1 00:00:04,440 --> 00:00:08,639 Speaker 1: Debn in hip Hop album review Cardi b Am I 2 00:00:09,000 --> 00:00:11,120 Speaker 1: The Drama. Now, look, the whole crew is not here. 3 00:00:11,160 --> 00:00:14,400 Speaker 1: Busy for thirty could have made it, but everybody else 4 00:00:14,480 --> 00:00:17,960 Speaker 1: is here. Shout out to on Deck TV podcasts. They 5 00:00:18,000 --> 00:00:20,280 Speaker 1: are joining the Dead and Media group, so you will 6 00:00:20,280 --> 00:00:22,800 Speaker 1: be seeing them a lot more on the channel and 7 00:00:22,960 --> 00:00:26,079 Speaker 1: on Dennan hip Hop. Also make sure, if you want 8 00:00:26,079 --> 00:00:29,360 Speaker 1: more Dennan hip hop content that you will not get free, 9 00:00:29,680 --> 00:00:32,800 Speaker 1: become a patron, Become a YouTube member so that way 10 00:00:32,840 --> 00:00:35,159 Speaker 1: you can get all the exclusive stuff. We do a 11 00:00:35,240 --> 00:00:37,800 Speaker 1: request line over there, so if you're at the nomination level, 12 00:00:37,960 --> 00:00:40,400 Speaker 1: you can nominate an album that we have not done 13 00:00:40,440 --> 00:00:43,920 Speaker 1: for whatever reason, and we will review it and only 14 00:00:44,520 --> 00:00:47,239 Speaker 1: the patrons and the members get that type of content. 15 00:00:48,680 --> 00:00:49,760 Speaker 2: What else we got over there? 16 00:00:50,040 --> 00:00:56,600 Speaker 3: Report cards mentioned a request line, we got discography rankings. 17 00:00:57,640 --> 00:00:58,080 Speaker 4: That's enough. 18 00:00:58,080 --> 00:00:58,480 Speaker 5: That's enough. 19 00:00:58,520 --> 00:01:02,040 Speaker 1: Become a patroon today now Cardi b am I The Drama. 20 00:01:02,800 --> 00:01:05,600 Speaker 1: It's been a very long time since. 21 00:01:05,440 --> 00:01:08,360 Speaker 2: Carti has dropped a project. 22 00:01:08,400 --> 00:01:11,920 Speaker 1: Can I remember very a very long time ago you 23 00:01:11,959 --> 00:01:13,320 Speaker 1: felt that Cardi was gonna. 24 00:01:13,080 --> 00:01:15,440 Speaker 5: Be here today, gone tomorrow. 25 00:01:20,920 --> 00:01:24,959 Speaker 1: No, hell not, because because modest me and you like 26 00:01:25,560 --> 00:01:27,880 Speaker 1: I don't know what it was though, But but I just. 27 00:01:28,080 --> 00:01:31,640 Speaker 2: I heard Superstar and that you know what I'm saying. 28 00:01:31,760 --> 00:01:36,200 Speaker 1: And you know, she's obviously had subsequent hits, you know 29 00:01:36,200 --> 00:01:38,160 Speaker 1: what I'm saying that she put on here and we'll 30 00:01:38,160 --> 00:01:43,480 Speaker 1: talk about that because people were kind of dismissing the 31 00:01:43,480 --> 00:01:46,480 Speaker 1: the success of the album because she did. 32 00:01:47,640 --> 00:01:51,760 Speaker 5: Do you feel that way? Yeah? How was that cheating? 33 00:01:52,960 --> 00:01:55,080 Speaker 5: Because those songs are automatic bangers. 34 00:01:55,120 --> 00:01:59,760 Speaker 3: That's gonna automatically get strings regardless of whether. 35 00:02:01,040 --> 00:02:02,080 Speaker 5: They were on the album or not. 36 00:02:02,360 --> 00:02:03,200 Speaker 4: It's not her fault. 37 00:02:03,440 --> 00:02:06,400 Speaker 2: Yeah, those are her songs. 38 00:02:05,600 --> 00:02:08,120 Speaker 5: System. 39 00:02:08,480 --> 00:02:11,600 Speaker 2: Yeah, so you go the type of way when Jay 40 00:02:11,760 --> 00:02:16,000 Speaker 2: put all of the albums on sprint customers phones too. 41 00:02:16,440 --> 00:02:18,960 Speaker 4: It's not cheap beat the system. 42 00:02:19,960 --> 00:02:20,360 Speaker 5: You bet. 43 00:02:20,400 --> 00:02:21,959 Speaker 1: You gotta you know what I'm saying. You gotta be 44 00:02:22,080 --> 00:02:24,760 Speaker 1: you gotta be smart, you gotta be strategic. Either way, 45 00:02:25,560 --> 00:02:27,720 Speaker 1: we had this conversations when you weren't here. It's still 46 00:02:27,760 --> 00:02:30,079 Speaker 1: it still counts to me. It counts to me. To me, 47 00:02:30,600 --> 00:02:31,360 Speaker 1: you'll count that? 48 00:02:31,720 --> 00:02:34,480 Speaker 4: Yeah, two times platinum? 49 00:02:34,480 --> 00:02:38,960 Speaker 5: Now, yeah, what is you talking about? Like it was? 50 00:02:39,400 --> 00:02:44,160 Speaker 3: It's smart, it's a smart strategy, but it's. 51 00:02:44,000 --> 00:02:48,280 Speaker 5: Still don't okay, whatever count so technically count. 52 00:02:49,320 --> 00:02:57,400 Speaker 2: I know, right right, that's why you weren't that shirt. 53 00:02:53,440 --> 00:02:58,680 Speaker 5: You part of the b I was like, oh my gosh, 54 00:02:58,680 --> 00:03:00,160 Speaker 5: it split shirts. 55 00:03:00,080 --> 00:03:01,240 Speaker 4: Part in the marks today. 56 00:03:01,520 --> 00:03:04,600 Speaker 1: I think we kind of had an idea what to 57 00:03:04,760 --> 00:03:09,600 Speaker 1: expect because of the successes of songs like Wop and 58 00:03:09,800 --> 00:03:13,320 Speaker 1: uh you know, so it's kind of like, Okay, bet CARTI, 59 00:03:14,120 --> 00:03:16,079 Speaker 1: this is this is honestly what I expected from a 60 00:03:16,160 --> 00:03:18,600 Speaker 1: Carty album. And the reason why I'm saying what I'm 61 00:03:18,600 --> 00:03:22,160 Speaker 1: saying is number one, our thirteen minutes twenty four songs 62 00:03:22,240 --> 00:03:25,800 Speaker 1: right technically twenty four songs with the remix with ear 63 00:03:25,960 --> 00:03:29,920 Speaker 1: time with Lotto. This is what commercial artists do, right 64 00:03:30,320 --> 00:03:30,839 Speaker 1: number one? 65 00:03:30,919 --> 00:03:34,359 Speaker 2: Number two what you mean, which you're talking about our 66 00:03:34,920 --> 00:03:37,040 Speaker 2: hour plus that's what four want. 67 00:03:37,800 --> 00:03:39,880 Speaker 4: Like in kN that last week, I was like, this 68 00:03:39,920 --> 00:03:40,600 Speaker 4: is what they like. 69 00:03:40,640 --> 00:03:42,680 Speaker 5: Lose yeah, like it was like our something. 70 00:03:42,720 --> 00:03:46,480 Speaker 2: Yeah, all the all the major artists, that's what they do. 71 00:03:46,520 --> 00:03:48,320 Speaker 3: I thought she did it because she was gone for 72 00:03:48,360 --> 00:03:49,840 Speaker 3: like seven years, so she just wanted to. 73 00:03:49,920 --> 00:03:51,640 Speaker 2: I think it just happened. That's just what That's just 74 00:03:51,720 --> 00:03:54,440 Speaker 2: that's what commercial artists do. You even look at the 75 00:03:54,800 --> 00:03:58,200 Speaker 2: later Drake projects like they're all long like that. You 76 00:03:58,240 --> 00:03:59,000 Speaker 2: know what I'm saying pause. 77 00:03:59,320 --> 00:04:03,080 Speaker 1: However, because she's Hispanic, so, like, you know, I was 78 00:04:03,120 --> 00:04:03,920 Speaker 1: expecting a. 79 00:04:03,880 --> 00:04:06,200 Speaker 2: Bodega Baddy type of song on there. You know, you 80 00:04:06,200 --> 00:04:07,720 Speaker 2: gotta tap into that market. 81 00:04:09,560 --> 00:04:10,960 Speaker 5: It time, you know. 82 00:04:11,720 --> 00:04:14,960 Speaker 3: Yeah, you like the Yeah, I liked it. I thought 83 00:04:14,960 --> 00:04:17,800 Speaker 3: it was dope. It was smart. It wasn't a good song. 84 00:04:17,920 --> 00:04:21,560 Speaker 2: Oh my god, Okay, we'll get We'll get it to that. 85 00:04:21,720 --> 00:04:23,920 Speaker 2: I thought it was smart. I liked the song. I 86 00:04:24,000 --> 00:04:26,239 Speaker 2: like the fact that she had like a trap joint 87 00:04:26,600 --> 00:04:31,360 Speaker 2: would salute. I thought another trap joint that reminded me 88 00:04:31,760 --> 00:04:34,200 Speaker 2: and you know, to me, it was very throwback with hello. 89 00:04:34,440 --> 00:04:36,000 Speaker 2: It reminds me of jeezy. 90 00:04:36,040 --> 00:04:39,080 Speaker 4: Like goddamn, like why did you put gez on there? 91 00:04:39,200 --> 00:04:42,320 Speaker 1: Like you know, but nah, I felt that this album, 92 00:04:42,440 --> 00:04:45,840 Speaker 1: even with it's its entirety, because it is very long, 93 00:04:45,920 --> 00:04:49,039 Speaker 1: hour and thirteen minutes that I said, I felt like 94 00:04:49,120 --> 00:04:52,960 Speaker 1: she hit every segment that a commercial artist is supposed 95 00:04:52,960 --> 00:04:55,280 Speaker 1: to hit, and she did it in a very CARDI 96 00:04:55,560 --> 00:04:58,440 Speaker 1: be dope way of doing it like she did it 97 00:04:58,560 --> 00:04:59,320 Speaker 1: her way. 98 00:04:59,200 --> 00:04:59,880 Speaker 5: She ad. 99 00:05:00,400 --> 00:05:03,119 Speaker 1: I think she did it in a good way. Yes, 100 00:05:03,680 --> 00:05:06,039 Speaker 1: I think the songs are good for me. And this 101 00:05:06,120 --> 00:05:08,000 Speaker 1: is this personal thing. I'm not being sexist. 102 00:05:08,080 --> 00:05:08,360 Speaker 5: Or nothing. 103 00:05:08,360 --> 00:05:13,000 Speaker 2: But it's hard to have like high replay value. I 104 00:05:13,000 --> 00:05:15,279 Speaker 2: had to put it out there. It's hard for me 105 00:05:15,320 --> 00:05:15,800 Speaker 2: to have. 106 00:05:15,720 --> 00:05:19,880 Speaker 1: Like very high replay value on a lot of female artists. 107 00:05:19,920 --> 00:05:21,880 Speaker 1: There's only it's only like a select few that I 108 00:05:22,040 --> 00:05:23,479 Speaker 1: that is like, oh yeah, I'll. 109 00:05:23,279 --> 00:05:24,040 Speaker 2: Re listen to this. 110 00:05:24,560 --> 00:05:27,320 Speaker 1: Carti is she's on the fence for me, and there 111 00:05:27,360 --> 00:05:30,400 Speaker 1: are songs on here that have high replay value. The 112 00:05:30,440 --> 00:05:33,680 Speaker 1: album in general is a little it's just it's it's 113 00:05:33,680 --> 00:05:35,920 Speaker 1: too long. We talked about on D three sixty five 114 00:05:35,960 --> 00:05:38,720 Speaker 1: all the time, but there are more than a handful 115 00:05:38,760 --> 00:05:41,320 Speaker 1: of joints that I could throw onto a playlist and 116 00:05:41,400 --> 00:05:42,160 Speaker 1: vibe out to it. 117 00:05:42,440 --> 00:05:45,360 Speaker 2: But now I think that this was a really good album. 118 00:05:45,680 --> 00:05:48,400 Speaker 1: I think, especially with a lot of pressure and anticipation, 119 00:05:48,960 --> 00:05:52,040 Speaker 1: I feel like Cardi delivered in my opinion. 120 00:05:51,880 --> 00:05:54,520 Speaker 5: He said, I'm not trying to be said. 121 00:05:57,240 --> 00:06:00,360 Speaker 2: To tell you I'm living now. 122 00:06:00,440 --> 00:06:01,440 Speaker 4: I think she delivered too. 123 00:06:02,040 --> 00:06:04,600 Speaker 2: I kind of already got cands take unless it's changed 124 00:06:04,640 --> 00:06:06,120 Speaker 2: since in a week's time. 125 00:06:06,240 --> 00:06:08,359 Speaker 4: But no, I mean, like I said it too, like 126 00:06:08,560 --> 00:06:09,040 Speaker 4: I think she. 127 00:06:09,040 --> 00:06:12,520 Speaker 2: Delivered as well, Like like she gave you anything that 128 00:06:13,640 --> 00:06:16,000 Speaker 2: you could have asked her from a from a major 129 00:06:16,080 --> 00:06:19,479 Speaker 2: artist like this, like you said coming out the Gate 130 00:06:19,520 --> 00:06:23,400 Speaker 2: with Dead Hello Magnet like bro, like you got the 131 00:06:23,440 --> 00:06:28,719 Speaker 2: Slean of God maz pick pick it up track on 132 00:06:28,760 --> 00:06:31,600 Speaker 2: here with safe like she hit the market. She even 133 00:06:31,680 --> 00:06:34,800 Speaker 2: put Lizid on this money like you got the got 134 00:06:34,839 --> 00:06:38,920 Speaker 2: the Summer Walker feature with Summer's Yeah two times on here, 135 00:06:39,000 --> 00:06:41,080 Speaker 2: like and then she gave you the new New York 136 00:06:41,200 --> 00:06:42,640 Speaker 2: sound with better than You with. 137 00:06:43,600 --> 00:06:45,520 Speaker 5: Oh yeah yeah, yeah, yeah yeah. 138 00:06:45,800 --> 00:06:48,720 Speaker 2: The imaginary players should always thought that was cool that 139 00:06:48,320 --> 00:06:50,880 Speaker 2: she dropped that as like a single, like I was 140 00:06:51,839 --> 00:06:55,440 Speaker 2: everything that's yeah yeah, and I don't know, it just 141 00:06:55,520 --> 00:06:59,440 Speaker 2: it just showed like nobody else has done that, like 142 00:06:59,440 --> 00:07:01,960 Speaker 2: like now if nigg even wanted to do that, now 143 00:07:02,000 --> 00:07:05,400 Speaker 2: she'll be mocking Cardi and. 144 00:07:05,320 --> 00:07:07,000 Speaker 5: It works, and it worked. 145 00:07:07,120 --> 00:07:09,320 Speaker 2: Ship was dope, man, Like It's just it's just the 146 00:07:09,360 --> 00:07:14,360 Speaker 2: way she inflects, like I like the way she she 147 00:07:14,600 --> 00:07:16,320 Speaker 2: just and that's and I think that's what we heard 148 00:07:16,320 --> 00:07:20,040 Speaker 2: back then, Like she sounds so confident when she says things, 149 00:07:20,040 --> 00:07:22,440 Speaker 2: and I think the thing is all like about Cardi, 150 00:07:22,680 --> 00:07:26,200 Speaker 2: it just feels super authentic. It like like it don't 151 00:07:26,240 --> 00:07:30,360 Speaker 2: sound like, oh, I'm trying to be this other chick 152 00:07:30,760 --> 00:07:33,760 Speaker 2: it's like I am the bar, I am the standard, 153 00:07:34,240 --> 00:07:36,640 Speaker 2: and if you try, you're gonna want to. She says 154 00:07:36,640 --> 00:07:38,480 Speaker 2: it on the album, like like all the women in 155 00:07:38,480 --> 00:07:41,000 Speaker 2: the industry should thank her because the labels are looking 156 00:07:41,040 --> 00:07:42,880 Speaker 2: for well do you sound like Cardi. 157 00:07:43,080 --> 00:07:45,800 Speaker 5: And I was just like whoh oh my god. 158 00:07:45,920 --> 00:07:47,920 Speaker 2: She was talking to her ship on here man, and 159 00:07:47,960 --> 00:07:50,320 Speaker 2: I like how And I like how I shee addressed 160 00:07:50,320 --> 00:07:51,360 Speaker 2: ship like she said. 161 00:07:51,240 --> 00:07:54,200 Speaker 4: On her own time, you know what I mean to 162 00:07:54,280 --> 00:07:55,320 Speaker 4: be gone for so long? 163 00:07:55,400 --> 00:07:55,560 Speaker 3: Man. 164 00:07:55,600 --> 00:07:57,800 Speaker 2: I definitely felt like she delivered. I was like, damn, 165 00:07:57,880 --> 00:08:01,120 Speaker 2: she actually delivered like she did not. I don't. I 166 00:08:01,120 --> 00:08:03,120 Speaker 2: don't think she flopped. I thought this was you know, like, 167 00:08:03,200 --> 00:08:05,480 Speaker 2: I'm just like the thug thug. I'm not a Cardi 168 00:08:05,520 --> 00:08:08,760 Speaker 2: B fan, per se. I just like the Cardi B character. 169 00:08:08,880 --> 00:08:12,280 Speaker 2: Like I think she's hilarious. I think she she's charismatic, 170 00:08:12,720 --> 00:08:15,280 Speaker 2: and I just like how real and authentic she sounds 171 00:08:15,280 --> 00:08:17,400 Speaker 2: and it comes through in the music. And it don't 172 00:08:17,400 --> 00:08:20,880 Speaker 2: matter what she's creating, whether it's the Spanish, the Latino ship, 173 00:08:21,320 --> 00:08:22,000 Speaker 2: whether it's the. 174 00:08:22,480 --> 00:08:24,480 Speaker 4: Street ship, because we all know she's streaked. 175 00:08:24,520 --> 00:08:26,400 Speaker 2: You know what I'm saying, Whether it's like I'm in 176 00:08:26,480 --> 00:08:29,560 Speaker 2: my feelings. I'm gonna rap about my fucking ass husband 177 00:08:29,600 --> 00:08:33,560 Speaker 2: or whatever, like all of that, Like all of that 178 00:08:33,600 --> 00:08:36,560 Speaker 2: ship sounds authentic. That's what I That's what I appreciate 179 00:08:36,600 --> 00:08:39,600 Speaker 2: about Cardi B. Like it's like, oh shit, that's her. 180 00:08:39,920 --> 00:08:41,760 Speaker 2: You know what I'm saying. It don't sound fake. You 181 00:08:41,800 --> 00:08:42,280 Speaker 2: know what I'm saying. 182 00:08:42,280 --> 00:08:43,840 Speaker 4: And that's that's Yeah, that's what I appreciate. 183 00:08:44,080 --> 00:08:46,880 Speaker 1: Something you said, brother, that like on my first listen, 184 00:08:47,040 --> 00:08:50,920 Speaker 1: it just it stood out like Maytime was her inflections, 185 00:08:51,120 --> 00:08:54,440 Speaker 1: and to me, this album shows growth as an artist. 186 00:08:54,440 --> 00:08:56,079 Speaker 1: Like if you go back and listen to the first 187 00:08:56,080 --> 00:08:58,520 Speaker 1: one good album, you know what I'm saying, really good 188 00:08:58,520 --> 00:09:02,199 Speaker 1: debut album, but you listen to her inflections and her 189 00:09:02,320 --> 00:09:06,520 Speaker 1: cadence and her pacing just on songs, how she can 190 00:09:06,640 --> 00:09:09,320 Speaker 1: switch it up, like on a song like Lizle like 191 00:09:09,480 --> 00:09:13,280 Speaker 1: being very pop but then going to imaginary player and 192 00:09:13,320 --> 00:09:17,080 Speaker 1: then going to salute. You know, like she's able to 193 00:09:17,240 --> 00:09:21,200 Speaker 1: really be a chameleon in music. And you know, originally 194 00:09:21,440 --> 00:09:24,200 Speaker 1: I felt like, you know, she probably she had writers 195 00:09:24,200 --> 00:09:30,000 Speaker 1: and you know, I think has a team. I felt 196 00:09:30,040 --> 00:09:35,680 Speaker 1: like they really tapped into the source and the like 197 00:09:35,679 --> 00:09:38,040 Speaker 1: like like the source of what really makes people move. 198 00:09:38,520 --> 00:09:40,280 Speaker 1: You know what I'm saying, Like, if you are a 199 00:09:40,720 --> 00:09:44,000 Speaker 1: hip hop fan, they gave you a whole bunch of 200 00:09:44,040 --> 00:09:46,960 Speaker 1: different variations of things that you love on here, and 201 00:09:47,000 --> 00:09:48,960 Speaker 1: it was executed. 202 00:09:48,480 --> 00:09:50,400 Speaker 2: At a high level. Yeah, yeah, I think it was 203 00:09:50,440 --> 00:09:52,400 Speaker 2: executed at a high level. Even if it's writers, I 204 00:09:52,400 --> 00:09:55,000 Speaker 2: don't know. I'm sure that's writers, but you still get 205 00:09:55,000 --> 00:09:58,000 Speaker 2: a credit to her. The way she delivers, deliver whatever, 206 00:09:58,200 --> 00:10:00,959 Speaker 2: Like it reminds me of like Book told us, like 207 00:10:01,000 --> 00:10:03,559 Speaker 2: a long time ago, Book Brown. For people that don't know, 208 00:10:03,679 --> 00:10:06,280 Speaker 2: like on the ground, check her artists or whatever. She's 209 00:10:06,320 --> 00:10:08,920 Speaker 2: not a mainstream artist, but how she said she wrapped 210 00:10:08,960 --> 00:10:12,400 Speaker 2: from the diephram. And it's just like when when Cardi speaks, 211 00:10:12,480 --> 00:10:15,800 Speaker 2: it sounds yeah, like you know what I'm saying. It's 212 00:10:15,880 --> 00:10:18,719 Speaker 2: like god damn, like like she almost sound like a 213 00:10:18,760 --> 00:10:21,640 Speaker 2: nigga somethings. It's like like like you know what I'm saying, 214 00:10:21,720 --> 00:10:23,400 Speaker 2: like talking like one on Twitter. 215 00:10:25,640 --> 00:10:27,280 Speaker 5: Where you at. 216 00:10:27,679 --> 00:10:30,720 Speaker 4: We'll get it to that by the time this comes out. 217 00:10:30,760 --> 00:10:33,800 Speaker 2: It's not like go back and we're gonna address this. 218 00:10:34,600 --> 00:10:37,600 Speaker 2: The girls are fighting right now. The girls are added 219 00:10:37,720 --> 00:10:40,600 Speaker 2: right now. But no, man, like yeah, I fuck with 220 00:10:40,640 --> 00:10:43,600 Speaker 2: Cardi B. I really do, man, I fuck with Cardi B. 221 00:10:43,760 --> 00:10:45,920 Speaker 2: Man for real, because this is a good album. Was 222 00:10:45,960 --> 00:10:47,760 Speaker 2: this a good album for Cardi B. It's a good album. 223 00:10:47,760 --> 00:10:48,880 Speaker 2: It's a good album. 224 00:10:49,080 --> 00:10:51,040 Speaker 5: It's a it's a good album. Yeah, I'm here. 225 00:10:51,080 --> 00:10:55,320 Speaker 3: A lot of people say that, you know, I think that, 226 00:10:56,520 --> 00:10:59,800 Speaker 3: as I said, and you you wasn't here. But it's uh, 227 00:11:00,200 --> 00:11:04,080 Speaker 3: Cardi B is an entertainer, you know. I don't really 228 00:11:04,160 --> 00:11:05,760 Speaker 3: view her as a rapper. So I'm not danging her 229 00:11:05,760 --> 00:11:08,160 Speaker 3: for having the writers on the album at all because 230 00:11:08,240 --> 00:11:10,480 Speaker 3: that's just not It's not what she is and what 231 00:11:10,520 --> 00:11:12,839 Speaker 3: she does. There are some really good songs in here 232 00:11:12,840 --> 00:11:20,640 Speaker 3: that I like. I think that it's a jumble mess though. Yes, 233 00:11:20,880 --> 00:11:25,880 Speaker 3: the sequencing is a big issue for me with this 234 00:11:25,960 --> 00:11:29,000 Speaker 3: album is right in the middle. I think content wise, 235 00:11:29,520 --> 00:11:31,120 Speaker 3: some of the things that she was saying when she 236 00:11:31,160 --> 00:11:36,440 Speaker 3: was addressing stuff with Offset, right, I think all that 237 00:11:36,559 --> 00:11:37,520 Speaker 3: is is good. 238 00:11:38,880 --> 00:11:39,720 Speaker 5: I dig it. 239 00:11:40,240 --> 00:11:45,840 Speaker 3: I do like the versatility, the willingness and effort to 240 00:11:45,880 --> 00:11:49,120 Speaker 3: a span. I think that Bodego whatever, Bro, she would 241 00:11:49,160 --> 00:11:52,360 Speaker 3: kill it. She would absolutely kill it. I think she 242 00:11:52,360 --> 00:11:54,680 Speaker 3: should have had more trash like that on here, you know. 243 00:11:55,200 --> 00:11:58,560 Speaker 3: And I think that's like with bad Bunny and all 244 00:11:58,600 --> 00:12:00,920 Speaker 3: these other guys. You know, we've covered some stuff. Hey man, 245 00:12:01,000 --> 00:12:04,480 Speaker 3: I think that market is would be huge forever. Definitely. 246 00:12:04,520 --> 00:12:05,560 Speaker 5: I had an issue. 247 00:12:05,200 --> 00:12:07,760 Speaker 3: With with that, with the sequencing on on this joint 248 00:12:07,760 --> 00:12:12,840 Speaker 3: because like, man, it looked when that open and I'm like, 249 00:12:12,960 --> 00:12:17,000 Speaker 3: I did card off Bro and then Hello and then 250 00:12:17,120 --> 00:12:20,040 Speaker 3: Madnet like we're on the road, pick it up, Selena 251 00:12:20,040 --> 00:12:21,800 Speaker 3: go best, all right, cool, it's for whatever. You gotta 252 00:12:21,840 --> 00:12:24,600 Speaker 3: do your little whatever imaginary players. I'm like, okay, we're back, 253 00:12:25,160 --> 00:12:27,240 Speaker 3: but Bigga bad baddie, Okay, you know, I get it. 254 00:12:27,280 --> 00:12:27,800 Speaker 5: Whatever, you know. 255 00:12:28,000 --> 00:12:30,000 Speaker 3: I think you know she should do that. Then came 256 00:12:30,040 --> 00:12:31,680 Speaker 3: back with Saluke first seven. 257 00:12:31,840 --> 00:12:37,680 Speaker 5: I'm like, cool, or you didn't like safe? No, why not? 258 00:12:38,960 --> 00:12:40,880 Speaker 5: It's just way too poppish. 259 00:12:40,920 --> 00:12:43,080 Speaker 2: It's just but it has that New York drill sound. 260 00:12:43,160 --> 00:12:44,800 Speaker 2: And that's the one that I meant to say, so 261 00:12:44,840 --> 00:12:47,160 Speaker 2: that the catch go band like the beat. The beat 262 00:12:47,240 --> 00:12:49,599 Speaker 2: is very that's the one. That's what she got a 263 00:12:49,679 --> 00:12:52,240 Speaker 2: music video too, and everything. I'm normally with you on 264 00:12:52,480 --> 00:12:54,360 Speaker 2: on on sequencing, but I feel like she. 265 00:12:54,720 --> 00:12:58,160 Speaker 4: Did her best attempt to swear those tracks in here. 266 00:12:58,200 --> 00:13:02,640 Speaker 3: Versus like some of the other sand which yeah, she at, 267 00:13:03,440 --> 00:13:05,480 Speaker 3: so it's really tough, Like, I don't know how she 268 00:13:05,559 --> 00:13:08,440 Speaker 3: could have honestly sequenced it in a way that would 269 00:13:08,480 --> 00:13:10,360 Speaker 3: have worked for me. She had had a joint over 270 00:13:10,400 --> 00:13:11,920 Speaker 3: here that kind of had some West coast field which 271 00:13:11,960 --> 00:13:14,760 Speaker 3: one was that was that every time the. 272 00:13:14,880 --> 00:13:18,280 Speaker 2: Joint outside sounded like some uh some old school h 273 00:13:18,520 --> 00:13:19,640 Speaker 2: many fresh Oh. 274 00:13:19,679 --> 00:13:21,760 Speaker 5: Yeah, oh yeah, that that was That was what I 275 00:13:21,960 --> 00:13:24,960 Speaker 5: liked on here. But yeah, save man of your word? 276 00:13:25,720 --> 00:13:28,959 Speaker 5: What's going on? Shatars? You can get all those out 277 00:13:29,120 --> 00:13:29,520 Speaker 5: out of here. 278 00:13:29,840 --> 00:13:31,959 Speaker 2: So so that's so that's the section. Yeah, so so 279 00:13:32,120 --> 00:13:33,800 Speaker 2: I'm pretty sure that's the section you're talking about. But 280 00:13:34,600 --> 00:13:36,800 Speaker 2: let me challenge you real right with safe. I know 281 00:13:36,880 --> 00:13:38,880 Speaker 2: you don't like safe, but I feel like safe was 282 00:13:38,960 --> 00:13:42,040 Speaker 2: the segue into man of your word and all that, 283 00:13:42,080 --> 00:13:44,280 Speaker 2: because she's saying, I want somebody that makes me feel safe. 284 00:13:44,920 --> 00:13:47,080 Speaker 2: But then she said, you're not a man of your word, 285 00:13:47,480 --> 00:13:49,280 Speaker 2: and then she starts going into some of the other 286 00:13:49,360 --> 00:13:52,440 Speaker 2: sap of your songs, but then right back but. 287 00:13:52,960 --> 00:13:59,400 Speaker 5: Out outside ship. Yeah you see what I'm saying. 288 00:13:59,440 --> 00:14:05,400 Speaker 3: But but that's the storytelling part of the YEA. Then 289 00:14:05,480 --> 00:14:08,880 Speaker 3: pretty and petty better than you on my back every 290 00:14:08,920 --> 00:14:11,200 Speaker 3: time was another one. I liked check Please, I can't 291 00:14:11,200 --> 00:14:15,360 Speaker 3: remember that one. She definitely food Everybody with the Jannet 292 00:14:15,440 --> 00:14:17,680 Speaker 3: Jason feature bro with Principles. 293 00:14:17,720 --> 00:14:19,160 Speaker 5: I made sure I started it just so I could 294 00:14:19,200 --> 00:14:19,680 Speaker 5: talk about it. 295 00:14:19,880 --> 00:14:22,440 Speaker 3: And you know, so I think, you know, the songs 296 00:14:22,440 --> 00:14:24,840 Speaker 3: that I liked, I really liked because the other ones, 297 00:14:25,280 --> 00:14:29,000 Speaker 3: you know, I understand their purpose and what they're there for. 298 00:14:29,640 --> 00:14:35,040 Speaker 3: I do not like those songs, even as and and 299 00:14:35,240 --> 00:14:36,560 Speaker 3: even though I was trying to think of them as 300 00:14:36,800 --> 00:14:40,720 Speaker 3: radio sounding pop songs that you were talking about, like 301 00:14:40,800 --> 00:14:43,440 Speaker 3: do they work. They may work, They may work, and 302 00:14:44,200 --> 00:14:46,520 Speaker 3: I wanted them kind of venture out and look and 303 00:14:46,600 --> 00:14:51,280 Speaker 3: see what Cardi B specific fans are saying. They absolutely 304 00:14:51,360 --> 00:14:53,280 Speaker 3: love it, you know. And I think that they are 305 00:14:53,400 --> 00:14:55,160 Speaker 3: songs on here that I love. Their songs on here 306 00:14:55,720 --> 00:14:57,720 Speaker 3: that I'm not a fan of. And I think sequens 307 00:14:57,720 --> 00:14:59,080 Speaker 3: are made of the challenge for them. But I get 308 00:14:59,400 --> 00:15:01,400 Speaker 3: the narrative part of it that she was doing with it, 309 00:15:01,720 --> 00:15:03,760 Speaker 3: which you know, probably is why she put them in 310 00:15:03,800 --> 00:15:04,640 Speaker 3: the order that she did. 311 00:15:05,200 --> 00:15:08,320 Speaker 5: It just kind of it just didn't work for me 312 00:15:08,560 --> 00:15:09,320 Speaker 5: when it came to it. 313 00:15:09,400 --> 00:15:12,240 Speaker 3: But overall, I think when it comes to with or 314 00:15:12,240 --> 00:15:14,600 Speaker 3: not she delivered, I think for the most part, it's 315 00:15:14,800 --> 00:15:20,400 Speaker 3: been a relatatively success. If I shracked the cheating, I 316 00:15:20,480 --> 00:15:23,480 Speaker 3: think that two hundred and something to whatever it really 317 00:15:23,600 --> 00:15:24,200 Speaker 3: worked for her. 318 00:15:24,360 --> 00:15:27,240 Speaker 5: People were excited. There's a lot of momentum by she 319 00:15:27,400 --> 00:15:27,760 Speaker 5: did a lot. 320 00:15:27,840 --> 00:15:30,520 Speaker 3: We were talking about the rollout for the album and 321 00:15:30,520 --> 00:15:34,360 Speaker 3: stuff like that, So I think she set out and 322 00:15:34,520 --> 00:15:35,920 Speaker 3: delivered what people were. 323 00:15:36,280 --> 00:15:37,440 Speaker 5: She gave people what they were looking for. 324 00:15:37,960 --> 00:15:41,160 Speaker 3: And I think when you've been away for as long 325 00:15:41,240 --> 00:15:44,080 Speaker 3: as she has, you know, I think people are really 326 00:15:44,120 --> 00:15:46,040 Speaker 3: really happy with this project. I think she has some 327 00:15:46,160 --> 00:15:47,840 Speaker 3: really really hard tracks on here, and I think for 328 00:15:48,000 --> 00:15:50,920 Speaker 3: people that like the softer side and that has gone 329 00:15:50,960 --> 00:15:53,720 Speaker 3: through the things that Hardy has gone through, that the 330 00:15:54,120 --> 00:15:56,760 Speaker 3: people that I can identify with that they're going to 331 00:15:56,800 --> 00:15:57,680 Speaker 3: relate to those songs. 332 00:15:58,320 --> 00:16:00,960 Speaker 2: When she performed that when she's like that, like nigga, No, 333 00:16:01,080 --> 00:16:03,680 Speaker 2: you don't like I see I can see every woman 334 00:16:03,920 --> 00:16:07,000 Speaker 2: that's been hurt in that crowds just with their eyes 335 00:16:07,040 --> 00:16:11,680 Speaker 2: slows nigga. Know, you don't like she's hello related hell. 336 00:16:12,640 --> 00:16:14,480 Speaker 1: And you know when you was making that point about 337 00:16:14,520 --> 00:16:17,600 Speaker 1: like she raps from the diaphragm, you know, like because 338 00:16:17,680 --> 00:16:20,360 Speaker 1: she sounded like a nigga and in the part that 339 00:16:20,440 --> 00:16:23,360 Speaker 1: I said previously, right, Like, to me, it's weird, and 340 00:16:23,960 --> 00:16:26,640 Speaker 1: maybe it's just me. It's weird for a motherfucker to 341 00:16:26,680 --> 00:16:29,880 Speaker 1: pull up like rapping, wet ass pushing like. 342 00:16:30,000 --> 00:16:33,160 Speaker 5: Right, you know, to me, that's a little weird. It 343 00:16:33,280 --> 00:16:33,840 Speaker 5: is a good song. 344 00:16:34,320 --> 00:16:36,200 Speaker 2: And I and I and I said, you know what, 345 00:16:36,240 --> 00:16:38,800 Speaker 2: I'm gonna listen to the whole thing and listening back 346 00:16:38,840 --> 00:16:39,800 Speaker 2: to what I'm like. 347 00:16:39,840 --> 00:16:41,520 Speaker 5: Man, this ship was really fucking good. 348 00:16:41,560 --> 00:16:42,120 Speaker 2: It's good. 349 00:16:42,560 --> 00:16:43,080 Speaker 5: It's good. 350 00:16:44,000 --> 00:16:47,520 Speaker 2: It's very explicit, but it's a good song. You know 351 00:16:47,560 --> 00:16:50,400 Speaker 2: what I'm saying, No, no, no, you ain't stop it. 352 00:16:50,480 --> 00:16:52,680 Speaker 1: But you know that's the reason why I said, like 353 00:16:52,800 --> 00:16:55,480 Speaker 1: to me, like, you can say it sexist or whatever, 354 00:16:55,560 --> 00:16:57,280 Speaker 1: but I'm not pulling up to the spot listen to 355 00:16:58,120 --> 00:17:00,920 Speaker 1: and I'm not. I'm not rapping it. But Cardy has 356 00:17:01,200 --> 00:17:04,640 Speaker 1: joints that I'm like, nigga, I'll rap them. I'm pulling 357 00:17:04,720 --> 00:17:06,959 Speaker 1: up to that, even though you know it's a very 358 00:17:07,040 --> 00:17:07,760 Speaker 1: pro woman thing. 359 00:17:07,800 --> 00:17:08,960 Speaker 2: I'll pull up to salute. 360 00:17:09,880 --> 00:17:12,199 Speaker 5: There's not a lot of. 361 00:17:12,280 --> 00:17:16,080 Speaker 2: Women that can like do that and do the sappy 362 00:17:16,160 --> 00:17:19,520 Speaker 2: ship and you know, like relate to niggas and relate 363 00:17:19,640 --> 00:17:23,439 Speaker 2: to her women, relate to women that are outside related 364 00:17:23,440 --> 00:17:28,840 Speaker 2: to relate to this, like Cardi b is relatable. I 365 00:17:28,880 --> 00:17:30,960 Speaker 2: don't think she's relatable to the youth. That's the only 366 00:17:31,040 --> 00:17:32,920 Speaker 2: one she doesn't really have like that. I give you, 367 00:17:33,080 --> 00:17:36,320 Speaker 2: like the women chick or whatever and all that those 368 00:17:36,359 --> 00:17:38,359 Speaker 2: are the only ones. And I'm not sure that that. 369 00:17:38,480 --> 00:17:39,720 Speaker 5: But I don't think she can't. I don't think she 370 00:17:40,119 --> 00:17:41,560 Speaker 5: is to reach out to them long as she can. 371 00:17:41,520 --> 00:17:45,199 Speaker 2: Get like the college and college twenty five and up. 372 00:17:45,280 --> 00:17:47,520 Speaker 2: Maybe you know what I'm saying, Like you making go 373 00:17:47,560 --> 00:17:48,400 Speaker 2: a little bit below. 374 00:17:48,240 --> 00:17:50,480 Speaker 4: Twenty college college okay, okay, college en up. 375 00:17:50,560 --> 00:17:51,360 Speaker 5: She can't get the young. 376 00:17:51,480 --> 00:17:55,560 Speaker 2: She's not getting the teenage because parents ain't gonna let them, 377 00:17:56,160 --> 00:17:57,000 Speaker 2: don't you think so? 378 00:17:57,760 --> 00:17:58,240 Speaker 5: I don't know. 379 00:17:58,640 --> 00:18:02,680 Speaker 2: I think her content is too mature, yes, like because 380 00:18:02,680 --> 00:18:05,879 Speaker 2: she's talking about marriage and she's talking about like like 381 00:18:06,240 --> 00:18:07,879 Speaker 2: a woman that's been through her. 382 00:18:08,240 --> 00:18:11,720 Speaker 5: These kids think they've been through that ship They they do, 383 00:18:12,400 --> 00:18:12,680 Speaker 5: they do. 384 00:18:16,880 --> 00:18:19,000 Speaker 2: But I don't know, man, I don't think she I 385 00:18:19,040 --> 00:18:22,399 Speaker 2: don't know. I don't think her content is geared towards 386 00:18:22,480 --> 00:18:22,880 Speaker 2: them though. 387 00:18:23,119 --> 00:18:25,720 Speaker 5: That's that's it's not it's not not at all. 388 00:18:26,160 --> 00:18:28,359 Speaker 2: And I don't think she has a desire to I 389 00:18:28,440 --> 00:18:31,760 Speaker 2: think that said, she's just authentically hurt, Like she's not 390 00:18:31,880 --> 00:18:33,840 Speaker 2: trying to be some young chick out here. She's not 391 00:18:33,960 --> 00:18:37,720 Speaker 2: trying to appeal to the young girls or whatever. She's 392 00:18:37,760 --> 00:18:39,240 Speaker 2: not trying to beat this role model. 393 00:18:39,680 --> 00:18:41,640 Speaker 5: Like she's just man. 394 00:18:42,119 --> 00:18:43,080 Speaker 4: And I like that about her. 395 00:18:43,200 --> 00:18:47,320 Speaker 3: This is really interesting because I don't think she's really 396 00:18:47,600 --> 00:18:50,240 Speaker 3: I don't know if she's like nailed down like the 397 00:18:50,400 --> 00:18:54,560 Speaker 3: sappy pop sort of formula just yet in terms of 398 00:18:54,640 --> 00:18:59,359 Speaker 3: a song. But I think the content and the relatability 399 00:18:59,480 --> 00:19:02,879 Speaker 3: of of what she's saying in it is enough for 400 00:19:03,280 --> 00:19:04,800 Speaker 3: people to overlook that, you. 401 00:19:04,800 --> 00:19:07,280 Speaker 5: Know what I'm saying, Yeah, you know what. 402 00:19:07,400 --> 00:19:10,399 Speaker 3: It reminds me of like when when rappers back in 403 00:19:10,480 --> 00:19:14,040 Speaker 3: the day will rap over whack beats, but the lyrics 404 00:19:14,080 --> 00:19:17,080 Speaker 3: are so good that you kind of excuse it. And 405 00:19:17,200 --> 00:19:23,400 Speaker 3: I think for a mainstream sort of audience, I think 406 00:19:23,480 --> 00:19:25,640 Speaker 3: that stuff will work for them. 407 00:19:25,960 --> 00:19:26,080 Speaker 5: You know. 408 00:19:26,200 --> 00:19:28,560 Speaker 3: I'm you know, I'm a little bit more critical about things, 409 00:19:29,480 --> 00:19:31,520 Speaker 3: but I have to kind of tone that down when 410 00:19:31,600 --> 00:19:34,720 Speaker 3: I try to listen to this album what she actually does. 411 00:19:35,160 --> 00:19:37,639 Speaker 3: I think, for the most part, I think it worked 412 00:19:37,720 --> 00:19:40,960 Speaker 3: in terms of her target audience. I think they are happy. 413 00:19:41,160 --> 00:19:43,600 Speaker 3: I think they're pleased, and I think they're like, this 414 00:19:43,800 --> 00:19:44,600 Speaker 3: is what I've been waiting on. 415 00:19:44,720 --> 00:19:46,760 Speaker 4: Cardi B. Did not make a whack album, and that's 416 00:19:46,800 --> 00:19:48,280 Speaker 4: all she had to do. All she had to do 417 00:19:48,440 --> 00:19:50,440 Speaker 4: was not make a whag out. She's good. 418 00:19:50,840 --> 00:19:52,960 Speaker 1: I don't know if y'all watched the Joe and Jada 419 00:19:53,400 --> 00:19:56,800 Speaker 1: podcast and they had Cardi B on there and the 420 00:19:56,960 --> 00:20:00,400 Speaker 1: song out of everything that's on here, you know, because now. 421 00:20:00,520 --> 00:20:02,720 Speaker 2: They playing songs. You know, I'm just saying I think 422 00:20:02,960 --> 00:20:04,600 Speaker 2: I know where they got that from. You know what 423 00:20:04,640 --> 00:20:06,920 Speaker 2: I'm saying in terms of the content strategy, but it 424 00:20:07,040 --> 00:20:09,440 Speaker 2: is what it is. She played Bodega Badi out of 425 00:20:09,640 --> 00:20:14,840 Speaker 2: everything that's on you you you that's the one though, Bro, 426 00:20:15,160 --> 00:20:17,200 Speaker 2: it's not even Ja's podcast. 427 00:20:17,440 --> 00:20:17,520 Speaker 5: Bro. 428 00:20:18,400 --> 00:20:21,000 Speaker 3: Okay, feel what you're saying. Okay, I do see what 429 00:20:21,080 --> 00:20:24,760 Speaker 3: you're saying in terms of like where she's at. Yes, 430 00:20:25,040 --> 00:20:27,080 Speaker 3: you know, to pick that song, but if she's trying 431 00:20:27,119 --> 00:20:29,959 Speaker 3: to reach that audience, bro, man, Cardi goes man bro 432 00:20:30,280 --> 00:20:33,960 Speaker 3: and then Joe Joe, Yeah, Yeah. 433 00:20:33,800 --> 00:20:35,200 Speaker 5: That's good. Yeah, that's good. 434 00:20:35,760 --> 00:20:38,879 Speaker 3: It's the song that sounds like it don't fit at 435 00:20:38,960 --> 00:20:40,919 Speaker 3: all on the It's the one different. 436 00:20:41,080 --> 00:20:44,520 Speaker 5: Yeah, I think that market is wow. 437 00:20:46,040 --> 00:20:50,120 Speaker 2: And you know she's she's collabored with other Spanish, She's 438 00:20:50,160 --> 00:20:52,639 Speaker 2: collabed with Bad Money before she's collabed, you know. So 439 00:20:53,160 --> 00:20:55,399 Speaker 2: I thought it was interesting that she didn't have a 440 00:20:55,520 --> 00:20:59,040 Speaker 2: Latino artist on that song, you know, to kind of 441 00:20:59,200 --> 00:21:01,639 Speaker 2: like even push it further to get you know, because 442 00:21:01,720 --> 00:21:05,879 Speaker 2: the thing the thing is is like Latinos fuck with Cardi, 443 00:21:06,760 --> 00:21:10,679 Speaker 2: but she don't. She's not necessarily a Latino artist. 444 00:21:11,440 --> 00:21:11,560 Speaker 5: You know. 445 00:21:11,880 --> 00:21:14,399 Speaker 2: She's an American that speaks Spanish. She's not like a 446 00:21:14,760 --> 00:21:17,320 Speaker 2: bad bunny that speaks English. So it's different. 447 00:21:17,440 --> 00:21:19,199 Speaker 4: So American that speaks Spanish. What do you mean? 448 00:21:19,400 --> 00:21:21,320 Speaker 2: So like like me, right, like I was born here? 449 00:21:21,440 --> 00:21:21,680 Speaker 5: She was? 450 00:21:21,920 --> 00:21:22,800 Speaker 2: I think she was born here? 451 00:21:22,840 --> 00:21:24,520 Speaker 4: I thought I don't know, because he sounds like she's 452 00:21:24,560 --> 00:21:25,280 Speaker 4: fucking Spanish. 453 00:21:25,320 --> 00:21:28,080 Speaker 2: She's yeah, she's Dominican. But but what I'm saying, so 454 00:21:28,240 --> 00:21:30,800 Speaker 2: she's speaks Spanish. Yeah, but but she's American though. 455 00:21:30,960 --> 00:21:35,640 Speaker 5: See it sounds like like she's from heavy in the household. 456 00:21:35,280 --> 00:21:39,520 Speaker 1: Like yeah, yeah, you know, like Dominicans are very big 457 00:21:39,600 --> 00:21:41,080 Speaker 1: in New York, you know what I'm saying. Like that's 458 00:21:41,240 --> 00:21:43,200 Speaker 1: like that's the whole thing up there, just like the 459 00:21:43,280 --> 00:21:46,080 Speaker 1: Haitians and you know, just all different types of subsets, 460 00:21:46,359 --> 00:21:48,280 Speaker 1: so that that's all I'm saying, Like from from the 461 00:21:48,440 --> 00:21:52,200 Speaker 1: music perspective, like Bad Bunny has the Latin Americas first 462 00:21:52,280 --> 00:21:54,080 Speaker 1: and then transition America. 463 00:21:54,480 --> 00:21:58,119 Speaker 2: She had America first and then transitioned over there. But 464 00:21:58,400 --> 00:22:00,760 Speaker 2: either way, I think this is a damn good album. 465 00:22:01,200 --> 00:22:02,760 Speaker 2: I think it's a damn good album. I think it's 466 00:22:02,800 --> 00:22:04,800 Speaker 2: a great follow up. I think it's a great way 467 00:22:04,920 --> 00:22:08,919 Speaker 2: to continue her momentum into I think she's reached superstart them, 468 00:22:09,200 --> 00:22:11,240 Speaker 2: but I think this is a great way to maintain 469 00:22:11,359 --> 00:22:13,640 Speaker 2: the superstart them until next Roger. 470 00:22:13,520 --> 00:22:16,560 Speaker 5: Soon because you think so she can't go another seven years? 471 00:22:16,720 --> 00:22:18,840 Speaker 2: No, no, no, no, okay, well you when you said soon, 472 00:22:18,880 --> 00:22:20,680 Speaker 2: I'm thinking like you talking about like she's gonna drop 473 00:22:20,880 --> 00:22:24,560 Speaker 2: baby first, maybe take some time off, and then probably 474 00:22:24,560 --> 00:22:26,760 Speaker 2: get that because she's gonna tour in February. 475 00:22:27,080 --> 00:22:30,679 Speaker 5: Herre is gonna start February, which that's probably gonna go crazy. 476 00:22:30,760 --> 00:22:34,160 Speaker 5: She's crazy. Numbers don't. I don't know if it's. 477 00:22:34,080 --> 00:22:38,760 Speaker 3: Fair to judge mainstream artists, But did you guys hear 478 00:22:38,760 --> 00:22:41,040 Speaker 3: any growth grow? 479 00:22:41,160 --> 00:22:41,320 Speaker 4: Yeah? 480 00:22:41,560 --> 00:22:43,960 Speaker 5: Yeah, in terms of yeah, it's been seven years, yeah, yeah. 481 00:22:44,119 --> 00:22:48,600 Speaker 1: Her technicality as a rapper, uh not singer, but like 482 00:22:48,760 --> 00:22:51,920 Speaker 1: I guess song writer to a degree. Her delivery has 483 00:22:52,080 --> 00:22:57,040 Speaker 1: grown immenseally in my opinion, her subject matter has grown, 484 00:22:57,119 --> 00:22:59,600 Speaker 1: and that that goes to Rodd's point of being authentic. 485 00:23:00,320 --> 00:23:03,200 Speaker 1: She's she's been through so much more now than when 486 00:23:03,320 --> 00:23:04,400 Speaker 1: that first album came out. 487 00:23:04,920 --> 00:23:07,880 Speaker 5: Yeah, and everybody followed along with us, had a lot. 488 00:23:07,800 --> 00:23:10,760 Speaker 1: Of yees, you know, and even the shots that she 489 00:23:10,960 --> 00:23:16,040 Speaker 1: took at be auh this Nikki, Yeah, it was one joint. 490 00:23:16,080 --> 00:23:18,119 Speaker 3: She took a shot like because she was like, keep 491 00:23:18,200 --> 00:23:21,520 Speaker 3: my kids name out of your mouth. The ABC D 492 00:23:21,680 --> 00:23:23,800 Speaker 3: E f G joint on here bro the. 493 00:23:23,960 --> 00:23:28,440 Speaker 5: Ship talking on this album. Very loved all of it 494 00:23:28,600 --> 00:23:30,359 Speaker 5: on the songs that and it's most on the songs 495 00:23:30,359 --> 00:23:32,760 Speaker 5: that I like. But she was talking as tall bro. 496 00:23:32,920 --> 00:23:35,000 Speaker 2: What's crazy is that she didn't she didn't call out 497 00:23:35,119 --> 00:23:37,280 Speaker 2: Nikki and she I think she did that purposely. 498 00:23:37,520 --> 00:23:39,600 Speaker 4: I think she didn't. She didn't want to give Nikki energy. 499 00:23:39,640 --> 00:23:41,520 Speaker 4: So I see them based on based on the. 500 00:23:41,520 --> 00:23:43,920 Speaker 2: Tweets, she's just like you mad because I ain't mentioned 501 00:23:43,960 --> 00:23:46,680 Speaker 2: your ass on the album, like you know, it sounded 502 00:23:46,760 --> 00:23:50,120 Speaker 2: like yeah, yeah, the people that she talked about. 503 00:23:49,920 --> 00:23:51,760 Speaker 4: She said there, I think shipped their name. 504 00:23:51,880 --> 00:23:52,280 Speaker 5: She didn't. 505 00:23:52,800 --> 00:23:53,880 Speaker 4: I don't think she said Nikki. 506 00:23:54,119 --> 00:23:55,320 Speaker 2: She didn't say Nikki's name. 507 00:23:55,720 --> 00:23:58,200 Speaker 1: But but I took I took some of what she said, 508 00:23:58,320 --> 00:24:02,919 Speaker 1: like you know, maybe not subliminally, but it maybe not directly. 509 00:24:02,960 --> 00:24:03,280 Speaker 5: I don't know. 510 00:24:03,359 --> 00:24:05,120 Speaker 2: Maybe it's like an in between, like I'm not gonna 511 00:24:05,119 --> 00:24:07,199 Speaker 2: say your name, but you can apply it. That's how 512 00:24:07,240 --> 00:24:09,960 Speaker 2: I took some of that. But according to her, like 513 00:24:10,400 --> 00:24:12,520 Speaker 2: you know, she didn't give her any energy, So you 514 00:24:12,600 --> 00:24:14,640 Speaker 2: feel that she had growth on like oh hell yeah, 515 00:24:14,680 --> 00:24:17,440 Speaker 2: hell yeah. Our borderline said is better than the first. 516 00:24:20,280 --> 00:24:21,480 Speaker 5: Just her as the artist. 517 00:24:21,560 --> 00:24:24,280 Speaker 1: I forget, like how good the music, so like her 518 00:24:24,320 --> 00:24:27,280 Speaker 1: as an artist is big, big growth, big growth. 519 00:24:27,280 --> 00:24:29,159 Speaker 5: Do you feel she grew? I did not. 520 00:24:29,960 --> 00:24:32,199 Speaker 4: Mm hm. So you feel like this is worse than 521 00:24:32,240 --> 00:24:32,560 Speaker 4: the last. 522 00:24:32,640 --> 00:24:34,320 Speaker 3: I don't think it's worse, but it's on part or 523 00:24:34,640 --> 00:24:36,480 Speaker 3: just like that was the one thing I was, Well, 524 00:24:36,600 --> 00:24:41,120 Speaker 3: she hasn't really grown a lot, but I do think 525 00:24:41,280 --> 00:24:44,639 Speaker 3: though it did sound like the technical part of rapping 526 00:24:45,280 --> 00:24:46,520 Speaker 3: was a little bit more crisp. 527 00:24:46,760 --> 00:24:47,520 Speaker 5: Yes was. 528 00:24:49,000 --> 00:24:49,119 Speaker 3: One. 529 00:24:49,240 --> 00:24:51,399 Speaker 5: Sluke was one when she was just like was that 530 00:24:51,520 --> 00:24:56,760 Speaker 5: the one when she was doing that? Yeah, she did 531 00:24:56,840 --> 00:24:59,840 Speaker 5: the bird man ship. That was the first one, like, 532 00:25:00,080 --> 00:25:00,640 Speaker 5: what's the one? 533 00:25:00,800 --> 00:25:00,919 Speaker 3: Bro? 534 00:25:01,280 --> 00:25:03,760 Speaker 2: When when I listened to this album the first time, 535 00:25:03,880 --> 00:25:05,560 Speaker 2: I had to rewind that song three times. 536 00:25:05,640 --> 00:25:09,480 Speaker 5: I'm like, dog, like, this ship is hard. 537 00:25:10,040 --> 00:25:13,679 Speaker 4: Looke sounds like growth to me. Yes, yeah, I think 538 00:25:13,680 --> 00:25:14,160 Speaker 4: that's the one. 539 00:25:14,280 --> 00:25:17,119 Speaker 5: Oh hell yeah, that ship is hard. Hey, you know 540 00:25:17,200 --> 00:25:18,480 Speaker 5: what I was like. 541 00:25:18,720 --> 00:25:22,119 Speaker 1: So when I saw all of the features, I was like, bro, 542 00:25:22,840 --> 00:25:25,520 Speaker 1: I really think and then and this is just the 543 00:25:26,200 --> 00:25:28,800 Speaker 1: hip hop hed in me. I'm like, bro, I would 544 00:25:28,840 --> 00:25:31,680 Speaker 1: have loved to hear Benny the Butcher on that featured 545 00:25:31,720 --> 00:25:34,560 Speaker 1: on that on that song salute, I said, I would 546 00:25:34,560 --> 00:25:36,280 Speaker 1: have loved to hear Benny the Butcher featured on that 547 00:25:36,359 --> 00:25:37,000 Speaker 1: song salute. 548 00:25:37,200 --> 00:25:38,800 Speaker 2: I feel I would love. 549 00:25:38,760 --> 00:25:46,280 Speaker 1: To hear Carti tap into some of these artists artist yes, yes, yes. 550 00:25:47,000 --> 00:25:50,280 Speaker 2: Done that she hasn't like Cardi. 551 00:25:50,760 --> 00:25:53,359 Speaker 1: Cardi went from like Bodak Yellow that was very gritty, 552 00:25:53,400 --> 00:25:57,399 Speaker 1: obviously taking the whole stelo from Kodak Black, and it 553 00:25:57,560 --> 00:26:01,320 Speaker 1: just went mainstream pop, you know, Like she she hasn't 554 00:26:01,359 --> 00:26:03,479 Speaker 1: really dealt with a lot of gritty artists and if 555 00:26:03,520 --> 00:26:06,240 Speaker 1: they are gritty, the songs that she puts some mom 556 00:26:06,440 --> 00:26:08,560 Speaker 1: haven't been like that song to me, Like when I 557 00:26:08,600 --> 00:26:11,520 Speaker 1: hear Broke like that's a hard ass trap beat. Her 558 00:26:11,680 --> 00:26:14,760 Speaker 1: flow is fucking crazy and she's like salute all of 559 00:26:14,840 --> 00:26:17,879 Speaker 1: the big like yo, like that ship is dope. 560 00:26:18,280 --> 00:26:19,920 Speaker 6: But I'm like, yo, like if you would have put 561 00:26:20,040 --> 00:26:22,480 Speaker 6: like a like a grimey type nigga, like a Benny 562 00:26:22,560 --> 00:26:25,560 Speaker 6: on there, you know, like like just somebody like that, 563 00:26:25,800 --> 00:26:29,520 Speaker 6: like Jada kiss On there, Like yo, gonna word with. 564 00:26:29,840 --> 00:26:32,880 Speaker 4: Pretty and Petty. It's the West Coast who Okay, yeah 565 00:26:32,920 --> 00:26:34,560 Speaker 4: that was Yeah. 566 00:26:34,720 --> 00:26:36,440 Speaker 3: I didn't hear that the first time I listened to 567 00:26:36,520 --> 00:26:38,880 Speaker 3: it because album was like for a while, I got exhausted, 568 00:26:39,280 --> 00:26:40,680 Speaker 3: but then just realists do that. 569 00:26:40,680 --> 00:26:42,320 Speaker 5: As I was getting prepared for that, I was like, oh, 570 00:26:42,359 --> 00:26:44,159 Speaker 5: I missed that the first time. I do like that 571 00:26:44,280 --> 00:26:48,400 Speaker 5: one too. I was like trying to do some West 572 00:26:48,440 --> 00:26:48,840 Speaker 5: Coast ship. 573 00:26:48,920 --> 00:26:50,280 Speaker 4: That's a joints man. 574 00:26:50,359 --> 00:26:50,760 Speaker 5: Let's get it. 575 00:26:50,960 --> 00:26:54,679 Speaker 2: Let's get into these grades, the last one killing them. 576 00:26:58,320 --> 00:26:59,280 Speaker 2: This is your first time here. 577 00:26:59,359 --> 00:27:02,400 Speaker 1: Where we are great are the flow, the lyrics, the production, 578 00:27:02,600 --> 00:27:05,880 Speaker 1: the features, the execution, the replay value in the overall. 579 00:27:06,359 --> 00:27:08,840 Speaker 2: I will start off with the flow. Gimme B plus. 580 00:27:09,280 --> 00:27:10,760 Speaker 5: Yeah, I'm not quite with you. 581 00:27:10,840 --> 00:27:12,920 Speaker 4: I'm at a solid B on flow. I like a 582 00:27:13,000 --> 00:27:14,280 Speaker 4: flow man, like, I'll give it. 583 00:27:14,280 --> 00:27:19,280 Speaker 3: A solid bulus lyrics, I am at a B. 584 00:27:19,880 --> 00:27:21,920 Speaker 2: I'm gonna go a little bit, like just a notch 585 00:27:22,000 --> 00:27:24,200 Speaker 2: down on that one, to gonna go be minus on lyrics. 586 00:27:24,840 --> 00:27:27,879 Speaker 5: I'm on the lyrics. Yeah. I like the content. I 587 00:27:28,280 --> 00:27:29,520 Speaker 5: like some of the things she was saying. 588 00:27:30,880 --> 00:27:34,960 Speaker 1: Production, I'm at to be. I thought it was solid throughout. 589 00:27:35,040 --> 00:27:38,600 Speaker 1: I think that every style of music that she went 590 00:27:38,680 --> 00:27:41,760 Speaker 1: to tackle. The production was on point for that. So 591 00:27:41,840 --> 00:27:43,760 Speaker 1: I'm got to be I'm actually at a B plus 592 00:27:43,880 --> 00:27:45,920 Speaker 1: on production. I had it at a B, but I 593 00:27:46,000 --> 00:27:48,800 Speaker 1: went up because I'm like, man, this ship, like you said, 594 00:27:48,800 --> 00:27:49,760 Speaker 1: I can pull up to some of the. 595 00:27:51,720 --> 00:27:53,399 Speaker 2: Like, I think the production stellar, but I feel like 596 00:27:53,440 --> 00:27:55,680 Speaker 2: that with most mainstream artists, they get like the best 597 00:27:55,720 --> 00:27:56,960 Speaker 2: of the best. You know what I'm saying. 598 00:27:57,280 --> 00:28:01,960 Speaker 4: The creep Yeah, so yeah, I'm gonna be plus on production. 599 00:28:02,280 --> 00:28:05,040 Speaker 5: I metta be minus minus on production. 600 00:28:05,320 --> 00:28:09,080 Speaker 1: Okay, the features I metta be. I met a solid B. 601 00:28:09,200 --> 00:28:11,800 Speaker 1: I feel the people that she did have on here, 602 00:28:11,880 --> 00:28:15,399 Speaker 1: they all did their thing. Nobody was like super stellar 603 00:28:15,520 --> 00:28:18,080 Speaker 1: outside of Summer Walker. I felt like she was the 604 00:28:18,119 --> 00:28:20,920 Speaker 1: one that kind of stepped it up. Kalanie was good 605 00:28:21,040 --> 00:28:24,600 Speaker 1: Lizzo was good. Yeah, I can say Lizzo. Lizzo definitely 606 00:28:24,680 --> 00:28:27,359 Speaker 1: went above and beyond two. But everybody else was cool, 607 00:28:27,680 --> 00:28:29,320 Speaker 1: but I think very solid, So I'm got to be 608 00:28:29,600 --> 00:28:31,560 Speaker 1: for that same reason, I'm going to see Plus. 609 00:28:31,680 --> 00:28:33,720 Speaker 2: I don't feel like anybody was just like stellar, like 610 00:28:33,920 --> 00:28:36,040 Speaker 2: oh man, she absolutely needed. 611 00:28:35,840 --> 00:28:36,880 Speaker 5: That person on this song. 612 00:28:37,160 --> 00:28:39,680 Speaker 4: It's cool she had them, but it didn't like it 613 00:28:39,720 --> 00:28:42,640 Speaker 4: didn't like, so I just gave it, gave c Plus. 614 00:28:43,720 --> 00:28:45,760 Speaker 3: Yeah, I got to see it sounded like features for 615 00:28:45,880 --> 00:28:48,800 Speaker 3: future sake, and I didn't really like most of the 616 00:28:48,920 --> 00:28:53,160 Speaker 3: songs that the features were on anyway, so and they 617 00:28:53,240 --> 00:28:54,960 Speaker 3: didn't help, they didn't add to it. 618 00:28:55,160 --> 00:28:57,200 Speaker 5: So I'm going to see execution. 619 00:28:58,000 --> 00:29:01,400 Speaker 1: I'm at a B and the own only reason is 620 00:29:01,560 --> 00:29:06,000 Speaker 1: I feel like it's a little too long now, even 621 00:29:06,120 --> 00:29:09,920 Speaker 1: with the runtime being an over an hour, I could 622 00:29:10,000 --> 00:29:11,760 Speaker 1: just press play and just let it ride out like 623 00:29:11,840 --> 00:29:14,920 Speaker 1: I really could, but then it's but then it gets 624 00:29:14,960 --> 00:29:15,760 Speaker 1: a little monotonous. 625 00:29:15,880 --> 00:29:18,280 Speaker 2: Then it's like, Okay, I'm gonna start skipping. But I 626 00:29:18,360 --> 00:29:22,160 Speaker 2: think the execution for what she tried to accomplish was 627 00:29:22,280 --> 00:29:25,240 Speaker 2: really good, So that's why she's got to be same. 628 00:29:25,240 --> 00:29:26,720 Speaker 4: I'm giving her a be on execution. 629 00:29:27,760 --> 00:29:29,920 Speaker 2: I gave her more grace than I've given other people 630 00:29:30,320 --> 00:29:33,560 Speaker 2: that that kind of fit stuff in there. But I 631 00:29:33,600 --> 00:29:36,959 Speaker 2: feel like her she needed to she needed to address 632 00:29:37,000 --> 00:29:39,640 Speaker 2: those things in a way seven years addressed it. So 633 00:29:39,880 --> 00:29:41,320 Speaker 2: I gave it a little bit more grace than I 634 00:29:41,400 --> 00:29:43,760 Speaker 2: give some other people that I've had issues with their sequences. 635 00:29:44,200 --> 00:29:48,360 Speaker 5: So, yeah, I gave it. I gave it a B. Oh, Yeah, 636 00:29:48,520 --> 00:29:50,080 Speaker 5: it's definitely nah. 637 00:29:50,760 --> 00:29:55,680 Speaker 1: Replay value I'm in between. And I'll be telling Ken 638 00:29:55,800 --> 00:29:57,280 Speaker 1: this all the time. I D through sixty five. 639 00:29:58,160 --> 00:30:01,680 Speaker 2: I need something in between the plus like, because I 640 00:30:01,760 --> 00:30:03,800 Speaker 2: don't feel that replay value is all the way at 641 00:30:03,840 --> 00:30:06,479 Speaker 2: a B plus, but I feel like it's higher than 642 00:30:06,560 --> 00:30:06,720 Speaker 2: a B. 643 00:30:07,240 --> 00:30:09,960 Speaker 1: So if we had something, I would definitely put it 644 00:30:10,000 --> 00:30:13,720 Speaker 1: in between. Because of what I said, I could pull 645 00:30:13,840 --> 00:30:16,080 Speaker 1: up to a lot of Cardi B music bro like, 646 00:30:16,240 --> 00:30:18,560 Speaker 1: I wouldn't be I wouldn't feel no type of way. 647 00:30:18,640 --> 00:30:21,680 Speaker 1: My masculinity will not be challenged. If I'm rapping Cardi 648 00:30:21,760 --> 00:30:25,120 Speaker 1: B lyrics on some of these joints in traffic, you look. 649 00:30:25,040 --> 00:30:27,040 Speaker 2: Over like, oh he wrapping Cardi B. Yeah, and what 650 00:30:28,360 --> 00:30:31,040 Speaker 2: so to be replay values at a B. I fuck 651 00:30:31,120 --> 00:30:32,080 Speaker 2: with this album. 652 00:30:31,960 --> 00:30:33,560 Speaker 5: Even though it won't pull up to where. 653 00:30:36,400 --> 00:30:38,440 Speaker 4: I can't even I'm not. 654 00:30:41,080 --> 00:30:45,720 Speaker 2: I'm very secure, but yeah, it's just I'm just it's 655 00:30:45,760 --> 00:30:49,160 Speaker 2: not made for us repay play a C minus for me. 656 00:30:49,360 --> 00:30:52,800 Speaker 2: Even even though I like this album, I think it's 657 00:30:52,840 --> 00:30:55,960 Speaker 2: good for Cardi B. For me, I'm just not I'm 658 00:30:56,040 --> 00:30:58,080 Speaker 2: just not playing. It's too many other things that I 659 00:30:58,720 --> 00:31:01,280 Speaker 2: feel you that I'm playing. I'm just not gonna go 660 00:31:01,360 --> 00:31:03,800 Speaker 2: to Cardi B. Not to say that that if it 661 00:31:03,880 --> 00:31:06,000 Speaker 2: came on, I'm just like turn that ship off, which 662 00:31:06,000 --> 00:31:07,840 Speaker 2: is why it's in the c arena for me. 663 00:31:08,400 --> 00:31:10,920 Speaker 4: But yeah, I'm just not, man, I'm just not gonna 664 00:31:10,920 --> 00:31:13,240 Speaker 4: play Cardi D plus damn. 665 00:31:13,840 --> 00:31:17,960 Speaker 2: You know that's what you like though, Yeah, star star 666 00:31:19,000 --> 00:31:19,800 Speaker 2: just also his star. 667 00:31:19,920 --> 00:31:20,960 Speaker 5: I think I got like eight. 668 00:31:21,600 --> 00:31:23,640 Speaker 3: It may be more than that, but it's like twenty 669 00:31:23,760 --> 00:31:28,400 Speaker 3: two twenty three, only like I only got start right now. 670 00:31:28,920 --> 00:31:32,040 Speaker 5: A third got a third? Yeah, that's that's not good. 671 00:31:32,600 --> 00:31:35,280 Speaker 1: Part of my replay value too, is I could put 672 00:31:35,320 --> 00:31:37,640 Speaker 1: a lot of these joints on a playlist, so it 673 00:31:37,800 --> 00:31:39,200 Speaker 1: coming on randomly, I'm cool with that. 674 00:31:39,640 --> 00:31:40,440 Speaker 5: Overall, I'm at a B. 675 00:31:40,640 --> 00:31:43,479 Speaker 2: I feel like this was a very solid project, coming 676 00:31:44,040 --> 00:31:45,880 Speaker 2: from seven years of a hiatus. 677 00:31:45,960 --> 00:31:48,640 Speaker 1: Obviously, she's given us a whole bunch of singles and features, 678 00:31:48,760 --> 00:31:51,080 Speaker 1: and you know, she's been active, but just not with 679 00:31:51,200 --> 00:31:52,760 Speaker 1: a with a full length project. 680 00:31:52,840 --> 00:31:56,080 Speaker 2: But overall, I feel like this project is very solid. 681 00:31:56,440 --> 00:31:57,000 Speaker 5: And I gotta be. 682 00:31:57,160 --> 00:31:58,680 Speaker 4: I got to be as well. I feel like it's 683 00:31:58,720 --> 00:32:00,520 Speaker 4: more than solid. I feel like it's a good project. 684 00:32:01,120 --> 00:32:02,680 Speaker 2: It's a B for me, but I wouldn't be mad 685 00:32:02,720 --> 00:32:04,560 Speaker 2: if somebody else gave it a higher grade, because I 686 00:32:04,600 --> 00:32:07,680 Speaker 2: think it's better than the first one. Yeah, so so yeah, 687 00:32:07,680 --> 00:32:10,080 Speaker 2: if somebody was a Cardi fan, Cardi B fan, or 688 00:32:10,080 --> 00:32:12,240 Speaker 2: a slight Cardi B fan and they gave it a 689 00:32:12,360 --> 00:32:14,800 Speaker 2: higher grade than B, I wouldn't be looking like y'all 690 00:32:14,960 --> 00:32:17,600 Speaker 2: fucking crazy because because it is, there's some good, good 691 00:32:17,720 --> 00:32:19,239 Speaker 2: songs on here, good content on here. 692 00:32:19,320 --> 00:32:23,400 Speaker 4: So yeah, I'm yeah, I would. I wouldn't. I wouldn't 693 00:32:23,600 --> 00:32:24,360 Speaker 4: look at them crazy. 694 00:32:24,560 --> 00:32:25,040 Speaker 5: I met a C. 695 00:32:25,880 --> 00:32:27,920 Speaker 3: I think it's some good songs on here. I think 696 00:32:28,880 --> 00:32:32,560 Speaker 3: it sounds crazy, but I think she delivered for her fans. 697 00:32:32,680 --> 00:32:35,360 Speaker 3: But I think just objectively judging in as an album, 698 00:32:36,360 --> 00:32:39,080 Speaker 3: it's it's not all the way there for me, you know, 699 00:32:39,200 --> 00:32:41,080 Speaker 3: And I'm already addressed, like the sequencing. 700 00:32:41,160 --> 00:32:44,160 Speaker 5: The songs in the middle, Uh, were just. 701 00:32:44,200 --> 00:32:46,360 Speaker 3: A struggle, and I think that it sounded like there 702 00:32:46,400 --> 00:32:49,400 Speaker 3: were attempts to make commercial songs, but she is a 703 00:32:49,440 --> 00:32:53,200 Speaker 3: mainstream commercial rap artist. So but I don't think the 704 00:32:53,400 --> 00:32:57,400 Speaker 3: songs themselves were good, and I think that was the issue. 705 00:32:57,440 --> 00:32:59,200 Speaker 3: But I think given more time, I think she could 706 00:32:59,200 --> 00:33:03,160 Speaker 3: probably nail down the formula for those But I think 707 00:33:03,280 --> 00:33:06,360 Speaker 3: for the people that love her, I think they're able 708 00:33:06,400 --> 00:33:08,640 Speaker 3: to look past that, and I think they'll enjoy the 709 00:33:08,760 --> 00:33:11,960 Speaker 3: content of those songs, but think don't quite work. 710 00:33:12,080 --> 00:33:15,560 Speaker 2: So see, well, look, you already know the conversation. After 711 00:33:15,640 --> 00:33:18,600 Speaker 2: the conversation is in the common section. Let us know 712 00:33:18,720 --> 00:33:19,240 Speaker 2: your grades. 713 00:33:19,320 --> 00:33:23,800 Speaker 5: Let us know if you like don't fight McCarty. Let 714 00:33:23,920 --> 00:33:25,280 Speaker 5: us know if you like. 715 00:33:25,360 --> 00:33:29,040 Speaker 1: This Cardi B album and what can Cardi do better? 716 00:33:29,200 --> 00:33:32,760 Speaker 1: Do you want a Cardi B album relatively soon, let's say, 717 00:33:32,840 --> 00:33:35,240 Speaker 1: like two years, within two years from this one? Or 718 00:33:35,320 --> 00:33:38,320 Speaker 1: are you cool with waiting and getting features and a 719 00:33:38,360 --> 00:33:41,080 Speaker 1: whole bunch of singles? Let us know catch you next 720 00:33:41,120 --> 00:33:42,240 Speaker 1: time we're out piece bigs