1
00:00:00,200 --> 00:00:02,080
Speaker 1: The Mat and Jerry Show. No matter where you are,

2
00:00:02,200 --> 00:00:03,960
Speaker 1: Bunning's trade are there to help.

3
00:00:04,400 --> 00:00:06,160
Speaker 2: It's Jeremy where.

4
00:00:13,640 --> 00:00:19,040
Speaker 3: From sixth sentem You're.

5
00:00:19,200 --> 00:00:24,720
Speaker 1: Hard at nice every company. This morning on the Mat

6
00:00:24,720 --> 00:00:27,840
Speaker 1: and Jerry Show, there's at the eleventh of July twenty twenty.

7
00:00:27,640 --> 00:00:30,680
Speaker 4: Four mats away. But Ruth's in and so is Meshy.

8
00:00:31,360 --> 00:00:32,280
Speaker 4: Good morning, Jerry.

9
00:00:32,280 --> 00:00:32,920
Speaker 1: How are you mate?

10
00:00:32,960 --> 00:00:33,720
Speaker 4: How are you ruder?

11
00:00:34,159 --> 00:00:36,400
Speaker 2: I'm a little concerned because I'm sitting with Hooty Jay

12
00:00:36,479 --> 00:00:39,279
Speaker 2: sits for the Drive show, and man, these headphones are

13
00:00:39,320 --> 00:00:40,640
Speaker 2: up very loud.

14
00:00:40,840 --> 00:00:44,000
Speaker 1: Oh the louder deaf? Yeah, he hit what he is deaf?

15
00:00:44,680 --> 00:00:47,080
Speaker 1: Here he is deaf. Whitty Jay, you're the same thing.

16
00:00:47,080 --> 00:00:50,440
Speaker 1: Happen to me just seconds before you mentioned that mine

17
00:00:50,479 --> 00:00:53,640
Speaker 1: was up on three quarters. Now, this is probably incredibly

18
00:00:53,640 --> 00:00:57,320
Speaker 1: boring for most people, but for anybody who's interested in

19
00:00:57,440 --> 00:01:00,320
Speaker 1: getting into the broadcasting industry, they'll be absolutely fascinate by

20
00:01:00,360 --> 00:01:04,240
Speaker 1: this behind the scenes chat. And I, over time have

21
00:01:04,680 --> 00:01:08,880
Speaker 1: always enjoyed my headphones incredibly loud, from dating back into

22
00:01:08,920 --> 00:01:11,800
Speaker 1: the mid nineties when I started, and I like having

23
00:01:11,840 --> 00:01:14,480
Speaker 1: it loud on my headphones, and then over time I've

24
00:01:14,520 --> 00:01:17,560
Speaker 1: gone differ and differ and differ and now I have

25
00:01:18,240 --> 00:01:20,240
Speaker 1: and in a bid to go list deaf over time,

26
00:01:20,360 --> 00:01:23,760
Speaker 1: I'm now down below half. I'm very proud of myself

27
00:01:23,760 --> 00:01:23,959
Speaker 1: for that.

28
00:01:24,040 --> 00:01:27,000
Speaker 4: I've got an idea up next for this, MGMT Chune,

29
00:01:27,080 --> 00:01:31,920
Speaker 4: how about mid voice break oil, alternate headphones and see

30
00:01:31,920 --> 00:01:33,520
Speaker 4: what kind of levels other people at the end of this.

31
00:01:33,600 --> 00:01:36,120
Speaker 4: There is a high level idea because I think I

32
00:01:36,200 --> 00:01:38,040
Speaker 4: might be running one quite loud. I've just realized this

33
00:01:38,080 --> 00:01:40,600
Speaker 4: because Jury, you've got a different set of cans than

34
00:01:40,640 --> 00:01:42,920
Speaker 4: I do. You've got quite an open back. Oh you've

35
00:01:42,920 --> 00:01:43,560
Speaker 4: got the same as me.

36
00:01:43,680 --> 00:01:44,000
Speaker 1: Ruder.

37
00:01:44,160 --> 00:01:45,880
Speaker 2: Yeah, I'm probably gonna need to swap. These are the

38
00:01:45,920 --> 00:01:46,400
Speaker 2: wrong ones.

39
00:01:46,560 --> 00:01:47,480
Speaker 1: They feel awful.

40
00:01:47,560 --> 00:01:49,600
Speaker 4: So just to confirm on the dial, there are you

41
00:01:49,680 --> 00:01:51,200
Speaker 4: running about three o'clock?

42
00:01:51,440 --> 00:01:55,639
Speaker 1: Jerry, I'm running. No, I'm running. I'm running about quarter

43
00:01:55,680 --> 00:01:58,720
Speaker 1: to eleven. Called it to twelve. Quarter two, I'm quarter

44
00:01:58,840 --> 00:01:59,200
Speaker 1: to twelve.

45
00:01:59,280 --> 00:02:02,120
Speaker 2: I'm running about half past two. I reckon half past two.

46
00:02:02,600 --> 00:02:03,720
Speaker 4: I'm running at half seven?

47
00:02:04,120 --> 00:02:04,760
Speaker 1: What the heck?

48
00:02:04,840 --> 00:02:08,160
Speaker 4: Oh wow, I'm down as mine nod more sensitive than yours.

49
00:02:08,560 --> 00:02:10,040
Speaker 1: Maybe yours is on a different scale.

50
00:02:10,200 --> 00:02:12,440
Speaker 2: Wouldn't be surprised, So don't twitter with your noob. We're

51
00:02:12,480 --> 00:02:13,920
Speaker 2: gonna go and have a look at these headphones.

52
00:02:14,000 --> 00:02:17,960
Speaker 1: Next, don't touch a knob, all right, let's touch it. Okay,

53
00:02:18,600 --> 00:02:20,720
Speaker 1: get your hand off your knob. But you're touching a knob.

54
00:02:20,760 --> 00:02:22,560
Speaker 1: It's a great change here. I can't help, but don't

55
00:02:22,600 --> 00:02:27,560
Speaker 1: touch the knob. And that Jerry show, So we just

56
00:02:27,600 --> 00:02:33,240
Speaker 1: discovered before that we're all running various degrees of volume

57
00:02:33,320 --> 00:02:35,920
Speaker 1: in our headphones at any given time doing this radio show.

58
00:02:36,080 --> 00:02:37,800
Speaker 4: And we thought we'd spare the listener that it wouldn't

59
00:02:37,800 --> 00:02:39,359
Speaker 4: we Instead of doing it live on ere we thought

60
00:02:39,360 --> 00:02:41,160
Speaker 4: we'd kind of go around the room during the song

61
00:02:41,440 --> 00:02:44,440
Speaker 4: and have a listen to other people's headphones. My takeaway

62
00:02:44,919 --> 00:02:47,600
Speaker 4: and Ruda's takeaway was probably quite similar, wasn't it. It

63
00:02:47,639 --> 00:02:49,560
Speaker 4: was that you and I run a very similar style.

64
00:02:50,040 --> 00:02:53,120
Speaker 2: We're sitting about the same I mentioned before that Hoidy

65
00:02:53,240 --> 00:02:55,640
Speaker 2: J on the Drive show appears to have his knob

66
00:02:55,720 --> 00:02:57,680
Speaker 2: to ride up and runs it quite hot.

67
00:02:58,160 --> 00:02:59,640
Speaker 4: And what time is that on the clock again, just

68
00:02:59,639 --> 00:03:01,040
Speaker 4: for those listening.

69
00:03:00,720 --> 00:03:03,760
Speaker 2: Well, Hoidy Jay was probably at about four o'clock.

70
00:03:03,800 --> 00:03:07,080
Speaker 4: I'm at about Habas two, okay. And then Jerry, we

71
00:03:07,120 --> 00:03:09,120
Speaker 4: made our way over to your headphones. Yeah, and you

72
00:03:09,200 --> 00:03:10,000
Speaker 4: are quiet.

73
00:03:10,360 --> 00:03:13,600
Speaker 1: Yeah. Well, Minoggio, who's six in my seat, is for

74
00:03:13,720 --> 00:03:17,200
Speaker 1: the Drive show. He's running a three o'clock. He's running

75
00:03:17,200 --> 00:03:19,920
Speaker 1: a flat three. Yeah, three on the dot. It feels

76
00:03:20,000 --> 00:03:23,040
Speaker 1: quite nice a flat three. Yeah. Well, I run something

77
00:03:23,080 --> 00:03:25,280
Speaker 1: that's before twelve o'clock. I don't want to get anywhere

78
00:03:25,280 --> 00:03:28,200
Speaker 1: past mid day. So if I'm one minute to mid day,

79
00:03:28,240 --> 00:03:30,240
Speaker 1: I'm happy there. But I just want to operate somewhere

80
00:03:30,280 --> 00:03:31,079
Speaker 1: before mid day.

81
00:03:31,880 --> 00:03:34,760
Speaker 4: But I didn't realize as well, is the sensitivity of

82
00:03:34,800 --> 00:03:37,320
Speaker 4: our knobs are so different because I'm running at a

83
00:03:37,360 --> 00:03:38,000
Speaker 4: seven thirty.

84
00:03:38,080 --> 00:03:40,160
Speaker 1: Yeah, you've got it. You've got a different scale on

85
00:03:40,200 --> 00:03:42,200
Speaker 1: your knob. Can I just say you're nob Maybe it's

86
00:03:42,240 --> 00:03:43,840
Speaker 1: because you're twenty four, but you' and I was operating

87
00:03:43,880 --> 00:03:45,960
Speaker 1: completely differently than anyone else. Why is that? Well?

88
00:03:46,000 --> 00:03:48,040
Speaker 2: The other thing is that Jerry and I have seven knobs.

89
00:03:48,040 --> 00:03:49,000
Speaker 2: Don't you have a black one?

90
00:03:49,240 --> 00:03:50,080
Speaker 4: I do have a black knob.

91
00:03:50,160 --> 00:03:51,680
Speaker 1: You've got a black knobby. It's a bit thin.

92
00:03:51,720 --> 00:03:52,880
Speaker 2: The ours is quite thick.

93
00:03:52,920 --> 00:03:53,560
Speaker 1: Yeah, knobs.

94
00:03:54,080 --> 00:03:55,560
Speaker 4: What I say I was at seven thirty?

95
00:03:55,920 --> 00:03:59,160
Speaker 1: Yeah. I would just say this to you guys as

96
00:03:59,200 --> 00:04:01,720
Speaker 1: a word of warning from from a nearly you know,

97
00:04:01,840 --> 00:04:05,200
Speaker 1: next year coming up thirty years of broadcasting, and can

98
00:04:05,240 --> 00:04:08,320
Speaker 1: I just say to you that the level that you

99
00:04:08,320 --> 00:04:10,920
Speaker 1: are going with, I know, it's like it's like, do

100
00:04:10,960 --> 00:04:12,880
Speaker 1: you know what it's like. It's like when you have

101
00:04:13,000 --> 00:04:17,719
Speaker 1: tenure you and you start scratching the tenure and it

102
00:04:17,760 --> 00:04:20,320
Speaker 1: feels so good and throw a sock, you know, if

103
00:04:20,320 --> 00:04:22,200
Speaker 1: you're wearing like a norsewear sock or something and you

104
00:04:22,240 --> 00:04:25,400
Speaker 1: scratch it. It feels so nice, but then eventually it

105
00:04:25,480 --> 00:04:29,000
Speaker 1: starts to kind of hurt and cause your problems. That's

106
00:04:29,040 --> 00:04:32,360
Speaker 1: what it's like wearing having loud music and having yourself

107
00:04:32,400 --> 00:04:34,800
Speaker 1: loud in your headphones. You want it. It feels good,

108
00:04:34,960 --> 00:04:37,560
Speaker 1: you know, it makes you sound better. It's nice to

109
00:04:37,600 --> 00:04:39,920
Speaker 1: hear yourself in your headphones, but ultimately it will make

110
00:04:39,960 --> 00:04:40,520
Speaker 1: you go deaf.

111
00:04:40,760 --> 00:04:43,360
Speaker 4: As we discussed this, can you hear this music beat

112
00:04:43,400 --> 00:04:45,800
Speaker 4: in the background. You can hear the jazz music tickering

113
00:04:45,839 --> 00:04:46,240
Speaker 4: away there.

114
00:04:46,360 --> 00:04:46,839
Speaker 1: I can hear it.

115
00:04:46,880 --> 00:04:49,000
Speaker 4: Like I said, it's quite loud for me, I suppose,

116
00:04:49,600 --> 00:04:50,240
Speaker 4: and then it's at.

117
00:04:50,160 --> 00:04:52,080
Speaker 1: A really good level for me. Man, you great work

118
00:04:52,120 --> 00:04:52,400
Speaker 1: over there.

119
00:04:52,440 --> 00:04:54,720
Speaker 4: Okay, so you can hear this? When I put your

120
00:04:54,760 --> 00:04:57,280
Speaker 4: headphones on, I think I can't hear anything in those no, I.

121
00:04:57,240 --> 00:04:59,400
Speaker 1: Can hear it. I can hear it. But I'm just

122
00:04:59,400 --> 00:05:01,679
Speaker 1: saying you guys can go dere if you operate anything

123
00:05:01,680 --> 00:05:05,120
Speaker 1: past twelve o'clock, you're going to go there, Matty.

124
00:05:05,279 --> 00:05:07,560
Speaker 5: Jeremy Wells The Maiden Cherry Show.

125
00:05:07,720 --> 00:05:09,680
Speaker 1: Six eighty one on the Mountain Jerry Show Time for

126
00:05:09,680 --> 00:05:12,680
Speaker 1: the latest news headlines. A number of high level meetings

127
00:05:12,720 --> 00:05:16,480
Speaker 1: for Chris Luxon and Washington today, That includes dinner at

128
00:05:16,520 --> 00:05:19,680
Speaker 1: the White House where he hopes to see President Joe Biden.

129
00:05:20,240 --> 00:05:23,480
Speaker 4: Right, okay, so why would he not see Joe Biden?

130
00:05:23,839 --> 00:05:25,200
Speaker 1: I don't know, you know what I mean, like, gonn

131
00:05:25,240 --> 00:05:26,479
Speaker 1: wave it him? Was he going to do to him?

132
00:05:26,600 --> 00:05:28,080
Speaker 4: How does dinner at the White House work? Is there

133
00:05:28,160 --> 00:05:29,359
Speaker 4: is a restaurant in there that you could go and

134
00:05:29,360 --> 00:05:31,000
Speaker 4: then maybe not see the president. I would have thought

135
00:05:31,000 --> 00:05:32,800
Speaker 4: that would be the only option for a dinner at

136
00:05:32,839 --> 00:05:34,240
Speaker 4: the White House is to see the president.

137
00:05:34,440 --> 00:05:36,719
Speaker 1: No, yeah, that's a good question. I mean, Joe Biden's

138
00:05:36,800 --> 00:05:39,560
Speaker 1: busy at the moment. Also, would he even know who

139
00:05:39,640 --> 00:05:41,400
Speaker 1: Chris Luxen is and would he care?

140
00:05:41,640 --> 00:05:43,479
Speaker 2: It sounds to me like when you go to a

141
00:05:43,480 --> 00:05:46,240
Speaker 2: wedding and the bride and groom are full on all

142
00:05:46,360 --> 00:05:48,359
Speaker 2: day and you might not actually get a chance to

143
00:05:48,360 --> 00:05:50,640
Speaker 2: get up and talk to them and congratulate. It sounds

144
00:05:50,680 --> 00:05:53,000
Speaker 2: like one of those situations. Or as you said, maybe

145
00:05:53,000 --> 00:05:54,880
Speaker 2: they don't even know the bride and groom. No, and

146
00:05:54,920 --> 00:05:56,440
Speaker 2: they've just got in as a partner. Well, I think

147
00:05:56,480 --> 00:05:57,920
Speaker 2: of this situation. The groom doesn't care.

148
00:05:58,600 --> 00:06:00,599
Speaker 1: He's also got to take his five o'clock. He also

149
00:06:00,680 --> 00:06:05,360
Speaker 1: doesn't know Andre Island is at A teddy fairy has

150
00:06:05,480 --> 00:06:07,680
Speaker 1: been given the green light to cross the Cooks Straight

151
00:06:07,720 --> 00:06:10,240
Speaker 1: again after grounding and picked in about three weeks ago.

152
00:06:10,520 --> 00:06:14,440
Speaker 1: Maritime New zealand'sys initial investigations founded did not happen due

153
00:06:14,440 --> 00:06:16,640
Speaker 1: to a crew member leaving the bridge to make a coffee,

154
00:06:16,640 --> 00:06:19,039
Speaker 1: as claimed earlier this week by New Zealand. First. I

155
00:06:19,040 --> 00:06:22,520
Speaker 1: read a article on this last night. Yes, but there's

156
00:06:22,600 --> 00:06:25,320
Speaker 1: more information here. I'm not sure why that doesn't mention

157
00:06:25,520 --> 00:06:28,160
Speaker 1: what hasn't been mentioned in the headlines. It turns out,

158
00:06:28,680 --> 00:06:34,400
Speaker 1: according to a internal report, allegedly the autopilot was left

159
00:06:34,440 --> 00:06:38,320
Speaker 1: on and they didn't realize it and the fairy started

160
00:06:38,360 --> 00:06:40,400
Speaker 1: steering in a weird direction up on the bridge. They

161
00:06:40,400 --> 00:06:43,080
Speaker 1: weren't off on a coffee break. They were standing around

162
00:06:43,200 --> 00:06:45,159
Speaker 1: as you would in the bridge. You don't leave the

163
00:06:45,160 --> 00:06:48,760
Speaker 1: bridge to have a coffee. That's weird. And it started

164
00:06:48,800 --> 00:06:50,479
Speaker 1: veering off and they went hod on, what's going on here?

165
00:06:50,480 --> 00:06:52,120
Speaker 1: Where's meant to be steering this? And they didn't realize

166
00:06:52,160 --> 00:06:53,960
Speaker 1: they hadn't taken off the autopilot button.

167
00:06:54,480 --> 00:06:57,000
Speaker 4: So what so the allegations that were made by New

168
00:06:57,040 --> 00:07:01,320
Speaker 4: Zealand first and in the week in parliament actually might

169
00:07:01,320 --> 00:07:02,000
Speaker 4: be quite accurate.

170
00:07:02,040 --> 00:07:04,640
Speaker 1: Well, they're true and since that the autopilot was left on,

171
00:07:05,240 --> 00:07:06,680
Speaker 1: but they're not true that they didn't take off and

172
00:07:06,680 --> 00:07:07,839
Speaker 1: get a coffee. Right.

173
00:07:07,920 --> 00:07:10,320
Speaker 2: So Also, other rumors I heard earlier in the week

174
00:07:10,400 --> 00:07:12,640
Speaker 2: was that it was actually taken by Somali pirates like

175
00:07:12,680 --> 00:07:13,360
Speaker 2: Captain Phillips.

176
00:07:13,400 --> 00:07:15,880
Speaker 1: Is that not true either? I don't think that's true.

177
00:07:15,920 --> 00:07:18,119
Speaker 1: I haven't read anything about that. It's a big rumor.

178
00:07:18,800 --> 00:07:20,000
Speaker 2: Last Monday I heard that one.

179
00:07:20,040 --> 00:07:22,680
Speaker 1: Oh wow, yeah, coage. It turns out though, that when

180
00:07:22,680 --> 00:07:24,280
Speaker 1: it's on ado pilot and then they tried they took

181
00:07:24,280 --> 00:07:26,760
Speaker 1: it off autopilot. Finally, it took about a minute and

182
00:07:26,720 --> 00:07:28,320
Speaker 1: they worked out how to take it off and by

183
00:07:28,320 --> 00:07:31,280
Speaker 1: that stage they'd gone off course completely and they couldn't

184
00:07:31,280 --> 00:07:32,640
Speaker 1: bring it back. Now, there's a big unit.

185
00:07:32,680 --> 00:07:35,040
Speaker 4: That thing when you say things that they worked out

186
00:07:35,080 --> 00:07:36,720
Speaker 4: how to take it off autopilot. I feel like that's

187
00:07:36,720 --> 00:07:38,400
Speaker 4: the type of thing that you go into a cruise

188
00:07:39,440 --> 00:07:41,760
Speaker 4: or eventure knowing how to do is switch things in

189
00:07:41,840 --> 00:07:44,240
Speaker 4: and out of autopilot or or actually just be able

190
00:07:44,240 --> 00:07:45,320
Speaker 4: to kind of drive that.

191
00:07:45,400 --> 00:07:48,400
Speaker 1: But look under pressure, under pressure like that, when the

192
00:07:48,400 --> 00:07:51,120
Speaker 1: big unit's move and you can't stop it. Those big

193
00:07:51,200 --> 00:07:56,640
Speaker 1: units they true nightmare and debutante pastebowler Gus Atkinson has

194
00:07:56,640 --> 00:07:58,880
Speaker 1: helped England dominate the West Indies. On the opening day

195
00:07:58,880 --> 00:08:01,160
Speaker 1: of the first cricket Test at Lord, he's taking figures

196
00:08:01,200 --> 00:08:04,120
Speaker 1: of seven for forty five to dismiss the visitors for

197
00:08:04,200 --> 00:08:07,160
Speaker 1: one hundred and twenty one Wow. The hosts are one

198
00:08:07,280 --> 00:08:09,800
Speaker 1: hundred and eighty nine for three and replied stumps and

199
00:08:09,920 --> 00:08:13,400
Speaker 1: James Anderson's James Anderson's at one hundred and eighty eight

200
00:08:13,520 --> 00:08:16,720
Speaker 1: and final test, so he's taken one for twenty six

201
00:08:16,760 --> 00:08:17,960
Speaker 1: from ten point four overs.

202
00:08:18,080 --> 00:08:19,520
Speaker 4: Can someone tell me off the top of their head

203
00:08:19,560 --> 00:08:21,400
Speaker 4: how old James Anderson must be now?

204
00:08:22,120 --> 00:08:23,240
Speaker 1: Forty two?

205
00:08:23,840 --> 00:08:24,160
Speaker 4: Wow?

206
00:08:24,880 --> 00:08:25,920
Speaker 1: Forty one or forty two.

207
00:08:26,200 --> 00:08:28,920
Speaker 4: It's got to be one of the more incredible cricket

208
00:08:28,960 --> 00:08:30,320
Speaker 4: careers that I can think of right now.

209
00:08:30,440 --> 00:08:31,120
Speaker 1: How old is he?

210
00:08:31,120 --> 00:08:33,320
Speaker 2: He's forty one and three hundred and forty seven days,

211
00:08:33,320 --> 00:08:34,199
Speaker 2: so he's forty two late.

212
00:08:34,559 --> 00:08:37,400
Speaker 1: Okay, Yeah, I can't think of the oldest other cricketer

213
00:08:37,480 --> 00:08:40,600
Speaker 1: Colin Cowdery. I think I think he's in his forties

214
00:08:40,640 --> 00:08:48,920
Speaker 1: playing international cricket nineteen seventies. Wagner got up to thirty eight. Yeah,

215
00:08:48,960 --> 00:08:50,880
Speaker 1: he's in good nack James Anderson.

216
00:08:51,040 --> 00:08:54,800
Speaker 4: The Matt and Jerry Show, Rightio, I'll tell you what, Jerry,

217
00:08:54,880 --> 00:08:58,000
Speaker 4: I'm absolutely phizzing for this. Yesterday on the podcast, we

218
00:08:58,040 --> 00:09:01,920
Speaker 4: came up with a new game and we promised today

219
00:09:01,920 --> 00:09:03,520
Speaker 4: that we would play this for the first time. We

220
00:09:03,559 --> 00:09:05,679
Speaker 4: even had a chat to our Australian content director Pixie

221
00:09:05,679 --> 00:09:07,840
Speaker 4: Campbell about it yesterday on the podcast. He was like

222
00:09:07,880 --> 00:09:09,880
Speaker 4: a little bit unsure, but he was happy for us

223
00:09:09,920 --> 00:09:11,440
Speaker 4: to go ahead with it. So are you ready for it?

224
00:09:11,960 --> 00:09:13,839
Speaker 4: Have we got a sting made up for it? You've

225
00:09:13,880 --> 00:09:14,640
Speaker 4: got a sting made up?

226
00:09:14,679 --> 00:09:15,400
Speaker 1: Really? Yeah?

227
00:09:15,480 --> 00:09:16,440
Speaker 4: It might sound familiar.

228
00:09:16,440 --> 00:09:20,800
Speaker 1: Actually, here you go tossing into Jury's gob. Oh god,

229
00:09:20,920 --> 00:09:23,760
Speaker 1: it sounds like wats and Daddy's coffee, didn't it? Okay?

230
00:09:23,840 --> 00:09:25,200
Speaker 1: So the way this is going to work is that

231
00:09:25,280 --> 00:09:28,000
Speaker 1: Marshi gets an object and then I opened my mouth

232
00:09:28,240 --> 00:09:31,360
Speaker 1: and then you throw that object into my mouth. We

233
00:09:31,440 --> 00:09:33,960
Speaker 1: get someone to call up on eight hundred hardache, and

234
00:09:34,040 --> 00:09:37,679
Speaker 1: if you end up landing that in my mouth.

235
00:09:37,559 --> 00:09:40,240
Speaker 4: Sorry, if I end up tossing into your goal, if

236
00:09:40,280 --> 00:09:41,240
Speaker 4: you toss.

237
00:09:41,000 --> 00:09:44,760
Speaker 1: It into my successfully, then the caller on eight hundred

238
00:09:44,800 --> 00:09:48,160
Speaker 1: hardache wins a prize today. The prize is a double

239
00:09:48,200 --> 00:09:49,000
Speaker 1: past to twisters.

240
00:09:49,200 --> 00:09:50,640
Speaker 4: I mean, what a prize that is. So give us

241
00:09:50,640 --> 00:09:52,560
Speaker 4: a call out O one hundred hardache. We will wait

242
00:09:52,640 --> 00:09:54,480
Speaker 4: for someone to call through. First caller through it can

243
00:09:54,559 --> 00:09:59,960
Speaker 4: be the first ever participant in tossing into jury's goal.

244
00:10:00,760 --> 00:10:04,079
Speaker 1: Lighting a full lines. Okay, it's good morning. Welcome to

245
00:10:04,080 --> 00:10:05,560
Speaker 1: the Matt and Jerry Show. Who are you talking to?

246
00:10:06,400 --> 00:10:08,160
Speaker 6: You're speaking with Dylan Dylan.

247
00:10:08,240 --> 00:10:11,160
Speaker 1: All right, Dylan, you are the first competitor to play

248
00:10:11,200 --> 00:10:18,040
Speaker 1: what to play tossing into Jerry's gob? Okay, okay, we're laughing.

249
00:10:18,240 --> 00:10:19,760
Speaker 1: Why are we laughing? Yeah? Here we go. So what

250
00:10:19,800 --> 00:10:21,640
Speaker 1: have you got? What are you tossing into my gob today?

251
00:10:21,760 --> 00:10:21,920
Speaker 6: Oh?

252
00:10:21,960 --> 00:10:24,439
Speaker 4: That's a good question. Sorry, Dylan's gonna pull you down

253
00:10:24,440 --> 00:10:25,160
Speaker 4: at about this?

254
00:10:25,880 --> 00:10:26,680
Speaker 1: Is it? Ruder.

255
00:10:26,679 --> 00:10:28,679
Speaker 4: I understand you've been sick of the last couple of days.

256
00:10:28,760 --> 00:10:30,880
Speaker 4: So there's some kind of cough lolly that I've got here.

257
00:10:31,040 --> 00:10:35,760
Speaker 2: Yeah, it's a past deal, actually original mentholated cure ole

258
00:10:35,880 --> 00:10:40,680
Speaker 2: cough lollly. Often grandparents are the ones that that indulge

259
00:10:40,679 --> 00:10:43,080
Speaker 2: in these, but I kind of like them. They feel good,

260
00:10:43,280 --> 00:10:44,080
Speaker 2: make me feel nice.

261
00:10:44,160 --> 00:10:47,800
Speaker 4: Okay, So I'm throwing a curol into your I'm tossing

262
00:10:48,320 --> 00:10:49,280
Speaker 4: a curerol into.

263
00:10:49,080 --> 00:10:51,680
Speaker 1: Your God, Jerry, Yep, that's right. Okay, are we ready?

264
00:10:54,360 --> 00:10:57,440
Speaker 4: Okay, Dilly, you get to go down there, mate.

265
00:10:58,720 --> 00:11:00,320
Speaker 1: Okay, Dilly, how do you how do you want him

266
00:11:00,360 --> 00:11:01,360
Speaker 1: toss it into my gob?

267
00:11:04,480 --> 00:11:07,640
Speaker 6: He's got good aim, wind it up and then.

268
00:11:09,360 --> 00:11:10,680
Speaker 1: Can I can I stop you there? Mash?

269
00:11:10,760 --> 00:11:12,880
Speaker 2: Would you like to take the curl out of the

270
00:11:12,880 --> 00:11:14,680
Speaker 2: plastic wrapper rather than throw.

271
00:11:15,360 --> 00:11:18,240
Speaker 1: That's a very good point, DYEA can just take it.

272
00:11:18,840 --> 00:11:23,560
Speaker 1: So that's the original mentholated formula of curle menthol oil

273
00:11:23,559 --> 00:11:26,360
Speaker 1: of eucalyp, this oil of peppermint, oil of pine, oil

274
00:11:26,360 --> 00:11:32,080
Speaker 1: of aniseed, and a tincture of bin zuon binzon.

275
00:11:32,720 --> 00:11:35,480
Speaker 2: It's also at a terrible size. It does get lodged

276
00:11:35,559 --> 00:11:36,760
Speaker 2: in the back of Jerry's throat.

277
00:11:36,840 --> 00:11:42,320
Speaker 1: Okay, ok for some double past to twisters for Dilly.

278
00:11:42,480 --> 00:11:43,240
Speaker 1: Here goes match.

279
00:11:43,480 --> 00:11:46,400
Speaker 2: You can commentate, Rudy right, So Mesh steps up to

280
00:11:46,400 --> 00:11:50,200
Speaker 2: the microphone. He's got his elbow cocked, He's got the

281
00:11:50,320 --> 00:11:53,880
Speaker 2: curl in between the thumb and the forefinger. Jerry's got

282
00:11:53,880 --> 00:11:57,920
Speaker 2: his gob open ready to receive three two one, and I.

283
00:11:59,200 --> 00:12:00,240
Speaker 7: In the glasses.

284
00:12:02,120 --> 00:12:04,400
Speaker 1: In the middle of the bridge of the nose with

285
00:12:05,520 --> 00:12:09,120
Speaker 1: Are you okay, poor Deli? Jesus?

286
00:12:09,160 --> 00:12:10,520
Speaker 4: How do you feel about your performance there?

287
00:12:10,600 --> 00:12:17,640
Speaker 6: Dilly time? It's going to take a little bit of

288
00:12:17,640 --> 00:12:18,680
Speaker 6: practice to the spot.

289
00:12:18,920 --> 00:12:21,680
Speaker 1: Yeah, it is. It's poor tossing from mess to be honestly,

290
00:12:21,920 --> 00:12:23,840
Speaker 1: I reckon we should give Dilli a double paster twists.

291
00:12:23,840 --> 00:12:26,360
Speaker 2: Anyway, it's in cinemas today, so we may as well

292
00:12:26,400 --> 00:12:28,400
Speaker 2: shout it out to you.

293
00:12:28,840 --> 00:12:31,280
Speaker 1: Thanks for being a part of the first ever tossing

294
00:12:31,320 --> 00:12:34,720
Speaker 1: into Jerry's goal. Are we happy with that, fellow? I

295
00:12:34,720 --> 00:12:34,959
Speaker 1: think so.

296
00:12:37,720 --> 00:12:41,320
Speaker 5: Jeremy's gum, the mat and Jerry show.

297
00:12:43,440 --> 00:12:45,800
Speaker 1: The Wonderful world of Oh Jesus.

298
00:12:45,880 --> 00:12:48,680
Speaker 4: A long one kangaroo captured after six months on the

299
00:12:48,720 --> 00:12:49,880
Speaker 4: loose in Germany.

300
00:12:49,880 --> 00:12:52,319
Speaker 1: Well that's pretty much the story isn't it. A kangaroo

301
00:12:52,400 --> 00:12:56,400
Speaker 1: was captured after six months on the loose in Germany. Okay, sure,

302
00:12:56,440 --> 00:13:01,640
Speaker 1: Skippy and escape from his owner's property in the Ludwig

303
00:13:01,800 --> 00:13:07,080
Speaker 1: lust Pachim district of Germany on January thirty one last year.

304
00:13:07,840 --> 00:13:11,920
Speaker 1: They capture for months. It was sighted in heaps of places,

305
00:13:11,960 --> 00:13:14,520
Speaker 1: because I mean, a kangaroo just hopping around in the

306
00:13:14,559 --> 00:13:16,560
Speaker 1: wild in Germany is going to stick out like a

307
00:13:16,600 --> 00:13:17,680
Speaker 1: sore thumb. It's unusual.

308
00:13:17,760 --> 00:13:20,800
Speaker 4: And also how do you catch a kangaroo? Jerry, you

309
00:13:20,840 --> 00:13:21,920
Speaker 4: know a bit more about this than I do.

310
00:13:22,280 --> 00:13:24,960
Speaker 1: I mean, they're very, very difficult to catch. So the

311
00:13:24,960 --> 00:13:28,720
Speaker 1: owner had already tried several times to recapture the pouched animal.

312
00:13:29,600 --> 00:13:31,360
Speaker 1: In the end, the police reported that there was no

313
00:13:31,480 --> 00:13:36,120
Speaker 1: danger from the shy plant eater, so we're not going

314
00:13:36,120 --> 00:13:37,760
Speaker 1: to take to it with a gun or anything like that.

315
00:13:39,040 --> 00:13:43,040
Speaker 1: In the end, Skippy was recaptured by a resident of

316
00:13:43,240 --> 00:13:47,599
Speaker 1: Ludestorf in lord Vest Lickenberg, about fifty miles from his

317
00:13:47,720 --> 00:13:52,400
Speaker 1: owner's home. So the kangaroo was temporarily housed and rescue

318
00:13:52,440 --> 00:13:58,520
Speaker 1: us horsepenow until the owner, Yen's Klaus, bought them home.

319
00:13:58,559 --> 00:13:59,760
Speaker 1: Please said, so we don't know how.

320
00:13:59,720 --> 00:14:02,360
Speaker 4: They can, so we don't have any information on how

321
00:14:02,360 --> 00:14:04,760
Speaker 4: they know how Skippy the kangaroo was captured.

322
00:14:04,480 --> 00:14:06,720
Speaker 1: No idea. I suppose someone tackled, tackled.

323
00:14:06,400 --> 00:14:08,200
Speaker 4: It, really not boxed it.

324
00:14:08,240 --> 00:14:11,000
Speaker 1: A tunk boxer kangaroo, myshoes is you never want to

325
00:14:11,000 --> 00:14:12,800
Speaker 1: box a kangaroo. So I think they captured it. They

326
00:14:12,800 --> 00:14:15,079
Speaker 1: tackled it, checked it in a horse pin, and now

327
00:14:15,120 --> 00:14:19,040
Speaker 1: it's been returned to its owner. What a wonderful world. Skippy?

328
00:14:20,200 --> 00:14:25,360
Speaker 1: Skippy is a what a dull name, isn't it?

329
00:14:25,400 --> 00:14:27,200
Speaker 4: Is it racist calling a kangaroo skippy?

330
00:14:27,200 --> 00:14:29,000
Speaker 2: I was gonna ask the same question. I thought I

331
00:14:29,000 --> 00:14:30,760
Speaker 2: should put that one back in the pocket. So thank

332
00:14:30,800 --> 00:14:32,000
Speaker 2: you MaTx for asking that question.

333
00:14:32,200 --> 00:14:34,000
Speaker 1: Is it racist to call a kangaroo skippy?

334
00:14:34,160 --> 00:14:36,280
Speaker 4: It just feels like it. Don't call you dog Max.

335
00:14:36,320 --> 00:14:37,800
Speaker 4: There's plenty of Max the dogs out there.

336
00:14:38,360 --> 00:14:39,640
Speaker 5: The Matt and Jerry Show.

337
00:14:40,720 --> 00:14:43,280
Speaker 1: We were just talking about that wonderful world and a

338
00:14:43,720 --> 00:14:47,280
Speaker 1: kangaroo in Germany, Skippy went missing from its owner's home,

339
00:14:47,360 --> 00:14:51,640
Speaker 1: skipped around nord Festenburg for a while and ended up

340
00:14:51,680 --> 00:14:54,160
Speaker 1: being captured, chucked in a horse pin, and has been

341
00:14:54,840 --> 00:14:57,640
Speaker 1: chucked back in its house now. M Man, she you

342
00:14:57,680 --> 00:15:00,680
Speaker 1: asked the question, is skippy a racist name for kangaroo?

343
00:15:00,800 --> 00:15:03,320
Speaker 4: Well? I was just wondering. I was nervous that it

344
00:15:03,320 --> 00:15:05,760
Speaker 4: was a bit of a generalization calling the kangaroo skippy,

345
00:15:05,920 --> 00:15:08,640
Speaker 4: because it felt like that would be the first name

346
00:15:08,680 --> 00:15:10,560
Speaker 4: that came to mind, a little bit like makes the dog,

347
00:15:10,760 --> 00:15:13,000
Speaker 4: you know, no offense, of course, makes the dogs out there,

348
00:15:13,040 --> 00:15:14,360
Speaker 4: but it's just a bit of an obvious name, and

349
00:15:14,360 --> 00:15:15,760
Speaker 4: I was wondering if there was racist. Have you done

350
00:15:15,800 --> 00:15:16,720
Speaker 4: some investigating cherry?

351
00:15:16,800 --> 00:15:19,480
Speaker 1: Well, what you mean is it racist? Like not calling

352
00:15:19,520 --> 00:15:21,840
Speaker 1: it an indigenous Australian name?

353
00:15:21,920 --> 00:15:22,000
Speaker 6: Oh?

354
00:15:22,040 --> 00:15:24,840
Speaker 4: I suppose it's also another angle on it. Yeah, is it?

355
00:15:25,360 --> 00:15:26,160
Speaker 1: Well? I think so?

356
00:15:26,480 --> 00:15:26,840
Speaker 4: Okay?

357
00:15:27,160 --> 00:15:29,200
Speaker 1: I mean, why why Skippy? Because what are the other

358
00:15:29,200 --> 00:15:33,720
Speaker 1: popular names for kangaroos? I suppose Boomer, Thumper.

359
00:15:34,280 --> 00:15:36,960
Speaker 4: I searched up the top three kangaroo names for pets. Yep,

360
00:15:37,320 --> 00:15:39,160
Speaker 4: these are people that have kangaroos for pets.

361
00:15:39,240 --> 00:15:39,480
Speaker 1: Yep.

362
00:15:39,600 --> 00:15:40,560
Speaker 4: Skippy was number one.

363
00:15:40,600 --> 00:15:40,800
Speaker 1: Yep.

364
00:15:40,800 --> 00:15:42,120
Speaker 4: Of course Boomer was number two.

365
00:15:42,200 --> 00:15:42,440
Speaker 1: Yep.

366
00:15:42,600 --> 00:15:44,760
Speaker 4: Three any guesses thumpa, yep, thumba.

367
00:15:45,200 --> 00:15:48,200
Speaker 2: There we go, Okay, Skippy, Boomer and number ticks through

368
00:15:48,240 --> 00:15:50,880
Speaker 2: here on three four eight three. I've called my cat pussy.

369
00:15:51,080 --> 00:15:53,600
Speaker 2: Is that racist mash?

370
00:15:54,600 --> 00:15:55,880
Speaker 1: My cat was called pussy.

371
00:15:55,960 --> 00:15:57,640
Speaker 4: It was I've got no issues with that.

372
00:15:57,960 --> 00:15:59,960
Speaker 1: I looked not racist. I think we're found five.

373
00:16:00,240 --> 00:16:02,800
Speaker 4: Yeah, I have. I have kind of mudded the waters

374
00:16:02,800 --> 00:16:04,440
Speaker 4: here a little bit. But anyway, have you come up

375
00:16:04,440 --> 00:16:06,880
Speaker 4: with an Aboriginal name for for Skippy the kangaroo?

376
00:16:07,200 --> 00:16:09,000
Speaker 1: Well, I just looked up some abridge and names because

377
00:16:09,000 --> 00:16:10,800
Speaker 1: I thought I don't know many Aboriginal names, and it turns

378
00:16:10,800 --> 00:16:12,600
Speaker 1: out Bindi is an Aboriginal.

379
00:16:12,200 --> 00:16:16,240
Speaker 4: Name like Bindiyuan, yeah, and Barani that means boy okay,

380
00:16:16,480 --> 00:16:17,680
Speaker 4: and that particular dialect.

381
00:16:17,680 --> 00:16:20,600
Speaker 1: But there's over two hundred and fifty different Indigenous Australian dialects.

382
00:16:20,600 --> 00:16:21,680
Speaker 1: I mean that's a lot. Wow.

383
00:16:22,000 --> 00:16:23,920
Speaker 4: I mean such a big amount of land. I can

384
00:16:23,960 --> 00:16:28,200
Speaker 4: only imagine the amount of languages that were being spoken.

385
00:16:28,040 --> 00:16:31,640
Speaker 1: Totally and very ancient culture too, ten thousand years it's

386
00:16:31,680 --> 00:16:33,880
Speaker 1: been actually longer, I think twenty thousand years years something

387
00:16:33,960 --> 00:16:37,920
Speaker 1: like that. Anyway, coming up after seven o'clock an update

388
00:16:38,000 --> 00:16:40,800
Speaker 1: on Bigari's I'm gonna share that with you, and after

389
00:16:40,960 --> 00:16:44,640
Speaker 1: eight o'clock Penis or Genius, something we do every Thursday

390
00:16:44,640 --> 00:16:46,680
Speaker 1: here on Mountain Jerry Show. This morning we're getting stuck

391
00:16:46,720 --> 00:16:49,280
Speaker 1: into choirs, archives, Penis or genius. You can vote on

392
00:16:49,280 --> 00:16:51,400
Speaker 1: three for three or eight hundred Herdache.

393
00:16:54,560 --> 00:17:06,639
Speaker 3: It'smat Jerry is Matt and Jerry Matten Jy.

394
00:17:09,280 --> 00:17:10,560
Speaker 5: The Mat and Jerry Show.

395
00:17:11,800 --> 00:17:13,919
Speaker 1: So yesterday on the show, we had some sad news

396
00:17:13,960 --> 00:17:19,000
Speaker 1: that Big Gary's, an institution in the christ Church takeaway scene,

397
00:17:19,080 --> 00:17:21,479
Speaker 1: has closed down. Sad sad news.

398
00:17:21,960 --> 00:17:23,639
Speaker 2: A lot of people very upset about it on the

399
00:17:23,640 --> 00:17:25,040
Speaker 2: text machine actually today as well.

400
00:17:25,040 --> 00:17:27,520
Speaker 1: Three for eight three, Oh they really were. I mean,

401
00:17:27,560 --> 00:17:29,359
Speaker 1: we wanted to make sure that it was true, so

402
00:17:29,840 --> 00:17:31,960
Speaker 1: we got on the spot reporter to go and check

403
00:17:32,000 --> 00:17:35,600
Speaker 1: it out. Brendan, can you confirm is this true? Has

404
00:17:35,640 --> 00:17:36,960
Speaker 1: Big Gary's closed down?

405
00:17:37,320 --> 00:17:39,880
Speaker 6: I can confirm. I'm standing out. So Big garys Now

406
00:17:40,000 --> 00:17:44,080
Speaker 6: in the shop is empty? Ok, the entire shop is empty.

407
00:17:44,200 --> 00:17:46,680
Speaker 6: Counters done, Brendan.

408
00:17:46,720 --> 00:17:48,240
Speaker 4: I'm so sorry to hear this, mate, But I also

409
00:17:48,359 --> 00:17:51,359
Speaker 4: understand you're a long serving customer of Big Gary, and

410
00:17:51,400 --> 00:17:54,320
Speaker 4: I understand you've celebrated a anniversary there recently.

411
00:17:54,600 --> 00:17:55,120
Speaker 1: Is that right?

412
00:17:55,560 --> 00:17:59,120
Speaker 6: That's correct? That would have been not the Valentinees this year,

413
00:17:59,200 --> 00:17:59,760
Speaker 6: that last year.

414
00:18:00,040 --> 00:18:02,480
Speaker 1: I love, mate, Okay, so holds a special place in

415
00:18:02,520 --> 00:18:02,880
Speaker 1: your heart.

416
00:18:03,080 --> 00:18:03,720
Speaker 6: Yeah exactly.

417
00:18:04,080 --> 00:18:08,359
Speaker 2: Now, Brendan, we're very responsible broadcasters here at Radiohodaki, and

418
00:18:09,200 --> 00:18:11,520
Speaker 2: it would be remiss of us to not ask.

419
00:18:11,359 --> 00:18:13,159
Speaker 1: A U Okay right now, are you all right? Do

420
00:18:13,200 --> 00:18:14,399
Speaker 1: you need anything from us?

421
00:18:14,720 --> 00:18:16,679
Speaker 6: I don't think of the reality is shit yet? Okay,

422
00:18:17,080 --> 00:18:18,879
Speaker 6: it would probably hit me later in the day, but

423
00:18:19,280 --> 00:18:20,400
Speaker 6: you deeply diserviance.

424
00:18:20,640 --> 00:18:24,119
Speaker 1: Grief's a funny thing, Brendan, So you know, sometimes it

425
00:18:24,160 --> 00:18:26,560
Speaker 1: comes in waves, it comes and goes, but it's genuinely

426
00:18:26,640 --> 00:18:29,120
Speaker 1: something that you'd have to learn. So we are here.

427
00:18:29,280 --> 00:18:30,920
Speaker 1: You can always reach out to us on oh eight

428
00:18:30,960 --> 00:18:34,600
Speaker 1: hundred Hardeki if you need someone to talk to, no problem, Yeah, Brendan,

429
00:18:34,640 --> 00:18:37,320
Speaker 1: Great New Zealand are obviously a massive loss for him,

430
00:18:37,640 --> 00:18:40,440
Speaker 1: the loss of Bagary's. So we got this text through

431
00:18:40,560 --> 00:18:43,840
Speaker 1: on three four eight three. Would it kill Ruda to

432
00:18:43,880 --> 00:18:46,280
Speaker 1: whip up a tribute to Bi Gary to the tune

433
00:18:46,280 --> 00:18:48,600
Speaker 1: of Mandy by Barry Man alot.

434
00:18:48,720 --> 00:18:52,200
Speaker 2: Yeah, I know there's a lot of people not only

435
00:18:52,240 --> 00:18:55,000
Speaker 2: in the Cannoby region but right around the country that

436
00:18:55,040 --> 00:18:57,280
Speaker 2: are hurting right now, and I just wanted to pay

437
00:18:57,320 --> 00:19:01,200
Speaker 2: tribute to this fine establishment be Gary.

438
00:19:01,920 --> 00:19:05,760
Speaker 1: Horrifict News this morning. But Gary's Ricketon is no longer Brennan,

439
00:19:05,800 --> 00:19:09,640
Speaker 1: can you confirm is this true? Has bur Gary's closed down?

440
00:19:09,960 --> 00:19:12,720
Speaker 6: I can confirm. I'm standing outside Big garys now in

441
00:19:12,760 --> 00:19:15,640
Speaker 6: the shoppers, even Big cobbles down the whole. I don't

442
00:19:15,640 --> 00:19:17,520
Speaker 6: think the reality has hit me. It'll probably hit me

443
00:19:17,600 --> 00:19:19,760
Speaker 6: later in the day, but you deeply disturb.

444
00:19:19,800 --> 00:19:25,560
Speaker 1: It's the perfect place to die. Your pump pump Chicken

445
00:19:25,960 --> 00:19:26,920
Speaker 1: was so fine.

446
00:19:28,840 --> 00:19:33,399
Speaker 8: Your Warblue was a massive sausage on a stick. So

447
00:19:33,720 --> 00:19:37,480
Speaker 8: many people joked it looked like a giant dill like

448
00:19:37,720 --> 00:19:42,399
Speaker 8: Big Gary. I went in and I slept. You were

449
00:19:42,560 --> 00:19:49,720
Speaker 8: twenty more get I say, Big Gayy. What you gave

450
00:19:49,960 --> 00:19:56,720
Speaker 8: me was something my tasty then your facty away Gary,

451
00:19:58,040 --> 00:20:00,240
Speaker 8: it was much more than food good.

452
00:20:00,359 --> 00:20:04,040
Speaker 1: You were trained. How were you not luck to?

453
00:20:04,240 --> 00:20:05,960
Speaker 4: Were you Big Gary?

454
00:20:07,080 --> 00:20:07,919
Speaker 2: You're lunt Oni?

455
00:20:08,280 --> 00:20:15,160
Speaker 1: The so being was shaking. Man, I need Big Gary.

456
00:20:16,280 --> 00:20:20,840
Speaker 1: We love you Gary, and we're sorry. What a beautiful

457
00:20:20,960 --> 00:20:23,920
Speaker 1: musical tribute that was from your Ruda to be Gary

458
00:20:24,040 --> 00:20:27,240
Speaker 1: shutting down and Ricketton. There but a lot of questions,

459
00:20:27,480 --> 00:20:30,480
Speaker 1: it seems, have been asked in those lyrics around what

460
00:20:30,560 --> 00:20:32,560
Speaker 1: people are actually doing at Bigary's. And maybe that's got

461
00:20:32,640 --> 00:20:34,680
Speaker 1: something to do with why Bigary's actually shut down on

462
00:20:34,720 --> 00:20:35,240
Speaker 1: the first place.

463
00:20:35,440 --> 00:20:39,479
Speaker 2: Well, apparently the alleged lyrics about slipping Gary a twenty

464
00:20:39,960 --> 00:20:43,359
Speaker 2: in some cases apparently are fifty and then receiving not

465
00:20:43,520 --> 00:20:47,800
Speaker 2: quite takeaways that you were asking for allegedly was the

466
00:20:48,040 --> 00:20:49,080
Speaker 2: previous owners.

467
00:20:49,160 --> 00:20:52,440
Speaker 1: Oh okay, the previous okay, good to know, good to know.

468
00:20:52,600 --> 00:20:56,440
Speaker 1: What a beautiful tribute that was? Good on your ruder, sad.

469
00:20:56,359 --> 00:20:59,919
Speaker 5: Day garis closing down the mat and Jerry's.

470
00:21:01,440 --> 00:21:03,920
Speaker 1: This is a story that I was reading about the

471
00:21:03,960 --> 00:21:06,399
Speaker 1: other day, which I think affects everybody who runs a

472
00:21:06,440 --> 00:21:09,280
Speaker 1: work phone, who runs a work phone? Here, do you

473
00:21:09,359 --> 00:21:09,520
Speaker 1: know what?

474
00:21:09,640 --> 00:21:13,480
Speaker 2: I don't indied me? Do not pay for my phone

475
00:21:13,600 --> 00:21:14,280
Speaker 2: current like you.

476
00:21:14,320 --> 00:21:17,160
Speaker 1: Made Okay, I'm INDI me pay for mine, pay for yours,

477
00:21:18,440 --> 00:21:21,440
Speaker 1: pay for mine too. Why did they not pay for yours? Ruder? Well,

478
00:21:21,480 --> 00:21:23,000
Speaker 1: if you don't ask I, yes, you don't receive.

479
00:21:23,040 --> 00:21:25,440
Speaker 4: And I never asked either, to be honest reader, but

480
00:21:25,440 --> 00:21:26,440
Speaker 4: I managed to somehow.

481
00:21:26,240 --> 00:21:28,080
Speaker 1: Get that one. I didn't ask you, though they seemed

482
00:21:28,080 --> 00:21:29,879
Speaker 1: to be paying for a lot for me. Anyway.

483
00:21:30,800 --> 00:21:32,760
Speaker 2: It's nice, that's good man.

484
00:21:33,200 --> 00:21:36,520
Speaker 1: So people are being reminded to take care of what

485
00:21:36,720 --> 00:21:39,399
Speaker 1: you use your work phone, work phone for because it

486
00:21:39,520 --> 00:21:42,960
Speaker 1: turns out that people can go back and have a

487
00:21:43,000 --> 00:21:46,080
Speaker 1: look over things that, let's just say, you might not

488
00:21:46,160 --> 00:21:47,120
Speaker 1: want people looking at.

489
00:21:47,119 --> 00:21:50,000
Speaker 4: You're not referring. Are you to Internet history kind of

490
00:21:50,359 --> 00:21:52,480
Speaker 4: blue material stuff, or are you referring to that?

491
00:21:52,800 --> 00:21:56,000
Speaker 1: Well, it comes off the back of a Ministry of

492
00:21:56,240 --> 00:21:59,920
Speaker 1: Justice worker who referred to another woman as a bitch

493
00:22:00,680 --> 00:22:04,000
Speaker 1: in an online conversation. Sure, and that person was later

494
00:22:04,080 --> 00:22:08,760
Speaker 1: sent a copy of it. And so there's an academic author,

495
00:22:08,880 --> 00:22:12,280
Speaker 1: Barbara Sumner, and she made a number of Official Information

496
00:22:12,400 --> 00:22:15,159
Speaker 1: Act requests as part of her PhD research into the

497
00:22:15,200 --> 00:22:19,080
Speaker 1: systems around adoption. Then in October last year, she asked

498
00:22:19,080 --> 00:22:24,119
Speaker 1: for all correspondents mentioning her name. Oh god. So among

499
00:22:24,160 --> 00:22:26,959
Speaker 1: the responses was a team's conversation from twenty twenty two

500
00:22:27,000 --> 00:22:30,879
Speaker 1: complaining about her requests and referring to her as a

501
00:22:31,080 --> 00:22:35,960
Speaker 1: bitch for wanting to know everything. So this is the

502
00:22:36,040 --> 00:22:41,200
Speaker 1: thing lawyers can go back and request that companies show

503
00:22:41,280 --> 00:22:43,920
Speaker 1: all correspondents inside of a company that relates to you.

504
00:22:44,240 --> 00:22:46,160
Speaker 1: This is the same thing that's happening with Kamal Santa

505
00:22:46,200 --> 00:22:50,440
Speaker 1: Maria at the moment at TVNZ where Kamal's gone to

506
00:22:50,560 --> 00:22:52,199
Speaker 1: his lawyers, and as lawyers have said, I want all

507
00:22:52,240 --> 00:22:55,400
Speaker 1: of the communications that related to Kamala internally from TVNZ.

508
00:22:55,880 --> 00:22:57,639
Speaker 4: Is the idea with that that you can kind of

509
00:22:58,760 --> 00:23:01,479
Speaker 4: sir that topic and stuff. Yeah, yeah, Okay, you can

510
00:23:01,520 --> 00:23:04,199
Speaker 4: go after people for disfamatory statements and all that kind

511
00:23:04,240 --> 00:23:04,719
Speaker 4: of thing as well.

512
00:23:04,760 --> 00:23:06,520
Speaker 1: I've got to be careful. I mean, you've got to

513
00:23:06,560 --> 00:23:08,560
Speaker 1: be even more careful in the situation that TV and

514
00:23:08,680 --> 00:23:12,080
Speaker 1: ZED because TV and Z is a state owned enterprise

515
00:23:12,119 --> 00:23:14,240
Speaker 1: that's actually a Crown company I think, right, which means

516
00:23:14,240 --> 00:23:16,240
Speaker 1: it's owned by the government, and that means it's open

517
00:23:16,320 --> 00:23:20,640
Speaker 1: to official information requests. So I aise that card. Ah,

518
00:23:21,280 --> 00:23:25,320
Speaker 1: so any kind of correspondence, I think, even texts. So

519
00:23:26,000 --> 00:23:27,840
Speaker 1: what you need to know about this this is this

520
00:23:28,040 --> 00:23:30,240
Speaker 1: is the important part of this. If you want to

521
00:23:30,240 --> 00:23:33,760
Speaker 1: protect yourself and your privacy, wrap up so your boss

522
00:23:34,440 --> 00:23:37,680
Speaker 1: can probably read your emails and messages. Always assume that

523
00:23:37,760 --> 00:23:39,520
Speaker 1: your boss can read your emails and messages.

524
00:23:39,520 --> 00:23:42,720
Speaker 4: Okay, there is terrifying text messages included. Yep on my

525
00:23:42,840 --> 00:23:43,359
Speaker 4: work phone.

526
00:23:43,440 --> 00:23:47,120
Speaker 1: Yep. Yeah, okay, I reckon, go on. The Privacy Act

527
00:23:47,200 --> 00:23:51,800
Speaker 1: can allow outsiders to ask for information. Okay, sure, so

528
00:23:52,760 --> 00:23:55,080
Speaker 1: people can use the Privacy Act to access information than

529
00:23:55,080 --> 00:23:58,399
Speaker 1: an organizations held about them, which you can bring to

530
00:23:58,720 --> 00:24:01,120
Speaker 1: Messages that were intended to be private might be about

531
00:24:01,119 --> 00:24:03,040
Speaker 1: your employment situations. It might be about how they're trying

532
00:24:03,040 --> 00:24:03,760
Speaker 1: to get rid of you, etc.

533
00:24:04,240 --> 00:24:06,399
Speaker 4: So are you telling me England have just equalized in

534
00:24:06,480 --> 00:24:08,120
Speaker 4: that game? By the way, it's one old Sorry, I'm

535
00:24:08,600 --> 00:24:10,960
Speaker 4: traininling to not focus on that TV behind you, Jerry.

536
00:24:11,680 --> 00:24:13,520
Speaker 4: Are you telling me then that at any point my

537
00:24:13,600 --> 00:24:16,199
Speaker 4: workplace could probably seize my phone and go and then

538
00:24:16,320 --> 00:24:17,920
Speaker 4: look through everything photos.

539
00:24:18,880 --> 00:24:20,840
Speaker 1: I don't know about photos, I suppose do.

540
00:24:20,880 --> 00:24:21,159
Speaker 9: You know what?

541
00:24:21,240 --> 00:24:23,840
Speaker 2: I don't even think they necessarily need to seize your phone.

542
00:24:24,240 --> 00:24:25,840
Speaker 2: What do you think they could dial in?

543
00:24:26,960 --> 00:24:29,280
Speaker 1: Yeah? Well the other thing is messure you are running

544
00:24:29,280 --> 00:24:32,040
Speaker 1: a relationship with someone else from the from here.

545
00:24:32,240 --> 00:24:35,440
Speaker 4: Yeah, that's what I'm most worried about. Yeah, my girlfriend

546
00:24:35,520 --> 00:24:37,320
Speaker 4: works in the same building as I do and also

547
00:24:37,400 --> 00:24:39,840
Speaker 4: has a phone off the company. Dollar you suggesting that

548
00:24:39,880 --> 00:24:42,840
Speaker 4: there could be people upstairs dialing into our phone conversations

549
00:24:42,880 --> 00:24:44,080
Speaker 4: and you know, having a bit of a peak.

550
00:24:44,359 --> 00:24:46,920
Speaker 1: Well, this point here, what's on your phone could be

551
00:24:46,960 --> 00:24:49,280
Speaker 1: private in some cases. So if your employer pays for

552
00:24:49,400 --> 00:24:51,879
Speaker 1: your phone plan, that doesn't automatically give them the right

553
00:24:51,920 --> 00:24:54,440
Speaker 1: to information about what you're doing with it. Oh okay,

554
00:24:54,520 --> 00:24:58,720
Speaker 1: but if they provide the phone or the messaging systems

555
00:24:58,760 --> 00:25:01,760
Speaker 1: being used, the same rules would apply as to any

556
00:25:01,800 --> 00:25:03,960
Speaker 1: other workplace devices. Ah well, there you go.

557
00:25:04,119 --> 00:25:06,000
Speaker 4: Okay, so it turns out I'm committing some crimes on

558
00:25:06,080 --> 00:25:06,480
Speaker 4: my phone.

559
00:25:06,640 --> 00:25:09,040
Speaker 2: Hey, Jerry, do you think that the powers that be

560
00:25:09,119 --> 00:25:11,200
Speaker 2: it ends at me can see the text messages that

561
00:25:11,280 --> 00:25:12,800
Speaker 2: you've been sending Masha's girlfriend Lung.

562
00:25:13,480 --> 00:25:15,879
Speaker 1: Let's hope not, because that's going to land all of

563
00:25:16,000 --> 00:25:16,560
Speaker 1: us in trouble.

564
00:25:17,200 --> 00:25:18,560
Speaker 5: The Matt and Jerry Shir.

565
00:25:19,640 --> 00:25:24,840
Speaker 1: Every Thursday we run Penis or Genius. It's where we

566
00:25:24,920 --> 00:25:27,560
Speaker 1: take a look at the positives and negatives of a

567
00:25:27,600 --> 00:25:31,760
Speaker 1: particular group, place, a person, or even a topic. And

568
00:25:31,920 --> 00:25:34,640
Speaker 1: since the World Choir Games are taking place in Auckland

569
00:25:34,680 --> 00:25:37,639
Speaker 1: this week, this morning in Penis or Genius, we're tackling

570
00:25:37,680 --> 00:25:40,760
Speaker 1: the topic of choirs. Are they Penis or Genius? You

571
00:25:40,800 --> 00:25:42,479
Speaker 1: can vote on three for it, three or oh eight

572
00:25:42,600 --> 00:25:44,800
Speaker 1: hundred hodechey, or you can send us a talkback message

573
00:25:45,119 --> 00:25:47,680
Speaker 1: via your iHeartRadio talkback function on the app.

574
00:25:47,880 --> 00:25:50,639
Speaker 4: If I was to say to you, Jerry, choirs the boring.

575
00:25:50,720 --> 00:25:51,360
Speaker 4: What would you say?

576
00:25:51,520 --> 00:25:54,680
Speaker 1: Ah ah, well, interesting you say that because I think

577
00:25:54,800 --> 00:25:59,160
Speaker 1: some choirs you probably think about choirs that singing church,

578
00:25:59,200 --> 00:26:01,879
Speaker 1: as I was part of choirs that sung in churches.

579
00:26:01,920 --> 00:26:03,240
Speaker 4: I think I was a part of the church choir

580
00:26:03,280 --> 00:26:04,320
Speaker 4: as well in my younger years.

581
00:26:04,720 --> 00:26:05,760
Speaker 1: Are you part of a choir?

582
00:26:06,320 --> 00:26:09,200
Speaker 2: School choir? Probably from about Form four to Form seven

583
00:26:09,200 --> 00:26:10,560
Speaker 2: because I was no good at sports, so i'd do

584
00:26:10,760 --> 00:26:11,480
Speaker 2: something at school.

585
00:26:11,600 --> 00:26:13,840
Speaker 4: That's quite late. Yeah, yeah, yeah, I know what you

586
00:26:13,920 --> 00:26:14,240
Speaker 4: were doing.

587
00:26:14,600 --> 00:26:15,840
Speaker 1: I know what you were doing too, real.

588
00:26:18,200 --> 00:26:19,240
Speaker 4: Challenge and all that kind of thing.

589
00:26:19,400 --> 00:26:21,680
Speaker 1: You mean, it's a good place to meet girls.

590
00:26:21,720 --> 00:26:23,800
Speaker 4: You identified the ratio pretty early and you thought, you

591
00:26:23,840 --> 00:26:24,080
Speaker 4: know what.

592
00:26:25,760 --> 00:26:27,560
Speaker 1: How did they choose the choirs at your school? Because

593
00:26:27,560 --> 00:26:31,480
Speaker 1: at my school mate, the music teacher, Keith Cutten, used

594
00:26:31,520 --> 00:26:34,320
Speaker 1: too looked like a teddy boy from the nineteen fifties.

595
00:26:34,760 --> 00:26:37,160
Speaker 1: He used to walk around and we would be singing

596
00:26:37,240 --> 00:26:39,400
Speaker 1: in class and he'd walk around. We'd have to sing,

597
00:26:39,520 --> 00:26:41,920
Speaker 1: and then he'd walk around and give you the magic

598
00:26:42,040 --> 00:26:45,040
Speaker 1: touch from behind. Actually sorry, hang on, no, so we're

599
00:26:45,080 --> 00:26:45,680
Speaker 1: being rose.

600
00:26:45,920 --> 00:26:46,720
Speaker 4: What's the magic touch?

601
00:26:46,760 --> 00:26:48,960
Speaker 1: The magic touch if you got the magic touch from

602
00:26:49,040 --> 00:26:51,200
Speaker 1: Keith Cutton just on the shoulder, A little tap on

603
00:26:51,240 --> 00:26:54,560
Speaker 1: the shoulder, gentle. That meant that he didn't say it

604
00:26:54,600 --> 00:26:56,760
Speaker 1: before we were singing. But then later on we learned

605
00:26:56,760 --> 00:26:59,240
Speaker 1: that that meant that you were in the choir. You'd

606
00:26:59,280 --> 00:27:01,399
Speaker 1: been able to speak touch from Keith Capton.

607
00:27:01,320 --> 00:27:03,320
Speaker 4: Keith Carton with the special touch from behind. Okay, did

608
00:27:03,400 --> 00:27:05,000
Speaker 4: you ever get the special touch? I got the special

609
00:27:05,080 --> 00:27:06,040
Speaker 4: touch a couple of times.

610
00:27:06,119 --> 00:27:08,080
Speaker 1: Yeah. And once you got the special touch from Keith Carton,

611
00:27:08,119 --> 00:27:09,840
Speaker 1: you were in the choir. You'd had no choice. Ah.

612
00:27:10,000 --> 00:27:11,000
Speaker 4: Right, It was one of those things.

613
00:27:11,080 --> 00:27:11,320
Speaker 1: Okay.

614
00:27:11,720 --> 00:27:14,040
Speaker 2: Because at Wyhe College, which is where I went to school,

615
00:27:14,880 --> 00:27:17,320
Speaker 2: Virginia Hill, who was the music teacher, basically said, do

616
00:27:17,440 --> 00:27:18,480
Speaker 2: you want to join the choir?

617
00:27:19,119 --> 00:27:19,320
Speaker 1: Yeah?

618
00:27:19,440 --> 00:27:22,800
Speaker 2: The question can you sing? Was not asked, Okay, do

619
00:27:22,840 --> 00:27:23,680
Speaker 2: you want to join the choirt?

620
00:27:23,760 --> 00:27:24,760
Speaker 1: Yes? Okay, come along.

621
00:27:24,840 --> 00:27:25,600
Speaker 4: But isn't that one of the.

622
00:27:25,600 --> 00:27:28,320
Speaker 1: Great things about choirs is that you don't necessarily have

623
00:27:28,440 --> 00:27:30,400
Speaker 1: to be pitch perfect to sing in a choir. Don't

624
00:27:31,160 --> 00:27:33,920
Speaker 1: You don't want to be shocking because that will ruin

625
00:27:33,960 --> 00:27:36,159
Speaker 1: the choir, But you can pretty much think you can

626
00:27:36,280 --> 00:27:38,280
Speaker 1: hide your voice and amongst a whole lot of other voices.

627
00:27:38,320 --> 00:27:39,359
Speaker 1: That's the beauty of the choir.

628
00:27:39,560 --> 00:27:41,840
Speaker 4: Now for this conversation, I am feeling just up about

629
00:27:41,880 --> 00:27:44,360
Speaker 4: talking about choir some PLG. But just in case you're

630
00:27:44,440 --> 00:27:47,080
Speaker 4: not or you're at home, not just up like I am.

631
00:27:47,119 --> 00:27:48,679
Speaker 4: I thought, maybe boys, we can ever look back at

632
00:27:48,720 --> 00:27:51,119
Speaker 4: the four pillars of songs that have choirs in them.

633
00:27:51,920 --> 00:27:53,600
Speaker 4: We did that in February. Yeah, we found these back

634
00:27:53,640 --> 00:27:55,520
Speaker 4: in Fibruary. Yeah, this was the first one. I want

635
00:27:55,520 --> 00:27:56,159
Speaker 4: to know, what lovers.

636
00:28:00,119 --> 00:28:04,159
Speaker 1: So this was the New Jersey Mass Choir of the

637
00:28:04,240 --> 00:28:07,200
Speaker 1: Gospel Music Workshop of America. What a name that is

638
00:28:07,560 --> 00:28:10,960
Speaker 1: the New Jersey Mass Choir of the Gospel Music Workshop

639
00:28:11,000 --> 00:28:11,480
Speaker 1: of America.

640
00:28:11,760 --> 00:28:13,160
Speaker 4: I mean they sound so good.

641
00:28:13,760 --> 00:28:23,000
Speaker 1: Otherwise known as the njmc GMWOA. Also one of the

642
00:28:23,040 --> 00:28:25,960
Speaker 1: other pillars Mike and the Mechanics the Living Years from

643
00:28:26,040 --> 00:28:31,199
Speaker 1: nineteen eighty eight sec s. It's my number one are

644
00:28:33,200 --> 00:28:36,600
Speaker 1: So this is the King's House School Choir in London.

645
00:28:38,600 --> 00:28:42,400
Speaker 1: And interestingly they also featured three years before and one

646
00:28:42,440 --> 00:28:46,160
Speaker 1: of our other pillars. No, yes, Tina Turners, we don't

647
00:28:46,200 --> 00:28:53,360
Speaker 1: need another hero. Get the Laurence D. Lalio was one

648
00:28:53,400 --> 00:28:55,160
Speaker 1: of the members of the choir. When they're seeing this,

649
00:28:55,760 --> 00:28:56,200
Speaker 1: this is a.

650
00:28:56,240 --> 00:28:58,520
Speaker 4: Great churn, great choir. Everything works here.

651
00:28:58,840 --> 00:29:03,360
Speaker 1: You can hear a lot of can you. Yeah. We

652
00:29:03,360 --> 00:29:06,880
Speaker 1: went on to captain England Rugby and then of course

653
00:29:07,680 --> 00:29:11,280
Speaker 1: the fourth pillar Man in the Mirror from nineteen eighty eight,

654
00:29:11,880 --> 00:29:18,560
Speaker 1: the Andre Crouch choir, Oh my god.

655
00:29:18,920 --> 00:29:19,680
Speaker 2: Are a great quiet.

656
00:29:21,640 --> 00:29:24,520
Speaker 4: There's absolutely no way anyone who is voting penis for

657
00:29:24,640 --> 00:29:28,840
Speaker 4: choirs today porg choirs after hearing those fortunes, Yeah God,

658
00:29:28,920 --> 00:29:29,240
Speaker 4: that good.

659
00:29:29,400 --> 00:29:31,760
Speaker 1: Well we'll find out after eight o'clock. Oh eight hundred

660
00:29:31,840 --> 00:29:34,280
Speaker 1: Hardeki three four eight three. We can press the talkback

661
00:29:34,320 --> 00:29:36,360
Speaker 1: function on your iHeartRadio app.

662
00:29:44,000 --> 00:29:46,880
Speaker 5: Matt Heath, Jeremy Wells, The Maiden Jerry.

663
00:29:46,720 --> 00:29:49,560
Speaker 1: Show seven thirty on the Mat Jerry Show. Time for

664
00:29:49,600 --> 00:29:53,040
Speaker 1: the latest news headlines. No compensation from Transpower for business

665
00:29:53,120 --> 00:29:56,680
Speaker 1: is impacted by last month's power cutter Northland, caused when

666
00:29:56,800 --> 00:30:00,560
Speaker 1: maintenance crews removed termini nuts from a pylon and fell over.

667
00:30:01,120 --> 00:30:05,360
Speaker 1: Transpower says it can't guarantee there'll never be interruptions to supply.

668
00:30:06,480 --> 00:30:10,320
Speaker 1: A year after the Titan submersible disaster, the co founder

669
00:30:10,360 --> 00:30:12,960
Speaker 1: of ocean Gate is planning a dive to Dean's Blue

670
00:30:13,080 --> 00:30:15,400
Speaker 1: Hole in the Bahamas, also known as the Portal to

671
00:30:15,560 --> 00:30:19,480
Speaker 1: Hell it's one of the world's deepest ocean sinkholes.

672
00:30:19,680 --> 00:30:22,120
Speaker 2: You know how We've been talking about the Warriors playing

673
00:30:22,120 --> 00:30:23,880
Speaker 2: in Las Vegas the last couple of days, and we're

674
00:30:23,880 --> 00:30:25,200
Speaker 2: all like, oh, pretty keen to go over to that

675
00:30:25,400 --> 00:30:28,520
Speaker 2: anyone came to go into Dean's blue hole known as

676
00:30:28,600 --> 00:30:29,360
Speaker 2: the Portal to Hell.

677
00:30:29,520 --> 00:30:31,280
Speaker 1: Now, I'd rather not go into the Portal to Hell,

678
00:30:31,360 --> 00:30:31,840
Speaker 1: to be honest.

679
00:30:32,080 --> 00:30:34,080
Speaker 4: So was that to do with the situation that happened?

680
00:30:34,200 --> 00:30:35,360
Speaker 4: Was that last year or two years ago?

681
00:30:35,440 --> 00:30:37,360
Speaker 1: Now? With the submarine that we missing the same company?

682
00:30:37,560 --> 00:30:39,280
Speaker 1: It was a year ago? Was it a year ago?

683
00:30:39,360 --> 00:30:40,280
Speaker 1: That situation? Wow?

684
00:30:40,360 --> 00:30:42,080
Speaker 4: Okay, No, I don't want anything to.

685
00:30:42,120 --> 00:30:44,800
Speaker 1: Do with that. No. If it's that company, Ocean Gate,

686
00:30:44,920 --> 00:30:47,480
Speaker 1: no thank you. But also Dean's blue hole in the Bahamas.

687
00:30:48,040 --> 00:30:51,000
Speaker 1: I mean, the Bahamas is nice, Dean's blue hole, but

688
00:30:51,040 --> 00:30:52,840
Speaker 1: I'd rather stay out of Dean's blue hole. I don't

689
00:30:52,840 --> 00:30:55,239
Speaker 1: want to go anywhere near Dean's blue Hole. I'll tell

690
00:30:55,240 --> 00:30:55,400
Speaker 1: you what.

691
00:30:55,480 --> 00:30:57,920
Speaker 2: If I ever meet Dean and he refers to his

692
00:30:58,000 --> 00:30:59,880
Speaker 2: blue hole as the Portal to Hell, I'm not touching.

693
00:31:00,040 --> 00:31:02,440
Speaker 1: I'm not going near It must have been must be

694
00:31:02,560 --> 00:31:06,120
Speaker 1: two yeah. Anyway, score update mash she won all between

695
00:31:06,120 --> 00:31:08,200
Speaker 1: the Netherlands and England last time I checked. That is

696
00:31:08,320 --> 00:31:09,760
Speaker 1: still correct, That is still right.

697
00:31:09,880 --> 00:31:11,920
Speaker 4: Yeah, I've got nothing more to add other than that

698
00:31:12,600 --> 00:31:14,800
Speaker 4: I'm struggling so hard to do a radio show this

699
00:31:14,840 --> 00:31:17,360
Speaker 4: morning because this game is really heading up England. For

700
00:31:17,400 --> 00:31:20,120
Speaker 4: the last few weeks there's been no secret they've been

701
00:31:20,200 --> 00:31:22,240
Speaker 4: quite happy to park the bus and not really attack

702
00:31:22,280 --> 00:31:24,040
Speaker 4: in any way, shape or form. But the Netherlands or

703
00:31:24,040 --> 00:31:25,920
Speaker 4: the Dutch they scored seven minutes since, so they've had

704
00:31:26,040 --> 00:31:28,280
Speaker 4: no other option other than to go foot to the throat.

705
00:31:28,360 --> 00:31:30,080
Speaker 1: Yeah, whoever win's this going to be playing Spain in

706
00:31:30,120 --> 00:31:34,440
Speaker 1: the final on Monday at seven a m. And Matt

707
00:31:34,520 --> 00:31:38,280
Speaker 1: and Jerry show So Unbeaten Kiwi box to David Nika

708
00:31:38,440 --> 00:31:41,000
Speaker 1: is putting his record on the line and a massive

709
00:31:41,120 --> 00:31:45,960
Speaker 1: cruise away contest on September fourteen at Auckland's Viaduct Events Center,

710
00:31:46,360 --> 00:31:50,800
Speaker 1: and his opponent is a world class Australian fighter, Blake Caparello.

711
00:31:50,880 --> 00:31:52,959
Speaker 1: And Blake, you join us in the studio right now.

712
00:31:53,040 --> 00:31:55,480
Speaker 1: Welcome to the show. Thanks for having me, guys. I

713
00:31:55,600 --> 00:31:59,080
Speaker 1: saw you yesterday in a photo with David. Where was that?

714
00:31:59,400 --> 00:32:02,400
Speaker 1: It was a publicity photo? What was going on there. Yeah.

715
00:32:02,440 --> 00:32:06,080
Speaker 1: The one is the sky towers. Yeah, well very high.

716
00:32:06,120 --> 00:32:07,600
Speaker 9: And they're like, you got to get out there, and

717
00:32:07,680 --> 00:32:11,040
Speaker 9: I'm like, where's the rails. Yeah, there's no rails. Can't

718
00:32:11,040 --> 00:32:12,720
Speaker 9: we just take it here where the rails are? Just

719
00:32:12,760 --> 00:32:13,680
Speaker 9: took it the same photo.

720
00:32:14,280 --> 00:32:15,440
Speaker 1: But yeah, we got out there.

721
00:32:15,880 --> 00:32:17,480
Speaker 9: It was a bit of fun. The first start, my

722
00:32:17,560 --> 00:32:20,720
Speaker 9: league was shaken. David was like, is that the crate

723
00:32:20,840 --> 00:32:21,960
Speaker 9: moving man?

724
00:32:22,000 --> 00:32:25,000
Speaker 1: That's my leg. I got more backwards to the outside.

725
00:32:25,400 --> 00:32:27,560
Speaker 1: I had the bigger fall. Yeah, this is the thing.

726
00:32:27,600 --> 00:32:30,360
Speaker 1: I mean, a fear of heights and a fear of

727
00:32:30,400 --> 00:32:33,640
Speaker 1: another man in a ring two quite different things. Yeah,

728
00:32:33,720 --> 00:32:36,160
Speaker 1: definitely I'll take the ring any Dave. Yeah. When I

729
00:32:36,240 --> 00:32:38,760
Speaker 1: was looking down, I'm like, that's a big job. Yeah.

730
00:32:38,840 --> 00:32:40,280
Speaker 1: But the other part about it was I saw that

731
00:32:40,400 --> 00:32:42,280
Speaker 1: they forced you to take your shirt off.

732
00:32:42,680 --> 00:32:44,320
Speaker 9: He has an interesting one. They go the jumpsuit, all

733
00:32:44,360 --> 00:32:45,800
Speaker 9: the shirt off, and I know David likes to get

734
00:32:45,840 --> 00:32:49,880
Speaker 9: his rigged anyway. I think my manager is what sort

735
00:32:49,920 --> 00:32:50,440
Speaker 9: of shape you in?

736
00:32:50,640 --> 00:32:52,040
Speaker 1: I go. I had a quick look out. I think

737
00:32:52,040 --> 00:32:52,720
Speaker 1: there's two abs.

738
00:32:53,880 --> 00:32:55,880
Speaker 4: I was going to actually ask you. You mentioned David

739
00:32:55,920 --> 00:32:58,720
Speaker 4: deer Blake. We'll watch your relationship with with David Nick.

740
00:32:58,840 --> 00:33:01,160
Speaker 9: I actually just met David when I arrived on Tuesday,

741
00:33:01,240 --> 00:33:03,880
Speaker 9: so yeah, he's a nice guy. Like we sort of

742
00:33:03,920 --> 00:33:07,480
Speaker 9: clicked a little bit, and yeah, yeah, it's businesses business

743
00:33:07,480 --> 00:33:08,959
Speaker 9: at the end of the day when it's in the ring.

744
00:33:09,080 --> 00:33:10,560
Speaker 9: But we've had a bit of a laugh in the

745
00:33:10,680 --> 00:33:12,960
Speaker 9: lead up, so it's made it a lot easier just

746
00:33:13,040 --> 00:33:14,720
Speaker 9: to do the promo stuff.

747
00:33:14,760 --> 00:33:16,800
Speaker 1: And you know, he's a cool guy.

748
00:33:16,920 --> 00:33:19,760
Speaker 4: What I predictive over at David in New Zealand mainly

749
00:33:19,760 --> 00:33:22,160
Speaker 4: because he's a very handsome man and we don't have

750
00:33:22,400 --> 00:33:24,720
Speaker 4: many men that look like that in this country. So

751
00:33:25,000 --> 00:33:26,600
Speaker 4: is there any way we can negotiate some kind of

752
00:33:26,640 --> 00:33:28,480
Speaker 4: way of maybe you're just leaving the headline a little

753
00:33:28,480 --> 00:33:29,200
Speaker 4: bit of hate.

754
00:33:29,040 --> 00:33:33,560
Speaker 1: For this for the body. I think I'll give the

755
00:33:33,600 --> 00:33:36,760
Speaker 1: body the body of work out there. Now. I'm interested

756
00:33:37,040 --> 00:33:41,280
Speaker 1: when you are lining up against an opponent because clearly,

757
00:33:41,880 --> 00:33:44,840
Speaker 1: to think clearly, I would imagine that you can't be

758
00:33:45,080 --> 00:33:47,360
Speaker 1: angry or hating them. You can't be hating the person

759
00:33:47,440 --> 00:33:50,520
Speaker 1: that you're about to box. How does that work? Do

760
00:33:50,600 --> 00:33:53,120
Speaker 1: you fire yourself up before you box or do you

761
00:33:53,240 --> 00:33:55,240
Speaker 1: go whether calming yourself down?

762
00:33:55,600 --> 00:33:59,400
Speaker 9: Me personally, I'm a pretty chill guy anyway. So I

763
00:33:59,600 --> 00:34:01,960
Speaker 9: just on the job at hands. There's no hate. It

764
00:34:02,040 --> 00:34:04,160
Speaker 9: doesn't look I think when start bringing in the hate,

765
00:34:04,520 --> 00:34:06,959
Speaker 9: it brings a lot of emotions, a lot of tension,

766
00:34:07,440 --> 00:34:10,200
Speaker 9: and you expect a lot more from yourself, and like

767
00:34:10,480 --> 00:34:13,799
Speaker 9: on the night it might happen, you can't force something

768
00:34:13,840 --> 00:34:16,560
Speaker 9: to happen. So I think the comm you can stay,

769
00:34:17,000 --> 00:34:18,759
Speaker 9: the more of a chance you've got to execute what

770
00:34:18,840 --> 00:34:19,600
Speaker 9: you want to execute.

771
00:34:19,840 --> 00:34:23,120
Speaker 1: Yeah, looking back at your career, thirty seven bouts, can

772
00:34:23,200 --> 00:34:27,120
Speaker 1: you remember every decent shot that you've taken out of

773
00:34:27,200 --> 00:34:30,000
Speaker 1: those thirty seven bouts? I try to start to no shots.

774
00:34:33,320 --> 00:34:35,200
Speaker 1: It's hard to rememb It's hard to remember the last fight,

775
00:34:35,280 --> 00:34:38,799
Speaker 1: to be honest. Yeah, yeah, no, I can imagine thirty

776
00:34:38,840 --> 00:34:41,960
Speaker 1: seven is quite a lot. Yeah, so you'd be fighting

777
00:34:42,239 --> 00:34:47,680
Speaker 1: in September fourteen at Auckland's viadact E Vince Cinder bits

778
00:34:47,760 --> 00:34:49,879
Speaker 1: of luck with everything, Thank you. I hope it goes

779
00:34:49,960 --> 00:34:52,520
Speaker 1: well for you, and it's lovely to meet you, and

780
00:34:52,600 --> 00:34:54,480
Speaker 1: hopefully you don't have to do any more promo shoots.

781
00:34:54,480 --> 00:34:55,799
Speaker 1: But they've got to get your shit off in center,

782
00:34:55,880 --> 00:34:59,000
Speaker 1: the freeze, your tips off all the promo shoots. But

783
00:34:59,080 --> 00:35:00,839
Speaker 1: leave me shoved on. I'll just take the top off

784
00:35:00,880 --> 00:35:03,719
Speaker 1: of the weighing in for my fight. Not usually. Yeah, okay,

785
00:35:04,400 --> 00:35:06,680
Speaker 1: thanks so much for coming in black. Caperello fighting in

786
00:35:06,680 --> 00:35:12,080
Speaker 1: September against David Nieker and Matt Jericho. So I saw yesterday.

787
00:35:12,120 --> 00:35:15,440
Speaker 1: Gladiator too is coming out soon. I remember that day.

788
00:35:17,719 --> 00:35:18,560
Speaker 1: I never forgot it.

789
00:35:20,000 --> 00:35:22,720
Speaker 6: But a slave could take revenge against an emperor.

790
00:35:24,840 --> 00:35:28,480
Speaker 1: Where were you born? I don't know and never knew

791
00:35:28,480 --> 00:35:31,800
Speaker 1: my mother and our father. You will be my instrument.

792
00:35:32,640 --> 00:35:42,400
Speaker 1: You are you? Did you hear that crowd? The greatest

793
00:35:42,440 --> 00:35:48,200
Speaker 1: temple wim ever built the Colosseum because this is what

794
00:35:48,320 --> 00:35:50,120
Speaker 1: they believe in power?

795
00:35:50,400 --> 00:35:51,960
Speaker 4: Oh man, I'm excited about that.

796
00:35:52,080 --> 00:35:55,760
Speaker 1: Mister wels So directed and co produced by Ridley Scott,

797
00:35:55,840 --> 00:35:59,880
Speaker 1: obviously the same person that directed the original Gladiator, and

798
00:36:00,680 --> 00:36:03,320
Speaker 1: it's it's going to be huge. It is going to

799
00:36:03,320 --> 00:36:03,640
Speaker 1: be huge.

800
00:36:03,640 --> 00:36:07,680
Speaker 4: He recently did what was that film that Napoleon, which

801
00:36:07,800 --> 00:36:09,840
Speaker 4: was I mean, I had mixed reviews. It looked amazing,

802
00:36:10,120 --> 00:36:11,960
Speaker 4: the storyline was a little bit of I liked it.

803
00:36:12,160 --> 00:36:13,920
Speaker 4: It was really good looking, wasn't it? And I can

804
00:36:14,000 --> 00:36:16,000
Speaker 4: only imagine how good this is going to look. Who's

805
00:36:16,040 --> 00:36:18,440
Speaker 4: in it? Jury do you have any idea of the cast?

806
00:36:18,920 --> 00:36:21,160
Speaker 1: Yes, I do. Actually, I can tell you that Denzel

807
00:36:21,320 --> 00:36:23,640
Speaker 1: Washington is in it is he you'll know him. Do

808
00:36:23,680 --> 00:36:25,960
Speaker 1: you know Paul mescal I know him well, yes. Do

809
00:36:26,000 --> 00:36:28,640
Speaker 1: you know Pedro Pescal I also know Pedro pescal of

810
00:36:29,920 --> 00:36:32,160
Speaker 1: from a lot of things. And do you know Connie Nielsen?

811
00:36:32,280 --> 00:36:33,280
Speaker 1: I don't know Conni Nielsen?

812
00:36:33,360 --> 00:36:36,360
Speaker 4: Okay, think so there is no Russell Crowe. That was

813
00:36:36,440 --> 00:36:38,520
Speaker 4: my follow up question, So what is this going to

814
00:36:38,560 --> 00:36:40,520
Speaker 4: be about? Gladiator too? Do you got any idea on

815
00:36:40,560 --> 00:36:41,520
Speaker 4: the premise or the plot?

816
00:36:42,360 --> 00:36:47,000
Speaker 1: It's essentially it's it's about It's actually a similar story

817
00:36:47,080 --> 00:36:49,440
Speaker 1: to the original in a lot of ways, right, Okay,

818
00:36:49,640 --> 00:36:53,520
Speaker 1: but it's a young guy. So over two decades after

819
00:36:53,600 --> 00:36:56,680
Speaker 1: the original events of Gladiator, Lucius, who's the grandson of

820
00:36:56,800 --> 00:37:00,520
Speaker 1: Rome's former emperor Marcus Aurelius and son of lou Sillier,

821
00:37:01,080 --> 00:37:04,080
Speaker 1: loves with his wife and children in Numidia, Roman soldiers

822
00:37:04,160 --> 00:37:08,879
Speaker 1: led by General Marcus a Cassius invade, forcing Lucius into slavery. Sure, yeah,

823
00:37:09,080 --> 00:37:11,759
Speaker 1: so that's that kind of vibe, right. I understand you've

824
00:37:11,760 --> 00:37:14,240
Speaker 1: seen a couple of scenes of it. Have you reader

825
00:37:14,719 --> 00:37:16,200
Speaker 1: involved some water in the Colosseum.

826
00:37:16,280 --> 00:37:17,680
Speaker 2: Yeah, so I was just looking at the trailer for

827
00:37:17,719 --> 00:37:19,759
Speaker 2: that that we've just heard the audio of. And I

828
00:37:19,840 --> 00:37:23,400
Speaker 2: always assumed that the Colosseum, obviously we've all seen it,

829
00:37:23,400 --> 00:37:25,480
Speaker 2: and it's got this big arena and then it's got

830
00:37:25,520 --> 00:37:27,520
Speaker 2: the bit in the middle, and I always assumed that

831
00:37:27,600 --> 00:37:30,040
Speaker 2: it was just a dry land where people would fight

832
00:37:30,160 --> 00:37:32,560
Speaker 2: lions or fight each other. But in the trailer it's

833
00:37:32,600 --> 00:37:35,840
Speaker 2: completely filled up with water and there's warships full of

834
00:37:35,920 --> 00:37:37,719
Speaker 2: people taking shots of each other with bar and air.

835
00:37:38,120 --> 00:37:40,680
Speaker 1: That's right. They used to fill it up with water

836
00:37:40,880 --> 00:37:42,640
Speaker 1: and to pack these old battles.

837
00:37:42,880 --> 00:37:44,680
Speaker 4: Okay, well, my full up cushion to you on that

838
00:37:44,880 --> 00:37:47,439
Speaker 4: is did they actually have excellents like that for that day?

839
00:37:49,680 --> 00:37:50,520
Speaker 1: I never forgot it.

840
00:37:52,200 --> 00:37:54,359
Speaker 5: A slave could take revenge against an.

841
00:37:56,160 --> 00:37:58,480
Speaker 1: He's doing a Russell Crillon personation. There isn't he?

842
00:37:58,640 --> 00:37:58,719
Speaker 9: Now?

843
00:37:58,800 --> 00:37:59,160
Speaker 1: What is that?

844
00:37:59,200 --> 00:38:00,960
Speaker 4: Excellent? It's almost more British than it is.

845
00:38:01,239 --> 00:38:02,640
Speaker 1: Yeah, they did not speak like that.

846
00:38:02,960 --> 00:38:03,680
Speaker 4: How did they speak?

847
00:38:03,760 --> 00:38:08,880
Speaker 1: So Roman's Romans spoke led this. It's a modern Italian.

848
00:38:09,600 --> 00:38:17,000
Speaker 1: It's with the Italian eggs. Thus, yea Lucius Obamazan Marcus

849
00:38:17,080 --> 00:38:21,399
Speaker 1: aid Elias. But anyway, be a weird film of people

850
00:38:21,600 --> 00:38:26,600
Speaker 1: spoke like that, that sort of stuff. What's the next

851
00:38:26,680 --> 00:38:31,480
Speaker 1: pasta settle down? Matey the okay, here's ac DC on

852
00:38:31,520 --> 00:38:33,800
Speaker 1: the Mat and Jerry Show, eleven minutes to eight, Pizza

853
00:38:34,640 --> 00:38:40,000
Speaker 1: Glad The Mat and Jerry Show. This is concerning. There's

854
00:38:40,080 --> 00:38:42,480
Speaker 1: the person who looks after the building, who is circling

855
00:38:42,560 --> 00:38:45,799
Speaker 1: around our kitchen out here at Radioheadache and she's got

856
00:38:45,840 --> 00:38:49,399
Speaker 1: a clipboard in her hands. This is dangerous. I wonder

857
00:38:49,440 --> 00:38:50,000
Speaker 1: what she's doing.

858
00:38:50,239 --> 00:38:52,040
Speaker 4: Yeh see, I actually have a feeling what she might

859
00:38:52,080 --> 00:38:54,520
Speaker 4: be doing. Jerry, and and this is a good time

860
00:38:54,560 --> 00:38:56,360
Speaker 4: to talk about it. And and Rhode, I'll bring you

861
00:38:56,440 --> 00:38:58,200
Speaker 4: on on this as well. Actually, as you said, I

862
00:38:58,280 --> 00:38:59,920
Speaker 4: was sitting down at my desk working on a couple

863
00:38:59,920 --> 00:39:03,640
Speaker 4: of things. It was about midday and that lady there

864
00:39:03,680 --> 00:39:06,760
Speaker 4: who runs operations for our central office here at in Zidney,

865
00:39:07,440 --> 00:39:09,920
Speaker 4: came and had a word to me. She was not

866
00:39:10,000 --> 00:39:13,279
Speaker 4: very happy with me, and I thought, you know what,

867
00:39:13,400 --> 00:39:15,279
Speaker 4: this is probably fair. I'm not sure what I've done yet,

868
00:39:15,280 --> 00:39:17,040
Speaker 4: but I'm sure there's been something. I tend to rub

869
00:39:17,080 --> 00:39:18,640
Speaker 4: people up the wrong way. That's fine, I'll get on

870
00:39:18,719 --> 00:39:18,840
Speaker 4: with that.

871
00:39:18,880 --> 00:39:20,520
Speaker 1: Always youre always rubbing people the wrong way.

872
00:39:20,600 --> 00:39:24,640
Speaker 4: Anyway, she decided to start grilling me about a certain thing,

873
00:39:25,600 --> 00:39:29,880
Speaker 4: and it was to do with the coffee here radio headache.

874
00:39:29,960 --> 00:39:32,280
Speaker 4: So we've got a kitchen out here, and is a coffee.

875
00:39:32,600 --> 00:39:35,360
Speaker 4: There's about four jars, isn't there. There's four big plastic tubs.

876
00:39:35,400 --> 00:39:38,279
Speaker 4: You've got an instant coffee, you've got a sugar, you've

877
00:39:38,280 --> 00:39:39,799
Speaker 4: got a milo, and then you've got one with.

878
00:39:39,800 --> 00:39:40,400
Speaker 1: Ta bags in it.

879
00:39:41,960 --> 00:39:46,279
Speaker 4: There's been some issues Jerry and Ruder from the other

880
00:39:46,360 --> 00:39:48,920
Speaker 4: side of the building. There's been some allegations made that

881
00:39:49,160 --> 00:39:52,480
Speaker 4: we over here are going over the other side to

882
00:39:52,560 --> 00:39:56,600
Speaker 4: where other radio stations are, like Zidium, the Hits News

883
00:39:56,640 --> 00:39:59,880
Speaker 4: Talk ZB and not only borrowing a little bit of coffee,

884
00:40:00,400 --> 00:40:04,640
Speaker 4: but swapping out entire containers of coffee and replacing them,

885
00:40:04,800 --> 00:40:08,200
Speaker 4: giving them ount empty ones and then taking four ones

886
00:40:08,239 --> 00:40:11,080
Speaker 4: back in return. The lady who was asking me about

887
00:40:11,080 --> 00:40:12,600
Speaker 4: this yesterday, I thought it was me. I said, look,

888
00:40:12,640 --> 00:40:14,440
Speaker 4: this is not me, but she said, well, I've got

889
00:40:14,560 --> 00:40:16,879
Speaker 4: under good authority that is someone from your radio show.

890
00:40:17,560 --> 00:40:19,319
Speaker 4: And now this is where you boys come in. Okay,

891
00:40:19,320 --> 00:40:21,839
Speaker 4: I'm going to give you one opportunity now to come clean.

892
00:40:22,440 --> 00:40:24,799
Speaker 4: Is someone here at this table, rude or Jerry taking

893
00:40:24,880 --> 00:40:28,360
Speaker 4: coffee from zid m all the hits and replacing it

894
00:40:28,400 --> 00:40:29,160
Speaker 4: with empty tubs.

895
00:40:29,320 --> 00:40:31,920
Speaker 1: I put my hand up straight away, guilty. That was me.

896
00:40:32,480 --> 00:40:35,560
Speaker 1: I did that yesterday. We had our coffee in our

897
00:40:35,600 --> 00:40:38,920
Speaker 1: pot and our little poddle thing. I went across to

898
00:40:39,040 --> 00:40:41,880
Speaker 1: ZIM to get some coffee because they've always got heaps, yes,

899
00:40:42,960 --> 00:40:46,760
Speaker 1: instant coffee over there people, and so I went across

900
00:40:46,840 --> 00:40:52,520
Speaker 1: there to get some good, solid, you know, working class coffee.

901
00:40:52,560 --> 00:40:54,040
Speaker 4: Yeah, it's not about what kind of coffee.

902
00:40:54,640 --> 00:40:56,759
Speaker 1: And then I looked and then I had our one

903
00:40:56,840 --> 00:40:58,000
Speaker 1: was empty, and I looked at there and it was

904
00:40:58,040 --> 00:41:00,719
Speaker 1: completely fun And I thought about some in and there

905
00:41:00,800 --> 00:41:02,680
Speaker 1: was no one working there at all. No one seemed

906
00:41:02,680 --> 00:41:05,360
Speaker 1: to be doing anything here. I's on holiday, and I thought, Bargaret,

907
00:41:05,400 --> 00:41:07,520
Speaker 1: I'm taking the whole thing. I thought, the empty one there,

908
00:41:07,560 --> 00:41:08,719
Speaker 1: and then I took there one there. One had a

909
00:41:08,760 --> 00:41:10,920
Speaker 1: little label and it said coffee. Now one didn't have

910
00:41:10,960 --> 00:41:12,319
Speaker 1: a label on it. They knew.

911
00:41:12,440 --> 00:41:14,440
Speaker 4: Well, that's how they knew, mate, because now we've got

912
00:41:14,480 --> 00:41:16,359
Speaker 4: a youtub that has a coffee label on the front

913
00:41:16,360 --> 00:41:18,600
Speaker 4: of it that we never had before. So the head

914
00:41:18,640 --> 00:41:20,480
Speaker 4: of operations here it ends in me. First of all,

915
00:41:20,520 --> 00:41:22,720
Speaker 4: thank you for coming clean so easily. I wasn't expecting.

916
00:41:22,760 --> 00:41:24,719
Speaker 1: Well I don't care. They well we're going to find me.

917
00:41:24,920 --> 00:41:26,600
Speaker 1: Well you can't do that, though, Jerry is what is what?

918
00:41:27,840 --> 00:41:29,720
Speaker 1: So what can you take from one kitchen to another?

919
00:41:30,000 --> 00:41:31,799
Speaker 4: Well, I don't know, mate, don't come at me. Don't

920
00:41:31,800 --> 00:41:32,680
Speaker 4: shoot the messenger here.

921
00:41:32,840 --> 00:41:35,160
Speaker 1: Well, we're allowed to take milk, so when there's no milk,

922
00:41:35,160 --> 00:41:36,840
Speaker 1: we're allowed to go into another kitchen and grab the

923
00:41:36,880 --> 00:41:37,560
Speaker 1: milk from their fridge.

924
00:41:37,600 --> 00:41:38,919
Speaker 4: Yeah, you're preaching to the choir here.

925
00:41:38,880 --> 00:41:41,759
Speaker 1: And so why can't you take? Like who worries about

926
00:41:41,800 --> 00:41:44,480
Speaker 1: that sort of thing? Well, it's people making the people

927
00:41:45,239 --> 00:41:48,000
Speaker 1: are struggling to try and generate enough revenue in this

928
00:41:48,080 --> 00:41:51,040
Speaker 1: business to keep the business going, and people worried where

929
00:41:51,040 --> 00:41:52,680
Speaker 1: the coffee is going from one place to another.

930
00:41:52,840 --> 00:41:55,719
Speaker 2: So this coffee is all paid for by the same place.

931
00:41:55,760 --> 00:41:58,720
Speaker 2: It's not like a zim coffee budget as zidb Hodaki

932
00:41:58,719 --> 00:42:00,719
Speaker 2: coffee budget. Right, It's all just one big pop.

933
00:42:01,320 --> 00:42:04,920
Speaker 4: So what I mean, I think what I think what

934
00:42:05,120 --> 00:42:07,680
Speaker 4: Head of Operations is asking Jerry is in the future,

935
00:42:07,760 --> 00:42:10,120
Speaker 4: let's not just take full tubs of coffee and replace

936
00:42:10,160 --> 00:42:10,960
Speaker 4: them with full empties.

937
00:42:11,000 --> 00:42:13,040
Speaker 1: Okay, I'm just going to say we do that. I'm

938
00:42:13,040 --> 00:42:14,560
Speaker 1: going to take as much coffee as I want from

939
00:42:14,600 --> 00:42:15,680
Speaker 1: one part of the building to another.

940
00:42:15,840 --> 00:42:18,160
Speaker 4: Jesus, that's a strong start. I'm going to I am okay, well,

941
00:42:18,200 --> 00:42:21,239
Speaker 4: I am well. I can't do that, but I'm going

942
00:42:21,280 --> 00:42:23,000
Speaker 4: to put heit of operations onto you. You'll be getting

943
00:42:23,000 --> 00:42:24,800
Speaker 4: a firmly weird of email about this coffee.

944
00:42:24,840 --> 00:42:26,480
Speaker 1: I can't wait. I can't wait for it. We'll mash.

945
00:42:26,520 --> 00:42:28,120
Speaker 1: What do you think that Heath is away this week?

946
00:42:29,320 --> 00:42:29,920
Speaker 4: I don't know why he is?

947
00:42:29,960 --> 00:42:31,960
Speaker 2: The await this week formal warning for stealing coffee.

948
00:42:33,960 --> 00:42:44,320
Speaker 7: Imagine, keep backfast.

949
00:42:45,080 --> 00:42:46,719
Speaker 1: Nice to have your company this morning. I'm a man

950
00:42:46,840 --> 00:42:49,840
Speaker 1: and Jerry show Matt's away. I'll be back next Monday.

951
00:42:50,239 --> 00:42:52,560
Speaker 1: We've got Mashy in the studio and Ruder here as well.

952
00:42:52,680 --> 00:42:55,200
Speaker 4: Good morning Jerry. Hey did you get a coffee during

953
00:42:55,280 --> 00:42:56,080
Speaker 4: the headlines?

954
00:42:56,239 --> 00:42:59,720
Speaker 1: I did. I waited for that particular person who cares

955
00:42:59,719 --> 00:43:01,959
Speaker 1: their the clip board around the work, and I waited

956
00:43:02,000 --> 00:43:03,160
Speaker 1: for them to leave it, and then I went and

957
00:43:03,320 --> 00:43:06,919
Speaker 1: gen know what, I had three whole spoonfuls of instant coffe.

958
00:43:07,000 --> 00:43:08,760
Speaker 1: Thought I'm going to take an extra spoonful.

959
00:43:08,520 --> 00:43:11,600
Speaker 4: Straight from ZM in the Hits's kitchen that you took

960
00:43:11,719 --> 00:43:14,120
Speaker 4: yesterday and you replaced it with an empty tub, which

961
00:43:14,280 --> 00:43:15,960
Speaker 4: I mean we should even maybe I should go and

962
00:43:16,040 --> 00:43:17,680
Speaker 4: have an investigate to see what they've done about that

963
00:43:17,760 --> 00:43:19,560
Speaker 4: over there? Are they just running an empty tub today?

964
00:43:19,640 --> 00:43:21,279
Speaker 1: Yeah, if there was a whole nother if there was

965
00:43:21,280 --> 00:43:23,719
Speaker 1: a whole nother thing, because we operate Macona, yes we do.

966
00:43:24,360 --> 00:43:25,759
Speaker 1: If there was a whole you know, one of those

967
00:43:25,800 --> 00:43:29,480
Speaker 1: big cylindrical shaped ones that you get it from originally

968
00:43:29,480 --> 00:43:30,920
Speaker 1: and then you pour it into the smaller sort of

969
00:43:30,960 --> 00:43:33,600
Speaker 1: tupperware style, think, Yes, if there was one of those

970
00:43:33,600 --> 00:43:34,920
Speaker 1: in our kitchen, I'd be fine. I just would have

971
00:43:34,960 --> 00:43:35,759
Speaker 1: filled it up. But there isn't.

972
00:43:35,920 --> 00:43:38,040
Speaker 4: Now, we don't have the time for this on the

973
00:43:38,080 --> 00:43:39,640
Speaker 4: show today, but maybe this is something we could look

974
00:43:39,640 --> 00:43:41,959
Speaker 4: into tomorrow. I actually have it on good authority where

975
00:43:42,120 --> 00:43:44,680
Speaker 4: the mother load of the coffee for this building is.

976
00:43:44,800 --> 00:43:46,480
Speaker 4: Do you and I think I know where it is

977
00:43:46,680 --> 00:43:49,800
Speaker 4: mother load? And I'm talking shelves of those tins that

978
00:43:49,840 --> 00:43:51,880
Speaker 4: you were talking about, And maybe it's something that you

979
00:43:51,960 --> 00:43:53,160
Speaker 4: and I could go for a little bit of a

980
00:43:53,600 --> 00:43:55,680
Speaker 4: scavenger around. Oh, I think we could kind of pile

981
00:43:55,719 --> 00:43:57,400
Speaker 4: it up in the studio here. I think I know

982
00:43:57,440 --> 00:43:59,240
Speaker 4: where it is. I think it's in the mail room downstairs.

983
00:43:59,560 --> 00:44:01,000
Speaker 1: Really year, Well, then we wouldn't have to go and

984
00:44:01,040 --> 00:44:03,440
Speaker 1: steal it from zidioms that the thing Chuck trust us

985
00:44:03,560 --> 00:44:05,160
Speaker 1: with one of those that they don't trust us with them.

986
00:44:05,200 --> 00:44:06,440
Speaker 1: They don't think I'm going to take them home.

987
00:44:06,640 --> 00:44:07,520
Speaker 4: Well maybe we are.

988
00:44:08,000 --> 00:44:09,160
Speaker 1: I'm not going to take that home.

989
00:44:09,840 --> 00:44:11,200
Speaker 5: The Matt and Jerry shir.

990
00:44:13,440 --> 00:44:17,480
Speaker 1: It's Matten Jemmy's Penis or Genius. So every Thursday we

991
00:44:17,600 --> 00:44:19,640
Speaker 1: run Penis or Genius, the segment where we debate the

992
00:44:19,680 --> 00:44:22,560
Speaker 1: merits of something. And since the World Choir Games are

993
00:44:22,560 --> 00:44:24,239
Speaker 1: taking place in Auckland this week, we want to know

994
00:44:24,360 --> 00:44:26,080
Speaker 1: this morning choirs Penis or Genius.

995
00:44:26,360 --> 00:44:29,280
Speaker 4: Yes, that's right, Jerry. I will be arguing that choirs

996
00:44:29,280 --> 00:44:31,920
Speaker 4: are in fact genius. You will be a Debbie Downer

997
00:44:31,960 --> 00:44:34,520
Speaker 4: and argue the fact that they are penis. Do you

998
00:44:34,600 --> 00:44:35,040
Speaker 4: want to start?

999
00:44:35,239 --> 00:44:37,000
Speaker 1: Yeah, I'll start, and you can vote on three four

1000
00:44:37,000 --> 00:44:38,959
Speaker 1: O three. You can give us a call eight hundred

1001
00:44:39,000 --> 00:44:41,040
Speaker 1: Horne can vote that way. In the end, it's you

1002
00:44:41,719 --> 00:44:44,000
Speaker 1: that decides with a choir is going to go on

1003
00:44:44,040 --> 00:44:45,880
Speaker 1: the plorg side. Of the cody log effix to the

1004
00:44:45,920 --> 00:44:46,560
Speaker 1: wall of the studio.

1005
00:44:46,719 --> 00:44:48,640
Speaker 4: All right, take it away, fell up here, all right?

1006
00:44:48,800 --> 00:44:52,239
Speaker 1: Penis choir as a penis because kids generally only join

1007
00:44:52,360 --> 00:44:53,359
Speaker 1: choirs when they know good at.

1008
00:44:53,280 --> 00:44:56,120
Speaker 2: Supports light ruder for example, one hundred percent, that's me.

1009
00:44:56,239 --> 00:44:58,880
Speaker 1: That's why you joined. David Bay, I didn't want to

1010
00:44:58,880 --> 00:45:02,120
Speaker 1: bring this up so early in my argument, but David

1011
00:45:02,200 --> 00:45:03,560
Speaker 1: Bain was in a quiet.

1012
00:45:04,040 --> 00:45:04,200
Speaker 6: Mate.

1013
00:45:04,200 --> 00:45:05,319
Speaker 1: If you don't want to bring it up, don't bring

1014
00:45:05,360 --> 00:45:07,200
Speaker 1: it up. I didn't want to bring it up so

1015
00:45:07,280 --> 00:45:09,279
Speaker 1: early in the an. I was going to just wait

1016
00:45:09,440 --> 00:45:11,200
Speaker 1: until maybe my fourth or fifth point. But in the

1017
00:45:11,360 --> 00:45:13,560
Speaker 1: end it needed to come forward. David Bain was in

1018
00:45:13,640 --> 00:45:17,359
Speaker 1: a quiet. Did hear that David Bain was in a quiet?

1019
00:45:17,560 --> 00:45:19,160
Speaker 4: He allowed and clear fell out on that one.

1020
00:45:19,880 --> 00:45:22,640
Speaker 1: When your kids join a choir, this is an important fact. Actually,

1021
00:45:22,840 --> 00:45:24,759
Speaker 1: it hurts to have to go and watch a group

1022
00:45:24,800 --> 00:45:27,360
Speaker 1: of people when you can't actually tell whether or not

1023
00:45:27,520 --> 00:45:29,480
Speaker 1: your kid is singing or just lip sinking.

1024
00:45:29,640 --> 00:45:30,080
Speaker 6: Pes.

1025
00:45:30,280 --> 00:45:32,279
Speaker 4: I mean, I have no experience with this. I'm yet

1026
00:45:32,360 --> 00:45:34,760
Speaker 4: to have children, but I can only imagine the idea

1027
00:45:34,800 --> 00:45:36,759
Speaker 4: of some kind of recital where your kid has only

1028
00:45:36,800 --> 00:45:39,840
Speaker 4: got three or four minutes and the whole event is

1029
00:45:39,880 --> 00:45:41,520
Speaker 4: probably about two and a half to three hours long.

1030
00:45:41,560 --> 00:45:42,520
Speaker 4: I can imagine the punishment.

1031
00:45:42,600 --> 00:45:44,560
Speaker 1: Oh look, it's bad enough. It's a bad enough having

1032
00:45:44,600 --> 00:45:46,360
Speaker 1: to go along and watch something that your kids starring

1033
00:45:46,440 --> 00:45:49,880
Speaker 1: in mid alone being some tiny bit part where you

1034
00:45:49,880 --> 00:45:51,040
Speaker 1: can't even tell if they're singing or not.

1035
00:45:51,200 --> 00:45:53,239
Speaker 2: Well, my son was at the back of a group

1036
00:45:53,280 --> 00:45:55,200
Speaker 2: of kids that was singing, and he was worried that

1037
00:45:55,239 --> 00:45:56,719
Speaker 2: no one could see him, and so he started standing

1038
00:45:56,800 --> 00:45:59,080
Speaker 2: up on his tippy toes, up, on his tippy toes up,

1039
00:45:59,320 --> 00:46:00,920
Speaker 2: and then he sort of fell over at the back

1040
00:46:01,000 --> 00:46:02,360
Speaker 2: and embarrass.

1041
00:46:02,160 --> 00:46:06,279
Speaker 1: Oh no, No, choirs can be annoying, especially early in

1042
00:46:06,280 --> 00:46:08,920
Speaker 1: the morning outside your window at Christmas time. Yes, I

1043
00:46:09,320 --> 00:46:09,919
Speaker 1: it's not wrong.

1044
00:46:10,000 --> 00:46:12,480
Speaker 4: How many choirs do you have outside your window at Christmas?

1045
00:46:12,520 --> 00:46:14,160
Speaker 1: Tith can be very, very annoying.

1046
00:46:14,280 --> 00:46:15,880
Speaker 4: Okay, yeah, I'll take your word for it.

1047
00:46:15,920 --> 00:46:20,239
Speaker 1: Think about a Christmas carol. Singing can cause frownlines and wrinkles,

1048
00:46:20,600 --> 00:46:23,200
Speaker 1: leading to many older singers, like Paul McCartney, for example,

1049
00:46:23,239 --> 00:46:27,480
Speaker 1: getting plastic surgery was in a choir. Okay, I think

1050
00:46:27,480 --> 00:46:31,319
Speaker 1: there's a strong argument that is a very what's your

1051
00:46:31,360 --> 00:46:32,600
Speaker 1: genius argument? Medium agon?

1052
00:46:32,840 --> 00:46:37,800
Speaker 4: My genius argument is absolute root fests choirs helping awkward

1053
00:46:37,840 --> 00:46:39,399
Speaker 4: people holk up since Roman times.

1054
00:46:39,800 --> 00:46:41,799
Speaker 1: I'll give you that. I'll give you that point.

1055
00:46:42,400 --> 00:46:44,800
Speaker 4: You can hear beautiful renditions of some of the greatest

1056
00:46:44,840 --> 00:46:49,799
Speaker 4: songs of all times. Yes, really, really, well, we'll get

1057
00:46:49,800 --> 00:46:52,360
Speaker 4: to some like which ones later on. Okay, correct singing

1058
00:46:52,520 --> 00:46:53,480
Speaker 4: is good for your breathing and.

1059
00:46:53,480 --> 00:46:56,719
Speaker 1: Also good for your core. About incorrect sing.

1060
00:46:57,600 --> 00:46:59,800
Speaker 4: Well, I don't know just but they don't teach incorrect

1061
00:46:59,800 --> 00:47:00,480
Speaker 4: singing in the choir.

1062
00:47:01,280 --> 00:47:02,800
Speaker 1: I've heard some in correct. I've been a part of

1063
00:47:02,880 --> 00:47:04,440
Speaker 1: some choirs, and I've heard some incorrect. So you can

1064
00:47:04,480 --> 00:47:07,399
Speaker 1: come from people around me something worse. There's nothing worse

1065
00:47:07,440 --> 00:47:09,120
Speaker 1: than being in a choir and knowing that one of

1066
00:47:09,160 --> 00:47:11,040
Speaker 1: the other people in the choir is letting the entire

1067
00:47:11,160 --> 00:47:13,239
Speaker 1: choir down by singing flat and preaching to the choir

1068
00:47:13,280 --> 00:47:13,680
Speaker 1: their brother.

1069
00:47:16,120 --> 00:47:19,040
Speaker 4: All right, My next point for the genius side of choirs.

1070
00:47:19,120 --> 00:47:22,320
Speaker 4: For p ORG, you can gain lifelong friends from a

1071
00:47:22,360 --> 00:47:26,400
Speaker 4: group of like minded individuals. Jury that's the kind of

1072
00:47:26,440 --> 00:47:29,120
Speaker 4: spirit that you're missing in your life. Like, imagine making

1073
00:47:29,120 --> 00:47:33,200
Speaker 4: a few friends. Imagine that, I imagine doing something with

1074
00:47:33,280 --> 00:47:36,800
Speaker 4: some people enjoying it, getting along and just being positive

1075
00:47:36,800 --> 00:47:37,320
Speaker 4: about everything.

1076
00:47:37,400 --> 00:47:39,640
Speaker 1: I've made enough friends. Now I'm pruning. I'm in the

1077
00:47:39,680 --> 00:47:40,759
Speaker 1: pruning stage of my life.

1078
00:47:40,800 --> 00:47:43,959
Speaker 4: Well, you're trying to trim down down, and you get.

1079
00:47:43,880 --> 00:47:47,680
Speaker 1: To when you get to middle ages, have to start punting. Okay.

1080
00:47:48,280 --> 00:47:51,279
Speaker 4: Finally, choirs really adds to songs like I Want to

1081
00:47:51,320 --> 00:48:02,120
Speaker 4: Know What Love Is by Foreigner. Also this great tune

1082
00:48:02,120 --> 00:48:07,239
Speaker 4: here from Mike and the Mechanics. They don't even get

1083
00:48:07,280 --> 00:48:09,520
Speaker 4: me started on this tune here. We don't need another

1084
00:48:09,600 --> 00:48:19,040
Speaker 4: hero and we all know that Michael Jackson will love

1085
00:48:19,080 --> 00:48:19,480
Speaker 4: to choir.

1086
00:48:23,600 --> 00:48:25,759
Speaker 1: I'm a song about that statement, but there's something that

1087
00:48:26,280 --> 00:48:27,480
Speaker 1: just feels a bit weird about it.

1088
00:48:28,239 --> 00:48:30,359
Speaker 4: Okay, you can always text us on three for three.

1089
00:48:30,400 --> 00:48:32,480
Speaker 4: You'll give us a cool one hundred. You'll vote via

1090
00:48:32,560 --> 00:48:36,880
Speaker 4: the talkback function on your iHeartRadio app. Is Choirs are Choirs?

1091
00:48:37,080 --> 00:48:37,600
Speaker 4: Is choirs?

1092
00:48:38,000 --> 00:48:38,320
Speaker 2: PLG?

1093
00:48:39,040 --> 00:48:42,160
Speaker 1: Will choirs join cruise ships South Africa? And I'm just

1094
00:48:42,239 --> 00:48:44,839
Speaker 1: having a look up their spring on the genius side

1095
00:48:44,840 --> 00:48:47,319
Speaker 1: of codd log on the studio war or are they

1096
00:48:47,360 --> 00:48:50,520
Speaker 1: going to be deemed penis like Vaping Prince Harry and

1097
00:48:50,719 --> 00:48:54,480
Speaker 1: Demon You decide three four eight three, here's a mint

1098
00:48:54,560 --> 00:48:55,880
Speaker 1: checks and I quir in this song.

1099
00:48:57,640 --> 00:49:03,920
Speaker 8: The Matt and Jerry Show, It's Matten Jimmy's penis or

1100
00:49:04,080 --> 00:49:07,160
Speaker 8: genius this morning, while asking the question on penis or genius?

1101
00:49:07,360 --> 00:49:10,879
Speaker 1: Are choir as penis or genius sets? Because the World

1102
00:49:11,000 --> 00:49:14,480
Speaker 1: Choir Games are taking place in upon this week, you

1103
00:49:14,600 --> 00:49:16,399
Speaker 1: can vote on three for eight three. You can send

1104
00:49:16,520 --> 00:49:19,359
Speaker 1: us a talkback message by pressing the little microphone button

1105
00:49:19,400 --> 00:49:21,279
Speaker 1: on your iHeartRadio app, or you can give us a call.

1106
00:49:22,040 --> 00:49:24,919
Speaker 4: You argued the fact that they were penis, didn't you, Jerry,

1107
00:49:24,920 --> 00:49:27,040
Speaker 4: which I thought was very harsh. I argued the fact

1108
00:49:27,040 --> 00:49:29,920
Speaker 4: that they were a genius and if few texts are

1109
00:49:29,960 --> 00:49:33,320
Speaker 4: coming in on this, of course genius chois a genius.

1110
00:49:33,400 --> 00:49:37,439
Speaker 4: Check out the krong forgive me let me start again?

1111
00:49:37,960 --> 00:49:40,400
Speaker 4: QUI as a genius. Check out the congregation softly whispering

1112
00:49:40,480 --> 00:49:43,799
Speaker 4: I love you really. I'm a singer in a band

1113
00:49:43,880 --> 00:49:46,160
Speaker 4: and being in a choir made me way better? Is

1114
00:49:46,200 --> 00:49:46,600
Speaker 4: this Texter?

1115
00:49:46,800 --> 00:49:47,399
Speaker 1: Oh that's good.

1116
00:49:47,480 --> 00:49:48,120
Speaker 4: That will makes sense.

1117
00:49:48,120 --> 00:49:50,759
Speaker 1: There's safety and numbers, no doubt about that. Here's a

1118
00:49:50,920 --> 00:49:55,480
Speaker 1: penis text. Choirs intrinsically linked to churches, and I hate churches,

1119
00:49:55,680 --> 00:50:00,400
Speaker 1: so I'm voting penis. Good reason, fair enough, I assume

1120
00:50:00,640 --> 00:50:03,279
Speaker 1: you're a really good singer and ask you to sing

1121
00:50:03,320 --> 00:50:05,680
Speaker 1: at family events, but you're just actually an acquiring you're

1122
00:50:05,719 --> 00:50:07,040
Speaker 1: not very good, So can you?

1123
00:50:07,239 --> 00:50:08,719
Speaker 4: I mean, I've gotta be honest. I haven't spent a

1124
00:50:08,760 --> 00:50:10,800
Speaker 4: lot of time around a choir. Is that something that

1125
00:50:10,840 --> 00:50:12,080
Speaker 4: you can do if you're not a great singer, you

1126
00:50:12,120 --> 00:50:13,520
Speaker 4: can still get up there as a part of a

1127
00:50:13,600 --> 00:50:14,880
Speaker 4: choir and just kind of sit in the back and

1128
00:50:15,239 --> 00:50:17,080
Speaker 4: just let things happen and you try.

1129
00:50:17,239 --> 00:50:18,960
Speaker 1: I think you can. I think the trick is in

1130
00:50:19,040 --> 00:50:21,760
Speaker 1: those situations not sing too loud. Something I've learned recently

1131
00:50:21,840 --> 00:50:25,400
Speaker 1: actually okay, when you're involved in in a group ensemble.

1132
00:50:25,440 --> 00:50:27,320
Speaker 1: We've done a couple of them. We did one for

1133
00:50:27,440 --> 00:50:30,440
Speaker 1: Matt's Bok launch the same way O the World. And

1134
00:50:30,560 --> 00:50:33,040
Speaker 1: what I've learned is that if you can't harmonize and

1135
00:50:33,200 --> 00:50:37,040
Speaker 1: you can't deliver your lines, it's too high for you. Maybe,

1136
00:50:37,920 --> 00:50:40,080
Speaker 1: And I learned it from watching the We Are the

1137
00:50:40,120 --> 00:50:43,719
Speaker 1: World documentary. So if you're up, you just lip sync,

1138
00:50:44,120 --> 00:50:47,160
Speaker 1: just mouth along and it's fine. But you can't do

1139
00:50:47,239 --> 00:50:49,840
Speaker 1: any damage by lip syncing. But you can do some

1140
00:50:49,960 --> 00:50:51,279
Speaker 1: damage by singing flat.

1141
00:50:51,160 --> 00:50:54,040
Speaker 4: Another genius text here is it gives something for the

1142
00:50:54,080 --> 00:50:56,080
Speaker 4: elderly in Rual, New Zealand to do. Yeah, that's a

1143
00:50:56,120 --> 00:50:57,799
Speaker 4: good point. A lot of choir is doing some great

1144
00:50:57,840 --> 00:50:59,520
Speaker 4: work in small communities right across the country.

1145
00:51:00,080 --> 00:51:01,440
Speaker 1: Yeah, I think it's a good way. It's certainly it's

1146
00:51:01,440 --> 00:51:03,800
Speaker 1: a good way for people to meet people and stuff.

1147
00:51:03,840 --> 00:51:04,200
Speaker 1: I'm sure.

1148
00:51:04,719 --> 00:51:07,040
Speaker 4: So you're real downer for arguing that the penis dure.

1149
00:51:07,040 --> 00:51:12,520
Speaker 1: David Bain in a choir classic innocent thing to do, penis. Okay,

1150
00:51:13,000 --> 00:51:18,120
Speaker 1: so the votes have been tallied. Oh, interesting, the people

1151
00:51:18,160 --> 00:51:19,520
Speaker 1: have heard, heki have spoken.

1152
00:51:24,360 --> 00:51:28,880
Speaker 4: And choirs will join owning a house King Charles Mother's

1153
00:51:28,960 --> 00:51:29,799
Speaker 4: Day in China on.

1154
00:51:29,880 --> 00:51:36,040
Speaker 1: The nice side of the PLG Cody log, choirs, you've

1155
00:51:36,080 --> 00:51:39,520
Speaker 1: been being genius. May you live on for all eternity

1156
00:51:39,560 --> 00:51:41,600
Speaker 1: and exalted glory at the right hand of our Lord

1157
00:51:41,680 --> 00:51:46,400
Speaker 1: and Savior Jesus Christ and the Buddha from north Walk there.

1158
00:51:46,440 --> 00:51:49,480
Speaker 1: It is good result for choirs. They deserve that.

1159
00:51:49,600 --> 00:51:51,640
Speaker 4: Choirs they didn't deserve being Penis.

1160
00:51:53,040 --> 00:51:54,279
Speaker 5: The Matt and Jerry Show.

1161
00:51:55,520 --> 00:51:57,680
Speaker 1: So it's the eighth year of Beer and Pie July.

1162
00:51:57,800 --> 00:51:59,160
Speaker 1: Amazing to think it's been going for.

1163
00:51:59,200 --> 00:52:02,560
Speaker 4: Eight years years. That's longer than I've been here.

1164
00:52:02,680 --> 00:52:04,919
Speaker 1: It's almost longer than you've been on the earth.

1165
00:52:05,560 --> 00:52:07,839
Speaker 4: Oh, okay, that's not true. I would have been well, okay,

1166
00:52:07,920 --> 00:52:09,680
Speaker 4: beer and Poe July was first a thing.

1167
00:52:11,000 --> 00:52:11,600
Speaker 1: You were sixteen.

1168
00:52:11,800 --> 00:52:13,399
Speaker 4: I wasn't legally allowed to drink men.

1169
00:52:13,440 --> 00:52:16,040
Speaker 1: No, were you were just able to make love to

1170
00:52:16,120 --> 00:52:16,800
Speaker 1: someone legally.

1171
00:52:16,960 --> 00:52:20,359
Speaker 4: Okay, well things for that, but yes, no, I first

1172
00:52:20,400 --> 00:52:22,120
Speaker 4: about the eighth you of beer pojeer Lie Fellers. And

1173
00:52:22,200 --> 00:52:25,399
Speaker 4: yesterday we were asked, weren't we what are our pie

1174
00:52:25,440 --> 00:52:27,319
Speaker 4: flavors that we'd like to create if we were given

1175
00:52:27,320 --> 00:52:31,520
Speaker 4: the opportunity along with Dad's Yeah, pies, not with a

1176
00:52:31,560 --> 00:52:33,880
Speaker 4: whole bunch of dads, just Dad's pies. Yep, and make

1177
00:52:33,920 --> 00:52:35,319
Speaker 4: your own pie flavor, which you can also do by

1178
00:52:35,360 --> 00:52:36,480
Speaker 4: ticking pie to three three through.

1179
00:52:36,560 --> 00:52:38,600
Speaker 1: Yeah, I misunderstood the question. So someone said to me,

1180
00:52:38,640 --> 00:52:41,440
Speaker 1: what's your favorite pie favor? And I say, I said,

1181
00:52:41,480 --> 00:52:44,840
Speaker 1: potato tops. Of course, the potatotop has been made before.

1182
00:52:45,040 --> 00:52:45,640
Speaker 4: Yes, you mup.

1183
00:52:45,760 --> 00:52:47,759
Speaker 1: And so I'm looking down here now and it's just

1184
00:52:47,920 --> 00:52:49,840
Speaker 1: all over social media that I want to make a

1185
00:52:49,840 --> 00:52:52,600
Speaker 1: potato toop pie. It makes me look like an absolute.

1186
00:52:52,680 --> 00:52:54,919
Speaker 4: Hard They already were what sorry, Jery.

1187
00:52:56,840 --> 00:52:58,319
Speaker 1: It makes me okay, lidiot.

1188
00:52:58,200 --> 00:53:00,840
Speaker 4: Yes, it does make you look like an anymore, so

1189
00:53:01,040 --> 00:53:03,080
Speaker 4: you've gone with it. So what have you coupled up here?

1190
00:53:03,160 --> 00:53:05,640
Speaker 4: You've gone the potato top? Yeah, nice original mate.

1191
00:53:05,880 --> 00:53:08,680
Speaker 1: And then the Panhead supercharger and a Panhead super charger.

1192
00:53:08,760 --> 00:53:10,760
Speaker 4: Yeah, that's good beer. My old man loves a Panhead

1193
00:53:10,800 --> 00:53:12,400
Speaker 4: super charger. You get him hanging out the back of

1194
00:53:12,440 --> 00:53:13,960
Speaker 4: a six pack of Panheed Superchargers.

1195
00:53:14,000 --> 00:53:15,480
Speaker 1: There's no gunbagh. It's a good beer.

1196
00:53:15,560 --> 00:53:16,200
Speaker 4: What if you suges?

1197
00:53:16,920 --> 00:53:18,520
Speaker 1: Can I just say before I say what?

1198
00:53:18,600 --> 00:53:22,160
Speaker 2: I suggested that the Pantsman, our social media person, has

1199
00:53:22,239 --> 00:53:24,680
Speaker 2: absolutely stitched you up jury because you look even stupider

1200
00:53:24,800 --> 00:53:26,960
Speaker 2: on that picture, because it quite clearly say his potato

1201
00:53:27,000 --> 00:53:28,839
Speaker 2: top without a potato top on top of that pie.

1202
00:53:30,360 --> 00:53:33,160
Speaker 1: It's clearly not a potato top pie. Pants man has

1203
00:53:33,200 --> 00:53:37,120
Speaker 1: totally stitched me. I mean it was I look like

1204
00:53:37,160 --> 00:53:38,920
Speaker 1: a real look at me and the picture of me

1205
00:53:39,040 --> 00:53:42,280
Speaker 1: on the social media I look like an absolute penis.

1206
00:53:42,560 --> 00:53:45,400
Speaker 2: Yes you do, so, I suggested because I wanted to

1207
00:53:45,440 --> 00:53:47,359
Speaker 2: come up with a fancy name, and I really liked

1208
00:53:47,400 --> 00:53:53,160
Speaker 2: having steak, cheese, onion, bacon and mushroom and calling it

1209
00:53:53,280 --> 00:53:54,360
Speaker 2: the skobam.

1210
00:53:53,960 --> 00:53:56,440
Speaker 1: Okay, you've gone for two in the ingredients there. You

1211
00:53:56,560 --> 00:54:00,319
Speaker 1: can't have steak, cheese, onion, bacon and mushroom and a pie. Right,

1212
00:54:00,400 --> 00:54:01,160
Speaker 1: that's greedy.

1213
00:54:01,960 --> 00:54:03,239
Speaker 4: What are you gonna have to start listening all the

1214
00:54:03,400 --> 00:54:05,360
Speaker 4: ingredients pastry, gravy.

1215
00:54:05,760 --> 00:54:08,080
Speaker 2: Exactly, because you're listing the fillings match.

1216
00:54:08,160 --> 00:54:10,640
Speaker 4: Okay, mate? So why did you end up on sco bam?

1217
00:54:10,680 --> 00:54:13,960
Speaker 4: Because if I took the letters s co b A M, yeah,

1218
00:54:14,080 --> 00:54:17,600
Speaker 4: you could end up with other words like bad mosque no.

1219
00:54:17,800 --> 00:54:21,080
Speaker 2: But I just really like the word sco bam and

1220
00:54:21,200 --> 00:54:23,480
Speaker 2: I really like my ingredients will put together in a pie.

1221
00:54:23,800 --> 00:54:25,840
Speaker 2: And because you know, the thing for me is that

1222
00:54:25,880 --> 00:54:28,160
Speaker 2: I've quite often found a steak and cheese pie a

1223
00:54:28,280 --> 00:54:31,399
Speaker 2: steak and mushroom pie a steak, but I wanted all

1224
00:54:31,480 --> 00:54:32,880
Speaker 2: of them together because I've never had.

1225
00:54:32,719 --> 00:54:33,359
Speaker 1: All of them together.

1226
00:54:33,520 --> 00:54:35,800
Speaker 4: Cos bam co s b A M.

1227
00:54:36,480 --> 00:54:38,480
Speaker 1: Yeah. Well let's talk about the picture of you, MESHI,

1228
00:54:38,520 --> 00:54:41,680
Speaker 1: because you've decided a corn beef, steamed veggie and mash

1229
00:54:41,760 --> 00:54:43,320
Speaker 1: pie is something that you want, So you want to

1230
00:54:43,320 --> 00:54:45,680
Speaker 1: put yourself in a pie on Classic? You know there

1231
00:54:45,760 --> 00:54:48,680
Speaker 1: was Classic your generation always thinking about themselves would be

1232
00:54:48,680 --> 00:54:49,160
Speaker 1: a lovely thing.

1233
00:54:49,239 --> 00:54:51,359
Speaker 4: I remember growing up having a lot of corn beef

1234
00:54:51,680 --> 00:54:54,760
Speaker 4: overly steamed vege, no offense to my mother loved her dinners.

1235
00:54:54,920 --> 00:54:56,560
Speaker 4: And also mash on the side, and I thought, if

1236
00:54:56,560 --> 00:54:58,640
Speaker 4: you hit that in a pie, maybe that's nostalgia coming

1237
00:54:58,640 --> 00:55:02,600
Speaker 4: straight back at me. But again, the pants man you're

1238
00:55:02,600 --> 00:55:06,440
Speaker 4: already has posted an interesting photo of me beside it

1239
00:55:06,560 --> 00:55:07,560
Speaker 4: masturbating a cricket bat.

1240
00:55:07,680 --> 00:55:09,319
Speaker 1: Yeah, I've noticed that, and also the fact you've got

1241
00:55:09,360 --> 00:55:11,560
Speaker 1: a Canterbury Draft that you're going to make it worth

1242
00:55:11,600 --> 00:55:12,120
Speaker 1: you what I thought.

1243
00:55:12,160 --> 00:55:13,319
Speaker 4: You know what, it's one of the clock back. If

1244
00:55:13,320 --> 00:55:14,800
Speaker 4: you're going to be nostalgic with the pie flavor, I

1245
00:55:14,880 --> 00:55:17,240
Speaker 4: might as well be a nostalgic with the beer flavor.

1246
00:55:17,280 --> 00:55:19,200
Speaker 4: And I've gone with the CD the Cannery Draft. It's

1247
00:55:19,200 --> 00:55:20,640
Speaker 4: been a long time since I've pitched one of those

1248
00:55:20,640 --> 00:55:21,680
Speaker 4: at the bell Fust Rugby Club.

1249
00:55:21,800 --> 00:55:24,640
Speaker 2: So when it says mash and the pie, so you're

1250
00:55:24,680 --> 00:55:26,719
Speaker 2: putting mash in the I knew.

1251
00:55:27,080 --> 00:55:28,600
Speaker 4: I did think there was going to be some confusion

1252
00:55:28,640 --> 00:55:30,960
Speaker 4: around this about you know, look, I can feel the

1253
00:55:31,040 --> 00:55:34,120
Speaker 4: jokes coming already, mashing leading into the pipe like can

1254
00:55:34,160 --> 00:55:34,920
Speaker 4: we be at upstill?

1255
00:55:35,440 --> 00:55:38,520
Speaker 2: I mean, as it meshed potato, I don't think.

1256
00:55:38,400 --> 00:55:40,799
Speaker 4: I'm thinking it's Swede.

1257
00:55:42,239 --> 00:55:45,160
Speaker 1: Okay, like swede mash Yeah, okay, that sort of mesh.

1258
00:55:45,200 --> 00:55:48,000
Speaker 1: I gotcha, I will. I can tell you now, none

1259
00:55:48,000 --> 00:55:51,680
Speaker 1: of these pies are getting made really nocobam.

1260
00:55:51,920 --> 00:55:55,360
Speaker 4: Rubbish been getting made for the last three hundred years, mate, exactly.

1261
00:55:55,400 --> 00:55:57,399
Speaker 1: And you've just come up with it to understood the question.

1262
00:55:57,520 --> 00:56:01,360
Speaker 1: So that's out as well, rubbish. But I'll tell you

1263
00:56:01,440 --> 00:56:03,080
Speaker 1: our listeners can be a part of it because they

1264
00:56:03,120 --> 00:56:06,719
Speaker 1: can suggest their pie flavors to three four eight three,

1265
00:56:07,080 --> 00:56:09,879
Speaker 1: follow the link to the entry form, and if your

1266
00:56:10,040 --> 00:56:12,839
Speaker 1: pie is deemed the best pie flavor that we're going

1267
00:56:12,880 --> 00:56:14,719
Speaker 1: to make, Dad's pies are going to make it, then

1268
00:56:14,800 --> 00:56:16,840
Speaker 1: you will win five thousand dollars.

1269
00:56:17,000 --> 00:56:18,799
Speaker 4: Oh man, I love beeron pie. July Jery.

1270
00:56:18,880 --> 00:56:20,880
Speaker 1: It's a great time of year, sure is, mate. This

1271
00:56:21,000 --> 00:56:26,960
Speaker 1: is the Mantain Jerry Show Radiohack matten Je, matten Je,

1272
00:56:29,760 --> 00:56:33,840
Speaker 1: mash Pressus Burtons with his hand for matten.

1273
00:56:33,920 --> 00:56:39,960
Speaker 5: Jee, Matt Heath, Jeremy Wells, The Maiden.

1274
00:56:39,760 --> 00:56:42,719
Speaker 1: Cherry Show, eight thirty one on The Manta Jerry Show.

1275
00:56:42,760 --> 00:56:45,200
Speaker 1: Time for the way this news headlines murderer and prison

1276
00:56:45,360 --> 00:56:49,320
Speaker 1: Eskpee Philip John Smith is again being investigated by police

1277
00:56:49,360 --> 00:56:52,680
Speaker 1: after complaints two mobile phones were found in a cell

1278
00:56:52,800 --> 00:56:55,919
Speaker 1: and a lighter was hidden in a pack of porridge furs.

1279
00:56:55,960 --> 00:56:58,960
Speaker 1: Denied parole again yesterday his fourteenth parole hearing. You know,

1280
00:56:59,080 --> 00:57:02,719
Speaker 1: it's interesting Philip John Smith. I know someone very well

1281
00:57:02,880 --> 00:57:06,759
Speaker 1: called Philip Smith. And the reason that you have the

1282
00:57:06,840 --> 00:57:10,040
Speaker 1: pillop John is for this exact reason that there's a

1283
00:57:10,120 --> 00:57:11,759
Speaker 1: lot of phil Smith's out there.

1284
00:57:11,840 --> 00:57:13,239
Speaker 4: It's so funny to bring this up because I was

1285
00:57:13,440 --> 00:57:15,200
Speaker 4: as I listened to your reading out the headline, I thought,

1286
00:57:15,239 --> 00:57:18,200
Speaker 4: could you get more up the guts name than phil

1287
00:57:19,120 --> 00:57:21,840
Speaker 4: John Smith? I mean, that's incredible.

1288
00:57:22,160 --> 00:57:23,960
Speaker 1: In this situation, there's going to be a whole lot

1289
00:57:23,960 --> 00:57:25,720
Speaker 1: of Philip John Smith's, aren't there. There's going to be

1290
00:57:25,760 --> 00:57:28,400
Speaker 1: a lot of the middle name Mark David Chapman. I

1291
00:57:28,440 --> 00:57:30,520
Speaker 1: mean you generally have that middle name in there.

1292
00:57:30,720 --> 00:57:32,880
Speaker 4: Is that why most people with common names will run

1293
00:57:32,920 --> 00:57:35,480
Speaker 4: the middle name is almost like a double barreled last name.

1294
00:57:35,640 --> 00:57:35,760
Speaker 9: Well.

1295
00:57:35,760 --> 00:57:37,640
Speaker 1: I think so definitely in the case of people who

1296
00:57:37,880 --> 00:57:39,440
Speaker 1: are infamous.

1297
00:57:39,160 --> 00:57:41,560
Speaker 4: Yes, how many Jeremy Wells's are there?

1298
00:57:41,600 --> 00:57:43,560
Speaker 1: Are there? I think there's a few. I think there's

1299
00:57:43,560 --> 00:57:45,280
Speaker 1: a golfer, isn't there yes, there's a golfer.

1300
00:57:45,320 --> 00:57:46,200
Speaker 4: There's also a horse.

1301
00:57:46,480 --> 00:57:47,280
Speaker 1: Yep, there's a horse.

1302
00:57:47,520 --> 00:57:50,439
Speaker 4: Are you part owner in that horse? I am okay, Yeah,

1303
00:57:50,600 --> 00:57:51,840
Speaker 4: so that's a little bit different.

1304
00:57:52,040 --> 00:57:54,200
Speaker 1: Horse was named after me rather than me named after

1305
00:57:54,200 --> 00:57:54,480
Speaker 1: the horse.

1306
00:57:54,560 --> 00:57:58,480
Speaker 4: Have you ever thought about naming the horse Jeremy Drummond? Wells, No, wait,

1307
00:57:58,520 --> 00:57:59,919
Speaker 4: do you have a John in there as well? James

1308
00:58:00,240 --> 00:58:01,000
Speaker 4: Jeremy Drummond?

1309
00:58:01,040 --> 00:58:04,960
Speaker 1: Anyway, Jeremy James Drummond. Chris Luckson has described Washington, d C.

1310
00:58:05,120 --> 00:58:09,320
Speaker 1: As a place with large egos after meeting with Lewis lawmakers.

1311
00:58:09,400 --> 00:58:11,960
Speaker 4: It's a harsh statement to make after your first dinner anyway.

1312
00:58:12,160 --> 00:58:14,280
Speaker 1: He did something of a walk back on that comment though,

1313
00:58:14,360 --> 00:58:17,840
Speaker 1: by generalizing and saying there are egos and politics everywhere.

1314
00:58:17,920 --> 00:58:22,040
Speaker 1: While there are, it's true, it's fair Radio hot Arch.

1315
00:58:28,360 --> 00:58:31,400
Speaker 1: Would you either go to Bathurst or the NRL Grand Final.

1316
00:58:32,000 --> 00:58:35,160
Speaker 1: It's up to you. Four nights on Mount Panorama watching

1317
00:58:35,240 --> 00:58:37,800
Speaker 1: the Mighty Bathurst one thousand or the week end of

1318
00:58:37,840 --> 00:58:41,040
Speaker 1: your life at the NRL Grand Final. That will also

1319
00:58:41,120 --> 00:58:43,720
Speaker 1: include races on Saturday and a pre match cruise to

1320
00:58:43,800 --> 00:58:46,640
Speaker 1: the game on the Sunday. Oh my god, England have

1321
00:58:46,800 --> 00:58:47,240
Speaker 1: just scored.

1322
00:58:47,320 --> 00:58:48,680
Speaker 7: Sorry, to distract things.

1323
00:58:48,960 --> 00:58:51,200
Speaker 4: Sorry, with two minutes worth ago, England have just scored

1324
00:58:51,280 --> 00:58:54,240
Speaker 4: juke belling and bottom left corner. I understand. We've got

1325
00:58:54,360 --> 00:58:56,200
Speaker 4: Andy on the line who probably wants to hit along

1326
00:58:56,240 --> 00:58:58,360
Speaker 4: to Bathurst's. But you're a Scott Is that right?

1327
00:58:58,480 --> 00:58:58,720
Speaker 1: Andy?

1328
00:58:58,760 --> 00:59:00,800
Speaker 4: How do you feel about that? Oh?

1329
00:59:00,880 --> 00:59:06,800
Speaker 1: Bugger, terrible time, so do I And.

1330
00:59:06,920 --> 00:59:08,320
Speaker 2: One of the Dutch has got a yellow card as

1331
00:59:08,360 --> 00:59:09,080
Speaker 2: well by the looks of that.

1332
00:59:10,160 --> 00:59:14,040
Speaker 1: Yeah, Andy, you can't go to Bathist definitely bath Hot

1333
00:59:14,120 --> 00:59:17,240
Speaker 1: one sports all the way, okay, and he will check

1334
00:59:17,320 --> 00:59:20,080
Speaker 1: you in the draw. Let's go to Rich from t Quity.

1335
00:59:20,200 --> 00:59:24,160
Speaker 1: Good morning, Rich morning. Are you a Bathurst or are

1336
00:59:24,160 --> 00:59:25,440
Speaker 1: you the n r OL Grand Final?

1337
00:59:26,280 --> 00:59:26,440
Speaker 8: Oh?

1338
00:59:26,560 --> 00:59:28,439
Speaker 6: How does it just to turn down the Grand Final

1339
00:59:28,480 --> 00:59:29,600
Speaker 6: and have to go with Bethurst.

1340
00:59:30,240 --> 00:59:33,920
Speaker 1: Have you been to Bethist before? Rich? No? No, but

1341
00:59:34,080 --> 00:59:35,320
Speaker 1: I've acted it out, you know.

1342
00:59:38,160 --> 00:59:38,640
Speaker 6: I like that.

1343
00:59:38,800 --> 00:59:39,440
Speaker 1: That's very good?

1344
00:59:39,920 --> 00:59:40,240
Speaker 3: All right?

1345
00:59:40,280 --> 00:59:43,040
Speaker 1: Good luck? Good luck, Rich Race, Good morning, welcome to

1346
00:59:43,080 --> 00:59:47,840
Speaker 1: the show. Race. Are you an n R L at

1347
00:59:47,840 --> 00:59:48,520
Speaker 1: you're a Bathurst?

1348
00:59:49,480 --> 00:59:49,600
Speaker 3: Oh?

1349
00:59:49,680 --> 00:59:52,040
Speaker 1: I have to be an RL Oh yeah, well can

1350
00:59:52,080 --> 00:59:53,280
Speaker 1: you imagine if the wires made it?

1351
00:59:55,000 --> 00:59:55,160
Speaker 6: Well?

1352
00:59:55,360 --> 00:59:57,760
Speaker 5: Well I'm being optimistic, so yeah, I think it will.

1353
00:59:57,640 --> 01:00:00,320
Speaker 1: Be Yeah, it looks like a good time the you

1354
01:00:00,440 --> 01:00:02,120
Speaker 1: got the races on the sad day, you got the

1355
01:00:02,160 --> 01:00:05,400
Speaker 1: pre match cruise to the game on Sunday. We'll chuck

1356
01:00:05,440 --> 01:00:11,080
Speaker 1: you in the drawer race. Best of luck with everything. Cheersesa.

1357
01:00:11,120 --> 01:00:13,800
Speaker 1: All right, you are absolutely.

1358
01:00:13,520 --> 01:00:15,320
Speaker 4: Oh god, I'm just as you were talking to those

1359
01:00:15,400 --> 01:00:17,160
Speaker 4: callers there. I know I've got my priorities in the

1360
01:00:17,160 --> 01:00:18,920
Speaker 4: wrong place, but I'm just trying to find the audio

1361
01:00:19,360 --> 01:00:20,880
Speaker 4: of this goal. In fact, I think I might have

1362
01:00:20,920 --> 01:00:22,240
Speaker 4: found it if you want to take a listen. This

1363
01:00:22,400 --> 01:00:25,000
Speaker 4: is England going ahead in the semi final of the

1364
01:00:25,120 --> 01:00:27,040
Speaker 4: Euros in injury time by Jude Belling and.

1365
01:00:27,040 --> 01:00:36,640
Speaker 1: I believe tis.

1366
01:00:35,360 --> 01:00:36,520
Speaker 7: God ninety.

1367
01:00:42,360 --> 01:00:42,760
Speaker 1: Forgive me.

1368
01:00:42,840 --> 01:00:45,000
Speaker 4: It was Olie Watkins coming on for Harry Kane at

1369
01:00:45,040 --> 01:00:47,800
Speaker 4: the top. It's going to be absolute scenes.

1370
01:00:47,680 --> 01:00:48,760
Speaker 8: Jerious drama.

1371
01:00:49,880 --> 01:00:52,200
Speaker 1: Any yellow card with the.

1372
01:00:53,680 --> 01:00:56,439
Speaker 4: Oh my goodness me that sends me into my day

1373
01:00:57,240 --> 01:00:59,919
Speaker 4: with absolutely no will to do any kind.

1374
01:00:59,800 --> 01:01:05,600
Speaker 1: Of what timing the ninetieth minute two, that's remarkable. Well,

1375
01:01:05,640 --> 01:01:07,600
Speaker 1: thanks for listening to the Matt and Jerry Show today.

1376
01:01:07,680 --> 01:01:09,919
Speaker 1: Have a lovely day, miss You'll be having a great

1377
01:01:10,000 --> 01:01:10,360
Speaker 1: day now.

1378
01:01:10,720 --> 01:01:15,000
Speaker 4: Oh man, I'm absolutely fizzed about that podcast is out

1379
01:01:15,040 --> 01:01:19,360
Speaker 4: at eleven am this morning on iHeartRadio or wherever you

1380
01:01:19,480 --> 01:01:20,240
Speaker 4: get your pods.

1381
01:01:21,560 --> 01:01:23,520
Speaker 2: You have been listening to the Matt and Jerry Radio

1382
01:01:23,600 --> 01:01:25,880
Speaker 2: Highlights pod. Right now you can listen to the other

1383
01:01:25,960 --> 01:01:28,520
Speaker 2: daily Bespoke pod, which you will absolutely love.

1384
01:01:29,000 --> 01:01:32,000
Speaker 4: Anyway, set to download, like, subscribe, write a review, all

1385
01:01:32,080 --> 01:01:32,880
Speaker 4: those great things.

1386
01:01:33,000 --> 01:01:35,600
Speaker 2: It really helps myself and Jerry and to a lesser extent,

1387
01:01:35,720 --> 01:01:36,360
Speaker 2: Mass and Ruder.

1388
01:01:36,680 --> 01:01:38,480
Speaker 4: If you want to discuss anything raised in this pod,

1389
01:01:38,640 --> 01:01:41,720
Speaker 4: check out the Conclave, a Matt and Jerry Facebook discussion group.

1390
01:01:41,960 --> 01:01:44,040
Speaker 2: And while I'm plugging stuff, my book of Life is

1391
01:01:44,080 --> 01:01:46,400
Speaker 2: Punishing by Matt. He's thirteen Ways to Love the life

1392
01:01:46,440 --> 01:01:46,880
Speaker 2: You've got.

1393
01:01:47,440 --> 01:01:49,600
Speaker 1: It's out now, get it wherever you get your books,

1394
01:01:49,880 --> 01:01:51,040
Speaker 1: or just google the bugger.

1395
01:01:51,400 --> 01:01:54,400
Speaker 2: Anyway you seem busy, I'll let you go. Bless blessed, blessed,

1396
01:01:54,440 --> 01:01:56,240
Speaker 2: give them my taste a Kiwi from me,