1 00:00:00,640 --> 00:00:03,240 Speaker 1: We Live Bone Bone by Drew too. 2 00:00:03,480 --> 00:00:09,000 Speaker 2: We see you so yeah? 3 00:00:08,200 --> 00:00:19,200 Speaker 1: Uh Rob Costa, who did Rob Costa? Were signed? 4 00:00:19,360 --> 00:00:25,200 Speaker 2: Okay with with the mics everything the new setup Drew too. Yeah, 5 00:00:25,200 --> 00:00:28,200 Speaker 2: we are like, oh ship, I ain't what you're playing. 6 00:00:28,880 --> 00:00:30,680 Speaker 1: I know he's a commercial that. 7 00:00:33,680 --> 00:00:37,920 Speaker 3: Ju c J India owens over there. Haven't listened to 8 00:00:37,960 --> 00:00:39,640 Speaker 3: it yet, No, I haven't. 9 00:00:42,600 --> 00:00:47,000 Speaker 1: A man I listened to with it. It's all right. 10 00:00:48,360 --> 00:00:53,800 Speaker 1: You ting to come on. 11 00:00:56,040 --> 00:01:00,360 Speaker 2: Robinson the awesome heat best let's send you you know. 12 00:01:00,400 --> 00:01:03,680 Speaker 2: I know he's been busy, so you know it's it's fine. Yeah, 13 00:01:03,960 --> 00:01:07,360 Speaker 2: but anyway, but yeah, yeah, man. 14 00:01:07,280 --> 00:01:11,160 Speaker 1: What I put? Hey, y'all listen to that Primo? Which 15 00:01:11,200 --> 00:01:15,520 Speaker 1: one of that man? Whatever it was? You put? 16 00:01:15,600 --> 00:01:16,400 Speaker 3: J Worthy of Larry? 17 00:01:16,640 --> 00:01:20,399 Speaker 1: That that's it bad? Yeah? Yeah, I thought I did 18 00:01:20,480 --> 00:01:26,360 Speaker 1: share a Primo joint anyway I did. Did you you 19 00:01:26,480 --> 00:01:29,959 Speaker 1: listen to the Larry I like it? Yeah? You listen? 20 00:01:31,360 --> 00:01:32,119 Speaker 3: The beat is dope. 21 00:01:32,120 --> 00:01:37,600 Speaker 1: I don't like Worthy? Did you like it? Yeah? Yeah? 22 00:01:37,720 --> 00:01:40,640 Speaker 1: Some name? Oh yeah yeah yeah. 23 00:01:40,640 --> 00:01:41,559 Speaker 3: That's only when I listened. 24 00:01:41,600 --> 00:01:46,680 Speaker 1: Ad a chance to listen to Yeah? Yeah, yeah, I can't. 25 00:01:46,760 --> 00:01:50,000 Speaker 2: I don't know how I came across him. I was, uh, 26 00:01:50,360 --> 00:01:52,080 Speaker 2: but it was one of the new stuff that you 27 00:01:52,120 --> 00:01:54,400 Speaker 2: know what it was to be the album cover all 28 00:01:54,480 --> 00:01:56,440 Speaker 2: playing something. My wife was like, how do you how 29 00:01:56,560 --> 00:01:57,960 Speaker 2: you picking the front stid. 30 00:01:58,000 --> 00:01:58,200 Speaker 1: I just. 31 00:02:01,520 --> 00:02:03,160 Speaker 2: I saw it was R and B and ship. It 32 00:02:03,200 --> 00:02:05,240 Speaker 2: looked like it was dope, so I just had and 33 00:02:06,080 --> 00:02:09,240 Speaker 2: it's it's pretty good. You mess Eric Robinson last thing 34 00:02:09,240 --> 00:02:10,640 Speaker 2: before you got. 35 00:02:10,560 --> 00:02:12,359 Speaker 1: A new single lot. I've listened to it, but spikes 36 00:02:12,400 --> 00:02:12,799 Speaker 1: in it over. 37 00:02:12,960 --> 00:02:15,919 Speaker 4: I remember when I saw he opened up for somebody, 38 00:02:16,639 --> 00:02:19,639 Speaker 4: was it was Robert when I want to go he 39 00:02:19,720 --> 00:02:20,560 Speaker 4: opened up with somebody? 40 00:02:20,600 --> 00:02:21,920 Speaker 3: But yeah, yeah, I know about him. 41 00:02:23,639 --> 00:02:24,200 Speaker 1: Whoop do? 42 00:02:27,680 --> 00:02:31,160 Speaker 3: All right, So today I'm the captain again. 43 00:02:31,760 --> 00:02:34,359 Speaker 4: Since we're doing a Rundown live, we're gonna keep it 44 00:02:34,360 --> 00:02:37,160 Speaker 4: a little simplistic, you know what I'm saying. Not too 45 00:02:37,240 --> 00:02:41,280 Speaker 4: many topics, not a lot of music releases and all 46 00:02:41,320 --> 00:02:43,079 Speaker 4: of that type of stuff. We did that on the 47 00:02:43,200 --> 00:02:49,680 Speaker 4: last Rundown type ship type ship. But today we're talking 48 00:02:49,840 --> 00:02:52,720 Speaker 4: about more young thug drama. We're gonna talk. 49 00:02:52,600 --> 00:02:54,360 Speaker 1: About the drama, more drama. 50 00:02:54,960 --> 00:02:57,959 Speaker 4: Yeah, it seemed like whoever got them audio leaks is 51 00:02:58,040 --> 00:02:59,720 Speaker 4: just getting paid that niggas just dropping him. 52 00:02:59,760 --> 00:03:03,400 Speaker 5: This is they said, was dropping them. How did get 53 00:03:03,480 --> 00:03:09,280 Speaker 5: them done, said, but somebody was said, but. 54 00:03:09,400 --> 00:03:12,040 Speaker 4: Uh yeah, whoever has them, they've been dropping them like 55 00:03:12,080 --> 00:03:15,520 Speaker 4: its mixtapes back in Little Wayne's a Day. So we're 56 00:03:15,560 --> 00:03:18,359 Speaker 4: gonna talk about the young more young thug drama. We're 57 00:03:18,360 --> 00:03:22,280 Speaker 4: gonna talk about the disc track, and then it's breaking news. 58 00:03:22,760 --> 00:03:25,600 Speaker 4: Can set this And I thought, bro, like, we have 59 00:03:25,800 --> 00:03:28,760 Speaker 4: to talk about this because you know, there's a reason 60 00:03:28,919 --> 00:03:33,000 Speaker 4: why radio has been, in my opinion, stacked it and 61 00:03:33,160 --> 00:03:35,760 Speaker 4: why it's shifted a particular way. 62 00:03:36,160 --> 00:03:39,080 Speaker 3: But it's breaking news. The government is. 63 00:03:40,760 --> 00:03:50,520 Speaker 4: No yeah, super chests though, yeah, super chats. Uh nine fifteen, 64 00:03:51,240 --> 00:03:52,760 Speaker 4: you know what I'm saying. Y'all got to nine fifteen 65 00:03:52,800 --> 00:03:56,960 Speaker 4: to send those in. But there's a federal government is 66 00:03:57,120 --> 00:04:00,880 Speaker 4: preparing to launch a RICO against prominent radio stations. 67 00:04:01,320 --> 00:04:02,440 Speaker 3: We'll get a little bit into. 68 00:04:02,360 --> 00:04:07,200 Speaker 1: That, But is that true though? Has that been confirmed? 69 00:04:07,800 --> 00:04:11,600 Speaker 4: It hasn't because I've tried to look and I can 70 00:04:11,720 --> 00:04:14,200 Speaker 4: that's the only one that I seen, you know what 71 00:04:14,280 --> 00:04:14,840 Speaker 4: I'm saying, So. 72 00:04:15,480 --> 00:04:16,160 Speaker 3: That's really real. 73 00:04:17,360 --> 00:04:19,360 Speaker 1: Yeah. I didn't get a chance to do a lot 74 00:04:19,440 --> 00:04:21,320 Speaker 1: of digging, but you know, we can kind of talk 75 00:04:21,360 --> 00:04:21,640 Speaker 1: about it. 76 00:04:21,720 --> 00:04:22,920 Speaker 3: Yeah, we can kind of talk about it. 77 00:04:23,120 --> 00:04:24,480 Speaker 1: But I didn't get a chance to do a lot 78 00:04:24,600 --> 00:04:26,359 Speaker 1: of digging into the. 79 00:04:28,200 --> 00:04:33,920 Speaker 3: Source. Yeah that being said, more young thug drummer. So 80 00:04:34,279 --> 00:04:35,800 Speaker 3: have y'all heard the new. 81 00:04:36,560 --> 00:04:39,280 Speaker 5: Shake this because I don't think I was on the 82 00:04:39,400 --> 00:04:42,800 Speaker 5: last one that y'all did. Man like this this, and 83 00:04:42,880 --> 00:04:44,920 Speaker 5: I think I gave my thoughts on is the my 84 00:04:45,040 --> 00:04:47,000 Speaker 5: Stillon to make sure is the my stalon? 85 00:04:47,160 --> 00:04:48,360 Speaker 1: Yep, that's out today. 86 00:04:49,680 --> 00:04:52,040 Speaker 5: But yeah, man, like it's it was just it was 87 00:04:52,200 --> 00:04:56,080 Speaker 5: wild to hear all those all those leagues. But then 88 00:04:56,120 --> 00:04:57,880 Speaker 5: when he when he first did, like some of the 89 00:04:58,040 --> 00:05:02,159 Speaker 5: earlier leaks of the interview you happened, I was just like, Okay, 90 00:05:02,440 --> 00:05:02,840 Speaker 5: I get it. 91 00:05:02,839 --> 00:05:03,320 Speaker 1: You know what I'm saying. 92 00:05:03,320 --> 00:05:05,560 Speaker 5: He was Pillow talking with his girl stuff like that, 93 00:05:05,720 --> 00:05:08,240 Speaker 5: So I understand him, like vining. I mean, you know, 94 00:05:08,240 --> 00:05:09,600 Speaker 5: if he was gonna get out or whatever. 95 00:05:09,760 --> 00:05:10,720 Speaker 1: So I got it. 96 00:05:11,480 --> 00:05:13,720 Speaker 5: But like some of this other stuff that's happening, and 97 00:05:13,720 --> 00:05:15,880 Speaker 5: I'm like, wait, man, come on, bro, Like I was 98 00:05:15,960 --> 00:05:17,279 Speaker 5: on your side for a minute. 99 00:05:17,920 --> 00:05:19,279 Speaker 1: Now this other stuff is happening. 100 00:05:19,320 --> 00:05:23,240 Speaker 5: You dropped the disc record calling out folks, you know, 101 00:05:23,960 --> 00:05:26,040 Speaker 5: is it woody woody? 102 00:05:26,560 --> 00:05:31,000 Speaker 3: Well he says wooty but you know, going off. 103 00:05:30,920 --> 00:05:31,640 Speaker 1: Oh my god. 104 00:05:33,200 --> 00:05:34,800 Speaker 5: But no, But y'all saw the interview he did with 105 00:05:34,880 --> 00:05:39,280 Speaker 5: the bank dude, right, yeah, man, but I don't know 106 00:05:39,320 --> 00:05:40,280 Speaker 5: where you're going with that yet. 107 00:05:40,320 --> 00:05:41,359 Speaker 1: I don't know if he was going. 108 00:05:41,200 --> 00:05:42,560 Speaker 3: With stuff first. 109 00:05:42,640 --> 00:05:43,200 Speaker 1: Yeah, I got you. 110 00:05:43,320 --> 00:05:46,400 Speaker 4: Yeah, I know we're doing yeah, yeah, dug stuff first. Yeah, 111 00:05:46,600 --> 00:05:50,560 Speaker 4: you are doing the thug stuff first with the radio. Okay, cool, cool, 112 00:05:51,440 --> 00:05:55,599 Speaker 4: But some minute, Charlie Kirk dis track. 113 00:05:55,480 --> 00:05:59,400 Speaker 1: What wow already that's crazy. Oh that's right, you did. 114 00:05:59,480 --> 00:06:00,960 Speaker 1: You were talking when we first got. 115 00:06:02,839 --> 00:06:08,120 Speaker 4: Awful nasty joke there. Yeah, yeah, don't do it, don't 116 00:06:08,600 --> 00:06:14,600 Speaker 4: the depths of hell bro. Butright, so, so obviously you know, 117 00:06:15,040 --> 00:06:17,320 Speaker 4: Doug talked about k dot and not putting nobody on. 118 00:06:17,920 --> 00:06:21,279 Speaker 4: Then he also talked about Glorrilla and her physical appearance 119 00:06:21,720 --> 00:06:23,159 Speaker 4: and talked about three stacks. 120 00:06:23,960 --> 00:06:24,720 Speaker 1: How do you? How do you? 121 00:06:25,640 --> 00:06:30,120 Speaker 3: How do you like my thing? Is this right? I guess. 122 00:06:31,360 --> 00:06:34,120 Speaker 4: Doug felt, even though it's being recorded, that it would 123 00:06:34,200 --> 00:06:36,640 Speaker 4: just it wouldn't get out, Like how often do we 124 00:06:36,760 --> 00:06:38,720 Speaker 4: hear recordings of people that's locked up. 125 00:06:38,680 --> 00:06:42,200 Speaker 3: Having conversations, you know, like that doesn't happen often. 126 00:06:43,279 --> 00:06:46,040 Speaker 4: So I think he thought maybe he could just say 127 00:06:46,120 --> 00:06:48,520 Speaker 4: whatever and it wouldn't come back to bottom in the ass, 128 00:06:48,680 --> 00:06:53,200 Speaker 4: but the fact that he's literally hating on like arguably 129 00:06:53,279 --> 00:06:55,040 Speaker 4: the best and biggest. 130 00:06:54,800 --> 00:06:58,800 Speaker 3: Nigga out of your own city is saying something Ambassador 131 00:06:58,839 --> 00:07:03,840 Speaker 3: of Atlanta. Yeah, like bro, what like what And just 132 00:07:04,000 --> 00:07:08,040 Speaker 3: listening to him talk, it's like what mindset are you in? 133 00:07:09,200 --> 00:07:09,400 Speaker 1: Yeah? 134 00:07:09,520 --> 00:07:13,280 Speaker 5: And then and then they a new not a new 135 00:07:13,520 --> 00:07:16,200 Speaker 5: but an older interview is reservicing that he did with 136 00:07:16,280 --> 00:07:20,000 Speaker 5: t I. You saw that, Yeah, nah, yeah, So this 137 00:07:20,080 --> 00:07:22,600 Speaker 5: ain't the first time he's he spoke like kind of 138 00:07:22,680 --> 00:07:25,920 Speaker 5: ill on three Stacks or whatever, because and I was 139 00:07:25,960 --> 00:07:29,920 Speaker 5: thinking the same thing before before uh t I even 140 00:07:29,960 --> 00:07:33,200 Speaker 5: said it, like, man, your whole style like like you 141 00:07:33,240 --> 00:07:35,720 Speaker 5: don't even realize, like that comes from three Stacks, Like 142 00:07:36,120 --> 00:07:38,840 Speaker 5: you may not rap like him, but your whole like 143 00:07:39,000 --> 00:07:41,240 Speaker 5: that that weird shit you was doing and all that 144 00:07:41,360 --> 00:07:44,160 Speaker 5: when you was dressing and all, like that's three first 145 00:07:44,200 --> 00:07:46,640 Speaker 5: the first one doing that, people call him weird and 146 00:07:46,680 --> 00:07:48,640 Speaker 5: all that ship and you got that from three Stacks, 147 00:07:49,160 --> 00:07:51,880 Speaker 5: So you know, they just they're just two different dudes, 148 00:07:51,920 --> 00:07:55,520 Speaker 5: you know what I'm saying. Obviously, you know Thug is 149 00:07:55,560 --> 00:07:58,880 Speaker 5: about money. Everything we hear about him money money, money 150 00:07:59,320 --> 00:08:02,040 Speaker 5: number one here, it's all that we know that that's 151 00:08:02,080 --> 00:08:04,520 Speaker 5: not three Stacks. Three Stacks don't even like fame, you 152 00:08:04,560 --> 00:08:06,080 Speaker 5: know what I'm saying. He don't even want to be popular, 153 00:08:06,120 --> 00:08:08,320 Speaker 5: you know what I'm saying. So, so that's never been 154 00:08:08,360 --> 00:08:09,840 Speaker 5: a thing for he. He want to go out and 155 00:08:09,880 --> 00:08:13,320 Speaker 5: walk in public and just be like normal folks. That's 156 00:08:13,440 --> 00:08:16,040 Speaker 5: not thugger, you know what I'm saying. Thuger want to 157 00:08:16,160 --> 00:08:20,080 Speaker 5: wear the fly shit, talk about everything that that's gonna 158 00:08:20,120 --> 00:08:21,000 Speaker 5: give him more money. 159 00:08:21,240 --> 00:08:21,480 Speaker 3: Yep. 160 00:08:21,600 --> 00:08:23,760 Speaker 1: And and so yeah, it made sense as to. 161 00:08:23,800 --> 00:08:26,800 Speaker 5: Why he just don't look up to somebody like three Stacks. 162 00:08:26,840 --> 00:08:29,760 Speaker 5: But Bro, you gotta respect where where the shit came from, Bro, 163 00:08:29,880 --> 00:08:31,440 Speaker 5: especially coming at your own city. 164 00:08:31,920 --> 00:08:32,120 Speaker 1: Yeah. 165 00:08:32,240 --> 00:08:34,719 Speaker 4: You know a lot of old interviews and stuff have 166 00:08:35,080 --> 00:08:38,120 Speaker 4: been resurfacing. I saw one where he was at a 167 00:08:38,160 --> 00:08:42,319 Speaker 4: red carpet or something, and a female interviewer asked him like, 168 00:08:42,559 --> 00:08:45,040 Speaker 4: do you feel that artists should speak out, you know, 169 00:08:45,080 --> 00:08:49,120 Speaker 4: about injustice and stuff like that, and he was like, nah, 170 00:08:49,400 --> 00:08:51,360 Speaker 4: you know what I'm saying, Like, you know, we should 171 00:08:51,400 --> 00:08:52,960 Speaker 4: just be quiet. You know, we get money over here, 172 00:08:53,040 --> 00:08:54,800 Speaker 4: fuck all that, this and that and the third and 173 00:08:54,880 --> 00:08:57,240 Speaker 4: then you know they cut to like Tupac talking about 174 00:08:57,640 --> 00:09:00,440 Speaker 4: you know, we can't allow artists to go and save 175 00:09:00,600 --> 00:09:03,559 Speaker 4: not talking about the ship that affects our own community. 176 00:09:03,600 --> 00:09:06,040 Speaker 3: And like Doug is part of the problem. 177 00:09:06,480 --> 00:09:12,000 Speaker 4: And then you know, it just compounds with the lifestyle 178 00:09:12,080 --> 00:09:14,520 Speaker 4: that you was living and then calling all of these 179 00:09:14,559 --> 00:09:16,880 Speaker 4: people rats and you know, I don't know, it just 180 00:09:16,960 --> 00:09:20,400 Speaker 4: feels like there's just a double standard, right because like 181 00:09:20,520 --> 00:09:22,240 Speaker 4: he told his brother to take the plea deal, but 182 00:09:22,640 --> 00:09:24,320 Speaker 4: when Gunna does it, like now you're a. 183 00:09:24,400 --> 00:09:28,319 Speaker 3: Rat, you know what I'm saying. So he's just a 184 00:09:28,400 --> 00:09:29,320 Speaker 3: complicated fellow. 185 00:09:30,360 --> 00:09:32,559 Speaker 1: Do you think they have any more because this is 186 00:09:32,920 --> 00:09:39,360 Speaker 1: hell yeah yeah conversation. Yeah yeah, yeah, hell. 187 00:09:39,280 --> 00:09:41,880 Speaker 5: Yeah, it's just a tip of the iceberg kid. Yeah, 188 00:09:42,120 --> 00:09:45,400 Speaker 5: that's what was saying. That's what was saying, like this 189 00:09:46,080 --> 00:09:46,720 Speaker 5: this ain't nothing. 190 00:09:47,280 --> 00:09:47,559 Speaker 1: Wow. 191 00:09:48,240 --> 00:09:51,240 Speaker 5: Yeah, I guess he said stuff about like his girl 192 00:09:51,480 --> 00:09:53,560 Speaker 5: and things like that with other people on the phone, 193 00:09:53,880 --> 00:09:58,679 Speaker 5: Like yeah, apparently it's a lot, but you know, like 194 00:10:00,000 --> 00:10:01,839 Speaker 5: locked up man, I'm sure you say all kinds of stuff, 195 00:10:01,840 --> 00:10:05,600 Speaker 5: you know what I'm saying, But you know, on them calls, I'm. 196 00:10:05,440 --> 00:10:08,880 Speaker 1: Sure you do. Yeah, I mean you in jail, you 197 00:10:08,920 --> 00:10:09,480 Speaker 1: know what I'm saying. 198 00:10:09,920 --> 00:10:13,920 Speaker 5: So I again, yeah, so I get it. I get 199 00:10:14,160 --> 00:10:16,599 Speaker 5: why he you know, talking like he talking, but it 200 00:10:16,640 --> 00:10:18,319 Speaker 5: did sound like he was being a hater though. But 201 00:10:19,200 --> 00:10:23,079 Speaker 5: you know, my thing was like, I'm sure some of 202 00:10:23,160 --> 00:10:25,280 Speaker 5: these saying guys talk about other people with their girls 203 00:10:25,360 --> 00:10:28,520 Speaker 5: and ship like that, you know what I'm saying, Like, yeah, yeah, yeah, 204 00:10:28,840 --> 00:10:31,000 Speaker 5: I'm sure, like especially industry ship. 205 00:10:31,080 --> 00:10:32,360 Speaker 1: You know what I'm saying. I'm sure they. 206 00:10:32,360 --> 00:10:35,920 Speaker 5: All talk about each other in some capacity. This one 207 00:10:36,000 --> 00:10:37,839 Speaker 5: just happen to get out, you know what I mean. 208 00:10:38,280 --> 00:10:41,200 Speaker 5: It's how I kind of see it, and we everybody 209 00:10:41,280 --> 00:10:43,719 Speaker 5: talking about it. The thing that's that that that I 210 00:10:43,760 --> 00:10:46,840 Speaker 5: don't understand is like some of the ship they're saying 211 00:10:46,920 --> 00:10:50,319 Speaker 5: right now, this ship can't come back around and and resurface, 212 00:10:50,720 --> 00:10:53,360 Speaker 5: Like can they not charge him on the same ship 213 00:10:53,640 --> 00:10:54,400 Speaker 5: or or something like that. 214 00:10:54,480 --> 00:10:57,719 Speaker 1: I don't know how that was or something like that. 215 00:10:58,840 --> 00:11:01,959 Speaker 1: I'm not sure, I think if anything, because what he 216 00:11:02,080 --> 00:11:03,080 Speaker 1: literally said he lied. 217 00:11:04,840 --> 00:11:07,640 Speaker 2: Well most of this stuff is when he was locked up, 218 00:11:07,720 --> 00:11:10,000 Speaker 2: So I don't know if this could affect his probation 219 00:11:10,120 --> 00:11:12,400 Speaker 2: anything like that. I'm not a lawyer or attorney or 220 00:11:12,480 --> 00:11:15,600 Speaker 2: judge or anything, so I don't know, but but. 221 00:11:15,720 --> 00:11:17,120 Speaker 1: Yeah, hopefully it doesn't. 222 00:11:17,200 --> 00:11:19,640 Speaker 2: Like I know, he dropped this disc track hopefully that 223 00:11:19,840 --> 00:11:23,000 Speaker 2: wasn't problematic for him, and that you know, he stays 224 00:11:23,080 --> 00:11:27,199 Speaker 2: out and that you know, this kind of blows over 225 00:11:27,400 --> 00:11:31,000 Speaker 2: and and he can recover and get back to making music. 226 00:11:31,720 --> 00:11:31,880 Speaker 3: You know. 227 00:11:32,040 --> 00:11:35,760 Speaker 2: So I think that's ultimately what he needs to try 228 00:11:35,840 --> 00:11:39,880 Speaker 2: to do if I'm him. It just kind of hopefully 229 00:11:39,920 --> 00:11:43,319 Speaker 2: after all this is done, maybe people will forget, you know, 230 00:11:43,520 --> 00:11:47,079 Speaker 2: like they said that what David King said in Highest 231 00:11:47,160 --> 00:11:50,439 Speaker 2: Lois and in a week they'll be talking about something else. 232 00:11:50,480 --> 00:11:52,320 Speaker 1: The problem is they keep dropping. 233 00:11:54,760 --> 00:11:56,760 Speaker 5: Oh yeah, they got people saying, man, they got clips 234 00:11:56,760 --> 00:11:59,360 Speaker 5: from the interview. That could mean for years, I mean 235 00:11:59,400 --> 00:12:01,199 Speaker 5: not for the rest of the years what they're saying, Like, 236 00:12:01,280 --> 00:12:03,120 Speaker 5: he got so many moments from that ship. 237 00:12:03,280 --> 00:12:11,200 Speaker 1: He got so many moments into an album b B album. 238 00:12:12,000 --> 00:12:15,360 Speaker 5: It's almost overshadowing the calls at this point, man, Like 239 00:12:15,440 --> 00:12:19,040 Speaker 5: the way that the way the interview clips are flowing around. Yeah, 240 00:12:19,360 --> 00:12:22,520 Speaker 5: it is almost overshadowing. Yeah, so it's almost kind of 241 00:12:22,520 --> 00:12:25,880 Speaker 5: playing in his favor, Yeah, in a weird way, you 242 00:12:25,960 --> 00:12:30,360 Speaker 5: know what I'm saying. Like, but yeah, people still leak call, 243 00:12:30,400 --> 00:12:31,839 Speaker 5: they still waiting on the leak calls too. 244 00:12:33,000 --> 00:12:33,200 Speaker 1: Yeah. 245 00:12:33,480 --> 00:12:38,839 Speaker 2: Yeah, so damn man, thugger Man it's a telephone man. 246 00:12:43,160 --> 00:12:47,360 Speaker 3: Yeah, the dish track. Did y'all listen to the dis track? 247 00:12:47,880 --> 00:12:51,160 Speaker 3: How did y'all Doug's distract? I thought it was whack? 248 00:12:51,880 --> 00:12:54,319 Speaker 1: Did you hear the whole thing? I didn't think it 249 00:12:54,480 --> 00:12:56,960 Speaker 1: was whack. It was all right. 250 00:12:57,040 --> 00:13:01,280 Speaker 5: I like how he sadly sound. He sounded mad, or 251 00:13:01,400 --> 00:13:03,839 Speaker 5: he sounded he sounded. 252 00:13:03,559 --> 00:13:04,880 Speaker 1: Like he had something. 253 00:13:06,840 --> 00:13:09,319 Speaker 5: Whatever you can tell he has something. Yeah, yeah, but 254 00:13:09,679 --> 00:13:12,520 Speaker 5: it was kind of it was whacking the sense of like, yo, 255 00:13:12,600 --> 00:13:13,520 Speaker 5: why are you saying all that? 256 00:13:13,840 --> 00:13:14,360 Speaker 1: You know what I'm saying. 257 00:13:14,400 --> 00:13:17,040 Speaker 5: It was whacking that sense, But the delivery and how 258 00:13:17,080 --> 00:13:19,080 Speaker 5: he did it, I thought it was actually kind of dope. 259 00:13:20,120 --> 00:13:20,960 Speaker 1: But yeah, I just. 260 00:13:21,480 --> 00:13:23,000 Speaker 5: Because at first of all I heard was the one 261 00:13:23,120 --> 00:13:25,439 Speaker 5: clip that they were flowing around. But then when I 262 00:13:25,520 --> 00:13:27,800 Speaker 5: heard like more of it, I was like, Okay, I 263 00:13:28,000 --> 00:13:30,839 Speaker 5: like how he sounds on him, but nah, what he 264 00:13:30,960 --> 00:13:32,440 Speaker 5: was saying was like whack though. 265 00:13:32,840 --> 00:13:36,079 Speaker 1: Yeah, what he was saying about people, So this is 266 00:13:36,120 --> 00:13:37,760 Speaker 1: a rat I'm like really. 267 00:13:37,840 --> 00:13:40,160 Speaker 4: Yeah, yeah, yeah, see I didn't like that. I didn't 268 00:13:40,240 --> 00:13:42,839 Speaker 4: like how he sounded. I didn't like nothing of it, 269 00:13:43,120 --> 00:13:45,480 Speaker 4: you know what I'm saying. Like, I just I never 270 00:13:45,679 --> 00:13:47,559 Speaker 4: was really a big fan of Young Thug in the 271 00:13:47,600 --> 00:13:53,000 Speaker 4: first place. Now, he had moments, you know what I'm saying. 272 00:13:53,040 --> 00:13:54,480 Speaker 4: So I give him credit for some of the moments 273 00:13:54,520 --> 00:13:56,839 Speaker 4: that he's had, But I just never really been a fan, 274 00:13:56,920 --> 00:13:59,400 Speaker 4: and I'm like less of a fan now, Like I 275 00:13:59,520 --> 00:14:02,880 Speaker 4: just don't like nothing that, you know, because I feel like, 276 00:14:03,520 --> 00:14:06,320 Speaker 4: you know, when you go through those situations like that, right, 277 00:14:06,520 --> 00:14:09,520 Speaker 4: We've seen other prominent hip hop artists go through it. 278 00:14:10,160 --> 00:14:13,280 Speaker 4: I just feel like he's not staying ten toes down 279 00:14:14,360 --> 00:14:15,480 Speaker 4: with it, you know what I'm saying. 280 00:14:15,559 --> 00:14:21,320 Speaker 5: Like what he was going he was like niggas saying, 281 00:14:21,360 --> 00:14:31,000 Speaker 5: I'm taut like like this nigga, man. 282 00:14:30,800 --> 00:14:36,120 Speaker 1: I'm fucking man, got me hot man. He was going 283 00:14:36,200 --> 00:14:40,240 Speaker 1: on you sent it right man that it was hilarious. Bro. 284 00:14:41,000 --> 00:14:42,960 Speaker 3: I just I don't like how thus moving. Bro. I 285 00:14:42,960 --> 00:14:46,040 Speaker 3: don't like the dish track obviously, I don't like doing 286 00:14:46,080 --> 00:14:46,760 Speaker 3: it on purpose. 287 00:14:47,720 --> 00:14:51,800 Speaker 6: He was in jail talking on the phone and somebody recorded, 288 00:14:51,960 --> 00:14:54,600 Speaker 6: el okay, I'm not saying the leaks it is what 289 00:14:54,720 --> 00:14:57,440 Speaker 6: it is, right, Like I get that again, like we 290 00:14:57,760 --> 00:15:01,040 Speaker 6: never I've never seen like jail conversations like that get 291 00:15:01,120 --> 00:15:02,560 Speaker 6: leaked before, Like this is a first for me. 292 00:15:03,040 --> 00:15:04,000 Speaker 1: So like I said. 293 00:15:04,000 --> 00:15:07,000 Speaker 4: I think he was talking freely, not thinking that he 294 00:15:07,080 --> 00:15:08,280 Speaker 4: was going to get any blowback from me. 295 00:15:08,320 --> 00:15:08,960 Speaker 1: It is what it is. 296 00:15:09,400 --> 00:15:10,680 Speaker 3: But I don't like the disc track. 297 00:15:11,360 --> 00:15:13,680 Speaker 5: Like why I don't like the disc track. I just 298 00:15:13,720 --> 00:15:15,480 Speaker 5: thought it was it was okay, So I mean like 299 00:15:15,600 --> 00:15:18,480 Speaker 5: the swing that it had on it or whatever. And 300 00:15:18,600 --> 00:15:19,320 Speaker 5: how he sounded. 301 00:15:19,360 --> 00:15:21,240 Speaker 1: I wasn't. I'm not used to hearing thugger like that. 302 00:15:22,040 --> 00:15:24,920 Speaker 3: Yeah, like no attitude, no nothing, just real naked. 303 00:15:25,440 --> 00:15:27,560 Speaker 5: Yeah yeah it was dope. I like how you sounded. 304 00:15:27,880 --> 00:15:29,760 Speaker 5: I did like how you sounded like none of that, 305 00:15:31,080 --> 00:15:31,720 Speaker 5: like none of that. 306 00:15:31,840 --> 00:15:34,040 Speaker 4: I don't like the reason why he did it. I 307 00:15:34,120 --> 00:15:36,600 Speaker 4: don't like what he said in it. I don't like 308 00:15:36,720 --> 00:15:39,320 Speaker 4: how he sounded. I ain't like I ain't like the lyrics. 309 00:15:39,520 --> 00:15:52,520 Speaker 1: Bro kirk uh chats here what that's what? That's what? 310 00:15:56,840 --> 00:15:59,240 Speaker 3: Damn kid, there's a hip hop show. 311 00:16:01,160 --> 00:16:02,120 Speaker 1: We talked about music. 312 00:16:03,800 --> 00:16:06,960 Speaker 3: You're talking about the leaks man man about double. 313 00:16:09,640 --> 00:16:12,520 Speaker 1: I haven't said a person's name now, you haven't you 314 00:16:12,720 --> 00:16:18,640 Speaker 1: haven't you have the man Charlie Joys here crazy. 315 00:16:20,120 --> 00:16:22,000 Speaker 3: Yeah, yeah yeah, y'all focus is wrong. 316 00:16:23,240 --> 00:16:25,360 Speaker 1: But Doug Man dis track. 317 00:16:26,800 --> 00:16:28,160 Speaker 3: I got two minutes for them super. 318 00:16:28,040 --> 00:16:41,640 Speaker 1: Chats that he that was that's never this track working. 319 00:16:41,720 --> 00:16:47,200 Speaker 4: Damn all right, man, look moving forward the joint that 320 00:16:47,240 --> 00:16:49,200 Speaker 4: we're probably gonna send a little bit of time here on. 321 00:16:50,080 --> 00:16:51,320 Speaker 4: And this comes from. 322 00:16:52,400 --> 00:16:54,720 Speaker 3: Dom la Crue. How do you say that? 323 00:16:54,840 --> 00:16:56,320 Speaker 1: Care? I have no idea. 324 00:16:58,440 --> 00:17:03,920 Speaker 4: Breaker of narratives on Twitter, this also was posted by 325 00:17:04,359 --> 00:17:06,200 Speaker 4: somebody I don't support, So I don't really want to 326 00:17:06,200 --> 00:17:07,680 Speaker 4: say the name, but I am because it does give 327 00:17:07,680 --> 00:17:10,480 Speaker 4: a little bit of credibility. But these academics was talking 328 00:17:10,480 --> 00:17:11,320 Speaker 4: about this yesterday. 329 00:17:12,160 --> 00:17:14,639 Speaker 1: But you didn't want to say his name because I know. 330 00:17:14,760 --> 00:17:20,879 Speaker 4: I did say it anyway, because it gives credibility to 331 00:17:21,000 --> 00:17:23,600 Speaker 4: the story, because you know, like I said, I tried 332 00:17:23,640 --> 00:17:25,359 Speaker 4: to look around. I've seen a couple of things, but 333 00:17:25,480 --> 00:17:27,639 Speaker 4: I saw that he was talking about this yesterday. Typically 334 00:17:28,240 --> 00:17:30,240 Speaker 4: he doesn't report a lot of fake news, you know, 335 00:17:30,840 --> 00:17:32,680 Speaker 4: do things get switched up on people. 336 00:17:32,520 --> 00:17:34,960 Speaker 3: Of course, but breaking news. 337 00:17:35,040 --> 00:17:39,159 Speaker 4: The federal government is allegedly preparing to launch reco charges 338 00:17:39,240 --> 00:17:44,000 Speaker 4: on prominent radio stations and money laundering, illegal racketeering, fraud, 339 00:17:44,119 --> 00:17:48,520 Speaker 4: and Paola, among many other illegal activities. As a result 340 00:17:48,600 --> 00:17:53,359 Speaker 4: of February twenty twenty five, scc iHeartMedia Paola probe against 341 00:17:53,520 --> 00:17:58,320 Speaker 4: radio some sources also allege that rapper Drake's recent lawsuit 342 00:17:58,400 --> 00:18:02,840 Speaker 4: with Universal Music Group has assisted in this happening. It has, 343 00:18:03,359 --> 00:18:06,159 Speaker 4: it was, it had, Yeah, it was reported on May 344 00:18:06,480 --> 00:18:10,879 Speaker 4: twenty five. iHeartRadio settled with Drake over them not like us, 345 00:18:11,000 --> 00:18:15,200 Speaker 4: Payola probe. The entire music industry is about to be exposed, 346 00:18:15,440 --> 00:18:18,480 Speaker 4: and it is all things to Drake and Kendrick Lamar's 347 00:18:18,640 --> 00:18:21,719 Speaker 4: recent battle. Drake is about to change music forever. 348 00:18:21,920 --> 00:18:24,560 Speaker 1: No wait, that's for real. I can't thanks so. 349 00:18:24,800 --> 00:18:27,720 Speaker 3: B so h. DJ academics reported on this. 350 00:18:27,960 --> 00:18:31,560 Speaker 1: There's this populist site is a legit site. 351 00:18:31,600 --> 00:18:34,919 Speaker 2: But this vocal dot media also has a story they 352 00:18:35,000 --> 00:18:39,120 Speaker 2: published thirteen hours ago and it says radio station about 353 00:18:39,119 --> 00:18:42,200 Speaker 2: the face of Rico, money laundering and racketeer storm about 354 00:18:42,280 --> 00:18:43,480 Speaker 2: nWo Sparrow. 355 00:18:46,119 --> 00:18:47,920 Speaker 1: So we'll we'll see. 356 00:18:48,400 --> 00:18:51,280 Speaker 2: I don't know if this is also related to everything 357 00:18:51,320 --> 00:18:54,800 Speaker 2: that's going on, but our Heart his name is mentioned 358 00:18:54,800 --> 00:18:57,240 Speaker 2: in this article as well. I think it's going to 359 00:18:57,280 --> 00:19:00,440 Speaker 2: be interesting though, But if they're trying to attach it 360 00:19:00,480 --> 00:19:04,920 Speaker 2: to Drake or whatever. But Paola has been going on 361 00:19:05,000 --> 00:19:08,480 Speaker 2: for so long, man, Yeah, and for this to go 362 00:19:08,640 --> 00:19:12,159 Speaker 2: down because I lost the rap beef and for all 363 00:19:12,200 --> 00:19:13,560 Speaker 2: these people to start losing their money. 364 00:19:13,600 --> 00:19:17,000 Speaker 1: Bro, Drake, better watch out. That's crazy, Drake, better watch out. 365 00:19:17,800 --> 00:19:21,800 Speaker 3: Have a target. I don't. 366 00:19:23,640 --> 00:19:28,280 Speaker 2: People, rich people, billionaires don't like losing money like this 367 00:19:28,840 --> 00:19:33,280 Speaker 2: over over something that that definitely could have been avoided. 368 00:19:34,119 --> 00:19:39,280 Speaker 5: So it can't be real because the way people are 369 00:19:39,280 --> 00:19:40,639 Speaker 5: really it's not like it was coming from like a 370 00:19:40,760 --> 00:19:42,120 Speaker 5: fucking fan page some ship. 371 00:19:42,400 --> 00:19:42,720 Speaker 6: What is it? 372 00:19:42,800 --> 00:19:42,919 Speaker 2: Then? 373 00:19:44,400 --> 00:19:47,560 Speaker 1: I've seen him post some pretty credible stuff from here 374 00:19:47,560 --> 00:19:47,840 Speaker 1: and there. 375 00:19:48,920 --> 00:19:50,359 Speaker 3: He has a big he has a big following. 376 00:19:50,520 --> 00:19:52,680 Speaker 4: Like I said, d Jack the Mix was talking about 377 00:19:52,720 --> 00:19:56,800 Speaker 4: this just yesterday, So I think it has some legs. Obviously, 378 00:19:56,880 --> 00:19:59,600 Speaker 4: we don't know details just yet, but we know, but 379 00:19:59,680 --> 00:20:02,440 Speaker 4: we know for certain, like even with the young Thug stuff, 380 00:20:02,440 --> 00:20:04,359 Speaker 4: he said that he was paying fifty K for Gonna 381 00:20:04,800 --> 00:20:06,600 Speaker 4: for Gonna so on the you know, be on the 382 00:20:06,720 --> 00:20:10,360 Speaker 4: charts and stuff like that, So we know that payola happens. 383 00:20:10,960 --> 00:20:13,639 Speaker 4: But when you look at FCC regulations and all that 384 00:20:13,720 --> 00:20:16,960 Speaker 4: type of stuff, that's technically against the rules. But we've 385 00:20:17,320 --> 00:20:21,000 Speaker 4: we know right like it's one of those we know 386 00:20:21,160 --> 00:20:23,680 Speaker 4: it happens, but even though it's not supposed to happen 387 00:20:23,760 --> 00:20:26,680 Speaker 4: type of things, right, So I think that that is 388 00:20:26,800 --> 00:20:27,439 Speaker 4: something that. 389 00:20:29,760 --> 00:20:30,600 Speaker 3: It is. 390 00:20:31,000 --> 00:20:34,760 Speaker 4: It is it gonna be earth shattering like once once 391 00:20:34,800 --> 00:20:38,600 Speaker 4: it comes out. No, but I think we go charges. 392 00:20:38,680 --> 00:20:42,800 Speaker 4: I think the money laundering and the racketeering is what's 393 00:20:42,880 --> 00:20:47,480 Speaker 4: gonna really be interesting when we finally get details as 394 00:20:47,520 --> 00:20:51,800 Speaker 4: to what radio stations were in it, what type of 395 00:20:51,920 --> 00:20:53,879 Speaker 4: money was being laundered through radio. 396 00:20:54,600 --> 00:20:55,200 Speaker 1: You know what I'm saying. 397 00:20:55,359 --> 00:20:57,520 Speaker 3: I think that is what's gonna be more damning than 398 00:20:58,040 --> 00:20:58,800 Speaker 3: just payola. 399 00:21:00,080 --> 00:21:03,160 Speaker 2: My question is, do you really think these people are 400 00:21:03,760 --> 00:21:11,240 Speaker 2: that stupid to have documentation of them committing these acts? 401 00:21:11,720 --> 00:21:12,760 Speaker 3: Ken, I'm gonna say yes. 402 00:21:12,840 --> 00:21:14,920 Speaker 4: And the reason why I'm gonna talk about something a 403 00:21:14,960 --> 00:21:16,920 Speaker 4: little bit different we talked about off camera a little 404 00:21:16,960 --> 00:21:20,400 Speaker 4: bit today, like the Kawhi Leonard and Steve Walmer situation. 405 00:21:21,520 --> 00:21:25,240 Speaker 3: Like Pablo Torri went and dug the one guy and 406 00:21:25,359 --> 00:21:27,200 Speaker 3: he found all of the paperwork. 407 00:21:27,600 --> 00:21:28,960 Speaker 4: You know what I'm saying that I'm pretty sure a 408 00:21:29,040 --> 00:21:31,560 Speaker 4: billionaire never thought that it was gonna come to light. 409 00:21:32,000 --> 00:21:33,920 Speaker 4: And I'm pretty sure that a lot of these guys 410 00:21:34,000 --> 00:21:36,679 Speaker 4: that are running and doing a lot of this stuff, 411 00:21:37,560 --> 00:21:41,040 Speaker 4: that's what they're doing because Kate, Okay, let's take it 412 00:21:41,040 --> 00:21:43,320 Speaker 4: back to one of our favorite rappers jay Z. Right 413 00:21:43,680 --> 00:21:45,879 Speaker 4: when jay Z came into the game, where did he 414 00:21:45,960 --> 00:21:48,240 Speaker 4: get his money from the start his music career? He 415 00:21:48,359 --> 00:21:50,520 Speaker 4: talked about going to the DJs and stuff and paying 416 00:21:50,800 --> 00:21:54,240 Speaker 4: the money. Where did the money come from? That's money laundering. 417 00:21:55,280 --> 00:21:58,879 Speaker 4: That's money laundering. You think that he's the only rapper 418 00:21:58,960 --> 00:22:02,040 Speaker 4: that has done that, You think that he's the only 419 00:22:02,359 --> 00:22:06,800 Speaker 4: entity that has done that. Like that, that happens, So 420 00:22:06,960 --> 00:22:10,640 Speaker 4: we don't see, Like we're talking regal, so that means 421 00:22:10,720 --> 00:22:11,320 Speaker 4: it could be like. 422 00:22:12,800 --> 00:22:15,160 Speaker 3: Fifty people, it could be a thousand people. 423 00:22:16,040 --> 00:22:17,280 Speaker 4: And that's why I'm saying, like we got to wait 424 00:22:17,280 --> 00:22:20,960 Speaker 4: for the details, you know, because because this could implicate 425 00:22:21,040 --> 00:22:26,000 Speaker 4: a lot of people, A lot of companies can And 426 00:22:26,080 --> 00:22:27,840 Speaker 4: here's the thing, even if they don't have one hundred 427 00:22:27,840 --> 00:22:31,200 Speaker 4: percent of the paper shill for them to start an 428 00:22:31,280 --> 00:22:35,280 Speaker 4: investigation with these allegations, they got enough. 429 00:22:36,920 --> 00:22:37,480 Speaker 1: Well, so. 430 00:22:39,800 --> 00:22:43,240 Speaker 2: I guess I don't know. We'll see, man, like you know, 431 00:22:43,359 --> 00:22:47,800 Speaker 2: and what to what benefit will this this help? 432 00:22:49,359 --> 00:22:52,359 Speaker 1: Trek? Will this help most a lot of guys? 433 00:22:52,480 --> 00:22:55,520 Speaker 2: Like I think for listeners of radio, which is still 434 00:22:55,640 --> 00:22:59,720 Speaker 2: has a very very very huge audience, maybe you will 435 00:22:59,720 --> 00:23:02,800 Speaker 2: get more diversity on the radio. B you know, maybe 436 00:23:02,880 --> 00:23:06,200 Speaker 2: you don't hear the same songs over and over and 437 00:23:06,440 --> 00:23:10,480 Speaker 2: over again. So it may actually help actually help the 438 00:23:11,400 --> 00:23:15,639 Speaker 2: end user out the balance in this situation. But it's 439 00:23:15,720 --> 00:23:18,120 Speaker 2: gonna cut off a lot of money and they're gonna 440 00:23:18,119 --> 00:23:20,680 Speaker 2: have to find new ways to make it back. 441 00:23:20,720 --> 00:23:22,160 Speaker 1: So I don't I don't know how it's all gonna 442 00:23:22,200 --> 00:23:22,520 Speaker 1: play out. 443 00:23:23,160 --> 00:23:27,560 Speaker 2: But again, like I said, my man is struggling, and 444 00:23:28,240 --> 00:23:30,520 Speaker 2: you know, I think people like the new jointy just dropped. 445 00:23:32,359 --> 00:23:37,480 Speaker 1: Yeah, but you know, I just I just I think 446 00:23:37,520 --> 00:23:45,639 Speaker 1: it's a bit of a reach. Two say this is 447 00:23:45,720 --> 00:23:46,800 Speaker 1: because of Old Boy. 448 00:23:47,119 --> 00:23:48,880 Speaker 3: Yeah, I think. 449 00:23:50,320 --> 00:23:52,880 Speaker 4: The Drake lawsuit and all of that is a part 450 00:23:53,080 --> 00:23:55,920 Speaker 4: of it. I don't think it's because of it, right, Like, 451 00:23:56,000 --> 00:23:59,680 Speaker 4: I think it's in the timeline because when you when 452 00:23:59,760 --> 00:24:02,960 Speaker 4: these investigators go into it, they have to establish a 453 00:24:03,040 --> 00:24:03,760 Speaker 4: timeline of things. 454 00:24:04,440 --> 00:24:06,080 Speaker 3: That lawsuit is part of the timeline. 455 00:24:08,000 --> 00:24:10,320 Speaker 1: Correlation is that what you're thinking? This is? 456 00:24:11,440 --> 00:24:13,360 Speaker 3: You said coincidental, not correlation. 457 00:24:16,840 --> 00:24:20,160 Speaker 4: I think it's I think it's I think it's correlation, 458 00:24:20,280 --> 00:24:22,879 Speaker 4: But I don't think it's I don't think it's because 459 00:24:22,920 --> 00:24:24,840 Speaker 4: of So I don't. 460 00:24:24,680 --> 00:24:27,040 Speaker 3: Think it's coincidental, you know what I'm saying. 461 00:24:27,119 --> 00:24:28,440 Speaker 1: But I do think. 462 00:24:28,560 --> 00:24:31,600 Speaker 3: I do think this can I do think that. You know, 463 00:24:31,960 --> 00:24:32,760 Speaker 3: when you listen to. 464 00:24:32,880 --> 00:24:37,600 Speaker 4: Tracks like k Dot Watch the Party Die, this is 465 00:24:37,720 --> 00:24:40,440 Speaker 4: part of what he's talking about, you know what I'm saying, 466 00:24:40,640 --> 00:24:45,480 Speaker 4: Where we're gonna see like what we grew up on, 467 00:24:45,720 --> 00:24:49,159 Speaker 4: what we thought was like the standard, all of that 468 00:24:49,160 --> 00:24:51,920 Speaker 4: shit is gonna crumble and be something brand new. 469 00:24:52,520 --> 00:24:53,359 Speaker 3: I don't know what it is. 470 00:24:53,600 --> 00:24:56,040 Speaker 4: I'm not a future I'm not a fortune teller, but 471 00:24:56,160 --> 00:24:59,480 Speaker 4: I do think what we know of radio now is 472 00:24:59,520 --> 00:25:02,280 Speaker 4: definitely gonn to be different two years from now. 473 00:25:02,720 --> 00:25:03,680 Speaker 3: Definitely gonna be different. 474 00:25:05,560 --> 00:25:06,840 Speaker 1: Yeah nah. 475 00:25:06,880 --> 00:25:09,080 Speaker 5: But when when I think Ken said, I was like, 476 00:25:09,320 --> 00:25:12,119 Speaker 5: that's crazy. This is like real, Like that's going to 477 00:25:12,160 --> 00:25:14,200 Speaker 5: affect a lot of people. Because I think the cover 478 00:25:14,560 --> 00:25:18,840 Speaker 5: was breakfast clubs. That's crazy, like out of all the people, 479 00:25:18,960 --> 00:25:20,040 Speaker 5: they picked. 480 00:25:19,800 --> 00:25:22,080 Speaker 3: The date so they would be part of that, or 481 00:25:22,119 --> 00:25:23,880 Speaker 3: that was just a picture that they pick. I think 482 00:25:23,920 --> 00:25:24,159 Speaker 3: it's a. 483 00:25:24,160 --> 00:25:28,399 Speaker 4: Picture that they picked because typically, right like the radio hosts, 484 00:25:28,400 --> 00:25:31,360 Speaker 4: they don't they're not the ones that program stuff. They're 485 00:25:31,400 --> 00:25:33,359 Speaker 4: not the ones that deal with the business and the 486 00:25:33,400 --> 00:25:38,920 Speaker 4: money that comes in. They just play with the people 487 00:25:38,960 --> 00:25:40,440 Speaker 4: tell them to play. You know what I'm saying, like 488 00:25:40,480 --> 00:25:42,040 Speaker 4: they're not hands on like that. 489 00:25:42,359 --> 00:25:45,280 Speaker 1: All this stuff is for three years. It's all this 490 00:25:45,359 --> 00:25:48,119 Speaker 1: stuff is pre program bro, you have no say sothing exactly. 491 00:25:48,640 --> 00:25:51,160 Speaker 4: So so it's it's the higher ups. It's the executives 492 00:25:51,240 --> 00:25:54,880 Speaker 4: above them. They have something quite disappointing. They always say 493 00:25:54,920 --> 00:25:57,000 Speaker 4: that to the DJ and stuff. 494 00:25:57,760 --> 00:25:58,159 Speaker 1: Mm hm. 495 00:25:58,560 --> 00:26:01,119 Speaker 4: So I think I think, you know, like radio probably 496 00:26:01,280 --> 00:26:03,320 Speaker 4: changed because of that, you know what I'm saying. So 497 00:26:03,440 --> 00:26:07,000 Speaker 4: now maybe the DJs and you know, the actual personalities 498 00:26:07,320 --> 00:26:09,439 Speaker 4: kind of like you know how Martin was like Martin, 499 00:26:10,119 --> 00:26:12,119 Speaker 4: you know, I know it's a fictional TV character, but 500 00:26:12,760 --> 00:26:15,359 Speaker 4: you know when he was DJing, like he chose what 501 00:26:15,440 --> 00:26:16,120 Speaker 4: he wanted to play. 502 00:26:16,320 --> 00:26:18,880 Speaker 2: Well, hey, I know, your boy's struggling since they turned 503 00:26:18,920 --> 00:26:24,480 Speaker 2: off his uh, his his payments. Uh. 504 00:26:25,240 --> 00:26:27,760 Speaker 1: I don't like to say his name Drake, not Drake. 505 00:26:29,280 --> 00:26:32,240 Speaker 1: He can't even get since they not paying for his streams. 506 00:26:32,280 --> 00:26:33,640 Speaker 1: He can't even get on the charts too. 507 00:26:33,800 --> 00:26:36,119 Speaker 3: Like he's on the charts. He's just not he just 508 00:26:37,000 --> 00:26:38,160 Speaker 3: he ain't not number one no more. 509 00:26:38,440 --> 00:26:40,680 Speaker 1: Man? And why is that? I know I feel because 510 00:26:41,720 --> 00:26:42,520 Speaker 1: I've heard himself. 511 00:26:43,440 --> 00:26:47,400 Speaker 4: I feel you this whole you know, stream stuff, all 512 00:26:47,440 --> 00:26:51,440 Speaker 4: of this type of stuff, man, like it's it's gonna 513 00:26:51,520 --> 00:26:53,200 Speaker 4: change the music industry big time. 514 00:26:53,400 --> 00:27:01,440 Speaker 1: I think so. M M. I know, right, what else 515 00:27:01,480 --> 00:27:01,719 Speaker 1: we got? 516 00:27:01,800 --> 00:27:04,800 Speaker 4: Brother that said, Man, we're just gonna go to a 517 00:27:04,840 --> 00:27:07,399 Speaker 4: super chests. It was a light run down, not many things. 518 00:27:07,800 --> 00:27:10,800 Speaker 2: Anybody else well, real quick before I well get ready 519 00:27:10,840 --> 00:27:13,280 Speaker 2: to move on to that. Anyone else listened to drake 520 00:27:13,359 --> 00:27:15,800 Speaker 2: new single. I didn't get a chance to listen to 521 00:27:15,920 --> 00:27:19,760 Speaker 2: it today. I see people was it constant? 522 00:27:20,359 --> 00:27:21,120 Speaker 1: Had how many? 523 00:27:21,320 --> 00:27:21,359 Speaker 3: No? 524 00:27:21,440 --> 00:27:23,280 Speaker 1: No, no, there were two. There was the one that 525 00:27:23,359 --> 00:27:25,240 Speaker 1: people did not like that was Costan. 526 00:27:26,720 --> 00:27:28,920 Speaker 2: It was a couple of songs without Yeah, they didn't like. 527 00:27:29,920 --> 00:27:31,239 Speaker 2: So I don't know if there were more than one 528 00:27:31,280 --> 00:27:34,600 Speaker 2: from the episode three. But the one that I saw 529 00:27:34,760 --> 00:27:42,200 Speaker 2: line was Cosana didn't like it, and act was Lackduster 530 00:27:42,359 --> 00:27:44,480 Speaker 2: on it and somebody else. 531 00:27:44,600 --> 00:27:46,840 Speaker 1: I'm not gonna mention. It was an actual song. 532 00:27:47,280 --> 00:27:50,119 Speaker 2: I think it was, well, not an official release, but 533 00:27:50,680 --> 00:27:53,040 Speaker 2: it was a song that I guess was going to 534 00:27:53,119 --> 00:27:53,399 Speaker 2: be on it. 535 00:27:53,440 --> 00:27:56,800 Speaker 1: May he was trying to get feedback from his fans. 536 00:27:56,880 --> 00:27:58,800 Speaker 5: Yeah, because I heard that he streams for a long 537 00:27:58,920 --> 00:28:01,280 Speaker 5: time and then somewhere in the stream he might play 538 00:28:01,640 --> 00:28:03,760 Speaker 5: a song that might be on the album or something. 539 00:28:03,800 --> 00:28:06,880 Speaker 5: Like that is that how these ice Man episodes work. 540 00:28:06,920 --> 00:28:09,359 Speaker 1: I don't even know how this. I'm just I haven't 541 00:28:09,400 --> 00:28:11,320 Speaker 1: been interested. Yeah, no, I haven't watched one. 542 00:28:11,520 --> 00:28:15,399 Speaker 2: When I I think, but there's a new oney dropped, 543 00:28:15,440 --> 00:28:18,800 Speaker 2: and I think I saw somewhere that that Drake and 544 00:28:18,880 --> 00:28:28,400 Speaker 2: Cob Beefing's that's I'm like, yeah, well, yeah, I saw. 545 00:28:28,560 --> 00:28:30,159 Speaker 2: I think I saw a headline or something about that. 546 00:28:30,280 --> 00:28:30,600 Speaker 1: I didn't. 547 00:28:30,600 --> 00:28:32,520 Speaker 2: I didn't look into it because you know, it's just 548 00:28:32,600 --> 00:28:34,840 Speaker 2: like whatever. But I did listen to the new single, 549 00:28:35,040 --> 00:28:35,600 Speaker 2: the one with. 550 00:28:36,359 --> 00:28:41,160 Speaker 1: Julie Julie Wolf and yeeked mm hmm. 551 00:28:41,880 --> 00:28:44,480 Speaker 2: And the reason why I listen to it is because 552 00:28:44,520 --> 00:28:47,800 Speaker 2: I saw people were saying that it's actually good, that's all, 553 00:28:47,840 --> 00:28:49,240 Speaker 2: even Drake haters saying. 554 00:28:49,640 --> 00:28:51,800 Speaker 1: I had to admit that it's it's not a bad song, 555 00:28:52,400 --> 00:28:53,160 Speaker 1: and I'll listen to it. 556 00:28:53,920 --> 00:28:54,640 Speaker 3: How do you feel me? 557 00:28:55,400 --> 00:28:59,880 Speaker 2: I feel like it's a Yeat song with Drake Yep 558 00:29:00,080 --> 00:29:05,400 Speaker 2: as the as the lead artist. People listen, Yes, people, 559 00:29:05,440 --> 00:29:08,920 Speaker 2: when you listen to it, you'll probably think the same thing. 560 00:29:09,120 --> 00:29:13,760 Speaker 1: Bro. Like, when I listened, I was like, oh my god, bro. 561 00:29:14,600 --> 00:29:17,640 Speaker 2: Like, yes, it's almost like it was just tweaked it 562 00:29:17,920 --> 00:29:20,480 Speaker 2: just enough and and the thing about it is you 563 00:29:20,680 --> 00:29:25,440 Speaker 2: sounded better on it than he did, so so yeah, 564 00:29:25,520 --> 00:29:29,280 Speaker 2: that's what I thought, bro. So anyway, that's when he's 565 00:29:29,280 --> 00:29:32,320 Speaker 2: sitting there stealing people ship, bro, just just to get 566 00:29:32,360 --> 00:29:36,920 Speaker 2: a song out because he's pretty you know, he's blowing up, bro, 567 00:29:37,040 --> 00:29:37,760 Speaker 2: he's properly. 568 00:29:37,800 --> 00:29:40,000 Speaker 1: He has a sound that people are liking and stuff 569 00:29:40,080 --> 00:29:40,240 Speaker 1: like that. 570 00:29:41,280 --> 00:29:44,640 Speaker 3: So he's his own lane. So I'm not surprised that 571 00:29:44,760 --> 00:29:48,280 Speaker 3: Drake jumped on to you know, not surprised at all. 572 00:29:48,600 --> 00:29:50,960 Speaker 1: And of course you would definitely work with Drake, of course. 573 00:29:51,040 --> 00:29:52,160 Speaker 1: Yeah that makes sense to. 574 00:29:52,280 --> 00:29:54,680 Speaker 4: Yeah, it's a it's a career milestone like that's that's 575 00:29:55,320 --> 00:29:57,120 Speaker 4: that's bigging him up at this point. 576 00:29:57,400 --> 00:30:02,000 Speaker 2: Yeah, you don't want to, like, yeah, you can't take 577 00:30:02,080 --> 00:30:05,240 Speaker 2: that chance and not say and say no, you know, 578 00:30:05,440 --> 00:30:07,160 Speaker 2: you gotta just politics bro. 579 00:30:07,480 --> 00:30:09,720 Speaker 4: Yeah, because you know, there was an artist that that 580 00:30:09,920 --> 00:30:13,120 Speaker 4: did that that kind of inadvertently turned down a Drake 581 00:30:13,160 --> 00:30:19,040 Speaker 4: feature was Rod Waves. Yeah, like he I don't remember 582 00:30:19,080 --> 00:30:21,360 Speaker 4: the whole story, but I just remember it didn't happen. 583 00:30:22,000 --> 00:30:24,200 Speaker 4: And you know, Rod, to me, he's still on the 584 00:30:24,280 --> 00:30:27,000 Speaker 4: up and up. But like Nigga, that's Drake, you know 585 00:30:27,040 --> 00:30:27,880 Speaker 4: what I'm saying, like that. 586 00:30:27,840 --> 00:30:28,800 Speaker 1: Shit worked for him though. 587 00:30:29,360 --> 00:30:32,360 Speaker 5: I mean, because Drake Kid could leach off you and 588 00:30:32,480 --> 00:30:35,160 Speaker 5: you fucking look at look at U the mahone and dude, 589 00:30:36,760 --> 00:30:38,600 Speaker 5: I love Macony or whatever his name and say that 590 00:30:38,680 --> 00:30:40,320 Speaker 5: nigga working at a fast food restaurant. 591 00:30:40,400 --> 00:30:45,320 Speaker 1: Now, yeah, was on for all adults anyway, Yeah he was. 592 00:30:45,360 --> 00:30:47,640 Speaker 5: That's when I first heard him. Was on all the dolls. 593 00:30:47,720 --> 00:30:50,400 Speaker 5: But but yeah, I think that was detrimental to some 594 00:30:50,480 --> 00:30:51,200 Speaker 5: of these artists. 595 00:30:51,240 --> 00:30:55,440 Speaker 4: But Malcony was different because Drake signed him and he 596 00:30:55,600 --> 00:30:56,800 Speaker 4: did that to shove them. 597 00:30:57,040 --> 00:31:00,880 Speaker 1: Ain't he working d'elsea way? He was working at the restaurant. 598 00:31:00,960 --> 00:31:04,360 Speaker 1: So I just said he just did what do yeah, 599 00:31:04,400 --> 00:31:08,920 Speaker 1: you did be doing? Was he doing it for fun? Though? 600 00:31:09,040 --> 00:31:10,280 Speaker 1: I mean, what else is he doing it? 601 00:31:11,040 --> 00:31:11,280 Speaker 3: Yeah? 602 00:31:11,560 --> 00:31:14,280 Speaker 1: Okay, So so I went from my love Macona to 603 00:31:14,360 --> 00:31:22,800 Speaker 1: I love McDonald's. Yeah, you need to go ahead and 604 00:31:23,960 --> 00:31:28,200 Speaker 1: as well, right to push off bro right there. 605 00:31:28,640 --> 00:31:31,680 Speaker 4: So, so part of the reason why he he's at 606 00:31:31,720 --> 00:31:34,680 Speaker 4: a nine to five job was part of his income 607 00:31:34,960 --> 00:31:39,280 Speaker 4: was a studio, uh that he owned, and something happened. 608 00:31:39,280 --> 00:31:41,200 Speaker 4: I don't know if it was water damage or fire 609 00:31:41,280 --> 00:31:43,720 Speaker 4: damage or something like that. So he took a job 610 00:31:43,880 --> 00:31:46,440 Speaker 4: to be able to get some funds to you know, 611 00:31:46,680 --> 00:31:49,120 Speaker 4: put back into that because I was pretty much living off. 612 00:31:49,320 --> 00:31:51,480 Speaker 1: I could have put some of that man pocket the 613 00:31:51,560 --> 00:31:53,400 Speaker 1: move though, you gotta do what you gotta do. 614 00:31:53,440 --> 00:31:57,000 Speaker 3: Bro, Drake, Drake made him part of the Ovo slave shop. 615 00:31:57,200 --> 00:31:58,280 Speaker 3: That that that's what happened. 616 00:32:00,160 --> 00:32:06,280 Speaker 1: What that Drake, I respect. I love maconay like trying 617 00:32:06,320 --> 00:32:08,400 Speaker 1: to do what you need to do to get its 618 00:32:08,600 --> 00:32:09,560 Speaker 1: ship taken care of me. 619 00:32:09,600 --> 00:32:13,080 Speaker 2: And that's that's some real ship. So I'll never knock 620 00:32:13,160 --> 00:32:15,400 Speaker 2: a person down for that. But Rod is one hundred 621 00:32:15,400 --> 00:32:18,200 Speaker 2: percent right, bro, Like, dangn man, you can't you can't look. 622 00:32:18,120 --> 00:32:22,160 Speaker 1: Outside that man something. Course I feel I can write 623 00:32:22,160 --> 00:32:23,720 Speaker 1: you another hit, bro, you know you need it. 624 00:32:23,920 --> 00:32:26,520 Speaker 3: But but Drake is a snake. I think that's what 625 00:32:26,560 --> 00:32:26,720 Speaker 3: we're