1 00:00:07,133 --> 00:00:10,453 Speaker 1: You're listening to the Saturday Morning with Jack Tame podcast 2 00:00:10,613 --> 00:00:11,973 Speaker 1: from News Talk SIB. 3 00:00:14,213 --> 00:00:20,373 Speaker 2: Seems so had not to be free when you were 4 00:00:23,693 --> 00:00:24,773 Speaker 2: right beside me. 5 00:00:28,533 --> 00:00:29,893 Speaker 3: In the modern world. 6 00:00:30,653 --> 00:00:34,413 Speaker 2: In the modern world, I don't feel anything. 7 00:00:34,853 --> 00:00:35,933 Speaker 3: The modern world. 8 00:00:37,373 --> 00:00:46,493 Speaker 2: I don't feel bad. This is in the modern world. 9 00:00:46,493 --> 00:00:50,013 Speaker 2: It's by Fontaine's DC. We've got a new album out 10 00:00:50,133 --> 00:00:53,013 Speaker 2: called Romance. A Stale Clifford is our music reviews. She's 11 00:00:53,053 --> 00:00:54,093 Speaker 2: been listening killed. 12 00:00:53,933 --> 00:00:57,453 Speaker 3: Up Ouada morning. I didn't realize the DC, so for 13 00:00:57,733 --> 00:01:00,933 Speaker 3: Dublin City, Oh, to catch up on that, even though 14 00:01:00,973 --> 00:01:03,693 Speaker 3: the Irish boys, I think I have clicked way, but 15 00:01:04,773 --> 00:01:06,853 Speaker 3: because he's an American band called Fontaine as well, so 16 00:01:06,933 --> 00:01:12,733 Speaker 3: don't confuse them. Good yeah, yeah, yeah. So these guys 17 00:01:13,053 --> 00:01:16,213 Speaker 3: were for their first few albums pigeonholed in the post 18 00:01:16,333 --> 00:01:19,973 Speaker 3: punk or punks post punk that's a day kind of 19 00:01:20,173 --> 00:01:21,973 Speaker 3: genre was where they sat, and they used to do 20 00:01:22,053 --> 00:01:25,813 Speaker 3: a lot more of that real punk runge, a lot 21 00:01:25,853 --> 00:01:29,213 Speaker 3: of the yelling and big, real heavy noise and lots 22 00:01:29,253 --> 00:01:32,013 Speaker 3: of that sort of stuff. This album is where I 23 00:01:32,053 --> 00:01:35,813 Speaker 3: feel like they've suddenly found themselves and taken a real 24 00:01:36,013 --> 00:01:38,573 Speaker 3: creative look at this and how to do things A 25 00:01:38,573 --> 00:01:41,893 Speaker 3: little bit differently, which is why like that song there 26 00:01:41,933 --> 00:01:45,173 Speaker 3: in the modern world to me, that's very guitar almost 27 00:01:45,213 --> 00:01:49,533 Speaker 3: old nineties rock, or when you hear it, like maybe 28 00:01:49,573 --> 00:01:51,093 Speaker 3: a little bit U two esque. 29 00:01:51,373 --> 00:01:53,013 Speaker 2: Okay, yeah, yeah, Peach. 30 00:01:52,853 --> 00:01:54,813 Speaker 3: Shop Boys, which has then taken them back to the eighties, 31 00:01:54,813 --> 00:01:57,453 Speaker 3: But I think that's the guitar leads kind of and 32 00:01:57,613 --> 00:02:01,573 Speaker 3: sound of Greham's voice as the lead vocals. They decided 33 00:02:01,613 --> 00:02:04,453 Speaker 3: to do something different with this album where they they 34 00:02:04,493 --> 00:02:07,733 Speaker 3: looked at every song with a visual aspect, like what 35 00:02:08,173 --> 00:02:10,853 Speaker 3: is happening while this song is happening, what's the weather, 36 00:02:11,093 --> 00:02:15,533 Speaker 3: like who's being chased or followed? Or what's the drama 37 00:02:15,613 --> 00:02:18,973 Speaker 3: around what the song is right before really honing in 38 00:02:19,093 --> 00:02:21,933 Speaker 3: on the instruments. And I think what that's done is 39 00:02:21,973 --> 00:02:25,093 Speaker 3: it's made a lot of the music sound quite cinematic, right, 40 00:02:25,973 --> 00:02:29,373 Speaker 3: like they all have those big, sweeping kind of sounds 41 00:02:29,413 --> 00:02:32,133 Speaker 3: in them, and a lot more layering of the different 42 00:02:32,173 --> 00:02:35,573 Speaker 3: instruments and music. And I also think I just like 43 00:02:35,853 --> 00:02:38,893 Speaker 3: the leed singer Green's voice better in this album too. Yeah, 44 00:02:39,773 --> 00:02:42,373 Speaker 3: you know, there's only so much punk sort of grunge 45 00:02:42,413 --> 00:02:45,853 Speaker 3: stuff to take in the vocals, where this one seems 46 00:02:45,893 --> 00:02:49,133 Speaker 3: more considered, he's trying out some different sort of shapes 47 00:02:49,173 --> 00:02:52,653 Speaker 3: in his vocals and it just makes for some really 48 00:02:52,653 --> 00:02:55,373 Speaker 3: interesting listening. He also I saw an interview where he said, 49 00:02:55,773 --> 00:02:58,693 Speaker 3: when people start to pick up on what your creativity 50 00:02:58,813 --> 00:03:01,133 Speaker 3: story is, it's time to shake it off and start 51 00:03:01,213 --> 00:03:04,053 Speaker 3: something fresh. And I was like, that's kind of cool, 52 00:03:04,093 --> 00:03:06,493 Speaker 3: lay like he doesn't want to be too obvious and 53 00:03:06,533 --> 00:03:08,453 Speaker 3: what it is they're going to do, but also maybe 54 00:03:08,453 --> 00:03:12,573 Speaker 3: that's a great motivator to play a bit more, try 55 00:03:12,613 --> 00:03:14,893 Speaker 3: a bit more, see what else you can do. There's 56 00:03:14,933 --> 00:03:18,893 Speaker 3: some really big tunes on this Starburster has been a 57 00:03:18,893 --> 00:03:22,773 Speaker 3: big single for them again, real dramatic opener, tweakly keys 58 00:03:22,813 --> 00:03:25,413 Speaker 3: over these really heavy bass and drums like stuff that 59 00:03:25,453 --> 00:03:28,693 Speaker 3: you almost don't think go together, but somehow they've fused 60 00:03:28,733 --> 00:03:30,493 Speaker 3: it and it's just it's really good. And it's written 61 00:03:30,493 --> 00:03:34,373 Speaker 3: about experiencing a panic attack at since Pink Crest Station 62 00:03:34,453 --> 00:03:37,453 Speaker 3: in London, right you know that's that's a station where 63 00:03:37,493 --> 00:03:39,533 Speaker 3: they transfer about thirty three million people a. 64 00:03:39,573 --> 00:03:40,533 Speaker 2: Year, so I. 65 00:03:43,573 --> 00:03:46,933 Speaker 3: Think a lot of people will relate to that. Again, 66 00:03:46,973 --> 00:03:48,613 Speaker 3: one of these albums that there's quite a lot of 67 00:03:48,613 --> 00:03:51,093 Speaker 3: pace to it, and I think that's the visual approach 68 00:03:51,133 --> 00:03:53,573 Speaker 3: they've taken to things, but I kind of like it. 69 00:03:53,573 --> 00:03:56,333 Speaker 3: It drives you in this forward sort of thing. And 70 00:03:56,853 --> 00:04:00,733 Speaker 3: also looking at Romance that there's darkness with the light 71 00:04:00,933 --> 00:04:04,533 Speaker 3: and there's sadness, and he likes that, like that's how 72 00:04:04,573 --> 00:04:07,013 Speaker 3: he writes. He'll write a pretty song, but there'll be 73 00:04:07,093 --> 00:04:10,173 Speaker 3: some darks of the lyrics and behind it, and so 74 00:04:10,293 --> 00:04:13,613 Speaker 3: too for the love. And then one of the lines 75 00:04:13,613 --> 00:04:15,813 Speaker 3: in the song Romance, which I think you're going to 76 00:04:15,853 --> 00:04:18,253 Speaker 3: play a bit of, is maybe romance is a place, 77 00:04:19,733 --> 00:04:21,893 Speaker 3: not just a feeling. Maybe it's a place that you 78 00:04:21,933 --> 00:04:25,853 Speaker 3: take yourself to. Okay, thank you for you. Yeah, the 79 00:04:25,853 --> 00:04:27,853 Speaker 3: more I listen, I think, the more I pick out 80 00:04:28,973 --> 00:04:31,453 Speaker 3: what I really enjoy. To me, there's some real standouts 81 00:04:31,453 --> 00:04:35,413 Speaker 3: and it is starburst modern world in Romance, those are 82 00:04:35,453 --> 00:04:37,773 Speaker 3: my favorite singles. Again, I've been listening to it for 83 00:04:37,813 --> 00:04:40,773 Speaker 3: like twelve hours NonStop, So maybe. 84 00:04:40,373 --> 00:04:43,213 Speaker 2: That'll we'll listen to Romance in a couple of minutes. 85 00:04:43,453 --> 00:04:44,973 Speaker 2: And given that's the name of the album, So what 86 00:04:45,053 --> 00:04:45,933 Speaker 2: did you what did you give it? 87 00:04:46,293 --> 00:04:47,773 Speaker 3: Worth a good listen? I think I'm going to give 88 00:04:47,773 --> 00:04:48,493 Speaker 3: it an eight out of ten. 89 00:04:48,613 --> 00:04:50,613 Speaker 2: Okay, great, Yeah, it's. 90 00:04:50,533 --> 00:04:52,573 Speaker 3: Really enjoying it. Yeah, it grows on you. 91 00:04:52,693 --> 00:04:56,573 Speaker 2: Nice okay romance by Fontaine's DC for Dublin City, of course, 92 00:04:56,653 --> 00:04:59,213 Speaker 2: not District of Columbia or anything else I hate out 93 00:04:59,253 --> 00:05:01,693 Speaker 2: of ten on the Estelle Clifford scale. Thank you. We 94 00:05:01,733 --> 00:05:04,093 Speaker 2: will catch next week. That's a stale Cliffe at our 95 00:05:04,173 --> 00:05:05,733 Speaker 2: music review. Yet we will have a bit of a 96 00:05:05,773 --> 00:05:07,533 Speaker 2: Listen to Roman in a couple of minutes. 97 00:05:07,853 --> 00:05:10,973 Speaker 1: For more from Saturday Morning with Jack Tame. Listen live 98 00:05:11,053 --> 00:05:13,893 Speaker 1: to News Talks ed B from nine am Saturday, or 99 00:05:13,973 --> 00:05:15,853 Speaker 1: follow the podcast on iHeartRadio.