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Speaker 1: Then it hip hop album review JD God does like

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Speaker 1: ugly Look today we got a special host BC four

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Speaker 1: thirty couldn't be here. If you don't know about the

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Speaker 1: on Deck TV podcast, you guys are late. We got

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Speaker 1: ab Animal Brown from the on Deck TV podcast.

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Speaker 2: What do they do? Bro, Man, I can't complain. I

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Speaker 2: can't complain. Thanks for the.

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Speaker 1: Invite, Yes sir, Yes, sir. Make sure you go check

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Speaker 1: them out, subscribe like all of that type stuff. Become

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Speaker 1: a patriot because we do the request line. You guys

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Speaker 1: nominated and voted for. And we're doing McKinley Dixon. Which

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Speaker 1: album you's frifo? Bro, I forgot the name of the album.

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Speaker 1: We're doing McKinley Dixon and we just recorded Anderson Pok Oxnart.

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Speaker 3: So you want those reviews or you want us to review.

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Speaker 1: Something that we haven't reviewed, doesn't matter when it was released. Obviously,

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Speaker 1: ox SNAr was released back in twenty eighteen, if I'm

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Speaker 1: not mistaken, and we just did it twenty twenty five, Bro,

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Speaker 1: that's almost a decade later. So if there's albums that

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Speaker 1: you want to know what our opinions are on him,

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Speaker 1: become a patriot at the nomination level nominated. If you

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Speaker 1: don't want to become a patriot at the nomination level,

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Speaker 1: you'll be able to vote on it, you know what

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Speaker 1: I'm saying. So again, appreciate y'all, but jid God does

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Speaker 1: like ugly. Let me tell you, bro, Hey, hey, hey,

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Speaker 1: we've been This is one of those joints we've been anticipating,

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Speaker 1: and I can honestly say it did not disappoint. I

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Speaker 1: was excited because originally when they dropped on Apple Music,

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Speaker 1: it didn't have the features, you know what I'm saying.

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Speaker 1: So I was like, damn, no features. Interesting, I'm still

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Speaker 1: here for it. But then when you hear west Side.

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Speaker 3: I said, oh wait, hold on, hey, wait, hold on.

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Speaker 1: I had a pause like immediately and I said, okay, okay,

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Speaker 1: you know what, I need to go to a separate room.

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Speaker 3: I need to put both.

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Speaker 1: Headphones in, Like I just this is just about to

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Speaker 1: be an experience, bro, And west Side needs to be

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Speaker 1: the new DJ Caali Bro for the rappers that can rap.

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Speaker 1: He need to be taught. He need to be DJ

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Speaker 1: Drama like he need to host your joint. He need

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Speaker 1: to curate your joint. Like that's where, in my opinion,

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Speaker 1: where West Side is the greatest that and I love

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Speaker 1: his albums.

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Speaker 3: I love him as a rapper, but what.

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Speaker 1: He does best, bro, is what he did for jen

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Speaker 1: On on that intro track.

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Speaker 4: I agree with you on that because, like I know,

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Speaker 4: we were complaining about uh stove God Cooks on the

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Speaker 4: Clips album.

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Speaker 5: Was like, damn, man, he only did the hood. We

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Speaker 5: wanted to stole.

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Speaker 4: God verse, but I'm with you, like he didn't necessarily

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Speaker 4: need a verse. I just wanted to talk flash yeah

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Speaker 4: right yeah.

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Speaker 5: So it was just like damn.

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Speaker 4: It was kind of perfect because I can't even I

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Speaker 4: really can't hear rapping on who you know what I'm saying, because.

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Speaker 6: Is just like, bro crazy, Oh my god.

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Speaker 1: And then Jim started off with the slow flow and

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Speaker 1: it's like, okay, cool bad like but they wanted to.

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Speaker 3: When he swept, Oh my god, Bro, I look Goosebumps.

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Speaker 6: Was just talking about it, Bro, I got bumps.

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Speaker 3: And then it goes to Glory and the Glory had

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Speaker 3: another beat switch.

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Speaker 1: I'm like, okay, bro, Bro, you trying to kill me,

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Speaker 1: like you trying to be a part of time. In

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Speaker 1: the first two joints like slow down, my god.

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Speaker 6: Man, bro, and then work was super dope.

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Speaker 1: And work was a single on know if you know that,

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Speaker 1: I know that I was trying to stay away. I was,

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Speaker 1: I was trying to stay away on this. I was like, bro,

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Speaker 1: because Jed is one of those guys that we've been

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Speaker 1: talking about, like the next album's next moves are going

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Speaker 1: to be critical to his legacy. So I like, I

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Speaker 1: want to I want to consume the album and this entirey.

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Speaker 1: I don't want to know bitch r pieces. I did

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Speaker 1: do the EP, which.

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Speaker 4: You know, I almost didn't like, Remember I told you

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Speaker 4: when we started doing that, like, well, we're kind of

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Speaker 4: like what we were listening to.

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Speaker 5: I just went ahead and listened to.

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Speaker 2: It or whatever.

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Speaker 4: But but nah, almost just didn't even listen to it.

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Speaker 5: I don't know if you notice.

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Speaker 4: But he has a Preluxe version of this. Yeah, so

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Speaker 4: he did a version of this. It's called the Prelex

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Speaker 4: prelux version. It's like a deluxe con But nah, Like

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Speaker 4: I kind of like how that one flows real, Yeah,

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Speaker 4: the way that sequence sequence really nice.

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Speaker 1: Yeah, because because like listening to those songs and like

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Speaker 1: listening to these, I don't know why I would have

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Speaker 1: put it. But if I take your word for it,

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Speaker 1: because a lot of those songs. Do does feel like

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Speaker 1: they fit here? You say, especially that joint with Little Yachty. Bro,

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Speaker 1: Like if Little Yachty has like two more verses like that,

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Speaker 1: though I become, but we're not here. We're not here

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Speaker 1: for that.

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Speaker 3: They talk to the people.

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Speaker 5: Go ahead, malice, Bro.

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Speaker 6: What like, what what's in the water?

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Speaker 5: Bro?

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Speaker 6: What's in the water in Virginia?

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Speaker 5: Dog?

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Speaker 6: Bro, it is you're drinking the Holy water?

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Speaker 5: Bro?

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Speaker 1: He not drinking it himself, Bro, because I don't understand.

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Speaker 1: And that was my only question about clips in general.

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Speaker 1: And Bro, I feel.

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Speaker 6: Stupid for you to questioning and that real talk. Bro,

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Speaker 6: everybody does well. You know we told you.

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Speaker 2: Don't sleep on home God he the nicest one.

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Speaker 7: Though he is the nicest one, Bro went through.

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Speaker 5: He wasn't saying that at first, but.

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Speaker 3: Bro, we're only all track for and then jeez, I said,

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Speaker 3: I threw.

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Speaker 1: The phones off if I had, Bro, Bro, Bro, jig

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Speaker 1: killed this state. But look, I'm gonna give everybody else

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Speaker 1: some time to speak. I will say the only one

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Speaker 1: I did not really care for I was cool with Nobu.

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Speaker 1: You know what I'm saying because I never heard of

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Speaker 1: Jesse Rayes, but I liked how they started flipping it

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Speaker 1: this Spanish.

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Speaker 3: I thought that was really Yeah, that was dope.

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Speaker 1: But to me, uf Blue was the one that I

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Speaker 1: was like, Okay, it's not bad.

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Speaker 3: But it's like that's the one.

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Speaker 1: I was like, okay, you know it's blue Blue.

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Speaker 6: I say it's bad. I'm just saying.

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Speaker 3: Everything else was like up here for me, you know

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Speaker 3: what I'm saying. And that one was.

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Speaker 1: Like, okay, cool, I don't even have to skip it.

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Speaker 1: It's not I'm not even calling it a skippable was.

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Speaker 1: I'm just saying I have to critique something, and that's

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Speaker 1: the one that I would critique the most. But nigga McAfee,

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Speaker 1: Oh my bro, go ahead, y'all talk because I don't

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Speaker 1: take like the first five minutes y'all talk.

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Speaker 3: But this is amazing.

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Speaker 5: Yeah, I wanted it to be.

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Speaker 2: M I'm with you, but go ahead.

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Speaker 6: It's just I want the island today.

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Speaker 5: I don't know how that side of the room feeling, but.

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Speaker 6: I'm on the island man.

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Speaker 5: I was like, dang, man, JI could have had you know.

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Speaker 7: That the set up everything.

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Speaker 6: I gotta, I gotta, I gotta, I gotta.

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Speaker 8: Call that out. That ship was great. I'm sorry, bro,

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Speaker 8: I want him to live. I want him in the

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Speaker 8: basket is blood, you know what I'm saying.

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Speaker 4: I wanted in the basket, bro, I don't know what happened.

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Speaker 4: And you said all blue is the one, nah, man

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Speaker 4: like this ship, God man, I wanted man, he was

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Speaker 4: so close, he was right there, he was right there.

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Speaker 4: He came out the gate crazy and when he got

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Speaker 4: to skate, I was like, nah, I don't.

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Speaker 6: Know what's up. Nah this retro.

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Speaker 2: Bro.

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Speaker 6: Like, here's the thing about Jed right, he's dope. You

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Speaker 6: know what I'm saying.

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Speaker 5: I put him at the seven levels. I put him

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Speaker 5: at six.

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Speaker 7: Because, like you, well, he raps it.

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Speaker 6: It is what it is.

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Speaker 4: It don't matter how how much I don't like the song,

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Speaker 4: and it's entirely because when he raps, it's like it's

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Speaker 4: fucking undeniable.

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Speaker 8: Man.

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Speaker 5: And just like the one, because that's one.

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Speaker 4: And then what we all was cool because I'm I'm

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Speaker 4: alright with Don tollivon ship. I did not really care

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Speaker 4: for wholehearty like that. I didn't care for noble like

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Speaker 4: the one that can thought you was talking about like and.

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Speaker 5: Yeah, man, it's like that men section. It's just like he.

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Speaker 6: Just just took a whole nother turn, and I'm just

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Speaker 6: like what threw me off?

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Speaker 5: Man?

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Speaker 6: Man, it took me out of the album.

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Speaker 1: Okay, So, like me and King just did the metro

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Speaker 1: Booming project right, And I told him I wish that

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Speaker 1: I would have listened to it before we actually talked

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Speaker 1: about it on the live because I felt different than

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Speaker 1: he did. Right, It's not that I liked it, is

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Speaker 1: I understood it. I think we all understand it. I

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Speaker 1: didn't listen to it at first, Like so when we

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Speaker 1: did that, I didn't listen to it, but I like

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Speaker 1: I understood it, you know what I'm saying.

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Speaker 3: And that's why, like I understand Skate, like I understand that.

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Speaker 5: I understand Skate too.

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Speaker 7: Fine.

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Speaker 4: Yeah, it's it's.

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Speaker 5: But I didn't need that. I didn't need that on

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Speaker 5: this album.

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Speaker 7: I thought that I thought that song was fine because

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Speaker 7: he clearly laid it out.

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Speaker 6: There was one purpose. This is just for Atlanta.

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Speaker 7: I think, just having one throwaway, like you know, it's

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Speaker 7: it's cool.

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Speaker 6: From that standpoint, I'm okay with it.

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Speaker 2: Yeah.

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Speaker 9: Was it the placement of the song like on like

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Speaker 9: some bonus track ship would you if?

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Speaker 2: Maybe?

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Speaker 5: Yeah?

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Speaker 4: If it was at the end on some bonus tracks. Sure,

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Speaker 4: because it's the thing again. It's not like it's a

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Speaker 4: bad song, it's just different. Yeah, it's not what I

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Speaker 4: was expecting coming off of VCRs with Vince Staple.

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Speaker 2: Yeah.

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Speaker 6: Yeah, like like.

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Speaker 1: That was like as a hard left.

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Speaker 6: It's a hard left.

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Speaker 5: Absolutely, it's a hard luck.

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Speaker 4: Then he brings it down to your further with what

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Speaker 4: we're on with don Tolliverance like that was like a

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Speaker 4: slow pay song. And then he went to Whole Harley

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Speaker 4: like with Todd Dollar Sign and Blood.

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Speaker 5: Yeah.

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Speaker 1: Man, I didn't think that that was a bad song either,

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Speaker 1: but but I do agree with you, Sonny where that

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Speaker 1: felt like, Okay, this is for the mainstream, you know

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Speaker 1: what I'm saying. But I also felt that like I

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Speaker 1: thought he did those songs well, but they were making again.

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Speaker 9: Yeah, the skate joint I thought was fired, but I

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Speaker 9: thought I thought Sierra should have had the hook though,

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Speaker 9: So if he was going for mainstream, I think he

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Speaker 9: failed because the hook is empty.

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Speaker 2: It's just to beat well.

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Speaker 9: I think if you took Sierra's part that she does

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Speaker 9: that bridge and made it the hook, then he could

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Speaker 9: have went for radio if that's what he was going

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Speaker 9: for him.

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Speaker 6: But it doesn't seem like.

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Speaker 9: Dreamville is very interested in radio or any of that,

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Speaker 9: because I feel like if that's the case, then he

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Speaker 9: would have used Don Tolliver differently. He would use Black differently,

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Speaker 9: Dollar Sign differently, and sear he had all them on

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Speaker 9: the album and didn't go to traditional like book route,

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Speaker 9: which is what I was kind of and I'm gonna

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Speaker 9: sound get off my line, old man. I was kind

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Speaker 9: of hoping he would go for that because I think

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Speaker 9: it would add replay value to the album for me.

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Speaker 2: If you're gonna do the.

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Speaker 9: Skate at, go shoot the video to play on like

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Speaker 9: you want anybody from the A. I think he sometimes

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Speaker 9: goes out of his way to wrap Atlanta because he

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Speaker 9: doesn't necessarily quote sound or look whatever the case may be,

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Speaker 9: like a traditional Atlanta like a trap dude or whatever

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Speaker 9: the game. So sometimes he kind of feels like he has.

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Speaker 2: To approach to and prove that. And if you're gonna

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Speaker 2: do that, that's cool.

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Speaker 7: Lean all the way in though, like going for Billboard

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Speaker 7: whole last song just talking about Atlanta streets and areas.

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Speaker 9: Yeah, because when you I think sometime people forget. And

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Speaker 9: he's been doing records with like twenty one and offset

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Speaker 9: and and kind of getting in that circle as like

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Speaker 9: the lyrical guy out of everybody. But I thought the

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Speaker 9: album was cool. He's super talented, he's so obviously could

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Speaker 9: wrap his ass off, and I did like the West

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Speaker 9: Side intro.

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Speaker 3: I thought that shit was fire like.

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Speaker 2: He's a great hype man.

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Speaker 9: Even though I'm not big on hearing another person's voice

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Speaker 9: on someone else's album as.

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Speaker 6: The first voice.

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Speaker 9: That's a little bit of a turnoff, but he did

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Speaker 9: such a good job. I was here for it, but

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Speaker 9: I was let down a little bit by the album.

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Speaker 2: I came for it.

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Speaker 4: One thing I did want to point out was that

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Speaker 4: him on Community Yeah.

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Speaker 5: With the voice, Yeah, was that him? I think? So

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Speaker 5: that's fucking crazy.

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Speaker 4: He sounded like a totally different nil sure.

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Speaker 6: Man, Yeah, I saw that.

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Speaker 3: I saw that online. People thought it was Marco.

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Speaker 5: Marco bluff man.

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Speaker 10: I was like, this nigga got a whole nother level

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Speaker 10: that he's just like just just just just just just

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Speaker 10: sluck it in real like, like, come on, bro, that

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Speaker 10: that ship was even push. It didn't quite sound like

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Speaker 10: I'm saying, I don't know, man like, but what Jed

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Speaker 10: did like in that beginning, I was like, man, is that.

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Speaker 10: Because I was looking it up, I'm like, man, was

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Speaker 10: that him? I'm looking at the credits, I was like,

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Speaker 10: oh my god, I think that was you know who?

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Speaker 3: I thought he really used really well thought from me,

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Speaker 3: Pastor Troy. That was hard.

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Speaker 6: Word about the energy.

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Speaker 1: Yes, yes, it felt like even though Jid was rappid,

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Speaker 1: it felt like so much And even though Pastor Troy

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Speaker 1: was just like in the background, it felt like an old.

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Speaker 3: School Pastor Troy joint. It did that felt like the

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Speaker 3: Falcons could come out.

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Speaker 9: To that, like for real, Like that ship was that

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Speaker 9: gave that definitely tapped into the vibe.

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Speaker 2: If you know, if you listening to past Troy back in.

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Speaker 9: The day, it was all energy, all highe pep rally,

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Speaker 9: all that ship.

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Speaker 2: He nailed that. That was fire.

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Speaker 7: When I listened to this, I understood why it was

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Speaker 7: taking so long to put out that album, because the.

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Speaker 6: Pressure is tough.

301
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Speaker 7: You know, he will really love Jit and even waiting

302
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Speaker 7: he put out the e P.

303
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Speaker 6: The e P was dope.

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Speaker 7: He opened up with some dope tracks, you know, get

305
00:13:10,080 --> 00:13:14,199
Speaker 7: set up ugly, the work joints, still going crazy community

306
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Speaker 7: and then this ship and maybe even gez Bro.

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Speaker 6: But after that, this.

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00:13:18,360 --> 00:13:21,079
Speaker 5: Ship just kind of you' like VC with Vin Staples.

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Speaker 2: I like Vin.

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Speaker 6: Staples, I.

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Speaker 7: Like Ben Staples, you know, but even Vince Staples was

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Speaker 7: like all right, you know it was just like yeah.

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Speaker 1: So you don't you don't like how like Vince Staples

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Speaker 1: started doing the whole number scheme thing and then took

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Speaker 1: it from there.

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Speaker 4: What are you like it didn't tape off?

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Speaker 6: The can't like yeah, it was on the way. It's

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00:13:45,000 --> 00:13:54,800
Speaker 6: like it was tired. He was was setting in must

319
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Speaker 6: have flowing down.

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Speaker 1: My god, your ear is not the same no more.

321
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Speaker 6: It's like hey, it's like it's like it's a national championship.

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Speaker 7: They come up, man, we're gonna give you everything. We

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00:14:04,920 --> 00:14:07,120
Speaker 7: got it, and then do you settle it to the game.

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Speaker 7: And then after that bros like that's all they got.

325
00:14:10,040 --> 00:14:15,120
Speaker 7: After that, it's over. Bron Bro, You're like, oh ship,

326
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Speaker 7: they might pull this on about fifteen fifteen, Oh my god,

327
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Speaker 7: we gotta he said, you know there is upset all right, But.

328
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Speaker 6: He closed it out though, King for keeps.

329
00:14:25,240 --> 00:14:25,600
Speaker 2: Because he.

330
00:14:27,800 --> 00:14:30,520
Speaker 6: Like you kept.

331
00:14:31,680 --> 00:14:39,280
Speaker 8: K work hard to keep is hard off McAfee that

332
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Speaker 8: last leg bro, like yeon, he killed it.

333
00:14:41,760 --> 00:14:48,920
Speaker 6: But the game was over there. The game guard point yes, fifteen, Like, what.

334
00:14:49,000 --> 00:14:49,960
Speaker 5: Is you talking about?

335
00:14:50,720 --> 00:14:52,320
Speaker 6: Bro? I get, I get, I gave.

336
00:14:52,440 --> 00:14:55,160
Speaker 1: He was the commercial ship, but Bro, like like v

337
00:14:55,320 --> 00:14:57,680
Speaker 1: c R with with Vince Stables was hard, and the

338
00:14:57,720 --> 00:15:00,560
Speaker 1: ones before that was hard, and the last four.

339
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Speaker 6: Last fourth super hard. You're talking about.

340
00:15:03,000 --> 00:15:05,840
Speaker 7: Jim was down twenty in the fourth quarter, made a

341
00:15:05,920 --> 00:15:10,880
Speaker 7: late within ten eight point. Then I'm going to say

342
00:15:10,880 --> 00:15:14,280
Speaker 7: to you.

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00:15:12,280 --> 00:15:13,680
Speaker 6: Give this old man.

344
00:15:13,920 --> 00:15:15,160
Speaker 5: I will give you.

345
00:15:15,280 --> 00:15:17,160
Speaker 4: He had to go in overtime to win the game

346
00:15:17,200 --> 00:15:19,160
Speaker 4: because of that middle part. I don't think you won

347
00:15:19,280 --> 00:15:23,080
Speaker 4: the game, right, I think you know, Bro, when you.

348
00:15:23,120 --> 00:15:24,920
Speaker 6: Look at the score, you were like, dang man, that

349
00:15:24,960 --> 00:15:25,800
Speaker 6: game was closer than it.

350
00:15:27,400 --> 00:15:27,480
Speaker 9: Was.

351
00:15:27,520 --> 00:15:30,440
Speaker 6: Like it wasn't as close as the score. Look, that's

352
00:15:30,480 --> 00:15:34,880
Speaker 6: what ship was. That middle section was hurle bus Hey.

353
00:15:34,880 --> 00:15:37,160
Speaker 6: The middle section heard it, bro Man.

354
00:15:37,760 --> 00:15:38,640
Speaker 5: It was like yeah, it was.

355
00:15:38,600 --> 00:15:40,920
Speaker 4: Like coming like coming out out the halftime, like in

356
00:15:40,960 --> 00:15:42,400
Speaker 4: the third quarter, like what the fund?

357
00:15:42,520 --> 00:15:44,320
Speaker 6: But that last section feels.

358
00:15:43,960 --> 00:15:46,920
Speaker 4: Like y'all, y'all itching to win in the fourth not

359
00:15:47,000 --> 00:15:49,120
Speaker 4: quite there, so you got to go to overtime and

360
00:15:49,160 --> 00:15:51,400
Speaker 4: then you're winning overtime. That's what I feel like he

361
00:15:51,440 --> 00:15:53,600
Speaker 4: did on that last four. Man close it out, Man

362
00:15:53,680 --> 00:15:57,360
Speaker 4: closed it up strong what he was going on now,

363
00:15:57,480 --> 00:16:00,000
Speaker 4: I tell you, bro, like I understand what you're saying

364
00:16:00,040 --> 00:16:01,720
Speaker 4: about that that middle section is upsetting.

365
00:16:04,960 --> 00:16:06,760
Speaker 6: The section is upsetting.

366
00:16:07,320 --> 00:16:08,840
Speaker 5: It is, man, it is.

367
00:16:08,840 --> 00:16:10,640
Speaker 2: How did you feel about his last project? Yeah?

368
00:16:10,680 --> 00:16:12,720
Speaker 6: I like the last project. I just don't understand what

369
00:16:12,760 --> 00:16:14,320
Speaker 6: the hell he was trying to do here. Bro.

370
00:16:15,120 --> 00:16:20,120
Speaker 7: It just doesn't make like keep was the one telling stories.

371
00:16:21,640 --> 00:16:23,880
Speaker 7: That's fine, you know, people do the all time. I

372
00:16:23,920 --> 00:16:27,280
Speaker 7: think the off Blue joint, I mean we're talking about four.

373
00:16:28,080 --> 00:16:29,840
Speaker 7: If y'all want to say four keeps fine. I don't

374
00:16:29,880 --> 00:16:31,800
Speaker 7: think it was a bad song. I do like the

375
00:16:31,880 --> 00:16:35,160
Speaker 7: joint where baby kill on it. Yeah, I like that

376
00:16:34,240 --> 00:16:38,840
Speaker 7: world start, But it's just it's it's a lot of

377
00:16:38,920 --> 00:16:40,520
Speaker 7: what the hell is going on here?

378
00:16:40,760 --> 00:16:42,160
Speaker 4: But I was saying I was with a B on

379
00:16:42,240 --> 00:16:46,440
Speaker 4: the somebody should have coached him on like maybe album

380
00:16:46,480 --> 00:16:51,000
Speaker 4: structure sequencing. I would love to hear what was the

381
00:16:51,080 --> 00:16:53,760
Speaker 4: thinking behind that middle section because I'm just.

382
00:16:53,720 --> 00:16:56,320
Speaker 2: Like why he came out the gate crazy?

383
00:16:56,480 --> 00:16:56,760
Speaker 5: Yeah?

384
00:16:56,960 --> 00:17:00,840
Speaker 7: Yeah, maybe it is kind of what you guys talking about,

385
00:17:00,880 --> 00:17:03,479
Speaker 7: Like it's like, how do I make the mainstream, commercial

386
00:17:03,560 --> 00:17:05,440
Speaker 7: sounding sort of songs album?

387
00:17:06,040 --> 00:17:08,000
Speaker 9: I don't but see that's the thing you don't even

388
00:17:08,080 --> 00:17:09,960
Speaker 9: have to because I feel like that has a negative

389
00:17:09,960 --> 00:17:11,800
Speaker 9: connotation when we say mainstream commercial.

390
00:17:11,840 --> 00:17:12,680
Speaker 6: But like somebody like A. J.

391
00:17:12,880 --> 00:17:15,919
Speaker 9: Cole is nice lyrically but has also figured out a

392
00:17:15,920 --> 00:17:20,119
Speaker 9: way to make something that resonates with other people when

393
00:17:20,160 --> 00:17:22,240
Speaker 9: it comes to singles. Kendrick's the same way, like you

394
00:17:22,280 --> 00:17:24,960
Speaker 9: can be nice, but it also makes something that works

395
00:17:25,000 --> 00:17:28,680
Speaker 9: on you know, commercially or whatnot, but not like sellout

396
00:17:28,720 --> 00:17:31,680
Speaker 9: way you feel like he sold out.

397
00:17:31,920 --> 00:17:33,439
Speaker 6: No, no, I think Jid.

398
00:17:33,880 --> 00:17:36,440
Speaker 9: I think he's allergic to hooks or choruses or something

399
00:17:36,480 --> 00:17:39,640
Speaker 9: because most of these songs don't even have hooks. It's

400
00:17:39,680 --> 00:17:44,080
Speaker 9: just him doing lyrical exercises. And then maybe you switch

401
00:17:44,119 --> 00:17:46,119
Speaker 9: the beat up to spice it up, and to me,

402
00:17:46,359 --> 00:17:48,879
Speaker 9: that's cool, but it's not enough to have me coming

403
00:17:48,880 --> 00:17:51,240
Speaker 9: back and playing it three four, five, six times.

404
00:17:51,440 --> 00:17:52,959
Speaker 6: That's the only thing you sprinkle in.

405
00:17:53,280 --> 00:17:55,200
Speaker 9: He I think he missed you, Like if you're gonna

406
00:17:55,200 --> 00:17:57,400
Speaker 9: get don Tolliver, if you're gonna call TI dollars sign

407
00:17:57,640 --> 00:17:59,199
Speaker 9: they're like them niggas probably look at him like this

408
00:17:59,200 --> 00:18:01,480
Speaker 9: is all you want me to do?

409
00:18:00,520 --> 00:18:00,720
Speaker 2: Yes?

410
00:18:02,520 --> 00:18:03,240
Speaker 6: You sure it?

411
00:18:04,640 --> 00:18:06,840
Speaker 9: Like I'm calling them, I'm going to have them do

412
00:18:06,880 --> 00:18:08,840
Speaker 9: what they do best, and I don't think he I

413
00:18:08,880 --> 00:18:09,480
Speaker 9: don't think he did that.

414
00:18:09,480 --> 00:18:10,639
Speaker 2: I think he got a little too fancy.

415
00:18:10,760 --> 00:18:13,240
Speaker 1: I don't disagree with that tape. I think he could

416
00:18:13,280 --> 00:18:15,320
Speaker 1: have used them a little bit better. And I also

417
00:18:15,400 --> 00:18:19,720
Speaker 1: agree that those songs definitely brought the energy down.

418
00:18:19,760 --> 00:18:22,280
Speaker 3: But I don't think that they were bad songs.

419
00:18:22,040 --> 00:18:24,800
Speaker 1: Gotcha, you know what I'm saying, Like like, they weren't horrible,

420
00:18:25,200 --> 00:18:26,400
Speaker 1: They weren't they weren't bad.

421
00:18:26,400 --> 00:18:27,919
Speaker 2: I wouldn't bad as a stretch.

422
00:18:28,359 --> 00:18:32,640
Speaker 1: I think personally they didn't belong on this album.

423
00:18:32,760 --> 00:18:36,080
Speaker 3: I don't disagree with that take either the side of.

424
00:18:36,119 --> 00:18:40,000
Speaker 1: Features and these on the metro Booming project, not this

425
00:18:40,119 --> 00:18:44,720
Speaker 1: project Skate. I do agree it doesn't necessarily fit. But

426
00:18:45,480 --> 00:18:48,680
Speaker 1: where he's from and what he does, I get right.

427
00:18:49,280 --> 00:18:51,960
Speaker 1: We could keep that one and then pick one of

428
00:18:52,000 --> 00:18:57,080
Speaker 1: the what we on wholeheartedly or noble pick one. Put

429
00:18:57,480 --> 00:18:59,320
Speaker 1: keep that one on there, get rid of the other

430
00:18:59,359 --> 00:19:03,240
Speaker 1: two and like then the album what you're talking about

431
00:19:03,240 --> 00:19:04,120
Speaker 1: with the score.

432
00:19:03,920 --> 00:19:06,760
Speaker 3: Being uh, it looks closer than what it was. Then

433
00:19:06,960 --> 00:19:08,439
Speaker 3: that conversation is out the window.

434
00:19:08,720 --> 00:19:09,359
Speaker 2: You know what I'm saying.

435
00:19:09,440 --> 00:19:11,680
Speaker 6: That conversation is supposed if you moved skate to the end.

436
00:19:12,040 --> 00:19:15,200
Speaker 2: I think that would help, if you know what I mean.

437
00:19:15,440 --> 00:19:18,720
Speaker 6: It's not so jarring in the middle, second to last,

438
00:19:18,840 --> 00:19:20,280
Speaker 6: like the ultimate.

439
00:19:21,840 --> 00:19:22,639
Speaker 3: Well, here's the thing, a B.

440
00:19:23,080 --> 00:19:25,960
Speaker 1: I think that regardless of wherever you put skate it

441
00:19:26,160 --> 00:19:30,480
Speaker 1: just it don't fit a period. I feel like if

442
00:19:30,480 --> 00:19:33,119
Speaker 1: this project was a little bit more conceptual and he

443
00:19:33,160 --> 00:19:35,400
Speaker 1: took you through like A day in the Light got

444
00:19:35,480 --> 00:19:39,720
Speaker 1: you and then we got to that, then that's different

445
00:19:39,720 --> 00:19:41,440
Speaker 1: because it's like, Yo, you know, I just picked up shorty,

446
00:19:41,440 --> 00:19:43,040
Speaker 1: were about to go to the skate park book, and

447
00:19:43,040 --> 00:19:45,240
Speaker 1: then you get that song. Then I bet like then

448
00:19:45,280 --> 00:19:48,040
Speaker 1: you made it fit. But to just put it on here,

449
00:19:48,800 --> 00:19:50,840
Speaker 1: I get it because of where you from.

450
00:19:51,760 --> 00:19:52,280
Speaker 6: The song.

451
00:19:53,640 --> 00:19:54,199
Speaker 5: They working on.

452
00:19:54,720 --> 00:20:00,680
Speaker 7: He said that that should be good. Yeah, this isn't

453
00:20:00,680 --> 00:20:06,600
Speaker 7: a question of Jid's talent, And I understand why he

454
00:20:06,640 --> 00:20:09,480
Speaker 7: did what he did on here, Like you don't want

455
00:20:09,520 --> 00:20:13,200
Speaker 7: to be like the super lyrical miracle guy. You want

456
00:20:13,240 --> 00:20:17,000
Speaker 7: to be able to write songs and like what he

457
00:20:17,040 --> 00:20:19,399
Speaker 7: did in the middle section, he's just not good at it.

458
00:20:20,119 --> 00:20:21,640
Speaker 5: That's fair, and so.

459
00:20:22,080 --> 00:20:25,120
Speaker 7: I understand him exploring and trying to do it and

460
00:20:25,160 --> 00:20:26,080
Speaker 7: trying to figure it out.

461
00:20:26,480 --> 00:20:27,240
Speaker 6: Hey, that's cool.

462
00:20:27,520 --> 00:20:31,040
Speaker 7: Maybe put out more EPs in experiment with that because

463
00:20:31,040 --> 00:20:32,719
Speaker 7: you can't just because people don't want to just hear

464
00:20:32,760 --> 00:20:34,320
Speaker 7: all that rapping shit all the time. It's like, bro,

465
00:20:34,359 --> 00:20:35,919
Speaker 7: why are you rapping at me all? Like you just

466
00:20:35,960 --> 00:20:36,960
Speaker 7: constantly rapping at me?

467
00:20:37,560 --> 00:20:37,760
Speaker 2: You know.

468
00:20:37,880 --> 00:20:43,480
Speaker 7: So I understood his motives behind it. It just really

469
00:20:43,720 --> 00:20:46,640
Speaker 7: really really hurt the album.

470
00:20:46,280 --> 00:20:48,360
Speaker 9: And I'm not saying like as he needs to get

471
00:20:48,400 --> 00:20:51,080
Speaker 9: like Chris Brown and fucking Katie Perry, I ain't talking

472
00:20:51,960 --> 00:20:54,720
Speaker 9: like that. I think Dreamville they relaxed. I've heard Boss

473
00:20:54,760 --> 00:20:56,880
Speaker 9: talk about it. They're relaxing their approach.

474
00:20:57,160 --> 00:20:58,600
Speaker 2: Man, just do it whatever you want to do, and

475
00:20:58,640 --> 00:21:00,040
Speaker 2: sometimes they need to kind of step in.

476
00:21:00,359 --> 00:21:06,320
Speaker 6: Like you just a little bit good skill that he

477
00:21:06,400 --> 00:21:08,360
Speaker 6: has exactly figured it out.

478
00:21:08,480 --> 00:21:12,080
Speaker 4: So I love this bar when he said y'all arguing

479
00:21:12,080 --> 00:21:15,040
Speaker 4: over record sales like y'all reconsents yourselves or something like that,

480
00:21:15,080 --> 00:21:17,720
Speaker 4: And I thought that was a really good point, Like

481
00:21:17,760 --> 00:21:20,119
Speaker 4: I think we really get caught up in that ship.

482
00:21:20,359 --> 00:21:22,800
Speaker 4: Record sales don't make a fucking artist. We've been saying that,

483
00:21:22,880 --> 00:21:25,080
Speaker 4: and I feel like sometimes we get we get away

484
00:21:25,080 --> 00:21:26,840
Speaker 4: from that. I mean, some of some of my best

485
00:21:26,960 --> 00:21:30,120
Speaker 4: mcs don't have the sales to back it up. So

486
00:21:30,240 --> 00:21:33,120
Speaker 4: I like that he said that with that bar alone,

487
00:21:33,160 --> 00:21:35,760
Speaker 4: Like I just don't think he's chasing after that.

488
00:21:36,280 --> 00:21:39,040
Speaker 1: But okay, so, but then we have to critique the

489
00:21:39,080 --> 00:21:41,119
Speaker 1: actions though, you know what I'm saying, Like words on

490
00:21:41,119 --> 00:21:42,480
Speaker 1: one thing, but the actions are another.

491
00:21:42,680 --> 00:21:45,639
Speaker 4: To your actions the songs that he chose to put on.

492
00:21:45,960 --> 00:21:48,359
Speaker 4: But again, I'm with a b. It doesn't sound like

493
00:21:49,280 --> 00:21:51,920
Speaker 4: it's it's it's it's a traditional radio hit.

494
00:21:52,400 --> 00:21:56,120
Speaker 3: But but but but but then why not just bar

495
00:21:56,320 --> 00:21:56,880
Speaker 3: us to death?

496
00:21:57,240 --> 00:21:59,240
Speaker 5: I don't know. I think I think that's more to

497
00:21:59,280 --> 00:22:00,080
Speaker 5: what Ken saying.

498
00:22:00,119 --> 00:22:02,240
Speaker 4: I think I think that's more to what Ken saying

499
00:22:02,240 --> 00:22:04,840
Speaker 4: about like he's being trying he wants to.

500
00:22:05,080 --> 00:22:07,240
Speaker 5: Appease everybody, well not even appease everybody.

501
00:22:07,240 --> 00:22:10,320
Speaker 4: He just wants to to to play play around with with.

502
00:22:10,440 --> 00:22:12,119
Speaker 3: Different type of songs and stuff and not just be

503
00:22:12,240 --> 00:22:13,120
Speaker 3: raptly rap all the.

504
00:22:13,080 --> 00:22:15,840
Speaker 4: Time, which is why Kim was saying, like, uh, you know,

505
00:22:16,280 --> 00:22:17,480
Speaker 4: do that on the EP or something.

506
00:22:17,520 --> 00:22:19,879
Speaker 1: Not here it was sandwiched and we talked about We

507
00:22:19,920 --> 00:22:21,240
Speaker 1: talked about that a lot.

508
00:22:21,080 --> 00:22:22,960
Speaker 5: With ya start doing this shit.

509
00:22:23,119 --> 00:22:25,960
Speaker 1: Yeah, you know, don't sandwich it, like, don't put the

510
00:22:26,840 --> 00:22:30,800
Speaker 1: quote unquote weakest parts of the project just in the

511
00:22:30,800 --> 00:22:33,720
Speaker 1: middle around some super hardship. Yeah, and that's why I said, like,

512
00:22:33,760 --> 00:22:35,959
Speaker 1: you know, then bar us to death then because you know,

513
00:22:36,119 --> 00:22:38,159
Speaker 1: and I'll talk about a different project here, but the

514
00:22:38,280 --> 00:22:42,840
Speaker 1: Rock Marcy and premiere. He would never do what's in

515
00:22:42,880 --> 00:22:45,080
Speaker 1: the middle. So at the end of the day, you

516
00:22:45,080 --> 00:22:47,359
Speaker 1: got to think about how many fans he got from

517
00:22:47,440 --> 00:22:48,200
Speaker 1: surround Sound.

518
00:22:49,560 --> 00:22:52,080
Speaker 6: Surround Sound went crazy.

519
00:22:51,560 --> 00:22:52,639
Speaker 3: On social media.

520
00:22:52,720 --> 00:22:55,359
Speaker 1: So there's a whole bunch of women and people that

521
00:22:55,440 --> 00:22:59,399
Speaker 1: aren't typically his normal fan base that now wants something

522
00:22:59,400 --> 00:23:02,600
Speaker 1: out of them. And I feel like those songs appeal

523
00:23:02,680 --> 00:23:05,320
Speaker 1: to them. And again like like, like Sonny said, I

524
00:23:05,320 --> 00:23:08,879
Speaker 1: don't think they're bad. Obviously directly across from me, he

525
00:23:08,920 --> 00:23:11,080
Speaker 1: thinks they're horrible. I don't think they're bad at all.

526
00:23:11,440 --> 00:23:15,200
Speaker 6: I like horrible.

527
00:23:15,480 --> 00:23:17,680
Speaker 7: You know what he did though, people, what he did

528
00:23:17,880 --> 00:23:20,879
Speaker 7: He put those songs in the middle and and and

529
00:23:20,920 --> 00:23:23,280
Speaker 7: put those the songs that are at the end.

530
00:23:23,480 --> 00:23:26,880
Speaker 6: So it's trick, folks think good.

531
00:23:28,760 --> 00:23:30,520
Speaker 7: By the time you get to the song that you

532
00:23:30,600 --> 00:23:32,760
Speaker 7: forget about.

533
00:23:35,680 --> 00:23:39,960
Speaker 9: At the beginning, do you understand why he did that?

534
00:23:41,040 --> 00:23:43,640
Speaker 9: What joints off of here? Can you see ring off

535
00:23:43,640 --> 00:23:44,040
Speaker 9: at the show?

536
00:23:44,480 --> 00:23:47,360
Speaker 6: Like like which that baby I think McAfee.

537
00:23:46,920 --> 00:23:55,719
Speaker 1: Could McAfee K word geez ok work community.

538
00:23:55,320 --> 00:23:57,439
Speaker 2: Especially if he can get the clips to perform with them.

539
00:23:57,680 --> 00:23:59,760
Speaker 2: They had to be Yeah, they come out of nowhere.

540
00:23:59,800 --> 00:24:00,320
Speaker 5: That Yeah.

541
00:24:00,520 --> 00:24:04,000
Speaker 1: I don't know if Westside could replicate on stage what

542
00:24:04,119 --> 00:24:06,639
Speaker 1: he said and how he did it. You know, I

543
00:24:06,880 --> 00:24:08,800
Speaker 1: don't know if that's if he could do it, but

544
00:24:08,840 --> 00:24:12,440
Speaker 1: if he can, yeah, then the intro to you ugly.

545
00:24:12,680 --> 00:24:14,920
Speaker 1: So look, this is your first time here. We are

546
00:24:14,960 --> 00:24:17,880
Speaker 1: grading the flow, the lyrics, the production, the features, the execution,

547
00:24:18,000 --> 00:24:21,240
Speaker 1: replay value, and the overall. I'll started off with the flow.

548
00:24:21,440 --> 00:24:21,960
Speaker 3: Give me an A.

549
00:24:22,480 --> 00:24:28,320
Speaker 4: Yeah, I'm with you on flow man, flow crazy. I

550
00:24:28,359 --> 00:24:30,199
Speaker 4: don't think I've ever given out of your A plus,

551
00:24:30,240 --> 00:24:34,000
Speaker 4: but he would be close. Yeah, he's close. Close to

552
00:24:33,800 --> 00:24:40,480
Speaker 4: the switching. Oh yeah, like this dude was crazy.

553
00:24:41,040 --> 00:24:48,280
Speaker 1: If people do rely on that B switch, Hevy, you

554
00:24:48,480 --> 00:24:50,080
Speaker 1: has should have say Alaska, should.

555
00:24:49,800 --> 00:24:52,960
Speaker 2: Just say hater whatever he said.

556
00:24:52,960 --> 00:24:55,320
Speaker 9: I'm giving the flow a as well, though. He nice,

557
00:24:55,359 --> 00:24:56,680
Speaker 9: You're not gonna hear no complaints with me when to

558
00:24:56,720 --> 00:24:57,000
Speaker 9: come to that.

559
00:24:58,119 --> 00:25:05,560
Speaker 6: Yeah, I gotta a too.

560
00:25:05,840 --> 00:25:08,520
Speaker 5: Like the superpowers, that's the superpower.

561
00:25:08,800 --> 00:25:12,320
Speaker 6: What about the lyrics be on the lyrics, Ye.

562
00:25:13,880 --> 00:25:17,359
Speaker 9: I'm going to a man again. I'm never going to

563
00:25:17,440 --> 00:25:19,600
Speaker 9: question his lyrical ability.

564
00:25:19,760 --> 00:25:24,400
Speaker 4: I'm just below that at a A minus on lyrics or whatever.

565
00:25:24,440 --> 00:25:26,440
Speaker 4: I think he can still improve on the lyrics part.

566
00:25:26,600 --> 00:25:28,800
Speaker 4: I think he does rely on the flow quite a bit.

567
00:25:29,840 --> 00:25:33,560
Speaker 4: But yeah, lyrics still still a though A minus.

568
00:25:33,880 --> 00:25:36,119
Speaker 1: Yeah, I'm one hundred percent with you. My lyrics are

569
00:25:36,160 --> 00:25:39,480
Speaker 1: also at an A minus on this album. He definitely talked

570
00:25:39,480 --> 00:25:42,840
Speaker 1: a lot about Atlanta. He's a little introspection, a little

571
00:25:42,960 --> 00:25:44,399
Speaker 1: you know, just a little bit of everything, you know

572
00:25:44,440 --> 00:25:46,040
Speaker 1: what I'm saying. He all over the place in a

573
00:25:46,040 --> 00:25:48,359
Speaker 1: good way for me. So A minus on the lyrics.

574
00:25:48,359 --> 00:25:51,359
Speaker 1: The production matter be plus. I think it could have

575
00:25:51,440 --> 00:25:54,960
Speaker 1: been a little bit higher for me if again in

576
00:25:54,960 --> 00:25:58,800
Speaker 1: the middle section was a little different or less of it,

577
00:25:59,240 --> 00:26:01,919
Speaker 1: I would have definitely giving it an A because the

578
00:26:01,960 --> 00:26:03,200
Speaker 1: first six joints, Bro.

579
00:26:03,200 --> 00:26:04,159
Speaker 3: Was just ridiculous.

580
00:26:04,200 --> 00:26:07,199
Speaker 1: The list joints was ridiculous too, But that brought it

581
00:26:07,200 --> 00:26:08,280
Speaker 1: down to a B plus.

582
00:26:08,640 --> 00:26:11,399
Speaker 5: Same man, Yeah, this first three the same exact as you,

583
00:26:11,600 --> 00:26:14,680
Speaker 5: B plus because you had a A minus B plus.

584
00:26:14,960 --> 00:26:17,840
Speaker 4: Yeah, the same thing, Bro, B plus. On production. I

585
00:26:17,840 --> 00:26:20,080
Speaker 4: thought Jewel would have been a little higher because you were.

586
00:26:20,040 --> 00:26:20,679
Speaker 2: Higher on it.

587
00:26:20,720 --> 00:26:23,600
Speaker 5: Than me. But but nah, I'm at a B plus

588
00:26:23,600 --> 00:26:24,119
Speaker 5: on production.

589
00:26:24,840 --> 00:26:26,960
Speaker 9: I'm right there to be even there wasn't There wasn't

590
00:26:27,000 --> 00:26:28,600
Speaker 9: a time where I listened to an or star man

591
00:26:28,640 --> 00:26:29,560
Speaker 9: why he picked this beat?

592
00:26:29,720 --> 00:26:31,080
Speaker 2: Like, I didn't really get that vibe.

593
00:26:31,400 --> 00:26:34,960
Speaker 9: But I just think maybe why you picked that song,

594
00:26:35,040 --> 00:26:36,480
Speaker 9: not necessarily why you picked that beat.

595
00:26:36,600 --> 00:26:38,320
Speaker 2: So it's solid production, knowso b.

596
00:26:39,480 --> 00:26:43,880
Speaker 6: I'm a plus plus.

597
00:26:45,280 --> 00:26:46,800
Speaker 3: Hey, where your mug at?

598
00:26:46,840 --> 00:26:48,080
Speaker 2: I think that's in there.

599
00:26:49,960 --> 00:26:50,200
Speaker 5: In there.

600
00:26:50,760 --> 00:26:53,639
Speaker 7: I relooked at the tracks just to make sure, like

601
00:26:53,680 --> 00:26:55,880
Speaker 7: there's some really good beats on here, but there's some

602
00:26:55,960 --> 00:26:56,560
Speaker 7: other stuff.

603
00:26:56,600 --> 00:26:58,480
Speaker 5: Bro, you just don't know what was going on.

604
00:26:58,560 --> 00:26:59,680
Speaker 6: Yeah, it's just like.

605
00:26:59,640 --> 00:27:01,040
Speaker 2: Man with the features.

606
00:27:01,040 --> 00:27:02,000
Speaker 3: This is about to be interesting.

607
00:27:02,880 --> 00:27:07,680
Speaker 7: I've regraded this one because I was at a C plus,

608
00:27:07,880 --> 00:27:11,919
Speaker 7: but I pushed it up to a B minus because

609
00:27:11,960 --> 00:27:15,720
Speaker 7: of Pusher or the clubs, Vince Staples.

610
00:27:15,880 --> 00:27:18,560
Speaker 6: I liked what he did with Baby. I like Big Baby,

611
00:27:18,640 --> 00:27:21,920
Speaker 6: Kia Pastor Troy, and how I used west Side Game.

612
00:27:22,320 --> 00:27:23,520
Speaker 6: It's just everybody else.

613
00:27:25,160 --> 00:27:27,600
Speaker 9: Nah, I'm gonna be minus because I'm disappointed in how

614
00:27:27,600 --> 00:27:29,359
Speaker 9: he used some of the melodic casts. But the people

615
00:27:29,359 --> 00:27:34,639
Speaker 9: who raped all earned their future price. Yeah, they earned

616
00:27:34,640 --> 00:27:35,119
Speaker 9: that ticket.

617
00:27:35,280 --> 00:27:36,880
Speaker 5: I'm going to straight be on the features.

618
00:27:38,359 --> 00:27:41,320
Speaker 4: Yeah, I think the beach the features is pretty solid.

619
00:27:41,520 --> 00:27:43,800
Speaker 5: I'm with again a B with the With the way

620
00:27:43,800 --> 00:27:45,280
Speaker 5: he used some of the melodic.

621
00:27:45,160 --> 00:27:48,919
Speaker 4: Singers, I wasn't too pleased with that, but like the

622
00:27:49,040 --> 00:27:51,800
Speaker 4: you know to put the clips and the way he

623
00:27:51,880 --> 00:27:54,480
Speaker 4: used Pastor Troy and all that, like that was super dope.

624
00:27:55,000 --> 00:27:57,359
Speaker 4: So I could definitely still give it like a solid B.

625
00:27:57,840 --> 00:27:59,679
Speaker 1: I mighta be plus. I mighta be plused with the

626
00:27:59,680 --> 00:28:03,680
Speaker 1: feature obviously. I like the middle part more than everybody else.

627
00:28:04,080 --> 00:28:04,639
Speaker 3: I do like.

628
00:28:05,119 --> 00:28:07,920
Speaker 1: I liked Jesse Reyes first time my introduction to her,

629
00:28:08,200 --> 00:28:11,920
Speaker 1: I thought she was dope. I liked Sierra, even though

630
00:28:11,920 --> 00:28:14,560
Speaker 1: I do agree with AB she should have been on

631
00:28:14,560 --> 00:28:15,640
Speaker 1: the hook, you know what I'm saying.

632
00:28:15,800 --> 00:28:17,960
Speaker 3: I do think it's a misopportunity, but I did like her.

633
00:28:18,359 --> 00:28:21,399
Speaker 1: I liked Black for whatever reason. Ty Dollas Signe is

634
00:28:21,440 --> 00:28:22,960
Speaker 1: starting to grow on me. On some of the features.

635
00:28:22,960 --> 00:28:26,119
Speaker 1: It's later features. I liked them here, so B plus

636
00:28:26,240 --> 00:28:30,520
Speaker 1: for me around and then execution. I'm at a B

637
00:28:31,480 --> 00:28:35,679
Speaker 1: because I didn't like sandwiching it. You know, we talk

638
00:28:35,760 --> 00:28:38,400
Speaker 1: about that a lot, and I just don't like the

639
00:28:38,440 --> 00:28:41,800
Speaker 1: fact that he did it again. I don't dislike the songs,

640
00:28:42,120 --> 00:28:44,440
Speaker 1: but it's just why give me a run of them?

641
00:28:44,480 --> 00:28:45,800
Speaker 3: And if you are going to give me a run,

642
00:28:45,880 --> 00:28:48,000
Speaker 3: just give me one or two, don't give me four

643
00:28:48,680 --> 00:28:51,040
Speaker 3: right in the middle. So that's the reason why I'm

644
00:28:51,040 --> 00:28:51,280
Speaker 3: at a.

645
00:28:51,280 --> 00:28:52,040
Speaker 2: B on execution.

646
00:28:52,600 --> 00:28:54,880
Speaker 4: I'm not gonna go too too hard showing him and

647
00:28:54,960 --> 00:28:58,720
Speaker 4: gonna just do a C on it because I still

648
00:28:58,720 --> 00:29:02,080
Speaker 4: feel like, you know, if it wasn't on this album,

649
00:29:02,120 --> 00:29:05,440
Speaker 4: they would be okay, But just a sequencing on this, Yeah,

650
00:29:05,480 --> 00:29:07,200
Speaker 4: I got I got a ding them here, man was

651
00:29:07,320 --> 00:29:10,120
Speaker 4: see like, and I probably could have went Lord honestly,

652
00:29:10,200 --> 00:29:12,600
Speaker 4: but I'm gonna keep it, keep it out of sea.

653
00:29:12,800 --> 00:29:16,320
Speaker 9: Yeah, I'm gonna see minus and this isn't It's tough

654
00:29:16,320 --> 00:29:19,440
Speaker 9: when you're as talented as him and it's an anticipated project,

655
00:29:20,480 --> 00:29:24,520
Speaker 9: you're gonna be a little bit harsher because of the expectation,

656
00:29:24,800 --> 00:29:29,320
Speaker 9: fair or unfair. It's a C minus. The arranging, the

657
00:29:29,400 --> 00:29:33,600
Speaker 9: song selection. He needed just a little bit more coaching,

658
00:29:33,680 --> 00:29:35,480
Speaker 9: just kind of get him over that hump. In my opinion,

659
00:29:36,240 --> 00:29:37,360
Speaker 9: that would have greatly improved.

660
00:29:37,560 --> 00:29:41,040
Speaker 6: I'm not a C minus too, Yeah, se minus as well?

661
00:29:41,360 --> 00:29:42,600
Speaker 3: What about the replay value for you?

662
00:29:42,680 --> 00:29:46,840
Speaker 9: Kept se minus, saying I got the same thing now.

663
00:29:47,200 --> 00:29:50,560
Speaker 9: As I don't see myself revisiting or feeling the need

664
00:29:50,600 --> 00:29:53,560
Speaker 9: to revisit, I'm gonna do it anyway, just to make

665
00:29:53,560 --> 00:29:55,240
Speaker 9: sure I didn't miss anything on the first two or

666
00:29:55,280 --> 00:29:58,680
Speaker 9: three joints. But nothing is just grabbing me to go

667
00:29:58,880 --> 00:30:00,880
Speaker 9: with the exception I do like the last joint I'm.

668
00:30:00,920 --> 00:30:03,720
Speaker 2: A sucker for, or the story of a so on sample, but.

669
00:30:04,080 --> 00:30:07,760
Speaker 9: Everything else I'm gonna have to make myself go back.

670
00:30:07,640 --> 00:30:10,680
Speaker 4: And check it out because I'm a Jed fan and

671
00:30:10,720 --> 00:30:13,120
Speaker 4: I really the songs I really like. I like them

672
00:30:13,160 --> 00:30:16,360
Speaker 4: a lot, so for that, I'm gonna I'm gonna play

673
00:30:16,360 --> 00:30:18,560
Speaker 4: this album. I'm gonna skip around, obviously, but I'm still

674
00:30:18,600 --> 00:30:20,680
Speaker 4: gonna play it. So for that reason, i'm gonna give

675
00:30:20,680 --> 00:30:23,400
Speaker 4: it a be plus because I'm still gonna go back

676
00:30:23,480 --> 00:30:25,800
Speaker 4: to this album. It's no way I'm not gonna go

677
00:30:25,800 --> 00:30:27,480
Speaker 4: back to this album and play it. It's just i'm

678
00:30:27,480 --> 00:30:29,640
Speaker 4: gonna skip around when I do go back, so I

679
00:30:29,640 --> 00:30:30,360
Speaker 4: can't give it an A.

680
00:30:31,160 --> 00:30:32,360
Speaker 5: I'll give it a B plus.

681
00:30:32,120 --> 00:30:35,600
Speaker 1: Though I'm we got the same day report card minus

682
00:30:35,640 --> 00:30:37,560
Speaker 1: the execution part, But yeah, I got to be plus

683
00:30:37,640 --> 00:30:40,440
Speaker 1: as well. I replay value like the joints I really

684
00:30:40,480 --> 00:30:42,680
Speaker 1: fuck with obviously, you see my excitement when I when

685
00:30:42,720 --> 00:30:45,000
Speaker 1: I started this joint off, like I feel like that

686
00:30:45,080 --> 00:30:45,560
Speaker 1: about them.

687
00:30:45,640 --> 00:30:48,240
Speaker 3: You know what I'm saying, Like, I really like the project.

688
00:30:48,320 --> 00:30:51,120
Speaker 1: You know what I'm saying in its entirety again, gotta

689
00:30:51,600 --> 00:30:53,880
Speaker 1: you know, critique whatever, but I like it.

690
00:30:53,960 --> 00:30:54,600
Speaker 5: You know what I'm saying.

691
00:30:54,680 --> 00:30:58,960
Speaker 1: I will replay it. So Yeah, and then overall metter

692
00:30:59,000 --> 00:31:01,560
Speaker 1: be plus there's a B plus project.

693
00:31:01,280 --> 00:31:05,600
Speaker 5: Really sounding like he was.

694
00:31:05,600 --> 00:31:10,240
Speaker 1: Giving sure, you know, honestly, and I tell him this

695
00:31:10,400 --> 00:31:12,360
Speaker 1: all the time. I wish that we had like an

696
00:31:12,400 --> 00:31:16,000
Speaker 1: in between. It's almost an A to me, it's a

697
00:31:16,000 --> 00:31:18,360
Speaker 1: little bit higher than a B plus, but it's not

698
00:31:18,480 --> 00:31:22,320
Speaker 1: really an A plus plus. Yeah, and I almost I

699
00:31:22,320 --> 00:31:24,040
Speaker 1: almost did that, but I'm like, you know, you.

700
00:31:24,080 --> 00:31:25,280
Speaker 6: Don't, so I get it.

701
00:31:25,400 --> 00:31:28,760
Speaker 3: But it's it's like a B plus plus eight nine exactly.

702
00:31:28,840 --> 00:31:30,040
Speaker 6: It's like it's eighty nine.

703
00:31:30,080 --> 00:31:32,480
Speaker 2: It's just missed it, just missed it.

704
00:31:32,680 --> 00:31:37,640
Speaker 4: Yeah, I'm going solid B. Yeah again, Lucky didn't get

705
00:31:37,640 --> 00:31:40,440
Speaker 4: a B minus Kada. That made me, Man, Man that

706
00:31:40,440 --> 00:31:44,960
Speaker 4: that mental part, like I said, was upsetting. It was upsetting, man.

707
00:31:45,520 --> 00:31:48,320
Speaker 4: But I'm still don't giving a B man he put

708
00:31:48,360 --> 00:31:52,600
Speaker 4: forth for uh a good effort here, so I'll give

709
00:31:52,680 --> 00:31:53,240
Speaker 4: him a solid B.

710
00:31:54,040 --> 00:31:55,960
Speaker 2: I gotta be minus above average.

711
00:31:57,840 --> 00:32:00,320
Speaker 9: The skills and the talents too nice to really anything

712
00:32:00,400 --> 00:32:03,120
Speaker 9: less than that along with the production, just because I

713
00:32:03,120 --> 00:32:04,480
Speaker 9: just got a wish list of things I wish you.

714
00:32:04,440 --> 00:32:05,120
Speaker 2: Would have done better.

715
00:32:05,520 --> 00:32:09,760
Speaker 7: Ain't no skate by coach Kin in Professor King's class

716
00:32:10,040 --> 00:32:17,680
Speaker 7: C minus minus brou wild extremely talented, gifted. If this

717
00:32:17,720 --> 00:32:19,959
Speaker 7: one just didn't do it for me, he got some

718
00:32:20,000 --> 00:32:23,120
Speaker 7: other joints. That's nice. Uh, there's no knock on his skill.

719
00:32:23,320 --> 00:32:25,520
Speaker 7: Just this album wasn't wasn't the one.

720
00:32:26,040 --> 00:32:28,440
Speaker 4: I really thought Jim was gonna make an album that

721
00:32:28,480 --> 00:32:29,960
Speaker 4: could be contended for Album of the year.

722
00:32:30,040 --> 00:32:32,120
Speaker 6: Man, I'm hearing that online though.

723
00:32:32,160 --> 00:32:38,400
Speaker 9: I mean there's people are online heavy.

724
00:32:39,080 --> 00:32:44,440
Speaker 1: Really, I've been comparing every album to the Clips album

725
00:32:44,480 --> 00:32:47,600
Speaker 1: because so far from me, like that's been that's been

726
00:32:47,840 --> 00:32:50,040
Speaker 1: like the cream of the crop. That and Alfredo too,

727
00:32:50,760 --> 00:32:53,640
Speaker 1: and like when I compare this, it's like, bro, the

728
00:32:53,760 --> 00:32:56,200
Speaker 1: mother two joints is just harder, like throughout, like you know,

729
00:32:56,320 --> 00:32:58,840
Speaker 1: at top, top to bottom. So that's why I can't

730
00:32:58,880 --> 00:33:01,520
Speaker 1: put this this album but year because those two it's

731
00:33:01,560 --> 00:33:03,920
Speaker 1: like Nigga, they ain't no skips, you know what I'm saying.

732
00:33:04,160 --> 00:33:07,680
Speaker 1: That being said, this should this is top ten contender,

733
00:33:08,480 --> 00:33:11,640
Speaker 1: but it's not number one or number two, off rip,

734
00:33:11,720 --> 00:33:12,160
Speaker 1: you know what I'm saying.

735
00:33:12,200 --> 00:33:13,720
Speaker 3: Shit, what were in August?

736
00:33:13,920 --> 00:33:17,600
Speaker 1: Yeah, it's it's definitely not top two, but it's top ten.

737
00:33:17,960 --> 00:33:18,880
Speaker 3: But it is what it is.

738
00:33:18,880 --> 00:33:20,840
Speaker 1: Man again, appreciate you guys who catch you.

739
00:33:20,920 --> 00:33:22,000
Speaker 2: Next time we out piece