2: take the same plea deal, so that way, you know, 254 00:13:45,240 --> 00:13:47,560 Speaker 2: I'll just do the time and y'all can go out 255 00:13:47,559 --> 00:13:48,160 Speaker 2: there and you know. 256 00:13:48,320 --> 00:13:48,800 Speaker 1: Be free. 257 00:13:49,400 --> 00:13:53,080 Speaker 2: So twenty one basically check Thug to be like, well, 258 00:13:53,400 --> 00:13:55,559 Speaker 2: you told everybody else to take the plea deal, but 259 00:13:55,679 --> 00:13:58,160 Speaker 2: you feel the type of way about Gunner. But whatever 260 00:13:58,200 --> 00:13:59,800 Speaker 2: you want to do, I'm down. So if you want 261 00:13:59,800 --> 00:14:01,480 Speaker 2: to make a record, you want me on it, cool, 262 00:14:01,640 --> 00:14:04,480 Speaker 2: I'll be on it. But you know, just know that 263 00:14:04,920 --> 00:14:08,440 Speaker 2: I don't necessarily agree with you. So that is adding 264 00:14:08,440 --> 00:14:13,280 Speaker 2: to the context of that as well. So how do 265 00:14:13,360 --> 00:14:17,360 Speaker 2: y'all feel about the new mayor of ra Atlanta? Young Thug? 266 00:14:20,480 --> 00:14:27,640 Speaker 3: This is a lot and I can't remember one of 267 00:14:27,640 --> 00:14:30,520 Speaker 3: the videos I listened to. I have gotten around to 268 00:14:30,640 --> 00:14:33,360 Speaker 3: listening to them all shout out to Sonny for sending 269 00:14:33,400 --> 00:14:36,200 Speaker 3: me something that has some more clips on it that 270 00:14:35,960 --> 00:14:40,040 Speaker 3: I that I missed and I'm listening to it. I'm like, 271 00:14:40,560 --> 00:14:42,240 Speaker 3: I think it was the one we were talking about Gunner, 272 00:14:42,960 --> 00:14:44,840 Speaker 3: and I'm like, I don't even know why I'm even 273 00:14:44,960 --> 00:14:47,320 Speaker 3: listening to this, but y'all know I love messy stuff. Man, 274 00:14:47,440 --> 00:14:50,200 Speaker 3: this is a lot that's going on. I think that 275 00:14:50,600 --> 00:14:56,440 Speaker 3: for me, it's like, how does this impact his career, 276 00:14:58,040 --> 00:15:01,560 Speaker 3: you know, in the in the industry, And you know, 277 00:15:01,640 --> 00:15:04,400 Speaker 3: there's another part of the conversation we'll get to with 278 00:15:04,480 --> 00:15:09,400 Speaker 3: the whole Kindred thing as well, But you know, what 279 00:15:09,440 --> 00:15:12,280 Speaker 3: does it do for Thug with all of these audio 280 00:15:12,960 --> 00:15:19,160 Speaker 3: leaks that's happening where it's not like we're hearing things 281 00:15:19,200 --> 00:15:23,560 Speaker 3: for ourselves, but we're also hearing things that can also 282 00:15:23,640 --> 00:15:27,280 Speaker 3: be out of context, you know, as the Thug himself 283 00:15:27,440 --> 00:15:30,720 Speaker 3: was kind of alluded to on Twitter with some of 284 00:15:30,760 --> 00:15:34,600 Speaker 3: the things that were being said. So is it over 285 00:15:34,680 --> 00:15:38,440 Speaker 3: for Young Thug? I don't know. Gunna is still drop 286 00:15:38,560 --> 00:15:43,480 Speaker 3: music and is primed to take over Atlanta, according to 287 00:15:44,480 --> 00:15:50,000 Speaker 3: Nick Shout out to Nicky Nick. Then there were allegations 288 00:15:50,040 --> 00:15:52,880 Speaker 3: of him paying for streams and all kinds of stuff. 289 00:15:54,400 --> 00:15:57,280 Speaker 3: Thug is a very interesting rapper in the sense that 290 00:15:58,560 --> 00:16:03,080 Speaker 3: he's a very well known, popular rapper that everybody knows, 291 00:16:05,200 --> 00:16:09,440 Speaker 3: yet when the music drops, it only does so much 292 00:16:09,720 --> 00:16:12,520 Speaker 3: numbers wise, and I've always found that interesting with him. 293 00:16:13,480 --> 00:16:19,720 Speaker 3: We're not numbers correlate to success sort of type of show. 294 00:16:20,680 --> 00:16:27,280 Speaker 3: And but Thug plays in the mainstream lane of hip 295 00:16:27,280 --> 00:16:29,640 Speaker 3: hop and that shit never matched for me. But yet 296 00:16:29,680 --> 00:16:33,760 Speaker 3: everybody fuck with him and love him. So it'll be 297 00:16:33,800 --> 00:16:37,040 Speaker 3: interesting to see for me where does his career goes, 298 00:16:37,800 --> 00:16:42,200 Speaker 3: how does this all unfold? And ultimately, man, like people 299 00:16:42,240 --> 00:16:45,760 Speaker 3: even really care all that much, you know, we we've lost, 300 00:16:46,320 --> 00:16:50,160 Speaker 3: like be said, man, recipes have been slowly disappearing for 301 00:16:50,960 --> 00:16:54,480 Speaker 3: men and in a game, you know, And I think 302 00:16:54,600 --> 00:16:58,360 Speaker 3: Thug could get away with all of this stuff coming out, 303 00:16:58,600 --> 00:16:59,920 Speaker 3: So we'll see. 304 00:17:02,400 --> 00:17:07,720 Speaker 4: Yeah, I mean it's personally for me, it's kind of 305 00:17:07,760 --> 00:17:10,160 Speaker 4: hard for me to be somewhat invested in this because 306 00:17:10,200 --> 00:17:13,359 Speaker 4: I've never really been a fan of young Thugs music 307 00:17:13,480 --> 00:17:13,760 Speaker 4: like that. 308 00:17:14,080 --> 00:17:17,240 Speaker 1: So hearing all this snitching allegation and all that. 309 00:17:17,200 --> 00:17:22,200 Speaker 4: Stuff, this old street politics stuff is it's so stupid 310 00:17:22,640 --> 00:17:24,800 Speaker 4: and I hate that this is I hate that this 311 00:17:24,920 --> 00:17:27,480 Speaker 4: is like one of the big talking points that we 312 00:17:27,600 --> 00:17:29,400 Speaker 4: got going on in hip hop right now, like that 313 00:17:29,440 --> 00:17:31,359 Speaker 4: this is what we're talking about in hip hop is 314 00:17:32,160 --> 00:17:36,119 Speaker 4: freaking someone snitching and then someone being chatty patty on 315 00:17:36,200 --> 00:17:40,200 Speaker 4: a jail phone and talking about all types of stuff 316 00:17:40,200 --> 00:17:41,800 Speaker 4: like you mentioned KM. I know we're gonna touch it 317 00:17:41,840 --> 00:17:44,480 Speaker 4: a little bit later about the whole Kendrick situation, but 318 00:17:44,800 --> 00:17:47,199 Speaker 4: him saying he brought fifty k wor for streams for 319 00:17:47,320 --> 00:17:50,920 Speaker 4: gunners so he can surpass a weekend Forget to get 320 00:17:50,920 --> 00:17:53,199 Speaker 4: the number one album for that week. I think I 321 00:17:53,240 --> 00:17:56,840 Speaker 4: was back in twenty twenty two. This is just so 322 00:17:57,080 --> 00:17:57,719 Speaker 4: high school. 323 00:17:58,920 --> 00:17:59,960 Speaker 1: What are we doing here? 324 00:18:00,119 --> 00:18:03,600 Speaker 2: This is crazy, But it's the music industry. 325 00:18:03,920 --> 00:18:08,800 Speaker 3: Well, so B, you make very very very valid points, 326 00:18:08,880 --> 00:18:12,960 Speaker 3: and I'm trying to agree with you. However, I think 327 00:18:13,040 --> 00:18:17,200 Speaker 3: the relevance of this whole thing with Thug and why 328 00:18:17,320 --> 00:18:19,520 Speaker 3: people or why it is belong to it, why people 329 00:18:19,520 --> 00:18:23,159 Speaker 3: are invested, is because the y Cell case itself was 330 00:18:23,200 --> 00:18:31,480 Speaker 3: a complete side show, Like they covered that thing every yeah. Yeah, 331 00:18:31,960 --> 00:18:35,440 Speaker 3: if that case wasn't as large as it was, if 332 00:18:35,440 --> 00:18:38,880 Speaker 3: it wasn't as consumed as it was, just from the 333 00:18:38,880 --> 00:18:43,640 Speaker 3: theatrics to the whoever it was the white attorney, whoever 334 00:18:43,680 --> 00:18:47,399 Speaker 3: she was, Like, this could probably be a nun issue, 335 00:18:47,440 --> 00:18:50,080 Speaker 3: but this was a big thing that was going on 336 00:18:50,119 --> 00:18:52,879 Speaker 3: with that case, with everything that was around them, with 337 00:18:52,920 --> 00:18:57,240 Speaker 3: the Rico charges, with Gunna, you know, allegedly snitching. You know, 338 00:18:57,320 --> 00:19:00,680 Speaker 3: it was it's drama. It was definitely a lot of dramas, 339 00:19:00,760 --> 00:19:05,000 Speaker 3: and I think that's why people are caught up in 340 00:19:05,080 --> 00:19:06,040 Speaker 3: what's happening now. 341 00:19:06,600 --> 00:19:10,000 Speaker 2: Ken, it was the longest running case in the State 342 00:19:10,080 --> 00:19:14,560 Speaker 2: of Georgia's history. That's number one, number two, all of 343 00:19:14,760 --> 00:19:17,720 Speaker 2: you know, tip hop. Right, we're talking to music industry 344 00:19:18,000 --> 00:19:21,240 Speaker 2: and we're talking about the non snitching thing, especially when 345 00:19:21,240 --> 00:19:24,240 Speaker 2: we're talking about street guys. Right, so we know for 346 00:19:24,320 --> 00:19:28,600 Speaker 2: a fact that little baby gonna thug. All of those 347 00:19:28,640 --> 00:19:31,320 Speaker 2: guys where y ns once upon a time on the 348 00:19:31,320 --> 00:19:36,680 Speaker 2: street hustling. So when you get that type of artists 349 00:19:36,720 --> 00:19:40,000 Speaker 2: that comes into the game, those street rules still apply 350 00:19:40,520 --> 00:19:43,240 Speaker 2: in the game. And now we're seeing that a lot 351 00:19:43,240 --> 00:19:46,000 Speaker 2: of these dudes are breaking that code, you know what 352 00:19:46,040 --> 00:19:51,840 Speaker 2: I'm saying. And Ken, it like the whole thing was publicizing, sensationalized. 353 00:19:52,000 --> 00:19:53,359 Speaker 2: I don't know if you know this, this is some 354 00:19:53,480 --> 00:19:55,879 Speaker 2: extra tea doesn't have to necessarily do. But you know, 355 00:19:56,119 --> 00:19:58,000 Speaker 2: like there was a couple of things that started to 356 00:19:58,000 --> 00:20:00,600 Speaker 2: get thrown out. I think it was a prosecutor or 357 00:20:00,680 --> 00:20:06,000 Speaker 2: somebody that started having relations with a defendant and now 358 00:20:06,040 --> 00:20:09,400 Speaker 2: they're expecting a baby. Like like there's so many sub 359 00:20:09,520 --> 00:20:13,679 Speaker 2: storylines from this, like like this is honestly like a 360 00:20:13,960 --> 00:20:17,920 Speaker 2: like a TV drama, like literally unfolding in front of us. 361 00:20:18,520 --> 00:20:20,760 Speaker 2: Why so wood he's talking, you know what I'm saying, 362 00:20:20,880 --> 00:20:24,399 Speaker 2: like like we're seeing all of this stuff. 363 00:20:24,680 --> 00:20:26,800 Speaker 1: You saw the name Know who. 364 00:20:26,640 --> 00:20:28,879 Speaker 3: The fuck is why Woody. 365 00:20:29,520 --> 00:20:31,879 Speaker 2: The ball one, the one that they say look like beezy. 366 00:20:32,760 --> 00:20:35,640 Speaker 3: Br I don't know, the only I don't. 367 00:20:35,480 --> 00:20:38,720 Speaker 1: Know can can So. 368 00:20:38,720 --> 00:20:40,399 Speaker 2: So he's the only one that you need to know 369 00:20:41,400 --> 00:20:45,679 Speaker 2: because he's basically he's the hired gun and he was 370 00:20:45,720 --> 00:20:48,040 Speaker 2: the one that was given all of those crazy answers. 371 00:20:51,400 --> 00:20:52,120 Speaker 1: Yeah you better. 372 00:20:52,320 --> 00:20:56,800 Speaker 2: Hey hey he's still live in the city camp. But yeah, no, 373 00:20:57,080 --> 00:20:59,720 Speaker 2: like it's just it's it's just kind of crazy. 374 00:21:00,359 --> 00:21:02,040 Speaker 4: Let me let me ask you this, BEFA, do you 375 00:21:02,080 --> 00:21:07,200 Speaker 4: think do you think that because it wasn't then young 376 00:21:07,240 --> 00:21:09,119 Speaker 4: Thug was calling Gunner a rat and all that stuff. 377 00:21:09,119 --> 00:21:11,400 Speaker 1: When Yeah, so it took a big deal. 378 00:21:11,880 --> 00:21:14,320 Speaker 4: Yeah so do you do you think if if Young 379 00:21:14,359 --> 00:21:17,120 Speaker 4: Thug wasn't going around calling him, calling Gunn a rat 380 00:21:17,160 --> 00:21:18,919 Speaker 4: or whatever whatever, you think this wouldn't have got Do 381 00:21:18,960 --> 00:21:20,760 Speaker 4: you still think this would have got blown up as 382 00:21:20,800 --> 00:21:21,520 Speaker 4: it as it did? 383 00:21:24,080 --> 00:21:31,000 Speaker 2: I so, I I don't think that these conversations would 384 00:21:31,080 --> 00:21:34,200 Speaker 2: have leaked if Young Thug would have played it cool 385 00:21:35,160 --> 00:21:39,280 Speaker 2: from that from that point right like because again, and 386 00:21:39,280 --> 00:21:40,840 Speaker 2: that's the reason why I added the context of the 387 00:21:40,840 --> 00:21:45,360 Speaker 2: twenty one Savage conversation. When I saw somebody I can't 388 00:21:45,359 --> 00:21:47,359 Speaker 2: remember your name, but they said that they posted on 389 00:21:47,400 --> 00:21:49,640 Speaker 2: the Dead of hip Hop Reddit that conversation. 390 00:21:49,240 --> 00:21:50,480 Speaker 1: Between Thug and twenty one. 391 00:21:51,800 --> 00:21:55,880 Speaker 2: If if Thug would have never came at Gunner and 392 00:21:56,000 --> 00:21:58,800 Speaker 2: never called nobody else a rat and just kind of 393 00:21:58,880 --> 00:22:02,000 Speaker 2: let it play out, mm hmm, I don't. 394 00:22:01,840 --> 00:22:03,399 Speaker 1: Think that we would be here today. 395 00:22:03,840 --> 00:22:05,360 Speaker 2: Yeah, I don't think we would. 396 00:22:05,920 --> 00:22:08,320 Speaker 1: Yeah, that's why I pose that question. Yeah, we would 397 00:22:08,400 --> 00:22:09,359 Speaker 1: not be here today. 398 00:22:09,560 --> 00:22:12,600 Speaker 2: But because Thug felt the type of way started calling 399 00:22:12,600 --> 00:22:14,359 Speaker 2: out gun and started saying this, that and the third 400 00:22:14,400 --> 00:22:16,640 Speaker 2: and you know, making a whole bunch of hoopla about it. 401 00:22:16,960 --> 00:22:19,639 Speaker 2: This is the blowback from that. If you and again 402 00:22:19,920 --> 00:22:23,960 Speaker 2: were talking street code, the street code is that you 403 00:22:24,040 --> 00:22:29,120 Speaker 2: don't say nothing right. And again, if you're if I'm 404 00:22:29,119 --> 00:22:32,560 Speaker 2: young Thug and I'm telling my brother mister Town's ninety, 405 00:22:32,600 --> 00:22:35,040 Speaker 2: there you go. That's who posted the conversation in the 406 00:22:35,040 --> 00:22:38,800 Speaker 2: Reddit thread. If you are living by the street code 407 00:22:39,160 --> 00:22:41,200 Speaker 2: and you tell your brother Abro take the plea deal, 408 00:22:41,200 --> 00:22:42,720 Speaker 2: don't worry about it, I'll do the time this then 409 00:22:42,760 --> 00:22:45,600 Speaker 2: the third you said just hold it down, then you 410 00:22:45,760 --> 00:22:48,639 Speaker 2: can't be mad for anybody else in your circle for 411 00:22:48,760 --> 00:22:49,600 Speaker 2: taking the deal. 412 00:22:50,240 --> 00:22:54,800 Speaker 1: Yeah, you know what I'm saying. So that's that's. 413 00:22:54,600 --> 00:22:59,920 Speaker 2: Where it becomes like young Thug stabbing himself right now, 414 00:23:00,160 --> 00:23:03,399 Speaker 2: Like this is the all the undoing and doing of 415 00:23:03,480 --> 00:23:06,000 Speaker 2: Young Thug himself, and now it's coming to bite him 416 00:23:06,000 --> 00:23:08,399 Speaker 2: in the ass because if you just would have been 417 00:23:08,480 --> 00:23:10,800 Speaker 2: quiet and I said nothing. 418 00:23:13,200 --> 00:23:16,760 Speaker 3: To care like this all this audio, that's that's it. 419 00:23:17,600 --> 00:23:18,399 Speaker 1: That's the theme. 420 00:23:18,760 --> 00:23:21,480 Speaker 2: And that's what's interesting because all of this is saying anonymous, 421 00:23:21,560 --> 00:23:25,320 Speaker 2: all of the research I've done double excels hot New 422 00:23:25,400 --> 00:23:29,280 Speaker 2: Hip Hop tea, everybody, nobody knows the source. So I'm 423 00:23:29,280 --> 00:23:31,320 Speaker 2: pretty sure that the source will come out at some point, 424 00:23:31,480 --> 00:23:33,280 Speaker 2: But right now, while we're in the thick of it, 425 00:23:33,280 --> 00:23:34,920 Speaker 2: ain't nobody gonna put their name to that. 426 00:23:35,320 --> 00:23:38,920 Speaker 3: Yeah, we were. It was a little small brief conversation 427 00:23:38,960 --> 00:23:41,080 Speaker 3: on that in sports last night, and I think it 428 00:23:41,119 --> 00:23:43,320 Speaker 3: was it was Spike that said it when he was like, 429 00:23:43,880 --> 00:23:45,920 Speaker 3: you could tell his boys was just on the phone 430 00:23:45,960 --> 00:23:50,320 Speaker 3: and just let him talk because they were like, yeah, right, 431 00:23:52,000 --> 00:23:55,400 Speaker 3: I told you that bitch was crazy. 432 00:23:55,800 --> 00:23:58,320 Speaker 2: Hey, superchats are closed and b make it that one. 433 00:23:59,080 --> 00:24:05,080 Speaker 2: Superchats are clothes appreciate, But can let's talk. Let's let's 434 00:24:05,160 --> 00:24:09,480 Speaker 2: let's get to more of the musicality of the drama 435 00:24:09,680 --> 00:24:11,480 Speaker 2: of the Mayor of ra Atlanta. 436 00:24:11,119 --> 00:24:11,680 Speaker 1: Young Thug. 437 00:24:15,680 --> 00:24:21,960 Speaker 3: Okay, oh, that's nigga. 438 00:24:22,000 --> 00:24:26,199 Speaker 7: Will never be bigger than Drake Evan life. Nigga never 439 00:24:26,240 --> 00:24:28,200 Speaker 7: be bigger than Butter, but it's gonna. 440 00:24:27,960 --> 00:24:28,360 Speaker 3: Do it right. 441 00:24:28,800 --> 00:24:32,040 Speaker 7: Butterfuck with everybody. Nom a nigga like Drake James, I 442 00:24:32,119 --> 00:24:33,760 Speaker 7: mean a nigga take care of the family because of Butter, 443 00:24:34,840 --> 00:24:39,840 Speaker 7: just like straight fucking with kindre. Goddamn, put a nigga on, y'all. Nigga, 444 00:24:40,040 --> 00:24:42,480 Speaker 7: you're a superstar, you don't you rup a few hundred 445 00:24:42,600 --> 00:24:44,720 Speaker 7: m but you ain't putt nobody. I don't know, you 446 00:24:44,840 --> 00:24:46,240 Speaker 7: know what I'm saying you ain't even put King on 447 00:24:46,359 --> 00:24:47,920 Speaker 7: because the ship you want him doing this, it ain't 448 00:24:47,920 --> 00:24:55,480 Speaker 7: really doing that. H right, put him my own. It's 449 00:24:55,480 --> 00:24:57,000 Speaker 7: okay to ring you a few hundred ms up, but 450 00:24:57,160 --> 00:25:00,840 Speaker 7: who you who you helped though? He really up nobody. 451 00:25:01,240 --> 00:25:05,919 Speaker 7: It's the saying you did all that ship ain't help nobody. 452 00:25:06,840 --> 00:25:08,880 Speaker 7: He ain't really gaming. No fans off of you. King 453 00:25:08,920 --> 00:25:11,040 Speaker 7: ain't bed King's little hell. Theyin' can't say no fucking 454 00:25:11,080 --> 00:25:15,600 Speaker 7: ticket watch like man, watch out. I truly believe you 455 00:25:15,680 --> 00:25:20,440 Speaker 7: do it on me, low dirt money, bag. 456 00:25:22,960 --> 00:25:23,280 Speaker 3: Money. 457 00:25:23,640 --> 00:25:28,280 Speaker 7: I believe we have your ad dope tread like. They's 458 00:25:28,280 --> 00:25:30,520 Speaker 7: gonna be like people in the real real world fucking 459 00:25:30,560 --> 00:25:34,680 Speaker 7: with you, not the rep world. Come in. There's gonna 460 00:25:34,680 --> 00:25:40,000 Speaker 7: be players and cool bitches, lit bitches and players. Bro, 461 00:25:41,119 --> 00:25:42,920 Speaker 7: you're gonna get like the real streets and the real 462 00:25:43,040 --> 00:25:45,320 Speaker 7: people fucking with you. You don't get the East Coast fast. 463 00:25:45,359 --> 00:25:49,200 Speaker 7: East Coast ain't fucking with your brother. You're really trying 464 00:25:49,200 --> 00:25:51,200 Speaker 7: to keep all the blessing for yourself. You're really trying 465 00:25:51,200 --> 00:25:54,600 Speaker 7: to keep everything to yourself. You really sitting in the 466 00:25:54,600 --> 00:25:56,639 Speaker 7: studio and work on the album and don't put nobody 467 00:25:56,640 --> 00:25:59,879 Speaker 7: on you ain't gonna fuck with nobody, ain't gonna bless nobody. 468 00:26:00,840 --> 00:26:02,200 Speaker 7: Bullshit dad king like. 469 00:26:02,680 --> 00:26:07,639 Speaker 1: What it's like. And then keep this king with me? 470 00:26:07,720 --> 00:26:11,080 Speaker 7: Willam thirty up be calling us like, hey man, I 471 00:26:11,080 --> 00:26:14,440 Speaker 7: want you'll have him? Almost almost a ship. It's a 472 00:26:14,480 --> 00:26:17,840 Speaker 7: good time, good time around almost player ship. He's just talking, 473 00:26:18,920 --> 00:26:22,600 Speaker 7: come old man, God damn, I don't know though, be 474 00:26:22,680 --> 00:26:24,399 Speaker 7: crazy right. 475 00:26:24,880 --> 00:26:26,160 Speaker 3: Hey, somebody put this on the beat. 476 00:26:27,119 --> 00:26:28,160 Speaker 7: I ain't giving no damn. 477 00:26:29,880 --> 00:26:32,160 Speaker 3: What's over? 478 00:26:32,240 --> 00:26:35,000 Speaker 7: Gooodn thin? Being real man? You know what I'm saying, 479 00:26:35,080 --> 00:26:39,959 Speaker 7: Continue being real man, Stay supported, yeah, man, stay supportive man. 480 00:26:40,000 --> 00:26:41,680 Speaker 3: Yeah. I think that's it. Brou Yeah. 481 00:26:41,720 --> 00:26:43,639 Speaker 1: And then he started going on about like why he 482 00:26:43,680 --> 00:26:44,560 Speaker 1: ain't posting on I G? 483 00:26:45,119 --> 00:26:46,600 Speaker 3: Bro, how old are we? 484 00:26:47,080 --> 00:26:51,000 Speaker 4: This man sounds like a fifteen year old? Why are 485 00:26:51,080 --> 00:26:54,080 Speaker 4: we concerned about a man posting on I G? 486 00:26:54,440 --> 00:26:58,800 Speaker 1: What what is this? What are we doing as drong man? Bruh? 487 00:26:59,640 --> 00:27:00,480 Speaker 1: Social currency? 488 00:27:00,960 --> 00:27:05,000 Speaker 3: He said, post pictures of the choice. 489 00:27:05,520 --> 00:27:08,760 Speaker 1: It's kind of like, bro, why are you no? He 490 00:27:08,880 --> 00:27:10,919 Speaker 1: sounds he sounds like a high school kid. Bro. 491 00:27:11,119 --> 00:27:13,080 Speaker 4: It's like this, It's like this man hasn't grown up. 492 00:27:13,200 --> 00:27:15,639 Speaker 4: It's like he's how old is young? The like when 493 00:27:15,680 --> 00:27:17,480 Speaker 4: it's me and late thirties. Like it's like he and this, 494 00:27:17,640 --> 00:27:19,440 Speaker 4: he's still living in his high school years. Bro, he 495 00:27:19,480 --> 00:27:20,919 Speaker 4: still got a mind of a high schooler. 496 00:27:21,080 --> 00:27:24,520 Speaker 1: Like who says that? Who says that about another grown man? Like, 497 00:27:24,600 --> 00:27:25,679 Speaker 1: come on, what are we doing here? 498 00:27:26,760 --> 00:27:32,320 Speaker 2: I will say this about the music portion of it, right, 499 00:27:32,520 --> 00:27:35,320 Speaker 2: like you know and and you know people are asking 500 00:27:35,400 --> 00:27:36,080 Speaker 2: this pre gn x. 501 00:27:36,200 --> 00:27:37,119 Speaker 1: This is pre gn X. 502 00:27:39,680 --> 00:27:42,959 Speaker 2: So k dot has put on local West Coast artists. 503 00:27:44,320 --> 00:27:47,120 Speaker 2: K Dot does take a lot of time in between projects. 504 00:27:47,200 --> 00:27:49,720 Speaker 2: We know that you know what I'm saying, but I 505 00:27:50,160 --> 00:27:52,720 Speaker 2: do feel that, you know, there is a difference between 506 00:27:52,840 --> 00:27:57,840 Speaker 2: Drake and k Dot where Drake tries to stay hot, 507 00:27:58,320 --> 00:28:01,040 Speaker 2: where k Dot and he is hot, but k Dot 508 00:28:01,160 --> 00:28:04,000 Speaker 2: is just when he drops its hot because because he 509 00:28:04,160 --> 00:28:05,199 Speaker 2: allows his music to. 510 00:28:05,280 --> 00:28:05,879 Speaker 1: Breathe like that. 511 00:28:06,560 --> 00:28:08,960 Speaker 2: Now, I will say, I think it would be interesting 512 00:28:09,320 --> 00:28:13,000 Speaker 2: right to get to hear young Thug and k Dot 513 00:28:13,240 --> 00:28:15,080 Speaker 2: because it's it's not like out of the realm of 514 00:28:15,240 --> 00:28:18,560 Speaker 2: possibility like we've heard Playboy CARDI, we've heard Future, We've 515 00:28:18,640 --> 00:28:21,480 Speaker 2: heard a multiple Yeah. 516 00:28:21,520 --> 00:28:27,200 Speaker 4: Exactly, Playboy CARDI, Like yeah, yeah, what is talking about? 517 00:28:27,240 --> 00:28:29,840 Speaker 4: May sounds thirsty and like a high school baby? 518 00:28:31,040 --> 00:28:32,280 Speaker 1: Yeah, to a degree. 519 00:28:32,359 --> 00:28:37,040 Speaker 2: But but but I feel him on not getting that 520 00:28:37,160 --> 00:28:37,879 Speaker 2: collabor with him. 521 00:28:38,000 --> 00:28:39,040 Speaker 1: You know what I'm saying, Like like, like. 522 00:28:39,720 --> 00:28:42,040 Speaker 4: Artists, why you sound bitter. You're too grown to be 523 00:28:42,080 --> 00:28:44,240 Speaker 4: worrying about some collab. You got your own thing, Thug. 524 00:28:46,040 --> 00:28:47,960 Speaker 3: Your own thing. That's a good album title. 525 00:28:48,040 --> 00:28:53,280 Speaker 2: B I feel I feel like, you know, when you're 526 00:28:53,360 --> 00:28:57,240 Speaker 2: playing in that level, in that arena, that getting these 527 00:28:57,360 --> 00:29:02,280 Speaker 2: collabs are just you know, career milestones. I'm not saying 528 00:29:02,360 --> 00:29:06,000 Speaker 2: that he should have articulated himself in the way that 529 00:29:06,080 --> 00:29:10,040 Speaker 2: he did, but trying to get that Katok feature, trying 530 00:29:10,080 --> 00:29:11,760 Speaker 2: to you know, obviously he already has a whole bunch 531 00:29:11,800 --> 00:29:14,920 Speaker 2: of drink features he has. You know, Doug has worked 532 00:29:14,960 --> 00:29:17,680 Speaker 2: with a plethora of artists, you know what I'm saying, 533 00:29:17,960 --> 00:29:21,080 Speaker 2: So it's only a select few that he hasn't worked 534 00:29:21,120 --> 00:29:22,200 Speaker 2: with us at that level. 535 00:29:24,160 --> 00:29:26,120 Speaker 1: Why did this man bring up money back? Yo? Me 536 00:29:26,200 --> 00:29:28,800 Speaker 1: and King was wondering the same damn thing. Bro We 537 00:29:28,960 --> 00:29:30,480 Speaker 1: was like, who. 538 00:29:32,800 --> 00:29:33,000 Speaker 3: Let me? 539 00:29:33,800 --> 00:29:35,360 Speaker 2: You see, I didn't mention that name. 540 00:29:36,000 --> 00:29:36,960 Speaker 3: I see why. 541 00:29:38,280 --> 00:29:39,120 Speaker 1: That don't make sense. 542 00:29:39,320 --> 00:29:41,840 Speaker 2: But to me, Thug in twenty one, I would I 543 00:29:41,880 --> 00:29:44,760 Speaker 2: would like to hear Katok with him. It's not gonna happen. 544 00:29:46,080 --> 00:29:47,040 Speaker 1: It's not. It's not gonna happen. 545 00:29:47,120 --> 00:29:50,680 Speaker 3: Now is gonna happen? Bro? Yeah? 546 00:29:50,760 --> 00:29:50,800 Speaker 8: No? 547 00:29:51,040 --> 00:29:53,680 Speaker 2: And I saw somebody in the test say, uh, who 548 00:29:53,720 --> 00:29:55,600 Speaker 2: did you put on a bro? I got a long 549 00:29:55,680 --> 00:29:58,440 Speaker 2: list that people are done put through the dead in 550 00:29:58,520 --> 00:29:59,840 Speaker 2: hip hop, you know. 551 00:30:00,000 --> 00:30:09,320 Speaker 3: So there's this It's interesting him talking about like basically 552 00:30:09,400 --> 00:30:13,760 Speaker 3: saying rap stops or whatever and then saying the streets 553 00:30:14,240 --> 00:30:16,520 Speaker 3: right and the streets messed with you and blah blah 554 00:30:16,560 --> 00:30:19,480 Speaker 3: blah blah blah. I bring that up to say that, 555 00:30:20,440 --> 00:30:23,080 Speaker 3: remember when I mentioned that when the drop albums, they 556 00:30:23,120 --> 00:30:25,200 Speaker 3: don't really be moving units like that. So what streets 557 00:30:25,240 --> 00:30:28,240 Speaker 3: are we talking about like that? That's what I want 558 00:30:28,280 --> 00:30:28,400 Speaker 3: to know. 559 00:30:28,680 --> 00:30:30,600 Speaker 1: I was going to ask you that can do thug 560 00:30:31,120 --> 00:30:33,120 Speaker 1: thugby moving units like that? Or he just got to 561 00:30:33,200 --> 00:30:33,520 Speaker 1: kind of like. 562 00:30:33,520 --> 00:30:39,160 Speaker 3: As something has changed, bro, you know maybe maybe maybe? Yeah, 563 00:30:39,160 --> 00:30:39,480 Speaker 3: I don't know. 564 00:30:41,760 --> 00:30:43,760 Speaker 2: When't he signed to cash Money at one point or 565 00:30:43,920 --> 00:30:46,720 Speaker 2: that was just les he went on. So when he 566 00:30:47,000 --> 00:30:49,840 Speaker 2: was ascending, and remember Baby and Little Wayne had that 567 00:30:50,000 --> 00:30:53,880 Speaker 2: riff and he was gonna be the Little Way replacement and. 568 00:30:53,920 --> 00:30:55,520 Speaker 1: He named that BARTI six album. That's when he made 569 00:30:55,560 --> 00:30:56,920 Speaker 1: that album, right, Yes. 570 00:30:57,200 --> 00:31:00,680 Speaker 2: So so Baby kind of played the fan in trying 571 00:31:00,720 --> 00:31:04,520 Speaker 2: to pit Young Thug against Little Wing. Mm hmm. 572 00:31:06,000 --> 00:31:11,960 Speaker 3: Yeah, So I don't know, but you know, it's it's 573 00:31:12,000 --> 00:31:15,240 Speaker 3: an interesting thing, Bro, like to see what what would 574 00:31:15,320 --> 00:31:20,280 Speaker 3: that do for He's basically saying, nobody in the hoods 575 00:31:20,360 --> 00:31:22,440 Speaker 3: or whatever be listening to Kendred like that. That's what 576 00:31:22,560 --> 00:31:25,360 Speaker 3: he's saying. That's what he's trying. That's what he's legend, 577 00:31:25,800 --> 00:31:26,280 Speaker 3: a legend. 578 00:31:26,360 --> 00:31:29,640 Speaker 1: But that was pre u not like us though everybody. 579 00:31:31,520 --> 00:31:33,800 Speaker 4: I mean, he had a he had a he was 580 00:31:33,840 --> 00:31:35,920 Speaker 4: still touring the world and stuff. It wasn't like Kendrick 581 00:31:36,040 --> 00:31:38,680 Speaker 4: wasn't doing nothing before, not like us. 582 00:31:38,840 --> 00:31:39,960 Speaker 1: You know what I'm saying. He tore it off of 583 00:31:40,000 --> 00:31:40,600 Speaker 1: mister Morale. 584 00:31:41,040 --> 00:31:43,960 Speaker 3: You know what I Kendrick's fine. I don't think he 585 00:31:44,080 --> 00:31:48,920 Speaker 3: needs that that clientele, but no, he doesn't. But however, 586 00:31:50,200 --> 00:31:52,600 Speaker 3: and then you're talking about who he said, he said thug, 587 00:31:53,000 --> 00:31:59,920 Speaker 3: little dirt and it was somebody else a little bit 588 00:32:00,040 --> 00:32:04,200 Speaker 3: that that that that that ship probably would have been 589 00:32:04,680 --> 00:32:09,520 Speaker 3: What's at the Streets on Fire though, minus money bag yo, 590 00:32:10,080 --> 00:32:11,719 Speaker 3: money bag yo. They can put him on the remix, 591 00:32:12,360 --> 00:32:18,200 Speaker 3: but before them on the song Bro twenty one Kendrick. 592 00:32:18,600 --> 00:32:22,880 Speaker 8: Thug, But why is he Why is Thuck saying all 593 00:32:22,960 --> 00:32:25,800 Speaker 8: this because act like we act like Kendrick was like 594 00:32:26,280 --> 00:32:29,680 Speaker 8: a nobody, not a popular person before this. 595 00:32:30,000 --> 00:32:33,520 Speaker 3: No no, no, no about the type of audience. 596 00:32:34,400 --> 00:32:37,560 Speaker 2: But that, I mean, that's one aspect. But the other 597 00:32:37,680 --> 00:32:40,280 Speaker 2: aspect of what Thug is saying is, yeah, you ran 598 00:32:40,400 --> 00:32:42,680 Speaker 2: up one hundred ms, but who did you put on? 599 00:32:43,360 --> 00:32:46,800 Speaker 2: So what he's trying to say is I me like 600 00:32:46,880 --> 00:32:49,200 Speaker 2: I'm talking like I'm on Thug. I want part of 601 00:32:49,320 --> 00:32:53,480 Speaker 2: that k dot fan base. He put on this Cally 602 00:32:53,760 --> 00:32:56,400 Speaker 2: Kelly understanding that on the g NX. But remember this 603 00:32:56,520 --> 00:32:58,480 Speaker 2: is pre GNX, This is pre not like us, this 604 00:32:58,600 --> 00:32:59,360 Speaker 2: is pre all of that. 605 00:33:00,600 --> 00:33:02,560 Speaker 1: He done so with Gucci Man, he did so with 606 00:33:02,600 --> 00:33:04,280 Speaker 1: Goodie Man, he did so Jezy. 607 00:33:04,560 --> 00:33:09,280 Speaker 2: Like, I'm not saying he hasn't one hundred percent. I 608 00:33:09,440 --> 00:33:12,320 Speaker 2: mentioned that already. But all I'm this is from the 609 00:33:12,440 --> 00:33:15,440 Speaker 2: perspective of Thugutu. 610 00:33:14,640 --> 00:33:15,200 Speaker 1: The k Dot. 611 00:33:15,280 --> 00:33:22,240 Speaker 4: Look, he's the literal booman metro boom deional. Hey, he 612 00:33:22,320 --> 00:33:25,600 Speaker 4: did songs with metro Boomer, who's collabed with Young Thug before. 613 00:33:27,360 --> 00:33:30,840 Speaker 1: He Young Thug wants the k dot collapse. 614 00:33:30,960 --> 00:33:33,840 Speaker 2: Now, look, I did I did some some some some 615 00:33:34,000 --> 00:33:37,120 Speaker 2: research on Google and says, as of February twenty twenty four, 616 00:33:37,880 --> 00:33:40,720 Speaker 2: chart Metric up that Young Thug had approximately one hundred 617 00:33:40,720 --> 00:33:45,000 Speaker 2: and seventy one thousand monthly listeners on Spotify, which is 618 00:33:45,440 --> 00:33:48,880 Speaker 2: a significantly lower number than in previous years, as indicated 619 00:33:48,960 --> 00:33:52,080 Speaker 2: older posts from twenty twenty and twenty twenty one showing 620 00:33:52,400 --> 00:33:56,160 Speaker 2: numbers around twenty four and over thirty six million listeners, respectively. 621 00:33:56,600 --> 00:34:02,760 Speaker 2: So Thug has fallen down, which again makes sense for 622 00:34:02,920 --> 00:34:05,440 Speaker 2: him saying damn, I would like to get on that 623 00:34:05,600 --> 00:34:07,920 Speaker 2: k dot wave. Let me let me, let me, let 624 00:34:07,960 --> 00:34:10,279 Speaker 2: me siphon off of k dot. Let me get that 625 00:34:10,440 --> 00:34:12,600 Speaker 2: k dot feature so that way, you know what we're saying, 626 00:34:12,960 --> 00:34:15,560 Speaker 2: my numbers can go up, so that I think that's 627 00:34:15,640 --> 00:34:18,440 Speaker 2: the perspective he's talking about, not the other way around. 628 00:34:19,520 --> 00:34:20,160 Speaker 1: This is crazy. 629 00:34:21,160 --> 00:34:24,399 Speaker 3: King isn't in the studio right now writing a dis track. 630 00:34:24,800 --> 00:34:26,239 Speaker 3: I'm disappointed. 631 00:34:27,360 --> 00:34:27,520 Speaker 1: Man. 632 00:34:27,840 --> 00:34:30,840 Speaker 4: He's saying King like about five straight didn't for no reason. 633 00:34:33,080 --> 00:34:35,279 Speaker 2: You think King should should go subliminal, or you think 634 00:34:35,320 --> 00:34:36,840 Speaker 2: you should go straight at it. 635 00:34:38,760 --> 00:34:40,319 Speaker 1: Man, this is a hip hop man. Go straight at 636 00:34:40,360 --> 00:34:46,560 Speaker 1: it like he called you out multiple times, Like you 637 00:34:46,680 --> 00:34:49,960 Speaker 1: call unnecessary. You called unnecessary. 638 00:34:50,640 --> 00:34:54,000 Speaker 3: No, go at him, go at him King, Wnna start 639 00:34:54,000 --> 00:34:58,359 Speaker 3: looking at kitching sideways, Bro, where that came We need 640 00:34:58,880 --> 00:35:02,319 Speaker 3: where that came out? We do needy. But yeah, man, 641 00:35:02,440 --> 00:35:06,799 Speaker 3: this this, this, this is crazy like jumping on Yeah, 642 00:35:06,880 --> 00:35:07,920 Speaker 3: so you got. 643 00:35:07,840 --> 00:35:11,840 Speaker 2: That hold on care I want to ask you a 644 00:35:11,920 --> 00:35:14,239 Speaker 2: question because you talked about it earlier, and I think 645 00:35:14,360 --> 00:35:16,480 Speaker 2: this is not a perfect time to kind of wrap 646 00:35:16,560 --> 00:35:20,120 Speaker 2: it up in a nice big boat based off of 647 00:35:20,239 --> 00:35:25,000 Speaker 2: all of the rat allegations or leak testimonials. I will 648 00:35:25,080 --> 00:35:28,480 Speaker 2: say that because it's no longer alleged. 649 00:35:28,080 --> 00:35:28,800 Speaker 1: We all heard it. 650 00:35:30,760 --> 00:35:35,320 Speaker 2: Do you feel and also now with him taking shots 651 00:35:36,080 --> 00:35:40,200 Speaker 2: directly at Dot to a degree, baby Kim baby King? Definitely, 652 00:35:41,120 --> 00:35:45,320 Speaker 2: what does this mean for young thugs career? Because obviously 653 00:35:46,120 --> 00:35:49,440 Speaker 2: I think that he's still in Drake's good graces and 654 00:35:49,719 --> 00:35:53,560 Speaker 2: even though Drake's numbers are down, they're still massive, like 655 00:35:53,640 --> 00:35:58,160 Speaker 2: in comparison to them near everybody in hip hop. Twenty 656 00:35:58,200 --> 00:36:01,839 Speaker 2: one still got his back. Twenty one is still a draw. 657 00:36:02,480 --> 00:36:04,560 Speaker 2: Do you feel that this is going to. 658 00:36:06,600 --> 00:36:08,440 Speaker 1: Career and young thug or this. 659 00:36:08,560 --> 00:36:10,800 Speaker 2: Is just a big ass pothole where you got to 660 00:36:10,880 --> 00:36:13,560 Speaker 2: change the suspension and the breaks and all of that shit. 661 00:36:13,760 --> 00:36:15,440 Speaker 2: You're gonna be down for a minute, but he'll be 662 00:36:15,520 --> 00:36:16,120 Speaker 2: back on the road. 663 00:36:17,360 --> 00:36:22,040 Speaker 3: I think that now we see why he's not so 664 00:36:22,239 --> 00:36:32,000 Speaker 3: quick to disassociate himself with Drake, because he's probably going 665 00:36:32,080 --> 00:36:35,560 Speaker 3: to need that boost, you know, to his numbers to 666 00:36:35,600 --> 00:36:41,680 Speaker 3: get on somebody's radar. We've seen in the past. I 667 00:36:41,719 --> 00:36:44,120 Speaker 3: don't know if it's the case now where if you 668 00:36:44,239 --> 00:36:46,600 Speaker 3: just put out good music, people forget all about it. 669 00:36:48,080 --> 00:36:51,640 Speaker 3: This is the wrong thing for Thug to be in 670 00:36:51,760 --> 00:37:00,120 Speaker 3: the news and for the mainstream hip hop discourse to 671 00:37:00,160 --> 00:37:04,320 Speaker 3: be taking place over him in these leaks. You know, 672 00:37:05,280 --> 00:37:08,560 Speaker 3: underground they don't give a damn. They're paying attention or 673 00:37:08,560 --> 00:37:11,160 Speaker 3: they watching it. Trust you know that because they're they're 674 00:37:11,280 --> 00:37:15,120 Speaker 3: they're they're they consume the culture. They just make a 675 00:37:15,200 --> 00:37:18,799 Speaker 3: certain type of music. So I don't want but nevertheless, 676 00:37:19,560 --> 00:37:21,600 Speaker 3: you know, I think this is this, this is a 677 00:37:21,719 --> 00:37:23,920 Speaker 3: tough spot to be in because of the things that 678 00:37:24,080 --> 00:37:27,320 Speaker 3: was said about Gunna that you and be talked about earlier, 679 00:37:27,440 --> 00:37:31,360 Speaker 3: and then now this. You know so and you know 680 00:37:31,560 --> 00:37:36,440 Speaker 3: Thug Thug has hits, you know, but Doug has a 681 00:37:36,480 --> 00:37:40,480 Speaker 3: lot of misses. And you know the song he dropped 682 00:37:40,520 --> 00:37:42,400 Speaker 3: I don't think that did much of anything when he 683 00:37:42,560 --> 00:37:42,799 Speaker 3: when he. 684 00:37:45,200 --> 00:37:47,400 Speaker 1: When he first came out, when he first came out, Yeah. 685 00:37:50,719 --> 00:37:53,880 Speaker 3: It might be over, bro, it might be over. Like 686 00:37:54,200 --> 00:37:56,879 Speaker 3: you know, ship when you when you come out out, 687 00:37:57,080 --> 00:37:59,760 Speaker 3: you should have been in the in the studio dropping music. 688 00:38:00,640 --> 00:38:03,080 Speaker 3: So now there's a lot of pressure on him to 689 00:38:03,840 --> 00:38:06,960 Speaker 3: make music, but also made really good music, Like he 690 00:38:07,200 --> 00:38:11,200 Speaker 3: needs some sort of street record or something. He needs 691 00:38:11,239 --> 00:38:14,440 Speaker 3: a banger, and if he doesn't have that, man, with 692 00:38:14,640 --> 00:38:17,800 Speaker 3: all of this going on, it's gonna be tough. And 693 00:38:17,840 --> 00:38:20,239 Speaker 3: I see people, you know, sticking it, sticking up for 694 00:38:20,360 --> 00:38:21,640 Speaker 3: him and all these people and stuff like that, and 695 00:38:21,719 --> 00:38:24,200 Speaker 3: I think that's cool. But I think Atlanta just overall 696 00:38:24,680 --> 00:38:28,200 Speaker 3: is in a bad spot just in general. And uh, 697 00:38:28,440 --> 00:38:30,480 Speaker 3: but Thug didn't come out and heat the streets up, 698 00:38:30,719 --> 00:38:32,719 Speaker 3: like that's what people are waiting for. Like you you 699 00:38:32,840 --> 00:38:35,080 Speaker 3: beat the reec case or whatever it did, whatever happened, 700 00:38:35,760 --> 00:38:39,520 Speaker 3: and you ain't dropping any like music, bro, like release something, 701 00:38:39,880 --> 00:38:41,759 Speaker 3: and the only thing that's been released is you just 702 00:38:41,960 --> 00:38:43,280 Speaker 3: talking about all the people. 703 00:38:44,920 --> 00:38:47,800 Speaker 2: Yeah, and remember when you first got out, he was 704 00:38:47,840 --> 00:38:50,760 Speaker 2: in the studio with two notable artists. I can't remember 705 00:38:51,080 --> 00:38:52,360 Speaker 2: off the top of my head. But you know it 706 00:38:52,440 --> 00:38:54,680 Speaker 2: was supposed out there on social media and stuff, but 707 00:38:54,760 --> 00:38:56,879 Speaker 2: we haven't outside of that one song, can we haven't 708 00:38:56,920 --> 00:39:01,120 Speaker 2: really gotten like like where's the Thumb music? 709 00:39:01,320 --> 00:39:01,360 Speaker 5: Like? 710 00:39:01,440 --> 00:39:03,319 Speaker 2: You know what I'm saying, like you just like you said, 711 00:39:03,400 --> 00:39:05,040 Speaker 2: can you just beat a reco charge? 712 00:39:05,600 --> 00:39:06,839 Speaker 1: All your homies is home? 713 00:39:07,920 --> 00:39:08,920 Speaker 2: Like where like where where? 714 00:39:08,960 --> 00:39:11,719 Speaker 1: Where's where's the movement? Where? Where? Where's the momentum? 715 00:39:12,280 --> 00:39:12,440 Speaker 3: You know? 716 00:39:13,560 --> 00:39:18,160 Speaker 2: Now, I will say this because of the virility of 717 00:39:18,320 --> 00:39:22,359 Speaker 2: the situation. Now would be a good time to drop 718 00:39:22,440 --> 00:39:24,920 Speaker 2: something because everybody talking about you. 719 00:39:25,760 --> 00:39:26,359 Speaker 1: You know what I'm saying. 720 00:39:26,360 --> 00:39:27,960 Speaker 2: I think it'll be a good time to address some 721 00:39:28,080 --> 00:39:30,239 Speaker 2: of this stuff. I think it'll be a good time 722 00:39:30,360 --> 00:39:36,279 Speaker 2: to leave the Okay, so if I'm talking to Young 723 00:39:36,360 --> 00:39:37,600 Speaker 2: Thumb directly. 724 00:39:37,440 --> 00:39:40,319 Speaker 3: Right well, And one other thing, I don't know if 725 00:39:40,440 --> 00:39:43,120 Speaker 3: we really got into it, but one other big thing 726 00:39:43,280 --> 00:39:46,880 Speaker 3: was about streaming streams too. Sonny just sent this over 727 00:39:47,080 --> 00:39:49,640 Speaker 3: just he got out it for buying streams and he 728 00:39:49,760 --> 00:39:51,719 Speaker 3: said he had the plug they used for one of 729 00:39:51,840 --> 00:39:57,400 Speaker 3: Gunner's apples. So yeah, yeah, okay, yeah we mentioned that. 730 00:39:57,480 --> 00:39:59,279 Speaker 3: Yeah so that that was another thing. 731 00:39:59,239 --> 00:40:02,279 Speaker 2: Too, yeah so so so if okay, so let me 732 00:40:02,320 --> 00:40:03,120 Speaker 2: adjust that real quick. 733 00:40:03,880 --> 00:40:04,920 Speaker 1: Ken Besy. 734 00:40:06,280 --> 00:40:11,799 Speaker 2: Everybody and hip hop that you know their name has 735 00:40:11,960 --> 00:40:17,440 Speaker 2: somebody where there's them directly indirectly, the label, the management, 736 00:40:17,680 --> 00:40:21,000 Speaker 2: they buy in streams, bro that's that's that's the game. 737 00:40:21,800 --> 00:40:24,400 Speaker 2: That's the game, right, that is that is that's the 738 00:40:24,480 --> 00:40:25,480 Speaker 2: game assumed. 739 00:40:27,120 --> 00:40:27,840 Speaker 1: It's not assumed. 740 00:40:28,440 --> 00:40:28,640 Speaker 2: It's not. 741 00:40:28,719 --> 00:40:30,800 Speaker 3: What I'm saying is that now people are getting confirmation 742 00:40:30,920 --> 00:40:34,640 Speaker 3: of about it, like we can make those those assumptions 743 00:40:34,800 --> 00:40:38,440 Speaker 3: or base people have told us. Now we're starting to 744 00:40:38,719 --> 00:40:43,279 Speaker 3: now people outside of us are hearing it for themselves 745 00:40:43,880 --> 00:40:45,240 Speaker 3: or the public knowledge. 746 00:40:45,560 --> 00:40:48,400 Speaker 2: Well, it just depends on you know who you listening to. 747 00:40:48,640 --> 00:40:51,800 Speaker 2: You know, Like there's a buddy on on I G. 748 00:40:52,000 --> 00:40:53,920 Speaker 2: His name is like I can't say it because I 749 00:40:54,000 --> 00:40:56,560 Speaker 2: think it's like a Jewish name. But the Misa or 750 00:40:56,680 --> 00:40:58,839 Speaker 2: the Misa or some ship like that. I know, I've 751 00:40:58,840 --> 00:41:01,000 Speaker 2: sent them a couple of times in our group. He's 752 00:41:01,520 --> 00:41:03,680 Speaker 2: an industry insider, you know what I'm saying, been working 753 00:41:03,680 --> 00:41:06,040 Speaker 2: in the music industry for for a minute, and he's 754 00:41:06,160 --> 00:41:09,799 Speaker 2: always kind of like he's been giving gems on where 755 00:41:09,880 --> 00:41:12,000 Speaker 2: and how the music industry has changed. He's been talking 756 00:41:12,000 --> 00:41:14,000 Speaker 2: about paying for streams and all this type of ship 757 00:41:14,040 --> 00:41:14,200 Speaker 2: for a. 758 00:41:14,239 --> 00:41:19,640 Speaker 3: Minute Yeah, Wendy Day. 759 00:41:20,360 --> 00:41:22,520 Speaker 2: You know, like like she she she's on the up 760 00:41:22,560 --> 00:41:24,600 Speaker 2: and up. I'm not saying like she's doing anything shady 761 00:41:24,680 --> 00:41:27,160 Speaker 2: by no means nothing. And she's been around for a minute, 762 00:41:27,200 --> 00:41:29,440 Speaker 2: you know what I'm saying. But like you listen to 763 00:41:29,560 --> 00:41:32,560 Speaker 2: these industry insiders, you put two and two together, you 764 00:41:32,719 --> 00:41:33,480 Speaker 2: know what the deal is. 765 00:41:33,560 --> 00:41:35,560 Speaker 3: But that that's that's That's what I'm saying, is that 766 00:41:37,160 --> 00:41:39,719 Speaker 3: how many regular folks you know, listening to them. But 767 00:41:39,840 --> 00:41:42,279 Speaker 3: when you get a sensationalized big story like this and 768 00:41:42,320 --> 00:41:45,640 Speaker 3: then everybody's paying attention to what's going on now, it's like, oh, 769 00:41:45,880 --> 00:41:51,040 Speaker 3: ship rappers are buying streams. Yeah, and it becomes a 770 00:41:51,080 --> 00:41:51,640 Speaker 3: whole other thing. 771 00:41:51,760 --> 00:41:54,719 Speaker 2: Yeah, yeah, because now it goes mainstream. You know the 772 00:41:54,800 --> 00:41:57,359 Speaker 2: people in the no no, but now it's mainstream because 773 00:41:57,360 --> 00:41:59,560 Speaker 2: you have somebody like Young Thug. You know, whatever whatever 774 00:42:01,680 --> 00:42:04,320 Speaker 2: going going in terms of like Young Thug's career, I 775 00:42:04,320 --> 00:42:07,440 Speaker 2: don't think it's over, Ken, I just I think I 776 00:42:07,480 --> 00:42:10,239 Speaker 2: think I think we're in the era now. You know, 777 00:42:10,600 --> 00:42:13,560 Speaker 2: all of this code and stuff can can be bought, 778 00:42:14,000 --> 00:42:16,600 Speaker 2: just like the streams, and I feel that if you 779 00:42:16,880 --> 00:42:21,239 Speaker 2: drop good enough music, the majority of people ain't gonna care. 780 00:42:22,560 --> 00:42:24,799 Speaker 2: I just think that that's just the reality of where 781 00:42:24,880 --> 00:42:29,400 Speaker 2: we are and hip hop culture and just society in general. 782 00:42:30,080 --> 00:42:31,120 Speaker 1: If it's good. 783 00:42:31,080 --> 00:42:34,800 Speaker 2: Enough, I don't care what happened. And I think that 784 00:42:34,920 --> 00:42:38,000 Speaker 2: that as long as young Thug can drop a couple 785 00:42:38,080 --> 00:42:43,120 Speaker 2: of gems, a couple of joints, this, this isn't gonna 786 00:42:43,160 --> 00:42:45,600 Speaker 2: hurt him. This isn't gonna hurt him like that? 787 00:42:47,520 --> 00:42:48,120 Speaker 6: Mm hmm. 788 00:42:50,280 --> 00:42:51,200 Speaker 1: Is where we at with him? 789 00:42:52,280 --> 00:42:55,120 Speaker 3: Just what was the last thug? 790 00:42:56,880 --> 00:43:06,440 Speaker 1: Oh, that's that's a good question. Yeah, he Well, I'm 791 00:43:06,480 --> 00:43:08,520 Speaker 1: in the calling there. I'm in a. 792 00:43:11,280 --> 00:43:16,719 Speaker 2: B I don't I don't agree with it can in 793 00:43:16,880 --> 00:43:20,920 Speaker 2: terms of where we are societally or just in a 794 00:43:20,960 --> 00:43:24,840 Speaker 2: hip hop community in general with stuff like this, because 795 00:43:26,760 --> 00:43:29,560 Speaker 2: it means that like hip hop isn't necessarily standing on business, 796 00:43:30,880 --> 00:43:34,400 Speaker 2: you know what I'm saying, Like it's just not and 797 00:43:35,640 --> 00:43:42,320 Speaker 2: all of the rules are just being bent them You're broken, 798 00:43:42,440 --> 00:43:44,600 Speaker 2: and people don't give a damn, you know what I'm saying, 799 00:43:44,640 --> 00:43:47,480 Speaker 2: Like people like people don't care. And I think that 800 00:43:48,560 --> 00:43:49,960 Speaker 2: the way that you can show that, and I know 801 00:43:50,040 --> 00:43:52,440 Speaker 2: we talk about this and you know, and applying this 802 00:43:52,560 --> 00:43:57,520 Speaker 2: to other things that happens, don't stream Young Thug, don't 803 00:43:57,560 --> 00:43:59,920 Speaker 2: buy the album, don't go to the concert. 804 00:44:00,920 --> 00:44:03,240 Speaker 3: That's how you're showing, bro, this is Gunner City. 805 00:44:05,000 --> 00:44:07,920 Speaker 2: I don't I don't disagree, Cat, I think and you 806 00:44:08,000 --> 00:44:10,400 Speaker 2: know what can I think Gunna is the one that 807 00:44:10,520 --> 00:44:14,920 Speaker 2: looks the best out of this whole situation, this whole situation, 808 00:44:15,280 --> 00:44:17,320 Speaker 2: Gunn is the one that's gonna come out Scott Scott 809 00:44:17,560 --> 00:44:21,600 Speaker 2: Scott clean the last album, Me and you and Nikki 810 00:44:21,640 --> 00:44:23,600 Speaker 2: do say we reviewed it. Me and you, you know, 811 00:44:23,640 --> 00:44:24,759 Speaker 2: we're not Gunn guys like that. 812 00:44:25,120 --> 00:44:28,000 Speaker 1: We like the album. We skim this one. We might 813 00:44:28,040 --> 00:44:29,080 Speaker 1: do it on D three sixty five. 814 00:44:29,080 --> 00:44:29,400 Speaker 7: I don't know. 815 00:44:29,480 --> 00:44:31,879 Speaker 2: We don't definitely need Nick on that. But I think 816 00:44:32,040 --> 00:44:34,200 Speaker 2: Gunna is the one that's going to come out of 817 00:44:34,280 --> 00:44:39,160 Speaker 2: this thing the most unscathed, if not Harold did. And like, 818 00:44:39,320 --> 00:44:41,680 Speaker 2: I agree with you, kid, I think that this is 819 00:44:41,760 --> 00:44:46,279 Speaker 2: Gunner's opportunity to take over Atlanta because little Baby don't 820 00:44:46,320 --> 00:44:49,200 Speaker 2: fell off. Young Thug is obviously in the midst of 821 00:44:49,320 --> 00:44:54,800 Speaker 2: all of this. BS twenty one is his loyalty is 822 00:44:54,840 --> 00:44:57,839 Speaker 2: gonna be his downfall to a degree, being loyal to Drake, 823 00:44:57,920 --> 00:45:02,360 Speaker 2: being loyal to Thug and who else is young in Atlanta? 824 00:45:02,400 --> 00:45:03,839 Speaker 2: That people care about nobody. 825 00:45:03,560 --> 00:45:08,680 Speaker 3: Else att Yeah, little baby, he's in trouble, Little Baby done, 826 00:45:08,880 --> 00:45:14,919 Speaker 3: He's been done. 827 00:45:12,200 --> 00:45:16,520 Speaker 1: Been fair off. Is just Jaed City for the taking, 828 00:45:17,920 --> 00:45:18,279 Speaker 1: You know what. 829 00:45:18,719 --> 00:45:21,520 Speaker 2: I think Jed had an opportunity with this album to 830 00:45:21,680 --> 00:45:25,560 Speaker 2: just kind of get the city on lock. And I 831 00:45:25,640 --> 00:45:27,719 Speaker 2: think I think the city fuck with it because you know, 832 00:45:27,800 --> 00:45:30,440 Speaker 2: I live with BZ know that in hip hop no. 833 00:45:30,520 --> 00:45:32,960 Speaker 2: I live on the East side of Atlanta, and I 834 00:45:33,120 --> 00:45:36,320 Speaker 2: do be hearing Jid's album being played, but just not 835 00:45:36,480 --> 00:45:40,080 Speaker 2: as much as it should be to be Jid City. 836 00:45:41,360 --> 00:45:43,880 Speaker 1: About play break CARDI what about play Boy cardy. 837 00:45:44,680 --> 00:45:46,440 Speaker 2: That he sounded like everybody else to me, So I 838 00:45:46,800 --> 00:45:48,799 Speaker 2: don't know if people really be playing him. I can't 839 00:45:48,800 --> 00:45:53,640 Speaker 2: tell him apart and I'm getting I'm getting getting. 840 00:45:53,400 --> 00:45:56,280 Speaker 1: No I got grades, man, I got grays. I got grays, 841 00:45:57,280 --> 00:46:01,360 Speaker 1: you know, But yeah, I don't. But they'll get to 842 00:46:01,440 --> 00:46:02,080 Speaker 1: the super chests. 843 00:46:02,160 --> 00:46:02,319 Speaker 2: Man. 844 00:46:02,719 --> 00:46:04,120 Speaker 1: Appreciate everybody in the chat. 845 00:46:05,400 --> 00:46:09,600 Speaker 3: Doug out here looking sad and tweeting too. Man them 846 00:46:09,640 --> 00:46:13,160 Speaker 3: bru they tweeting back and forth. Y that that that 847 00:46:13,400 --> 00:46:15,360 Speaker 3: that was funny, that was interesting. 848 00:46:15,600 --> 00:46:18,640 Speaker 2: And I agree with Diego Ramirez two thousand, get that 849 00:46:18,719 --> 00:46:21,680 Speaker 2: man on the phone I think Future still runs Atlanta. 850 00:46:22,440 --> 00:46:23,600 Speaker 1: I think Future is still the most