1 00:00:07,133 --> 00:00:10,453 Speaker 1: You're listening to the Saturday Morning with Jack team podcast 2 00:00:10,613 --> 00:00:33,173 Speaker 1: from News Talks ad Been Monday, Judas, Let's alone like that. 3 00:00:34,853 --> 00:00:39,853 Speaker 2: This is key we artist Reiki Ruaway that songs called 4 00:00:39,893 --> 00:00:43,093 Speaker 2: love No Other cool A. Hey, thanks for your feedback 5 00:00:43,933 --> 00:00:47,653 Speaker 2: regarding working in the office to prop up business as Jack, 6 00:00:47,933 --> 00:00:49,853 Speaker 2: have you ever heard of taking your own lunch to 7 00:00:49,893 --> 00:00:52,733 Speaker 2: the office? Yes, actually quite, I don't know. Do I 8 00:00:52,773 --> 00:00:53,613 Speaker 2: prefer left overs? 9 00:00:53,653 --> 00:00:53,813 Speaker 3: Yeah? 10 00:00:53,853 --> 00:00:56,053 Speaker 2: I reckon, I reckon. It's probably a photo finish, depends 11 00:00:56,053 --> 00:00:59,013 Speaker 2: on the leftovers. Really No, I'm into that. So that's 12 00:00:59,013 --> 00:01:02,053 Speaker 2: a perfectly legitimate point ninety two if you want to 13 00:01:02,053 --> 00:01:04,253 Speaker 2: send us some a message in your thoughts on working 14 00:01:04,253 --> 00:01:06,533 Speaker 2: from home and whether or not public servants should be 15 00:01:06,573 --> 00:01:09,893 Speaker 2: directed to work from the office. Plenty of feedback to 16 00:01:09,933 --> 00:01:11,613 Speaker 2: get through very shortly. Right now, though, it's time to 17 00:01:11,613 --> 00:01:15,093 Speaker 2: catch up with our film reviewer, Francesca Rudkin is here, Kilda. 18 00:01:15,853 --> 00:01:19,173 Speaker 2: Good morning, Okay, two films to talk to. I'm gonna 19 00:01:19,293 --> 00:01:22,253 Speaker 2: have already lamented the title of our second film, so 20 00:01:22,253 --> 00:01:23,653 Speaker 2: we'll get to that in a couple of minutes. It's 21 00:01:23,693 --> 00:01:26,013 Speaker 2: been grinding my gears, but let's start off with a 22 00:01:26,053 --> 00:01:30,013 Speaker 2: new movie showing and cinemas at the moment. This is Megalopolis. 23 00:01:30,373 --> 00:01:37,493 Speaker 4: Imagine today's society as a branch of civilization. I'm about 24 00:01:37,493 --> 00:01:43,413 Speaker 4: to reach your dead end. Is this where we're living 25 00:01:46,053 --> 00:01:47,653 Speaker 4: the only one that's available to us? 26 00:01:49,973 --> 00:01:53,653 Speaker 2: Baba ba, that's Megalopolis. 27 00:01:54,613 --> 00:01:58,293 Speaker 5: Yes. This is the sci fi drama written, interrupted and 28 00:01:58,333 --> 00:02:01,413 Speaker 5: produced by Francis bard Cropola that he has. The eighty 29 00:02:01,453 --> 00:02:04,653 Speaker 5: five year old director has been working on this project 30 00:02:04,773 --> 00:02:08,293 Speaker 5: for decades. It is alf funded passion project. He's around 31 00:02:08,293 --> 00:02:10,293 Speaker 5: one hundred and twenty million dollars in to make this 32 00:02:10,373 --> 00:02:14,533 Speaker 5: film and it played it can. It was picked up 33 00:02:14,533 --> 00:02:17,213 Speaker 5: by Lionsgate to have it released in cinemas, which is 34 00:02:17,413 --> 00:02:19,373 Speaker 5: really good because it must be. 35 00:02:19,453 --> 00:02:20,813 Speaker 3: Seen in a cinema. 36 00:02:20,973 --> 00:02:29,773 Speaker 5: This film is audacious, it is just polarizing. It's absolutely nutty, 37 00:02:29,933 --> 00:02:32,213 Speaker 5: but it needs to be seen on the big screen. 38 00:02:32,453 --> 00:02:36,413 Speaker 5: It's set in futuristic America that resembles ancient Rome, and 39 00:02:36,373 --> 00:02:39,133 Speaker 5: and River plays an architect called Caesar. He's a visionary 40 00:02:39,133 --> 00:02:42,093 Speaker 5: and it's his job to determine how to rebuild the 41 00:02:42,133 --> 00:02:45,733 Speaker 5: metropolis of New Rome after a disaster, and it's kind 42 00:02:45,733 --> 00:02:47,933 Speaker 5: of a battle for the soul of the city and 43 00:02:47,973 --> 00:02:51,173 Speaker 5: he's backling against the mayor and the rich and the powerful. 44 00:02:51,253 --> 00:02:53,733 Speaker 5: It's like an ancient myth or fable put into a 45 00:02:53,773 --> 00:02:54,693 Speaker 5: modern city. 46 00:02:54,933 --> 00:02:55,173 Speaker 2: Jack. 47 00:02:55,973 --> 00:02:58,533 Speaker 5: I saw this film on Wednesday. I still do not 48 00:02:58,733 --> 00:02:59,973 Speaker 5: have my head around it. 49 00:03:00,933 --> 00:03:03,453 Speaker 3: I do not know whether this film is. 50 00:03:04,933 --> 00:03:12,253 Speaker 5: A masterpiece an absolute disaster. It is equally frustrating as 51 00:03:12,293 --> 00:03:17,893 Speaker 5: it is at times stunning and beautiful. There are scenes 52 00:03:17,893 --> 00:03:20,693 Speaker 5: in this film that I'm there, I'm in it, I'm 53 00:03:20,773 --> 00:03:22,853 Speaker 5: in this world, and then there are other scenes where 54 00:03:22,893 --> 00:03:25,973 Speaker 5: I'm just going, oh my goodness, this is two hours 55 00:03:26,013 --> 00:03:27,933 Speaker 5: and eighteen minutes of my life. I'm never going to 56 00:03:27,973 --> 00:03:31,533 Speaker 5: get back. The film obviously looks at sort of power 57 00:03:31,533 --> 00:03:34,933 Speaker 5: and corruption and art and creativity and the impact of 58 00:03:35,013 --> 00:03:38,733 Speaker 5: progress and of standing still, but it just struggles to 59 00:03:38,773 --> 00:03:42,373 Speaker 5: get into a throw. He is throwing so much at us, 60 00:03:42,693 --> 00:03:46,013 Speaker 5: and it's not terribly subtle at times, and the film 61 00:03:46,053 --> 00:03:48,373 Speaker 5: sort of starts off, I got all, this just looks amazing, 62 00:03:48,413 --> 00:03:50,213 Speaker 5: this is meal great. And then the next thing, you know, 63 00:03:50,533 --> 00:03:53,933 Speaker 5: Adam Driver's character is doing Shakespeare's soliloquy and I'm like, no, no, no, no, 64 00:03:53,813 --> 00:03:57,053 Speaker 5: no no, I don't need Shakespeare as much. And so 65 00:03:57,173 --> 00:04:01,573 Speaker 5: there's all these sort of subplots, and you know, it's 66 00:04:01,613 --> 00:04:04,933 Speaker 5: it's it. Really you have to see it to believe it. 67 00:04:05,493 --> 00:04:08,213 Speaker 5: But I would highly recommend that you watch the trailer first. 68 00:04:08,413 --> 00:04:10,933 Speaker 3: It is it is our house. It is bonkers. 69 00:04:10,973 --> 00:04:14,613 Speaker 5: It's for a discerning film goer, you know, if you're thinking, oh, good, 70 00:04:14,613 --> 00:04:15,133 Speaker 5: I love you. 71 00:04:15,093 --> 00:04:18,493 Speaker 3: Know the goal, but I just want to watch this. 72 00:04:19,213 --> 00:04:21,413 Speaker 5: There's so much about it which is amazing, but then 73 00:04:21,453 --> 00:04:24,053 Speaker 5: there's so much about it which is really frustrating and 74 00:04:24,253 --> 00:04:29,333 Speaker 5: just just just bonkers. As you can tell, I'm really 75 00:04:29,573 --> 00:04:33,453 Speaker 5: really just sitting on the sidelines with us great cast, 76 00:04:33,533 --> 00:04:35,653 Speaker 5: and I'm pretty sure that everybody, no one will care 77 00:04:35,693 --> 00:04:37,013 Speaker 5: what You're either going to love it or hate it. 78 00:04:37,613 --> 00:04:39,533 Speaker 3: And I don't think if you're involved in this film, 79 00:04:39,573 --> 00:04:40,253 Speaker 3: you wouldn't matter. 80 00:04:40,293 --> 00:04:42,293 Speaker 5: It doesn't You wouldn't care what the reviews are, because 81 00:04:42,293 --> 00:04:44,813 Speaker 5: you would go. I was involved in something quite unique 82 00:04:45,213 --> 00:04:48,453 Speaker 5: and audacious and I got to work with Francis Ford, 83 00:04:48,693 --> 00:04:49,653 Speaker 5: and that's all it means. 84 00:04:49,893 --> 00:04:53,173 Speaker 2: Yeah, unique is good is good. Different is good. It 85 00:04:53,213 --> 00:04:55,333 Speaker 2: sounds like a big movie mash. It sounds like just 86 00:04:55,373 --> 00:04:58,773 Speaker 2: a big like like you know, like someone's just throwing 87 00:04:58,813 --> 00:05:00,173 Speaker 2: a whole lot of paint at the canvas. 88 00:05:01,493 --> 00:05:04,293 Speaker 5: Absolutely, and I can't even go into all these little 89 00:05:04,333 --> 00:05:07,173 Speaker 5: examples of just how unsubtled is it and how much he. 90 00:05:07,253 --> 00:05:10,133 Speaker 3: Throws at you. And yeah, so a part of me 91 00:05:10,253 --> 00:05:11,813 Speaker 3: loved it, part of me hated it. 92 00:05:12,133 --> 00:05:14,413 Speaker 5: And I think it's probably going to take another viewer 93 00:05:14,453 --> 00:05:15,973 Speaker 5: and God for God and. 94 00:05:16,133 --> 00:05:18,693 Speaker 3: A little bit of time before I find which side of. 95 00:05:20,133 --> 00:05:23,093 Speaker 2: Nice okay that sounds that sounds interesting at the very 96 00:05:23,173 --> 00:05:27,213 Speaker 2: least and different. So that is Megalopolis that's showing in cinemas. 97 00:05:27,253 --> 00:05:27,453 Speaker 1: Now. 98 00:05:27,973 --> 00:05:30,693 Speaker 2: Now to the film, whose title has been irritating me 99 00:05:30,773 --> 00:05:33,613 Speaker 2: for days now, starring Bad Brad and George Clery. Have 100 00:05:33,613 --> 00:05:35,533 Speaker 2: I listened to Wolf's. 101 00:05:38,013 --> 00:05:40,053 Speaker 4: I was told and if I ever needed help to 102 00:05:40,133 --> 00:05:40,493 Speaker 4: call you? 103 00:05:41,333 --> 00:05:41,653 Speaker 5: What you can do? 104 00:05:41,693 --> 00:05:51,093 Speaker 1: What I do? We clearly have a situation here. The 105 00:05:51,173 --> 00:05:53,573 Speaker 1: only course of action is for you to work together 106 00:05:53,733 --> 00:05:54,893 Speaker 1: to clean up the mess. 107 00:05:55,533 --> 00:06:01,093 Speaker 2: No, bam, that's Wolves. Can you just start off by 108 00:06:01,093 --> 00:06:02,093 Speaker 2: explaining the title? 109 00:06:03,173 --> 00:06:05,573 Speaker 3: Well, they just didn't want to call it. Are you 110 00:06:05,573 --> 00:06:07,373 Speaker 3: going to explain this? You go explain. 111 00:06:08,053 --> 00:06:10,733 Speaker 5: The premise is that you've got these two lone wolves. 112 00:06:11,453 --> 00:06:14,813 Speaker 5: So you've got these two loan characters who are cleaners. 113 00:06:15,093 --> 00:06:18,773 Speaker 5: They called into fixed problems, but they you know, usually 114 00:06:18,813 --> 00:06:21,333 Speaker 5: involving dead bodies, and things or killing people, but they 115 00:06:21,413 --> 00:06:25,133 Speaker 5: always work alone, and they're very protective of their trade 116 00:06:25,173 --> 00:06:28,293 Speaker 5: craft and they're very protective of what they do. So 117 00:06:28,333 --> 00:06:30,693 Speaker 5: we have a wolf which is called into a situation, 118 00:06:30,813 --> 00:06:33,013 Speaker 5: and another wolf arrives, and the two of them are 119 00:06:33,133 --> 00:06:35,093 Speaker 5: played by George Cleaney and Bread Pitt, and the two 120 00:06:35,093 --> 00:06:36,973 Speaker 5: of them are forced to work together, but they're not 121 00:06:37,053 --> 00:06:37,733 Speaker 5: really together. 122 00:06:38,053 --> 00:06:39,133 Speaker 3: It's not really a plural. 123 00:06:39,173 --> 00:06:42,933 Speaker 2: Nonetheless, if you're putting it, yes. 124 00:06:42,733 --> 00:06:45,653 Speaker 5: I know, I mean it's it's I totally understand where 125 00:06:45,653 --> 00:06:48,213 Speaker 5: you're coming from, because we don't use w O L 126 00:06:48,853 --> 00:06:49,893 Speaker 5: F S as the plural. 127 00:06:50,133 --> 00:06:52,413 Speaker 3: We use the be, so it is very confusing. But 128 00:06:52,493 --> 00:06:55,373 Speaker 3: I'd move on from that, Jack, I just let that go. 129 00:06:55,573 --> 00:06:55,733 Speaker 3: You know. 130 00:06:55,813 --> 00:06:59,173 Speaker 2: Sometimes I just think I'm you know, I remember how 131 00:06:59,213 --> 00:07:01,493 Speaker 2: I used to roll my eyes when playing scrabble with 132 00:07:01,493 --> 00:07:04,053 Speaker 2: my father, and I've just become that person, you know, 133 00:07:04,133 --> 00:07:07,093 Speaker 2: I've just become the nitpecker on grammar all of these things, 134 00:07:07,133 --> 00:07:09,493 Speaker 2: and I just you can say, move on. It's easy 135 00:07:09,533 --> 00:07:11,813 Speaker 2: to say move on, but I just know that for 136 00:07:11,853 --> 00:07:14,013 Speaker 2: some reason, it's like I've got it between my teeth. 137 00:07:14,053 --> 00:07:15,333 Speaker 3: Apostrophies as well. 138 00:07:15,693 --> 00:07:20,493 Speaker 5: Well. I placed apostrophees, yes, exactly, anyway, this is this 139 00:07:20,573 --> 00:07:23,133 Speaker 5: is an undermanding fun film. 140 00:07:23,253 --> 00:07:25,333 Speaker 3: Okay, so that's why I'm just saying it's not worth 141 00:07:25,493 --> 00:07:27,213 Speaker 3: really spending hu much time worrying about that. 142 00:07:27,933 --> 00:07:30,293 Speaker 5: It's you've got a couple of charismatic leads here. I'm 143 00:07:30,293 --> 00:07:32,373 Speaker 5: gonna be on this is playing on Apple Plus TV. 144 00:07:32,573 --> 00:07:33,573 Speaker 3: I'm gonna be honest with you. 145 00:07:33,613 --> 00:07:35,053 Speaker 5: The first twenty minutes about like the two of them 146 00:07:35,173 --> 00:07:36,773 Speaker 5: joined up and done a coffee ad together. 147 00:07:37,053 --> 00:07:40,613 Speaker 3: Right, it's it's George Clooney and bread. 148 00:07:40,973 --> 00:07:43,933 Speaker 5: As you expect that sort of dead pan, kind of 149 00:07:43,973 --> 00:07:45,973 Speaker 5: funny banter that the two of them do together. 150 00:07:46,373 --> 00:07:47,453 Speaker 3: The film is set. 151 00:07:47,253 --> 00:07:49,173 Speaker 5: Over one night, and it is actually beautifully shot. The 152 00:07:49,213 --> 00:07:53,653 Speaker 5: cinematog figure is absolutely fantastic. But it really took to 153 00:07:53,773 --> 00:07:54,453 Speaker 5: the forty night. 154 00:07:54,533 --> 00:07:56,573 Speaker 3: This is an actual comedy. It took to a forty. 155 00:07:56,373 --> 00:07:58,933 Speaker 5: Ninth minute when there is a fantastic stunt scene of 156 00:07:58,973 --> 00:08:01,893 Speaker 5: the car chase, which actually had me laughing out loud. 157 00:08:01,933 --> 00:08:03,653 Speaker 5: And that's when I kind of lightened up a little 158 00:08:03,693 --> 00:08:07,013 Speaker 5: bit on this film. When Okay, but you're expecting too much. 159 00:08:07,173 --> 00:08:10,893 Speaker 5: This is just supposed to be on the light side. 160 00:08:11,493 --> 00:08:11,613 Speaker 1: Uh. 161 00:08:11,893 --> 00:08:15,093 Speaker 5: Look, the two of them obviously work together really well. 162 00:08:16,853 --> 00:08:19,133 Speaker 5: There's lots of, as I said, banter between the two 163 00:08:19,133 --> 00:08:20,733 Speaker 5: of them. They take the mickey out of each other. 164 00:08:21,013 --> 00:08:24,253 Speaker 5: The funny part is that they're actually you know, they 165 00:08:24,333 --> 00:08:25,733 Speaker 5: think that they're the best of what they do and 166 00:08:25,733 --> 00:08:28,413 Speaker 5: that they're individuals and they must work individually, but actually 167 00:08:28,413 --> 00:08:31,053 Speaker 5: they're the same person. They dress the same, they both 168 00:08:31,053 --> 00:08:33,533 Speaker 5: had the same back issue, they both work with the 169 00:08:33,573 --> 00:08:34,093 Speaker 5: same people. 170 00:08:34,133 --> 00:08:36,173 Speaker 3: They need glasses to read. So there's lots of sort of. 171 00:08:36,093 --> 00:08:39,453 Speaker 5: Gags there along those lines as well. 172 00:08:40,773 --> 00:08:42,453 Speaker 3: Yeah, I think the pace ebbs. 173 00:08:42,173 --> 00:08:45,373 Speaker 5: And flows, the twists take a while to kick in, 174 00:08:45,453 --> 00:08:48,373 Speaker 5: and I think they needed more of them. Sometimes it 175 00:08:48,413 --> 00:08:50,773 Speaker 5: felt like the film was just resting on the chemistry 176 00:08:50,773 --> 00:08:53,373 Speaker 5: between the two of them, right, you know, there's but 177 00:08:53,413 --> 00:08:55,573 Speaker 5: there are a few moments where you they actually put 178 00:08:55,573 --> 00:08:57,013 Speaker 5: some effort into the acting, but the rest of it 179 00:08:57,053 --> 00:08:59,293 Speaker 5: all comes pretty lightly, pretty easily. 180 00:08:59,293 --> 00:09:01,533 Speaker 3: Sorry, So not fun, light breezing entertainment. 181 00:09:01,773 --> 00:09:05,253 Speaker 2: Very good. Yeah, okay, cool, that's Wolfs That's on Apple TV. 182 00:09:05,373 --> 00:09:08,133 Speaker 2: Plus Megalopolis is in cinemas now. Thanks Franciska. 183 00:09:08,853 --> 00:09:11,973 Speaker 1: For more from Saturday Morning with Jack Tame, Listen live 184 00:09:12,053 --> 00:09:14,893 Speaker 1: to News Talks ed B from nine am Saturday, or 185 00:09:14,973 --> 00:09:16,853 Speaker 1: follow the podcast on iHeartRadio,