1 00:00:00,040 --> 00:00:01,400 Speaker 1: One of the greats is on his way here to 2 00:00:01,400 --> 00:00:04,240 Speaker 1: celebrate thirty years since the release of his third album, 3 00:00:04,400 --> 00:00:06,720 Speaker 1: and what an album it was, Greg Johnson Vine Street 4 00:00:06,800 --> 00:00:09,360 Speaker 1: Stories of course, which includes my favorite all time if 5 00:00:09,400 --> 00:00:12,240 Speaker 1: I Swagger or is it I waver a bit on that. 6 00:00:12,280 --> 00:00:14,160 Speaker 2: Greg Johnson is with us morning. 7 00:00:13,920 --> 00:00:17,360 Speaker 3: Mate, doctor Michael Hoskins. 8 00:00:19,640 --> 00:00:21,640 Speaker 1: So how are you a happy New Year and all 9 00:00:21,680 --> 00:00:23,520 Speaker 1: that sort of stuff. It sort of feels weird talking 10 00:00:23,560 --> 00:00:25,279 Speaker 1: to a person in the middle of the fire zone 11 00:00:25,280 --> 00:00:28,000 Speaker 1: in Santa Monica and wishing the new year, because it 12 00:00:28,040 --> 00:00:30,080 Speaker 1: really hasn't been, hasn't It's been? 13 00:00:30,840 --> 00:00:35,120 Speaker 4: I mean a show of you know, the type of 14 00:00:35,159 --> 00:00:38,040 Speaker 4: show that comes out at the bottom of latrine from 15 00:00:38,080 --> 00:00:40,600 Speaker 4: start finish for me this year so far, but having seid, 16 00:00:40,640 --> 00:00:43,400 Speaker 4: that's all. It's February now, so maybe things are going 17 00:00:43,479 --> 00:00:44,479 Speaker 4: to turn around, you know. 18 00:00:44,720 --> 00:00:46,600 Speaker 2: Well I hope. So did you see the fire Raid 19 00:00:46,680 --> 00:00:47,560 Speaker 2: concert last week? 20 00:00:48,920 --> 00:00:51,240 Speaker 4: I did not see that content. In fact, I didn't 21 00:00:51,280 --> 00:00:52,839 Speaker 4: see a shred of it. I was in studio the 22 00:00:52,840 --> 00:00:55,000 Speaker 4: whole time, so but I heard it was very good. 23 00:00:55,080 --> 00:00:58,120 Speaker 1: It was very good. It was fantastic. Where's you're in, 24 00:00:58,160 --> 00:01:01,040 Speaker 1: Santa Monica? Where where is it? It seems to be. 25 00:01:01,800 --> 00:01:04,640 Speaker 1: It was the worst thing that happened. But the communities 26 00:01:04,680 --> 00:01:07,039 Speaker 1: come together and there is some sort of hope around 27 00:01:07,040 --> 00:01:09,120 Speaker 1: rebuilding and moving forward. Is that fair or not? 28 00:01:09,959 --> 00:01:10,160 Speaker 3: Yeah? 29 00:01:10,200 --> 00:01:13,039 Speaker 4: I think so it was. I mean it's fascinating. I mean, 30 00:01:13,080 --> 00:01:15,240 Speaker 4: i'll give you a quick rundown. I came out of 31 00:01:15,240 --> 00:01:17,759 Speaker 4: a studio and saw a giant a cloud of smoke 32 00:01:17,840 --> 00:01:20,399 Speaker 4: billowing out of I've got a clear view up to 33 00:01:20,400 --> 00:01:23,920 Speaker 4: those mountains and on that Tuesday and thought, oh god, 34 00:01:24,000 --> 00:01:26,080 Speaker 4: something's blown up. I thought there'd been a plane crash. 35 00:01:27,240 --> 00:01:30,080 Speaker 4: And then later that day, of course, it was all underway. 36 00:01:31,040 --> 00:01:33,080 Speaker 4: The thing that sticks to my mind from that first 37 00:01:33,120 --> 00:01:35,400 Speaker 4: day is I saw a guy coming up the hill 38 00:01:35,440 --> 00:01:37,160 Speaker 4: we went down to the bluffs to see the planes 39 00:01:37,240 --> 00:01:39,400 Speaker 4: picking up the water and everything, and a guy in 40 00:01:39,959 --> 00:01:43,400 Speaker 4: his late model Porsche. Guy in his fifties, I suppose, 41 00:01:43,440 --> 00:01:45,840 Speaker 4: and in the back seat he had two large paintings 42 00:01:46,240 --> 00:01:46,560 Speaker 4: and a. 43 00:01:46,520 --> 00:01:48,480 Speaker 3: Guitar, and that was it. 44 00:01:48,600 --> 00:01:51,640 Speaker 4: And I thought, Wow, that's that's kind of this is 45 00:01:51,680 --> 00:01:52,480 Speaker 4: serious that guy. 46 00:01:52,720 --> 00:01:56,320 Speaker 1: You know, that's also very California, though, isn't it. Porsche, 47 00:01:56,400 --> 00:01:57,760 Speaker 1: two paintings and a guitar. 48 00:01:58,480 --> 00:02:02,600 Speaker 4: Yeah, it was like wow, I mean, it's been pretty awful. 49 00:02:02,640 --> 00:02:06,560 Speaker 4: But I have to say, it's kind of like it's 50 00:02:06,600 --> 00:02:09,600 Speaker 4: really like if Remi RIrA was just suddenly an ashes 51 00:02:09,800 --> 00:02:12,200 Speaker 4: So and everything, and we were like an Allesley. So 52 00:02:13,200 --> 00:02:16,600 Speaker 4: you know, the evacuation got to within two blocks of us. 53 00:02:17,480 --> 00:02:19,040 Speaker 4: And I have to say, on that evening we had 54 00:02:19,040 --> 00:02:21,920 Speaker 4: a voluntary evacuation, I said to my family, I was like, 55 00:02:22,480 --> 00:02:25,520 Speaker 4: you know, I would really never have thought that Santa 56 00:02:25,520 --> 00:02:27,679 Speaker 4: Monica could catch fire and burn to the ground, but 57 00:02:27,720 --> 00:02:29,720 Speaker 4: I'm actually thinking now maybe it could. So I think 58 00:02:29,760 --> 00:02:33,200 Speaker 4: we're going to go, and so we left, but thankfully 59 00:02:33,200 --> 00:02:33,600 Speaker 4: it didn't. 60 00:02:34,040 --> 00:02:35,720 Speaker 2: How much of that for people? 61 00:02:35,760 --> 00:02:37,800 Speaker 1: I mean, I'm assuming a lot of people listening to 62 00:02:37,800 --> 00:02:40,160 Speaker 1: this have been to Los Angeles and you drive from 63 00:02:40,160 --> 00:02:42,040 Speaker 1: Los Angeles down to the sea, and once you get 64 00:02:42,080 --> 00:02:43,760 Speaker 1: down to the sea, you're at Santa Monica and you 65 00:02:43,840 --> 00:02:45,359 Speaker 1: turn left to go to Venice, and you can turn 66 00:02:45,440 --> 00:02:48,720 Speaker 1: right to go to Malibu. And how much I mean 67 00:02:48,840 --> 00:02:52,200 Speaker 1: just to think those Malibu houses where they've got the 68 00:02:52,639 --> 00:02:56,400 Speaker 1: motorway between them and the Yeah, I mean, how does 69 00:02:56,440 --> 00:02:57,000 Speaker 1: that work? 70 00:02:57,840 --> 00:02:59,960 Speaker 4: Well, I've got to say, I mean I've always thought, 71 00:03:00,160 --> 00:03:03,440 Speaker 4: as a New Zealand and a presumably vaguely common sense 72 00:03:03,520 --> 00:03:05,440 Speaker 4: kind of person. I've always thought it's really only a 73 00:03:05,520 --> 00:03:07,600 Speaker 4: matter of time until they're actually swept away by a 74 00:03:07,680 --> 00:03:11,360 Speaker 4: large king tide of some sort as well. But I 75 00:03:11,360 --> 00:03:13,280 Speaker 4: think that what that reflects, and the fact that it 76 00:03:13,360 --> 00:03:14,960 Speaker 4: jumped that high and everything else is and I think 77 00:03:15,000 --> 00:03:17,000 Speaker 4: it's hard to understand if you haven't seen it, but 78 00:03:17,639 --> 00:03:19,680 Speaker 4: if anyone's ever been here, when the wind comes around 79 00:03:19,680 --> 00:03:24,079 Speaker 4: from the east, it's called the Santaanas. The humidity was 80 00:03:24,120 --> 00:03:28,280 Speaker 4: I think five percent. Now when that happens on any 81 00:03:28,360 --> 00:03:30,600 Speaker 4: ordinary occasion, a couple of times every year it happens, 82 00:03:30,800 --> 00:03:33,040 Speaker 4: I'll rush out and do any wash, any shoes I 83 00:03:33,080 --> 00:03:35,400 Speaker 4: want to wash, or you want to do a carpet, 84 00:03:35,440 --> 00:03:37,640 Speaker 4: and give that a anything you can, because it'll dry 85 00:03:37,640 --> 00:03:41,119 Speaker 4: out within about half an hour. You know, you could 86 00:03:41,120 --> 00:03:42,840 Speaker 4: get get the dog out, give them a big what 87 00:03:43,000 --> 00:03:47,440 Speaker 4: do you know? But what was happening then was is 88 00:03:47,480 --> 00:03:49,880 Speaker 4: that it was extremely dry already. I'd been up in 89 00:03:49,920 --> 00:03:52,800 Speaker 4: those mountains hiking on only a week earlier and commented 90 00:03:52,840 --> 00:03:54,840 Speaker 4: to the missus, you know, this is very very dry 91 00:03:54,880 --> 00:03:55,120 Speaker 4: up here. 92 00:03:55,160 --> 00:03:58,400 Speaker 3: It's incredible, and then that wind just started up. 93 00:03:59,600 --> 00:04:01,800 Speaker 4: I mean, the arguments about who could afford it and 94 00:04:01,840 --> 00:04:04,040 Speaker 4: what they could have done are irrelevant, I think because 95 00:04:04,040 --> 00:04:06,480 Speaker 4: one hundred mile an hour or eighty you know, one 96 00:04:06,560 --> 00:04:10,440 Speaker 4: hundred and twenty k wins and five percent humidity and 97 00:04:10,480 --> 00:04:13,640 Speaker 4: everything tender dry. All you can do is watch and 98 00:04:13,680 --> 00:04:15,720 Speaker 4: that's basically what they could do for the first until 99 00:04:15,720 --> 00:04:16,520 Speaker 4: that wind stopped. 100 00:04:16,760 --> 00:04:19,479 Speaker 1: So how much of what we heard and it did 101 00:04:19,520 --> 00:04:23,040 Speaker 1: come from the trump esque lot, how much of its 102 00:04:23,080 --> 00:04:25,760 Speaker 1: true bass newsome there were there was no water, they 103 00:04:25,800 --> 00:04:27,920 Speaker 1: were trying to save the spell to whatever the hell 104 00:04:27,960 --> 00:04:30,200 Speaker 1: the fish was called. How much of that was true? 105 00:04:30,320 --> 00:04:32,920 Speaker 4: Yeah, well, I think that there's there's you know, like 106 00:04:32,960 --> 00:04:35,159 Speaker 4: most things that come out these days, there's a tiny 107 00:04:35,240 --> 00:04:36,880 Speaker 4: kernel of truth somewhere in there. 108 00:04:37,360 --> 00:04:38,800 Speaker 3: But I don't think it would have made a shred 109 00:04:38,839 --> 00:04:39,960 Speaker 3: of difference in all honesty. 110 00:04:41,480 --> 00:04:46,159 Speaker 4: I mean, yeah, there's there's plenty of blame. I mean, 111 00:04:46,480 --> 00:04:50,600 Speaker 4: people forget that all politicians are essentially awful idiots who 112 00:04:50,640 --> 00:04:54,840 Speaker 4: deserve disdain of all stripes because you're the type of 113 00:04:54,839 --> 00:04:57,200 Speaker 4: people that get involved with in the first place. Ninety 114 00:04:57,279 --> 00:05:01,640 Speaker 4: nine point nine percent horrible people. So you know that's 115 00:05:01,640 --> 00:05:05,200 Speaker 4: in my limited experience, thankfully limited experience of meeting any 116 00:05:05,200 --> 00:05:10,919 Speaker 4: of them. So that's my opinion the start. But I 117 00:05:10,960 --> 00:05:13,040 Speaker 4: think Honestly, nothing much could have stopped it. I think 118 00:05:13,040 --> 00:05:14,840 Speaker 4: the only thing that will stop in the future is 119 00:05:15,680 --> 00:05:19,680 Speaker 4: designing houses that because the people had design houses to 120 00:05:20,480 --> 00:05:24,360 Speaker 4: prevent being burned down, their houses are still standing now. 121 00:05:24,400 --> 00:05:25,000 Speaker 3: Are they cheap? 122 00:05:25,120 --> 00:05:27,520 Speaker 4: Maybe maybe it's not that expensive to put a whole 123 00:05:27,520 --> 00:05:31,159 Speaker 4: lot of turf on your roof. And you know, but 124 00:05:31,279 --> 00:05:34,080 Speaker 4: I'm you know, I didn't finish my architecture degree solely. 125 00:05:34,360 --> 00:05:37,760 Speaker 1: Exactly exactly, Greg, When Vine Street Stories came out your 126 00:05:37,800 --> 00:05:40,880 Speaker 1: third album, where in your memory do you think you 127 00:05:40,920 --> 00:05:44,200 Speaker 1: were at at the time, on your way you'd made it. 128 00:05:44,240 --> 00:05:44,800 Speaker 2: Where were you. 129 00:05:44,800 --> 00:05:51,000 Speaker 4: At just kind of head down writing and making music. Honestly, 130 00:05:51,120 --> 00:05:54,440 Speaker 4: I kind of I've probably told you story before, But 131 00:05:54,480 --> 00:05:56,640 Speaker 4: I know after Isabelle was sort of on the radio 132 00:05:56,720 --> 00:05:58,480 Speaker 4: and was on the chart and it got. 133 00:05:58,400 --> 00:06:00,560 Speaker 3: To number three or four. I at four, I think when, 134 00:06:00,960 --> 00:06:01,279 Speaker 3: and it was. 135 00:06:01,279 --> 00:06:04,000 Speaker 4: Setting up there and the chart, I naively assumed that 136 00:06:04,080 --> 00:06:06,599 Speaker 4: everything post would go up a little bit next time, 137 00:06:06,640 --> 00:06:07,840 Speaker 4: So next so I would be number two. 138 00:06:07,960 --> 00:06:10,880 Speaker 3: You know that's stupid, can you beg But. 139 00:06:10,839 --> 00:06:14,559 Speaker 4: Anyway, Yeah, I just actually moved from my indie label 140 00:06:14,600 --> 00:06:18,000 Speaker 4: to EMI. Were co funding this record, so we had 141 00:06:18,000 --> 00:06:20,360 Speaker 4: hopes for it. You know, and as it turned out, 142 00:06:20,400 --> 00:06:22,960 Speaker 4: it actually got quite a lot of traction. I think 143 00:06:22,960 --> 00:06:25,120 Speaker 4: it was my first gold album. 144 00:06:26,000 --> 00:06:28,360 Speaker 1: Where does it sit in terms of all your work? 145 00:06:28,440 --> 00:06:30,680 Speaker 1: Do you think of it fondly in that sense? 146 00:06:31,360 --> 00:06:32,640 Speaker 3: I do, yeah, I very much do. 147 00:06:33,760 --> 00:06:36,760 Speaker 4: Strangely, it doesn't really have well, it has swagger on it, 148 00:06:36,800 --> 00:06:38,560 Speaker 4: as you say, it's one of my favorites, and Pleasure 149 00:06:38,560 --> 00:06:42,680 Speaker 4: and Overdose is also a favorite. It has don't Wait 150 00:06:42,720 --> 00:06:46,280 Speaker 4: Another Day, which is actually my second most popular and 151 00:06:46,279 --> 00:06:48,120 Speaker 4: in fact the song I've earned the most money off. 152 00:06:48,200 --> 00:06:51,200 Speaker 4: I think I should have written more songs over my 153 00:06:51,320 --> 00:06:55,000 Speaker 4: career that were quickly rushed down and buy the sale 154 00:06:55,760 --> 00:06:58,080 Speaker 4: or something like that, you know, and that I could 155 00:06:58,080 --> 00:07:01,080 Speaker 4: have had more more, but don't wait another day. It 156 00:07:01,160 --> 00:07:03,480 Speaker 4: was just close enough to that kind of thing where 157 00:07:03,480 --> 00:07:06,760 Speaker 4: a save yourself was probably really only good for you know, 158 00:07:06,800 --> 00:07:12,040 Speaker 4: I suppose a selling life rafts or something. So, you know, 159 00:07:12,080 --> 00:07:13,720 Speaker 4: I do have good memories of that record though. It 160 00:07:13,760 --> 00:07:15,320 Speaker 4: was a great time and we were a good age, 161 00:07:15,360 --> 00:07:18,520 Speaker 4: you know, we were a mid twenties and you. 162 00:07:18,480 --> 00:07:20,360 Speaker 1: Know, how do you know, how do you when you 163 00:07:20,400 --> 00:07:22,600 Speaker 1: say you've made more money out of one another day? 164 00:07:22,800 --> 00:07:25,440 Speaker 1: Did the chicks come in for a song as opposed 165 00:07:25,480 --> 00:07:27,560 Speaker 1: to a broad based check once a month or year 166 00:07:27,640 --> 00:07:30,320 Speaker 1: or whatever, as opposed to an album. 167 00:07:32,080 --> 00:07:34,400 Speaker 4: Yeah, each song exists on its own, I mean album 168 00:07:34,440 --> 00:07:37,400 Speaker 4: wise that they were. All those albums were tied up 169 00:07:37,400 --> 00:07:39,880 Speaker 4: with EMI Records and Pagan prior to that, and now 170 00:07:40,680 --> 00:07:43,280 Speaker 4: Universal has all that catalog and actually they've been very good. 171 00:07:43,280 --> 00:07:46,480 Speaker 4: They're re releasing Bones Street Stories as Vinyl as well, 172 00:07:46,480 --> 00:07:49,880 Speaker 4: coming up to coincide with a tour. It's nice to have, 173 00:07:50,120 --> 00:07:51,119 Speaker 4: you know, have them on board. 174 00:07:51,480 --> 00:07:52,960 Speaker 2: Is Vinyl? Are you bigone Vinyl? 175 00:07:53,960 --> 00:07:55,800 Speaker 3: Yeah? You know, I just started getting back into it. 176 00:07:56,080 --> 00:07:58,480 Speaker 3: I can. I could kick myself, like probably all of us. 177 00:07:58,920 --> 00:08:00,880 Speaker 4: It was only about ten four, ten years ago when 178 00:08:00,880 --> 00:08:03,880 Speaker 4: you could walk into any second hand store and there'd 179 00:08:03,880 --> 00:08:06,680 Speaker 4: be a pile of brand new, rare albums sitting there 180 00:08:06,680 --> 00:08:09,800 Speaker 4: for fifty cents each, and everyone was like, forget about it, No, 181 00:08:09,880 --> 00:08:13,080 Speaker 4: it's gonna want that. You get get the great turntable 182 00:08:13,560 --> 00:08:17,200 Speaker 4: for about forty dollars. Now, of course it's it's all 183 00:08:17,240 --> 00:08:20,120 Speaker 4: back on and the prices have gone through the roof again. 184 00:08:20,400 --> 00:08:20,800 Speaker 2: Exactly. 185 00:08:20,880 --> 00:08:22,640 Speaker 3: I do like Vinyl, Yeah. 186 00:08:22,600 --> 00:08:24,520 Speaker 1: Yeah, but it's got to it has a very I'll 187 00:08:24,520 --> 00:08:28,240 Speaker 1: tell you what I'm I find interesting. Anyway, when CDs 188 00:08:28,320 --> 00:08:31,160 Speaker 1: came out, everyone was obsessed about the sound. Oh CD 189 00:08:31,240 --> 00:08:33,760 Speaker 1: got to go CD because of course Vinyl's rubbish. And 190 00:08:33,800 --> 00:08:36,720 Speaker 1: then when streaming came out, no one talked about quality anymore, 191 00:08:37,440 --> 00:08:37,720 Speaker 1: did they? 192 00:08:38,040 --> 00:08:39,320 Speaker 3: Right now? You're right? 193 00:08:39,400 --> 00:08:42,079 Speaker 4: I think well, because they were listening through tiny little 194 00:08:42,200 --> 00:08:46,920 Speaker 4: speakers instead of their previous generations giant, lovely stereos. 195 00:08:46,960 --> 00:08:47,840 Speaker 3: That's probably half of. 196 00:08:47,840 --> 00:08:50,040 Speaker 2: It, exactly. Do you like hippy Swager? 197 00:08:51,120 --> 00:08:54,560 Speaker 3: Oh? I love that song. Yeah, I mean it's to me. 198 00:08:55,240 --> 00:08:57,280 Speaker 4: I think it's probably one of my best songs without 199 00:08:57,360 --> 00:09:00,959 Speaker 4: dat as a writer, you know, I just think it's Yeah, 200 00:09:01,559 --> 00:09:02,520 Speaker 4: it is honest. 201 00:09:02,720 --> 00:09:05,000 Speaker 1: Because I've got several versions when I listened to it 202 00:09:05,040 --> 00:09:07,440 Speaker 1: coming to work in the morning. I've got the wedding version. 203 00:09:07,480 --> 00:09:09,000 Speaker 1: I didn't know there was a wedding version, but there's 204 00:09:09,000 --> 00:09:11,080 Speaker 1: a wedding version of it. That's a nice one. Do 205 00:09:11,160 --> 00:09:12,640 Speaker 1: people get married to it a lot? 206 00:09:12,880 --> 00:09:13,280 Speaker 3: Do you know? 207 00:09:14,800 --> 00:09:15,040 Speaker 2: You know? 208 00:09:15,360 --> 00:09:18,800 Speaker 3: People have? Many people have, actually, and it's always surprised me. 209 00:09:19,280 --> 00:09:23,120 Speaker 4: Because it's really not a song that bodes well for 210 00:09:23,160 --> 00:09:27,920 Speaker 4: a good marriage. My favorite story about that one is 211 00:09:27,920 --> 00:09:30,839 Speaker 4: is it was played at the funeral of. 212 00:09:32,320 --> 00:09:34,520 Speaker 3: The famous Scottish wrestler. 213 00:09:34,040 --> 00:09:35,720 Speaker 2: Old Robert Bruce. 214 00:09:36,480 --> 00:09:40,120 Speaker 4: Robert Bruce had requested that to be played at which 215 00:09:40,160 --> 00:09:44,640 Speaker 4: I thought, there's no higher you know, this high than. 216 00:09:44,559 --> 00:09:46,920 Speaker 1: That, really exactly if I got married to it? Do 217 00:09:47,000 --> 00:09:49,880 Speaker 1: I have to pay you? Is that how that works? Uh? 218 00:09:51,280 --> 00:09:54,320 Speaker 4: Probably not. It's a private function, but you know, if 219 00:09:54,360 --> 00:09:55,559 Speaker 4: you want to take. 220 00:09:56,160 --> 00:09:58,920 Speaker 1: The point, all right, mate? So so do you do 221 00:09:58,960 --> 00:10:00,880 Speaker 1: it on this tour? Are you doing the whole album 222 00:10:00,880 --> 00:10:03,200 Speaker 1: like you do the whole album plus nothing else or what? 223 00:10:03,480 --> 00:10:04,080 Speaker 3: That's the plan? 224 00:10:04,160 --> 00:10:06,520 Speaker 4: Yeah, we're going to come on and play the songs 225 00:10:06,640 --> 00:10:09,520 Speaker 4: the album start to finish. Probably the first set we'll 226 00:10:09,520 --> 00:10:10,679 Speaker 4: do that, and it's about just. 227 00:10:10,640 --> 00:10:11,800 Speaker 3: Over and how long that record? 228 00:10:11,920 --> 00:10:14,079 Speaker 4: Brilliant is another thing we discovered and we decided to 229 00:10:14,080 --> 00:10:15,880 Speaker 4: put it on vinyl. That you can only put forty 230 00:10:15,920 --> 00:10:17,520 Speaker 4: five minutes on vinyl, so you have to be a 231 00:10:17,520 --> 00:10:18,199 Speaker 4: double album. 232 00:10:18,240 --> 00:10:18,680 Speaker 2: Oh wow? 233 00:10:19,480 --> 00:10:21,760 Speaker 4: Yeah, But yeah, we'll play the whole album and then 234 00:10:21,840 --> 00:10:23,760 Speaker 4: the second set will play a bunch of other stuff 235 00:10:23,760 --> 00:10:26,280 Speaker 4: I guess from the newer albums and other older albums. 236 00:10:26,360 --> 00:10:29,720 Speaker 4: But that's the exciting thing, is reinventing and some of 237 00:10:29,720 --> 00:10:32,640 Speaker 4: these songs have never been played live before. Even when 238 00:10:32,640 --> 00:10:34,880 Speaker 4: we're the recorded they were never played live, so it's 239 00:10:35,120 --> 00:10:36,040 Speaker 4: it's a fun challenge. 240 00:10:36,080 --> 00:10:36,959 Speaker 2: You know, it's going to be good. 241 00:10:37,000 --> 00:10:39,120 Speaker 1: Well, hopefully we'll catch up when you hear mate, go 242 00:10:39,200 --> 00:10:41,240 Speaker 1: well in the meantime end of April, I'll run through 243 00:10:41,240 --> 00:10:43,040 Speaker 1: all the play. But you're going to Hamilton Tower on 244 00:10:43,040 --> 00:10:45,160 Speaker 1: the Wellington Parmerst and Arkland couple of Christ Judge, you're 245 00:10:45,160 --> 00:10:46,360 Speaker 1: going south of Christ Jude. 246 00:10:47,200 --> 00:10:50,480 Speaker 3: Not this time. I don't know why. I don't. 247 00:10:50,559 --> 00:10:53,920 Speaker 4: I think maybe because there's no Queen Charlotte oysters or 248 00:10:54,120 --> 00:10:57,360 Speaker 4: no Queen Charlotte scallops in season or something. There's there'll 249 00:10:57,360 --> 00:11:01,000 Speaker 4: be a reason, probably culinary reason for that. But yeah, 250 00:11:01,040 --> 00:11:02,959 Speaker 4: Plus one dot Co Doddings is where you go to 251 00:11:03,000 --> 00:11:05,440 Speaker 4: get all that stuff. I look forward to coming down. 252 00:11:05,480 --> 00:11:06,840 Speaker 4: I wish I was sitting on a beach down there 253 00:11:06,920 --> 00:11:07,199 Speaker 4: right now. 254 00:11:07,600 --> 00:11:08,439 Speaker 2: Yeah, it's beautiful. 255 00:11:08,640 --> 00:11:10,480 Speaker 1: Go well mate, Nice to catch up as always, and 256 00:11:10,520 --> 00:11:11,920 Speaker 1: we'll see see you hopefully. 257 00:11:11,600 --> 00:11:14,400 Speaker 3: Any good yere and much love to everybody see soon. 258 00:11:14,559 --> 00:11:16,439 Speaker 2: Isn't that good? Isn't it the nicest going on the world? 259 00:11:16,480 --> 00:11:19,600 Speaker 1: Greg Johnson and Vine Street Stories. 260 00:11:20,040 --> 00:11:22,960 Speaker 4: For more from the Mic Asking Breakfast, listen live to 261 00:11:23,080 --> 00:11:23,600 Speaker 4: news talks. 262 00:11:23,640 --> 00:11:26,839 Speaker 1: It'd be from six am weekdays or follow the podcast 263 00:11:26,840 --> 00:11:27,679 Speaker 1: on iHeartRadio