1 00:00:00,240 --> 00:00:04,040 Speaker 1: Daddy Hip Hop podcast. Kenneth been here along with Fifo. 2 00:00:04,240 --> 00:00:06,000 Speaker 2: That's that's that's it. It's just the two of us, 3 00:00:06,519 --> 00:00:09,080 Speaker 2: two men. Yeah, yep, yep. 4 00:00:09,800 --> 00:00:13,440 Speaker 1: So glad to have you guys back on board for 5 00:00:13,560 --> 00:00:18,320 Speaker 1: another week as we go through. Uh uh, a rather 6 00:00:18,400 --> 00:00:21,400 Speaker 1: eventful week with some big names doing a lot of 7 00:00:22,360 --> 00:00:22,959 Speaker 1: yeah yeah. 8 00:00:22,800 --> 00:00:26,720 Speaker 2: Yeah, yeah yeah. So if you're listening to it, huh. 9 00:00:26,840 --> 00:00:28,720 Speaker 3: Hold on, hold on, cay, hold on, care Let me 10 00:00:28,960 --> 00:00:31,800 Speaker 3: let me address something that happened last week on a 11 00:00:31,880 --> 00:00:35,240 Speaker 3: live We talked about Jack Carlow and I defended Jack Carlow. 12 00:00:36,280 --> 00:00:43,479 Speaker 3: Let me resend that my motion to support Jack Carlow. 13 00:00:43,600 --> 00:00:45,519 Speaker 3: And the reason why the reason why I say that 14 00:00:45,680 --> 00:00:50,559 Speaker 3: is after we did the live, right, I came across 15 00:00:50,640 --> 00:00:54,200 Speaker 3: this clip where Ebro and then was playing him music 16 00:00:54,480 --> 00:00:58,720 Speaker 3: just culturally, Like if you're part of the culture, even 17 00:00:58,720 --> 00:01:00,880 Speaker 3: if you don't know the names people, because you already 18 00:01:00,920 --> 00:01:02,840 Speaker 3: know I'm bad with names, you know these songs, like 19 00:01:03,000 --> 00:01:05,920 Speaker 3: it's impossible to be melanated and not know some of 20 00:01:05,959 --> 00:01:08,319 Speaker 3: these songs. And they played songs for him and he 21 00:01:08,480 --> 00:01:10,360 Speaker 3: just was like there in the head like I don't 22 00:01:10,400 --> 00:01:14,200 Speaker 3: know what this is. Because of that, I'm like I 23 00:01:15,120 --> 00:01:17,440 Speaker 3: understand where you and Raw was coming from. 24 00:01:17,600 --> 00:01:17,759 Speaker 2: Right. 25 00:01:18,160 --> 00:01:21,800 Speaker 3: I didn't have that tidbit of information previously, which is 26 00:01:21,800 --> 00:01:24,199 Speaker 3: why I was just like, bro, like, let the man live. 27 00:01:24,880 --> 00:01:27,000 Speaker 3: But I but I also agreed with what y'all was 28 00:01:27,000 --> 00:01:30,880 Speaker 3: saying in terms of like, even if you're not mellenated, 29 00:01:30,959 --> 00:01:33,679 Speaker 3: you can be of the culture, right, And I'm like, well, 30 00:01:33,840 --> 00:01:35,960 Speaker 3: how's Jack Carlow not? But when I saw that clip, 31 00:01:35,959 --> 00:01:37,600 Speaker 3: and I don't know if it was manufactured or not, 32 00:01:38,840 --> 00:01:42,280 Speaker 3: regardless I saw that, I changed my stance immediately. You 33 00:01:42,319 --> 00:01:46,080 Speaker 3: can't say that you've gotten blacker and not know black music. 34 00:01:46,319 --> 00:01:48,559 Speaker 3: So I'm gonna just leave it there. So I'm with y'all. 35 00:01:49,400 --> 00:01:51,720 Speaker 3: It changed my whole perspective when I saw that clip. Again, 36 00:01:51,760 --> 00:01:53,760 Speaker 3: I don't know if it was manufactured or not, but 37 00:01:54,280 --> 00:01:57,800 Speaker 3: you can't. You can't call yourself blacker and be of 38 00:01:57,880 --> 00:02:01,760 Speaker 3: the culture and not know culturally the music that inspires 39 00:02:01,800 --> 00:02:04,640 Speaker 3: what you're trying to do. So with that, I'm out 40 00:02:04,680 --> 00:02:06,640 Speaker 3: of the Jack Harlow business. I'm just I'm just letting 41 00:02:06,680 --> 00:02:09,680 Speaker 3: you know. Care just want to adjust that that shit 42 00:02:09,800 --> 00:02:11,639 Speaker 3: was a little crazy when I saw it. 43 00:02:12,440 --> 00:02:16,120 Speaker 1: Yeah, that sounds that sounds pretty wild, But we definitely 44 00:02:16,160 --> 00:02:20,120 Speaker 1: have to talk about the g jay Z interview with 45 00:02:21,200 --> 00:02:27,480 Speaker 1: g Q because it dropped this week, and you're a 46 00:02:27,520 --> 00:02:31,160 Speaker 1: jay Z fan. I don't know if people think I'm 47 00:02:31,200 --> 00:02:33,400 Speaker 1: not a jay Z fan, but I do like jay Z. 48 00:02:34,000 --> 00:02:37,760 Speaker 1: I just be critical of certain things, and Rod's a 49 00:02:37,760 --> 00:02:42,560 Speaker 1: big jay Z fan. Unfortunately he isn't here. So I 50 00:02:42,760 --> 00:02:46,320 Speaker 1: listened to the whole thing regular speed two fifo. I 51 00:02:46,320 --> 00:02:48,440 Speaker 1: didn't even listen to it at one point five speed 52 00:02:48,440 --> 00:02:49,720 Speaker 1: because I wanted to make sure. 53 00:02:51,880 --> 00:02:53,880 Speaker 3: People you would be listening to ship are three and 54 00:02:53,919 --> 00:02:56,600 Speaker 3: a half speed. Bro, Hey, look real quick story man. 55 00:02:56,800 --> 00:02:59,280 Speaker 3: Every time we was in the studio and I walked 56 00:02:59,280 --> 00:03:01,760 Speaker 3: past Kek and be listening to shit, I'm like, how 57 00:03:01,800 --> 00:03:05,280 Speaker 3: do you even understand what's being said? But that's how 58 00:03:05,280 --> 00:03:07,079 Speaker 3: that man consumes a whole bunch of shit. Bro. Like 59 00:03:07,120 --> 00:03:08,960 Speaker 3: I saw that show, I'm like this, Nigga professor X 60 00:03:09,120 --> 00:03:10,119 Speaker 3: go ahead, prochy. 61 00:03:10,240 --> 00:03:11,200 Speaker 2: Yeah, yeah, no. 62 00:03:11,560 --> 00:03:15,760 Speaker 1: You know, jay Z is a master wordsmith, and you 63 00:03:15,800 --> 00:03:18,600 Speaker 1: know he's really good with words, and I wanted to 64 00:03:18,639 --> 00:03:22,600 Speaker 1: make sure I was able to process the pauses the 65 00:03:22,680 --> 00:03:26,680 Speaker 1: nuances of things he was saying. So but yeah, he 66 00:03:26,760 --> 00:03:29,240 Speaker 1: kind of Well I guess overall, what was your thoughts 67 00:03:29,280 --> 00:03:31,920 Speaker 1: when when you watched it, what do you think you know? 68 00:03:32,560 --> 00:03:34,440 Speaker 3: So, so I was talking to my brother and I said, 69 00:03:35,120 --> 00:03:37,960 Speaker 3: I feel like jay Z is a politician because he 70 00:03:38,000 --> 00:03:40,880 Speaker 3: said a lot, but he didn't really say nothing, you 71 00:03:40,920 --> 00:03:43,080 Speaker 3: know what I'm saying, Like like he didn't he didn't really. 72 00:03:44,160 --> 00:03:47,760 Speaker 3: I think he gave you a glimpse right of how 73 00:03:47,840 --> 00:03:50,360 Speaker 3: he thinks. And I think there was a lot of 74 00:03:50,640 --> 00:03:54,440 Speaker 3: different things that kind of like, oh, okay, that's interesting. 75 00:03:54,480 --> 00:03:58,200 Speaker 3: I never thought that Jay would be like that about this, right, 76 00:03:58,280 --> 00:04:02,080 Speaker 3: Like when he was talking about being fulfilled creatively just 77 00:04:02,080 --> 00:04:04,520 Speaker 3: being in the room not having to write, not just 78 00:04:04,600 --> 00:04:06,440 Speaker 3: you know, having a little bit of input here and there, 79 00:04:06,480 --> 00:04:09,320 Speaker 3: and like he feels creatively fulfilled, I'm like, okay, well, 80 00:04:09,600 --> 00:04:11,920 Speaker 3: I didn't think that that would fulfill Jay like that, 81 00:04:12,440 --> 00:04:14,600 Speaker 3: you know, being like you said such a word Smith. 82 00:04:15,040 --> 00:04:17,760 Speaker 3: But I thought it was good though. I thought I 83 00:04:17,800 --> 00:04:21,839 Speaker 3: thought it was really good because jay Z is not 84 00:04:21,960 --> 00:04:24,680 Speaker 3: somebody that gives you a lot of interviews, so when 85 00:04:24,960 --> 00:04:27,440 Speaker 3: he does do an interview, you gotta listen. But I 86 00:04:27,600 --> 00:04:29,520 Speaker 3: liked it, you know, I think he was honest. I 87 00:04:29,600 --> 00:04:33,320 Speaker 3: think he was being you know, what we expect Sean 88 00:04:33,440 --> 00:04:35,120 Speaker 3: Carter to be. I think he gave us a lot 89 00:04:35,160 --> 00:04:37,960 Speaker 3: of nuggets and stuff, but you know, he didn't hint 90 00:04:38,640 --> 00:04:43,560 Speaker 3: at a new album really, you know, but with an 91 00:04:43,600 --> 00:04:47,920 Speaker 3: interview headlighting the roots picnic, you know, selling out Madison 92 00:04:47,960 --> 00:04:50,719 Speaker 3: Square Garden and having you know, millions of people in 93 00:04:50,760 --> 00:04:52,839 Speaker 3: the queues as a case of you know, tickets go 94 00:04:52,920 --> 00:04:56,679 Speaker 3: whatever whatever there has to you know, where they're smoke, 95 00:04:56,720 --> 00:04:58,480 Speaker 3: there's fire. And I said, you know, I heard men 96 00:04:58,560 --> 00:05:00,440 Speaker 3: Blee talk about you know, say a versus this and 97 00:05:00,480 --> 00:05:02,840 Speaker 3: the third so I definitely think there's new music coming. 98 00:05:02,880 --> 00:05:05,640 Speaker 3: But he didn't hint really at anything. So but I 99 00:05:05,640 --> 00:05:08,320 Speaker 3: thought overall was a good interview. I think anybody that 100 00:05:08,839 --> 00:05:11,320 Speaker 3: enjoys jay Z or enjoys hip hop should listen to it. 101 00:05:11,360 --> 00:05:12,719 Speaker 3: I think it was fairly insightful. 102 00:05:13,640 --> 00:05:16,119 Speaker 1: I do agree with that statement. My wife is a big, 103 00:05:16,360 --> 00:05:19,640 Speaker 1: big jay Z fan. She hasn't watched it yet, so 104 00:05:19,680 --> 00:05:21,960 Speaker 1: I'd be interested just to hear her thoughts and what 105 00:05:22,200 --> 00:05:25,160 Speaker 1: she thinks of it, and she kind of picks apart 106 00:05:25,320 --> 00:05:28,520 Speaker 1: certain things because you know, words is what she does 107 00:05:28,520 --> 00:05:31,120 Speaker 1: as well. I thought it was good. I definitely think 108 00:05:31,120 --> 00:05:32,320 Speaker 1: if you're a jay Z fan, you're. 109 00:05:32,160 --> 00:05:37,520 Speaker 2: Gonna love it, you know, And overall. 110 00:05:38,360 --> 00:05:40,960 Speaker 1: It was good just watching and listening to him, and 111 00:05:41,480 --> 00:05:47,440 Speaker 1: on the surface, you know, I was like, it was 112 00:05:47,560 --> 00:05:50,680 Speaker 1: it was, it was insightful. He said a lot, and 113 00:05:50,720 --> 00:05:52,560 Speaker 1: I agree with you, but he's also said a lot 114 00:05:52,600 --> 00:05:57,560 Speaker 1: of nothing. I haven't had a chance to really sit 115 00:05:57,680 --> 00:06:04,280 Speaker 1: down and pick apart certain things that he said, and 116 00:06:04,320 --> 00:06:06,880 Speaker 1: I think that over time, I'm wait a minute, that's 117 00:06:06,920 --> 00:06:07,520 Speaker 1: some bullshit. 118 00:06:08,279 --> 00:06:13,440 Speaker 2: But and that moment may never come. We'll see, we'll see. 119 00:06:14,240 --> 00:06:19,440 Speaker 1: But let's kind of go through specific parts with you know, 120 00:06:19,480 --> 00:06:20,800 Speaker 1: they have notated down here. 121 00:06:21,080 --> 00:06:23,119 Speaker 2: First of all, I definitely think of the album is coming. 122 00:06:23,640 --> 00:06:28,599 Speaker 1: But I think when he opened the interview and said 123 00:06:28,600 --> 00:06:33,119 Speaker 1: that enough defense now is offense, it explains a lot 124 00:06:33,200 --> 00:06:36,920 Speaker 1: of this activity that we're see in for him now. 125 00:06:36,960 --> 00:06:38,000 Speaker 2: It made sense to me. 126 00:06:38,040 --> 00:06:40,640 Speaker 1: I was like, Okay, I get it now, you know, 127 00:06:40,680 --> 00:06:42,680 Speaker 1: and that could be a double untatra because of everything 128 00:06:42,720 --> 00:06:45,719 Speaker 1: that happened last year and now you so again you know, 129 00:06:45,839 --> 00:06:48,880 Speaker 1: you know how you get down. Because when I saw 130 00:06:48,920 --> 00:06:51,719 Speaker 1: the headline, I think Jalen has sentered over something. I 131 00:06:51,760 --> 00:06:54,760 Speaker 1: was like, I was like, oh, Nick had asked if 132 00:06:54,800 --> 00:06:56,320 Speaker 1: we had watched it. I was like, nah, But looking 133 00:06:56,360 --> 00:06:57,560 Speaker 1: at the headline, it sounded. 134 00:06:57,320 --> 00:06:58,000 Speaker 2: Like some bullshit. 135 00:06:58,320 --> 00:06:59,920 Speaker 1: Because I really didn't know what he was talking about, 136 00:07:00,040 --> 00:07:01,640 Speaker 1: but I get it now, So I thought that that 137 00:07:01,760 --> 00:07:04,240 Speaker 1: was interesting and him kind of talking about like everything 138 00:07:04,240 --> 00:07:06,840 Speaker 1: that went down and saying like it was really really 139 00:07:06,960 --> 00:07:11,640 Speaker 1: rough and hard on him being accused of that. So 140 00:07:11,760 --> 00:07:14,480 Speaker 1: I was like, Wow, I thought it was interesting though 141 00:07:14,480 --> 00:07:19,560 Speaker 1: that he said he wouldn't settle. He said a settlement 142 00:07:19,640 --> 00:07:21,720 Speaker 1: was out of the question, and he even said it 143 00:07:21,760 --> 00:07:25,280 Speaker 1: would be cheaper to settle. Any thoughts on on on 144 00:07:26,000 --> 00:07:28,000 Speaker 1: Is comments regarding that. 145 00:07:29,000 --> 00:07:32,120 Speaker 3: Nah, I think, you know, I think what Jay does, 146 00:07:32,400 --> 00:07:35,920 Speaker 3: and you know, Jay is one of the few artists 147 00:07:36,000 --> 00:07:38,440 Speaker 3: that is as big as he is with his name 148 00:07:39,240 --> 00:07:42,200 Speaker 3: that is still relatively mysterious, you know what I'm saying, 149 00:07:42,200 --> 00:07:46,480 Speaker 3: Like he his moves themselves cause a lot of words 150 00:07:46,480 --> 00:07:51,480 Speaker 3: and commotion and emotion, but he himself doesn't put it 151 00:07:51,520 --> 00:07:54,080 Speaker 3: out there in that way, right, Like he's not boisterous 152 00:07:54,320 --> 00:07:56,560 Speaker 3: with his voice, Like he's just not saying a whole 153 00:07:56,600 --> 00:07:59,560 Speaker 3: bunch of whatever, right, Like he's not here for the press. 154 00:07:59,840 --> 00:08:03,000 Speaker 3: So that makes sense, right, Like every situation that Jay's 155 00:08:03,040 --> 00:08:05,880 Speaker 3: ever been in, he kind of plays defense until it's 156 00:08:05,920 --> 00:08:08,520 Speaker 3: time to play offense. And I also think that it's 157 00:08:08,600 --> 00:08:12,720 Speaker 3: very important when you're anybody, honestly, but especially a person 158 00:08:12,760 --> 00:08:15,520 Speaker 3: of that stature to make sure your name stays clean. 159 00:08:16,120 --> 00:08:18,160 Speaker 3: So and he has the money to fight it, you 160 00:08:18,160 --> 00:08:20,280 Speaker 3: know what I'm saying. He has them like like who 161 00:08:20,440 --> 00:08:22,520 Speaker 3: like there's not many people that's gonna outlie. Jay Z 162 00:08:22,600 --> 00:08:24,560 Speaker 3: is in a legal battle, you know what I'm saying. 163 00:08:24,600 --> 00:08:28,720 Speaker 3: So that being said, I feel that what he said, 164 00:08:28,880 --> 00:08:31,600 Speaker 3: I understand it for j you know what I'm saying. 165 00:08:31,600 --> 00:08:35,120 Speaker 3: So I was cool with what he what he was 166 00:08:35,120 --> 00:08:38,240 Speaker 3: saying in regards to you know, the allegations and all that. 167 00:08:39,200 --> 00:08:42,840 Speaker 1: Yeah, kind of reading between the lines and you know, 168 00:08:42,960 --> 00:08:48,280 Speaker 1: parsing out things that were not said. One he definitely 169 00:08:48,320 --> 00:08:51,240 Speaker 1: outright said that, you know, I was innocent. I knew 170 00:08:51,240 --> 00:08:52,760 Speaker 1: I didn't do it, So I knew it was a bullshit. 171 00:08:52,880 --> 00:08:55,520 Speaker 1: So there's no way I could settle because there's a 172 00:08:55,559 --> 00:08:59,000 Speaker 1: certain admission of guilt that comes with us selling because 173 00:08:59,000 --> 00:09:03,240 Speaker 1: we don't, you know, because of the unknowns, and he 174 00:09:03,320 --> 00:09:08,239 Speaker 1: didn't want to sell his name and the impact emotionally 175 00:09:08,360 --> 00:09:10,120 Speaker 1: had on having to tell. 176 00:09:09,920 --> 00:09:16,960 Speaker 2: His wife because we know people we're with, but there are. 177 00:09:17,080 --> 00:09:20,560 Speaker 1: Things that we don't know about them times because you know, 178 00:09:20,600 --> 00:09:23,000 Speaker 1: who knows what jay Z was doing before he got 179 00:09:23,040 --> 00:09:26,400 Speaker 1: with his wife and stuff like that. So that was 180 00:09:26,440 --> 00:09:29,720 Speaker 1: a conversation, especially considering like what happened with four four 181 00:09:29,760 --> 00:09:30,760 Speaker 1: and all other instance. 182 00:09:31,760 --> 00:09:35,040 Speaker 2: You know, so I get it, I thought real quick. 183 00:09:35,080 --> 00:09:40,320 Speaker 1: As an aside, them kind of doing different outfits in 184 00:09:40,400 --> 00:09:43,240 Speaker 1: different sets was interesting. So I don't know if they 185 00:09:43,320 --> 00:09:47,200 Speaker 1: recorded this over different days or they just on the 186 00:09:47,240 --> 00:09:47,720 Speaker 1: same day. 187 00:09:48,600 --> 00:09:53,280 Speaker 3: Yeah, I thought that was interesting because I wasn't necessarily 188 00:09:53,400 --> 00:09:55,760 Speaker 3: watching the interview. I was more so listening to it 189 00:09:55,800 --> 00:09:58,839 Speaker 3: in my headphone. But every time I glanced down, it 190 00:09:59,040 --> 00:10:00,640 Speaker 3: looked like a different sent said wait, hold on, so 191 00:10:00,800 --> 00:10:02,800 Speaker 3: like I rewind to make sure it's still the same thing, 192 00:10:02,840 --> 00:10:07,120 Speaker 3: and it was, I think, connecting the dot to the 193 00:10:06,840 --> 00:10:12,360 Speaker 3: to the music to what you're talking about in regards 194 00:10:12,400 --> 00:10:14,440 Speaker 3: to you know, the allegations and all of that. I 195 00:10:14,440 --> 00:10:16,920 Speaker 3: thought it was very interesting when he started talking about how, 196 00:10:17,200 --> 00:10:19,600 Speaker 3: you know, he could only write from his perspective like 197 00:10:19,679 --> 00:10:23,320 Speaker 3: things that are happening, and how everything that he is, 198 00:10:23,920 --> 00:10:26,079 Speaker 3: you know, I guess coming out of him or whatever 199 00:10:26,120 --> 00:10:28,719 Speaker 3: pause is very dark, and he's like, I don't want 200 00:10:28,720 --> 00:10:31,600 Speaker 3: to do that, you know what I'm saying, Like just 201 00:10:31,880 --> 00:10:36,040 Speaker 3: the mindset of where Jay is right now, musically, you know. 202 00:10:36,160 --> 00:10:39,280 Speaker 3: So that's why, like I was like, well, does that 203 00:10:39,320 --> 00:10:41,600 Speaker 3: mean there's not an album? Like you know what I'm saying? 204 00:10:41,880 --> 00:10:45,040 Speaker 3: I had. I came away can with more questions than 205 00:10:45,160 --> 00:10:48,600 Speaker 3: answers after listening to this thing, you know what I'm saying. 206 00:10:48,600 --> 00:10:51,120 Speaker 3: But again, I think that is the enigma of jay 207 00:10:51,200 --> 00:10:55,079 Speaker 3: Z and I think he made it or maybe they 208 00:10:55,280 --> 00:10:58,640 Speaker 3: edited in that way so that way there isn't a 209 00:10:58,679 --> 00:11:02,720 Speaker 3: lot of sound bites that people could just jump on 210 00:11:03,080 --> 00:11:05,319 Speaker 3: and make it into a thing. But I thought that 211 00:11:05,320 --> 00:11:08,080 Speaker 3: that was interesting in terms of where he was mentally 212 00:11:08,720 --> 00:11:10,040 Speaker 3: in the space of writing music. 213 00:11:10,160 --> 00:11:12,600 Speaker 1: Oh, we're gonna get into some of the sound bites 214 00:11:12,640 --> 00:11:17,200 Speaker 1: that he did that were in there, but just closing out, 215 00:11:17,440 --> 00:11:20,280 Speaker 1: I thought it was interesting him saying like certain businesses 216 00:11:20,360 --> 00:11:24,840 Speaker 1: not doing business with them and you know, them making 217 00:11:24,920 --> 00:11:27,760 Speaker 1: business decisions, which I guess he understood, but also kind 218 00:11:27,760 --> 00:11:31,040 Speaker 1: of maybe felt like, man, you guys should know me 219 00:11:31,480 --> 00:11:33,800 Speaker 1: and know that I'm better than this, and you guys 220 00:11:33,800 --> 00:11:36,160 Speaker 1: are kind of walking away and turning your back to me. 221 00:11:36,200 --> 00:11:38,760 Speaker 1: So I thought that was that was interesting and it 222 00:11:38,840 --> 00:11:41,040 Speaker 1: seemed like he felt some kind of way about that. 223 00:11:42,880 --> 00:11:46,600 Speaker 1: He addressed the There was a couple of things. I'll 224 00:11:46,600 --> 00:11:48,800 Speaker 1: be curious to see what happens moving forward that he 225 00:11:48,880 --> 00:11:51,680 Speaker 1: said one, you know that he talked about being a 226 00:11:51,679 --> 00:11:56,679 Speaker 1: capitalist and the criticism that come with that, and he 227 00:11:58,440 --> 00:12:03,680 Speaker 1: said that he isn't ashamed of amassing the wealth and 228 00:12:03,679 --> 00:12:08,120 Speaker 1: stuff like that, and in his perspective that he hasn't 229 00:12:08,160 --> 00:12:13,720 Speaker 1: really done anything to anyone. Therefore, he's not directly harming 230 00:12:13,760 --> 00:12:19,600 Speaker 1: anyone by being a capitalist. So it'll be interesting to 231 00:12:19,640 --> 00:12:21,920 Speaker 1: see how that play out. I thought that was an 232 00:12:21,920 --> 00:12:29,280 Speaker 1: interesting way of making peace with being in this capitalist 233 00:12:29,320 --> 00:12:29,800 Speaker 1: in space. 234 00:12:30,880 --> 00:12:35,839 Speaker 3: So M can't see this is conspiracy Ken right here, Ken, 235 00:12:36,640 --> 00:12:39,480 Speaker 3: see I know what you're doing, Ken, Like you can't 236 00:12:39,559 --> 00:12:42,360 Speaker 3: just take this man and the words that came out 237 00:12:42,440 --> 00:12:44,200 Speaker 3: of his mouth. K You always trying to read between 238 00:12:44,200 --> 00:12:45,880 Speaker 3: the lines. And at the end of the day, let's 239 00:12:45,920 --> 00:12:48,400 Speaker 3: be honest, right, Like, the only person that we could 240 00:12:48,520 --> 00:12:51,440 Speaker 3: say that it feels maybe got the raw end of 241 00:12:51,480 --> 00:12:54,480 Speaker 3: a deal is Dame Dash right in this whole thing, 242 00:12:54,600 --> 00:12:57,400 Speaker 3: Let's be honest, Dame Dash feels like the person somebody 243 00:12:58,120 --> 00:13:01,400 Speaker 3: but but I also but look, Ken, it's not one 244 00:13:01,480 --> 00:13:05,000 Speaker 3: hundred percent on jay Z right, Like when a split 245 00:13:05,080 --> 00:13:08,800 Speaker 3: like that happens, that's not amicable. It happens because the 246 00:13:08,880 --> 00:13:11,800 Speaker 3: other person is culpable as well, and Dame Dash is culpable. 247 00:13:12,000 --> 00:13:14,920 Speaker 3: Let's be honest. Can the way that Day to this 248 00:13:15,080 --> 00:13:20,160 Speaker 3: day we've seen Dame Dash fairly recently on the Breakfast Club, right, 249 00:13:21,559 --> 00:13:25,240 Speaker 3: we see the type of person that he is in 250 00:13:25,320 --> 00:13:29,600 Speaker 3: the street when you first get your footing through the door. Okay, 251 00:13:29,840 --> 00:13:32,240 Speaker 3: that's cool. But now when we're trying to elevate to 252 00:13:32,360 --> 00:13:38,920 Speaker 3: these bigger and more secretive places right in upper management, leadership, corporation, 253 00:13:39,400 --> 00:13:41,359 Speaker 3: all of this type of stuff, there's a certain decorum 254 00:13:42,880 --> 00:13:46,600 Speaker 3: that Dame Dash just doesn't have. And I think that 255 00:13:46,600 --> 00:13:52,040 Speaker 3: that was a business split that favor Jay. And think 256 00:13:52,040 --> 00:13:55,000 Speaker 3: about this, Ka, how many sound bites do you have 257 00:13:55,400 --> 00:13:58,839 Speaker 3: of Jay the fame and Day? That would a lot 258 00:13:59,080 --> 00:14:05,000 Speaker 3: non so So, so that's why I understand what he's said. 259 00:14:05,080 --> 00:14:08,440 Speaker 3: I didn't hurt nobody, because yet he could have damaged 260 00:14:09,040 --> 00:14:11,920 Speaker 3: thing that'sh his reputation publicly behind closed doors, we not 261 00:14:11,960 --> 00:14:14,760 Speaker 3: behind them doors can so we don't know. But publicly 262 00:14:15,160 --> 00:14:17,680 Speaker 3: he did. Janet do nothing to Day, Dave did it 263 00:14:17,720 --> 00:14:21,240 Speaker 3: to himself. So I feel when Jay says, look bro like, 264 00:14:21,600 --> 00:14:24,000 Speaker 3: I come from a certain I'm cut from a certain cloth. 265 00:14:24,600 --> 00:14:27,680 Speaker 3: I made it, and I didn't have to really screw 266 00:14:27,800 --> 00:14:31,800 Speaker 3: nobody over to get what I got. So no, like, 267 00:14:31,920 --> 00:14:34,600 Speaker 3: I don't feel bad, you know. And I also thought 268 00:14:34,720 --> 00:14:36,760 Speaker 3: it was very poignant for him to be like, so, okay, 269 00:14:36,760 --> 00:14:38,800 Speaker 3: so what's the cutoff? So if I got nine hundred 270 00:14:38,800 --> 00:14:40,720 Speaker 3: and ninety nine thousand dollars in the bank, I'm cool. 271 00:14:40,720 --> 00:14:43,680 Speaker 3: But if somebody got a million day not so like so, so, 272 00:14:43,680 --> 00:14:45,360 Speaker 3: so what are we talking about? Because at the end 273 00:14:45,400 --> 00:14:48,440 Speaker 3: of the day, can if you had an opportunity to 274 00:14:48,480 --> 00:14:53,400 Speaker 3: scale that in hip hop right to the millions? Would 275 00:14:53,440 --> 00:14:54,920 Speaker 3: we not? We will? 276 00:14:57,760 --> 00:14:59,800 Speaker 2: I understand? Okay. 277 00:14:59,840 --> 00:15:01,360 Speaker 1: So a couple of things that he said that I 278 00:15:01,360 --> 00:15:05,080 Speaker 1: thought was interesting and I'm wondering to see how people 279 00:15:05,200 --> 00:15:06,720 Speaker 1: pick up and take it a run with it. 280 00:15:06,800 --> 00:15:10,320 Speaker 2: One in that conversation, he told the. 281 00:15:10,360 --> 00:15:14,680 Speaker 1: Kid about being allowed to do something, and he said, 282 00:15:14,680 --> 00:15:16,400 Speaker 1: I want you to go out and remove that word 283 00:15:16,800 --> 00:15:18,640 Speaker 1: because we're just like everybody else. 284 00:15:18,720 --> 00:15:19,720 Speaker 2: I love that. 285 00:15:20,720 --> 00:15:26,760 Speaker 1: Yes, there's this institution that exist in America and institution 286 00:15:26,880 --> 00:15:30,960 Speaker 1: on racism system and racism whatever, but we're breaking those 287 00:15:31,040 --> 00:15:35,240 Speaker 1: walls down. And when you have that certain mindset, then 288 00:15:35,560 --> 00:15:42,200 Speaker 1: you place unknown subconscious restrictions on yourself. So I liked 289 00:15:42,240 --> 00:15:44,680 Speaker 1: that he wanted him to kind of get that mindset 290 00:15:44,960 --> 00:15:47,200 Speaker 1: and hopefully other people adopt that as well. So I 291 00:15:47,200 --> 00:15:48,920 Speaker 1: thought that that was really really dope for him to 292 00:15:48,960 --> 00:15:52,040 Speaker 1: say that, because you can't it helped him get to 293 00:15:52,040 --> 00:15:55,400 Speaker 1: where he is now. For jay Z to achieve his sets, 294 00:15:55,480 --> 00:15:58,760 Speaker 1: people definitely got harmed. That's not even including what he 295 00:15:58,800 --> 00:16:00,960 Speaker 1: did in terms of is corporate business. We can go 296 00:16:01,040 --> 00:16:05,880 Speaker 1: to what he did before that, but you know, I 297 00:16:05,920 --> 00:16:10,920 Speaker 1: get it, I understand, and what I love that he 298 00:16:11,000 --> 00:16:15,479 Speaker 1: said is like he said, I'm a realist, not an idealist, 299 00:16:16,360 --> 00:16:19,920 Speaker 1: And this is where he's kind of really really good 300 00:16:19,960 --> 00:16:23,320 Speaker 1: with those words, because you know, I do have a 301 00:16:23,440 --> 00:16:28,120 Speaker 1: very pragmatic approach to the world and it's not really 302 00:16:28,160 --> 00:16:33,400 Speaker 1: built on these big ideas that have been around for forever. 303 00:16:35,240 --> 00:16:38,160 Speaker 1: And I think that that helps you combat certain things 304 00:16:38,200 --> 00:16:40,280 Speaker 1: because you're dealing with the issues in real time. 305 00:16:40,800 --> 00:16:42,360 Speaker 2: So I thought that that was really really good. 306 00:16:42,840 --> 00:16:44,960 Speaker 1: But I think that was one of the moments where 307 00:16:44,960 --> 00:16:47,080 Speaker 1: I thought that, Okay, you being slick with words, but 308 00:16:48,240 --> 00:16:51,040 Speaker 1: you can't say that you got to where that you 309 00:16:51,320 --> 00:16:53,760 Speaker 1: are without harming somebody. 310 00:16:53,800 --> 00:16:55,320 Speaker 2: And we have evidence of the. 311 00:16:55,240 --> 00:16:57,960 Speaker 1: Person, whether or not he was at fault or not. 312 00:16:59,600 --> 00:17:02,320 Speaker 1: But you know, I think that's another one of those 313 00:17:02,320 --> 00:17:04,399 Speaker 1: statements don't have to sit with and process because it 314 00:17:04,440 --> 00:17:06,719 Speaker 1: sounded really good when he said it. I was like, damn, man, 315 00:17:06,760 --> 00:17:09,360 Speaker 1: you kind of you kind of right to a certain degree, 316 00:17:10,080 --> 00:17:10,480 Speaker 1: you can. 317 00:17:10,960 --> 00:17:13,120 Speaker 3: So let me ask you, right, like, is it wrong 318 00:17:13,240 --> 00:17:18,159 Speaker 3: to sever ties like business ties with people? No, it 319 00:17:18,160 --> 00:17:22,080 Speaker 3: happens all the time. Yeah, what's the difference here? So 320 00:17:22,119 --> 00:17:23,000 Speaker 3: what's the difference here? 321 00:17:24,600 --> 00:17:27,359 Speaker 2: I'm just I get it. 322 00:17:27,400 --> 00:17:30,760 Speaker 1: And business and business there are no emotions in business, 323 00:17:30,920 --> 00:17:33,800 Speaker 1: you know you have you can't have them in order 324 00:17:33,840 --> 00:17:37,080 Speaker 1: to be successful in the capitalistic structure that we resist 325 00:17:37,080 --> 00:17:37,640 Speaker 1: in America. 326 00:17:38,280 --> 00:17:39,200 Speaker 2: I think it's just. 327 00:17:42,640 --> 00:17:45,159 Speaker 1: Naive of him to think he didn't harm anybody in 328 00:17:45,200 --> 00:17:46,760 Speaker 1: the process of getting too where he is. 329 00:17:47,480 --> 00:17:51,960 Speaker 3: I think, okay, so I can. I don't disagree with 330 00:17:52,160 --> 00:17:56,480 Speaker 3: the naivety. But part of that naivety is if you 331 00:17:56,560 --> 00:18:01,040 Speaker 3: didn't directly harm somebody, right like Jay? Jay don't have 332 00:18:01,080 --> 00:18:04,240 Speaker 3: no cases, right, at least no open cases. No, he's 333 00:18:04,280 --> 00:18:07,640 Speaker 3: never been uh you know, sir James. 334 00:18:08,880 --> 00:18:11,199 Speaker 1: He hasn't been sentenced. But Jay's been caught up in 335 00:18:11,240 --> 00:18:12,360 Speaker 1: some ship you know. 336 00:18:12,359 --> 00:18:15,879 Speaker 3: Of course, Oh of course, but but but all of 337 00:18:15,920 --> 00:18:21,879 Speaker 3: those things were handled and also there wasn't a legal 338 00:18:22,200 --> 00:18:27,320 Speaker 3: issue that arose from him doing harm to somebody in 339 00:18:27,359 --> 00:18:30,680 Speaker 3: a business sense, right like when the whole un thing 340 00:18:30,800 --> 00:18:32,760 Speaker 3: that was you know, at a club, this that, and 341 00:18:32,840 --> 00:18:34,760 Speaker 3: the third we know you know jay Z's from from 342 00:18:34,840 --> 00:18:37,120 Speaker 3: from the streets, and it was at a different time 343 00:18:37,160 --> 00:18:40,280 Speaker 3: in jay Z's life, bro, Like we like like Jay 344 00:18:40,760 --> 00:18:43,879 Speaker 3: hasn't directly harmed anybody that we know, Like I said, 345 00:18:44,119 --> 00:18:46,120 Speaker 3: behind closed doors, we don't know the type of things 346 00:18:46,160 --> 00:18:48,640 Speaker 3: that he's telling people the black ball and hey, don't 347 00:18:48,680 --> 00:18:50,720 Speaker 3: do business. You do business with him, I'm not gonna 348 00:18:50,720 --> 00:18:52,320 Speaker 3: do business with you, because we know if God, he 349 00:18:52,480 --> 00:18:54,639 Speaker 3: was like that, Like, we know that the industry is 350 00:18:54,680 --> 00:18:57,680 Speaker 3: shady in that way, right, but he could hide behind 351 00:18:57,680 --> 00:19:01,000 Speaker 3: the shade because not everybody's behind those doors. Everybody's not 352 00:19:01,080 --> 00:19:03,679 Speaker 3: behind the industry. Can We've been covering hip hop for 353 00:19:03,760 --> 00:19:06,439 Speaker 3: how long and we bare like we barely have the 354 00:19:06,560 --> 00:19:09,040 Speaker 3: door crack, Bro, we don't even really see what happens, Brian, 355 00:19:09,080 --> 00:19:13,040 Speaker 3: closed So I don't so, so I don't disagree with 356 00:19:13,680 --> 00:19:16,560 Speaker 3: partially of your statement saying that he may have hurt 357 00:19:16,680 --> 00:19:21,000 Speaker 3: people in behind closed doors right where you know he 358 00:19:21,200 --> 00:19:23,959 Speaker 3: stunted people's growth or whatever. And I'm not saying that 359 00:19:24,000 --> 00:19:26,320 Speaker 3: he has. I'm just saying we don't know. But at 360 00:19:26,320 --> 00:19:28,560 Speaker 3: the end of the day, Ken, what we do know 361 00:19:29,080 --> 00:19:33,360 Speaker 3: is that outside of Dame Dash Nigga, who feel the type. 362 00:19:33,200 --> 00:19:38,480 Speaker 1: Of way, yeah, a couple of other things real quick. Uh, 363 00:19:40,240 --> 00:19:41,879 Speaker 1: Apparently he was going to be on the clips and 364 00:19:41,920 --> 00:19:44,960 Speaker 1: he said he wanted to keep that for himself. I 365 00:19:44,960 --> 00:19:48,480 Speaker 1: thought that was interesting, which seems there there must be 366 00:19:48,480 --> 00:19:52,720 Speaker 1: an album on the way because whatever he has to 367 00:19:52,760 --> 00:19:55,480 Speaker 1: say would have been on there and not with him. 368 00:19:56,119 --> 00:19:57,600 Speaker 2: So I thought that was interesting. 369 00:19:58,119 --> 00:20:00,439 Speaker 3: And that's why I said he said he said a 370 00:20:00,440 --> 00:20:02,240 Speaker 3: lot and didn't say nothing at the same time. And 371 00:20:02,280 --> 00:20:04,840 Speaker 3: that's that's the perfect example right there, because he didn't 372 00:20:05,040 --> 00:20:07,040 Speaker 3: he said, yeah, you know, I got to keep it, 373 00:20:07,119 --> 00:20:10,200 Speaker 3: you know, for myself. But are you confirming that there's 374 00:20:10,240 --> 00:20:13,680 Speaker 3: a project? He never said, you know. So it's so again, 375 00:20:13,720 --> 00:20:16,320 Speaker 3: reading between the lines, you get the feeling that there 376 00:20:16,440 --> 00:20:19,640 Speaker 3: is new jay Z work coming, you know, relatively soon. 377 00:20:19,720 --> 00:20:23,280 Speaker 3: But this was not confirmation, Like I can't say this 378 00:20:23,359 --> 00:20:26,480 Speaker 3: was one hundred percent seals stamp. We're getting something. I 379 00:20:26,480 --> 00:20:29,040 Speaker 3: don't know, but I do think that that was interesting. Ken, 380 00:20:29,080 --> 00:20:31,639 Speaker 3: I think the thing we do know about Jay is 381 00:20:31,680 --> 00:20:34,080 Speaker 3: this that Jay is always tapped in. Even if Jay 382 00:20:34,200 --> 00:20:37,280 Speaker 3: is not using his voice directly, he'll use it indirectly. 383 00:20:37,440 --> 00:20:39,760 Speaker 3: You know, the super Bowl and other type of stuff too. 384 00:20:39,760 --> 00:20:41,679 Speaker 3: And I'm pretty sure you're gonna get into that. But 385 00:20:44,359 --> 00:20:47,439 Speaker 3: I think the Clips album was missing that Jay, that 386 00:20:47,600 --> 00:20:49,640 Speaker 3: Jay feature just saying. 387 00:20:49,400 --> 00:20:51,639 Speaker 1: Yeah yeah, maybe maybe when he dropped the album and 388 00:20:51,640 --> 00:20:53,359 Speaker 1: can go back and add one. But speaking of the 389 00:20:53,400 --> 00:20:57,240 Speaker 1: super Bowl, he I love this hearing some of the 390 00:20:57,320 --> 00:21:02,840 Speaker 1: thought process behind it. Like basically, I'm just making a 391 00:21:02,840 --> 00:21:06,399 Speaker 1: business decision. Kendrin was the biggest artist at the time. Boom, 392 00:21:06,480 --> 00:21:09,200 Speaker 1: Let's go get him, Bad Bunny was the biggest artist 393 00:21:09,240 --> 00:21:10,840 Speaker 1: in the time. Look at the data, Let's go get 394 00:21:10,920 --> 00:21:13,120 Speaker 1: him and every other decision. And one of the things 395 00:21:13,119 --> 00:21:15,440 Speaker 1: that I thought was really good was he said that 396 00:21:15,840 --> 00:21:19,040 Speaker 1: he wanted people to experience music, experience music in his 397 00:21:19,200 --> 00:21:23,320 Speaker 1: totality and talking about popular music is today, and he 398 00:21:23,400 --> 00:21:27,520 Speaker 1: was having really dated conversations with people in order to 399 00:21:27,600 --> 00:21:29,639 Speaker 1: kind of get some of those things approved, which I 400 00:21:29,760 --> 00:21:33,080 Speaker 1: wish Frasier, who did a pretty good job, would have 401 00:21:33,119 --> 00:21:35,240 Speaker 1: followed up on what were. 402 00:21:35,119 --> 00:21:38,639 Speaker 2: The data conversations you were having? I really wanted to 403 00:21:38,720 --> 00:21:40,840 Speaker 2: know that. Yeah, he was a. 404 00:21:40,760 --> 00:21:44,879 Speaker 3: Little too quiet as as an interviewer. You know what 405 00:21:44,880 --> 00:21:48,920 Speaker 3: I'm saying, I understand it. Yeah, And here's the thing, 406 00:21:48,960 --> 00:21:51,399 Speaker 3: I'm not saying that personally, I would have did a 407 00:21:51,400 --> 00:21:54,080 Speaker 3: better job. I would have fanned out. Bro that a 408 00:21:54,119 --> 00:21:56,439 Speaker 3: hip hop crew. Know, there's a handful of dudes. Bro, 409 00:21:56,520 --> 00:21:58,199 Speaker 3: don't put me in the same room alone, because I 410 00:21:58,200 --> 00:21:59,879 Speaker 3: am going to be a big fan, Like I'm not 411 00:22:00,040 --> 00:22:02,240 Speaker 3: be able to keep a professional and y'all saw one 412 00:22:02,280 --> 00:22:04,800 Speaker 3: of them when I was around Nipsey. I just lost 413 00:22:04,840 --> 00:22:09,000 Speaker 3: my shit. But I do think can some follow up questions, 414 00:22:09,119 --> 00:22:11,399 Speaker 3: especially like around the super Bowl and stuff, because it 415 00:22:11,480 --> 00:22:15,080 Speaker 3: was so recent and so controversial that it definitely required, 416 00:22:15,119 --> 00:22:19,680 Speaker 3: in my opinion, some more follow up questions. But yeah, 417 00:22:19,680 --> 00:22:24,399 Speaker 3: I love the thought process of Jay and how open 418 00:22:24,440 --> 00:22:27,520 Speaker 3: he was because you know, look, we speculated here on 419 00:22:27,600 --> 00:22:30,879 Speaker 3: that hip hop in regards, but we said for the 420 00:22:30,960 --> 00:22:35,280 Speaker 3: last two years, it makes sense, like let's be honest, right, 421 00:22:35,320 --> 00:22:40,920 Speaker 3: Like we're talking about one of the biggest urban music people, 422 00:22:42,600 --> 00:22:46,640 Speaker 3: somebody that is bigger than life, and now he has 423 00:22:46,680 --> 00:22:52,240 Speaker 3: that power to select. It made sense, k not made 424 00:22:52,280 --> 00:22:57,359 Speaker 3: sense that Buddy made sense, And like you said he 425 00:22:57,520 --> 00:22:59,320 Speaker 3: just set the record and in this one, demn near 426 00:22:59,359 --> 00:23:02,040 Speaker 3: came closer. In the record, he had the number one 427 00:23:02,080 --> 00:23:03,600 Speaker 3: and the number three in back to back years. 428 00:23:03,960 --> 00:23:08,240 Speaker 1: Come on, man, Yeah, the thing that's circulating online that 429 00:23:08,359 --> 00:23:10,639 Speaker 1: people had a lot to say, and I'm sure we 430 00:23:10,720 --> 00:23:13,840 Speaker 1: may have another conversation with because I don't think this 431 00:23:13,920 --> 00:23:16,480 Speaker 1: may be going away. But he talked about the beef, 432 00:23:16,520 --> 00:23:18,640 Speaker 1: and he talked about the four pillars of hip hop 433 00:23:18,680 --> 00:23:21,440 Speaker 1: and he broke that down and it basically said that 434 00:23:21,600 --> 00:23:24,240 Speaker 1: they don't exist anymore, and said battling should be out 435 00:23:24,280 --> 00:23:27,560 Speaker 1: of there as well. Some battle rappers have some things 436 00:23:27,600 --> 00:23:28,840 Speaker 1: to say. I didn't get a chance to look at 437 00:23:28,880 --> 00:23:32,919 Speaker 1: all their responses, but it really was about this beef 438 00:23:33,000 --> 00:23:34,639 Speaker 1: and the harm that it did. 439 00:23:35,280 --> 00:23:37,240 Speaker 2: And I'm not gonna lie. I thought that was some bullshit. 440 00:23:37,560 --> 00:23:41,400 Speaker 1: And I think that he's coming from what sixty year 441 00:23:41,440 --> 00:23:50,719 Speaker 1: old man's perspective, and and he remembered where he came from, 442 00:23:52,080 --> 00:23:55,680 Speaker 1: but it's also like he also forgot where he came 443 00:23:55,720 --> 00:23:58,280 Speaker 1: from and how he had that whole thing with NAS 444 00:23:58,320 --> 00:24:01,160 Speaker 1: even though he did acknowledge it, talking about some real 445 00:24:01,359 --> 00:24:04,680 Speaker 1: harm what's happening bringing kids into it, which I thought 446 00:24:04,720 --> 00:24:06,000 Speaker 1: was interesting I don't know if he was talking about 447 00:24:06,040 --> 00:24:09,760 Speaker 1: Drake's kid or kendricks kids or whatever, But I don't know, man, 448 00:24:10,000 --> 00:24:13,160 Speaker 1: I think what I want from what he said, because 449 00:24:13,200 --> 00:24:16,120 Speaker 1: you know, jay Z can move the culture, and I'm 450 00:24:16,119 --> 00:24:17,800 Speaker 1: saying that beef need to go out of here. 451 00:24:17,960 --> 00:24:20,920 Speaker 2: Hopefully the fake beef will disappear. 452 00:24:20,480 --> 00:24:22,640 Speaker 1: Like the ship Joey Bada has tried to do last year, 453 00:24:23,960 --> 00:24:27,920 Speaker 1: and all these people manufacturing beef for record sales. Maybe 454 00:24:27,960 --> 00:24:30,360 Speaker 1: the t I fifty thing, you know as well, if 455 00:24:30,400 --> 00:24:33,600 Speaker 1: that turns out to be fake. But the thing that 456 00:24:33,640 --> 00:24:37,600 Speaker 1: made Kendrick and Drake good is that it was it 457 00:24:37,680 --> 00:24:40,400 Speaker 1: was real, it was sourced. They don't like each other, 458 00:24:40,440 --> 00:24:43,320 Speaker 1: and Jay is fully aware of what's going on as well. 459 00:24:43,800 --> 00:24:45,879 Speaker 1: What did you think about what he was saying about 460 00:24:46,040 --> 00:24:49,439 Speaker 1: we we should get rid of beef And he wasn't like, 461 00:24:49,680 --> 00:24:52,199 Speaker 1: he didn't commit to it all the way, but he 462 00:24:52,400 --> 00:24:53,600 Speaker 1: kind of floated it out there. 463 00:24:53,640 --> 00:24:57,360 Speaker 3: He can't. You need to get into politics too, bro, 464 00:24:57,440 --> 00:24:59,959 Speaker 3: because the way you twisted this man's words is crazy, 465 00:25:00,119 --> 00:25:03,240 Speaker 3: right now. You you a, hey, I see what you're doing. 466 00:25:03,280 --> 00:25:06,000 Speaker 3: Can that's not essentially or at least that's not how 467 00:25:06,040 --> 00:25:09,080 Speaker 3: I took what Jay was saying all the way like, 468 00:25:09,119 --> 00:25:11,480 Speaker 3: I don't think at least I didn't interpret it him 469 00:25:11,480 --> 00:25:14,040 Speaker 3: saying get rid of the beef. I think that he 470 00:25:14,160 --> 00:25:18,040 Speaker 3: was worse for saying get rid of everything that comes 471 00:25:18,200 --> 00:25:21,200 Speaker 3: with it, right, because it's very personal attacks, it's very 472 00:25:21,920 --> 00:25:24,920 Speaker 3: it's like, it's ugly, like it got really ugly, right, 473 00:25:25,440 --> 00:25:29,680 Speaker 3: And and Drake and k got both drug a lot 474 00:25:29,680 --> 00:25:37,760 Speaker 3: of auxiliary pieces into it. Wife kid, you know potentially 475 00:25:37,760 --> 00:25:40,600 Speaker 3: you know a mysterious kid, or you know, just a 476 00:25:40,640 --> 00:25:43,359 Speaker 3: whole bunch of ugliness. And I think that we lost 477 00:25:43,400 --> 00:25:46,080 Speaker 3: the essence of what battling is, right and I'm gonna 478 00:25:46,080 --> 00:25:47,879 Speaker 3: tape back into the battle rappers too, film in the 479 00:25:47,880 --> 00:25:52,520 Speaker 3: type of way, but the essence of battle rap can 480 00:25:53,280 --> 00:26:00,520 Speaker 3: we didn't It wasn't a display of rapping ability, which 481 00:26:00,560 --> 00:26:04,320 Speaker 3: is what battling should be, right, Like, can you take 482 00:26:04,359 --> 00:26:07,280 Speaker 3: a couple of personal digs, Yes, but make it about me, 483 00:26:08,200 --> 00:26:11,919 Speaker 3: you know, make it about general family. Don't mention my 484 00:26:12,000 --> 00:26:15,200 Speaker 3: wife's name, don't say your wife, say you know, yo chick. 485 00:26:15,440 --> 00:26:20,480 Speaker 3: You know, let's not make it about pdfile Like, let's 486 00:26:20,480 --> 00:26:23,199 Speaker 3: not make it about that. Let's make it about I 487 00:26:23,240 --> 00:26:26,240 Speaker 3: got better bars than you. And this is how you 488 00:26:26,280 --> 00:26:28,560 Speaker 3: know what I'm saying, even when you listen to nas 489 00:26:28,560 --> 00:26:31,080 Speaker 3: like you know, when he had ether, he said, your 490 00:26:31,160 --> 00:26:33,760 Speaker 3: mustache is like whiskers like a rat. Like, is that 491 00:26:33,880 --> 00:26:37,359 Speaker 3: the freaking greatest bar ever? No, but you're taking a 492 00:26:37,480 --> 00:26:40,199 Speaker 3: personal shot at somebody that you feel that you're a 493 00:26:40,200 --> 00:26:43,160 Speaker 3: better rapper. Th I'm cool with that. I think that 494 00:26:43,160 --> 00:26:45,080 Speaker 3: That's what jay Z was trying to get at, is 495 00:26:45,080 --> 00:26:49,520 Speaker 3: that the essence of the rap battle and hip hop, 496 00:26:49,640 --> 00:26:54,680 Speaker 3: right like, with musicians, not battle rappers, but with musicians, 497 00:26:55,160 --> 00:26:58,800 Speaker 3: it's it needs to be about the music. And he 498 00:26:58,840 --> 00:27:00,600 Speaker 3: also talked about that. He was like, I love the 499 00:27:00,640 --> 00:27:02,560 Speaker 3: fact that we got so much music and such a 500 00:27:02,640 --> 00:27:05,440 Speaker 3: short amount of time, right Like, Also, that's a technology thing. 501 00:27:05,600 --> 00:27:07,480 Speaker 3: But I think with the battle rappers what they need 502 00:27:07,480 --> 00:27:12,280 Speaker 3: to understand. Again, Jay's not talking about y'all because what 503 00:27:12,400 --> 00:27:15,640 Speaker 3: y'all do is battle for a living. Y'all don't make 504 00:27:15,720 --> 00:27:18,480 Speaker 3: music for a living. Some of y'all do, but the 505 00:27:18,560 --> 00:27:22,440 Speaker 3: majority of y'all don't. Y'all eat off of battling. He's 506 00:27:22,480 --> 00:27:26,040 Speaker 3: not saying battling needs to go away because the essence 507 00:27:26,240 --> 00:27:30,119 Speaker 3: of rapping against somebody those dudes are freaking amazing. I 508 00:27:30,119 --> 00:27:32,959 Speaker 3: don't know who this white boy is. But he just 509 00:27:33,040 --> 00:27:36,560 Speaker 3: had so so rap battle. He was telling the black dude, 510 00:27:36,840 --> 00:27:39,359 Speaker 3: he was like, yeah, you know urs, he was rapping 511 00:27:39,520 --> 00:27:41,760 Speaker 3: arts against ars. He was like, yeah, Ars. You know 512 00:27:41,800 --> 00:27:44,119 Speaker 3: what I'm saying. You done moved up. You're not in 513 00:27:44,160 --> 00:27:46,760 Speaker 3: the You're not in the hood no more. Your neighbors 514 00:27:46,800 --> 00:27:50,320 Speaker 3: look like me. My neighbors look like you. I like 515 00:27:51,359 --> 00:27:54,600 Speaker 3: the essence of battle rapping is still there, and battle 516 00:27:54,640 --> 00:27:57,240 Speaker 3: rap needs to still be there. Jay's not talking about y'all. 517 00:27:57,520 --> 00:27:59,920 Speaker 3: He's not talking about y'all. He's talking about these music, 518 00:28:00,320 --> 00:28:03,280 Speaker 3: the K Dots, the J Coles, the Freddy Gibbs, the 519 00:28:03,320 --> 00:28:07,320 Speaker 3: Grisel does, the people that we know because they make music, 520 00:28:07,840 --> 00:28:10,399 Speaker 3: and then they may have beef that they put on wax. 521 00:28:11,000 --> 00:28:14,719 Speaker 3: Keep it about the bars and the person. Let's not 522 00:28:14,760 --> 00:28:17,800 Speaker 3: talk about all of this extra stuff that can be 523 00:28:18,480 --> 00:28:21,760 Speaker 3: relatively dangerous, you know what I'm saying. So I'm with 524 00:28:21,920 --> 00:28:24,440 Speaker 3: Jay in that standpoint because that's how I took it. Kid. 525 00:28:26,320 --> 00:28:28,880 Speaker 2: Yeah, well, I don't know. I think. 526 00:28:30,920 --> 00:28:33,760 Speaker 1: It sounded like some I just it's hard for me 527 00:28:33,920 --> 00:28:37,640 Speaker 1: to take him seriously. After the NAS, after his beef 528 00:28:37,640 --> 00:28:41,640 Speaker 1: with Nas and how dark he went with it, and 529 00:28:43,760 --> 00:28:45,720 Speaker 1: we haven't gotten to a point like a lot of 530 00:28:45,720 --> 00:28:48,440 Speaker 1: the rappers that have died has been like on some 531 00:28:48,480 --> 00:28:49,200 Speaker 1: street shit. 532 00:28:50,000 --> 00:28:52,200 Speaker 2: This didn't cross over into that. 533 00:28:52,560 --> 00:28:56,000 Speaker 1: It sounded like at times that it could, and we 534 00:28:56,080 --> 00:28:59,080 Speaker 1: definitely didn't want another big pop situation. 535 00:28:59,120 --> 00:29:00,480 Speaker 2: I'm glad it didn't resor to that. 536 00:29:01,120 --> 00:29:05,080 Speaker 1: But you know, this is what happened when people have 537 00:29:05,160 --> 00:29:08,400 Speaker 1: real issues and there was some fallout from it, you know, 538 00:29:08,480 --> 00:29:10,760 Speaker 1: and and it is what it is. But to see 539 00:29:10,800 --> 00:29:13,640 Speaker 1: here and try to say that we should get rid 540 00:29:13,680 --> 00:29:16,880 Speaker 1: of battling because it got negative when you were doing 541 00:29:16,880 --> 00:29:19,320 Speaker 1: the same thing, it's just like, come on, bro. 542 00:29:20,240 --> 00:29:23,000 Speaker 2: But again I think that the. 543 00:29:23,000 --> 00:29:25,720 Speaker 3: Fake beefs we need to get rid of one million. 544 00:29:26,080 --> 00:29:29,240 Speaker 3: But what was the outcome of the Jay and Nonstein right? 545 00:29:29,600 --> 00:29:33,000 Speaker 3: Jay Z apologized. Jay Z made a song with nods 546 00:29:33,640 --> 00:29:36,360 Speaker 3: and like now they're cool, Like and cool doesn't mean 547 00:29:36,400 --> 00:29:38,600 Speaker 3: that we have to be kumbaya and make all types 548 00:29:38,640 --> 00:29:42,480 Speaker 3: of music and collapse together. They made a collapse. They 549 00:29:43,040 --> 00:29:45,320 Speaker 3: sing each other's praises and they just keep it moving. 550 00:29:46,440 --> 00:29:49,800 Speaker 3: And I think that because that's where Jay and Nas 551 00:29:49,960 --> 00:29:52,600 Speaker 3: ended up. That's what he's talking about. It's like, let's 552 00:29:52,640 --> 00:29:56,040 Speaker 3: get to that point, you know, because because obviously jaa 553 00:29:56,120 --> 00:29:58,440 Speaker 3: knowledge is Na's greatness and NAS the same way. They 554 00:29:58,480 --> 00:30:01,560 Speaker 3: don't have to overtly do it. But with k dot 555 00:30:01,600 --> 00:30:05,320 Speaker 3: and Drake, it's like, bro, you you grew up in 556 00:30:05,440 --> 00:30:09,120 Speaker 3: Memphis slash Toronto and you grew up in LA like y'all, 557 00:30:09,920 --> 00:30:13,160 Speaker 3: how can you hate somebody that bad? You know, like 558 00:30:13,160 --> 00:30:16,920 Speaker 3: like y'all don't have this is my block, this is 559 00:30:16,960 --> 00:30:19,440 Speaker 3: my hood, this is my whatever. Jay and Jay and 560 00:30:19,560 --> 00:30:22,760 Speaker 3: NAS was burrows away from each other on the same 561 00:30:23,080 --> 00:30:25,760 Speaker 3: in the same trajectory. They were peers and not saying 562 00:30:25,760 --> 00:30:28,520 Speaker 3: that k dot and Drake are in peers, but Drake 563 00:30:28,680 --> 00:30:31,360 Speaker 3: was so much bigger than k dot when k dot 564 00:30:31,400 --> 00:30:33,960 Speaker 3: first came out, like like they weren't peers for a 565 00:30:34,040 --> 00:30:36,640 Speaker 3: couple of years. So at the end of the day, 566 00:30:37,640 --> 00:30:39,640 Speaker 3: the disdain and this that and the third not saying 567 00:30:39,640 --> 00:30:41,640 Speaker 3: that you can't have that, not saying that you can't 568 00:30:41,640 --> 00:30:44,040 Speaker 3: make battle raps, not saying that you can't have no beef. 569 00:30:44,680 --> 00:30:48,600 Speaker 3: But do we really need to be talking about pdf file? 570 00:30:48,680 --> 00:30:52,920 Speaker 3: Do we need to talk about abusing your wife? And 571 00:30:53,240 --> 00:30:55,920 Speaker 3: like does it need to go there? Like does it 572 00:30:56,000 --> 00:31:02,920 Speaker 3: really does k dot need to make meet the grams? 573 00:31:02,600 --> 00:31:05,920 Speaker 3: Like do we like this battle rap have to go 574 00:31:06,080 --> 00:31:09,360 Speaker 3: back that route. I don't care. I don't know, Okay, 575 00:31:09,560 --> 00:31:12,600 Speaker 3: I think Euphorial. I think Euphorial is like it is 576 00:31:12,640 --> 00:31:17,960 Speaker 3: the perfect way to because because Kate again, Kate, I'm 577 00:31:18,040 --> 00:31:21,760 Speaker 3: cool with battling. I'm cool with beefing. Uh And And 578 00:31:21,800 --> 00:31:24,040 Speaker 3: I think I said this, you know, two years ago 579 00:31:24,080 --> 00:31:27,760 Speaker 3: when the whole thing was popping off, like, I don't, 580 00:31:27,800 --> 00:31:29,640 Speaker 3: I don't, I don't know care it is. 581 00:31:29,600 --> 00:31:30,080 Speaker 2: What it is. 582 00:31:30,120 --> 00:31:32,040 Speaker 3: How'd you feel about him saying he'll never make for 583 00:31:32,200 --> 00:31:32,880 Speaker 3: for four again? 584 00:31:35,000 --> 00:31:35,240 Speaker 2: Yes? 585 00:31:36,360 --> 00:31:39,800 Speaker 1: Disappointed because m M, I don't know what this new 586 00:31:39,840 --> 00:31:42,520 Speaker 1: album is going to sound like, but I get you know, 587 00:31:42,600 --> 00:31:44,960 Speaker 1: him saying that it was the hardest one for him 588 00:31:45,000 --> 00:31:47,200 Speaker 1: to make and that he was afraid to make it 589 00:31:47,240 --> 00:31:49,960 Speaker 1: because he was very vulnerable. And I think that that's 590 00:31:50,960 --> 00:31:53,360 Speaker 1: that's that's the jay Z that I liked. Some of 591 00:31:53,400 --> 00:31:56,480 Speaker 1: his best songs that I like from him is him 592 00:31:56,520 --> 00:32:00,560 Speaker 1: talking about real ship. So now, what does this album 593 00:32:00,720 --> 00:32:02,480 Speaker 1: sound like? How do you address? 594 00:32:03,600 --> 00:32:05,040 Speaker 2: Like? What are you talking about now? 595 00:32:05,120 --> 00:32:08,400 Speaker 1: In your world? You already basically got plenty of money. 596 00:32:08,560 --> 00:32:11,000 Speaker 1: Oh the other thing I thought was funny and he 597 00:32:11,080 --> 00:32:12,280 Speaker 1: kind of flets him a little bit. 598 00:32:12,880 --> 00:32:13,520 Speaker 2: I have to say. 599 00:32:13,560 --> 00:32:16,040 Speaker 1: This is when he was like when people thought that 600 00:32:16,080 --> 00:32:18,720 Speaker 1: he picked Kendrick because of the whole him picking. 601 00:32:18,440 --> 00:32:20,160 Speaker 2: The side and the beef, and he was like, what 602 00:32:20,200 --> 00:32:20,880 Speaker 2: I'm want to do that for? 603 00:32:20,960 --> 00:32:23,239 Speaker 1: He said, I'm I'm fucking jay Z, and you can 604 00:32:23,280 --> 00:32:26,719 Speaker 1: see on his face like he he he said it 605 00:32:26,760 --> 00:32:28,640 Speaker 1: in his head and then he was like, no, I'm 606 00:32:28,640 --> 00:32:30,400 Speaker 1: not gonna say it. And then he was like, man, 607 00:32:30,480 --> 00:32:33,560 Speaker 1: fuck it, I'm gonna say that shit, and in all honesty, bro, 608 00:32:34,480 --> 00:32:38,560 Speaker 1: he's right. He's like, I'm I'm jay Z and I'm 609 00:32:38,600 --> 00:32:42,160 Speaker 1: bigger than both of y'all and you know, and conspiracy. 610 00:32:42,440 --> 00:32:44,520 Speaker 1: I think it was just like he was really taking 611 00:32:44,800 --> 00:32:46,720 Speaker 1: saying that to Drake because I don't think he really 612 00:32:46,760 --> 00:32:49,480 Speaker 1: liked Drake like that, so I thought, but I thought 613 00:32:49,520 --> 00:32:51,480 Speaker 1: that was funny that he kind of stunning on He 614 00:32:51,520 --> 00:32:52,960 Speaker 1: was like, man, I'm jay Z, Like why do I 615 00:32:53,000 --> 00:32:56,000 Speaker 1: gotta pick a side? But yeah, the fourth pot fourth 616 00:32:56,040 --> 00:32:57,840 Speaker 1: thing is interested because now what does this new album 617 00:32:57,880 --> 00:32:58,240 Speaker 1: sound like? 618 00:32:58,320 --> 00:33:06,400 Speaker 3: I don't know, Yeah, you know it four for four 619 00:33:06,480 --> 00:33:11,840 Speaker 3: being so therapeutic, being so neo so ish or you know, 620 00:33:12,040 --> 00:33:16,840 Speaker 3: underground backpacker ish sounding. And I think everybody, the majority 621 00:33:16,880 --> 00:33:20,920 Speaker 3: of people love Jay over that. I think it is interesting. 622 00:33:20,960 --> 00:33:23,320 Speaker 3: But again going back to earlier where he was saying, 623 00:33:23,360 --> 00:33:26,760 Speaker 3: you know, like he scrapped or he's jotted down like 624 00:33:27,000 --> 00:33:29,760 Speaker 3: a lot of ideas but hasn't really dove into him 625 00:33:29,760 --> 00:33:33,480 Speaker 3: because they're so dark. So I'm here for dark. J 626 00:33:33,880 --> 00:33:37,360 Speaker 3: I'm because because think about think about just the world events. 627 00:33:37,680 --> 00:33:39,960 Speaker 3: You know what I'm saying. We're talking about COVID done 628 00:33:40,000 --> 00:33:42,240 Speaker 3: happened since four forty four, you know what I'm saying, 629 00:33:42,360 --> 00:33:44,760 Speaker 3: Like after four forty four, just think about everything that 630 00:33:44,920 --> 00:33:48,160 Speaker 3: Donald Trump is back in office, like like there's just 631 00:33:48,280 --> 00:33:52,440 Speaker 3: so much stuff. And then just think about ken he 632 00:33:52,480 --> 00:33:55,520 Speaker 3: talked about the Jews they tried to cancel him on 633 00:33:55,560 --> 00:33:58,760 Speaker 3: four four four and what it And he didn't even 634 00:33:58,800 --> 00:34:01,720 Speaker 3: say nothing negative. He just said, you know how to 635 00:34:01,840 --> 00:34:05,200 Speaker 3: you know how the Jews got it credit and they're 636 00:34:05,320 --> 00:34:07,320 Speaker 3: trying to cancel them off of that. So you don't 637 00:34:07,320 --> 00:34:09,399 Speaker 3: think you're gonna double down. You don't think he's gonna 638 00:34:09,520 --> 00:34:11,799 Speaker 3: you know what I'm saying. So so I'm I'm here 639 00:34:11,880 --> 00:34:14,359 Speaker 3: for it. Can I'm like with Jay was talking about 640 00:34:14,440 --> 00:34:18,680 Speaker 3: being it him being in a more darker place. I 641 00:34:18,719 --> 00:34:23,000 Speaker 3: don't think he scrapped all of the dark stuff. Hey, Hey, 642 00:34:23,080 --> 00:34:25,920 Speaker 3: I'm here for it. I'm here for and I think 643 00:34:25,960 --> 00:34:28,600 Speaker 3: where I think where Jay is can when you even 644 00:34:28,640 --> 00:34:32,880 Speaker 3: listen to like a lot of his later features and 645 00:34:32,920 --> 00:34:39,520 Speaker 3: stuff like that, Jay's always been introspective. I just think 646 00:34:39,640 --> 00:34:44,920 Speaker 3: that Jay can talk about topics and people and situations 647 00:34:45,800 --> 00:34:49,080 Speaker 3: in a different way than any other rapper can because 648 00:34:49,120 --> 00:34:54,160 Speaker 3: he's behind the closed doors. He's not viewed or he 649 00:34:54,239 --> 00:34:57,600 Speaker 3: is viewed as an entertainer, but he's a businessman first. 650 00:34:58,120 --> 00:35:01,040 Speaker 3: And think about since four forty for like, he hasn't 651 00:35:01,040 --> 00:35:05,320 Speaker 3: really segments. There hasn't been no jay Z quotables, music 652 00:35:05,600 --> 00:35:09,440 Speaker 3: or social media. So for him to come out and 653 00:35:09,680 --> 00:35:15,239 Speaker 3: just unleash the whatever he has pent up, I'm here 654 00:35:15,280 --> 00:35:17,719 Speaker 3: for I don't know what's gonna sound like, but I'm 655 00:35:17,719 --> 00:35:18,160 Speaker 3: here for it. 656 00:35:18,239 --> 00:35:25,160 Speaker 2: Ken Yeah, yeah, me too. Well we'll leave it there. 657 00:35:27,680 --> 00:35:27,880 Speaker 2: You know. 658 00:35:28,400 --> 00:35:31,280 Speaker 1: That's our reaction, our thoughts on the jay Z interview 659 00:35:31,280 --> 00:35:35,080 Speaker 1: with GQ. Let us know what you guys think and 660 00:35:35,200 --> 00:35:36,759 Speaker 1: uh and we'll got you guys next time we out. 661 00:35:36,800 --> 00:35:38,400 Speaker 2: Peace,