1 00:00:00,200 --> 00:00:04,519 Speaker 1: Oh get a. It's Jerry here from the Headachey Breekfast, 2 00:00:04,880 --> 00:00:06,520 Speaker 1: just letting you know that if you're listening to the 3 00:00:06,519 --> 00:00:08,960 Speaker 1: podcast but didn't know that we also do a live 4 00:00:09,080 --> 00:00:11,640 Speaker 1: radio show, we do. And if you're wondering how to 5 00:00:11,680 --> 00:00:14,520 Speaker 1: find out what frequency to listen to us in your area, 6 00:00:14,760 --> 00:00:18,040 Speaker 1: just text north or south as an island to three 7 00:00:18,120 --> 00:00:20,800 Speaker 1: four eight three and we'll let you know. And now 8 00:00:21,040 --> 00:00:34,599 Speaker 1: let's get on with the podcast. It's More for the 9 00:00:34,600 --> 00:00:37,200 Speaker 1: Abbey and the Cack on B one O five, Prison's 10 00:00:37,520 --> 00:00:39,160 Speaker 1: number one music hits station. 11 00:00:39,800 --> 00:00:42,360 Speaker 2: First and only podcasts that you can text into and 12 00:00:42,479 --> 00:00:44,239 Speaker 2: listen into. Now, that's not going to help you right 13 00:00:44,240 --> 00:00:46,000 Speaker 2: now while you're listening to it, but if at some 14 00:00:46,120 --> 00:00:49,800 Speaker 2: point tomorrow it is nine ten, nine fifteen, you can 15 00:00:49,800 --> 00:00:52,000 Speaker 2: text into the podcast, as someone did and I copied 16 00:00:52,040 --> 00:00:53,239 Speaker 2: it somewhere and then I lost it. 17 00:00:53,520 --> 00:00:56,840 Speaker 3: Just to define things though, Wolfy Abbey and the Cack. 18 00:00:57,400 --> 00:01:01,400 Speaker 3: So are we going mini as the Wolf from the World? 19 00:01:01,520 --> 00:01:02,080 Speaker 2: Yeah? 20 00:01:02,160 --> 00:01:04,840 Speaker 3: Okay, So are you Abby or the cat Abbe? 21 00:01:05,520 --> 00:01:07,880 Speaker 1: You're definitely the cut. Yeah, there's no doubt about it. 22 00:01:08,840 --> 00:01:13,319 Speaker 1: There's no too. You're definitely the cut and that makes me. 23 00:01:13,319 --> 00:01:17,080 Speaker 3: Abby, part of me wanted to be Abby. Problem, you 24 00:01:17,120 --> 00:01:20,600 Speaker 3: are so far away from abb Well you think you're Abby. 25 00:01:20,680 --> 00:01:22,520 Speaker 1: No, I don't think I am Abbie. But I'm closer 26 00:01:22,520 --> 00:01:27,400 Speaker 1: to Abbie than you are, I mean than you. 27 00:01:26,560 --> 00:01:29,960 Speaker 2: I would say Rude is actually probably closest in terms 28 00:01:29,959 --> 00:01:33,640 Speaker 2: of like relationship with Abby. He has a relationship with Ebbie, 29 00:01:33,720 --> 00:01:35,640 Speaker 2: but he has the same You have the same relationship 30 00:01:35,680 --> 00:01:38,759 Speaker 2: with Abby that I have with David Campezy. Yes, they 31 00:01:38,800 --> 00:01:41,200 Speaker 2: text you back. Does she know who you are? Probably not? 32 00:01:41,400 --> 00:01:44,080 Speaker 1: And that's that's me and Campo, you see. I would 33 00:01:44,120 --> 00:01:47,000 Speaker 1: say that my relationship with Sir Richard Hadley is slightly 34 00:01:47,040 --> 00:01:48,840 Speaker 1: above that where he does know who I am. He 35 00:01:48,880 --> 00:01:52,040 Speaker 1: definitely knows are Does he like me? Probably not, but no, 36 00:01:52,080 --> 00:01:53,200 Speaker 1: he does know who I am, But. 37 00:01:53,200 --> 00:01:54,400 Speaker 2: He likes that you like him. 38 00:01:54,680 --> 00:01:57,240 Speaker 1: Yeah. Yeah, we both have something in common, and that 39 00:01:57,400 --> 00:01:59,320 Speaker 1: is that we both love Richard Hadley. 40 00:01:59,440 --> 00:02:03,080 Speaker 2: Yeah, that's the thing that me and my missus I 41 00:02:03,080 --> 00:02:07,600 Speaker 2: think have bonded over the most as we both hate me, 42 00:02:11,120 --> 00:02:14,239 Speaker 2: and I think that that's really kept us quite close 43 00:02:14,280 --> 00:02:16,959 Speaker 2: over the years. I think it's really strengthened our relationship 44 00:02:17,360 --> 00:02:19,200 Speaker 2: as I'll come home. You man, you're a piece of shit. 45 00:02:19,240 --> 00:02:23,359 Speaker 2: I've like, I know, don't I suck dude, and we're like, 46 00:02:23,840 --> 00:02:25,519 Speaker 2: and then we have dinner and it's just happy family. 47 00:02:27,320 --> 00:02:30,200 Speaker 2: And I've always said that relationships are based on what 48 00:02:30,240 --> 00:02:33,320 Speaker 2: you hate more than what you love. People bond way 49 00:02:33,360 --> 00:02:36,160 Speaker 2: more over what you think about your closest workmates. It's 50 00:02:36,200 --> 00:02:40,360 Speaker 2: always based off of it, doesn't Tracey from the office, 51 00:02:40,480 --> 00:02:41,640 Speaker 2: Oh my god, I hate her too. 52 00:02:41,880 --> 00:02:45,320 Speaker 1: Yeah? Yeah, I think you brought it with relationships. Certainly mine, 53 00:02:45,520 --> 00:02:49,480 Speaker 1: it was the person who least annoys you. So I 54 00:02:49,800 --> 00:02:52,160 Speaker 1: have ended up going by a person that at least 55 00:02:52,160 --> 00:02:54,000 Speaker 1: annoys me, and then you look, you learn to love 56 00:02:54,040 --> 00:02:55,320 Speaker 1: that person that least annoys you. 57 00:02:55,560 --> 00:02:55,760 Speaker 3: Yep. 58 00:02:56,800 --> 00:03:00,359 Speaker 1: Yeah, well that's deep love. Deep love over to a 59 00:03:00,480 --> 00:03:01,480 Speaker 1: growing deep love. 60 00:03:01,760 --> 00:03:03,600 Speaker 3: So if you can't be with the one you love, 61 00:03:03,960 --> 00:03:06,360 Speaker 3: love the person that least annoys you, well, yeah, that's 62 00:03:06,400 --> 00:03:07,160 Speaker 3: this idea. 63 00:03:06,880 --> 00:03:08,480 Speaker 1: That you end up with the person that you that 64 00:03:08,520 --> 00:03:11,280 Speaker 1: you love, like, yeah, who is seriously. 65 00:03:10,919 --> 00:03:13,040 Speaker 2: No, because you were saying the other day you just 66 00:03:13,080 --> 00:03:14,480 Speaker 2: sort of end up with whoever you're with when the 67 00:03:14,560 --> 00:03:15,160 Speaker 2: music stops. 68 00:03:15,480 --> 00:03:16,240 Speaker 3: That's what you like. 69 00:03:16,320 --> 00:03:21,680 Speaker 1: Musical chairs, Yeah, that one, that one, that one, or. 70 00:03:21,720 --> 00:03:23,919 Speaker 2: Jo I find it miraculous that anyone can tolerate me 71 00:03:23,960 --> 00:03:30,280 Speaker 2: at all. That she'd be like, I know I annoy her, Well, there. 72 00:03:30,280 --> 00:03:33,000 Speaker 1: Is a thing, but you annoy her less than someone 73 00:03:33,080 --> 00:03:33,520 Speaker 1: else won't. 74 00:03:33,680 --> 00:03:35,720 Speaker 2: Yeah, I think there's also there is a thing that 75 00:03:35,800 --> 00:03:38,960 Speaker 2: did a study in there. There's a massive dopamine release 76 00:03:39,040 --> 00:03:41,200 Speaker 2: in a man's brain when he pisses his partner off. 77 00:03:41,680 --> 00:03:43,480 Speaker 2: You know, you just can't help yourself, you like, I 78 00:03:43,600 --> 00:03:44,880 Speaker 2: know this is going to piss her off, and I 79 00:03:44,920 --> 00:03:47,240 Speaker 2: got I have to do it just to annoy her. 80 00:03:47,760 --> 00:03:49,560 Speaker 2: My thing is slapping her on the leg with my 81 00:03:49,640 --> 00:03:52,400 Speaker 2: flat feet. So she's standing in the kitchen, I'll just 82 00:03:52,440 --> 00:03:54,880 Speaker 2: give her a little with my with my foot just 83 00:03:55,000 --> 00:03:56,560 Speaker 2: on the back of her calf or on the back 84 00:03:56,600 --> 00:03:59,640 Speaker 2: of her leg. It doesn't hurt, but man, it passes 85 00:03:59,680 --> 00:03:59,960 Speaker 2: her off. 86 00:04:01,280 --> 00:04:02,480 Speaker 1: She'd give you a look after that. 87 00:04:02,680 --> 00:04:06,000 Speaker 2: She gets fearal. Man. She uncorked the right hook the 88 00:04:06,080 --> 00:04:09,240 Speaker 2: other day, that just came from the heavens. Riddick bo 89 00:04:09,320 --> 00:04:13,120 Speaker 2: would have been proud of it. But she found her range, 90 00:04:13,160 --> 00:04:14,600 Speaker 2: set me up with the jam and then just go. 91 00:04:16,520 --> 00:04:21,279 Speaker 2: She was like Mike Tyson hit in the bag. But yeah, 92 00:04:21,480 --> 00:04:24,480 Speaker 2: there is something about just that little needling sort of 93 00:04:24,520 --> 00:04:27,000 Speaker 2: annoying thing you can do to your partner just for 94 00:04:27,080 --> 00:04:28,520 Speaker 2: your own personal entertainment. 95 00:04:28,600 --> 00:04:28,800 Speaker 3: Yeah. 96 00:04:28,839 --> 00:04:31,960 Speaker 1: I love when telse's falling asleep in front of the 97 00:04:32,040 --> 00:04:36,880 Speaker 1: TV or in bed, just saying something and then waking 98 00:04:36,920 --> 00:04:39,800 Speaker 1: her up, And then I keep waking her up and 99 00:04:40,040 --> 00:04:43,360 Speaker 1: she knows that she's doing something wrong because you're not 100 00:04:43,400 --> 00:04:46,480 Speaker 1: allowed to fall asleep in front of the TV's. 101 00:04:46,200 --> 00:04:47,640 Speaker 2: That's right, I was pecturing in bed? 102 00:04:47,720 --> 00:04:50,120 Speaker 1: Yeah yeah, yeah, But then so when I then I 103 00:04:50,160 --> 00:04:52,040 Speaker 1: wake her up and she knows, she knows she's in 104 00:04:52,120 --> 00:04:54,200 Speaker 1: the wrong. She hasn't got a leg to stand on, 105 00:04:54,760 --> 00:04:56,920 Speaker 1: and and later on, so she's not angry at me 106 00:04:57,160 --> 00:04:58,960 Speaker 1: for that, and she kind of laughs. But I keep 107 00:04:59,080 --> 00:05:01,640 Speaker 1: going and going going. It's quite it's kind of like torture. 108 00:05:01,920 --> 00:05:05,080 Speaker 1: But then if she has been asleep for some time 109 00:05:05,240 --> 00:05:07,640 Speaker 1: and then I wake her up for some reason, in 110 00:05:07,800 --> 00:05:11,039 Speaker 1: her head, she's been she's been wronged in that situation. Yeah, 111 00:05:11,040 --> 00:05:12,920 Speaker 1: I was gonna say, but if she's just going to sleep, 112 00:05:13,040 --> 00:05:13,960 Speaker 1: it's a joke. 113 00:05:14,800 --> 00:05:17,920 Speaker 2: Yeah, My missus does not appreciated being woken up. She's 114 00:05:18,080 --> 00:05:21,000 Speaker 2: fair every time, every time. 115 00:05:21,200 --> 00:05:24,680 Speaker 1: She's a psycho. And if she's having a sleep in 116 00:05:24,720 --> 00:05:28,080 Speaker 1: the afternoon, and then I say come home and walk 117 00:05:28,120 --> 00:05:32,040 Speaker 1: in the front door and you know, and open the 118 00:05:32,080 --> 00:05:34,000 Speaker 1: door in a normal fashion and then just close it 119 00:05:34,080 --> 00:05:37,160 Speaker 1: in a normal way, and I wake her up. Look 120 00:05:37,560 --> 00:05:41,560 Speaker 1: look out out. And my thing is, you should not 121 00:05:41,680 --> 00:05:43,840 Speaker 1: expect you should expect not to be woken up at night, 122 00:05:44,360 --> 00:05:47,800 Speaker 1: Like that's totally fine. But during the day, that is 123 00:05:47,880 --> 00:05:50,200 Speaker 1: the realm of the of the awake, of the living, 124 00:05:50,360 --> 00:05:51,960 Speaker 1: that is the realm of the living, And if you 125 00:05:52,040 --> 00:05:56,000 Speaker 1: want to sleep during that time, then you take what comes. Yeah, 126 00:05:56,520 --> 00:05:58,480 Speaker 1: I know, I completely agree with you. One of the 127 00:05:58,560 --> 00:06:01,200 Speaker 1: issues we have is I mentioned it briefly on the 128 00:06:01,240 --> 00:06:04,799 Speaker 1: show the other day. My cat moose Akaya the hanging 129 00:06:04,839 --> 00:06:07,520 Speaker 1: Stone because he he will come in in the middle 130 00:06:07,520 --> 00:06:10,040 Speaker 1: of the night and lie on top of you and 131 00:06:10,240 --> 00:06:13,120 Speaker 1: exerts so much heat on you that you wake up 132 00:06:13,160 --> 00:06:15,240 Speaker 1: in a pool of sweat. And he does it to 133 00:06:15,360 --> 00:06:18,400 Speaker 1: her and she rolls over and then she's on top 134 00:06:18,440 --> 00:06:20,120 Speaker 1: of me. Then we both well, I wake up in 135 00:06:20,160 --> 00:06:21,840 Speaker 1: a pool of switch. She's on top of me because 136 00:06:21,839 --> 00:06:22,279 Speaker 1: the cat's on. 137 00:06:22,279 --> 00:06:24,240 Speaker 2: Top of her. And then I wake her up and 138 00:06:24,360 --> 00:06:25,880 Speaker 2: like many can you roll over back over your other 139 00:06:25,960 --> 00:06:28,680 Speaker 2: side and she's in a fear. I already am on 140 00:06:28,760 --> 00:06:29,200 Speaker 2: my blood. 141 00:06:31,120 --> 00:06:35,080 Speaker 1: Why would I make this up. Just hang it on 142 00:06:35,160 --> 00:06:38,280 Speaker 1: the hanging stone. The hanging stone is causing a lot 143 00:06:38,279 --> 00:06:38,680 Speaker 1: of problems. 144 00:06:38,720 --> 00:06:40,600 Speaker 2: I'm gonna do something about the hanging stone. The problem 145 00:06:40,680 --> 00:06:42,760 Speaker 2: is the missus loves I swear she loves the camp 146 00:06:42,800 --> 00:06:44,880 Speaker 2: more than she loves me, because she would she would 147 00:06:44,920 --> 00:06:47,000 Speaker 2: not roll over if I was in the way. But 148 00:06:47,520 --> 00:06:50,960 Speaker 2: oh why beside the man who tries to stop Moose 149 00:06:51,000 --> 00:06:55,159 Speaker 2: from having a comfortable night sleep? How old is most six? 150 00:06:55,480 --> 00:06:59,160 Speaker 2: Oh god, okay, he's ten years. He's starting to this 151 00:06:59,240 --> 00:07:00,560 Speaker 2: is what he does. I've got to photo of the 152 00:07:00,680 --> 00:07:01,560 Speaker 2: hungy stone in action. 153 00:07:01,920 --> 00:07:05,000 Speaker 1: Yeah, I know exactly, because he's he's doing the right thing, 154 00:07:05,040 --> 00:07:07,480 Speaker 1: which is just curling into the legs and that's a 155 00:07:07,560 --> 00:07:08,520 Speaker 1: nice little warm spot. 156 00:07:08,680 --> 00:07:11,120 Speaker 2: But the way look at he weighs four killers. He 157 00:07:11,160 --> 00:07:13,160 Speaker 2: looks like he's forty kilose in that. The way he's 158 00:07:13,200 --> 00:07:15,680 Speaker 2: sunk into the bit, I don't know how he does it. 159 00:07:15,760 --> 00:07:17,760 Speaker 2: It's like he can generate gravity. 160 00:07:18,000 --> 00:07:20,040 Speaker 1: Does he appreciate what you guys are doing for him? 161 00:07:20,040 --> 00:07:23,880 Speaker 2: He doesn't appreciate shit. We rescued him from the SPC. Yeah, 162 00:07:23,880 --> 00:07:26,280 Speaker 2: they found him underneath the motorway in South Auckland, and 163 00:07:26,400 --> 00:07:28,679 Speaker 2: he's got all these weird hang ups, like you can't 164 00:07:28,800 --> 00:07:31,080 Speaker 2: sniff anywhere near him or he will attack you. I 165 00:07:31,200 --> 00:07:33,960 Speaker 2: tested every couple of months to see if it's like yeah, 166 00:07:34,040 --> 00:07:36,840 Speaker 2: if you go, dude, if you are in a different room, 167 00:07:36,880 --> 00:07:38,960 Speaker 2: he will run from that room into the room you're 168 00:07:39,000 --> 00:07:41,320 Speaker 2: in to attack you. If you sniff, he'll run up 169 00:07:41,320 --> 00:07:43,880 Speaker 2: the stairs if I'm upstairs. One day, I was so 170 00:07:44,120 --> 00:07:47,560 Speaker 2: hungover and I let out a like you know, when 171 00:07:47,560 --> 00:07:50,160 Speaker 2: you far away a belly ache, that's one of the 172 00:07:50,200 --> 00:07:52,640 Speaker 2: best feelings in the world. I did it hungover in 173 00:07:52,640 --> 00:07:54,840 Speaker 2: the lounge the other day, and he ran jumped off 174 00:07:54,880 --> 00:07:56,880 Speaker 2: the bed and ran into the lounge to attack me 175 00:07:56,960 --> 00:07:57,160 Speaker 2: for it. 176 00:07:57,520 --> 00:07:58,720 Speaker 1: He wasn't coming in for a sniff. 177 00:07:59,280 --> 00:07:59,760 Speaker 4: No, no, no. 178 00:07:59,840 --> 00:08:03,040 Speaker 2: He jumped up and scratched my head. He pulled himself 179 00:08:03,080 --> 00:08:04,640 Speaker 2: onto the couch basically using my scalp. 180 00:08:04,720 --> 00:08:07,320 Speaker 1: You are a way more tolerant cat owner than me. 181 00:08:07,440 --> 00:08:09,920 Speaker 1: I'm not taking them my cat scratches me. That cat's 182 00:08:10,120 --> 00:08:12,160 Speaker 1: that cat's on borrowed time. Oh you know, I whipped 183 00:08:12,200 --> 00:08:13,640 Speaker 1: them off even once off the wall. 184 00:08:14,120 --> 00:08:17,160 Speaker 2: He's a fighter as our cat as well, and he's 185 00:08:17,200 --> 00:08:20,120 Speaker 2: aging really rapidly because he can't help himself. He sits 186 00:08:20,160 --> 00:08:22,440 Speaker 2: up on the top floor. He can see the whole street, 187 00:08:22,480 --> 00:08:24,840 Speaker 2: and if there's another cat, even a dog, he's straight 188 00:08:24,880 --> 00:08:27,200 Speaker 2: down the stairs, out the door, out the gate to 189 00:08:27,280 --> 00:08:30,040 Speaker 2: try and fight whatever animal it is that he says territorial. 190 00:08:30,520 --> 00:08:33,360 Speaker 2: He come in yesterday. He usually we feed him at 191 00:08:33,360 --> 00:08:36,440 Speaker 2: about five in the afternoon, and he came in yesterday 192 00:08:36,760 --> 00:08:40,600 Speaker 2: just blood passing out of his nose. Where the fuck 193 00:08:40,679 --> 00:08:44,920 Speaker 2: have you? Man, He's just a massive scrapper. He can't 194 00:08:44,960 --> 00:08:48,600 Speaker 2: help himself. My screens over on my phone as him 195 00:08:48,640 --> 00:08:54,640 Speaker 2: fighting the neighbor's cat. Oh wow, he's the gray one. 196 00:08:54,720 --> 00:08:57,520 Speaker 1: Yeah, he's coming out. He's coming. He's going to win that. 197 00:08:58,840 --> 00:09:00,920 Speaker 2: That. So the other cat, the black cat's got a 198 00:09:02,000 --> 00:09:05,599 Speaker 2: collar one. So Jeff took that photo. She was in 199 00:09:05,679 --> 00:09:07,040 Speaker 2: the cart. She just got home from work and she 200 00:09:07,120 --> 00:09:10,040 Speaker 2: saw the scrap gun and she took that photo and 201 00:09:10,200 --> 00:09:13,800 Speaker 2: then most ripped the collar off the other cat and 202 00:09:13,960 --> 00:09:16,000 Speaker 2: took it as a trophy and lift it in our yard. 203 00:09:16,960 --> 00:09:19,760 Speaker 1: And so when we got it, it's a psycho. Yeah. 204 00:09:19,760 --> 00:09:23,120 Speaker 2: When we got inside, the thing was there, and Jeff 205 00:09:23,200 --> 00:09:25,640 Speaker 2: text the owner and was like, hey, we've got your 206 00:09:25,679 --> 00:09:27,920 Speaker 2: cat's collar in here, because I fuck you'll get up 207 00:09:28,559 --> 00:09:29,600 Speaker 2: you want to come and pick it up, and they 208 00:09:29,640 --> 00:09:30,920 Speaker 2: were like, yeah, sweet, we'll come and get it. And 209 00:09:31,000 --> 00:09:33,839 Speaker 2: they never did. I think they were too embarrassed or 210 00:09:33,920 --> 00:09:35,880 Speaker 2: scared of your cat or scared of our cat. And 211 00:09:35,960 --> 00:09:36,880 Speaker 2: then I'm scared of our cat. 212 00:09:36,920 --> 00:09:39,280 Speaker 3: Heymann, I can you flip me a screenshot of that 213 00:09:39,320 --> 00:09:42,200 Speaker 3: and I'll put it up on the conclove Sodacky Breakfast 214 00:09:42,520 --> 00:09:44,319 Speaker 3: Facebook discussion group. Got it? 215 00:09:44,520 --> 00:09:47,080 Speaker 1: If I came across most just randomly in the street, 216 00:09:47,160 --> 00:09:49,640 Speaker 1: if you did? What if I came across most randomly 217 00:09:49,679 --> 00:09:51,640 Speaker 1: in the street. If I if I saw most randomly 218 00:09:51,640 --> 00:09:55,199 Speaker 1: in the streets most and thought, oh, that's a nice cat, 219 00:09:55,280 --> 00:09:57,400 Speaker 1: give him a little pet, what would he do? 220 00:09:58,080 --> 00:10:00,560 Speaker 2: Oh, you wouldn't be able to pat him. He he doesn't. 221 00:10:00,840 --> 00:10:02,880 Speaker 2: He would run away from you. Oh he doesn't like 222 00:10:03,000 --> 00:10:06,280 Speaker 2: men women. He's okay with his sexist Like, if a 223 00:10:06,360 --> 00:10:09,280 Speaker 2: man walks into my house that isn't me, he'll basically 224 00:10:09,360 --> 00:10:14,760 Speaker 2: just scooch off up the stairs. You won't see him again. Yeah, 225 00:10:14,840 --> 00:10:16,120 Speaker 2: he's but he's fucking. 226 00:10:17,320 --> 00:10:18,839 Speaker 1: Other cats or people. 227 00:10:19,559 --> 00:10:19,719 Speaker 3: Yeah. 228 00:10:19,720 --> 00:10:22,400 Speaker 2: I wonder if it's a territorial thing. I don't really know. 229 00:10:23,240 --> 00:10:27,280 Speaker 1: Well, as a kitten, he has obviously gone through some trauma. 230 00:10:27,679 --> 00:10:30,120 Speaker 2: I wonder if the sniffing thing is did a dog 231 00:10:30,280 --> 00:10:33,280 Speaker 2: come around him and he you know, and the dog 232 00:10:33,400 --> 00:10:36,720 Speaker 2: was sniffing around and maybe he's maybe he's hung up 233 00:10:36,720 --> 00:10:36,959 Speaker 2: from that. 234 00:10:37,080 --> 00:10:38,720 Speaker 1: I don't know how wud he go if you did, 235 00:10:38,760 --> 00:10:40,920 Speaker 1: because you're talking about getting a dog. How's he going 236 00:10:41,000 --> 00:10:42,760 Speaker 1: to go with a dog? Puppy's going to get? 237 00:10:43,320 --> 00:10:45,280 Speaker 2: Well, we think it has to be a puppy because 238 00:10:45,320 --> 00:10:47,439 Speaker 2: then it will grow up and he will potentially not 239 00:10:47,520 --> 00:10:48,920 Speaker 2: see it as a threat. But if it's a fully 240 00:10:48,960 --> 00:10:51,400 Speaker 2: grown dog, that could be an issue. Maybe I don't know. 241 00:10:51,640 --> 00:10:53,120 Speaker 1: I think he might run away. 242 00:10:53,280 --> 00:10:55,079 Speaker 2: Just sins to think they'd be okay and she would know. 243 00:10:55,400 --> 00:10:59,959 Speaker 2: Yeah she's the animal person, but yeah, fearal fucking care. 244 00:11:00,200 --> 00:11:01,760 Speaker 3: Can we just take a little break? 245 00:11:02,200 --> 00:11:20,439 Speaker 2: Yeah, happy birthday to Yats. She's a listener, Yeah, beg 246 00:11:20,520 --> 00:11:23,720 Speaker 2: listener of this show. I know she is as oldys 247 00:11:23,800 --> 00:11:24,520 Speaker 2: forty four today. 248 00:11:24,679 --> 00:11:28,080 Speaker 1: Yeah, as opposed to the Rams, who's fiftys. 249 00:11:27,480 --> 00:11:29,640 Speaker 2: Is fifty Yeah. I wonder if they've ever worked together. 250 00:11:29,760 --> 00:11:32,640 Speaker 2: I imagine they would have. We had some texts come 251 00:11:32,720 --> 00:11:35,040 Speaker 2: through the other day. We never got a chance to 252 00:11:35,080 --> 00:11:37,920 Speaker 2: read them. They texted into the podcast. Someone said, hey, gents. 253 00:11:38,000 --> 00:11:39,920 Speaker 2: Just thought i'd text and say have a good day, 254 00:11:40,400 --> 00:11:45,240 Speaker 2: love Campbell, Campbell's soup. Someone else texted and hey text 255 00:11:45,320 --> 00:11:47,800 Speaker 2: for the potty. Hey newsboy, what was today's place to 256 00:11:47,880 --> 00:11:50,880 Speaker 2: be on seven ish last night? Now they texted in yesterday, 257 00:11:50,960 --> 00:11:52,839 Speaker 2: so they are looking for Tuesday. 258 00:11:53,000 --> 00:11:55,400 Speaker 3: There was Gore on Tuesday. 259 00:11:55,600 --> 00:11:58,360 Speaker 1: That's why they texted. Yeah, Gore's the place to be 260 00:11:58,440 --> 00:12:00,880 Speaker 1: on Tuesday. Yeah, right, okay, yeah, see what they've done. 261 00:12:00,880 --> 00:12:03,680 Speaker 1: Then why was it because it was sunny and there's 262 00:12:03,720 --> 00:12:07,080 Speaker 1: some kind of festival on appropriate? Hey, you know the Wrons. 263 00:12:07,120 --> 00:12:09,200 Speaker 1: I was just thinking, do you know what I've said 264 00:12:09,280 --> 00:12:10,719 Speaker 1: on the same cheer as the Ron? 265 00:12:10,880 --> 00:12:11,440 Speaker 2: Is there right? 266 00:12:11,520 --> 00:12:16,520 Speaker 1: And Memphis where the Rons recorded Uptown Funk? And I said, 267 00:12:16,600 --> 00:12:22,160 Speaker 1: in the same bloody cheer in the studio The Rons said, Yes, 268 00:12:22,480 --> 00:12:24,520 Speaker 1: we went to the to the recording studio where they 269 00:12:24,640 --> 00:12:27,559 Speaker 1: where they recorded Uptown Funk. He's the Memphis He's the 270 00:12:27,679 --> 00:12:30,600 Speaker 1: UK's answer to God. 271 00:12:30,679 --> 00:12:33,559 Speaker 2: Damn I lost Joel Little he is, doesn't he? 272 00:12:34,200 --> 00:12:35,400 Speaker 1: Yeah, He's said a. 273 00:12:35,440 --> 00:12:38,400 Speaker 2: Lot of here's some of the songs. Uptown Funk. 274 00:12:38,559 --> 00:12:41,120 Speaker 1: Ye Valerie, Ye, Valerie is a great song. 275 00:12:45,000 --> 00:12:47,839 Speaker 3: Jeez, that's what I was ready for the history of esterday. 276 00:12:47,840 --> 00:12:53,040 Speaker 2: Today we got through I can't help falling in love. 277 00:12:53,080 --> 00:12:55,920 Speaker 1: I don't know, Jeez, how good has old? What said 278 00:12:55,920 --> 00:12:59,960 Speaker 1: face Haley western Ra? How good is Haley Western Rah's voice? 279 00:13:01,679 --> 00:13:06,760 Speaker 1: Amy Westerner? Oh, Amy Winehouse Western two? 280 00:13:06,800 --> 00:13:08,400 Speaker 3: You are married two years ago? 281 00:13:09,600 --> 00:13:11,920 Speaker 2: Just I think this was after Amy Winehouse and Haley 282 00:13:11,920 --> 00:13:14,480 Speaker 2: Wisterner got married. I had to go and do a 283 00:13:14,520 --> 00:13:17,640 Speaker 2: promom in Tom Harper and we had to drive this 284 00:13:17,760 --> 00:13:20,280 Speaker 2: huge around basically the entirety of the North Island and 285 00:13:20,320 --> 00:13:21,599 Speaker 2: then we gave it away a half time in the 286 00:13:21,640 --> 00:13:23,840 Speaker 2: a sec. Anyway, we're on the road for about a week, 287 00:13:23,920 --> 00:13:26,080 Speaker 2: and we thought, as an education for ourselves, let's look 288 00:13:26,120 --> 00:13:28,120 Speaker 2: up the Rolling Stones top one hundred albums, and we 289 00:13:28,240 --> 00:13:29,760 Speaker 2: listened to I think the top twenty five. 290 00:13:29,920 --> 00:13:30,120 Speaker 1: Yeah. 291 00:13:31,320 --> 00:13:34,319 Speaker 2: The best one was that Amy Winehouse album. 292 00:13:34,480 --> 00:13:37,839 Speaker 1: Oh I Know, I Know, I'm back to black. 293 00:13:38,240 --> 00:13:40,800 Speaker 2: Yeah, it is a great album out of all of them. 294 00:13:40,920 --> 00:13:42,880 Speaker 1: He's ridiculous. She was ridiculously. 295 00:13:44,960 --> 00:13:46,439 Speaker 2: Honestly, do yourself a favorite. 296 00:13:47,280 --> 00:13:50,839 Speaker 1: Her vocal control and the song he ridiculous, the way 297 00:13:50,920 --> 00:14:01,400 Speaker 1: she's holding back. There's a great on Amy one House, 298 00:14:01,440 --> 00:14:02,720 Speaker 1: the actual documentary, not the film. 299 00:14:02,840 --> 00:14:04,160 Speaker 2: I can't watch those film ones. 300 00:14:04,440 --> 00:14:07,240 Speaker 1: The DOCO is Watch the DARKO is real God because 301 00:14:07,240 --> 00:14:09,520 Speaker 1: it's got footage from her that her dad filmed on 302 00:14:09,600 --> 00:14:13,520 Speaker 1: handicamp from like the age of three of her singing, performing, 303 00:14:13,640 --> 00:14:17,480 Speaker 1: doing stuff, and it details the whole way through until 304 00:14:17,520 --> 00:14:20,440 Speaker 1: the end, and you saw the whole way it unfolded. 305 00:14:21,000 --> 00:14:25,960 Speaker 1: Her father's an interesting man, very pushy dude, but their 306 00:14:26,080 --> 00:14:29,320 Speaker 1: family is really interesting. Just and the stuff with Tony 307 00:14:29,360 --> 00:14:32,400 Speaker 1: Bennett is amazing. She goes in and records with Tony 308 00:14:32,440 --> 00:14:35,600 Speaker 1: Bennett and she she's thinking that she's screwing things up. 309 00:14:35,880 --> 00:14:38,200 Speaker 1: She doesn't screw a single thing up, but she's not 310 00:14:38,320 --> 00:14:40,120 Speaker 1: happy with how she's sounding. 311 00:14:39,840 --> 00:14:42,520 Speaker 2: Because she sounds like her and she'll never be happy 312 00:14:42,560 --> 00:14:43,960 Speaker 2: with how she sounds. This is the thing. 313 00:14:44,160 --> 00:14:44,360 Speaker 3: Yeah. 314 00:14:44,560 --> 00:14:46,440 Speaker 1: But he was like, man, you sound amazing. I don't 315 00:14:46,480 --> 00:14:47,360 Speaker 1: know what you're talking about. 316 00:14:47,640 --> 00:14:52,080 Speaker 2: She did a full reggae album as well, I don't 317 00:14:52,720 --> 00:14:55,240 Speaker 2: and it's excellent. Amy one house man. 318 00:14:55,640 --> 00:14:57,440 Speaker 3: To make me go to rehabman. 319 00:14:57,960 --> 00:15:01,200 Speaker 2: That one, Yeah, that was That's exact act, is that it? 320 00:15:01,440 --> 00:15:04,680 Speaker 3: Yeah? Yeah, I don't ever love it. 321 00:15:06,160 --> 00:15:14,080 Speaker 2: She the other one was Nirvana. Never mind. I know 322 00:15:14,200 --> 00:15:16,000 Speaker 2: it probably seems corny and we played too much on 323 00:15:16,120 --> 00:15:18,840 Speaker 2: the station, but that is a fucking excellent album. 324 00:15:19,200 --> 00:15:19,880 Speaker 3: It's a great album. 325 00:15:20,120 --> 00:15:23,360 Speaker 2: Stevie Wonder Songs and the Key Life, and the amount 326 00:15:23,400 --> 00:15:25,320 Speaker 2: of songs from that album that got ripped off by 327 00:15:25,400 --> 00:15:31,120 Speaker 2: other artists is ridiculous, including Wild Wild West by Will Smith. 328 00:15:33,200 --> 00:15:39,240 Speaker 1: Living in the Wild wild West, Wild West, the Who's 329 00:15:39,280 --> 00:15:44,920 Speaker 1: That one by Man Living in the Wild Wild West? 330 00:15:46,440 --> 00:15:47,880 Speaker 2: Have you got the Will Smith one there? 331 00:15:48,120 --> 00:15:48,320 Speaker 3: Yeah? 332 00:15:51,280 --> 00:15:53,000 Speaker 2: When I rolled. 333 00:15:52,880 --> 00:15:57,040 Speaker 3: The Wild Wow West, when I rolled to When. 334 00:15:59,440 --> 00:16:00,400 Speaker 2: Go Where's Stray? 335 00:16:00,680 --> 00:16:00,840 Speaker 3: Yeah? 336 00:16:00,880 --> 00:16:02,520 Speaker 2: I was telling you the other day that I had 337 00:16:02,560 --> 00:16:05,200 Speaker 2: that album for some reason. I got the CD of that. 338 00:16:05,600 --> 00:16:06,600 Speaker 2: That soundtrack is that? 339 00:16:06,880 --> 00:16:09,120 Speaker 3: Oh no, that's the Wild World. So that's not on 340 00:16:09,240 --> 00:16:10,560 Speaker 3: Big Willie Style, No. 341 00:16:10,720 --> 00:16:12,760 Speaker 2: No, no, it's its own one. There's an Eminem and 342 00:16:13,000 --> 00:16:18,040 Speaker 2: Dr Dre Cowboys song on there. There's Enrique Iglesias's seminal 343 00:16:18,120 --> 00:16:26,400 Speaker 2: hit by Lando by Lumbos, Let the rhyth Take You 344 00:16:26,560 --> 00:16:30,320 Speaker 2: Over by Lamas. That's great. 345 00:16:32,000 --> 00:16:33,000 Speaker 1: That's a great song. 346 00:16:32,880 --> 00:16:33,440 Speaker 2: That's on there. 347 00:16:35,400 --> 00:16:36,000 Speaker 3: That's on there. 348 00:16:37,800 --> 00:16:40,920 Speaker 1: Did you listen to it with any Beatles albums on there? Uh? 349 00:16:41,200 --> 00:16:45,680 Speaker 2: Yeah, there were a couple or maybe one. I don't 350 00:16:45,840 --> 00:16:48,600 Speaker 2: rightly remember which one, but that was pretty good. 351 00:16:49,680 --> 00:16:50,320 Speaker 1: And then. 352 00:16:52,640 --> 00:16:57,440 Speaker 2: Nirvana, Stevie Wonder, Amy wine House, and then there were 353 00:16:57,480 --> 00:16:59,480 Speaker 2: some other shutters in there that I was like, really, 354 00:16:59,600 --> 00:17:01,680 Speaker 2: this one can't even remember what they were at this point. 355 00:17:02,600 --> 00:17:05,920 Speaker 1: I don't know he hasn't. I haven't heard anything from recently. 356 00:17:06,200 --> 00:17:06,800 Speaker 1: The Weekend. 357 00:17:07,920 --> 00:17:10,240 Speaker 2: Oh yeah, he's into his acting now, is he? 358 00:17:11,000 --> 00:17:11,440 Speaker 3: I think so? 359 00:17:11,640 --> 00:17:11,800 Speaker 2: Yeah. 360 00:17:12,720 --> 00:17:14,119 Speaker 1: I was a big The Weekend came out when I 361 00:17:14,200 --> 00:17:17,040 Speaker 1: was at university. He Weekends fan did. 362 00:17:17,480 --> 00:17:21,680 Speaker 2: He did a rendition of Dirty Diana, Oh yeah, which 363 00:17:21,720 --> 00:17:24,560 Speaker 2: went hard. It's very good. I'm just scrolling now to 364 00:17:24,600 --> 00:17:26,119 Speaker 2: try and get to the top one hundred more. 365 00:17:26,560 --> 00:17:28,960 Speaker 3: I've found it on wiki. What's going on? Marvin Gaye? 366 00:17:29,119 --> 00:17:32,360 Speaker 2: Yes, yes, yes, yes, yes, that's excellent. 367 00:17:32,480 --> 00:17:36,280 Speaker 3: Pet Sounds, Beach Boys number two, didn't love it, Blue 368 00:17:36,359 --> 00:17:39,840 Speaker 3: Joni Mitchell didn't love that either. Songs in the Key 369 00:17:39,880 --> 00:17:43,280 Speaker 3: of Life, Stevie One, tremundezl Abbey Road, This is number five, 370 00:17:43,400 --> 00:17:47,920 Speaker 3: Abbey Road, The Beatles, Nirvana, never Mind, Sex, Rumors, Fleetwood 371 00:17:47,960 --> 00:17:48,879 Speaker 3: Mac great album. 372 00:17:49,200 --> 00:17:50,200 Speaker 1: Oh yeah, great album. 373 00:17:50,240 --> 00:17:52,040 Speaker 3: I want to see what Mania does here? Number eight, 374 00:17:52,720 --> 00:17:55,840 Speaker 3: Purple Rain, Prince I you had to. 375 00:17:55,840 --> 00:17:59,040 Speaker 2: Be there for Prince. I don't know. I love there 376 00:17:59,080 --> 00:18:01,320 Speaker 2: are some goods. There are some good songs on. 377 00:18:02,920 --> 00:18:06,119 Speaker 1: Yeah only they recorded them decently. They recorded there so 378 00:18:06,320 --> 00:18:09,439 Speaker 1: turning like Purple Rain, so controversial opinion. 379 00:18:09,560 --> 00:18:12,359 Speaker 2: I hate that song. I just think it's such a 380 00:18:12,440 --> 00:18:16,840 Speaker 2: mid pace w and it's But the other thing is 381 00:18:16,920 --> 00:18:18,840 Speaker 2: I think I've been tainted from working. We used to 382 00:18:18,880 --> 00:18:20,840 Speaker 2: play that song quite a bit on Hodaki and because 383 00:18:20,840 --> 00:18:23,680 Speaker 2: it's nine minutes long, if you needed to go to 384 00:18:23,720 --> 00:18:30,880 Speaker 2: the toilet or something, you just bang that sucker. Yeah, 385 00:18:31,000 --> 00:18:32,359 Speaker 2: I don't know, it just not for me. 386 00:18:34,560 --> 00:18:37,639 Speaker 1: Was when we changed it to David band. 387 00:18:37,880 --> 00:18:40,960 Speaker 2: That also tainted it. Yet the only band that David 388 00:18:40,960 --> 00:18:47,399 Speaker 2: didn't gell was David Bane Libel, then nine Bob Dylan 389 00:18:47,440 --> 00:18:53,440 Speaker 2: Blood on the tracks. Sure, yeah, ten and again this 390 00:18:53,640 --> 00:18:56,639 Speaker 2: is probably more. I don't know if people were Lauren 391 00:18:56,680 --> 00:19:02,000 Speaker 2: Hill Miseducation Lauren incredible album. Love that album, great listen. 392 00:19:02,160 --> 00:19:05,399 Speaker 2: Although this was in the days when remember when albums 393 00:19:05,480 --> 00:19:06,919 Speaker 2: used to come out and there'd be like a sketch 394 00:19:06,960 --> 00:19:09,160 Speaker 2: or a sketch on the start or end of a song. 395 00:19:09,359 --> 00:19:12,920 Speaker 1: Yes, like everything I'm three feet high and rising and 396 00:19:14,800 --> 00:19:17,320 Speaker 1: lots of them, and songs for the deaf. 397 00:19:17,920 --> 00:19:20,160 Speaker 2: Yes, yeah, yeah, they've got that fake Mexican radio station 398 00:19:20,280 --> 00:19:21,600 Speaker 2: that's playing in the background of that. 399 00:19:21,680 --> 00:19:21,840 Speaker 3: Yeah. 400 00:19:21,840 --> 00:19:25,879 Speaker 2: Well in mis education of Laurence Hill. It was I 401 00:19:25,920 --> 00:19:28,000 Speaker 2: don't know, it sounded like a counseling session or something. 402 00:19:28,040 --> 00:19:29,760 Speaker 2: It was just like it sounded like her whole family 403 00:19:29,840 --> 00:19:31,280 Speaker 2: sitting around. They're like, I want to hear from the 404 00:19:31,320 --> 00:19:33,000 Speaker 2: men in the room, what do you think love means? 405 00:19:33,160 --> 00:19:35,120 Speaker 2: And then some dudes like explaining what he thinks love 406 00:19:35,160 --> 00:19:37,840 Speaker 2: it and you're like, really, thirty seconds of this before 407 00:19:37,840 --> 00:19:41,960 Speaker 2: we get to Zion? Can we just this was before 408 00:19:42,000 --> 00:19:43,879 Speaker 2: the days that they were like, okay, but you can 409 00:19:44,200 --> 00:19:46,960 Speaker 2: just clip that bet off and put the song as well. 410 00:19:48,240 --> 00:19:53,080 Speaker 2: Beatles Revolver, Michael Jackson's Thriller, great album, Aretha Franklin. Some 411 00:19:53,200 --> 00:19:54,960 Speaker 2: of them they're just a little too old, you know 412 00:19:56,320 --> 00:19:59,360 Speaker 2: for me at this Public Enemy, Oh yep, sure, yeah, 413 00:20:00,280 --> 00:20:01,280 Speaker 2: the Clash Lindon Corner. 414 00:20:01,440 --> 00:20:03,560 Speaker 3: What about Seventeen Women, No, that's not that old. 415 00:20:03,680 --> 00:20:07,240 Speaker 2: That Kanye with My Beautiful Duck Twisted Fantasy, is that'll 416 00:20:07,280 --> 00:20:08,159 Speaker 2: be my top five albums? A? 417 00:20:08,880 --> 00:20:09,080 Speaker 1: Yeah? 418 00:20:09,400 --> 00:20:11,000 Speaker 2: Fuck yeah, I've got that CD? 419 00:20:11,520 --> 00:20:13,040 Speaker 1: What hits did that have on it? 420 00:20:14,400 --> 00:20:17,960 Speaker 2: Loads the lights? But it was like a concept album, 421 00:20:18,080 --> 00:20:22,000 Speaker 2: was a bit woundy from Kanne, but it was made 422 00:20:22,160 --> 00:20:24,280 Speaker 2: as an album. So from the start to the finish, 423 00:20:24,680 --> 00:20:26,359 Speaker 2: you can play it all. It's designed sort of to 424 00:20:26,400 --> 00:20:29,800 Speaker 2: be played like on vinyl, which coincidentally Blind Drunk Men 425 00:20:29,840 --> 00:20:32,119 Speaker 2: Pugs listened to a couple of weeks ago and we 426 00:20:32,160 --> 00:20:34,880 Speaker 2: were last in christ Is Abbot arrival on the list. 427 00:20:35,720 --> 00:20:39,960 Speaker 2: Hope not a wee luck there, Jerry Bob Dylan, Kendrick Lamarta, 428 00:20:40,000 --> 00:20:43,400 Speaker 2: Purper Butterfly, Radiohead kit A, Bruce Springsteen, Border Round. 429 00:20:43,520 --> 00:20:44,960 Speaker 1: Yeah, I think the Bens is better. 430 00:20:45,600 --> 00:20:48,919 Speaker 2: Velvet Underground, Beatle, Sergeant Peppers. 431 00:20:48,680 --> 00:20:51,960 Speaker 3: Amber, The Definitive Collection is at three hundred and three. 432 00:20:52,160 --> 00:20:54,320 Speaker 1: Oh, that's a bloody but that's a best off. 433 00:20:54,600 --> 00:20:56,520 Speaker 3: And then apart from that, the only other abbas that 434 00:20:56,640 --> 00:21:00,199 Speaker 3: show up in the middle of Black Sabbath abb. 435 00:21:00,400 --> 00:21:03,760 Speaker 2: I do wonder if they are There's Rolling Stone list 436 00:21:04,280 --> 00:21:06,560 Speaker 2: is I do wonder if they're trying to put a 437 00:21:06,640 --> 00:21:08,280 Speaker 2: couple in there that shouldn't be in there. 438 00:21:08,720 --> 00:21:10,600 Speaker 1: So I feel like they have to get. 439 00:21:10,520 --> 00:21:12,960 Speaker 2: A bit of play because, for example, and at number 440 00:21:13,000 --> 00:21:15,120 Speaker 2: twenty nine is the Beatles' White Album, which I think 441 00:21:15,200 --> 00:21:20,359 Speaker 2: is probably my favorite. And then after that at number 442 00:21:20,400 --> 00:21:25,880 Speaker 2: twenty eight one a here is di'angelo Voodoo. I don't 443 00:21:25,880 --> 00:21:26,280 Speaker 2: know who that is. 444 00:21:26,520 --> 00:21:29,240 Speaker 1: I know DiAngelo, but I don't know the album, that. 445 00:21:29,440 --> 00:21:32,240 Speaker 2: Two thousand album. He's twenty six year old years old? 446 00:21:32,320 --> 00:21:32,600 Speaker 1: Okay? 447 00:21:33,359 --> 00:21:35,240 Speaker 2: And is that better than the White album by the Beatles? 448 00:21:35,520 --> 00:21:36,000 Speaker 2: Is it better? 449 00:21:36,080 --> 00:21:36,119 Speaker 1: That? 450 00:21:36,320 --> 00:21:38,680 Speaker 2: Is it two spots better than Jimmy Hendrix? Are you experienced? 451 00:21:38,720 --> 00:21:39,560 Speaker 1: Where's Bad. 452 00:21:40,920 --> 00:21:41,639 Speaker 2: Michael Jackson? 453 00:21:41,960 --> 00:21:42,160 Speaker 1: Yeah? 454 00:21:43,760 --> 00:21:46,440 Speaker 2: I can tell you this. It's behind Beyonce Lemonade? 455 00:21:47,160 --> 00:21:50,520 Speaker 3: Was it Michael Jackson thriller at twelve off the Wall 456 00:21:50,680 --> 00:21:54,560 Speaker 3: thirty six? No, that's George Michael Bad one hundred and 457 00:21:54,640 --> 00:21:58,639 Speaker 3: ninety four, right between Willie and the Poor Boys and 458 00:21:58,800 --> 00:21:59,960 Speaker 3: the songs of Leonard Cohen. 459 00:22:02,520 --> 00:22:06,040 Speaker 2: It's rough. Yeah, it's about rough recks. If we should 460 00:22:06,040 --> 00:22:09,720 Speaker 2: do our own greatest albums of all time. But I 461 00:22:09,800 --> 00:22:11,639 Speaker 2: can see none of us falling through on that admin 462 00:22:11,720 --> 00:22:14,000 Speaker 2: so that don't even happen. And then there was one 463 00:22:14,240 --> 00:22:16,480 Speaker 2: other text. This is how we ended up on this. 464 00:22:18,440 --> 00:22:23,359 Speaker 2: There was a text that came through. No, it was 465 00:22:23,440 --> 00:22:27,239 Speaker 2: from the They said that they texted, God, now I've 466 00:22:27,280 --> 00:22:30,600 Speaker 2: lost to Evana. It was a text that came from 467 00:22:30,880 --> 00:22:32,840 Speaker 2: the Freezing Weeks I used. 468 00:22:32,720 --> 00:22:38,159 Speaker 1: To work at. Ah Oh, something about the man your 469 00:22:38,240 --> 00:22:38,800 Speaker 1: boning room. 470 00:22:39,080 --> 00:22:46,200 Speaker 2: Yeah, that's right. See this is the problem, isn't it. 471 00:22:46,440 --> 00:22:47,720 Speaker 2: This is the problem. 472 00:22:47,800 --> 00:22:49,199 Speaker 1: Do you want to know what the weather is at 473 00:22:49,280 --> 00:22:53,560 Speaker 1: the moment and man Stewart Island, No, I really don't, 474 00:22:53,560 --> 00:22:59,440 Speaker 1: but I do need eleven degrees currently in windy weather. 475 00:22:59,520 --> 00:23:01,240 Speaker 1: Doesn't really work on a podcast, is it. 476 00:23:01,440 --> 00:23:03,680 Speaker 2: No, because it's not that by the time you're listening 477 00:23:03,760 --> 00:23:03,960 Speaker 2: to it. 478 00:23:06,080 --> 00:23:06,919 Speaker 3: Looking through some of. 479 00:23:06,920 --> 00:23:10,040 Speaker 5: These more of these, here we go, it's bloody eighteen 480 00:23:10,080 --> 00:23:12,359 Speaker 5: degrees at the moment of names. Three different conversations going 481 00:23:12,400 --> 00:23:15,360 Speaker 5: on at the same time. Good morning Fellas texting into 482 00:23:15,400 --> 00:23:18,480 Speaker 5: the podcast from the Manaia Stuart Memorial boning Room in Periora. 483 00:23:18,520 --> 00:23:21,560 Speaker 2: It's smoko. A couple of points on that. First off, smoker, 484 00:23:21,600 --> 00:23:24,800 Speaker 2: get out of the boning room and wash you get done. 485 00:23:24,920 --> 00:23:26,639 Speaker 2: Second off, make sure that you get the bets in 486 00:23:26,720 --> 00:23:29,480 Speaker 2: the and the mesh glove as well. Those are the 487 00:23:29,520 --> 00:23:31,360 Speaker 2: bets that we'll get you that'll shut the room down. 488 00:23:32,359 --> 00:23:34,520 Speaker 2: Second of all, I did one season there. I think 489 00:23:34,560 --> 00:23:36,000 Speaker 2: that there'll be some people in that room. They'll be 490 00:23:36,119 --> 00:23:37,760 Speaker 2: very pissed off if they heard you calling it the 491 00:23:37,800 --> 00:23:41,240 Speaker 2: Manaia Stuart Memorial boning room for a man who did 492 00:23:41,320 --> 00:23:42,600 Speaker 2: one season at the freezing. 493 00:23:42,359 --> 00:23:43,960 Speaker 1: Looks well, so you're still alive. 494 00:23:44,880 --> 00:23:48,280 Speaker 2: Yeah, I'm okay with a memorial being set up while 495 00:23:48,320 --> 00:23:52,080 Speaker 2: someone is still life. Yeah, yeah, Usually it's done posthumously, 496 00:23:52,200 --> 00:23:55,119 Speaker 2: but let's do this pre humously. What about the. 497 00:23:55,160 --> 00:23:58,320 Speaker 1: Pool homes Do you remember the pool homes lounge at 498 00:23:59,359 --> 00:24:01,399 Speaker 1: the old No you in here? 499 00:24:01,720 --> 00:24:03,200 Speaker 3: Are you going to say you were in here either? 500 00:24:03,280 --> 00:24:06,920 Speaker 1: An there was our old office in street, there was 501 00:24:07,000 --> 00:24:11,520 Speaker 1: the pool Homes room. No, the Poor Homes room. And 502 00:24:11,840 --> 00:24:14,760 Speaker 1: it's interesting because then that disappeared. You know, we moved 503 00:24:14,800 --> 00:24:18,240 Speaker 1: out of that building. Yeah, is there a poor Homes 504 00:24:18,320 --> 00:24:23,080 Speaker 1: room now? No? Instead there's like meeting room two point six, 505 00:24:23,320 --> 00:24:25,680 Speaker 1: and there's another one like four point two. It's like, 506 00:24:25,680 --> 00:24:26,720 Speaker 1: would it killed them to bad? 507 00:24:28,040 --> 00:24:30,000 Speaker 2: No one lasts long enough in the industry anymore to 508 00:24:30,040 --> 00:24:31,520 Speaker 2: get a studio named after them. 509 00:24:31,760 --> 00:24:32,639 Speaker 1: This is the issue. 510 00:24:33,520 --> 00:24:35,360 Speaker 2: I mean, I think we've named this one after Roger 511 00:24:35,440 --> 00:24:38,360 Speaker 2: Fairreley just because no one's been it in for long enough. 512 00:24:38,359 --> 00:24:40,840 Speaker 3: Well, I tell you what. Actually over at the media 513 00:24:40,880 --> 00:24:44,240 Speaker 3: works down the roads instead of two point one dot 514 00:24:44,320 --> 00:24:46,720 Speaker 3: B or whatever the fuck we're running in here. Ye 515 00:24:47,119 --> 00:24:51,280 Speaker 3: get all of the names of old radio stations and 516 00:24:51,359 --> 00:24:53,920 Speaker 3: they're like, oh, this one's the Coastline Room, and this 517 00:24:54,040 --> 00:24:57,800 Speaker 3: one's Taranaki Ifian room, can't we do well? 518 00:24:57,800 --> 00:25:00,159 Speaker 2: Because that really pissed me up because the I know, 519 00:25:00,240 --> 00:25:02,520 Speaker 2: they seem like random numbers here, but they are g 520 00:25:02,920 --> 00:25:06,440 Speaker 2: It'll be there's something to it. So g AO one, 521 00:25:06,560 --> 00:25:10,119 Speaker 2: for example, as ground floor A side of the building. 522 00:25:10,200 --> 00:25:12,480 Speaker 2: We are on the B side of the building here, Yes, 523 00:25:12,520 --> 00:25:16,760 Speaker 2: so a side's over there, and it starts basically it's 524 00:25:16,840 --> 00:25:19,679 Speaker 2: ZDM that line rooms GBO one, I believe, g AO one, 525 00:25:20,000 --> 00:25:24,840 Speaker 2: and then goes chronologically clockwise ye around the building. So 526 00:25:25,080 --> 00:25:27,560 Speaker 2: if you've never been here before, you could conceivably figure 527 00:25:27,560 --> 00:25:29,840 Speaker 2: out where they are. Versus if you go the Radio 528 00:25:29,920 --> 00:25:32,440 Speaker 2: Rima room or the Radio Pacific room. 529 00:25:32,920 --> 00:25:34,560 Speaker 3: How would you ever find that they've got one of those? 530 00:25:35,359 --> 00:25:36,520 Speaker 3: I'm pretty sure they. 531 00:25:36,880 --> 00:25:40,200 Speaker 2: It's like the Jewey decimal man. Are we still doing 532 00:25:40,280 --> 00:25:41,640 Speaker 2: a bit of decimal out there? 533 00:25:42,119 --> 00:25:43,760 Speaker 1: Yeah's still some Jewy decimal. 534 00:25:45,000 --> 00:25:48,400 Speaker 2: Libraries really really fucking libraries. 535 00:25:48,440 --> 00:25:48,600 Speaker 5: Eh. 536 00:25:48,840 --> 00:25:51,639 Speaker 1: Libraries are going off at the moment, are they? Libraries 537 00:25:51,640 --> 00:25:54,560 Speaker 1: are going off because box are so expensive. People are 538 00:25:54,560 --> 00:25:57,000 Speaker 1: still wanting to read box and libraries. So you get 539 00:25:57,040 --> 00:25:59,200 Speaker 1: free box, it's a you get a library card. 540 00:25:59,280 --> 00:26:00,800 Speaker 2: Wait, lib, we got free books? 541 00:26:03,080 --> 00:26:06,200 Speaker 3: Weird if you take them back on time they're free. 542 00:26:06,600 --> 00:26:09,320 Speaker 1: Even if you don't. Now they're not even finding people anymore. 543 00:26:09,680 --> 00:26:11,640 Speaker 2: So if you do, sometimes you get a million dollar 544 00:26:12,080 --> 00:26:13,400 Speaker 2: Yeah fine, anywhere. 545 00:26:13,119 --> 00:26:15,480 Speaker 1: I got one of those. So yeah, but the but 546 00:26:15,720 --> 00:26:18,240 Speaker 1: lots of people. The libraries have actually never been more 547 00:26:18,280 --> 00:26:21,200 Speaker 1: popular than what they currently are. Oh, it's got something 548 00:26:21,240 --> 00:26:23,480 Speaker 1: to do with the fact that the population's growing, but 549 00:26:23,640 --> 00:26:26,320 Speaker 1: also because people. I mean, it's just if you if 550 00:26:26,320 --> 00:26:27,720 Speaker 1: you go through a lot of box and some people 551 00:26:27,760 --> 00:26:29,600 Speaker 1: are big readers out Yeah, I know know that it 552 00:26:29,680 --> 00:26:32,640 Speaker 1: probably listens to this podcast but can read. But there 553 00:26:32,680 --> 00:26:35,080 Speaker 1: are a lot of big readers out there. Means it's 554 00:26:35,119 --> 00:26:39,520 Speaker 1: a really Otherwise you are like thousands of dollars a 555 00:26:39,600 --> 00:26:42,919 Speaker 1: year on box. So libraries is a way of spinning 556 00:26:43,000 --> 00:26:47,760 Speaker 1: zero still getting that information last. 557 00:26:47,960 --> 00:26:49,960 Speaker 2: Only times I've ever been to a libraries to print 558 00:26:50,040 --> 00:26:52,080 Speaker 2: something out, because. 559 00:26:51,920 --> 00:26:53,879 Speaker 1: That's the other thing. You've got, the free computers you got, 560 00:26:53,920 --> 00:26:56,800 Speaker 1: the free you've got, the free audio box, you've got 561 00:26:56,840 --> 00:26:59,000 Speaker 1: that you can sit around you can apparently you're placed 562 00:26:59,000 --> 00:27:00,440 Speaker 1: to meet mister and mister right. 563 00:27:00,520 --> 00:27:03,920 Speaker 3: And you know, yeah, I believe what for thres what 564 00:27:04,320 --> 00:27:05,280 Speaker 3: mister and missus right? 565 00:27:05,600 --> 00:27:08,359 Speaker 1: I mean, I just know just for your relationships, just 566 00:27:08,440 --> 00:27:12,639 Speaker 1: a relationships, normal relation then normal. 567 00:27:15,080 --> 00:27:18,239 Speaker 2: I don't know any one know z always walked out 568 00:27:18,280 --> 00:27:19,080 Speaker 2: of the beast shot. 569 00:27:19,280 --> 00:27:22,800 Speaker 1: At this point, just I'm sure you can organize that 570 00:27:22,920 --> 00:27:25,960 Speaker 1: Ruder easy bye bye. 571 00:27:25,800 --> 00:27:29,440 Speaker 2: Way of a tease for tomorrow. By way of a 572 00:27:29,520 --> 00:27:30,560 Speaker 2: teas for tomorrow. 573 00:27:30,600 --> 00:27:32,040 Speaker 1: We organize a threeesome money here. 574 00:27:32,520 --> 00:27:38,800 Speaker 2: We can organize for Ruder. For Father's Day, we get 575 00:27:38,880 --> 00:27:41,520 Speaker 2: missus Father's Day is not getting over the line. We 576 00:27:41,600 --> 00:27:43,720 Speaker 2: get Missus Ruder on the line and he's like, look. 577 00:27:44,600 --> 00:27:48,080 Speaker 1: We've we've we've asked Ruder what he wants for Father's 578 00:27:48,160 --> 00:27:50,280 Speaker 1: Day and all he wants is a three and actually 579 00:27:50,440 --> 00:27:51,000 Speaker 1: not much. 580 00:27:51,280 --> 00:27:53,680 Speaker 2: Missus Ruder, if you think about it, least work for you? Yeah, 581 00:27:53,760 --> 00:27:54,199 Speaker 2: you know what I mean? 582 00:27:54,320 --> 00:27:59,560 Speaker 4: That halves your workload. And there's a workload if what 583 00:28:00,440 --> 00:28:05,080 Speaker 4: if you mean I'm something from Missus Ruder as well? 584 00:28:05,119 --> 00:28:05,520 Speaker 3: There you go. 585 00:28:05,760 --> 00:28:07,680 Speaker 1: The other thing is she could she doesn't have to 586 00:28:07,720 --> 00:28:08,280 Speaker 1: be involved? 587 00:28:10,400 --> 00:28:16,280 Speaker 3: Oh here if if if what if? If? Rudor doesn't 588 00:28:16,280 --> 00:28:19,680 Speaker 3: have to be involved. Well, and you called me the 589 00:28:20,040 --> 00:28:20,560 Speaker 3: earlier in this. 590 00:28:20,600 --> 00:28:24,400 Speaker 2: Podcast, we just quickly, by the way, so that's coming 591 00:28:24,480 --> 00:28:26,040 Speaker 2: up on the show tomorrow, Tay, what else is coming 592 00:28:26,119 --> 00:28:27,840 Speaker 2: up on the show tomorrow? You'd be very excited about this. 593 00:28:28,040 --> 00:28:31,200 Speaker 2: I have an update on our uniforms. Oh yeah, big 594 00:28:31,320 --> 00:28:32,200 Speaker 2: update on the uniforms. 595 00:28:32,280 --> 00:28:34,840 Speaker 3: So is this on the radio show or the podcast 596 00:28:35,000 --> 00:28:36,760 Speaker 3: or both radio studio show? 597 00:28:36,840 --> 00:28:38,520 Speaker 1: So if you listening to listen, you're thinking, I wonder 598 00:28:38,520 --> 00:28:40,760 Speaker 1: what's happening with the uniforms. Tune on tomorrow, sit your 599 00:28:40,840 --> 00:28:43,200 Speaker 1: laugh yeah, set your alarm tonight the heart to keep 600 00:28:43,200 --> 00:28:43,560 Speaker 1: Brieck first. 601 00:28:43,720 --> 00:28:44,160 Speaker 2: Want to miss it. 602 00:28:44,240 --> 00:28:46,040 Speaker 1: It's a radio show. As I said at the beginning 603 00:28:46,040 --> 00:28:47,840 Speaker 1: of the podcast, we do a radio show if you can. 604 00:28:47,960 --> 00:28:49,960 Speaker 2: If you only listen to this podcast, you never listen 605 00:28:50,000 --> 00:28:51,880 Speaker 2: to the radio show, you bucket yourself. 606 00:28:52,040 --> 00:28:52,200 Speaker 3: Mate. 607 00:28:52,200 --> 00:28:53,760 Speaker 2: They let us do this live on the radio. 608 00:28:53,920 --> 00:28:54,280 Speaker 1: It's live. 609 00:28:54,920 --> 00:28:58,040 Speaker 5: Well, it's half