1 00:00:07,133 --> 00:00:10,413 Speaker 1: You're listening to the Saturday Morning with Jack Tam podcast 2 00:00:10,573 --> 00:00:19,013 Speaker 1: from News Talks at B. 3 00:00:17,893 --> 00:00:21,573 Speaker 2: Now that she's back in the act, must be drops 4 00:00:21,813 --> 00:00:23,653 Speaker 2: Jupiter in her head? 5 00:00:30,413 --> 00:00:33,253 Speaker 3: Tell me did you sell a cross? 6 00:00:34,493 --> 00:00:36,493 Speaker 4: Did you make it through the milky way? 7 00:00:36,933 --> 00:00:38,933 Speaker 3: See the lights are feeding? 8 00:00:39,653 --> 00:00:43,853 Speaker 4: And then having his own raider, tell me did you 9 00:00:43,973 --> 00:00:45,773 Speaker 4: bump on shootings. 10 00:00:46,773 --> 00:00:48,933 Speaker 2: On my Dona Prondens coming? 11 00:00:49,053 --> 00:00:54,253 Speaker 3: Then you miss me while you're looking for yourself out. 12 00:00:54,173 --> 00:00:57,813 Speaker 2: There, mord in a good morning if you're just turning 13 00:00:57,853 --> 00:01:00,333 Speaker 2: on the radio, Jack Tae with you through the midday, 14 00:01:00,373 --> 00:01:03,013 Speaker 2: That of course has drops of Jupiter by Train. I 15 00:01:03,373 --> 00:01:07,853 Speaker 2: Train just have a knack for writing incredibly catchy songs. 16 00:01:07,973 --> 00:01:11,333 Speaker 2: It's a kind of signature blend of rock and pop 17 00:01:11,773 --> 00:01:14,773 Speaker 2: and chart topping hits that you probably know every single 18 00:01:14,813 --> 00:01:17,653 Speaker 2: word too. And great news Trainer coming to New Zealand 19 00:01:17,773 --> 00:01:20,453 Speaker 2: later this year. Trained from and Pat Monahan has been 20 00:01:20,493 --> 00:01:23,453 Speaker 2: the man behind the mic since way back in nineteen 21 00:01:23,533 --> 00:01:26,093 Speaker 2: ninety three. And it's with us this morning, count of 22 00:01:26,093 --> 00:01:30,173 Speaker 2: good morning, how you, I'm very well, thank you. I 23 00:01:30,253 --> 00:01:34,373 Speaker 2: wanted to begin without getting too nostalgic and without making 24 00:01:34,373 --> 00:01:38,173 Speaker 2: you feel too old to to ask you to cast 25 00:01:38,213 --> 00:01:40,533 Speaker 2: your mind back a little bit. You have just celebrated 26 00:01:40,533 --> 00:01:43,733 Speaker 2: the thirtieth anniversary of Train, So are you able to 27 00:01:43,933 --> 00:01:49,293 Speaker 2: distill the magic? What is it about Train and writing 28 00:01:49,293 --> 00:01:52,733 Speaker 2: and performing music that has allowed you to endure? 29 00:01:55,053 --> 00:01:58,773 Speaker 3: You know, I think it's it's my passion to be 30 00:01:58,973 --> 00:02:04,933 Speaker 3: competitive and also my open mindedness to really love new. 31 00:02:04,853 --> 00:02:05,893 Speaker 4: Music all the time. 32 00:02:05,933 --> 00:02:10,333 Speaker 3: And there was a time when we started to Train, 33 00:02:10,493 --> 00:02:12,773 Speaker 3: and I was very critical of other music because I 34 00:02:12,853 --> 00:02:15,373 Speaker 3: was so competitive. And it was also during a time 35 00:02:15,373 --> 00:02:19,613 Speaker 3: of like shelf space, where we were selling CDs and 36 00:02:20,293 --> 00:02:24,373 Speaker 3: if somebody was in that space, you didn't get that space. 37 00:02:24,453 --> 00:02:26,013 Speaker 4: And so that was a different time. 38 00:02:26,053 --> 00:02:30,173 Speaker 3: But now it's much more of a community of there's 39 00:02:30,213 --> 00:02:32,813 Speaker 3: so much to love, why not just love through it 40 00:02:32,893 --> 00:02:35,173 Speaker 3: and learn from it? And I think that that's what 41 00:02:35,253 --> 00:02:38,133 Speaker 3: I continue to do and it's helped me. Like I 42 00:02:38,173 --> 00:02:40,773 Speaker 3: listened to a lot of hip hop, and you know, 43 00:02:40,813 --> 00:02:43,693 Speaker 3: I can't I can't write those songs, but I can 44 00:02:43,733 --> 00:02:46,933 Speaker 3: definitely enjoy them. And there's always great new artists from 45 00:02:46,933 --> 00:02:48,733 Speaker 3: all over the world that I like to try to 46 00:02:48,773 --> 00:02:49,333 Speaker 3: connect with. 47 00:02:49,653 --> 00:02:51,573 Speaker 2: How do you find new music? 48 00:02:54,253 --> 00:02:57,453 Speaker 3: You know, back in the day, people would make playlists, 49 00:02:57,693 --> 00:03:01,133 Speaker 3: and now Spotify has a lot of playlists so they've 50 00:03:01,213 --> 00:03:06,333 Speaker 3: learned from old school techniques of how to get people engaged. 51 00:03:06,453 --> 00:03:09,053 Speaker 3: And so there are times where I'll find something like 52 00:03:09,693 --> 00:03:14,493 Speaker 3: there's a Montreal band that I love that I found 53 00:03:14,653 --> 00:03:16,853 Speaker 3: and then played it for my sixteen year old daughter 54 00:03:16,893 --> 00:03:19,573 Speaker 3: and she's like, oh, yeah, I know that band. And 55 00:03:20,413 --> 00:03:23,373 Speaker 3: sometimes it comes from my kids. I have a thirteen 56 00:03:23,453 --> 00:03:27,413 Speaker 3: year old son who's listening to you know, basically classic 57 00:03:27,493 --> 00:03:30,853 Speaker 3: heavy metal right now, and then my daughter's listened to 58 00:03:30,853 --> 00:03:33,613 Speaker 3: everything new. So I just keep having kids to turn 59 00:03:33,653 --> 00:03:36,293 Speaker 3: me on to new music. So maybe when i'm a 60 00:03:36,413 --> 00:03:40,613 Speaker 3: great grandfather, my grandchildren will teach me more. 61 00:03:40,733 --> 00:03:43,773 Speaker 2: Do they ever shame you? Do they ever say, come on, dad, 62 00:03:43,813 --> 00:03:46,413 Speaker 2: what do you mean you don't know this band? Dot dot? 63 00:03:47,413 --> 00:03:47,453 Speaker 4: No? 64 00:03:48,493 --> 00:03:48,853 Speaker 2: It is. 65 00:03:49,013 --> 00:03:52,293 Speaker 3: It's pretty funny, like they do love what I do, 66 00:03:53,053 --> 00:03:56,573 Speaker 3: but it wouldn't be their top list, you know, it's 67 00:03:56,693 --> 00:04:01,333 Speaker 3: not their go to music, but they definitely respect what 68 00:04:01,373 --> 00:04:01,813 Speaker 3: I've done. 69 00:04:01,973 --> 00:04:05,453 Speaker 2: I remember when I was a teenager saying to my dad, oh, 70 00:04:05,493 --> 00:04:07,093 Speaker 2: you've got to listen to this band. You've got to 71 00:04:07,093 --> 00:04:08,893 Speaker 2: listen to this band, and he sort of never gave 72 00:04:08,933 --> 00:04:11,093 Speaker 2: me the time of day, and then about two years 73 00:04:11,173 --> 00:04:13,373 Speaker 2: later he came back to me and he said, I've 74 00:04:13,413 --> 00:04:15,773 Speaker 2: discovered this really good band who I think you might like, 75 00:04:16,093 --> 00:04:19,053 Speaker 2: the called cold Play, And I was like, well, I 76 00:04:19,093 --> 00:04:21,573 Speaker 2: was like, Dad, that's what I told you two years ago. 77 00:04:21,653 --> 00:04:23,853 Speaker 2: But he didn't, you know, he was never open minded 78 00:04:23,973 --> 00:04:26,733 Speaker 2: enough like you to supposed to. 79 00:04:26,693 --> 00:04:29,373 Speaker 4: Be bringing him anything. I get it. Yeah. 80 00:04:29,413 --> 00:04:32,373 Speaker 3: Well, I just got a text right when we started 81 00:04:32,373 --> 00:04:36,733 Speaker 3: this zoom that Drops of Jupiter has just hit one 82 00:04:36,813 --> 00:04:37,813 Speaker 3: billion streams. 83 00:04:38,333 --> 00:04:38,933 Speaker 4: Wow. 84 00:04:38,973 --> 00:04:42,733 Speaker 3: So those are also pretty fun little things that keep 85 00:04:42,733 --> 00:04:44,853 Speaker 3: me excited about staying musical. 86 00:04:45,013 --> 00:04:47,733 Speaker 4: Congratulations, Yeah, it's a pretty cool thing. 87 00:04:47,813 --> 00:04:52,253 Speaker 3: Let's say Soul Sister was a billion a few years ago, 88 00:04:52,373 --> 00:04:56,053 Speaker 3: and this is the second one for Train, and it's 89 00:04:56,253 --> 00:04:56,933 Speaker 3: pretty exciting. 90 00:04:57,053 --> 00:05:00,413 Speaker 2: I actually checked Soul Sister's numbers right before dialing into you. 91 00:05:01,053 --> 00:05:05,133 Speaker 2: One billion, seven hundred and sixty one million, three hundred 92 00:05:05,173 --> 00:05:07,813 Speaker 2: and sixty thousand in three hundred and sixty six. 93 00:05:08,853 --> 00:05:09,133 Speaker 4: Wow. 94 00:05:09,773 --> 00:05:11,813 Speaker 3: You got You got to get busy when we get 95 00:05:11,813 --> 00:05:13,693 Speaker 3: off this doom so we can get to two billion. 96 00:05:13,733 --> 00:05:14,773 Speaker 4: I guess. 97 00:05:15,013 --> 00:05:17,293 Speaker 2: Okay, So who text you? 98 00:05:18,813 --> 00:05:20,533 Speaker 4: My manager? He just texted me. 99 00:05:20,853 --> 00:05:23,173 Speaker 2: Is there anything that happens to Spotify? You know, do 100 00:05:23,893 --> 00:05:25,933 Speaker 2: they stream ceiling or something? 101 00:05:26,173 --> 00:05:33,213 Speaker 3: They send an embarrassingly large plaque that has a you know, 102 00:05:33,333 --> 00:05:36,373 Speaker 3: a pretend diamond in the in the middle of it, 103 00:05:36,453 --> 00:05:40,693 Speaker 3: and uh, I've never hung one, but you know, maybe 104 00:05:40,933 --> 00:05:43,293 Speaker 3: maybe there's a there's a place for it somewhere at 105 00:05:43,293 --> 00:05:43,813 Speaker 3: some point. 106 00:05:44,253 --> 00:05:47,333 Speaker 2: So do you feel then that you no longer need 107 00:05:47,333 --> 00:05:50,493 Speaker 2: to be competitive? I mean those numbers are I don't. 108 00:05:50,653 --> 00:05:51,813 Speaker 4: I will never feel that way. 109 00:05:52,093 --> 00:05:54,733 Speaker 3: What is that I'm even you know competitive with workouts, 110 00:05:54,773 --> 00:05:57,733 Speaker 3: Like you know, I don't want to work out ever, 111 00:05:57,973 --> 00:05:59,813 Speaker 3: I never want to do it, but when I'm in it, 112 00:06:00,173 --> 00:06:02,133 Speaker 3: I want to try to do it the best I 113 00:06:02,173 --> 00:06:03,573 Speaker 3: can so I can get something out of it. 114 00:06:03,613 --> 00:06:05,133 Speaker 4: And it's the same way with music. 115 00:06:05,173 --> 00:06:08,053 Speaker 3: Like I've been working on a Broadway musical for five 116 00:06:08,133 --> 00:06:14,213 Speaker 3: years and I've learned a little bit of language about Broadways. 117 00:06:14,253 --> 00:06:19,613 Speaker 3: So when someone says that's incredible, that means rewrite that. 118 00:06:20,333 --> 00:06:23,693 Speaker 3: And I'm learning as I go that you can't quit. 119 00:06:24,453 --> 00:06:26,333 Speaker 4: You have to just keep working through it. 120 00:06:26,493 --> 00:06:29,773 Speaker 3: And that's not something that I want to learn, but 121 00:06:29,853 --> 00:06:31,013 Speaker 3: it's probably good for me. 122 00:06:31,573 --> 00:06:32,773 Speaker 4: Yeah, that's that's interesting. 123 00:06:32,813 --> 00:06:35,773 Speaker 2: So people don't give you honest feedback necessarily, or it's 124 00:06:35,853 --> 00:06:36,893 Speaker 2: kind of it's veiled. 125 00:06:37,813 --> 00:06:38,453 Speaker 4: It's veiled. 126 00:06:38,653 --> 00:06:42,213 Speaker 3: Yeah, they want you to be encouraged but then they 127 00:06:42,293 --> 00:06:43,293 Speaker 3: want you to rewrite it. 128 00:06:43,493 --> 00:06:47,413 Speaker 4: Yeah. Right, you're so close but so far away. 129 00:06:47,533 --> 00:06:51,493 Speaker 2: Yeah, okay, it's not they're not saying, oh that's that's unique, 130 00:06:52,133 --> 00:06:54,253 Speaker 2: or yeah that's interesting. 131 00:06:54,573 --> 00:06:56,973 Speaker 3: Yeah, yeah, that's interesting. 132 00:06:57,213 --> 00:07:03,773 Speaker 2: Yeah is it? Do you find yourself kind of humbled 133 00:07:03,813 --> 00:07:05,813 Speaker 2: when you're in that environment when you're writing and you're 134 00:07:05,813 --> 00:07:08,973 Speaker 2: getting that kind of feedback, given you could always say, hey, 135 00:07:09,133 --> 00:07:11,933 Speaker 2: you know what I've just I've just ticked over a 136 00:07:11,973 --> 00:07:15,053 Speaker 2: million streams for Drops of Jupiter. I'm almost a two 137 00:07:15,093 --> 00:07:17,533 Speaker 2: million for Hayesol System. Maybe I do actually know how 138 00:07:17,533 --> 00:07:18,213 Speaker 2: to write a song. 139 00:07:19,293 --> 00:07:22,453 Speaker 3: You know, I don't really need humbled. I don't feel 140 00:07:22,453 --> 00:07:26,293 Speaker 3: like I've ever had a problem with humility. I come 141 00:07:26,333 --> 00:07:30,493 Speaker 3: from a small town in Pennsylvania that you know, there 142 00:07:30,573 --> 00:07:32,773 Speaker 3: was no room for that on the last of seven kids, 143 00:07:32,813 --> 00:07:35,493 Speaker 3: so none of us were able to be too sure 144 00:07:35,493 --> 00:07:40,093 Speaker 3: of ourselves. But I do need ten minutes, Like I 145 00:07:40,213 --> 00:07:44,013 Speaker 3: just saw on Instagram, if somebody really pisses you off, 146 00:07:44,773 --> 00:07:46,173 Speaker 3: take ten minutes. 147 00:07:45,813 --> 00:07:48,253 Speaker 4: Before you respond. And that's what I'll do. I'll take 148 00:07:48,253 --> 00:07:50,453 Speaker 4: a walk and then I'll come back and get to work. 149 00:07:50,573 --> 00:07:53,413 Speaker 2: Yeah that's very wise. So can you tell us about 150 00:07:53,413 --> 00:07:55,693 Speaker 2: the musical litt All and the Sure. 151 00:07:55,773 --> 00:07:55,973 Speaker 4: Yeah. 152 00:07:56,053 --> 00:08:00,733 Speaker 3: It was a movie with Mark Groffalo called Begin Again. 153 00:08:01,853 --> 00:08:05,773 Speaker 3: John Carney wrote it the same writer as like Once 154 00:08:06,453 --> 00:08:10,293 Speaker 3: and Sing Town and so this is. They asked me 155 00:08:10,413 --> 00:08:13,453 Speaker 3: to write all the music for it. I think there's 156 00:08:13,613 --> 00:08:16,253 Speaker 3: one or two pieces of music from the movie that 157 00:08:16,333 --> 00:08:21,013 Speaker 3: will stay and everything else I've written with my two bandmates. 158 00:08:21,213 --> 00:08:24,413 Speaker 2: How different is it writing writing for that, writing for 159 00:08:24,453 --> 00:08:26,413 Speaker 2: Broadway versus writing for train right? 160 00:08:26,733 --> 00:08:27,533 Speaker 4: Incredibly different. 161 00:08:27,573 --> 00:08:30,933 Speaker 3: It'd be like you saying, will you write a song 162 00:08:31,053 --> 00:08:36,213 Speaker 3: for me to sing to my significant other? But here's 163 00:08:36,213 --> 00:08:40,133 Speaker 3: what I want them to know, and then I write 164 00:08:40,133 --> 00:08:40,733 Speaker 3: the song. 165 00:08:40,533 --> 00:08:42,613 Speaker 4: Based on that, which is much. 166 00:08:43,173 --> 00:08:45,453 Speaker 3: It seems like it would be easier because it's a 167 00:08:45,533 --> 00:08:47,133 Speaker 3: direct assignment, but it's not. 168 00:08:47,373 --> 00:08:48,453 Speaker 4: It's pretty difficult. 169 00:08:49,613 --> 00:08:53,213 Speaker 2: So if you are competitive when it comes to music 170 00:08:53,253 --> 00:08:58,213 Speaker 2: and it comes to writing and streams and success, what's 171 00:08:58,213 --> 00:09:00,133 Speaker 2: Paton Monahan like at boll Game night. 172 00:09:00,933 --> 00:09:06,893 Speaker 3: Well, I'd rather be playing golf than anything, so but 173 00:09:06,573 --> 00:09:08,733 Speaker 3: I but I you know, I do play. 174 00:09:09,253 --> 00:09:12,653 Speaker 4: Golf in cards. Have you ever heard of cards? It's 175 00:09:12,813 --> 00:09:13,253 Speaker 4: real fun. 176 00:09:13,293 --> 00:09:17,053 Speaker 3: It goes fast, You're playing nine holes and you should 177 00:09:17,093 --> 00:09:19,053 Speaker 3: check it out on the internet. 178 00:09:19,173 --> 00:09:20,413 Speaker 4: It's a it's a fun little game. 179 00:09:20,493 --> 00:09:23,413 Speaker 3: Okay, yeah, that sounds a glass of wine and we're 180 00:09:23,413 --> 00:09:27,533 Speaker 3: playing golf, either on the real course or at a 181 00:09:28,293 --> 00:09:30,053 Speaker 3: card table, then I'll be pretty happy. 182 00:09:30,333 --> 00:09:33,013 Speaker 2: You're listening to Jack Tame on news talk ZB. I 183 00:09:33,093 --> 00:09:37,733 Speaker 2: am speaking to Pat Monahan, founder and lead singer of Train, 184 00:09:38,293 --> 00:09:42,613 Speaker 2: ahead of their New Zealand performances. Obviously, being competitive has 185 00:09:42,813 --> 00:09:45,733 Speaker 2: has paid off when it comes to music, because I 186 00:09:45,773 --> 00:09:48,893 Speaker 2: mean Training has a just ridiculous success over the last 187 00:09:48,973 --> 00:09:55,333 Speaker 2: few decades. All of the album's streams, singles, success awards, 188 00:09:55,333 --> 00:09:59,693 Speaker 2: et cetera. Do you know when you have an absolute 189 00:09:59,813 --> 00:10:02,373 Speaker 2: top tier hit? Do you know when you're writing you're 190 00:10:02,413 --> 00:10:03,293 Speaker 2: going through the process. 191 00:10:03,413 --> 00:10:06,613 Speaker 3: Yeah, so I've never known everything I think will a 192 00:10:06,693 --> 00:10:10,253 Speaker 3: hit is awful and no one cares about it. And 193 00:10:10,293 --> 00:10:15,053 Speaker 3: then songs like Drops Jupiter that was very strange that 194 00:10:15,053 --> 00:10:17,613 Speaker 3: people responded to it, and then a Yuku Lele and 195 00:10:17,653 --> 00:10:21,973 Speaker 3: then a song about you know, fifty ways of say goodbye, 196 00:10:22,053 --> 00:10:23,973 Speaker 3: you know, like you're breaking up with your girlfriend, so 197 00:10:24,013 --> 00:10:26,453 Speaker 3: you tell your friend she died. Like all the weird 198 00:10:26,493 --> 00:10:28,613 Speaker 3: ones somehow make an impression on the world. 199 00:10:28,733 --> 00:10:32,533 Speaker 2: It's that funny, so good for anyone who doesn't know 200 00:10:32,573 --> 00:10:34,933 Speaker 2: the story. Do you mind telling us. When you're writing 201 00:10:34,933 --> 00:10:37,613 Speaker 2: Hey Soul's Sister, how you you were kind of there 202 00:10:37,653 --> 00:10:39,693 Speaker 2: but not quite and then what pushed it over the 203 00:10:39,693 --> 00:10:41,413 Speaker 2: line and made it the earworm that it is. 204 00:10:42,093 --> 00:10:42,333 Speaker 4: Yeah. 205 00:10:42,413 --> 00:10:45,653 Speaker 3: I wrote with a couple of guys from Norway in 206 00:10:45,773 --> 00:10:49,933 Speaker 3: New York City. We had already written a song that day. 207 00:10:50,293 --> 00:10:52,493 Speaker 3: I had already written a song with someone else called 208 00:10:52,493 --> 00:10:54,333 Speaker 3: if It's Love. And then I went down to another 209 00:10:54,373 --> 00:10:57,453 Speaker 3: studio in New York and we were writing Hey Soul's 210 00:10:57,493 --> 00:11:00,293 Speaker 3: Sister and on guitar, and it was fine, and all 211 00:11:00,293 --> 00:11:03,173 Speaker 3: the vocal parts were done. But then listening back to it, 212 00:11:03,173 --> 00:11:06,973 Speaker 3: it was like, I mean, it's it's fine. And then 213 00:11:07,013 --> 00:11:09,093 Speaker 3: one of the guys picked up a ukulelean just story 214 00:11:09,333 --> 00:11:12,773 Speaker 3: bring and I was like, whoa, I think maybe we 215 00:11:12,933 --> 00:11:16,813 Speaker 3: just got it. Yeah, ukulele can change the atmosphere within 216 00:11:16,813 --> 00:11:17,693 Speaker 3: a room pretty quick. 217 00:11:17,933 --> 00:11:21,773 Speaker 2: Yeah, it's funny. I like, it's just it's like ninety 218 00:11:21,893 --> 00:11:24,213 Speaker 2: five percent of the ingredients are there and it just 219 00:11:24,333 --> 00:11:26,493 Speaker 2: takes one little thing to push it over the edge 220 00:11:26,493 --> 00:11:28,293 Speaker 2: and then they can be the little thing. 221 00:11:28,373 --> 00:11:30,053 Speaker 4: Yeah, yeah, that's right now. 222 00:11:30,093 --> 00:11:32,413 Speaker 2: I know you've been touring a fee a bit lately. 223 00:11:32,613 --> 00:11:35,093 Speaker 2: You've had a very been very busy of the last 224 00:11:35,093 --> 00:11:37,773 Speaker 2: twelve months or so throughout the UIs tell us about 225 00:11:37,813 --> 00:11:40,573 Speaker 2: the New Zealand show. I know so many people here 226 00:11:40,653 --> 00:11:42,853 Speaker 2: are just delighted that you're going to be back down under. 227 00:11:43,493 --> 00:11:45,773 Speaker 3: Yeah, I'm very excited. I think it's been too many 228 00:11:45,853 --> 00:11:50,093 Speaker 3: years that we haven't been in Auckland. And my wife 229 00:11:50,133 --> 00:11:53,613 Speaker 3: and her family drank so much New Zealand Sauvignon blanc 230 00:11:53,693 --> 00:11:57,413 Speaker 3: that they said you better go and bring a bunch back, 231 00:11:57,653 --> 00:12:00,693 Speaker 3: and so like Kim Crawford and Cloudy Bay, and I 232 00:12:00,693 --> 00:12:02,813 Speaker 3: want to find out like some of the ones we 233 00:12:02,853 --> 00:12:06,733 Speaker 3: can't get here, but New Zealand save Blanc is always 234 00:12:07,293 --> 00:12:11,093 Speaker 3: very refreshing and I don't know if there's alcohol in it. 235 00:12:11,413 --> 00:12:15,133 Speaker 3: I've never never found that out, but I'm pretty sure 236 00:12:15,173 --> 00:12:18,413 Speaker 3: there is. And you know, the people of New Zealand 237 00:12:18,413 --> 00:12:22,053 Speaker 3: are just lovely. I have many friends that are Australian 238 00:12:22,133 --> 00:12:25,333 Speaker 3: and from New Zealand that I really cherish. 239 00:12:25,973 --> 00:12:27,773 Speaker 2: Well, we're delighted that you're going to be here. We're 240 00:12:27,773 --> 00:12:30,413 Speaker 2: going to have all the dates on our website and 241 00:12:30,773 --> 00:12:32,773 Speaker 2: all the very best pat and make sure you carve 242 00:12:32,813 --> 00:12:34,693 Speaker 2: out a couple of days so perhaps you can make 243 00:12:34,733 --> 00:12:37,973 Speaker 2: it down to Marlborough and New Zealand and enjoy a 244 00:12:37,973 --> 00:12:41,413 Speaker 2: couple of bottles as there. I would love that fantastic training. 245 00:12:41,413 --> 00:12:43,253 Speaker 2: They're going to be in New Zealand, playing Auckland's Town 246 00:12:43,293 --> 00:12:45,693 Speaker 2: Hall on May twenty eighth. You can get your tickets 247 00:12:45,693 --> 00:12:48,013 Speaker 2: through Ticketmaster or of course, you can search for train 248 00:12:48,693 --> 00:12:51,773 Speaker 2: on the Auckland Live website for more. 249 00:12:51,853 --> 00:12:54,973 Speaker 1: From Saturday Morning with Jack Tame, listen live to news 250 00:12:54,973 --> 00:12:57,853 Speaker 1: talks it'd be from nine am Saturday, or follow the 251 00:12:57,893 --> 00:12:59,373 Speaker 1: podcast on iHeartRadio