1 00:00:00,160 --> 00:00:02,640 Speaker 1: Coming up on the Wild World Web, the most awkward 2 00:00:02,720 --> 00:00:05,840 Speaker 1: marriage proposal in front of twenty thousand people goes wrong. 3 00:00:06,600 --> 00:00:10,639 Speaker 2: Welcome to the untamed realm of the world's wide Web, 4 00:00:11,000 --> 00:00:16,000 Speaker 2: a swirling vortex of weirdness, bullying, and self obsessed social 5 00:00:16,120 --> 00:00:20,079 Speaker 2: media posts in this digital jungle. Jhonleman being a your 6 00:00:20,280 --> 00:00:24,520 Speaker 2: fearless guys leading you through the wildest parts of the 7 00:00:24,560 --> 00:00:26,000 Speaker 2: Wild Wild Web. 8 00:00:26,520 --> 00:00:29,440 Speaker 3: This is the Wild Wild. 9 00:00:29,120 --> 00:00:33,120 Speaker 1: Web, the third to last episode of the Wild Wild Web. 10 00:00:33,600 --> 00:00:35,960 Speaker 1: Were started to give a little fund last night, so 11 00:00:36,120 --> 00:00:39,480 Speaker 1: unfortunately not gaining much traction for the Wild Wild Web. 12 00:00:39,479 --> 00:00:42,320 Speaker 3: But hey, the crowds, what are they the crowdfunding You're. 13 00:00:42,159 --> 00:00:45,199 Speaker 1: A crowdfunder, trying to keep it alive, guys, keep the 14 00:00:45,280 --> 00:00:49,040 Speaker 1: dream alive. You know we've been inundated by just texts, emails. Yeah, 15 00:00:49,159 --> 00:00:51,960 Speaker 1: obviously they're not wanting to into their pocket, but you know, 16 00:00:51,960 --> 00:00:57,560 Speaker 1: a lot the me receptions Gembara keep the World Wild Web. Yeah, unfortunately, 17 00:00:57,600 --> 00:00:59,720 Speaker 1: it does seem like management made the decision. That's ending 18 00:00:59,760 --> 00:01:00,560 Speaker 1: up with the end of the week. 19 00:01:00,600 --> 00:01:03,800 Speaker 3: Two more, two more episodes to go after this one. 20 00:01:03,840 --> 00:01:08,080 Speaker 1: Now we're making a joke about the behind the scenes, 21 00:01:08,440 --> 00:01:11,720 Speaker 1: but it's it's actually nigger. We're got another one other 22 00:01:11,760 --> 00:01:13,400 Speaker 1: thing we need to work on. So it's yeah, so 23 00:01:13,440 --> 00:01:14,120 Speaker 1: this is the end of it. 24 00:01:14,200 --> 00:01:15,039 Speaker 4: More opportunities. 25 00:01:15,600 --> 00:01:17,520 Speaker 3: You were just talking about a marriage proposal that went 26 00:01:18,000 --> 00:01:20,520 Speaker 3: horribly awry in front of twenty five thousand. 27 00:01:20,600 --> 00:01:22,840 Speaker 1: Yeah, so over twenty thousand people witnessed this one. So 28 00:01:22,920 --> 00:01:26,480 Speaker 1: this was in an a fight like the UFC, and 29 00:01:26,720 --> 00:01:30,199 Speaker 1: it was a chick fighter. He was fighting and he lost. 30 00:01:30,600 --> 00:01:33,080 Speaker 1: He lost his fight, and. 31 00:01:33,080 --> 00:01:36,640 Speaker 5: So he fought in any match. So he was like 32 00:01:36,840 --> 00:01:37,440 Speaker 5: mashed up. 33 00:01:37,560 --> 00:01:38,399 Speaker 1: Yeah, and he lost. 34 00:01:38,440 --> 00:01:40,840 Speaker 4: Yes, sweaty, sweaty and the extra mashed up. 35 00:01:40,880 --> 00:01:44,040 Speaker 1: He decided to take that moment, apparently, according to this article, 36 00:01:44,120 --> 00:01:47,080 Speaker 1: to propose to his girlfriend in front of all those people, 37 00:01:47,120 --> 00:01:48,160 Speaker 1: got down on his knee. 38 00:01:48,960 --> 00:01:50,400 Speaker 5: That's not a romantic moment. 39 00:01:50,480 --> 00:01:56,880 Speaker 1: The blood, the blood soaked canvas of room. He octagon, Yeah, bruised, bloodied, 40 00:01:57,080 --> 00:01:59,800 Speaker 1: imagine why, Yeah, just a clash of the stars, torn 41 00:01:59,800 --> 00:02:03,040 Speaker 1: on the Czech Republic. He got down on his knee 42 00:02:03,080 --> 00:02:05,400 Speaker 1: and he lost. Yeah. Yeah, but he's like, anyway I 43 00:02:05,400 --> 00:02:07,080 Speaker 1: can pull this. I had a lost, but I could 44 00:02:07,120 --> 00:02:09,919 Speaker 1: pull this day back by proposing to my girlfriend. I 45 00:02:09,919 --> 00:02:13,560 Speaker 1: can see where he's coming from. Yeah, And so he 46 00:02:13,639 --> 00:02:15,800 Speaker 1: got the microphone out there, We're like, well, you marry me, 47 00:02:16,080 --> 00:02:19,560 Speaker 1: And her response into the microphone was this is the 48 00:02:19,600 --> 00:02:23,240 Speaker 1: quote based on everything that's happened. I think probably not 49 00:02:24,000 --> 00:02:27,440 Speaker 1: was her response, what do you mean what happened to 50 00:02:27,440 --> 00:02:30,400 Speaker 1: the marriage and proposal? Every on the crowd booing, and 51 00:02:30,520 --> 00:02:33,880 Speaker 1: the crowd someone was even trying to throw water up 52 00:02:33,960 --> 00:02:34,520 Speaker 1: towards They. 53 00:02:34,440 --> 00:02:36,919 Speaker 4: Were like, oh, that's her fault. 54 00:02:37,919 --> 00:02:39,280 Speaker 1: Well, I don't know, that's just I guess that's booing. 55 00:02:39,360 --> 00:02:41,280 Speaker 1: The you know, the fact that this happened, it was 56 00:02:41,320 --> 00:02:43,560 Speaker 1: you know, love wasn't wasn't winning at the end of 57 00:02:43,560 --> 00:02:46,560 Speaker 1: the day, but then it wasn't in front of the crowd, 58 00:02:46,600 --> 00:02:48,200 Speaker 1: and I think this is where maybe she could have 59 00:02:48,240 --> 00:02:50,799 Speaker 1: taken a moment, but maybe she took the high road. 60 00:02:51,440 --> 00:02:55,079 Speaker 1: She did say later that he recently cheated on her 61 00:02:55,200 --> 00:02:59,280 Speaker 1: with another woman, So I guess with her saying based 62 00:02:59,320 --> 00:03:04,480 Speaker 1: on everything, that's probably not. Yeah, so he's really made 63 00:03:04,520 --> 00:03:08,200 Speaker 1: a real plate. I was a pantsman. 64 00:03:08,360 --> 00:03:10,280 Speaker 4: But hey, also like it. 65 00:03:10,280 --> 00:03:13,160 Speaker 5: Must have very recently happened, because why wasn't why was 66 00:03:13,200 --> 00:03:14,640 Speaker 5: she even there? 67 00:03:15,360 --> 00:03:17,040 Speaker 1: To her credit, she was there, and then she got 68 00:03:17,120 --> 00:03:19,880 Speaker 1: dragged up for an awkward marriage proposal, and she said no. 69 00:03:20,080 --> 00:03:21,680 Speaker 3: Maybe it's one of those occasions, you know, when you've 70 00:03:21,680 --> 00:03:23,240 Speaker 3: been invited along to the corporate table. 71 00:03:24,600 --> 00:03:27,200 Speaker 4: Well there's free food, a couple of bottles of Lindow. 72 00:03:27,480 --> 00:03:27,680 Speaker 1: You know. 73 00:03:28,800 --> 00:03:30,480 Speaker 5: Maybe he thought she was just going to say yes 74 00:03:30,520 --> 00:03:31,560 Speaker 5: in front of all those people. 75 00:03:31,680 --> 00:03:32,720 Speaker 4: Well that's my chance. 76 00:03:32,960 --> 00:03:35,240 Speaker 3: That was his theory. Yeah, he's like, but then she 77 00:03:35,240 --> 00:03:37,440 Speaker 3: would eventually say no behind closed doors. 78 00:03:37,880 --> 00:03:40,160 Speaker 1: Yeah, you're right and go back. I didn't really yeah, 79 00:03:40,160 --> 00:03:41,600 Speaker 1: because you're right putting her on the spot like that. 80 00:03:42,120 --> 00:03:44,400 Speaker 3: She did go Michelle Obama when they go low, I 81 00:03:44,520 --> 00:03:47,600 Speaker 3: go high, were saying, based on everything that's happened, She. 82 00:03:47,600 --> 00:03:50,600 Speaker 1: Didn't allude to it. She did very classically. She still 83 00:03:50,600 --> 00:03:52,320 Speaker 1: got bowed, Unfortunately for the poor lady. 84 00:03:52,880 --> 00:03:55,080 Speaker 5: I wondered if, like you get proposed to in public 85 00:03:55,120 --> 00:03:57,000 Speaker 5: and you don't want to marry them, like, do you 86 00:03:57,080 --> 00:03:59,880 Speaker 5: say no like that, or do you wait till later? 87 00:04:00,200 --> 00:04:02,200 Speaker 5: Like yeah, and then you wait because it's not really. 88 00:04:02,160 --> 00:04:03,880 Speaker 1: Like let's talk about this. 89 00:04:05,400 --> 00:04:10,120 Speaker 4: You know, you can always go, oh, that's nice. That 90 00:04:10,280 --> 00:04:12,800 Speaker 4: kind of buys you that bridging conversation, doesn't it. 91 00:04:13,320 --> 00:04:15,280 Speaker 1: Oh, a big. 92 00:04:15,160 --> 00:04:18,560 Speaker 5: Crowd start like cheering and like, well. 93 00:04:18,480 --> 00:04:20,040 Speaker 4: Let's just put it down to concussion. 94 00:04:20,200 --> 00:04:22,160 Speaker 1: He said later he had not cheated it on the woman. Here, 95 00:04:22,360 --> 00:04:24,320 Speaker 1: I'm just reading an article at the moment. Oh god, 96 00:04:24,400 --> 00:04:26,320 Speaker 1: I see it's kind of awkward. So you can see 97 00:04:26,320 --> 00:04:27,800 Speaker 1: a little video of it here. She's sort of like 98 00:04:27,880 --> 00:04:30,479 Speaker 1: covering her. She's like, oh god. As he's on one day, 99 00:04:30,640 --> 00:04:34,240 Speaker 1: she's yeah, he's pulled out a ring. 100 00:04:35,839 --> 00:04:36,680 Speaker 5: Get me out of here. 101 00:04:36,960 --> 00:04:40,839 Speaker 1: That's awkward. Okay, Andrew lovable Andrew, always so cute. And 102 00:04:40,880 --> 00:04:42,599 Speaker 1: what did he do? What his proposal? 103 00:04:42,680 --> 00:04:44,760 Speaker 5: I was very honest and I was like, do not 104 00:04:44,839 --> 00:04:46,560 Speaker 5: do it in front of anyone. Do not do it 105 00:04:46,600 --> 00:04:47,159 Speaker 5: on the radio. 106 00:04:47,400 --> 00:04:48,039 Speaker 4: Please don't. 107 00:04:48,160 --> 00:04:50,600 Speaker 1: Yeah, I guess it's a fear and media and stuff 108 00:04:50,640 --> 00:04:53,040 Speaker 1: that everybody goes all tune this into a radio, which, again, 109 00:04:53,160 --> 00:04:54,640 Speaker 1: if you want to, but if you want to keep 110 00:04:54,640 --> 00:04:56,240 Speaker 1: something for yourself, then yeah. 111 00:04:56,400 --> 00:04:59,360 Speaker 5: There was a time where he asked my co host 112 00:04:59,480 --> 00:05:01,000 Speaker 5: to come and do something on here for me. He 113 00:05:01,080 --> 00:05:03,159 Speaker 5: sung me a song because he was moving overseas. But 114 00:05:03,240 --> 00:05:06,719 Speaker 5: they said to him, just we just chicking. You're not 115 00:05:06,760 --> 00:05:09,280 Speaker 5: going to propose because she doesn't want that, And then 116 00:05:09,360 --> 00:05:09,880 Speaker 5: he wasn't. 117 00:05:10,080 --> 00:05:14,080 Speaker 3: He hadn't planned on it yet, but we's the bloody 118 00:05:14,160 --> 00:05:17,440 Speaker 3: radio bosses would frothen on your proposal, what would you say? 119 00:05:17,440 --> 00:05:19,080 Speaker 4: Okay, so if he did propose to you on air, 120 00:05:19,160 --> 00:05:19,560 Speaker 4: you love them. 121 00:05:20,600 --> 00:05:23,679 Speaker 5: Yeah, but I I was gonna say, I'd be annoyed 122 00:05:23,720 --> 00:05:26,960 Speaker 5: and say something later. But then you can't, you can't 123 00:05:27,000 --> 00:05:29,760 Speaker 5: like say later, oh you should have done that, because 124 00:05:29,800 --> 00:05:32,000 Speaker 5: it's like a special moment. Yes, that they know you 125 00:05:32,080 --> 00:05:34,280 Speaker 5: better than that. Public proposals not for. 126 00:05:34,279 --> 00:05:37,479 Speaker 4: Me, So I mean it's yeah, it's it's a risky game. 127 00:05:37,839 --> 00:05:41,600 Speaker 3: People impact restaurants as well. Yeah, and it's a lot 128 00:05:41,640 --> 00:05:43,720 Speaker 3: of the times the public ones are the ones of 129 00:05:43,800 --> 00:05:45,839 Speaker 3: the guys who are like fucked up so badly. 130 00:05:46,760 --> 00:05:49,320 Speaker 1: We did like a skip remember that scre I just 131 00:05:49,360 --> 00:05:52,240 Speaker 1: reminded me of on our TV show Weird. We got 132 00:05:52,240 --> 00:05:53,919 Speaker 1: someone to go like I was an actor going up 133 00:05:53,920 --> 00:05:55,440 Speaker 1: to someone on the beach saying, I'm going to propose, 134 00:05:55,520 --> 00:05:57,600 Speaker 1: can you hold up the sign? Will you marry me? Sign? 135 00:05:57,640 --> 00:05:59,560 Speaker 1: It's gonna be a romantic moment, And then they would 136 00:05:59,600 --> 00:06:01,679 Speaker 1: people go, yeah, you'll help you out, hold up the sign. 137 00:06:01,760 --> 00:06:03,480 Speaker 1: It was like here's thing got down on the knee 138 00:06:03,480 --> 00:06:09,040 Speaker 1: and then we got the actor to go, no, holding 139 00:06:09,080 --> 00:06:15,680 Speaker 1: the side and they all low and then we go 140 00:06:15,720 --> 00:06:18,400 Speaker 1: obviously afterwards and revealed after a little bit of more 141 00:06:18,440 --> 00:06:21,280 Speaker 1: goodness that it was. It was fine, and people were 142 00:06:21,360 --> 00:06:21,960 Speaker 1: quite relieved. 143 00:06:21,960 --> 00:06:25,000 Speaker 5: That so funny. 144 00:06:25,040 --> 00:06:27,240 Speaker 4: Yeah, what did you propose in Europe, didn't you? 145 00:06:27,360 --> 00:06:27,600 Speaker 3: Yeah? 146 00:06:27,920 --> 00:06:32,240 Speaker 1: Rome was there, fountain beautiful. Rome really did all the 147 00:06:32,279 --> 00:06:34,880 Speaker 1: heavy lifting for me, you know, a wonderful place to 148 00:06:34,920 --> 00:06:37,200 Speaker 1: do it. It was very romantic being in Rome, so 149 00:06:37,240 --> 00:06:38,760 Speaker 1: I didn't have to do a lot of romance when 150 00:06:38,839 --> 00:06:40,359 Speaker 1: in Rome, but I did try and make it a 151 00:06:40,360 --> 00:06:43,039 Speaker 1: bit quiet, yeah, because I was a lot of people around, 152 00:06:43,040 --> 00:06:44,840 Speaker 1: a lot of tourists on people trying to haggle and 153 00:06:45,279 --> 00:06:48,160 Speaker 1: you know, sell stuff. And I was like, I said 154 00:06:48,160 --> 00:06:50,400 Speaker 1: to Amanda quietly, I was like, hey me, you marry me. 155 00:06:50,560 --> 00:06:52,880 Speaker 1: And she was like, well, you haven't gone down on 156 00:06:52,880 --> 00:06:57,359 Speaker 1: one knee. And so she's based on recent events she 157 00:06:57,480 --> 00:06:59,800 Speaker 1: had turned it from when I was trying to do 158 00:06:59,839 --> 00:07:03,839 Speaker 1: a riment proposal public proposal. She wants a showman shop. 159 00:07:03,920 --> 00:07:05,680 Speaker 1: So I was like, oh, I better get down on 160 00:07:05,680 --> 00:07:08,080 Speaker 1: one day. Soon as I got down down on one day, 161 00:07:08,120 --> 00:07:10,480 Speaker 1: a guy who was holding like a hundred bouquets of 162 00:07:10,520 --> 00:07:15,240 Speaker 1: flowers was just like, yeah, he's coming up. I'll get 163 00:07:15,360 --> 00:07:17,240 Speaker 1: done these. She says yes, and then he was right 164 00:07:17,280 --> 00:07:19,040 Speaker 1: in there, and I was like he was almost part 165 00:07:19,080 --> 00:07:20,760 Speaker 1: of it, Like it was almost the three way cass. 166 00:07:20,800 --> 00:07:22,760 Speaker 1: He was like he was giving me, like he gave 167 00:07:22,800 --> 00:07:24,520 Speaker 1: me the whole lot. And I was carrying like a 168 00:07:24,640 --> 00:07:27,679 Speaker 1: hundred bouquets of flowers. He's like, you know what, gage, 169 00:07:27,800 --> 00:07:29,960 Speaker 1: it's for you, for you, like obviously thinking I was 170 00:07:29,960 --> 00:07:32,560 Speaker 1: going to buy all these and no, no, no, no, 171 00:07:33,040 --> 00:07:34,920 Speaker 1: trying to walk away away with his hair. You know, 172 00:07:35,280 --> 00:07:37,000 Speaker 1: I was like trying to give those bat Really, you know, 173 00:07:37,040 --> 00:07:38,640 Speaker 1: he took away. He did kind of take away the 174 00:07:38,640 --> 00:07:40,960 Speaker 1: moment for us. But it was a funny moment as 175 00:07:41,000 --> 00:07:42,640 Speaker 1: I'm trying to give back these flowers and every run 176 00:07:42,720 --> 00:07:44,440 Speaker 1: around and going oh, you know, I was like, oh God, 177 00:07:44,560 --> 00:07:48,000 Speaker 1: the people applaud in that situation. She remember they might have. 178 00:07:48,560 --> 00:07:51,160 Speaker 1: I just remember this guy trying to get a big 179 00:07:51,200 --> 00:07:52,000 Speaker 1: payday from us. 180 00:07:52,080 --> 00:07:54,760 Speaker 3: So in like a movie that the whole crowd to 181 00:07:54,840 --> 00:07:56,400 Speaker 3: be given ripture, wouldn't. 182 00:07:56,040 --> 00:07:59,520 Speaker 1: It was quite quiet, you know, it was a public location. 183 00:07:59,600 --> 00:08:04,920 Speaker 1: I was kind of dup quietly. But Amanda, she was like, well, 184 00:08:05,400 --> 00:08:06,280 Speaker 1: you know, so here I go. 185 00:08:06,600 --> 00:08:08,880 Speaker 5: That weird that you expect them to get down on 186 00:08:08,880 --> 00:08:09,280 Speaker 5: one knee. 187 00:08:09,880 --> 00:08:11,360 Speaker 1: I thought you was just kind of messing with me, 188 00:08:11,520 --> 00:08:13,920 Speaker 1: like you didn't really worry here either way. But she 189 00:08:14,040 --> 00:08:16,120 Speaker 1: was just kind of just messing with me, and she 190 00:08:16,200 --> 00:08:18,960 Speaker 1: did well. Play to her even at that moment she 191 00:08:19,040 --> 00:08:20,640 Speaker 1: made me go, oh god, here we go. 192 00:08:21,560 --> 00:08:25,480 Speaker 3: Especially if you've got like nice cream pencil on grass stains, 193 00:08:26,520 --> 00:08:28,600 Speaker 3: you know, grass stains on your knees too, down on 194 00:08:28,600 --> 00:08:29,040 Speaker 3: one knee. 195 00:08:29,040 --> 00:08:31,640 Speaker 1: It's good internet videos to people go around with their 196 00:08:31,680 --> 00:08:33,760 Speaker 1: like their partners and stuff and they just drop on, 197 00:08:34,200 --> 00:08:36,559 Speaker 1: drop to one knee. In locations I. 198 00:08:36,520 --> 00:08:38,280 Speaker 5: Reckon if I went back to Europe, we do that. 199 00:08:42,800 --> 00:08:45,000 Speaker 1: It's just like a montage of something just key down 200 00:08:45,120 --> 00:08:45,600 Speaker 1: and there. 201 00:08:47,200 --> 00:08:53,280 Speaker 5: Just the monuments around Europe. 202 00:08:53,840 --> 00:08:54,640 Speaker 4: Where are you reckon to be? 203 00:08:54,679 --> 00:08:57,040 Speaker 3: Would you ever propose here at work in the office 204 00:08:57,240 --> 00:09:00,640 Speaker 3: the most unromantic location you'd be willing to pose? Would 205 00:09:00,679 --> 00:09:02,880 Speaker 3: you propose into the in the toilets of a bathroom 206 00:09:03,360 --> 00:09:04,719 Speaker 3: of a restaurant. 207 00:09:04,520 --> 00:09:06,320 Speaker 1: Well, I'd have to be quite smashed. 208 00:09:07,520 --> 00:09:09,000 Speaker 4: It's not it's not off the cars. 209 00:09:09,240 --> 00:09:11,000 Speaker 1: Well, that's I'm trying to think of the only occasion 210 00:09:11,000 --> 00:09:11,720 Speaker 1: that I would do it. 211 00:09:11,840 --> 00:09:14,719 Speaker 3: Yeah, you know, let's say in a car park, a 212 00:09:14,800 --> 00:09:17,800 Speaker 3: dingy car park, I don't know. 213 00:09:17,920 --> 00:09:21,400 Speaker 1: And they have had some meaning to it, Megan, would you. 214 00:09:21,080 --> 00:09:23,960 Speaker 5: Like it's the car park that we first keessed it? 215 00:09:24,000 --> 00:09:28,839 Speaker 1: Maybe coming back to that maybe yeah, would you propose 216 00:09:29,200 --> 00:09:32,000 Speaker 1: in Westfield more the food court? 217 00:09:32,600 --> 00:09:39,200 Speaker 5: Oh no, over a button butter chicken? I have none. 218 00:09:40,280 --> 00:09:42,440 Speaker 1: It's not to say mocking anyone what they do, because 219 00:09:42,440 --> 00:09:44,679 Speaker 1: that's up to you to the individual. But you're right, 220 00:09:44,760 --> 00:09:46,720 Speaker 1: I probably wouldn't. But that's not to say it's not 221 00:09:46,760 --> 00:09:48,440 Speaker 1: a nice place. But I still would enjoy the butter 222 00:09:48,440 --> 00:09:51,720 Speaker 1: of chicken. But hey, why not? You know, well, that's 223 00:09:51,920 --> 00:09:54,320 Speaker 1: that's been the world World Web Listen. 224 00:09:54,320 --> 00:09:56,640 Speaker 3: I'm going to finish it now because if we fall 225 00:09:56,720 --> 00:09:58,680 Speaker 3: under a certain time, we don't have to have adverts. 226 00:09:58,840 --> 00:10:00,160 Speaker 1: We're not going to be slaves. 227 00:09:59,840 --> 00:10:03,080 Speaker 4: To commercialism on this podcast. Save a great night, Day,