1 00:00:07,133 --> 00:00:10,453 Speaker 1: You're listening to the Saturday Morning with Jack Team podcast 2 00:00:10,573 --> 00:00:34,373 Speaker 1: from News Talks at b This is cool. 3 00:00:34,453 --> 00:00:36,013 Speaker 2: A oh, I like that. 4 00:00:36,173 --> 00:00:40,293 Speaker 3: It's called Sunrise. It's by Young Franco and it features Moroki. 5 00:00:40,493 --> 00:00:42,413 Speaker 3: You know Moroki ki we Muso Moroki. 6 00:00:43,853 --> 00:00:47,893 Speaker 2: Yeah, that's very kind of jazz. His new album, well, 7 00:00:47,933 --> 00:00:49,253 Speaker 2: Young Franco's new album is. 8 00:00:49,213 --> 00:00:53,733 Speaker 3: Called It's Frankie Baby, and Stelle Clifford Music Review has 9 00:00:53,733 --> 00:00:55,413 Speaker 3: been listening Kilda. 10 00:00:55,573 --> 00:01:00,213 Speaker 4: What it's like A great stage, It's frank coming on 11 00:01:00,293 --> 00:01:03,533 Speaker 4: jas Hanes kind of styles and great single to start with. 12 00:01:03,613 --> 00:01:06,693 Speaker 4: So that's actually how the album ends with something Rise 13 00:01:07,493 --> 00:01:10,253 Speaker 4: and it's got that beachy jazz and some kind of. 14 00:01:10,173 --> 00:01:12,333 Speaker 2: Sound sort of Brazilian almost, you know. 15 00:01:12,973 --> 00:01:16,053 Speaker 4: Yeah actually, And I think that's what's really awesome when 16 00:01:16,093 --> 00:01:19,173 Speaker 4: you get an album from a DJ producer, right, is 17 00:01:19,173 --> 00:01:22,613 Speaker 4: that you get all kinds of styles in one album. 18 00:01:22,933 --> 00:01:24,613 Speaker 5: And I really felt like I needed. 19 00:01:24,373 --> 00:01:27,933 Speaker 4: Something kind of upbeat and partyish and summary, and that 20 00:01:28,053 --> 00:01:29,893 Speaker 4: is exactly what he's managed to do on this album, 21 00:01:29,933 --> 00:01:33,253 Speaker 4: because you'll have that kind of beachy jazz, morockey's voice 22 00:01:33,293 --> 00:01:37,133 Speaker 4: sounding all amounts of awesome, and then you'll have artists 23 00:01:37,293 --> 00:01:41,213 Speaker 4: like on the opening track where it's real you know 24 00:01:41,253 --> 00:01:44,533 Speaker 4: the band The Streets or maybe Gorillas like that kind 25 00:01:44,533 --> 00:01:49,093 Speaker 4: of spoken kind of singing. It's called wake Up and 26 00:01:49,133 --> 00:01:52,933 Speaker 4: it's a real good like power into the album. It 27 00:01:53,013 --> 00:01:56,773 Speaker 4: makes me think of the in Between Us. Yeah, yeah, 28 00:01:56,853 --> 00:01:58,773 Speaker 4: which you know that was a time ode, but that 29 00:01:58,853 --> 00:02:02,493 Speaker 4: real punchy speaking, almost rap kind of style. 30 00:02:02,773 --> 00:02:02,973 Speaker 1: Yeah. 31 00:02:03,653 --> 00:02:06,413 Speaker 5: I actually looked the word for that, Jack for speak. 32 00:02:06,173 --> 00:02:08,013 Speaker 2: Saying, oh yeah, what is it. 33 00:02:08,013 --> 00:02:09,413 Speaker 5: It's sprit guzang. 34 00:02:10,973 --> 00:02:12,293 Speaker 2: That's one of those German words. 35 00:02:12,813 --> 00:02:14,933 Speaker 3: I feel like the Germans got words for everything, right. 36 00:02:15,413 --> 00:02:15,733 Speaker 2: Don't they. 37 00:02:16,013 --> 00:02:17,733 Speaker 3: They've got like a word for the feeling when you 38 00:02:17,773 --> 00:02:19,773 Speaker 3: put your hand in a in a like a grain 39 00:02:19,853 --> 00:02:21,213 Speaker 3: of in a sack of grain. 40 00:02:21,453 --> 00:02:23,773 Speaker 4: Oh yes, that kind of yeah yeah, but it sounds 41 00:02:23,813 --> 00:02:26,933 Speaker 4: exactly like what it is. Sprigersang is just speaking thing 42 00:02:27,773 --> 00:02:29,733 Speaker 4: cool but just put one on it and then it 43 00:02:29,813 --> 00:02:31,653 Speaker 4: sounds fairly confident. 44 00:02:31,693 --> 00:02:33,533 Speaker 3: I got you can buy like a book of them, 45 00:02:33,533 --> 00:02:34,653 Speaker 3: and I feel like confident. 46 00:02:34,693 --> 00:02:36,533 Speaker 2: I got it for my dad for Christmas one. 47 00:02:36,493 --> 00:02:39,013 Speaker 4: Yeah, yeah, that sounds like a dad, you'll get it 48 00:02:39,053 --> 00:02:42,293 Speaker 4: one day. Yeah, And this is great. So there's that 49 00:02:42,373 --> 00:02:44,973 Speaker 4: kind of real punchy stuff. It's really R and B 50 00:02:45,373 --> 00:02:48,813 Speaker 4: hip hop influenced there's the electro dance thing, which I 51 00:02:48,893 --> 00:02:51,773 Speaker 4: think is what Young Franco was kind of known for 52 00:02:51,933 --> 00:02:52,733 Speaker 4: anyway on. 53 00:02:52,653 --> 00:02:53,893 Speaker 5: His sets that he does. 54 00:02:54,133 --> 00:02:57,253 Speaker 4: In his shows, but this has got this real international 55 00:02:57,293 --> 00:03:01,493 Speaker 4: feel because he has used the featured artists and their 56 00:03:01,573 --> 00:03:04,293 Speaker 4: kind of genre or where they come from to really 57 00:03:04,333 --> 00:03:07,853 Speaker 4: create this music. Which yeah, again, it just means that 58 00:03:07,973 --> 00:03:10,573 Speaker 4: right throughout the album, you're never getting anything that's the 59 00:03:10,653 --> 00:03:14,053 Speaker 4: same and identical, and a really cool way to lean 60 00:03:14,093 --> 00:03:16,773 Speaker 4: into those featured artists, a lot of them. It's I 61 00:03:16,773 --> 00:03:19,493 Speaker 4: think he's getting quite renowned on the circuit, especially in 62 00:03:19,533 --> 00:03:22,493 Speaker 4: the UK, where he can kind of like to stalk 63 00:03:22,573 --> 00:03:25,293 Speaker 4: someone and know they're in town and then message them 64 00:03:25,333 --> 00:03:26,853 Speaker 4: and be like, hey, would you like to come into 65 00:03:26,893 --> 00:03:31,693 Speaker 4: the studio for and put some vocals down or put 66 00:03:31,773 --> 00:03:34,493 Speaker 4: your kind of version of production onto the song, And 67 00:03:34,533 --> 00:03:37,013 Speaker 4: that's kind of a lot of what this album. 68 00:03:36,773 --> 00:03:37,373 Speaker 5: Is based on. 69 00:03:37,493 --> 00:03:38,253 Speaker 2: It's quite smart. 70 00:03:38,813 --> 00:03:41,413 Speaker 4: It's really smart, and it's fun, like there's some real 71 00:03:41,933 --> 00:03:44,813 Speaker 4: stump like this as a standout, it's one of my favorites. 72 00:03:44,933 --> 00:03:50,933 Speaker 4: It's got vocals from Grammy nominated Carlow and her vocals 73 00:03:50,933 --> 00:03:54,573 Speaker 4: on man, it's just so commanding and strong and it's 74 00:03:54,573 --> 00:03:55,613 Speaker 4: got like a Mary J. 75 00:03:55,813 --> 00:03:56,893 Speaker 5: Blige sort of. 76 00:03:57,853 --> 00:04:01,053 Speaker 4: Fund about it, but real sharp at the same time. 77 00:04:01,093 --> 00:04:03,133 Speaker 4: And I think that's also his production that comes in 78 00:04:03,333 --> 00:04:06,213 Speaker 4: underneath it. But yeah, for me, it was a standout. 79 00:04:06,493 --> 00:04:09,813 Speaker 4: Then you've got give praise, give thanks. That's a big 80 00:04:09,853 --> 00:04:11,813 Speaker 4: single that's doing quite well at the moment, and it's 81 00:04:11,853 --> 00:04:16,213 Speaker 4: real reggae and fused drum and bass. General Levy is 82 00:04:16,253 --> 00:04:18,053 Speaker 4: the guy who does the vocals, and he does that 83 00:04:18,133 --> 00:04:21,213 Speaker 4: cool reggae vibration riff thing with his voice. 84 00:04:24,053 --> 00:04:24,613 Speaker 5: Don't make me. 85 00:04:27,093 --> 00:04:30,893 Speaker 4: Reggae's this rattling role kind of thing with a trill, 86 00:04:30,933 --> 00:04:33,613 Speaker 4: a whole lot of vocals, and you're like, how are 87 00:04:33,653 --> 00:04:36,893 Speaker 4: you breathing and making that noise at the same time. 88 00:04:37,093 --> 00:04:38,253 Speaker 5: See, that's going to make you have to go and 89 00:04:38,253 --> 00:04:38,653 Speaker 5: listen to it. 90 00:04:38,813 --> 00:04:39,693 Speaker 2: Yeah, I am, so you. 91 00:04:39,613 --> 00:04:40,573 Speaker 5: Can get what I'm thinking. 92 00:04:41,253 --> 00:04:44,053 Speaker 4: It was really good Daydreaming, which we're going to play 93 00:04:44,053 --> 00:04:47,933 Speaker 4: a little bit of. It's got this disco funk, real 94 00:04:48,093 --> 00:04:52,053 Speaker 4: sliding bass, but a strong piano melody in it, and 95 00:04:52,053 --> 00:04:53,933 Speaker 4: he says it's all about being lost in the beauty 96 00:04:53,973 --> 00:04:57,173 Speaker 4: and awe of the world, which also is kind of 97 00:04:57,213 --> 00:04:58,973 Speaker 4: like a really good way of looking at his album. 98 00:04:59,013 --> 00:05:00,213 Speaker 5: You sort of get lost in. 99 00:05:00,253 --> 00:05:06,133 Speaker 4: The variations and the quite punchy sort of production that's 100 00:05:06,133 --> 00:05:08,053 Speaker 4: be find a lot of these and like I say, 101 00:05:08,093 --> 00:05:11,853 Speaker 4: you can go real cruisy, beachy, but then these real standout, 102 00:05:11,893 --> 00:05:14,733 Speaker 4: sort of hip hop le tracks. I just think it's 103 00:05:14,813 --> 00:05:18,373 Speaker 4: really fun for there, Like I feel really uplifted by it. 104 00:05:18,413 --> 00:05:21,133 Speaker 4: I think he's got a really beautiful energy about him. 105 00:05:21,333 --> 00:05:23,173 Speaker 4: Here's a bit of a throwback, like there's a ninety 106 00:05:23,213 --> 00:05:25,293 Speaker 4: nostalgic sing it back. 107 00:05:25,773 --> 00:05:27,573 Speaker 2: You can think of that before. 108 00:05:31,293 --> 00:05:36,133 Speaker 4: It's such a little gem and don william Yeah, you 109 00:05:36,213 --> 00:05:36,533 Speaker 4: got it. 110 00:05:37,093 --> 00:05:37,453 Speaker 2: That's going to. 111 00:05:39,493 --> 00:05:42,093 Speaker 5: Yeah, yeah, Danniel Williams voice on that. So it was just. 112 00:05:45,213 --> 00:05:49,493 Speaker 3: Right, it's all right, you justtions that's all right. 113 00:05:49,973 --> 00:05:53,293 Speaker 4: It's a it's an album where he's like made connections 114 00:05:53,373 --> 00:05:55,493 Speaker 4: and then he's just started to use those to help 115 00:05:55,533 --> 00:05:57,853 Speaker 4: inspire his music. And I feel like it's an album 116 00:05:57,893 --> 00:06:00,853 Speaker 4: you can put on lots because of the variation that 117 00:06:00,893 --> 00:06:02,573 Speaker 4: you've got in it, and there'll be some that maybe 118 00:06:02,733 --> 00:06:05,893 Speaker 4: you're real jam and if you're not really into R 119 00:06:05,973 --> 00:06:07,893 Speaker 4: and B or hip hop, you know that's okay because 120 00:06:07,893 --> 00:06:09,493 Speaker 4: there's only one or two tracks and you go onto 121 00:06:09,533 --> 00:06:11,733 Speaker 4: the next trick. But kind of sit with it for 122 00:06:11,773 --> 00:06:13,133 Speaker 4: a bit, because some of those ones that are a 123 00:06:13,133 --> 00:06:15,973 Speaker 4: bit like jarish at first have ended up being kind 124 00:06:15,973 --> 00:06:18,813 Speaker 4: of my favorites. Yeah, yeah, right, because it mixes with 125 00:06:18,853 --> 00:06:21,373 Speaker 4: those styles and genres and I'm quite yeah, it's nice 126 00:06:21,373 --> 00:06:22,853 Speaker 4: to hear all of it in one big album. 127 00:06:23,253 --> 00:06:25,413 Speaker 2: Cool sounds like it sounds cool in every sense. 128 00:06:25,533 --> 00:06:30,093 Speaker 3: Sounds like like producer Libby is quite judgmental about music, 129 00:06:30,133 --> 00:06:32,893 Speaker 3: and you know, because she's a you know, she's GenZ 130 00:06:33,013 --> 00:06:35,693 Speaker 3: and so I just I'll make sure that I have this, like, 131 00:06:35,973 --> 00:06:37,773 Speaker 3: you know, if I drive past her, I'll make sure 132 00:06:37,933 --> 00:06:40,893 Speaker 3: I'm playing with on the stereo creed. But at the 133 00:06:40,893 --> 00:06:43,093 Speaker 3: same time, it does sound like I might actually enjoy. 134 00:06:42,933 --> 00:06:45,253 Speaker 5: It, and you might sound like you've been rhythm and vine. 135 00:06:45,133 --> 00:06:47,653 Speaker 2: Yes, Littlala or exactly. 136 00:06:47,333 --> 00:06:50,773 Speaker 4: Slender in the Grass That was kind of exactly exactly. 137 00:06:52,933 --> 00:06:55,533 Speaker 2: No, it's just so really good. Okay, I'm listening. I'm 138 00:06:55,533 --> 00:06:57,773 Speaker 2: looking forward to listen to ittle bit more. So, what 139 00:06:57,813 --> 00:06:58,613 Speaker 2: did you give it? 140 00:06:58,333 --> 00:07:00,693 Speaker 4: It's a great weekend album as an out of five, 141 00:07:01,093 --> 00:07:01,933 Speaker 4: eight out of five. 142 00:07:02,213 --> 00:07:03,893 Speaker 5: Wow, that's not the thing. 143 00:07:04,533 --> 00:07:06,253 Speaker 2: Definitely a half point. 144 00:07:06,653 --> 00:07:07,853 Speaker 5: I'm trying to say, eight point five. 145 00:07:08,133 --> 00:07:10,133 Speaker 3: Do you know what it's like when people say, oh, 146 00:07:10,173 --> 00:07:12,693 Speaker 3: we're giving, you know, when you hear athletes and they say. 147 00:07:12,933 --> 00:07:14,373 Speaker 2: We gave one hundred and ten percent. 148 00:07:14,773 --> 00:07:17,293 Speaker 3: Yes, it drives me nuts when people say that, because 149 00:07:17,333 --> 00:07:19,933 Speaker 3: I'm like, you can't. You cannot give more than a 150 00:07:19,973 --> 00:07:20,533 Speaker 3: hundred percent. 151 00:07:20,733 --> 00:07:25,093 Speaker 2: You cannot, you know. Eight out of five, eight out 152 00:07:25,093 --> 00:07:26,893 Speaker 2: of five. There you go, very good. 153 00:07:27,333 --> 00:07:29,853 Speaker 5: Listen to music, but I can't always speak words or numbers. 154 00:07:30,013 --> 00:07:32,093 Speaker 2: Hey, I can't sing. We've all get our limitations. 155 00:07:32,493 --> 00:07:35,173 Speaker 3: Thank you so much, as Stelle eight out of ten. 156 00:07:35,573 --> 00:07:39,253 Speaker 3: For Young Franco's new album, It's Frankie Baby. 157 00:07:39,013 --> 00:07:39,333 Speaker 2: I reckon. 158 00:07:39,333 --> 00:07:41,773 Speaker 3: This is one for all of us. Young Franco is 159 00:07:41,813 --> 00:07:44,413 Speaker 3: his name. He's an Aussie DJ. His new album is 160 00:07:44,453 --> 00:07:47,653 Speaker 3: called It's Frankie Baby. This song is called day Dreaming. 161 00:07:47,773 --> 00:07:49,053 Speaker 3: I will see you next week. 162 00:07:49,373 --> 00:07:58,453 Speaker 5: Last of the World, Last of the World. 163 00:08:19,893 --> 00:08:28,813 Speaker 2: I can fail the thing, feel the triumph of this 164 00:08:29,493 --> 00:08:39,893 Speaker 2: to keep its real trifted to the slip straight. I'm 165 00:08:39,933 --> 00:08:42,533 Speaker 2: that a cold down. 166 00:08:43,693 --> 00:08:44,733 Speaker 4: Slip out of those. 167 00:08:46,893 --> 00:08:47,373 Speaker 5: Trucks. 168 00:08:47,813 --> 00:08:51,973 Speaker 2: Tuck on the control shut truck. But there's nothing going 169 00:08:52,293 --> 00:09:00,933 Speaker 2: on behind lieses and this the way at point to 170 00:09:01,133 --> 00:09:11,213 Speaker 2: find the time time day dream man, last than a while, 171 00:09:12,573 --> 00:09:13,453 Speaker 2: day dream. 172 00:09:18,413 --> 00:09:19,253 Speaker 3: Back in a while 173 00:09:58,893 --> 00:10:01,973 Speaker 1: For more from Saturday Morning with Jack Tame, listen live 174 00:10:02,093 --> 00:10:04,893 Speaker 1: to news talks it'd be from nine am Saturday, or 175 00:10:04,973 --> 00:10:06,853 Speaker 1: follow the podcast on i UT radio