1 00:00:00,520 --> 00:00:04,400 Speaker 1: From the zendim podcast network. This is from The Policeman 2 00:00:04,440 --> 00:00:08,039 Speaker 1: and Haley's Big Pond Banks to animates making happy happen 3 00:00:08,119 --> 00:00:08,560 Speaker 1: for pets. 4 00:00:09,000 --> 00:00:13,520 Speaker 2: Welcome to the show, Flee Swawn and Haley Shelder, Hailey's 5 00:00:13,560 --> 00:00:14,800 Speaker 2: back Band's back. 6 00:00:14,680 --> 00:00:18,400 Speaker 3: Together, Wawn's here. Hi, the gang is back. 7 00:00:18,840 --> 00:00:21,160 Speaker 2: Genuine friends on two three and. 8 00:00:21,120 --> 00:00:21,600 Speaker 3: A big day. 9 00:00:21,640 --> 00:00:24,160 Speaker 2: We've got a couple of guests joining us today. Good, 10 00:00:24,200 --> 00:00:26,160 Speaker 2: big fatty of a show, A big fatty of a show. 11 00:00:26,440 --> 00:00:30,200 Speaker 2: Creig Bradden from the US office. It joins us after 12 00:00:30,240 --> 00:00:32,680 Speaker 2: eight thirty this morning. He is coming to do like 13 00:00:32,720 --> 00:00:35,559 Speaker 2: it's a mix of a comediate, a comedia, as like 14 00:00:35,560 --> 00:00:38,040 Speaker 2: a stand one man showing one man like there's a 15 00:00:38,040 --> 00:00:39,800 Speaker 2: bit of music because he was he was in a 16 00:00:39,920 --> 00:00:42,040 Speaker 2: like a roots ban years. It's been a rocket roller 17 00:00:42,040 --> 00:00:42,720 Speaker 2: for years. 18 00:00:43,000 --> 00:00:45,519 Speaker 3: He was like famous in a roots ban in the sixties. 19 00:00:45,920 --> 00:00:49,440 Speaker 2: Honestly, like the weirdest character on that show. I love it, Yeah, 20 00:00:49,560 --> 00:00:52,919 Speaker 2: so great and in many memes that we love and 21 00:00:53,040 --> 00:00:55,880 Speaker 2: us daily. So he joins us after eight thirty on 22 00:00:55,920 --> 00:00:59,440 Speaker 2: the show, and then author Trent Dalton around seven thirty 23 00:00:59,480 --> 00:01:00,560 Speaker 2: this morning sold of. 24 00:01:00,480 --> 00:01:04,040 Speaker 3: A two million copies of his Box One includes Boys Swallows, 25 00:01:04,120 --> 00:01:06,120 Speaker 3: universe that was made into a Netflix show, which I 26 00:01:06,120 --> 00:01:07,080 Speaker 3: think we need. 27 00:01:06,880 --> 00:01:08,520 Speaker 2: To discuss with him, the fact that you cry on 28 00:01:08,560 --> 00:01:11,679 Speaker 2: a treadmill the German I was crying on it as 29 00:01:11,680 --> 00:01:12,040 Speaker 2: I ran. 30 00:01:12,640 --> 00:01:15,720 Speaker 3: I still needn't watched it. I need to be in 31 00:01:15,720 --> 00:01:16,760 Speaker 3: the move. Super emotion. 32 00:01:17,920 --> 00:01:20,640 Speaker 2: Just a great story, yeah, just a beautiful Yeah. 33 00:01:20,720 --> 00:01:21,039 Speaker 3: Sorry. 34 00:01:21,280 --> 00:01:23,280 Speaker 2: So he's on the show with us after seven thirty 35 00:01:23,400 --> 00:01:25,039 Speaker 2: the Top Sex on the way. We've got a new 36 00:01:25,120 --> 00:01:26,840 Speaker 2: weather super computer, guys. 37 00:01:27,000 --> 00:01:30,360 Speaker 3: Super computer super that one of the top six things 38 00:01:30,400 --> 00:01:32,959 Speaker 3: the supercomputer, this weather super computer can predict. 39 00:01:33,120 --> 00:01:35,520 Speaker 2: Is it telling us that all this week it's rubbish, 40 00:01:36,040 --> 00:01:38,199 Speaker 2: that's cramp its Apparently it is going to be better 41 00:01:38,200 --> 00:01:39,480 Speaker 2: for long term fore course. 42 00:01:39,880 --> 00:01:42,440 Speaker 3: Yeah, they're going to be predicted with the so it 43 00:01:42,480 --> 00:01:45,520 Speaker 3: can predict a five day forecast as well as the 44 00:01:45,560 --> 00:01:48,880 Speaker 3: current two day forecast, which I mean it's a double 45 00:01:48,920 --> 00:01:52,000 Speaker 3: a book really always two days about it? 46 00:01:52,240 --> 00:01:55,520 Speaker 2: Yeah, right, okay, yeah, the Top six coming up next 47 00:01:55,560 --> 00:01:58,440 Speaker 2: on the show. Though, we celebrated on Friday the year 48 00:01:58,480 --> 00:02:01,640 Speaker 2: anniversary of the fire truck we name that's right, Dame 49 00:02:01,760 --> 00:02:04,800 Speaker 2: Judy Drench. Yes, well, there has been a naming competition 50 00:02:04,960 --> 00:02:08,680 Speaker 2: in the UK to name a train that clears leaves 51 00:02:08,800 --> 00:02:11,919 Speaker 2: off the track. Oh great, that's right. Now there was 52 00:02:11,960 --> 00:02:14,280 Speaker 2: a little shortlist and a name has been sailed on 53 00:02:14,320 --> 00:02:15,520 Speaker 2: it and I quite like it. 54 00:02:16,120 --> 00:02:19,840 Speaker 4: We will discuss next playboard and Hailey. 55 00:02:20,280 --> 00:02:23,760 Speaker 2: Now the UK has run a competition to name a 56 00:02:23,840 --> 00:02:26,520 Speaker 2: train and we just we said before we just Friday 57 00:02:26,600 --> 00:02:29,120 Speaker 2: celebrated the one year anniversary of Dame Judy Drinks in 58 00:02:29,160 --> 00:02:33,560 Speaker 2: a delicious character. They did see a delicious cake. You're 59 00:02:33,600 --> 00:02:36,919 Speaker 2: a way delicious weird cake yesterday to did you he 60 00:02:37,040 --> 00:02:42,760 Speaker 2: missed out great cake yesterday? Yeah, yes, oil orange and apple. 61 00:02:42,840 --> 00:02:43,640 Speaker 3: This is the problem. 62 00:02:43,720 --> 00:02:45,920 Speaker 2: That's the problem with being at work every single day 63 00:02:46,480 --> 00:02:47,880 Speaker 2: is I have to eat all the cake. 64 00:02:47,960 --> 00:02:52,400 Speaker 3: Yea, the cake you're blowing out. We take the old 65 00:02:52,440 --> 00:02:56,680 Speaker 3: day off. Dodged some of these cakes, at least some 66 00:02:56,720 --> 00:02:57,040 Speaker 3: of them. 67 00:02:57,200 --> 00:03:01,000 Speaker 2: Well, the UK, I have, i'd say, would be the prominent, 68 00:03:01,160 --> 00:03:02,840 Speaker 2: the prominent naming country. 69 00:03:02,919 --> 00:03:06,720 Speaker 3: Right when it comes to boat Face, the original you know, 70 00:03:06,880 --> 00:03:08,240 Speaker 3: hijacking of a naming. 71 00:03:08,639 --> 00:03:12,839 Speaker 2: It's it's impossible now to name anything without micface yea, yeah, 72 00:03:12,880 --> 00:03:15,600 Speaker 2: yeah yeah, and the name of it Mike Face yeah 73 00:03:15,600 --> 00:03:17,440 Speaker 2: being in there, because did Sydney try to do this 74 00:03:17,480 --> 00:03:20,520 Speaker 2: and they that got hijacked with boat face as well. 75 00:03:20,600 --> 00:03:22,200 Speaker 3: Yeah, I name some boats. 76 00:03:22,639 --> 00:03:27,600 Speaker 2: Well, the Britain's rail network, it's twenty thousand miles and 77 00:03:27,639 --> 00:03:32,320 Speaker 2: apparently fifty five hundred billion leaves each year they have 78 00:03:32,360 --> 00:03:33,920 Speaker 2: to deal with because they know that. 79 00:03:33,960 --> 00:03:36,640 Speaker 3: How they I don't know who's counting those jobs that 80 00:03:36,760 --> 00:03:38,360 Speaker 3: count billion leaves. 81 00:03:38,520 --> 00:03:41,120 Speaker 2: I mean maybe they just count one tree's leaves and 82 00:03:41,160 --> 00:03:44,280 Speaker 2: then and then I'm imagining this mass. 83 00:03:44,280 --> 00:03:47,480 Speaker 3: Maybe there's a weight thing. Yeah, as much the clearing 84 00:03:47,520 --> 00:03:47,880 Speaker 3: as that. 85 00:03:48,400 --> 00:03:51,480 Speaker 2: Well, and obviously that becomes difficult for trains to navigate, 86 00:03:51,480 --> 00:03:53,760 Speaker 2: and they're going into autumn. So they have a brand 87 00:03:53,760 --> 00:03:58,080 Speaker 2: new leaf busting train. Just looks like a normal train, 88 00:03:58,160 --> 00:03:59,880 Speaker 2: to be honest, I don't know what's different about this. 89 00:04:00,120 --> 00:04:03,360 Speaker 2: How does it some kind of big scoop on the 90 00:04:03,360 --> 00:04:03,760 Speaker 2: front of it? 91 00:04:03,800 --> 00:04:06,720 Speaker 3: But look some sort of blower? Does it have some 92 00:04:06,760 --> 00:04:09,120 Speaker 3: sort of blower or a vacuum? Does it toet something 93 00:04:09,120 --> 00:04:09,280 Speaker 3: in a. 94 00:04:11,920 --> 00:04:15,240 Speaker 2: You know, like an' I don't know. 95 00:04:17,960 --> 00:04:18,000 Speaker 5: It. 96 00:04:18,200 --> 00:04:22,320 Speaker 2: Just the story is more about the train being named, right, 97 00:04:22,480 --> 00:04:25,159 Speaker 2: So they ran a short list of names. They asked 98 00:04:25,160 --> 00:04:28,520 Speaker 2: for some suggestions for this new name. Some of them 99 00:04:28,560 --> 00:04:34,640 Speaker 2: that we use that weren't the winners leaf for weapon, leaf, 100 00:04:35,400 --> 00:04:38,400 Speaker 2: love that love that pulp friction. 101 00:04:39,440 --> 00:04:42,599 Speaker 3: Not as good as good and the autumn avinger, but 102 00:04:42,680 --> 00:04:52,360 Speaker 3: the winner of the leaf busting train control leaf. It's 103 00:04:52,400 --> 00:04:56,039 Speaker 3: a little bit nerdy, but it's good. It's good. 104 00:04:56,080 --> 00:04:56,599 Speaker 6: It's good. 105 00:04:57,000 --> 00:04:57,960 Speaker 3: I really like that. 106 00:04:58,080 --> 00:04:59,839 Speaker 4: I mean it doesn't roll off the tongue. In terms 107 00:04:59,880 --> 00:05:03,600 Speaker 4: of a name, yeah, Dave Judy trench for example, that 108 00:05:04,279 --> 00:05:05,120 Speaker 4: rolls off the target. 109 00:05:05,120 --> 00:05:08,119 Speaker 2: Really does control leaf. It is very good. 110 00:05:08,920 --> 00:05:10,800 Speaker 3: Okay, does it work. 111 00:05:10,880 --> 00:05:14,760 Speaker 2: I've googled how it works, AI, how it works? Paining 112 00:05:14,800 --> 00:05:15,000 Speaker 2: for it. 113 00:05:15,960 --> 00:05:17,840 Speaker 3: The leaves fall on the track, they get crushed by 114 00:05:17,839 --> 00:05:19,760 Speaker 3: the train wheels and turke. It turn into a slippery 115 00:05:19,800 --> 00:05:22,880 Speaker 3: teflon like coding, meaning that when they try to break 116 00:05:22,920 --> 00:05:25,800 Speaker 3: the trains just skid straight through the station. Scared. 117 00:05:25,960 --> 00:05:27,800 Speaker 2: Yeah they scared. Good skidding, Let's go. 118 00:05:27,960 --> 00:05:30,960 Speaker 3: And they interfere with signaling systems, so it goes through. 119 00:05:30,960 --> 00:05:34,279 Speaker 3: It's got high pressure water blasts blasts the leaf, mulster 120 00:05:34,400 --> 00:05:39,279 Speaker 3: and residue off the railhead, sometimes up to thirty six 121 00:05:39,320 --> 00:05:40,880 Speaker 3: thousand pers that's a big pier. 122 00:05:41,000 --> 00:05:41,159 Speaker 6: S I. 123 00:05:41,839 --> 00:05:44,680 Speaker 3: Okay, that's a big pierce. I. Then after cleaning it'll 124 00:05:44,960 --> 00:05:47,560 Speaker 3: it'll spray. A gel like mixture called sand ite was 125 00:05:47,600 --> 00:05:49,240 Speaker 3: a mixture of sand aluminium and. 126 00:05:49,200 --> 00:05:51,080 Speaker 2: Adhesive like a grippy gluey paste. 127 00:05:51,200 --> 00:05:53,320 Speaker 3: Yeah, and then that coats the rail and that makes 128 00:05:53,320 --> 00:05:58,120 Speaker 3: it for better gripping, and in some regions mechanical brushes 129 00:05:58,200 --> 00:06:01,240 Speaker 3: or grinders remove the feat a residure if needed. 130 00:06:02,200 --> 00:06:04,680 Speaker 2: Right leaves have sitting on the train. 131 00:06:04,800 --> 00:06:08,840 Speaker 3: Amazing dedicated round here treatment trains, the r h t 132 00:06:08,839 --> 00:06:12,760 Speaker 3: t's converted freight trains carrying water tanks, high precireating. You're 133 00:06:12,800 --> 00:06:14,960 Speaker 3: in sand eyed applicats. Do you think that's what control 134 00:06:15,200 --> 00:06:19,200 Speaker 3: deleaf is. Yeah, yep, it is yeah, cool, very cool. 135 00:06:19,520 --> 00:06:23,839 Speaker 2: Yeah wow, there'd be some train nuts that are just 136 00:06:23,920 --> 00:06:26,719 Speaker 2: loving these facts. 137 00:06:26,440 --> 00:06:30,520 Speaker 3: Look then my end of the spectrums tinging. You like trains, 138 00:06:30,560 --> 00:06:30,960 Speaker 3: don't you? 139 00:06:31,040 --> 00:06:36,039 Speaker 4: Yeah, I will say so. I don't use the train 140 00:06:36,160 --> 00:06:38,040 Speaker 4: system very much because it doesn't go out to my house. 141 00:06:38,080 --> 00:06:40,240 Speaker 4: But even don't want to train, I'm like, this is special. 142 00:06:42,520 --> 00:06:43,080 Speaker 3: I should go. 143 00:06:43,400 --> 00:06:44,560 Speaker 2: We've got tracks. 144 00:06:44,880 --> 00:06:49,080 Speaker 3: Yeah way, yeah, one day you are like one day, man, 145 00:06:49,120 --> 00:06:50,040 Speaker 3: this is pretty much. 146 00:06:50,040 --> 00:06:52,440 Speaker 2: I can catch the train to work. If the train work. 147 00:06:52,800 --> 00:06:56,280 Speaker 3: You couldn't. You couldn't. They don't say it needs to 148 00:06:56,320 --> 00:06:59,960 Speaker 3: be twenty four hours a day. Am I asking to 149 00:07:00,160 --> 00:07:01,080 Speaker 3: much news? 150 00:07:01,200 --> 00:07:04,880 Speaker 2: Four am train that'll be fun plays ms Fletched Vorn 151 00:07:04,960 --> 00:07:06,799 Speaker 2: and Hailey from. 152 00:07:06,640 --> 00:07:10,520 Speaker 1: The Fletchvorn and Haley group chat. This is the top six. 153 00:07:14,240 --> 00:07:17,520 Speaker 3: Guys. There's a weather supercomputer's and they're saying one of 154 00:07:17,520 --> 00:07:18,720 Speaker 3: the many things that's going to be able to do 155 00:07:18,760 --> 00:07:21,080 Speaker 3: is predict five days out as well as the current 156 00:07:21,120 --> 00:07:23,320 Speaker 3: one can do two. So that's that's two and a 157 00:07:23,360 --> 00:07:24,360 Speaker 3: half times. It's good. 158 00:07:24,440 --> 00:07:26,880 Speaker 2: That's good because you know when you've got an event 159 00:07:26,920 --> 00:07:28,720 Speaker 2: on or something, you just check the weather all the time, 160 00:07:28,760 --> 00:07:31,800 Speaker 2: and every day it's every like half an hour it's changing. Yeah, 161 00:07:31,840 --> 00:07:33,120 Speaker 2: good for good for weddings. 162 00:07:33,480 --> 00:07:35,960 Speaker 3: Yeah, what's our all blacks weather looking like this weekend? 163 00:07:36,000 --> 00:07:38,480 Speaker 3: It was raining last time? When are they going to 164 00:07:38,520 --> 00:07:39,840 Speaker 3: an actual rugby game? That's right? 165 00:07:40,320 --> 00:07:41,360 Speaker 2: So disappointed. 166 00:07:41,400 --> 00:07:42,960 Speaker 4: I'm going to be in Doneda and get tickets at 167 00:07:42,960 --> 00:07:44,160 Speaker 4: Hailey Sprout dot coo INZ. 168 00:07:44,480 --> 00:07:47,400 Speaker 2: Wait are you doing a comedy show while the rugby's on? Indonedin? 169 00:07:47,680 --> 00:07:47,920 Speaker 7: Yeah? 170 00:07:48,040 --> 00:07:50,760 Speaker 3: You need different audiences. Now you didn't think about that, 171 00:07:50,800 --> 00:07:52,280 Speaker 3: did you? Nah? 172 00:07:52,360 --> 00:07:55,440 Speaker 2: What days is the rugby Saturday? It's not selling as well? 173 00:07:55,760 --> 00:07:59,600 Speaker 3: Friday sold see this is one two nights indoneda. 174 00:07:59,240 --> 00:08:01,360 Speaker 4: Yeah, because Friday sold out at a second show didn't 175 00:08:01,360 --> 00:08:03,120 Speaker 4: think about the All Blacks, not sonding where Haley sprawl 176 00:08:03,160 --> 00:08:05,440 Speaker 4: dot com sprodut competent. 177 00:08:05,520 --> 00:08:08,120 Speaker 3: Time as your watch because this is an early All 178 00:08:08,160 --> 00:08:13,800 Speaker 3: Blacks game. You have five o'clock, please watch the Rugby, 179 00:08:14,200 --> 00:08:16,000 Speaker 3: drink a lot and come along. 180 00:08:15,840 --> 00:08:18,640 Speaker 2: To Hailey sprout dot com if you're inter need in 181 00:08:18,680 --> 00:08:23,120 Speaker 2: this weekend. Done is the weather. I'm just Saturday born is. 182 00:08:23,320 --> 00:08:27,240 Speaker 2: Let me click on presiputation. Oh it's gonna be fine, cloudy, 183 00:08:27,280 --> 00:08:30,480 Speaker 2: a little rain on the morning, and I. 184 00:08:30,440 --> 00:08:33,240 Speaker 3: Don't do it two dollar Come on, because it sticks 185 00:08:33,240 --> 00:08:36,840 Speaker 3: to you like glad wrap. I'd rather wear a heavy 186 00:08:36,920 --> 00:08:38,600 Speaker 3: jacket and just put it on the ground when it's 187 00:08:38,640 --> 00:08:44,080 Speaker 3: not raining. I'm not leftovers in the fridge. No, because 188 00:08:44,080 --> 00:08:46,280 Speaker 3: I'm gonna get condensation under the gland. My god, you 189 00:08:46,280 --> 00:08:50,200 Speaker 3: get condensation. No one talks about the condensation. It's sweet. 190 00:08:50,360 --> 00:08:53,920 Speaker 3: It's not sweet. It's condens when it clings to you. 191 00:08:54,160 --> 00:08:54,760 Speaker 2: It's not good. 192 00:08:55,160 --> 00:08:56,840 Speaker 3: No, it's not good at all. But I've got the 193 00:08:56,840 --> 00:09:01,800 Speaker 3: top six things the weather super weather super computer can 194 00:09:01,880 --> 00:09:05,680 Speaker 3: predict number six on the list exactly at what point 195 00:09:06,000 --> 00:09:08,839 Speaker 3: during rain, farmers will say, I think we've had enough 196 00:09:08,840 --> 00:09:09,440 Speaker 3: bloody rain. 197 00:09:11,120 --> 00:09:14,080 Speaker 2: Love the computer knows exactly when they're going to say that. 198 00:09:14,120 --> 00:09:16,040 Speaker 2: Do you think they'll say that on the Weather as 199 00:09:16,040 --> 00:09:16,839 Speaker 2: well the night before? 200 00:09:16,920 --> 00:09:18,640 Speaker 3: Yeah, and he said, and Dan will say it in 201 00:09:18,679 --> 00:09:21,240 Speaker 3: approximately two thirty tomorrow afternoon, Farmers and the White Cups 202 00:09:21,240 --> 00:09:23,160 Speaker 3: that will say, I think we've had enough bloody rain. 203 00:09:23,240 --> 00:09:25,160 Speaker 2: According to the new supercomputer. 204 00:09:25,120 --> 00:09:27,560 Speaker 3: Number five on the list of the top sex things 205 00:09:27,559 --> 00:09:30,679 Speaker 3: that are Weather Supercomputer can predict exactly when to take 206 00:09:30,720 --> 00:09:34,480 Speaker 3: off your jacket before you start sweating and can't stop. Yeah. Yeah, 207 00:09:34,480 --> 00:09:36,840 Speaker 3: you got to jacket on and then it just turns 208 00:09:36,880 --> 00:09:38,480 Speaker 3: and once you start sweating, you can't stop. 209 00:09:38,520 --> 00:09:41,559 Speaker 2: I'm gonna I'll never return once I start here in. 210 00:09:41,520 --> 00:09:45,680 Speaker 3: The studio at six am, the air conditioning comes on. Yeah, 211 00:09:45,679 --> 00:09:47,800 Speaker 3: but if I get to sweat on before six I'm 212 00:09:47,840 --> 00:09:50,360 Speaker 3: never not sweating. Well the whole show, Yeah, popular show. 213 00:09:50,440 --> 00:09:53,760 Speaker 3: But it'll know exactly what outside. A little alert takes 214 00:09:53,800 --> 00:09:56,040 Speaker 3: jacket off now and you won't sweat. Number four on 215 00:09:56,080 --> 00:09:58,200 Speaker 3: the list of the top sex things, the Weather super 216 00:09:58,240 --> 00:10:02,040 Speaker 3: computer can predict exactly to the second how long it's 217 00:10:02,080 --> 00:10:04,360 Speaker 3: going to take to defrost the chicken on the bench today. 218 00:10:04,600 --> 00:10:08,360 Speaker 2: Okay, yeah, on the bench, I'm the fruge to froster. 219 00:10:08,480 --> 00:10:11,400 Speaker 2: You supposed too long. It takes two days. Yeah, but 220 00:10:11,440 --> 00:10:13,640 Speaker 2: it's healthier because it never dips. 221 00:10:14,080 --> 00:10:16,360 Speaker 3: Bang it on the bench, get it to room temp, 222 00:10:17,200 --> 00:10:20,120 Speaker 3: and then give it a hot cook nice. Yeah, good stuff. 223 00:10:20,240 --> 00:10:24,160 Speaker 3: I've never had diarrhea or spewey's from chicken. I reckon, 224 00:10:24,200 --> 00:10:27,560 Speaker 3: I reckon, I have. Yeah, I sort of feel jew one. 225 00:10:27,640 --> 00:10:29,920 Speaker 3: I eat too too many Batchel's handbags. I roll the 226 00:10:29,960 --> 00:10:32,800 Speaker 3: dice too many times in your day three. I don't 227 00:10:32,840 --> 00:10:35,880 Speaker 3: know when did they cook those things? Shouldn't ever make 228 00:10:35,920 --> 00:10:37,880 Speaker 3: you sick, not all that delicious stuff and. 229 00:10:39,400 --> 00:10:39,679 Speaker 8: Curse. 230 00:10:39,840 --> 00:10:41,319 Speaker 2: Yeah, yes, eat. 231 00:10:41,440 --> 00:10:45,400 Speaker 3: I don't get the case. Soaper market doesn't have the 232 00:10:45,440 --> 00:10:46,520 Speaker 3: cause caase just has the bread. 233 00:10:46,600 --> 00:10:58,880 Speaker 2: Crombs sage yes today, Yeah, that's old bread. They can't sally. Yeah, Okay, 234 00:10:59,040 --> 00:11:00,680 Speaker 2: it's holding all their delicate chicken juice. 235 00:11:01,280 --> 00:11:03,240 Speaker 3: How many times? Number three on the list of the 236 00:11:03,280 --> 00:11:05,800 Speaker 3: top six things the weather supercomputer can product. How many 237 00:11:05,800 --> 00:11:10,320 Speaker 3: times people will say, have it a bloody wind windy 238 00:11:10,400 --> 00:11:10,720 Speaker 3: this week? 239 00:11:10,800 --> 00:11:13,280 Speaker 2: Isn't it's a windy old spring? Yeah, it's a windy 240 00:11:13,320 --> 00:11:13,720 Speaker 2: old spring. 241 00:11:13,800 --> 00:11:15,160 Speaker 3: Number two on the list of the top six things 242 00:11:15,200 --> 00:11:17,599 Speaker 3: the weather supercomputer can predict that it's not going to 243 00:11:17,640 --> 00:11:20,280 Speaker 3: be sunny long enough to hang the washing outside. God, 244 00:11:20,320 --> 00:11:23,040 Speaker 3: that's a that's a gutting moment. Get your washing on 245 00:11:23,080 --> 00:11:24,599 Speaker 3: the line, and then you just get back inside. You 246 00:11:24,640 --> 00:11:26,000 Speaker 3: sit down, you put your feet up, and then you 247 00:11:26,120 --> 00:11:28,760 Speaker 3: hear gray clouds roll in a closed horse inside guy 248 00:11:28,800 --> 00:11:34,040 Speaker 3: And yeah, it's always lounge, always honey and flitches lounge. 249 00:11:34,160 --> 00:11:36,559 Speaker 2: Yeah, my favorite Shark Season five is out now. 250 00:11:37,000 --> 00:11:39,400 Speaker 3: Season seventeen. Yeah, I know it's crazy. It's a long 251 00:11:39,480 --> 00:11:41,720 Speaker 3: running show. Number one on the list of the top 252 00:11:41,720 --> 00:11:44,439 Speaker 3: six things the weather is supercomputer can product the wettest. 253 00:11:44,520 --> 00:11:46,120 Speaker 3: There is no number one that can predict is the 254 00:11:46,120 --> 00:11:48,480 Speaker 3: wetsest thing around here today is your mum because she's 255 00:11:48,520 --> 00:11:50,920 Speaker 3: hot and sweaty, and you know, you get ellen, have. 256 00:11:50,960 --> 00:11:51,760 Speaker 2: Some respect place. 257 00:11:51,920 --> 00:11:55,280 Speaker 3: Patsy listens to Italy's she's wet to the touch. 258 00:11:56,040 --> 00:11:58,880 Speaker 4: She's she that's turning. The weather is turning in Italy 259 00:11:58,920 --> 00:11:59,199 Speaker 4: as well. 260 00:12:00,240 --> 00:12:02,160 Speaker 2: They'll be home soon, Yeah, a couple of weeks. 261 00:12:02,280 --> 00:12:03,920 Speaker 3: But has your mom had a wet summer? 262 00:12:04,080 --> 00:12:05,720 Speaker 4: Yeah, I think she's been. 263 00:12:05,559 --> 00:12:09,959 Speaker 3: Wet've been feeling it. Yeah, that's sweatiness. That is today's top. 264 00:12:10,120 --> 00:12:12,559 Speaker 3: I'm looking forward to Alan Smith. I'm looking forward to 265 00:12:12,600 --> 00:12:14,960 Speaker 3: a moist summer myself. Okay, that is today's SLF. 266 00:12:15,000 --> 00:12:18,800 Speaker 1: So play Fletch, Thorne and Tailey. 267 00:12:19,080 --> 00:12:21,360 Speaker 4: You may remember and you can find it in our 268 00:12:21,400 --> 00:12:24,920 Speaker 4: podcast feed. We did a great interview with Johan Hari, 269 00:12:25,040 --> 00:12:28,120 Speaker 4: who is an amazing journalist. Is written a bunch of 270 00:12:28,160 --> 00:12:30,120 Speaker 4: books and the one I'm reading at the moment called 271 00:12:30,160 --> 00:12:32,119 Speaker 4: Stolen Focus on why we can't concentrate? 272 00:12:32,840 --> 00:12:34,600 Speaker 3: How far through stolen focus? 273 00:12:34,840 --> 00:12:35,360 Speaker 2: Can I say? 274 00:12:35,360 --> 00:12:37,600 Speaker 4: The one I'm doing at the moment is it's in 275 00:12:37,760 --> 00:12:40,880 Speaker 4: the bedside table, okay, and I opened it up the 276 00:12:40,960 --> 00:12:42,280 Speaker 4: other day to find. 277 00:12:42,160 --> 00:12:43,600 Speaker 3: Something else in there, okay, and. 278 00:12:46,240 --> 00:12:46,680 Speaker 2: Focus. 279 00:12:46,760 --> 00:12:49,320 Speaker 4: Yeah, it stole my focus. Something else stole my focus. 280 00:12:49,320 --> 00:12:50,319 Speaker 4: But he clocked the book. 281 00:12:50,400 --> 00:12:52,480 Speaker 2: That's the irony about their book is I read that 282 00:12:52,520 --> 00:12:55,080 Speaker 2: book as well, but it took me a while, I know, 283 00:12:55,240 --> 00:12:57,800 Speaker 2: because you do. You get distracted by things. No, well, 284 00:12:57,800 --> 00:12:58,680 Speaker 2: we're not the only ones. 285 00:12:58,679 --> 00:13:01,280 Speaker 4: It was a survey out of Britain in looking at 286 00:13:01,280 --> 00:13:05,320 Speaker 4: how long our attention span is lasting on things like TV, 287 00:13:05,559 --> 00:13:12,640 Speaker 4: movies and book reading. Book reading being the worst. We well, 288 00:13:12,800 --> 00:13:17,520 Speaker 4: the participants on average could only read for fourteen minutes, 289 00:13:17,559 --> 00:13:20,480 Speaker 4: which kind of came in at about one chapter for 290 00:13:20,520 --> 00:13:25,320 Speaker 4: the average reader. Carwen's laughing that's quite slow. 291 00:13:25,720 --> 00:13:27,520 Speaker 2: Yeah, that's quite a slow read. Yeah. 292 00:13:27,600 --> 00:13:30,640 Speaker 3: I'm definitely a slow reading because that thing you can 293 00:13:30,679 --> 00:13:31,520 Speaker 3: read fast. 294 00:13:31,720 --> 00:13:33,000 Speaker 2: Do you do that thing where you just in your 295 00:13:33,040 --> 00:13:35,080 Speaker 2: mind once and then you're like, how many sentences back 296 00:13:35,120 --> 00:13:37,360 Speaker 2: to two pages in your lap? Yeah? I have not 297 00:13:37,440 --> 00:13:38,280 Speaker 2: been ingesting this. 298 00:13:38,760 --> 00:13:42,120 Speaker 3: Yeah. Or if you lose your little flappy bit of 299 00:13:42,120 --> 00:13:43,880 Speaker 3: where you're up to, or your bookmark falls out and 300 00:13:43,920 --> 00:13:46,040 Speaker 3: you're scanning through and you're like, don't remember that, and 301 00:13:46,040 --> 00:13:47,319 Speaker 3: then you get your bait. You're like, but I do 302 00:13:47,400 --> 00:13:49,000 Speaker 3: remember the part after that part? 303 00:13:49,160 --> 00:13:51,960 Speaker 2: Yeah, like driving long distance and then you just get 304 00:13:52,000 --> 00:13:55,280 Speaker 2: there and you're there. I don't remember at all going through. 305 00:13:56,000 --> 00:14:00,240 Speaker 4: Fourteen minutes fourteen minutes before losing concentration. How long, on 306 00:14:00,280 --> 00:14:03,640 Speaker 4: average would you read a day, Carwen Carwin reads on 307 00:14:03,640 --> 00:14:05,920 Speaker 4: Instagram by the way for a book recommendations. 308 00:14:05,360 --> 00:14:06,839 Speaker 2: Yeah, t I don't know. 309 00:14:07,120 --> 00:14:10,439 Speaker 4: I feel like probably I read at least one hundred 310 00:14:10,480 --> 00:14:11,319 Speaker 4: pages a day. 311 00:14:11,320 --> 00:14:14,240 Speaker 2: But it would but it would fary a Yeah, definitely, yeah, 312 00:14:14,360 --> 00:14:16,360 Speaker 2: depending on how much I have to work for this job. 313 00:14:16,720 --> 00:14:20,480 Speaker 3: Got away? Do you walk and read? 314 00:14:21,320 --> 00:14:24,840 Speaker 2: I sit on my little exercise bike and read. I 315 00:14:24,840 --> 00:14:27,320 Speaker 2: see people walking and reading and we're like wild I know. 316 00:14:27,400 --> 00:14:28,840 Speaker 2: I mean, I guess there's no different than being on 317 00:14:28,840 --> 00:14:29,240 Speaker 2: your phone. 318 00:14:29,440 --> 00:14:32,840 Speaker 4: Yeah, so fourteen minutes for reading TV and film not 319 00:14:32,840 --> 00:14:35,560 Speaker 4: not as good. Before we're getting distracted and either like 320 00:14:35,600 --> 00:14:38,320 Speaker 4: packing up our phones and doing something else fifteen minutes, right, 321 00:14:38,360 --> 00:14:40,440 Speaker 4: because I love being on my phone while watching it. 322 00:14:40,880 --> 00:14:43,800 Speaker 2: That's I've been finding it hard to watch Spanish shows 323 00:14:43,800 --> 00:14:46,000 Speaker 2: with subtitles like money, Heist th and that, like, because 324 00:14:46,000 --> 00:14:48,400 Speaker 2: you're just like, oh, you miss a whole scene and 325 00:14:48,400 --> 00:14:48,640 Speaker 2: you have. 326 00:14:48,600 --> 00:14:49,000 Speaker 3: To go back. 327 00:14:49,080 --> 00:14:50,600 Speaker 4: Yeah, there are some movies you're like, damn, I'm not 328 00:14:50,640 --> 00:14:52,080 Speaker 4: gonna be able to be on my phone for this, 329 00:14:52,160 --> 00:14:53,480 Speaker 4: so I'll just like delay watching it. 330 00:14:53,720 --> 00:14:54,080 Speaker 2: Yeah. 331 00:14:54,120 --> 00:14:58,240 Speaker 4: Also basic daily task. Our attention span is not doing well. 332 00:14:58,320 --> 00:15:01,440 Speaker 4: Virtual work calls eleven minutes, minutes and then we're bored. 333 00:15:01,720 --> 00:15:03,760 Speaker 4: Face to face meetings thirteen minutes. 334 00:15:03,840 --> 00:15:06,920 Speaker 3: Then we're bored. We go for so many long meetings 335 00:15:08,600 --> 00:15:11,760 Speaker 3: five minutes, five minutes, tell me everything I need to know, quick. 336 00:15:12,040 --> 00:15:15,160 Speaker 4: Boom, Writing important emails twelve minutes. I mean, I'm not 337 00:15:15,200 --> 00:15:18,040 Speaker 4: running emails for twelve minutes life, but just family gatherings 338 00:15:18,040 --> 00:15:20,120 Speaker 4: we're bored fourteen minutes and listen to podcasts. 339 00:15:20,120 --> 00:15:20,760 Speaker 2: We've sort of done it. 340 00:15:20,800 --> 00:15:22,000 Speaker 3: A little, did you. 341 00:15:22,120 --> 00:15:25,120 Speaker 2: I saw Reese Wetherspoon did an interview and she was 342 00:15:25,160 --> 00:15:28,080 Speaker 2: talking about like what the future of movies will be 343 00:15:28,080 --> 00:15:29,600 Speaker 2: because we can't be bothered watching. 344 00:15:29,760 --> 00:15:32,880 Speaker 3: I've got kids and they don't even watch movies. Oh 345 00:15:33,120 --> 00:15:34,000 Speaker 3: like too long? 346 00:15:34,400 --> 00:15:37,280 Speaker 2: If podcast is only eleven minutes, what are we doing? 347 00:15:37,480 --> 00:15:38,760 Speaker 2: Aren't we past eleven minutes? 348 00:15:38,800 --> 00:15:41,320 Speaker 4: And today's podcast we could just stop. But the live 349 00:15:41,440 --> 00:15:42,880 Speaker 4: listener kind of drops in and out. 350 00:15:43,000 --> 00:15:45,840 Speaker 2: Yeah, that's true. But the podcast people that they'll probably 351 00:15:45,880 --> 00:15:47,000 Speaker 2: listen to, we. 352 00:15:46,960 --> 00:15:48,320 Speaker 3: Make for listener. 353 00:15:48,360 --> 00:15:48,520 Speaker 2: Now. 354 00:15:48,640 --> 00:15:51,640 Speaker 3: I love listening to a long podcast, so do I. 355 00:15:51,280 --> 00:15:53,760 Speaker 4: And if it's a good one, and you then and 356 00:15:53,840 --> 00:15:55,000 Speaker 4: you can't stop listening. 357 00:15:55,080 --> 00:15:57,560 Speaker 3: I watched a two hour forty movie last night, which 358 00:15:57,800 --> 00:16:00,520 Speaker 3: how is one battle after another? 359 00:16:00,880 --> 00:16:03,600 Speaker 2: I want to see? This is Leonardo DiCaprio movie. 360 00:16:03,600 --> 00:16:05,320 Speaker 3: It's really good, And it was one of those movies 361 00:16:05,360 --> 00:16:07,400 Speaker 3: I was a little bit like, well, for a start, 362 00:16:07,440 --> 00:16:08,960 Speaker 3: it was going to be a later night because it's 363 00:16:08,960 --> 00:16:10,960 Speaker 3: a long movie. But I was like, also, like that's 364 00:16:11,000 --> 00:16:14,000 Speaker 3: a long movie. Yeah, but it was good. When I 365 00:16:14,040 --> 00:16:15,320 Speaker 3: was one of those ones, I didn't feel like two 366 00:16:15,360 --> 00:16:17,119 Speaker 3: hours for you. Yeah, when I'm chising. 367 00:16:16,840 --> 00:16:18,560 Speaker 2: It wouldn't be able to watch something for that long, 368 00:16:18,760 --> 00:16:24,400 Speaker 2: Nah'd be like, why is the phone on the side? 369 00:16:26,600 --> 00:16:32,800 Speaker 1: Play ms Fletchborne and Haley play z ms Fletchboorde and well. 370 00:16:32,920 --> 00:16:35,360 Speaker 2: Research out of the UK has found when it comes 371 00:16:35,400 --> 00:16:42,320 Speaker 2: to gen Z's millennials, who else gen x and boomers. Yeah, 372 00:16:43,000 --> 00:16:49,359 Speaker 2: it's the the gen Z's having listicks in the grandparents 373 00:16:49,760 --> 00:16:50,480 Speaker 2: and the boomers. 374 00:16:50,720 --> 00:16:53,640 Speaker 3: They're at the bottom of all generations, so. 375 00:16:53,520 --> 00:16:57,120 Speaker 4: That that just do you think it's a hangover from 376 00:16:57,320 --> 00:16:59,640 Speaker 4: COVID They stayed inside. 377 00:16:59,440 --> 00:17:02,960 Speaker 2: So they reckon as it's mostly because a lot of 378 00:17:03,000 --> 00:17:06,840 Speaker 2: them still live at home and until later, so you. 379 00:17:06,680 --> 00:17:09,840 Speaker 3: Can't because nowhere to go. But gen Z's would be 380 00:17:09,880 --> 00:17:12,080 Speaker 3: living at home with gin xes. 381 00:17:14,040 --> 00:17:16,440 Speaker 2: Gen Z's living years. 382 00:17:16,119 --> 00:17:18,920 Speaker 3: And so gen Xes in that house they're having more 383 00:17:19,000 --> 00:17:21,760 Speaker 3: six so they're not put off having six with your 384 00:17:21,800 --> 00:17:23,800 Speaker 3: kids still living at home, but the kids aren't having six. 385 00:17:24,920 --> 00:17:28,120 Speaker 2: Maybe maybe they're waiting until everyone's out of the house. 386 00:17:27,880 --> 00:17:29,800 Speaker 4: Because you know, my parents are coming home soon and 387 00:17:29,800 --> 00:17:31,280 Speaker 4: they're going to be with me for a bit, and 388 00:17:31,320 --> 00:17:34,840 Speaker 4: I'm like my mom said to me, she was like, 389 00:17:34,840 --> 00:17:35,800 Speaker 4: it goes both ways. 390 00:17:35,880 --> 00:17:36,800 Speaker 3: When we were talking. 391 00:17:36,600 --> 00:17:38,960 Speaker 4: About how we might want to navigate the next stages, 392 00:17:39,000 --> 00:17:40,000 Speaker 4: of life. 393 00:17:41,280 --> 00:17:46,440 Speaker 3: Okay, wow, have you misconstrued that as your mum telling 394 00:17:46,440 --> 00:17:47,320 Speaker 3: you she's bisexual? 395 00:17:47,480 --> 00:17:48,399 Speaker 2: No, no, no, no, no no. 396 00:17:48,520 --> 00:17:50,640 Speaker 4: When I said something about like what if I wanted 397 00:17:50,640 --> 00:17:52,960 Speaker 4: to have a little date, and she said, well that 398 00:17:53,119 --> 00:17:54,200 Speaker 4: goes both ways. 399 00:17:54,560 --> 00:17:56,200 Speaker 2: Wait, you're going to be at opposite ends of the 400 00:17:56,240 --> 00:17:58,800 Speaker 2: house though, right, No, it was a small house in 401 00:17:58,920 --> 00:18:03,320 Speaker 2: the room that nick to each other. No no, no, 402 00:18:03,640 --> 00:18:06,080 Speaker 2: naous as lounge fornicators. 403 00:18:06,440 --> 00:18:07,760 Speaker 3: You're going to have the front room. 404 00:18:08,560 --> 00:18:12,359 Speaker 2: Me it's tiny, absolutely not. That's the guest bourdoir. Well, 405 00:18:12,400 --> 00:18:13,920 Speaker 2: maybe that's so you can have dates over. 406 00:18:14,280 --> 00:18:17,840 Speaker 3: Oh no, no, that could be their hanky panky room, 407 00:18:17,960 --> 00:18:18,640 Speaker 3: hank bank. 408 00:18:18,600 --> 00:18:21,720 Speaker 2: Room, share a hanky panky rount with my anyway. 409 00:18:21,760 --> 00:18:24,560 Speaker 3: Okay, well gen Z's for gen Z's it worked. 410 00:18:24,320 --> 00:18:27,080 Speaker 2: Out to be thirty six times a year, the equivalent 411 00:18:27,200 --> 00:18:32,480 Speaker 2: of every ten days for the grandparents, the boomers, those 412 00:18:32,520 --> 00:18:35,080 Speaker 2: age sixty one to seventy nine, saying they shake the 413 00:18:35,119 --> 00:18:39,159 Speaker 2: sheets forty seven times a year for them, seven times 414 00:18:39,200 --> 00:18:45,080 Speaker 2: a year for them, gin X, they're more than once 415 00:18:45,119 --> 00:18:47,600 Speaker 2: a week clocking and it's sixty two times a year. 416 00:18:48,040 --> 00:18:52,320 Speaker 3: Ah yeah, gen X, yeah, gen it's a week. 417 00:18:52,400 --> 00:18:55,400 Speaker 4: Yeah, but there would be you have a mixture there 418 00:18:55,440 --> 00:19:00,440 Speaker 4: of your long terms kind of letting down the numbers, say, 419 00:19:00,480 --> 00:19:01,600 Speaker 4: is cranking them right back? 420 00:19:02,000 --> 00:19:05,240 Speaker 2: Yeah, and you know those rest times go wild things 421 00:19:05,280 --> 00:19:06,480 Speaker 2: wrapping through the rest time. 422 00:19:06,560 --> 00:19:09,520 Speaker 3: But that's that's even older with boomers now, yeah it is. 423 00:19:09,640 --> 00:19:15,600 Speaker 2: Yeah, you know it's millennials health and we millennials humpins. 424 00:19:15,600 --> 00:19:17,200 Speaker 3: It's just hard to get out of the skinny jeans, 425 00:19:17,200 --> 00:19:17,359 Speaker 3: you know. 426 00:19:17,760 --> 00:19:19,840 Speaker 2: Yeah, it's hard to peel them off. Corn down to 427 00:19:19,840 --> 00:19:21,960 Speaker 2: the knees. Yeah, you know what I mean, it's sort 428 00:19:21,960 --> 00:19:25,879 Speaker 2: of frostis rub Yeah, not sure on the millennial. 429 00:19:26,240 --> 00:19:28,800 Speaker 3: I can't find the millennials stick out bother been left 430 00:19:28,800 --> 00:19:31,359 Speaker 3: out of the two. Insecure again, yeah you know we 431 00:19:31,400 --> 00:19:34,720 Speaker 3: were those nineties. Yeah, yeah, we look in the mirror 432 00:19:34,760 --> 00:19:37,000 Speaker 3: and we're nothing but disappointed with what we've got, even 433 00:19:37,000 --> 00:19:38,399 Speaker 3: if we're in great shape. 434 00:19:38,600 --> 00:19:41,280 Speaker 4: Show some of my naked body. Absolutely not. Why how 435 00:19:41,320 --> 00:19:42,080 Speaker 4: would they want to see that? 436 00:19:42,240 --> 00:19:46,960 Speaker 2: Okay, so millennials twenty seven to forty three, they were 437 00:19:46,960 --> 00:19:49,520 Speaker 2: found to get racist seventy three times a year, or 438 00:19:49,560 --> 00:19:51,520 Speaker 2: once every five days, so they actually take it out. 439 00:19:51,840 --> 00:19:53,760 Speaker 3: So it goes millennial gin. 440 00:19:53,720 --> 00:19:58,240 Speaker 2: Its boomers gen z gin z. But you would think 441 00:19:58,280 --> 00:20:00,359 Speaker 2: gen Z would be like up there, like you'd be 442 00:20:00,400 --> 00:20:03,040 Speaker 2: like one or two, right, but you're the hottest you're 443 00:20:03,080 --> 00:20:03,639 Speaker 2: ever gonna be. 444 00:20:04,480 --> 00:20:06,840 Speaker 3: Yeah, remember that, Remember that, ginny. 445 00:20:06,680 --> 00:20:10,600 Speaker 4: Remember that, well may be but the perkiest. Yeah, let 446 00:20:10,600 --> 00:20:12,159 Speaker 4: me tell you that, absolutely. 447 00:20:11,960 --> 00:20:15,160 Speaker 3: Yeah, Ginz. I'll also say your metabolism is on your 448 00:20:15,200 --> 00:20:17,000 Speaker 3: side right now. Yeah, soon it won't be. 449 00:20:17,119 --> 00:20:19,160 Speaker 4: That's crazy because I can eat like whatever I want 450 00:20:19,320 --> 00:20:21,640 Speaker 4: and like and you never put on way. 451 00:20:21,760 --> 00:20:23,040 Speaker 3: It's just not a saying you're gonna be able to 452 00:20:23,080 --> 00:20:27,040 Speaker 3: keep saying forever you just wait, you wait it ms 453 00:20:27,160 --> 00:20:32,479 Speaker 3: flinch vorn and hangry, silly little pools. 454 00:20:35,040 --> 00:20:37,720 Speaker 6: It is so silly, silly, silly. 455 00:20:37,440 --> 00:20:45,360 Speaker 9: That silltle pool silly poo, silly little silly. 456 00:20:46,920 --> 00:20:49,520 Speaker 3: It's a little pole. After trying on clothes in a store, 457 00:20:49,560 --> 00:20:51,560 Speaker 3: what do you do with the items you don't want 458 00:20:51,600 --> 00:20:51,960 Speaker 3: to buy? 459 00:20:54,200 --> 00:20:55,200 Speaker 2: Options three? 460 00:20:55,320 --> 00:20:58,200 Speaker 3: Hang them, will, put them on the reject rack, give 461 00:20:58,240 --> 00:21:02,240 Speaker 3: them to one of the retails start excuse me, oh 462 00:21:02,320 --> 00:21:05,520 Speaker 3: dear retail polon in here. We've got some postles and pollen. 463 00:21:05,320 --> 00:21:09,360 Speaker 2: Count I did bring in a pine tree. Apologize, yeah, sorry, unacceptable. 464 00:21:10,080 --> 00:21:11,879 Speaker 3: Give them to one of the retail stuff or leave 465 00:21:11,920 --> 00:21:17,800 Speaker 3: them in the changing room. The results are overwhelmingly rehang 466 00:21:17,920 --> 00:21:21,640 Speaker 3: them and put them on the reject right six percent. 467 00:21:21,760 --> 00:21:24,720 Speaker 2: Yeah, reject rack because they You're right, Haley, they don't 468 00:21:24,880 --> 00:21:25,840 Speaker 2: like you hanging them. 469 00:21:26,119 --> 00:21:29,440 Speaker 4: Don't take them back into the store. No, and rehang 470 00:21:29,520 --> 00:21:32,400 Speaker 4: on the thing reject recks. Fine, because then we'll go and. 471 00:21:32,480 --> 00:21:36,200 Speaker 2: We'll what if there's no reject rack. Just leave them 472 00:21:36,200 --> 00:21:39,359 Speaker 2: in the hanging on the hook, right, yeah, So not 473 00:21:39,400 --> 00:21:41,239 Speaker 2: in a heap on the floor that you've stood on 474 00:21:41,320 --> 00:21:41,760 Speaker 2: with your. 475 00:21:41,640 --> 00:21:42,720 Speaker 3: Shoes and right. 476 00:21:43,040 --> 00:21:45,040 Speaker 2: You know that's not good. Toss like I'm your mother. 477 00:21:45,480 --> 00:21:47,520 Speaker 3: Give them to one of the restar. Retail stuff was 478 00:21:47,560 --> 00:21:49,320 Speaker 3: a twelve percent, which is what I do. I just 479 00:21:49,320 --> 00:21:50,840 Speaker 3: take them back to the counter. But I don't want these. 480 00:21:50,880 --> 00:21:53,440 Speaker 3: I want these ones I want, yeah, per or leave 481 00:21:53,480 --> 00:21:56,080 Speaker 3: them in the changing room. 482 00:21:56,840 --> 00:21:59,439 Speaker 2: That was three percent. Yeah, I don't do that. Definitely 483 00:21:59,440 --> 00:22:00,000 Speaker 2: don't do that. 484 00:22:01,960 --> 00:22:03,840 Speaker 3: Says none of the above. I put the back where 485 00:22:03,840 --> 00:22:08,359 Speaker 3: I found them because I'm a decent human being. 486 00:22:08,560 --> 00:22:11,320 Speaker 2: Yeah, hang it like a question mark, And it might 487 00:22:11,359 --> 00:22:13,720 Speaker 2: be you might hung it the wrong way round, it 488 00:22:13,800 --> 00:22:15,439 Speaker 2: might be a crinkled They might need to do one 489 00:22:15,480 --> 00:22:19,200 Speaker 2: of those. You might not have put the little straps on, 490 00:22:19,280 --> 00:22:19,480 Speaker 2: you know. 491 00:22:19,440 --> 00:22:21,720 Speaker 3: What I mean. No, no, no, you've got you've got 492 00:22:21,720 --> 00:22:23,880 Speaker 3: to sort it out. It's going to be a crinkle. Rebecca, 493 00:22:23,960 --> 00:22:26,400 Speaker 3: after working miniears in retail, I always rehang and put 494 00:22:26,400 --> 00:22:28,320 Speaker 3: in the reject rack or back in the correct place. 495 00:22:28,359 --> 00:22:30,240 Speaker 3: It's so iffing rude when people just leave clothes in 496 00:22:30,240 --> 00:22:32,439 Speaker 3: the changing rooms. It's so disrespectful when they leave them 497 00:22:32,440 --> 00:22:35,600 Speaker 3: on the floor. Oh the never leave them on the floor. 498 00:22:36,600 --> 00:22:39,440 Speaker 3: But there's someone who works in retail that she rehangs 499 00:22:39,440 --> 00:22:41,760 Speaker 3: because she knows how to hang and fault because she knows. 500 00:22:43,400 --> 00:22:45,119 Speaker 2: Yeah, oh, I got the fold. When you pick up 501 00:22:45,119 --> 00:22:47,320 Speaker 2: a T shirt and you just it's nicely folded and 502 00:22:47,359 --> 00:22:49,960 Speaker 2: you're like, oh, it's too boxy, or and then you 503 00:22:50,119 --> 00:22:53,040 Speaker 2: just kind of roughly and you just like I tried. 504 00:22:53,520 --> 00:22:57,399 Speaker 3: Letti says, leaving them in the changing room is dog behavior. 505 00:22:58,119 --> 00:23:01,160 Speaker 3: Behavior in capitals. I was joking, never done. Changing rooms 506 00:23:01,160 --> 00:23:03,520 Speaker 3: aren't a right. We don't have to have them respect 507 00:23:03,600 --> 00:23:04,520 Speaker 3: retail stuff and have. 508 00:23:04,520 --> 00:23:05,600 Speaker 2: To bring your ship out. 509 00:23:05,960 --> 00:23:11,679 Speaker 3: Wow, Wow, she's angry. I bring my partner along and 510 00:23:11,680 --> 00:23:13,280 Speaker 3: get them to put the clothes back on the hangers 511 00:23:13,280 --> 00:23:14,560 Speaker 3: for me or nice. 512 00:23:14,720 --> 00:23:16,160 Speaker 2: And I think you've done that, Fletch. 513 00:23:16,160 --> 00:23:19,280 Speaker 4: When I was shopped with you, you'd hand me the reject Yeah, 514 00:23:19,880 --> 00:23:23,760 Speaker 4: you deal with that retail, your next retailer. 515 00:23:24,040 --> 00:23:26,639 Speaker 2: You're a yeah, because you're a professional. You know what 516 00:23:26,640 --> 00:23:27,800 Speaker 2: you're doing. I know how to fold a. 517 00:23:27,840 --> 00:23:31,359 Speaker 3: Teach rehang on reject rack. Unless the staff member sees here, 518 00:23:31,400 --> 00:23:33,959 Speaker 3: I'll take those. You are heathen if you leave them 519 00:23:33,960 --> 00:23:34,760 Speaker 3: in the changing rooms. 520 00:23:34,760 --> 00:23:37,320 Speaker 2: Wow, okay, we're really learning here. But I think if 521 00:23:37,320 --> 00:23:40,880 Speaker 2: there's no reject rack and the staff are busy, then 522 00:23:40,920 --> 00:23:43,320 Speaker 2: you've got to leave them in the somewhere, somewhere, We 523 00:23:43,400 --> 00:23:46,800 Speaker 2: take them to the counter something. Yeah, I don't want me. 524 00:23:48,119 --> 00:23:53,480 Speaker 3: Lizzy says, I worked in retire Listy MacGuire Listen maguire 525 00:23:53,520 --> 00:23:57,439 Speaker 3: as a team Lizzie McGuire, Yeah, I worked in retail 526 00:23:57,480 --> 00:23:59,919 Speaker 3: for fifteen years. I find myself even reorganizing the shoves 527 00:23:59,920 --> 00:24:02,600 Speaker 3: and came out, Oh yeah, okay. 528 00:24:02,280 --> 00:24:03,840 Speaker 2: Good luck to you. There's a lot of stuff there. 529 00:24:04,240 --> 00:24:06,680 Speaker 3: Yeah, it's a crazy and came out Joe said to 530 00:24:06,720 --> 00:24:08,760 Speaker 3: someone who works in retail, everyone is lying. They leave 531 00:24:08,760 --> 00:24:10,399 Speaker 3: them in a messy pile on the floor. 532 00:24:11,119 --> 00:24:14,040 Speaker 2: She's she's calling out the three percent there that actually 533 00:24:14,080 --> 00:24:16,840 Speaker 2: are telling the truth. And maybe there's another ten or 534 00:24:16,880 --> 00:24:19,240 Speaker 2: fifteen and the seventy percent that are lying. 535 00:24:19,440 --> 00:24:22,320 Speaker 3: Yeah, Stephanie said, always reject rag. But if there's no 536 00:24:22,400 --> 00:24:24,800 Speaker 3: reject rag, I'm leaving them in the changing room room 537 00:24:24,880 --> 00:24:26,240 Speaker 3: because I don't work at the store, and I'm not 538 00:24:26,240 --> 00:24:30,760 Speaker 3: putting them away with my sloppy hanging. Yeah, exactly, because 539 00:24:30,920 --> 00:24:33,880 Speaker 3: the two other options mean mad disrespects is Sarah. Plus, 540 00:24:33,920 --> 00:24:36,040 Speaker 3: I don't need some gen z glass on some ploy. No, 541 00:24:36,160 --> 00:24:37,960 Speaker 3: my old ass can't fit into half the hout of 542 00:24:38,320 --> 00:24:40,920 Speaker 3: in the changing room with me, the shame. 543 00:24:40,680 --> 00:24:44,159 Speaker 2: Of it, oh on, So she's put them away. Colin. 544 00:24:44,680 --> 00:24:47,359 Speaker 3: It depends if I'm making a purchase. Colin Firth or 545 00:24:47,440 --> 00:24:51,320 Speaker 3: Ferrel Firth. Okay, okay. Have you seen the trailer for 546 00:24:51,359 --> 00:24:53,920 Speaker 3: the new Colin Farrel mother with Yeah, marga Robick that. 547 00:24:53,840 --> 00:24:56,400 Speaker 2: Looks at it weird? It's fun gone to a fantasy. 548 00:24:56,920 --> 00:25:00,000 Speaker 3: Yeah, fund it weird. It depends if I'm making a purchase. 549 00:25:00,080 --> 00:25:01,680 Speaker 3: If so, I'll take the duds up to the counter 550 00:25:01,720 --> 00:25:03,520 Speaker 3: and say I don't want these. If not, then I'll 551 00:25:03,520 --> 00:25:05,800 Speaker 3: put them on the reject you meta, Yeah, same meto, 552 00:25:05,880 --> 00:25:10,280 Speaker 3: Colin Firth, Not Colin Farrell, Me too, Colin fair So 553 00:25:10,320 --> 00:25:12,840 Speaker 3: we asked you today Foracillita polaf to try and unclothes 554 00:25:12,840 --> 00:25:14,160 Speaker 3: in a store. What do you do with the items 555 00:25:14,160 --> 00:25:17,240 Speaker 3: you don't want to buy? Eighty six percent of you said, 556 00:25:17,280 --> 00:25:18,360 Speaker 3: rehang them and put them on the. 557 00:25:18,280 --> 00:25:21,119 Speaker 2: Reject play z ms flesh one and Haley. 558 00:25:21,280 --> 00:25:25,439 Speaker 4: We want to talk about who is your odd celebrity 559 00:25:25,480 --> 00:25:29,280 Speaker 4: crush and whatever odd means to you, Like maybe it's. 560 00:25:29,040 --> 00:25:32,000 Speaker 3: Like not not controversially. 561 00:25:31,320 --> 00:25:33,119 Speaker 4: Yeah, like if you text them being like Chris hems 562 00:25:33,160 --> 00:25:35,200 Speaker 4: with it's like no, no, no, that's not like everyone. 563 00:25:35,320 --> 00:25:35,800 Speaker 6: Yeah. 564 00:25:36,040 --> 00:25:38,199 Speaker 4: And the only reason where the reason I'm bringing this 565 00:25:38,240 --> 00:25:42,879 Speaker 4: out is because al Fanning of the Fanning fam YEP 566 00:25:43,760 --> 00:25:46,320 Speaker 4: says that her and her sister Dakota, and some of 567 00:25:46,359 --> 00:25:50,160 Speaker 4: their friends have a whole group chat dedicated to how 568 00:25:50,280 --> 00:25:53,240 Speaker 4: hot Jack Black is now for some people, they would 569 00:25:53,359 --> 00:25:55,639 Speaker 4: maybe find him an unconventional attractive person. 570 00:25:56,080 --> 00:25:58,160 Speaker 2: I've had a crush on Jet Black from dayda. 571 00:25:58,320 --> 00:26:01,520 Speaker 3: Really yeah, yeah, this is wed him, didn't we? Yeah? 572 00:26:01,560 --> 00:26:04,600 Speaker 4: I know, And I like it was about the flush, 573 00:26:04,720 --> 00:26:06,040 Speaker 4: you know what I mean he was about. 574 00:26:07,119 --> 00:26:10,200 Speaker 2: He's got great energy. I mean, he's not going to 575 00:26:10,240 --> 00:26:12,600 Speaker 2: be people's sixtiest man of the year, though, was he not? 576 00:26:12,680 --> 00:26:13,720 Speaker 3: Everyone? No? 577 00:26:13,840 --> 00:26:14,679 Speaker 2: And That's what I want to know. 578 00:26:14,720 --> 00:26:19,400 Speaker 4: You're sort of unconventional or not sort of obvious celebrity crush. 579 00:26:20,520 --> 00:26:23,240 Speaker 4: I mean, I guess like Hugh Grant, but I used 580 00:26:23,240 --> 00:26:27,359 Speaker 4: to find Hugh Grant. I find the oldest version of 581 00:26:27,440 --> 00:26:32,240 Speaker 4: Hugh Grant. Sexy, right, not not burbling, sort of young 582 00:26:32,359 --> 00:26:33,199 Speaker 4: Hill Grant. 583 00:26:33,560 --> 00:26:38,000 Speaker 3: The older he's getting better the more I'm like, yeah, heretic. 584 00:26:38,160 --> 00:26:41,280 Speaker 2: Oh, I know that movie. So and you got to 585 00:26:41,320 --> 00:26:45,159 Speaker 2: interview him as well over him as well, and that 586 00:26:45,280 --> 00:26:47,600 Speaker 2: was probably the most nervous I've ever been. But he 587 00:26:47,760 --> 00:26:50,439 Speaker 2: is a good looking man. I don't think that counts. 588 00:26:50,600 --> 00:26:54,119 Speaker 2: I don't think that counts. Some messages and already I 589 00:26:54,200 --> 00:26:54,680 Speaker 2: get it. 590 00:26:57,560 --> 00:27:01,399 Speaker 3: Cricket Britta McCollums made the Someone's and Brundan mcamough's okay, 591 00:27:01,440 --> 00:27:04,200 Speaker 3: and then that's unconventional, isn't. He's a good looking man. 592 00:27:04,280 --> 00:27:07,480 Speaker 3: He is a good looking man. Yeah, okay, Well, David 593 00:27:07,520 --> 00:27:10,840 Speaker 3: Tennant one of the high profile doctor her. He's a 594 00:27:10,960 --> 00:27:13,159 Speaker 3: great actor. I've tried to explain to my friends. They 595 00:27:13,160 --> 00:27:15,200 Speaker 3: just don't get it. He's my delicious Scottish daddy. 596 00:27:16,840 --> 00:27:20,440 Speaker 2: Yeah, yeah, I get it, Okay, I get it. This 597 00:27:20,480 --> 00:27:22,040 Speaker 2: is what we want to know for me this morning 598 00:27:22,240 --> 00:27:24,280 Speaker 2: eight hundred dollars at him. You can give us a call. 599 00:27:24,840 --> 00:27:27,240 Speaker 2: Kingston nine six nine, Sex. 600 00:27:27,200 --> 00:27:28,520 Speaker 3: X Police Commissioner Mike Bush. 601 00:27:29,200 --> 00:27:33,560 Speaker 2: Okay, welcome to the last I think it's a uniform. 602 00:27:33,600 --> 00:27:36,800 Speaker 2: It's the uniform, it's the power. Yeah, like how people 603 00:27:36,840 --> 00:27:41,200 Speaker 2: got Ashley Bloomfield. They were love with him. 604 00:27:41,080 --> 00:27:44,119 Speaker 4: With the one talked Ashley Bloomfield said, like, can I 605 00:27:44,119 --> 00:27:45,359 Speaker 4: take you up for a drink? You're gonna say no, 606 00:27:45,440 --> 00:27:47,320 Speaker 4: absolutely not. Ay, you can do whatever you want. 607 00:27:48,119 --> 00:27:51,040 Speaker 3: Sorry, said Chris Martin. Now is that another cricketer or 608 00:27:51,080 --> 00:27:51,920 Speaker 3: are we talking coldplay? 609 00:27:52,359 --> 00:27:55,480 Speaker 4: If you're doing cold play, I wouldn't say he's he's 610 00:27:55,760 --> 00:27:56,480 Speaker 4: very handsome. 611 00:27:56,760 --> 00:27:59,560 Speaker 2: Yeah, okay, well this is what we want to know. 612 00:27:59,760 --> 00:28:02,080 Speaker 2: Wait and Drew dalds it in nine six nine Sex. 613 00:28:02,080 --> 00:28:06,160 Speaker 2: Who was your unconventional celebrity crush? Talking now about your 614 00:28:06,400 --> 00:28:08,680 Speaker 2: unconventional celebrity crushes. Yeah. 615 00:28:08,720 --> 00:28:13,239 Speaker 4: Al Fanning has like her whole passes Jack Black and 616 00:28:13,280 --> 00:28:13,840 Speaker 4: I get it, man. 617 00:28:13,920 --> 00:28:15,840 Speaker 2: I went absolutely word. 618 00:28:16,040 --> 00:28:20,760 Speaker 3: Because he's sexy six and he's got a great energy. 619 00:28:21,240 --> 00:28:24,960 Speaker 4: He's a musician. Yeah, yeah, sorry, just the text. Hailey 620 00:28:25,000 --> 00:28:27,159 Speaker 4: Wistner such a wee hot he just really got me. 621 00:28:28,520 --> 00:28:29,600 Speaker 4: It was such a wee hoty. 622 00:28:29,760 --> 00:28:30,480 Speaker 3: Hailey Western. 623 00:28:30,920 --> 00:28:34,040 Speaker 4: Okay, Yeah, beautiful voice voice of an angel. 624 00:28:34,160 --> 00:28:38,680 Speaker 3: Yeah's been quiet lately. I don't know I heard anything 625 00:28:38,720 --> 00:28:43,440 Speaker 3: from the Western refront for a while. Yeah, that's come 626 00:28:43,440 --> 00:28:46,640 Speaker 3: back out the front quiet on the Westerner front. 627 00:28:46,880 --> 00:28:49,440 Speaker 2: Yeah yeah, great, great messages. 628 00:28:49,640 --> 00:28:52,760 Speaker 3: The diagram of crossover between World War Two fans and 629 00:28:53,080 --> 00:28:54,760 Speaker 3: Hailey Western. Yeah, I like that. 630 00:28:54,840 --> 00:28:56,480 Speaker 4: I like, we want to know who is your odd 631 00:28:56,560 --> 00:28:59,880 Speaker 4: or unconventional celebrity crush because people would argue that Jack 632 00:29:00,240 --> 00:29:05,560 Speaker 4: isn't you, He's not your Chris Hemsworth saw you know, Henry. 633 00:29:05,240 --> 00:29:09,960 Speaker 3: Cavill Stephen Segal as a younger actor cool cut so 634 00:29:10,040 --> 00:29:13,880 Speaker 3: in that movie and saw the battles on battles one 635 00:29:13,920 --> 00:29:16,400 Speaker 3: after another, battles battles Leonardo DiCaprio Battle. This is the 636 00:29:16,440 --> 00:29:20,920 Speaker 3: new Leonardo DiCaprio movie, Battles one battle after another. Yes, 637 00:29:21,000 --> 00:29:24,360 Speaker 3: that's that great. It looks like Stephen the he looks 638 00:29:24,400 --> 00:29:26,280 Speaker 3: like stevens oh, because I've seen a few clips in 639 00:29:26,320 --> 00:29:27,080 Speaker 3: your steps. 640 00:29:27,360 --> 00:29:29,560 Speaker 2: But he like, didn't he let himself go for the movie? 641 00:29:29,680 --> 00:29:31,480 Speaker 3: Yeah? Yeah, yeh did he? 642 00:29:32,120 --> 00:29:33,080 Speaker 2: Or is he just let himself go? 643 00:29:33,880 --> 00:29:34,440 Speaker 3: Or is he actually? 644 00:29:34,600 --> 00:29:37,320 Speaker 2: Yeah, he's old, Like we forget his old? How did 645 00:29:37,560 --> 00:29:41,240 Speaker 2: I would need how you put on thirty kg is 646 00:29:41,360 --> 00:29:41,720 Speaker 2: just like that. 647 00:29:43,080 --> 00:29:46,000 Speaker 3: Who was your unconventional crush Jonathan. 648 00:29:47,240 --> 00:29:50,560 Speaker 10: Uh winth Miller from prison Break? 649 00:29:50,800 --> 00:29:54,240 Speaker 3: Yeah, that's not an unconventional crush because he, at the 650 00:29:54,280 --> 00:29:56,400 Speaker 3: time of prison break was extremely hot. 651 00:29:56,640 --> 00:29:56,840 Speaker 8: Yeah. 652 00:29:57,640 --> 00:29:59,080 Speaker 10: Yeah, but I'm not going so. 653 00:30:02,040 --> 00:30:08,480 Speaker 3: Okay, okay, So it's a bluetonic Yeah, platonic crush there. Well, no, 654 00:30:08,520 --> 00:30:13,600 Speaker 3: it's not, No, it's not, it's it's yeah, for him, 655 00:30:14,920 --> 00:30:19,360 Speaker 3: he's Gay's gay? W Worth came out. Donovan's not. 656 00:30:19,560 --> 00:30:24,160 Speaker 2: Donovan's not, but would be would be okay, who's the 657 00:30:24,160 --> 00:30:26,880 Speaker 2: one you because you'd be gay for Henry Cavill. 658 00:30:27,080 --> 00:30:30,760 Speaker 3: You see that Miller is gay. I'm pretty sure he 659 00:30:30,840 --> 00:30:38,200 Speaker 3: came out just sort of confused him because I would Yeah, God, Miller. 660 00:30:38,800 --> 00:30:40,760 Speaker 3: I am wondering if I go gay for Kevil, if 661 00:30:40,800 --> 00:30:43,480 Speaker 3: I need a couple of warm ups. 662 00:30:43,800 --> 00:30:45,600 Speaker 2: Jumping at the deep end of the pool, like just 663 00:30:45,760 --> 00:30:49,640 Speaker 2: a couple of grinder hook ups is not gay? 664 00:30:50,240 --> 00:30:50,720 Speaker 3: I know. 665 00:30:52,120 --> 00:30:54,320 Speaker 2: Me and immediately be like, I get it, let's hook up. 666 00:30:54,360 --> 00:30:57,520 Speaker 4: But for Donovan it's easier because his gay crushes already, 667 00:30:57,680 --> 00:30:58,320 Speaker 4: He's already gay. 668 00:30:58,400 --> 00:30:59,520 Speaker 2: You'd be in good hands. 669 00:31:00,240 --> 00:31:04,120 Speaker 3: Yeah, okay, Donovan, think this is almost a phone on 670 00:31:04,160 --> 00:31:05,960 Speaker 3: the topic for another day. How you turned down you 671 00:31:05,960 --> 00:31:08,000 Speaker 3: go gay for I love that? Okay, we'll write that 672 00:31:08,080 --> 00:31:08,920 Speaker 3: down in the journal. 673 00:31:09,080 --> 00:31:13,200 Speaker 4: Is that maybe I'd go go for that one. But 674 00:31:13,240 --> 00:31:15,120 Speaker 4: then game, we'll do a game. We'll do a gay 675 00:31:15,200 --> 00:31:16,280 Speaker 4: chip with our gay mates. 676 00:31:16,400 --> 00:31:19,840 Speaker 2: Yeah, yeah, matt of which we have many, most of 677 00:31:19,880 --> 00:31:21,200 Speaker 2: them message. 678 00:31:21,680 --> 00:31:25,760 Speaker 3: Which mat m A T A A T one A 679 00:31:25,840 --> 00:31:29,040 Speaker 3: T T one's Maddie one's Matthew. There's so many, you've 680 00:31:29,040 --> 00:31:32,120 Speaker 3: got a specialize. Otherwise you've said gay man, it's all women, 681 00:31:34,720 --> 00:31:35,400 Speaker 3: my mamma. 682 00:31:35,400 --> 00:31:36,040 Speaker 2: Who else we got? 683 00:31:36,120 --> 00:31:39,000 Speaker 3: Will Ferrell kind of transcending because it was so funny. 684 00:31:39,400 --> 00:31:41,720 Speaker 3: So yeah, you know, I don't know if that's too unusual. 685 00:31:42,280 --> 00:31:44,440 Speaker 2: Last and make me, you know, and then we're good. 686 00:31:44,480 --> 00:31:45,000 Speaker 2: We're golden. 687 00:31:45,320 --> 00:31:49,600 Speaker 3: Somebody said Bill Murray, Yeah, so much older than me. 688 00:31:49,800 --> 00:31:52,440 Speaker 2: Bill translation though, Oh yeah, that was a. 689 00:31:54,360 --> 00:31:54,720 Speaker 7: See it. 690 00:31:56,200 --> 00:32:00,880 Speaker 2: Christopher Walken O, Christopher Walkin is so great. Yeah. 691 00:32:00,920 --> 00:32:03,520 Speaker 3: Somebody said, mine's just anybody with a crazy amount of charisma. 692 00:32:03,600 --> 00:32:08,400 Speaker 3: Jack Black, Melissa McCartney McCarthy. McCarthy McCarthy, and Danny DeVito 693 00:32:08,600 --> 00:32:12,320 Speaker 3: are on the list of people whose charisma exceeds anything else. 694 00:32:12,680 --> 00:32:15,400 Speaker 4: Danny DeVito made a movement, mate, one one just for 695 00:32:15,440 --> 00:32:19,320 Speaker 4: the yar, just for the just for the story, guys, FaceTime. 696 00:32:19,600 --> 00:32:20,240 Speaker 3: There's another. 697 00:32:20,480 --> 00:32:22,040 Speaker 2: There's another good phone and topic. What did you do 698 00:32:22,080 --> 00:32:22,760 Speaker 2: for the story? 699 00:32:23,200 --> 00:32:25,160 Speaker 3: What did you do just for the We call it 700 00:32:25,200 --> 00:32:28,640 Speaker 3: always on in the in the chat, didn't I What 701 00:32:28,720 --> 00:32:30,520 Speaker 3: was the one I said last night in the chat. 702 00:32:31,040 --> 00:32:32,880 Speaker 4: Just shout out to the funny boys, man, because we've 703 00:32:32,880 --> 00:32:37,040 Speaker 4: got a lot of the funny boys in here, you know, 704 00:32:37,440 --> 00:32:38,440 Speaker 4: Adam Sandler. 705 00:32:38,680 --> 00:32:40,880 Speaker 3: And my other phone and topic was what became the 706 00:32:41,000 --> 00:32:46,840 Speaker 3: entertainment at the party because of the skeeds at the weekend? Man, 707 00:32:46,880 --> 00:32:49,440 Speaker 3: it's three, that's three in the last twelve hours off. 708 00:32:49,680 --> 00:32:52,840 Speaker 3: I think I might actually actually quite a few days. 709 00:32:52,880 --> 00:32:55,280 Speaker 4: I'm making up for it, I said, Adele, but pre 710 00:32:55,400 --> 00:32:57,360 Speaker 4: weight loss, I like, I'm sad and thick. 711 00:33:00,440 --> 00:33:03,440 Speaker 3: Seven. Fact was actually my rock West band sat with 712 00:33:03,520 --> 00:33:09,080 Speaker 3: two c Yeah. Yeah, someone said crackhead Dimmy Levado. That's 713 00:33:09,080 --> 00:33:11,520 Speaker 3: not very nice to phrase it as such. She was 714 00:33:11,520 --> 00:33:14,920 Speaker 3: going through some stuff I saw on that have you 715 00:33:14,960 --> 00:33:17,600 Speaker 3: seen that Instagram series? That Are you Okay? And she 716 00:33:17,640 --> 00:33:19,640 Speaker 3: took the people on the streets. It was with Tim Levada. 717 00:33:19,680 --> 00:33:23,240 Speaker 3: I was like, man, that looks like Timmy Levado STiMi 718 00:33:23,320 --> 00:33:25,040 Speaker 3: Levado because she's gone those in back and she's got 719 00:33:25,040 --> 00:33:31,400 Speaker 3: long hair again. Ryan, Okay, yeah, john Key. Somebody said BIGDLFL. 720 00:33:32,160 --> 00:33:33,880 Speaker 2: The idea with him, the sausage in his mouth, I 721 00:33:34,040 --> 00:33:37,160 Speaker 2: just can't in my head. 722 00:33:37,440 --> 00:33:40,600 Speaker 3: As a young lady, Steve Irwin, I was convinced i'd 723 00:33:40,600 --> 00:33:42,640 Speaker 3: marrying when I was older, But now I guess I'll 724 00:33:42,680 --> 00:33:43,560 Speaker 3: have to sittle for Robert. 725 00:33:44,160 --> 00:33:45,800 Speaker 2: Sorry, there's no sitting for Robert. Have you seen him 726 00:33:45,800 --> 00:33:46,600 Speaker 2: on Dancing with the Stars. 727 00:33:46,600 --> 00:33:50,120 Speaker 4: Oh my god, he's insane, normal dancer, he's amazing. 728 00:33:50,240 --> 00:33:50,760 Speaker 3: Do you see that? 729 00:33:50,800 --> 00:33:53,200 Speaker 4: They said that's the best debut dancer've ever seen on 730 00:33:53,280 --> 00:33:54,000 Speaker 4: Dancing with the Stars. 731 00:33:54,000 --> 00:33:56,320 Speaker 3: You is, Yes, he's insane. 732 00:33:56,560 --> 00:34:01,120 Speaker 2: I get that's James Gandorphine totally sourpri Yeah, that's a 733 00:34:01,880 --> 00:34:04,120 Speaker 2: I really got a type. 734 00:34:05,240 --> 00:34:05,760 Speaker 8: And rough. 735 00:34:06,280 --> 00:34:06,400 Speaker 7: Ye. 736 00:34:06,840 --> 00:34:13,120 Speaker 3: My sister crushes on Christopher Luxter luxm Christopher Christopher Luxey. 737 00:34:13,920 --> 00:34:16,959 Speaker 2: The teeth and the pressers and the luxta. Jeremy Wells 738 00:34:17,000 --> 00:34:17,839 Speaker 2: is not unconventional. 739 00:34:19,280 --> 00:34:23,399 Speaker 3: See him every day. We still swoon every day. Yeah 740 00:34:23,719 --> 00:34:25,680 Speaker 3: when the Wells yeah past. 741 00:34:26,480 --> 00:34:27,000 Speaker 2: That's us. 742 00:34:27,360 --> 00:34:29,680 Speaker 3: As a younger man, I had a crush a moaning 743 00:34:29,680 --> 00:34:31,799 Speaker 3: myrtle from Harry Potter, and that's the ghost that lives 744 00:34:31,840 --> 00:34:32,080 Speaker 3: in the. 745 00:34:33,440 --> 00:34:36,720 Speaker 2: That's not it's your voice. Yeah, that was that. 746 00:34:36,920 --> 00:34:39,600 Speaker 3: Yeah, old Kurt Russell, not young Kurt Russell. Not interested 747 00:34:39,600 --> 00:34:42,240 Speaker 3: in young Kurt Russell. Old Kurt Russell for me. Somebody's 748 00:34:42,239 --> 00:34:45,760 Speaker 3: message in Louis throws my hall pass, not your traditional crush, 749 00:34:45,920 --> 00:34:46,279 Speaker 3: you know. 750 00:34:46,400 --> 00:34:49,200 Speaker 2: Yeah, I get that for some reason, no idea. 751 00:34:49,640 --> 00:34:51,680 Speaker 3: Just send her as I get out of jail free card. 752 00:34:52,680 --> 00:34:54,839 Speaker 3: I think it's called a hall pass. Yeah, it's with 753 00:34:54,840 --> 00:34:56,520 Speaker 3: my partner. I have a thing for woman in power. 754 00:34:56,640 --> 00:35:00,320 Speaker 2: No jokes, nice of Helen cl Anked. 755 00:35:00,400 --> 00:35:02,160 Speaker 3: Do you think I think so? Maybe? Yeah, I think 756 00:35:02,160 --> 00:35:08,880 Speaker 3: maybe even a okay, maybe even a Ruth Richardson history Thatcher, 757 00:35:09,040 --> 00:35:14,040 Speaker 3: Oh yes, maybe an angler mercle Oh are you out 758 00:35:14,040 --> 00:35:16,520 Speaker 3: of woman in power? Now? Well he's out a woman 759 00:35:16,560 --> 00:35:17,200 Speaker 3: in power. 760 00:35:16,920 --> 00:35:19,879 Speaker 2: And so many more Cleopatra. 761 00:35:20,280 --> 00:35:24,800 Speaker 3: Yeah, coming at you, Queen Elizabeth. 762 00:35:24,800 --> 00:35:30,480 Speaker 2: I yeah, Queen Victoria, Queen Victoria. The second coming at you. 763 00:35:30,840 --> 00:35:34,360 Speaker 3: My honest deliverer crosh is Hannah Wattingham. Here's some of 764 00:35:34,400 --> 00:35:37,319 Speaker 3: the unusual celebrity cross She is gorgeous, Yes, she is, 765 00:35:37,920 --> 00:35:40,319 Speaker 3: particularly in the ted Lasso role. She could stand on 766 00:35:40,360 --> 00:35:43,920 Speaker 3: me in her heels and tall, tall and that's a 767 00:35:44,000 --> 00:35:47,680 Speaker 3: powerful This is very gave me. That's from what? 768 00:35:48,000 --> 00:35:51,120 Speaker 4: Oh okay, now I get a strangle man? Sorry what? 769 00:35:52,000 --> 00:35:52,520 Speaker 4: I'm not sure what? 770 00:35:54,840 --> 00:35:59,840 Speaker 3: Too much water coming at you, wanting coming at you? 771 00:36:00,280 --> 00:36:00,680 Speaker 1: Plays it. 772 00:36:00,880 --> 00:36:05,160 Speaker 9: MS Fletchborne and Haley plays it. Ms Fletchborne and Haley. 773 00:36:05,320 --> 00:36:08,120 Speaker 3: Well. Very privileged to be joined on the phone by 774 00:36:08,160 --> 00:36:10,239 Speaker 3: somebody who made me cry on a treadmill at the 775 00:36:10,320 --> 00:36:13,400 Speaker 3: gym while I was watching the Netflix version of his book, 776 00:36:13,440 --> 00:36:14,520 Speaker 3: Boy Swallow's Universe. 777 00:36:14,520 --> 00:36:14,759 Speaker 2: Trend. 778 00:36:14,840 --> 00:36:17,600 Speaker 3: I was late to the party watching this and then 779 00:36:17,640 --> 00:36:20,680 Speaker 3: reading it afterwards. But thank you so much for your work. 780 00:36:20,719 --> 00:36:22,040 Speaker 3: There was Boyswallow's Universe. 781 00:36:22,880 --> 00:36:25,440 Speaker 6: That is the sweetest thing. You were crying on a treadmill. 782 00:36:25,480 --> 00:36:28,759 Speaker 7: Thank you And like, that's mate, that's the story of 783 00:36:28,800 --> 00:36:30,840 Speaker 7: my life. I was put on this sort of planet 784 00:36:30,840 --> 00:36:32,839 Speaker 7: to write that book, so I'm so glad you found it. 785 00:36:33,239 --> 00:36:33,520 Speaker 3: Wow. 786 00:36:33,520 --> 00:36:36,320 Speaker 2: Obviously, though, do you think it's odd that Vaughan watches 787 00:36:36,400 --> 00:36:39,120 Speaker 2: Netflix shows while he's running on a treadmill? 788 00:36:39,360 --> 00:36:42,240 Speaker 7: Mate, what you want is high emotion in your audience. 789 00:36:42,560 --> 00:36:46,919 Speaker 7: So if Vaughn is really tapping into that energetic side 790 00:36:46,960 --> 00:36:49,960 Speaker 7: of himself while he's feeling those deep emotions that that 791 00:36:50,080 --> 00:36:53,000 Speaker 7: could not be a better place to consume. 792 00:36:53,080 --> 00:36:54,040 Speaker 6: Boyce Swallows Universe. 793 00:36:54,040 --> 00:36:55,840 Speaker 7: There's a lot of running in it too, Guys like, 794 00:36:55,920 --> 00:36:59,040 Speaker 7: it's yeah, it is. The kid spends half the show running, 795 00:36:59,080 --> 00:37:01,640 Speaker 7: so it's quite a aropriate forms. 796 00:37:01,200 --> 00:37:03,359 Speaker 3: Because and the best note is you're sweating, so it's 797 00:37:03,360 --> 00:37:05,920 Speaker 3: not super obvious that it's crying and you're already breathing 798 00:37:06,000 --> 00:37:08,120 Speaker 3: quite heavily, so they're like sods and stuff can be 799 00:37:08,160 --> 00:37:11,279 Speaker 3: disguised huffing and puffing. It's I love that. 800 00:37:11,560 --> 00:37:14,759 Speaker 6: I love that. 801 00:37:13,480 --> 00:37:15,440 Speaker 3: Because people see, to me, you're like this show because 802 00:37:15,480 --> 00:37:18,719 Speaker 3: they know I get emotional when especially when as like 803 00:37:18,760 --> 00:37:22,600 Speaker 3: a parent child relationship, those ones really God And because 804 00:37:22,640 --> 00:37:24,960 Speaker 3: of the relationship I've kind of got with my appearances 805 00:37:24,960 --> 00:37:27,840 Speaker 3: of growing older and the relationship I've got with my daughters, 806 00:37:28,520 --> 00:37:31,399 Speaker 3: I saw it from both sides and then like, wow, 807 00:37:31,560 --> 00:37:37,000 Speaker 3: Felix who plays the young dude, we're the fine. That 808 00:37:37,080 --> 00:37:40,200 Speaker 3: kid that that that next level. 809 00:37:41,040 --> 00:37:44,080 Speaker 7: That kid will either be the next leg spin bowler 810 00:37:44,120 --> 00:37:46,520 Speaker 7: for the Australian cricket team or he'll be Daniel day 811 00:37:46,560 --> 00:37:48,960 Speaker 7: Lewis like he actually wants to be. 812 00:37:49,239 --> 00:37:51,240 Speaker 6: He always wanted to be Shane Warn. 813 00:37:51,360 --> 00:37:53,560 Speaker 7: He always wanted to be Shane Warn and wow, And 814 00:37:54,360 --> 00:37:56,120 Speaker 7: I said, Felix, I know. 815 00:37:56,080 --> 00:37:58,000 Speaker 6: You're and he's a brilliant leg spin bowler. 816 00:37:58,120 --> 00:38:01,719 Speaker 7: But I said, mate, you're actually really gifted, like you 817 00:38:01,800 --> 00:38:03,600 Speaker 7: might want to really think about it. And he sort 818 00:38:03,600 --> 00:38:05,920 Speaker 7: of shrugged his shoulder. He's like, all right, I'll give it. 819 00:38:05,920 --> 00:38:08,440 Speaker 7: I'll give it some thought. That's him like that, that 820 00:38:08,560 --> 00:38:10,960 Speaker 7: boy you see, Vaughan is is. 821 00:38:11,040 --> 00:38:13,520 Speaker 6: The real deal. He's the he's the sweetest kid. 822 00:38:13,560 --> 00:38:16,840 Speaker 7: And he's sort of like family to me now, that kid. 823 00:38:16,880 --> 00:38:19,080 Speaker 7: And we finished that shoot and I handed him a 824 00:38:19,280 --> 00:38:23,479 Speaker 7: I somehow unbelievably a quiet assigned cricket ball by Shane Warner. 825 00:38:23,560 --> 00:38:27,480 Speaker 6: I gave it to him. Oh wow, yeah yeah, yeah yeah. 826 00:38:27,520 --> 00:38:30,600 Speaker 7: It was just such a sweet mix of kind of 827 00:38:30,920 --> 00:38:32,200 Speaker 7: everything that kid loves. 828 00:38:32,880 --> 00:38:34,960 Speaker 3: Was Warning still with us when you guys finished filming 829 00:38:35,000 --> 00:38:35,600 Speaker 3: on that or. 830 00:38:36,239 --> 00:38:37,720 Speaker 6: He was gone, mate, he was gone. 831 00:38:37,800 --> 00:38:38,040 Speaker 3: Yeah. 832 00:38:38,080 --> 00:38:42,319 Speaker 7: So like that that really like Felix was crushed by that, 833 00:38:42,440 --> 00:38:44,280 Speaker 7: Like Philip that's his that was his hero. 834 00:38:44,239 --> 00:38:45,359 Speaker 6: That was his absolute hero. 835 00:38:45,520 --> 00:38:49,000 Speaker 7: And but he's he's the sweetest, like he carried the weight, 836 00:38:49,200 --> 00:38:51,279 Speaker 7: you know, the content of that show, Like it's really 837 00:38:51,560 --> 00:38:53,840 Speaker 7: it's really heavy, and he would come up to me 838 00:38:53,880 --> 00:38:56,879 Speaker 7: and guys, you're getting me emotional. Actually that he would 839 00:38:56,880 --> 00:38:59,560 Speaker 7: come up to me and he'd. 840 00:38:58,560 --> 00:38:59,040 Speaker 6: Do a scene. 841 00:38:59,040 --> 00:39:02,319 Speaker 7: He goes, Hey Trent, I'm gonna get emotional saying go 842 00:39:02,880 --> 00:39:04,959 Speaker 7: this is this is. He was thirteen at the time, 843 00:39:05,040 --> 00:39:08,239 Speaker 7: Hey Trent, did that really happen to you? And I'd 844 00:39:08,280 --> 00:39:10,360 Speaker 7: go like, oh, it actually did Felix that one that 845 00:39:10,400 --> 00:39:13,000 Speaker 7: one did, And he like put a hand on. 846 00:39:12,960 --> 00:39:15,759 Speaker 6: My shoulder and he was like comfaning me. You know 847 00:39:15,800 --> 00:39:16,160 Speaker 6: what I mean. 848 00:39:16,200 --> 00:39:18,600 Speaker 7: It was meant to I'm bloody forty six years old 849 00:39:18,640 --> 00:39:21,080 Speaker 7: and I'm like, hey mate, I'm meant to be comforting you. 850 00:39:21,080 --> 00:39:21,279 Speaker 3: You know. 851 00:39:21,520 --> 00:39:23,760 Speaker 6: He's a very swolly kid. Yeah. 852 00:39:23,800 --> 00:39:28,000 Speaker 3: Wow, so love stories that, Yeah, of yours. This This 853 00:39:28,040 --> 00:39:30,959 Speaker 3: isn't a Netflix show yet, but it is a stage show. 854 00:39:31,040 --> 00:39:34,320 Speaker 3: So what what kind of stage show was it? 855 00:39:34,320 --> 00:39:35,959 Speaker 6: It recreates the thing I did. 856 00:39:36,000 --> 00:39:40,120 Speaker 7: Guys, I had a nineteen seventies Olivetti typewriter and I 857 00:39:40,239 --> 00:39:41,520 Speaker 7: just wanted to talk to something. 858 00:39:41,520 --> 00:39:41,840 Speaker 6: It. 859 00:39:41,840 --> 00:39:44,440 Speaker 7: It actually all came out of Boycefellow's universe. To be honest, 860 00:39:44,520 --> 00:39:46,279 Speaker 7: I wanted to get out of my head because it's 861 00:39:46,320 --> 00:39:50,560 Speaker 7: so personal that Boycefallow's universe story. I'm a journalist at 862 00:39:51,040 --> 00:39:53,600 Speaker 7: you know, by trade, and I wanted to get out on. 863 00:39:53,560 --> 00:39:55,319 Speaker 6: The street and just talk to strangers again. 864 00:39:55,360 --> 00:39:59,960 Speaker 7: And I've been gifted this Olivetti typewriter that was bequeath 865 00:40:00,120 --> 00:40:03,400 Speaker 7: to me by my best mate's mum on her deskbed. 866 00:40:03,680 --> 00:40:05,359 Speaker 7: And I said to my mate, I want to go 867 00:40:06,360 --> 00:40:09,800 Speaker 7: sit with that typewriter on the corner of Albert Madelaide 868 00:40:09,800 --> 00:40:12,120 Speaker 7: Streets in Brisbane, which is just the busiest street in 869 00:40:12,160 --> 00:40:14,400 Speaker 7: my hometown. And I sat there for two months with 870 00:40:14,440 --> 00:40:17,359 Speaker 7: a typewriter, asking strangers to tell me love stories. 871 00:40:17,440 --> 00:40:18,879 Speaker 6: So basically I. 872 00:40:18,840 --> 00:40:22,120 Speaker 7: Had a sign saying sentimental writer collecting love stories, do 873 00:40:22,160 --> 00:40:22,879 Speaker 7: you have one to share? 874 00:40:22,960 --> 00:40:24,360 Speaker 6: And honestly, two hundred. 875 00:40:24,160 --> 00:40:27,880 Speaker 7: Strangers, yeah, they just stopped and they told me the 876 00:40:28,040 --> 00:40:31,480 Speaker 7: deepest things. I'm not talking sheese bore love stories. I'm 877 00:40:31,520 --> 00:40:35,440 Speaker 7: talking romantic ones, but i'm talking deep grieving ones. I'm 878 00:40:35,440 --> 00:40:39,480 Speaker 7: talking ones of love gone wrong and love missed and well, 879 00:40:39,560 --> 00:40:43,560 Speaker 7: love of pets, love of music, love of. 880 00:40:44,080 --> 00:40:46,080 Speaker 6: You know, just people they couldn't get back. 881 00:40:46,160 --> 00:40:48,600 Speaker 7: And then I turn that all into a book, and 882 00:40:48,640 --> 00:40:50,640 Speaker 7: now we've turned it all into a stage play. So 883 00:40:51,640 --> 00:40:54,480 Speaker 7: what it is is there's this writer character who's sitting 884 00:40:54,600 --> 00:40:57,799 Speaker 7: We recreate that corner guys in the play, So we 885 00:40:57,880 --> 00:41:01,759 Speaker 7: take the audience to that corner. The swirling city is 886 00:41:01,800 --> 00:41:04,920 Speaker 7: moving around this writer and all these wondrous stories are happening. 887 00:41:05,040 --> 00:41:05,920 Speaker 6: Bus Bus. 888 00:41:06,600 --> 00:41:08,960 Speaker 7: The thing we explore in the play, which is kind 889 00:41:08,960 --> 00:41:12,720 Speaker 7: of true, is like, what kind of troubled man sits 890 00:41:12,760 --> 00:41:15,160 Speaker 7: for two months on the corner of the city trying 891 00:41:15,200 --> 00:41:18,279 Speaker 7: to ask people about love? And of course, you know 892 00:41:18,360 --> 00:41:20,960 Speaker 7: that was solved by my amazing wife Fiona. She's like, 893 00:41:21,239 --> 00:41:23,000 Speaker 7: why don't we go a bit deeper into kind of 894 00:41:24,239 --> 00:41:26,280 Speaker 7: what motivates a guy to do that? And of course 895 00:41:27,040 --> 00:41:29,279 Speaker 7: the great lesson I was getting, the big secret of 896 00:41:29,520 --> 00:41:32,040 Speaker 7: which I never put into the book, was I was 897 00:41:32,080 --> 00:41:33,759 Speaker 7: there to kind of learn a few things about my 898 00:41:33,800 --> 00:41:36,640 Speaker 7: own marriage. I've been married for well, I've been with 899 00:41:36,640 --> 00:41:40,840 Speaker 7: my wife for twenty five years, and I'd probably forgotten 900 00:41:40,880 --> 00:41:43,640 Speaker 7: to remember a few powerful things about love myself, and 901 00:41:43,680 --> 00:41:44,920 Speaker 7: I learned them on that corner. 902 00:41:45,120 --> 00:41:46,600 Speaker 6: And that's what the plays about. 903 00:41:46,680 --> 00:41:50,120 Speaker 7: Yeah, we see that journey for this writer guy, and 904 00:41:50,160 --> 00:41:52,920 Speaker 7: it's just like he makes all these and Vaughn like 905 00:41:52,960 --> 00:41:55,960 Speaker 7: there's boysfballers, universe stuff in it. It's what happens to 906 00:41:56,000 --> 00:41:58,120 Speaker 7: that twenty year old kid by the end of that story, 907 00:41:58,360 --> 00:42:00,520 Speaker 7: and what happens to a kid like that carries all 908 00:42:00,560 --> 00:42:03,279 Speaker 7: that stuff and when he becomes forty six, you know, 909 00:42:03,360 --> 00:42:05,400 Speaker 7: just because you write a book about it and Netflix 910 00:42:05,480 --> 00:42:07,560 Speaker 7: makes a show, you know, it doesn't mean all that 911 00:42:07,600 --> 00:42:11,040 Speaker 7: stuff leaves you. And and that's what this play addresses. 912 00:42:11,560 --> 00:42:15,799 Speaker 3: Wow, so it sounds like you want to see it 913 00:42:15,840 --> 00:42:18,399 Speaker 3: feels like some dishes and. 914 00:42:18,360 --> 00:42:20,399 Speaker 7: Can you can you come and bring your treadmill into 915 00:42:20,440 --> 00:42:21,560 Speaker 7: the Auckland Theater. 916 00:42:22,239 --> 00:42:24,719 Speaker 6: There'll be a special place for you. You can do 917 00:42:24,800 --> 00:42:26,080 Speaker 6: your you can do your run. 918 00:42:26,360 --> 00:42:27,080 Speaker 3: I'm very heavy. 919 00:42:29,920 --> 00:42:33,520 Speaker 6: Yeah, over there with the treadmill. 920 00:42:34,000 --> 00:42:35,960 Speaker 3: I got to bring my treadmill, whether it disguise my 921 00:42:36,040 --> 00:42:39,279 Speaker 3: crying and my breathing and myself. Well, we're actually running 922 00:42:39,280 --> 00:42:41,400 Speaker 3: a competition online at the moment at City Online. You 923 00:42:41,400 --> 00:42:43,719 Speaker 3: can submit your love story man to when flights to 924 00:42:43,840 --> 00:42:46,280 Speaker 3: Auckland a hotel, stay in a double pass to see 925 00:42:46,280 --> 00:42:48,600 Speaker 3: the show Love Stories at the Civic. 926 00:42:49,320 --> 00:42:52,160 Speaker 7: So yeah, this is the best competition. I'm just so 927 00:42:52,280 --> 00:42:54,759 Speaker 7: touch you're doing this. This is so perfect because it's 928 00:42:54,760 --> 00:42:56,760 Speaker 7: a really that's what it's all about. It's about sharing 929 00:42:56,800 --> 00:42:59,640 Speaker 7: of stories like it's about the power of storytelling. So 930 00:42:59,640 --> 00:43:02,400 Speaker 7: I'm so glad your listeners can like come on, you know, 931 00:43:02,520 --> 00:43:04,640 Speaker 7: send stuff in and that's just so cool. 932 00:43:04,680 --> 00:43:06,640 Speaker 3: We just want to make Vaughn cry basically on the 933 00:43:06,760 --> 00:43:10,600 Speaker 3: daily get some sort of sicky determinator. Yeah, Tren, thank 934 00:43:10,640 --> 00:43:12,600 Speaker 3: you so much, so much for talking to us this morning, 935 00:43:12,600 --> 00:43:16,440 Speaker 3: and we look forward to seeing Love Stories on the stage. 936 00:43:16,880 --> 00:43:17,840 Speaker 6: You two are amazing. 937 00:43:17,960 --> 00:43:19,799 Speaker 7: Keep up the brilliant work and all the love to 938 00:43:19,880 --> 00:43:21,160 Speaker 7: you from across the ditch. 939 00:43:21,360 --> 00:43:23,040 Speaker 3: And I've got your new book setting beside my bed 940 00:43:23,040 --> 00:43:26,359 Speaker 3: and it's my next care about the Ranks, so oh. 941 00:43:26,040 --> 00:43:26,560 Speaker 6: Check it out. 942 00:43:26,680 --> 00:43:29,200 Speaker 7: Oh man, it's really deep. I can only write this 943 00:43:29,200 --> 00:43:32,080 Speaker 7: stuff from the heart, so really yeah, thanks guys, maybe 944 00:43:32,160 --> 00:43:32,600 Speaker 7: my morning. 945 00:43:32,760 --> 00:43:34,880 Speaker 2: Thank you you made ours. Thank you so much. And 946 00:43:34,920 --> 00:43:37,640 Speaker 2: you can see Love Stories at the Civic the sixteenth 947 00:43:37,719 --> 00:43:40,080 Speaker 2: to nineteenth of October five shows only. 948 00:43:40,120 --> 00:43:41,480 Speaker 3: It's exclusive to Auckland. 949 00:43:41,760 --> 00:43:43,880 Speaker 2: All the details are at zidim online and while you're there, 950 00:43:43,920 --> 00:43:46,720 Speaker 2: submit your love story and you could score flights to Auckland, 951 00:43:46,800 --> 00:43:49,040 Speaker 2: a hotel stay, and a double pass to see the 952 00:43:49,040 --> 00:43:49,799 Speaker 2: show play. 953 00:43:49,920 --> 00:43:51,160 Speaker 1: Zid ms fletchbornon he. 954 00:43:51,480 --> 00:43:54,120 Speaker 2: Definitely feels like ticket buying season at the moment. Hey, well, 955 00:43:54,160 --> 00:43:57,520 Speaker 2: Lane Way presealers ten o'clock this morning. We're gearing up 956 00:43:57,520 --> 00:43:59,279 Speaker 2: for that. Then you got me. 957 00:43:59,360 --> 00:44:01,560 Speaker 4: You had to get in line and get me tool 958 00:44:01,600 --> 00:44:04,400 Speaker 4: tickets after they announced a second show to do that. 959 00:44:04,800 --> 00:44:07,640 Speaker 3: I'm just working out who's in for Lane Way. Yeah, 960 00:44:08,040 --> 00:44:11,280 Speaker 3: I bought Olivia Dean scared if she's coming. I didn't 961 00:44:11,280 --> 00:44:12,239 Speaker 3: ask skaed if she's coming. 962 00:44:12,680 --> 00:44:14,000 Speaker 2: Just just chatting with her. 963 00:44:16,200 --> 00:44:18,200 Speaker 3: Baby. They've got a baby thing. You put the baby 964 00:44:18,200 --> 00:44:22,279 Speaker 3: in the entrance. It's a put a chicken like a 965 00:44:22,280 --> 00:44:25,280 Speaker 3: baby coach and it's with the coats. 966 00:44:25,480 --> 00:44:25,719 Speaker 2: Right. 967 00:44:25,960 --> 00:44:27,560 Speaker 3: Well, I suppose that's a nice comfortable thing for the 968 00:44:27,560 --> 00:44:30,520 Speaker 3: baby to sleep. And there's like little tubes of baby food. 969 00:44:31,320 --> 00:44:34,560 Speaker 3: Their little tubes of baby Are you sure you yeah? 970 00:44:34,600 --> 00:44:36,960 Speaker 3: But again, the baby's going to be younger than sort 971 00:44:37,000 --> 00:44:40,879 Speaker 3: of solid. So I think it's gonna be situation. They're 972 00:44:40,880 --> 00:44:41,239 Speaker 3: not safe. 973 00:44:41,880 --> 00:44:44,279 Speaker 2: The baby is too free. Her husband thinks, here coming 974 00:44:44,360 --> 00:44:45,759 Speaker 2: to fresh Oh well, I know. 975 00:44:45,800 --> 00:44:48,200 Speaker 3: I didn't the baby share at the weekend. I was like, 976 00:44:48,200 --> 00:44:50,919 Speaker 3: I don't think we should be planning Subury concert. It's okay, 977 00:44:51,239 --> 00:44:52,799 Speaker 3: the baby love the Lame Way. 978 00:44:52,880 --> 00:44:57,439 Speaker 2: She has just message front pack this baby okay, even 979 00:44:57,480 --> 00:44:59,799 Speaker 2: though I find it weird that people take babies to 980 00:44:59,800 --> 00:45:01,880 Speaker 2: fee skiols and concerts. There is nothing cuter than a 981 00:45:01,880 --> 00:45:08,520 Speaker 2: baby wearing little baby in the head. Yeah, until they get, 982 00:45:08,520 --> 00:45:09,560 Speaker 2: you know, like a durry bird. 983 00:45:10,920 --> 00:45:13,239 Speaker 3: We'll just stipulate this will be a baby baby. This 984 00:45:13,280 --> 00:45:15,280 Speaker 3: won't be sort of like a one year old baby. 985 00:45:15,440 --> 00:45:16,680 Speaker 3: This will be a baby baby. 986 00:45:16,719 --> 00:45:20,000 Speaker 2: But this will be literally could still smell them it's here. 987 00:45:20,000 --> 00:45:22,320 Speaker 2: It will be like wobbly bobbly. Okay, Well, I'm in 988 00:45:22,400 --> 00:45:23,759 Speaker 2: charge of the tickets, so we're going to need a 989 00:45:23,800 --> 00:45:24,640 Speaker 2: yea your name from here. 990 00:45:24,680 --> 00:45:27,680 Speaker 4: You're in charge of lane way ticket. You were also 991 00:45:27,719 --> 00:45:31,440 Speaker 4: in charge of my tool tickets. I've got tickets tickets galore. 992 00:45:31,760 --> 00:45:32,680 Speaker 3: It's ticket season. 993 00:45:32,760 --> 00:45:33,640 Speaker 2: It's ticket season. 994 00:45:33,680 --> 00:45:35,520 Speaker 4: And then and just to sort of carry on from 995 00:45:35,520 --> 00:45:38,120 Speaker 4: the bogue and the theme, you know, next year, planning 996 00:45:38,120 --> 00:45:40,080 Speaker 4: on going back over to see my parents who live 997 00:45:40,120 --> 00:45:43,520 Speaker 4: over in Europe, and I realized that when I land, 998 00:45:43,640 --> 00:45:45,719 Speaker 4: one of my favorite bands of all time, System of Down, 999 00:45:47,120 --> 00:45:50,279 Speaker 4: are playing in Paris the night before, right, and I 1000 00:45:50,320 --> 00:45:52,439 Speaker 4: was like, damn that late. The timing's all off. They 1001 00:45:52,480 --> 00:45:55,920 Speaker 4: announced they were going to add a second show the 1002 00:45:56,000 --> 00:45:58,239 Speaker 4: day after I land, So okay, Oh my god, this 1003 00:45:58,320 --> 00:46:01,880 Speaker 4: is perfect dream come true. It in the queue, gone done, 1004 00:46:01,960 --> 00:46:05,680 Speaker 4: sold out, sold out in seconds, and this is just 1005 00:46:05,760 --> 00:46:07,000 Speaker 4: a concert that I can't miss. 1006 00:46:07,000 --> 00:46:08,759 Speaker 2: So I did something that I literally have told my 1007 00:46:08,800 --> 00:46:12,600 Speaker 2: mother off for so many times. I went to via 1008 00:46:12,640 --> 00:46:12,840 Speaker 2: go go. 1009 00:46:13,680 --> 00:46:14,600 Speaker 10: Oh oh. 1010 00:46:16,040 --> 00:46:20,280 Speaker 2: Haley, guys went dot com. 1011 00:46:19,920 --> 00:46:21,920 Speaker 4: And I see my mom's like, I use it all 1012 00:46:21,960 --> 00:46:25,319 Speaker 4: the time when they miss out on tickets for across Yeah, right, 1013 00:46:25,920 --> 00:46:27,240 Speaker 4: A bit more been fine? 1014 00:46:27,360 --> 00:46:29,560 Speaker 2: Is it a bit better over there? I don't know. 1015 00:46:31,040 --> 00:46:31,239 Speaker 3: Better. 1016 00:46:31,320 --> 00:46:33,799 Speaker 2: I have to wait and see. I bought tickets on 1017 00:46:33,880 --> 00:46:34,279 Speaker 2: via go go. 1018 00:46:34,440 --> 00:46:36,960 Speaker 4: I sort of went on the price didn't seemed too 1019 00:46:37,040 --> 00:46:38,920 Speaker 4: inflated on what you. 1020 00:46:38,880 --> 00:46:41,520 Speaker 2: Know, people are saying the general thing we're so like 1021 00:46:41,520 --> 00:46:43,719 Speaker 2: in New Zealand, we don't have like in America. It's 1022 00:46:43,920 --> 00:46:46,759 Speaker 2: terrible for ticket resale sites, like, oh I know, it's 1023 00:46:46,840 --> 00:46:49,160 Speaker 2: like everything sells out in a second. All these sites 1024 00:46:49,200 --> 00:46:53,319 Speaker 2: buy them up and then they sell the tickets. Yeah really, Yeah, 1025 00:46:53,400 --> 00:46:58,640 Speaker 2: it's insane, outlawed that because a lot of the sites 1026 00:46:58,760 --> 00:46:59,959 Speaker 2: own the resale ticket. 1027 00:47:01,400 --> 00:47:05,640 Speaker 3: Yeah. It's a bit of a thing, isn't it. 1028 00:47:05,960 --> 00:47:08,320 Speaker 2: But I mean, look it's it's emailed me a ticket. 1029 00:47:08,600 --> 00:47:13,080 Speaker 4: But I was I was an actual ticket or actual ticket. 1030 00:47:13,400 --> 00:47:16,920 Speaker 4: I've got a pit if okay, the ticket say it? 1031 00:47:17,239 --> 00:47:19,000 Speaker 3: If I've always said PDF. 1032 00:47:19,160 --> 00:47:19,840 Speaker 2: You're an idiot? 1033 00:47:20,200 --> 00:47:22,440 Speaker 4: Why would be p D if there's no dots in 1034 00:47:22,480 --> 00:47:30,799 Speaker 4: between the litter? Sorry named after Edith? Yea, yeah, she 1035 00:47:30,840 --> 00:47:33,960 Speaker 4: loved it. So I've got a ticket. It has some 1036 00:47:34,080 --> 00:47:35,000 Speaker 4: chicks name on it. 1037 00:47:35,480 --> 00:47:36,439 Speaker 3: What's the chicks name? 1038 00:47:37,960 --> 00:47:40,360 Speaker 2: It's not on this she's the one that she's the 1039 00:47:40,360 --> 00:47:41,680 Speaker 2: one that bought the ticket originally. 1040 00:47:41,800 --> 00:47:44,480 Speaker 3: Yeah, I guess. So she transfer it to you like 1041 00:47:44,560 --> 00:47:47,160 Speaker 3: we do, said, make sure your tickets match what you ordered. 1042 00:47:47,480 --> 00:47:49,200 Speaker 2: Yes, it's okay. 1043 00:47:49,239 --> 00:47:52,000 Speaker 4: If your name isn't printed on your tickets, you don't 1044 00:47:52,000 --> 00:47:54,680 Speaker 4: have to show the price on it. 1045 00:47:54,719 --> 00:47:55,640 Speaker 2: Blah blah blah blah. 1046 00:47:55,680 --> 00:47:57,719 Speaker 3: Do you know scambal? Okay? Do you know what? Though? 1047 00:47:57,840 --> 00:47:58,279 Speaker 3: If you? 1048 00:47:58,960 --> 00:48:01,040 Speaker 2: If I was you, I would go. And I never 1049 00:48:01,080 --> 00:48:03,360 Speaker 2: go to concerts super early. I always look up the 1050 00:48:03,360 --> 00:48:06,439 Speaker 2: set times and try to go like with very little time, 1051 00:48:06,480 --> 00:48:08,879 Speaker 2: I will be going, like, go so early in case 1052 00:48:09,000 --> 00:48:11,359 Speaker 2: is a jupilicate of this ticket, because I'm right in 1053 00:48:11,400 --> 00:48:15,400 Speaker 2: the front. Yeah, because then if you're the last person 1054 00:48:15,440 --> 00:48:16,960 Speaker 2: to scan it and you're not, you're not getting in. 1055 00:48:17,560 --> 00:48:18,920 Speaker 2: They're scamming you. 1056 00:48:19,440 --> 00:48:19,759 Speaker 3: Yeah, I. 1057 00:48:21,280 --> 00:48:23,480 Speaker 2: Must have been what's the person? 1058 00:48:23,520 --> 00:48:24,200 Speaker 3: Were you drunk? 1059 00:48:24,560 --> 00:48:24,680 Speaker 9: No? 1060 00:48:24,680 --> 00:48:25,520 Speaker 2: No, I wasn't drunk. 1061 00:48:25,520 --> 00:48:27,840 Speaker 4: I was just like, you know when you get anxiety 1062 00:48:27,840 --> 00:48:30,359 Speaker 4: about missing out on a concert you really want to see. Yeah, 1063 00:48:30,440 --> 00:48:32,040 Speaker 4: And I was like, well, I can't miss this. I 1064 00:48:32,040 --> 00:48:33,480 Speaker 4: can't miss this. I'm never coming back to news. 1065 00:48:34,040 --> 00:48:36,160 Speaker 2: The seller had like, I don't know, I've never used 1066 00:48:36,200 --> 00:48:37,920 Speaker 2: ving Go Go, but as it might trade me with 1067 00:48:38,080 --> 00:48:40,080 Speaker 2: they have like, no, you don't even do anything with 1068 00:48:40,200 --> 00:48:41,720 Speaker 2: the seller. It's just you. 1069 00:48:41,719 --> 00:48:45,080 Speaker 4: You select the concent and the date and everything and 1070 00:48:45,160 --> 00:48:46,719 Speaker 4: the area you want to go in, and it kind 1071 00:48:46,719 --> 00:48:48,240 Speaker 4: of just assigns. 1072 00:48:47,680 --> 00:48:49,799 Speaker 2: You, Oh wow, the ticket you've requested. 1073 00:48:51,360 --> 00:48:54,560 Speaker 3: I guess woman made a lot of money a lot 1074 00:48:54,600 --> 00:48:55,279 Speaker 3: of money from you. 1075 00:48:55,520 --> 00:48:58,120 Speaker 4: Cover that is, it's just you go by yourself. I'm 1076 00:48:58,120 --> 00:49:00,399 Speaker 4: going to give a middle concert in Paris on my own, 1077 00:49:00,440 --> 00:49:00,799 Speaker 4: that's truly. 1078 00:49:00,880 --> 00:49:01,560 Speaker 3: Yeah. 1079 00:49:02,760 --> 00:49:06,960 Speaker 2: I mean I will say you're not or I'm not. 1080 00:49:07,360 --> 00:49:07,560 Speaker 3: Yeah. 1081 00:49:07,600 --> 00:49:09,640 Speaker 2: Middle crowds are definitely like nice and friendly. 1082 00:49:09,640 --> 00:49:11,799 Speaker 4: You'll make some friends while you're there, yeah, right, or 1083 00:49:11,800 --> 00:49:13,640 Speaker 4: I'll get trampled and pulled out of the moshpit, or I. 1084 00:49:13,640 --> 00:49:16,479 Speaker 2: Won't even get in. It's long tea. Stay tuned July 1085 00:49:16,640 --> 00:49:20,960 Speaker 2: next year. Yeah, well, Haley's Viego Go ticket actually worked. 1086 00:49:20,640 --> 00:49:22,640 Speaker 1: Plays z MS Fletchforne and Haley. 1087 00:49:22,800 --> 00:49:30,160 Speaker 4: So Stid Sirrandos entered the Berlin Marathon with a who 1088 00:49:31,320 --> 00:49:33,160 Speaker 4: do you not know, Stid Sirrandos? 1089 00:49:33,560 --> 00:49:36,120 Speaker 3: Is that a take on Ted Sarandos, the head of Netflix. 1090 00:49:37,120 --> 00:49:39,640 Speaker 2: I wondered if if that's what he was aiming for. 1091 00:49:39,840 --> 00:49:46,680 Speaker 4: Yeah, So Steed Sarandos finished the Berlin Marathon in two hours, 1092 00:49:46,800 --> 00:49:49,439 Speaker 4: fifty nine minutes, thirteen seconds stub three. 1093 00:49:49,680 --> 00:49:52,480 Speaker 3: That is an insane time. Really, it's a really good 1094 00:49:52,480 --> 00:49:55,120 Speaker 3: time for a marathon. That is really really good. But 1095 00:49:55,200 --> 00:49:57,760 Speaker 3: of course Steed Sirandos is not stead. 1096 00:49:57,960 --> 00:50:00,960 Speaker 2: I will say Berlin's flat when people do flat marathon 1097 00:50:01,080 --> 00:50:02,840 Speaker 2: or a half. On my eye, it is flat to. 1098 00:50:03,000 --> 00:50:05,120 Speaker 4: The Great Wall of China marathon and come back to me, 1099 00:50:05,520 --> 00:50:06,680 Speaker 4: oh my god, my friend, did it? 1100 00:50:07,040 --> 00:50:07,840 Speaker 2: Or you climb it? 1101 00:50:08,200 --> 00:50:11,840 Speaker 3: The Auckland half is anything. 1102 00:50:11,920 --> 00:50:14,400 Speaker 2: The Harbor Bridge is steep. 1103 00:50:14,520 --> 00:50:18,399 Speaker 3: There's used to volcanic cones to conquer on the shore. 1104 00:50:18,480 --> 00:50:20,880 Speaker 4: Actually, you're right, I won't do it. I was considering it. 1105 00:50:21,160 --> 00:50:25,080 Speaker 4: Steed Sarandos is actually Harry Styles. He enters under a pseudonym. 1106 00:50:26,640 --> 00:50:28,880 Speaker 4: I guess for like so that no one's like watching 1107 00:50:28,960 --> 00:50:30,040 Speaker 4: the whole time. 1108 00:50:30,280 --> 00:50:32,919 Speaker 2: Although it didn't stop people from recognizing him and taking 1109 00:50:32,920 --> 00:50:33,719 Speaker 2: photos with him. 1110 00:50:33,719 --> 00:50:36,000 Speaker 4: Oh no, he's in little short. We can see his bloody, 1111 00:50:36,360 --> 00:50:37,480 Speaker 4: we can see his tender. 1112 00:50:37,320 --> 00:50:39,239 Speaker 2: And then I guess, I guess once word got out, 1113 00:50:39,280 --> 00:50:41,600 Speaker 2: people saw his marathon BIB number and then did that 1114 00:50:41,719 --> 00:50:45,560 Speaker 2: photo search the number. You can search by the number, 1115 00:50:45,719 --> 00:50:50,520 Speaker 2: so you could buy his official marathon. How much to 1116 00:50:50,600 --> 00:50:54,720 Speaker 2: buy the Harry Searles official Marathon? That would be amazing. 1117 00:50:54,800 --> 00:50:57,320 Speaker 4: No one looks good, No one looks good on a marathon. 1118 00:50:57,480 --> 00:51:01,280 Speaker 4: He looks the best version of bad. But yeah, you're sweating. 1119 00:51:01,640 --> 00:51:03,040 Speaker 3: Oh well, it's amazing. 1120 00:51:03,080 --> 00:51:06,080 Speaker 2: It's like by the Brandenburg Gate and that's really cool. Yeah, 1121 00:51:06,080 --> 00:51:09,160 Speaker 2: I'm sure it's beautiful. But Sub three is and sad 1122 00:51:09,320 --> 00:51:11,680 Speaker 2: because every time he sees photos of him, it's either 1123 00:51:11,800 --> 00:51:14,279 Speaker 2: he's out on a date or with who's he worth 1124 00:51:14,280 --> 00:51:17,680 Speaker 2: it the moment, Zoey Grabbst or he's running hot Cup. 1125 00:51:17,760 --> 00:51:21,680 Speaker 2: He's always pepped running because he must train a lot. 1126 00:51:21,800 --> 00:51:24,040 Speaker 4: It must be his escape, you know, he's got his music, 1127 00:51:24,040 --> 00:51:25,840 Speaker 4: and then then he just gets to sort of bloody. 1128 00:51:25,880 --> 00:51:30,040 Speaker 3: Can I I'm just gonna work out his average pace 1129 00:51:30,400 --> 00:51:31,520 Speaker 3: oh yeah, to be a good pace. 1130 00:51:32,360 --> 00:51:37,200 Speaker 4: Two hours fifty nine and fourteen seconds. 1131 00:51:37,360 --> 00:51:38,760 Speaker 3: That's fifty nine minutes fourteen. 1132 00:51:38,800 --> 00:51:41,680 Speaker 2: You get to call that sub three producer carwhen does 1133 00:51:41,840 --> 00:51:45,040 Speaker 2: and you did wonder this morning what he's running from? Yeah, 1134 00:51:45,120 --> 00:51:47,560 Speaker 2: I mean he's always running right with like into a 1135 00:51:47,560 --> 00:51:50,400 Speaker 2: different relationship. Or he should just be running into the studio. 1136 00:51:50,880 --> 00:51:53,880 Speaker 3: Yeah, that Charwen's complaint. He should be running into the studio, 1137 00:51:54,120 --> 00:51:57,440 Speaker 3: our studio, running away, running here, not running away from 1138 00:51:57,520 --> 00:51:58,240 Speaker 3: making music. 1139 00:51:58,560 --> 00:52:02,680 Speaker 2: Run some, runsome or whatever it's called. Yeah, run some tracks. 1140 00:52:03,360 --> 00:52:07,720 Speaker 3: It's a four minute fifteen kilometer averages four minutes fifteen 1141 00:52:07,760 --> 00:52:08,360 Speaker 3: a kilometer? 1142 00:52:08,600 --> 00:52:08,880 Speaker 1: Wow? 1143 00:52:09,440 --> 00:52:12,359 Speaker 2: Yeah, how much an hour to do five? To do 1144 00:52:12,400 --> 00:52:12,960 Speaker 2: five k? 1145 00:52:13,320 --> 00:52:17,719 Speaker 4: So I would be four hours lapping you would. 1146 00:52:17,719 --> 00:52:19,319 Speaker 2: It would been quite nice because then you could see 1147 00:52:19,360 --> 00:52:24,120 Speaker 2: him run past high again. How's your run going? How's 1148 00:52:24,160 --> 00:52:24,719 Speaker 2: your run going? 1149 00:52:24,800 --> 00:52:28,120 Speaker 3: So he was averaging fourteen point one ks an hour? Wow? 1150 00:52:28,320 --> 00:52:31,000 Speaker 3: How is what did you do? Your marathon? It three 1151 00:52:31,200 --> 00:52:34,879 Speaker 3: thirty three thirty two? That's still really good. 1152 00:52:34,960 --> 00:52:37,960 Speaker 2: It was quite stoked with it. Yeah, but man, he 1153 00:52:38,160 --> 00:52:38,759 Speaker 2: is honing it. 1154 00:52:39,600 --> 00:52:46,960 Speaker 9: Fang in it plays Fleshborn and Haley, play ms Fletchborne 1155 00:52:47,040 --> 00:52:47,560 Speaker 9: and Haley. 1156 00:52:47,680 --> 00:52:49,960 Speaker 2: We want to take your stories and calls now about 1157 00:52:49,960 --> 00:52:54,479 Speaker 2: those times when you shouldn't be alive, but you cheated death. 1158 00:52:54,560 --> 00:52:57,520 Speaker 2: I've never cheated death, and it hasn't come for me. 1159 00:52:57,640 --> 00:52:59,960 Speaker 2: Do you remember that time the pop plant fell out 1160 00:53:00,040 --> 00:53:02,359 Speaker 2: from the apartment and I messed my face by like 1161 00:53:02,480 --> 00:53:04,319 Speaker 2: I reckon, I just would have been a vegetable. Though 1162 00:53:04,719 --> 00:53:06,759 Speaker 2: I don't reckon I would have been would have conked you, 1163 00:53:07,120 --> 00:53:07,960 Speaker 2: It would have conked me. 1164 00:53:08,360 --> 00:53:12,440 Speaker 3: Yeah, you guys, reckon. You saw a jaguar in the wild. 1165 00:53:13,000 --> 00:53:15,480 Speaker 3: That's I'm not talking about the posh European sports car. 1166 00:53:16,400 --> 00:53:19,480 Speaker 3: Euro sports kind drove out of the jungle. What was it? 1167 00:53:19,560 --> 00:53:23,360 Speaker 3: Do you know? That was crazy? That's when I honestly 1168 00:53:23,360 --> 00:53:24,839 Speaker 3: thought I was going to die that day. When it 1169 00:53:24,840 --> 00:53:27,480 Speaker 3: turned around and looked at me, it would be like, 1170 00:53:27,560 --> 00:53:29,600 Speaker 3: what a great way to go, Like horrendous? 1171 00:53:30,840 --> 00:53:31,399 Speaker 2: Take too long? 1172 00:53:31,440 --> 00:53:34,000 Speaker 3: I listened. I went through a spate of listening to 1173 00:53:34,040 --> 00:53:36,040 Speaker 3: podcasts about people who survived bear attacks. 1174 00:53:36,239 --> 00:53:39,160 Speaker 2: Oh yeah, how horrible you'd rather die? 1175 00:53:39,320 --> 00:53:40,320 Speaker 3: Yeah yeah, take. 1176 00:53:40,200 --> 00:53:42,480 Speaker 2: Me now and go go quit for the neck. So 1177 00:53:42,640 --> 00:53:46,120 Speaker 2: the reason we bring this up today is a story 1178 00:53:46,120 --> 00:53:49,800 Speaker 2: out of the UK. A elite Special Forces soldier. 1179 00:53:50,440 --> 00:53:56,280 Speaker 3: Lift immediate thought about mostly just the uniform. 1180 00:53:56,480 --> 00:54:02,720 Speaker 2: So what's your job? Elite special Forces? Yeah, an Elite 1181 00:54:02,760 --> 00:54:06,760 Speaker 2: Special Forces operator was left with life changing in injuries 1182 00:54:06,800 --> 00:54:11,440 Speaker 2: after he was accidentally shot seven times at close range 1183 00:54:11,760 --> 00:54:14,160 Speaker 2: by a fellow soldier who thought he had blanks. 1184 00:54:14,480 --> 00:54:17,040 Speaker 3: And like, I've read this story. I don't know if 1185 00:54:17,040 --> 00:54:20,080 Speaker 3: the soldier was like, hey, bang bang bang bang man 1186 00:54:20,160 --> 00:54:21,080 Speaker 3: meg meg meg men man. 1187 00:54:21,160 --> 00:54:23,359 Speaker 2: Surely after the first one, you notice that it's gone in. 1188 00:54:23,480 --> 00:54:25,120 Speaker 3: It doesn't say what the gun was, but if it 1189 00:54:25,200 --> 00:54:28,719 Speaker 3: was a like a rifle, like a machine gun, they 1190 00:54:28,760 --> 00:54:33,360 Speaker 3: can fire and then I'm assuming he was wearing body armor. 1191 00:54:34,200 --> 00:54:37,640 Speaker 3: He survived seven shots to the bottom. 1192 00:54:37,760 --> 00:54:40,120 Speaker 2: Yeah, and he survived because the guy that was shooting it, 1193 00:54:40,160 --> 00:54:41,360 Speaker 2: I don't know if he was if it was a 1194 00:54:41,440 --> 00:54:45,440 Speaker 2: bit of a joke or whatever. He thought he had blanks, 1195 00:54:45,440 --> 00:54:48,080 Speaker 2: but he didn't. He had live rounds, but I point 1196 00:54:48,239 --> 00:54:48,840 Speaker 2: even blank. 1197 00:54:49,440 --> 00:54:49,600 Speaker 3: Yeah. 1198 00:54:49,640 --> 00:54:52,920 Speaker 2: I mean a lot of the information has been suppressed 1199 00:54:52,960 --> 00:54:56,359 Speaker 2: because it's a you know, elite Special Forces. But yeah, 1200 00:54:56,400 --> 00:54:59,799 Speaker 2: apparently he I mean, it's not like he is fine now. 1201 00:54:59,840 --> 00:55:03,359 Speaker 2: He still has like life altering injuries. Jeezuz seven times 1202 00:55:03,400 --> 00:55:05,759 Speaker 2: close range. Like, I don't know if the guy thought 1203 00:55:05,760 --> 00:55:08,000 Speaker 2: it was a joke or what but that's crazy and 1204 00:55:08,040 --> 00:55:09,880 Speaker 2: he's alive. How was her life? 1205 00:55:10,200 --> 00:55:11,319 Speaker 3: And there was a story the other. 1206 00:55:11,280 --> 00:55:13,400 Speaker 2: Day a car rock. This is in New Zealand somewhere. 1207 00:55:13,440 --> 00:55:14,080 Speaker 3: It was in the news. 1208 00:55:14,080 --> 00:55:17,279 Speaker 2: A car rolled and it came to a stop on 1209 00:55:17,320 --> 00:55:20,200 Speaker 2: its side right before a big closs and they were 1210 00:55:20,280 --> 00:55:21,799 Speaker 2: just like, oh, they would have died if they went 1211 00:55:21,840 --> 00:55:25,000 Speaker 2: over there. Like those kind of stories, that's what I reckon. 1212 00:55:25,000 --> 00:55:25,719 Speaker 2: That's what you want to. 1213 00:55:25,680 --> 00:55:28,759 Speaker 4: Hear, you know sometimes like you do feel like it 1214 00:55:28,760 --> 00:55:30,799 Speaker 4: would be like quite nice, do you know, because then 1215 00:55:30,840 --> 00:55:32,279 Speaker 4: you get a whole new perspective on life. 1216 00:55:32,320 --> 00:55:35,640 Speaker 2: I feel alive, You feel alive, but did inside? 1217 00:55:35,680 --> 00:55:37,160 Speaker 3: I thought you mean have been putting into a coma 1218 00:55:37,200 --> 00:55:38,799 Speaker 3: for two weeks just to have a bit of a res. 1219 00:55:38,880 --> 00:55:40,520 Speaker 2: My god saying I don't feed me that much, do 1220 00:55:40,560 --> 00:55:41,120 Speaker 2: you know what I mean? 1221 00:55:41,160 --> 00:55:45,439 Speaker 3: Like, Yeah, I'll take the new trans the new trans 1222 00:55:45,440 --> 00:55:46,120 Speaker 3: and that's a two. 1223 00:55:46,000 --> 00:55:50,040 Speaker 2: Weeks just dripping me for two Yeah, give me some 1224 00:55:50,080 --> 00:55:55,320 Speaker 2: tatoes as well, lift the boobs. 1225 00:55:55,400 --> 00:55:59,120 Speaker 3: Feel that's another good phone on topic. What would you 1226 00:55:59,160 --> 00:55:59,960 Speaker 3: have them do if you were in a car? 1227 00:56:00,360 --> 00:56:00,600 Speaker 11: Yeah? 1228 00:56:00,640 --> 00:56:03,440 Speaker 3: Great, I don't think that's something you want done. But 1229 00:56:03,480 --> 00:56:05,759 Speaker 3: you're kind of like putting it off I get a 1230 00:56:06,200 --> 00:56:11,120 Speaker 3: for example, Yes, I haven't had to me yet because 1231 00:56:11,120 --> 00:56:13,240 Speaker 3: I can't play with myself, and that seems. 1232 00:56:13,239 --> 00:56:16,759 Speaker 4: Terribly You're the same age. Basically, why haven't you? You know, 1233 00:56:16,800 --> 00:56:19,640 Speaker 4: it's has it hasn't happened so far, has it? So 1234 00:56:19,760 --> 00:56:20,560 Speaker 4: I think you're doing it wrong. 1235 00:56:20,600 --> 00:56:23,080 Speaker 2: Batter anyway, you're doing it so wrong. 1236 00:56:23,160 --> 00:56:25,640 Speaker 3: I think it wrong. Okay, I wait on hundred dollars 1237 00:56:25,680 --> 00:56:28,680 Speaker 3: any somebody said, I've always did a holiday, A hospital 1238 00:56:28,680 --> 00:56:31,680 Speaker 3: holiday sounds great. Do you think if we could get 1239 00:56:31,719 --> 00:56:34,280 Speaker 3: to a point where it would be acceptable in society 1240 00:56:34,280 --> 00:56:36,160 Speaker 3: for two weeks about and you'll leave? We just put 1241 00:56:36,160 --> 00:56:37,400 Speaker 3: into a medically Injurius comba. 1242 00:56:37,800 --> 00:56:41,400 Speaker 2: Oh my god, yes, please. Honestly, when I had my 1243 00:56:41,440 --> 00:56:43,440 Speaker 2: shoulder operation and I woke up and it's only a 1244 00:56:43,480 --> 00:56:45,680 Speaker 2: few hours, I just felt like I had the best sleep. 1245 00:56:45,800 --> 00:56:52,800 Speaker 4: I've got to book my colonoscopy today and I'm like sleepfile. 1246 00:56:53,640 --> 00:56:54,400 Speaker 3: A drug of choice. 1247 00:56:57,000 --> 00:56:59,480 Speaker 2: No, apparently the producers are saying that's really bad to say. 1248 00:56:59,480 --> 00:57:02,280 Speaker 2: That is okay, Yeah, you can't. 1249 00:57:02,080 --> 00:57:05,040 Speaker 3: Say at it in these days. And we want to 1250 00:57:05,040 --> 00:57:07,160 Speaker 3: take your stories now. You can text that nine six 1251 00:57:07,320 --> 00:57:08,320 Speaker 3: nine six tell. 1252 00:57:08,239 --> 00:57:11,560 Speaker 4: Us your I shouldn't be a live story. We want 1253 00:57:11,560 --> 00:57:14,520 Speaker 4: to know why shouldn't you be alive? Have you cheated death? 1254 00:57:15,120 --> 00:57:18,080 Speaker 4: There was a. 1255 00:57:16,880 --> 00:57:19,840 Speaker 2: Specially eial forces who was who? 1256 00:57:20,680 --> 00:57:24,400 Speaker 3: Sounds of it was hot biceps of the circumference of 1257 00:57:24,440 --> 00:57:27,200 Speaker 3: my time and I've got thicky guys. 1258 00:57:27,360 --> 00:57:31,600 Speaker 2: He was shot seven times by live rounds when the 1259 00:57:31,640 --> 00:57:35,880 Speaker 2: person firing the gun thought they were blank. Seven times. 1260 00:57:36,320 --> 00:57:37,160 Speaker 2: Should be live? 1261 00:57:37,520 --> 00:57:40,360 Speaker 3: Here are some messages. And when I was sixteen years old, 1262 00:57:40,520 --> 00:57:43,560 Speaker 3: I got toxic shock syndrome from tampole. 1263 00:57:43,760 --> 00:57:47,480 Speaker 2: Oh no, don't you lose limbs. You can lose your lot? 1264 00:57:47,720 --> 00:57:48,760 Speaker 2: What is How does that happen? 1265 00:57:49,440 --> 00:57:52,360 Speaker 4: I think because it's like left into too long molding blood. 1266 00:57:53,000 --> 00:57:57,360 Speaker 4: It's not she's moldy. It just turns toxic. You've lifted 1267 00:57:57,360 --> 00:57:57,919 Speaker 4: in too long. 1268 00:57:57,960 --> 00:58:00,560 Speaker 3: But it would have to be could have been acterial. 1269 00:58:00,720 --> 00:58:07,120 Speaker 2: Yeah, it's pretty bigterial bad tampon that was always legion, 1270 00:58:07,200 --> 00:58:09,440 Speaker 2: like if you bought a cheaper brand day were the 1271 00:58:09,440 --> 00:58:11,800 Speaker 2: ones that gave you so like that that's giving big libra. 1272 00:58:12,000 --> 00:58:13,280 Speaker 2: You know enough paid for that room. 1273 00:58:14,680 --> 00:58:16,880 Speaker 3: You're saying that the bad people have put out a 1274 00:58:16,920 --> 00:58:20,560 Speaker 3: rumor about the tampon. You be like you got by quality, Yeah, gotcha? 1275 00:58:21,400 --> 00:58:23,880 Speaker 3: So they got toxic shot from the tampon. Ended up 1276 00:58:23,880 --> 00:58:26,280 Speaker 3: in ic you for three days with kidney failure, heart failure, 1277 00:58:26,320 --> 00:58:28,360 Speaker 3: and blood pressure so low I wouldn't read on the machine. 1278 00:58:28,440 --> 00:58:30,120 Speaker 3: Oh my god, still here to tell the town. 1279 00:58:30,560 --> 00:58:33,720 Speaker 2: Wow, I from that. 1280 00:58:34,000 --> 00:58:36,000 Speaker 3: I have a shower that's over a bathtub, and my 1281 00:58:36,080 --> 00:58:39,080 Speaker 3: natural lack of coordination. I escape at least once a 1282 00:58:39,120 --> 00:58:40,600 Speaker 3: day slip and break. 1283 00:58:40,640 --> 00:58:44,640 Speaker 2: You need one of those things from the hotel showers. 1284 00:58:44,720 --> 00:58:50,320 Speaker 3: Yeah, the little octopus toes. 1285 00:58:50,360 --> 00:58:53,040 Speaker 2: Oh my god. See they should be banned. They just 1286 00:58:53,120 --> 00:58:53,920 Speaker 2: even touching them. 1287 00:58:54,400 --> 00:58:55,360 Speaker 3: And they're always brown. 1288 00:58:55,400 --> 00:58:56,200 Speaker 2: They always gone off. 1289 00:58:56,560 --> 00:58:57,919 Speaker 3: Why are they always around? 1290 00:58:57,960 --> 00:58:59,520 Speaker 2: Just give me a fresh one every single time? 1291 00:58:59,560 --> 00:59:02,000 Speaker 3: Did they start out as white and now they brown? 1292 00:59:02,040 --> 00:59:03,160 Speaker 2: Moved through beige to brown? 1293 00:59:03,320 --> 00:59:06,240 Speaker 3: Yeah? And also keep toilet brushes hotels. 1294 00:59:07,120 --> 00:59:08,960 Speaker 2: Oh that's embarrassing, my god. 1295 00:59:09,240 --> 00:59:10,320 Speaker 3: Hotels have toilet brush. 1296 00:59:10,320 --> 00:59:11,959 Speaker 4: Do you think that my ship doesn't smear the bowl 1297 00:59:11,960 --> 00:59:13,280 Speaker 4: when I'm away? 1298 00:59:14,800 --> 00:59:16,400 Speaker 3: Give it a pre flush and put down a pair 1299 00:59:16,440 --> 00:59:16,560 Speaker 3: of you. 1300 00:59:17,000 --> 00:59:18,680 Speaker 4: But if you and then you've got to go in 1301 00:59:18,720 --> 00:59:20,640 Speaker 4: and do that thing, like if someone's in your hotel room. 1302 00:59:20,680 --> 00:59:21,880 Speaker 4: Like I was in a hotel room this weekend and 1303 00:59:21,920 --> 00:59:23,000 Speaker 4: then I took a pop and then there was no 1304 00:59:23,040 --> 00:59:24,240 Speaker 4: thing and it's like, well, now I'm going to get 1305 00:59:24,240 --> 00:59:27,800 Speaker 4: in there manually with top with toilet paper, by wet hand, 1306 00:59:27,800 --> 00:59:29,400 Speaker 4: and then just be like my personal shame. 1307 00:59:29,480 --> 00:59:32,080 Speaker 3: Anyway, Amy, when did you cheat death? 1308 00:59:33,200 --> 00:59:33,520 Speaker 1: Hello? 1309 00:59:33,800 --> 00:59:34,080 Speaker 3: Hello? 1310 00:59:34,240 --> 00:59:34,720 Speaker 2: Hello? 1311 00:59:35,480 --> 00:59:38,880 Speaker 11: When I was eight, I went next door to my 1312 00:59:38,920 --> 00:59:43,040 Speaker 11: neighbor's house. They went home, and I saw my cat. 1313 00:59:42,880 --> 00:59:45,560 Speaker 12: Sitting on top of their water tank, and I thought, okay, 1314 00:59:45,600 --> 00:59:46,520 Speaker 12: I'll go grab my cat. 1315 00:59:47,120 --> 00:59:48,160 Speaker 10: I climbed up. 1316 00:59:48,480 --> 00:59:50,680 Speaker 12: I sat on the lids with her, and we both 1317 00:59:50,760 --> 00:59:51,160 Speaker 12: fell in. 1318 00:59:52,520 --> 00:59:53,960 Speaker 10: We're both we both survived. 1319 00:59:54,000 --> 00:59:57,280 Speaker 11: We were okay, it was only yeah, it was only 1320 00:59:57,720 --> 01:00:00,880 Speaker 11: up to my knees. But then we found out later 1321 01:00:00,920 --> 01:00:02,880 Speaker 11: that day that they were actually due to get their 1322 01:00:02,920 --> 01:00:05,040 Speaker 11: tanks filled that morning, and the guy had called in 1323 01:00:05,120 --> 01:00:06,480 Speaker 11: second set her do it tomorrow. 1324 01:00:06,760 --> 01:00:11,680 Speaker 2: Oh my wow, he had actually turned up and filled 1325 01:00:11,680 --> 01:00:12,000 Speaker 2: it up. 1326 01:00:12,080 --> 01:00:16,440 Speaker 3: You might not be here today, yeah exactly. But if 1327 01:00:16,480 --> 01:00:18,200 Speaker 3: you it was full, you would have floated and you 1328 01:00:18,200 --> 01:00:19,920 Speaker 3: would have been able to grab the living get yourself out. 1329 01:00:19,960 --> 01:00:20,640 Speaker 2: I'm just loose. 1330 01:00:21,560 --> 01:00:21,920 Speaker 3: I don't know. 1331 01:00:22,200 --> 01:00:23,840 Speaker 10: It's pretty dark and it's there, and. 1332 01:00:23,800 --> 01:00:24,520 Speaker 12: The holes pretty. 1333 01:00:24,760 --> 01:00:29,959 Speaker 3: You got a sinking child, No, I think she's heavy. 1334 01:00:30,080 --> 01:00:33,760 Speaker 3: She sounds like a sinker to a heavier child. 1335 01:00:34,280 --> 01:00:36,600 Speaker 12: My cat might have been What did the cat do? 1336 01:00:36,720 --> 01:00:39,320 Speaker 3: Because I'd imagine even in that knee heighth water, the 1337 01:00:39,360 --> 01:00:40,680 Speaker 3: cat would have been going feral. 1338 01:00:41,360 --> 01:00:43,800 Speaker 12: Oh, the cat went insane. So I picked her up 1339 01:00:43,840 --> 01:00:45,800 Speaker 12: and I was holding her for about I think it 1340 01:00:45,880 --> 01:00:48,120 Speaker 12: must have been about ten fifteen minutes, and I was 1341 01:00:48,160 --> 01:00:51,920 Speaker 12: just screaming for my mum to hear me. She did eventually, 1342 01:00:52,160 --> 01:00:54,440 Speaker 12: but you know this, I was next door, so it 1343 01:00:54,480 --> 01:00:55,200 Speaker 12: did take a while. 1344 01:00:56,080 --> 01:01:02,200 Speaker 3: You were passing as well, stranging your sound of the 1345 01:01:02,280 --> 01:01:04,880 Speaker 3: vintage where you may have got a hiding for your troubles. 1346 01:01:05,480 --> 01:01:09,000 Speaker 12: Oh yeah maybe maybe Yeah? 1347 01:01:10,520 --> 01:01:11,480 Speaker 3: Beat you for survivor? 1348 01:01:12,560 --> 01:01:14,720 Speaker 2: Yes, how give you someone to survive? 1349 01:01:14,760 --> 01:01:18,000 Speaker 3: About amy? Thank you some messages? And when when did 1350 01:01:18,040 --> 01:01:18,760 Speaker 3: you survive? Death? 1351 01:01:18,880 --> 01:01:19,360 Speaker 6: Cheat? Death? 1352 01:01:19,760 --> 01:01:22,360 Speaker 3: Um? And the It was the heady days of the 1353 01:01:22,440 --> 01:01:24,120 Speaker 3: nineteen nineties, and my parents would let me take the 1354 01:01:24,120 --> 01:01:26,680 Speaker 3: tractor and trailer down the road paddock of our ninety 1355 01:01:26,720 --> 01:01:28,840 Speaker 3: acre farm to check animals, etcetera. I shouldn't be alive 1356 01:01:28,840 --> 01:01:32,240 Speaker 3: after a roly poly. Yeah, my dad was in a 1357 01:01:32,240 --> 01:01:34,560 Speaker 3: car coration. Who's younger? Everyone in the car died except 1358 01:01:34,600 --> 01:01:38,160 Speaker 3: for Dad. The floorboard on impact snapped and trapped his leg, 1359 01:01:38,200 --> 01:01:41,200 Speaker 3: which stopped him being ejected from the car. Oh wow, 1360 01:01:41,440 --> 01:01:43,919 Speaker 3: that's serious stuff. I was in London and twenty eleven 1361 01:01:43,960 --> 01:01:47,120 Speaker 3: when the bombings happened. I just left King's Cross station. 1362 01:01:47,200 --> 01:01:49,040 Speaker 3: I was just in the bus and the bomb exploded 1363 01:01:49,080 --> 01:01:51,560 Speaker 3: in the train station. I've been in moments before. That 1364 01:01:51,600 --> 01:01:54,320 Speaker 3: would be, That would be you'd never forget that? That 1365 01:01:54,360 --> 01:01:57,880 Speaker 3: would be? Would that make saying change? Like live life? 1366 01:02:00,680 --> 01:02:02,800 Speaker 3: You can't pay DM every day? That dam is going 1367 01:02:02,880 --> 01:02:04,880 Speaker 3: to get car paid hard. I was in a car 1368 01:02:04,920 --> 01:02:07,520 Speaker 3: accident that went off the room Utucka Hill and Wellington. 1369 01:02:07,600 --> 01:02:09,880 Speaker 3: Car straight down the hill, but there were two small 1370 01:02:09,880 --> 01:02:13,400 Speaker 3: branches that somehow managed to stop the car. Directly behind 1371 01:02:13,520 --> 01:02:15,680 Speaker 3: the branches was a cliff and a straight drop down. 1372 01:02:17,960 --> 01:02:21,720 Speaker 2: That's crazy, Karen, you have missed two bombings. 1373 01:02:23,080 --> 01:02:26,360 Speaker 10: Yeah, yeah, I do count my blessing. 1374 01:02:26,960 --> 01:02:28,600 Speaker 2: Where where did this happen? 1375 01:02:29,480 --> 01:02:29,640 Speaker 3: Oh? 1376 01:02:29,800 --> 01:02:32,240 Speaker 10: Back in Sydney. I was living in Sydney in the 1377 01:02:32,320 --> 01:02:33,360 Speaker 10: late seventies. 1378 01:02:34,520 --> 01:02:35,040 Speaker 3: Do they have. 1379 01:02:35,120 --> 01:02:37,720 Speaker 2: Bombs in the seventies going off everywhere? 1380 01:02:38,240 --> 01:02:38,600 Speaker 3: Really? 1381 01:02:38,760 --> 01:02:44,200 Speaker 10: Yeah? The first time I think it was the first 1382 01:02:44,240 --> 01:02:48,120 Speaker 10: time was I'd just gone to make the last payment 1383 01:02:48,200 --> 01:02:51,600 Speaker 10: on my lay by for my brand new Hot going 1384 01:02:51,640 --> 01:02:54,040 Speaker 10: to the nightclub Hot Hot. 1385 01:02:54,680 --> 01:02:57,920 Speaker 2: Seventies would have been short your cheery red. 1386 01:02:57,840 --> 01:03:01,480 Speaker 10: Yeah, out of it shiny plastic stuff. 1387 01:03:03,160 --> 01:03:04,560 Speaker 2: Yeah. 1388 01:03:04,600 --> 01:03:08,720 Speaker 10: And the shop was on the underpass drive out of 1389 01:03:08,720 --> 01:03:12,600 Speaker 10: the car pats from the Hilton Hotel, and coming out 1390 01:03:12,640 --> 01:03:17,160 Speaker 10: of the top driveway was apparently some guy who was 1391 01:03:17,160 --> 01:03:21,120 Speaker 10: looking into police corruption or drug dealers or something, some 1392 01:03:21,360 --> 01:03:26,640 Speaker 10: crystian pastor or something, and they bombed his car and 1393 01:03:26,680 --> 01:03:28,000 Speaker 10: he was killed sadly. 1394 01:03:28,600 --> 01:03:31,560 Speaker 3: Right, I'm looking it up that the city Hilton Hotel 1395 01:03:31,600 --> 01:03:36,560 Speaker 3: bombing thirteenth of February nineteen seventy eight. Her story checks out. Wow, okay, 1396 01:03:36,640 --> 01:03:39,320 Speaker 3: And what was the other bombing? I'll google that one. 1397 01:03:39,560 --> 01:03:41,880 Speaker 10: I put my brand new jacket on as I came 1398 01:03:41,960 --> 01:03:44,919 Speaker 10: out of this shop because I got I. 1399 01:03:44,880 --> 01:03:48,120 Speaker 3: Want to look hot, and you get covered in debris. 1400 01:03:48,560 --> 01:03:52,000 Speaker 4: Yeah, really clear, the carton debris doesn't have the same 1401 01:03:52,760 --> 01:03:53,760 Speaker 4: The jacket. 1402 01:03:53,640 --> 01:03:58,800 Speaker 2: Was shredded really actually just actually like destroyed the jacket. 1403 01:03:59,640 --> 01:04:00,959 Speaker 3: Oh Jesus if. 1404 01:04:00,880 --> 01:04:06,320 Speaker 10: I was throwing in the air and throwing across the road. 1405 01:04:08,000 --> 01:04:11,400 Speaker 2: Oh wait, it's a What was the second incident? 1406 01:04:12,720 --> 01:04:12,880 Speaker 3: Uh? 1407 01:04:13,720 --> 01:04:18,600 Speaker 10: I can't sit down in darlingest and Sidney thanks of 1408 01:04:18,680 --> 01:04:23,640 Speaker 10: your friend of mine was like an interior decorat Copy 1409 01:04:23,720 --> 01:04:26,440 Speaker 10: de ALTI bumped into the key. We guy from on 1410 01:04:26,560 --> 01:04:28,680 Speaker 10: the street. He says, Oh, you've got to come and 1411 01:04:28,720 --> 01:04:34,240 Speaker 10: see what I have done with this new town. And the 1412 01:04:34,320 --> 01:04:35,480 Speaker 10: traffic ladies. 1413 01:04:35,880 --> 01:04:38,479 Speaker 3: Giving me tell her off in the middle. 1414 01:04:44,920 --> 01:04:48,240 Speaker 10: Yeah, sorry, the traffic lady's giving me heat. 1415 01:04:48,520 --> 01:04:52,920 Speaker 3: We will sort out. You're on the national radio. 1416 01:04:53,880 --> 01:05:02,800 Speaker 10: Sorry, I'm on the over. 1417 01:05:02,880 --> 01:05:04,160 Speaker 3: We'll get it. We'll get an exemption. 1418 01:05:04,840 --> 01:05:08,360 Speaker 2: Tell us about two bombings. 1419 01:05:08,400 --> 01:05:13,800 Speaker 10: So so the singhead come in and see what I've 1420 01:05:13,840 --> 01:05:19,640 Speaker 10: done to this place. It was one of those brick townhouses, beautiful, 1421 01:05:20,440 --> 01:05:23,720 Speaker 10: and he had taken all the back wall out and 1422 01:05:23,840 --> 01:05:31,040 Speaker 10: put two stories of plate glass and stunning very eighties, 1423 01:05:31,120 --> 01:05:38,400 Speaker 10: lots of gray, lots of black leather. Couches went into 1424 01:05:38,480 --> 01:05:47,800 Speaker 10: the loo, which was like it was like Darth Vader's bathroom. 1425 01:05:46,680 --> 01:05:48,360 Speaker 3: Very diac and imagine. 1426 01:05:48,920 --> 01:05:53,080 Speaker 10: And I'm looking to flush the toilet and thinking these 1427 01:05:53,120 --> 01:05:56,080 Speaker 10: plumbing fixtures. I've never seen anything like this. I think 1428 01:05:56,120 --> 01:05:57,440 Speaker 10: this is the thing to touch. 1429 01:05:57,920 --> 01:05:58,040 Speaker 5: Ye. 1430 01:05:58,840 --> 01:06:03,000 Speaker 10: I touched this metal plate on the wall and was 1431 01:06:03,040 --> 01:06:08,560 Speaker 10: thrown through the air. The toilet flew off the ground 1432 01:06:10,480 --> 01:06:17,080 Speaker 10: at some fine I thought, oh my god, and then 1433 01:06:17,200 --> 01:06:19,960 Speaker 10: realized I couldn't hear anything renovated. 1434 01:06:20,800 --> 01:06:21,800 Speaker 3: Was it the bomb. 1435 01:06:23,040 --> 01:06:25,880 Speaker 10: Stagged out of the bathroom, saw my friend on the 1436 01:06:25,880 --> 01:06:29,280 Speaker 10: floor with the plate, glass just raining down, shouts of 1437 01:06:29,400 --> 01:06:30,240 Speaker 10: glass on him. 1438 01:06:30,560 --> 01:06:35,560 Speaker 3: What what was this? Bomb? Was a bomb in the toilet? 1439 01:06:36,200 --> 01:06:40,840 Speaker 10: The bomb was a street away at the Croatian Social Center. 1440 01:06:43,400 --> 01:06:44,760 Speaker 3: Croatian Social. 1441 01:06:46,840 --> 01:06:49,240 Speaker 2: The plate didn't mean it was just just. 1442 01:06:51,520 --> 01:06:52,040 Speaker 10: Sorry. 1443 01:06:52,280 --> 01:06:55,720 Speaker 2: It was just the timing of you touching the plate. Yep, 1444 01:06:55,760 --> 01:06:56,640 Speaker 2: it was a block. 1445 01:06:56,400 --> 01:06:59,439 Speaker 10: Away completely, but I kept thinking, oh my god, I've 1446 01:06:59,480 --> 01:06:59,840 Speaker 10: done this. 1447 01:07:00,080 --> 01:07:02,680 Speaker 2: You've just literally blown up the toilets. So you've been 1448 01:07:02,760 --> 01:07:05,680 Speaker 2: in two bomb blasts and you've cheated death twice. 1449 01:07:05,800 --> 01:07:08,560 Speaker 3: Karen, oh, multiple times. 1450 01:07:09,080 --> 01:07:10,840 Speaker 10: Our first time caller. 1451 01:07:12,920 --> 01:07:17,360 Speaker 3: That long. It's only got to it's Coller of the week. 1452 01:07:17,360 --> 01:07:19,080 Speaker 2: We're going to hook you up thanks to Kim's Warehouse, 1453 01:07:19,080 --> 01:07:20,680 Speaker 2: home of the biggest brands at the lowest price. You've 1454 01:07:20,680 --> 01:07:21,960 Speaker 2: got a Chimis Warehouse price pack. 1455 01:07:22,040 --> 01:07:25,120 Speaker 10: Karen, Well, thank you, en you. 1456 01:07:27,000 --> 01:07:27,400 Speaker 3: A week. 1457 01:07:27,440 --> 01:07:29,520 Speaker 2: You can move along with the parking lady now and 1458 01:07:29,520 --> 01:07:31,600 Speaker 2: we'll sort you sort out your your prize. 1459 01:07:31,600 --> 01:07:32,000 Speaker 3: Peck there. 1460 01:07:32,040 --> 01:07:34,120 Speaker 2: Fantastic. We're out of time there, but thank you. So 1461 01:07:34,160 --> 01:07:36,560 Speaker 2: many messages, so many of people cheating death. 1462 01:07:37,080 --> 01:07:38,920 Speaker 4: Someone message and saying that they were supposed to be 1463 01:07:38,920 --> 01:07:40,680 Speaker 4: in the building that collapsed and crashed huts and the 1464 01:07:40,680 --> 01:07:41,560 Speaker 4: crash uts earthquake. 1465 01:07:41,600 --> 01:07:45,000 Speaker 2: But they had a meeting, they got canceled, don't come. 1466 01:07:45,160 --> 01:07:46,880 Speaker 3: That was the freaky thing about that because there was 1467 01:07:47,000 --> 01:07:49,120 Speaker 3: so many and it's like September eleven, you know, so 1468 01:07:49,120 --> 01:07:52,240 Speaker 3: many people are like it just didn't happen. 1469 01:07:53,440 --> 01:07:55,560 Speaker 2: MS fletched Vaughn and Haley. 1470 01:07:57,280 --> 01:07:59,360 Speaker 1: Plays fleshed one and Haley. 1471 01:08:00,800 --> 01:08:12,320 Speaker 8: Fact of the Day, Day Day, day day dood. 1472 01:08:16,320 --> 01:08:18,599 Speaker 3: It's units of measurements specific to an item week At 1473 01:08:18,600 --> 01:08:20,479 Speaker 3: Fact of the Day, yesterday we learned about a furkin 1474 01:08:20,520 --> 01:08:21,920 Speaker 3: of butter and a garn of butter. 1475 01:08:22,120 --> 01:08:22,920 Speaker 2: Oh a furkin? 1476 01:08:23,000 --> 01:08:24,320 Speaker 3: How much is a furkin? 1477 01:08:24,479 --> 01:08:25,599 Speaker 2: Is the order of a barrel? 1478 01:08:26,000 --> 01:08:28,360 Speaker 3: About twenty five kilograms in your modern weight of butter. 1479 01:08:29,000 --> 01:08:29,559 Speaker 3: A lot of butter. 1480 01:08:29,600 --> 01:08:31,920 Speaker 2: We did butter. That's about three point six. 1481 01:08:31,760 --> 01:08:34,280 Speaker 3: Great occasion we did that yesterday. Move on, I'm just 1482 01:08:34,320 --> 01:08:35,160 Speaker 3: recapping HANDI. 1483 01:08:35,000 --> 01:08:36,479 Speaker 2: Wasn't here, I wasn't listening. I didn't know what. 1484 01:08:36,840 --> 01:08:38,559 Speaker 3: Originally Monday was going to be the day I talked 1485 01:08:38,600 --> 01:08:41,360 Speaker 3: about whan, but then I moved whan to today because 1486 01:08:41,400 --> 01:08:45,040 Speaker 3: I thought you'd like that. I wan you wan, Well, 1487 01:08:45,400 --> 01:08:49,200 Speaker 3: Today's specific measurements to do with whan I come to 1488 01:08:49,280 --> 01:08:53,160 Speaker 3: us from the Champagne and Bordeaux. Oh yeah, produces and 1489 01:08:53,200 --> 01:08:55,799 Speaker 3: the agent of the nineteenth century, they began giving biblical 1490 01:08:55,880 --> 01:08:59,160 Speaker 3: names to large format bottles. Was a marketing thing to 1491 01:08:59,240 --> 01:09:02,960 Speaker 3: sound grand partly due to a nod the traditional grandeur 1492 01:09:03,760 --> 01:09:07,280 Speaker 3: associated with kings. So they had a Duraboem, which is 1493 01:09:07,320 --> 01:09:09,879 Speaker 3: named after the first king of the Northern Kingdom of Israel. 1494 01:09:10,680 --> 01:09:15,320 Speaker 3: The size varies, but basically it was if it was champagne, 1495 01:09:15,360 --> 01:09:19,519 Speaker 3: it was a three letter bottle of champagne. 1496 01:09:18,360 --> 01:09:21,080 Speaker 2: And three leaders. Yeah, it's perfect for a night. 1497 01:09:22,960 --> 01:09:24,479 Speaker 3: My ice bucket's not big enough for that. 1498 01:09:25,000 --> 01:09:26,559 Speaker 2: No, just get one of those tubs that they wash 1499 01:09:26,600 --> 01:09:29,280 Speaker 2: your toddler and werehouse tubs. Yeah, the big tubs, yeah, 1500 01:09:29,360 --> 01:09:30,519 Speaker 2: or a minor ten bucket will do. 1501 01:09:30,600 --> 01:09:32,960 Speaker 3: Yeah, big yeah, orange montor ten bucket, yeah, because if 1502 01:09:33,000 --> 01:09:36,240 Speaker 3: you're buying a three liter bottle of champagne, you're definitely 1503 01:09:36,240 --> 01:09:41,120 Speaker 3: gonna have a bright orange bucket. Nothing says Duraboem like 1504 01:09:41,320 --> 01:09:43,640 Speaker 3: a big orange motor ten bucket. So it was a 1505 01:09:43,680 --> 01:09:45,880 Speaker 3: four letter for a champagne and five letters if it 1506 01:09:45,880 --> 01:09:47,720 Speaker 3: was Bordeaux, more of a red wine. How are you 1507 01:09:47,800 --> 01:09:50,519 Speaker 3: even checking that up? When it's heavy, like when it's 1508 01:09:52,439 --> 01:09:54,320 Speaker 3: it's probably another couple of kg's in the bottle. 1509 01:09:54,400 --> 01:09:57,599 Speaker 2: It's manageable to hold, but it's it's a bit awkward 1510 01:09:57,640 --> 01:10:00,160 Speaker 2: and it's weir turning into a slim clos well. 1511 01:10:00,280 --> 01:10:02,920 Speaker 3: It gets it gets even crazier because the next bottle 1512 01:10:03,000 --> 01:10:06,559 Speaker 3: up size was Methazula, named for the longest lived figure 1513 01:10:06,560 --> 01:10:09,360 Speaker 3: in the Bible. Methiszula lived for nine hundred and sixty 1514 01:10:09,400 --> 01:10:11,400 Speaker 3: nine years. If you're familiar with the bad of course 1515 01:10:11,439 --> 01:10:14,920 Speaker 3: it did. Yeah, you're right. Actually it was gender fluid. 1516 01:10:17,120 --> 01:10:20,360 Speaker 3: It was a day okay, right, okay, And it was 1517 01:10:20,400 --> 01:10:23,960 Speaker 3: a six leader bottle of wine. Goodness me six leader 1518 01:10:23,960 --> 01:10:26,519 Speaker 3: bottle of wine. Wow. Now the next one named after 1519 01:10:26,560 --> 01:10:33,400 Speaker 3: the almighty King of Babylon, neb you the rivers, Well, 1520 01:10:33,439 --> 01:10:35,840 Speaker 3: it was a river of wine because it was fifteen leaders. 1521 01:10:35,840 --> 01:10:37,679 Speaker 2: It was he called on the twenty modern bottles. 1522 01:10:37,680 --> 01:10:43,879 Speaker 3: Fifteen leaders at this point, and it was a neb you, nebun. 1523 01:10:44,320 --> 01:10:46,560 Speaker 2: You're gonna need a little goon tap on that. Do 1524 01:10:46,680 --> 01:10:48,920 Speaker 2: you need a little tap on the you get one 1525 01:10:48,960 --> 01:10:49,960 Speaker 2: of those beer towers. 1526 01:10:50,080 --> 01:10:53,320 Speaker 3: Yeah. A hack online, This could be Shannon's hack going 1527 01:10:53,320 --> 01:10:56,840 Speaker 3: into summer. Someone got a watermelon yeap, slice the top off, 1528 01:10:57,000 --> 01:10:59,400 Speaker 3: put on a stick, an immersion blender, a stick blender in, 1529 01:11:00,560 --> 01:11:02,559 Speaker 3: mixed up all the watermelon thing, glugged in a bottle 1530 01:11:02,600 --> 01:11:04,760 Speaker 3: of tequila, and then banged a tap in the bottom. 1531 01:11:04,439 --> 01:11:09,200 Speaker 2: Of the watermelon. Yeah, watermelon producer shabb has raised a 1532 01:11:09,240 --> 01:11:11,960 Speaker 2: really good point. This is good for a bayo because 1533 01:11:12,000 --> 01:11:12,920 Speaker 2: you get one. 1534 01:11:12,640 --> 01:11:17,320 Speaker 3: Corkage one A lot of places that just perser. Now 1535 01:11:17,520 --> 01:11:21,280 Speaker 3: he'd do a corkage charge purpse per person. Yeah, because 1536 01:11:21,280 --> 01:11:24,080 Speaker 3: they know that they had wine. Yeah, right, per person, 1537 01:11:24,160 --> 01:11:28,559 Speaker 3: not per bottle. They found a way around, asked a 1538 01:11:28,600 --> 01:11:30,320 Speaker 3: cast I take it. I take a one lead of 1539 01:11:30,360 --> 01:11:32,599 Speaker 3: vodka and from wine to a. 1540 01:11:34,439 --> 01:11:35,000 Speaker 2: Do you laugh? 1541 01:11:35,040 --> 01:11:40,759 Speaker 3: But we've been to a so. Another unit for measuring 1542 01:11:40,800 --> 01:11:42,680 Speaker 3: alcohol is a word that appears in English in the 1543 01:11:42,760 --> 01:11:46,120 Speaker 3: late fifteen hundreds. It originally meant a small wooden cup 1544 01:11:46,240 --> 01:11:49,559 Speaker 3: or mug, often used in taverns, but it was a noggin. 1545 01:11:51,160 --> 01:11:54,120 Speaker 3: So yeah, the amount of how to quarter pint would 1546 01:11:54,120 --> 01:11:56,799 Speaker 3: be a noggin. You'd say a nogin of whiskey, please, 1547 01:11:57,160 --> 01:11:59,120 Speaker 3: and you would get a quarter pint of it. Also, 1548 01:11:59,520 --> 01:12:02,040 Speaker 3: no of use your no, he did, because there was 1549 01:12:02,080 --> 01:12:04,000 Speaker 3: a rounded cup that looked like a head looked like 1550 01:12:04,040 --> 01:12:08,759 Speaker 3: a So today's fact to the day is Wan came 1551 01:12:08,920 --> 01:12:13,160 Speaker 3: in massive bottles named after biblical figures, and you could 1552 01:12:13,280 --> 01:12:15,280 Speaker 3: order a nogative spirits. 1553 01:12:16,120 --> 01:12:22,599 Speaker 8: Fact of the day, Day Day, Day Day. 1554 01:12:23,840 --> 01:12:33,920 Speaker 9: Did zid ms Fletchborne and Hailey Creed. 1555 01:12:33,960 --> 01:12:36,519 Speaker 3: Bratton is performing at SkyCity on Wednesday, the first of 1556 01:12:36,520 --> 01:12:39,480 Speaker 3: October and Night of Comedy in Music. And you probably 1557 01:12:39,840 --> 01:12:43,280 Speaker 3: our listeners know him best from the Office, the US 1558 01:12:43,439 --> 01:12:45,840 Speaker 3: version of the Office, and he's on the zoom with 1559 01:12:45,920 --> 01:12:47,160 Speaker 3: us now create Hello. 1560 01:12:47,720 --> 01:12:50,559 Speaker 5: Hello, gentlemen, let's how are you guys? 1561 01:12:50,560 --> 01:12:51,280 Speaker 1: Doing very well? 1562 01:12:51,439 --> 01:12:52,920 Speaker 2: Good, very well. 1563 01:12:52,960 --> 01:12:56,240 Speaker 3: Now you are sort of the unseen half of one 1564 01:12:56,320 --> 01:12:59,240 Speaker 3: of the most memorable moments of the Office. The corporate 1565 01:12:59,280 --> 01:13:01,759 Speaker 3: wants you to tell a difference between those two pictures. 1566 01:13:01,760 --> 01:13:04,040 Speaker 3: And there's at least seven which is becoming a name 1567 01:13:04,960 --> 01:13:07,400 Speaker 3: that you were there for. Your character was to be 1568 01:13:07,439 --> 01:13:10,080 Speaker 3: distracted from causing too much cast in office? What is 1569 01:13:10,120 --> 01:13:12,759 Speaker 3: that like? Every time you see that online or it's referenced, 1570 01:13:12,840 --> 01:13:14,720 Speaker 3: I mean your characters. 1571 01:13:14,560 --> 01:13:16,720 Speaker 13: It ship reminds me that I got by with so 1572 01:13:16,880 --> 01:13:19,080 Speaker 13: much I never had to really work. I got caught 1573 01:13:19,080 --> 01:13:21,799 Speaker 13: because I wasn't doing my job, and we might remind 1574 01:13:21,800 --> 01:13:23,400 Speaker 13: you everybody out there, do your job. 1575 01:13:23,240 --> 01:13:26,120 Speaker 5: Folks, or don't end up like Creed. 1576 01:13:26,640 --> 01:13:30,320 Speaker 3: It's it's it's What was it like being part of 1577 01:13:30,800 --> 01:13:33,560 Speaker 3: the US Office, which is one of the most streamed 1578 01:13:33,640 --> 01:13:36,759 Speaker 3: shows of all time? Is it daily recognition on the streets? 1579 01:13:38,040 --> 01:13:41,599 Speaker 13: Uh, it's not that much. People kind of get out 1580 01:13:41,600 --> 01:13:43,519 Speaker 13: of their way when they see me. You know, when 1581 01:13:43,520 --> 01:13:46,839 Speaker 13: they meet me, they're actually disappointed or relieve. 1582 01:13:48,880 --> 01:13:49,599 Speaker 5: It's one of the two. 1583 01:13:50,000 --> 01:13:50,479 Speaker 6: So they do it. 1584 01:13:50,479 --> 01:13:54,439 Speaker 13: They're kind of they're leary because I went around with 1585 01:13:54,479 --> 01:13:58,240 Speaker 13: blood coming off my body. I was stealing things from people, 1586 01:13:58,479 --> 01:14:01,160 Speaker 13: obviously killed people. So you know, they don't want to 1587 01:14:01,200 --> 01:14:02,360 Speaker 13: they don't want to meet me, guys. 1588 01:14:04,040 --> 01:14:04,519 Speaker 6: So what is it? 1589 01:14:04,560 --> 01:14:06,759 Speaker 3: What is what is your show like? What are you covering? 1590 01:14:06,880 --> 01:14:10,360 Speaker 3: Because it's it's kind of it's music and standing and 1591 01:14:10,640 --> 01:14:11,639 Speaker 3: stories of your time. 1592 01:14:12,720 --> 01:14:15,599 Speaker 13: Yeah, I mean it's by the way, fans, it's safe 1593 01:14:15,640 --> 01:14:17,560 Speaker 13: to see me there because you'll be away, there'll be 1594 01:14:17,600 --> 01:14:20,160 Speaker 13: a stage separated. I'm not closing enough to get you 1595 01:14:20,200 --> 01:14:22,519 Speaker 13: with a knife or anything, so that that's good. 1596 01:14:23,560 --> 01:14:25,800 Speaker 5: Well, don't really stand up. 1597 01:14:25,840 --> 01:14:29,599 Speaker 13: I wouldn't go to do a show without my guitar, 1598 01:14:29,960 --> 01:14:34,960 Speaker 13: so and it's really not Uh, that's not that funny. 1599 01:14:35,200 --> 01:14:39,360 Speaker 5: Really, I just kind of tell these stories. I ramble on. 1600 01:14:39,880 --> 01:14:42,519 Speaker 13: There's no there's no payoff, there's no conclusions in any 1601 01:14:42,520 --> 01:14:43,160 Speaker 13: of these stories. 1602 01:14:43,400 --> 01:14:44,160 Speaker 5: I look somethings. 1603 01:14:44,479 --> 01:14:46,320 Speaker 13: I'll come out and say half of a joke and 1604 01:14:46,400 --> 01:14:48,479 Speaker 13: walk off to the side of the stage and then 1605 01:14:48,520 --> 01:14:50,639 Speaker 13: peek out and see if the people are still interested 1606 01:14:50,760 --> 01:14:52,479 Speaker 13: or it's still there. Then I'll come out and finish 1607 01:14:52,600 --> 01:14:53,200 Speaker 13: the joke. 1608 01:14:54,000 --> 01:14:56,519 Speaker 2: On stage version of this radio show, which often does. 1609 01:14:58,080 --> 01:14:59,960 Speaker 5: I can see you guys are phoning it in right. 1610 01:15:00,320 --> 01:15:05,759 Speaker 3: Always sonny, always funny. So, UH, tell us more about 1611 01:15:05,800 --> 01:15:08,320 Speaker 3: your your life as a musician, because you were in 1612 01:15:08,600 --> 01:15:12,200 Speaker 3: like a fairly large folk pop group back in the sixties. 1613 01:15:12,920 --> 01:15:15,360 Speaker 13: Yeah, in the in the late sixties, I had Uh 1614 01:15:15,920 --> 01:15:19,560 Speaker 13: was a drama drama major in college. 1615 01:15:20,000 --> 01:15:22,280 Speaker 5: So after college I went to Europe and met two guys. 1616 01:15:22,320 --> 01:15:25,080 Speaker 13: I was with the folk trio in Europe for over 1617 01:15:25,160 --> 01:15:28,839 Speaker 13: two years, playing all over all over Europe and North Africa, 1618 01:15:28,960 --> 01:15:33,040 Speaker 13: Middle East, you know, back in the East East, Germany, 1619 01:15:33,560 --> 01:15:37,640 Speaker 13: Red Kirt Curtain countries at that time. Then the grassroots 1620 01:15:37,680 --> 01:15:41,840 Speaker 13: started in the your Age of Summer of Love six 1621 01:15:42,040 --> 01:15:44,479 Speaker 13: late sixties, and then we had lip for to day 1622 01:15:45,439 --> 01:15:48,080 Speaker 13: went to number five, No made that confession went to 1623 01:15:48,160 --> 01:15:50,800 Speaker 13: number five, that's right, and then LI for today, Uh 1624 01:15:51,280 --> 01:15:53,760 Speaker 13: was that was the big song. Played guitar and sang 1625 01:15:53,800 --> 01:15:56,559 Speaker 13: harmony on that. So we just turned around all over 1626 01:15:56,600 --> 01:15:57,000 Speaker 13: the place. 1627 01:15:57,240 --> 01:15:57,639 Speaker 3: Uh. 1628 01:15:57,800 --> 01:15:59,320 Speaker 13: And that was an amazing time. And I thought, this 1629 01:15:59,439 --> 01:16:01,800 Speaker 13: is my mid twenties, and I thought, well, this is 1630 01:16:01,800 --> 01:16:02,360 Speaker 13: pretty easy. 1631 01:16:02,600 --> 01:16:04,479 Speaker 5: I just started out here. I had a big rock star, 1632 01:16:04,920 --> 01:16:05,479 Speaker 5: and then. 1633 01:16:05,960 --> 01:16:10,160 Speaker 13: Twenty five years after the band is over, I straggled 1634 01:16:10,200 --> 01:16:13,200 Speaker 13: in them just turning sixty and I get on the office. 1635 01:16:13,280 --> 01:16:16,719 Speaker 13: So used to say, I had to keep my nose 1636 01:16:16,760 --> 01:16:21,880 Speaker 13: to the grindstone and keep a positive attitude or I 1637 01:16:21,920 --> 01:16:23,800 Speaker 13: could have you fallen by the wayside. 1638 01:16:23,920 --> 01:16:25,840 Speaker 5: Guys. 1639 01:16:25,960 --> 01:16:27,960 Speaker 3: I was thinking that it's like you've got these two 1640 01:16:28,080 --> 01:16:33,960 Speaker 3: like peaks of fame and completely different times, Like how 1641 01:16:33,960 --> 01:16:34,479 Speaker 3: did you find that? 1642 01:16:34,600 --> 01:16:37,280 Speaker 2: Because I guess what's the sixties seventies the is no 1643 01:16:37,439 --> 01:16:42,160 Speaker 2: social media, whereas no at the height of the office 1644 01:16:42,160 --> 01:16:44,360 Speaker 2: fight and this social media people could be out with 1645 01:16:44,400 --> 01:16:45,759 Speaker 2: a camera seeing you in public. 1646 01:16:46,960 --> 01:16:49,439 Speaker 13: Well, the thing is that I had I was in 1647 01:16:49,640 --> 01:16:51,760 Speaker 13: a big hit group, but it was just the name 1648 01:16:51,800 --> 01:16:54,439 Speaker 13: of the group and they could see what we looked 1649 01:16:54,479 --> 01:16:56,680 Speaker 13: like on an album. But still if you're walking in 1650 01:16:56,720 --> 01:16:59,880 Speaker 13: New York City or San Francisco or LA It's not 1651 01:17:00,080 --> 01:17:03,120 Speaker 13: like people are gonna go oh. But when the Office hit, yeah, 1652 01:17:03,200 --> 01:17:05,960 Speaker 13: then that was that was a hole. That's that's the 1653 01:17:06,360 --> 01:17:08,840 Speaker 13: you're you made a mark in the zeitgeist for that show. 1654 01:17:09,520 --> 01:17:10,760 Speaker 5: So that was crazy. 1655 01:17:11,600 --> 01:17:14,440 Speaker 13: And uh yeah, I'm living in a in a compound 1656 01:17:14,439 --> 01:17:16,720 Speaker 13: now with racial I was. 1657 01:17:16,800 --> 01:17:20,599 Speaker 2: Gonna say, yeah, your anonymity was gone gone, yeah, absolutely gone. 1658 01:17:20,720 --> 01:17:24,400 Speaker 3: Yeah, So like what so you were sixty when you 1659 01:17:24,400 --> 01:17:26,760 Speaker 3: started the Office. There's nearly twenty years ago, so like, 1660 01:17:26,920 --> 01:17:28,760 Speaker 3: what what what's the next chapter of your life? 1661 01:17:28,760 --> 01:17:29,599 Speaker 2: Hold more more? 1662 01:17:29,640 --> 01:17:30,760 Speaker 3: Touring these sorts of shows. 1663 01:17:30,880 --> 01:17:34,400 Speaker 13: I'm two and as you'll see on stage, I'm still 1664 01:17:34,439 --> 01:17:35,200 Speaker 13: I'm still got it. 1665 01:17:35,240 --> 01:17:36,240 Speaker 5: You know, I. 1666 01:17:38,040 --> 01:17:40,519 Speaker 2: Cannot believe you're ready to what is a secret to 1667 01:17:40,560 --> 01:17:45,439 Speaker 2: your youthful look Jin Singh suppositories that. 1668 01:17:45,479 --> 01:17:47,599 Speaker 3: Would take that? Would I mean that might. 1669 01:17:48,160 --> 01:17:50,840 Speaker 13: Now Listen when you start out with them, my little 1670 01:17:50,840 --> 01:17:53,240 Speaker 13: Snapper didn't like him in the beginning, but that kind 1671 01:17:53,280 --> 01:17:54,120 Speaker 13: of look forward to it. 1672 01:17:54,360 --> 01:17:56,280 Speaker 5: Yeah, well do you know? 1673 01:17:56,400 --> 01:17:58,000 Speaker 2: So we can all hope for a long whip life 1674 01:17:58,000 --> 01:18:00,960 Speaker 2: where we look forward to sing them. In the pharmacies, 1675 01:18:01,000 --> 01:18:03,760 Speaker 2: you can get little Finger gloves for suppositories. 1676 01:18:03,800 --> 01:18:06,280 Speaker 13: So I just well, that's for something else, but we don't. 1677 01:18:06,720 --> 01:18:07,280 Speaker 3: I just washed. 1678 01:18:07,280 --> 01:18:10,439 Speaker 5: I just think I just watched this little family show guys. 1679 01:18:10,560 --> 01:18:14,040 Speaker 3: Yeah yeah, yeah, yeah yeah. Well at SkyCity on Wednesday, 1680 01:18:14,040 --> 01:18:15,840 Speaker 3: the first of October. It's a night of comedy and 1681 01:18:15,920 --> 01:18:17,639 Speaker 3: music Creed Brandon performing. 1682 01:18:17,720 --> 01:18:20,879 Speaker 2: Ticket Tickets from ticketek, dot co dot m CE. Tickets available. 1683 01:18:20,880 --> 01:18:22,439 Speaker 2: Now have you been to New Zealand before? Is this 1684 01:18:22,520 --> 01:18:22,880 Speaker 2: your fist? 1685 01:18:22,960 --> 01:18:24,680 Speaker 5: I was going to go there two years ago. 1686 01:18:24,720 --> 01:18:28,560 Speaker 13: I was turned Australia plan to come over and just 1687 01:18:28,600 --> 01:18:31,720 Speaker 13: spend a week or two just driving around because I 1688 01:18:31,840 --> 01:18:33,479 Speaker 13: heard so many beautiful things. 1689 01:18:34,320 --> 01:18:34,880 Speaker 3: Uh. 1690 01:18:34,920 --> 01:18:37,559 Speaker 13: And then I got offered this corporate party in LA 1691 01:18:37,760 --> 01:18:40,799 Speaker 13: and actually be in the States, and it was too much. 1692 01:18:40,680 --> 01:18:42,360 Speaker 5: Money to turn down. So you know, when do you 1693 01:18:42,400 --> 01:18:45,200 Speaker 5: have to go down there? This time? I'm going a 1694 01:18:45,240 --> 01:18:45,759 Speaker 5: week early. 1695 01:18:45,760 --> 01:18:49,080 Speaker 13: I'm going up to Currie Currie, oh wow, and hang 1696 01:18:49,120 --> 01:18:51,479 Speaker 13: out because I heard it's beautiful there, so that'll be fun. 1697 01:18:51,720 --> 01:18:52,960 Speaker 2: Yeah, that's a beautiful spot. 1698 01:18:52,960 --> 01:18:55,240 Speaker 3: Act Now, have islands beautiful? Then? I overlooked for this, 1699 01:18:55,600 --> 01:18:58,559 Speaker 3: the picturesque South Island, but it's beautiful in the Battle 1700 01:18:58,560 --> 01:18:58,880 Speaker 3: of Island. 1701 01:18:59,200 --> 01:19:00,720 Speaker 2: It is well enjoying it home in your zeeling and 1702 01:19:00,920 --> 01:19:03,400 Speaker 2: if you want, will create those tickets available at ticke 1703 01:19:03,479 --> 01:19:05,479 Speaker 2: tech dot co dot instead it of be Wednesday are 1704 01:19:05,520 --> 01:19:06,640 Speaker 2: the first of October. 1705 01:19:06,880 --> 01:19:07,559 Speaker 3: Thank you so much. 1706 01:19:08,360 --> 01:19:09,719 Speaker 5: I hope you guys are coming to the show. 1707 01:19:10,000 --> 01:19:11,160 Speaker 2: So I'll see you there. 1708 01:19:11,280 --> 01:19:13,919 Speaker 5: We'll come, I'll see we'll paint after the show. 1709 01:19:13,880 --> 01:19:17,280 Speaker 7: Gentlemen plays flet Vaughn and Haley. 1710 01:19:17,360 --> 01:19:20,800 Speaker 4: People online are calling for a level of quote civility 1711 01:19:20,840 --> 01:19:24,479 Speaker 4: and decorum in Lee in the world, in the no 1712 01:19:24,640 --> 01:19:27,960 Speaker 4: just in movie cinemas or else have that just go crazy. 1713 01:19:28,479 --> 01:19:31,080 Speaker 4: Sixty five percent of people believe is unacceptable to take 1714 01:19:31,080 --> 01:19:32,840 Speaker 4: off your shoes at the cinema. Now, we've talked about 1715 01:19:32,880 --> 01:19:34,960 Speaker 4: this before because one every now and then, if we're 1716 01:19:35,000 --> 01:19:38,760 Speaker 4: interviewing someone, we'll get a private screening of a film yep. 1717 01:19:39,240 --> 01:19:41,680 Speaker 4: And and maybe sometimes if it's just the three of 1718 01:19:41,760 --> 01:19:44,080 Speaker 4: us in the cinema, or we might slip off a boot. 1719 01:19:44,400 --> 01:19:45,080 Speaker 2: Or a sneaker. 1720 01:19:45,400 --> 01:19:47,639 Speaker 3: I don't think that's Georgia Burt who's got the day 1721 01:19:47,680 --> 01:19:50,400 Speaker 3: show next the advocate are you? 1722 01:19:50,640 --> 01:19:52,439 Speaker 2: They've got to get the rms off, they've got to breathe, 1723 01:19:53,160 --> 01:19:55,080 Speaker 2: even sometimes with the most sneaker is now, I feel 1724 01:19:55,120 --> 01:19:57,640 Speaker 2: like that get restricted and like release the feat But 1725 01:19:57,680 --> 01:19:59,599 Speaker 2: would you in a republic cinema If they. 1726 01:19:59,600 --> 01:20:02,040 Speaker 3: Reply, cinema seats your feeder up kick. 1727 01:20:03,040 --> 01:20:04,040 Speaker 2: People online are not happy. 1728 01:20:04,040 --> 01:20:05,920 Speaker 4: They don't like the people's toes, and then some people 1729 01:20:05,920 --> 01:20:08,960 Speaker 4: call it all naughty stepping. They say that that's when 1730 01:20:09,000 --> 01:20:10,559 Speaker 4: you take off the sock as well. 1731 01:20:12,560 --> 01:20:14,640 Speaker 2: Yeah, you got to leave the toes. The dogs have 1732 01:20:14,720 --> 01:20:16,600 Speaker 2: to stay. Yeah, I don't want to see that. We 1733 01:20:16,600 --> 01:20:18,360 Speaker 2: don't want the dogs being let out, especially some of 1734 01:20:18,360 --> 01:20:21,600 Speaker 2: those big cinemas. That's sticky the floors. You went to 1735 01:20:21,640 --> 01:20:22,479 Speaker 2: the Chinnum last night. 1736 01:20:22,520 --> 01:20:24,040 Speaker 3: I did go to the Chinaman the Last numer or 1737 01:20:24,160 --> 01:20:28,160 Speaker 3: one battle after another than you night. Leonardo DiCaprio, Oh 1738 01:20:28,200 --> 01:20:30,720 Speaker 3: that looks so good. It's really really good. Do you 1739 01:20:30,760 --> 01:20:31,920 Speaker 3: know who kills it? Isn't it? 1740 01:20:32,040 --> 01:20:33,120 Speaker 2: I mean everybody? And it's great. 1741 01:20:33,160 --> 01:20:37,559 Speaker 3: Sean Penn plays the grossest person you can imagine. Amazing. 1742 01:20:37,680 --> 01:20:41,840 Speaker 3: Benicio del Toro's I love her. He is so good. 1743 01:20:42,840 --> 01:20:45,320 Speaker 3: Leona di Caprio, No, no, no need to even say, Leona, 1744 01:20:45,720 --> 01:20:48,520 Speaker 3: just a constant reminder that he's one of our generation's 1745 01:20:48,600 --> 01:20:50,559 Speaker 3: finest actors. So you want a recliner, I was in 1746 01:20:50,560 --> 01:20:53,200 Speaker 3: a recliner, and so you get it off. The terms yeah, 1747 01:20:53,439 --> 01:20:56,759 Speaker 3: kick off, the term I kicked off, the terms drag 1748 01:20:57,760 --> 01:20:58,120 Speaker 3: kicked off. 1749 01:20:58,479 --> 01:20:59,880 Speaker 2: How passed off would you be if you went to 1750 01:20:59,920 --> 01:21:00,439 Speaker 2: the chain. 1751 01:21:00,560 --> 01:21:03,559 Speaker 3: So I had a shower sort of late afternoon before 1752 01:21:03,560 --> 01:21:04,880 Speaker 3: going to the cinema because this. 1753 01:21:04,880 --> 01:21:05,840 Speaker 4: Is the end of the day for a lot of 1754 01:21:05,840 --> 01:21:07,720 Speaker 4: people there in the gin, and then then someone's taking 1755 01:21:07,760 --> 01:21:09,040 Speaker 4: off their day long face. 1756 01:21:09,600 --> 01:21:13,600 Speaker 2: That doesn't, that doesn't. You would sit next to a 1757 01:21:13,640 --> 01:21:15,720 Speaker 2: strangers stink. 1758 01:21:15,080 --> 01:21:16,680 Speaker 3: You're not going to know. You're not going to know. 1759 01:21:16,640 --> 01:21:21,160 Speaker 2: If they've had those socks on all day smelling. So 1760 01:21:21,240 --> 01:21:24,479 Speaker 2: do you know, alfriend Mike just came back yesterday. They 1761 01:21:24,560 --> 01:21:26,240 Speaker 2: landed this morning. Friends Mike and Mack. 1762 01:21:26,880 --> 01:21:27,080 Speaker 3: No. 1763 01:21:27,160 --> 01:21:29,800 Speaker 2: So he was saying, I found a new act. He 1764 01:21:29,840 --> 01:21:33,160 Speaker 2: could smell the guys in the seat behind him and 1765 01:21:33,160 --> 01:21:34,960 Speaker 2: the row behind him. He could smell his breath the 1766 01:21:34,960 --> 01:21:35,400 Speaker 2: whole fly. 1767 01:21:38,680 --> 01:21:44,640 Speaker 3: A toothbrushing, toothbrush for a long fly. 1768 01:21:45,240 --> 01:21:46,000 Speaker 2: Blood mental. 1769 01:21:46,680 --> 01:21:48,439 Speaker 3: You heard it after the first and then you heard 1770 01:21:48,439 --> 01:21:50,320 Speaker 3: it again before landing Because I said, all, was it like, 1771 01:21:50,880 --> 01:21:52,840 Speaker 3: you know, like sicky breath? He's like, no, it was 1772 01:21:52,960 --> 01:21:55,320 Speaker 3: bad breath and you could smell it the whole That 1773 01:21:55,479 --> 01:21:56,680 Speaker 3: is disgusting. 1774 01:21:58,400 --> 01:22:00,639 Speaker 4: See, hey, would you rather smell some one stinky breath 1775 01:22:00,720 --> 01:22:04,200 Speaker 4: or this stinky toes stinky toes time. 1776 01:22:04,280 --> 01:22:04,640 Speaker 3: I don't know. 1777 01:22:04,720 --> 01:22:06,960 Speaker 2: Toes is so because it's kind of like a VIGI 1778 01:22:07,040 --> 01:22:08,639 Speaker 2: might mar might smell rather than. 1779 01:22:08,960 --> 01:22:11,160 Speaker 4: Yeah, then like something died inside of you and you're 1780 01:22:11,200 --> 01:22:15,479 Speaker 4: rotting from the stinky breath also hovers it's like heavy, 1781 01:22:15,720 --> 01:22:18,880 Speaker 4: you know, yeah, from. 1782 01:22:18,880 --> 01:22:21,080 Speaker 2: The mouth or far or bad breath. 1783 01:22:21,320 --> 01:22:26,960 Speaker 4: Farts speaking of something dying and oh my god, the farts, 1784 01:22:27,040 --> 01:22:29,160 Speaker 4: you know, plain farts they don't smell because there's so 1785 01:22:29,280 --> 01:22:31,640 Speaker 4: much going on. And I thought I'd lit out a 1786 01:22:31,760 --> 01:22:34,280 Speaker 4: final fart heaven to. 1787 01:22:36,600 --> 01:22:37,120 Speaker 2: Murgatroy. 1788 01:22:37,240 --> 01:22:41,479 Speaker 4: Yes, something has died inside of smells it. Yeah, periods 1789 01:22:41,520 --> 01:22:43,439 Speaker 4: on its way and you know those farts and you're like, 1790 01:22:43,600 --> 01:22:48,960 Speaker 4: oh okay, oh my god, they crank up to live. 1791 01:22:49,920 --> 01:22:52,840 Speaker 2: Yeah it's farts. But also tam I, but you get 1792 01:22:52,920 --> 01:22:55,120 Speaker 2: constipated sometimes and then. 1793 01:22:55,000 --> 01:23:01,040 Speaker 4: When that first, but when that first, now can I well, 1794 01:23:01,080 --> 01:23:02,519 Speaker 4: I'm actually just something. 1795 01:23:03,680 --> 01:23:06,160 Speaker 3: I'm an ally just don't need the details. That's what 1796 01:23:06,280 --> 01:23:10,960 Speaker 3: allies I'm an ally by, That's not I'm just ally. 1797 01:23:13,120 --> 01:23:15,599 Speaker 2: Is it the podcast done? Because I'm basting for a pose. 1798 01:23:16,600 --> 01:23:17,639 Speaker 3: Last thing for a pose? 1799 01:23:18,400 --> 01:23:22,200 Speaker 9: Jesus give us A review play Zidims, Fletchborne and Hailey