1 00:00:00,280 --> 00:00:05,000 Speaker 1: Do Do for all your men bastards. 2 00:00:05,160 --> 00:00:09,800 Speaker 2: Loving the Big Show podcast, Get Up Even Closer on Instagram, 3 00:00:09,920 --> 00:00:14,080 Speaker 2: YouTube and ticktu Off for raw doggets four to seven 4 00:00:14,200 --> 00:00:20,239 Speaker 2: every weekday on radio. Heard Care Yeah, get with me. 5 00:00:20,920 --> 00:00:23,760 Speaker 2: That's got your That's not cool, Kies, it's a different guy. 6 00:00:23,800 --> 00:00:24,440 Speaker 2: I tell you what. 7 00:00:24,800 --> 00:00:27,400 Speaker 1: Kezy came in today and it was like he literally 8 00:00:27,520 --> 00:00:28,319 Speaker 1: rolled out of bed. 9 00:00:29,560 --> 00:00:31,800 Speaker 2: I haven't been in bed. I wish I'd been in bed. 10 00:00:31,800 --> 00:00:32,479 Speaker 2: That's the issue. 11 00:00:32,800 --> 00:00:34,360 Speaker 3: I had a big night last night, didn't you. 12 00:00:34,560 --> 00:00:36,040 Speaker 2: I didn't have a small night. 13 00:00:37,400 --> 00:00:41,400 Speaker 3: Talk about that. I look in a little bit sleepy, 14 00:00:41,640 --> 00:00:43,919 Speaker 3: a little bit. I've been on the pess. If I'm 15 00:00:43,920 --> 00:00:47,279 Speaker 3: honest with you, how do you how very especially when 16 00:00:47,280 --> 00:00:48,960 Speaker 3: I know what a big day you hear today, Keys, 17 00:00:49,520 --> 00:00:51,720 Speaker 3: huge day, the huge morning that you're head in front 18 00:00:51,720 --> 00:00:53,279 Speaker 3: of you today. I hope you didn't put that at risk. 19 00:00:53,320 --> 00:00:57,279 Speaker 2: Mate. It went great. Sure, guess what were you having 20 00:00:57,320 --> 00:00:59,480 Speaker 2: a few beers last night? I was literally like this 21 00:00:59,560 --> 00:01:01,360 Speaker 2: is going to help because tomorrow I have to be tired, 22 00:01:02,000 --> 00:01:03,160 Speaker 2: and I was fucking tired. 23 00:01:03,560 --> 00:01:04,160 Speaker 3: It was great. 24 00:01:04,240 --> 00:01:07,119 Speaker 2: I loved it. It's called method acting. It was so 25 00:01:07,600 --> 00:01:08,920 Speaker 2: I was like, here we go. Now I'm gona start 26 00:01:08,959 --> 00:01:10,040 Speaker 2: hitting the bttle all the time. 27 00:01:11,680 --> 00:01:12,839 Speaker 3: That's where it started for Jason. 28 00:01:13,280 --> 00:01:16,760 Speaker 1: Yeah, I reckon, you know, if they're I always wondered 29 00:01:16,760 --> 00:01:19,240 Speaker 1: if there was a scene where you had to be drunk. 30 00:01:19,360 --> 00:01:22,440 Speaker 1: Was my attitude was, well, let's get drunk, but of 31 00:01:22,480 --> 00:01:25,880 Speaker 1: course directors are like, no, no, obviously we won't do that. 32 00:01:25,920 --> 00:01:27,199 Speaker 1: You have to pretend to be drunk. 33 00:01:27,520 --> 00:01:30,000 Speaker 2: And the opportunity though, and that's where. 34 00:01:29,840 --> 00:01:32,000 Speaker 1: You see the worst acting is when people try and 35 00:01:32,040 --> 00:01:37,320 Speaker 1: be drunk, like when you go, I'm very good at 36 00:01:37,319 --> 00:01:41,080 Speaker 1: being drunk because what what the big mistake that can make. 37 00:01:41,480 --> 00:01:45,200 Speaker 3: To the Lispeg son of Jason is pitting himself on the. 38 00:01:45,120 --> 00:01:50,400 Speaker 1: Being drunk, because the big mistake that most people make 39 00:01:50,520 --> 00:01:53,400 Speaker 1: when they're pretending to be they're two, they're way over 40 00:01:53,440 --> 00:01:56,560 Speaker 1: the top with it. Instead of being slow and just 41 00:01:56,920 --> 00:01:58,880 Speaker 1: slightly off kilter, they try to go. 42 00:02:00,400 --> 00:02:01,720 Speaker 2: Right. It's like no, no. 43 00:02:02,480 --> 00:02:05,760 Speaker 3: The thing with drunk people, Jace as they're trying to 44 00:02:05,800 --> 00:02:06,960 Speaker 3: act like they're not drunk. 45 00:02:07,480 --> 00:02:08,600 Speaker 2: Correct, thank you. 46 00:02:08,639 --> 00:02:10,480 Speaker 1: So he was just trying to cover her app all 47 00:02:10,520 --> 00:02:14,200 Speaker 1: the time was that it just then there was a 48 00:02:14,240 --> 00:02:17,400 Speaker 1: little bit of it just it's very subtle. 49 00:02:17,480 --> 00:02:21,600 Speaker 2: Keysy, So you hungover? Is that the point? No, I'm 50 00:02:21,639 --> 00:02:24,840 Speaker 2: not hungover. I had four beers. Oh really, I was 51 00:02:24,840 --> 00:02:26,080 Speaker 2: just we were just up late. We didn't get home 52 00:02:26,160 --> 00:02:29,280 Speaker 2: till midnight because after how because we had the slippy 53 00:02:29,320 --> 00:02:31,560 Speaker 2: Chisher Island screening which my wife used to work for 54 00:02:31,639 --> 00:02:33,680 Speaker 2: TV ands in. All of her friends still work there 55 00:02:33,919 --> 00:02:36,720 Speaker 2: and invited me just so that i'd bring her as 56 00:02:36,720 --> 00:02:38,360 Speaker 2: a plus one and they can hang out with her, 57 00:02:38,639 --> 00:02:41,120 Speaker 2: which is fair enough. But then afterwards they we all 58 00:02:41,160 --> 00:02:43,200 Speaker 2: meet up at a bar and had a few drinks 59 00:02:43,240 --> 00:02:43,880 Speaker 2: for a week while. 60 00:02:43,880 --> 00:02:46,840 Speaker 1: They don't have drinks there, No, they did before all right, 61 00:02:46,919 --> 00:02:47,920 Speaker 1: yeah before the screening. 62 00:02:48,400 --> 00:02:53,160 Speaker 2: Hohen I had a beer? Yes, Jace. Yeah. God. 63 00:02:53,200 --> 00:02:57,239 Speaker 1: It's just so much free pess around Magie these days, 64 00:03:00,840 --> 00:03:02,360 Speaker 1: missing out massive industry. 65 00:03:02,360 --> 00:03:05,760 Speaker 2: I don't think, yeah, you know, you out. The thing 66 00:03:05,840 --> 00:03:08,200 Speaker 2: is we're not hitting the purse constantly. There's just a 67 00:03:08,200 --> 00:03:11,400 Speaker 2: beer or two here, you know, here or there. You're 68 00:03:11,440 --> 00:03:15,600 Speaker 2: not here there yeah here, well there yeah yeah, yeah, 69 00:03:15,800 --> 00:03:16,480 Speaker 2: it's a tragedy. 70 00:03:16,639 --> 00:03:17,760 Speaker 3: Anyway. How'd it go? 71 00:03:18,600 --> 00:03:21,120 Speaker 2: The callback? Yeah? Okay, So for those who don't know, 72 00:03:22,120 --> 00:03:24,560 Speaker 2: got an audition? Did the audition? Then you need a 73 00:03:24,600 --> 00:03:26,840 Speaker 2: call back, which I believe is about four or five people. Yeah, 74 00:03:27,000 --> 00:03:30,320 Speaker 2: might be less I mean, who knows you. And so 75 00:03:30,400 --> 00:03:32,160 Speaker 2: that happened and you go back and I was like, shit, 76 00:03:32,200 --> 00:03:33,800 Speaker 2: I wonder what we have to do today? Literally the 77 00:03:33,800 --> 00:03:36,440 Speaker 2: same thing again, just with a different person, once again 78 00:03:36,480 --> 00:03:39,000 Speaker 2: holding a little small handicam. Yeah, you're in front of 79 00:03:39,000 --> 00:03:42,560 Speaker 2: a wall. The weird thing about this one is obvious. 80 00:03:42,600 --> 00:03:43,720 Speaker 2: I'm not going to give away what it is all 81 00:03:43,720 --> 00:03:45,480 Speaker 2: what I had to do, but it involves me being 82 00:03:45,520 --> 00:03:47,800 Speaker 2: part of a relationship and a family. And so you 83 00:03:47,960 --> 00:03:53,000 Speaker 2: arrive and there's like a a person, mid twenties person there, 84 00:03:54,080 --> 00:03:57,200 Speaker 2: and it's just like, this is your partner. Ah, hello, 85 00:03:57,440 --> 00:03:59,600 Speaker 2: so we're gonna we love each other, do it? Okay? 86 00:04:00,120 --> 00:04:02,640 Speaker 2: And then a lady walked in with her like three 87 00:04:02,680 --> 00:04:06,360 Speaker 2: year old daughter, and I was like, that's obviously my daughter, 88 00:04:06,400 --> 00:04:08,280 Speaker 2: isn't it. Yeah, And so it was this weird thing 89 00:04:08,280 --> 00:04:10,120 Speaker 2: where you were like meeting all the people who you 90 00:04:10,200 --> 00:04:12,760 Speaker 2: might be having this family with and then you say, 91 00:04:12,760 --> 00:04:15,440 Speaker 2: all right, well, hopefully see you next time after ten 92 00:04:15,480 --> 00:04:16,200 Speaker 2: minutes of being there. 93 00:04:16,279 --> 00:04:21,479 Speaker 3: Yeah, yeah, it random. Anybody else there in the waiting room. 94 00:04:21,279 --> 00:04:25,599 Speaker 2: One dude as I walked out, Yeah, just one dude. 95 00:04:26,560 --> 00:04:27,960 Speaker 2: But there was the only other people in the waiting 96 00:04:28,040 --> 00:04:29,640 Speaker 2: room where the people going for the like you know, 97 00:04:29,680 --> 00:04:32,000 Speaker 2: the parents of the little kid. Yeah, yeah, you know. 98 00:04:32,120 --> 00:04:36,080 Speaker 2: So yeah, interesting though, really a good times. It takes 99 00:04:36,080 --> 00:04:38,440 Speaker 2: me back afterwards. I was thanks, ey, that's my first 100 00:04:38,440 --> 00:04:41,080 Speaker 2: ever callback, and they're oh great, did really well? Yeah, 101 00:04:41,520 --> 00:04:46,039 Speaker 2: thanks thanks for that, thanks mate. Yeah. 102 00:04:46,080 --> 00:04:50,440 Speaker 1: It is the weird aspects of acting is when you 103 00:04:50,480 --> 00:04:53,240 Speaker 1: get those scenarios where you meet a total stranger and 104 00:04:53,240 --> 00:04:56,279 Speaker 1: then have to act together and pretend like your lovers 105 00:04:56,400 --> 00:04:58,560 Speaker 1: or whatever there, it can be quite strange. 106 00:04:58,560 --> 00:04:59,360 Speaker 2: I had one. 107 00:05:03,200 --> 00:05:07,520 Speaker 3: What I think it was for hard Courts and just 108 00:05:07,560 --> 00:05:09,040 Speaker 3: had to go in. I don't know why. I didn't care, 109 00:05:09,080 --> 00:05:11,000 Speaker 3: but I really didn't and I just had so much 110 00:05:11,080 --> 00:05:14,719 Speaker 3: fun and got the role. And then that was with 111 00:05:14,839 --> 00:05:17,880 Speaker 3: Jackie van Beek. She be my wife. It was my 112 00:05:17,920 --> 00:05:20,640 Speaker 3: first time meeting her. And Renee Lyons was the real 113 00:05:20,720 --> 00:05:23,360 Speaker 3: estate agent. Right. Yes, it was just all improv of 114 00:05:23,400 --> 00:05:25,120 Speaker 3: the whole thing, and none of our dialogue was used 115 00:05:25,120 --> 00:05:27,000 Speaker 3: in the edit because it just had music playing over 116 00:05:27,000 --> 00:05:29,840 Speaker 3: the top of it. And so it's like our relationship 117 00:05:29,880 --> 00:05:31,800 Speaker 3: with our real estate agent over the years as we 118 00:05:31,880 --> 00:05:34,400 Speaker 3: went through the years and got bigger homes and moved 119 00:05:34,400 --> 00:05:36,680 Speaker 3: around and stuff. But because we knew that we could. 120 00:05:36,720 --> 00:05:39,560 Speaker 3: They couldn't hear what we were saying. We were you know, 121 00:05:39,560 --> 00:05:41,360 Speaker 3: it wouldn't be used in the air. We'd be saying 122 00:05:41,360 --> 00:05:45,280 Speaker 3: the most horrendous ship to each other. Yes, get a Susan, 123 00:05:45,320 --> 00:05:55,120 Speaker 3: you're fucking slut A three way. There was a lot 124 00:05:55,160 --> 00:05:55,559 Speaker 3: of fun. 125 00:05:55,800 --> 00:05:58,400 Speaker 2: Well, this one's like, it's really poorly, it's short. 126 00:05:59,200 --> 00:06:00,560 Speaker 3: Let's that going for Yeah? 127 00:06:00,640 --> 00:06:03,200 Speaker 2: Sure, So it's just like literally over and then there's 128 00:06:03,200 --> 00:06:05,280 Speaker 2: probably five second graphic at the end of it or something. 129 00:06:05,360 --> 00:06:08,159 Speaker 2: So literally yes, which is a nice way to start. Yeah, 130 00:06:08,279 --> 00:06:12,839 Speaker 2: I don't have to improv, you know, although I'm it's fine, 131 00:06:13,240 --> 00:06:16,160 Speaker 2: I'm ready to improve. It's actually really helpful. 132 00:06:16,160 --> 00:06:16,320 Speaker 3: Though. 133 00:06:16,360 --> 00:06:20,080 Speaker 2: The thing that it's been interesting is when doing something 134 00:06:20,640 --> 00:06:23,600 Speaker 2: and you become self aware. Do you guys have that 135 00:06:23,920 --> 00:06:27,320 Speaker 2: we are, Yeah, yeah, I can be south aware. Sure. 136 00:06:27,400 --> 00:06:29,440 Speaker 2: So it's like, okay, so this time is we're gonna 137 00:06:29,440 --> 00:06:30,880 Speaker 2: film that will just be a close up of you, 138 00:06:31,400 --> 00:06:34,320 Speaker 2: my female partner, that's just close upon you. It cools 139 00:06:34,320 --> 00:06:35,520 Speaker 2: to do the scene. Okay, you do the scene. It 140 00:06:35,560 --> 00:06:36,839 Speaker 2: was all right, Chris, Now that's just gonna be close 141 00:06:36,920 --> 00:06:38,640 Speaker 2: up on you. So they focus it on you and 142 00:06:38,640 --> 00:06:41,200 Speaker 2: you're like okay, actually and then you're just like, sure, 143 00:06:41,240 --> 00:06:43,720 Speaker 2: this is the one they'll be like looking at this 144 00:06:43,760 --> 00:06:45,760 Speaker 2: is like, yes, I probably do a bit, and this 145 00:06:45,800 --> 00:06:47,040 Speaker 2: is all why you're trying to just do it. And 146 00:06:47,120 --> 00:06:49,880 Speaker 2: I've been nailing it until they they're focusing on you. 147 00:06:49,880 --> 00:06:51,520 Speaker 2: You do your best work off camera. 148 00:06:51,720 --> 00:06:51,960 Speaker 3: Yeah. 149 00:06:52,080 --> 00:06:55,280 Speaker 2: Yeah, so that's yeah, that's something I appreciate. There happens 150 00:06:55,279 --> 00:06:58,599 Speaker 2: to me when I'm doing stand up too. When I 151 00:06:58,640 --> 00:06:59,960 Speaker 2: was about to start last week when I was to 152 00:07:00,200 --> 00:07:02,159 Speaker 2: stand up, just I was about to start, I know 153 00:07:02,160 --> 00:07:04,440 Speaker 2: exactly how to start every time, and I just forgot it. 154 00:07:04,440 --> 00:07:06,920 Speaker 2: And I was just like, I'm on stage in front 155 00:07:06,920 --> 00:07:11,960 Speaker 2: of it people here, and I can't remember ship. Yeah, 156 00:07:11,960 --> 00:07:14,280 Speaker 2: and so I just like stood there for like two 157 00:07:14,360 --> 00:07:17,320 Speaker 2: seconds and then it came back to me. Those starts. 158 00:07:17,520 --> 00:07:20,800 Speaker 2: Oh god, horror. Self Aware The. 159 00:07:20,760 --> 00:07:24,160 Speaker 3: Whole Archy Big Show week days from four on Radio 160 00:07:24,240 --> 00:07:28,520 Speaker 3: Hierarchy The Warchy Big Show Podcast. 161 00:07:28,000 --> 00:07:30,920 Speaker 2: The Mind Blank. Do you do it on the radio? 162 00:07:32,160 --> 00:07:34,760 Speaker 2: What becomes self aware when you're about to go live? 163 00:07:35,840 --> 00:07:40,520 Speaker 1: No, I often have a mini panic attack before I go, 164 00:07:40,840 --> 00:07:44,720 Speaker 1: but just you know, random one that will happened just before. 165 00:07:44,400 --> 00:07:46,640 Speaker 2: I go live, like the first break of the show. 166 00:07:46,880 --> 00:07:49,960 Speaker 1: Yes, the very first one. Oh, yeah, I'll just forget. 167 00:07:49,960 --> 00:07:53,440 Speaker 1: Oh that's right, I'm doing a radio show. Concentrate, concentrate, 168 00:07:53,600 --> 00:07:57,760 Speaker 1: for God's sake. But no, I sat in your head, 169 00:07:57,920 --> 00:08:00,120 Speaker 1: which I've already told you guys about. In the he 170 00:08:00,200 --> 00:08:05,119 Speaker 1: had a terrifying moments of utter blankness at the start 171 00:08:05,120 --> 00:08:05,600 Speaker 1: of a play. 172 00:08:05,680 --> 00:08:09,440 Speaker 2: For example, I'm not good. I'm i'd ever do like 173 00:08:09,480 --> 00:08:12,120 Speaker 2: a play or anything. Yeah, Like, it's too far down 174 00:08:12,200 --> 00:08:13,040 Speaker 2: the acting route for me. 175 00:08:13,560 --> 00:08:16,760 Speaker 3: You don't play? Yeah, plays, I need one? Yeah, I 176 00:08:16,760 --> 00:08:22,720 Speaker 3: did one, and it was I didn't want to. It 177 00:08:22,840 --> 00:08:24,640 Speaker 3: was just like a guy. A guy got hired in 178 00:08:24,680 --> 00:08:26,960 Speaker 3: the lead and then he got cast in a TV show, 179 00:08:27,760 --> 00:08:29,960 Speaker 3: so obviously he took the TV shows at Circle down 180 00:08:29,960 --> 00:08:31,880 Speaker 3: in Wellington. I must have told you about this, Jay 181 00:08:32,400 --> 00:08:35,680 Speaker 3: and then and then the director ragged me up ward 182 00:08:35,679 --> 00:08:37,959 Speaker 3: work with on TV shows and he was like, you 183 00:08:38,040 --> 00:08:39,720 Speaker 3: gonta do a play man you wonder And I was like, 184 00:08:40,480 --> 00:08:45,840 Speaker 3: absolutely not. And it was the lead role. And I 185 00:08:45,880 --> 00:08:49,720 Speaker 3: had eight days to learn a ninety five page script. 186 00:08:49,960 --> 00:08:50,400 Speaker 2: Fuck that. 187 00:08:50,600 --> 00:08:52,240 Speaker 3: And I was in every single scene. I think it 188 00:08:52,400 --> 00:08:55,520 Speaker 3: had one scene off. It was a three hander. Yeah, 189 00:08:55,520 --> 00:09:00,960 Speaker 3: And so I was like, yeah, right out right right, 190 00:09:01,160 --> 00:09:03,680 Speaker 3: yeah did that? And I learned. It was even probably less, 191 00:09:03,720 --> 00:09:05,480 Speaker 3: I think, because don't know, if you know Jason White, 192 00:09:05,520 --> 00:09:07,800 Speaker 3: the hector, was yeah, so he was very well too 193 00:09:07,840 --> 00:09:10,600 Speaker 3: briefly and he's like, nah, piece of person. 194 00:09:10,600 --> 00:09:10,720 Speaker 2: Man. 195 00:09:11,240 --> 00:09:13,240 Speaker 3: I used to learn like thirty pages a day, and 196 00:09:13,240 --> 00:09:14,839 Speaker 3: I was like, oh sweet. So then I was learning 197 00:09:14,920 --> 00:09:17,160 Speaker 3: twenty twenty five pages a day, so I was like yeah, 198 00:09:17,200 --> 00:09:19,200 Speaker 3: and just just did it because you had to. 199 00:09:19,400 --> 00:09:19,600 Speaker 2: Yeah. 200 00:09:19,640 --> 00:09:22,480 Speaker 3: And then I really loved it, really loved it. But 201 00:09:22,600 --> 00:09:24,839 Speaker 3: it was like it was twenty eight performances or something 202 00:09:24,880 --> 00:09:26,440 Speaker 3: across a month round about and. 203 00:09:26,440 --> 00:09:27,160 Speaker 2: Did you do them all? 204 00:09:27,320 --> 00:09:27,600 Speaker 3: Yeah? 205 00:09:27,640 --> 00:09:27,920 Speaker 2: Wow? 206 00:09:28,040 --> 00:09:31,760 Speaker 3: And then but then I found jas that you get 207 00:09:32,600 --> 00:09:34,840 Speaker 3: like after five or six, Okay, i'll get it over it. 208 00:09:34,920 --> 00:09:35,600 Speaker 2: Yeah, you're done. 209 00:09:35,800 --> 00:09:38,400 Speaker 3: Yeah. I didn't get but I didn't really find the 210 00:09:38,440 --> 00:09:42,360 Speaker 3: reward and going again and again and again and finding 211 00:09:42,400 --> 00:09:43,920 Speaker 3: something else. I did like the fact that if you 212 00:09:43,960 --> 00:09:46,280 Speaker 3: had an idea, you could go oh great, And we've 213 00:09:46,280 --> 00:09:48,560 Speaker 3: spoken about that before. When you do a TV thing 214 00:09:49,000 --> 00:09:51,280 Speaker 3: or a film thing, you often have your best ideas 215 00:09:51,320 --> 00:09:54,760 Speaker 3: when you're driving home. Ah, I should have done that. Yeah, 216 00:09:54,760 --> 00:09:56,320 Speaker 3: but with a player, you can go, well, I try 217 00:09:56,320 --> 00:09:58,000 Speaker 3: that tomorrow, and more often than not, you try it 218 00:09:58,000 --> 00:09:58,680 Speaker 3: and it sucked. 219 00:09:59,000 --> 00:10:02,719 Speaker 1: Yes, it just becomes a job. I remember we had 220 00:10:02,720 --> 00:10:06,920 Speaker 1: this legendary situation. It was I wasn't in the play. 221 00:10:06,960 --> 00:10:09,760 Speaker 1: It was before my time, but we had that exact 222 00:10:09,800 --> 00:10:13,360 Speaker 1: scenario where the main lead in our school play got 223 00:10:13,440 --> 00:10:16,360 Speaker 1: sick and like really sick. And this guy I remember, 224 00:10:16,400 --> 00:10:20,839 Speaker 1: I still remember his name, Graham Perdoh, who was the coolest. 225 00:10:21,240 --> 00:10:23,160 Speaker 2: Seriously, he was the coolest dude. 226 00:10:23,160 --> 00:10:26,880 Speaker 1: He used to have an umbrella and just walk around. 227 00:10:27,600 --> 00:10:27,920 Speaker 2: He was. 228 00:10:29,480 --> 00:10:32,079 Speaker 1: Today and yeah, he was in the seventh form and 229 00:10:32,120 --> 00:10:33,360 Speaker 1: I think I was in the fourth form or something. 230 00:10:33,720 --> 00:10:35,079 Speaker 2: He was just a very cool dude. 231 00:10:35,559 --> 00:10:38,560 Speaker 1: The day before it opened, he took over the role 232 00:10:38,640 --> 00:10:41,240 Speaker 1: without any you know, they said, Graham, do you want 233 00:10:41,240 --> 00:10:41,600 Speaker 1: to do it? 234 00:10:42,040 --> 00:10:44,360 Speaker 2: And he did it and it was brilliant and learnt 235 00:10:44,440 --> 00:10:46,960 Speaker 2: it all in a day. Did swing's umbrella around? 236 00:10:47,120 --> 00:10:50,360 Speaker 1: No, But he was just one of those really cool cats. 237 00:10:51,400 --> 00:10:54,400 Speaker 3: It's quite good, isn't. It's good to have done. I 238 00:10:54,400 --> 00:10:56,120 Speaker 3: don't know if I would do again. 239 00:10:56,600 --> 00:10:58,280 Speaker 2: So what was the saying yes? 240 00:10:58,440 --> 00:10:59,840 Speaker 3: Because I was scared play? 241 00:11:00,080 --> 00:11:00,240 Speaker 2: Yeah? 242 00:11:00,280 --> 00:11:01,599 Speaker 3: Right, So if I'm scared of it, I have to 243 00:11:01,640 --> 00:11:03,560 Speaker 3: say yes. If the only reason you're not doing something 244 00:11:03,640 --> 00:11:05,280 Speaker 3: is because you're scared of doing it, then you have 245 00:11:05,320 --> 00:11:07,000 Speaker 3: to say yes, I don't know that. If you're scared 246 00:11:07,040 --> 00:11:09,520 Speaker 3: of failure and that's what's stopping you, you have to do. 247 00:11:09,960 --> 00:11:12,000 Speaker 2: But what if it's something that is literally nothing to 248 00:11:12,040 --> 00:11:14,560 Speaker 2: do with anything you're interested in doing because it was 249 00:11:14,600 --> 00:11:16,880 Speaker 2: acting and you were scared. Yeah, I mean. 250 00:11:16,800 --> 00:11:18,720 Speaker 3: If it's like fucking you want to fix his car 251 00:11:18,840 --> 00:11:22,480 Speaker 3: or go for a really long walk, then yeah. 252 00:11:23,920 --> 00:11:25,640 Speaker 1: I don't know if I would do a play again. 253 00:11:25,720 --> 00:11:26,760 Speaker 1: I've done quite a few. 254 00:11:26,960 --> 00:11:31,080 Speaker 3: I'd like something, a real good one, like what are 255 00:11:31,080 --> 00:11:31,800 Speaker 3: the classics? JA? 256 00:11:31,920 --> 00:11:33,800 Speaker 2: Certainly not Shakespeare, Billy Elliot. 257 00:11:33,840 --> 00:11:36,680 Speaker 1: Yeah, no, I don't think I want to do Shakespeare. 258 00:11:36,280 --> 00:11:37,240 Speaker 3: Gary Glenn Ross. 259 00:11:37,520 --> 00:11:41,359 Speaker 2: I'd like that one Blood Brothers plays. 260 00:11:41,520 --> 00:11:44,040 Speaker 3: Yeah, well, I'm waiting for gott I saw that one 261 00:11:44,040 --> 00:11:48,439 Speaker 3: with McCallen. Yes, and who was in it with him? 262 00:11:48,440 --> 00:11:50,080 Speaker 2: That's a fucking random place, don't remember. 263 00:11:50,679 --> 00:11:51,320 Speaker 3: I can't remember. 264 00:11:51,400 --> 00:11:52,320 Speaker 2: Oh, I just. 265 00:11:52,480 --> 00:11:55,760 Speaker 3: Wasn't Patrick Stewart, I don't think. And then I'd never 266 00:11:55,880 --> 00:11:58,600 Speaker 3: I'd never heard of the play. I was like twenty, 267 00:11:58,679 --> 00:12:02,320 Speaker 3: I don't know how old I was. And it's not short, no, 268 00:12:02,440 --> 00:12:05,600 Speaker 3: And you're sitting there watching it and it was about 269 00:12:05,640 --> 00:12:08,880 Speaker 3: an hour fifteen into it and I was like bitless, 270 00:12:08,880 --> 00:12:13,800 Speaker 3: fucking god, I was not even going to turn Yeah, 271 00:12:13,840 --> 00:12:16,120 Speaker 3: and so it proved, But fuck that was boring. 272 00:12:16,679 --> 00:12:18,040 Speaker 2: Well so was Beckett. 273 00:12:18,480 --> 00:12:22,640 Speaker 1: Yeah, the writer, he's brilliant but kind of a pretty 274 00:12:22,679 --> 00:12:26,680 Speaker 1: tedious character. It is biography right, well, no order, no biography. 275 00:12:27,600 --> 00:12:31,680 Speaker 1: He's a pretty grim, stolic, boring dude. 276 00:12:31,800 --> 00:12:34,760 Speaker 2: Yeah. Most most people that you guys act words, right, 277 00:12:35,040 --> 00:12:36,079 Speaker 2: do they do plays? 278 00:12:38,280 --> 00:12:38,920 Speaker 3: I have acted? 279 00:12:39,360 --> 00:12:41,800 Speaker 2: It's a split yeah yeah back in the day. Yeah 280 00:12:41,840 --> 00:12:45,280 Speaker 2: about like back for example, back when Brokenwood was still going, 281 00:12:45,559 --> 00:12:47,440 Speaker 2: did any of those because that's like a serious program, 282 00:12:47,440 --> 00:12:49,600 Speaker 2: did any of those actors do plays? Yeah? Yeah, quite 283 00:12:49,600 --> 00:12:51,280 Speaker 2: a few of them, right, Okay? Is it like a 284 00:12:51,320 --> 00:12:53,280 Speaker 2: thing that you do when you're not And then. 285 00:12:53,640 --> 00:12:58,600 Speaker 1: There's unfortunately there's not a lot of theater around really. 286 00:12:58,720 --> 00:13:01,520 Speaker 1: I mean there's you know, Auckland Theater Company. I think 287 00:13:01,559 --> 00:13:02,600 Speaker 1: that's still going, isn't. 288 00:13:02,400 --> 00:13:04,559 Speaker 3: It, and stuff like that. 289 00:13:04,679 --> 00:13:07,520 Speaker 2: There's there's not huge opportunities. 290 00:13:07,920 --> 00:13:11,679 Speaker 3: I was actually a basement as amateur theater, and they 291 00:13:11,679 --> 00:13:13,880 Speaker 3: do some good stuff, but they're really short runs. 292 00:13:14,000 --> 00:13:17,240 Speaker 1: Yes, I did actually get asked a couple of times 293 00:13:17,280 --> 00:13:19,960 Speaker 1: to do those plays, but I don't know why attend now, 294 00:13:20,000 --> 00:13:22,360 Speaker 1: Probably because I was too terrified. 295 00:13:22,840 --> 00:13:27,800 Speaker 3: They're terrifying and also horrendously paid my experience anyway, because 296 00:13:28,000 --> 00:13:29,600 Speaker 3: very much. They set it up as a co op, 297 00:13:29,640 --> 00:13:32,560 Speaker 3: so you get a percentage of the door, and I 298 00:13:32,600 --> 00:13:34,360 Speaker 3: think I did. What was that month? I got like 299 00:13:34,559 --> 00:13:35,800 Speaker 3: four hundred bucks or something? 300 00:13:35,880 --> 00:13:40,880 Speaker 2: Yeah, shit the fuck? Yeah. Wow. 301 00:13:42,040 --> 00:13:43,920 Speaker 3: You're not in it obviously for the money, but do 302 00:13:44,000 --> 00:13:45,000 Speaker 3: be nice to have more than that. 303 00:13:45,120 --> 00:13:48,320 Speaker 1: It's better than like, you know, Johnny and I going 304 00:13:48,360 --> 00:13:52,000 Speaker 1: and doing tours around the country and then fucking owing money. 305 00:13:51,880 --> 00:13:54,680 Speaker 3: Because you're on the hammele. And that was the problem 306 00:13:54,720 --> 00:13:56,280 Speaker 3: with the theater, is that you could just run a 307 00:13:56,280 --> 00:13:57,760 Speaker 3: tab on the bar and then at the end of 308 00:13:57,760 --> 00:14:00,840 Speaker 3: the yes and then one else I think on the 309 00:14:00,840 --> 00:14:01,760 Speaker 3: cast owed money. 310 00:14:01,840 --> 00:14:02,360 Speaker 2: That great. 311 00:14:02,559 --> 00:14:06,040 Speaker 1: That great autobiography I told you about with Barry Humphrees 312 00:14:06,080 --> 00:14:11,160 Speaker 1: and oh yeah, called More Please. He's got some magnificent 313 00:14:11,360 --> 00:14:15,840 Speaker 1: stories of doing plays and ship and getting heavily on 314 00:14:15,880 --> 00:14:18,319 Speaker 1: the pest all the time, and doing a scene and 315 00:14:18,360 --> 00:14:20,520 Speaker 1: running off to the bar and having a quicktion and 316 00:14:20,520 --> 00:14:21,680 Speaker 1: and then running back on again. 317 00:14:21,720 --> 00:14:22,400 Speaker 3: It was great stuff. 318 00:14:22,560 --> 00:14:24,720 Speaker 2: Unreal, wasn't yeh Man back in the day. 319 00:14:25,000 --> 00:14:30,240 Speaker 1: Yeah, but no, like if I was approached, it's very elegant, 320 00:14:30,280 --> 00:14:30,640 Speaker 1: isn't she? 321 00:14:31,400 --> 00:14:34,160 Speaker 2: If I was approached eyes to the front, are you 322 00:14:34,240 --> 00:14:34,680 Speaker 2: kidding me? 323 00:14:35,000 --> 00:14:36,800 Speaker 1: In fact, I think it was approached not long ago, 324 00:14:36,840 --> 00:14:37,720 Speaker 1: but I can't remember what. 325 00:14:37,680 --> 00:14:40,800 Speaker 3: It was for, but probably moved along, sir. 326 00:14:41,720 --> 00:14:47,520 Speaker 1: Yeah, that would be my party, which is very elegant. 327 00:14:47,840 --> 00:14:50,000 Speaker 2: Yeah you'd know that. So what I was gonna ask 328 00:14:50,040 --> 00:14:52,320 Speaker 2: before is would you rather, with a week's notice, do 329 00:14:52,400 --> 00:14:56,120 Speaker 2: a fight, a boxing fight or a play? 330 00:14:57,000 --> 00:15:00,800 Speaker 3: At my age of play a play? Yeah, I was 331 00:15:00,840 --> 00:15:03,640 Speaker 3: too old any any injury. I sustained that I'd. 332 00:15:03,440 --> 00:15:06,760 Speaker 2: Die if I had a fight. Yeah, there's two minutes. 333 00:15:06,760 --> 00:15:08,640 Speaker 2: I'd have a heart attack. Let's use that excuse again. 334 00:15:08,680 --> 00:15:12,480 Speaker 2: Old Kizy will do it for you. Yeah, Jas will 335 00:15:12,520 --> 00:15:17,000 Speaker 2: sign up for it. That old up. That's that's a 336 00:15:17,080 --> 00:15:25,160 Speaker 2: true story. Uh today, Hey Hidarky Big show four or 337 00:15:25,200 --> 00:15:29,960 Speaker 2: seven weekdays. It's super good. Check it's so good. It's 338 00:15:29,960 --> 00:15:30,520 Speaker 2: so elegant.