WEBVTT - EP 39 - Shepherds Reign

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<v Speaker 1>The Flavor Podcast Network Island Roots Auckland Ways.

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<v Speaker 2>This one's for the Brown brothers and sisters who want

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<v Speaker 2>to be one with themselves, their culture, their identity, their roots.

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<v Speaker 2>This is Island Roots Auckland Ways'll love.

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<v Speaker 1>The man less we who welcome back to Island Roots

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<v Speaker 1>Auckland Ways. How oh this week Mariner?

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<v Speaker 3>Yeah, man, very good, thank you because we had spoken

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<v Speaker 3>with Shepherd's ragin funny as these.

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<v Speaker 1>Guys are funny but also extremely talented. You can tell

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<v Speaker 1>that they really really love their work, very passionate, which

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<v Speaker 1>I feel like it r like sorry, fubbed out, rubbed

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<v Speaker 1>off on me because now I'm like wanting to reflect

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<v Speaker 1>on our journey Mariner, and I'm wanting to like, you know,

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<v Speaker 1>it was just so cool to hear about the individual

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<v Speaker 1>experiences but then also they collective experience. Yeah, what did

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<v Speaker 1>you take from it? Mas?

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<v Speaker 4>Learning more about Middle.

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<v Speaker 1>Literally, because I feel like we have a misconception about

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<v Speaker 1>Middle that it's just like ah, but like the episode,

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<v Speaker 1>the only Middle that I've ever listened to really is

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<v Speaker 1>Shepherd's Rain. Apart from maybe when I was trying to

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<v Speaker 1>be like cool in high school, I think I listened

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<v Speaker 1>to trying to be deaf, you know, like not like

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<v Speaker 1>other girls, but Sheeper's Train and songs like Ainger and

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<v Speaker 1>Afana as such powerful messages about like culture. But I

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<v Speaker 1>think like the tone and intensity of Meddle can sometimes

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<v Speaker 1>put people off. But She's Rain has something really cool,

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<v Speaker 1>like the visuals and the lyrics and the culture like

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<v Speaker 1>middle culture and someone culture coming.

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<v Speaker 3>Together, one of one, one of the only one.

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<v Speaker 4>And listen to that one right now. And welcome back

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<v Speaker 4>to Alan roots Auckland. Why it's joining us now? Joseph

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<v Speaker 4>and Feeley from Shepherd's Rain. Hello, how are we this morning?

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<v Speaker 5>For a good?

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<v Speaker 6>Yeah?

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<v Speaker 5>Good? Thank you?

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<v Speaker 6>We're We're alive, We're awaken, We're here, Okay.

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<v Speaker 3>We were talking about this off Mike. You guys meet

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<v Speaker 3>to Norway to perform?

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<v Speaker 6>How is that good?

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<v Speaker 7>An amazing experience? Heaps of fun, meeting heaps of cool people.

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<v Speaker 7>The Norwegian people are really kind.

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<v Speaker 6>And really friendly, friendly, very welcoming.

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<v Speaker 5>Yeah.

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<v Speaker 4>How long are you guys in Norway for?

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<v Speaker 6>We were there for five days? Yeah yeah, total five days? Short?

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<v Speaker 1>And how does it compare to the paradise that money?

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<v Speaker 5>I don't know. I wouldn't call that a paradise.

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<v Speaker 4>Shot fire. I was waiting for.

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<v Speaker 5>It was nice.

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<v Speaker 7>You know, ice caps on the mountains like mangy.

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<v Speaker 4>And yes.

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<v Speaker 3>Outside and it looks like a painting that's so kind

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<v Speaker 3>to you.

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<v Speaker 1>Just like, oh, exactly, okay?

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<v Speaker 5>Are you guys live like the worst people?

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<v Speaker 6>Really?

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<v Speaker 4>Boys?

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<v Speaker 3>Every episode we share what we love about home. So

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<v Speaker 3>what is home to you? Whether that's where you currently live,

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<v Speaker 3>where you may fly to or travel to to feel

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<v Speaker 3>like home. It can be somewhere that you don't actually

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<v Speaker 3>physically reside in or have been to, but it feels

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<v Speaker 3>like home.

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<v Speaker 4>What is home and what do you love about it?

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<v Speaker 3>We'll start off first, and what I love about home

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<v Speaker 3>this week is taking my little sister to school.

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<v Speaker 4>I am the.

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<v Speaker 3>Eldest child of our family, so I hold kind of

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<v Speaker 3>like that parental responsibility A and I have always kind

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<v Speaker 3>of felt like because me and my sister we have

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<v Speaker 3>a fourteen year age gap, so I truly do feel

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<v Speaker 3>like her parent. She's nine years old, I'm twenty three,

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<v Speaker 3>and so little things like taking her to school, being

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<v Speaker 3>able to shout us a feed after school, taking her

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<v Speaker 3>to do her errands, it makes me feel closer to home.

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<v Speaker 3>And I don't actually live with her, but whenever I'm

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<v Speaker 3>doing those little things with her.

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<v Speaker 4>It makes me feel like I'm right at home.

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<v Speaker 1>It's lovely nice. Well, I love about home this week.

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<v Speaker 1>Obviously money Doer is home, I would say, I mean

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<v Speaker 1>all the best people from Allegedly. I can't really pinpoint

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<v Speaker 1>like one specific thing, but I've been going on a

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<v Speaker 1>lot of runs around Rewaar and just there's so many

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<v Speaker 1>different spots that just like mean a lot to me,

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<v Speaker 1>like certain dairies where I would go like after school,

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<v Speaker 1>or just certain spots, and I think there's like, really,

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<v Speaker 1>it's such like a cool The fact that I still

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<v Speaker 1>live where I've grown up and can still like attribute

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<v Speaker 1>that those kind of like nostalgic memories and then create

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<v Speaker 1>new ones in those spaces is really cool to me.

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<v Speaker 1>So I just think I just love all of freewe Yep, Yeah,

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<v Speaker 1>what do you guys love about home?

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<v Speaker 3>Exactly what she said?

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<v Speaker 6>I think, Oh, that's a tough one. I think home.

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<v Speaker 6>Home for me is more of a place where I

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<v Speaker 6>can just go somewhere, somewhere where I can go and

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<v Speaker 6>just relax, you know, somewhere where I don't have to

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<v Speaker 6>worry about anything. I don't have to worry about work,

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<v Speaker 6>I don't have to worry about studying, so somewhere where

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<v Speaker 6>I can just relax, pull my feet up and just

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<v Speaker 6>do nothing, no worries at all.

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<v Speaker 7>Rest home for me is obviously Mangani.

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<v Speaker 5>Mai used to be exist.

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<v Speaker 3>I always make that distinction because Mangoi East is very

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<v Speaker 3>different from Mangedi Central, very different from Mangoi Bridge.

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<v Speaker 5>Yeah that's right.

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<v Speaker 7>So I currently live in Mugiti Central, but I was

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<v Speaker 7>born and raised in among the East on Yates Road,

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<v Speaker 7>and I call that home because that's where I was

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<v Speaker 7>born and raised. But I think on the weekend I

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<v Speaker 7>was really good seeing I took my son over and

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<v Speaker 7>we went to see mom and hung out there for

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<v Speaker 7>the weekend. Had go right, you're there, and so it's

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<v Speaker 7>always good to be back where I grew up, spent

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<v Speaker 7>most of the years of my life, and my father

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<v Speaker 7>recently passed earlier this year, so it was always good

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<v Speaker 7>to be at home where you can remember things they

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<v Speaker 7>used to do with that after that I used to

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<v Speaker 7>do with dead and yeah, all of it, all that

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<v Speaker 7>cool stuff.

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<v Speaker 1>It's so special.

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<v Speaker 3>It's always good going home for cornati because it's soul food.

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<v Speaker 6>M Absolutely I love that.

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<v Speaker 1>Well, you two are from Shepherd's Reign, which is just

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<v Speaker 1>an incredible I think the Shepard's Rain copaper and it

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<v Speaker 1>was just so awesome. It's like the taking of like

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<v Speaker 1>this music that isn't necessarily attributed to someone or brown,

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<v Speaker 1>or music that comes out yeah Pacific music, and then

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<v Speaker 1>putting this stamp on it, like making music and someone

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<v Speaker 1>I don't know. It's just so cool. I love the

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<v Speaker 1>co paper. I would love to know how you all

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<v Speaker 1>met and connected and then also what was have you

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<v Speaker 1>always been like Middle fans? Was that initially? What made

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<v Speaker 1>you Kineicks? Please tell us all about Oh.

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<v Speaker 6>I'll start off, I'm the latest member of the group.

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<v Speaker 6>And how I got into the group was Oliver, who's

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<v Speaker 6>our guitarist, and he was my teacher at high school

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<v Speaker 6>at Monday to or Hi and when I was when

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<v Speaker 6>I was about sixteen, he came to me and he

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<v Speaker 6>was like, oh, because sorry, I'll restart. I was in

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<v Speaker 6>one of the practice rooms in Rewa and he was

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<v Speaker 6>just walking by and you heard me playing some metal

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<v Speaker 6>because growing up with Middle I love to play it

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<v Speaker 6>and nice. Yeah, and I'm an original guitarists okay and

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<v Speaker 6>yeah that's foul. And he came through and he was like, oh,

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<v Speaker 6>do you want to come play bass with my band?

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<v Speaker 5>And I was like, bass basis think.

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<v Speaker 6>No bass on about He's like, oh the spots open,

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<v Speaker 6>you know, and yeah and hit. But the thing is

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<v Speaker 6>I was sixteen and he had to wait till I

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<v Speaker 6>was eighteen, so I was legal to play in the

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<v Speaker 6>bars or yeah, and yeah. As soon as I turned eighteen,

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<v Speaker 6>he hit me up again and he goes, oh, we

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<v Speaker 6>haven't practiced tonight. You want to come through? And then yeah,

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<v Speaker 6>he came through with all the boys and yeah, restless history.

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<v Speaker 6>You know. This was back in twenty nineteen, was when

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<v Speaker 6>I first started.

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<v Speaker 3>Okay, so you came around to the idea of playing

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<v Speaker 3>bass and yeah, yeah, yeah.

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<v Speaker 1>Had you had any experience playing bass or only guitar?

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<v Speaker 6>I did in twenty seventeen. I was playing bass for

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<v Speaker 6>Oh sorry, I think it was twenty sixteen. I was

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<v Speaker 6>playing bass for a band and we were in Tongue

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<v Speaker 6>in too beats. Oh yeah, love and yeah that was

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<v Speaker 6>like the only experience I had.

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<v Speaker 3>Yeah, so I supposed going into the band. You're eighteen,

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<v Speaker 3>you're part of this group. Yeah, what are you feeling?

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<v Speaker 3>Is it good to get amos?

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<v Speaker 6>Yeah?

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<v Speaker 4>Yeah, it always is.

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<v Speaker 6>You know, I've always wanted to be a part of

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<v Speaker 6>a middle band ever since I was young. So yeah,

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<v Speaker 6>going through high school, no one, no one's, no one

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<v Speaker 6>else was into middle you know. Everyone else was playing

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<v Speaker 6>in the reggae, which I absolute absolutely love, but yeah,

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<v Speaker 6>middle was more my kind of thing. Yeah, yeah, so

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<v Speaker 6>it was real good up until mid these guys and yeah,

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<v Speaker 6>everything else was. I just felt like a perfect.

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<v Speaker 7>Me and aur guitarist Oliver started in two thousand and eight,

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<v Speaker 7>and then we went through heaps of heaps of different

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<v Speaker 7>musicians to fill in them spots for the band. Later

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<v Speaker 7>on found out drummer. I think it was in that

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<v Speaker 7>same year or maybe two thousand and nine. I asked

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<v Speaker 7>Oliver if he had a drummer, and he said that

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<v Speaker 7>he knows of someone that went to Odahu College with him.

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<v Speaker 5>They both went out who College.

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<v Speaker 7>So that's why I met where I met Shaman, and

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<v Speaker 7>so me, Oliver and Shaman have been together since.

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<v Speaker 5>Two thousand and nine.

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<v Speaker 7>Wow, and he's still our drummer now and Oliver is

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<v Speaker 7>still guitar. Went through a lot of different bass players

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<v Speaker 7>and guitarists and it wasn't until two thousand and fourteen

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<v Speaker 7>fifteen and fifteen twenty fifteen, we met Goody and who's

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<v Speaker 7>our other guitarist who's now a part of the part

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<v Speaker 7>of the band as well. And then yeah, like Joe City,

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<v Speaker 7>he's the newest member of the band. We've all been

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<v Speaker 7>listening to Middle for most of our lives. I started,

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<v Speaker 7>I was the typical someone in South Aakland, listening to

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<v Speaker 7>everything from regae to gangster rapp.

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<v Speaker 5>The church music. So I was I was normal, like

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<v Speaker 5>every other Polynesian.

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<v Speaker 7>But it wasn't. It was maybe I was five years old,

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<v Speaker 7>six years old where I saw Guns and Roses on TV,

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<v Speaker 7>on Juice TV. I can't yes, yes, yeah, that was

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<v Speaker 7>really cool. That's when Juice we're playing genres everything, Yeah,

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<v Speaker 7>playing everything. I think I think we're at two thousands

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<v Speaker 7>or maybe later started being just.

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<v Speaker 4>Pops off top forty songs.

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<v Speaker 7>But back then they were playing everything from rock to

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<v Speaker 7>yeah to pop, all of it, every genre.

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<v Speaker 5>So I fell in love with Guns and Roses.

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<v Speaker 7>And I started playing a classical piano when I was seven,

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<v Speaker 7>and the two pretty much just intertwine. So Middle and

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<v Speaker 7>classical music really similar and in music theory, so if

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<v Speaker 7>you were to play a classical piece, and you just

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<v Speaker 7>added distortion or like you know, on the ap at

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<v Speaker 7>distortion and things like that, it will sound like a middle,

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<v Speaker 7>like a middle idea.

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<v Speaker 5>So it's pretty it's pretty funny how music works. Yeah,

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<v Speaker 5>and yeah, I loved the middle ever since.

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<v Speaker 3>How accommodating was the New Zealand music space to Shepherd's

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<v Speaker 3>Rai when it started? So two thousand and eight, how

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<v Speaker 3>was it for you guys Auckland?

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<v Speaker 2>Ways for the Brown brothers and sisters who want to

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<v Speaker 2>be one with themselves, their culture, their identity, This is

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<v Speaker 2>Island roots Auckland.

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<v Speaker 7>We we did Elvis, but with what you had. Yeah, yeah, yeah,

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<v Speaker 7>none of us said any experience. And then the music scene,

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<v Speaker 7>we just knew that we loved the middle and we

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<v Speaker 7>wanted to make middle songs and we wanted to play

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<v Speaker 7>in front of people.

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<v Speaker 5>So the Pacific side.

0:13:03.000 --> 0:13:06.120
<v Speaker 7>Of things, nothing, nothing happened, but there was more of

0:13:06.200 --> 0:13:11.640
<v Speaker 7>the the local bars that play rock and the middle.

0:13:12.080 --> 0:13:13.480
<v Speaker 5>Those guys helped us out.

0:13:13.480 --> 0:13:15.520
<v Speaker 7>So we played at the spark called ding Dong Lounge,

0:13:16.080 --> 0:13:19.040
<v Speaker 7>and we started just a little gigs.

0:13:19.120 --> 0:13:21.559
<v Speaker 5>You know, we were playing in front of like two

0:13:21.640 --> 0:13:22.640
<v Speaker 5>people through.

0:13:24.559 --> 0:13:27.800
<v Speaker 7>But back then as teenagers were you know, we'll go

0:13:27.920 --> 0:13:33.439
<v Speaker 7>to band practice and end up getting wasted. Yeah, typical,

0:13:33.640 --> 0:13:37.880
<v Speaker 7>typical young young men. So we'd go and make songs

0:13:37.960 --> 0:13:41.040
<v Speaker 7>and and get wasted, go to the gigs already hammered.

0:13:44.400 --> 0:13:52.800
<v Speaker 1>Flex spots like seventy years that's like blue kind of.

0:13:55.400 --> 0:13:58.320
<v Speaker 7>So yeah, we yeah, I think every bend starts off

0:13:58.360 --> 0:14:02.800
<v Speaker 7>like that, and it's that cool experience that you get,

0:14:03.120 --> 0:14:06.280
<v Speaker 7>and it's cool to think about it now that we're

0:14:06.640 --> 0:14:10.120
<v Speaker 7>much more professional, and so looking back at it, I

0:14:10.120 --> 0:14:12.760
<v Speaker 7>think I don't regret it. I don't regret everything we did.

0:14:12.840 --> 0:14:14.240
<v Speaker 4>We life experience.

0:14:14.400 --> 0:14:16.360
<v Speaker 6>Yeah, so we went.

0:14:16.200 --> 0:14:17.160
<v Speaker 5>Through hell and beck.

0:14:19.440 --> 0:14:24.520
<v Speaker 7>We did. Now we're received. Actually, no, it's about twenty

0:14:24.640 --> 0:14:30.160
<v Speaker 7>eighteen we started getting recognized, especially from the Pacific community,

0:14:30.760 --> 0:14:35.080
<v Speaker 7>and we're grateful. Yeah, yea very grateful that. You know,

0:14:35.840 --> 0:14:38.880
<v Speaker 7>they don't look at us as these guys are just

0:14:39.320 --> 0:14:41.440
<v Speaker 7>middle heads being idiots in the music.

0:14:42.440 --> 0:14:46.080
<v Speaker 5>They actually they love us, and obviously it shows with.

0:14:47.680 --> 0:14:51.160
<v Speaker 7>Awards that we've won, the nominations that we've gotten received.

0:14:51.840 --> 0:14:53.360
<v Speaker 7>So yeah, very proud of it.

0:14:53.800 --> 0:14:57.120
<v Speaker 1>There must be so many misunderstandings or misconceptions about the

0:14:57.120 --> 0:15:00.000
<v Speaker 1>middle genre, though, right, Like, what is it that you guys,

0:15:00.000 --> 0:15:02.160
<v Speaker 1>I just love about it that you think other people

0:15:02.760 --> 0:15:03.280
<v Speaker 1>should know.

0:15:03.560 --> 0:15:04.880
<v Speaker 5>Yeah, that's a good question.

0:15:05.800 --> 0:15:11.680
<v Speaker 6>I think if anything kind, Oh how do you put this?

0:15:12.080 --> 0:15:15.120
<v Speaker 6>It's more of it seems able to like dive deeper

0:15:15.160 --> 0:15:17.560
<v Speaker 6>into the song. You know, it might sound angry, but

0:15:17.640 --> 0:15:20.960
<v Speaker 6>if you really look into how we're writing our music

0:15:21.040 --> 0:15:24.360
<v Speaker 6>and a lot of our lyrics that Philly writes, it's

0:15:24.400 --> 0:15:26.880
<v Speaker 6>really about family, about someone heritage.

0:15:27.000 --> 0:15:28.080
<v Speaker 5>Yeah, you know we love that.

0:15:28.200 --> 0:15:29.680
<v Speaker 6>We're trying to split that across the world.

0:15:30.680 --> 0:15:34.000
<v Speaker 1>Yeah, I love nothing. That's one of my favorites. Like,

0:15:34.560 --> 0:15:37.360
<v Speaker 1>I'm not a huge middle head myself. I say the

0:15:37.360 --> 0:15:40.880
<v Speaker 1>only middle as it's right, But when I listen to

0:15:40.960 --> 0:15:43.880
<v Speaker 1>nothing to it, I'm locks just like like feeling within

0:15:43.960 --> 0:15:46.600
<v Speaker 1>me as you know, it's you sound more like the

0:15:46.680 --> 0:15:50.800
<v Speaker 1>sense of strength and like someone, Yeah someone someone as

0:15:50.840 --> 0:15:55.400
<v Speaker 1>well Like that is so special and even songs like

0:15:55.440 --> 0:15:58.920
<v Speaker 1>I Inger are so like powerful lyrically. But I feel

0:15:58.920 --> 0:16:01.400
<v Speaker 1>like maybe the tone and the ta today might not

0:16:01.440 --> 0:16:04.920
<v Speaker 1>necessarily scare people off, But I personally think it's really

0:16:04.920 --> 0:16:07.480
<v Speaker 1>cool that there are just so many ways and iterations

0:16:07.480 --> 0:16:08.920
<v Speaker 1>of what it means to be some war now with

0:16:09.040 --> 0:16:12.320
<v Speaker 1>all this like cool new music coming out. When you

0:16:12.400 --> 0:16:16.280
<v Speaker 1>first started creating music with Shipard's rain. Were you writing

0:16:16.280 --> 0:16:18.280
<v Speaker 1>in Simon then or was that just something that happened

0:16:18.320 --> 0:16:18.760
<v Speaker 1>over time.

0:16:19.320 --> 0:16:23.520
<v Speaker 7>That's something that happened over time. At the very beginning,

0:16:23.680 --> 0:16:27.960
<v Speaker 7>I had an idea to start off our set with

0:16:28.400 --> 0:16:32.680
<v Speaker 7>a someone intro, and I kind of brought up the

0:16:32.720 --> 0:16:34.920
<v Speaker 7>idea but it just vanished, just died sort of thing.

0:16:35.600 --> 0:16:39.800
<v Speaker 7>But it wasn't until It wasn't until twenty sixteen or

0:16:39.880 --> 0:16:48.240
<v Speaker 7>seventeen the making of Lemanu, and I was trying to

0:16:48.240 --> 0:16:50.200
<v Speaker 7>figure out some words to put into it. At that time,

0:16:50.400 --> 0:16:52.480
<v Speaker 7>I was playing the bass, so it wasn't in it.

0:16:52.600 --> 0:16:57.960
<v Speaker 7>So I was recording the bassline and it came time

0:16:58.040 --> 0:17:01.640
<v Speaker 7>to write lyrics and I wanted something real powerful. But

0:17:01.720 --> 0:17:05.600
<v Speaker 7>then writing in English, you couldn't find anything. There's nothing

0:17:05.680 --> 0:17:08.320
<v Speaker 7>that shuits the song or this this rhythm that we

0:17:08.440 --> 0:17:13.440
<v Speaker 7>have and then no ship. This is a true story.

0:17:13.600 --> 0:17:14.119
<v Speaker 4>Yeah, I was.

0:17:14.280 --> 0:17:16.919
<v Speaker 5>I was sleeping and I woke up.

0:17:17.280 --> 0:17:19.960
<v Speaker 7>For some reason, the Sundone civer toe was in my head.

0:17:20.080 --> 0:17:20.439
<v Speaker 4>Okay.

0:17:20.840 --> 0:17:25.200
<v Speaker 7>I was like, man, I don't know why I was

0:17:25.240 --> 0:17:27.440
<v Speaker 7>in my head, but I ended up singing the cever

0:17:27.560 --> 0:17:30.240
<v Speaker 7>towel with that beat and it just went perfect, and

0:17:30.320 --> 0:17:31.679
<v Speaker 7>I was like, boys, I think I got it.

0:17:34.240 --> 0:17:36.679
<v Speaker 4>You must have been dreaming about playing some rugby or.

0:17:38.359 --> 0:17:38.800
<v Speaker 5>No idea.

0:17:39.680 --> 0:17:42.159
<v Speaker 7>But yeah, Oliver was cracking up love. He was like,

0:17:43.160 --> 0:17:45.560
<v Speaker 7>so I go, let's start again, stuff from the top,

0:17:45.800 --> 0:17:47.800
<v Speaker 7>and I'll sing and and and just tell me if

0:17:47.840 --> 0:17:48.359
<v Speaker 7>you guys like this.

0:17:48.680 --> 0:17:53.400
<v Speaker 5>And then I did civer toe and everyone's like, oh man,

0:17:53.520 --> 0:17:54.200
<v Speaker 5>what what was that?

0:17:55.440 --> 0:17:58.640
<v Speaker 7>Yeah, I think I've got a lyrics So the first

0:17:58.760 --> 0:18:01.200
<v Speaker 7>versus the civ toe and and I just had to

0:18:01.280 --> 0:18:05.440
<v Speaker 7>make an extended vision for the seconds and the chorus,

0:18:05.520 --> 0:18:06.639
<v Speaker 7>and that, man.

0:18:06.600 --> 0:18:11.240
<v Speaker 4>Didn't work. Yeah, that's a begger. I wanted to ask.

0:18:11.400 --> 0:18:15.160
<v Speaker 3>So, when you're performing to your audiences, many of whom

0:18:15.280 --> 0:18:19.360
<v Speaker 3>probably aren't basufical or are aware of the cultural nuance

0:18:19.480 --> 0:18:23.159
<v Speaker 3>and the lyricism of your work, Like, what what is

0:18:23.200 --> 0:18:26.880
<v Speaker 3>the response? What reception are you getting from your audience?

0:18:27.240 --> 0:18:30.440
<v Speaker 3>Are they just hyped that they're hearing like this new thing,

0:18:30.720 --> 0:18:31.520
<v Speaker 3>these new things?

0:18:31.880 --> 0:18:32.240
<v Speaker 6>Definitely?

0:18:32.440 --> 0:18:38.919
<v Speaker 7>M Yeah, you're right. So there's this majority of uh,

0:18:39.520 --> 0:18:44.480
<v Speaker 7>you know, Blongese, majority of Bilongese, and I think it's

0:18:44.560 --> 0:18:47.840
<v Speaker 7>probably one of the most heartwarming feelings when you're you're

0:18:47.880 --> 0:18:51.200
<v Speaker 7>singing and you can actually see them yeah miming your words,

0:18:51.240 --> 0:18:53.920
<v Speaker 7>and these guys I think there was a gig we

0:18:54.040 --> 0:18:57.960
<v Speaker 7>had and it may have been in Wellington and it

0:18:58.080 --> 0:19:00.720
<v Speaker 7>was all these white people and they're also and I

0:19:00.760 --> 0:19:03.080
<v Speaker 7>could hear them over myself that was coming out of

0:19:03.119 --> 0:19:06.600
<v Speaker 7>the fold backs, and I was I was real proud. Yeah,

0:19:06.600 --> 0:19:08.520
<v Speaker 7>I saw some someone flags on the side.

0:19:09.359 --> 0:19:10.200
<v Speaker 6>That's so cool.

0:19:10.800 --> 0:19:11.920
<v Speaker 7>Best feeling feeling.

0:19:12.560 --> 0:19:14.879
<v Speaker 1>Do you have a favorite gig that you've played.

0:19:15.200 --> 0:19:19.480
<v Speaker 6>Like, yeah, yeah, I think favorite one would definitely be

0:19:20.040 --> 0:19:21.480
<v Speaker 6>this year would be Sparkling.

0:19:21.720 --> 0:19:21.880
<v Speaker 5>Yeah.

0:19:22.280 --> 0:19:25.360
<v Speaker 6>Yeah, that was a huge gig.

0:19:25.600 --> 0:19:27.960
<v Speaker 3>I admire that camaraderie and that kind of culture of

0:19:28.080 --> 0:19:30.360
<v Speaker 3>generosity within the middle community.

0:19:30.440 --> 0:19:30.919
<v Speaker 6>That's awesome.

0:19:31.080 --> 0:19:31.600
<v Speaker 4>Oh they're great.

0:19:31.880 --> 0:19:35.200
<v Speaker 5>The middle community is probably one of the kindest, nicest

0:19:35.240 --> 0:19:37.879
<v Speaker 5>people that you'll ever meet. Yeah, it's real funny.

0:19:37.920 --> 0:19:40.680
<v Speaker 7>I'm one of my friends came to l Wellington show

0:19:40.720 --> 0:19:43.480
<v Speaker 7>and she's never been to a middle gig before and

0:19:43.600 --> 0:19:47.120
<v Speaker 7>she goes, oh my god, this what she doesn't sound

0:19:47.160 --> 0:19:47.320
<v Speaker 7>like that.

0:19:47.760 --> 0:19:54.000
<v Speaker 4>But oh my dad, oh my gosh.

0:19:56.720 --> 0:19:59.800
<v Speaker 7>You guys, Oh my god, like your you guys people

0:20:00.200 --> 0:20:02.800
<v Speaker 7>she goes to, your guys people are so kind.

0:20:03.000 --> 0:20:08.399
<v Speaker 5>I thought they were like what, like, I don't know,

0:20:18.359 --> 0:20:20.439
<v Speaker 5>and then it's just like yes, like these people were

0:20:20.520 --> 0:20:21.200
<v Speaker 5>just asking.

0:20:20.960 --> 0:20:24.119
<v Speaker 7>If I was okay someone because there was as there

0:20:24.200 --> 0:20:25.879
<v Speaker 7>was a circle put going on, you know when they

0:20:25.920 --> 0:20:26.399
<v Speaker 7>go crazy.

0:20:26.680 --> 0:20:31.240
<v Speaker 5>Yeah, that was about to start. And uh one guy

0:20:31.560 --> 0:20:35.800
<v Speaker 5>saw her standing there and then he like quarter back

0:20:35.800 --> 0:20:36.720
<v Speaker 5>and she was like what are you doing?

0:20:36.760 --> 0:20:37.320
<v Speaker 7>And he was like.

0:20:39.000 --> 0:20:42.520
<v Speaker 5>Yeah, and sure enough she.

0:20:42.600 --> 0:20:44.159
<v Speaker 7>Was standing there and then she saw everything going on.

0:20:44.280 --> 0:20:47.320
<v Speaker 7>She's like, okay, okay, these people are really kind and

0:20:48.400 --> 0:20:51.840
<v Speaker 7>I like I like them that. She said that middle

0:20:51.840 --> 0:20:53.800
<v Speaker 7>people because a lot of people think, you know, all

0:20:53.880 --> 0:20:55.720
<v Speaker 7>blackdown or gothic looking, and then.

0:20:56.000 --> 0:20:57.840
<v Speaker 5>Ye must be like.

0:21:00.080 --> 0:21:03.960
<v Speaker 4>Yeah, yeah, Marilyn man, it's.

0:21:04.040 --> 0:21:07.760
<v Speaker 6>Very very man.

0:21:07.840 --> 0:21:09.520
<v Speaker 5>What did David individualists?

0:21:09.680 --> 0:21:12.600
<v Speaker 6>Kind of Yeah, that is so cool.

0:21:18.320 --> 0:21:20.920
<v Speaker 3>Recently you've kind of popped off so like your social

0:21:20.960 --> 0:21:24.879
<v Speaker 3>media on so many views, heaps of interactions.

0:21:27.359 --> 0:21:28.680
<v Speaker 4>Shout out to Queen Loud.

0:21:29.960 --> 0:21:33.320
<v Speaker 3>Mass louw we meet in Uni, so we did our

0:21:33.359 --> 0:21:37.200
<v Speaker 3>business degrees together. And yeah, she's always been one to

0:21:37.240 --> 0:21:38.520
<v Speaker 3>support local music.

0:21:39.480 --> 0:21:40.240
<v Speaker 5>She's good like that.

0:21:40.680 --> 0:21:43.440
<v Speaker 3>Yeah, she is like hearty for everyone, no matter what

0:21:43.640 --> 0:21:45.680
<v Speaker 3>genre you are, She's going to give you the same

0:21:45.720 --> 0:21:50.000
<v Speaker 3>amount of love. Was it kind of overwhelming getting all

0:21:50.040 --> 0:21:53.280
<v Speaker 3>this interaction on social media because I'm talking Instagram, TikTok

0:21:53.880 --> 0:21:59.200
<v Speaker 3>everywhere YouTube, people like, millions of yous like and pretty

0:21:59.280 --> 0:22:01.760
<v Speaker 3>much all came out one to be honest, Yeah, yeah,

0:22:04.840 --> 0:22:07.480
<v Speaker 3>I don't know. Just there you guys going to social media.

0:22:09.280 --> 0:22:10.280
<v Speaker 3>What's the relationship.

0:22:11.320 --> 0:22:14.320
<v Speaker 5>That's why we got That's where wet when we got at.

0:22:15.760 --> 0:22:17.479
<v Speaker 4>Yeah, did you guys get connected?

0:22:18.680 --> 0:22:23.879
<v Speaker 7>I made her last years it's gonna it's gonna with.

0:22:24.040 --> 0:22:24.960
<v Speaker 4>That connection started.

0:22:25.119 --> 0:22:27.439
<v Speaker 5>Yeah, yeah, yeah. So it was real funny. We had

0:22:27.480 --> 0:22:29.040
<v Speaker 5>a we had a nice streak that night, and.

0:22:31.240 --> 0:22:32.840
<v Speaker 3>That was a longs night. Let me tell you what

0:22:34.800 --> 0:22:39.200
<v Speaker 3>they said Ireland time. Yeah, that's what it's gonna be. Like,

0:22:39.680 --> 0:22:40.800
<v Speaker 3>it's gonna go past midnight.

0:22:40.880 --> 0:22:41.280
<v Speaker 6>I just know.

0:22:43.720 --> 0:22:47.400
<v Speaker 7>Midr the after party. And I was I was doing

0:22:47.520 --> 0:22:49.320
<v Speaker 7>social media at that time, so I was on my

0:22:49.400 --> 0:22:50.520
<v Speaker 7>phone and I was like trying to.

0:22:50.560 --> 0:22:52.919
<v Speaker 5>Cook the posts. I know there was a story.

0:22:54.040 --> 0:22:57.679
<v Speaker 4>Really okay, is this a story?

0:23:00.680 --> 0:23:02.639
<v Speaker 7>Ye? So don't knows a lot more than I do.

0:23:02.880 --> 0:23:05.560
<v Speaker 7>But obviously wasn't there at the time, so I was

0:23:05.600 --> 0:23:08.399
<v Speaker 7>trying to quickly do something. But I was taking ages

0:23:08.520 --> 0:23:13.240
<v Speaker 7>and obviously half half twists and then low like comes

0:23:13.560 --> 0:23:16.480
<v Speaker 7>she she had been talking to me and poetic and

0:23:17.600 --> 0:23:20.560
<v Speaker 7>who else is there a good old Wayno, you were

0:23:20.600 --> 0:23:24.119
<v Speaker 7>all talking together and okay, yeah, I had a good

0:23:24.600 --> 0:23:26.320
<v Speaker 7>chair and she was in the mix as well. And

0:23:26.359 --> 0:23:28.359
<v Speaker 7>then she saw what I was doing and she comes along.

0:23:28.440 --> 0:23:30.720
<v Speaker 7>She's like, hey, let me do that for you. What

0:23:30.800 --> 0:23:38.760
<v Speaker 7>are you what are you doing? I gave it to

0:23:38.760 --> 0:23:40.119
<v Speaker 7>her and I was like, I'm just trying to I

0:23:40.160 --> 0:23:42.120
<v Speaker 7>think it was a story you were real, and I'm

0:23:42.160 --> 0:23:44.760
<v Speaker 7>trying to move it from the post on Instagram so

0:23:44.840 --> 0:23:46.560
<v Speaker 7>it comes on Facebook as well, so I don't need

0:23:46.640 --> 0:23:48.520
<v Speaker 7>to go on Facebook and do it. And then she

0:23:48.640 --> 0:23:51.760
<v Speaker 7>was like easy, a couple of swipes and you know, taps.

0:23:51.480 --> 0:23:53.120
<v Speaker 5>On her phone and it was done on my phone

0:23:53.119 --> 0:23:53.720
<v Speaker 5>and it was done.

0:23:54.160 --> 0:23:55.720
<v Speaker 6>I was like, you do this.

0:23:57.280 --> 0:23:58.639
<v Speaker 7>For a living or something, and she goes.

0:23:58.520 --> 0:24:03.080
<v Speaker 4>That she does oskie, yes, yes, much love to ask

0:24:03.119 --> 0:24:03.920
<v Speaker 4>you by the way.

0:24:04.200 --> 0:24:09.440
<v Speaker 5>Yeah and yeah. And that that's when I go, cool,

0:24:10.320 --> 0:24:11.320
<v Speaker 5>can you do some more stuff?

0:24:13.240 --> 0:24:17.440
<v Speaker 7>More things? And so she didn't, and I was surprised

0:24:17.480 --> 0:24:19.719
<v Speaker 7>at how easy it was for somebody to do all

0:24:19.800 --> 0:24:24.479
<v Speaker 7>that so fast. So at that time, we were actually

0:24:25.480 --> 0:24:29.640
<v Speaker 7>talking to managers and our new label at the time,

0:24:30.440 --> 0:24:34.080
<v Speaker 7>and the label was looking at some social media people.

0:24:34.240 --> 0:24:37.000
<v Speaker 7>They had social media people as well, and I asked

0:24:37.160 --> 0:24:39.359
<v Speaker 7>and they said that we needed somebody here in New

0:24:39.440 --> 0:24:44.040
<v Speaker 7>Zealand to be you know, taking videos and uploading things

0:24:44.400 --> 0:24:47.320
<v Speaker 7>on our side because they're all from Australia and America

0:24:47.400 --> 0:24:51.920
<v Speaker 7>and the UK. Okay our management and yeah, so I

0:24:52.119 --> 0:24:55.359
<v Speaker 7>mentioned Love and that's been there, like cool, we'll have

0:24:55.400 --> 0:24:57.640
<v Speaker 7>a zoom meeting and then she comes on and I've

0:24:57.640 --> 0:24:59.639
<v Speaker 7>seen some emails from lower and everyone thought that she

0:24:59.760 --> 0:25:04.240
<v Speaker 7>was respectful and uh professional, which is that?

0:25:04.440 --> 0:25:05.160
<v Speaker 6>Which is amazing?

0:25:05.280 --> 0:25:10.399
<v Speaker 7>Yeah, and yeah the Resist history, Wow, she ended up

0:25:10.440 --> 0:25:13.400
<v Speaker 7>in the team and she's just smashing it. So really,

0:25:13.600 --> 0:25:15.679
<v Speaker 7>all the media, I'll hear.

0:25:15.560 --> 0:25:16.240
<v Speaker 5>It from her first.

0:25:18.760 --> 0:25:19.800
<v Speaker 4>You don't to worry about.

0:25:21.359 --> 0:25:24.640
<v Speaker 5>Now she's like, oh my god, did you see duh

0:25:24.640 --> 0:25:25.159
<v Speaker 5>blah blah, And.

0:25:25.480 --> 0:25:29.200
<v Speaker 3>Yeah, you guys have been on so many like international

0:25:29.320 --> 0:25:32.040
<v Speaker 3>media outlets as well, Like you're getting all the love.

0:25:32.119 --> 0:25:34.879
<v Speaker 3>And the thing about love is that she can sang

0:25:35.280 --> 0:25:39.800
<v Speaker 3>honey like she some pipes can't wait for her to

0:25:39.840 --> 0:25:46.720
<v Speaker 3>hear from. Yeah, she's gonna hear the Sorry Pacific Music

0:25:46.760 --> 0:25:50.520
<v Speaker 3>Awards this year. As of time of recording, it's this's Thursday.

0:25:50.640 --> 0:25:53.080
<v Speaker 3>So how are you feeling ahead of the ceremony?

0:25:54.640 --> 0:25:59.880
<v Speaker 5>Pumped, yeah, pump, nervous, nervous, yeah, I'm pumped.

0:26:03.840 --> 0:26:04.280
<v Speaker 4>Confidence.

0:26:04.440 --> 0:26:08.240
<v Speaker 7>No, it's I normally don't feel anything until like the

0:26:08.320 --> 0:26:12.680
<v Speaker 7>day before yeah cooking, Yeah yeah, so right now it's

0:26:12.720 --> 0:26:15.399
<v Speaker 7>just to come come before the storm, and then a

0:26:15.560 --> 0:26:17.399
<v Speaker 7>day before and then it was.

0:26:17.520 --> 0:26:21.679
<v Speaker 3>Like, how does it feel to receive recognition from your

0:26:21.760 --> 0:26:25.760
<v Speaker 3>PACIFICA community and getting your flowers because y'all have achieved

0:26:25.840 --> 0:26:29.480
<v Speaker 3>a lot and broken glass ceilings for Pacific and Metal.

0:26:29.840 --> 0:26:32.040
<v Speaker 1>So leading the nominations at the pm as this.

0:26:32.119 --> 0:26:35.679
<v Speaker 3>Year, absolutely, yeah, you're going to clean it up.

0:26:37.320 --> 0:26:40.520
<v Speaker 6>I think it was crossed. You know, we're really grateful.

0:26:41.359 --> 0:26:44.119
<v Speaker 6>It's been a long time coming. You know, we we

0:26:44.240 --> 0:26:46.879
<v Speaker 6>have been getting nominations and winning awards in the past,

0:26:46.960 --> 0:26:49.880
<v Speaker 6>but for this year, because for this year to lead

0:26:49.920 --> 0:26:53.600
<v Speaker 6>the nominations is a huge step because last year it

0:26:53.720 --> 0:26:58.400
<v Speaker 6>was it was for me personally. It was my first

0:26:58.480 --> 0:27:01.600
<v Speaker 6>time releasing an album, creating the album with the boys

0:27:02.080 --> 0:27:05.320
<v Speaker 6>and my first album I've released with them, and to

0:27:05.400 --> 0:27:10.159
<v Speaker 6>get recognized where it's like, you know, you feel like

0:27:11.200 --> 0:27:12.320
<v Speaker 6>you should Yep.

0:27:14.960 --> 0:27:16.040
<v Speaker 3>That's awesome.

0:27:17.080 --> 0:27:19.679
<v Speaker 1>That is so cool. Part of our chat today though,

0:27:19.800 --> 0:27:22.440
<v Speaker 1>is actually the platform the really epic work of spoke

0:27:22.480 --> 0:27:24.960
<v Speaker 1>Free Tongue to Beats, which Joe I understand that you

0:27:25.080 --> 0:27:26.160
<v Speaker 1>have been a part.

0:27:26.000 --> 0:27:26.719
<v Speaker 6>Of in the past.

0:27:26.880 --> 0:27:27.120
<v Speaker 4>Cool.

0:27:27.840 --> 0:27:29.760
<v Speaker 1>Can you tell us about how Tongue to Beats has

0:27:29.840 --> 0:27:32.879
<v Speaker 1>kind of enabled or unlocked some musical passions for you

0:27:33.000 --> 0:27:34.760
<v Speaker 1>and like what it's meant to you on your journey.

0:27:35.080 --> 0:27:35.280
<v Speaker 5>Yeah.

0:27:36.000 --> 0:27:38.400
<v Speaker 6>So the first time I did it, I was year nine,

0:27:38.640 --> 0:27:42.520
<v Speaker 6>was back in twenty fourteen, my first year of high school,

0:27:42.520 --> 0:27:45.359
<v Speaker 6>and I had no idea about the competition, you know,

0:27:45.520 --> 0:27:49.480
<v Speaker 6>and my music teacher at the time, Tim Randall, head

0:27:49.520 --> 0:27:54.080
<v Speaker 6>a department for Money to music, and he he was

0:27:54.240 --> 0:27:59.280
<v Speaker 6>real pushing for getting as many students to go perform

0:27:59.359 --> 0:28:02.879
<v Speaker 6>as he can. And so my first time on stage

0:28:03.000 --> 0:28:06.800
<v Speaker 6>this was year ninetewenty fourteen. This was up in the

0:28:08.680 --> 0:28:11.520
<v Speaker 6>Mengry Mengry Bridge, the hall.

0:28:12.119 --> 0:28:13.200
<v Speaker 5>Oh yeah.

0:28:13.800 --> 0:28:15.359
<v Speaker 6>Yeah, so that that was my first time on like

0:28:15.680 --> 0:28:18.880
<v Speaker 6>big stage with you know, all the band boys at

0:28:18.880 --> 0:28:21.320
<v Speaker 6>the time, and yeah, and I was so nervous, you know,

0:28:21.480 --> 0:28:25.080
<v Speaker 6>but after, you know, year after year, I just kept

0:28:25.119 --> 0:28:27.280
<v Speaker 6>doing it, and I think by the time I was

0:28:27.320 --> 0:28:31.680
<v Speaker 6>like twenty eighteen, all the nerves had gone. Yeah. So

0:28:32.480 --> 0:28:39.320
<v Speaker 6>if anything, it really helped with being confident walking on stage. Yeah,

0:28:39.560 --> 0:28:43.960
<v Speaker 6>just just getting through the whole nervous kind of thing. Yeah, Yeah,

0:28:44.080 --> 0:28:48.200
<v Speaker 6>so now nowadays, I really get nervous because of it.

0:28:48.320 --> 0:28:50.920
<v Speaker 1>Yeah, it seems like such a good platform to start

0:28:51.240 --> 0:28:54.719
<v Speaker 1>your music journey and to you know, shake off all

0:28:54.760 --> 0:28:57.560
<v Speaker 1>those nerves, get rid of all those jitters before you,

0:28:57.800 --> 0:29:01.080
<v Speaker 1>like into the real I guess, the real music world.

0:29:01.600 --> 0:29:03.360
<v Speaker 1>Why do you think it's so important for our young

0:29:03.400 --> 0:29:04.040
<v Speaker 1>best speaking so.

0:29:04.040 --> 0:29:12.160
<v Speaker 6>Engaged with I think speaking from personal, you know, I

0:29:12.240 --> 0:29:14.960
<v Speaker 6>think it's very important if especially if you're quite a

0:29:15.040 --> 0:29:17.200
<v Speaker 6>shy person, but you really want to get out there,

0:29:17.240 --> 0:29:21.200
<v Speaker 6>you know, do explore what you you know, explore what

0:29:21.320 --> 0:29:24.920
<v Speaker 6>you're good at, what you're not good at, and if anything,

0:29:25.120 --> 0:29:32.160
<v Speaker 6>it's just a confidence builder, you know. And uh, yeah,

0:29:32.280 --> 0:29:34.800
<v Speaker 6>I think that that's all I can say about it

0:29:35.320 --> 0:29:35.640
<v Speaker 6>the time.

0:29:35.720 --> 0:29:39.400
<v Speaker 5>Yeah, I think I think it really shows with joke because.

0:29:41.160 --> 0:29:44.680
<v Speaker 7>For someone that's eighteen and you just you're about to

0:29:44.720 --> 0:29:48.040
<v Speaker 7>play al Friskig, You're about to play with Rain who

0:29:48.400 --> 0:29:51.760
<v Speaker 7>we've really got a name and we've got everyone knows

0:29:51.880 --> 0:29:54.080
<v Speaker 7>what we can do. And if for this guy to

0:29:54.160 --> 0:29:56.600
<v Speaker 7>jump on and you know, with all that confidence and.

0:29:58.520 --> 0:30:02.000
<v Speaker 5>He was just a very like he blended in a

0:30:02.120 --> 0:30:06.280
<v Speaker 5>very well he knew what to do. We didn't have

0:30:06.400 --> 0:30:15.040
<v Speaker 5>to tell him braid being knew doing so.

0:30:16.480 --> 0:30:19.080
<v Speaker 7>I think that's because I'm not I didn't join the

0:30:19.560 --> 0:30:22.360
<v Speaker 7>tongue to pizza and and things like that. But I

0:30:22.440 --> 0:30:26.200
<v Speaker 7>think that that's from my knowledge. I reckon that's the

0:30:26.240 --> 0:30:32.960
<v Speaker 7>whole that's the whole reason behind it. And kids so

0:30:33.080 --> 0:30:34.920
<v Speaker 7>that when they get to the real world, like you're saying,

0:30:35.440 --> 0:30:38.239
<v Speaker 7>they're used to it. Yeah, it's easier for them.

0:30:38.560 --> 0:30:38.840
<v Speaker 4>Okay.

0:30:39.080 --> 0:30:41.040
<v Speaker 3>So we are going to move on to our rapid

0:30:41.080 --> 0:30:43.160
<v Speaker 3>fire QM. Now, this is a rapid fire game that

0:30:43.240 --> 0:30:45.680
<v Speaker 3>we've come up with. It's called song for a Situation.

0:30:46.000 --> 0:30:47.440
<v Speaker 3>So we are going to give you three sorts of

0:30:47.520 --> 0:30:50.000
<v Speaker 3>situations and then you just tell us what is the

0:30:50.120 --> 0:30:52.360
<v Speaker 3>song that you would play and see the situations.

0:30:52.960 --> 0:30:55.440
<v Speaker 6>So we're going to.

0:30:55.480 --> 0:31:02.040
<v Speaker 4>Start with love song. So love vibes, romance? What are

0:31:02.080 --> 0:31:04.400
<v Speaker 4>you putting on? What are you going to put on? Alissa?

0:31:04.680 --> 0:31:06.280
<v Speaker 1>I'm want to try king kick at the moment?

0:31:06.360 --> 0:31:06.760
<v Speaker 7>So true?

0:31:06.880 --> 0:31:07.000
<v Speaker 6>Is it?

0:31:07.040 --> 0:31:07.240
<v Speaker 4>True?

0:31:07.280 --> 0:31:09.239
<v Speaker 1>Love by Tricking's a good one?

0:31:09.400 --> 0:31:13.560
<v Speaker 3>Okay, mine would be. I was listening to it this morning,

0:31:13.640 --> 0:31:18.320
<v Speaker 3>Tama and to you, yeah, yea love for me? How

0:31:18.360 --> 0:31:18.960
<v Speaker 3>about you, guys?

0:31:19.920 --> 0:31:22.320
<v Speaker 7>I would choose one of my favorite artists. I would

0:31:22.400 --> 0:31:24.320
<v Speaker 7>choose Celindian I love you.

0:31:25.400 --> 0:31:25.600
<v Speaker 6>Yeah.

0:31:26.960 --> 0:31:29.520
<v Speaker 4>Did you feel happy when she performed at the Paris Olympics.

0:31:29.600 --> 0:31:32.760
<v Speaker 5>Yeah, yeah, she came back from yea from the grip

0:31:32.840 --> 0:31:36.640
<v Speaker 5>that she was going through. Okay, so good come back.

0:31:38.160 --> 0:31:43.640
<v Speaker 6>How about you? I'd go for Whitney Houston. Run to You?

0:31:45.320 --> 0:31:46.720
<v Speaker 4>I don't think I know Run to You?

0:31:47.240 --> 0:31:54.560
<v Speaker 6>Yeah, excuse me? Run White? How does it go? You

0:31:54.680 --> 0:31:59.400
<v Speaker 6>got to wait?

0:31:59.600 --> 0:32:00.160
<v Speaker 7>Run you?

0:32:00.360 --> 0:32:04.400
<v Speaker 5>What do you use the I feel like let's play. Yeah,

0:32:04.760 --> 0:32:05.600
<v Speaker 5>it's a great song.

0:32:05.720 --> 0:32:06.560
<v Speaker 6>Run to You.

0:32:07.680 --> 0:32:09.200
<v Speaker 1>I feel like you'll play it and we'll.

0:32:09.040 --> 0:32:10.400
<v Speaker 4>All the bodyguard.

0:32:10.720 --> 0:32:12.520
<v Speaker 3>Yeah, do you know what?

0:32:13.960 --> 0:32:14.280
<v Speaker 6>That's it?

0:32:14.960 --> 0:32:15.760
<v Speaker 4>Let's just run to you.

0:32:17.880 --> 0:32:18.760
<v Speaker 1>I love the Bodyguard.

0:32:23.560 --> 0:32:24.480
<v Speaker 6>We know run to you?

0:32:25.400 --> 0:32:25.560
<v Speaker 5>Yes?

0:32:26.480 --> 0:32:34.520
<v Speaker 4>Okay, okay, we're started on. Okay, So second situation, hype song?

0:32:34.640 --> 0:32:37.520
<v Speaker 3>What is the hype song that you played before you

0:32:37.640 --> 0:32:38.680
<v Speaker 3>go on stage?

0:32:39.440 --> 0:32:43.920
<v Speaker 4>Hypothetically? A few were performers. If you girl, what's your

0:32:43.960 --> 0:32:44.400
<v Speaker 4>hype song?

0:32:45.600 --> 0:32:48.120
<v Speaker 1>It's a song called Getting Started by Sam Finder. He's

0:32:48.160 --> 0:32:51.360
<v Speaker 1>like a British artist. One of his songs seventeen Going

0:32:51.400 --> 0:32:53.720
<v Speaker 1>Under is quite popular, but getting Started is a really

0:32:53.840 --> 0:32:54.280
<v Speaker 1>good song.

0:32:55.480 --> 0:32:57.480
<v Speaker 4>Oh you guys go, I've got to think of one.

0:32:57.840 --> 0:32:59.400
<v Speaker 4>But what are your guys?

0:33:00.560 --> 0:33:00.600
<v Speaker 6>So?

0:33:01.880 --> 0:33:08.320
<v Speaker 7>I love listening to my classical music so before but

0:33:08.480 --> 0:33:10.680
<v Speaker 7>if I get the chance to before a performance, it

0:33:10.680 --> 0:33:16.200
<v Speaker 7>will be there to be Valdi, you know songs, or

0:33:17.400 --> 0:33:21.800
<v Speaker 7>or just listen to most nice. But if we're talking

0:33:21.840 --> 0:33:27.880
<v Speaker 7>about a party, my hype song is always going to

0:33:27.920 --> 0:33:32.120
<v Speaker 7>be by would be by a system of Oh yes.

0:33:32.720 --> 0:33:35.360
<v Speaker 1>Would you say classical is like your favorite genre or

0:33:35.440 --> 0:33:37.800
<v Speaker 1>still I love not my.

0:33:37.840 --> 0:33:44.880
<v Speaker 5>Favorite but actually yeah, so thinking.

0:33:46.280 --> 0:33:47.520
<v Speaker 6>So many songs on the memory Bang.

0:33:48.160 --> 0:33:51.040
<v Speaker 7>But this guy, yeah, Joe, Joe really does have a

0:33:51.280 --> 0:33:55.320
<v Speaker 7>massive range of songs that he listens to. Because I'm

0:33:55.360 --> 0:33:57.720
<v Speaker 7>also a huge Kindrid marfan.

0:33:57.880 --> 0:34:00.760
<v Speaker 4>Love Kindred, we love kind track around here. This is

0:34:00.880 --> 0:34:01.760
<v Speaker 4>not a Drake House.

0:34:10.200 --> 0:34:11.319
<v Speaker 5>I don't know either of the.

0:34:21.440 --> 0:34:27.319
<v Speaker 4>Mm hmmm, I think I've got one.

0:34:27.440 --> 0:34:27.880
<v Speaker 6>Okay you.

0:34:30.560 --> 0:34:35.200
<v Speaker 4>Janet Jackson, mm hmm, mess you much.

0:34:37.360 --> 0:34:41.200
<v Speaker 6>Yeah, that's a great trick. I'll say you just for

0:34:41.400 --> 0:34:45.600
<v Speaker 6>hype hype in general, I'd go Compton by Kendrick Lamar.

0:34:45.800 --> 0:34:47.200
<v Speaker 6>Oh that's a great.

0:34:48.480 --> 0:34:51.960
<v Speaker 3>Yeah of the Yeah, okay, we've got some solid plicks here.

0:34:52.120 --> 0:34:55.080
<v Speaker 3>One more situation here, a song for the road. So

0:34:55.120 --> 0:34:57.400
<v Speaker 3>when you're traveling, when you're on the road, what are

0:34:57.480 --> 0:34:59.000
<v Speaker 3>you listening to? What's on the playlist.

0:34:59.320 --> 0:35:00.799
<v Speaker 4>What's on the playof us for you on the thong?

0:35:01.960 --> 0:35:06.879
<v Speaker 1>Whoa, I'm trying to think, I'm not. I don't drive,

0:35:07.040 --> 0:35:08.560
<v Speaker 1>so I actually usually aim on the ORB.

0:35:08.760 --> 0:35:10.560
<v Speaker 4>Yeah, I don't.

0:35:13.920 --> 0:35:14.160
<v Speaker 6>Drive.

0:35:15.040 --> 0:35:19.279
<v Speaker 1>I would say probably some Malon Williams make Away for Love.

0:35:20.000 --> 0:35:21.080
<v Speaker 1>Probably that whole album.

0:35:21.680 --> 0:35:29.400
<v Speaker 3>Yes, yes, okay, girl, what's on the playlist?

0:35:31.040 --> 0:35:33.000
<v Speaker 6>Do do do? Do? Do do? What?

0:35:33.440 --> 0:35:36.000
<v Speaker 5>What's specifics for this so so on the road?

0:35:36.520 --> 0:35:40.160
<v Speaker 7>It's a winter summer, I'm thinking summer summer.

0:35:40.239 --> 0:35:46.200
<v Speaker 3>Windows are down, went flowing through your hair? Yeah, I

0:35:46.280 --> 0:35:47.120
<v Speaker 3>would say.

0:35:48.960 --> 0:35:50.720
<v Speaker 4>Mary J. Blige, anything.

0:35:52.320 --> 0:35:56.560
<v Speaker 3>Yeah, I like the early stuff, the covers, uh real

0:35:56.680 --> 0:35:57.680
<v Speaker 3>love sweet thing?

0:35:58.280 --> 0:36:02.520
<v Speaker 5>Yeah? Cool mine? Would I just had it?

0:36:06.880 --> 0:36:07.640
<v Speaker 4>Do you have addressing?

0:36:10.400 --> 0:36:13.400
<v Speaker 6>I'd say Controller by l A b.

0:36:14.280 --> 0:36:17.080
<v Speaker 1>Oh, Yeah, that is such summertime.

0:36:17.360 --> 0:36:20.080
<v Speaker 4>Yes, yes, yes, l A b Are summer.

0:36:19.880 --> 0:36:21.759
<v Speaker 1>And you can everyone knows next once you can all

0:36:21.880 --> 0:36:22.320
<v Speaker 1>sing along.

0:36:23.760 --> 0:36:23.960
<v Speaker 3>Great.

0:36:26.320 --> 0:36:32.239
<v Speaker 5>Oh, yes, it's Guns and Roses. I'd go Paradise City.

0:36:33.760 --> 0:36:36.000
<v Speaker 1>I love that song. I go out listening to a

0:36:36.080 --> 0:36:36.959
<v Speaker 1>lot of Guns and Roses.

0:36:40.160 --> 0:36:44.479
<v Speaker 6>I look music, girl, thing.

0:36:45.880 --> 0:36:48.799
<v Speaker 4>And we're bringing it back and what that say? That's

0:36:48.840 --> 0:36:49.920
<v Speaker 4>time to say goodbye.

0:36:55.320 --> 0:36:57.359
<v Speaker 1>Thank you guys so much for joining us. We're talking

0:36:57.400 --> 0:36:59.719
<v Speaker 1>about the really cool work of Tongue as Beats, but

0:36:59.800 --> 0:37:04.359
<v Speaker 1>also just for sharing the shipper's rain energy success story

0:37:04.440 --> 0:37:07.399
<v Speaker 1>with us. It's so cool to hear and yeah, we're

0:37:07.440 --> 0:37:09.160
<v Speaker 1>so inspired about you guys. So thank you so much

0:37:09.160 --> 0:37:10.319
<v Speaker 1>for taking the time to chat with us.

0:37:10.320 --> 0:37:11.600
<v Speaker 7>Thank you.

0:37:12.640 --> 0:37:16.640
<v Speaker 1>Sorry, guys, I'm laughing at me. He was saying, Beyonce,

0:37:17.360 --> 0:37:20.440
<v Speaker 1>we're talking about a fucking mitche man. Be so for

0:37:20.560 --> 0:37:24.080
<v Speaker 1>real right now. My favorite part was making oh you someone.

0:37:26.000 --> 0:37:35.800
<v Speaker 4>And that is the part shout out to the boys.

0:37:36.600 --> 0:37:39.040
<v Speaker 1>Feel so proud of them, so excited. I mean, by

0:37:39.080 --> 0:37:40.719
<v Speaker 1>the time this episode comes out, we'll know if they

0:37:40.840 --> 0:37:43.000
<v Speaker 1>want their pm as or not, but they're just excited to.

0:37:43.000 --> 0:37:44.120
<v Speaker 3>See them at the pm as.

0:37:45.000 --> 0:37:47.839
<v Speaker 1>Congratulations guys, incredible, incredible, incredible work.

0:37:48.040 --> 0:37:49.239
<v Speaker 4>Yeah, we'll see you next week.

0:37:49.440 --> 0:37:49.760
<v Speaker 6>Bye.