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Speaker 1: Hey, ok, let's crack this.

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Speaker 2: Okay, fuckers, welcome along to the Unnamed podcast.

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Speaker 3: It's Thursday of seventeen of October twenty twenty four.

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Speaker 4: I saw someone was on the conclave last night. I

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Speaker 4: saw someone had a suggestion for the name for the podcast.

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Speaker 1: What they suedest something.

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Speaker 4: About the wounder or something just the wounded podcast, the.

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Speaker 1: Daily Wound, The Daily Wounder, I saw was being thrown around.

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Speaker 4: Yeah, it's just it's not bad daily wounding. It's not

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Speaker 4: bad wound yourself at The Daily Wounded.

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Speaker 3: Makes more sense than the Daily bespoke. I don't think

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Speaker 3: people probably would understand what the daily bespoke, even me.

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Speaker 3: I mean, what is the daily bespoke?

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Speaker 4: In my mind, bespoke means you've made it just for

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Speaker 4: one person. Yeah, so, by that definition of podcasts could

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Speaker 4: never be bespoke unless you were delivering it one on one.

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Speaker 3: Here's the definition of bespoke according to the Oxford English

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Speaker 3: Dictionary made for a particular customer we're using.

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Speaker 1: Yeah, so, if we spent the first five minutes of

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Speaker 1: every podcast this week discussing the name of this podcast,

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Speaker 1: well it's unnamed. Of this though, we're still quite stressed

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Speaker 1: about it. I look at this podcast, it's more of

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Speaker 1: a kind of energy, a vibe, oh, then a thing.

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Speaker 1: So I'm quite happy for it to never be named.

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Speaker 4: Do you think of it as energy rather than matter?

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Speaker 1: That's right, Yeah, yeah, that is how I think of this.

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Speaker 1: I think that this is kind of just a thing

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Speaker 1: that exists and it's a feeling and it's an energy.

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Speaker 4: Did it used to be a mass?

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Speaker 1: Yeah?

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Speaker 4: Did it used to matter?

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Speaker 1: There was once upon a time where it was a mass,

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Speaker 1: and it used to kind of take some kind of form.

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Speaker 4: And now it's just pure energy, which, as we know,

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Speaker 4: is mass times the speed of light squared of course,

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Speaker 4: so it's taken on. Yeah.

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Speaker 1: So I'm not as stressed as you guys are about

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Speaker 1: naming this. I'm quite happy for it to just kind

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Speaker 1: of be this thing.

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Speaker 3: And wow, yeah, this is actually You've actually blown my

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Speaker 3: mind with the depth of your thinking here, Mesh. So

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Speaker 3: you're just saying this is just well, I'm just I've

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Speaker 3: never heard you say something so deep really. Nah.

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Speaker 1: Okay, this is good because it feels like to me

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Speaker 1: you might be slightly patronizing.

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Speaker 3: Well, normally you just talk about like how you how

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Speaker 3: you find hot and who you want to have sex

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Speaker 3: worth welcome. How many times you love who mum listens?

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Speaker 1: Actually, when have I ever told you how many I

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Speaker 1: wait out the night before? Apart from that one time.

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Speaker 3: Thank you? Yeah, six six and one day. That's impressive.

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Speaker 4: Stuff dropped it into third gear by the end of it.

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Speaker 4: There just going through the emtioncy. It's not a lot

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Speaker 4: coming out and a big shout out to Lawrence mom,

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Speaker 4: who I know listens to this podcast. But and I

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Speaker 4: guess the other thing about naming the podcast for me,

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Speaker 4: I would say is while we're going through this weird

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Speaker 4: phase where it's rotating cast, it's probably important not to

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Speaker 4: put labels on things exactly because you're going to have

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Speaker 4: hosts coming in here saying what are we You know

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Speaker 4: Lane tomorrow is gonna you know, he's going to be

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Speaker 4: some is.

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Speaker 3: What He's always doing that sort of thing.

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Speaker 1: Yeah, he applies that kind of pressure though, doesn't he does.

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Speaker 3: He's very logical and very uh pragmatic. Yeah, I guess

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Speaker 3: you could them pragmatic, but he just he needs to

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Speaker 3: have everything spelled out from him. If it doesn't make

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Speaker 3: sense to Lane, then you know he's he can't understand it.

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Speaker 4: We need to put it in its box and say

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Speaker 4: exactly what it is. But I just feel like, let's

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Speaker 4: just let's just play it free and easy.

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Speaker 3: No box. I mean that's actually true. I mean Matt

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Speaker 3: Heath a big box man. Yeah, it's huge on a box.

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Speaker 1: With the way you've worded that.

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Speaker 3: He loves he loves putting something in a box, it's

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Speaker 3: not intentional. He I mean, for the longest time when

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Speaker 3: we fisted doing our radio show, everything was in a box.

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Speaker 3: Everything had to be boxed up, packaged up, and a package.

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Speaker 3: Lots of self contained packages all through the shows, just heaps.

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Speaker 1: And that's why you now hate box, says.

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Speaker 3: I don't hate boxes.

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Speaker 4: Well, I mean a lot of people get into radio

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Speaker 4: to put things in boxes.

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Speaker 1: Yeah, few That's why I did it.

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Speaker 4: A fewer people nowadays, isn't it used to?

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Speaker 3: I don't need to. I don't need to label things.

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Speaker 3: I don't need to compart mentalize. I mean, that's the

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Speaker 3: unnamed podcast. I'm fine with that. I'm fine with it

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Speaker 3: being an energy. Yeah, Meshy, is that's what you want

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Speaker 3: it to be? Just an energy?

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Speaker 1: Why do you roll your eyes when you say that?

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Speaker 1: I thought I was saying it was quite insightful.

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Speaker 3: You know, just it's like it's spiritual, like an energy.

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Speaker 1: Why do you need Why are you making the quotation

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Speaker 1: marks with your fingers when you say energy.

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Speaker 3: Well, because it's not really energy?

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Speaker 1: Is that now?

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Speaker 3: It is?

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Speaker 1: It's exactly what it is.

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Speaker 4: Zero you're saying it's a bit but woo woo.

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Speaker 3: Well, zeros and months, it's data. That's what we are.

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Speaker 4: Yeah, we're data.

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Speaker 1: We're zeros and months, the daily data.

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Speaker 4: Again, you're putting a label on it. I think at

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Speaker 4: that point it's not energy.

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Speaker 1: So it's a sign of dispression there from me. Again,

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Speaker 1: the energy is fine. Yeah.

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Speaker 4: Can I ask for a bit of life advice?

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Speaker 3: Sure? Please?

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Speaker 4: And I'm not calling this a segment. I don't want

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Speaker 4: to put a label on it. We're not doing like

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Speaker 4: a life advice segment. I just want some advice.

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Speaker 1: Let me just find a bid for this.

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Speaker 3: It was like beauty you'd call it if it was

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Speaker 3: a segment, you call it Beauty and the Beast. Okay,

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Speaker 3: why did that show Beauty and the Beast so and

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Speaker 3: too Good and a panel on too Good? It was

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Speaker 3: on Sell and Too Good Beauty in the Best Beauty

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Speaker 3: and the Beast. Yeah, it was on ten five TV

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Speaker 3: one weekdays, what did they do? So? And Too Good

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Speaker 3: and and a panel of beauties. He was the Beast.

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Speaker 3: Oh and he was the only man. He was a

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Speaker 3: man that could could dule a whole lot of female opinions?

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Speaker 4: Why was he considered the beast?

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Speaker 3: If you if you google Beauty and the Beast TV

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Speaker 3: and Z yeah, sell and too.

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Speaker 4: Go and too Good sell on Featherston No, okay. He

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Speaker 4: was an older gentleman.

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Speaker 3: Yes, so do you not know who's selling too Good?

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Speaker 3: Is I gotta be honest with you? I don't. Wow, Okay,

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Speaker 3: that's that's interesting. That's a generational thing. He learned large

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Speaker 3: over my childhood selling too okay, So it's it's in.

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Speaker 5: The bag in the Beast, I could take the money

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Speaker 5: of the bag. Yeah, no, no, now that I'm looking

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Speaker 5: at him. He was New Zealand's premiere host and he

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Speaker 5: was running the damas and he had a.

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Speaker 3: Whole lot of a whole lot of women. And they

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Speaker 3: would deal with deal with programs, people's problems that they'd

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Speaker 3: write in with their problem and then sell on here

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Speaker 3: we go here it is here.

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Speaker 6: Yeah, good afternoon, and welcome to Beauty and the Beast

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Speaker 6: from the theater Christ Church and here's your host, Selwyn

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Speaker 6: too good?

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Speaker 4: Why is it the Beast?

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Speaker 3: I don't know, keep going. I want to hear them.

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Speaker 1: Is this the same set as like that Life Church

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Speaker 1: that used to you know when they used to play

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Speaker 1: like a lot of clips from was it Life Church,

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Speaker 1: Live Church? No, no, no, if you stayed home on

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Speaker 1: like a from school for a day sick or whatever, they.

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Speaker 4: Still play that ship. They still play that stuff still

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Speaker 4: on the tip. Yeah, a lot of the lot of

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Speaker 4: the channels because there the only ones who can afford

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Speaker 4: to tro.

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Speaker 1: Look got the money.

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Speaker 7: Lisa Sewn's voice, Thank you, Thank you christ Church, and

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Speaker 7: Hello New Zealand, thank you for giving up this part

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Speaker 7: of the day to be with us. I'm delighted to

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Speaker 7: tell you that all this week we're working in the

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Speaker 7: James Hay Theatre in christ Church and we will finish

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Speaker 7: on Friday of this week with the two thousandth broadcast

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Speaker 7: of Beauty and the Beast. It started on February the

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Speaker 7: second in nineteen seventy six and we've been going ever since.

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Speaker 7: I'd likely to meet the panelists for today and for

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Speaker 7: the rest of the week from Wellington. Shana McFarlane.

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Speaker 3: Ponder what a crowd.

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Speaker 1: Is she the Beauty or the and the Beast.

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Speaker 7: Part original panelists On February second of nineteen seventy six,

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Speaker 7: we offer the fifteen hundredth program which came from here.

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Speaker 7: She was in Australia and we unfortunately didn't have it

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Speaker 7: on the panel and we're delighted in Mexico was somewhere

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Speaker 7: abroad from christ Church.

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Speaker 3: To Krera to Clara.

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Speaker 1: She's quite hot though since you.

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Speaker 7: Started on Beauty in the Beast, which was when a

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Speaker 7: couple of years ago, when we first came to christ

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Speaker 7: Church in nineteen eighty two, changed job.

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Speaker 3: He's got.

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Speaker 4: He's got a touch to the Jeremy Wells is about him.

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Speaker 4: It does.

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Speaker 3: That's a great compliment.

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Speaker 4: That's not it is.

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Speaker 7: What's not thirty hours a week for a computer software

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Speaker 7: company and you don't think about computers. Not a great deal.

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Speaker 6: I'm on the administration.

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Speaker 3: And of course the advertisements, well, we're delated.

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Speaker 1: To have it happened to the New Zealand accent in

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Speaker 1: the last forty five years.

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Speaker 3: It was a lot posher in those days.

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Speaker 1: It really changed quickly. They didn't it.

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Speaker 4: It did a broadcasting it's a broadcasting accent.

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Speaker 1: Court Jesus Oh, here we go, Wheel, here we go.

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Speaker 7: Been an actress most of her life. She's now directing

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Speaker 7: for Court Theater, Ladies and Gentlemen. Elizabeth's moody, Elizabeth Murdy.

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Speaker 3: I had n't known, Elizabeth.

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Speaker 7: You were telling me in the dressing room you prefer directing.

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Speaker 4: To acting, right, So he's equally riveting off screen.

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Speaker 3: It was a lot more going on in these and

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Speaker 3: tell God, that's for sure, is that you want to

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Speaker 3: direct this or do you want to act in it?

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Speaker 3: Very popular across and news. He's like, we take a

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Speaker 3: break and come back with more Beauty in the Beast.

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Speaker 3: After the break and we're back where Beauty in the

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Speaker 3: Beast from I believe, I'm going to say, nineteen eighty

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Speaker 3: two is my feeling there is?

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Speaker 1: She about ten minutes ago did we get talking about

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Speaker 1: this monight? Because you're asking for some advice around there?

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Speaker 4: I said, I was after some life advice, but I

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Speaker 4: said I didn't want to put a label on it,

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Speaker 4: and then Jerry said it, well, I'll put a label

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Speaker 4: on it, and it's Beauty and the Beast, And now

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Speaker 4: I know about Betty and the Beast.

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Speaker 3: So okay, what was your life advice? Well?

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Speaker 4: I feel like, let's call this Beauty in the Beast.

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Speaker 4: Then this is welcome to Beauty and the Beast.

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Speaker 1: Sorry, I had some music. Can we get what you're doing?

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Speaker 3: Can we get full middle aged women tomorrow? Wouldn't it?

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Speaker 4: I was asked by the younger member of staff the

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Speaker 4: other day, are you going to Laneway? And I looked

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Speaker 4: at her and said I couldn't name one of the

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Speaker 4: people at Laneway. Years ago, I played a prank on

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Speaker 4: Jason Hoyt where I printed out the catering menu for

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Speaker 4: Laneway and had him read it out as if it

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Speaker 4: was the lineup. Yeah, I remember that minight. Yeah, all

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Speaker 4: of that kind of stuff. I've now come full circle

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Speaker 4: where I think you could just about do that to me.

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Speaker 4: I'm looking at it now, Charlie x c X, I

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Speaker 4: recognize I couldn't name him. Name a song, Clyiron. No idea, bbadoobey,

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Speaker 4: no idea, bberdooby?

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Speaker 3: Is that what it is?

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Speaker 1: I have no idea how to say that.

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Speaker 4: Bicep. Barry can't swim.

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Speaker 1: Oh, Barry can't Swim's got some churns you'd be into.

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Speaker 1: Barry can't swim.

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Speaker 3: In all seriousness, Barry can't swim. Yeah, j Barry Can't Swim.

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Speaker 3: It's really the name of That's a good name. I

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Speaker 3: like it.

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Speaker 4: He's live, Remy Wolf, you know, Dojo.

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Speaker 3: Djo. I don't know DJ.

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Speaker 1: I gotta be honest. I thought I was going to

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Speaker 1: be sitting here knowing most of these acts, and as

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Speaker 1: you read them out, I'm realizing that I'm also on

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Speaker 1: the same boat.

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Speaker 4: As Yeah, Skigs, Skigs.

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Speaker 1: Not too familiar with Skis.

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Speaker 4: Skigs Joe's Joel knows Skigs.

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Speaker 3: Was part of the do you want to come in

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Speaker 3: Hereel's part of the Auckland dance community.

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Speaker 4: Though he is part of the Auckland dance community.

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Speaker 8: You know, Skigs is kind of like a Ossie surf

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Speaker 8: rock band. Okay, quite like a typical Laneway band.

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Speaker 4: Yeah, okay, Barry Can't Swim.

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Speaker 8: Barry Can't Swim is great, Probably top of my list

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Speaker 8: actually for DJs I want to see. But they're live

255
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Speaker 8: because he's live, because he's playing on like a piano, okay,

256
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Speaker 8: like Freddie in Oh.

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Speaker 3: Yeah, I see.

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Speaker 4: What about bicip are quite good.

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Speaker 8: They're big, bigger DJs and they have that one massive

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Speaker 8: song called Glue.

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Speaker 4: Give us a couple of lines. It must be in

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Speaker 4: the system.

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Speaker 3: But what about rinso never heard of it?

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Speaker 4: Well, we're allen, We're right down the bottom of the car.

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Speaker 3: Now is he vincent? Nah? But what about fuckers?

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Speaker 4: I think it's pronounced for This is cosas.

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Speaker 1: You can't call your group for what does for cokas

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Speaker 1: mean exactly?

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Speaker 4: And actually, if you are you on the lane Way website, Jerry,

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Speaker 4: if you hover your mouse over them, it will show

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Speaker 4: you a photo of them. This could be a lineup

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Speaker 4: from the nineties. All of these people. Yeah, I think

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Speaker 4: one of them is a stand up comedian. And for

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Speaker 4: cokas there's two wounders in a bathroom.

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Speaker 8: Yeah, you guys know the song by bicip Glue.

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Speaker 1: Oh yeah, I know that.

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Speaker 4: This feels very three a m y am. I Still.

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Speaker 3: That's a pretty that's a pretty nothing sort of a song.

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Speaker 3: I mean, it's kind of like the kind of thing

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Speaker 3: you might hear on some library music or something like that.

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Speaker 3: That's library music.

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Speaker 4: Yeah, kind of song I hear when I sort of

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Speaker 4: come to at the end of the night and say, right,

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Speaker 4: it's time to go home.

285
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Speaker 3: Now? Is that for or is that Barry camps one? Now?

286
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Speaker 4: That is bicyp Big Big Beatha. Yeah, right, Bbadoobey, do

287
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Speaker 4: you have any info about biberdoo be, Charlie x X

288
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Speaker 4: and Claro.

289
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Speaker 8: They are quite down the lane of our old friend Gravy.

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Speaker 8: They're quite like sad girl summer vibes. That's how people

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Speaker 8: are explaining the lane way lineup this year.

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Speaker 3: Girl.

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Speaker 1: Yeah, it's my favorite kind of songe.

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Speaker 3: You you I see a girl summer. If I describe

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Speaker 3: you as something, man, I'd say sad girl somemer.

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Speaker 1: How would you say that work?

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Speaker 3: Yeah? Really yeah, just skirls are crying, have just broken

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Speaker 3: up with their partners, and then you sort of sweeping.

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Speaker 3: That's your vibe, that's your energy, very perfect, and then

300
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Speaker 3: trying to get down their pants, that's your vibe, that's

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Speaker 3: your energy.

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Speaker 1: I mean it takes one to know when.

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Speaker 3: Jerry, I feel like the girl summer energy. You've got

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Speaker 3: sair girls some energy.

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Speaker 1: Yeah, actually you're not that saying about twenty twenty five summer.

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Speaker 1: It is the summer of the.

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Speaker 3: Said girl, sair girl summer.

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Speaker 1: It is the sad girl summer.

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Speaker 4: I thought it was bratt anyway. Okay, so you don't

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Speaker 4: know any of that. And what they made me realize

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Speaker 4: was that I'm getting old. Yeah, and it made me start,

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00:14:40,120 --> 00:14:43,720
Speaker 4: don't both say yep like that? But yep so, and

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Speaker 4: then I was hoping for a bit of a pause

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Speaker 4: before you said yep. I just sort of realized. I

315
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Speaker 4: looked around and realize everyone's on the baggage. It's like

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Speaker 4: a competition who can have the biggest jeans At the moment,

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Speaker 4: everyone's going real baggy. And I see Chris Keys made

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Speaker 4: the jump to be Bay.

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Speaker 1: Oh fuck. If Chris Key's done it, then everyone's better

320
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Speaker 1: to do it.

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Speaker 4: Well, he's a late adoptor, so you know he's he's

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Speaker 4: shown up with the baggy jeans.

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Speaker 3: Jerry, you're running a beaggy jean in the way I've

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Speaker 3: been holding off, but I've gone baggy.

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Speaker 4: Gerry's gone baggage. But Jerry's a bit more of an

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Speaker 4: early adopter. I think than I am. You'll you'll go

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Speaker 4: a baggy jean. You know you'll go I'm a fashion victim.

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Speaker 4: You're a fashion victim.

329
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Speaker 3: Yeah, I'm definitely a fashion victim.

330
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Speaker 1: What's a fashion victim?

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Speaker 3: Fashion victim someone who will look stupid for fashion yea,

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Speaker 3: and change what they do at the drop of a hat,

333
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Speaker 3: will change their clothes, Like if you go back clothes

334
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Speaker 3: from ten years ago, they'll be dramatically different. Some people

335
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Speaker 3: just stick with I mean, g Lane's doing the same

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Speaker 3: thing for like twenty years.

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Speaker 4: Yeah, he's got the high top vans with the.

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Speaker 3: The change jeans and the shack it the red all

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Speaker 3: over it. Yeah, that's right, the flannel and the flannel.

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Speaker 4: And I was wondering if the baggy jeans was going

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Speaker 4: to be the first sort of fashion change that I

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Speaker 4: was just going to let through to the keepers.

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Speaker 3: Everyone in the room takes a good look at my

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Speaker 3: jeans here.

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Speaker 1: Yeah, what are you running? Are you running a taper

346
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Speaker 1: at the moment, or are you running a skinny or

347
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Speaker 1: are you running? It will what I will say straight.

348
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Speaker 1: I've just watched them recently. They're very tight.

349
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Speaker 4: Okay, yeah, but they're generally pretty tight.

350
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Speaker 3: Black jeans. Would you describe them?

351
00:16:12,440 --> 00:16:15,120
Speaker 1: Maybe you should go black jeans, Maybe you should go

352
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Speaker 1: for something like in between, because Jerry, you've gone quite

353
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Speaker 1: baggy heaven yea, yeah, I'm beggy. I'm very bad. I mean,

354
00:16:21,320 --> 00:16:22,960
Speaker 1: you're wearing a pant right now, so it's a bit different.

355
00:16:23,000 --> 00:16:24,960
Speaker 1: But I think the jeans that I've seen you by

356
00:16:25,040 --> 00:16:27,880
Speaker 1: recently are quite baggy. Maybe you just go for a straightman.

357
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Speaker 4: I tell me this. Are they more comfortable? Are the

358
00:16:30,280 --> 00:16:32,560
Speaker 4: baggy jeans more comfortable? They seem more comfortable.

359
00:16:33,400 --> 00:16:35,480
Speaker 1: No, I run a couple of piers of bags, and

360
00:16:35,560 --> 00:16:37,800
Speaker 1: then a couple of pieces of straights, and then no, skinny.

361
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Speaker 4: Now she's got it. Now she's got a baggy jean

362
00:16:39,800 --> 00:16:40,080
Speaker 4: in them.

363
00:16:40,200 --> 00:16:41,080
Speaker 1: Yeah, I've got two piers.

364
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Speaker 4: He's got a real baggy.

365
00:16:42,440 --> 00:16:44,560
Speaker 3: Jean in them. If you're not careful, he'll sneak up.

366
00:16:47,040 --> 00:16:51,760
Speaker 4: I so what, Look, my plan is here. We're coming

367
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Speaker 4: into summer. I'm probably not gonna wear pants for about

368
00:16:55,360 --> 00:16:57,960
Speaker 4: good point four or five months. I'm going to set

369
00:16:58,000 --> 00:17:00,160
Speaker 4: the rest of the season out on the bag your

370
00:17:00,200 --> 00:17:03,000
Speaker 4: jeans front, and I might even sit the first month

371
00:17:03,040 --> 00:17:05,159
Speaker 4: of next winter out and just just sit back and

372
00:17:05,240 --> 00:17:07,679
Speaker 4: have a look. If we're still going baggy, I think

373
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Speaker 4: I'm gonna have to do it. Well, mate, why don't you?

374
00:17:10,200 --> 00:17:13,280
Speaker 3: Why don't you do something that you know all middle

375
00:17:13,320 --> 00:17:15,080
Speaker 3: aged men should do at some stage, And this is

376
00:17:15,200 --> 00:17:18,160
Speaker 3: how you know that you're full middle age, full middle

377
00:17:18,200 --> 00:17:21,840
Speaker 3: aged man, and that is bring out your new baggies

378
00:17:21,880 --> 00:17:26,480
Speaker 3: for lame mae. I mean, we buy some baggies and

379
00:17:26,680 --> 00:17:30,040
Speaker 3: really be cool and turn up with your baggy jeans

380
00:17:30,480 --> 00:17:33,200
Speaker 3: to lame Wy with your baggy jeans, your truck you cap.

381
00:17:33,800 --> 00:17:36,919
Speaker 4: Yeah yeah, that the hunting and fishing cap is the one.

382
00:17:36,960 --> 00:17:39,639
Speaker 3: They go, Yep, your crop you kind of cross crop

383
00:17:39,800 --> 00:17:41,359
Speaker 3: T shirt? Not too long. You don't want a T

384
00:17:41,480 --> 00:17:44,800
Speaker 3: shirt that's too long. I crop T shirt, boxy shirt,

385
00:17:44,960 --> 00:17:48,040
Speaker 3: short sleeves, and the school shoes and the other one

386
00:17:48,080 --> 00:17:52,000
Speaker 3: they do Martins, Yeah you check the school shoes. Only

387
00:17:52,080 --> 00:17:54,480
Speaker 3: make yourself look as bad as you possibly can and

388
00:17:54,920 --> 00:17:56,359
Speaker 3: turn up to Lamewey and then just be.

389
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Speaker 4: Like, have you heard the new one from b Berdoobi.

390
00:18:00,800 --> 00:18:02,880
Speaker 8: I had a shock of last year Laneway because oh

391
00:18:03,000 --> 00:18:08,840
Speaker 8: fucking no surprise, this is the all time because I'm

392
00:18:08,920 --> 00:18:10,960
Speaker 8: twenty four, and I was like, damn, I sort of

393
00:18:11,480 --> 00:18:12,439
Speaker 8: was the last act of the night.

394
00:18:12,480 --> 00:18:13,840
Speaker 4: I should have feel old here.

395
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Speaker 8: Turns out they've actually made because they've moved it from

396
00:18:16,720 --> 00:18:18,760
Speaker 8: Albert Park to Wiston Spring, so they've made an under

397
00:18:18,800 --> 00:18:19,440
Speaker 8: eighteen zone.

398
00:18:19,440 --> 00:18:20,440
Speaker 3: And I was standing.

399
00:18:23,640 --> 00:18:26,119
Speaker 4: For the main ex Stormzy and then I was like,

400
00:18:26,440 --> 00:18:26,800
Speaker 4: was on the right.

401
00:18:27,119 --> 00:18:29,600
Speaker 1: I almost have been the oldest guy about eight years.

402
00:18:30,000 --> 00:18:33,080
Speaker 4: It turns out I was tallest by that two feet.

403
00:18:34,160 --> 00:18:37,080
Speaker 1: That would be great you would have absolutely honked.

404
00:18:39,119 --> 00:18:43,360
Speaker 4: Yeah, I only realized about ten minutes ago. Security would

405
00:18:43,400 --> 00:18:46,920
Speaker 4: have been looking at you with a hot keeping on this.

406
00:18:48,640 --> 00:18:50,560
Speaker 1: So is anyone here going to Lane Way this year? Well,

407
00:18:50,680 --> 00:18:53,359
Speaker 1: next year, I suppose an aniversary weekend day.

408
00:18:53,280 --> 00:18:56,639
Speaker 3: White Tangy Day. I should go along and pretend to

409
00:18:56,720 --> 00:18:59,800
Speaker 3: be young on February six, So that's year White Tangy Day.

410
00:19:00,000 --> 00:19:01,800
Speaker 4: Next time I went to Lane Way, Well, I was

411
00:19:01,800 --> 00:19:05,840
Speaker 4: actually with you, Jerry Anderson Pack whatever year that was, Yeah,

412
00:19:05,960 --> 00:19:08,640
Speaker 4: I fucking thoroughly enjoyed that. That was a good year. Yeah,

413
00:19:08,760 --> 00:19:09,639
Speaker 4: Albert Parker was.

414
00:19:09,840 --> 00:19:11,560
Speaker 1: Yeah, it was the nineteen seventy five on that year.

415
00:19:12,640 --> 00:19:15,639
Speaker 4: This was sort of two thousand and nineteen, I think

416
00:19:15,640 --> 00:19:15,800
Speaker 4: it was.

417
00:19:15,920 --> 00:19:17,400
Speaker 1: Yeah, there was a good couple of years.

418
00:19:18,760 --> 00:19:21,520
Speaker 3: Year twenty nineteen seventy five there were heaps of beer

419
00:19:21,640 --> 00:19:24,880
Speaker 3: breasted women. Do you remember that it was a year.

420
00:19:24,920 --> 00:19:26,320
Speaker 3: It was the year of the beer breast?

421
00:19:27,160 --> 00:19:29,000
Speaker 4: You remember the Glitaboob? Yes?

422
00:19:29,320 --> 00:19:30,120
Speaker 3: Do you remember.

423
00:19:29,920 --> 00:19:32,239
Speaker 4: Gladaboob was having a moment there? Do you go from

424
00:19:32,400 --> 00:19:37,359
Speaker 4: Glitaboob had about Do you remember that Paintsman's I was

425
00:19:37,440 --> 00:19:41,800
Speaker 4: like seven, No, the Glitaboob had a moment there. Yeah,

426
00:19:42,000 --> 00:19:43,600
Speaker 4: And who was against the glittleboo.

427
00:19:43,640 --> 00:19:44,040
Speaker 3: Oh I had no.

428
00:19:44,160 --> 00:19:44,600
Speaker 4: I loved it.

429
00:19:44,880 --> 00:19:47,120
Speaker 3: But it was that interesting thing of like, don't lock,

430
00:19:47,280 --> 00:19:50,080
Speaker 3: don't lock, don't lock, but I reckon. There were probably

431
00:19:50,160 --> 00:19:52,760
Speaker 3: I would have seen maybe fifteen beer breasted women that.

432
00:19:52,880 --> 00:19:55,080
Speaker 4: Year, so about thirty breasts.

433
00:19:55,240 --> 00:19:58,760
Speaker 3: Yeah, and if any individual breasts, no mistick to me.

434
00:19:58,840 --> 00:20:01,320
Speaker 4: So yeah, pretty much the we'll get a healthy population.

435
00:20:01,560 --> 00:20:03,280
Speaker 3: And it's that weird thing of not looking like you

436
00:20:03,400 --> 00:20:06,040
Speaker 3: can't look oh my god. So then you're maintaining look.

437
00:20:05,960 --> 00:20:08,680
Speaker 4: You're maintaining the most furious eye contact you've ever had

438
00:20:08,720 --> 00:20:13,480
Speaker 4: with a person because you know you can't you know

439
00:20:13,520 --> 00:20:15,480
Speaker 4: you're gonna look at a bird in a tree.

440
00:20:15,640 --> 00:20:17,760
Speaker 3: Well no, But that's where your dark glasses come in handy,

441
00:20:17,760 --> 00:20:19,399
Speaker 3: because if you've got the dark glasses on, you can

442
00:20:19,480 --> 00:20:22,280
Speaker 3: easily be looking sideways at the person across there. But

443
00:20:22,480 --> 00:20:25,800
Speaker 3: with maintaining the clear sideway frontways. Yeah, you know what

444
00:20:25,840 --> 00:20:27,119
Speaker 3: I mean, you just look out the side.

445
00:20:27,560 --> 00:20:29,320
Speaker 1: I'm just doing some research. I'm trying to figure out

446
00:20:29,320 --> 00:20:32,880
Speaker 1: what happened to the glittle boo boob, because if.

447
00:20:32,840 --> 00:20:34,400
Speaker 3: You googled what happened to glitaboob?

448
00:20:34,480 --> 00:20:36,840
Speaker 1: Yeah, because the glittaboo pre COVID was starting to really

449
00:20:36,920 --> 00:20:37,320
Speaker 1: take over.

450
00:20:37,560 --> 00:20:40,439
Speaker 4: That's another COVID casualty, isn't it the Gitta boob. You're

451
00:20:40,480 --> 00:20:42,159
Speaker 4: not doing Glada boob at home in Lockdown.

452
00:20:42,280 --> 00:20:44,880
Speaker 1: We had a couple of festivals rior to COVID where

453
00:20:44,880 --> 00:20:46,480
Speaker 1: a glittaboob was coming out.

454
00:20:46,600 --> 00:20:47,760
Speaker 4: You know, pretty hot.

455
00:20:48,400 --> 00:20:49,960
Speaker 8: There was a big one at R and V I

456
00:20:50,000 --> 00:20:51,760
Speaker 8: think it was twenty eighteen and I was there and

457
00:20:51,960 --> 00:20:54,399
Speaker 8: on the hell and some guy thought to be funny

458
00:20:54,480 --> 00:20:56,720
Speaker 8: to go up and like touch the girl with a

459
00:20:56,720 --> 00:21:00,159
Speaker 8: gliaboo bond went viral and she just turned around when

460
00:21:00,200 --> 00:21:01,320
Speaker 8: it started like fucking him up.

461
00:21:01,480 --> 00:21:05,320
Speaker 4: That's right. And I watching as well this year at

462
00:21:06,280 --> 00:21:07,680
Speaker 4: what did I go to? Lolapolo?

463
00:21:07,880 --> 00:21:10,320
Speaker 1: No, it was a lot of don't tell the story

464
00:21:10,320 --> 00:21:11,640
Speaker 1: about you running glad a cock.

465
00:21:12,880 --> 00:21:14,720
Speaker 3: I'm not going to tell that story. That's not a

466
00:21:14,800 --> 00:21:17,720
Speaker 3: story that we're going to share one. Don't even mention that.

467
00:21:17,800 --> 00:21:19,240
Speaker 3: I don't want to talk about that. Sorry, that's where

468
00:21:19,240 --> 00:21:20,560
Speaker 3: I thought you were going. They're not going to talk

469
00:21:20,560 --> 00:21:23,680
Speaker 3: about that, Okay, Sorry, But there's something that stayed in Chicago.

470
00:21:23,760 --> 00:21:24,760
Speaker 1: Can't believe you chose blue.

471
00:21:25,040 --> 00:21:30,480
Speaker 3: There were there were so many topless girls. Heaps leader

472
00:21:30,520 --> 00:21:32,520
Speaker 3: Cargo Gladder festival.

473
00:21:32,960 --> 00:21:36,119
Speaker 1: Lola assentsed me that you noticed. What do you mean,

474
00:21:36,200 --> 00:21:39,679
Speaker 1: how do would you not notice because you can't be looking, Jerry, Well.

475
00:21:39,600 --> 00:21:41,160
Speaker 4: Well you're not going to look, but you'd know good

476
00:21:41,160 --> 00:21:41,840
Speaker 4: situation is.

477
00:21:41,920 --> 00:21:45,080
Speaker 3: And at Lolaplosa there were so many people, a few

478
00:21:45,200 --> 00:21:47,760
Speaker 3: or fifty thousand people a day go to that festival,

479
00:21:48,160 --> 00:21:50,320
Speaker 3: so nobody's looking at you looking.

480
00:21:50,560 --> 00:21:51,320
Speaker 1: Could you run around?

481
00:21:51,920 --> 00:21:54,879
Speaker 3: Nobody even sees you there. It's just like so many

482
00:21:54,960 --> 00:21:57,560
Speaker 3: people just I'm trying to picture it.

483
00:21:58,200 --> 00:22:02,280
Speaker 4: Yeah, around boob, the lot of no, the outfit, so

484
00:22:02,440 --> 00:22:05,840
Speaker 4: I understand glitter boom, but if you were to explode,

485
00:22:05,880 --> 00:22:08,600
Speaker 4: So they weren't going glitter, they're just going topless.

486
00:22:08,680 --> 00:22:12,200
Speaker 3: No, they were just going mini skirt with no top. Wow, yeah,

487
00:22:12,280 --> 00:22:15,080
Speaker 3: heaps heaps of it. Many skirt with no top uh huh.

488
00:22:16,040 --> 00:22:19,080
Speaker 4: Looking the flights. Yeah, there was a fist ball.

489
00:22:19,119 --> 00:22:20,680
Speaker 8: I went to an England and there was like full

490
00:22:20,760 --> 00:22:23,240
Speaker 8: on neudice guys and they were all guys as well.

491
00:22:23,400 --> 00:22:25,520
Speaker 8: So we saw a dude who was helping on the

492
00:22:25,800 --> 00:22:27,720
Speaker 8: on the entry. He was like chicking bags and stuff.

493
00:22:27,720 --> 00:22:30,159
Speaker 8: Then about an hour later just saw him, sixty five

494
00:22:30,240 --> 00:22:33,000
Speaker 8: year old guy walking around full hole out had the

495
00:22:33,040 --> 00:22:34,960
Speaker 8: shoes on, had his head on, had a bag on.

496
00:22:35,240 --> 00:22:38,359
Speaker 8: I can't go A naked man with shoes on is.

497
00:22:38,320 --> 00:22:40,440
Speaker 1: A horrible, horrible Do you know what's funny about that?

498
00:22:40,560 --> 00:22:40,720
Speaker 4: Though?

499
00:22:40,800 --> 00:22:40,840
Speaker 8: Was?

500
00:22:40,920 --> 00:22:42,680
Speaker 1: I think what's really hot is a woman wearing a

501
00:22:42,720 --> 00:22:44,000
Speaker 1: bikini with trainers on.

502
00:22:44,560 --> 00:22:46,000
Speaker 3: I see, I don't know. I don't like that.

503
00:22:46,119 --> 00:22:48,600
Speaker 4: Either you've watched too much love or porn.

504
00:22:48,840 --> 00:22:51,480
Speaker 3: Filthy you and he filthy?

505
00:22:51,680 --> 00:22:52,680
Speaker 1: That's just filthy.

506
00:22:53,840 --> 00:22:54,600
Speaker 3: It's disgusting.

507
00:22:54,680 --> 00:22:57,480
Speaker 4: Here doesn't like that, and I prefer high heels.

508
00:22:58,040 --> 00:23:02,000
Speaker 1: Ah jo, Okay, this is just this is we have

509
00:23:02,080 --> 00:23:02,560
Speaker 1: to be careful.

510
00:23:04,720 --> 00:23:07,320
Speaker 4: I don't think. I don't think we do Beauty in

511
00:23:07,359 --> 00:23:12,280
Speaker 4: the Beast again. To be honest, guys, if I think

512
00:23:12,280 --> 00:23:14,320
Speaker 4: there's a reason why they shut it down after two

513
00:23:14,400 --> 00:23:19,520
Speaker 4: thousand episodes, and it's because it inevitably falls the footwear

514
00:23:19,560 --> 00:23:21,520
Speaker 4: and bikinis and glitter birds, and I think we shut

515
00:23:21,560 --> 00:23:22,440
Speaker 4: it down too good.

516
00:23:22,440 --> 00:23:23,280
Speaker 3: Would not have a barrow that?

517
00:23:23,400 --> 00:23:24,200
Speaker 4: No, absolutely not.

518
00:23:24,280 --> 00:23:27,880
Speaker 1: But anyway, we're all going to hit lame way. Yeah,

519
00:23:28,080 --> 00:23:29,400
Speaker 1: it's all just running some glitter clock.

520
00:23:29,480 --> 00:23:32,720
Speaker 3: Yeah, and I reckon when I you you premiere your

521
00:23:32,800 --> 00:23:33,480
Speaker 3: beggy jeans.

522
00:23:34,040 --> 00:23:38,520
Speaker 4: You look real cool. Look beggy jeans, no top glatter Bobs. Yeah,

523
00:23:38,600 --> 00:23:40,280
Speaker 4: totally herey Glatt Boobs.

524
00:23:44,600 --> 00:23:45,639
Speaker 1: You say exactly where you are?

525
00:23:49,680 --> 00:23:56,040
Speaker 4: Yeah, that's fucking guy. That's like you can't help.

526
00:23:56,080 --> 00:24:00,600
Speaker 3: But yeah, there was like.

527
00:24:00,720 --> 00:24:02,840
Speaker 4: Ten, that's fun.

528
00:24:03,040 --> 00:24:04,000
Speaker 3: Why do you have to be known?

529
00:24:04,200 --> 00:24:06,080
Speaker 4: Yeah, it's just as you want.

530
00:24:06,440 --> 00:24:09,400
Speaker 1: There's no do you know what this sounds? This might

531
00:24:09,440 --> 00:24:11,840
Speaker 1: be horrendously inappropriate and I could be way off here

532
00:24:12,000 --> 00:24:17,080
Speaker 1: and I'll like can end it all. But I would

533
00:24:17,119 --> 00:24:19,320
Speaker 1: always assumed if there's like a woman running a good

534
00:24:19,400 --> 00:24:23,480
Speaker 1: boo bit of festival, there's nothing wrong with looking. Don't

535
00:24:24,600 --> 00:24:26,359
Speaker 1: like even if they see you looking. This kind of

536
00:24:26,400 --> 00:24:27,840
Speaker 1: a reciprocated respect there.

537
00:24:27,760 --> 00:24:27,919
Speaker 8: In this.

538
00:24:30,160 --> 00:24:31,879
Speaker 3: I'm looking, and I'm trying to prove to you that

539
00:24:31,960 --> 00:24:35,280
Speaker 3: you're not allowed to look, especially in two thousand and see,

540
00:24:35,359 --> 00:24:38,600
Speaker 3: that's kind of fucked up. Then that thing going on,

541
00:24:38,760 --> 00:24:42,640
Speaker 3: which is like it was a it was entreatment about.

542
00:24:42,760 --> 00:24:45,560
Speaker 1: Like a beach shop and eye, by the way, there

543
00:24:45,600 --> 00:24:47,480
Speaker 1: was a good show. I appreciate your mate so much.

544
00:24:48,720 --> 00:24:54,040
Speaker 9: The next level, but there's some impossible Portugal and two

545
00:24:54,080 --> 00:24:56,600
Speaker 9: women came over and they tried asking me directions and

546
00:24:56,680 --> 00:25:01,120
Speaker 9: Portuguese that one of them had the fun and canons.

547
00:25:00,720 --> 00:25:09,080
Speaker 3: And yeah, well me and Nick Peaker, who was in

548
00:25:09,200 --> 00:25:11,200
Speaker 3: here before. When we went to Barcelona, we said