1 00:00:07,133 --> 00:00:10,453 Speaker 1: You're listening to the Saturday Morning with Jack Teams podcast 2 00:00:10,573 --> 00:00:11,733 Speaker 1: from News Talks at b. 3 00:00:12,853 --> 00:00:16,013 Speaker 2: Stephen k Amos does the talking so we can do 4 00:00:16,213 --> 00:00:19,973 Speaker 2: the laughing. You'll have seen him on his regular spots 5 00:00:20,413 --> 00:00:23,653 Speaker 2: on UK TV shows like Live at the Apollo and 6 00:00:23,773 --> 00:00:27,093 Speaker 2: QI my favorite of the British panel shows, and right 7 00:00:27,093 --> 00:00:30,133 Speaker 2: now Stevens in Australia out on the festival circuit before 8 00:00:30,213 --> 00:00:33,933 Speaker 2: heading our way in May with his new show Deconstructing 9 00:00:33,973 --> 00:00:34,813 Speaker 2: the Science of. 10 00:00:34,853 --> 00:00:37,573 Speaker 3: Laughter and Steven's with Us this morning held a good. 11 00:00:37,493 --> 00:00:40,293 Speaker 4: Morning, Good morning Jack, thanks for having me. 12 00:00:40,373 --> 00:00:42,213 Speaker 2: It's so good to be speaking with you. I have 13 00:00:43,453 --> 00:00:46,613 Speaker 2: very much enjoyed your contributions to British. 14 00:00:46,213 --> 00:00:47,613 Speaker 3: Panel shows over the years. 15 00:00:47,653 --> 00:00:50,853 Speaker 2: I'm a real British panel show geek. So it is 16 00:00:50,893 --> 00:00:52,933 Speaker 2: a delight to know you're coming back to New Zealand 17 00:00:52,933 --> 00:00:55,013 Speaker 2: and you're coming back with a brand new show that 18 00:00:55,173 --> 00:00:58,453 Speaker 2: deconstructs the science of laughter. 19 00:00:58,653 --> 00:00:59,533 Speaker 3: So tell us about that. 20 00:01:00,053 --> 00:01:02,933 Speaker 5: Wow, well, that is an element of the show that's 21 00:01:02,773 --> 00:01:08,773 Speaker 5: absolutely true. I was asked in New Zealand good few 22 00:01:08,853 --> 00:01:11,893 Speaker 5: years ago now, so I'm absolutely thrilled to be coming 23 00:01:11,893 --> 00:01:14,733 Speaker 5: back after all this time. I've got friends who live 24 00:01:14,773 --> 00:01:17,213 Speaker 5: in the South Island a place called Picton. 25 00:01:17,453 --> 00:01:20,173 Speaker 2: Oh very good, it's not my aunt. My aunt lives 26 00:01:20,173 --> 00:01:21,813 Speaker 2: in that part of the world, so maybe you're buma 27 00:01:21,813 --> 00:01:22,173 Speaker 2: to her. 28 00:01:23,093 --> 00:01:25,213 Speaker 4: Maybe I will. There's not many people live there. 29 00:01:26,013 --> 00:01:28,813 Speaker 5: So yeah, the show is called Now We're Talking, And 30 00:01:28,853 --> 00:01:30,813 Speaker 5: basically that is one of the elements in the show, 31 00:01:31,013 --> 00:01:33,413 Speaker 5: where I'm talking about what laughter does to our brains 32 00:01:33,453 --> 00:01:36,053 Speaker 5: and our body, how very important it is to have 33 00:01:36,093 --> 00:01:39,533 Speaker 5: people sitting close together at any kind of comedy show 34 00:01:39,813 --> 00:01:40,293 Speaker 5: because we. 35 00:01:40,333 --> 00:01:42,733 Speaker 4: Need you all to be infected with laughter. 36 00:01:43,253 --> 00:01:45,373 Speaker 5: And then I talk about how it's important for us 37 00:01:45,413 --> 00:01:47,733 Speaker 5: to keep talking in a world where there's a lot 38 00:01:47,773 --> 00:01:50,653 Speaker 5: of noise out there and people aren't listing enough. 39 00:01:51,053 --> 00:01:52,453 Speaker 4: So that's the essence of the show. 40 00:01:52,533 --> 00:01:54,093 Speaker 2: I was going to say, the world has changed a lot. 41 00:01:54,173 --> 00:01:55,653 Speaker 2: I looked at up you were last in New Zealand 42 00:01:55,693 --> 00:01:57,853 Speaker 2: and twenty sixteen, So it feels like there's probably a 43 00:01:57,853 --> 00:01:59,693 Speaker 2: fear bit of content that you'll be able to draw 44 00:01:59,733 --> 00:02:02,813 Speaker 2: upon given the state of the extent to which the 45 00:02:02,853 --> 00:02:06,573 Speaker 2: world has changed in that time. So when I think 46 00:02:06,573 --> 00:02:08,493 Speaker 2: of laughter, I think you hit on a really important 47 00:02:08,573 --> 00:02:12,653 Speaker 2: point here. There's a social component, isn't here, Because if 48 00:02:12,653 --> 00:02:16,133 Speaker 2: you're watching a TV show by yourself, even if it's 49 00:02:16,173 --> 00:02:19,533 Speaker 2: really funny. Most of the time you don't laugh. But 50 00:02:19,573 --> 00:02:21,413 Speaker 2: if you have another person sitting next to you on 51 00:02:21,453 --> 00:02:23,253 Speaker 2: the couch, then for some reason you laugh. 52 00:02:23,413 --> 00:02:24,893 Speaker 3: I don't know why is it. 53 00:02:25,693 --> 00:02:30,893 Speaker 5: It's something to do with the human connection, the mirror neuron. 54 00:02:31,053 --> 00:02:34,453 Speaker 5: You see somebody laugh, you laugh. Is a shared experience 55 00:02:34,733 --> 00:02:36,813 Speaker 5: and on your own. I suppose people don't want to 56 00:02:36,813 --> 00:02:39,453 Speaker 5: look odd if they're just sitting behide themselves and then 57 00:02:39,733 --> 00:02:42,293 Speaker 5: go fororing like a like a bit of a lunatic. 58 00:02:42,533 --> 00:02:45,253 Speaker 5: But it is good for the soul. I mean, even 59 00:02:45,253 --> 00:02:46,773 Speaker 5: if you just walk down the street and you hear 60 00:02:46,893 --> 00:02:50,893 Speaker 5: somebody laughing uproariously, you've got no idea what they're laughing at. 61 00:02:51,093 --> 00:02:54,453 Speaker 5: You start laughing as well. I mean, that's wonderful. I mean, 62 00:02:54,493 --> 00:02:56,933 Speaker 5: I don't remember. Back in the day, there's be a 63 00:02:57,013 --> 00:03:03,133 Speaker 5: song by the Laughing Policeman which has when and it 64 00:03:03,213 --> 00:03:06,013 Speaker 5: just went on and on and then suddenly the entire 65 00:03:06,093 --> 00:03:07,733 Speaker 5: people or in the room or laughing. 66 00:03:08,173 --> 00:03:09,373 Speaker 4: We don't know why. Really. 67 00:03:09,733 --> 00:03:09,973 Speaker 3: Yeah. 68 00:03:10,693 --> 00:03:13,133 Speaker 2: I remember seeing an amazing short film once. It might 69 00:03:13,133 --> 00:03:16,173 Speaker 2: have been German, or it might have been scanning Avy, 70 00:03:16,173 --> 00:03:18,173 Speaker 2: and I can't remember exactly where it was from. And 71 00:03:18,253 --> 00:03:20,933 Speaker 2: it was the simplest concept, but it was beautifully done. 72 00:03:20,973 --> 00:03:24,213 Speaker 2: It was people sitting on a train carriage and one 73 00:03:24,293 --> 00:03:26,373 Speaker 2: person and they're all just sitting there in silence, looking 74 00:03:26,373 --> 00:03:27,893 Speaker 2: at their phones and looking out the window and that 75 00:03:27,973 --> 00:03:31,173 Speaker 2: kind of thing, and then one person just starts sniggering 76 00:03:31,173 --> 00:03:33,693 Speaker 2: a little bit, and then it starts to spread. 77 00:03:33,773 --> 00:03:34,413 Speaker 3: And all this. 78 00:03:34,453 --> 00:03:38,813 Speaker 2: Film was was this the scene on a train carriage 79 00:03:38,853 --> 00:03:43,093 Speaker 2: where over three or four minutes, the laughter spread throughout 80 00:03:43,133 --> 00:03:45,133 Speaker 2: the train carriage and it. 81 00:03:45,773 --> 00:03:47,653 Speaker 3: Was actually, it was actually truly beautiful. 82 00:03:47,733 --> 00:03:49,293 Speaker 2: It sounds kind of it might sound a bit corny 83 00:03:49,333 --> 00:03:53,373 Speaker 2: the way I'm describing it, but you could imagine it happening, right, 84 00:03:53,413 --> 00:03:57,453 Speaker 2: you could. You know, there is something profoundly infectious about it. 85 00:03:57,973 --> 00:03:59,853 Speaker 5: Absolutely, but also in the same way that you can 86 00:03:59,893 --> 00:04:03,013 Speaker 5: imagine if someone comes into a room saying a party 87 00:04:03,053 --> 00:04:07,413 Speaker 5: and that person has just brought with them nega clive energy, 88 00:04:07,773 --> 00:04:12,253 Speaker 5: you feel that as well. Somebody grumping, making noises and 89 00:04:12,333 --> 00:04:15,253 Speaker 5: not looking happy. You avoid eye contact with that person. 90 00:04:15,733 --> 00:04:19,093 Speaker 5: Somebody comes into the room with a cheery disposition, Wow, 91 00:04:19,173 --> 00:04:21,653 Speaker 5: you're drawn to that person. It's great And you know 92 00:04:21,693 --> 00:04:24,333 Speaker 5: it's a cliche, but laughter is the best medicine. Yeah, 93 00:04:24,333 --> 00:04:25,053 Speaker 5: it absolutely is. 94 00:04:25,173 --> 00:04:26,453 Speaker 3: Yeah, no, I totally agree with that. 95 00:04:26,493 --> 00:04:28,933 Speaker 2: It's the best medicine, and it's the universal language, which 96 00:04:28,933 --> 00:04:30,973 Speaker 2: I suppose when you're making I appreciate it's not the 97 00:04:30,973 --> 00:04:32,933 Speaker 2: full show, but when it's a component on the show, 98 00:04:32,973 --> 00:04:38,373 Speaker 2: you can be relatively assured that there is a subject 99 00:04:38,373 --> 00:04:41,933 Speaker 2: that is going to cross international lines pretty pretty smoothly. 100 00:04:43,333 --> 00:04:45,613 Speaker 5: Well, and indeed it doesn't matter where you are, where 101 00:04:45,613 --> 00:04:47,493 Speaker 5: you come from if you think about this on a 102 00:04:47,533 --> 00:04:52,053 Speaker 5: basic human level. Babies learn to laugh before they can speak. 103 00:04:52,493 --> 00:04:54,333 Speaker 4: Yeah, I mean that. 104 00:04:54,573 --> 00:04:57,333 Speaker 5: It's not incredible when you just break it right down, 105 00:04:57,613 --> 00:04:59,813 Speaker 5: that's what it is. One of the oldest jokes in 106 00:04:59,893 --> 00:05:02,733 Speaker 5: human history is, of course, Peekaboo that you do with 107 00:05:02,773 --> 00:05:07,573 Speaker 5: your babies. Who's their Daddy's there and your baby starts Yeah, yeah, 108 00:05:07,653 --> 00:05:07,933 Speaker 5: that's a. 109 00:05:07,973 --> 00:05:08,493 Speaker 3: Very good point. 110 00:05:08,493 --> 00:05:10,213 Speaker 2: I've got a one year old at the moment, and 111 00:05:10,253 --> 00:05:13,453 Speaker 2: he's just at that delightful stage where Peekaboo is an 112 00:05:13,573 --> 00:05:15,733 Speaker 2: enormous hit and I can just do little things to 113 00:05:15,773 --> 00:05:18,813 Speaker 2: make him laugh, and seeing him laugh, it's as though 114 00:05:18,853 --> 00:05:22,173 Speaker 2: I can feel my blood pressure relax or something like. 115 00:05:22,213 --> 00:05:26,973 Speaker 2: I feel a kind of physiological reaction as I as 116 00:05:27,013 --> 00:05:28,653 Speaker 2: I join him and laughter. You know it's a it's 117 00:05:28,653 --> 00:05:31,133 Speaker 2: an amazing it's an amazing thing, and you never really 118 00:05:31,133 --> 00:05:31,533 Speaker 2: consider it. 119 00:05:31,573 --> 00:05:33,013 Speaker 3: I suppose no you don't. 120 00:05:33,093 --> 00:05:35,213 Speaker 5: Now that's where I've taken time out in the show too. 121 00:05:35,533 --> 00:05:37,773 Speaker 5: I mean I should stress it's not a Ted talk no, no, 122 00:05:38,213 --> 00:05:39,733 Speaker 5: absolutely a comedy show. 123 00:05:40,653 --> 00:05:43,173 Speaker 2: Doctor Stephen is going to be addressing us about yeah yeah, 124 00:05:43,213 --> 00:05:44,653 Speaker 2: yeah yeah. 125 00:05:44,173 --> 00:05:47,693 Speaker 5: And I will I will be guaranteeing that laughter will ensue. 126 00:05:48,453 --> 00:05:52,333 Speaker 5: Where I've been doing the show recently in Adelaide and 127 00:05:52,373 --> 00:05:56,093 Speaker 5: now in Canberra, and it's gone down I can say particularly, well. 128 00:05:57,293 --> 00:05:58,133 Speaker 3: That's really good to hear. 129 00:05:58,213 --> 00:06:00,133 Speaker 2: So so you're sort of on the festival circuit a 130 00:06:00,133 --> 00:06:03,093 Speaker 2: little bit at the stage of the year, right and 131 00:06:03,133 --> 00:06:04,773 Speaker 2: you you had a real. 132 00:06:04,613 --> 00:06:07,333 Speaker 3: Breakout back in the day at the Edinburgh Fringe. 133 00:06:07,413 --> 00:06:11,093 Speaker 2: That was where you really started to connect with people. 134 00:06:11,453 --> 00:06:13,853 Speaker 2: So how do you reflect I don't want to suggest 135 00:06:13,853 --> 00:06:15,213 Speaker 2: that you've been in the game a long time, but 136 00:06:15,253 --> 00:06:17,173 Speaker 2: how do you reflect on the kind of on the 137 00:06:17,253 --> 00:06:19,933 Speaker 2: kind of changes in the comedy scene, in the way 138 00:06:19,973 --> 00:06:23,653 Speaker 2: in which comics travel and tour today compared to win 139 00:06:23,773 --> 00:06:26,813 Speaker 2: you started. Because from the outside it looks like there's 140 00:06:26,853 --> 00:06:29,013 Speaker 2: been an explosion in stand up comedy. 141 00:06:29,733 --> 00:06:31,653 Speaker 5: Well, I think you're absolutely right, Jack, there have been 142 00:06:31,653 --> 00:06:34,933 Speaker 5: an explosion, and I think partly what's that got to 143 00:06:34,973 --> 00:06:38,453 Speaker 5: do with is the fact that people's tastes have changed 144 00:06:38,533 --> 00:06:42,053 Speaker 5: over the years. How people consume comedy has changed. The 145 00:06:42,133 --> 00:06:45,253 Speaker 5: gatekeepers who used to tell us and put on TV, etc. 146 00:06:45,733 --> 00:06:48,933 Speaker 5: What they thought was funny. That has changed, the advent 147 00:06:48,973 --> 00:06:52,133 Speaker 5: of social media where people can create their own stuff. 148 00:06:52,853 --> 00:06:55,613 Speaker 5: And what I've seen in particular in the last ten 149 00:06:56,213 --> 00:06:59,893 Speaker 5: ten or so years is the different voices coming through now. 150 00:07:00,173 --> 00:07:01,653 Speaker 5: When I was doing the End, I used to the 151 00:07:01,813 --> 00:07:06,813 Speaker 5: Edinbard Festival every year since nineteen ninety seven, for example, 152 00:07:07,133 --> 00:07:09,173 Speaker 5: and back then, for example, I would be one of 153 00:07:09,373 --> 00:07:13,013 Speaker 5: maybe two other black comedians there, or you wouldn't hear 154 00:07:13,053 --> 00:07:17,053 Speaker 5: of any LGBT voices, you wouldn't see. 155 00:07:16,893 --> 00:07:18,253 Speaker 4: A many women. 156 00:07:19,453 --> 00:07:22,053 Speaker 5: But now that the landscape, as I say, has changed, 157 00:07:22,253 --> 00:07:24,893 Speaker 5: and it's wonderful because every one of us has got 158 00:07:24,893 --> 00:07:27,813 Speaker 5: a story to tell. And you know, comedy is subjective. 159 00:07:27,853 --> 00:07:29,893 Speaker 5: What you do is you find your tribe. You know, 160 00:07:30,213 --> 00:07:32,493 Speaker 5: if you don't find someone particularly funny, don't go and 161 00:07:32,533 --> 00:07:36,533 Speaker 5: see them. That's how simple it is. But but I 162 00:07:36,533 --> 00:07:39,013 Speaker 5: think with comedy as well, and that laughing, it's very 163 00:07:39,093 --> 00:07:43,013 Speaker 5: emotional very emotive. I think people get so angry if 164 00:07:43,053 --> 00:07:45,573 Speaker 5: they didn't like a particular comedian or they didn't like 165 00:07:45,613 --> 00:07:49,373 Speaker 5: a comedy show, like music as well, Oh that band 166 00:07:49,453 --> 00:07:52,853 Speaker 5: is awful. It might be awful to you, somebody else 167 00:07:53,013 --> 00:07:55,893 Speaker 5: likes them. There is a reason for their success. You know, 168 00:07:56,013 --> 00:07:57,533 Speaker 5: let's try and balance things out. 169 00:07:58,173 --> 00:08:00,573 Speaker 3: That's a very mature reflection. 170 00:08:01,893 --> 00:08:03,933 Speaker 2: Well, I just thought, because you know there are I mean, 171 00:08:03,973 --> 00:08:08,293 Speaker 2: you see these stories about you know, people either saying 172 00:08:08,293 --> 00:08:10,813 Speaker 2: one of two things, first of all, saying that you know, 173 00:08:10,893 --> 00:08:13,373 Speaker 2: this comedian isn't funny and this person shouldn't be saying this, 174 00:08:14,053 --> 00:08:16,133 Speaker 2: or you conversely hear the other side of the coin, 175 00:08:16,173 --> 00:08:20,053 Speaker 2: where you know, people moan about living in two censorious 176 00:08:20,093 --> 00:08:23,773 Speaker 2: a society these days. And I can imagine that you 177 00:08:23,853 --> 00:08:26,613 Speaker 2: sort of need to know where you stand on those 178 00:08:26,653 --> 00:08:28,173 Speaker 2: points if you're going to be getting up in front 179 00:08:28,213 --> 00:08:29,573 Speaker 2: of people and you're going to be and you're going 180 00:08:29,613 --> 00:08:31,573 Speaker 2: to be cracking gag. So where do you where do 181 00:08:31,653 --> 00:08:32,933 Speaker 2: you land on the continuum? 182 00:08:33,173 --> 00:08:36,373 Speaker 5: Well, Well, the way I think the world has got 183 00:08:36,733 --> 00:08:39,933 Speaker 5: and this perhaps the negative side of social media has 184 00:08:39,973 --> 00:08:47,213 Speaker 5: got censorious, has got full of misinformation, downright lies, untruth. 185 00:08:48,493 --> 00:08:51,853 Speaker 5: People say whatever they want without recourse. But I think 186 00:08:51,933 --> 00:08:55,013 Speaker 5: in the in the in the arena of comedy, I 187 00:08:55,093 --> 00:08:57,813 Speaker 5: really do believe in freedom of speech. But also with 188 00:08:57,973 --> 00:09:01,453 Speaker 5: freedom of speech comes freedom of expression, whereby we can 189 00:09:01,533 --> 00:09:04,733 Speaker 5: react however we see fit, depending what it is you say, 190 00:09:05,053 --> 00:09:08,253 Speaker 5: that should be the payoff. I think any decent comedian, 191 00:09:08,493 --> 00:09:12,013 Speaker 5: any good comedian, should be able and allowed to tackle 192 00:09:12,053 --> 00:09:15,093 Speaker 5: any subject. Whether they tackle it and get it right 193 00:09:15,293 --> 00:09:18,213 Speaker 5: is another story. But let's not forget that we're in 194 00:09:18,453 --> 00:09:21,253 Speaker 5: the boundaries of comedy. It's a comedy show, and that 195 00:09:21,293 --> 00:09:22,893 Speaker 5: doesn't mean you say what you want to make people 196 00:09:22,973 --> 00:09:25,373 Speaker 5: laugh in a cheap, easy laugh, because we can all 197 00:09:25,493 --> 00:09:28,373 Speaker 5: do that. I'm pretty certain that every single one of us, 198 00:09:28,773 --> 00:09:31,333 Speaker 5: everyone of the listeners right now will said the most 199 00:09:31,333 --> 00:09:34,213 Speaker 5: outrageous things to a friend and family that you never 200 00:09:34,293 --> 00:09:35,533 Speaker 5: say an open company. 201 00:09:35,693 --> 00:09:35,893 Speaker 4: You know. 202 00:09:36,013 --> 00:09:39,173 Speaker 5: That's that's polite society. So for me and myself, as 203 00:09:39,173 --> 00:09:42,093 Speaker 5: I say, people like my stuff, people don't like my stuff. 204 00:09:42,373 --> 00:09:45,573 Speaker 5: I don't get involved in online spats with anybody. You know, 205 00:09:45,693 --> 00:09:47,573 Speaker 5: people people have said some stuff about me in the 206 00:09:47,613 --> 00:09:49,893 Speaker 5: past over the years. I don't get involved with it 207 00:09:49,933 --> 00:09:52,813 Speaker 5: because it's not I'm not adding fuel or oxygen to 208 00:09:52,893 --> 00:09:55,733 Speaker 5: something that's not going to benefit my life or my 209 00:09:55,813 --> 00:09:56,493 Speaker 5: mental space. 210 00:09:56,773 --> 00:10:00,173 Speaker 2: Very wise, very wise, And I'm one hundred percent with you. 211 00:10:00,213 --> 00:10:02,613 Speaker 2: I always just think context is so often forgotten. 212 00:10:02,653 --> 00:10:05,813 Speaker 5: With these contexts and nuance, it's so easy to sit 213 00:10:05,853 --> 00:10:09,453 Speaker 5: behind your phone and you just have a comment and 214 00:10:09,453 --> 00:10:11,653 Speaker 5: at the end of the day, to be honest, Jack, 215 00:10:12,013 --> 00:10:14,213 Speaker 5: I don't want to hear I don't want to know 216 00:10:14,533 --> 00:10:16,453 Speaker 5: what people who know nothing think. 217 00:10:17,613 --> 00:10:19,693 Speaker 3: No, this is that's a great attitude. 218 00:10:19,693 --> 00:10:22,253 Speaker 2: I always think, you know, if you've taken the time, 219 00:10:22,533 --> 00:10:26,933 Speaker 2: whoever you are, anonymous keyboard warrior, to take, you know, 220 00:10:27,093 --> 00:10:29,173 Speaker 2: three minutes out of your day to write a horrible 221 00:10:29,213 --> 00:10:32,213 Speaker 2: message to me, I can only imagine how vacuous an 222 00:10:32,213 --> 00:10:35,933 Speaker 2: empty your life must be, because if that's a time, yeah, exactly. 223 00:10:35,933 --> 00:10:39,453 Speaker 4: No, I can't imagine sitting I don't think I could. 224 00:10:39,693 --> 00:10:41,853 Speaker 5: I could put my hand on heart and say, I 225 00:10:41,893 --> 00:10:43,973 Speaker 5: can look through all my social media over the years 226 00:10:44,093 --> 00:10:45,813 Speaker 5: and I've never written anything. 227 00:10:45,573 --> 00:10:46,693 Speaker 4: Horrible to anybody. 228 00:10:46,853 --> 00:10:47,093 Speaker 3: Good. 229 00:10:47,133 --> 00:10:50,413 Speaker 4: I mean, how what benefit does it make you feel better? 230 00:10:51,573 --> 00:10:53,013 Speaker 4: My goodness? Gracious for me? 231 00:10:53,373 --> 00:10:56,413 Speaker 2: Hey, why are the Brits so good at panel shows? 232 00:10:56,493 --> 00:10:59,733 Speaker 2: Why don't we see the Americans doing funny panel shows? 233 00:10:59,733 --> 00:11:02,573 Speaker 2: But I mean there are a diame. It doesen't in 234 00:11:02,653 --> 00:11:06,013 Speaker 2: the UK, and almost to a program, they are sensational. 235 00:11:06,973 --> 00:11:08,973 Speaker 4: Do you know what. I don't know what the the 236 00:11:09,013 --> 00:11:11,693 Speaker 4: actual answer is. It could be. 237 00:11:11,813 --> 00:11:14,533 Speaker 5: I mean, for example, the Americans are very good at sitcom, 238 00:11:15,053 --> 00:11:17,013 Speaker 5: maybe because they have lots and lots of writers. 239 00:11:17,213 --> 00:11:17,893 Speaker 4: They're good at. 240 00:11:17,813 --> 00:11:21,213 Speaker 5: Sketch in some in many respects, maybe because they have 241 00:11:21,253 --> 00:11:23,853 Speaker 5: lots and lots of writers. But with a panel show, 242 00:11:24,173 --> 00:11:28,533 Speaker 5: it's about getting about each person being individual, and it's 243 00:11:28,613 --> 00:11:30,933 Speaker 5: kind of in the moment, and it's funny, and some 244 00:11:30,973 --> 00:11:34,373 Speaker 5: people are very self deprecating on there. So you again, 245 00:11:34,413 --> 00:11:36,733 Speaker 5: like comedy, you find the ones you like and then 246 00:11:36,773 --> 00:11:39,973 Speaker 5: you go bang, oh yeah, that's that's he said, that's spontaneously, 247 00:11:40,213 --> 00:11:40,893 Speaker 5: that's funny. 248 00:11:41,093 --> 00:11:42,093 Speaker 4: Maybe that's the secret. 249 00:11:42,213 --> 00:11:44,333 Speaker 2: Maybe I don't want to say the Americans aren't witty, 250 00:11:44,493 --> 00:11:47,373 Speaker 2: because I enjoy American comedies as well, but I think 251 00:11:47,773 --> 00:11:51,333 Speaker 2: maybe that's it. Maybe maybe there's something about the British 252 00:11:52,173 --> 00:11:55,213 Speaker 2: sensibility that just leans itself to being wittier in those 253 00:11:55,293 --> 00:11:57,893 Speaker 2: in those moments and those shows beat a suitor kind 254 00:11:57,893 --> 00:12:03,493 Speaker 2: of witty format, you know, Jack, Yeah exactly. You put 255 00:12:03,493 --> 00:12:07,093 Speaker 2: it on me, Steve, and yeah, you take I was 256 00:12:07,133 --> 00:12:09,573 Speaker 2: going to see all the comments flooding and I'll be 257 00:12:09,613 --> 00:12:13,853 Speaker 2: totally misrepresented here. And yeah, my final question for you, 258 00:12:13,653 --> 00:12:16,173 Speaker 2: you were in the Beetlejuice sequel. 259 00:12:16,333 --> 00:12:18,733 Speaker 3: A couple of yes, So how did that come about? 260 00:12:19,173 --> 00:12:20,453 Speaker 4: Well, it's one of those things. 261 00:12:20,493 --> 00:12:23,013 Speaker 5: I'm just very grateful that over the years standup has 262 00:12:23,093 --> 00:12:26,773 Speaker 5: opened many different avenues to walk down through. I've done 263 00:12:26,893 --> 00:12:29,093 Speaker 5: a West End musical, for example. I mean, who would 264 00:12:29,093 --> 00:12:32,053 Speaker 5: have thought it? And then I got a call a 265 00:12:32,093 --> 00:12:36,293 Speaker 5: couple of years ago from casting people and they give 266 00:12:36,333 --> 00:12:38,973 Speaker 5: me a code name for this thing, and they mentioned 267 00:12:38,973 --> 00:12:40,173 Speaker 5: Tim Burton and I'm like. 268 00:12:40,173 --> 00:12:41,453 Speaker 4: Whatever it is, I'm in. 269 00:12:41,893 --> 00:12:44,413 Speaker 5: And then of course I find out with a script 270 00:12:44,493 --> 00:12:48,493 Speaker 5: that arrives a couple of days later, and it's watermarked 271 00:12:48,493 --> 00:12:51,893 Speaker 5: and it's highly tightly secure, and it's got a codbird 272 00:12:51,973 --> 00:12:55,093 Speaker 5: and I know exactly what it is, and I'm like boom. 273 00:12:55,453 --> 00:12:57,653 Speaker 5: Of course, and everyone has seen it, you'll know that 274 00:12:57,933 --> 00:13:01,373 Speaker 5: the scene that I'm talking about is it's a pastiche. 275 00:13:01,693 --> 00:13:03,253 Speaker 4: It's quite a nod back to. 276 00:13:04,853 --> 00:13:09,253 Speaker 5: A certain very famous music program in America in these 277 00:13:09,413 --> 00:13:12,693 Speaker 5: late sixties and seventies, and that's I think it's quite funny. 278 00:13:12,853 --> 00:13:14,533 Speaker 4: I think it's the best scene, but I'm byased. 279 00:13:14,573 --> 00:13:16,173 Speaker 2: Yeah, of course you are. Yeah, yeah, no, no, we 280 00:13:16,173 --> 00:13:18,533 Speaker 2: can definitely agree on that point. Hey, thank you so 281 00:13:18,613 --> 00:13:20,493 Speaker 2: much for giving us your time. We are delighted to 282 00:13:20,533 --> 00:13:22,133 Speaker 2: have you coming back to our shores and look forward 283 00:13:22,133 --> 00:13:23,013 Speaker 2: to seeing you very soon. 284 00:13:23,693 --> 00:13:26,293 Speaker 5: I can't wait. I'm absolutely thrilled to be coming out 285 00:13:26,293 --> 00:13:29,533 Speaker 5: to New Zealand. Yeah, it's been too. 286 00:13:29,413 --> 00:13:33,253 Speaker 1: Long for more From Saturday Morning with Jack Tame. Listen 287 00:13:33,373 --> 00:13:36,173 Speaker 1: live to news talks it'd be from nine am Saturday, 288 00:13:36,413 --> 00:13:38,413 Speaker 1: or follow the podcast on iHeartRadio