1 00:00:07,133 --> 00:00:10,453 Speaker 1: You're listening to the Saturday Morning with Jack Taine podcast 2 00:00:10,573 --> 00:00:11,733 Speaker 1: from News Talk said, B. 3 00:00:13,213 --> 00:00:15,053 Speaker 2: Start your weekend off in style. 4 00:00:15,293 --> 00:00:18,933 Speaker 1: Saturday Mornings with Jack Taine and bpuwart. 5 00:00:18,253 --> 00:00:20,773 Speaker 2: Dot code on instead for high quality supplements. 6 00:00:20,853 --> 00:00:46,173 Speaker 3: US Talk said BYRD and New Zealand. 7 00:00:46,213 --> 00:00:48,693 Speaker 4: Good morning, Welcome to news Talks EDB Jack Tamee with 8 00:00:48,853 --> 00:00:51,213 Speaker 4: you through to midday today. I don't know about you, 9 00:00:52,133 --> 00:00:56,373 Speaker 4: but nothing to me, absolutely nothing says a nice relaxing 10 00:00:56,533 --> 00:01:01,333 Speaker 4: long weekend Easter Holiday twenty twenty five. Like fifty mils 11 00:01:01,333 --> 00:01:04,973 Speaker 4: of rain in five hours, two hundred and twenty emergency 12 00:01:04,973 --> 00:01:10,893 Speaker 4: call out, seven hundred fifty lightning strikes. My goodness, call 13 00:01:10,933 --> 00:01:14,533 Speaker 4: me Naiva. I really thought that extropical cyclone TAM had 14 00:01:14,733 --> 00:01:16,933 Speaker 4: kind of moved off or it had died down, that 15 00:01:16,973 --> 00:01:18,493 Speaker 4: we've seen the worst of it over the last couple 16 00:01:18,533 --> 00:01:20,973 Speaker 4: of days, but apparently not. The good news in the 17 00:01:21,253 --> 00:01:24,253 Speaker 4: nine if you're waking up in Auckland this morning, is 18 00:01:24,293 --> 00:01:28,213 Speaker 4: that for now, at least this round of wild weather 19 00:01:28,293 --> 00:01:30,653 Speaker 4: seems to have eased at least for a bit. It's 20 00:01:30,653 --> 00:01:33,373 Speaker 4: not necessarily over, but the skyes are clear this morning. 21 00:01:33,373 --> 00:01:34,653 Speaker 4: We're going to make sure that we keep you up 22 00:01:34,693 --> 00:01:37,253 Speaker 4: to date with the very latest not only from weather 23 00:01:37,293 --> 00:01:40,533 Speaker 4: forecasters this morning, but also from emergency services in cases 24 00:01:40,573 --> 00:01:42,613 Speaker 4: anything else you need to do, civil defense, et cetera, 25 00:01:43,253 --> 00:01:45,693 Speaker 4: to prepare for more wild weather over the next wee 26 00:01:45,773 --> 00:01:48,333 Speaker 4: while busy show for you this morning, as we do 27 00:01:48,453 --> 00:01:51,573 Speaker 4: try and relax for the Easter weekend. After ten o'clock, 28 00:01:51,653 --> 00:01:55,933 Speaker 4: cannot wait for this Northern Irish acting legend Hollywood Royalty 29 00:01:56,053 --> 00:01:58,013 Speaker 4: Kieren Hines is going to be with us. He has 30 00:01:58,053 --> 00:02:01,773 Speaker 4: starred and basically every Blockbluster franchise all over the show 31 00:02:01,853 --> 00:02:04,133 Speaker 4: over the last few years. He's in New Zealand filming 32 00:02:04,133 --> 00:02:05,653 Speaker 4: at the moment. We managed to track him down for 33 00:02:05,693 --> 00:02:07,293 Speaker 4: an interview, So going to be with us after ten 34 00:02:07,333 --> 00:02:09,893 Speaker 4: o'clock and before ten. If you're looking for something a 35 00:02:09,893 --> 00:02:13,333 Speaker 4: little bit different for Easter Sunday morning for breakfast, maybe 36 00:02:13,373 --> 00:02:15,853 Speaker 4: you've done a week on the trot of hot Cross buns. 37 00:02:15,893 --> 00:02:17,773 Speaker 4: You just need a bit of variety in your diet. 38 00:02:18,253 --> 00:02:21,733 Speaker 4: Fantastic news. We've got an Easter pancake recipe that's still 39 00:02:21,853 --> 00:02:24,293 Speaker 4: nice and treaty for tomorrow morning, so we'll share that 40 00:02:24,333 --> 00:02:27,613 Speaker 4: before ten. Right now, it's nine minutes past nine. Jack Tatum, 41 00:02:27,693 --> 00:02:31,653 Speaker 4: Tam and the pictures made it look like a parody. 42 00:02:32,613 --> 00:02:36,933 Speaker 4: Eleven minutes after taking off from a West Texas launch site, 43 00:02:37,213 --> 00:02:42,013 Speaker 4: Jeff Bezos's Blue Origin space capsule touchdown with its all 44 00:02:42,053 --> 00:02:46,693 Speaker 4: female celebrity crew. Bezos opened the capsule door and greeted 45 00:02:46,693 --> 00:02:49,813 Speaker 4: his fiance, and one by one the women filed out, 46 00:02:49,973 --> 00:02:55,413 Speaker 4: each in their snazzy blue flared space outfits. Having technically 47 00:02:55,413 --> 00:02:59,173 Speaker 4: been in space for just four minutes. The pop star 48 00:02:59,373 --> 00:03:04,733 Speaker 4: Katie Perry knelt down and kissed the ground. I feel 49 00:03:04,773 --> 00:03:08,493 Speaker 4: the same about space tour as I do about climbing 50 00:03:08,533 --> 00:03:12,933 Speaker 4: Mount Everest. In the broadest possible terms, the idea is 51 00:03:12,933 --> 00:03:15,613 Speaker 4: really appealing. Yeah, I would love to go to space, 52 00:03:16,533 --> 00:03:20,653 Speaker 4: But as it stands today, actually appreciating how much resource 53 00:03:20,733 --> 00:03:24,413 Speaker 4: is involved, and the extent to which money, rather than talent, 54 00:03:24,813 --> 00:03:28,613 Speaker 4: is the only thing separating anyone from the loftiest heights, 55 00:03:29,413 --> 00:03:32,933 Speaker 4: I just cannot bear the thought. We all know that 56 00:03:33,213 --> 00:03:36,973 Speaker 4: Jeff Bezos isn't spending billions upon billions of dollars to 57 00:03:37,053 --> 00:03:41,133 Speaker 4: push the boundaries of scientific understanding. He's going as a 58 00:03:41,213 --> 00:03:43,813 Speaker 4: vanity project, and I don't know. To me at least, 59 00:03:43,973 --> 00:03:48,693 Speaker 4: it all just feels a bit gross. Perhaps when space 60 00:03:48,733 --> 00:03:52,893 Speaker 4: tourism is a little more normalized, and they can achieve 61 00:03:53,013 --> 00:03:55,933 Speaker 4: economies of scale. I will quietly eat my words and 62 00:03:55,973 --> 00:03:58,053 Speaker 4: find the whole thing a little more palatable. But for 63 00:03:58,133 --> 00:04:01,173 Speaker 4: what it's worth, I would hand my Explorer of the 64 00:04:01,173 --> 00:04:05,213 Speaker 4: Week award not to Katie Perry and not to Jeff 65 00:04:05,213 --> 00:04:08,333 Speaker 4: Bezos's other heart, but to the crew of the Schmidt 66 00:04:08,333 --> 00:04:12,413 Speaker 4: Ocean Institute's folk Or vessel, who just captured the first 67 00:04:12,493 --> 00:04:16,293 Speaker 4: ever footage of a colossal squid in its natural environment. 68 00:04:16,733 --> 00:04:21,013 Speaker 4: I just find this stuff fascinating. So colossal squid are 69 00:04:21,053 --> 00:04:25,533 Speaker 4: the largest invertebrates on the planet, five hundred kilograms without 70 00:04:25,573 --> 00:04:30,173 Speaker 4: a spinal column, and yet for all that science has achieved, 71 00:04:30,333 --> 00:04:33,773 Speaker 4: we know remarkably little about this species. It's only a 72 00:04:33,813 --> 00:04:36,613 Speaker 4: century actually since the species was first discovered, and we 73 00:04:36,693 --> 00:04:38,493 Speaker 4: know most of what we know about them today because 74 00:04:38,533 --> 00:04:42,253 Speaker 4: of their predators, Sperm whales, it turns out, are much 75 00:04:42,253 --> 00:04:46,693 Speaker 4: better at tracking down colossal squid than humans are, but 76 00:04:47,013 --> 00:04:49,373 Speaker 4: six hundred meters below the surface of the South Atlantic 77 00:04:49,453 --> 00:04:52,973 Speaker 4: somewhere off the coast of the Antarctic South Sandwich Islands, 78 00:04:52,973 --> 00:04:56,333 Speaker 4: in an area is so remote that the next closest 79 00:04:56,413 --> 00:05:00,373 Speaker 4: human beings were on the International Space Station. The group 80 00:05:00,413 --> 00:05:04,773 Speaker 4: of scientists used an unmanned submersible to film the most 81 00:05:04,813 --> 00:05:09,973 Speaker 4: extraordinary footage, a juvenile colossal squid, and honestly, forget anything 82 00:05:10,453 --> 00:05:13,893 Speaker 4: that Katy Perry or Jeff Bezos's wife to be might 83 00:05:13,893 --> 00:05:17,293 Speaker 4: have been seeing out the window of their shuttle. Set 84 00:05:17,333 --> 00:05:22,613 Speaker 4: against the absolute black of the deep deep, the squid 85 00:05:22,853 --> 00:05:30,653 Speaker 4: was sort of purplish and orange, otherworldly, elegant, brilliantly, beautifully alien. 86 00:05:32,493 --> 00:05:35,573 Speaker 4: Isn't it amazing that our species can send a rocket 87 00:05:35,573 --> 00:05:38,853 Speaker 4: with a pop start of space, and yet it has 88 00:05:38,933 --> 00:05:43,853 Speaker 4: taken us until twenty twenty five to actually record an 89 00:05:43,973 --> 00:05:48,373 Speaker 4: earth based tentacled beast that can grow as long as 90 00:05:48,413 --> 00:05:51,973 Speaker 4: a bus and weighs as much as a cow. Think 91 00:05:51,973 --> 00:05:54,973 Speaker 4: about that. There is a creature on the face of 92 00:05:55,013 --> 00:05:58,333 Speaker 4: this Earth that grows as long as a bus and 93 00:05:58,413 --> 00:06:02,413 Speaker 4: weighs as much as a cor and is extraordinary looking 94 00:06:02,973 --> 00:06:07,213 Speaker 4: with tentacles in every direction, and it's taken until twenty 95 00:06:07,293 --> 00:06:10,253 Speaker 4: twenty five to record this thing in its natural environment. 96 00:06:11,173 --> 00:06:14,533 Speaker 4: I think that's remarkable. I think that's incredible, and I 97 00:06:14,613 --> 00:06:17,373 Speaker 4: just think it is such a timely reminder for whatever 98 00:06:17,493 --> 00:06:22,093 Speaker 4: fascinations and discoveries await us in the infinite depths of 99 00:06:22,133 --> 00:06:27,733 Speaker 4: the cosmos. There are still so many miracles and mysteries 100 00:06:28,173 --> 00:06:32,013 Speaker 4: much closer to home, in the infinite depths of the 101 00:06:32,053 --> 00:06:37,333 Speaker 4: real Blue Origin. Jack Tab ninety two. Ninety two is 102 00:06:37,333 --> 00:06:38,613 Speaker 4: the text number if you want to flick us the 103 00:06:38,613 --> 00:06:41,413 Speaker 4: message this morning. Don't forget the standard text cost supply jacket. 104 00:06:41,453 --> 00:06:44,573 Speaker 4: Newstaloks dB dot co dot nz is the email address. Honestly, 105 00:06:44,573 --> 00:06:46,013 Speaker 4: it was a bit of a twilight Zone moment for 106 00:06:46,053 --> 00:06:48,413 Speaker 4: me last night watching the last couple of minutes of 107 00:06:48,453 --> 00:06:53,853 Speaker 4: that incredible Cruise Blues Crusaders match. Seeing seeing James O'Connor 108 00:06:56,093 --> 00:06:59,573 Speaker 4: step up and slot the winning penalty in the eighty 109 00:06:59,613 --> 00:07:03,013 Speaker 4: first minute of that game to seize the victory for 110 00:07:03,053 --> 00:07:06,613 Speaker 4: the Crusaders. I mean, you just like imagine explaining that 111 00:07:06,653 --> 00:07:09,013 Speaker 4: to me of twelve years ago, and it just seems 112 00:07:09,053 --> 00:07:10,933 Speaker 4: totally bizarre. But anyway, we're going to look at that 113 00:07:11,173 --> 00:07:13,373 Speaker 4: incredible game. I've got to say Super rugby has been 114 00:07:13,413 --> 00:07:15,293 Speaker 4: so exciting this season, So we'll catch up with our 115 00:07:15,293 --> 00:07:18,093 Speaker 4: sporto about that very shortly. Kevin Milner is with us next. 116 00:07:18,133 --> 00:07:20,693 Speaker 4: Right now, it's thirteen minutes past nine. I'm Jack Tame. 117 00:07:20,733 --> 00:07:23,213 Speaker 4: It's Saturday, morning, and this is newstalk ZEDB. 118 00:07:23,573 --> 00:07:25,133 Speaker 2: No bit of way to kick off your weekend. 119 00:07:25,253 --> 00:07:28,613 Speaker 1: Then with Jack, Saturday Mornings with Jack Tay and beep 120 00:07:28,653 --> 00:07:31,533 Speaker 1: you it dot co dot nz for high quality supplements 121 00:07:31,773 --> 00:07:32,373 Speaker 1: used talk. 122 00:07:32,373 --> 00:07:35,533 Speaker 4: EDB sixteen minutes past nine on news doorgs eDV with 123 00:07:35,613 --> 00:07:38,053 Speaker 4: Jack Tame. Jack so agreed with what you just said 124 00:07:38,093 --> 00:07:40,533 Speaker 4: about the real wonders of this world. Jack fully agree, 125 00:07:40,893 --> 00:07:44,253 Speaker 4: regarding Katie Berry in particular, my god, what a ridiculous 126 00:07:44,293 --> 00:07:46,613 Speaker 4: stunt and Dean's flip me an email to say Jack, 127 00:07:46,613 --> 00:07:48,733 Speaker 4: Happy Easter, you me and the back door all though 128 00:07:48,773 --> 00:07:51,293 Speaker 4: that an automated rocket getting up to the boundary of 129 00:07:51,333 --> 00:07:54,613 Speaker 4: space with a collection of gas bagging celebrity passengers is 130 00:07:54,653 --> 00:07:56,973 Speaker 4: no more earth breaking these days than crossing the road. 131 00:07:58,093 --> 00:08:01,613 Speaker 4: Well said Dean, you said what I said in about 132 00:08:01,613 --> 00:08:04,173 Speaker 4: five minutes. You said it in about fifteen seconds, so 133 00:08:04,493 --> 00:08:05,573 Speaker 4: thank you for that. If you want to send me 134 00:08:05,573 --> 00:08:08,293 Speaker 4: a message this morning, ninety two ninety two is the 135 00:08:08,293 --> 00:08:10,773 Speaker 4: text number Jacket used to said B dot co dot end. 136 00:08:10,693 --> 00:08:13,413 Speaker 4: It is the email address Kevin Milne as well as 137 00:08:13,413 --> 00:08:15,773 Speaker 4: for the Easter weekend This morning, Killer Kevin. 138 00:08:17,013 --> 00:08:19,493 Speaker 5: Jack, I totally agree with you what you've said this 139 00:08:19,573 --> 00:08:23,893 Speaker 5: morning very well put. Actually, I think the odd thing 140 00:08:23,933 --> 00:08:27,173 Speaker 5: about the colossal squid is its name. I think in 141 00:08:27,213 --> 00:08:32,533 Speaker 5: a way, I don't think the colossal squid is colossal. 142 00:08:33,093 --> 00:08:39,053 Speaker 5: It's large, but it's not colossal. Colossal squid exhibition it 143 00:08:39,133 --> 00:08:39,773 Speaker 5: to Papa. 144 00:08:40,173 --> 00:08:43,373 Speaker 4: Yeah, and I think they still have it there, don't they. Yeah, Yeah, 145 00:08:43,693 --> 00:08:46,453 Speaker 4: I think it's still Yeah. I think that's it's fantastic 146 00:08:46,493 --> 00:08:49,573 Speaker 4: that that exhibition. But yeah, I mean it's still so 147 00:08:49,573 --> 00:08:51,733 Speaker 4: what I mean, so they can go to about seventeen 148 00:08:51,773 --> 00:08:55,973 Speaker 4: meters I think, but I suppose that they're yeah. 149 00:08:55,853 --> 00:08:58,813 Speaker 5: Yeah, that that's a good size. I must say maybe 150 00:08:58,813 --> 00:09:00,613 Speaker 5: the one that was that to Papa was a bit 151 00:09:00,653 --> 00:09:04,893 Speaker 5: on the smallest side. But remember feeling a great sense 152 00:09:04,933 --> 00:09:08,493 Speaker 5: of disappointment. Actually and I saw it. It was not colossal, 153 00:09:08,973 --> 00:09:11,973 Speaker 5: but yeah, but it was terrific. And that I don't 154 00:09:12,013 --> 00:09:14,293 Speaker 5: say that in any way to disagree with the points 155 00:09:14,373 --> 00:09:14,973 Speaker 5: you've made. 156 00:09:15,053 --> 00:09:16,853 Speaker 4: I think I think the thing about the squid is 157 00:09:16,893 --> 00:09:18,973 Speaker 4: it sort of needs to be in the ocean for 158 00:09:19,013 --> 00:09:21,573 Speaker 4: you to appreciate its full size, like even you know, 159 00:09:21,573 --> 00:09:23,173 Speaker 4: when you see the Tapapa one, which I think is 160 00:09:23,213 --> 00:09:25,493 Speaker 4: I just love that exhibition. How they've kind of preserved it. 161 00:09:25,733 --> 00:09:27,733 Speaker 4: But if you if it's just if it's it's like 162 00:09:27,773 --> 00:09:30,373 Speaker 4: it's been deflated. And you know when a squid is 163 00:09:30,373 --> 00:09:33,493 Speaker 4: actually swimming, how the water kind of fills its whole 164 00:09:33,693 --> 00:09:36,173 Speaker 4: anatomy in space, and so you kind of you know, 165 00:09:36,213 --> 00:09:39,413 Speaker 4: it's almost like an inflated balloon. And I the sense 166 00:09:39,453 --> 00:09:41,853 Speaker 4: that I get with the with the with the one 167 00:09:41,853 --> 00:09:44,613 Speaker 4: at Tapapa. And usually when you see colossal squid, you know, 168 00:09:44,613 --> 00:09:47,253 Speaker 4: when they occasionally wash up on beaches or they find them, 169 00:09:47,493 --> 00:09:49,493 Speaker 4: you know in Wales, Bellis and that kind of thing, 170 00:09:49,693 --> 00:09:52,213 Speaker 4: usually they're deflated, so you don't get a full sense 171 00:09:52,213 --> 00:09:54,013 Speaker 4: of the kind of scale. But they need to be 172 00:09:54,173 --> 00:09:56,493 Speaker 4: in their natural environment to get that scale, I think. 173 00:09:56,573 --> 00:10:00,053 Speaker 4: And interestingly, actually the one they filmed and I conveniently 174 00:10:00,093 --> 00:10:02,333 Speaker 4: didn't mention this, but it was only thirty centimeters so 175 00:10:02,373 --> 00:10:06,533 Speaker 4: it was a juvenile. So it was you know, as 176 00:10:06,533 --> 00:10:08,253 Speaker 4: you're sort of saying, this colossal squid, and then you 177 00:10:08,253 --> 00:10:11,133 Speaker 4: scroll down two paragraphs on the on the scientific reportings 178 00:10:11,173 --> 00:10:13,493 Speaker 4: is this colossal squid at thirty centimeters And I think, well, 179 00:10:13,533 --> 00:10:16,613 Speaker 4: you know it's yeah, the name he is not ideal, 180 00:10:16,933 --> 00:10:18,893 Speaker 4: but my gosh, have you seen the pictures? 181 00:10:20,533 --> 00:10:21,133 Speaker 5: No, I haven't. 182 00:10:21,253 --> 00:10:23,893 Speaker 4: Oh they're beautiful. No, it's so alien, that's the thing, 183 00:10:24,053 --> 00:10:26,733 Speaker 4: especially especially in its natural environment where it's so deep. 184 00:10:26,733 --> 00:10:28,773 Speaker 4: There's no kind of natural light or anything. At six 185 00:10:28,813 --> 00:10:31,413 Speaker 4: hundred meters, it's just perfect black. And you know, they 186 00:10:31,613 --> 00:10:33,373 Speaker 4: have just kind of lights at that depth. So yeah, 187 00:10:33,373 --> 00:10:35,653 Speaker 4: it's absolutely amazing. If you get a chance, we'll make sure. 188 00:10:35,653 --> 00:10:37,293 Speaker 4: Actually we put a photo up on the news talks. 189 00:10:37,293 --> 00:10:39,813 Speaker 4: He'd be website. But Kevin, you have you've got into 190 00:10:39,813 --> 00:10:42,213 Speaker 4: the spirit of Easter. In fact, you got into it 191 00:10:42,253 --> 00:10:44,453 Speaker 4: early this year, as way back as Thursday. 192 00:10:45,053 --> 00:10:48,573 Speaker 5: Yeah, earlier in the week I was wondering what eastery 193 00:10:48,733 --> 00:10:51,893 Speaker 5: topic to talk about today, and on Thursday it just 194 00:10:51,973 --> 00:10:52,813 Speaker 5: fell into place. 195 00:10:53,093 --> 00:10:53,533 Speaker 6: Literally. 196 00:10:54,453 --> 00:10:58,453 Speaker 5: Last Thursday, of course, was Maundy Thursday, or as the 197 00:10:58,573 --> 00:11:02,493 Speaker 5: Christian Church calls it, Holy Thursday, the day commemorates the 198 00:11:02,573 --> 00:11:06,173 Speaker 5: Last Supper, when Jesus Christ shared bread and wine with 199 00:11:06,213 --> 00:11:11,413 Speaker 5: his apozzles prior to his crucifixion. On that occasion, Christ 200 00:11:11,693 --> 00:11:16,093 Speaker 5: washed the feet of his apostles and a demonstration of humility, 201 00:11:16,213 --> 00:11:18,773 Speaker 5: you're never too flash to do the dirty work basically, 202 00:11:19,613 --> 00:11:24,893 Speaker 5: so the theme of Maundy Thursday remains humility, and it 203 00:11:24,933 --> 00:11:27,693 Speaker 5: was in that spirit that on Thursday, I took a 204 00:11:27,773 --> 00:11:31,493 Speaker 5: tumble outside the busy entrance way to my local New 205 00:11:31,533 --> 00:11:34,973 Speaker 5: York supermarket. It was a not a down on your 206 00:11:35,053 --> 00:11:38,013 Speaker 5: knees and up again quick kind of tumble. Now I 207 00:11:38,053 --> 00:11:42,013 Speaker 5: took a full length dive on the concrete. My newest 208 00:11:42,133 --> 00:11:45,093 Speaker 5: trainers had gripped onto the concrete. I was dashing god 209 00:11:45,093 --> 00:11:48,373 Speaker 5: to the supermarket. I went down as if something invisible 210 00:11:48,653 --> 00:11:52,453 Speaker 5: had tackled me, which must have looked pretty silly. A 211 00:11:52,493 --> 00:11:54,813 Speaker 5: man came to the rescue, which lacked some assistance to 212 00:11:54,853 --> 00:11:57,893 Speaker 5: get up. In the past, my pride would have answered 213 00:11:57,933 --> 00:12:01,213 Speaker 5: for me, no, I'm fine, thanks, but I since there 214 00:12:01,253 --> 00:12:03,653 Speaker 5: was nothing nearby to haul myself up on, so I 215 00:12:03,693 --> 00:12:06,933 Speaker 5: said yes please. I might still actually have been there 216 00:12:07,013 --> 00:12:09,333 Speaker 5: trying to get up if the man hadn't given me 217 00:12:09,413 --> 00:12:13,973 Speaker 5: the hand. Nothing was hurt, but my pride jack. As 218 00:12:14,013 --> 00:12:17,453 Speaker 5: you'd know, if you're a reasonably well known character and 219 00:12:17,493 --> 00:12:20,573 Speaker 5: you make it chump of yourself, you wrongly feel the 220 00:12:20,613 --> 00:12:24,533 Speaker 5: whole world's watching and whispering. I always thought that bloke 221 00:12:24,653 --> 00:12:27,413 Speaker 5: was a bit of a goof. Anyway, that was my 222 00:12:27,653 --> 00:12:33,773 Speaker 5: Maundy Thursday moment of humility, admittedly not by choice. On reflection, 223 00:12:34,413 --> 00:12:37,653 Speaker 5: I think I'd rather wash somebody's feet, or better still, 224 00:12:38,133 --> 00:12:42,173 Speaker 5: hand out specially minted coins, as the King did on 225 00:12:42,293 --> 00:12:45,013 Speaker 5: Maundy Thursday. 226 00:12:45,653 --> 00:12:49,253 Speaker 4: Yeah, it's almost impossible. There's no good reaction after you've 227 00:12:49,293 --> 00:12:51,933 Speaker 4: fallen over it, especially if you're not There's no way 228 00:12:51,973 --> 00:12:55,053 Speaker 4: that you can kind of recover your sense of dignity fully, 229 00:12:55,133 --> 00:12:57,053 Speaker 4: is it? For everyone who's watched. It doesn't matter if 230 00:12:57,053 --> 00:12:59,413 Speaker 4: you're a recognizable figure or otherwise. It just there's no 231 00:12:59,573 --> 00:13:02,813 Speaker 4: sort of the human note, you know that the human 232 00:13:03,253 --> 00:13:06,573 Speaker 4: spirit hasn't found a way to recover from that. And 233 00:13:06,613 --> 00:13:07,973 Speaker 4: I don't know if you saw it, Kevin, but with 234 00:13:08,013 --> 00:13:10,293 Speaker 4: that space rocket that they sent up with the pop 235 00:13:10,333 --> 00:13:13,093 Speaker 4: stars and things the other day, when it came back 236 00:13:13,133 --> 00:13:16,933 Speaker 4: down to earth, Jeff Bezos, given it was his company, 237 00:13:17,213 --> 00:13:20,933 Speaker 4: he was the first to go and greet the passengers 238 00:13:20,973 --> 00:13:24,133 Speaker 4: after their eleven minute journey. So the rocket came back 239 00:13:24,173 --> 00:13:28,293 Speaker 4: down to earth and he ran over in the middle 240 00:13:28,293 --> 00:13:30,573 Speaker 4: of the desert to go and open the capsule door. 241 00:13:30,933 --> 00:13:33,413 Speaker 4: And as he arrived there, knowing that his fiance was 242 00:13:33,453 --> 00:13:35,373 Speaker 4: the first person who was going to be stepping out 243 00:13:35,413 --> 00:13:38,293 Speaker 4: and presumably thanking and congratulating him for this amazing bit 244 00:13:38,293 --> 00:13:41,573 Speaker 4: of technology and this incredible experience as he ran over 245 00:13:41,613 --> 00:13:44,453 Speaker 4: to the capsule. As he pulled up to it, he 246 00:13:44,493 --> 00:13:47,013 Speaker 4: did a massive face plant, just fell over right east 247 00:13:47,053 --> 00:13:49,693 Speaker 4: to the capture. And of course you got the whole 248 00:13:49,693 --> 00:13:51,053 Speaker 4: world's media watching, you know. 249 00:13:51,893 --> 00:13:57,293 Speaker 5: And maybe that's what gave Katie Perry the idea, yes, 250 00:13:57,973 --> 00:13:59,973 Speaker 5: fell to the ground because she. 251 00:13:59,973 --> 00:14:01,213 Speaker 4: Was trying to empathize with him. 252 00:14:01,213 --> 00:14:03,333 Speaker 6: Perhaps, Yes, that's right. 253 00:14:03,613 --> 00:14:06,653 Speaker 4: Yeah, you enjoy your enjoy your Easter weekend and and 254 00:14:06,693 --> 00:14:08,173 Speaker 4: we will catch you, sir. And I'm glad that you've 255 00:14:08,213 --> 00:14:11,693 Speaker 4: managed to recover from your tumble. What is it Maundy Thursday? Yeah, 256 00:14:11,693 --> 00:14:14,373 Speaker 4: I like that, Yeah, yeah, very good, Kevin, catch you 257 00:14:14,413 --> 00:14:15,893 Speaker 4: so ninety two ninety two of you on if like 258 00:14:15,933 --> 00:14:17,493 Speaker 4: it's a message this morning, you'll get to more of 259 00:14:17,493 --> 00:14:18,973 Speaker 4: your texts in a couple of minutes, we'll get our 260 00:14:18,973 --> 00:14:21,493 Speaker 4: Sportos thoughts on that incredible last couple of minutes of 261 00:14:21,493 --> 00:14:24,493 Speaker 4: the Cruise Blues Crusaders match in christ Church last night. 262 00:14:24,573 --> 00:14:25,973 Speaker 4: Right now, it's twenty three past. 263 00:14:25,773 --> 00:14:33,253 Speaker 1: Nine, getting your weekends started. It's Saturday morning with Jack 264 00:14:33,293 --> 00:14:35,893 Speaker 1: Team on News talks'b and. 265 00:14:36,093 --> 00:14:38,013 Speaker 4: Has sent me a note this morning, said Jack, I 266 00:14:38,013 --> 00:14:41,613 Speaker 4: would much rather view a giant squid style by nature 267 00:14:41,653 --> 00:14:45,133 Speaker 4: than a lineup of it girls sporting faux NASA jumpsuits, 268 00:14:45,133 --> 00:14:48,293 Speaker 4: full makeup and negative gravity heredos. I'm with you on 269 00:14:48,293 --> 00:14:50,733 Speaker 4: that one, and Jack, just think of the Calamari rings 270 00:14:50,733 --> 00:14:55,013 Speaker 4: on a seventeen meter long giant squid. Yeah. I don't 271 00:14:55,053 --> 00:14:57,733 Speaker 4: know about eating a giant squid. The thing is that 272 00:14:57,813 --> 00:15:00,933 Speaker 4: they're obviously very rare. I mean, this is one thing 273 00:15:00,933 --> 00:15:03,213 Speaker 4: I don't quite understand about your colossal squid, like why 274 00:15:05,253 --> 00:15:07,373 Speaker 4: it's taken. I just think amazing that it's taken us 275 00:15:07,413 --> 00:15:09,573 Speaker 4: this long to actually record one in their natural environment. 276 00:15:09,573 --> 00:15:13,253 Speaker 4: And I think usually they can find colossal squid have 277 00:15:13,413 --> 00:15:15,533 Speaker 4: kind of like washed up on beaches or you know, 278 00:15:15,613 --> 00:15:17,693 Speaker 4: are in kind of the balis of sperm whales and 279 00:15:17,733 --> 00:15:20,813 Speaker 4: that kind of thing. But clearly we don't encounter them much, 280 00:15:20,853 --> 00:15:23,893 Speaker 4: certainly in the wild, which just seems amazing for something 281 00:15:23,933 --> 00:15:27,253 Speaker 4: of that size, don't you think. But yes, the Calamari 282 00:15:27,333 --> 00:15:30,653 Speaker 4: rings would be sizable. Indeed, you probably just need ring. 283 00:15:30,853 --> 00:15:32,813 Speaker 4: You wouldn't need the plural, would you If you're having 284 00:15:32,813 --> 00:15:35,613 Speaker 4: those for dinner before ten o'clock on news talks, he'd 285 00:15:35,653 --> 00:15:37,213 Speaker 4: be we're gonna have your film picks for the week, 286 00:15:37,253 --> 00:15:40,533 Speaker 4: including this brand new Steve Coogan film called The Penguin 287 00:15:40,613 --> 00:15:42,933 Speaker 4: Lessons that our Film review has been serving in it. 288 00:15:42,973 --> 00:15:44,493 Speaker 4: So I'll tell you about that in a couple of minutes. 289 00:15:45,533 --> 00:15:47,373 Speaker 4: Right now, though, time to catch up with our sporto 290 00:15:47,493 --> 00:15:49,693 Speaker 4: Andrew Savill is with us this morning, and see how 291 00:15:49,773 --> 00:15:51,373 Speaker 4: I'm going to start off with a text from Muzz, 292 00:15:51,373 --> 00:15:53,853 Speaker 4: who's just messaged me to say, Jack, typical Crusaders. It 293 00:15:53,893 --> 00:15:55,773 Speaker 4: took an Aussie to win it for you. And I've 294 00:15:55,773 --> 00:15:59,013 Speaker 4: got to say, if you, if you had just taken 295 00:15:59,053 --> 00:16:00,933 Speaker 4: me back in time and then just given me a 296 00:16:00,973 --> 00:16:03,293 Speaker 4: few scant details of the match last night and said 297 00:16:03,293 --> 00:16:06,013 Speaker 4: that I would be cheering on James O'Connor to slot 298 00:16:06,053 --> 00:16:10,213 Speaker 4: a win penalty in christ Church, I would be confused, 299 00:16:10,213 --> 00:16:12,573 Speaker 4: to say the least. But God, it was a good 300 00:16:12,573 --> 00:16:13,213 Speaker 4: game of rugby. 301 00:16:13,733 --> 00:16:15,653 Speaker 6: Yeah it was morning Jack. 302 00:16:15,693 --> 00:16:17,533 Speaker 7: I was trying to come up with some woody line 303 00:16:17,573 --> 00:16:21,493 Speaker 7: about a five hundred kilo thing with no spine about 304 00:16:21,653 --> 00:16:24,293 Speaker 7: someone's forward pack, but I thought i'd keep my mouth shut. 305 00:16:27,053 --> 00:16:30,173 Speaker 6: What a game. Yeah, terrible conditions. 306 00:16:31,053 --> 00:16:34,253 Speaker 7: The weather really closed in christ Search last night, so 307 00:16:35,533 --> 00:16:39,493 Speaker 7: as you'd expect, very forward dominated both teams did try 308 00:16:39,533 --> 00:16:41,733 Speaker 7: to move the around, move the ball around a little bit, 309 00:16:41,773 --> 00:16:46,293 Speaker 7: but very forward dominated the Blues. I thought played really well. 310 00:16:46,373 --> 00:16:50,213 Speaker 7: They made the Crusaders I think, make almost double the 311 00:16:50,333 --> 00:16:53,453 Speaker 7: number of tackles they had to make. So I thought 312 00:16:53,453 --> 00:16:55,973 Speaker 7: in the end they'd worn the Crusaders down, that it 313 00:16:56,013 --> 00:17:01,013 Speaker 7: was a real seesaw game. In the second half, I thought, 314 00:17:01,013 --> 00:17:03,413 Speaker 7: you know, the Crusaders had done enough to win, and then. 315 00:17:03,293 --> 00:17:05,893 Speaker 6: Back to the Blues, back and forth, back and forth. 316 00:17:05,933 --> 00:17:10,173 Speaker 7: So just one of those dramatic games, typical Blues Crusaders 317 00:17:10,333 --> 00:17:11,773 Speaker 7: as we've seen over the years. 318 00:17:11,853 --> 00:17:13,733 Speaker 6: Although the last time they met an even part of 319 00:17:13,773 --> 00:17:15,213 Speaker 6: the Crusaders. 320 00:17:14,733 --> 00:17:18,333 Speaker 7: Blew the Blues off the ground. So but back to yesteryear, 321 00:17:18,373 --> 00:17:21,573 Speaker 7: typical Blues Crusaders. So I thought, all in all of 322 00:17:22,213 --> 00:17:25,133 Speaker 7: one of the best super games, despite the conditions of 323 00:17:25,213 --> 00:17:27,373 Speaker 7: the season we were not to get. The Crusaders just 324 00:17:27,413 --> 00:17:30,013 Speaker 7: got out of jail last week against the Hurricanes, and 325 00:17:30,053 --> 00:17:32,893 Speaker 7: I think even the most ardent Crusaders fan would have 326 00:17:32,893 --> 00:17:34,413 Speaker 7: to say last night they got. 327 00:17:34,253 --> 00:17:36,333 Speaker 4: Out of jail a little bit like massively. 328 00:17:37,453 --> 00:17:43,453 Speaker 7: There were a few intriguing calls from the Aussie referee 329 00:17:43,653 --> 00:17:48,213 Speaker 7: which went the way or went against the Blues. I 330 00:17:48,253 --> 00:17:50,653 Speaker 7: don't think in the end it cost them the game, 331 00:17:50,693 --> 00:17:54,693 Speaker 7: but it certainly stemmed their flow at certain points in 332 00:17:54,733 --> 00:17:58,213 Speaker 7: the match. And what about the effort from the Crusaders 333 00:17:58,333 --> 00:18:02,693 Speaker 7: pack at the end of the game. Fletcher Nule played 334 00:18:02,693 --> 00:18:06,253 Speaker 7: the whole game and you very rarely, if ever see 335 00:18:06,813 --> 00:18:09,493 Speaker 7: props at that level play eighty minutes these days, but 336 00:18:09,573 --> 00:18:13,293 Speaker 7: Fletcheriel did and it was pretty much his side that 337 00:18:13,733 --> 00:18:16,933 Speaker 7: earned the penalty which James O'Connor kicked. 338 00:18:17,093 --> 00:18:19,173 Speaker 6: And if you ever needed a. 339 00:18:19,133 --> 00:18:21,613 Speaker 7: Clutch player or a player with a vast amount of 340 00:18:21,613 --> 00:18:25,213 Speaker 7: experience to nudge one over in tough conditions, but in 341 00:18:25,293 --> 00:18:30,733 Speaker 7: front it was the little assie battler, James O'Connor. Yeah, 342 00:18:31,373 --> 00:18:34,373 Speaker 7: just just on the just on the forwards that the Crusaders, 343 00:18:34,413 --> 00:18:37,653 Speaker 7: I think that their scrum was was one of their 344 00:18:37,693 --> 00:18:40,293 Speaker 7: key weapons during the night. 345 00:18:40,533 --> 00:18:43,013 Speaker 6: And I think you're in Nelson, aren't you. Dan Perrin 346 00:18:43,253 --> 00:18:44,573 Speaker 6: is the male mate. 347 00:18:44,613 --> 00:18:48,773 Speaker 7: Dan paren Is the Crusaders forwards coach based in Nelson 348 00:18:48,853 --> 00:18:50,453 Speaker 7: these days, Tasman, I. 349 00:18:50,493 --> 00:18:52,613 Speaker 6: Think you might still own one of the butcheries in town. 350 00:18:53,853 --> 00:18:55,173 Speaker 4: Is that how you met him? 351 00:18:57,453 --> 00:19:01,413 Speaker 7: Tell him, tell him I sent you no. But yeah, 352 00:19:01,413 --> 00:19:05,253 Speaker 7: all in all, good game, good game hopefully Mowana Pacifica 353 00:19:05,333 --> 00:19:07,973 Speaker 7: playing Brumby's and put A Coe today. I'm assuming Poka 354 00:19:08,053 --> 00:19:12,333 Speaker 7: Koe hasn't floated away. Yeah, so so looking forward. 355 00:19:12,133 --> 00:19:12,493 Speaker 6: To that one. 356 00:19:12,853 --> 00:19:17,573 Speaker 4: The weather overnight was a little further north around the country, 357 00:19:17,613 --> 00:19:20,093 Speaker 4: so hopefully things that I can I mean, it just 358 00:19:20,133 --> 00:19:21,613 Speaker 4: feels like I know, I've said this a really it 359 00:19:21,653 --> 00:19:25,493 Speaker 4: just feels like the season of Super Rugby feels like 360 00:19:25,573 --> 00:19:28,413 Speaker 4: any team could win any game. Morally, yes, you know, 361 00:19:28,493 --> 00:19:30,413 Speaker 4: and I think that it's it's a pretty long time 362 00:19:30,413 --> 00:19:32,013 Speaker 4: since I've been able to say yes. Of course, there 363 00:19:32,013 --> 00:19:33,693 Speaker 4: are a few caveats there, but you know, just for 364 00:19:33,733 --> 00:19:35,853 Speaker 4: the most part, I think And one thing I loved 365 00:19:35,893 --> 00:19:39,493 Speaker 4: last night too was you could just tell how up 366 00:19:39,493 --> 00:19:41,533 Speaker 4: for the players were. I don't think i've heard more 367 00:19:42,013 --> 00:19:48,333 Speaker 4: cha who's during a game, yeah exactly, all that kind 368 00:19:48,333 --> 00:19:48,733 Speaker 4: of stuff. 369 00:19:51,173 --> 00:19:52,973 Speaker 6: Yeah, yeah, atmosphere. 370 00:19:53,373 --> 00:19:55,293 Speaker 7: But I think over all, Jacky, the competition has been 371 00:19:55,413 --> 00:19:58,813 Speaker 7: very good in that we've seen so many type finishers. 372 00:19:59,533 --> 00:20:02,453 Speaker 7: But but talking to coaches again during the week, they say, 373 00:20:02,453 --> 00:20:05,053 Speaker 7: you know, one one week they can put forty points 374 00:20:05,093 --> 00:20:06,493 Speaker 7: on a team, the next week they can get what 375 00:20:06,613 --> 00:20:08,973 Speaker 7: point on the I put on them. So yeah, yeah, 376 00:20:09,013 --> 00:20:11,213 Speaker 7: it's it's an intriguing competition. 377 00:20:11,653 --> 00:20:14,213 Speaker 4: Yeah, hey, would you make that Rory McElroy victory. 378 00:20:14,013 --> 00:20:15,333 Speaker 6: And it wasn't that sensational? 379 00:20:15,493 --> 00:20:18,653 Speaker 4: It was yeah, I mean it was you. Yeah. No, 380 00:20:18,653 --> 00:20:21,013 Speaker 4: I watched it. I watched to play out that final, 381 00:20:21,093 --> 00:20:23,773 Speaker 4: the final playoff. I mean just yeah, I just I'm 382 00:20:23,773 --> 00:20:26,053 Speaker 4: always The thing about golf is it's one of those 383 00:20:26,653 --> 00:20:28,813 Speaker 4: that I don't know if there's another sport that compares 384 00:20:28,853 --> 00:20:31,453 Speaker 4: in terms of in terms of the threat of the yips, 385 00:20:31,733 --> 00:20:34,173 Speaker 4: Like you always feel like at any moment, even the 386 00:20:34,213 --> 00:20:37,013 Speaker 4: greatest players, you look at all of those you know, 387 00:20:37,093 --> 00:20:39,813 Speaker 4: thousands of people standing there at Augusta watching but knowing 388 00:20:39,853 --> 00:20:42,813 Speaker 4: that millions are watching on TV. Just the the incredible 389 00:20:42,813 --> 00:20:46,533 Speaker 4: pressure on an individual for something that is so deft 390 00:20:46,573 --> 00:20:47,173 Speaker 4: and technical. 391 00:20:47,693 --> 00:20:50,693 Speaker 7: You know, when you know how you shout it out 392 00:20:51,053 --> 00:20:53,213 Speaker 7: when you need to strike a golf ball, and if 393 00:20:53,213 --> 00:20:54,573 Speaker 7: you're a millimeter or two. 394 00:20:54,413 --> 00:20:56,253 Speaker 6: Off, it can go anywhere. 395 00:20:57,093 --> 00:20:59,493 Speaker 7: And you're trying to hit it one hundred and fifty 396 00:20:59,613 --> 00:21:02,293 Speaker 7: yards on a five cent piece, yeah. 397 00:21:01,973 --> 00:21:03,093 Speaker 6: And landing on the green. 398 00:21:04,173 --> 00:21:07,293 Speaker 7: You're playing against others in the field, you're playing against 399 00:21:07,333 --> 00:21:11,733 Speaker 7: the course, and you're playing against yourself. So these guys 400 00:21:11,773 --> 00:21:14,453 Speaker 7: make it look easy. That's the thing is, it is very, 401 00:21:14,573 --> 00:21:17,213 Speaker 7: very difficult to win any sort of tournament, let alone 402 00:21:17,213 --> 00:21:17,653 Speaker 7: the Masters. 403 00:21:17,653 --> 00:21:18,373 Speaker 6: And I think. 404 00:21:18,533 --> 00:21:21,013 Speaker 7: McElroy's always struck me Jack as being a good guy, 405 00:21:21,693 --> 00:21:24,013 Speaker 7: comes across as a good guy, and he's well liked. 406 00:21:23,853 --> 00:21:24,333 Speaker 6: In New Zealand. 407 00:21:24,373 --> 00:21:27,053 Speaker 7: I think he was here recently playing those court, those 408 00:21:27,613 --> 00:21:31,093 Speaker 7: brilliant courses up in there. Mungafi, good mate of Ryan Fox's, 409 00:21:31,293 --> 00:21:32,773 Speaker 7: just strikes me as being a good bloke. 410 00:21:32,813 --> 00:21:35,053 Speaker 6: And he's he's been through so many ups and. 411 00:21:35,013 --> 00:21:37,733 Speaker 7: Downs the last decade since he won his last major, 412 00:21:38,053 --> 00:21:41,173 Speaker 7: and to win that first Masters like that. I was 413 00:21:41,213 --> 00:21:45,693 Speaker 7: reading his status quickly the other day on holes fifteen, sixteen, seventeen. 414 00:21:46,213 --> 00:21:49,893 Speaker 7: His approach shots on those holes, if you worked it 415 00:21:49,893 --> 00:21:54,573 Speaker 7: out percentage wise, what he did, any tour pro, not 416 00:21:54,653 --> 00:21:57,733 Speaker 7: some weekend hacker, but any tour pro I think had 417 00:21:57,813 --> 00:22:01,933 Speaker 7: something like a zero point zero zero zero one percentage 418 00:22:02,053 --> 00:22:05,453 Speaker 7: charts of doing what McElroy did on the past three holes, 419 00:22:05,653 --> 00:22:09,133 Speaker 7: and that was hitting towards seventeen and eighteen trying to 420 00:22:09,173 --> 00:22:10,253 Speaker 7: win the Masters. 421 00:22:10,453 --> 00:22:14,373 Speaker 4: Yeah, it's just incredible. It was remarkable to watch, and 422 00:22:14,493 --> 00:22:16,933 Speaker 4: just such good drama, such great sporting drama. Thank you 423 00:22:16,973 --> 00:22:20,253 Speaker 4: so much sav enjoying your Easter weekend, and I'll try 424 00:22:20,293 --> 00:22:22,293 Speaker 4: and track down your mate while I'm in Nelson for 425 00:22:22,293 --> 00:22:24,413 Speaker 4: the weekend. Yeah, I'm down here catching up with Farno 426 00:22:24,533 --> 00:22:25,933 Speaker 4: this weekend, which is nice. In fact, we had a 427 00:22:25,933 --> 00:22:28,733 Speaker 4: bit of a special one use today. Had the had 428 00:22:29,173 --> 00:22:33,213 Speaker 4: introduced my son, Marny two month old son to my 429 00:22:33,853 --> 00:22:37,733 Speaker 4: ninety two year old granddad. So had dad, granddad and 430 00:22:37,813 --> 00:22:41,173 Speaker 4: my son. So we've got all four tame men, four 431 00:22:41,173 --> 00:22:43,933 Speaker 4: different generations, sitting there having a cup of tea together. 432 00:22:44,013 --> 00:22:46,733 Speaker 4: So a special couple of photos yesterday morning for the 433 00:22:46,773 --> 00:22:48,493 Speaker 4: weekend while I'm in Nelson. Thank you so much for 434 00:22:48,533 --> 00:22:51,613 Speaker 4: your text and emails this hour. We have had gazillions, 435 00:22:52,213 --> 00:22:56,813 Speaker 4: rob said Jack regarding Maundy Thursday and having a bit 436 00:22:56,853 --> 00:22:58,733 Speaker 4: of a fall. This happened to me in my sixties. 437 00:22:58,773 --> 00:23:02,013 Speaker 4: I was briskly walking passing a woman. I scuffed the 438 00:23:02,133 --> 00:23:05,853 Speaker 4: uneven footpath and whoops, went down, face first, embarrassed, to 439 00:23:05,853 --> 00:23:08,813 Speaker 4: say the least. And someone's pointed out that when you 440 00:23:08,853 --> 00:23:12,453 Speaker 4: pass a certain age, there's a kind of pivotal moment 441 00:23:12,493 --> 00:23:15,613 Speaker 4: in your life when all of a sudden the language turns. 442 00:23:15,893 --> 00:23:18,693 Speaker 4: So when you're below a certain age, and you fall, well, 443 00:23:18,733 --> 00:23:21,253 Speaker 4: that's called tripping over. But then when you're above a 444 00:23:21,253 --> 00:23:24,293 Speaker 4: certain age, it's called having a fall. And it's shocking 445 00:23:24,333 --> 00:23:27,133 Speaker 4: to realize how you're seen by the world ninety two 446 00:23:27,253 --> 00:23:28,813 Speaker 4: ninety two. If you want to send us a message 447 00:23:28,813 --> 00:23:30,733 Speaker 4: your film picks for the weekend next right now, it's 448 00:23:30,773 --> 00:23:52,933 Speaker 4: twenty five to ten, twenty two to ten. You've jactaime 449 00:23:52,973 --> 00:23:55,013 Speaker 4: on news stories, you'd be Jack. How about that amazing 450 00:23:55,013 --> 00:23:57,733 Speaker 4: Crusader's crowd last night? As an aucklander, I watched that 451 00:23:57,893 --> 00:24:01,053 Speaker 4: rain soaked atmosphere in envy. Yeah, it did look like 452 00:24:01,093 --> 00:24:05,333 Speaker 4: an incredible atmosphere that Crusader's blues match last night. Thank 453 00:24:05,373 --> 00:24:07,013 Speaker 4: you for your feedback. We'll get to where your messages 454 00:24:07,093 --> 00:24:09,373 Speaker 4: very shortly. Right now, though, time to catch up with 455 00:24:09,653 --> 00:24:13,213 Speaker 4: our film reviewer, Francesca Rudkin for her film picks this 456 00:24:13,373 --> 00:24:17,973 Speaker 4: Easter weekend. Hey Francesca, Hi Jack. Let's start off with 457 00:24:18,093 --> 00:24:21,533 Speaker 4: a little listen to the latest film starring Steve Coogan. 458 00:24:21,693 --> 00:24:25,053 Speaker 4: This is the Penguin Lessons. Where is he from? Is 459 00:24:25,053 --> 00:24:25,493 Speaker 4: you yours? 460 00:24:25,933 --> 00:24:27,813 Speaker 1: I rescued him from an oil selector and now he 461 00:24:27,853 --> 00:24:28,853 Speaker 1: thinks he's my friend? 462 00:24:29,013 --> 00:24:33,173 Speaker 2: Okay, how'd you go not my penguin. I don't like penguins. 463 00:24:33,213 --> 00:24:35,693 Speaker 4: And why did you Stevie's life? 464 00:24:35,933 --> 00:24:37,533 Speaker 8: Because I was trying to be impressed a woman. We 465 00:24:37,613 --> 00:24:40,893 Speaker 8: have to go now now I ended up in a penguin. 466 00:24:44,413 --> 00:24:48,533 Speaker 4: Okay, that's Steve Coogan having adopted a penguin he has. 467 00:24:48,653 --> 00:24:51,413 Speaker 9: The film is called The Penguin Lessons. It's an adaptation 468 00:24:51,453 --> 00:24:55,453 Speaker 9: of Tom Mitchell's memoir and Stephen Steve Coogan. He's kind 469 00:24:55,453 --> 00:25:00,053 Speaker 9: of in Philameno mode. Here we are in nineteen seventy six. 470 00:25:00,213 --> 00:25:03,453 Speaker 9: He plays Tom. We're in Buenos Aires and Peron has 471 00:25:03,493 --> 00:25:05,893 Speaker 9: just been ousted by a military coup. He is an 472 00:25:05,933 --> 00:25:08,893 Speaker 9: English teacher at a private boys' school. There's a lot 473 00:25:08,933 --> 00:25:11,173 Speaker 9: of privileged young men whose parents are all kind of 474 00:25:11,213 --> 00:25:13,493 Speaker 9: caught up in what is going on at the moment Politically. 475 00:25:14,053 --> 00:25:17,493 Speaker 9: Tom is not a hugely inspirational teacher, Jack or man. 476 00:25:18,213 --> 00:25:21,413 Speaker 9: He's in South America on the run from a family tragedy. 477 00:25:22,093 --> 00:25:26,253 Speaker 9: He is not huge interested in his job. He just 478 00:25:26,373 --> 00:25:28,533 Speaker 9: earns a living. He does enough so that he can 479 00:25:28,573 --> 00:25:31,253 Speaker 9: go on. You can go away for weekends, take a 480 00:25:31,253 --> 00:25:35,213 Speaker 9: little holiday. He can have a few drinks, meet a lady, 481 00:25:35,293 --> 00:25:37,893 Speaker 9: or to avoid the world. He is just on the 482 00:25:37,973 --> 00:25:40,933 Speaker 9: run from life. He's just trying to live his own 483 00:25:40,973 --> 00:25:44,533 Speaker 9: life and looking for escapism. And on one of these 484 00:25:44,573 --> 00:25:48,293 Speaker 9: holiday weekends he's in Uruguay, he too impress a woman. 485 00:25:48,333 --> 00:25:50,733 Speaker 9: As you heard him trailer, he saves his penguin from 486 00:25:50,733 --> 00:25:52,413 Speaker 9: an oil slick and they clean it up, and then 487 00:25:52,453 --> 00:25:54,293 Speaker 9: he tries to return it to the beach. And then 488 00:25:55,333 --> 00:25:58,013 Speaker 9: how this penguin ends up back at his school and 489 00:25:58,093 --> 00:26:01,813 Speaker 9: what his areas is kind of unbelievable. But if you 490 00:26:01,853 --> 00:26:04,653 Speaker 9: can accept that when a problem becomes too difficult for 491 00:26:04,693 --> 00:26:07,173 Speaker 9: people to deal with, sometimes they just find it easier 492 00:26:07,213 --> 00:26:09,733 Speaker 9: to let a man smuggle a penguin across the border, 493 00:26:09,973 --> 00:26:11,453 Speaker 9: you'll understand how this has happened. 494 00:26:11,533 --> 00:26:11,693 Speaker 4: Right. 495 00:26:12,813 --> 00:26:16,093 Speaker 9: The penguin kind of becomes everybody's best friend. The boys 496 00:26:16,093 --> 00:26:19,173 Speaker 9: that Tom teach suddenly become more motivated to learn English, 497 00:26:19,173 --> 00:26:22,933 Speaker 9: as colleagues find the penguin a good listener. He's just 498 00:26:23,013 --> 00:26:25,493 Speaker 9: this distraction that they all kind of need at this point. 499 00:26:25,533 --> 00:26:29,533 Speaker 9: But the film also acknowledges that what is going on 500 00:26:29,693 --> 00:26:34,453 Speaker 9: at this particular point and in time politically, and so 501 00:26:34,573 --> 00:26:38,493 Speaker 9: you've got this quite sweet story and then it turns 502 00:26:38,493 --> 00:26:41,813 Speaker 9: a little bit more political and one of the school 503 00:26:41,813 --> 00:26:46,973 Speaker 9: workers has taken and Tom sort of signs the courage 504 00:26:47,053 --> 00:26:49,173 Speaker 9: to put his head about the pulpit and stand up 505 00:26:49,173 --> 00:26:52,493 Speaker 9: for something. Look, I think Steve Coagan, he totally nails 506 00:26:52,533 --> 00:26:54,773 Speaker 9: the comedic side of this. It's kind of a little 507 00:26:54,813 --> 00:26:56,573 Speaker 9: quirky and a little unusual, and I think he does 508 00:26:56,613 --> 00:26:59,693 Speaker 9: that really well. I wasn't hugely convinced that he'd sort 509 00:26:59,693 --> 00:27:02,933 Speaker 9: of went on this kind of emotional journey to become 510 00:27:03,013 --> 00:27:07,133 Speaker 9: this better man and to overcome maybe the issues in 511 00:27:07,213 --> 00:27:10,013 Speaker 9: his own life. I'm not quite sure whether the performance 512 00:27:10,173 --> 00:27:11,733 Speaker 9: kind of got me that far. And I think it 513 00:27:11,893 --> 00:27:14,973 Speaker 9: is very difficult when you set a film at a 514 00:27:15,053 --> 00:27:19,933 Speaker 9: time when there is something so large and important happening politically. 515 00:27:20,013 --> 00:27:22,493 Speaker 9: You know, you have tens of thousands of people being disappeared, 516 00:27:22,893 --> 00:27:24,413 Speaker 9: and you're trying to kind of balance this. 517 00:27:24,493 --> 00:27:28,413 Speaker 4: It's quite a sort of trivial story with an incredible. 518 00:27:27,933 --> 00:27:30,853 Speaker 9: Yeah, and I'm not entirely sure they've balanced that well. 519 00:27:30,933 --> 00:27:34,493 Speaker 9: But look, this is a nice kind of Sunday afternoon, 520 00:27:34,693 --> 00:27:38,413 Speaker 9: like if you're interested in penguins. 521 00:27:37,733 --> 00:27:41,453 Speaker 4: Very good well Steve Kirk and never thought they'd be 522 00:27:41,533 --> 00:27:44,893 Speaker 4: on screen together. So that is the Penguin lessons. That's 523 00:27:44,933 --> 00:27:47,933 Speaker 4: showing in cinemas. Now, next up another film showing at 524 00:27:47,973 --> 00:27:49,653 Speaker 4: the flicks and probably one you want to see on 525 00:27:49,693 --> 00:27:50,293 Speaker 4: the big screen. 526 00:27:50,413 --> 00:27:51,573 Speaker 2: This is Warfare. 527 00:27:55,893 --> 00:28:00,013 Speaker 8: Use Burke to pick an improvement, speaking with serious intent 528 00:28:00,093 --> 00:28:02,773 Speaker 8: to prove Alpha two that you might have guys starting 529 00:28:02,773 --> 00:28:03,693 Speaker 8: to move on our position. 530 00:28:04,533 --> 00:28:07,373 Speaker 10: We're getting build up of activity here too, guy Web 531 00:28:07,533 --> 00:28:09,333 Speaker 10: at this point, Yeah, we have definitely massive. 532 00:28:16,533 --> 00:28:20,533 Speaker 4: Dunt dunt dun. That's warfare. Sounds like a bit of 533 00:28:20,573 --> 00:28:21,813 Speaker 4: blood and guts and popcorn. 534 00:28:22,093 --> 00:28:22,333 Speaker 11: Yeah. 535 00:28:22,413 --> 00:28:24,493 Speaker 9: Look, I'm really glad that we started with the pleasant 536 00:28:24,573 --> 00:28:30,693 Speaker 9: light comedy because Warfare, I Apologize, is not easy watching 537 00:28:30,893 --> 00:28:33,533 Speaker 9: for an Easter weekend. It's directed by a former seal, 538 00:28:33,693 --> 00:28:36,373 Speaker 9: Ray Mendoza, along with Alex Garland, who you will know 539 00:28:36,413 --> 00:28:38,693 Speaker 9: as the director of Civil War and Ex Machine Or 540 00:28:38,693 --> 00:28:40,973 Speaker 9: and Things. And at the beginning of this film, instead 541 00:28:40,973 --> 00:28:43,093 Speaker 9: of saying this is based on a true event, they 542 00:28:43,133 --> 00:28:46,733 Speaker 9: say that this film uses only their memories and that's 543 00:28:46,773 --> 00:28:51,333 Speaker 9: really important to note. So this is basically it's based 544 00:28:51,373 --> 00:28:54,613 Speaker 9: primarily on Mendoza's memories of this one day in Iraq 545 00:28:54,693 --> 00:28:57,013 Speaker 9: when a seal to Tune creep into an Iraqi town 546 00:28:57,093 --> 00:28:59,173 Speaker 9: to do surveillance. A head of ground troops surviving. The 547 00:28:59,173 --> 00:29:01,973 Speaker 9: next day, they pick a home. They take over this home. 548 00:29:02,053 --> 00:29:05,413 Speaker 9: They put the family who lives there that's sort of 549 00:29:05,453 --> 00:29:08,813 Speaker 9: in a room, and then they start surveiling the street. 550 00:29:08,853 --> 00:29:10,933 Speaker 9: And during that surveillance they realize that there is some 551 00:29:10,973 --> 00:29:13,613 Speaker 9: suspicious movement going on and they prepare themselves for action. 552 00:29:14,253 --> 00:29:16,133 Speaker 9: This is a film about the nature of war. 553 00:29:16,173 --> 00:29:16,653 Speaker 6: It's quite a. 554 00:29:16,653 --> 00:29:20,213 Speaker 9: Political it's an anti war film. There is nothing glamorized, 555 00:29:20,413 --> 00:29:22,773 Speaker 9: nothing dramatized. There is no creative license here. 556 00:29:22,853 --> 00:29:23,093 Speaker 2: Jack. 557 00:29:23,333 --> 00:29:25,893 Speaker 9: They're not trying to entertain us. They try to say, 558 00:29:26,053 --> 00:29:28,653 Speaker 9: this is an ordinary day in the life of a soldier, 559 00:29:29,333 --> 00:29:31,253 Speaker 9: and they are trying to take you into that world. 560 00:29:31,293 --> 00:29:33,413 Speaker 9: And they're trying to show that it doesn't matter what 561 00:29:33,493 --> 00:29:35,733 Speaker 9: side you're on, or whether you're a civilian or just 562 00:29:35,773 --> 00:29:39,333 Speaker 9: an innocent bystander. There is absolutely no way that you 563 00:29:39,413 --> 00:29:43,653 Speaker 9: could walk out of an environment like this without being 564 00:29:43,693 --> 00:29:46,933 Speaker 9: seriously damaged. And I'm not saying this physically, I'm saying mentally. 565 00:29:47,253 --> 00:29:51,413 Speaker 9: It is absolutely grueling. The dialogue is all military jargon. 566 00:29:51,733 --> 00:29:54,493 Speaker 9: There is no lovely soundtrack here. The sound is actually 567 00:29:54,493 --> 00:29:56,533 Speaker 9: what is happening on the day. So as they're waiting, 568 00:29:56,613 --> 00:29:59,213 Speaker 9: it's silent they're waiting that you're very patiently. You can 569 00:29:59,333 --> 00:30:02,013 Speaker 9: feel that kind of tension building, and then once the 570 00:30:02,053 --> 00:30:06,093 Speaker 9: action does cakin, it's just gunfire. It's just horrific screams 571 00:30:06,133 --> 00:30:11,253 Speaker 9: of soldiers. It's an incredibly visceral film, very intense. You 572 00:30:11,293 --> 00:30:13,893 Speaker 9: will be relieved when it is over, but I was 573 00:30:14,053 --> 00:30:16,093 Speaker 9: incredibly grateful for the experience. 574 00:30:16,093 --> 00:30:19,933 Speaker 4: It's quote, oh superb Okay, yeah, that sounds really interesting, 575 00:30:19,933 --> 00:30:22,213 Speaker 4: but one you probably just want to watch at the 576 00:30:22,293 --> 00:30:24,693 Speaker 4: right time, in the right frame of mind. Right. You 577 00:30:24,733 --> 00:30:26,533 Speaker 4: want to be strategic. You don't just want to turn 578 00:30:26,613 --> 00:30:30,093 Speaker 4: up at the movies looking for some relaxation and decompression 579 00:30:30,133 --> 00:30:32,293 Speaker 4: and then all of a sudden find yourself twenty minutes 580 00:30:32,293 --> 00:30:38,293 Speaker 4: into Warfare this week, not that film. Yeah, yeah, okay, yeah, 581 00:30:38,293 --> 00:30:40,533 Speaker 4: it sounds really interesting. Okay, cool. So that is Warfare 582 00:30:40,573 --> 00:30:42,733 Speaker 4: that's showing in cinemas now. The Penguin Lessons is the 583 00:30:42,733 --> 00:30:44,653 Speaker 4: one with Steve Coogan and is on at the flicks 584 00:30:44,653 --> 00:30:46,773 Speaker 4: as well. Thank you so much, Francesca. The details for 585 00:30:46,813 --> 00:30:50,133 Speaker 4: those films, of course, we'll be up on the news talks. 586 00:30:50,133 --> 00:30:52,653 Speaker 4: He'd be website and don't forget right after the ten 587 00:30:52,693 --> 00:30:56,093 Speaker 4: o'clock news this morning, our feature interview hot off his 588 00:30:56,773 --> 00:31:00,213 Speaker 4: nomination for an Oscar am Bafter for his performance in Belfast, 589 00:31:00,613 --> 00:31:02,973 Speaker 4: Irish actor Kieran Hines is going to be with us, 590 00:31:02,973 --> 00:31:05,693 Speaker 4: so make sure you stick around for that next up. 591 00:31:05,813 --> 00:31:08,053 Speaker 4: If you feel like Hot Cross Buns aren't going to 592 00:31:08,093 --> 00:31:10,013 Speaker 4: do it tomorrow morning, you want something a little bit 593 00:31:10,013 --> 00:31:12,853 Speaker 4: different for you for your Easter Sunday breakfast. A fantastic 594 00:31:12,893 --> 00:31:15,293 Speaker 4: recipe this year. Right now, it's quarter to ten. 595 00:31:15,653 --> 00:31:19,413 Speaker 1: Saturday mornings with Jack Tay keeping the conversation going through 596 00:31:19,453 --> 00:31:22,653 Speaker 1: the weekend with bepure dot cot dots here for high 597 00:31:22,733 --> 00:31:24,653 Speaker 1: quality supplements used talks. 598 00:31:24,373 --> 00:31:27,253 Speaker 4: He'd be thirteen two ten on news Talks, he'd be 599 00:31:27,333 --> 00:31:30,053 Speaker 4: I'm with the family in Nelson this weekend. So we've 600 00:31:30,053 --> 00:31:33,213 Speaker 4: got what five cousins, so five kids under eight, Mom 601 00:31:33,213 --> 00:31:35,973 Speaker 4: and dad, me, my sister, my brother in law, my wife. 602 00:31:35,973 --> 00:31:38,493 Speaker 4: Every one at a full house to say the least. 603 00:31:38,573 --> 00:31:41,333 Speaker 4: But whenever the family gets together, it is a time 604 00:31:41,453 --> 00:31:44,973 Speaker 4: for mucho treats in the tame household. I know that 605 00:31:45,053 --> 00:31:47,653 Speaker 4: Nicky works will appreciate that kind of ethos, and she's 606 00:31:47,693 --> 00:31:50,613 Speaker 4: with us the head of Easter Sunday this morning, Killed 607 00:31:50,613 --> 00:31:51,293 Speaker 4: and Nikki. 608 00:31:52,373 --> 00:31:55,493 Speaker 12: I totally appreciate that, Ethos. I also have a house 609 00:31:55,493 --> 00:31:58,733 Speaker 12: full of people, and I am the auntie that knows 610 00:31:58,733 --> 00:32:00,973 Speaker 12: no rules and lots. 611 00:32:00,693 --> 00:32:01,453 Speaker 2: Of treats away. 612 00:32:01,773 --> 00:32:04,293 Speaker 4: So here's here's how things before before You've got a 613 00:32:04,333 --> 00:32:06,093 Speaker 4: great little recipe just to mix things up for us 614 00:32:06,093 --> 00:32:08,933 Speaker 4: tomorrow morning freeze to Sunday. But you'll be pleased to 615 00:32:08,933 --> 00:32:10,773 Speaker 4: know that I've not only have I been a bit 616 00:32:10,853 --> 00:32:13,413 Speaker 4: eastery for my breakfast this morning, I've also mixed things up. 617 00:32:13,453 --> 00:32:16,133 Speaker 4: So I've had two hot Cross buns with like you know, 618 00:32:16,253 --> 00:32:18,693 Speaker 4: like fifty to fifty butter to bun ratio, of course. 619 00:32:19,613 --> 00:32:22,613 Speaker 4: And then I followed it up with my favorite breakfast 620 00:32:22,613 --> 00:32:24,253 Speaker 4: and one that I only ever enjoy when I'm home 621 00:32:24,293 --> 00:32:27,893 Speaker 4: with Mum, and that is I had two Brandy Snaps 622 00:32:27,893 --> 00:32:31,453 Speaker 4: with cream that were left over from dessert last night. Well, 623 00:32:31,493 --> 00:32:33,453 Speaker 4: and the thing is, if you leave a Brandy Snap 624 00:32:33,533 --> 00:32:35,813 Speaker 4: until the next day, it kind of soaked through and 625 00:32:35,933 --> 00:32:38,453 Speaker 4: has this oh my goodness, it's so good. 626 00:32:38,573 --> 00:32:42,093 Speaker 12: Yeah, yeah, you were talking my language. That and pavlover 627 00:32:42,213 --> 00:32:43,573 Speaker 12: they both soften up. 628 00:32:43,933 --> 00:32:44,173 Speaker 4: Yeah. 629 00:32:44,213 --> 00:32:47,733 Speaker 12: Cream it was so slightly fridge stale, and it's. 630 00:32:47,653 --> 00:32:49,413 Speaker 4: Just breakfast Champions. 631 00:32:50,533 --> 00:32:51,013 Speaker 8: Breakfast. 632 00:32:51,893 --> 00:32:55,733 Speaker 12: Anyway, I've done the same So I made a batch 633 00:32:55,733 --> 00:32:58,213 Speaker 12: of hot Cross buns last night and then I freshened 634 00:32:58,253 --> 00:33:00,933 Speaker 12: them up this morning. But you know, hot Cross buns, 635 00:33:00,933 --> 00:33:04,253 Speaker 12: they do take ninety nine million hours to make. They 636 00:33:04,293 --> 00:33:07,053 Speaker 12: are definitely worth it to make yourself. People go online 637 00:33:07,053 --> 00:33:09,533 Speaker 12: and check my Facebook or Insta and you'll find my 638 00:33:09,693 --> 00:33:12,773 Speaker 12: tried and true recipe. But I have also been making 639 00:33:12,813 --> 00:33:16,493 Speaker 12: these and they are Easter pancakes, Jack, and they are divine. 640 00:33:16,813 --> 00:33:18,733 Speaker 12: So I thought to myself, what can you make that 641 00:33:19,813 --> 00:33:21,813 Speaker 12: has all the flavors of Easter? And if you think 642 00:33:21,853 --> 00:33:26,293 Speaker 12: about what water in buns, there's currants and sultanas, there's 643 00:33:26,453 --> 00:33:29,933 Speaker 12: mixed spice, nutmeg, there's cinnamon in there, et cetera, et cetera, 644 00:33:30,253 --> 00:33:32,173 Speaker 12: you're already really after as the lashings of butter. 645 00:33:32,253 --> 00:33:32,933 Speaker 4: Let's be honest. 646 00:33:33,093 --> 00:33:35,853 Speaker 12: So I've made these beautiful pancakes, and this is what 647 00:33:35,893 --> 00:33:37,533 Speaker 12: I do. I make them with oats. I have no 648 00:33:37,653 --> 00:33:39,573 Speaker 12: idea why I just do it. You could probably do 649 00:33:39,613 --> 00:33:41,693 Speaker 12: it with flour. But I take two thirds of a 650 00:33:41,693 --> 00:33:43,773 Speaker 12: cup of rolled oats and I blitz those in a 651 00:33:43,813 --> 00:33:46,653 Speaker 12: blender till it's kind of like flour, so it's oat flour. 652 00:33:47,453 --> 00:33:49,733 Speaker 12: Tip these into a bowl and add in the spices 653 00:33:49,773 --> 00:33:53,253 Speaker 12: and use lots of spices, one teaspoon of cinnamon, one 654 00:33:53,293 --> 00:33:56,853 Speaker 12: teaspoon of mixed spice, half a teaspoon of nutmeg. And 655 00:33:56,893 --> 00:33:58,893 Speaker 12: then we want a few little raising agents in there, 656 00:33:58,893 --> 00:34:01,293 Speaker 12: and I use half a teaspoon of baking powder and 657 00:34:01,413 --> 00:34:04,573 Speaker 12: half a teaspoon of baking soda. Whisk that add all 658 00:34:04,653 --> 00:34:07,693 Speaker 12: up all of those dry ingredients, and then in a 659 00:34:07,733 --> 00:34:10,893 Speaker 12: cup or another little bowl whisked together some mashed banana, 660 00:34:11,533 --> 00:34:16,973 Speaker 12: one mashed banana, one egg, and some yogurt or some water. 661 00:34:17,173 --> 00:34:19,813 Speaker 12: And you really want I don't know, maybe quart of 662 00:34:19,853 --> 00:34:21,893 Speaker 12: a cup of that, and then start adding some water 663 00:34:22,013 --> 00:34:23,853 Speaker 12: or milk, and you just want to make sure that 664 00:34:23,973 --> 00:34:26,813 Speaker 12: is quite a fixed sort of batter mixture. Add in 665 00:34:26,813 --> 00:34:29,773 Speaker 12: your currants and I've used three tablespoons of currants or 666 00:34:29,813 --> 00:34:33,013 Speaker 12: sultanas here if you want, you can also put on 667 00:34:33,053 --> 00:34:36,053 Speaker 12: lots of orange zest and lemon zest, and that also 668 00:34:36,053 --> 00:34:39,373 Speaker 12: will give you that really beautiful hot cross bun flavor, 669 00:34:39,893 --> 00:34:41,933 Speaker 12: and all of that up until it forms a lovely 670 00:34:42,373 --> 00:34:45,173 Speaker 12: smooth dough. Don't overmix it because that just means that 671 00:34:46,053 --> 00:34:48,933 Speaker 12: you'll get a sort of tough pancake. And you want 672 00:34:48,973 --> 00:34:50,973 Speaker 12: to start cooking them pretty soon after you've done this, 673 00:34:51,053 --> 00:34:54,533 Speaker 12: because those raising agents have met up with the liquid 674 00:34:54,813 --> 00:34:57,693 Speaker 12: and they're already starting to puff and activate. Heat a 675 00:34:57,733 --> 00:35:00,533 Speaker 12: pan with that medium, Grease the surface ever so slightly 676 00:35:00,573 --> 00:35:02,493 Speaker 12: on that first lot with a little butter, but you 677 00:35:02,533 --> 00:35:05,773 Speaker 12: shouldn't have to afterwards drop big tablespoons of the batter 678 00:35:05,853 --> 00:35:09,893 Speaker 12: into the And this makes at least twelve pancakes, so 679 00:35:10,093 --> 00:35:13,093 Speaker 12: you all in your family get at least a couple each, 680 00:35:13,133 --> 00:35:16,173 Speaker 12: I'd say, down there, jack and then cook until browned 681 00:35:16,173 --> 00:35:19,253 Speaker 12: on one side and slightly puffed. Flip them over, cook 682 00:35:19,333 --> 00:35:21,213 Speaker 12: right through. They do take a little bit of cooking, 683 00:35:21,973 --> 00:35:24,013 Speaker 12: and then I actually prefer to eat them a little 684 00:35:24,013 --> 00:35:26,373 Speaker 12: bit cooler than you know, hot out of the pan 685 00:35:27,053 --> 00:35:29,493 Speaker 12: and have that just brings up the spice flavor. 686 00:35:29,173 --> 00:35:30,453 Speaker 4: A little bit more interesting. 687 00:35:31,373 --> 00:35:32,333 Speaker 9: Suve them with lots of. 688 00:35:32,293 --> 00:35:35,933 Speaker 12: Butter syrups if you want fancy anything, you fancy really 689 00:35:36,933 --> 00:35:39,333 Speaker 12: and it's a happy easter all round. It's honestly, they're 690 00:35:39,373 --> 00:35:40,333 Speaker 12: absolutely gorgeous. 691 00:35:40,453 --> 00:35:42,893 Speaker 4: It sounds so good and such a good little alternative 692 00:35:42,893 --> 00:35:44,973 Speaker 4: if you haven't faffed about with hot cross bunds. Not 693 00:35:45,013 --> 00:35:47,653 Speaker 4: to say the homegross hot cross buns aren't incredible and delicious. 694 00:35:47,933 --> 00:35:50,413 Speaker 4: But you know what I mean slightly, I'm a bit 695 00:35:50,453 --> 00:35:53,173 Speaker 4: of a shortcut to an eastery flavor. Yeah, it's put 696 00:35:53,213 --> 00:35:55,773 Speaker 4: it that way. You'll have these, you. 697 00:35:55,653 --> 00:35:58,213 Speaker 12: Know, in the bowl and on the table within twenty minutes, 698 00:35:58,253 --> 00:36:00,573 Speaker 12: whereas it's a good six hours for those hot cross 699 00:36:00,573 --> 00:36:03,333 Speaker 12: buns to rise a few times. So you know it's 700 00:36:03,333 --> 00:36:03,773 Speaker 12: not either. 701 00:36:03,813 --> 00:36:04,933 Speaker 9: All I've done both. 702 00:36:05,333 --> 00:36:07,893 Speaker 4: Yeah, yeah, that's my ethos. 703 00:36:07,893 --> 00:36:13,013 Speaker 12: All right, there go exactly chocolate everything. 704 00:36:13,333 --> 00:36:15,493 Speaker 4: Yeah, yeah, yeah, of course, Hey, thank you so much. 705 00:36:15,613 --> 00:36:17,853 Speaker 4: We will put that recipe up on the news talks. 706 00:36:17,893 --> 00:36:19,893 Speaker 4: He'd be website the easiest way to find everything from 707 00:36:19,933 --> 00:36:21,693 Speaker 4: our shows to go to news talks. He'd dot co 708 00:36:21,773 --> 00:36:25,493 Speaker 4: dot nzed Ford slash Jack. Have a wonderful Easter weekend, Nikki, 709 00:36:25,973 --> 00:36:28,133 Speaker 4: and we will catch you very soon. Right now, it 710 00:36:28,213 --> 00:36:29,173 Speaker 4: is eight minutes to. 711 00:36:29,173 --> 00:36:32,013 Speaker 1: Ten, giving you the inside scoop on all you need 712 00:36:32,093 --> 00:36:35,333 Speaker 1: to know Saturday Mornings with jackdam and vpuwre dot co 713 00:36:35,453 --> 00:36:38,653 Speaker 1: dot enz for high quality Supplements US talks be. 714 00:36:39,373 --> 00:36:41,693 Speaker 4: I've had so many text and emails that out. I 715 00:36:41,693 --> 00:36:43,533 Speaker 4: thank you very much if you flick me a message through, 716 00:36:43,573 --> 00:36:45,493 Speaker 4: and sorry if I haven't got to it yet yet. 717 00:36:45,533 --> 00:36:47,133 Speaker 4: Being the pivotal word. I'm going to share this one 718 00:36:47,133 --> 00:36:49,693 Speaker 4: from Peter because it's very nice. Indeed, Jack, I look 719 00:36:49,733 --> 00:36:52,453 Speaker 4: forward to your opening comments on Saturday mornings every week, 720 00:36:52,493 --> 00:36:54,493 Speaker 4: and you absolutely nailed it this morning. I don't always 721 00:36:54,533 --> 00:36:56,733 Speaker 4: agree with you, but I share your fascination when it 722 00:36:56,773 --> 00:37:01,133 Speaker 4: comes to colossal squid and your distaste of the billionaires 723 00:37:01,173 --> 00:37:02,933 Speaker 4: sending their mates to space. 724 00:37:03,173 --> 00:37:03,373 Speaker 8: Yeah. 725 00:37:04,053 --> 00:37:05,933 Speaker 4: I don't know, maybe I've been a little bit harsh 726 00:37:05,973 --> 00:37:09,613 Speaker 4: on the celebrities who got fired up there. It just 727 00:37:09,613 --> 00:37:11,613 Speaker 4: just it seemed a little bit silly. And then I 728 00:37:11,413 --> 00:37:13,853 Speaker 4: just I just thought the contrast with that from you know, 729 00:37:13,933 --> 00:37:20,693 Speaker 4: the kind of embracing that the explorer spirit. I felt like, actually, 730 00:37:20,733 --> 00:37:23,933 Speaker 4: what was achieved in those Antarctic waters in filming that 731 00:37:23,973 --> 00:37:27,853 Speaker 4: colossal squid and kind of you know, unwrapping that mystery 732 00:37:27,933 --> 00:37:29,813 Speaker 4: just a little bit more. I thought that was remarkable. 733 00:37:30,133 --> 00:37:33,533 Speaker 4: Regarding the colossal squid, Jack, twenty years ago, I was 734 00:37:33,533 --> 00:37:37,333 Speaker 4: working on a fishing boat circumnavigating the South Island targeting 735 00:37:37,373 --> 00:37:40,733 Speaker 4: hawky when we caught a colossal squid in the net. 736 00:37:41,173 --> 00:37:43,413 Speaker 4: The suckers were about the size of a cup with 737 00:37:43,533 --> 00:37:46,413 Speaker 4: a hook in each sucker, and the hood was larger 738 00:37:46,413 --> 00:37:49,133 Speaker 4: than me at six foot two. The beak was the 739 00:37:49,133 --> 00:37:51,653 Speaker 4: size of a large dinner plate that could easily have 740 00:37:51,733 --> 00:37:54,733 Speaker 4: crushed a skull, and the fishing company was offered tens 741 00:37:54,733 --> 00:37:57,653 Speaker 4: of thousands of dollars by a Japanese company. However, of course, 742 00:37:57,693 --> 00:38:00,693 Speaker 4: colossal squid are protected and by law we had to 743 00:38:00,773 --> 00:38:05,133 Speaker 4: donate it to Tapapa for scientific study. What an amazing experience. 744 00:38:05,293 --> 00:38:07,013 Speaker 4: I mean, it's, you know, like add in a sense 745 00:38:07,053 --> 00:38:08,973 Speaker 4: when you're dredging, you know, when you're pulling something like 746 00:38:08,973 --> 00:38:12,493 Speaker 4: that up. Although usually I think colossal squid are very deep, 747 00:38:12,733 --> 00:38:14,733 Speaker 4: so if you're pulling it up at that you know 748 00:38:14,853 --> 00:38:16,773 Speaker 4: kind of depth, that probably suggests that maybe not all 749 00:38:16,773 --> 00:38:18,813 Speaker 4: as well. But thank you very much for sharing that 750 00:38:18,853 --> 00:38:20,853 Speaker 4: with us. They really are an extraordinary creature. I just 751 00:38:20,853 --> 00:38:22,893 Speaker 4: think it's amazing that something as long as a bus, 752 00:38:22,893 --> 00:38:25,013 Speaker 4: that weighs as much as a car has taken us 753 00:38:25,093 --> 00:38:28,493 Speaker 4: until twenty twenty five to film. Anyway, ninety two ninety 754 00:38:28,493 --> 00:38:29,853 Speaker 4: two is our text number if you want to send 755 00:38:29,893 --> 00:38:32,733 Speaker 4: us a message after ten o'clock. What to Harry Potter, 756 00:38:32,893 --> 00:38:36,413 Speaker 4: Game of Thrones, Lord of the Rings and Frozen all 757 00:38:36,413 --> 00:38:42,093 Speaker 4: have in common. One man Kieren Hines, Irish acting legend 758 00:38:42,293 --> 00:38:45,213 Speaker 4: Oscar nominee Kieren Hines has been filming in New Zealand. 759 00:38:45,413 --> 00:38:47,213 Speaker 4: We've managed to track him down for an interview, so 760 00:38:47,253 --> 00:38:49,453 Speaker 4: he's going to be with us very shortly. It's almost 761 00:38:49,453 --> 00:38:51,813 Speaker 4: news time. We'll get the latest on the storm overnight. 762 00:38:52,453 --> 00:38:55,453 Speaker 4: I'm Jack Tame. It's Saturday morning. This is Newstalg's EDB. 763 00:38:56,573 --> 00:38:59,693 Speaker 1: A cracking way to start your Saturday Saturday mornings with 764 00:38:59,813 --> 00:39:02,933 Speaker 1: Jack tay and bpure dot co dot zead for high 765 00:39:03,013 --> 00:39:05,053 Speaker 1: quality supplements Newstalgs EDB. 766 00:39:28,293 --> 00:39:31,773 Speaker 4: Mordkoto. You're with Jack Taime on Newstork ZV through to 767 00:39:31,893 --> 00:39:36,653 Speaker 4: midday today. Kieren Hines's acting talents lend himself to both 768 00:39:36,973 --> 00:39:42,453 Speaker 4: villainous rolls and simmering heroics. His long and storied career 769 00:39:42,533 --> 00:39:47,053 Speaker 4: has included intimate Shakespearean theater productions right through to major 770 00:39:47,093 --> 00:39:50,253 Speaker 4: franchises such as Harry Potter, Game of Thrones, Lord of 771 00:39:50,293 --> 00:39:54,573 Speaker 4: the Rings, and the Disney animation Frozen. Karen's latest project, 772 00:39:54,653 --> 00:39:57,573 Speaker 4: The Narrow Road to the Deep North, is an intimate 773 00:39:57,693 --> 00:40:01,573 Speaker 4: character study of human spirit. It's a series based on 774 00:40:01,613 --> 00:40:04,293 Speaker 4: the novel by Richard Fanagan see against the backdrop of 775 00:40:04,333 --> 00:40:07,653 Speaker 4: the Japanese Prisoner of War camp during the Second World War. 776 00:40:13,533 --> 00:40:16,133 Speaker 9: Tell me how did it feel going from a soldier 777 00:40:16,173 --> 00:40:16,973 Speaker 9: into a prisoner of. 778 00:40:17,013 --> 00:40:21,853 Speaker 8: War to be incarciated when others are fighting. 779 00:40:21,853 --> 00:40:23,053 Speaker 2: It is hard for soldier. 780 00:40:22,773 --> 00:40:25,373 Speaker 4: Spirit yours here to build our railway. 781 00:40:25,973 --> 00:40:27,613 Speaker 9: What do you call most of that time? 782 00:40:28,693 --> 00:40:31,973 Speaker 8: Memory is the only true of Justine. 783 00:40:39,333 --> 00:40:41,853 Speaker 4: That's The Narrow Road to the Deep North. And Kiaren 784 00:40:41,933 --> 00:40:44,613 Speaker 4: Hines is with us this morning, Kilder, Welcome to the show. 785 00:40:44,933 --> 00:40:46,093 Speaker 8: Thank you very much. Jack. 786 00:40:46,413 --> 00:40:48,973 Speaker 4: The Narrow Road to the Deep North. It is an 787 00:40:48,973 --> 00:40:52,413 Speaker 4: extraordinary novel by Richard Flanagan. But tell us what drew 788 00:40:52,453 --> 00:40:53,333 Speaker 4: you to this production. 789 00:40:55,213 --> 00:40:57,253 Speaker 8: I guess the first thing that dremmagers the production was 790 00:40:58,253 --> 00:41:01,413 Speaker 8: a contact that my agent got touch saying that Justin 791 00:41:01,533 --> 00:41:06,293 Speaker 8: Kurzel was interested in me perhaps playing a role in 792 00:41:06,693 --> 00:41:10,853 Speaker 8: project he was doing. And I had right chance. Had 793 00:41:10,893 --> 00:41:14,933 Speaker 8: seen a film called Nitrum that or Nitrum, I'm not 794 00:41:14,933 --> 00:41:17,013 Speaker 8: sure what it's called, but that he and Sean Grant, 795 00:41:17,453 --> 00:41:21,973 Speaker 8: the writer, had put together and I was very, very 796 00:41:22,013 --> 00:41:24,813 Speaker 8: moved by it. And I knew that he had some 797 00:41:24,933 --> 00:41:29,413 Speaker 8: of his work, he had done Macbeth and I so 798 00:41:29,653 --> 00:41:32,733 Speaker 8: I asked what the project was, and he said, Narrow 799 00:41:32,733 --> 00:41:35,133 Speaker 8: Wrote to the Deep Knock a book I'd heard of 800 00:41:35,293 --> 00:41:37,973 Speaker 8: but had never read, and they sent me a couple 801 00:41:38,053 --> 00:41:41,053 Speaker 8: of scripts and I was immediately hooked by the quality 802 00:41:41,093 --> 00:41:45,373 Speaker 8: of the writing and the story itself. So I went 803 00:41:45,413 --> 00:41:47,933 Speaker 8: out and got myself the book and then I had 804 00:41:47,933 --> 00:41:54,773 Speaker 8: this extraordinary, extraordinary experience reading and deeply, deeply moved. I 805 00:41:54,853 --> 00:41:59,013 Speaker 8: was by the stavatory, the cruelty, the brutality, the love, 806 00:41:59,133 --> 00:42:05,253 Speaker 8: the deep passion they wanting. It's a huge and hugely 807 00:42:05,293 --> 00:42:08,693 Speaker 8: emotional read for any anybody. But it also filled me 808 00:42:08,773 --> 00:42:11,093 Speaker 8: in in some history that I wasn't really aware of. 809 00:42:11,493 --> 00:42:14,613 Speaker 8: And from then I said, I'm very interested in this project, 810 00:42:14,733 --> 00:42:16,293 Speaker 8: and sort of it down from there. 811 00:42:16,413 --> 00:42:19,293 Speaker 4: So I'm interested. You say that because because it is 812 00:42:19,333 --> 00:42:23,613 Speaker 4: a love story, but it also details some of the 813 00:42:23,693 --> 00:42:28,853 Speaker 4: absolute worst horrors from the Pacific Campaign in the Second 814 00:42:28,853 --> 00:42:32,613 Speaker 4: World War. And as someone who grew up, I suppose 815 00:42:32,653 --> 00:42:35,133 Speaker 4: in the shadow of the Second World War or in 816 00:42:35,173 --> 00:42:40,773 Speaker 4: the decades thereafter, was the Pacific dimension to that conflict 817 00:42:40,893 --> 00:42:44,653 Speaker 4: something that had come across your you know it come 818 00:42:44,693 --> 00:42:46,773 Speaker 4: across your desk before. Was it something you were aware of? 819 00:42:47,333 --> 00:42:50,493 Speaker 8: Not in any in any great shakes in any way, 820 00:42:50,533 --> 00:42:53,893 Speaker 8: Because because I've supposed through history or through school, through whatever, 821 00:42:54,053 --> 00:42:56,893 Speaker 8: through just location. We were more involved with the war 822 00:42:56,933 --> 00:43:00,493 Speaker 8: in Europe. But I guess the flextionon I would have 823 00:43:00,693 --> 00:43:03,293 Speaker 8: was probably in my late scenes seeing bridge of the 824 00:43:03,373 --> 00:43:05,973 Speaker 8: River Kui, for example, that would have been the reference 825 00:43:05,973 --> 00:43:08,653 Speaker 8: I would have had. And then so o, my god. 826 00:43:08,693 --> 00:43:10,693 Speaker 8: And then I read a few things about it. But 827 00:43:10,773 --> 00:43:12,693 Speaker 8: it's it's very interesting when you read it through. For me, 828 00:43:12,773 --> 00:43:16,813 Speaker 8: from when I read it through literature as opposed to history, 829 00:43:16,893 --> 00:43:22,173 Speaker 8: it makes it even even more real. The horror, yeah, 830 00:43:22,213 --> 00:43:26,813 Speaker 8: the savagery, the brutality, and yet the courage and deep 831 00:43:27,493 --> 00:43:30,733 Speaker 8: deep love of men to hold on to each other 832 00:43:31,013 --> 00:43:35,093 Speaker 8: in a sense of survival and commitment to each other. 833 00:43:35,533 --> 00:43:40,013 Speaker 8: It was huge. I mean, it's a great human book, 834 00:43:40,573 --> 00:43:43,013 Speaker 8: you know, full of horror, but full of beauty and 835 00:43:43,813 --> 00:43:47,453 Speaker 8: passion and desire. Yeah, So might you read for anybody? 836 00:43:48,013 --> 00:43:51,693 Speaker 4: Do you do you think that through stories or maybe 837 00:43:51,693 --> 00:43:54,813 Speaker 4: even through personal experience, it's it's a sort of a cliche, 838 00:43:54,893 --> 00:43:57,453 Speaker 4: you know, the best of times or the worst in 839 00:43:57,533 --> 00:44:00,973 Speaker 4: times brings out the best in people. And and I suppose, 840 00:44:01,013 --> 00:44:03,173 Speaker 4: I suppose one of the things that's really clear, you know, 841 00:44:04,173 --> 00:44:06,693 Speaker 4: I'll make no bones about it, this is a times 842 00:44:06,693 --> 00:44:10,813 Speaker 4: a very confronting. Watch it's it's pretty it's pretty dark, 843 00:44:10,973 --> 00:44:15,453 Speaker 4: and viewers are not spared the horrors of you know, 844 00:44:15,813 --> 00:44:19,213 Speaker 4: of life and death as prisoners of war during the 845 00:44:19,213 --> 00:44:22,253 Speaker 4: Second World War in Mianma or in Burma. Do you 846 00:44:22,293 --> 00:44:26,573 Speaker 4: think we as humans need to experience those absolute horrors 847 00:44:26,573 --> 00:44:29,933 Speaker 4: in order to see the very best of our species 848 00:44:29,973 --> 00:44:30,333 Speaker 4: as well. 849 00:44:30,893 --> 00:44:35,493 Speaker 8: I'm not one for relishing or indulging in kind of 850 00:44:35,533 --> 00:44:38,333 Speaker 8: torture porn. That's a different thing. But this is a 851 00:44:38,533 --> 00:44:41,573 Speaker 8: this is a sense of reality I noticed in you know, 852 00:44:41,573 --> 00:44:45,133 Speaker 8: when I read it, and reading it without being visualized 853 00:44:45,173 --> 00:44:52,333 Speaker 8: on camera for for a television adaptation, one's imagination takes 854 00:44:52,333 --> 00:44:55,893 Speaker 8: one away into into a terrible place. But what I've 855 00:44:56,013 --> 00:44:58,733 Speaker 8: found about this when I saw the rough cut was 856 00:44:59,413 --> 00:45:02,533 Speaker 8: it's kind of it's held back a lot, but it's 857 00:45:02,653 --> 00:45:07,813 Speaker 8: it's there. It's held back until a moment arrived that 858 00:45:08,333 --> 00:45:12,853 Speaker 8: it becomes relentless. But it is one huge moment and 859 00:45:12,933 --> 00:45:16,013 Speaker 8: yet so it's not regularly in your face all the 860 00:45:16,053 --> 00:45:18,533 Speaker 8: time or hear it comes again. So when it comes, 861 00:45:18,533 --> 00:45:20,333 Speaker 8: it's like as if it would never stop. But it 862 00:45:20,333 --> 00:45:25,333 Speaker 8: gives you the idea that these men lived under these 863 00:45:25,333 --> 00:45:29,453 Speaker 8: conditions for those years and years, although they you know, 864 00:45:29,533 --> 00:45:32,813 Speaker 8: in extremists, they show this one idea of a severe 865 00:45:32,813 --> 00:45:36,973 Speaker 8: beating and it is extraordinary and you're begging yourself, i 866 00:45:36,973 --> 00:45:39,933 Speaker 8: think the viewer, for it to stop, to stop, and 867 00:45:40,013 --> 00:45:42,493 Speaker 8: yet the thing is all the you know, the way 868 00:45:42,493 --> 00:45:45,493 Speaker 8: the story is. These men cannot stop it. There's nothing 869 00:45:45,493 --> 00:45:47,453 Speaker 8: they can stop, and they're witness to it, like we 870 00:45:47,533 --> 00:45:50,773 Speaker 8: are witnessed to watching the filmmaker make this, but in 871 00:45:50,813 --> 00:45:55,293 Speaker 8: not any it's such a human film, and it's it's 872 00:45:55,333 --> 00:45:58,293 Speaker 8: a hard watch. You're right, Jack, it's really hard. And 873 00:45:58,933 --> 00:46:03,213 Speaker 8: then there's those moments that keep Dorrigo Evans the main protagonist, 874 00:46:03,293 --> 00:46:07,093 Speaker 8: this young doctor who helps keep all these people alive 875 00:46:07,653 --> 00:46:09,973 Speaker 8: in a sense of how he can save their lives, 876 00:46:09,973 --> 00:46:14,013 Speaker 8: how he can keep them going, and yet he himself 877 00:46:14,413 --> 00:46:17,613 Speaker 8: is kept alive by in a way kind of well 878 00:46:17,813 --> 00:46:21,213 Speaker 8: it's not illicit wealth, but his heart is taken profoundly 879 00:46:21,533 --> 00:46:24,133 Speaker 8: by a young woman who he's not intended for. He's 880 00:46:24,173 --> 00:46:27,333 Speaker 8: intended for another woman, but he can't help. But one 881 00:46:27,373 --> 00:46:30,853 Speaker 8: can't help out of the heart dictates your life, and 882 00:46:30,933 --> 00:46:34,093 Speaker 8: that flame keeps him alive and away because all this 883 00:46:34,693 --> 00:46:37,813 Speaker 8: kind of thing is all burning, burning together, and there's 884 00:46:37,933 --> 00:46:41,173 Speaker 8: this sense of what is love and what is devotion 885 00:46:41,333 --> 00:46:45,973 Speaker 8: and need a passion. It's this book that Richard Fanninger note, 886 00:46:46,173 --> 00:46:48,213 Speaker 8: it's full of it. And also because the fact that 887 00:46:48,333 --> 00:46:52,613 Speaker 8: jumps between timing periods between the nineteen forties in Australia 888 00:46:52,693 --> 00:46:55,573 Speaker 8: and in Burma and then to the nineteen eighties, and 889 00:46:55,613 --> 00:46:58,693 Speaker 8: it keeps going backwards and forwards in that time, and 890 00:46:58,893 --> 00:47:02,053 Speaker 8: you see what the kind of a shell of a 891 00:47:02,093 --> 00:47:06,373 Speaker 8: man that this young passionate doctor has become. He's still 892 00:47:06,813 --> 00:47:09,893 Speaker 8: a renowned doctor and he still has empathy, but he's 893 00:47:09,973 --> 00:47:12,173 Speaker 8: kind of a shall of a man. He's kind of 894 00:47:13,133 --> 00:47:15,373 Speaker 8: there's a lack of warmth in him anymore. And I 895 00:47:15,373 --> 00:47:18,693 Speaker 8: think it's because of what he's been through so deeply 896 00:47:18,973 --> 00:47:20,053 Speaker 8: in his early life. 897 00:47:20,413 --> 00:47:24,453 Speaker 4: And so you're playing Dorogon Dorogo rather in the nineteen 898 00:47:24,453 --> 00:47:28,493 Speaker 4: eighties and Jacob a Lordie is playing him as a 899 00:47:28,853 --> 00:47:32,373 Speaker 4: young man in the nineteen forties, so obviously the story 900 00:47:32,413 --> 00:47:36,173 Speaker 4: sort of swings between those those two different times. Did 901 00:47:36,213 --> 00:47:38,653 Speaker 4: you work with Jacob at all? Do you with the 902 00:47:38,653 --> 00:47:41,813 Speaker 4: sort of production you don't coordinate around Dorogo's character or 903 00:47:41,813 --> 00:47:42,573 Speaker 4: anything like that. 904 00:47:43,213 --> 00:47:46,133 Speaker 8: No, I guess I always wondered so because Jacob was 905 00:47:46,173 --> 00:47:50,453 Speaker 8: obviously cast to play the younger Dorogo Evans, which is 906 00:47:50,453 --> 00:47:52,653 Speaker 8: the main role, and then I guess they throw a 907 00:47:52,733 --> 00:47:54,813 Speaker 8: net out to see who can play the older one. 908 00:47:54,853 --> 00:47:59,213 Speaker 8: And it's kind of interesting. You think poor Jacob is 909 00:47:59,213 --> 00:48:01,213 Speaker 8: going to end up a bit like me when he's old. 910 00:48:01,213 --> 00:48:05,373 Speaker 8: That would be a terrible thing for him. But I 911 00:48:05,413 --> 00:48:09,413 Speaker 8: think it's about a spirit to people that Justin Kurzel, 912 00:48:09,453 --> 00:48:11,693 Speaker 8: director was looking for something that he'd seen in the 913 00:48:11,733 --> 00:48:14,613 Speaker 8: performance I've given, is what he was looking for about 914 00:48:14,613 --> 00:48:20,053 Speaker 8: the soul of this man. And I only met it 915 00:48:20,053 --> 00:48:21,693 Speaker 8: was dubbly. To man, it was a terrific actor. But 916 00:48:21,893 --> 00:48:24,613 Speaker 8: I literally met him for five minutes because we were 917 00:48:24,653 --> 00:48:28,493 Speaker 8: in different time zones and I was just finishing and 918 00:48:28,573 --> 00:48:32,653 Speaker 8: he was literally coming back to start restart some of 919 00:48:32,693 --> 00:48:34,973 Speaker 8: the work that they'd already done, and I was just 920 00:48:35,053 --> 00:48:37,053 Speaker 8: in for three weeks to cover what I had to do, 921 00:48:37,373 --> 00:48:39,053 Speaker 8: And so at least we got to say hello. 922 00:48:40,733 --> 00:48:44,853 Speaker 4: It strikes me, Karen, that you have had nothing if 923 00:48:44,893 --> 00:48:50,213 Speaker 4: not an incredibly richly diversified and vary career. You've played 924 00:48:50,293 --> 00:48:53,253 Speaker 4: all these characters and all sorts of different production shows, movies, 925 00:48:53,333 --> 00:48:56,693 Speaker 4: theater productions over the years, stories all around the world. 926 00:48:57,093 --> 00:49:00,013 Speaker 4: But I wanted to ask you about Belfast because it's 927 00:49:00,253 --> 00:49:03,213 Speaker 4: a couple of years since I think you were probably 928 00:49:04,053 --> 00:49:07,253 Speaker 4: getting fitted for a suit to go to the Oscars. 929 00:49:07,293 --> 00:49:11,173 Speaker 4: Nominated for your role in Belfast, and as someone who 930 00:49:11,573 --> 00:49:15,773 Speaker 4: grew up in Northern Ireland, did telling that story was 931 00:49:16,613 --> 00:49:19,053 Speaker 4: the personal dimension and connection you had to the place 932 00:49:19,093 --> 00:49:22,293 Speaker 4: in the city. Did that add another kind of element 933 00:49:22,333 --> 00:49:23,493 Speaker 4: to that production for you? 934 00:49:24,733 --> 00:49:29,693 Speaker 8: It was huge. It was huge to me, not the 935 00:49:29,693 --> 00:49:32,093 Speaker 8: fact that you're not made for an oscar, and it 936 00:49:32,213 --> 00:49:34,773 Speaker 8: was huge the idea of just because the way my 937 00:49:34,813 --> 00:49:36,573 Speaker 8: life is gone, you know, through a lot of theater 938 00:49:36,813 --> 00:49:39,853 Speaker 8: and some television and film and bouncing from here to there, 939 00:49:39,973 --> 00:49:42,413 Speaker 8: not like a headless chicken, sometimes not knowing where am 940 00:49:42,413 --> 00:49:42,733 Speaker 8: I going? 941 00:49:42,773 --> 00:49:42,933 Speaker 2: Now? 942 00:49:42,973 --> 00:49:44,853 Speaker 8: What's the gig? What's the deal? What do I have 943 00:49:44,893 --> 00:49:47,133 Speaker 8: to do? How do I have to prepare? Am I 944 00:49:47,173 --> 00:49:48,933 Speaker 8: going to be able for this? I'm I write for this, 945 00:49:49,013 --> 00:49:51,973 Speaker 8: but keep going. And then suddenly, after all those years 946 00:49:52,013 --> 00:49:54,933 Speaker 8: just working, suddenly Cam Brown sent the script to me 947 00:49:55,133 --> 00:50:00,333 Speaker 8: and I read it and I just connected with it immediately, 948 00:50:00,453 --> 00:50:02,453 Speaker 8: And so I guess I don't know. I would have 949 00:50:02,453 --> 00:50:07,333 Speaker 8: been in my late sixties, late sixties. Then after all 950 00:50:07,373 --> 00:50:12,533 Speaker 8: those years of charging around everywhere. Somebody said I'm down 951 00:50:12,733 --> 00:50:13,573 Speaker 8: and come home. 952 00:50:14,213 --> 00:50:14,333 Speaker 2: Uh. 953 00:50:14,773 --> 00:50:18,693 Speaker 8: And although we filmed it in Berkshire, in England, all 954 00:50:18,733 --> 00:50:24,253 Speaker 8: of it it was like coming home and they did. 955 00:50:24,373 --> 00:50:29,213 Speaker 8: It is because Ken had been very, very faithful to 956 00:50:29,853 --> 00:50:33,133 Speaker 8: our tribe, our Northern Irish tribe. Even though Ken's Partisant 957 00:50:33,173 --> 00:50:35,933 Speaker 8: and Catholic, it doesn't. We're a tribe from of Irish 958 00:50:35,973 --> 00:50:38,973 Speaker 8: people and we're from the north of Ireland, and we 959 00:50:39,093 --> 00:50:42,533 Speaker 8: have our own separate banter kind of rules, kind of behavior. 960 00:50:43,053 --> 00:50:46,973 Speaker 8: And I recognized in his sensitivity of his writing, and 961 00:50:47,013 --> 00:50:50,893 Speaker 8: the joy is writing that is a different Catholic Protestant 962 00:50:50,973 --> 00:50:54,653 Speaker 8: divide is kind of an invention, not real in a way. Well, 963 00:50:54,693 --> 00:50:59,613 Speaker 8: it's real, but it doesn't mean anything really because at 964 00:50:59,613 --> 00:51:02,493 Speaker 8: the heart of it, if people are the same and 965 00:51:02,813 --> 00:51:05,253 Speaker 8: what he wrote reflecting exactly my family too. 966 00:51:05,573 --> 00:51:05,773 Speaker 2: Yeah. 967 00:51:06,533 --> 00:51:09,333 Speaker 4: Finally, Kieren, you're in New Zealand at the moment, shooting, 968 00:51:10,013 --> 00:51:12,573 Speaker 4: shooting east of Eden. We have this terrible habit in 969 00:51:12,613 --> 00:51:15,813 Speaker 4: the New Zealand media of anyone anytime anyone of interest 970 00:51:15,933 --> 00:51:18,413 Speaker 4: visits our shows, we're all desperate to ask them the 971 00:51:18,453 --> 00:51:20,813 Speaker 4: same question. It's actually become a bit of a parody. 972 00:51:20,853 --> 00:51:22,533 Speaker 4: But it'll be remiss for me not to ask you 973 00:51:22,733 --> 00:51:25,333 Speaker 4: what are your impressions of New Zealand? What do you 974 00:51:25,413 --> 00:51:26,533 Speaker 4: think of New Zealand. 975 00:51:28,293 --> 00:51:33,613 Speaker 8: I love it, mate, I love it. It's no I've 976 00:51:33,653 --> 00:51:37,493 Speaker 8: come here for four weeks, came to Auckland to prepare, 977 00:51:37,853 --> 00:51:40,893 Speaker 8: then down to Omaru and the Otago Hills. I mean, 978 00:51:41,533 --> 00:51:44,813 Speaker 8: my heart was taken again by another landscape that's so beautiful. 979 00:51:46,133 --> 00:51:51,533 Speaker 8: I got to share a glass of wine with Sam Neil, 980 00:51:51,733 --> 00:51:55,493 Speaker 8: which was a joy for me because of course he 981 00:51:55,653 --> 00:51:58,573 Speaker 8: was born in Oman County, Toronto all those years back then. 982 00:51:58,653 --> 00:52:01,733 Speaker 8: He's such a lovely man and you know, he gave 983 00:52:01,773 --> 00:52:03,453 Speaker 8: me some advice about where to eat when it came 984 00:52:03,493 --> 00:52:07,493 Speaker 8: to Auckland. And it was also what owners aparts from 985 00:52:07,493 --> 00:52:10,493 Speaker 8: the landscape. The people are very just the lovely warmth 986 00:52:11,013 --> 00:52:14,373 Speaker 8: above them, a natural warmth and I'm not just blowing smoke, 987 00:52:14,493 --> 00:52:17,413 Speaker 8: by the way. What I loved about was the New 988 00:52:17,493 --> 00:52:19,613 Speaker 8: Zealand crew. The people who are doing all the technical 989 00:52:19,613 --> 00:52:24,013 Speaker 8: work around why we do are acting. It's so great. 990 00:52:24,333 --> 00:52:27,493 Speaker 8: They're work in such a calm way that they're not 991 00:52:27,613 --> 00:52:29,893 Speaker 8: running around showing you that they're working. The work is 992 00:52:29,933 --> 00:52:33,333 Speaker 8: getting done, but they're calm about it and I love that. 993 00:52:33,613 --> 00:52:36,053 Speaker 4: Yeah, I'm pleased to hear it. We'll all the very 994 00:52:36,093 --> 00:52:37,893 Speaker 4: best for the remainder of your time here. I hope 995 00:52:37,893 --> 00:52:40,733 Speaker 4: you can enjoy some blue cord because I know that 996 00:52:40,893 --> 00:52:43,013 Speaker 4: the water is off the coast of Armado bringing some 997 00:52:43,053 --> 00:52:44,733 Speaker 4: of the best blue card in the world, I think, 998 00:52:44,773 --> 00:52:46,853 Speaker 4: so hopefully you can enjoy that while you're there. And 999 00:52:46,893 --> 00:52:49,533 Speaker 4: congratulations that the Narrow Road to the Deep North is 1000 00:52:50,013 --> 00:52:53,653 Speaker 4: deeply moving and affecting. And thank you so much. 1001 00:52:54,093 --> 00:52:55,933 Speaker 8: Oh great, thanks so luch love me to talk to 1002 00:52:55,973 --> 00:52:57,133 Speaker 8: you you too. 1003 00:52:57,493 --> 00:53:00,373 Speaker 4: That is Kieren Hines. The Narrow Road to the Deep 1004 00:53:00,453 --> 00:53:02,373 Speaker 4: North is his news show. We'll make sure all the 1005 00:53:02,413 --> 00:53:04,733 Speaker 4: details are up on the News Dogs. He'd be website 1006 00:53:04,893 --> 00:53:07,253 Speaker 4: now before eleven o'clock on new Talks ZEDB, We're going 1007 00:53:07,293 --> 00:53:09,813 Speaker 4: to look at what has been a pretty tricky week 1008 00:53:09,893 --> 00:53:11,613 Speaker 4: for a couple of the big tech companies in the 1009 00:53:11,693 --> 00:53:14,333 Speaker 4: US and you're going to think, well, hang on a second, 1010 00:53:14,333 --> 00:53:16,013 Speaker 4: other the big tech companies in the pocket of Donald 1011 00:53:16,053 --> 00:53:18,733 Speaker 4: Trump at the moment. Yeah they are, And yet both 1012 00:53:18,773 --> 00:53:22,253 Speaker 4: Google and Meta are facing really tough scrutiny with different 1013 00:53:22,373 --> 00:53:25,053 Speaker 4: kind of congressional investigations and legal issues. So we're going 1014 00:53:25,093 --> 00:53:28,253 Speaker 4: to explain how they've tried to manage that, what the 1015 00:53:28,293 --> 00:53:31,173 Speaker 4: implications could be, and whether or not actually Google or 1016 00:53:31,213 --> 00:53:34,813 Speaker 4: Meta could be forced to make some massive changes that 1017 00:53:34,973 --> 00:53:38,093 Speaker 4: would drastically change the way that you and I use 1018 00:53:38,173 --> 00:53:40,413 Speaker 4: Facebook and Google and that kind of thing sometime in 1019 00:53:40,453 --> 00:53:42,933 Speaker 4: the future. As well as that, we're in the garden 1020 00:53:43,013 --> 00:53:46,653 Speaker 4: spotting fungi with the weather around the country. Next up, 1021 00:53:46,693 --> 00:53:49,253 Speaker 4: your screen time picks for this week. Right now, it's 1022 00:53:49,293 --> 00:53:50,533 Speaker 4: twenty one minutes past ten. 1023 00:53:51,133 --> 00:53:54,573 Speaker 1: Start your weekend off in style. Saturday Mornings with Jack 1024 00:53:54,693 --> 00:53:58,693 Speaker 1: Tain and Bpure dot co dot z for high quality supplements. 1025 00:53:58,773 --> 00:54:01,173 Speaker 2: Use talks EDB twenty. 1026 00:54:00,733 --> 00:54:03,493 Speaker 4: Four minutes past ten on Newstalks ZEDB, which means, of 1027 00:54:03,493 --> 00:54:07,693 Speaker 4: course that it is screen time time on Saturday mornings. 1028 00:54:07,693 --> 00:54:09,573 Speaker 4: This time every week we catch up with our screen 1029 00:54:09,613 --> 00:54:13,653 Speaker 4: time expert, Tar Reward. She picks three shows to watch 1030 00:54:13,653 --> 00:54:15,533 Speaker 4: your stream at home that she reckons thro're a bit 1031 00:54:15,533 --> 00:54:17,653 Speaker 4: of fun. Tara's with us this morning. 1032 00:54:17,453 --> 00:54:19,613 Speaker 2: Killed her Yoda, Good morning. 1033 00:54:20,173 --> 00:54:22,893 Speaker 4: Let's begin with a new show streaming on three now. 1034 00:54:22,893 --> 00:54:24,053 Speaker 4: Tell us about Patients. 1035 00:54:25,213 --> 00:54:27,373 Speaker 13: Yeah, this is a new crime drama that's just come 1036 00:54:27,413 --> 00:54:29,613 Speaker 13: to three Now and it's a British remake of a 1037 00:54:29,653 --> 00:54:32,533 Speaker 13: French drama, and in a lot of ways it's your 1038 00:54:32,573 --> 00:54:35,453 Speaker 13: typical police procedural, but there is a bit of a 1039 00:54:35,493 --> 00:54:37,293 Speaker 13: twist to it, and that one of the two main 1040 00:54:37,373 --> 00:54:40,453 Speaker 13: characters is autistic and her name is Patience. She's a 1041 00:54:40,493 --> 00:54:43,973 Speaker 13: young woman who works as a criminal archivist for the 1042 00:54:44,013 --> 00:54:47,253 Speaker 13: police in York and one day a detective is reviewing 1043 00:54:47,293 --> 00:54:51,813 Speaker 13: files trying to solve a suspicious death and Patience has 1044 00:54:51,853 --> 00:54:54,693 Speaker 13: a talent for puzzles and she suggests to the detective 1045 00:54:54,733 --> 00:54:57,413 Speaker 13: that the case is connected to a series of other deaths, 1046 00:54:57,653 --> 00:55:00,813 Speaker 13: and so the detective brings Patients onto her team to assist, 1047 00:55:00,973 --> 00:55:04,213 Speaker 13: and together they make this unlikely duo. But Patience is 1048 00:55:04,253 --> 00:55:07,213 Speaker 13: really skilled at picking up details and no noticing things 1049 00:55:07,213 --> 00:55:09,893 Speaker 13: that other people have missed. So the show is very 1050 00:55:09,893 --> 00:55:12,773 Speaker 13: gentle and slow, and it is similar to other crime 1051 00:55:12,813 --> 00:55:16,053 Speaker 13: dramas and that you've got your frazzle detective who's trying 1052 00:55:16,093 --> 00:55:19,013 Speaker 13: to juggle work and family life, and it covers a 1053 00:55:19,053 --> 00:55:22,293 Speaker 13: different murder every episode, But the character of Patients and 1054 00:55:22,333 --> 00:55:25,653 Speaker 13: the insight into her world as a young neurodiverse woman 1055 00:55:25,733 --> 00:55:27,973 Speaker 13: makes this stand out of it. So if you love 1056 00:55:27,973 --> 00:55:30,133 Speaker 13: a crime drama, I think you'll appreciate this, and it's 1057 00:55:30,133 --> 00:55:33,093 Speaker 13: filmed in York as well, which gives it a very historic, 1058 00:55:33,253 --> 00:55:34,413 Speaker 13: beautiful setting as well. 1059 00:55:34,733 --> 00:55:36,373 Speaker 4: Yeah, did you ever see The Good Doctor? 1060 00:55:37,573 --> 00:55:39,533 Speaker 13: I did see The Good Doctor and it sort of 1061 00:55:39,533 --> 00:55:42,573 Speaker 13: reminded me of that as well, a similar premise, but 1062 00:55:42,733 --> 00:55:45,213 Speaker 13: in more of sort of a restrained English setting. 1063 00:55:45,413 --> 00:55:47,653 Speaker 4: Yes, okay, yeah, no, I can imagine The Good Doctor 1064 00:55:47,933 --> 00:55:52,853 Speaker 4: had a neurodiverse surgeon basically who would inevitably save the 1065 00:55:52,933 --> 00:55:56,573 Speaker 4: day when everyone else missed things. Yeah. Yeah, yeah, so no, 1066 00:55:56,653 --> 00:55:58,653 Speaker 4: that sounds really good though. So that's Patience. That's on 1067 00:55:58,733 --> 00:56:01,933 Speaker 4: three now on Disney Plus. Tell us about The Stolen Girl. 1068 00:56:02,973 --> 00:56:05,693 Speaker 13: Yeah, if you're looking for a thriller that is sleek 1069 00:56:05,813 --> 00:56:08,973 Speaker 13: and grippy and instantly forgettable, this will do the trick. 1070 00:56:09,053 --> 00:56:11,973 Speaker 13: This is The Stolen Girl. It's a British series and 1071 00:56:12,053 --> 00:56:14,613 Speaker 13: it's about a mother who lets her daughter stay over 1072 00:56:14,693 --> 00:56:17,293 Speaker 13: at her new friend's house for a sleepover. And when 1073 00:56:17,333 --> 00:56:19,333 Speaker 13: the mother goes to pick up her daughter the next day, 1074 00:56:19,813 --> 00:56:22,813 Speaker 13: everyone has gone. Her daughter has disappeared, and the family 1075 00:56:22,853 --> 00:56:25,453 Speaker 13: of her daughter's friend has gone as well. And the 1076 00:56:25,533 --> 00:56:29,693 Speaker 13: investigation into the kidnapping uncovers this huge conspiracy and rips 1077 00:56:29,693 --> 00:56:32,493 Speaker 13: open the family's lives. They need to find out who 1078 00:56:32,493 --> 00:56:35,813 Speaker 13: the family really was, who befriended her daughter, and they 1079 00:56:36,773 --> 00:56:39,133 Speaker 13: have to find out if the daughter's disappearance is related 1080 00:56:39,133 --> 00:56:42,173 Speaker 13: to her husband's job as a criminal lawyer. Is it revenge? 1081 00:56:42,333 --> 00:56:45,333 Speaker 13: Is it a grudge? Is it something more sinister? And 1082 00:56:45,373 --> 00:56:47,173 Speaker 13: I think the key to the show is the pace. 1083 00:56:47,213 --> 00:56:49,933 Speaker 13: It hums along at a cracking pace which stops you 1084 00:56:49,973 --> 00:56:52,933 Speaker 13: thinking about any plot holes or asking too many questions. 1085 00:56:53,173 --> 00:56:56,173 Speaker 13: This is just a really twisty, gripping kind of thriller 1086 00:56:56,213 --> 00:56:58,253 Speaker 13: that you should just enjoy for what it is. It's 1087 00:56:58,293 --> 00:57:02,853 Speaker 13: beautifully made. Everyone lives in these gorgeous, stylish houses. There 1088 00:57:02,933 --> 00:57:06,093 Speaker 13: are lots of bonkers plot twists and turns, but it's 1089 00:57:06,093 --> 00:57:08,893 Speaker 13: fun and it will keep you hooked for all five 1090 00:57:09,533 --> 00:57:12,373 Speaker 13: wonderfully malodramatic episode. It's kind of the perfect thing just 1091 00:57:12,693 --> 00:57:14,093 Speaker 13: to chill out to on the couch. 1092 00:57:14,173 --> 00:57:16,373 Speaker 4: This, yes, I think a bit of a scapism. Oh 1093 00:57:16,413 --> 00:57:18,613 Speaker 4: it sounds good. Okay. It's the Stolon Girl that's on 1094 00:57:18,693 --> 00:57:21,253 Speaker 4: Disney Plus at last, but not least on Netflix. 1095 00:57:21,573 --> 00:57:25,533 Speaker 13: Diamond Heist and this is a new true crime documentary 1096 00:57:25,533 --> 00:57:27,453 Speaker 13: series that's just come on to Netflix and it is 1097 00:57:27,493 --> 00:57:30,773 Speaker 13: everything that you would expect from a series that's produced 1098 00:57:30,773 --> 00:57:34,013 Speaker 13: by Guy Ritchie. It features a gang of Cockney criminals 1099 00:57:34,013 --> 00:57:36,573 Speaker 13: and is about a real life diamond heist in the 1100 00:57:36,773 --> 00:57:39,173 Speaker 13: Millennium Dome. And this is about what happened in the 1101 00:57:39,213 --> 00:57:41,693 Speaker 13: year two thousand when a gang of criminals tried to 1102 00:57:41,733 --> 00:57:45,533 Speaker 13: steal the Millennial Star Diamond, which was worth two hundred 1103 00:57:45,533 --> 00:57:48,093 Speaker 13: and fifty million pounds and it was part of a 1104 00:57:48,133 --> 00:57:51,173 Speaker 13: de Beers diamond exhibition that was on in the Millennium 1105 00:57:51,173 --> 00:57:53,733 Speaker 13: Dome in London. And the series talks to the criminals 1106 00:57:53,733 --> 00:57:56,653 Speaker 13: who planned the theft, who tried to smash and grab 1107 00:57:56,693 --> 00:57:58,813 Speaker 13: their way into the vault, and it also talked to 1108 00:57:58,893 --> 00:58:01,213 Speaker 13: the police from the Flying Squad who knew something was up, 1109 00:58:01,213 --> 00:58:03,373 Speaker 13: who were watching these guys and waiting for them to 1110 00:58:03,413 --> 00:58:06,333 Speaker 13: do something. And it's one of those stranger than fiction stories. 1111 00:58:06,453 --> 00:58:08,613 Speaker 13: If this wasn't a movie or a TV series, you 1112 00:58:08,693 --> 00:58:11,333 Speaker 13: just think it was so far fetched. But it's told 1113 00:58:11,333 --> 00:58:13,853 Speaker 13: in a really entertaining way. It feels like an action movie, 1114 00:58:14,093 --> 00:58:18,613 Speaker 13: great soundtrack, very slick editing, lots of reenactments and archival footage, 1115 00:58:18,613 --> 00:58:21,253 Speaker 13: and some really intriguing characters. The main villain is a 1116 00:58:21,253 --> 00:58:24,053 Speaker 13: guy called Lee Wenham who just wanted to do one 1117 00:58:24,133 --> 00:58:29,093 Speaker 13: last job to make his gangster father proud. It's so audacious. 1118 00:58:29,413 --> 00:58:30,293 Speaker 4: Last job. 1119 00:58:33,053 --> 00:58:34,533 Speaker 13: You wouldn't believe it if it wasn't true. 1120 00:58:34,813 --> 00:58:38,253 Speaker 4: No no, no, that sounds great. Okay, cool. That's Diamond Heist. 1121 00:58:38,293 --> 00:58:39,973 Speaker 4: That's on Netflix. That sounds like a bit of me. 1122 00:58:40,093 --> 00:58:42,973 Speaker 4: The Stolen Girl is on Disney Plus, Patience is on 1123 00:58:43,093 --> 00:58:45,613 Speaker 4: three now, and all of those shows will be up 1124 00:58:45,733 --> 00:58:48,173 Speaker 4: on the News talks He'd be website. Thank you so much, Tara. 1125 00:58:48,333 --> 00:58:50,973 Speaker 4: We will see you again next Saturday morning. Thank you 1126 00:58:50,973 --> 00:58:52,813 Speaker 4: for your messages this morning as well. We've been talking 1127 00:58:52,813 --> 00:58:55,733 Speaker 4: colossal squid, don't things the difference is there between a 1128 00:58:55,733 --> 00:58:58,053 Speaker 4: giant squid and a colossal squid, like a colossal squid 1129 00:58:58,093 --> 00:59:01,853 Speaker 4: is its actual name? Anyway? That that amazing footage that 1130 00:59:01,973 --> 00:59:06,133 Speaker 4: the scientists working in the sort of sub antarctic waters 1131 00:59:07,133 --> 00:59:12,253 Speaker 4: managed to manage to record a few weeks ago confirmed 1132 00:59:12,333 --> 00:59:14,893 Speaker 4: as being the first footage of a colossal squid in 1133 00:59:14,933 --> 00:59:18,333 Speaker 4: its natural environment. Jack in two thousand and two, we 1134 00:59:18,333 --> 00:59:22,333 Speaker 4: were fishing eighty miles west off Westport when we came 1135 00:59:22,373 --> 00:59:24,933 Speaker 4: across a giant squid. It had a huge bite in 1136 00:59:24,973 --> 00:59:28,373 Speaker 4: the side of its body was surrounded by fourteen albatrosses 1137 00:59:28,693 --> 00:59:31,853 Speaker 4: pecking at the body, which measured six meters long. The 1138 00:59:31,973 --> 00:59:35,533 Speaker 4: legs hung down over eleven meters according to our sonar. 1139 00:59:35,973 --> 00:59:38,133 Speaker 4: The day before we saw a blue whales swim by, 1140 00:59:38,253 --> 00:59:42,213 Speaker 4: says Allen. That sounds incredible, Allan, So it's funny because 1141 00:59:42,253 --> 00:59:46,013 Speaker 4: I thought, not that I'm a colossal squid expert, but 1142 00:59:46,133 --> 00:59:49,613 Speaker 4: you have because you have that trench off the coast 1143 00:59:49,613 --> 00:59:53,453 Speaker 4: of Cau Colder, that where the where the depth increases 1144 00:59:53,493 --> 00:59:57,413 Speaker 4: ready really quickly. That's kind of an ideal area for wales, right, 1145 00:59:57,413 --> 00:59:59,693 Speaker 4: and that's why you get so many whales spottings off 1146 00:59:59,733 --> 01:00:02,453 Speaker 4: the Ca Colder coast, and presumably where the whales are, 1147 01:00:02,573 --> 01:00:05,293 Speaker 4: the giant squid or the colossal squid are. But here 1148 01:00:05,333 --> 01:00:07,653 Speaker 4: Ellen saying he was fish on the other coast and 1149 01:00:07,733 --> 01:00:10,413 Speaker 4: the Tasman so off the coast of Westport. Now, I 1150 01:00:10,413 --> 01:00:13,293 Speaker 4: mean it's absolutely wild out there as well in the Tasman. 1151 01:00:13,413 --> 01:00:15,613 Speaker 4: So interesting that you came across it over there, Ellen, 1152 01:00:15,653 --> 01:00:17,093 Speaker 4: it sounds like an amazing thing to find. 1153 01:00:17,173 --> 01:00:17,293 Speaker 5: Ah. 1154 01:00:18,013 --> 01:00:19,653 Speaker 4: And just don't you know, I just I don't know, 1155 01:00:19,653 --> 01:00:22,493 Speaker 4: there's something about it that just you know, it's just 1156 01:00:22,613 --> 01:00:25,173 Speaker 4: it's just that incredible reminder of the kind of mysteries 1157 01:00:25,213 --> 01:00:27,693 Speaker 4: that live beneath us. Say, you know, the mystery is 1158 01:00:27,733 --> 01:00:30,973 Speaker 4: much closer to home than anything intergalactic. Anyway, ninety two 1159 01:00:31,053 --> 01:00:32,533 Speaker 4: ninety two is our text number if you want to 1160 01:00:32,573 --> 01:00:34,693 Speaker 4: send me a message like Allen did this morning. It's 1161 01:00:34,693 --> 01:00:37,413 Speaker 4: just gone ten thirty. You were Jack Tame on Newstalks EDB. 1162 01:00:41,173 --> 01:00:42,813 Speaker 2: Getting your weekends started. 1163 01:00:43,013 --> 01:00:46,613 Speaker 1: It's Saturday morning with Jack team on News Talks EDB. 1164 01:00:50,413 --> 01:01:11,333 Speaker 14: So you see, every week our music reviewer brings us 1165 01:01:11,373 --> 01:01:13,133 Speaker 14: the latest and greatest and fresh music. 1166 01:01:13,173 --> 01:01:15,493 Speaker 4: And she's got a finger on the pulse. She knows 1167 01:01:15,573 --> 01:01:18,933 Speaker 4: what's hot, she knows all the samples, all the references. 1168 01:01:18,973 --> 01:01:21,453 Speaker 4: She recommends us. The best album is the best artist 1169 01:01:21,573 --> 01:01:24,573 Speaker 4: that she can put her ears to. She's across at all. 1170 01:01:24,733 --> 01:01:27,053 Speaker 4: We are the ones here to get school. But oh 1171 01:01:27,213 --> 01:01:30,933 Speaker 4: how the tables have turned. See I remember a couple 1172 01:01:30,973 --> 01:01:33,093 Speaker 4: of weeks ago on news Talks, he'db. I asked our 1173 01:01:33,173 --> 01:01:35,653 Speaker 4: music reviewer Estelle Cliffe if she'd ever heard of the 1174 01:01:35,693 --> 01:01:41,133 Speaker 4: band be Root, and would you believe it? She hadn't, so, 1175 01:01:43,173 --> 01:01:45,933 Speaker 4: not wanting to be shown up by me, my goodness, 1176 01:01:46,653 --> 01:01:48,933 Speaker 4: Estelle went away and did a deep dive listen on 1177 01:01:48,973 --> 01:01:51,333 Speaker 4: the band from New Mexico and would you believe this 1178 01:01:51,373 --> 01:01:53,853 Speaker 4: week bea Route actually have a brand new album coming 1179 01:01:53,853 --> 01:01:57,133 Speaker 4: out very timely. Ah, So Beyrout the band have always 1180 01:01:57,253 --> 01:01:59,773 Speaker 4: drawn influence from music from around the world, and I 1181 01:01:59,853 --> 01:02:01,333 Speaker 4: think that's one of the things I really like. They 1182 01:02:01,413 --> 01:02:04,093 Speaker 4: sort of had a real kind of Eastern European vibe. 1183 01:02:04,853 --> 01:02:07,533 Speaker 4: But you know they have influenced is ranging from France 1184 01:02:07,613 --> 01:02:11,573 Speaker 4: to Mexico to Santa Fe, New Mexico and est that 1185 01:02:11,693 --> 01:02:13,093 Speaker 4: was going to join us before ber Day to Day 1186 01:02:13,133 --> 01:02:17,133 Speaker 4: to share everything she has discovered about the excellent music 1187 01:02:17,173 --> 01:02:19,933 Speaker 4: recommendations by yours truly, and she's going to tell us 1188 01:02:19,973 --> 01:02:23,053 Speaker 4: about be Root's brand new album, which is inspired by 1189 01:02:23,253 --> 01:02:27,053 Speaker 4: and written for none other than a Swedish circus for 1190 01:02:27,133 --> 01:02:29,933 Speaker 4: an acrobatic stage show. So there you go. You can't 1191 01:02:29,933 --> 01:02:33,133 Speaker 4: say that we don't bring you some variety, some eclectic choices. 1192 01:02:33,173 --> 01:02:36,573 Speaker 4: On Saturday mornings on News Talks 'DB before eleven o'clock, 1193 01:02:36,613 --> 01:02:38,893 Speaker 4: we'll get your wine picked for this week. Next up, 1194 01:02:38,893 --> 01:02:40,453 Speaker 4: though it has been a big week for some of 1195 01:02:40,453 --> 01:02:42,533 Speaker 4: the tech giants, we'll tell you what it'll mean for 1196 01:02:42,613 --> 01:02:45,013 Speaker 4: your favorite platforms in a few minutes. Right now, it's 1197 01:02:45,013 --> 01:02:45,933 Speaker 4: twenty five to eleven. 1198 01:02:47,053 --> 01:02:51,173 Speaker 1: Putting the tough questions to the newspeakers, the mic asking breakfast, the. 1199 01:02:51,173 --> 01:02:53,333 Speaker 15: Terror war has now become fascal. Of course, the Fontira 1200 01:02:53,413 --> 01:02:56,213 Speaker 15: CEO Miles Hurrell is back with us. Broadly speaking, are 1201 01:02:56,213 --> 01:02:56,653 Speaker 15: you worried? 1202 01:02:56,813 --> 01:02:57,653 Speaker 6: I wouldn't say worried. 1203 01:02:57,693 --> 01:03:00,093 Speaker 16: Got it kicks on your toes nine. That product goes 1204 01:03:00,133 --> 01:03:02,413 Speaker 16: into international market, so it's not happened in one corner 1205 01:03:02,453 --> 01:03:03,373 Speaker 16: of the world. It's happening the other. 1206 01:03:03,493 --> 01:03:05,413 Speaker 15: We've got some good numbers out of China, but that's 1207 01:03:05,493 --> 01:03:08,653 Speaker 15: pre the shamble. What's your expectation as to what happens 1208 01:03:08,773 --> 01:03:11,133 Speaker 15: to China and how that impacts somebody like Youth? 1209 01:03:11,253 --> 01:03:12,133 Speaker 11: Well, I mean I've come. 1210 01:03:12,053 --> 01:03:13,693 Speaker 16: Out of that lull they had a couple of years ago, 1211 01:03:13,733 --> 01:03:15,333 Speaker 16: so I think we threw the worst of that or 1212 01:03:15,333 --> 01:03:17,413 Speaker 16: what'so obviously planning that in the international market now will 1213 01:03:17,413 --> 01:03:19,093 Speaker 16: sort of soften things a little bit, you know, because 1214 01:03:19,093 --> 01:03:21,093 Speaker 16: we've come off a pre low bait. I think we've 1215 01:03:21,093 --> 01:03:23,533 Speaker 16: seen still a pre robust position out of China and 1216 01:03:23,533 --> 01:03:25,413 Speaker 16: the sort of that short to medium tune. 1217 01:03:25,253 --> 01:03:28,133 Speaker 15: Back Tuesday from six am, the mic asking Breakfast of 1218 01:03:28,173 --> 01:03:30,373 Speaker 15: the Rain drove the last news talk ZB. 1219 01:03:31,253 --> 01:03:33,933 Speaker 4: Twenty two to eleven non newstalk zv you with Jack 1220 01:03:34,013 --> 01:03:36,253 Speaker 4: Tame And it's been a tough week. If it is 1221 01:03:36,333 --> 01:03:37,693 Speaker 4: a really a tough week, I don't know that we 1222 01:03:37,693 --> 01:03:39,693 Speaker 4: can say that for the likes of Google and Meta, 1223 01:03:39,733 --> 01:03:41,893 Speaker 4: but at the very least, both of those tech companies 1224 01:03:41,933 --> 01:03:44,933 Speaker 4: have been raked over the coals in the US. Tech 1225 01:03:44,973 --> 01:03:47,453 Speaker 4: commentator Oscar Howe is here with the details this morning. 1226 01:03:47,493 --> 01:03:50,293 Speaker 11: Hey Oscar, Hey Jack, thanks for having me on. 1227 01:03:50,573 --> 01:03:52,573 Speaker 4: Yeah, great to be chatting with you. Thanks for being here. 1228 01:03:52,613 --> 01:03:54,933 Speaker 4: So tell us first of all about Google. Google has 1229 01:03:54,973 --> 01:03:57,253 Speaker 4: been accused of running an illegal monopoly. 1230 01:03:58,693 --> 01:03:58,933 Speaker 11: Yeah. 1231 01:03:59,013 --> 01:04:02,733 Speaker 10: So Google has just lost quite a lot of anticross 1232 01:04:02,813 --> 01:04:07,253 Speaker 10: case in the United States, a federal judgment Virginia or 1233 01:04:07,293 --> 01:04:09,373 Speaker 10: that was backed up by a number of judges across 1234 01:04:09,453 --> 01:04:12,933 Speaker 10: the country rule that had maintained an illegal monopoly in 1235 01:04:12,973 --> 01:04:17,173 Speaker 10: the online advertising market. And it seems like google strategy 1236 01:04:17,333 --> 01:04:21,973 Speaker 10: was to insulate the entire online advertising process to squash competition. 1237 01:04:22,453 --> 01:04:24,453 Speaker 4: Right, Okay, So what's it going to mean now that 1238 01:04:24,453 --> 01:04:25,133 Speaker 4: they've lost it? 1239 01:04:26,533 --> 01:04:30,373 Speaker 10: Well, I think it seems like the US Justice Department 1240 01:04:30,533 --> 01:04:34,133 Speaker 10: are kind of weighing up where to push things there's 1241 01:04:34,213 --> 01:04:37,053 Speaker 10: the talk of Google being made to spin off Google Chrome, 1242 01:04:37,133 --> 01:04:41,893 Speaker 10: it's browser, and then yeah, hopefully kind of create a 1243 01:04:41,933 --> 01:04:44,733 Speaker 10: bit more space in the market for alternative advertisers to 1244 01:04:44,893 --> 01:04:47,613 Speaker 10: pop up, which I mean, as we all know, more 1245 01:04:47,613 --> 01:04:52,493 Speaker 10: competition can mean more competitive alternatives for small people looking 1246 01:04:52,533 --> 01:04:54,173 Speaker 10: to a well, people looking to advertise. 1247 01:04:54,653 --> 01:04:54,973 Speaker 5: Yeah. 1248 01:04:55,093 --> 01:04:58,213 Speaker 4: Yeah, it's fascinating when you think about how integrated all 1249 01:04:58,253 --> 01:05:00,573 Speaker 4: of those Google services are. The things that kind of 1250 01:05:00,573 --> 01:05:04,373 Speaker 4: make them very convenient at times from a consumer's perspective. 1251 01:05:04,413 --> 01:05:08,613 Speaker 4: Also means that they absolutely dominant the digital ad you know, 1252 01:05:08,693 --> 01:05:11,373 Speaker 4: did digital ad market or much of the digital ad market. 1253 01:05:11,453 --> 01:05:14,413 Speaker 4: A lot of the data that they can offer advertisers, 1254 01:05:14,453 --> 01:05:17,333 Speaker 4: you know, far exceeds anything that other advertisers can do. 1255 01:05:17,413 --> 01:05:20,413 Speaker 4: But obviously another big digital player in the advertising market 1256 01:05:20,613 --> 01:05:23,213 Speaker 4: is Meta, the owner of Facebook, and Facebook's been in 1257 01:05:23,213 --> 01:05:25,373 Speaker 4: front of the FTC for antitrust behavior. 1258 01:05:25,453 --> 01:05:29,373 Speaker 11: Tell us about that, Yeah, fuddly enough, similar story. 1259 01:05:30,213 --> 01:05:33,293 Speaker 10: It seems as though in the past, probably before it 1260 01:05:33,293 --> 01:05:36,013 Speaker 10: was called Meta, it was just no known as Facebook. 1261 01:05:36,693 --> 01:05:39,973 Speaker 10: Their previous growth strategy was to buy or bearing and 1262 01:05:40,013 --> 01:05:43,373 Speaker 10: that's a direct quote competitors in the social media industry, 1263 01:05:43,413 --> 01:05:46,773 Speaker 10: which may have led to them acquiring platforms people know, 1264 01:05:46,853 --> 01:05:50,653 Speaker 10: such as Instagram and WhatsApp, And yeah, basically the more 1265 01:05:50,853 --> 01:05:53,453 Speaker 10: real estate they to buy up in that space, the 1266 01:05:53,533 --> 01:05:55,653 Speaker 10: less opportunities there were, the competitives to grow. 1267 01:05:56,213 --> 01:05:59,373 Speaker 4: Yeah, it's funny. I remember when you know they purchased 1268 01:05:59,373 --> 01:06:02,613 Speaker 4: both of those operations. What's happened Instagram And I remember 1269 01:06:02,613 --> 01:06:04,693 Speaker 4: at the time everyone was saying, oh my gosh, they're 1270 01:06:04,733 --> 01:06:07,533 Speaker 4: paying way too much money for this, way too much money. 1271 01:06:07,813 --> 01:06:10,613 Speaker 4: But I think over time, given how popular Instagram and 1272 01:06:10,653 --> 01:06:13,893 Speaker 4: WhatsApp have become, you know, Facebook strategy, at least from 1273 01:06:13,893 --> 01:06:17,013 Speaker 4: a market dominance kind of perspective, has certainly played out. 1274 01:06:17,213 --> 01:06:18,853 Speaker 4: You know, it has proved to be pretty good. But 1275 01:06:18,853 --> 01:06:21,133 Speaker 4: whether or not it's actually anti trust behave for I suppose, 1276 01:06:21,613 --> 01:06:24,413 Speaker 4: there's another question. It's also been revealed this week Oscar 1277 01:06:24,533 --> 01:06:29,133 Speaker 4: that Steam has made teens of millions of dollars in 1278 01:06:29,213 --> 01:06:31,853 Speaker 4: gaming loot crates. For anyone who doesn't know what a 1279 01:06:31,853 --> 01:06:34,573 Speaker 4: gaming loot crate actually is, can you explain this to us? 1280 01:06:35,173 --> 01:06:39,773 Speaker 10: Yeah, so is effectively a form of online gambler in 1281 01:06:39,813 --> 01:06:42,413 Speaker 10: its purest form. So this may sound a little bit 1282 01:06:42,453 --> 01:06:45,813 Speaker 10: silly to people who aren't kind of in the gaming space, 1283 01:06:45,853 --> 01:06:50,533 Speaker 10: but effectively you can buy skins or aesthetic items for 1284 01:06:50,853 --> 01:06:54,013 Speaker 10: your character in a video game, and Steam is one 1285 01:06:54,053 --> 01:06:56,133 Speaker 10: of the largest publishers in the world and also the 1286 01:06:56,253 --> 01:07:00,573 Speaker 10: largest online gaming games marketplace. Yeah, for you, basically, you 1287 01:07:00,653 --> 01:07:03,013 Speaker 10: want to juge up your character a little bit, and 1288 01:07:03,173 --> 01:07:04,973 Speaker 10: one of the mechanisms by which you can do that 1289 01:07:05,093 --> 01:07:09,093 Speaker 10: is you effectively role in these kind of roulette style 1290 01:07:09,773 --> 01:07:12,253 Speaker 10: cases where you know you might spend three or four dollars, 1291 01:07:12,253 --> 01:07:15,213 Speaker 10: you spin the wheel and you get a certain skin, 1292 01:07:15,253 --> 01:07:17,653 Speaker 10: and obviously some are more desirable than others, and that's 1293 01:07:17,693 --> 01:07:20,893 Speaker 10: the kind of thing that can create gambling addictions, especially 1294 01:07:20,933 --> 01:07:24,453 Speaker 10: for young people, because especially in a space like gaming, 1295 01:07:25,053 --> 01:07:27,933 Speaker 10: you know, everything's bright, it's colorful, as part of the 1296 01:07:28,013 --> 01:07:31,173 Speaker 10: kind of pop cultures like guys, it's really attractive and 1297 01:07:31,773 --> 01:07:35,173 Speaker 10: seeing like you said, has made eighty two million dollars 1298 01:07:35,493 --> 01:07:38,213 Speaker 10: in March. That's USD by the way, a lot of 1299 01:07:38,213 --> 01:07:40,373 Speaker 10: them just one of their video games. So yeah, I 1300 01:07:40,373 --> 01:07:42,853 Speaker 10: think it'd be a good time to take a look 1301 01:07:42,853 --> 01:07:45,493 Speaker 10: at that and see whether that's creating harmful behavior, whether 1302 01:07:45,533 --> 01:07:48,773 Speaker 10: that's harmful behavior, especially towards New Zealand young people. 1303 01:07:49,133 --> 01:07:51,893 Speaker 4: Yeah, that's amazing. That's a vast amount of money. So 1304 01:07:51,893 --> 01:07:54,133 Speaker 4: basically it's almost like a lucky debt bay. So if 1305 01:07:54,173 --> 01:07:56,653 Speaker 4: you're really into gaming, you can give some money and 1306 01:07:56,693 --> 01:07:59,373 Speaker 4: it kind of is, you know, it's like a roulette 1307 01:07:59,493 --> 01:08:01,493 Speaker 4: or you know, like a pokey or something. Basically you 1308 01:08:01,493 --> 01:08:03,253 Speaker 4: give some money and then hope that you get a 1309 01:08:03,293 --> 01:08:05,813 Speaker 4: skin that you like, but there's no guarantee that you're 1310 01:08:05,813 --> 01:08:09,173 Speaker 4: going to get there. And people people say, oh, I 1311 01:08:09,173 --> 01:08:10,613 Speaker 4: didn't get it this time. I'll just pay a bit more. 1312 01:08:10,653 --> 01:08:11,893 Speaker 4: I'll just pay a bit more. I'll just pay a 1313 01:08:11,893 --> 01:08:14,013 Speaker 4: bit more. It's going to come through sometime soon and 1314 01:08:14,053 --> 01:08:16,973 Speaker 4: you can see how comparable it is to the more 1315 01:08:16,973 --> 01:08:18,933 Speaker 4: traditional forms of gambling. 1316 01:08:19,773 --> 01:08:22,893 Speaker 10: Absolutely, And I think probably the key problem with it 1317 01:08:22,933 --> 01:08:25,973 Speaker 10: is that because it's such a new frontier, it's nearly 1318 01:08:26,093 --> 01:08:29,293 Speaker 10: entirely unregulated. Yeah, in MW Zealand going across the world, right, 1319 01:08:29,373 --> 01:08:31,813 Speaker 10: and I mean, I think especially as gaming kind of 1320 01:08:31,813 --> 01:08:34,213 Speaker 10: grows to be I mean, it already is the largest 1321 01:08:34,213 --> 01:08:37,053 Speaker 10: form of entertainment in the world, you know, by the 1322 01:08:37,053 --> 01:08:38,773 Speaker 10: amount of money it raises every year. But I think 1323 01:08:38,773 --> 01:08:42,013 Speaker 10: it's it's time that maybe regulators begin to look at 1324 01:08:42,053 --> 01:08:46,573 Speaker 10: how gambling and gaming can be brought to heal. 1325 01:08:46,733 --> 01:08:49,053 Speaker 4: So, yeah, yeah, all very good. Hey, thanks so much 1326 01:08:49,093 --> 01:08:52,773 Speaker 4: for your time, Oscar and your expertise. That's tech commentator Oscar. 1327 01:08:52,853 --> 01:08:55,973 Speaker 4: How in a couple of minutes, Simelier Cameron Douglas gives 1328 01:08:56,013 --> 01:08:59,813 Speaker 4: us his Easter weekend pick right now, it's sixteen minutes 1329 01:08:59,813 --> 01:09:00,333 Speaker 4: to eleven. 1330 01:09:00,493 --> 01:09:02,133 Speaker 2: A little bit of way to kick off your weekend. 1331 01:09:02,293 --> 01:09:05,413 Speaker 1: Then with Jack Saturday Mornings with Jack Tay and be 1332 01:09:05,613 --> 01:09:09,533 Speaker 1: pewured on for high quality supplements used Talks. 1333 01:09:09,373 --> 01:09:13,373 Speaker 4: MB fourteen two eleven on newstorg Zby it's wine time 1334 01:09:13,493 --> 01:09:16,093 Speaker 4: and Master Samalier Cameron Douglas is here this morning. 1335 01:09:16,093 --> 01:09:18,173 Speaker 6: Hey Cameron, good morning Jack. 1336 01:09:18,293 --> 01:09:18,933 Speaker 10: Nice to be back. 1337 01:09:19,253 --> 01:09:21,333 Speaker 4: Yeah, nice to be speaking with you and your pick 1338 01:09:21,453 --> 01:09:26,413 Speaker 4: throughout Easter holiday weekend is an Esk Valley Mulbek Cabinet 1339 01:09:26,413 --> 01:09:29,693 Speaker 4: Sevignon Merlow twenty twenty two is the vintage from Hawks 1340 01:09:29,733 --> 01:09:32,373 Speaker 4: Bay retails for twenty four to ninety nine. So tell 1341 01:09:32,413 --> 01:09:33,253 Speaker 4: us about the wine. 1342 01:09:34,173 --> 01:09:37,613 Speaker 10: Well, this comes from part of Hawk's Bay that has 1343 01:09:37,653 --> 01:09:41,733 Speaker 10: what's called a GI, a geographical indicator, and that means 1344 01:09:41,773 --> 01:09:46,133 Speaker 10: that the boundary lines and the soil type are particularly special. 1345 01:09:46,293 --> 01:09:50,533 Speaker 17: So when with an Esque Valley cabinet Murlow planted on this. 1346 01:09:51,613 --> 01:09:55,213 Speaker 10: It is a very special wine because of just that 1347 01:09:55,373 --> 01:09:59,133 Speaker 10: color and concentration that it has, and people who like 1348 01:09:59,333 --> 01:10:03,453 Speaker 10: red wine will sort of get right into that big 1349 01:10:03,733 --> 01:10:09,093 Speaker 10: dark red berry fruits and BlackBerry bouquet. But on the palette, 1350 01:10:09,133 --> 01:10:10,573 Speaker 10: this is what makes the wine special. 1351 01:10:10,613 --> 01:10:11,453 Speaker 17: It has all of this. 1352 01:10:11,693 --> 01:10:14,253 Speaker 10: Extra sort of secondary characters. 1353 01:10:13,813 --> 01:10:18,373 Speaker 17: Like bitter chocolate and cacao and baking spices. And it's 1354 01:10:18,413 --> 01:10:21,213 Speaker 17: an absolute bargain because it comes from a place that 1355 01:10:22,693 --> 01:10:26,733 Speaker 17: has garnered respect from a lot of veneurons from around 1356 01:10:26,773 --> 01:10:30,573 Speaker 17: the world. It's got complexity and depths, not too much tannin, 1357 01:10:30,653 --> 01:10:32,693 Speaker 17: and lots of bite and freshness. 1358 01:10:32,853 --> 01:10:33,613 Speaker 10: It's really good. 1359 01:10:33,933 --> 01:10:37,413 Speaker 4: That sounds fantastic, Okay. Twenty twenty two was a pretty 1360 01:10:37,413 --> 01:10:39,533 Speaker 4: good year for wine from hawks Bay as well. 1361 01:10:39,573 --> 01:10:43,093 Speaker 17: A yeah, it comes on the back of a elevant 1362 01:10:43,173 --> 01:10:47,413 Speaker 17: in twenty twenty one, and this nature has a way 1363 01:10:47,453 --> 01:10:51,853 Speaker 17: of holding on to the previous vintage when it comes 1364 01:10:51,893 --> 01:10:55,493 Speaker 17: to the wine world. And luckily for a place like 1365 01:10:55,573 --> 01:10:58,133 Speaker 17: Hawk's Bay that got hammered in twenty three, twenty twenty 1366 01:10:58,133 --> 01:11:00,933 Speaker 17: two ended up being a rather special year. 1367 01:11:01,453 --> 01:11:02,653 Speaker 10: Warm and dry. 1368 01:11:03,413 --> 01:11:06,373 Speaker 17: In fact, they had color change in grapes, the early 1369 01:11:06,613 --> 01:11:10,133 Speaker 17: est in thirty years in twenty twenty two. And what 1370 01:11:10,173 --> 01:11:15,013 Speaker 17: that meant was a long growing ripening season. He's the 1371 01:11:15,013 --> 01:11:16,333 Speaker 17: concentration of the swine. 1372 01:11:16,733 --> 01:11:18,453 Speaker 4: Oh so, pers So what would you match this with? 1373 01:11:18,613 --> 01:11:20,893 Speaker 8: Do you reckon well? I? 1374 01:11:21,653 --> 01:11:25,493 Speaker 17: In terms of food, you know, this time of year, 1375 01:11:25,933 --> 01:11:29,973 Speaker 17: we're getting you know, well into that autumn deep autumn. 1376 01:11:29,573 --> 01:11:32,053 Speaker 11: Winter type fair. 1377 01:11:32,253 --> 01:11:37,093 Speaker 17: So honestly, if you're having something like a roast leg 1378 01:11:37,213 --> 01:11:41,013 Speaker 17: of land with lots of rosemary and roast potatoes or 1379 01:11:41,213 --> 01:11:44,413 Speaker 17: any red meat that's you know, steak, like, keep it 1380 01:11:44,493 --> 01:11:48,933 Speaker 17: in that rear to medium cooking windows so you've got 1381 01:11:48,973 --> 01:11:51,533 Speaker 17: a little bit more protein. And what that means for 1382 01:11:51,733 --> 01:12:01,493 Speaker 17: a wine like this is that those those protein molecules 1383 01:12:01,533 --> 01:12:04,413 Speaker 17: and the juice and the meat wrapped themselves. 1384 01:12:04,013 --> 01:12:06,053 Speaker 10: Around the tannons and the red wine. So it makes 1385 01:12:06,053 --> 01:12:10,093 Speaker 10: a wine soft, smooth, and more supple. And this is 1386 01:12:10,893 --> 01:12:13,893 Speaker 10: you know, it's that juicy deliciousness that people look for 1387 01:12:14,053 --> 01:12:16,173 Speaker 10: with red red meat and red wine pairing. 1388 01:12:16,373 --> 01:12:16,933 Speaker 6: Yeah. 1389 01:12:16,973 --> 01:12:20,013 Speaker 4: Oh sounds so good, fantastic, Hey, thank you so much, Cameron. 1390 01:12:20,013 --> 01:12:21,973 Speaker 4: So Cameron's picked for us this week and Esk Valley 1391 01:12:22,013 --> 01:12:26,613 Speaker 4: Melbock Kevin you seven yard Merlow twenty twenty two from 1392 01:12:26,693 --> 01:12:29,613 Speaker 4: Hawk's Bay and we'll have all the details up on 1393 01:12:29,653 --> 01:12:31,933 Speaker 4: the news talks. He'd be website. 1394 01:12:31,933 --> 01:12:35,653 Speaker 1: Gardening with still sharp free autumn upgrades on Still's best sellers. 1395 01:12:36,653 --> 01:12:39,253 Speaker 4: Rude time Past is our man in the garden. He's 1396 01:12:39,253 --> 01:12:40,533 Speaker 4: with us this morning, calder. 1397 01:12:40,333 --> 01:12:45,453 Speaker 18: Rude culer Jack. I loved your intro mate. The way 1398 01:12:45,533 --> 01:12:49,853 Speaker 18: we are looking after the planets. Oh, you know, all 1399 01:12:49,853 --> 01:12:53,173 Speaker 18: that sort of stuff, the species that we are, you know, 1400 01:12:53,413 --> 01:12:54,813 Speaker 18: it's just unbelievable. 1401 01:12:55,653 --> 01:12:55,853 Speaker 2: You know. 1402 01:12:56,013 --> 01:12:59,093 Speaker 18: I sometimes thought if all the species on the planet 1403 01:12:59,133 --> 01:13:04,053 Speaker 18: could talk or think or communicate, how would they look 1404 01:13:04,213 --> 01:13:05,413 Speaker 18: at Homo sapiens. 1405 01:13:08,213 --> 01:13:08,733 Speaker 2: Are we are? 1406 01:13:08,853 --> 01:13:11,373 Speaker 4: Well, I don't know. That's the thing that would be 1407 01:13:11,493 --> 01:13:14,773 Speaker 4: very complimentary somehow. Yeah, there you go. 1408 01:13:14,573 --> 01:13:17,333 Speaker 2: So this this is so so, this is the whole thing. 1409 01:13:17,373 --> 01:13:19,573 Speaker 18: I quite often talk for kids and peaks about it, 1410 01:13:19,693 --> 01:13:22,533 Speaker 18: about nature literacy and all that stuff, because if you 1411 01:13:22,653 --> 01:13:25,933 Speaker 18: really study the creatures. Now we're going to be talking 1412 01:13:26,053 --> 01:13:28,253 Speaker 18: a little bit about fungy today, but anyway, if you 1413 01:13:28,373 --> 01:13:35,013 Speaker 18: study fungi or bugs or whatever, they run on current sunlight, 1414 01:13:35,173 --> 01:13:40,533 Speaker 18: not fossil sunlight, and every and everything that they have 1415 01:13:40,733 --> 01:13:41,573 Speaker 18: is recycled. 1416 01:13:42,213 --> 01:13:42,413 Speaker 2: Yeah. 1417 01:13:42,893 --> 01:13:45,013 Speaker 4: See that's a I mean, that seems like that's actually 1418 01:13:45,013 --> 01:13:49,773 Speaker 4: a very good point. Yes, yeah, no one's using and. 1419 01:13:50,653 --> 01:13:54,293 Speaker 2: They work with you exactly. 1420 01:13:54,373 --> 01:13:57,573 Speaker 18: And also they work with an ecological system of cooperation, 1421 01:13:58,373 --> 01:14:03,293 Speaker 18: not competition like all these bloody people in in in 1422 01:14:03,813 --> 01:14:07,853 Speaker 18: never mind. They operate on diversity too, and they use 1423 01:14:08,053 --> 01:14:10,093 Speaker 18: local expertise. 1424 01:14:10,933 --> 01:14:14,013 Speaker 4: Yeah, yeah, you're right, no, yeah, I can see in 1425 01:14:14,133 --> 01:14:15,893 Speaker 4: the end, sorry. 1426 01:14:15,733 --> 01:14:18,693 Speaker 18: Yeah yeah, and in the end, of course they use 1427 01:14:18,853 --> 01:14:23,173 Speaker 18: life friendly chemistry, which I think is nice. 1428 01:14:23,413 --> 01:14:25,893 Speaker 4: Yeah, yeah, well, this is why we love you. It's 1429 01:14:25,933 --> 01:14:28,453 Speaker 4: not just going and we give the philosophy we get 1430 01:14:28,453 --> 01:14:31,893 Speaker 4: sort of we're straying into political areas, which I love 1431 01:14:31,933 --> 01:14:34,053 Speaker 4: as well, so I'm happy to Yeah, we need. 1432 01:14:34,093 --> 01:14:36,093 Speaker 18: But we need to really think about the check, you 1433 01:14:36,213 --> 01:14:38,813 Speaker 18: know exactly what I mean. And seeing you're a dad now, 1434 01:14:39,253 --> 01:14:43,733 Speaker 18: that is far more prevalent for you right now, you know, 1435 01:14:43,853 --> 01:14:47,333 Speaker 18: with with with your with your son and as anyway, So. 1436 01:14:47,853 --> 01:14:50,133 Speaker 4: In our place, it's been very dry. The sum has 1437 01:14:50,133 --> 01:14:51,933 Speaker 4: been very dry, but then of course we've obviously had 1438 01:14:51,973 --> 01:14:53,493 Speaker 4: a lot of rain in the last couple of weeks now, 1439 01:14:53,693 --> 01:14:58,093 Speaker 4: and I have four dinner plate sized mushrooms growing in 1440 01:14:58,133 --> 01:15:01,093 Speaker 4: my in the middle of my lawn. They're white, they're 1441 01:15:01,133 --> 01:15:03,293 Speaker 4: just like dinner plates. Very interesting, and you've got a 1442 01:15:03,293 --> 01:15:05,373 Speaker 4: whole range that might be growing around the place at 1443 01:15:05,413 --> 01:15:05,773 Speaker 4: the moment. 1444 01:15:06,773 --> 01:15:07,693 Speaker 2: Yes, there is right. 1445 01:15:07,973 --> 01:15:11,413 Speaker 18: You know, this is actually a fantastic year for mushrooms. 1446 01:15:11,413 --> 01:15:14,453 Speaker 18: I've noticed that over the last few weeks. But last 1447 01:15:14,453 --> 01:15:17,853 Speaker 18: week I saw in Amanita muscaria, which is that famous 1448 01:15:18,013 --> 01:15:21,093 Speaker 18: red mushroom with the white dots. You know, quite a 1449 01:15:21,133 --> 01:15:24,013 Speaker 18: large thing to see it in the lawns, and I thought, 1450 01:15:24,333 --> 01:15:27,973 Speaker 18: ships I haven't seen that since well somewhere for a 1451 01:15:28,013 --> 01:15:30,373 Speaker 18: long time, and why is it growing in my garden? 1452 01:15:30,413 --> 01:15:33,653 Speaker 18: And then I looked up and I saw the birch tree, 1453 01:15:33,973 --> 01:15:37,173 Speaker 18: and I thought, I never I know I had a 1454 01:15:37,213 --> 01:15:40,413 Speaker 18: bird tree, and I know they're related, but this is 1455 01:15:40,453 --> 01:15:43,773 Speaker 18: how you get these little so there you go. This 1456 01:15:43,813 --> 01:15:46,933 Speaker 18: is why that creature is there, That that wonderful red 1457 01:15:47,013 --> 01:15:51,133 Speaker 18: thing is related to working with beach and some other 1458 01:15:51,173 --> 01:15:57,293 Speaker 18: bllets and pieces. It's it's a microizal fungus again that 1459 01:15:57,573 --> 01:16:01,733 Speaker 18: works with other fungi and other trees, with the birch, 1460 01:16:01,893 --> 01:16:04,933 Speaker 18: the beach, the pine and all that sort of stuff. 1461 01:16:05,573 --> 01:16:07,853 Speaker 18: That's exactly what what you say. So that's why I 1462 01:16:07,853 --> 01:16:10,853 Speaker 18: thought it fitted nicely. And then there are a heck 1463 01:16:10,893 --> 01:16:12,613 Speaker 18: of a lot of these things, and you probably see 1464 01:16:12,653 --> 01:16:14,853 Speaker 18: them on the on the on the website of a 1465 01:16:14,893 --> 01:16:18,213 Speaker 18: whole lot of different creatures that I call creatures almost 1466 01:16:18,253 --> 01:16:22,053 Speaker 18: They are funky, but they do a fabulous job of 1467 01:16:22,613 --> 01:16:30,333 Speaker 18: recycling forests with leaves, branches, everything that's so beautiful. There's 1468 01:16:30,333 --> 01:16:32,253 Speaker 18: a little picture there of what they what they what 1469 01:16:32,333 --> 01:16:34,933 Speaker 18: we call the what you call it the bird's nest 1470 01:16:34,933 --> 01:16:37,173 Speaker 18: fungus looks like a little bird's nest, sits on a 1471 01:16:37,213 --> 01:16:41,213 Speaker 18: branch and has little spores in it that look almost 1472 01:16:41,253 --> 01:16:44,653 Speaker 18: like coins. But it's tiny, tiny, it's beautiful. 1473 01:16:45,493 --> 01:16:51,453 Speaker 4: How big is that? How big is the bird's nest 1474 01:16:51,573 --> 01:16:57,213 Speaker 4: and a half? Yeah? Right, okay, nothing, they're tiny, right, yeah, 1475 01:16:56,693 --> 01:17:01,333 Speaker 4: those fungus, those ones, yeah, yeah. 1476 01:17:01,013 --> 01:17:03,613 Speaker 18: I always have to tell kids, you know, they look 1477 01:17:03,733 --> 01:17:07,533 Speaker 18: like an ear, they feel like an ear, they smell 1478 01:17:07,613 --> 01:17:10,333 Speaker 18: like an ear, and they taste like an ear. 1479 01:17:10,373 --> 01:17:11,053 Speaker 8: And they'll get. 1480 01:17:12,533 --> 01:17:12,853 Speaker 6: Hang on. 1481 01:17:13,293 --> 01:17:16,813 Speaker 18: In the eighteen hundreds, the Chu Chung brothers in Taranaki 1482 01:17:17,133 --> 01:17:20,653 Speaker 18: were the first people to send container loads of these 1483 01:17:20,973 --> 01:17:26,693 Speaker 18: ear fungi to China. That was our very first material 1484 01:17:26,733 --> 01:17:30,933 Speaker 18: that we exported, is the root overseas? Yes it is. 1485 01:17:31,053 --> 01:17:34,493 Speaker 4: I had no idea that in the eighteen hundreds, yeah, 1486 01:17:34,533 --> 01:17:37,013 Speaker 4: early eighteen hundreds. Okay, there you go. 1487 01:17:37,773 --> 01:17:38,333 Speaker 19: Oh, there you are. 1488 01:17:38,413 --> 01:17:40,813 Speaker 18: And so you've got fuggie that that bugger your plants, 1489 01:17:40,853 --> 01:17:42,533 Speaker 18: I know, and your fruits and all this sort of stuff. 1490 01:17:42,533 --> 01:17:45,293 Speaker 18: But here's the nice one, the last one, the collaborative one, 1491 01:17:45,573 --> 01:17:49,413 Speaker 18: and it is the stinkhorn fungus with brown material in 1492 01:17:49,493 --> 01:17:54,333 Speaker 18: that little red stinhorn which is attracts the flies and 1493 01:17:54,453 --> 01:17:57,493 Speaker 18: they slover it up and take the spores to all 1494 01:17:57,653 --> 01:17:58,653 Speaker 18: over the forest. 1495 01:17:59,093 --> 01:18:00,653 Speaker 2: That is collaboration. 1496 01:18:01,253 --> 01:18:04,013 Speaker 4: Thank you RD Photos on the website. News is next 1497 01:18:04,013 --> 01:18:04,573 Speaker 4: on news Dogs. 1498 01:18:04,613 --> 01:18:08,493 Speaker 1: He'd be Saturday mornings with Jack Day keeping the conversation 1499 01:18:08,693 --> 01:18:12,013 Speaker 1: going through the weekend with bpure dot cot in here 1500 01:18:12,093 --> 01:18:14,213 Speaker 1: for high quality supplements used talks. 1501 01:18:14,413 --> 01:18:40,213 Speaker 4: B good morning. If you're just standing on the radio 1502 01:18:40,293 --> 01:18:43,213 Speaker 4: this morning, Jack Tame with you this Saturday through to midday. 1503 01:18:43,333 --> 01:18:47,293 Speaker 4: I think the best way to describe the kind of 1504 01:18:47,373 --> 01:18:50,573 Speaker 4: storm of the last few days, or the stormy weather 1505 01:18:50,613 --> 01:18:52,373 Speaker 4: of the last few days, or the effects of the 1506 01:18:52,373 --> 01:18:54,413 Speaker 4: stormy weather of the last few days, is that it's 1507 01:18:54,653 --> 01:18:57,893 Speaker 4: very isolated and regional. So there are some areas that 1508 01:18:57,933 --> 01:19:00,973 Speaker 4: have seemed like they've been hit quite seriously and have 1509 01:19:01,013 --> 01:19:03,253 Speaker 4: suffered quite a bit of damage. Whether it's in Corimandal 1510 01:19:03,293 --> 01:19:05,733 Speaker 4: in Northland, parts of Auckland as well, and then other 1511 01:19:05,813 --> 01:19:08,773 Speaker 4: areas relatively nearby that are just totally fine. It's one 1512 01:19:08,813 --> 01:19:11,173 Speaker 4: of those kind of weird situations, right. I've just been 1513 01:19:11,213 --> 01:19:14,013 Speaker 4: looking at some of the social media pictures from a 1514 01:19:14,013 --> 01:19:18,493 Speaker 4: friend of mine in Auckland who has suffered quite serious 1515 01:19:18,573 --> 01:19:21,693 Speaker 4: damage to her property overnight and so she didn't notice anything, 1516 01:19:21,733 --> 01:19:24,653 Speaker 4: slept through the entire storm, came downstairs in the morning 1517 01:19:25,293 --> 01:19:29,013 Speaker 4: and discovered water all throughout the lounge, all throughout the kitchen. 1518 01:19:29,133 --> 01:19:31,533 Speaker 4: It looks like the water has been about thirty centimeters 1519 01:19:31,613 --> 01:19:33,933 Speaker 4: high in some parts of her house, like whole couches 1520 01:19:33,973 --> 01:19:37,853 Speaker 4: have floated across the room. She's got drawers in the 1521 01:19:37,933 --> 01:19:41,613 Speaker 4: kitchen that are completely full of water now and somehow 1522 01:19:41,693 --> 01:19:43,613 Speaker 4: managed to sleep through most of the storm, which is 1523 01:19:43,693 --> 01:19:46,893 Speaker 4: remarkable given the latest numbers we have that there were 1524 01:19:46,893 --> 01:19:49,573 Speaker 4: more than seven hundred and fifty lightning strikes in the 1525 01:19:49,853 --> 01:19:52,573 Speaker 4: nine last night, fifty miles of rains of five centimeters 1526 01:19:52,573 --> 01:19:55,533 Speaker 4: of rain fell in about five hours. There were more 1527 01:19:55,573 --> 01:19:58,533 Speaker 4: than two hundred callouts for emergency services, and there's some 1528 01:19:58,613 --> 01:20:02,053 Speaker 4: concern amongst city councilors and some leaders in the city 1529 01:20:02,053 --> 01:20:04,933 Speaker 4: that actually warnings weren't given fast enough in Auckland, even 1530 01:20:04,933 --> 01:20:06,973 Speaker 4: though we've all had warnings over the last few days 1531 01:20:07,173 --> 01:20:10,413 Speaker 4: as x tropical Cyclone tam has made its way around 1532 01:20:10,453 --> 01:20:13,893 Speaker 4: the country. The warnings were for a few days ago. 1533 01:20:14,093 --> 01:20:17,413 Speaker 4: The warnings for the actual lightning and electrical storms last 1534 01:20:17,493 --> 01:20:21,053 Speaker 4: night in the heavy rainfall didn't really kick off until 1535 01:20:21,293 --> 01:20:23,093 Speaker 4: I think a lot of people in our biggest city 1536 01:20:23,093 --> 01:20:26,053 Speaker 4: were already experiencing those storms. So anyway, there's no doubt 1537 01:20:26,373 --> 01:20:28,893 Speaker 4: going to be a bit more of an investigation, a 1538 01:20:28,893 --> 01:20:31,453 Speaker 4: few more questions about the timing of those warnings and 1539 01:20:31,453 --> 01:20:34,693 Speaker 4: whether or not more could have been done to prepare people. Hopefully, though, 1540 01:20:34,733 --> 01:20:37,093 Speaker 4: wherever you're waking up this morning, the damage isn't too 1541 01:20:37,133 --> 01:20:40,453 Speaker 4: bad and you're managed to to keep your feet relatively 1542 01:20:40,493 --> 01:20:43,493 Speaker 4: dry for the rest of this Easter weekend. Before midday, 1543 01:20:43,693 --> 01:20:45,213 Speaker 4: we're going to share with you your book picks for 1544 01:20:45,253 --> 01:20:46,773 Speaker 4: this week. We've got a brand new book from David 1545 01:20:46,773 --> 01:20:48,973 Speaker 4: Beldharci which sounds fantastic, so I'm going to give you 1546 01:20:49,013 --> 01:20:50,973 Speaker 4: all the details on that. Plus we're going to share 1547 01:20:51,013 --> 01:20:54,053 Speaker 4: some music from Beyrout Bay Route would have to be 1548 01:20:54,373 --> 01:20:57,373 Speaker 4: one of my all time favorite bands. They've got a 1549 01:20:57,453 --> 01:21:01,813 Speaker 4: really eclctic kind of sound. They get inspiration from all 1550 01:21:01,853 --> 01:21:04,213 Speaker 4: sorts of kind of different areas, like they've got a 1551 01:21:04,293 --> 01:21:08,253 Speaker 4: kind of real Eastern European blend. I mean there's a 1552 01:21:08,333 --> 01:21:11,053 Speaker 4: hint in the name of the group, I suppose. So anyway, 1553 01:21:11,053 --> 01:21:12,493 Speaker 4: they've got a brand new album. We're going to play 1554 01:21:12,493 --> 01:21:13,973 Speaker 4: you some of that before twelve o'clock and you can 1555 01:21:14,013 --> 01:21:15,693 Speaker 4: make up your own mind. CEF, I'm on to a 1556 01:21:15,733 --> 01:21:19,493 Speaker 4: winner or otherwise very shortly right now though it is 1557 01:21:19,573 --> 01:21:24,053 Speaker 4: ten minutes fast eleven Jack Team and our sustainability commentator 1558 01:21:24,133 --> 01:21:27,573 Speaker 4: Kate Hall is with us this morning. Calder Kate, what 1559 01:21:27,733 --> 01:21:30,613 Speaker 4: am I? We are just coming up to, well, the 1560 01:21:30,733 --> 01:21:33,413 Speaker 4: last couple of weeks of April and next month, I 1561 01:21:33,573 --> 01:21:37,493 Speaker 4: know is food appreciation month. I feel like every month 1562 01:21:37,613 --> 01:21:41,893 Speaker 4: is food appreciation in my household. But I'm being facetious. 1563 01:21:41,893 --> 01:21:43,573 Speaker 4: I'm putting a twist on it that isn't supposed to 1564 01:21:43,613 --> 01:21:47,333 Speaker 4: be there. Really, it's an opportunity to kind of consider 1565 01:21:47,373 --> 01:21:52,693 Speaker 4: the ways in which we don't use food scraps as 1566 01:21:52,733 --> 01:21:54,773 Speaker 4: well as they could be used. Right, we waste so 1567 01:21:55,213 --> 01:21:58,293 Speaker 4: much food in New Zealand, and you know, being fortunate 1568 01:21:58,373 --> 01:22:00,853 Speaker 4: to me in a country with real abundance on that front. 1569 01:22:00,933 --> 01:22:03,133 Speaker 4: It's such a shame it is. 1570 01:22:03,453 --> 01:22:07,413 Speaker 20: I mean, I agree every day every month we should 1571 01:22:07,413 --> 01:22:12,213 Speaker 20: be celebrate celebrate food, but we just I think we're 1572 01:22:12,293 --> 01:22:15,773 Speaker 20: so blind to how much food we waste because it's 1573 01:22:15,813 --> 01:22:18,093 Speaker 20: kind of just become the norm. But here's some like 1574 01:22:18,253 --> 01:22:20,813 Speaker 20: figures that always just blow me away every time I 1575 01:22:20,893 --> 01:22:24,813 Speaker 20: read them. Were in New Zealand, homes waste over one 1576 01:22:24,973 --> 01:22:29,973 Speaker 20: hundred and fifty seven thousand tons of edible food every year. 1577 01:22:30,053 --> 01:22:34,773 Speaker 20: So that's not even like you know, your citrus peels 1578 01:22:34,853 --> 01:22:35,413 Speaker 20: or eggs night. 1579 01:22:36,173 --> 01:22:37,773 Speaker 2: I'm not going to say like let's or eat. 1580 01:22:37,693 --> 01:22:40,853 Speaker 20: Those, but maybe such as pells different recipes with that. 1581 01:22:40,933 --> 01:22:43,573 Speaker 20: But you know, that's edible food that's enough to feed 1582 01:22:43,653 --> 01:22:46,173 Speaker 20: everyone in Dunedin for almost three years. 1583 01:22:46,973 --> 01:22:51,973 Speaker 4: That's crazy, and that's like, yeah, yeah. 1584 01:22:51,813 --> 01:22:54,173 Speaker 20: It's very frustrating, and that's I mean, we can talk 1585 01:22:54,213 --> 01:22:57,813 Speaker 20: about environmentally how just ridiculous it is that we've made 1586 01:22:57,853 --> 01:23:00,973 Speaker 20: this food, grown it, produced it amazing, it's been transported 1587 01:23:00,973 --> 01:23:03,533 Speaker 20: to shelves, we take it home, we forget about it. 1588 01:23:03,933 --> 01:23:07,973 Speaker 20: The bread goes moldy, the you know, we don't get leftovers, 1589 01:23:08,013 --> 01:23:10,453 Speaker 20: we go get take out instead. But it's also a 1590 01:23:10,573 --> 01:23:12,893 Speaker 20: cost thing as well. I think, yeah, this is one 1591 01:23:12,893 --> 01:23:16,253 Speaker 20: of the things that you know, some environmental kind of 1592 01:23:16,333 --> 01:23:18,733 Speaker 20: actions do take a bit of going out of our 1593 01:23:18,773 --> 01:23:21,773 Speaker 20: way or maybe spending some more upfront money to do that. 1594 01:23:21,933 --> 01:23:26,093 Speaker 20: But this, like currently food waste is costing every key 1595 01:23:26,293 --> 01:23:30,293 Speaker 20: household on average three and twenty six dollars a year. 1596 01:23:30,813 --> 01:23:34,533 Speaker 4: So if we were focusing more on that, yeah, yeah, 1597 01:23:35,053 --> 01:23:36,693 Speaker 4: I mean there's always a good option. It's just focusing 1598 01:23:36,733 --> 01:23:38,333 Speaker 4: on the money. Even for people who are like, you know, 1599 01:23:38,853 --> 01:23:40,333 Speaker 4: think that you know, you and I are a bit 1600 01:23:40,373 --> 01:23:43,493 Speaker 4: woffy when we're having these conversations. No, but I just 1601 01:23:43,533 --> 01:23:46,293 Speaker 4: focus on the money. Then, like you could save one 1602 01:23:46,373 --> 01:23:49,053 Speaker 4: three hundred dollars on average. I mean that is there 1603 01:23:49,133 --> 01:23:50,133 Speaker 4: is a huge sum. 1604 01:23:51,373 --> 01:23:53,733 Speaker 20: People don't really believe me when I say it, but 1605 01:23:53,893 --> 01:23:55,973 Speaker 20: if you add it all up, you know, half a 1606 01:23:56,173 --> 01:23:59,733 Speaker 20: loaf like that letters you forgot about, like you know, 1607 01:23:59,773 --> 01:24:03,173 Speaker 20: if people go, oh, that's not me, like, you'd be surprised. 1608 01:24:03,453 --> 01:24:03,653 Speaker 6: Yeah. 1609 01:24:04,133 --> 01:24:06,333 Speaker 4: So in our house, this is one of the reasons 1610 01:24:06,453 --> 01:24:10,293 Speaker 4: that I do like a food delivery service, just because 1611 01:24:10,333 --> 01:24:12,653 Speaker 4: I really hate waste and I don't want to like 1612 01:24:12,773 --> 01:24:15,013 Speaker 4: sometimes plans change and during the week, and you know, 1613 01:24:15,173 --> 01:24:16,813 Speaker 4: our house is kind of chareoic at the best of times, 1614 01:24:16,853 --> 01:24:18,173 Speaker 4: and so that's one of the reasons I like having 1615 01:24:18,173 --> 01:24:20,613 Speaker 4: a food delivery services because you just kind of know, like, 1616 01:24:20,773 --> 01:24:23,533 Speaker 4: we've got we've got food for us for this number 1617 01:24:23,573 --> 01:24:26,493 Speaker 4: of meals and this number of lunches, and that's it. 1618 01:24:26,573 --> 01:24:29,573 Speaker 4: We're not going to have excess. But obviously there are 1619 01:24:29,613 --> 01:24:33,213 Speaker 4: still things like vgps, steams and cores, old bananas, stuff 1620 01:24:33,293 --> 01:24:35,173 Speaker 4: like that that I think all of us ended up 1621 01:24:35,213 --> 01:24:37,013 Speaker 4: with from time to time. So what are your tips 1622 01:24:37,053 --> 01:24:38,253 Speaker 4: on dealing with those sorts of things? 1623 01:24:39,413 --> 01:24:39,773 Speaker 8: Totally? 1624 01:24:39,893 --> 01:24:42,733 Speaker 20: So, I think, just like you said, there are main 1625 01:24:42,813 --> 01:24:45,293 Speaker 20: things like having a meal plan, in a shopping list, 1626 01:24:45,653 --> 01:24:47,853 Speaker 20: and actually knowing what's in your fridge. So if you 1627 01:24:47,933 --> 01:24:51,093 Speaker 20: have leftovers, actually labeling it, labeling the date that it 1628 01:24:51,253 --> 01:24:54,173 Speaker 20: was made, putting that in the fridge, having like a 1629 01:24:54,413 --> 01:24:56,973 Speaker 20: bin in your fridge that phays eat me first. So 1630 01:24:57,093 --> 01:25:00,453 Speaker 20: if you're in a household where you know there's multiple people, 1631 01:25:00,853 --> 01:25:03,173 Speaker 20: how do people know what to use and they're just 1632 01:25:03,253 --> 01:25:05,853 Speaker 20: going to grab something that they want to eat or 1633 01:25:05,853 --> 01:25:07,173 Speaker 20: they're going to go, oh, it's not here, I'm going 1634 01:25:07,213 --> 01:25:09,253 Speaker 20: to go out and buy it. So having a bin 1635 01:25:09,333 --> 01:25:12,413 Speaker 20: that says eat me first, and with veggie peels and 1636 01:25:12,453 --> 01:25:15,253 Speaker 20: stems and stuff instead of buying stock. Again, this is 1637 01:25:15,293 --> 01:25:19,773 Speaker 20: a great cost hack. So ends of carrots, I personally 1638 01:25:20,053 --> 01:25:23,293 Speaker 20: generally eat the whole carrot. But if you have onion peels, 1639 01:25:23,533 --> 01:25:26,813 Speaker 20: just like any bits of vegetables, just put them into 1640 01:25:27,333 --> 01:25:30,293 Speaker 20: a bag or a container in your freezer and then 1641 01:25:30,333 --> 01:25:32,693 Speaker 20: when you have some time to make stock, I just 1642 01:25:33,133 --> 01:25:35,573 Speaker 20: put that with some salt and pepper and any other 1643 01:25:35,653 --> 01:25:37,693 Speaker 20: kind of herbs they have from the garden and just 1644 01:25:37,813 --> 01:25:39,973 Speaker 20: boil it up and it makes a great stock that 1645 01:25:40,093 --> 01:25:43,853 Speaker 20: you can use in cooking and things like that. And 1646 01:25:43,973 --> 01:25:48,693 Speaker 20: same with old banhanas. That I laugh because I once 1647 01:25:48,773 --> 01:25:51,653 Speaker 20: had a freezer it was basically only old bananas. 1648 01:25:53,533 --> 01:25:55,013 Speaker 4: So yeah, no banana. 1649 01:25:54,733 --> 01:25:57,213 Speaker 20: Should ever go to waste. We have freezers, we have 1650 01:25:57,493 --> 01:26:00,893 Speaker 20: muffins to make. Like, yeah, fruit is one of the 1651 01:26:01,413 --> 01:26:05,213 Speaker 20: main ones that we waste, and so we really don't 1652 01:26:05,253 --> 01:26:07,773 Speaker 20: need to be wasting it. We can things like our 1653 01:26:07,853 --> 01:26:11,453 Speaker 20: freezers to store stuff for when we do need it 1654 01:26:11,693 --> 01:26:13,973 Speaker 20: or even at the moment. You know, people have heaps 1655 01:26:14,013 --> 01:26:18,693 Speaker 20: of fijos, I think especially after the wind the windiness, 1656 01:26:20,413 --> 01:26:23,573 Speaker 20: and it's just an abundance. So if you you know 1657 01:26:23,693 --> 01:26:26,293 Speaker 20: rack them in your freezer or if you want to 1658 01:26:26,453 --> 01:26:29,293 Speaker 20: learn how to preserve them. Then during the months where 1659 01:26:29,333 --> 01:26:31,733 Speaker 20: it's not fudo a season, you've actually got all this 1660 01:26:32,213 --> 01:26:36,133 Speaker 20: great stuff to cook with. But there's a lot of info. 1661 01:26:36,693 --> 01:26:40,333 Speaker 20: Because it is May's Food Appreciation Month. Every bite has 1662 01:26:40,373 --> 01:26:43,453 Speaker 20: a program that's like everyone's getting involved sharing tips, and 1663 01:26:43,533 --> 01:26:46,213 Speaker 20: you can kind of sign up and really make May. Like, 1664 01:26:46,613 --> 01:26:48,413 Speaker 20: I know, it's a good it's good to have these 1665 01:26:48,453 --> 01:26:50,933 Speaker 20: months because even though it kind of sounds explanatory, we 1666 01:26:51,013 --> 01:26:53,093 Speaker 20: can learn and do these things. It's good to have 1667 01:26:53,133 --> 01:26:54,853 Speaker 20: a month where you're like, right, I'm actually really going 1668 01:26:54,933 --> 01:26:57,053 Speaker 20: to get on top of my food waste and I'm 1669 01:26:57,053 --> 01:26:58,413 Speaker 20: going to implement some of these things. 1670 01:26:58,733 --> 01:27:01,973 Speaker 4: So one thing I find is I go through our 1671 01:27:02,093 --> 01:27:04,093 Speaker 4: cupboard because I mean, this was going to come as 1672 01:27:04,093 --> 01:27:06,173 Speaker 4: a huge surprise. And I've said this before, but I'm 1673 01:27:06,493 --> 01:27:09,653 Speaker 4: like quite anal and you know, like I like a 1674 01:27:09,733 --> 01:27:13,053 Speaker 4: tidy house, tidy mind, and I don't love having food 1675 01:27:13,133 --> 01:27:14,693 Speaker 4: that's going past it's used by date and all that 1676 01:27:14,813 --> 01:27:16,253 Speaker 4: kind of thing. So I kind of go through our 1677 01:27:16,333 --> 01:27:19,013 Speaker 4: pantry once a month or so. How do you manage 1678 01:27:19,453 --> 01:27:21,813 Speaker 4: things in your pantry that are about to be going off? 1679 01:27:22,653 --> 01:27:24,573 Speaker 4: You know past the use by date sometimes soon do 1680 01:27:24,613 --> 01:27:26,733 Speaker 4: you have some sort of a system whereby you know 1681 01:27:26,853 --> 01:27:29,373 Speaker 4: what's going to be going off, so you prioritize eating that. 1682 01:27:30,773 --> 01:27:34,653 Speaker 20: Yep, different shelves, so different it's where it is in 1683 01:27:34,733 --> 01:27:37,853 Speaker 20: the fridge. Like it's the whole psychology too of when 1684 01:27:37,893 --> 01:27:39,733 Speaker 20: you open the fridge, what are you looking at first? 1685 01:27:40,293 --> 01:27:43,493 Speaker 20: How appealing is it too? You know, like some things 1686 01:27:43,973 --> 01:27:47,613 Speaker 20: I think, like I reuse a lot of different containers 1687 01:27:47,693 --> 01:27:49,413 Speaker 20: and all that type of stuff, But I also think, 1688 01:27:50,093 --> 01:27:53,013 Speaker 20: you know, how am I presenting it to my tired, 1689 01:27:53,813 --> 01:27:56,973 Speaker 20: hungry self? So when I open the fridge, like, what 1690 01:27:57,573 --> 01:27:59,173 Speaker 20: what does it look like? How can I you know, 1691 01:27:59,453 --> 01:28:03,693 Speaker 20: remember to eat that? So also knowing that a best 1692 01:28:03,733 --> 01:28:06,613 Speaker 20: before and a use by a date often like it's 1693 01:28:06,653 --> 01:28:11,173 Speaker 20: not doesn't mean much. Yeah, and so going with your nose, 1694 01:28:11,813 --> 01:28:15,413 Speaker 20: going with your you know, just basic knowledge of food 1695 01:28:15,493 --> 01:28:18,893 Speaker 20: safety is really important. Things say are best by date 1696 01:28:19,013 --> 01:28:20,893 Speaker 20: because they want to say, you know, this will be 1697 01:28:20,933 --> 01:28:24,333 Speaker 20: the freshest and most delicious before this date, but it 1698 01:28:24,493 --> 01:28:28,693 Speaker 20: can be perfectly edible afterwards. So yeah, I think working 1699 01:28:28,733 --> 01:28:31,333 Speaker 20: out a good system, you know, thinking about what works 1700 01:28:31,373 --> 01:28:33,013 Speaker 20: for your household and how many people are in the 1701 01:28:33,093 --> 01:28:36,333 Speaker 20: house and talking with everyone too it saying okay, maybe 1702 01:28:36,933 --> 01:28:39,013 Speaker 20: you know food leftovers from dinner, we're going to put 1703 01:28:39,053 --> 01:28:41,293 Speaker 20: in these red tops containers, and so we know that 1704 01:28:41,693 --> 01:28:45,013 Speaker 20: if we're gonna you know, put leftovers into that container 1705 01:28:45,053 --> 01:28:47,613 Speaker 20: after dinner, we're going to actually prepare it and put 1706 01:28:47,653 --> 01:28:49,613 Speaker 20: you know, all the elements, so it's really easy to 1707 01:28:49,733 --> 01:28:52,933 Speaker 20: just grab. So yeah, working out what suits you best, 1708 01:28:52,973 --> 01:28:56,093 Speaker 20: if it's a visual aid or if you're able to, like, yeah, 1709 01:28:56,213 --> 01:29:00,133 Speaker 20: reculibrate and reorganize your fridge. Just thinking about those systems 1710 01:29:00,213 --> 01:29:04,013 Speaker 20: and using may is that month is really like that's 1711 01:29:04,053 --> 01:29:05,093 Speaker 20: going to be the money saver. 1712 01:29:06,893 --> 01:29:09,133 Speaker 4: Fantastic. Yeah, no, I mean that makes a lot of sense. 1713 01:29:09,173 --> 01:29:11,693 Speaker 4: We'll put all your little tips there up on the 1714 01:29:11,733 --> 01:29:14,613 Speaker 4: Newstalk's he'db website. I think just being deliberate, he being 1715 01:29:14,653 --> 01:29:16,733 Speaker 4: purposeful about this. Yes, it kind of makes all the 1716 01:29:16,773 --> 01:29:19,333 Speaker 4: difference in the long run. Thank you so much, Kate, 1717 01:29:19,453 --> 01:29:22,013 Speaker 4: stay dry and we will catch again very soon. That 1718 01:29:22,213 --> 01:29:24,893 Speaker 4: is Kate Haul, our sustainability expert. You can find her 1719 01:29:24,973 --> 01:29:29,373 Speaker 4: on the social media platforms by searching ethically. Kate our 1720 01:29:29,413 --> 01:29:32,093 Speaker 4: travel expert is taking us all to Vienna in a 1721 01:29:32,133 --> 01:29:34,093 Speaker 4: couple of minutes. On News talks. He'd be right now. 1722 01:29:34,213 --> 01:29:37,373 Speaker 4: It is eighteen past eleven Travel. 1723 01:29:37,133 --> 01:29:40,493 Speaker 2: With Wendy wo Tours, where the world is yours for now. 1724 01:29:41,093 --> 01:29:44,293 Speaker 4: Our travel correspondent is Mike Yardley. He's probably feeling pretty 1725 01:29:44,293 --> 01:29:46,173 Speaker 4: good this morning. I reckon, Mike, it's only a hunch, 1726 01:29:46,213 --> 01:29:48,573 Speaker 4: But did you ever think you would see James O'Connor 1727 01:29:48,693 --> 01:29:51,133 Speaker 4: standing up and slotting a winning penalty to give the 1728 01:29:51,173 --> 01:29:52,453 Speaker 4: Crusaders a win over the Blues. 1729 01:29:53,173 --> 01:29:54,893 Speaker 11: We all love James O'Connor to we. 1730 01:29:55,493 --> 01:29:57,973 Speaker 4: Love Jos O'Connor. Do you know I've loved more season. 1731 01:29:58,053 --> 01:30:01,453 Speaker 4: I've loved more season. He's slotted right, Yeah, yeah, but 1732 01:30:01,573 --> 01:30:03,373 Speaker 4: it's still it's a funny old world, isn't it. 1733 01:30:04,493 --> 01:30:04,653 Speaker 18: You know? 1734 01:30:05,813 --> 01:30:08,453 Speaker 11: Absolutely? Speaking of funny old will Jack, I'm in the 1735 01:30:08,573 --> 01:30:12,613 Speaker 11: half big box hesh person at the moment, and it's 1736 01:30:12,813 --> 01:30:18,093 Speaker 11: like like Friday here. The shopping is just insatiable, Yeah, 1737 01:30:18,213 --> 01:30:22,893 Speaker 11: pilling out a micor teen and Rebels Sports and Briscoes. 1738 01:30:22,293 --> 01:30:25,173 Speaker 4: And oh my goodness, crazy No, I mean ash Vegass. 1739 01:30:25,253 --> 01:30:27,853 Speaker 4: And I say this as you know, it's someone who's 1740 01:30:27,853 --> 01:30:29,573 Speaker 4: spent a lot of time in as Vegas over the years, 1741 01:30:29,613 --> 01:30:33,053 Speaker 4: given my my dad brought up there, My grandparents lived 1742 01:30:33,053 --> 01:30:36,333 Speaker 4: there and all that. Ash Vegas has had, I reckon 1743 01:30:36,373 --> 01:30:39,133 Speaker 4: a transformation greater than almost any other New Zealand town 1744 01:30:39,333 --> 01:30:42,413 Speaker 4: over the last few years. And it's probably well, it's 1745 01:30:42,453 --> 01:30:44,293 Speaker 4: probably as a result of some of the big dairy 1746 01:30:44,333 --> 01:30:46,853 Speaker 4: conversions and I think some of the some of the 1747 01:30:46,933 --> 01:30:51,173 Speaker 4: dairy prices as of late been relatively agreeable. So if 1748 01:30:51,173 --> 01:30:53,453 Speaker 4: there's one sector in our economy that might be doing 1749 01:30:53,533 --> 01:30:57,013 Speaker 4: okay at the moment, it is probably a sector that's 1750 01:30:57,053 --> 01:30:59,973 Speaker 4: going to be impacting things on the retail scene in 1751 01:31:00,053 --> 01:31:02,373 Speaker 4: ashbur So you go, I think for that great sort 1752 01:31:02,373 --> 01:31:03,613 Speaker 4: of art center and things now too. 1753 01:31:05,133 --> 01:31:07,373 Speaker 11: I've been hates on a lot of their like civic 1754 01:31:07,493 --> 01:31:10,733 Speaker 11: amenities the last year. Yeah, it's a really good place 1755 01:31:10,773 --> 01:31:11,093 Speaker 11: to live. 1756 01:31:11,613 --> 01:31:14,253 Speaker 4: Yeah, I've always loved that part of the world. Oh well, 1757 01:31:14,693 --> 01:31:19,053 Speaker 4: from ash Vegas to Vienna. Two cultural mecchas this morning 1758 01:31:20,493 --> 01:31:24,813 Speaker 4: and whilstzing through Vienna. It is one of those places 1759 01:31:24,813 --> 01:31:27,613 Speaker 4: of the world that is absolutely synonymous with coffee shops. 1760 01:31:27,413 --> 01:31:28,493 Speaker 10: Right, totally. 1761 01:31:28,573 --> 01:31:29,453 Speaker 11: Yeah, it's a religion. 1762 01:31:29,573 --> 01:31:29,733 Speaker 2: Jack. 1763 01:31:29,773 --> 01:31:32,773 Speaker 11: They've actually got two and a half thousand cafes and 1764 01:31:32,813 --> 01:31:36,893 Speaker 11: coffee shops in Vienna. It's the old school coffee shops 1765 01:31:37,013 --> 01:31:40,373 Speaker 11: all marble and velvet that I think really express the 1766 01:31:40,493 --> 01:31:45,013 Speaker 11: city's soul. So interestingly, the menus they still with about 1767 01:31:45,093 --> 01:31:48,613 Speaker 11: twenty types of coffee. The top seller in Vienna is 1768 01:31:48,693 --> 01:31:52,693 Speaker 11: a Millage, which is it's sort of like a cappuccino 1769 01:31:52,773 --> 01:31:56,973 Speaker 11: and it's a espresso with steams froffy milk. Another big 1770 01:31:57,573 --> 01:32:02,773 Speaker 11: cellar ange Spanner, which is an espresso heaps with whipped cream. 1771 01:32:02,933 --> 01:32:05,733 Speaker 11: They do love their whipped cream in Vienna. I went 1772 01:32:05,773 --> 01:32:09,133 Speaker 11: with the super fancy coffee. It's called a fiaca, which 1773 01:32:09,213 --> 01:32:11,853 Speaker 11: is a large espresso, whipped cream and a shot of 1774 01:32:12,093 --> 01:32:15,213 Speaker 11: cherry schnaps to put a bit of pep in your step. 1775 01:32:17,293 --> 01:32:19,733 Speaker 4: Am I run thing in? The Ottoman Turks were kind 1776 01:32:19,733 --> 01:32:22,653 Speaker 4: of responsible for the cafe culture. 1777 01:32:22,813 --> 01:32:26,573 Speaker 11: Yeah, very much, Jack. When the Ottoman's unsuccessfully tried to 1778 01:32:26,613 --> 01:32:30,853 Speaker 11: seize Vienna four hundred years ago, their soldiers inadvertently left 1779 01:32:30,893 --> 01:32:35,133 Speaker 11: behind their bags of coffee beans on Kallenburg Mountain, which 1780 01:32:35,213 --> 01:32:37,853 Speaker 11: is just above the city. So that gave rise to 1781 01:32:38,053 --> 01:32:42,693 Speaker 11: Vienna's cafe society, in fact Europe's. And it's quite interesting 1782 01:32:42,733 --> 01:32:46,213 Speaker 11: the backstory because the locals who discovered these bags, they 1783 01:32:46,413 --> 01:32:49,013 Speaker 11: thought the beans should be added to super first, they 1784 01:32:49,053 --> 01:32:50,773 Speaker 11: didn't really know what they held to do with them, 1785 01:32:51,253 --> 01:32:56,133 Speaker 11: so they pumped some captured Ottoman soldiers for info and 1786 01:32:56,813 --> 01:32:59,613 Speaker 11: before long, yes, Europe's love affair with coffee was born. 1787 01:33:00,013 --> 01:33:03,413 Speaker 4: Oh fantastic. So beyond coffee, what about good eats and 1788 01:33:03,613 --> 01:33:05,293 Speaker 4: Vienna's signature tastes. 1789 01:33:05,693 --> 01:33:08,333 Speaker 11: Yeah, well it's to go past a vena Schnitzel, which 1790 01:33:08,453 --> 01:33:11,493 Speaker 11: has to be veal to be vena schnitzel. 1791 01:33:11,573 --> 01:33:12,693 Speaker 6: I discovered. 1792 01:33:14,013 --> 01:33:17,493 Speaker 11: Rather expensive though that little slice of the calve so 1793 01:33:18,093 --> 01:33:22,413 Speaker 11: a lot of schnitzel in Vienna is actually pork. And 1794 01:33:22,533 --> 01:33:25,773 Speaker 11: a great place to go is this restaurant called Fegel Muller. 1795 01:33:26,093 --> 01:33:28,813 Speaker 11: They actually claim to be the home of the original 1796 01:33:28,933 --> 01:33:32,853 Speaker 11: vena Schnitzel, but they also do pork schnitzel and the 1797 01:33:33,013 --> 01:33:38,773 Speaker 11: portion sizes would slayer passing. Texan Schnitzel is served the 1798 01:33:38,893 --> 01:33:42,253 Speaker 11: size of a family pizza and it protrudes over the 1799 01:33:42,333 --> 01:33:44,053 Speaker 11: side of your dinner plate and it comes with the 1800 01:33:44,133 --> 01:33:48,453 Speaker 11: side of potato salad, which is really good street food 1801 01:33:48,533 --> 01:33:52,253 Speaker 11: by the way. Liba casa, which is like a slice 1802 01:33:52,253 --> 01:33:54,653 Speaker 11: of meat roll served in a crusty bun, and it's 1803 01:33:54,733 --> 01:33:58,573 Speaker 11: typically a combo of finely chopped pork bacon and beef. 1804 01:33:58,813 --> 01:34:01,933 Speaker 11: It kind of looks like a pinkish pete. At Christmas 1805 01:34:02,013 --> 01:34:04,573 Speaker 11: time they serve wild boar in these crusty buns, but 1806 01:34:05,213 --> 01:34:06,853 Speaker 11: definitely get it to teated. 1807 01:34:06,933 --> 01:34:08,173 Speaker 5: It is so tasty. 1808 01:34:08,653 --> 01:34:11,733 Speaker 11: And I was thinking of you, Jack, Sweet Tooth Department. 1809 01:34:12,053 --> 01:34:16,093 Speaker 11: Apple Strudel obviously is a national obsession. My new found 1810 01:34:16,173 --> 01:34:21,133 Speaker 11: love in Vienna. Kayser Schmann or Kaiser Schmann, actually Kaiser 1811 01:34:21,213 --> 01:34:25,133 Speaker 11: Schmann as in the Emperor of the Kaiser. Yeah, it's 1812 01:34:25,173 --> 01:34:29,133 Speaker 11: a pile of shredded, fluffy pancakes served with stewed plums. 1813 01:34:29,293 --> 01:34:30,573 Speaker 11: I am sold. 1814 01:34:31,053 --> 01:34:34,013 Speaker 4: Yeah, so they shred them out, so they like fry 1815 01:34:34,053 --> 01:34:38,253 Speaker 4: the pancakes and then tread them correct yeow oh great, okay, 1816 01:34:38,293 --> 01:34:42,133 Speaker 4: and they're still warm, They're not like yeah yeah, oh man, okay, Yeah, 1817 01:34:42,373 --> 01:34:45,573 Speaker 4: I'm sold. That sounds fantastic. There are a lot of 1818 01:34:46,173 --> 01:34:48,733 Speaker 4: palaces and follies in Vienna, so what did you fancy? 1819 01:34:49,413 --> 01:34:49,613 Speaker 16: Yeah? 1820 01:34:49,693 --> 01:34:52,853 Speaker 11: They are started with a ridiculous number of royal palaces 1821 01:34:52,973 --> 01:34:56,453 Speaker 11: like schoon Braun and the Hofburg, which is why many 1822 01:34:56,493 --> 01:34:58,693 Speaker 11: people called me in a wedding cake city. It's just 1823 01:34:58,773 --> 01:35:02,693 Speaker 11: got all of these you know, confections architecturally, but I reckon. 1824 01:35:02,773 --> 01:35:05,373 Speaker 11: One of the best pads is Belvedere Palace. So this 1825 01:35:05,573 --> 01:35:08,773 Speaker 11: is the Habspurg summer residents, and it's draped in the 1826 01:35:08,813 --> 01:35:13,053 Speaker 11: most incredibly dreamy gardens, lots of statues, lots of like 1827 01:35:13,613 --> 01:35:18,333 Speaker 11: Greek and Roman mythological statues, amazing fountains, and come the weekend, 1828 01:35:18,413 --> 01:35:21,293 Speaker 11: it's like half of Vienna flocks there just to hang out. 1829 01:35:22,213 --> 01:35:25,773 Speaker 11: And inside the palace the big drawer the artwork of 1830 01:35:26,093 --> 01:35:29,093 Speaker 11: yours Stave Clint Austria's where we had painter and of 1831 01:35:29,173 --> 01:35:32,293 Speaker 11: course he's the guy behind. Really the only painting the 1832 01:35:32,333 --> 01:35:34,093 Speaker 11: world comes to see, and that's the kiss. 1833 01:35:34,693 --> 01:35:38,293 Speaker 4: Yeah yeah, oh so good. So what about that giant 1834 01:35:38,493 --> 01:35:40,813 Speaker 4: firece wheel in the end? Did you track it down? 1835 01:35:41,613 --> 01:35:41,773 Speaker 6: Yes? 1836 01:35:41,853 --> 01:35:45,093 Speaker 11: Indeed, Prata Park. I'm always up for cheap drills, as 1837 01:35:45,133 --> 01:35:48,533 Speaker 11: you know, Jack, and one of the world's oldest amusement parks, 1838 01:35:48,933 --> 01:35:52,533 Speaker 11: Prata delivers in spades. It's actually been like a nursery 1839 01:35:52,973 --> 01:35:56,013 Speaker 11: for many fair ground rights, so like it had the 1840 01:35:56,093 --> 01:35:58,933 Speaker 11: world's first ghost train. But the big boy is that 1841 01:35:59,133 --> 01:36:03,533 Speaker 11: giant fairest wheel, the Raisin Rudd, which James Bond of 1842 01:36:03,573 --> 01:36:07,773 Speaker 11: Fiscionado's will recognized from the Living Daylight it's the world's 1843 01:36:07,973 --> 01:36:12,573 Speaker 11: oldest operating, fairest wheel of its size. And I took 1844 01:36:12,653 --> 01:36:15,013 Speaker 11: a ride up on the Raisin Rudd and it definitely 1845 01:36:15,133 --> 01:36:18,773 Speaker 11: gives you the best views across vin Vienna's rooftops. 1846 01:36:19,093 --> 01:36:22,053 Speaker 4: And who from Clint to another artist to who is 1847 01:36:22,133 --> 01:36:25,293 Speaker 4: the notable composer whose birthday is being celebrated this year? 1848 01:36:25,733 --> 01:36:28,293 Speaker 11: Oh my god, they're so excited about this in Vienna. 1849 01:36:28,853 --> 01:36:33,733 Speaker 11: Johannes Strauss Vienna is celebrating his two hundredth birthday this year. 1850 01:36:33,853 --> 01:36:38,173 Speaker 11: The king of waltz. Of course, think Blue Danube and 1851 01:36:38,693 --> 01:36:41,613 Speaker 11: anything waltzy. It's probably Strauss. 1852 01:36:41,973 --> 01:36:42,213 Speaker 8: Yeah. 1853 01:36:42,573 --> 01:36:46,293 Speaker 11: So there's a year long roster of celebration concerts in events, 1854 01:36:46,333 --> 01:36:47,853 Speaker 11: A lot of them are free, a lot of them 1855 01:36:47,853 --> 01:36:50,973 Speaker 11: are open air. In Vienna, he was actually the Harry 1856 01:36:51,173 --> 01:36:52,453 Speaker 11: Styles of his day. 1857 01:36:52,613 --> 01:36:52,813 Speaker 2: Jack. 1858 01:36:53,293 --> 01:36:57,133 Speaker 11: It was this wildly idolized pop star of the mid 1859 01:36:57,293 --> 01:37:00,373 Speaker 11: nineteenth century and Quoite the womanizer. I have to add 1860 01:37:01,653 --> 01:37:05,413 Speaker 11: historians reckon he was engaged thirteen times. 1861 01:37:05,813 --> 01:37:11,493 Speaker 4: No wow, okay, well that's a life we'll lived for 1862 01:37:11,613 --> 01:37:15,733 Speaker 4: the sousand peas. Yeah, okay, oh so that's fantastic. Thank 1863 01:37:15,773 --> 01:37:18,973 Speaker 4: you all of your all of your tips for exploring 1864 01:37:19,093 --> 01:37:21,533 Speaker 4: Vienna up on the Newstalks 'DB website. You go and 1865 01:37:21,733 --> 01:37:24,013 Speaker 4: enjoy ash Burton and we will lack at chigg In 1866 01:37:24,133 --> 01:37:24,493 Speaker 4: very soon. 1867 01:37:24,853 --> 01:37:27,333 Speaker 11: Thank you very much. Jack, Yeah you too. 1868 01:37:27,573 --> 01:37:30,613 Speaker 4: That's Mike Yardly, our travel correspondent. Just coming up to 1869 01:37:30,653 --> 01:37:33,013 Speaker 4: eleven thirty with Jack Tamee. This is news talk's 'd. 1870 01:37:32,973 --> 01:37:40,413 Speaker 1: Be getting your weekend started. It's Saturday morning with Jack 1871 01:37:40,533 --> 01:37:42,413 Speaker 1: team on News Talks EDB. 1872 01:37:57,253 --> 01:38:00,373 Speaker 4: News Talks. He'd be just after eleven thirty after midday today, 1873 01:38:00,493 --> 01:38:03,453 Speaker 4: Jason pine is in for weekend sport. Big weekend to sports. 1874 01:38:03,453 --> 01:38:05,853 Speaker 4: Starting off Piney with that amazing result for the Crusaders 1875 01:38:05,973 --> 01:38:10,173 Speaker 4: last night in christ Church. I just love how much 1876 01:38:10,293 --> 01:38:16,613 Speaker 4: kind of how much these games, these local derbies have 1877 01:38:16,733 --> 01:38:18,453 Speaker 4: meant to the New Zealand players this year. And it 1878 01:38:18,533 --> 01:38:20,373 Speaker 4: was just so evident all throughout that game, and I 1879 01:38:20,453 --> 01:38:22,533 Speaker 4: really felt like either team could have taken And of 1880 01:38:22,573 --> 01:38:24,413 Speaker 4: course I'd love to say I had absolute faith in 1881 01:38:24,453 --> 01:38:26,813 Speaker 4: the Crusaders, but things to get pretty tight near the end. 1882 01:38:27,253 --> 01:38:27,653 Speaker 4: They did. 1883 01:38:27,773 --> 01:38:31,053 Speaker 19: But for a man who has only a ready just 1884 01:38:31,213 --> 01:38:35,893 Speaker 19: entered this rivalry this season, James O'Connor stepping up call 1885 01:38:35,973 --> 01:38:38,213 Speaker 19: as a cucumber at the end, he'd kicked a penalty 1886 01:38:38,253 --> 01:38:40,413 Speaker 19: to make it twenty to wall and then one after 1887 01:38:40,453 --> 01:38:42,493 Speaker 19: the final hooder to give the Crusaders the one actually 1888 01:38:42,493 --> 01:38:44,733 Speaker 19: gonna have a answer. James O'Connor on the show this 1889 01:38:44,893 --> 01:38:46,813 Speaker 19: afternoon after one o'clock. He's going to join us. I 1890 01:38:46,933 --> 01:38:49,653 Speaker 19: bet he's feeling a million dollars in just everything I've 1891 01:38:49,693 --> 01:38:51,893 Speaker 19: seen from him this year in terms of the media 1892 01:38:51,973 --> 01:38:54,253 Speaker 19: he's done and just his demeanor. He just seems to 1893 01:38:54,293 --> 01:38:55,213 Speaker 19: be loving life there. 1894 01:38:55,373 --> 01:38:59,053 Speaker 4: And he's just a really good value. You know, he's 1895 01:38:59,093 --> 01:39:01,453 Speaker 4: a seriously good value. And I mean, you know, he wasn't. 1896 01:39:01,693 --> 01:39:03,413 Speaker 4: He wasn't like a love to hate kind of player, 1897 01:39:03,533 --> 01:39:05,813 Speaker 4: necessarily for the you know, for the for the New 1898 01:39:05,893 --> 01:39:08,613 Speaker 4: Zealand right fans when he first broke onto the scene. 1899 01:39:08,693 --> 01:39:11,173 Speaker 4: But you know, it's just it is funny for you know, 1900 01:39:11,693 --> 01:39:13,093 Speaker 4: once the shoes on the other foot, and all of 1901 01:39:13,133 --> 01:39:15,173 Speaker 4: a sudden he's a hometown hero, you know, and maybe 1902 01:39:15,213 --> 01:39:17,613 Speaker 4: a few years under the belt, you know, on his 1903 01:39:17,733 --> 01:39:20,853 Speaker 4: side of the equation, and yeah, he's I agree, he's 1904 01:39:20,893 --> 01:39:23,893 Speaker 4: really he's really kind of you know, he's hard not 1905 01:39:23,973 --> 01:39:26,413 Speaker 4: to love a few Crusaders hand at the very kind 1906 01:39:26,413 --> 01:39:27,973 Speaker 4: of I can't love the role of god him playing 1907 01:39:27,973 --> 01:39:29,573 Speaker 4: as well just coming in the last you know, the 1908 01:39:29,693 --> 01:39:31,813 Speaker 4: kind of last ten or fifteen minutes as a real closer. 1909 01:39:32,133 --> 01:39:33,253 Speaker 4: It seems to be working for them. 1910 01:39:33,693 --> 01:39:35,773 Speaker 19: Must be a must be quite an adjustment for him 1911 01:39:35,773 --> 01:39:37,413 Speaker 19: to make a guy who you know, right throughout his 1912 01:39:37,533 --> 01:39:40,053 Speaker 19: career would have would have been the starting first five 1913 01:39:40,173 --> 01:39:42,573 Speaker 19: or whatever position he's played, because he's played a lot 1914 01:39:42,573 --> 01:39:46,413 Speaker 19: of positions, but normally a starter has I think embraced 1915 01:39:46,453 --> 01:39:49,493 Speaker 19: this role of coming off the bench and closing out 1916 01:39:49,573 --> 01:39:53,133 Speaker 19: games in whatever way is required. It must take quite 1917 01:39:53,133 --> 01:39:54,813 Speaker 19: the adjustment. So you're looking forward to having a chat 1918 01:39:54,893 --> 01:39:58,253 Speaker 19: to James. There was even some some murmurings online last 1919 01:39:58,333 --> 01:40:03,173 Speaker 19: night about his All Blacks eligibility. His parents are both Kiwis. 1920 01:40:03,413 --> 01:40:06,053 Speaker 19: He hasn't played for Australia since twenty twenty two, but 1921 01:40:06,413 --> 01:40:09,773 Speaker 19: I noted that there was someone pointed out they did 1922 01:40:09,813 --> 01:40:12,253 Speaker 19: play for Australia A in twenty twenty three, so it 1923 01:40:12,293 --> 01:40:14,933 Speaker 19: couldn't be eligible. It's the three year thing. Look, whether 1924 01:40:15,053 --> 01:40:16,733 Speaker 19: or not it's even a thing, I think he still 1925 01:40:16,773 --> 01:40:19,773 Speaker 19: harves ambition to play for the Wallabies. James O'Connor, so 1926 01:40:19,813 --> 01:40:20,413 Speaker 19: looking forward. 1927 01:40:20,213 --> 01:40:21,893 Speaker 4: To see he's asking him. That'd be a good option. 1928 01:40:22,093 --> 01:40:24,733 Speaker 4: Yeah for the Wallabies. Yeah, that'd be great. I'm looking 1929 01:40:24,733 --> 01:40:27,693 Speaker 4: forward to that. Why aren't you on the show this afternoon. 1930 01:40:27,653 --> 01:40:29,933 Speaker 19: Jordi Barrett after midday. Haven't had the chance to catch 1931 01:40:30,013 --> 01:40:31,973 Speaker 19: up with Jordy since he went to Ireland and he 1932 01:40:32,133 --> 01:40:34,253 Speaker 19: is tearing it up over there, playing really well on 1933 01:40:34,333 --> 01:40:37,453 Speaker 19: his sabbatical for Leinster. You know, how is it going 1934 01:40:37,573 --> 01:40:39,933 Speaker 19: for him? Does he feel like he's improved? He said 1935 01:40:39,973 --> 01:40:42,413 Speaker 19: before he left. The reason I'm going to Ireland is 1936 01:40:42,413 --> 01:40:44,293 Speaker 19: because I want to come back a bit of player. 1937 01:40:44,733 --> 01:40:46,973 Speaker 19: So look, let's find out whether he feels that is 1938 01:40:47,013 --> 01:40:49,533 Speaker 19: the case. And also Rico Yuanni, as we know, is 1939 01:40:49,613 --> 01:40:51,813 Speaker 19: hitting up that way as well next year. I wonder 1940 01:40:51,853 --> 01:40:54,733 Speaker 19: whether Rico actually, you know, just dropped a WhatsApp message 1941 01:40:54,813 --> 01:40:56,573 Speaker 19: or something to Jordie to ask him what it was 1942 01:40:56,733 --> 01:40:59,173 Speaker 19: like up there, got some advice from him, So yeah, 1943 01:40:59,173 --> 01:41:01,493 Speaker 19: have a chat to Jordi Barrett. Also, the other issue 1944 01:41:01,533 --> 01:41:04,093 Speaker 19: that has been bubbling around this week is Grace weck 1945 01:41:04,253 --> 01:41:07,413 Speaker 19: Is eligibility for the Silver Ferns. As we know she's 1946 01:41:07,413 --> 01:41:10,453 Speaker 19: playing in Australia, therefore not eligible. The board has said, 1947 01:41:10,493 --> 01:41:12,973 Speaker 19: look we'll look at it. Dan Nolin Todo I think 1948 01:41:13,013 --> 01:41:15,373 Speaker 19: would certainly want them to. She's on the show after 1949 01:41:15,733 --> 01:41:18,253 Speaker 19: two o'clock as well. Plus we'll cover off other bits 1950 01:41:18,293 --> 01:41:21,333 Speaker 19: and pieces too. Big show tomorrow as well. With no 1951 01:41:21,573 --> 01:41:24,053 Speaker 19: ads on the show tomorrow, jams so we can talk 1952 01:41:24,133 --> 01:41:27,693 Speaker 19: for longer. And there's heaps happening tonight, Warriors, Super Rugby, 1953 01:41:27,773 --> 01:41:31,173 Speaker 19: couple of big games and Auckland FC could could when 1954 01:41:31,213 --> 01:41:33,653 Speaker 19: the Premier's play tonight and the A League Men's if 1955 01:41:33,693 --> 01:41:36,053 Speaker 19: they win and the game following them goes the way 1956 01:41:36,093 --> 01:41:37,973 Speaker 19: they want to, So heaps to cover off. 1957 01:41:37,893 --> 01:41:43,613 Speaker 4: How fish because they just few I mean, it's obviously 1958 01:41:43,653 --> 01:41:45,533 Speaker 4: been a trickier kind of part of the season. They've 1959 01:41:45,573 --> 01:41:47,933 Speaker 4: had a lot of drawers. I mean not losing games, 1960 01:41:47,973 --> 01:41:50,253 Speaker 4: but also just you know, just not closing things out 1961 01:41:50,333 --> 01:41:51,573 Speaker 4: as they might have liked. 1962 01:41:51,933 --> 01:41:54,733 Speaker 19: My gout feelers they won't win tonight. They're playing Melbourne Victory, 1963 01:41:54,733 --> 01:41:56,853 Speaker 19: who are a good team, especially at home. I get 1964 01:41:56,893 --> 01:41:59,293 Speaker 19: the feeling it might be another draw tonight and that 1965 01:41:59,373 --> 01:42:02,373 Speaker 19: would possibly give them the opportunity to win the Premier's plate. 1966 01:42:02,493 --> 01:42:05,773 Speaker 19: This is the regular season silverware at home next Sunday 1967 01:42:05,813 --> 01:42:08,333 Speaker 19: against Perth Glory, which I think would be cool if 1968 01:42:08,973 --> 01:42:11,653 Speaker 19: we knew that if they win next week they win 1969 01:42:11,773 --> 01:42:14,253 Speaker 19: the premieres plate. I reckon that packs out go media 1970 01:42:14,653 --> 01:42:17,293 Speaker 19: and creates a really cool occasion. So it's up about 1971 01:42:17,333 --> 01:42:19,093 Speaker 19: a small part of me hopes they don't secure it 1972 01:42:19,173 --> 01:42:21,853 Speaker 19: tonight anyways, so we can be the kind of a 1973 01:42:21,933 --> 01:42:24,533 Speaker 19: case exactly all right, exactly right, So we'll see how 1974 01:42:24,573 --> 01:42:25,973 Speaker 19: that goes. But we'll cover all that up tomorrow. So 1975 01:42:26,093 --> 01:42:28,253 Speaker 19: heaps a sport over the weekend, our bit of Formula 1976 01:42:28,333 --> 01:42:30,893 Speaker 19: one two, Liam Lawson, Look, I don't know where to look, Jack, 1977 01:42:30,893 --> 01:42:31,453 Speaker 19: this heaps on. 1978 01:42:31,813 --> 01:42:33,333 Speaker 4: Yeah, very good, looking forward to it, Thank you sir, 1979 01:42:33,413 --> 01:42:37,213 Speaker 4: Thank goodness. We don't have ads tomorrow, Pony Jason Vine 1980 01:42:37,293 --> 01:42:40,293 Speaker 4: with us right after the midday with weekend Sport. Before midday, 1981 01:42:40,573 --> 01:42:42,493 Speaker 4: we're going to play some new music from Bay Roots. 1982 01:42:42,533 --> 01:42:44,373 Speaker 4: They've got a brand new album. And next up we've 1983 01:42:44,373 --> 01:42:46,973 Speaker 4: got your book picks for this weekend, including a fantastic 1984 01:42:47,093 --> 01:42:49,253 Speaker 4: new read from David Bell Darchie, So we'll tell you 1985 01:42:49,293 --> 01:42:51,133 Speaker 4: about that. Twenty four to twelve. 1986 01:42:51,493 --> 01:42:55,693 Speaker 1: Saturday Morning with Jack Team Full show podcast on iHeartRadio, 1987 01:42:56,013 --> 01:42:57,013 Speaker 1: part by News Talks. 1988 01:42:57,053 --> 01:42:59,133 Speaker 2: I'd be twenty one. 1989 01:42:59,133 --> 01:43:01,493 Speaker 4: To twelve on News talks 'b SOA Auckland Councilor Shane 1990 01:43:01,533 --> 01:43:06,973 Speaker 4: Henderson is demanding answers after the storms in Orland overnight. 1991 01:43:07,013 --> 01:43:08,653 Speaker 4: If you're just turning on the radio, you're in another 1992 01:43:08,693 --> 01:43:10,533 Speaker 4: part of the country. The big storms and Auckland overnight 1993 01:43:10,533 --> 01:43:13,293 Speaker 4: electrical storms flooding around the city are more than two 1994 01:43:13,373 --> 01:43:17,613 Speaker 4: hundred emergency call outs. And it is interesting because obviously 1995 01:43:18,133 --> 01:43:20,133 Speaker 4: the Met Service has put out various warnings over the 1996 01:43:20,213 --> 01:43:22,093 Speaker 4: last few days for different parts of New Zealand as 1997 01:43:22,133 --> 01:43:25,573 Speaker 4: a result of ex tropical Cyclone tam and I think 1998 01:43:25,613 --> 01:43:29,253 Speaker 4: there is a sense this morning from some that all 1999 01:43:29,293 --> 01:43:32,373 Speaker 4: of those warnings came and that maybe for our biggest 2000 01:43:32,373 --> 01:43:35,613 Speaker 4: city there nothing kind of came of those warnings, or 2001 01:43:35,653 --> 01:43:38,573 Speaker 4: at least the weather wasn't too bad. And then perhaps 2002 01:43:38,613 --> 01:43:42,293 Speaker 4: there weren't that many warnings last night and yet the 2003 01:43:42,373 --> 01:43:45,533 Speaker 4: storm was quite serious anyway. On the Texas Morning Zip, 2004 01:43:45,533 --> 01:43:47,253 Speaker 4: he says Jack, good morning. I'm sick of people moaning 2005 01:43:47,253 --> 01:43:49,413 Speaker 4: about the lack of warnings regarding whether events. We have 2006 01:43:49,533 --> 01:43:52,533 Speaker 4: plenty of warnings all week for goodness sake, check Met Service, 2007 01:43:52,573 --> 01:43:54,933 Speaker 4: look at the rain radar. Stop waiting to be spoon 2008 01:43:55,013 --> 01:43:57,053 Speaker 4: fed by the authorities. Be proactive. 2009 01:43:57,693 --> 01:43:57,933 Speaker 1: It is. 2010 01:43:58,133 --> 01:44:00,533 Speaker 4: It is tricky, right I mean when it comes to 2011 01:44:00,813 --> 01:44:03,293 Speaker 4: the met Service and the role of those forecasters, they 2012 01:44:03,333 --> 01:44:06,213 Speaker 4: want to they want to they want people to know 2013 01:44:06,373 --> 01:44:09,013 Speaker 4: when there is a risk of a serious weather event. 2014 01:44:09,533 --> 01:44:11,653 Speaker 4: They don't want to be accused of crying wolf or 2015 01:44:11,653 --> 01:44:14,573 Speaker 4: anything like that. But it's always imperfect when it comes 2016 01:44:14,613 --> 01:44:17,053 Speaker 4: to trying to forecast whether and sometimes, as we've learned 2017 01:44:17,093 --> 01:44:19,653 Speaker 4: in the last couple of years, they can issue warnings 2018 01:44:19,693 --> 01:44:22,413 Speaker 4: and then nothing too serious happens, and then they can 2019 01:44:23,493 --> 01:44:25,813 Speaker 4: be surprised by a weather event that seems to come 2020 01:44:25,853 --> 01:44:27,853 Speaker 4: out of the blue. Anyway, ninety two ninety two. If 2021 01:44:27,853 --> 01:44:29,333 Speaker 4: you want to send us a message this morning, it 2022 01:44:29,413 --> 01:44:32,573 Speaker 4: is twenty to twelve, which means Catherine Rains, our book reviewer, 2023 01:44:32,813 --> 01:44:35,853 Speaker 4: standing by with her picks for this weekend. Hey, Catherine, 2024 01:44:35,893 --> 01:44:39,413 Speaker 4: let's start off with Nine Hidden Lives, written by Robert Gold. 2025 01:44:40,293 --> 01:44:45,173 Speaker 21: So this story centers on the murder of a journalist, 2026 01:44:45,533 --> 01:44:48,813 Speaker 21: al Kosher, And she was killed thirty years previously, and 2027 01:44:49,053 --> 01:44:52,293 Speaker 21: her killer has never been found, and she'd been working 2028 01:44:52,533 --> 01:44:56,773 Speaker 21: on some cases and exposing some domestic abuse. And so 2029 01:44:56,933 --> 01:44:59,573 Speaker 21: thirty years later, her doctor, her daughter who's now a 2030 01:44:59,693 --> 01:45:03,253 Speaker 21: doctor and works as a GP is determined to uncover 2031 01:45:03,493 --> 01:45:06,813 Speaker 21: the truth, and she lists the help of an investigative generalist, 2032 01:45:06,813 --> 01:45:10,013 Speaker 21: a guy called Ben Harper, and both live in the 2033 01:45:10,133 --> 01:45:13,653 Speaker 21: town of Hadley, and it's quite packed with secrets. This 2034 01:45:13,773 --> 01:45:17,093 Speaker 21: town and these residents add a real layer of intrigue, 2035 01:45:17,093 --> 01:45:20,053 Speaker 21: and some are helpful and some are clearly hiding some things, 2036 01:45:20,173 --> 01:45:21,813 Speaker 21: and some people. 2037 01:45:21,573 --> 01:45:23,333 Speaker 4: That you just really don't want to meet. 2038 01:45:24,053 --> 01:45:26,933 Speaker 21: And so after all of these years, she really firmly 2039 01:45:26,973 --> 01:45:30,253 Speaker 21: believes that someone must know what happened to her mother. 2040 01:45:31,173 --> 01:45:33,453 Speaker 21: But people have been keeping secrets for so long that 2041 01:45:33,613 --> 01:45:36,533 Speaker 21: now they'll do whatever they can to keep themselves safe. 2042 01:45:36,653 --> 01:45:38,453 Speaker 21: And the more the two of them dig, the more 2043 01:45:38,533 --> 01:45:42,373 Speaker 21: dangerous and threatening things become. And the first half of 2044 01:45:42,453 --> 01:45:45,253 Speaker 21: the book almost begins quite slowly, and the building of 2045 01:45:45,333 --> 01:45:49,813 Speaker 21: events and the characters and meeting those characters, and when 2046 01:45:49,853 --> 01:45:52,853 Speaker 21: it all starts to meld together, all of a sudden, 2047 01:45:53,013 --> 01:45:55,413 Speaker 21: all of the secrets are being revealed, and it's a 2048 01:45:55,653 --> 01:45:59,093 Speaker 21: very cleverly potted tale as this whole story melds together, 2049 01:45:59,573 --> 01:46:01,933 Speaker 21: and it's also about a reflection of past events and 2050 01:46:02,013 --> 01:46:04,453 Speaker 21: the change life brings, and just the way Robert Gould 2051 01:46:04,493 --> 01:46:06,973 Speaker 21: managed to tie all of their stories together was very 2052 01:46:07,053 --> 01:46:07,493 Speaker 21: well done. 2053 01:46:07,933 --> 01:46:11,213 Speaker 4: Nice, okay, cool, and that's Nine Hidden Lives by Robert Gold. 2054 01:46:11,453 --> 01:46:14,933 Speaker 4: You've also read Strangers in Time by David Balbarci, so 2055 01:46:15,013 --> 01:46:15,373 Speaker 4: this is a. 2056 01:46:15,373 --> 01:46:19,653 Speaker 21: Real departure from his previous novels. He's normally more thriller 2057 01:46:19,773 --> 01:46:23,053 Speaker 21: and set in modern time. And this one revolves around 2058 01:46:23,053 --> 01:46:25,333 Speaker 21: the London Blitzeres of nineteen forty four, so you have 2059 01:46:25,453 --> 01:46:28,613 Speaker 21: that backdrop of World War two German aircraft bombing London, 2060 01:46:28,813 --> 01:46:32,093 Speaker 21: and he paints this picture of these unlikely people getting 2061 01:46:32,133 --> 01:46:34,453 Speaker 21: together to help each other. And so one of those 2062 01:46:34,493 --> 01:46:37,173 Speaker 21: characters is Charlie Matters, and he lives with his grandmother 2063 01:46:37,733 --> 01:46:39,853 Speaker 21: and following the deaths of his parents, and so that 2064 01:46:40,013 --> 01:46:42,693 Speaker 21: in this one room apartment without much food to survive, 2065 01:46:43,293 --> 01:46:45,573 Speaker 21: Charlie's dropped out of school and he's stealing what he 2066 01:46:45,693 --> 01:46:48,613 Speaker 21: can and he works jobs for a few shillings. And 2067 01:46:48,693 --> 01:46:52,453 Speaker 21: then he's Molly Wakefield, who has been raised completely differently 2068 01:46:52,573 --> 01:46:55,613 Speaker 21: in luxury, and she's returned from the countryside where her 2069 01:46:55,653 --> 01:46:58,813 Speaker 21: parents had sent her years before. And when she returns home, 2070 01:46:58,933 --> 01:47:01,933 Speaker 21: she finds only her nanny and no one really seems 2071 01:47:01,973 --> 01:47:04,293 Speaker 21: to know where her parents are, and so they end 2072 01:47:04,413 --> 01:47:08,013 Speaker 21: up meeting each other. These two teens are thrown together 2073 01:47:08,213 --> 01:47:11,933 Speaker 21: with another person, a bookstore owner called Ignatis ov Oliver 2074 01:47:12,053 --> 01:47:14,893 Speaker 21: who's grieving the loss of his wife, and they all 2075 01:47:15,053 --> 01:47:17,533 Speaker 21: need to help each other, but they suspect each other 2076 01:47:17,653 --> 01:47:21,053 Speaker 21: of different things. And with these bombs raining down night 2077 01:47:21,133 --> 01:47:23,293 Speaker 21: after night, it's not just about the war. They have 2078 01:47:23,333 --> 01:47:26,493 Speaker 21: an adventure and there's mystery and heartbreak and how these 2079 01:47:26,533 --> 01:47:30,813 Speaker 21: people from incredibly different backgrounds and this unadventable hardship that 2080 01:47:30,813 --> 01:47:33,333 Speaker 21: they're going through and that loss and the tragedy can 2081 01:47:33,413 --> 01:47:36,813 Speaker 21: help each other. And Baldoucci is particularly good at creating 2082 01:47:37,413 --> 01:47:40,413 Speaker 21: really good characters that are complex and vulnerable but at 2083 01:47:40,453 --> 01:47:42,853 Speaker 21: the same time unraveling their secrets to the reader. And 2084 01:47:42,933 --> 01:47:45,733 Speaker 21: it's just it was brilliant storytelling and it's well worth 2085 01:47:45,733 --> 01:47:47,333 Speaker 21: a read, so good. 2086 01:47:47,573 --> 01:47:50,853 Speaker 4: Thank you. That's Strangers in Time by David Baldachi, Catherine's 2087 01:47:50,853 --> 01:47:53,853 Speaker 4: first Pick nine Hidden Lives by Robert Gold and all 2088 01:47:53,893 --> 01:47:56,013 Speaker 4: the details with both of those books will of course 2089 01:47:56,733 --> 01:47:59,573 Speaker 4: be on the news talk z'db website right now. It 2090 01:47:59,693 --> 01:48:01,573 Speaker 4: is called a twelve Bay Route for. 2091 01:48:01,653 --> 01:48:04,373 Speaker 2: You next giving you the inside scoop on All you 2092 01:48:04,573 --> 01:48:04,973 Speaker 2: Need to Know. 2093 01:48:05,173 --> 01:48:08,613 Speaker 1: Saturday Mornings with Jack Dame and Bpure Dot co Dots 2094 01:48:08,653 --> 01:48:11,373 Speaker 1: it for high quality supplements use talks B. 2095 01:48:32,373 --> 01:48:36,693 Speaker 4: This is Grek's Unicorn. It's by Beirute. The new album 2096 01:48:36,933 --> 01:48:39,653 Speaker 4: is a study of losses and a stell Cliffe has 2097 01:48:39,693 --> 01:48:41,013 Speaker 4: been listening high Estelle. 2098 01:48:41,973 --> 01:48:44,093 Speaker 22: Well, one out of the bag. 2099 01:48:44,013 --> 01:48:47,253 Speaker 4: For you, right, I'm just worried that it's going to 2100 01:48:47,293 --> 01:48:49,333 Speaker 4: be a really bad album and then everyone's gonna go, oh, 2101 01:48:49,413 --> 01:48:51,173 Speaker 4: it's so Morland's so boring. 2102 01:48:52,693 --> 01:48:55,933 Speaker 22: Okay, So that actually get as Unicorn is one of 2103 01:48:56,013 --> 01:48:59,173 Speaker 22: my favorite. It starts with that synth rhythm and it 2104 01:48:59,253 --> 01:49:01,133 Speaker 22: sets it up and it's kind of off key. 2105 01:49:01,053 --> 01:49:03,773 Speaker 4: A little bit. Yeah, you're like, what am I falling into? 2106 01:49:04,333 --> 01:49:07,333 Speaker 22: I actually listened to this entire album, not really having 2107 01:49:07,373 --> 01:49:10,613 Speaker 22: too much background on beow Route, not knowing the style, 2108 01:49:10,853 --> 01:49:13,093 Speaker 22: not knowing that it was actually composed for a circus, 2109 01:49:13,853 --> 01:49:17,493 Speaker 22: and I was on a trip thinking what what is 2110 01:49:17,653 --> 01:49:21,973 Speaker 22: happening here? The thing to know about them is that 2111 01:49:22,853 --> 01:49:25,573 Speaker 22: they already had the style of music minus then being 2112 01:49:25,613 --> 01:49:26,813 Speaker 22: asked to write for a circus. 2113 01:49:27,893 --> 01:49:30,693 Speaker 13: So I love that their style. 2114 01:49:30,613 --> 01:49:33,453 Speaker 22: Has kind of grown and developed into something where someone's like, 2115 01:49:33,573 --> 01:49:36,173 Speaker 22: we can make a whole a whole show with this 2116 01:49:36,333 --> 01:49:39,533 Speaker 22: kind of soundtrack. That's amazing, isn't it? To love music 2117 01:49:39,693 --> 01:49:44,773 Speaker 22: so much that you also then find because there's sort 2118 01:49:44,773 --> 01:49:47,053 Speaker 22: of this American pop thing behind it too, like that 2119 01:49:47,213 --> 01:49:51,573 Speaker 22: old school like you'd expect Elvis to kind of be 2120 01:49:51,733 --> 01:49:54,013 Speaker 22: there or something like this all American kind of sound 2121 01:49:54,053 --> 01:49:55,733 Speaker 22: to it. You know, there's that quality behind it, and 2122 01:49:55,813 --> 01:49:57,733 Speaker 22: I guess that's once they start bringing in synth and 2123 01:49:57,853 --> 01:50:01,173 Speaker 22: keyboard and those kind of sounds. But then suddenly you're 2124 01:50:01,253 --> 01:50:04,173 Speaker 22: like what is that. You're like, it's a melodica, yeah, 2125 01:50:04,173 --> 01:50:06,173 Speaker 22: you know, like the mouth organ thing, and you're like 2126 01:50:06,453 --> 01:50:07,413 Speaker 22: it's bizarre. 2127 01:50:07,573 --> 01:50:08,893 Speaker 20: Or then they'll be alock a lot of. 2128 01:50:08,933 --> 01:50:11,413 Speaker 4: Like squeeze box accordions and that kind of thing that 2129 01:50:11,533 --> 01:50:14,133 Speaker 4: get checked down still yeah, yeah. 2130 01:50:14,013 --> 01:50:16,693 Speaker 22: Yeah, where actually usually it sits on its own in 2131 01:50:16,773 --> 01:50:19,813 Speaker 22: some sort of folky band, but here it's actually getting 2132 01:50:19,933 --> 01:50:21,613 Speaker 22: used and kind of like I mean, most of their 2133 01:50:21,653 --> 01:50:24,293 Speaker 22: albums they've had sort of modern releases of what they're releasing, 2134 01:50:25,093 --> 01:50:27,133 Speaker 22: and I think that there's kind of like these weird 2135 01:50:27,253 --> 01:50:29,613 Speaker 22: like like that one, where it's got that weird happiness 2136 01:50:29,653 --> 01:50:31,813 Speaker 22: about it, but it's also a bit off key because 2137 01:50:31,813 --> 01:50:33,573 Speaker 22: it's in that minor tone and you're like, this is 2138 01:50:34,413 --> 01:50:37,093 Speaker 22: there's so many layers and so much I'm thank you, 2139 01:50:37,653 --> 01:50:43,893 Speaker 22: hey Jack, thanks for finding you know me, I tell 2140 01:50:43,973 --> 01:50:46,293 Speaker 22: you what finger of the when it comes to this stuff, 2141 01:50:46,653 --> 01:50:47,933 Speaker 22: this is really clever. 2142 01:50:48,133 --> 01:50:49,973 Speaker 2: I I love all these. 2143 01:50:50,253 --> 01:50:52,213 Speaker 22: Instruments that I would not have thought to put in 2144 01:50:52,373 --> 01:50:56,253 Speaker 22: sort of a slight modern music kind of context. And 2145 01:50:56,373 --> 01:50:58,533 Speaker 22: there's and I imagine that their live shows would be 2146 01:50:58,653 --> 01:51:01,733 Speaker 22: absolutely insane because sometimes they could be full orchestral or 2147 01:51:01,853 --> 01:51:04,653 Speaker 22: just really weird instruments on stage where you get this 2148 01:51:04,733 --> 01:51:07,453 Speaker 22: real schooling of what the heck is going on here? 2149 01:51:08,053 --> 01:51:10,933 Speaker 22: And also that he so Zach Condon is the guy. 2150 01:51:11,053 --> 01:51:13,613 Speaker 22: It actually started as a solo project for him, and 2151 01:51:13,733 --> 01:51:15,813 Speaker 22: I dare say he's one of those people who can 2152 01:51:15,853 --> 01:51:18,613 Speaker 22: pick up any form of instrument and he'll find his 2153 01:51:18,693 --> 01:51:24,093 Speaker 22: way around it. So really clever, really embracing that choir 2154 01:51:25,373 --> 01:51:28,333 Speaker 22: renaissance sort of music and then finding this modern kind 2155 01:51:28,373 --> 01:51:31,373 Speaker 22: of twist on it. His version for taking this on 2156 01:51:31,453 --> 01:51:34,773 Speaker 22: board with the Circus because it's about loss, all versions 2157 01:51:34,813 --> 01:51:36,973 Speaker 22: of loss. But he was like, imagine if there was 2158 01:51:37,013 --> 01:51:39,013 Speaker 22: a man who was so obsessed with the things we 2159 01:51:39,093 --> 01:51:41,533 Speaker 22: lost on Earth that he collected them and put them 2160 01:51:41,573 --> 01:51:44,893 Speaker 22: on the moon. So that's kind of a deep layer 2161 01:51:44,973 --> 01:51:48,853 Speaker 22: of this album that all our losses are getting taken 2162 01:51:48,933 --> 01:51:51,293 Speaker 22: by someone and he's so fixated on them he's putting 2163 01:51:51,333 --> 01:51:54,093 Speaker 22: them somewhere else, which I guess then buys into the 2164 01:51:54,173 --> 01:51:56,413 Speaker 22: performance of the circus kind of stuff. So a lot 2165 01:51:56,493 --> 01:52:01,693 Speaker 22: of the songs are around the solar system and names 2166 01:52:01,733 --> 01:52:04,053 Speaker 22: that kind of go along with that, which then ties 2167 01:52:04,133 --> 01:52:07,333 Speaker 22: into I guess eventually what the circus are. I'm fascinated 2168 01:52:07,413 --> 01:52:09,573 Speaker 22: to see what the circus would be. If we could 2169 01:52:09,613 --> 01:52:11,813 Speaker 22: see that as well, that would be wonderful. If anyone 2170 01:52:11,813 --> 01:52:13,813 Speaker 22: wants to send us to the circus, you know, then 2171 01:52:13,893 --> 01:52:16,493 Speaker 22: that would be would I'd give you more points for 2172 01:52:16,533 --> 01:52:20,773 Speaker 22: your album? It is it is just about it either 2173 01:52:20,893 --> 01:52:24,693 Speaker 22: like it's so melodic and so ah yeah, just the 2174 01:52:24,773 --> 01:52:26,773 Speaker 22: instruments and voices that come. It's not it's not a 2175 01:52:26,933 --> 01:52:30,493 Speaker 22: forced sound. It's like this real unusual blending of things 2176 01:52:31,293 --> 01:52:34,653 Speaker 22: and it's quite acrobatic, and it's in its style, which 2177 01:52:34,733 --> 01:52:36,693 Speaker 22: kind of again suits I'm like, yeah, this is amazing 2178 01:52:36,733 --> 01:52:38,613 Speaker 22: that he's finally been brought in to make a soundtrack 2179 01:52:38,733 --> 01:52:39,093 Speaker 22: to something. 2180 01:52:39,213 --> 01:52:43,813 Speaker 4: Yeah, it's weird. It's weird, but I mean, is it telling. 2181 01:52:43,653 --> 01:52:45,453 Speaker 22: About you that you are the one that's then found 2182 01:52:45,573 --> 01:52:46,093 Speaker 22: us this music? 2183 01:52:46,653 --> 01:52:49,013 Speaker 4: Yeah, it probably is you want to run away with. 2184 01:52:49,053 --> 01:52:51,293 Speaker 22: A circus check like it's I would run away with 2185 01:52:51,333 --> 01:52:54,533 Speaker 22: the circus with this, It's it's haunting and beautiful. He 2186 01:52:54,653 --> 01:52:59,173 Speaker 22: also loves ukulele, So there's some pacifica sort of sounds 2187 01:52:59,253 --> 01:53:01,613 Speaker 22: that come in through some of the music too, So 2188 01:53:01,893 --> 01:53:03,653 Speaker 22: you're kind of going to get a lot. There's a 2189 01:53:03,853 --> 01:53:05,493 Speaker 22: lot to unpecking here. 2190 01:53:06,653 --> 01:53:06,853 Speaker 6: Yeah. 2191 01:53:07,173 --> 01:53:09,213 Speaker 22: Yeah, and it might mean you might go backwards too 2192 01:53:09,293 --> 01:53:11,813 Speaker 22: in some of their catalog, which is great keeping in 2193 01:53:11,893 --> 01:53:13,613 Speaker 22: mind that some of the earlier stuff didn't have that 2194 01:53:13,693 --> 01:53:16,933 Speaker 22: sort of American pop synth based to it, Yeah, but 2195 01:53:17,133 --> 01:53:19,453 Speaker 22: still had a lot of this world folk music thing 2196 01:53:19,573 --> 01:53:22,973 Speaker 22: going on too. So yeah, God, he's really embraced all 2197 01:53:23,013 --> 01:53:24,133 Speaker 22: of all what he could do. 2198 01:53:24,293 --> 01:53:25,533 Speaker 5: Yeah, I love it. 2199 01:53:26,213 --> 01:53:28,813 Speaker 4: I'm so pleased. I'm so this is the one time 2200 01:53:28,853 --> 01:53:30,573 Speaker 4: in my life that I could feel like I can 2201 01:53:30,733 --> 01:53:34,253 Speaker 4: can contribute to introducing you to something. You know, Look, 2202 01:53:34,333 --> 01:53:37,613 Speaker 4: you gave me this moment. Yeah, Now I kind of 2203 01:53:37,693 --> 01:53:38,613 Speaker 4: know where you've been at. 2204 01:53:38,933 --> 01:53:41,133 Speaker 22: You like, if you're starting to pick up the flugelhorn 2205 01:53:41,213 --> 01:53:44,413 Speaker 22: or something different, then you just please can you We 2206 01:53:44,533 --> 01:53:46,493 Speaker 22: will like to know your progression with any of these 2207 01:53:46,653 --> 01:53:47,813 Speaker 22: unusual instruments. 2208 01:53:48,533 --> 01:53:50,013 Speaker 4: So good So what did you give it? The Study 2209 01:53:50,013 --> 01:53:51,013 Speaker 4: of Losses by Beaute. 2210 01:53:51,653 --> 01:53:53,933 Speaker 22: Yeah, I'm giving an eight out of ten, but I 2211 01:53:54,053 --> 01:53:55,813 Speaker 22: think of it was pitched with the circus, I might 2212 01:53:55,853 --> 01:53:56,693 Speaker 22: give it a ten out of ten. 2213 01:53:56,733 --> 01:54:00,373 Speaker 4: Okay, okay, I saw the visual too. Yeah, yeah, so good. 2214 01:54:00,453 --> 01:54:01,853 Speaker 4: All right, we'll have a bit more of a than 2215 01:54:01,933 --> 01:54:03,693 Speaker 4: a few minutes. Hey, thank you so much. Good on 2216 01:54:03,853 --> 01:54:06,493 Speaker 4: you for digging it out as well. Love it astaf well. 2217 01:54:06,573 --> 01:54:09,293 Speaker 4: Mistelle Cliffin is our music reviewer. There A Study of 2218 01:54:09,373 --> 01:54:12,613 Speaker 4: Losses is Bayroots new album right now, it's eight to twelve. 2219 01:54:13,253 --> 01:54:16,333 Speaker 1: O cracking way to start your Saturday Saturday mornings with 2220 01:54:16,533 --> 01:54:19,613 Speaker 1: Jack Day and Bpure dot co dot inzad for high 2221 01:54:19,693 --> 01:54:21,573 Speaker 1: quality supplements News Talks dB. 2222 01:54:23,733 --> 01:54:26,013 Speaker 4: Right, oh, that is us for another Saturday morning together 2223 01:54:26,093 --> 01:54:27,733 Speaker 4: on news talks. He be thank you so much for 2224 01:54:28,573 --> 01:54:31,693 Speaker 4: sending us all your messages and emails throughout the morning, 2225 01:54:32,133 --> 01:54:34,893 Speaker 4: busy afternoon. For weekend sport, Jason Pine is just the 2226 01:54:34,973 --> 01:54:36,973 Speaker 4: man for the job. He will be behind the mic 2227 01:54:37,573 --> 01:54:40,413 Speaker 4: from right after the midday news, catching up with Jordy 2228 01:54:40,493 --> 01:54:43,333 Speaker 4: Barrett as well as that James O'Connor, the hero of 2229 01:54:43,413 --> 01:54:46,173 Speaker 4: the Crusader's victory over the blues and christ Church last night. 2230 01:54:46,293 --> 01:54:49,413 Speaker 4: Huzzah for everything from our show, news talks, heb dot 2231 01:54:49,493 --> 01:54:52,573 Speaker 4: co dot nz Ford slash Jack is the best place 2232 01:54:52,653 --> 01:54:55,853 Speaker 4: to go. A massive thanks as always to my wonderful 2233 01:54:55,893 --> 01:54:58,213 Speaker 4: producer Libby for doing all the difficult stuff for me 2234 01:54:58,293 --> 01:55:00,533 Speaker 4: this week. I'm back with you next Saturday morning from 2235 01:55:00,573 --> 01:55:03,813 Speaker 4: nine o'clock. Until then, We're going to leave you with Bearoot. 2236 01:55:04,133 --> 01:55:06,813 Speaker 4: Their new album is a study of losses. This song 2237 01:55:06,933 --> 01:55:10,173 Speaker 4: is called Forest Encyclopedia Sea Zone. 2238 01:56:52,013 --> 01:56:55,093 Speaker 1: For more from Saturday Morning with Jack Tame, listen live 2239 01:56:55,213 --> 01:56:58,013 Speaker 1: to news talks he'd be from nine am Saturday, or 2240 01:56:58,093 --> 01:56:59,973 Speaker 1: follow the podcast on iHeartRadio