1 00:00:00,080 --> 00:00:02,639 Speaker 1: Kate Hawksby's Weather Us along with Tim Wilson. Good morning 2 00:00:02,640 --> 00:00:06,120 Speaker 1: to both of you. Good morning, How good morning? 3 00:00:06,800 --> 00:00:10,000 Speaker 2: Was your winner this morning? Oh my goodness, so much 4 00:00:10,039 --> 00:00:12,320 Speaker 2: faith in the audience because sometimes you read out texts. 5 00:00:12,320 --> 00:00:13,480 Speaker 2: I ah to just. 6 00:00:13,440 --> 00:00:19,320 Speaker 3: Drop show, so reassuring that you've got such cold listeners. 7 00:00:19,560 --> 00:00:22,160 Speaker 1: Yeah, I reckon, you need to get, you need to get. 8 00:00:22,480 --> 00:00:24,560 Speaker 4: I put a backing track behind that, now that would 9 00:00:24,560 --> 00:00:24,800 Speaker 4: be up. 10 00:00:25,440 --> 00:00:31,320 Speaker 1: That's exactly the Mike Hosking Happy Days album featuring featuring Kurra. 11 00:00:33,159 --> 00:00:34,240 Speaker 2: Eight tracks on the show. 12 00:00:34,640 --> 00:00:36,880 Speaker 1: Actually, she could have read your slot on the track 13 00:00:36,960 --> 00:00:39,600 Speaker 1: just life from the let's call it a slot Life 14 00:00:39,600 --> 00:00:43,440 Speaker 1: from the Bay with Kurra. I think that's a little 15 00:00:43,479 --> 00:00:44,800 Speaker 1: bit of nice white boarding. Do you know what I've 16 00:00:44,800 --> 00:00:47,120 Speaker 1: got in front of me? Tim? 17 00:00:47,240 --> 00:00:47,880 Speaker 2: What do you got? 18 00:00:48,080 --> 00:00:49,920 Speaker 1: Well, I've got hang on, I'll see who wrote the 19 00:00:50,000 --> 00:00:54,960 Speaker 1: letter from jin Jin wrote to me this week, and 20 00:00:55,000 --> 00:00:58,120 Speaker 1: she included in the envelope, I've got a twenty dollars 21 00:00:58,600 --> 00:01:02,720 Speaker 1: or is it twenty I've just gotenty poppy pounds here 22 00:01:02,920 --> 00:01:07,240 Speaker 1: for you from Popeyes. I've got another voucher of twenty 23 00:01:07,319 --> 00:01:11,040 Speaker 1: poppy pounds. I've got three twenty poppy pound vouchers. I've 24 00:01:11,040 --> 00:01:14,240 Speaker 1: got a voucher for a chicken sandwich, tiny buffalo chicken. 25 00:01:14,920 --> 00:01:16,760 Speaker 1: I've got several of those. And I've got a chicken 26 00:01:16,800 --> 00:01:19,720 Speaker 1: sandwich smoky barbecue chicken voucher several of those as well. 27 00:01:19,760 --> 00:01:21,880 Speaker 1: So you're going along. No, I was going to offer 28 00:01:21,920 --> 00:01:23,400 Speaker 1: them to you, Tim as a winner on the my 29 00:01:23,520 --> 00:01:25,039 Speaker 1: Casking Breakfast, if you were as good as. 30 00:01:27,000 --> 00:01:28,679 Speaker 2: Well. This is this is amazing. 31 00:01:29,080 --> 00:01:31,759 Speaker 4: I always thought I always thought they just had drop 32 00:01:31,840 --> 00:01:36,600 Speaker 4: picks doing segments of this show, but actually this is 33 00:01:36,880 --> 00:01:38,839 Speaker 4: just this has made my day fantastic. 34 00:01:38,840 --> 00:01:40,360 Speaker 1: And would you like to thank the sponsor? 35 00:01:41,560 --> 00:01:44,520 Speaker 2: Oh, I'd love to think who is the person that 36 00:01:44,560 --> 00:01:45,240 Speaker 2: sent that in again? 37 00:01:45,280 --> 00:01:47,800 Speaker 1: And Popeye's chicken? Yeah, that's that's not as good as 38 00:01:47,880 --> 00:01:48,600 Speaker 1: court Jan. 39 00:01:48,640 --> 00:01:52,360 Speaker 4: I want to think, Jens awesome And is this actually 40 00:01:52,440 --> 00:01:56,000 Speaker 4: the my Casking So I cannot be? 41 00:01:56,440 --> 00:01:57,640 Speaker 1: Is this actually the guy? 42 00:01:59,360 --> 00:02:00,240 Speaker 2: It is me too? 43 00:02:00,320 --> 00:02:02,080 Speaker 1: And you're a winner congratulations. 44 00:02:02,240 --> 00:02:05,800 Speaker 2: Ah ah. I just got to go and put my 45 00:02:05,840 --> 00:02:07,120 Speaker 2: head in a bucket of cold water. 46 00:02:07,680 --> 00:02:10,919 Speaker 1: Cut that up into a promo. We're good to go, Katie. 47 00:02:11,000 --> 00:02:14,440 Speaker 1: On on a scale of one to ten, ten as 48 00:02:14,480 --> 00:02:17,359 Speaker 1: healthy as I am, what number would you give Dolly's 49 00:02:17,440 --> 00:02:18,280 Speaker 1: video yesterday. 50 00:02:19,240 --> 00:02:20,920 Speaker 2: Oh yeah, it's a good question. I see. 51 00:02:21,000 --> 00:02:23,840 Speaker 3: I I'm glad she's, as she said, not dead. But 52 00:02:24,000 --> 00:02:26,320 Speaker 3: I'm really glad she's not dead. But I wasn't one 53 00:02:26,360 --> 00:02:29,400 Speaker 3: hundred percent convinced she looked that Well, it's often with 54 00:02:29,520 --> 00:02:32,880 Speaker 3: older people. It's the voice, you know, the thinness of 55 00:02:33,160 --> 00:02:35,840 Speaker 3: the voice just sounded a little bit not one hundred 56 00:02:35,840 --> 00:02:38,640 Speaker 3: percent there, and just underneath all of that makeup and 57 00:02:39,240 --> 00:02:40,600 Speaker 3: fabulousness that is Dolly. 58 00:02:40,680 --> 00:02:42,760 Speaker 2: I just thought she looked a little one. 59 00:02:44,080 --> 00:02:48,480 Speaker 1: Does she do you reckon she's on the golps? No, 60 00:02:48,600 --> 00:02:50,440 Speaker 1: she's always been that same, No, I don't think so. 61 00:02:50,919 --> 00:02:54,520 Speaker 1: She looked, what's what's the GLP? No, you're not a winner. 62 00:02:54,520 --> 00:02:56,400 Speaker 1: It's not a contest term. It's not ringing, it's not 63 00:02:56,560 --> 00:03:00,000 Speaker 1: eight hundred ring and asked dumb question time. She looked 64 00:03:00,360 --> 00:03:03,440 Speaker 1: to me, to my eye, scaltal And she's never looked skeletal. 65 00:03:03,480 --> 00:03:06,119 Speaker 1: She's always been very small and petite, but she looked 66 00:03:06,160 --> 00:03:09,200 Speaker 1: particularly thin and she and you just think about having 67 00:03:09,240 --> 00:03:11,400 Speaker 1: dealt with her over the years a number of times. 68 00:03:12,200 --> 00:03:15,400 Speaker 1: The production behind her is has to be seen to 69 00:03:15,400 --> 00:03:18,120 Speaker 1: be believed, and the number of people who make her 70 00:03:18,160 --> 00:03:21,080 Speaker 1: look the way she looks is incredible, and if you 71 00:03:21,080 --> 00:03:24,360 Speaker 1: look at the video, she doesn't even look that good 72 00:03:24,720 --> 00:03:28,000 Speaker 1: after all of that, which I would have thought was 73 00:03:28,000 --> 00:03:30,200 Speaker 1: was not a not a good sign. 74 00:03:31,480 --> 00:03:33,560 Speaker 4: You would hope, you would hope when someone, when someone 75 00:03:33,600 --> 00:03:36,720 Speaker 4: gets to that point that you've got this huge production team, 76 00:03:36,720 --> 00:03:39,040 Speaker 4: that someone would be able to usher her aside and say, 77 00:03:39,080 --> 00:03:39,440 Speaker 4: you know what. 78 00:03:41,440 --> 00:03:43,320 Speaker 1: I was thinking, maybe maybe we don't need to do 79 00:03:43,360 --> 00:03:45,920 Speaker 1: this on this particular day. By the way, what was 80 00:03:45,960 --> 00:03:47,560 Speaker 1: the art we bought? Katie? Who was the artist of 81 00:03:47,560 --> 00:03:48,160 Speaker 1: the big picture? 82 00:03:49,240 --> 00:03:49,640 Speaker 2: Glass? 83 00:03:49,760 --> 00:03:51,160 Speaker 1: And no, that was the little picture? 84 00:03:52,400 --> 00:03:53,520 Speaker 2: Oh sorry, the big picture. 85 00:03:53,720 --> 00:03:55,880 Speaker 3: By the way, when you were saying it's charcoal, pestel 86 00:03:55,920 --> 00:03:57,080 Speaker 3: and graphite. 87 00:03:57,360 --> 00:04:00,240 Speaker 1: I knew it was more than peacel, charcoal, pest all 88 00:04:00,520 --> 00:04:03,240 Speaker 1: in graphite. When you love your portrait done. 89 00:04:03,040 --> 00:04:06,560 Speaker 2: On that, it's were you asking the artists of the 90 00:04:06,600 --> 00:04:07,480 Speaker 2: oven we bought? I don't. 91 00:04:08,040 --> 00:04:09,080 Speaker 1: You don't even know who we want. 92 00:04:09,720 --> 00:04:13,160 Speaker 2: I can't remember the name Shocking. It doesn't matter. 93 00:04:13,240 --> 00:04:15,680 Speaker 1: Why, Well, it's just going to It's just interested because 94 00:04:15,680 --> 00:04:17,960 Speaker 1: people are interested, that's all. But it seems an odd 95 00:04:18,000 --> 00:04:19,520 Speaker 1: thing to do that you would go out and buy 96 00:04:19,560 --> 00:04:21,120 Speaker 1: a picture of a person you don't even know who 97 00:04:21,120 --> 00:04:21,359 Speaker 1: it is. 98 00:04:22,160 --> 00:04:24,359 Speaker 2: Yeah, but it's not a picture. It's just a it's. 99 00:04:25,040 --> 00:04:27,680 Speaker 1: How do you describe it? See how you describe that? 100 00:04:27,800 --> 00:04:32,120 Speaker 2: And evocation it's textural. It's a textural piece. It's not 101 00:04:32,200 --> 00:04:34,320 Speaker 2: a picture. Say it's more sculptural. 102 00:04:34,560 --> 00:04:38,800 Speaker 1: What was the word you use? Evocation? Yes, what's that? 103 00:04:38,920 --> 00:04:44,400 Speaker 4: So it's evoking something you know it's not. It's an 104 00:04:44,440 --> 00:04:50,560 Speaker 4: excellent devocation. But it's also ceramic and clay. No, okay, 105 00:04:50,880 --> 00:04:52,480 Speaker 4: do we have any for the detail, Cadie? 106 00:04:53,080 --> 00:04:55,120 Speaker 3: No, but I do have a question for your audience, 107 00:04:55,160 --> 00:04:57,839 Speaker 3: now that I know that they're so cool and informed 108 00:04:57,880 --> 00:05:00,640 Speaker 3: and onto it. I'm pickling onions for the first time, 109 00:05:00,720 --> 00:05:03,040 Speaker 3: red onions, and I just want to know I've done 110 00:05:03,040 --> 00:05:04,560 Speaker 3: it with the apple side of going again with the mother. 111 00:05:05,160 --> 00:05:07,719 Speaker 3: Do you keep them on the bench or do you 112 00:05:07,720 --> 00:05:10,200 Speaker 3: put them in the fridge? If somebody can text you 113 00:05:10,279 --> 00:05:10,840 Speaker 3: the answer to. 114 00:05:10,760 --> 00:05:15,480 Speaker 1: That, Oh, why don't we do a question, Mike, what 115 00:05:15,480 --> 00:05:17,120 Speaker 1: do you think bench or fridge? Oh, there's no question. 116 00:05:17,160 --> 00:05:20,720 Speaker 1: You keep them in the fridge. Keep everything in the fridge. No, no, no, 117 00:05:20,720 --> 00:05:22,160 Speaker 1: no no. But do you put them on the bench 118 00:05:22,200 --> 00:05:23,920 Speaker 1: in between or do you put them straight in the fridge? 119 00:05:23,960 --> 00:05:24,679 Speaker 1: Is that what you're asking? 120 00:05:24,760 --> 00:05:27,040 Speaker 2: Cake? That's what I'm asking in order to pick them. 121 00:05:27,440 --> 00:05:28,960 Speaker 3: So I've just chopped up the onions and put in 122 00:05:28,960 --> 00:05:30,960 Speaker 3: the vinegar, and I put the little on the jart. 123 00:05:31,040 --> 00:05:32,719 Speaker 3: Do I now leave that on the bench? And for 124 00:05:32,800 --> 00:05:34,640 Speaker 3: how long or do I need to put it in 125 00:05:34,680 --> 00:05:35,000 Speaker 3: the fridge? 126 00:05:35,000 --> 00:05:38,080 Speaker 1: Good question? I think I understand it. When I last 127 00:05:38,120 --> 00:05:43,560 Speaker 1: talked to Allison holstst the go to, the go to 128 00:05:44,080 --> 00:05:46,039 Speaker 1: was leave it there for half an hour at room 129 00:05:46,080 --> 00:05:48,320 Speaker 1: temperature and then carry on whatever. 130 00:05:48,440 --> 00:05:49,680 Speaker 2: You literally just made that up. 131 00:05:49,760 --> 00:05:54,560 Speaker 1: Of course it sounded. It sounds sounded plausible, didn't it. 132 00:05:54,560 --> 00:05:56,560 Speaker 1: Could you pass your driver's license and yet to sit 133 00:05:56,600 --> 00:05:59,240 Speaker 1: your test today too? Yeah? 134 00:05:59,279 --> 00:06:01,480 Speaker 2: I reckon, I I reckon. I want how much I 135 00:06:01,800 --> 00:06:02,520 Speaker 2: was interested in that? 136 00:06:02,560 --> 00:06:04,000 Speaker 1: How much was the bribe? 137 00:06:04,440 --> 00:06:04,560 Speaker 2: Like? 138 00:06:05,040 --> 00:06:07,440 Speaker 1: What do we That's when I tried to raise in 139 00:06:07,480 --> 00:06:10,279 Speaker 1: a joking fashion, but for fear of getting myself in trouble, 140 00:06:10,279 --> 00:06:12,440 Speaker 1: because no one's got a sense of humor anymore. But 141 00:06:12,480 --> 00:06:14,640 Speaker 1: it would depend on what it was. If it was 142 00:06:14,720 --> 00:06:18,040 Speaker 1: five hundred, it's a scandal. If it was twenty five, 143 00:06:18,120 --> 00:06:20,440 Speaker 1: you'd go, what a dick, wouldn't you? One or the other? 144 00:06:21,200 --> 00:06:23,280 Speaker 1: You know what I mean? It's just like what you know? 145 00:06:23,680 --> 00:06:25,720 Speaker 1: So I don't know. I don't know what the bribe was, 146 00:06:25,760 --> 00:06:27,320 Speaker 1: and I don't even know that they're talking about it 147 00:06:27,320 --> 00:06:30,480 Speaker 1: because it's so damn embarrassing. But nevertheless, could you pass? Cady? 148 00:06:31,320 --> 00:06:32,000 Speaker 2: Absolutely not? 149 00:06:32,200 --> 00:06:34,480 Speaker 3: And I'm no greater reminder of that that when you're 150 00:06:34,520 --> 00:06:36,920 Speaker 3: teaching your children to drive and driving with teenagers who 151 00:06:36,920 --> 00:06:40,719 Speaker 3: are new limited with licenses. Oh my gosh, Judge, judge, judgy, 152 00:06:40,960 --> 00:06:43,680 Speaker 3: they do not shut up about all the rules and everything. 153 00:06:43,880 --> 00:06:46,760 Speaker 3: Oh really, yeah, they are so all over it and 154 00:06:46,800 --> 00:06:48,880 Speaker 3: there's so many new rules. I feel like, So no, 155 00:06:49,080 --> 00:06:50,640 Speaker 3: I definitely don't think I would pass. 156 00:06:50,680 --> 00:06:55,000 Speaker 4: Now see of us three, Kady Katie would might pass. 157 00:06:56,400 --> 00:07:00,600 Speaker 3: He's actually a really good driver, albeit a little bit 158 00:07:00,640 --> 00:07:03,479 Speaker 3: aggressive with Yeah. 159 00:07:03,160 --> 00:07:05,839 Speaker 1: I said, I reset my test. Don't you were you 160 00:07:05,880 --> 00:07:07,520 Speaker 1: at seven sharp when I did that? Tim? 161 00:07:08,640 --> 00:07:10,760 Speaker 4: I said, we did a Yeah, we did a story 162 00:07:10,800 --> 00:07:12,800 Speaker 4: with I think I may have been Yeah. 163 00:07:12,880 --> 00:07:16,600 Speaker 1: Yeah, I failed. So we went out. But I failed 164 00:07:16,640 --> 00:07:19,360 Speaker 1: because the guy I didn't slip in enough money obviously 165 00:07:19,400 --> 00:07:22,880 Speaker 1: because he pinged me. Now get this, I'm in a 166 00:07:22,880 --> 00:07:25,640 Speaker 1: dead end street. I pulled over in a dead end 167 00:07:25,640 --> 00:07:27,520 Speaker 1: street and I parked. So he says, Paul over, do 168 00:07:27,600 --> 00:07:29,640 Speaker 1: you know do your your back in parking. Do that 169 00:07:29,680 --> 00:07:31,760 Speaker 1: find no problem at all? Then he goes, now, turn 170 00:07:31,800 --> 00:07:35,240 Speaker 1: around and we'll head back out. So in turning around, 171 00:07:35,240 --> 00:07:37,000 Speaker 1: in other words, doing a U tun, but the street 172 00:07:37,040 --> 00:07:39,040 Speaker 1: was so small I needed to do a three pointer. 173 00:07:39,720 --> 00:07:42,560 Speaker 1: He pinged me for not indicating as I left the park, 174 00:07:43,080 --> 00:07:45,800 Speaker 1: and then pinged me again for not indicating as I 175 00:07:45,840 --> 00:07:48,360 Speaker 1: once I'd pulled back from my three point to indicating 176 00:07:48,360 --> 00:07:50,880 Speaker 1: to move forward again. I said, mate, that's not all. 177 00:07:50,920 --> 00:07:53,080 Speaker 1: We're in a dead end street. There is no traffic. 178 00:07:53,320 --> 00:07:56,240 Speaker 1: This is bollod there's no one else around. Yeah, I got, 179 00:07:56,320 --> 00:07:56,600 Speaker 1: I got. 180 00:07:57,160 --> 00:08:00,000 Speaker 4: If no one can see the indicators, the indicator indicator 181 00:08:00,200 --> 00:08:00,680 Speaker 4: agree more. 182 00:08:00,760 --> 00:08:02,680 Speaker 1: And so they had to edit my anger out of 183 00:08:02,760 --> 00:08:04,800 Speaker 1: the story in the end, so that never actually made 184 00:08:04,800 --> 00:08:10,080 Speaker 1: it to wear. But oddly enough, your contract was not 185 00:08:10,160 --> 00:08:14,080 Speaker 1: renewed the radio permanently and no longer on seven sharp Now, 186 00:08:14,240 --> 00:08:17,080 Speaker 1: Katie T. Swiss As a review of the album, your 187 00:08:17,120 --> 00:08:18,280 Speaker 1: thoughts please. 188 00:08:18,680 --> 00:08:21,400 Speaker 3: Well, my favorite of Tea Swiss's albums is Folklore, and 189 00:08:21,440 --> 00:08:23,640 Speaker 3: that'll be the benchmark for me. But so it wasn't. 190 00:08:24,000 --> 00:08:26,520 Speaker 3: But I'm I'm I'm sort of on her bandwagon. If 191 00:08:26,520 --> 00:08:28,640 Speaker 3: she it's all time and place This is a time 192 00:08:28,680 --> 00:08:30,840 Speaker 3: of life for her, and I get it. I actually 193 00:08:30,920 --> 00:08:33,440 Speaker 3: quite liked more of the songs than I thought I would. 194 00:08:33,520 --> 00:08:38,480 Speaker 3: I liked Fate of Ophelia Opolite, eldest Daughter, Friendship Ruined 195 00:08:38,559 --> 00:08:40,959 Speaker 3: or Ruined the Friendship. That's a good song, I think, actually, 196 00:08:41,040 --> 00:08:42,920 Speaker 3: I think that's your favorite on the album, that song, 197 00:08:44,360 --> 00:08:46,000 Speaker 3: Take it or leave it. Over the weekend when I 198 00:08:46,040 --> 00:08:48,960 Speaker 3: was playing NonStop, and then as usual, you went on 199 00:08:49,000 --> 00:08:53,000 Speaker 3: here Monday and waxed eloquently about it Swift, and I thought, 200 00:08:53,160 --> 00:08:55,120 Speaker 3: oh my gosh. 201 00:08:54,600 --> 00:08:59,040 Speaker 1: It's all nice. It's just pretty much everything. It's just 202 00:09:00,440 --> 00:09:02,199 Speaker 1: you guys. You guys are talking about Taylor Swift. 203 00:09:02,280 --> 00:09:04,360 Speaker 4: I've been getting down with the kids meme raper. 204 00:09:04,400 --> 00:09:08,120 Speaker 1: You guys heard of baby No Money, Baby No Money, 205 00:09:09,080 --> 00:09:11,320 Speaker 1: Baby No Money, one of the biggest meme rappers in 206 00:09:11,360 --> 00:09:11,760 Speaker 1: the world. 207 00:09:12,160 --> 00:09:15,480 Speaker 4: His song La La La got one billion streams off Spotify. 208 00:09:15,800 --> 00:09:17,360 Speaker 1: So hang on, what's the name of the song again, 209 00:09:17,480 --> 00:09:21,520 Speaker 1: La La La La La Baby No Money? 210 00:09:21,920 --> 00:09:23,840 Speaker 4: And and the way you're into that is a B, 211 00:09:24,080 --> 00:09:26,440 Speaker 4: A B, AN N and O and a dollar sign. 212 00:09:27,160 --> 00:09:31,120 Speaker 1: Money no money, La La La La money. He's even 213 00:09:31,520 --> 00:09:32,240 Speaker 1: see you on the Sora. 214 00:09:32,440 --> 00:09:34,439 Speaker 2: He's even bigger than Young gravy. 215 00:09:34,559 --> 00:09:37,199 Speaker 1: I bet you. Yeah, but young gravy once, once you 216 00:09:37,280 --> 00:09:43,480 Speaker 1: put out that sophomore album, reviews, refuse to get that 217 00:09:43,559 --> 00:09:47,520 Speaker 1: up reviews. Glenn's desperately tapping in there, like the boomerang 218 00:09:47,640 --> 00:09:53,120 Speaker 1: is young young money, will have a bit of will 219 00:09:53,160 --> 00:09:55,400 Speaker 1: have a bit of bang or gravy or whatever it is. Anyway, 220 00:09:55,400 --> 00:09:57,480 Speaker 1: you guys, just forget that melody here it goes. Is 221 00:09:57,480 --> 00:10:04,240 Speaker 1: that it is if you have you got nonswear version when. 222 00:10:05,920 --> 00:10:11,480 Speaker 4: Game Yeah, yeah, that's what I'm talking about it. 223 00:10:11,720 --> 00:10:14,040 Speaker 1: That's the time on a Friday morning. There we gave 224 00:10:15,840 --> 00:10:18,120 Speaker 1: and there were some people who didn't think that this 225 00:10:18,280 --> 00:10:23,360 Speaker 1: was a cool show. This shows as cool as the kid. Yeah, 226 00:10:23,400 --> 00:10:25,800 Speaker 1: the pickled onions bop to the pop up on the 227 00:10:25,840 --> 00:10:31,520 Speaker 1: pickled onions. Oh yeah, hang on his body in vinegar 228 00:10:31,559 --> 00:10:34,120 Speaker 1: which is a preservative. So no fridge until you want 229 00:10:34,160 --> 00:10:36,959 Speaker 1: it cold to serve. Just keep them in the pantry 230 00:10:37,040 --> 00:10:37,600 Speaker 1: or a cupboard. 231 00:10:38,200 --> 00:10:38,600 Speaker 2: Brilliant. 232 00:10:38,600 --> 00:10:39,839 Speaker 1: There we go, There we go. Problem. 233 00:10:43,240 --> 00:10:46,760 Speaker 4: Sorry for more from the Mic Asking Breakfast, listen live 234 00:10:46,880 --> 00:10:49,800 Speaker 4: to news talks it'd be from six am weekdays, or 235 00:10:49,840 --> 00:10:51,679 Speaker 4: follow the podcast on iHeartRadio.