WEBVTT - The Witch (10th Anniversary)

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<v Speaker 1>The Frames Per Second Podcast.

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<v Speaker 2>Welcome to another episode of The Frames Per Second Podcast.

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<v Speaker 3>I'm your host for the evening. My name is Mike.

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<v Speaker 3>And across from me, I have Rod.

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<v Speaker 1>What up, man?

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<v Speaker 3>And next to Rod, I have Ken.

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<v Speaker 1>Hola.

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<v Speaker 2>Spike is here, but his ass is over in the

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<v Speaker 2>corner under the bright light. He's scared, y'all. He don't

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<v Speaker 2>want to come on this shit.

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<v Speaker 1>Hmm.

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<v Speaker 2>So it's just us, us three. We're going to do a,

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<v Speaker 2>I guess, an anniversary. I can't remember what year.

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<v Speaker 3>2016?

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<v Speaker 4>This was 2015 that this came out, wasn't it?

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<v Speaker 3>I think it was 2016. It was a 10-year anniversary.

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<v Speaker 1>Was it 2016?

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<v Speaker 3>I thought it was 2015.

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<v Speaker 1>Okay.

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<v Speaker 3>All right, well, 10 years.

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<v Speaker 2>10 years of The Witch, written and directed by Robert Eggers.

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<v Speaker 2>This was his first feature-length film that he wrote and directed.

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<v Speaker 2>I'm surprised we didn't. I don't know why I have.

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<v Speaker 3>Some weird memory of us reviewing this.

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<v Speaker 1>I thought we did. I did, too.

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<v Speaker 3>I think y'all did. Jalen swears we didn't. I thought

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<v Speaker 3>y'all did with Naomi.

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<v Speaker 4>Because I remember vividly Naomi watching it in the house,

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<v Speaker 4>and I hadn't watched it yet. And I thought she

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<v Speaker 4>was watching it because y'all were going to review it.

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<v Speaker 3>I'm confused, then.

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<v Speaker 4>And I feel like I remember talking about it, too,

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<v Speaker 4>but maybe it was off camera.

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<v Speaker 3>If we reviewed it, then we're reviewing it again. Yeah.

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<v Speaker 2>Yeah, so I guess I'll just do a quick go

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<v Speaker 2>around the room. Ken, how do you feel about this movie?

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<v Speaker 1>So I'm with you. I do feel like we've discussed

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<v Speaker 1>this movie before, if not an official review. It's one

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<v Speaker 1>of the rare movies that I re-watch. But this one

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<v Speaker 1>felt a little different different. I still enjoy the movie.

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<v Speaker 1>And I enjoy watching it this time as well. But,

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<v Speaker 1>I don't know. Maybe because it was just, I was,

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<v Speaker 1>hold on, I don't want to even put this in there.

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<v Speaker 3>You know they don't like it when you say that.

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<v Speaker 1>&lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt;

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<v Speaker 1>So I ain't gonna even say it. I ain't gonna

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<v Speaker 1>even say it. Yes, I do enjoy the movie. I'll

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<v Speaker 1>just say that. Yes, I do enjoy the movie. I do.

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<v Speaker 1>It's one of the one movie, It's one of the

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<v Speaker 1>rare movies that I actually rewatch.

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<v Speaker 3>Okay.

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<v Speaker 2>Rod, on the rewatch, are you digging this movie? I

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<v Speaker 2>can't remember if you liked it or not.

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<v Speaker 1>I did. I do.

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<v Speaker 3>Or whatever. The rewatch, I don't know if it hit

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<v Speaker 3>as hard on the rewatch.

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<v Speaker 1>It's weird.

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<v Speaker 3>I was like, I remember really, really liking this movie.

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<v Speaker 3>But something about the rewatch, I was just like, whatever.

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<v Speaker 3>It's a good movie.

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<v Speaker 4>But I wasn't, like, blown away. And it was weird. Like,

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<v Speaker 4>I was like, why do I remember really, really liking

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<v Speaker 4>this movie? But, no, I think it's still a great film.

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<v Speaker 4>I'm just not blown away by it anymore for whatever reason.

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<v Speaker 4>I don't know what it is, but for whatever reason,

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<v Speaker 4>after I finished watching it, I was like, oh, okay, yeah,

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<v Speaker 4>that was good.

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<v Speaker 3>I just remember liking it a little bit more than

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<v Speaker 3>I like it right now. Interesting.

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<v Speaker 1>Yeah.

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<v Speaker 3>Interesting.

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<v Speaker 1>Yeah.

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<v Speaker 2>Well, this is easily one of my favorite horror movies

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<v Speaker 2>at this point. Probably all time favorite. One of my

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<v Speaker 2>all time favorite horror movies.

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<v Speaker 4>See, that's where I was putting it. I was putting

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<v Speaker 4>it as like up there, up there. But I didn't

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<v Speaker 4>feel that way this time for some reason.

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<v Speaker 3>I don't know why. But yeah, I don't know why.

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<v Speaker 3>I mean, it might be for some people.

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<v Speaker 2>It might be one of those movies that once you

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<v Speaker 2>know what happens at the end, it's just like, all right, well,

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<v Speaker 2>it's like Usual Suspects.

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<v Speaker 1>Yeah.

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<v Speaker 2>Usual Suspects is never going to hit the same after

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<v Speaker 2>the first time because now you know, spoiler alert, it's

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<v Speaker 2>fucking Kevin Spacey's ass.

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<v Speaker 3>So it's just like, eh, whatever. It could be that.

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<v Speaker 2>For me, I just like watching the whole breakdown of

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<v Speaker 2>this Christian family and then all the weird iconography and

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<v Speaker 2>the folklore and all that stuff. I just enjoy that shit.

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<v Speaker 1>Right.

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<v Speaker 3>But I think you hit it on the head. That's

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<v Speaker 3>what it is. Once you know It's like, okay, I'm

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<v Speaker 3>waiting for it to happen.

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<v Speaker 1>Yeah, yeah.

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<v Speaker 4>And it's like, but when I first watched it, I

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<v Speaker 4>was like, God dang, he really, you know what I'm saying?

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<v Speaker 4>I'm like, dang, what's going to happen next? Like, whoa,

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<v Speaker 4>because it's like you go through all the, I know

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<v Speaker 4>we're going to go through the movie, but you go

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<v Speaker 4>through each family member. I'm just like, just trying to

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<v Speaker 4>figure that out. Like, you know, what's going to happen

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<v Speaker 4>next was the allure. Yeah, it was like the fun

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<v Speaker 4>of it. Yeah, but now knowing, like I can vividly

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<v Speaker 4>see basically each scene, even to the end when she ascends.

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<v Speaker 4>I know it's coming. It's just like, yeah, I think

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<v Speaker 4>you're right. I think that's why it doesn't hit that

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<v Speaker 4>hard right now.

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<v Speaker 3>There are a lot.

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<v Speaker 2>Of horror movies that if they don't have cool shit

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<v Speaker 2>happening in between the beginning and the end, then it's

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<v Speaker 2>just like, well, okay, well, I know the end, so

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<v Speaker 2>I have no desire to rewatch this.

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<v Speaker 3>But this is not one of those films for me.

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<v Speaker 2>For me, I love the acting. I love the cinematography.

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<v Speaker 2>I love all of the detail that Robert Eggers puts

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<v Speaker 2>into this film. It's always funny talking with the homie Alaska.

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<v Speaker 2>He's a rapper, Rod, in case you weren't familiar.

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<v Speaker 3>That's right. He hates this movie. Oh, okay.

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<v Speaker 2>He fucking hates this movie and he hates Robert Eggers' films.

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<v Speaker 2>And it's always funny. Anytime Robert Eggers comes up in

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<v Speaker 2>our group chat, he's like, man, I hate that guy.

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<v Speaker 3>I hate his movies.

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<v Speaker 2>I don't understand how that is.

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<v Speaker 3>Because he likes slow burn. I don't know what it is.

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<v Speaker 2>Alaska, you have to bring your ass on here one

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<v Speaker 2>of these days and we have to battle this out.

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<v Speaker 2>But I love this movie.

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<v Speaker 3>One of my favorites. And let's go ahead and get

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<v Speaker 3>into it. It starts off. Actually, I'll throw this out

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<v Speaker 3>there too.

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<v Speaker 2>I think what makes me love this movie so much

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<v Speaker 2>is every time I watch it, I see something different.

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<v Speaker 2>Shit that I did not notice before. And even this

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<v Speaker 2>most recent time, I watched it again on Friday night.

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<v Speaker 2>There was something that I picked up that I did

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<v Speaker 2>not catch before.

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<v Speaker 3>But yeah, we'll get into it.

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<v Speaker 2>Starts off in 1630s in New England and we meet William,

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<v Speaker 2>his wife Catherine, daughter Thomason, son Caleb, twins Mercy and Jonas,

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<v Speaker 2>and then we have baby Samuel. One other thing I'll

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<v Speaker 2>throw out real quick, I feel like if you really

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<v Speaker 2>enjoy this movie, it will behoove you to sit down

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<v Speaker 2>and just Google some of the religious themes in And

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<v Speaker 2>especially when it comes to the names of the people

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<v Speaker 2>in this film. And I think that'll also make some

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<v Speaker 2>things pop. Because that's some shit that I didn't do before.

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<v Speaker 2>But yeah, they're being excommunicated from a religious settlement over

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<v Speaker 2>a dispute. And they go off into the wilderness and

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<v Speaker 2>they find an area where they can build a farm.

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<v Speaker 2>I know it's hard to try to get y'all to

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<v Speaker 2>remember 2015. Because so much shit has happened since then.

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<v Speaker 2>But do y'all remember when you started this? If y'all

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<v Speaker 2>were like, oh, this is actually a cool setting. Or

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<v Speaker 2>if you were like, man, I'm not trying to watch

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<v Speaker 2>old white people looking like fucking Amish motherfuckers.

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<v Speaker 3>I'm not trying to watch two hours of this shit.

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<v Speaker 1>The latter.

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<v Speaker 4>I did remember because I normally don't like stuff like that.

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<v Speaker 4>Or I won't say I don't like it.

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<v Speaker 3>It is kind of like a. Not your favorite.

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<v Speaker 4>Yeah, not my favorite. But, you know, some people do

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<v Speaker 4>it well. And I think he did it well, you know,

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<v Speaker 4>because even from the language.

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<v Speaker 1>Right. Like, you know.

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<v Speaker 3>I actually don't mind having the subtitles on this one

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<v Speaker 3>in particular. You have to. But yeah, the latter.

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<v Speaker 4>I normally see it and I'm like, we got to

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<v Speaker 4>stay here all movie. But no, it made sense for

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<v Speaker 4>this or whatever.

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<v Speaker 1>So yeah. No, I think for the title, for the movie,

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<v Speaker 1>and what was happening back then, it made sense. So

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<v Speaker 1>to your question, no, it didn't bother me because I

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<v Speaker 1>felt like, you know, they'll find a way to make

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<v Speaker 1>it work and make it make sense. And there's a

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<v Speaker 1>lack of, you know, there's a lot of faith and

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<v Speaker 1>there's a lack of information that people have access to now.

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<v Speaker 1>So you become like a victim of those things as well. So,

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<v Speaker 1>but no, I'd, I always kind of find that sort

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<v Speaker 1>of time period interesting because I'm like, how the hell

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<v Speaker 1>did y'all even fucking make it? You know, just seeing

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<v Speaker 1>the way they have to survive and shit like that.

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<v Speaker 1>It was rough. It was rough.

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<v Speaker 2>Yeah, whenever I watch this shit, it always makes me

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<v Speaker 2>think of that Oregon Trail game.

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<v Speaker 1>Oh, yeah.

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<v Speaker 3>You young folks wouldn't know nothing about this, but this

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<v Speaker 3>was our shit.

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<v Speaker 1>God, was this 80s?

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<v Speaker 3>Oregon Trail?

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<v Speaker 1>Yeah. 80s?

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<v Speaker 2>Yeah man for y'all youngsters that was that was the

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<v Speaker 2>game that we had to play and everybody knows that's

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<v Speaker 2>the only reason we know what dysentery is cause everybody

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<v Speaker 2>ass died from dysentery at some point in that game

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<v Speaker 2>but it always makes me think of these you know

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<v Speaker 2>that old ass game but I don't really care for

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<v Speaker 2>this time period I don't really care for movies in

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<v Speaker 2>this time period and it's mainly the language you know

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<v Speaker 2>everybody fucking douse with on the good morrow I don't

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<v Speaker 2>wanna hear that shit I don't wanna hear that shit

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<v Speaker 2>It's confusing as hell.

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<v Speaker 3>Speak white. Don't speak old white. Speak new white.

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<v Speaker 2>I'm not trying to hear that shit. But this one

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<v Speaker 2>works because once I got the subtitles down, it just

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<v Speaker 2>adds to the movie.

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<v Speaker 3>It makes sense.

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<v Speaker 2>It puts you in that era and it feels so

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<v Speaker 2>fucking cool. Also because I wasn't, prior to this movie,

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<v Speaker 2>I wasn't super familiar with Puritan Christians. And for those listening,

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<v Speaker 2>they're reformed Protestants. They believe that God controls every single

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<v Speaker 2>aspect of your life. And I know we like to

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<v Speaker 2>think that all Christians think that, but that's not the case.

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<v Speaker 2>Protestants think that it's legit. I'm sorry, Puritans think that

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<v Speaker 2>it's everything, everything that happens, God.

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<v Speaker 3>Is in control.

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<v Speaker 2>So then when you have this idea of the Father William,

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<v Speaker 2>why he's getting excommunicated, all they say is prideful deceit.

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<v Speaker 1>Right.

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<v Speaker 3>So that's what I was going to ask you. Like, yeah,

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<v Speaker 3>prideful deceit. What does that mean?

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<v Speaker 2>So from what I know, it just basically means that

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<v Speaker 2>he thinks he knows more than everybody else. But it also,

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<v Speaker 2>if you Google it, it says pride in your possessions,

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<v Speaker 2>which would be an issue because, you know, Christians look

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<v Speaker 2>at that kind of thing as like worshiping false idols.

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<v Speaker 2>And I think it gets worse when it comes to like, oh,

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<v Speaker 2>I have this this car. and it's an amazing car,

0:10:46.490 --> 0:10:48.309
<v Speaker 2>and I love this car. Do you love this car

0:10:48.330 --> 0:10:54.460
<v Speaker 2>more than God? But prideful deceit, they never really explain

0:10:54.600 --> 0:10:57.100
<v Speaker 2>exactly what it is that William did. But by the

0:10:57.130 --> 0:10:59.840
<v Speaker 2>time we get to the end of the movie, I

0:10:59.920 --> 0:11:02.620
<v Speaker 2>think we can put together that William was just talking back,

0:11:02.720 --> 0:11:05.179
<v Speaker 2>basically being like, I know more than y'all. Because he

0:11:05.200 --> 0:11:07.839
<v Speaker 2>was telling them, you can't tell me shit, you're a

0:11:07.880 --> 0:11:12.080
<v Speaker 2>false Christian. So that's the only thing I can figure out,

0:11:12.100 --> 0:11:13.980
<v Speaker 2>because they don't ever say it specifically.

0:11:14.740 --> 0:11:17.700
<v Speaker 4>What happens so that that's interesting because if he's saying

0:11:17.720 --> 0:11:21.339
<v Speaker 4>they're false christians and if you believe everything is controlled

0:11:21.380 --> 0:11:25.210
<v Speaker 4>by god so he's basically saying like you guys are

0:11:25.230 --> 0:11:27.790
<v Speaker 4>making it seem like you're bigger than god okay.

0:11:27.750 --> 0:11:33.530
<v Speaker 2>Yeah basically um because because they they separated because they

0:11:33.590 --> 0:11:37.640
<v Speaker 2>thought that um god i forget who the protestants broke

0:11:37.700 --> 0:11:43.250
<v Speaker 2>from it's not pentecostals i don't remember but Whatever group

0:11:43.270 --> 0:11:45.880
<v Speaker 2>they broke away from, they thought that they weren't following

0:11:46.900 --> 0:11:50.600
<v Speaker 2>the law correctly. So then you get this group that's

0:11:50.660 --> 0:11:53.700
<v Speaker 2>already broken from this group that says y'all weren't following

0:11:53.720 --> 0:11:55.640
<v Speaker 2>it right. Then you have a member of the broken

0:11:55.679 --> 0:11:58.200
<v Speaker 2>away group that's like, nope, y'all still ain't following it right.

0:11:58.700 --> 0:12:01.970
<v Speaker 2>So they're really looking at them like, wait a minute. Like,

0:12:02.120 --> 0:12:04.010
<v Speaker 2>you must be out your fucking mind. We already left

0:12:04.050 --> 0:12:05.910
<v Speaker 2>this other group because we're trying to follow the law.

0:12:05.970 --> 0:12:09.069
<v Speaker 2>And now you're saying we're not following it closely. So

0:12:11.050 --> 0:12:15.850
<v Speaker 2>they had to leave. So, one day when playing with Samuel,

0:12:15.890 --> 0:12:18.870
<v Speaker 2>Thomason finds that Samuel has been taken. And I still

0:12:18.890 --> 0:12:22.250
<v Speaker 2>remember this moment in the movie. We then see someone

0:12:22.290 --> 0:12:24.929
<v Speaker 2>running through the woods with him. Then we see an

0:12:25.090 --> 0:12:28.710
<v Speaker 2>old naked woman in a cabin doing something. So, did

0:12:28.730 --> 0:12:30.790
<v Speaker 2>y'all know what she was doing when she was in

0:12:30.830 --> 0:12:31.250
<v Speaker 2>the cabin?

0:12:31.970 --> 0:12:37.260
<v Speaker 1>Mm-hmm. This was all... Even now, to this day, I

0:12:37.280 --> 0:12:41.740
<v Speaker 1>still can't believe they did this shit. Like, kill... Killing

0:12:41.800 --> 0:12:44.320
<v Speaker 1>a baby. I kept waiting for it to be fake.

0:12:44.420 --> 0:12:47.400
<v Speaker 1>I kept waiting for it to not be real. I

0:12:47.440 --> 0:12:50.160
<v Speaker 1>was like, when we saw the little ground-up baby meat,

0:12:50.280 --> 0:12:53.689
<v Speaker 1>I was like, ain't no way. She killed that baby

0:12:53.750 --> 0:12:56.010
<v Speaker 1>and ground it up and put it on her. I

0:12:57.590 --> 0:12:59.730
<v Speaker 1>guess trying to get young or something. I don't know.

0:12:59.750 --> 0:13:01.530
<v Speaker 3>I have no idea what she was doing. That's what

0:13:01.550 --> 0:13:02.790
<v Speaker 3>she was doing.

0:13:03.450 --> 0:13:10.410
<v Speaker 1>But I still couldn't believe that that actually happened. And

0:13:10.429 --> 0:13:12.530
<v Speaker 1>that she took that baby and killed that baby. But

0:13:12.550 --> 0:13:14.290
<v Speaker 1>the way they did it was so dope, because you

0:13:14.309 --> 0:13:16.429
<v Speaker 1>see the baby just there, and then all of a

0:13:16.429 --> 0:13:17.890
<v Speaker 1>sudden you see the knife come in the picture.

0:13:18.030 --> 0:13:20.670
<v Speaker 4>Yeah, it implies they did a really good job with that.

0:13:20.910 --> 0:13:21.570
<v Speaker 1>Man, yeah.

0:13:22.470 --> 0:13:24.050
<v Speaker 3>I thought she was going to circumcise him, that's all.

0:13:24.750 --> 0:13:25.570
<v Speaker 3>That's what you really thought?

0:13:26.309 --> 0:13:28.209
<v Speaker 2>I didn't pick it up until, I think, the second

0:13:28.230 --> 0:13:30.310
<v Speaker 2>time I watched the movie. I didn't pick up that

0:13:30.350 --> 0:13:32.120
<v Speaker 2>she had crunched that baby up.

0:13:34.380 --> 0:13:35.180
<v Speaker 1>I just didn't believe you.

0:13:35.200 --> 0:13:40.610
<v Speaker 3>I just said, hmm. I can't fucking stand you. But no,

0:13:40.650 --> 0:13:42.650
<v Speaker 3>I really didn't. It was a stupid moment.

0:13:42.670 --> 0:13:45.089
<v Speaker 2>Because when I look back on it now, I'm like,

0:13:45.130 --> 0:13:47.089
<v Speaker 2>how did I miss that? But I saw the knife.

0:13:47.610 --> 0:13:49.570
<v Speaker 2>And the next thing we saw, her little naked ass.

0:13:49.910 --> 0:13:51.770
<v Speaker 2>And she was doing this. So I thought she was

0:13:51.870 --> 0:13:52.550
<v Speaker 2>making something.

0:13:52.590 --> 0:13:54.670
<v Speaker 3>I saw blood. Yeah.

0:13:55.090 --> 0:13:56.890
<v Speaker 2>I did not know that she had killed the baby

0:13:57.470 --> 0:13:59.510
<v Speaker 2>until the second time I watched the film.

0:13:59.770 --> 0:14:02.140
<v Speaker 3>That's crazy. I was just like, where's the baby at?

0:14:03.770 --> 0:14:05.130
<v Speaker 3>They're not going to talk about the baby no more.

0:14:05.150 --> 0:14:06.730
<v Speaker 3>That shit was eerie as hell when she was doing

0:14:06.750 --> 0:14:07.750
<v Speaker 3>the peek-a-boo shit.

0:14:08.070 --> 0:14:08.370
<v Speaker 1>Yeah.

0:14:08.410 --> 0:14:10.530
<v Speaker 4>She did that last time. You kind of felt it

0:14:10.570 --> 0:14:12.880
<v Speaker 4>was coming, but it's like, oh, shit, the baby really going.

0:14:13.580 --> 0:14:15.340
<v Speaker 1>It happened so fast. It did. It happened so fast.

0:14:15.380 --> 0:14:18.520
<v Speaker 2>I didn't see her running through the woods, though. That's

0:14:18.559 --> 0:14:19.900
<v Speaker 2>one of the pieces that I was telling you.

0:14:20.500 --> 0:14:21.120
<v Speaker 3>You pick up.

0:14:21.180 --> 0:14:23.760
<v Speaker 2>The more times you watch this movie, because if you

0:14:23.800 --> 0:14:26.770
<v Speaker 2>watch closely, when she looks up, there's a little piece

0:14:26.850 --> 0:14:28.290
<v Speaker 2>of a plant that does this.

0:14:28.390 --> 0:14:30.270
<v Speaker 3>And then the very next scene. That's how she knew

0:14:30.290 --> 0:14:30.790
<v Speaker 3>it was over there.

0:14:31.310 --> 0:14:33.710
<v Speaker 2>Yeah, the next scene, it shows the woods and you

0:14:33.750 --> 0:14:35.960
<v Speaker 2>see this woman running in the woods. But it's for

0:14:35.980 --> 0:14:37.220
<v Speaker 2>like two seconds, if that.

0:14:37.240 --> 0:14:39.460
<v Speaker 3>Yeah, I didn't see it. So you don't really notice it.

0:14:39.520 --> 0:14:41.500
<v Speaker 2>And you pick it up because I believe she's wearing

0:14:41.540 --> 0:14:44.200
<v Speaker 2>a red cloak, which is the same red cloak she's

0:14:44.240 --> 0:14:51.100
<v Speaker 2>wearing later. But if we did review this movie, I

0:14:51.180 --> 0:14:54.700
<v Speaker 2>imagine I brought this up, but so when they crunched,

0:14:54.720 --> 0:14:58.370
<v Speaker 2>this is in old English folklore, when they crunched these

0:14:58.430 --> 0:15:01.930
<v Speaker 2>babies up, it's not to make themselves look young. That is,

0:15:02.010 --> 0:15:05.130
<v Speaker 2>that is also a potion because that's just a disguise.

0:15:05.650 --> 0:15:09.690
<v Speaker 2>You know, what it is is it's flying ointment. So

0:15:09.770 --> 0:15:12.790
<v Speaker 2>this is something that dates back all the way back

0:15:12.840 --> 0:15:16.060
<v Speaker 2>to old English. There's folklore that witches would take babies,

0:15:16.120 --> 0:15:20.820
<v Speaker 2>especially if they're not baptized, they would kill them, crunch

0:15:20.860 --> 0:15:23.540
<v Speaker 2>them up and they use it to make ointment so

0:15:23.560 --> 0:15:25.910
<v Speaker 2>they can fly. So that's why there's like a, a

0:15:26.010 --> 0:15:28.870
<v Speaker 2>scene where after she crunches the baby up she puts

0:15:28.890 --> 0:15:30.910
<v Speaker 2>the blood all over herself and you see there's like

0:15:30.960 --> 0:15:34.620
<v Speaker 2>a long stick she's rubbing it all over the stick

0:15:35.200 --> 0:15:38.760
<v Speaker 2>that's what that is it's called flying ointment.

0:15:38.900 --> 0:15:42.739
<v Speaker 3>So she was like a witch witch that's.

0:15:41.420 --> 0:15:44.040
<v Speaker 2>What I'm saying the movie is great and the thing

0:15:44.080 --> 0:15:46.380
<v Speaker 2>about it is y'all still like the movie without doing

0:15:46.400 --> 0:15:48.900
<v Speaker 2>this nerdy googling shit once you sit down and start

0:15:48.960 --> 0:15:53.350
<v Speaker 2>googling stuff it really shows how amazing Robert Eggers is

0:15:53.380 --> 0:15:56.170
<v Speaker 2>he does not fuck around Like, there are so many

0:15:56.290 --> 0:15:59.350
<v Speaker 2>details in this film. I feel like anything that seems

0:15:59.610 --> 0:16:02.290
<v Speaker 2>odd in the movie, just Google it. And it will

0:16:02.330 --> 0:16:02.810
<v Speaker 2>make sense.

0:16:02.850 --> 0:16:03.330
<v Speaker 3>Yeah, I'm sure.

0:16:03.350 --> 0:16:06.500
<v Speaker 1>I remember you saying that before. I just never, I

0:16:06.520 --> 0:16:09.280
<v Speaker 1>just haven't taken the time to do it. Yeah. But

0:16:09.880 --> 0:16:12.760
<v Speaker 1>that's flying on me. That's insane. Yeah.

0:16:13.020 --> 0:16:16.830
<v Speaker 2>It's pretty, this one coming up is also another interesting one.

0:16:16.870 --> 0:16:18.010
<v Speaker 1>But real quick.

0:16:18.050 --> 0:16:18.410
<v Speaker 3>Yeah, go ahead.

0:16:19.700 --> 0:16:22.370
<v Speaker 1>It's almost like it works both ways, though. It's like

0:16:22.420 --> 0:16:25.330
<v Speaker 1>it works if you have the information like you do. Oh, yeah, sure.

0:16:25.350 --> 0:16:29.290
<v Speaker 1>And if you don't, that's kind of crazy. Because I'm like, oh,

0:16:29.310 --> 0:16:32.030
<v Speaker 1>she's trying to make herself young. Right. And it works

0:16:32.370 --> 0:16:34.210
<v Speaker 1>as a viewer that doesn't know that because that's one

0:16:34.230 --> 0:16:37.710
<v Speaker 1>of the folklores or whatever that's been known about witches.

0:16:38.970 --> 0:16:41.170
<v Speaker 1>But if you know what's actually happening, it adds another

0:16:41.220 --> 0:16:43.920
<v Speaker 1>layer and it flips what she's actually doing to a

0:16:43.940 --> 0:16:46.340
<v Speaker 1>deeper meaning. That's kind of dope that he did that.

0:16:47.020 --> 0:16:50.680
<v Speaker 2>He's, man, I'm telling you. It's the same shit with

0:16:51.340 --> 0:16:54.260
<v Speaker 2>The Lighthouse. It's the same shit with The Northmen. Robert

0:16:54.320 --> 0:16:56.580
<v Speaker 2>Eggers is dope. Alaska, get your shit together, bro.

0:16:56.620 --> 0:16:58.280
<v Speaker 3>Yeah, because you have to study this stuff.

0:16:58.300 --> 0:17:00.500
<v Speaker 4>You can't just blanketly just make a movie like this

0:17:00.610 --> 0:17:02.230
<v Speaker 4>without proper study work.

0:17:02.280 --> 0:17:05.310
<v Speaker 3>You really can't. He does not play.

0:17:05.790 --> 0:17:07.610
<v Speaker 2>But the reason I know that The Ointment was not

0:17:07.670 --> 0:17:10.760
<v Speaker 2>specifically to make herself look young is... And we'll get

0:17:10.800 --> 0:17:14.199
<v Speaker 2>to the scene when she captures Caleb. Her hand is

0:17:14.240 --> 0:17:16.000
<v Speaker 2>still like an old lady's hand. So you can tell

0:17:16.060 --> 0:17:18.570
<v Speaker 2>then that it's just a disguise. Yeah, it's just like a,

0:17:18.580 --> 0:17:22.260
<v Speaker 2>you know. So yeah, in the next scene, we see

0:17:22.300 --> 0:17:24.590
<v Speaker 2>a few important things. We see Catherine's been crying and

0:17:24.609 --> 0:17:28.929
<v Speaker 2>praying for Samuel's return. We also see that Caleb is

0:17:29.150 --> 0:17:31.170
<v Speaker 2>a little bit of a pervert because he's been staring

0:17:31.190 --> 0:17:34.609
<v Speaker 2>at his sister's titties. And then we see Caleb and

0:17:34.650 --> 0:17:36.930
<v Speaker 2>William go out into the woods. You think that doesn't

0:17:36.950 --> 0:17:37.510
<v Speaker 2>make you a pervert?

0:17:40.560 --> 0:17:41.859
<v Speaker 4>I don't know if he was, I don't know if

0:17:41.880 --> 0:17:44.220
<v Speaker 4>I looked at it as a pervert, just like almost like,

0:17:45.440 --> 0:17:46.300
<v Speaker 4>not adolescence, but.

0:17:46.480 --> 0:17:47.530
<v Speaker 1>Yeah, puberty. Puberty.

0:17:48.170 --> 0:17:49.230
<v Speaker 3>That's still your sister though.

0:17:49.390 --> 0:17:49.550
<v Speaker 1>Huh?

0:17:49.650 --> 0:17:50.389
<v Speaker 3>That's still your sister.

0:17:50.510 --> 0:17:53.389
<v Speaker 4>Yeah, yeah, it's still your sister, but like, like they

0:17:53.430 --> 0:17:57.510
<v Speaker 4>say too, like, you know, like boys, like boys are like,

0:17:57.550 --> 0:17:59.570
<v Speaker 4>their mom is their first crush and stuff like that.

0:17:59.590 --> 0:18:00.780
<v Speaker 3>Yeah, it's the first, it's the titties you see.

0:18:00.890 --> 0:18:04.869
<v Speaker 4>Yeah, so it's like, so I don't look at it as,

0:18:05.500 --> 0:18:07.159
<v Speaker 4>like pervert because he was just like, you know, he

0:18:07.200 --> 0:18:08.120
<v Speaker 4>didn't really want to.

0:18:08.140 --> 0:18:08.790
<v Speaker 1>Yes, he did.

0:18:08.810 --> 0:18:11.070
<v Speaker 3>He was turned away. No, he didn't.

0:18:11.330 --> 0:18:13.430
<v Speaker 2>He didn't want to get caught. He was looking at

0:18:13.450 --> 0:18:15.350
<v Speaker 2>them little half non-existent titties.

0:18:15.430 --> 0:18:16.390
<v Speaker 1>I know, I wouldn't even know.

0:18:16.490 --> 0:18:17.830
<v Speaker 3>I didn't even know titties to see.

0:18:17.850 --> 0:18:18.750
<v Speaker 1>It was just like a lot.

0:18:18.770 --> 0:18:20.949
<v Speaker 3>It was just like, this man don't even know what

0:18:20.970 --> 0:18:24.389
<v Speaker 3>titties is. Like, where is the cleavage? What are we

0:18:24.410 --> 0:18:24.909
<v Speaker 3>looking at?

0:18:25.150 --> 0:18:27.430
<v Speaker 4>But, I didn't look at it as a pervert thing.

0:18:27.630 --> 0:18:29.100
<v Speaker 4>I just look at it, he was just young and

0:18:29.390 --> 0:18:30.649
<v Speaker 4>going into puberty and just like.

0:18:30.670 --> 0:18:32.860
<v Speaker 3>There's no other girls around. Yeah, no other girls around.

0:18:32.960 --> 0:18:33.200
<v Speaker 1>Right.

0:18:33.280 --> 0:18:36.040
<v Speaker 3>That's what I was thinking about. That's how I took it.

0:18:36.340 --> 0:18:36.540
<v Speaker 2>Right.

0:18:37.840 --> 0:18:38.159
<v Speaker 1>Right.

0:18:38.940 --> 0:18:39.160
<v Speaker 3>Yeah.

0:18:39.720 --> 0:18:41.580
<v Speaker 2>So Caleb and William go out into the woods to hunt.

0:18:41.600 --> 0:18:44.540
<v Speaker 2>They come up on a rabbit. And when William tries

0:18:44.580 --> 0:18:47.490
<v Speaker 2>to shoot it, the gun backfires. So what did y'all

0:18:47.530 --> 0:18:50.310
<v Speaker 2>think of this scene and the conversations that William and

0:18:50.330 --> 0:18:51.730
<v Speaker 2>Caleb were having in the woods?

0:18:52.810 --> 0:18:57.469
<v Speaker 1>So I thought this scene was interesting because now is

0:18:57.510 --> 0:19:01.600
<v Speaker 1>why the opening scene of this movie is interesting. It

0:19:01.619 --> 0:19:04.909
<v Speaker 1>kind of sets up, like, pretty much the fall of

0:19:04.950 --> 0:19:09.990
<v Speaker 1>this family from those events early on in the beginning

0:19:10.550 --> 0:19:17.440
<v Speaker 1>and the prideful deceit. Yeah. Yeah. So but that pride

0:19:17.540 --> 0:19:21.040
<v Speaker 1>led to the basically murder of his whole fucking family. Yep.

0:19:21.700 --> 0:19:24.939
<v Speaker 1>And being kicked out of this place going over here

0:19:25.260 --> 0:19:28.990
<v Speaker 1>everything fell apart this after the baby died and now

0:19:29.570 --> 0:19:33.830
<v Speaker 1>you shoot this gun to find food and the gun

0:19:33.850 --> 0:19:38.219
<v Speaker 1>backfires and it hurts you. So, and I'm like, oh,

0:19:38.340 --> 0:19:40.500
<v Speaker 1>here we go. So I thought that that was interesting.

0:19:40.520 --> 0:19:43.740
<v Speaker 1>This is when he also said he sold that cup too. Yes.

0:19:44.369 --> 0:19:46.409
<v Speaker 1>And then now he's lying about the cup because he

0:19:46.430 --> 0:19:49.190
<v Speaker 1>told his kid not to lie about the cup. So

0:19:49.330 --> 0:19:51.910
<v Speaker 1>now you're putting these... values into the kid because you

0:19:51.930 --> 0:19:55.889
<v Speaker 1>think that there's a bigger sort of meaning to it

0:19:55.950 --> 0:19:57.730
<v Speaker 1>in order to protect the mom. Because you think you're

0:19:57.910 --> 0:20:01.380
<v Speaker 1>protecting the mom. And that's the thing that they say

0:20:01.410 --> 0:20:03.209
<v Speaker 1>in movies a lot where I was only doing this

0:20:03.230 --> 0:20:06.020
<v Speaker 1>to protect you. You know, to kind of ease the

0:20:06.060 --> 0:20:09.580
<v Speaker 1>pain of you doing something that may have been fucked up. Right. Right.

0:20:10.780 --> 0:20:13.500
<v Speaker 3>Well, they're also talking about the fact that Caleb wasn't baptized.

0:20:14.060 --> 0:20:16.919
<v Speaker 2>Yes. So to these kinds of strict Christians, I don't

0:20:16.940 --> 0:20:19.659
<v Speaker 2>know if Christians still believe this, but these very strict Christians,

0:20:19.680 --> 0:20:22.030
<v Speaker 2>that means that baby's in hell. They still believe that?

0:20:23.450 --> 0:20:24.629
<v Speaker 2>There might be some leniency now, right?

0:20:24.650 --> 0:20:26.649
<v Speaker 3>I don't know. Because it's a baby.

0:20:27.630 --> 0:20:29.550
<v Speaker 1>Wait, Caleb or Samuel wasn't baptized?

0:20:29.570 --> 0:20:32.229
<v Speaker 3>I'm sorry, Samuel wasn't baptized, my fault. But you said

0:20:32.250 --> 0:20:32.590
<v Speaker 3>the baby.

0:20:33.350 --> 0:20:35.130
<v Speaker 2>I did, but I think I said Caleb the baby. Oh, okay.

0:20:35.530 --> 0:20:35.830
<v Speaker 3>Yeah.

0:20:36.150 --> 0:20:38.880
<v Speaker 1>Yeah, I remember you saying that earlier, yeah.

0:20:39.350 --> 0:20:39.890
<v Speaker 3>Yeah, I'm not sure.

0:20:39.910 --> 0:20:42.710
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0:20:48.660 --> 0:20:51.560
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0:21:17.640 --> 0:21:18.000
<v Speaker 1>Yeah.

0:21:19.420 --> 0:21:21.400
<v Speaker 2>Well, there's also this idea, because I had to Google this.

0:21:21.510 --> 0:21:24.669
<v Speaker 2>I don't know if any of those kids were baptized

0:21:26.270 --> 0:21:27.150
<v Speaker 2>besides Thomasin.

0:21:27.830 --> 0:21:30.310
<v Speaker 3>It never explicitly says, which that's also something we'll get

0:21:30.369 --> 0:21:30.770
<v Speaker 3>back to.

0:21:31.830 --> 0:21:35.490
<v Speaker 2>Maybe Caleb was. Caleb probably was. Thomasin probably was. The

0:21:35.550 --> 0:21:38.680
<v Speaker 2>twins probably were not. And we know Samuel was not.

0:21:39.150 --> 0:21:39.870
<v Speaker 3>But we'll get to that.

0:21:40.950 --> 0:21:44.480
<v Speaker 2>Like you said, William reveals that he sold Catherine's cup

0:21:45.500 --> 0:21:48.220
<v Speaker 2>specifically for hunting supplies, the supplies that did not work.

0:21:49.119 --> 0:21:49.780
<v Speaker 3>But this is.

0:21:49.740 --> 0:21:52.480
<v Speaker 2>Something I didn't think about before. I thought the entire

0:21:52.520 --> 0:21:55.480
<v Speaker 2>time that the rabbit was just Black Phillip ass. I

0:21:55.500 --> 0:21:57.619
<v Speaker 2>thought the rabbit was just Satan or something.

0:21:57.640 --> 0:21:58.909
<v Speaker 3>Oh, really? Yes.

0:21:59.670 --> 0:22:01.970
<v Speaker 2>Until I Googled it. Rabbits in the Bible are.

0:22:01.910 --> 0:22:05.770
<v Speaker 3>A symbol of uncleanliness. So that's one thing. And then

0:22:05.810 --> 0:22:07.070
<v Speaker 3>there's something called a fuka.

0:22:08.160 --> 0:22:11.290
<v Speaker 2>And a fuka is a shape-shifting spirit that typically takes

0:22:11.330 --> 0:22:13.830
<v Speaker 2>the form of a rabbit. So I think what we're

0:22:13.890 --> 0:22:18.590
<v Speaker 2>seeing here is these are different, like when you have Satan,

0:22:18.670 --> 0:22:22.730
<v Speaker 2>which is Black Phillip, of course that attracts other kinds

0:22:22.770 --> 0:22:25.909
<v Speaker 2>of evil, like witches. But it makes sense that in

0:22:25.990 --> 0:22:28.429
<v Speaker 2>these old days that folklore would also say that it

0:22:28.490 --> 0:22:31.859
<v Speaker 2>attracts this other creature, this fuka, because this is specifically

0:22:31.900 --> 0:22:35.960
<v Speaker 2>a European folklore creature. At least from everything that I

0:22:35.980 --> 0:22:38.710
<v Speaker 2>could find. Because I don't know why I never bothered

0:22:38.730 --> 0:22:41.970
<v Speaker 2>to Google what the rabbit meant. I just ignored it,

0:22:42.050 --> 0:22:44.770
<v Speaker 2>pretty much. But the rabbit was over... It's on all

0:22:44.790 --> 0:22:47.430
<v Speaker 2>of the promo material. The rabbit's head. I just never

0:22:47.470 --> 0:22:49.710
<v Speaker 2>bothered to look it up. But yeah, I thought that

0:22:49.750 --> 0:22:51.970
<v Speaker 2>was actually interesting. And every time they see that fucking rabbit,

0:22:51.990 --> 0:22:52.970
<v Speaker 2>some fuck shit happens.

0:22:53.070 --> 0:22:55.330
<v Speaker 1>Yeah. Oh, damn. Okay.

0:22:56.010 --> 0:22:57.510
<v Speaker 2>So, we go back to the farm and we see

0:22:57.530 --> 0:23:03.270
<v Speaker 2>the twins playing with Black Phillip. And they're kind of

0:23:03.369 --> 0:23:06.300
<v Speaker 2>singing this song and they're implying that Black Phillip talks

0:23:06.340 --> 0:23:08.590
<v Speaker 2>to them. And in the scene after this, we see

0:23:08.630 --> 0:23:11.889
<v Speaker 2>Thomason and Caleb at the water and mercy sneaks up

0:23:11.970 --> 0:23:13.949
<v Speaker 2>on them and proclaims to be the witch of the

0:23:14.010 --> 0:23:16.090
<v Speaker 2>wood to which Thomason says.

0:23:16.270 --> 0:23:17.609
<v Speaker 3>She's actually the witch.

0:23:18.410 --> 0:23:20.470
<v Speaker 2>So were y'all thinking Thomason was telling the truth?

0:23:20.490 --> 0:23:23.250
<v Speaker 3>Like she was the witch. That's what I was trying

0:23:23.270 --> 0:23:24.830
<v Speaker 3>to figure out by the end of this.

0:23:27.030 --> 0:23:29.109
<v Speaker 4>Um, cause I did think she was playing with her,

0:23:29.130 --> 0:23:31.050
<v Speaker 4>just trying to scare and get her to calm down.

0:23:32.250 --> 0:23:35.080
<v Speaker 3>Um, but then I was like, well, I don't know

0:23:35.130 --> 0:23:37.720
<v Speaker 3>what she like that, that, That's one of the questions

0:23:37.780 --> 0:23:40.880
<v Speaker 3>I have for y'all. Like, was she?

0:23:40.900 --> 0:23:46.359
<v Speaker 1>I don't think she was at this time. I think

0:23:46.600 --> 0:23:48.219
<v Speaker 1>this is one of those situations where we get to

0:23:48.260 --> 0:23:49.850
<v Speaker 1>the end of the movie. It's like, well, you play

0:23:49.869 --> 0:23:50.910
<v Speaker 1>too much. Yep.

0:23:51.470 --> 0:23:54.010
<v Speaker 3>That's exactly right. You play too much.

0:23:54.030 --> 0:23:56.790
<v Speaker 1>Yeah, and that's kind of what I got for it.

0:23:56.830 --> 0:23:58.850
<v Speaker 1>Because it makes sense. Your kid's teasing you to fuck

0:23:58.869 --> 0:24:01.780
<v Speaker 1>with you. You probably already still feel horrible about what

0:24:01.800 --> 0:24:05.690
<v Speaker 1>happened with Sam. And here they come with their... ass

0:24:06.130 --> 0:24:08.280
<v Speaker 1>fucking with you. So we're like, all right, we're fine.

0:24:09.300 --> 0:24:12.840
<v Speaker 1>I am the witch. Now what? And they took that

0:24:12.859 --> 0:24:15.879
<v Speaker 1>shit fucking seriously. Yes.

0:24:16.220 --> 0:24:21.000
<v Speaker 3>Well, you think they did. We'll get to that later too. Yeah.

0:24:21.180 --> 0:24:22.149
<v Speaker 3>I was wondering about it.

0:24:22.280 --> 0:24:26.660
<v Speaker 4>And like, because she's, I mean, I know she had

0:24:26.700 --> 0:24:28.780
<v Speaker 4>no choice, but I'm not, she didn't have a choice,

0:24:28.840 --> 0:24:31.120
<v Speaker 4>but I was just like, why does she succumb to

0:24:31.180 --> 0:24:32.020
<v Speaker 4>it so easily?

0:24:32.960 --> 0:24:36.150
<v Speaker 3>But yeah, I don't know. We'll definitely get to that discussion, too. Okay, cool.

0:24:36.670 --> 0:24:39.690
<v Speaker 3>I don't think she was the witch during this point.

0:24:40.130 --> 0:24:42.070
<v Speaker 4>Yeah, I didn't think so either when I first watched it,

0:24:42.070 --> 0:24:43.510
<v Speaker 4>but I was questioning it this time.

0:24:44.070 --> 0:24:45.550
<v Speaker 3>Yeah, I think she was just fucking with the kid.

0:24:47.100 --> 0:24:47.379
<v Speaker 1>Yeah.

0:24:47.600 --> 0:24:50.560
<v Speaker 2>And the kid was like, okay, I can use this.

0:24:52.920 --> 0:24:54.679
<v Speaker 2>If I forget, remind me when we get to the

0:24:54.720 --> 0:24:55.800
<v Speaker 2>end to come back to that point.

0:24:55.960 --> 0:24:56.220
<v Speaker 3>Okay.

0:24:56.380 --> 0:24:59.160
<v Speaker 2>We also see Catherine blaming Thomason for her missing cup.

0:24:59.980 --> 0:25:02.180
<v Speaker 2>And we find that William and Catherine are arguing about

0:25:02.220 --> 0:25:03.740
<v Speaker 2>the fact that they're starving. So they decide they're going

0:25:03.760 --> 0:25:06.419
<v Speaker 2>to go back to the plantation, which does make sense.

0:25:06.960 --> 0:25:09.139
<v Speaker 2>But they're also going to sell Thomason off to a family.

0:25:11.080 --> 0:25:13.020
<v Speaker 2>The next morning, Caleb and Thomason go out into the

0:25:13.060 --> 0:25:15.399
<v Speaker 2>woods to check on a trap. But they encounter that

0:25:15.460 --> 0:25:18.679
<v Speaker 2>fucking rabbit again. Thomason gets bucked off the horse. She

0:25:18.700 --> 0:25:21.320
<v Speaker 2>gets knocked out. Caleb runs after the dog who's chasing

0:25:21.340 --> 0:25:24.920
<v Speaker 2>the rabbit. He finds the dog disemboweled and the witch

0:25:25.369 --> 0:25:28.970
<v Speaker 2>comes out the hut and kisses him. And when Thomason

0:25:29.010 --> 0:25:30.770
<v Speaker 2>makes it back to the farm, William is forced to

0:25:30.790 --> 0:25:33.110
<v Speaker 2>admit that he took Catherine's cup and he took Samuel

0:25:33.170 --> 0:25:35.500
<v Speaker 2>into the woods. So at this point, what's going through

0:25:35.520 --> 0:25:38.040
<v Speaker 2>y'all's head? Are y'all like, y'all just need to move?

0:25:38.060 --> 0:25:40.000
<v Speaker 2>Because that's what the fuck was going through my head.

0:25:40.020 --> 0:25:43.020
<v Speaker 2>I'm like, why are y'all still at this fucking farm?

0:25:43.540 --> 0:25:45.550
<v Speaker 3>We got to go. I don't know if I thought, well, yeah,

0:25:45.570 --> 0:25:47.409
<v Speaker 3>I think the mom was saying that. She was saying

0:25:47.470 --> 0:25:50.410
<v Speaker 3>that she wanted to go. But my thought was like,

0:25:50.740 --> 0:25:52.220
<v Speaker 3>The witch came with the titties out, boy.

0:25:52.240 --> 0:25:54.169
<v Speaker 1>She knew what Kayla wanted.

0:25:54.390 --> 0:25:55.590
<v Speaker 3>She knew what he.

0:25:55.510 --> 0:25:58.590
<v Speaker 1>Wanted, boy. Boy, these are real titties, boy. Right, yeah.

0:25:58.630 --> 0:26:01.250
<v Speaker 3>Your little sister ain't got these, boy. She ain't got these.

0:26:01.330 --> 0:26:02.070
<v Speaker 1>Yeah, yeah.

0:26:02.090 --> 0:26:04.469
<v Speaker 3>He was just like, damn. He was entranced.

0:26:04.590 --> 0:26:04.790
<v Speaker 2>Yep.

0:26:06.430 --> 0:26:08.540
<v Speaker 3>So, yeah, that's what I was thinking. I was like, oh, damn,

0:26:08.560 --> 0:26:09.030
<v Speaker 3>she got him.

0:26:11.380 --> 0:26:14.000
<v Speaker 1>But he looked scared, too. Yeah.

0:26:14.060 --> 0:26:15.879
<v Speaker 3>I couldn't tell if it was scared or horny. Yeah,

0:26:15.900 --> 0:26:18.639
<v Speaker 3>he looked, although, Ken, he was coming closer, bro, because

0:26:18.720 --> 0:26:19.419
<v Speaker 3>she was pretty.

0:26:19.560 --> 0:26:21.340
<v Speaker 1>Like, you know what I'm saying? So she didn't look

0:26:21.359 --> 0:26:26.730
<v Speaker 1>like a witch. Yeah, it's still like he was, like, afraid,

0:26:26.790 --> 0:26:27.730
<v Speaker 1>but he couldn't help himself.

0:26:28.030 --> 0:26:29.889
<v Speaker 2>I think that's supposed to be the trance that she

0:26:29.930 --> 0:26:30.399
<v Speaker 2>put in him.

0:26:30.410 --> 0:26:31.129
<v Speaker 3>So you're not wrong.

0:26:31.150 --> 0:26:33.270
<v Speaker 2>I was kind of fucking with you, but I think

0:26:33.290 --> 0:26:36.090
<v Speaker 2>that's supposed to be the trance that she immediately put

0:26:36.170 --> 0:26:38.070
<v Speaker 2>on him the second that he saw her, because that's

0:26:38.190 --> 0:26:41.580
<v Speaker 2>also something from the old folklore, is that they can

0:26:41.820 --> 0:26:45.000
<v Speaker 2>be witched. that they can be with you very, very easily.

0:26:46.700 --> 0:26:49.379
<v Speaker 4>But now, one of the thoughts with these scenes in particular,

0:26:49.400 --> 0:26:51.240
<v Speaker 4>especially the witch hut or whatever.

0:26:52.060 --> 0:26:54.929
<v Speaker 3>I like how it looks. Like, it didn't look like a,

0:26:55.359 --> 0:26:57.480
<v Speaker 3>you know, like, just like hokey. You know what I'm saying?

0:26:57.510 --> 0:27:00.350
<v Speaker 3>It looked like it's a part of the force. You

0:27:00.369 --> 0:27:01.220
<v Speaker 3>know what I'm saying?

0:27:01.240 --> 0:27:03.629
<v Speaker 4>Like, I was just like, oh man, that is really

0:27:03.710 --> 0:27:06.830
<v Speaker 4>nice detail right there. And I like the overall gloomy

0:27:06.950 --> 0:27:09.210
<v Speaker 4>look too. Like, I know he does his movies like

0:27:09.250 --> 0:27:10.770
<v Speaker 4>in black and white for the most part, but this

0:27:10.830 --> 0:27:13.760
<v Speaker 4>is like, It wasn't black and white, but it was.

0:27:14.150 --> 0:27:15.780
<v Speaker 3>It had that feeling. It had that feeling of a

0:27:15.859 --> 0:27:16.420
<v Speaker 3>black and white.

0:27:16.460 --> 0:27:23.400
<v Speaker 4>So, yeah, I really, really like the aesthetic here. But, yeah, yeah, that's...

0:27:23.740 --> 0:27:25.540
<v Speaker 4>This is a good series of scenes right here.

0:27:26.200 --> 0:27:31.200
<v Speaker 1>Yeah, and Thomason seems to be around when a lot

0:27:31.220 --> 0:27:35.470
<v Speaker 1>of this shit happens. And that's the second thing that

0:27:35.810 --> 0:27:37.750
<v Speaker 1>I was like, she's going to get the blame for it.

0:27:38.390 --> 0:27:40.930
<v Speaker 1>They're already trying to get rid of her. Mm-hmm. And

0:27:41.590 --> 0:27:46.409
<v Speaker 1>they want to go back. And he didn't want to

0:27:46.450 --> 0:27:47.150
<v Speaker 1>go back, right?

0:27:48.230 --> 0:27:49.250
<v Speaker 3>No, he didn't want to go back.

0:27:49.310 --> 0:27:53.990
<v Speaker 1>Yeah, so again, that pride thing is still lingering around him. Yep.

0:27:54.430 --> 0:27:59.340
<v Speaker 1>And he refused to basically admit that, well, he refused

0:27:59.460 --> 0:28:06.300
<v Speaker 1>to give in. Even with everything happening to his family.

0:28:07.250 --> 0:28:13.430
<v Speaker 1>He wasn't doing the job of protecting the family and

0:28:13.609 --> 0:28:16.510
<v Speaker 1>refused to leave, so they just came up with this plan. And,

0:28:16.530 --> 0:28:19.870
<v Speaker 1>of course, he had to admit the lie and accept

0:28:20.030 --> 0:28:22.340
<v Speaker 1>some sort of blame for taking him in the woods

0:28:22.359 --> 0:28:24.230
<v Speaker 1>when he wasn't supposed to. Right. Because that was one

0:28:24.280 --> 0:28:25.710
<v Speaker 1>of the things they said earlier, you're not supposed to

0:28:25.730 --> 0:28:28.700
<v Speaker 1>go into the woods. Yep. Does that mean that they

0:28:29.040 --> 0:28:31.240
<v Speaker 1>didn't know a witch was in the woods? Okay.

0:28:31.520 --> 0:28:33.600
<v Speaker 2>No, I think it was just more so, you know,

0:28:33.660 --> 0:28:34.500
<v Speaker 2>wolves are in the woods.

0:28:34.600 --> 0:28:36.080
<v Speaker 3>Okay, okay. So they just don't want the kids to

0:28:36.100 --> 0:28:38.030
<v Speaker 3>go out there and get, Fucked up by a wolf.

0:28:38.050 --> 0:28:41.630
<v Speaker 1>Gotcha. But yeah, but it made sense to leave. I

0:28:41.650 --> 0:28:44.880
<v Speaker 1>wasn't thinking that they should leave at that moment, though. Shit.

0:28:44.970 --> 0:28:47.360
<v Speaker 1>But I can't hurt one of them to get out

0:28:47.400 --> 0:28:47.739
<v Speaker 1>of there, though.

0:28:47.760 --> 0:28:49.800
<v Speaker 3>But they couldn't leave because Caleb was still missing.

0:28:50.320 --> 0:28:52.700
<v Speaker 4>And they still was hoping that the baby, that Sammy,

0:28:52.740 --> 0:28:54.320
<v Speaker 4>would come back around at some point, too.

0:28:54.700 --> 0:28:58.020
<v Speaker 2>Nah, because remember at that point, William had said he's

0:28:58.040 --> 0:28:58.840
<v Speaker 2>been gone for a week.

0:28:59.220 --> 0:28:59.860
<v Speaker 3>Yeah, I do remember that.

0:28:59.900 --> 0:29:01.960
<v Speaker 2>So even if a wolf didn't eat him, he's starved

0:29:02.020 --> 0:29:02.420
<v Speaker 2>by now.

0:29:02.540 --> 0:29:04.180
<v Speaker 3>I feel like the mother still was holding out hope.

0:29:04.200 --> 0:29:05.680
<v Speaker 3>You know what I mean?

0:29:05.720 --> 0:29:06.600
<v Speaker 1>So, yeah.

0:29:07.270 --> 0:29:11.310
<v Speaker 3>I'd have fucked that. Caleb on his own. Fuck this.

0:29:11.370 --> 0:29:14.640
<v Speaker 3>There's three other kids. We got to go, man. But

0:29:14.820 --> 0:29:18.219
<v Speaker 3>this next scene. Actually, I'll just talk about this one

0:29:18.260 --> 0:29:18.720
<v Speaker 3>part first.

0:29:18.780 --> 0:29:24.020
<v Speaker 2>While checking out the goats, Thomason finds Caleb outside and naked.

0:29:25.100 --> 0:29:26.510
<v Speaker 2>So what did y'all think of that when she found him?

0:29:26.520 --> 0:29:29.780
<v Speaker 2>He was all up against the post.

0:29:30.280 --> 0:29:31.780
<v Speaker 4>He was doing good, man. I feel like he was

0:29:31.800 --> 0:29:33.340
<v Speaker 4>doing a good acting job.

0:29:33.460 --> 0:29:34.640
<v Speaker 3>I don't know where he's been.

0:29:34.720 --> 0:29:35.050
<v Speaker 1>Yeah.

0:29:35.480 --> 0:29:40.030
<v Speaker 3>I was impressed with his acting job. I was happy to...

0:29:40.000 --> 0:29:41.540
<v Speaker 3>to see him come back, but I was like, something

0:29:41.560 --> 0:29:42.180
<v Speaker 3>ain't right, though.

0:29:42.400 --> 0:29:43.160
<v Speaker 1>Yeah, he naked.

0:29:43.220 --> 0:29:45.400
<v Speaker 3>Yeah, something ain't right. God damn. He got through that

0:29:45.420 --> 0:29:46.910
<v Speaker 3>witch pussy and just lost his fucking mind.

0:29:46.990 --> 0:29:47.910
<v Speaker 1>I know. I know.

0:29:48.050 --> 0:29:49.390
<v Speaker 3>Got bewitched for real.

0:29:49.730 --> 0:29:52.370
<v Speaker 1>God damn. He ate the apple.

0:29:54.650 --> 0:29:59.370
<v Speaker 3>He choked in. Swallowed that motherfucker. God damn, she turned

0:29:59.390 --> 0:29:59.770
<v Speaker 3>him out.

0:29:59.790 --> 0:30:01.750
<v Speaker 1>Hey, bro. She turned him out, dog.

0:30:02.530 --> 0:30:03.530
<v Speaker 3>Oh, she turned him out.

0:30:03.650 --> 0:30:04.470
<v Speaker 1>Golly.

0:30:04.770 --> 0:30:06.810
<v Speaker 3>He got what he wanted. What he ever been wanting, boy?

0:30:06.910 --> 0:30:07.890
<v Speaker 1>Talk about symbolism.

0:30:08.210 --> 0:30:10.790
<v Speaker 3>Well, we'll get to that part. You say you were.

0:30:10.810 --> 0:30:12.600
<v Speaker 1>I was surprised he came back because I thought he

0:30:12.630 --> 0:30:15.840
<v Speaker 1>was as good as dead when the witch got him. Yeah. Oh,

0:30:15.890 --> 0:30:18.020
<v Speaker 1>that's another one. Another one bites the dust. He out

0:30:18.040 --> 0:30:18.820
<v Speaker 1>of here. Right.

0:30:19.360 --> 0:30:19.500
<v Speaker 3>Well.

0:30:20.970 --> 0:30:22.390
<v Speaker 2>So there's a couple things I want to talk about.

0:30:22.430 --> 0:30:24.910
<v Speaker 2>So when you talk about your surprise, he came back.

0:30:25.650 --> 0:30:30.970
<v Speaker 2>I remember always being curious of like, why did the

0:30:31.020 --> 0:30:35.160
<v Speaker 2>witch send him back instead of killing him? The idea

0:30:35.220 --> 0:30:37.780
<v Speaker 2>of baptism didn't come into my mind until way later.

0:30:37.880 --> 0:30:41.120
<v Speaker 2>I'm pretty certain he was baptized. So either the witch

0:30:41.160 --> 0:30:43.600
<v Speaker 2>couldn't kill him or she didn't want to, which we

0:30:43.640 --> 0:30:46.800
<v Speaker 2>can get into later why she didn't want to. But

0:30:48.000 --> 0:30:51.860
<v Speaker 2>there's also this idea of, of why he's naked.

0:30:52.440 --> 0:30:52.800
<v Speaker 1>Okay.

0:30:53.880 --> 0:30:57.800
<v Speaker 2>You should know this, the idea of nakedness versus nudity.

0:30:57.820 --> 0:31:01.420
<v Speaker 2>Do you remember this from art? It's actually in the

0:31:01.480 --> 0:31:04.600
<v Speaker 2>Bible and in art. It's in art a lot, especially

0:31:04.620 --> 0:31:05.400
<v Speaker 2>like old art.

0:31:05.580 --> 0:31:06.850
<v Speaker 3>I was just telling Dom about it.

0:31:07.340 --> 0:31:07.780
<v Speaker 1>Oh, really?

0:31:08.040 --> 0:31:15.540
<v Speaker 4>Yeah, he asked, because like I said, puberty or whatever.

0:31:15.560 --> 0:31:17.100
<v Speaker 3>So I was like, I don't know, it was like

0:31:17.120 --> 0:31:18.120
<v Speaker 3>some cornstarch or something.

0:31:18.140 --> 0:31:21.210
<v Speaker 4>And it was like, The lady had like cleavage showing

0:31:21.330 --> 0:31:23.810
<v Speaker 4>on the logo. He was just like, why are her

0:31:23.850 --> 0:31:26.450
<v Speaker 4>boobs out or whatever or something like that. I was like, well,

0:31:26.470 --> 0:31:28.690
<v Speaker 4>you know, just, you know, that's the way they wanted

0:31:28.710 --> 0:31:31.230
<v Speaker 4>to brand it or something like that. So he asked

0:31:31.250 --> 0:31:38.780
<v Speaker 4>me about nakedness then or, you know, you know, revealing. And, oh,

0:31:39.020 --> 0:31:42.600
<v Speaker 4>that's what it was. It was a painting. It was

0:31:43.100 --> 0:31:46.200
<v Speaker 4>the Adam and God painting.

0:31:47.000 --> 0:31:48.200
<v Speaker 3>Or when he's reaching out.

0:31:48.460 --> 0:31:48.720
<v Speaker 1>Okay.

0:31:49.500 --> 0:31:51.780
<v Speaker 3>Oh, and they're all naked. Yeah, yeah, they're all naked.

0:31:51.820 --> 0:31:53.290
<v Speaker 2>On the ceiling of the Sistine Chapel or whatever?

0:31:53.310 --> 0:31:55.930
<v Speaker 3>Yeah, on the Sistine Chapel. But they have a painting

0:31:55.970 --> 0:31:56.450
<v Speaker 3>of Ross.

0:31:57.490 --> 0:31:57.910
<v Speaker 1>Okay.

0:31:57.950 --> 0:32:00.310
<v Speaker 3>He saw Adam's dick was out. His dick all just out.

0:32:00.590 --> 0:32:02.910
<v Speaker 3>He was just like, why? I was like, well, you know,

0:32:02.950 --> 0:32:03.800
<v Speaker 3>it's art or whatever.

0:32:03.840 --> 0:32:09.580
<v Speaker 4>I said, I actually have painted and drawn naked people. Like,

0:32:09.640 --> 0:32:12.990
<v Speaker 4>it's part, it's, you know, especially in those times. That

0:32:13.040 --> 0:32:15.540
<v Speaker 4>was the part of art or whatever. So I had

0:32:15.560 --> 0:32:17.880
<v Speaker 4>to explain that to him just recently. But I'm not

0:32:17.940 --> 0:32:20.300
<v Speaker 4>sure exactly what you're talking about with the naked versus

0:32:20.360 --> 0:32:20.960
<v Speaker 4>nudity thing.

0:32:21.940 --> 0:32:25.719
<v Speaker 2>So the naked versus nudity thing comes from the Bible,

0:32:25.760 --> 0:32:29.900
<v Speaker 2>from Genesis especially, where Adam and Eve, they were nude.

0:32:30.000 --> 0:32:31.290
<v Speaker 1>Got you. Yes. Got it.

0:32:31.320 --> 0:32:35.520
<v Speaker 2>The idea of nakedness, which is shame of your body

0:32:35.540 --> 0:32:38.220
<v Speaker 2>or whatever, didn't come until after the original sin, which

0:32:38.270 --> 0:32:39.910
<v Speaker 2>was the apple and all that.

0:32:39.930 --> 0:32:40.110
<v Speaker 1>Mm-hmm.

0:32:41.140 --> 0:32:44.460
<v Speaker 2>So the movie definitely does a whole lot with the

0:32:44.500 --> 0:32:52.640
<v Speaker 2>whole nudity and nakedness thing. In the scene where he

0:32:52.700 --> 0:32:56.740
<v Speaker 2>comes back and he's completely naked, I think this is

0:32:57.040 --> 0:32:59.880
<v Speaker 2>to kind of push this idea of they don't care

0:33:00.090 --> 0:33:03.570
<v Speaker 2>about the whole nakedness versus nudity thing. Especially for like

0:33:03.590 --> 0:33:06.150
<v Speaker 2>these witches are just like, well, look, what y'all think.

0:33:06.890 --> 0:33:08.650
<v Speaker 2>that we're supposed to be shameful of, we don't care.

0:33:08.690 --> 0:33:11.820
<v Speaker 2>Because the witch is typically naked.

0:33:11.540 --> 0:33:13.880
<v Speaker 3>In the movie. She's naked most of the time.

0:33:15.260 --> 0:33:18.220
<v Speaker 2>So they're pushing this idea of, no, this is still

0:33:18.840 --> 0:33:22.000
<v Speaker 2>normal and it's beautiful. Whereas when you look at those

0:33:22.300 --> 0:33:24.880
<v Speaker 2>old paintings, there were all of the, like a lot

0:33:24.900 --> 0:33:28.440
<v Speaker 2>of the women back then were painted nude. But then

0:33:28.480 --> 0:33:31.960
<v Speaker 2>if you notice, like later on, there'll be like the

0:33:32.140 --> 0:33:34.640
<v Speaker 2>paintings would be like them holding their hands over their

0:33:34.680 --> 0:33:38.030
<v Speaker 2>breasts or over their, genitals or whatever, and that's where

0:33:38.050 --> 0:33:42.070
<v Speaker 2>the whole idea of nakedness or being shamed of being

0:33:42.110 --> 0:33:44.570
<v Speaker 2>naked comes from. So yeah, I always found that to

0:33:44.610 --> 0:33:48.130
<v Speaker 2>be interesting. But this next scene is one of my

0:33:48.150 --> 0:33:50.360
<v Speaker 2>favorite scenes of the whole movie. This is where Caleb

0:33:51.160 --> 0:33:57.540
<v Speaker 2>is crashing out. So inside, they're performing a ritual on

0:33:57.620 --> 0:34:01.160
<v Speaker 2>Caleb to get him well. However, that shit does not work.

0:34:01.240 --> 0:34:05.990
<v Speaker 2>Caleb goes into violent convulsions. This motherfucker starts speaking in tongues.

0:34:06.670 --> 0:34:10.090
<v Speaker 2>He pukes up an apple. He thanks Jesus, and he dies.

0:34:11.290 --> 0:34:13.009
<v Speaker 2>So what did y'all think of this scene? Before y'all

0:34:13.030 --> 0:34:14.670
<v Speaker 2>even get to it, I just want to once again,

0:34:15.230 --> 0:34:18.190
<v Speaker 2>this little motherfucker right here acted his ass off. I

0:34:18.210 --> 0:34:20.069
<v Speaker 2>don't know where he's been for 10 years.

0:34:20.130 --> 0:34:23.390
<v Speaker 3>I need to look it up. He was amazing.

0:34:23.570 --> 0:34:26.710
<v Speaker 2>I genuinely thought, okay, no, he's really possessed. That little

0:34:26.730 --> 0:34:29.550
<v Speaker 2>white kid is really possessed. What did y'all think of

0:34:29.590 --> 0:34:29.890
<v Speaker 2>this scene?

0:34:30.610 --> 0:34:35.390
<v Speaker 4>I thought it was good. Yeah, I thought it was good.

0:34:36.010 --> 0:34:39.930
<v Speaker 4>This way we saw that he actually was bewitched. Again,

0:34:40.130 --> 0:34:43.800
<v Speaker 4>just like seeing the apple come out, it's not hokey,

0:34:43.880 --> 0:34:45.840
<v Speaker 4>but it's just like little details.

0:34:45.860 --> 0:34:46.859
<v Speaker 3>It's like, oh, shit, yeah.

0:34:47.100 --> 0:34:49.160
<v Speaker 4>Because, you know, we hear these stories so much growing up,

0:34:49.200 --> 0:34:51.940
<v Speaker 4>Hansel and Gretel and all these different stories growing up, but.

0:34:51.880 --> 0:34:55.060
<v Speaker 3>They've been like these like little kiddie things. But the

0:34:55.100 --> 0:34:58.279
<v Speaker 3>way they do it here. It seems adult. Yeah, it

0:34:58.320 --> 0:34:59.000
<v Speaker 3>seems adult.

0:34:59.060 --> 0:35:00.799
<v Speaker 4>And like, you know, even like the way it's not

0:35:00.820 --> 0:35:03.890
<v Speaker 4>just red. It's just an apple. Like I told you, like,

0:35:03.910 --> 0:35:06.510
<v Speaker 4>it's not black and white. It's just not a lot

0:35:06.550 --> 0:35:09.070
<v Speaker 4>of color. And so I thought that was really cool detail.

0:35:11.410 --> 0:35:14.469
<v Speaker 4>I guess basically him, his last calling was just like,

0:35:14.489 --> 0:35:17.590
<v Speaker 4>you know, he is going to go to heaven or whatever.

0:35:17.650 --> 0:35:19.910
<v Speaker 3>You know what I'm saying? Because that's how I took that.

0:35:20.290 --> 0:35:23.279
<v Speaker 4>You know, he accepted Jesus Christ as his Lord and

0:35:23.300 --> 0:35:26.739
<v Speaker 4>Savior or whatever. So I thought that was cool. And

0:35:26.800 --> 0:35:30.220
<v Speaker 4>then he died or whatever. Whereas they wasn't sure about Samuel,

0:35:30.260 --> 0:35:31.180
<v Speaker 4>but they were sure about him.

0:35:33.950 --> 0:35:38.770
<v Speaker 1>But wasn't happy about it which of course obviously they

0:35:38.810 --> 0:35:42.880
<v Speaker 1>wouldn't be as parents but nah I did like the

0:35:42.940 --> 0:35:45.779
<v Speaker 1>scene and all he was saying I mean even then

0:35:45.800 --> 0:35:52.390
<v Speaker 1>I thought that like all this shit was a ruse

0:35:53.250 --> 0:35:56.790
<v Speaker 1>by the witch when he got sent back and I'm

0:35:56.810 --> 0:36:00.259
<v Speaker 1>like okay nah something else gonna happen but I think

0:36:00.280 --> 0:36:02.339
<v Speaker 1>that's the beauty of it. It didn't. It was just

0:36:02.380 --> 0:36:04.819
<v Speaker 1>like he just said what he said and then he

0:36:04.840 --> 0:36:09.040
<v Speaker 1>just kind of died. And then they were... It's also

0:36:09.080 --> 0:36:13.450
<v Speaker 1>sad because they were all smiling and happy and then

0:36:14.719 --> 0:36:17.569
<v Speaker 1>he never woke back up. And she's like, wake up.

0:36:17.910 --> 0:36:21.750
<v Speaker 1>Wake up, Caleb. Wake up, Caleb. And then broken. And

0:36:21.790 --> 0:36:24.430
<v Speaker 1>then that was it. From there, they just kind of

0:36:24.469 --> 0:36:26.489
<v Speaker 1>completely fell apart.

0:36:26.530 --> 0:36:31.210
<v Speaker 3>Because unlike Sam... You got him back. And then they

0:36:31.230 --> 0:36:31.750
<v Speaker 3>took him again.

0:36:31.850 --> 0:36:36.410
<v Speaker 1>And then just like that, yeah, he's gone. He's dead. So,

0:36:37.190 --> 0:36:40.939
<v Speaker 1>you know, yeah, it just, it was a wrap for them.

0:36:40.980 --> 0:36:42.600
<v Speaker 3>The twins were crashing out right here too, right?

0:36:42.660 --> 0:36:42.920
<v Speaker 2>Yeah.

0:36:43.180 --> 0:36:45.540
<v Speaker 1>Yeah. Everybody was freaking out because they didn't know what

0:36:45.560 --> 0:36:46.239
<v Speaker 1>was going on.

0:36:47.200 --> 0:36:51.069
<v Speaker 3>They couldn't even say their prayer. I couldn't even say

0:36:51.090 --> 0:36:52.910
<v Speaker 3>their prayer. We will get to.

0:36:52.930 --> 0:36:56.630
<v Speaker 2>Yeah, the twins definitely passed out. One of them was saying,

0:36:56.710 --> 0:36:59.109
<v Speaker 2>I can't remember my prayers. And I remember even watching

0:36:59.130 --> 0:37:00.270
<v Speaker 2>it the first time, I was like, that don't make

0:37:00.290 --> 0:37:01.550
<v Speaker 2>no damn sense for all these kids.

0:37:02.890 --> 0:37:03.410
<v Speaker 3>We'll get to.

0:37:03.430 --> 0:37:10.640
<v Speaker 2>I like that, again, he's using his research in his

0:37:10.700 --> 0:37:14.359
<v Speaker 2>movies to show what it was like back then. So

0:37:14.420 --> 0:37:16.919
<v Speaker 2>when they cut his head with the knife and bled

0:37:16.940 --> 0:37:19.299
<v Speaker 2>him out, that was like a real thing. the whole

0:37:19.360 --> 0:37:22.239
<v Speaker 2>idea of bloodletting that's where that comes from so they

0:37:22.280 --> 0:37:24.100
<v Speaker 2>thought he was just sick so they thought if they

0:37:24.160 --> 0:37:26.859
<v Speaker 2>cut the side of his head and let him bleed

0:37:26.880 --> 0:37:29.620
<v Speaker 2>it out he'll get better and for a minute he

0:37:29.660 --> 0:37:32.200
<v Speaker 2>did kind of get better but here's the interesting thing

0:37:33.420 --> 0:37:35.560
<v Speaker 2>do y'all know where the term Adam's apple comes from.

0:37:35.400 --> 0:37:40.400
<v Speaker 3>Check the Adam's apple no.

0:37:41.360 --> 0:37:47.240
<v Speaker 2>No so that's an old folklore too about Adam eating

0:37:47.280 --> 0:37:52.250
<v Speaker 2>the apple okay So in some Christian folklore, when he

0:37:52.390 --> 0:37:54.770
<v Speaker 2>ate the apple, a piece of it got lost into

0:37:54.810 --> 0:37:58.089
<v Speaker 2>his throat and a piece of the forbidden fruit was

0:37:58.150 --> 0:38:00.330
<v Speaker 2>lodged into his throat. And that's where the term Adam's

0:38:00.390 --> 0:38:04.870
<v Speaker 2>apple comes from. So this kid puking up an apple

0:38:05.070 --> 0:38:08.049
<v Speaker 2>in this moment is supposed to kind of be symbolizing

0:38:08.190 --> 0:38:12.130
<v Speaker 2>he's going through puberty. He met this woman. He partook

0:38:12.170 --> 0:38:14.029
<v Speaker 2>of the forbidden fruit and it lodged in his throat.

0:38:15.219 --> 0:38:17.400
<v Speaker 2>The other interesting thing I thought was when he started

0:38:17.440 --> 0:38:20.259
<v Speaker 2>yelling out, a crow, a dog, a raven. I didn't

0:38:20.280 --> 0:38:22.060
<v Speaker 2>look that up before. I looked it up this time.

0:38:22.800 --> 0:38:25.900
<v Speaker 2>Those are all black animals that Europeans believe that the

0:38:25.960 --> 0:38:30.490
<v Speaker 2>devil can change to. So he's picturing all of these

0:38:30.660 --> 0:38:33.970
<v Speaker 2>animals that the devil changes to. Doesn't say a rabbit, though,

0:38:34.010 --> 0:38:36.589
<v Speaker 2>because that's not Satan. The rabbit is something else.

0:38:36.610 --> 0:38:37.970
<v Speaker 3>I was just about to say that, yeah.

0:38:38.370 --> 0:38:41.310
<v Speaker 2>And yeah, he does die after he professes his love

0:38:41.330 --> 0:38:43.210
<v Speaker 2>to Jesus because he was baptized.

0:38:43.750 --> 0:38:44.629
<v Speaker 3>He genuinely baptized.

0:38:44.950 --> 0:38:48.770
<v Speaker 2>Loved and believed in Jesus. So in that moment, he

0:38:48.830 --> 0:38:51.450
<v Speaker 2>dies smiling because he gets to go off into heaven.

0:38:51.710 --> 0:38:55.029
<v Speaker 2>He's the only one that got mercy out of this

0:38:55.090 --> 0:38:56.480
<v Speaker 2>entire fucking family.

0:38:56.739 --> 0:38:57.759
<v Speaker 3>He's the only one.

0:38:57.780 --> 0:38:59.080
<v Speaker 1>He wasn't sinning.

0:38:59.140 --> 0:39:02.320
<v Speaker 4>That's what I was saying earlier.

0:39:02.400 --> 0:39:03.760
<v Speaker 1>He just repented.

0:39:04.000 --> 0:39:05.359
<v Speaker 3>He got tricked into sinning, though.

0:39:05.520 --> 0:39:05.960
<v Speaker 1>He did.

0:39:05.980 --> 0:39:07.500
<v Speaker 3>I told you he was sinning, right?

0:39:07.540 --> 0:39:10.060
<v Speaker 2>We all been tricking into sinning now, Ken. A good

0:39:10.080 --> 0:39:11.680
<v Speaker 2>set of titties show up, you're going to get tricked

0:39:11.719 --> 0:39:12.200
<v Speaker 2>into sinning.

0:39:13.370 --> 0:39:15.070
<v Speaker 1>I thought it didn't make it less of a sin

0:39:15.230 --> 0:39:16.950
<v Speaker 1>or a sin or not a sin.

0:39:16.969 --> 0:39:18.910
<v Speaker 2>Well, they always say as long as you repent. And

0:39:18.950 --> 0:39:20.250
<v Speaker 2>he repented before he died.

0:39:20.890 --> 0:39:22.529
<v Speaker 3>Yep, I like that part. I did too.

0:39:22.550 --> 0:39:23.210
<v Speaker 1>It worked for me.

0:39:23.710 --> 0:39:24.170
<v Speaker 3>I liked it.

0:39:24.200 --> 0:39:25.779
<v Speaker 6>I thought it said it worked for you.

0:39:25.880 --> 0:39:28.020
<v Speaker 3>That's what I hope it worked for me. True.

0:39:29.040 --> 0:39:29.259
<v Speaker 1>So.

0:39:30.400 --> 0:39:32.120
<v Speaker 2>William and Thomasin have, oh, well, let's go ahead and

0:39:32.140 --> 0:39:33.960
<v Speaker 2>talk about the twins. The twins pass out here.

0:39:35.080 --> 0:39:36.200
<v Speaker 3>And, actually, no, sorry.

0:39:36.390 --> 0:39:37.890
<v Speaker 2>Yeah, they pass out, but then we get to William

0:39:37.910 --> 0:39:40.450
<v Speaker 2>and Thomasin having a conversation out in the woods. He

0:39:40.489 --> 0:39:43.210
<v Speaker 2>slick accuses Thomasin of being responsible for what's happening, but

0:39:43.250 --> 0:39:46.549
<v Speaker 2>Thomasin tells him that the twins have been talking to

0:39:46.630 --> 0:39:52.380
<v Speaker 2>Black Phillip and they're the ones who are corrupted. The

0:39:52.440 --> 0:39:54.500
<v Speaker 2>first time I watched the film, I did not pick

0:39:54.560 --> 0:39:55.000
<v Speaker 2>up on this.

0:39:55.940 --> 0:39:58.640
<v Speaker 3>Don't mean corrupted? Yeah, I didn't pick up.

0:39:58.739 --> 0:40:01.000
<v Speaker 2>I didn't think Thomasin, I thought Thomasin was just trying

0:40:01.020 --> 0:40:04.150
<v Speaker 2>to get the attention off herself. But when you watch it,

0:40:04.960 --> 0:40:08.689
<v Speaker 2>the twins were clearly, maybe not both of them, but

0:40:08.890 --> 0:40:13.009
<v Speaker 2>that little girl, Mercy, that little motherfucker there.

0:40:14.060 --> 0:40:15.680
<v Speaker 3>Like, Black Phillip is my Lord and Savior. Yes.

0:40:15.860 --> 0:40:16.240
<v Speaker 1>Yes.

0:40:18.400 --> 0:40:20.100
<v Speaker 3>Yes. Black Phillip got my backs.

0:40:20.500 --> 0:40:21.160
<v Speaker 1>Yeah.

0:40:21.360 --> 0:40:22.880
<v Speaker 3>Yeah. That little fucker.

0:40:23.380 --> 0:40:25.840
<v Speaker 4>And they say that about kids, like children, they're easily,

0:40:25.860 --> 0:40:31.290
<v Speaker 4>you know, obviously impressionable or whatever. Like, so, and you

0:40:31.330 --> 0:40:33.029
<v Speaker 4>hear that all the time that, you know, the devil

0:40:33.050 --> 0:40:34.750
<v Speaker 4>will get in their head quick because they know it's

0:40:34.790 --> 0:40:39.170
<v Speaker 4>not fully developed. Their frontal cortex isn't fully developed. But,

0:40:39.320 --> 0:40:42.080
<v Speaker 4>and so that's how I, when I saw them acting

0:40:42.100 --> 0:40:44.490
<v Speaker 4>like they were acting, That's the first thing I thought.

0:40:44.590 --> 0:40:46.690
<v Speaker 4>First thing I thought was, oh, yeah, he didn't got them.

0:40:46.710 --> 0:40:50.709
<v Speaker 4>You know what I mean? Like, yeah, he didn't got them. Because,

0:40:50.730 --> 0:40:52.850
<v Speaker 4>like I said, they're just not fully developed and be

0:40:52.890 --> 0:40:55.350
<v Speaker 4>able to, like, push that out or whatever.

0:40:55.370 --> 0:41:00.490
<v Speaker 1>So, yeah. I mean, I remember watching the first time.

0:41:00.830 --> 0:41:04.109
<v Speaker 1>I still thought they were just making all that shit up. Oh, no.

0:41:04.510 --> 0:41:07.930
<v Speaker 1>I didn't know they were that. We'll get to it. But, yeah,

0:41:07.950 --> 0:41:09.879
<v Speaker 1>I was like, this whole Blackfella shit, they just kind

0:41:09.920 --> 0:41:10.840
<v Speaker 1>of fucking around.

0:41:11.100 --> 0:41:13.830
<v Speaker 2>I did, too, the first time watching it. I thought

0:41:13.850 --> 0:41:16.649
<v Speaker 2>they were just saying shit because they're kids. Oh, we

0:41:16.670 --> 0:41:17.510
<v Speaker 2>talked to Black Phillip.

0:41:18.170 --> 0:41:19.870
<v Speaker 3>Yeah, you talk to all kinds of shit because you're

0:41:19.890 --> 0:41:20.850
<v Speaker 3>a weirdo ass little kid.

0:41:20.910 --> 0:41:24.719
<v Speaker 1>Right. Yeah. This is my payback for that witch shit

0:41:24.739 --> 0:41:25.580
<v Speaker 1>you tried to pull.

0:41:25.840 --> 0:41:26.180
<v Speaker 3>Yes.

0:41:26.520 --> 0:41:27.100
<v Speaker 1>Yeah.

0:41:27.580 --> 0:41:33.040
<v Speaker 2>But then when you realize that Mercy started it. Mercy

0:41:33.080 --> 0:41:33.560
<v Speaker 2>started it.

0:41:33.620 --> 0:41:34.279
<v Speaker 3>She's the one.

0:41:34.200 --> 0:41:38.469
<v Speaker 2>That came to Thomason and Caleb and said, it is me.

0:41:38.640 --> 0:41:42.250
<v Speaker 2>I'm the witch of the wood. So she started it. Mm-hmm.

0:41:42.980 --> 0:41:47.680
<v Speaker 2>Black Phillip had already gotten her by that point.

0:41:47.940 --> 0:41:49.620
<v Speaker 3>I think. I think.

0:41:49.719 --> 0:41:51.430
<v Speaker 2>Black Phillip had already gotten.

0:41:51.190 --> 0:41:51.930
<v Speaker 3>Her by that point.

0:41:52.230 --> 0:41:55.209
<v Speaker 2>I don't know about Jonas, but mercy as Black Phillip

0:41:55.250 --> 0:42:00.009
<v Speaker 2>had that ass. So, since William is like, I can't

0:42:00.050 --> 0:42:02.610
<v Speaker 2>tell which one of you motherfuckers is lying, I'm locking

0:42:02.850 --> 0:42:04.470
<v Speaker 2>all of y'all in the goddamn shed.

0:42:05.210 --> 0:42:06.410
<v Speaker 3>But what did y'all think of that.

0:42:06.390 --> 0:42:09.670
<v Speaker 2>Scene where Caleb appears with Samuel to Catherine?

0:42:10.310 --> 0:42:11.069
<v Speaker 3>Do y'all remember this part?

0:42:12.340 --> 0:42:14.779
<v Speaker 1>Where Vaguely. What he did what?

0:42:14.820 --> 0:42:16.259
<v Speaker 3>My favorite part of the movie. What he did what now?

0:42:16.280 --> 0:42:17.400
<v Speaker 3>Is this when she's... Yes.

0:42:17.960 --> 0:42:22.800
<v Speaker 1>Yes. Oh, okay. Oh. This was creepy when that bird

0:42:22.840 --> 0:42:23.899
<v Speaker 1>was poking at her.

0:42:23.960 --> 0:42:24.660
<v Speaker 3>Pecking at her titty.

0:42:24.680 --> 0:42:28.020
<v Speaker 1>Yeah. And she thought she was feeding Sam. And it

0:42:28.040 --> 0:42:31.020
<v Speaker 1>seemed like he came back. You could hear the baby too. Yes.

0:42:31.320 --> 0:42:34.359
<v Speaker 1>And then it cut to it being a damn raven

0:42:34.380 --> 0:42:34.740
<v Speaker 1>or something.

0:42:34.760 --> 0:42:35.340
<v Speaker 3>A raven.

0:42:35.380 --> 0:42:35.720
<v Speaker 1>Yeah.

0:42:35.989 --> 0:42:38.710
<v Speaker 2>Which is one of the animals that Caleb mentioned.

0:42:39.270 --> 0:42:43.970
<v Speaker 1>Yeah. No, that's... I don't, I didn't remember Caleb, though. No,

0:42:44.000 --> 0:42:44.980
<v Speaker 1>it's Crow. I didn't remember.

0:42:45.020 --> 0:42:45.500
<v Speaker 3>Is it Crow?

0:42:46.160 --> 0:42:48.220
<v Speaker 2>Oh, he said, no, he said a crow, a dog,

0:42:48.320 --> 0:42:50.620
<v Speaker 2>a raven. I think he said a crow, a raven,

0:42:50.680 --> 0:42:52.180
<v Speaker 2>a black dog, and something else.

0:42:53.530 --> 0:42:55.810
<v Speaker 1>But either way, I go, yeah, that, because, yeah, that was,

0:42:55.870 --> 0:42:58.650
<v Speaker 1>that was creepy as fuck. Because she had no idea.

0:42:58.670 --> 0:43:03.189
<v Speaker 4>Yeah, I felt like, you know, her, they were playing

0:43:03.250 --> 0:43:06.690
<v Speaker 4>on her desires. She desired to see her, her sons again.

0:43:07.550 --> 0:43:09.350
<v Speaker 4>And so, yeah, that, that was the rules for her,

0:43:09.390 --> 0:43:10.109
<v Speaker 4>the trick for her.

0:43:10.130 --> 0:43:11.130
<v Speaker 2>Mm-hmm.

0:43:13.030 --> 0:43:14.070
<v Speaker 3>I still have this question.

0:43:14.130 --> 0:43:18.430
<v Speaker 2>I always wonder if the witches were trying to get

0:43:18.489 --> 0:43:22.359
<v Speaker 2>Catherine too or were they just tormenting Catherine in order

0:43:22.380 --> 0:43:23.900
<v Speaker 2>for her to torment.

0:43:25.260 --> 0:43:29.140
<v Speaker 3>Thomason. I'm still not sure. I don't know if they

0:43:29.160 --> 0:43:32.160
<v Speaker 3>thought they can get her though. That's what I sometimes wonder.

0:43:32.280 --> 0:43:36.020
<v Speaker 2>But it was the same voice that we hear talking

0:43:36.180 --> 0:43:39.859
<v Speaker 2>to Thomason later. So it's the Black Phillips voice, I think,

0:43:41.310 --> 0:43:43.010
<v Speaker 2>But I can never figure out if they were trying

0:43:43.050 --> 0:43:46.480
<v Speaker 2>to actually corrupt Catherine into being a witch. Maybe they

0:43:46.500 --> 0:43:48.219
<v Speaker 2>were trying and then they realized, yeah, this ain't going

0:43:48.239 --> 0:43:48.460
<v Speaker 2>to work.

0:43:48.520 --> 0:43:48.960
<v Speaker 3>So fuck it.

0:43:49.960 --> 0:43:52.859
<v Speaker 2>But so we're getting towards the end. So during the night,

0:43:52.920 --> 0:43:55.980
<v Speaker 2>while in the barn, the naked ass witch appears to them.

0:43:56.820 --> 0:43:58.759
<v Speaker 2>When William wakes in the morning, he finds the barn

0:43:58.800 --> 0:44:02.460
<v Speaker 2>completely destroyed. The lamb slaughtered and Thomas and lying on

0:44:02.480 --> 0:44:05.470
<v Speaker 2>the ground. And then Black Phillip has come over and

0:44:05.530 --> 0:44:07.850
<v Speaker 2>stabs his ass in the stomach and knocks him into

0:44:07.890 --> 0:44:15.049
<v Speaker 2>a woodpile. This one has a lot of symbolism here.

0:44:15.110 --> 0:44:17.870
<v Speaker 2>So what did y'all think of this scene with William

0:44:17.910 --> 0:44:18.950
<v Speaker 2>and his death?

0:44:22.920 --> 0:44:27.319
<v Speaker 1>He fucked him up. He fucked him up. And I

0:44:27.360 --> 0:44:30.930
<v Speaker 1>remember when I was watching it, because it's so quiet,

0:44:31.510 --> 0:44:32.690
<v Speaker 1>and then it just happens.

0:44:32.750 --> 0:44:33.830
<v Speaker 3>Yeah, it scared the shit out of me.

0:44:33.850 --> 0:44:36.710
<v Speaker 1>I'm not even going to lie. I jumped. that's what

0:44:36.730 --> 0:44:39.589
<v Speaker 1>happened to my wife because it was on and that

0:44:39.650 --> 0:44:41.950
<v Speaker 1>motherfucker was just kind of standing around and boom she

0:44:41.969 --> 0:44:46.230
<v Speaker 1>was like oh Jesus and he's just sitting there he's

0:44:46.290 --> 0:44:50.370
<v Speaker 1>bleeding and he's holding himself and then Black Phillip you

0:44:50.390 --> 0:44:52.950
<v Speaker 1>know of course hit him again and knocked him into

0:44:52.969 --> 0:44:54.980
<v Speaker 1>the woods but did he the.

0:44:54.760 --> 0:44:58.239
<v Speaker 6>Wood he'd been chopping remember that part we'll get to

0:44:58.260 --> 0:45:01.380
<v Speaker 6>that yeah but now this was brutal but it was

0:45:01.420 --> 0:45:03.439
<v Speaker 6>just two punches I thought it was going to fight

0:45:03.500 --> 0:45:05.100
<v Speaker 6>back a little bit more than he.

0:45:05.140 --> 0:45:07.810
<v Speaker 2>Did He gave up at that point. Now, this is

0:45:07.850 --> 0:45:09.910
<v Speaker 2>a really important part. And, Rod, don't forget your point.

0:45:10.340 --> 0:45:13.620
<v Speaker 2>When he says, corruption thou art my father.

0:45:13.640 --> 0:45:16.540
<v Speaker 3>I'm not going to ask you. You're a heathen.

0:45:16.560 --> 0:45:17.980
<v Speaker 2>Do you know where that comes from, Rod? Do you

0:45:18.000 --> 0:45:18.960
<v Speaker 2>remember that story of Job?

0:45:18.980 --> 0:45:21.840
<v Speaker 3>I know the story of Job. How did Job die?

0:45:21.960 --> 0:45:25.200
<v Speaker 3>I still don't know. Yeah, I don't remember how Job died. But, yeah,

0:45:25.219 --> 0:45:26.440
<v Speaker 3>I do know the story of Job, though.

0:45:26.480 --> 0:45:28.840
<v Speaker 2>So he says that when he's about to die. And

0:45:28.860 --> 0:45:30.609
<v Speaker 2>I had to Google it. And it basically means, that's

0:45:30.630 --> 0:45:33.650
<v Speaker 2>another thing I didn't Google before until this most recent watching.

0:45:34.500 --> 0:45:36.419
<v Speaker 2>It basically means you're accepting that you're about to die.

0:45:37.360 --> 0:45:39.040
<v Speaker 2>Because if you remember in the movie, he reaches for

0:45:39.060 --> 0:45:41.500
<v Speaker 2>that axe. And then he looks up and he just

0:45:41.520 --> 0:45:43.940
<v Speaker 2>puts the axe down and just says, corruption, thou art

0:45:43.960 --> 0:45:44.420
<v Speaker 2>my father.

0:45:44.840 --> 0:45:46.510
<v Speaker 3>And then Black Phillip hits his ass again.

0:45:47.850 --> 0:45:50.390
<v Speaker 1>All that shit came down under that. It did.

0:45:50.450 --> 0:45:53.430
<v Speaker 2>And you brought up the point, the wood that he chopped.

0:45:54.250 --> 0:45:57.149
<v Speaker 2>So did you get anything from that? Like symbolism from him?

0:45:57.190 --> 0:45:57.530
<v Speaker 1>Yeah.

0:45:59.900 --> 0:46:02.290
<v Speaker 3>Like, down on your own staff type of thing? Kind of.

0:46:02.320 --> 0:46:02.740
<v Speaker 1>Yeah, yeah.

0:46:02.760 --> 0:46:04.500
<v Speaker 2>Because he's chopping wood throughout the whole movie.

0:46:04.560 --> 0:46:05.020
<v Speaker 1>Yeah, yeah.

0:46:05.840 --> 0:46:07.450
<v Speaker 3>Yeah, that's the only thing I thought. Like, I mean,

0:46:07.489 --> 0:46:09.170
<v Speaker 3>because why else would you do that? You know what

0:46:09.190 --> 0:46:09.430
<v Speaker 3>I'm saying?

0:46:09.450 --> 0:46:11.430
<v Speaker 4>Like, why else would this be the way that you

0:46:12.110 --> 0:46:14.969
<v Speaker 4>actually die from this day? And you put so much

0:46:15.030 --> 0:46:18.259
<v Speaker 4>emphasis on him chopping the wood and stuff.

0:46:19.630 --> 0:46:22.270
<v Speaker 2>I always thought that like, because he can't provide for

0:46:22.290 --> 0:46:25.530
<v Speaker 2>his family. William is kind of sorry. If you really

0:46:25.610 --> 0:46:28.870
<v Speaker 2>look at this movie, William is kind of sorry.

0:46:29.370 --> 0:46:32.689
<v Speaker 1>Or are they making him sorry, though?

0:46:33.230 --> 0:46:35.370
<v Speaker 3>I think he just sorry, bruh.

0:46:35.469 --> 0:46:37.489
<v Speaker 1>Could be because he did get him kicked out.

0:46:37.770 --> 0:46:39.730
<v Speaker 3>He got him kicked out because he was being an asshole.

0:46:39.750 --> 0:46:41.169
<v Speaker 1>They're in this situation because of him.

0:46:41.350 --> 0:46:44.509
<v Speaker 3>Yes. And he acknowledged that. He did. It was just

0:46:44.530 --> 0:46:47.870
<v Speaker 3>too late. It was too late, yeah. His pride.

0:46:47.989 --> 0:46:51.750
<v Speaker 1>He got buried under the mess that he made.

0:46:52.050 --> 0:46:54.910
<v Speaker 3>That's exactly right. That's how I always looked at it.

0:46:55.310 --> 0:46:57.750
<v Speaker 2>He's chopping wood the whole movie because he can't do

0:46:57.850 --> 0:47:02.049
<v Speaker 2>shit else. And we all know that if we got

0:47:02.110 --> 0:47:05.410
<v Speaker 2>a family out in the woods, chopping wood is the

0:47:05.550 --> 0:47:08.160
<v Speaker 2>man's job. Traditionally, we're talking about gender roles in the

0:47:08.200 --> 0:47:12.919
<v Speaker 2>fucking 1600s. Y'all feminists, put your pens down. I'm talking

0:47:12.940 --> 0:47:19.170
<v Speaker 2>about the 1600s. The woman cooked The man hunts and chops.

0:47:19.010 --> 0:47:19.970
<v Speaker 3>Wood for the fire.

0:47:21.010 --> 0:47:23.570
<v Speaker 2>He can't hunt. He's sorry as shit.

0:47:23.900 --> 0:47:28.220
<v Speaker 3>Motherfucker can't hunt. He can't gather. He can't do shit.

0:47:28.700 --> 0:47:29.840
<v Speaker 3>But he can chop some wood.

0:47:30.460 --> 0:47:34.839
<v Speaker 2>There's a reason why he dies under all of that

0:47:34.960 --> 0:47:38.010
<v Speaker 2>wood that he chopped. He's buried by his own pride.

0:47:38.290 --> 0:47:42.090
<v Speaker 2>His pride kept him at that fucking farm. He kept

0:47:42.150 --> 0:47:45.169
<v Speaker 2>chopping wood because it came to nothing else. And Black

0:47:45.190 --> 0:47:46.930
<v Speaker 2>Phillip was like, cool, you about to die under all

0:47:46.950 --> 0:47:47.390
<v Speaker 2>that shit.

0:47:48.360 --> 0:47:50.339
<v Speaker 1>He had been fighting with Black Phillip earlier to put

0:47:50.360 --> 0:47:51.440
<v Speaker 1>him back in that pen. He did.

0:47:51.480 --> 0:47:53.020
<v Speaker 3>He was holding him and then when he fell, the

0:47:53.040 --> 0:47:57.440
<v Speaker 3>little kids started laughing at him. They were some assholes.

0:47:57.480 --> 0:47:58.299
<v Speaker 1>They were.

0:47:58.320 --> 0:48:01.969
<v Speaker 3>They were some assholes. Them little kids were some assholes.

0:48:07.650 --> 0:48:10.850
<v Speaker 2>But yeah, I mean, because we didn't talk about the

0:48:10.890 --> 0:48:12.590
<v Speaker 2>fact that the crops started going bad.

0:48:12.690 --> 0:48:13.850
<v Speaker 1>Yeah, the corn.

0:48:14.290 --> 0:48:15.930
<v Speaker 2>Yeah, the corn starts going bad. Then right around the

0:48:15.950 --> 0:48:19.370
<v Speaker 2>same time, Thomason is going to get eggs. She drops

0:48:19.410 --> 0:48:21.469
<v Speaker 2>the egg and there's like a chicken inside of it.

0:48:22.010 --> 0:48:24.610
<v Speaker 2>So there's all of this stuff where it's like everything

0:48:24.670 --> 0:48:25.870
<v Speaker 2>there is going bad.

0:48:26.510 --> 0:48:28.350
<v Speaker 3>So we're now coming to the final couple of scenes.

0:48:28.410 --> 0:48:32.290
<v Speaker 3>Catherine comes out and she blames Thomason for everything. She

0:48:32.330 --> 0:48:35.420
<v Speaker 3>tries to strangle her, forcing Thomason to kill her with this... Yeah,

0:48:35.440 --> 0:48:37.540
<v Speaker 3>this is crazy. hook knife thing. I'm not sure what

0:48:37.580 --> 0:48:40.440
<v Speaker 3>that is. Yeah, what'd you think about this part, Rod?

0:48:40.820 --> 0:48:41.520
<v Speaker 3>You said it's crazy.

0:48:42.260 --> 0:48:42.380
<v Speaker 1>Um.

0:48:43.390 --> 0:48:46.540
<v Speaker 3>Because you could tell that she didn't want to kill her.

0:48:46.560 --> 0:48:47.799
<v Speaker 3>She was saying, I love you.

0:48:48.020 --> 0:48:48.940
<v Speaker 1>Yeah, I love you.

0:48:50.040 --> 0:48:52.500
<v Speaker 4>And even the way she did it was just so

0:48:54.440 --> 0:48:57.180
<v Speaker 4>Shakespearean almost. You know what I mean? Because she was

0:48:57.200 --> 0:48:58.960
<v Speaker 4>just like, she couldn't even look at it when she

0:48:58.980 --> 0:49:00.940
<v Speaker 4>did it. She was just like, I just need to

0:49:00.960 --> 0:49:02.500
<v Speaker 4>get you off of me or whatever. And I was

0:49:02.520 --> 0:49:05.140
<v Speaker 4>just like, damn. And then that was a really good

0:49:05.360 --> 0:49:08.060
<v Speaker 4>wide shot of when she was laying on her with

0:49:08.080 --> 0:49:10.540
<v Speaker 4>the blood and You could see the cabin in the back.

0:49:10.580 --> 0:49:12.050
<v Speaker 3>I was like, man, this is beautiful.

0:49:12.090 --> 0:49:16.910
<v Speaker 4>Like you just made this murderous scene beautiful for some reason.

0:49:16.930 --> 0:49:18.410
<v Speaker 3>So like, yeah, yeah.

0:49:18.469 --> 0:49:21.680
<v Speaker 4>Now this was really good. Like, this was executed really well.

0:49:22.080 --> 0:49:26.060
<v Speaker 4>Because she even held her afterwards, too. Like, I was like, damn.

0:49:26.100 --> 0:49:27.779
<v Speaker 4>And then she had to throw her off of her. So,

0:49:27.840 --> 0:49:30.899
<v Speaker 4>it was just this moment of, man, it's a moment

0:49:30.920 --> 0:49:35.580
<v Speaker 4>of emotions, right? Like, different type of emotions going through. But, yeah, no,

0:49:35.640 --> 0:49:39.180
<v Speaker 4>this was done really, really, really well. I like this

0:49:39.200 --> 0:49:39.620
<v Speaker 4>scene a lot.

0:49:40.180 --> 0:49:44.840
<v Speaker 1>And we could go back to, like, before, because when

0:49:44.890 --> 0:49:48.149
<v Speaker 1>he woke up, she's sleeping. Oh, she's sleeping.

0:49:48.190 --> 0:49:49.970
<v Speaker 3>Like, that really happened. Right.

0:49:50.010 --> 0:49:55.649
<v Speaker 1>Yeah. If that never happened, if Caleb and Sam didn't

0:49:55.710 --> 0:49:57.950
<v Speaker 1>come back, she may not have broken like she did.

0:49:58.820 --> 0:50:00.940
<v Speaker 1>So that was the final straw to send her over

0:50:00.960 --> 0:50:05.400
<v Speaker 1>there to fully, like, endorse Thomas in for every single

0:50:05.440 --> 0:50:08.950
<v Speaker 1>thing that happened. and that's why she was like, I'm

0:50:09.050 --> 0:50:11.640
<v Speaker 1>going to kill you because this is all your fault.

0:50:12.460 --> 0:50:15.739
<v Speaker 1>You know, so, and she hit her the first time,

0:50:15.780 --> 0:50:17.899
<v Speaker 1>and I thought that, I was like, oh, I thought

0:50:17.920 --> 0:50:19.220
<v Speaker 1>it was going to be one of those scenes where

0:50:19.420 --> 0:50:21.460
<v Speaker 1>she hit her, the adrenaline's going to keep pumping, and

0:50:21.480 --> 0:50:23.940
<v Speaker 1>then she's just going to bleed out. But nah, she

0:50:23.980 --> 0:50:26.670
<v Speaker 1>kept trying to kill her, and then she just, you know, just,

0:50:26.690 --> 0:50:30.730
<v Speaker 1>of course, just took her out. But I thought it, the,

0:50:31.290 --> 0:50:33.230
<v Speaker 1>her saying, I love you, I love you, I love you,

0:50:33.989 --> 0:50:36.029
<v Speaker 1>almost was like a sign of desperation. I didn't know

0:50:36.050 --> 0:50:41.180
<v Speaker 1>what else to say. Oh, no, I think she meant it. Okay.

0:50:41.260 --> 0:50:44.000
<v Speaker 1>Maybe this will bring you out of that rage if

0:50:44.060 --> 0:50:45.140
<v Speaker 1>I tell you that I love you.

0:50:45.430 --> 0:50:46.109
<v Speaker 3>I can see that, too.

0:50:46.219 --> 0:50:49.390
<v Speaker 1>And maybe this will kind of get you up off me.

0:50:49.430 --> 0:50:52.010
<v Speaker 1>But it didn't work, and she had no choice. It

0:50:52.530 --> 0:50:55.650
<v Speaker 1>was either you or me. And it ended up killing

0:50:56.110 --> 0:50:59.310
<v Speaker 1>the bomb, and that's everybody. Yep. Yep.

0:50:59.790 --> 0:51:03.850
<v Speaker 2>I think I get what you're saying, and it's probably

0:51:03.910 --> 0:51:09.790
<v Speaker 2>both things, because there's a scene earlier where I can't

0:51:09.810 --> 0:51:12.529
<v Speaker 2>remember exactly what it was that happened, but there was

0:51:12.590 --> 0:51:16.690
<v Speaker 2>a moment where Catherine realizes that she was wrong about Thomason.

0:51:17.650 --> 0:51:19.980
<v Speaker 2>And she kisses her on the forehead. And then there's

0:51:20.000 --> 0:51:22.959
<v Speaker 2>this look, because Anna Taylor-Joy killed this shit, too. There's

0:51:23.000 --> 0:51:24.560
<v Speaker 2>a look on her face where you can tell she

0:51:24.600 --> 0:51:27.799
<v Speaker 2>was just so happy that her mom was accepting her again.

0:51:28.920 --> 0:51:31.410
<v Speaker 2>So I do think in this moment, she was doing both.

0:51:31.570 --> 0:51:32.400
<v Speaker 2>She does mean it.

0:51:32.810 --> 0:51:36.740
<v Speaker 3>I love you. Don't do this. But also... I'm telling

0:51:36.780 --> 0:51:37.880
<v Speaker 3>you I love you because I want you to get

0:51:37.900 --> 0:51:39.799
<v Speaker 3>your ass off me because you're fucking choking me.

0:51:40.040 --> 0:51:41.140
<v Speaker 1>Yeah, yeah, yeah, yeah.

0:51:41.320 --> 0:51:43.339
<v Speaker 2>But yeah, I agree with both of y'all. This was

0:51:43.380 --> 0:51:48.230
<v Speaker 2>a beautiful fucking scene, man. It was just so, so

0:51:48.530 --> 0:51:54.270
<v Speaker 2>well done. But now, Thomason is alone. So she enters the, well,

0:51:54.290 --> 0:51:55.770
<v Speaker 2>we see her go in the house and she takes

0:51:55.950 --> 0:51:58.509
<v Speaker 2>off the clothes that she had that were covered in

0:51:58.530 --> 0:52:02.270
<v Speaker 2>her mother's blood and And I'm still not sure what

0:52:02.310 --> 0:52:03.190
<v Speaker 2>that is that she puts on.

0:52:03.230 --> 0:52:06.969
<v Speaker 3>I think it's her father's jacket. I can't tell.

0:52:06.989 --> 0:52:10.390
<v Speaker 2>Y'all listeners, if y'all know, let me know.

0:52:10.600 --> 0:52:11.439
<v Speaker 3>But she puts on.

0:52:11.380 --> 0:52:14.480
<v Speaker 2>Like this big gray jacket and then she goes into

0:52:14.520 --> 0:52:17.839
<v Speaker 2>the goat barn and she asks my boy Black Phillip

0:52:17.880 --> 0:52:18.500
<v Speaker 2>to speak to her.

0:52:19.020 --> 0:52:20.360
<v Speaker 3>And in this moment, Black.

0:52:20.160 --> 0:52:22.759
<v Speaker 2>Phillip changes into a man and he talks to her

0:52:22.820 --> 0:52:26.779
<v Speaker 2>about some offerings. He wants to give her some cool

0:52:26.820 --> 0:52:28.500
<v Speaker 2>shit in order for her to sign his guest book.

0:52:28.520 --> 0:52:31.299
<v Speaker 2>So what did y'all think of this scene, which is

0:52:31.360 --> 0:52:33.920
<v Speaker 2>Thomason giving in to the devil.

0:52:36.110 --> 0:52:38.010
<v Speaker 3>Would thou like the taste of butter?

0:52:39.030 --> 0:52:40.450
<v Speaker 1>Man, I was like, God damn.

0:52:40.530 --> 0:52:43.830
<v Speaker 3>That sounds good. Yeah, he did.

0:52:45.719 --> 0:52:50.660
<v Speaker 1>I'll never forget when she walked in there and she

0:52:50.680 --> 0:52:54.480
<v Speaker 1>started talking to Black Phillip. And I was like, that

0:52:54.520 --> 0:52:58.980
<v Speaker 1>motherfucker ain't real. And when she got up to walk

0:52:59.000 --> 0:53:01.560
<v Speaker 1>her and that motherfucker spoke, I was.

0:53:01.320 --> 0:53:05.520
<v Speaker 3>Like, what the fuck? This motherfucker real?

0:53:05.800 --> 0:53:09.620
<v Speaker 1>He been real this whole fucking time? I was like,

0:53:09.820 --> 0:53:14.750
<v Speaker 1>ain't no fucking way. She got to be hallucinating or something.

0:53:15.330 --> 0:53:18.189
<v Speaker 1>And she just freaking the fuck out. This whole part

0:53:18.230 --> 0:53:20.210
<v Speaker 1>at the end really kind of tripped me out. I

0:53:20.230 --> 0:53:23.469
<v Speaker 1>was like, what the fuck just happened? I was like,

0:53:23.530 --> 0:53:26.629
<v Speaker 1>what did I just watch? And this motherfucker was like, yeah,

0:53:26.670 --> 0:53:28.950
<v Speaker 1>you can just sign my guest book, and I got you.

0:53:29.050 --> 0:53:31.870
<v Speaker 1>I'm going to give you every single thing that you want.

0:53:32.170 --> 0:53:35.549
<v Speaker 1>So now I'm like, okay, was he doing all this

0:53:35.610 --> 0:53:40.210
<v Speaker 1>to get her this whole time, and that was his goal?

0:53:41.070 --> 0:53:45.830
<v Speaker 1>Because when she killed her mom, that was like her

0:53:46.330 --> 0:53:51.819
<v Speaker 1>first real sin that she committed. Yeah. Yeah. So that

0:53:51.860 --> 0:53:56.419
<v Speaker 1>means she's no longer viewed as holy, therefore vulnerable, which

0:53:57.560 --> 0:53:59.160
<v Speaker 1>is probably kind of what you were saying earlier about

0:53:59.180 --> 0:54:02.300
<v Speaker 1>the twins maybe not being baptized, which is probably.

0:54:02.090 --> 0:54:03.750
<v Speaker 3>Why he was able to get down. I'm pretty sure

0:54:03.770 --> 0:54:05.049
<v Speaker 3>the kids weren't baptized.

0:54:05.969 --> 0:54:08.390
<v Speaker 1>Yeah, but either way it goes, yeah. I'll never forget.

0:54:08.469 --> 0:54:10.730
<v Speaker 1>Even now when that motherfucker starts speaking, I just like

0:54:10.750 --> 0:54:12.549
<v Speaker 1>to expect, I can't believe this motherfucker been here this

0:54:12.570 --> 0:54:13.010
<v Speaker 1>whole time.

0:54:14.340 --> 0:54:17.800
<v Speaker 4>No, it was a really good moment because, like I said,

0:54:17.840 --> 0:54:20.069
<v Speaker 4>we hadn't heard him. I know we kind of heard

0:54:20.110 --> 0:54:23.950
<v Speaker 4>him through Caleb, but it wasn't quite his voice.

0:54:24.230 --> 0:54:28.110
<v Speaker 3>It wasn't him. And I was like, oh, God. Same thing, King. Like, oh, damn,

0:54:28.130 --> 0:54:28.910
<v Speaker 3>this motherfucker real.

0:54:28.950 --> 0:54:31.839
<v Speaker 4>Like, this motherfucker really been talking to these kids, really

0:54:31.860 --> 0:54:35.380
<v Speaker 4>been influencing and all of the things or whatever.

0:54:35.460 --> 0:54:39.820
<v Speaker 3>So, yeah, at this point, yeah, she has nothing.

0:54:40.020 --> 0:54:42.030
<v Speaker 4>You know what I mean? And if you look throughout

0:54:42.050 --> 0:54:45.569
<v Speaker 4>the movie. They were kind of working her ass. They

0:54:45.610 --> 0:54:48.170
<v Speaker 4>were really working her ass. So now he's like, look,

0:54:48.190 --> 0:54:49.590
<v Speaker 4>you get to be free. You can do whatever you

0:54:49.630 --> 0:54:52.069
<v Speaker 4>want to do. You ain't got to be under the

0:54:52.130 --> 0:54:54.009
<v Speaker 4>rules of a family anymore.

0:54:54.030 --> 0:54:55.989
<v Speaker 3>You can do this. I can take you wherever you

0:54:56.010 --> 0:54:57.739
<v Speaker 3>want to go, wherever your heart desires.

0:54:58.590 --> 0:54:59.560
<v Speaker 1>Pimp talk, right?

0:54:59.580 --> 0:55:01.800
<v Speaker 3>Yeah, it was. You want to go to the top?

0:55:01.900 --> 0:55:06.200
<v Speaker 4>I can take you to the top.

0:55:06.320 --> 0:55:07.719
<v Speaker 3>But I was wondering, like, so.

0:55:12.080 --> 0:55:15.779
<v Speaker 4>So is this how witches are formed? Or is this

0:55:15.820 --> 0:55:19.940
<v Speaker 4>how witches are made? Are they corrupted young women at

0:55:20.000 --> 0:55:23.879
<v Speaker 4>some point? Or, like, you know, like, do they start

0:55:23.900 --> 0:55:27.680
<v Speaker 4>off as, like, Thomason? And then certain things through life

0:55:27.760 --> 0:55:29.460
<v Speaker 4>kind of turn them at some point.

0:55:29.610 --> 0:55:34.350
<v Speaker 3>Like, I did have that thought. But no, no, yeah,

0:55:35.050 --> 0:55:35.830
<v Speaker 3>this was good, though.

0:55:35.969 --> 0:55:36.629
<v Speaker 1>This was good.

0:55:36.650 --> 0:55:37.730
<v Speaker 3>I had another point I wanted to make.

0:55:38.090 --> 0:55:40.120
<v Speaker 4>Another thing I wanted to say too about the overall

0:55:40.180 --> 0:55:41.660
<v Speaker 4>theme of it all is just like as soon as

0:55:41.680 --> 0:55:46.259
<v Speaker 4>they left the safety of that community, they were vulnerable

0:55:46.860 --> 0:55:50.299
<v Speaker 4>to the evils of the world or whatever. I was

0:55:50.320 --> 0:55:52.819
<v Speaker 4>just like, damn, this is really.

0:55:52.840 --> 0:55:54.500
<v Speaker 1>Why don't you go to church with your... No, that's

0:55:54.540 --> 0:55:56.980
<v Speaker 1>basically what they were saying. Like, stay your ass in church.

0:55:57.020 --> 0:55:58.590
<v Speaker 3>The communities really did believe that.

0:55:58.610 --> 0:56:01.730
<v Speaker 2>They really did believe if you leave this settlement, you

0:56:01.770 --> 0:56:04.410
<v Speaker 2>are going to get corrupted. There is a wall. You

0:56:04.430 --> 0:56:06.550
<v Speaker 2>remember The Village, the movie The Village? It was basically

0:56:06.590 --> 0:56:07.450
<v Speaker 2>that same idea.

0:56:07.469 --> 0:56:07.770
<v Speaker 1>Yeah.

0:56:08.130 --> 0:56:10.009
<v Speaker 2>But what I think what's interesting is they do the

0:56:10.070 --> 0:56:12.700
<v Speaker 2>same thing on the farm. You're not to go in

0:56:12.739 --> 0:56:15.340
<v Speaker 2>the woods. You don't leave the perimeter of this farm

0:56:15.360 --> 0:56:16.739
<v Speaker 2>because you will be vulnerable.

0:56:17.239 --> 0:56:17.560
<v Speaker 1>Yeah.

0:56:18.920 --> 0:56:25.410
<v Speaker 2>But... I agree with y'all. I vividly, and I'm talking

0:56:25.430 --> 0:56:28.109
<v Speaker 2>about vividly, remember the first time I saw this shit,

0:56:28.570 --> 0:56:31.770
<v Speaker 2>when someone said, hell no, when Black Phillip started.

0:56:31.570 --> 0:56:32.690
<v Speaker 3>Talking about it.

0:56:32.989 --> 0:56:36.359
<v Speaker 2>Because you can't, and I'll admit, I didn't think Black

0:56:36.400 --> 0:56:38.799
<v Speaker 2>Phillip was real either. I thought it was just the

0:56:38.900 --> 0:56:42.100
<v Speaker 2>witch that was doing everything. And I thought she possessed

0:56:42.140 --> 0:56:46.100
<v Speaker 2>that goddamn goat to kill William. At no point did

0:56:46.120 --> 0:56:49.270
<v Speaker 2>I think Black Phillip was Satan. So when Black Phillip

0:56:49.290 --> 0:56:52.330
<v Speaker 2>was like, hey, girl. Hey, you want a pretty dress?

0:56:52.570 --> 0:56:52.890
<v Speaker 1>Right.

0:56:53.090 --> 0:56:54.070
<v Speaker 3>Do you want some butter?

0:56:54.380 --> 0:56:54.740
<v Speaker 1>Mm-hmm.

0:56:55.260 --> 0:56:57.359
<v Speaker 3>Wouldst thou like to live deliciously?

0:56:57.480 --> 0:57:01.680
<v Speaker 2>I was like, this motherfucking Black Phillip goat is talking

0:57:01.719 --> 0:57:02.560
<v Speaker 2>to this girl?

0:57:03.000 --> 0:57:06.600
<v Speaker 3>And he said, girl, he said, take off your clothes. Oh, Jesus.

0:57:06.640 --> 0:57:10.500
<v Speaker 2>Get naked and sign my book. I was like, this

0:57:10.560 --> 0:57:11.680
<v Speaker 2>is insane.

0:57:11.780 --> 0:57:12.299
<v Speaker 1>It was.

0:57:12.489 --> 0:57:16.650
<v Speaker 3>But here's the thing also. Robert Eggers based this off

0:57:16.750 --> 0:57:17.530
<v Speaker 3>of research.

0:57:18.530 --> 0:57:21.130
<v Speaker 2>When they found people that had been accused of being

0:57:21.190 --> 0:57:24.050
<v Speaker 2>witches back in the day, a lot of them said

0:57:24.150 --> 0:57:28.410
<v Speaker 2>that the whole reason they became like, quote unquote, corrupted

0:57:28.800 --> 0:57:31.980
<v Speaker 2>is because the devil offered them what we would consider

0:57:32.100 --> 0:57:33.600
<v Speaker 2>very simple things.

0:57:34.620 --> 0:57:34.960
<v Speaker 1>Butter.

0:57:36.120 --> 0:57:41.340
<v Speaker 2>Good butter back in them days was like a hot commodity.

0:57:41.820 --> 0:57:42.780
<v Speaker 3>Pretty dresses.

0:57:43.600 --> 0:57:46.800
<v Speaker 2>And the whole live deliciously idea is basically like today,

0:57:47.820 --> 0:57:51.060
<v Speaker 2>black philip was diddy black philip is diddy telling these

0:57:51.100 --> 0:57:53.660
<v Speaker 2>motherfuckers look do you want to be rich for the

0:57:53.720 --> 0:57:55.440
<v Speaker 2>rest of your life do you want to fly in

0:57:55.600 --> 0:58:00.100
<v Speaker 2>planes jets do you want all the hoes then sign

0:58:00.120 --> 0:58:03.950
<v Speaker 2>your name in my book it's the same idea it's

0:58:04.010 --> 0:58:06.590
<v Speaker 2>just this is what was hot back in these days

0:58:06.730 --> 0:58:10.170
<v Speaker 2>butter pretty dresses because i remember the first time i

0:58:10.210 --> 0:58:12.490
<v Speaker 2>watched i'm like butter she could just make some fucking

0:58:12.570 --> 0:58:16.480
<v Speaker 2>butter right But not good butter. Not no Land O'Lakes,

0:58:16.660 --> 0:58:19.320
<v Speaker 2>you know what I'm saying? But yeah, I think this

0:58:19.390 --> 0:58:25.030
<v Speaker 2>whole scene was so fucking good. My only tiny, tiny,

0:58:25.090 --> 0:58:29.660
<v Speaker 2>tiny gripe is it's a little bit too dark. Because

0:58:29.700 --> 0:58:32.000
<v Speaker 2>you can tell Black Phillip changing to a person, but

0:58:32.020 --> 0:58:36.200
<v Speaker 2>you can never really see his face. That's my only small,

0:58:36.280 --> 0:58:37.660
<v Speaker 2>and it's not even like a real gripe.

0:58:37.780 --> 0:58:40.180
<v Speaker 3>I actually like that. I like that it's dark, but

0:58:40.220 --> 0:58:41.140
<v Speaker 3>it's too dark.

0:58:41.200 --> 0:58:42.780
<v Speaker 4>I like that you kind of just see him kind

0:58:42.820 --> 0:58:45.760
<v Speaker 4>of walking in the back or whatever behind her, and

0:58:45.800 --> 0:58:46.910
<v Speaker 4>you see his hand.

0:58:47.010 --> 0:58:49.030
<v Speaker 3>I was like, oh, it's artsy.

0:58:49.150 --> 0:58:49.790
<v Speaker 1>You know what I mean?

0:58:49.810 --> 0:58:51.200
<v Speaker 3>It is artsy. I guess I just want to see it.

0:58:51.330 --> 0:58:51.690
<v Speaker 3>I don't know.

0:58:51.710 --> 0:58:51.950
<v Speaker 1>I got you.

0:58:51.990 --> 0:58:54.010
<v Speaker 2>I guess it's a selfish thing. I do agree with you.

0:58:54.030 --> 0:58:56.930
<v Speaker 2>It was done well. I'm just curious about what he'd

0:58:56.970 --> 0:58:59.580
<v Speaker 2>look like. I don't think you would have been satisfied.

0:58:59.600 --> 0:59:02.920
<v Speaker 3>I think... Maybe. Maybe. You know what I'm saying?

0:59:03.440 --> 0:59:05.530
<v Speaker 4>I think, unless they really did a good job on

0:59:05.550 --> 0:59:08.150
<v Speaker 4>the appearance of him, which he tends to do, actually.

0:59:08.190 --> 0:59:09.530
<v Speaker 3>He would have just been a white man. He wouldn't

0:59:09.550 --> 0:59:11.390
<v Speaker 3>have been like that. red guy with horns. That would

0:59:11.430 --> 0:59:13.050
<v Speaker 3>have been, like, this is. You know what I'm saying? Like,

0:59:13.070 --> 0:59:15.570
<v Speaker 3>you know, yeah, I think this was the safe route.

0:59:15.720 --> 0:59:16.090
<v Speaker 1>Yeah, you're right.

0:59:16.110 --> 0:59:20.500
<v Speaker 3>I think to just, this, this, well, he's not an entity.

0:59:20.540 --> 0:59:23.340
<v Speaker 3>He was a real thing. But, like, well, I guess

0:59:23.360 --> 0:59:25.420
<v Speaker 3>that's the thing. Yeah, yeah, yeah. But, so, yeah, you

0:59:25.480 --> 0:59:27.320
<v Speaker 3>just don't really kind of see him or whatever. I

0:59:27.520 --> 0:59:29.460
<v Speaker 3>actually like that. No, yeah, I agree with you. Mm-hmm.

0:59:30.280 --> 0:59:31.760
<v Speaker 3>I don't know. I guess it's just, I don't know.

0:59:32.320 --> 0:59:34.860
<v Speaker 2>But yeah, anyway, I like how she's like, I can't

0:59:34.900 --> 0:59:35.980
<v Speaker 2>write my name.

0:59:36.000 --> 0:59:37.760
<v Speaker 3>And he's like, I'll guide your hand.

0:59:38.760 --> 0:59:39.380
<v Speaker 1>Wait, what?

0:59:39.600 --> 0:59:40.580
<v Speaker 3>She said, I can't write my name?

0:59:40.620 --> 0:59:41.760
<v Speaker 2>Yeah, he said, all you got to do is write

0:59:41.780 --> 0:59:44.490
<v Speaker 2>your name in my book. And she says, basically, I

0:59:44.570 --> 0:59:46.410
<v Speaker 2>can't write my name. Like, I don't think she knows

0:59:46.450 --> 0:59:49.750
<v Speaker 2>how to write. Women back then, you know, especially since

0:59:49.770 --> 0:59:52.950
<v Speaker 2>she left the fucking plantation, she probably didn't know how

0:59:52.990 --> 0:59:57.210
<v Speaker 2>to write. So he's like, I'll guide your hand. I

0:59:57.270 --> 0:59:58.710
<v Speaker 2>just thought that shit was dope. It was just the

0:59:58.770 --> 0:59:59.510
<v Speaker 2>way he said it.

0:59:59.530 --> 1:00:00.390
<v Speaker 1>He was laying it down, bro.

1:00:00.410 --> 1:00:01.750
<v Speaker 3>He was laying that shit down.

1:00:01.770 --> 1:00:03.510
<v Speaker 1>Pimp came strong, kid. Yeah, he was, man.

1:00:03.570 --> 1:00:04.770
<v Speaker 3>Pimp came strong.

1:00:04.810 --> 1:00:07.090
<v Speaker 2>He got this butt-necked-ass girl in here, and he's like, girl,

1:00:07.190 --> 1:00:08.470
<v Speaker 2>I got you from here out.

1:00:08.550 --> 1:00:09.320
<v Speaker 3>Anything you want.

1:00:09.940 --> 1:00:10.080
<v Speaker 1>Mm-hmm.

1:00:10.600 --> 1:00:14.560
<v Speaker 2>So, in the final scene, Thomason wakes up, and she

1:00:14.640 --> 1:00:16.640
<v Speaker 2>walks up to, not sorry, she doesn't wake up.

1:00:16.740 --> 1:00:17.460
<v Speaker 3>She's already awake.

1:00:17.500 --> 1:00:20.860
<v Speaker 2>She walks up to a witch's Sabbath, where a group

1:00:20.900 --> 1:00:24.600
<v Speaker 2>of neck-and-ass witches are chanting, and then they begin to levitate.

1:00:25.370 --> 1:00:28.690
<v Speaker 2>And then Thomason begins to levitate as well, and the

1:00:28.750 --> 1:00:35.650
<v Speaker 2>movie ends. Now, this ending is controversial to some. A

1:00:35.690 --> 1:00:37.410
<v Speaker 2>lot of folks love the movie, but they think the

1:00:37.490 --> 1:00:41.180
<v Speaker 2>ending is corny. I thought it was perfect. I thought

1:00:41.280 --> 1:00:44.420
<v Speaker 2>it was fucking perfect. But what did y'all think.

1:00:44.300 --> 1:00:44.860
<v Speaker 3>Of this ending?

1:00:45.520 --> 1:00:46.960
<v Speaker 1>Why do they think the ending is corny?

1:00:48.000 --> 1:00:49.020
<v Speaker 3>Because the witches start flying.

1:00:50.070 --> 1:00:51.770
<v Speaker 2>And I think a lot of folks will watch this

1:00:51.790 --> 1:00:53.930
<v Speaker 2>and they'll be like, well, look, I think it's cool because,

1:00:54.010 --> 1:00:56.010
<v Speaker 2>you know, a lot of things can be explained off

1:00:56.070 --> 1:00:58.770
<v Speaker 2>as not really being supernatural. It could just be that

1:00:58.790 --> 1:01:00.990
<v Speaker 2>they're seeing things or hallucinating, but then you get to

1:01:01.010 --> 1:01:03.290
<v Speaker 2>the end and these motherfuckers are floating. And they're like,

1:01:03.310 --> 1:01:03.830
<v Speaker 2>this is dumb.

1:01:05.470 --> 1:01:05.590
<v Speaker 5>Okay.

1:01:05.630 --> 1:01:08.870
<v Speaker 1>All right. So what you're saying is that they can

1:01:09.650 --> 1:01:15.680
<v Speaker 1>basically explain some way, somehow, a talking black goat that

1:01:15.700 --> 1:01:17.180
<v Speaker 1>turns into a man. That's what I'm saying.

1:01:17.200 --> 1:01:18.700
<v Speaker 3>What are we talking about?

1:01:19.760 --> 1:01:22.150
<v Speaker 2>Y'all mad about some flying naked white women, but a

1:01:22.250 --> 1:01:24.350
<v Speaker 2>black goat being a pimp.

1:01:24.450 --> 1:01:27.310
<v Speaker 3>A black pimp goat is completely fine.

1:01:28.570 --> 1:01:29.650
<v Speaker 1>But a floating white woman.

1:01:29.670 --> 1:01:35.760
<v Speaker 3>Oh, hell no. No, I'm done. You went too far.

1:01:36.180 --> 1:01:40.540
<v Speaker 3>Flying naked white women too far. Chill out, man.

1:01:40.900 --> 1:01:44.980
<v Speaker 1>Oh, man. Again, I like the ending because the ending

1:01:45.000 --> 1:01:49.330
<v Speaker 1>played into the first... it's more than three quarters of

1:01:49.390 --> 1:01:54.530
<v Speaker 1>the movie about everything. Just being this guy just ended

1:01:54.610 --> 1:01:57.670
<v Speaker 1>up in this fucked up situation because of his pride

1:01:57.990 --> 1:02:01.710
<v Speaker 1>to actually being Satan creating that because they left the

1:02:01.770 --> 1:02:06.260
<v Speaker 1>safety and sanity rod of where they were to actually

1:02:07.000 --> 1:02:09.060
<v Speaker 1>being like real. So it just added to it to me.

1:02:09.140 --> 1:02:11.860
<v Speaker 1>Cause I'm like, dang this motherfucker. Cause, cause even to

1:02:11.980 --> 1:02:14.340
<v Speaker 1>kind of like their point, I'm like, Well, maybe she

1:02:14.380 --> 1:02:18.040
<v Speaker 1>still ain't, maybe she just hallucinates still, you know? And

1:02:18.060 --> 1:02:20.600
<v Speaker 1>then this motherfucker started flying. Like, goddamn, all of this

1:02:20.620 --> 1:02:24.540
<v Speaker 1>shit was fucking real. Like, this motherfucker really is, even

1:02:24.560 --> 1:02:26.820
<v Speaker 1>though I did, we did see a witch earlier. But again,

1:02:27.720 --> 1:02:30.560
<v Speaker 1>that could be just twisted them into people that ran away.

1:02:30.620 --> 1:02:32.890
<v Speaker 1>That's just in the woods somewhere. They could just be

1:02:32.950 --> 1:02:36.330
<v Speaker 1>around this damn fire just because they just came together,

1:02:36.530 --> 1:02:36.810
<v Speaker 1>you know?

1:02:37.030 --> 1:02:38.310
<v Speaker 3>And they're naked, so they're probably cold.

1:02:39.410 --> 1:02:43.070
<v Speaker 1>Yeah. But for me, it was just more confirmation that

1:02:43.470 --> 1:02:47.450
<v Speaker 1>all of this shit was real and her floating up.

1:02:47.750 --> 1:02:49.950
<v Speaker 1>But yeah, I didn't think there was a controversy behind it,

1:02:49.970 --> 1:02:50.950
<v Speaker 1>but that's crazy.

1:02:50.970 --> 1:02:51.590
<v Speaker 3>People are silly.

1:02:51.990 --> 1:02:55.030
<v Speaker 1>Yeah. What about you, Rob?

1:02:55.050 --> 1:02:57.220
<v Speaker 3>Were you happy with the end? No, yeah, I was,

1:02:57.240 --> 1:02:58.280
<v Speaker 3>especially the first time.

1:02:59.020 --> 1:03:01.060
<v Speaker 4>Like I said, the second time, it didn't hit as hard,

1:03:01.100 --> 1:03:04.360
<v Speaker 4>but the first time I watched it, it's like, yeah,

1:03:04.500 --> 1:03:08.780
<v Speaker 4>it made sense. It was like the... The icing on

1:03:08.800 --> 1:03:10.720
<v Speaker 4>the cake. Like, I mean, it was like saying it,

1:03:10.800 --> 1:03:12.240
<v Speaker 4>saying without saying it.

1:03:12.400 --> 1:03:13.320
<v Speaker 3>Like, yeah, she's a witch now.

1:03:13.500 --> 1:03:14.300
<v Speaker 1>Yep. You know what I mean?

1:03:14.340 --> 1:03:16.880
<v Speaker 4>Like, and what better way to do that than to

1:03:16.940 --> 1:03:19.580
<v Speaker 4>show the other witches ascending and then showing her ascending.

1:03:19.640 --> 1:03:21.640
<v Speaker 1>So it made sense. And it was so slow, too,

1:03:21.660 --> 1:03:22.960
<v Speaker 1>the way they did it. And you just see the

1:03:23.060 --> 1:03:24.600
<v Speaker 1>tree in the background, kind of.

1:03:24.860 --> 1:03:26.450
<v Speaker 3>Yeah, because it's a close-up on her.

1:03:26.550 --> 1:03:26.670
<v Speaker 1>Yeah.

1:03:26.710 --> 1:03:28.330
<v Speaker 3>And the next thing you know, it's like, damn, is

1:03:28.510 --> 1:03:29.510
<v Speaker 3>she floating?

1:03:29.550 --> 1:03:29.790
<v Speaker 1>Yep.

1:03:29.950 --> 1:03:32.950
<v Speaker 3>Like, so yeah, it's like, yeah, so it's dope. It's

1:03:33.010 --> 1:03:33.410
<v Speaker 3>really dope.

1:03:33.470 --> 1:03:36.320
<v Speaker 4>And then she's smiling. She's happy about it. So I

1:03:36.340 --> 1:03:39.000
<v Speaker 4>thought that was interesting. She lost her family, now she

1:03:39.020 --> 1:03:42.480
<v Speaker 4>has another one. Now here's what I never thought. And

1:03:42.520 --> 1:03:44.950
<v Speaker 4>I did not, again, I didn't realize this until recently.

1:03:45.200 --> 1:03:46.990
<v Speaker 2>I never thought about the baptizing thing.

1:03:48.270 --> 1:03:49.190
<v Speaker 3>So the reason I.

1:03:49.230 --> 1:03:54.350
<v Speaker 2>Think that Mercy and Jonas were not baptized is because

1:03:55.650 --> 1:03:57.490
<v Speaker 2>I think they were turned into more flying ointment.

1:03:57.510 --> 1:03:59.190
<v Speaker 3>And that's why all of these witches could fly.

1:03:59.860 --> 1:04:03.120
<v Speaker 2>Because we never see what happens to them. When they're

1:04:03.160 --> 1:04:05.810
<v Speaker 2>in the barn, you see the witch lands, the witch

1:04:05.850 --> 1:04:09.330
<v Speaker 2>turns around, they scream and then it cuts. So for

1:04:09.590 --> 1:04:12.210
<v Speaker 2>the first three, four times of watching this film, I

1:04:12.230 --> 1:04:13.450
<v Speaker 2>was just like, oh, I don't know what the hell

1:04:13.490 --> 1:04:16.510
<v Speaker 2>happened to them. I'm pretty certain the witch took them

1:04:16.550 --> 1:04:20.450
<v Speaker 2>back and they killed them and turned them into more

1:04:20.550 --> 1:04:22.600
<v Speaker 2>ointment and that's why all these other witches could fly.

1:04:24.660 --> 1:04:26.180
<v Speaker 3>So Thomas and Jonas' ass are dead.

1:04:27.540 --> 1:04:31.240
<v Speaker 2>But again, I also like the whole nakedness versus nudity thing.

1:04:31.580 --> 1:04:34.740
<v Speaker 2>These women have all sinned, clearly, because they're killing babies.

1:04:36.020 --> 1:04:38.280
<v Speaker 2>So you have the whole, you know, they're out there

1:04:38.320 --> 1:04:40.510
<v Speaker 2>with no clothes, but they have no shame in it.

1:04:41.100 --> 1:04:43.740
<v Speaker 2>There's no shame in them being out in the woods,

1:04:44.220 --> 1:04:49.010
<v Speaker 2>butt-ass naked. It just doesn't matter. Christian laws don't matter

1:04:49.030 --> 1:04:51.610
<v Speaker 2>to them. And I thought it was a perfect ending.

1:04:54.090 --> 1:04:57.810
<v Speaker 1>So, but wouldn't Thomasin need the flying ornament?

1:04:57.870 --> 1:05:00.160
<v Speaker 2>That's the only part I don't all the way get.

1:05:00.810 --> 1:05:03.450
<v Speaker 2>Because I don't know if this is something you have

1:05:03.470 --> 1:05:07.300
<v Speaker 2>to smear on her. Because we don't see anything except

1:05:07.340 --> 1:05:12.640
<v Speaker 2>for her mid-chest up. So I don't know if some...

1:05:12.580 --> 1:05:14.980
<v Speaker 2>I mean, this is just trying to make this scene

1:05:15.020 --> 1:05:17.220
<v Speaker 2>make sense. I don't know if someone smeared it on

1:05:17.260 --> 1:05:18.310
<v Speaker 2>her and we're just not seeing it.

1:05:18.400 --> 1:05:22.180
<v Speaker 3>I don't know. But she definitely floats. I mean, I

1:05:22.200 --> 1:05:22.500
<v Speaker 3>don't know.

1:05:23.460 --> 1:05:26.210
<v Speaker 2>But I definitely looked it up and it says that

1:05:26.750 --> 1:05:32.320
<v Speaker 2>flying ointment was made from the crushed body's of unbaptized

1:05:32.510 --> 1:05:37.790
<v Speaker 2>children that's fucking insane so it would make sense they

1:05:37.830 --> 1:05:41.290
<v Speaker 2>got it from Samuel they got it from Mercy and

1:05:41.330 --> 1:05:44.510
<v Speaker 2>they got it from Jonah otherwise they would have shown

1:05:44.630 --> 1:05:47.670
<v Speaker 2>us Mercy and Jonas at some point.

1:05:47.450 --> 1:05:48.970
<v Speaker 1>Yeah and they just ran it out so they needed

1:05:49.010 --> 1:05:50.070
<v Speaker 1>another supply.

1:05:50.050 --> 1:05:53.330
<v Speaker 2>Yes and these were bigger kids there was more to

1:05:53.370 --> 1:05:59.910
<v Speaker 2>have so yes and that concludes the movie so yeah

1:06:00.760 --> 1:06:01.100
<v Speaker 2>I was going to.

1:06:01.080 --> 1:06:04.960
<v Speaker 4>Say real quick, it released 2015 in the Film Festival,

1:06:04.980 --> 1:06:07.850
<v Speaker 4>and it had its theatrical release in 2016.

1:06:07.850 --> 1:06:09.070
<v Speaker 3>That's why I was probably thinking 2015.

1:06:09.070 --> 1:06:12.830
<v Speaker 1>And, of course, the obvious play on words, Thomasin.

1:06:13.610 --> 1:06:15.130
<v Speaker 3>I picked that up this time, too.

1:06:15.150 --> 1:06:15.750
<v Speaker 1>I didn't.

1:06:15.770 --> 1:06:19.130
<v Speaker 3>Not until just now. Never thought about it. I thought

1:06:19.150 --> 1:06:21.610
<v Speaker 3>you probably just left it out. No, I never thought

1:06:21.650 --> 1:06:26.040
<v Speaker 3>about it. Thomasin, that's kind of corny. It is kind of, but. Yeah,

1:06:26.060 --> 1:06:27.360
<v Speaker 3>I wish you wouldn't have said that.

1:06:27.440 --> 1:06:27.760
<v Speaker 1>Sorry.

1:06:28.440 --> 1:06:32.320
<v Speaker 2>That's actually really corny, if that's what they were going for.

1:06:33.240 --> 1:06:34.740
<v Speaker 1>Maybe. I don't know. I just always thought it was

1:06:34.780 --> 1:06:35.800
<v Speaker 1>a weird name for a woman.

1:06:36.460 --> 1:06:39.740
<v Speaker 3>Yeah, Thomason. But yeah, I mean, that's really it.

1:06:39.820 --> 1:06:45.800
<v Speaker 2>I think the entire movie is the witches. I thought,

1:06:46.100 --> 1:06:47.800
<v Speaker 2>for the first few times, I thought the witches were

1:06:47.840 --> 1:06:50.840
<v Speaker 2>doing all of this stuff on the farm to drive

1:06:50.920 --> 1:06:53.430
<v Speaker 2>Thomason crazy, but I think it was actually Black Phillips.

1:06:53.920 --> 1:06:55.820
<v Speaker 2>That was doing the shit. Black Phillip killed the crops.

1:06:56.360 --> 1:07:01.260
<v Speaker 2>Black Phillip was, you know, taunting William. And I think

1:07:01.320 --> 1:07:04.080
<v Speaker 2>the witches are just disciples of Black Phillip. That's why

1:07:04.120 --> 1:07:07.340
<v Speaker 2>you see when she's walking towards the witch's Sabbath, Black

1:07:07.380 --> 1:07:08.660
<v Speaker 2>Phillip is right there behind her.

1:07:09.260 --> 1:07:11.300
<v Speaker 3>He's leading her to the Sabbath.

1:07:11.860 --> 1:07:13.090
<v Speaker 1>His other woman.

1:07:13.120 --> 1:07:15.190
<v Speaker 2>He had a whole fucking crew of white women.

1:07:15.630 --> 1:07:16.910
<v Speaker 3>This was like, what's that porn?

1:07:17.030 --> 1:07:17.290
<v Speaker 1>Black?

1:07:17.890 --> 1:07:22.390
<v Speaker 3>That's what this is. Black.com. You got Black Phillip and

1:07:22.410 --> 1:07:23.510
<v Speaker 3>a whole bunch of white.

1:07:23.310 --> 1:07:24.830
<v Speaker 1>Bitches out in the woods, bro. I'm going to get

1:07:24.870 --> 1:07:29.170
<v Speaker 1>you no matter what. You say, hey, man. Any means necessary.

1:07:29.250 --> 1:07:32.770
<v Speaker 3>Any means. Any means means any means. But yeah.

1:07:32.910 --> 1:07:36.390
<v Speaker 1>How about this for Christian propaganda, right? Stay with God, bro.

1:07:36.430 --> 1:07:41.600
<v Speaker 1>Turned into a witch. You're going to get killed by

1:07:41.620 --> 1:07:42.439
<v Speaker 1>a damn black goat.

1:07:42.580 --> 1:07:48.600
<v Speaker 3>She look pretty happy leaving. I'm floating. I got the

1:07:48.680 --> 1:07:53.210
<v Speaker 3>black goat. People living in the sand normally are happy.

1:07:53.230 --> 1:07:58.590
<v Speaker 3>I'm pretty happy. We all are.

1:07:59.290 --> 1:07:59.950
<v Speaker 1>But yeah, man.

1:08:00.130 --> 1:08:02.840
<v Speaker 2>So this was a pretty good rewatch. I know, Rod,

1:08:02.860 --> 1:08:05.120
<v Speaker 2>you didn't really love it as much as before, but

1:08:05.180 --> 1:08:06.540
<v Speaker 2>you didn't hate it.

1:08:06.780 --> 1:08:09.480
<v Speaker 4>No, absolutely not. I think it's a good movie. I

1:08:09.620 --> 1:08:13.190
<v Speaker 4>think you hit it on the head. Once you've seen it,

1:08:13.390 --> 1:08:15.770
<v Speaker 4>some of the impact is taken away.

1:08:16.010 --> 1:08:16.850
<v Speaker 1>Sure. Yeah, you know.

1:08:16.910 --> 1:08:18.630
<v Speaker 3>So that's all it was.

1:08:18.850 --> 1:08:19.140
<v Speaker 1>Yeah.

1:08:20.520 --> 1:08:23.860
<v Speaker 2>Well, this was a fun revisiting. Definitely some comments about

1:08:24.160 --> 1:08:25.460
<v Speaker 2>why Spike is foul as shit.

1:08:25.479 --> 1:08:27.450
<v Speaker 3>Because it wasn't scary.

1:08:27.550 --> 1:08:29.910
<v Speaker 2>It's really not scary. I think Spike is going to

1:08:29.930 --> 1:08:31.530
<v Speaker 2>be boring. It's probably what he look like.

1:08:31.550 --> 1:08:41.280
<v Speaker 3>It's actually interesting, bro. It's actually an interesting movie. He said, nah.

1:08:41.439 --> 1:08:42.240
<v Speaker 1>It was just an apple.

1:08:42.260 --> 1:08:44.540
<v Speaker 3>I ain't watch nobody throw up no ball, bro.

1:08:44.760 --> 1:08:45.080
<v Speaker 5>Right.

1:08:45.240 --> 1:08:45.559
<v Speaker 1>Yeah.

1:08:45.580 --> 1:08:48.939
<v Speaker 3>No, it was just an apple. But yeah, man, this

1:08:48.960 --> 1:08:50.300
<v Speaker 3>was a fun re-watching.

1:08:50.960 --> 1:08:52.639
<v Speaker 2>I've seen this movie I don't know how many times,

1:08:52.700 --> 1:08:56.370
<v Speaker 2>and every time I see it, it just reaffirms why

1:08:56.410 --> 1:08:59.729
<v Speaker 2>it's one of my favorites of the past however many years.

1:09:00.560 --> 1:09:04.720
<v Speaker 2>so yeah thank y'all for listening any final thoughts all

1:09:04.760 --> 1:09:05.439
<v Speaker 2>hearts and minds are

1:09:05.460 --> 1:09:11.599
<v Speaker 4>Clear that's fitting that's fitting but yeah thank y'all for

1:09:11.640 --> 1:09:13.520
<v Speaker 4>listening make sure you share this with a friend or

1:09:13.580 --> 1:09:16.460
<v Speaker 4>six and let us know what other movies it does

1:09:16.500 --> 1:09:18.200
<v Speaker 4>not have to be horror movies obviously let us know

1:09:18.220 --> 1:09:20.979
<v Speaker 4>what other movies you want to see us do anniversary

1:09:21.020 --> 1:09:23.520
<v Speaker 4>reviews of and we will see y'all next time we

1:09:23.600 --> 1:09:25.030
<v Speaker 4>out peace