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Speaker 1: La la, la la la. Let's get It's the fourth

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Speaker 1: of September in the year of Our Lord, twenty twenty four.

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Speaker 1: Welcome all you bespoke, you donkeys, the Daily Bespoke Podcast

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Speaker 1: and could you want to kill you? To clean up

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Speaker 1: this place. We've got a bloody dame coming in. Jerry, clean,

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Speaker 1: clean up your act. There's a dame, Dame Lisa Carrington's

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Speaker 1: coming into the podcast. Your bloody miss Lisa. Dame Lisa's

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Speaker 1: coming in. There's rubbish, every weird. This pair of Jason

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Speaker 1: Hoyt's jocks just just in the doorway there. Oh, there,

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Speaker 1: there's a bloody mess in here. We've got a dame

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Speaker 1: coming in to put a canoe in here. Kayak fox don't.

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Speaker 1: I'll tell you if she came in and there was

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Speaker 1: a canoe in here, the fucking ship would go down.

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Speaker 1: Imagine that she comes in here and you just got

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Speaker 1: a Jerry's peddling around the studio and a canoe.

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Speaker 2: She's a flat water water canoeist.

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Speaker 1: Actually is a canoe and kayak the same thing.

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Speaker 2: She's a flat water canoeist.

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Speaker 1: You probably think she gets up on one knee.

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Speaker 2: No, she's not one of those ones. What are those

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Speaker 2: called fact that's canoeing, isn't it?

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Speaker 1: So so a canoe a kayak is a subset of canoes, right, canoes?

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Speaker 1: But no, you don't roll on a canoe. You're rowing

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Speaker 1: a boat a row boat. Okay, well that's different.

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Speaker 2: She has no idea, and you don't sail in a

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Speaker 2: canoe a canoe. That's a good question, Dame Lisa. What's

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Speaker 2: the difference between a kayak and a canoe?

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Speaker 1: Was it a sloop?

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Speaker 2: Was it a slop? Or was it a canoe or

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Speaker 2: a sloop? Or was it as the other.

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Speaker 1: The guy told the police that they got into a

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Speaker 1: K four canoe, O K four kayak.

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Speaker 2: Or another funk catch.

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Speaker 1: But no, he told cops that guy said that I

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Speaker 1: dropped the water Taxi guys said I dropped them off

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Speaker 1: at a K four kayak And the cops are like, no,

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Speaker 1: it was a it was a sloop.

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Speaker 2: I was there, you know, Lise, Dame Lisa has won

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Speaker 2: eight gold medals. That's good joke and one bronze. No

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Speaker 2: I missed that, she's one eight.

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Speaker 1: Said again, please do the guy in the water tax

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Speaker 1: he said I dropped them off at a bloody K

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Speaker 1: four kayak. Four person kayak and the cops said no, no,

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Speaker 1: it was a catch mate, and people saying it's a

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Speaker 1: lot different.

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Speaker 3: K four kayak, just realizing I didn't miss that one.

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Speaker 2: I didn't miss it, so I just sort of ignored it.

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Speaker 2: So Dame Lisa, the Lady of the Lake, go in

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Speaker 2: the boat a Olympic golds one bronze, no silvers the second.

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Speaker 1: You have to see that.

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Speaker 2: You have to find them the brewery of the day

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Speaker 2: problem to solve the Edmund family, Edmund problem of the day.

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Speaker 3: What were you saying so.

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Speaker 2: Too the I was there with Dame Lisa in twenty twelve.

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Speaker 2: I was there with her in London, in London, Yeah,

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Speaker 2: for her first gold while were you with her? I

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Speaker 2: was just with her there, I was. I wasn't actually there,

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Speaker 2: but I was with her watching it live.

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Speaker 3: From New Zealand. Yeah, I just for a sticking there.

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Speaker 4: I made it sound like that you might have been

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Speaker 4: kind of involved with the process and you were trying

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Speaker 4: to take some kind of credit for Dame Lissa's gold

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Speaker 4: metal back in two thousand as twelve.

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Speaker 2: Well, maybe my watching it put something into the universe.

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Speaker 3: Now, Dame that worked.

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Speaker 4: No, I think maybe the work that she put in

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Speaker 4: before the Olympic Games might have played a bigger part

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Speaker 4: than you just turn on your Telly at home and

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Speaker 4: watching it.

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Speaker 2: Jar, you know, I'm going to ask Dame Lisa. The

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Speaker 2: first thing I want to say is, Dame Lisa. For

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Speaker 2: Dame Lisa, could you feel me during your twenty twelve

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Speaker 2: K one two meet a victory? Can you not ask

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Speaker 2: that in London? Could you feel me? Because I was

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Speaker 2: there with you?

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Speaker 3: Do you know what I think you should add in there?

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Speaker 2: Have you been able to feel me the whole time? Seat?

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Speaker 3: There's a problem around the way you're winding this question, Jerry.

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Speaker 2: But I'm there with her in the boat, and like

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Speaker 2: I think, are there And I think she'll probably say, yep,

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Speaker 2: I felt all of New Zealand with me there in

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Speaker 2: the boat. I felt them in the boat.

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Speaker 4: I don't think they did. Medie were just talking about

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Speaker 4: fucking Jerry thinks that he's the blame or to congratulate

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Speaker 4: for the twenty twelve gold medal for.

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Speaker 2: Her first goal. I was there with her in the boat,

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Speaker 2: and I'm going to say, could you feel me in

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Speaker 2: the boat with you? Could you feel me helping you along?

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Speaker 2: Do you do you feel that that puss.

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Speaker 1: Was that the K one, the K two, K one

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Speaker 1: two hundred, K one two hundred yep, I'm doing the

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Speaker 1: K one two hundred any more. Other won in London

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Speaker 1: she got the K actually got gold in the K

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Speaker 1: one two hundred yep. And Rio di Janeiro she got

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Speaker 1: gold in the K one two hundred. Yeah, doty she

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Speaker 1: got K one two hundred yep, K one five hundred,

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Speaker 1: K two five hundred, O K one five hundred, OK

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Speaker 1: two five. And then Paris she got the K one

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Speaker 1: five hundred, O K two five hundred, K four five hundred.

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Speaker 1: There was no K one two hundred. No, And just

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Speaker 1: so you know this is good, a little bit of research.

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Speaker 1: I've done a bit of research on the whole K thing.

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Speaker 1: Is there no three?

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Speaker 2: It's not kidamine, it's it means kayak one, So that's

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Speaker 2: a one person kak. The K one is a one person,

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Speaker 2: the K two is a two.

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Speaker 1: Couldn't they call it a single kayak two hundred, double

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Speaker 1: kayak two hundred? Is there no triple kayak? Good question, No,

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Speaker 1: there's no trouble. There's a quad though. Are the kayaks

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Speaker 1: but enough? They look small?

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Speaker 2: That's another question we can ask you you are we

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Speaker 2: running this mess? You're runing this down. This is some

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Speaker 2: high level stuff.

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Speaker 3: Yeah, so far.

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Speaker 1: I've got question has it made out of carbon fiber?

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Speaker 5: Like?

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Speaker 1: How much does one of those kayaks cost? Like a

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Speaker 1: good kayak? Because you can't just get you can't go

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Speaker 1: out at like a canoe that you get out the

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Speaker 1: back of a the resort and on Plantation Island, rarat resort,

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Speaker 1: at a Club RaRo, you can't take the you can't

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Speaker 1: just go out there and the leaky old canoe from

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Speaker 1: out the back of Club Larro.

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Speaker 2: I've got another question, so do I Okay, I've got

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Speaker 2: a really good question. So when you go to Raratonga

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Speaker 2: and you get in a kayak, this is what I do?

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Speaker 5: You go?

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Speaker 6: You really do you just kind of like do you

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Speaker 6: look for technique? Can you go from one place to

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Speaker 6: an armor and just cruise it or pass you off

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Speaker 6: and you have to pace it?

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Speaker 3: She received some question.

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Speaker 1: Explain that again. So if you get in a resort kayak,

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Speaker 1: if you're Dame Lisa Carrington.

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Speaker 2: I'm asking this to dames. Okay, so you pretend you're

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Speaker 2: Dame Lisa. Okay, she doesn't that's so offensive. She doesn't

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Speaker 2: do that with any we have a dame coming and

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Speaker 2: you okay, so Dame Lisa. Yes, Jerry, I've been thinking

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Speaker 2: about this question for a long time. I'm excited to

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Speaker 2: hear your question, Jeremy, since the K one two hundred

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Speaker 2: in London in twenty twelve when I was there with

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Speaker 2: you on the boat.

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Speaker 3: You guys have got shit chemistry, just saying when you

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Speaker 3: go to a resort like.

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Speaker 2: Or like Plantation Island or whatever, Braro whatever, what's Club RaRo?

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Speaker 1: It's like a it's like a resort in rat.

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Speaker 2: When you go there. No, should I ask you first?

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Speaker 2: What tropical resorts have you been to in your life?

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Speaker 1: Ah?

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Speaker 5: Yes?

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Speaker 2: And then I'll be like, you must be it's pretty cold,

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Speaker 2: you sort of must be looking to think about going

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Speaker 2: somewhere in the tropics something and there. I've always wondered

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Speaker 2: when you get into a kayak, one of those crap kayaks, firstly,

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Speaker 2: do you know how crap they are? Secondly, do you

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Speaker 2: power it? Do you pace it? Do you look for

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Speaker 2: technique or do you just paddle? Can you switch off

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Speaker 2: and dislocate yourself from the paddling technique? Yeah, that's a

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Speaker 2: good kiss.

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Speaker 3: Wait to hear answer that question.

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Speaker 2: She's got a skirt, you'd be very careful what you've

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Speaker 2: se next.

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Speaker 1: I haven't seen it yet, no, but you know, like

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Speaker 1: she doesn't kayak with a skirt on the did so

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Speaker 1: for a start, you don't get that at Club Arrow, mate,

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Speaker 1: there's no nah. So I tell them my story about

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Speaker 1: when I took my kids out on a canoe from

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Speaker 1: Club Rarow and then we got out and then it sunk,

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Speaker 1: and then I had to I had to pull them

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Speaker 1: back to shore in the rescue position with my hands

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Speaker 1: around both their chests.

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Speaker 2: No, don't tell no, don't tell her that strong. And

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Speaker 2: I got back and I said to the.

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Speaker 1: Guy, well, your canoes out there are sunk. And the

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Speaker 1: guy goes, oh, yeah, some of them are in great condition.

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Speaker 1: I'm like, okay, mate, thanks Club RaRo, I won't be

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Speaker 1: drinking any of your bloody branded Sashet fruit drinks.

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Speaker 2: How important is the boat? Yeah, well they're all exactly

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Speaker 2: the same, because I know in rowing, Yeah, like you

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Speaker 2: can get some real old pegs, some real heavy old pegs.

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Speaker 1: Yeah yeah, yeah.

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Speaker 2: Like uh.

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Speaker 1: Controversy at MAGS would they spend all the money on

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Speaker 1: the flesh boats for the girl's boats and not the

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Speaker 1: Boy's boats of the boat boys. We're having to compete

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Speaker 1: in old tubs.

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Speaker 2: What they're say an old tub? Yeah, so I reckon

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Speaker 2: that those are like, that's up for those are We

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Speaker 2: could just end the interview after that. That's pretty good.

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Speaker 3: I want to ask about Bucky.

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Speaker 1: I want to ask if she vapes.

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Speaker 3: I don't know if Dame Lisa vapes. I gotta be

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Speaker 3: honest with you, but.

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Speaker 2: You've got to ask that are you vaping?

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Speaker 4: Still?

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Speaker 1: Are you off the Who was that one?

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Speaker 2: She definitely doesn't vape? Why not? I mean, look at

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Speaker 2: the rest, it's Bucky on the BUCkies.

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Speaker 1: How do you think you got them?

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Speaker 3: Bucky? Do you think that's his excell name?

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Speaker 1: He's not a Bronco. Mate, he's not a Bronco you

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Speaker 1: got them name from? He's on the Bucky Bonks. Oh

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Speaker 1: there is a Bronco.

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Speaker 2: I wonder if he's ever had a sea bong. You

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Speaker 2: gotta be careful with the sea bong. You don't want

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Speaker 2: to go down too low because seawater come up in

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Speaker 2: your mouth.

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Speaker 3: Lisa, did you call.

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Speaker 1: Them like you?

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Speaker 5: No?

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Speaker 2: Oh my god, see this is oh nosh oh oh no,

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Speaker 2: that oh that's disrespectful.

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Speaker 4: Even even can you be that Jesus Christ.

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Speaker 2: Mean, you have a brain explosion and you make a mistake.

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Speaker 2: It's not your fault. You're twenty five. He's got a

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Speaker 2: heart on.

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Speaker 1: Hey, I've had a plan.

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Speaker 5: You know.

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Speaker 1: We've got those Graham Norton bottles of wine. They're signed

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Speaker 1: signed by Graham Norton. I just got a new buffet

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Speaker 1: and it's got slots to put bottles of wine and

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Speaker 1: take them home. Mate, But let's take him home and

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Speaker 1: take home and then what do.

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Speaker 2: You mean a new buffet?

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Speaker 1: A buffet is like a piece of furniture that that

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Speaker 1: you keep shipping. No, it's a buffet. It's got a buffet.

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Speaker 1: It's like a it's kind of like a fency under

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Speaker 1: TV thing. We're gonna put it under the TV like

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Speaker 1: a cabinet you've where you put shit in it, like

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Speaker 1: glasses and stuff. And it's got slots for bottles of wine. Anyway,

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Speaker 1: who wants to be part of a practical joke where

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Speaker 1: I take those home and then we start a panic

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Speaker 1: that someone stolen them.

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Speaker 3: Yeah, see, I know what you're trying to do.

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Speaker 1: Like a prank?

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Speaker 2: A prank?

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Speaker 3: Are you trying to.

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Speaker 1: Because there was a mystery about like a bottle of

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Speaker 1: champagne that went missing, and there was another mystery about

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Speaker 1: twenty bottles of peanut that went missing.

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Speaker 3: Yeah.

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Speaker 2: Well, I'll only be involved in a prank if it's

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Speaker 2: with my fourteen year old daughter.

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Speaker 3: I will Okay, well we can include here. If we

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Speaker 3: we can include here, Okay, that's fine.

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Speaker 1: So so we'll steal those bottles of wine. I'll take

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Speaker 1: those bottle of wine home. Right, I'll take the bottles

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Speaker 1: wine home, and then we'll say the mash starts the

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Speaker 1: rumor that must get your daughter came in and stole them. Yeah,

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Speaker 1: and then it's good, and then we'll call the police

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Speaker 1: for some tough lub.

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Speaker 2: Yeah, tough love. Okay, I like it like that.

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Speaker 1: So because remember those that time when the police stormed

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Speaker 1: in and caught your kids in the bath?

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Speaker 2: Yeah, well they called what's one one one? My kids

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Speaker 2: called one one one. They were in the bar when

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Speaker 2: they were outside playing in the garden.

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Speaker 1: But when the cops came around, they were in the barth.

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Speaker 2: Yeah, the cops came around and then they I didn't

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Speaker 2: know that they called one on one because you know

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Speaker 2: one of those bloody phones a landline.

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Speaker 1: Yeah, it was a landline. You know, a mobile landline ship.

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Speaker 1: That's a business. That's the real ass has fallen out

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Speaker 1: of mobile landlines. Yeah, so they had one of those,

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Speaker 1: a connacher. They called connacher. They were, they were a

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Speaker 1: connacher and my cousins had Connickersnica. Oh, and they're in

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Speaker 1: the guard Yeah, with the area and there in the garden.

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Speaker 1: They called one They didn't mean to call one one one.

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Speaker 1: Oh maybe they did, that's what you say now. But anyway,

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Speaker 1: the police camera, how were they? They were in the bath.

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Speaker 1: I was making love to in the kitchen. They tasted, well,

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Speaker 1: you just need well, you're making love in the kitchen.

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Speaker 2: Oh, have I let go too much of this?

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Speaker 1: Well, I think I remember a bit of this. I

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Speaker 1: think I saw that because I was looking through the

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Speaker 1: window at the time I was.

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Speaker 2: I knew I had a weird feeling in my knees

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Speaker 2: about the whole thing.

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Speaker 1: Was a trayler with a pair of binoculars.

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Speaker 2: Are you and George mcflying? You and George mcflying.

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Speaker 1: I watched the whole thing from up a tree in disguise.

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Speaker 1: I watched your kids call one on one then and

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Speaker 1: then I watched the police come around then, and I

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Speaker 1: know Tulsi and Jerry are making love. I was so annoyed.

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Speaker 1: I watched the movie The Devil Did Me To and

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Speaker 1: there's a joke that I made that we just didn't sell.

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Speaker 1: So the idea was that the two main characters were

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Speaker 1: making love. Randy and Tracy were the name main characters,

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Speaker 1: and they were making love. And then I flick a

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Speaker 1: light on and my character has been sitting in the

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Speaker 1: corner the whole time, gearing year and who's on in

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Speaker 1: the corner? And he goes to twns on light gates,

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Speaker 1: Have I got a deal for you? And then and

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Speaker 1: then the Tracy goes, if you be watching all the time,

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Speaker 1: I say, that's not important. For some reason, I think

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Speaker 1: it's a good gag, but we didn't form it, we

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Speaker 1: didn't film it, so it really landed. So anyway, I

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Speaker 1: was up a tree and I saw this whole thing

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Speaker 1: play out. But you can't really tell stories like that

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Speaker 1: when you get a dame coming in, Nah.

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Speaker 2: You can't. So we've got it. We'll keep it to

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Speaker 2: keep it to kaya King, Okay, keep it to kaya King,

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Speaker 2: Lumperks Metals, et cetera. When we come back.

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Speaker 1: Dame Lisa Carrington, I had a kay yak once like

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Speaker 1: I'd eaten a lot of food and I throw up.

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Speaker 1: It was a kai yak.

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Speaker 2: You know, when you apply for that that wasn't there,

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Speaker 2: but it was once again.

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Speaker 1: It's another great joke of mine that hasn't been really,

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Speaker 1: we haven't really got the best out of it.

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Speaker 4: When you apply for something for an exemption for like

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Speaker 4: a league or something like that, if you're looking for

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Speaker 4: a dispensation, Oh yeah, do you mind? I want to

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Speaker 4: you saying that we have to stick to kayak questions.

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Speaker 4: I can I just apply for the dispensation. I'd like

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Speaker 4: to ask some questions around Bucky. I think that's an

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Speaker 4: OK line questioning. I won't take it where I took

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Speaker 4: it earlier. I made a mistake there.

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Speaker 1: Well, you don't see us bring up Lauren on the

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Speaker 1: show your girlfriend?

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Speaker 4: No, I see that happened very often. No, she's fine.

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Speaker 4: That's not very good. Yeah, in fact, I've got no

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Speaker 4: she's not wearing No, she's not wearing anything. To know

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Speaker 4: she actually she is wearing something today?

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Speaker 1: Does she?

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Speaker 3: She says, look at your eyes cracked up?

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Speaker 1: When I see there, you should have sit the other

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Speaker 1: day she is there, she went past so the other day.

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Speaker 1: I mean Jerry were driving around and we saw Lauren

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Speaker 1: and Jerry gave her the eyes.

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Speaker 3: Yeah, well this is I mean, this is a conversation

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Speaker 3: that we could have another day, but.

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Speaker 1: The eyes. It was a long lock.

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Speaker 2: Well, she was talking to me and I was talking

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Speaker 2: to hear this is about We were driving past with

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Speaker 2: the windows up.

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Speaker 3: This is on Monday, isn't it. This was on Monday. Yeah.

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Speaker 4: She came home that night and I had the best

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Speaker 4: day ever met Jerry. You know that kind of stuff.

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Speaker 4: Jerry was looking into my soul out of the back

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Speaker 4: of the wind Matt looked really good in the backseat

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Speaker 4: of the car, all this kind of stuff. What did

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Speaker 4: you get up to? Oh, we were just doing something filming. Okay,

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Speaker 4: that's great, babe. What was going on? I got no information?

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Speaker 4: So a few boys could stop looking so smart.

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Speaker 1: She waved us, villain, She waved at us in a

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Speaker 1: fictatious manner. Did you and full di stlagere was in

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Speaker 1: the script. It was in the script, and it was

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Speaker 1: shooting of an ad And so I've been a little

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Speaker 1: bit disingenuous with how I've told that story.

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Speaker 2: Ah.

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Speaker 1: Yeah, because we drove past for a ad. We were

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Speaker 1: shooting in it in a car.

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Speaker 2: Relieve you've heralded it.

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Speaker 3: I'm relieved.

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Speaker 1: What the hero where you've Jeremy Wells drove past a

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Speaker 1: young lady and gave her a long, lingering steer as

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Speaker 1: the headline and right at the back after seven hundred

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Speaker 1: eighty words that said they were shooting an ad and

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Speaker 1: that was in the script.

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Speaker 2: We were playing Clarence Carter stroking as we drove past.

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Speaker 2: Does that make it creepier?

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Speaker 3: Or yeah it does?

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Speaker 1: What are we going to do? We've got coming. What

365
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Speaker 1: are we going to do about that plunger that's beside

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Speaker 1: the Jesus with no head?

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Speaker 2: It's waiting for when Mary Dicky comes in.

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Speaker 1: And we've also got a DVD that reads the Da

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Speaker 1: Vinci Chode.

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Speaker 2: Okay, after the break.

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Speaker 1: Cleaning up, after the break, it's nine thirty three? Is

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Speaker 1: she at reception?

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Speaker 3: Rood of for God?

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Speaker 1: So I've got to do the a Gender podcast at

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Speaker 1: night that I've.

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Speaker 4: Been stroking baronesses and flavor, fucking classic Flavor, classic flavor.

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Speaker 4: Are we actually breaking?

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Speaker 1: Sorry?

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Speaker 3: Oh?

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Speaker 7: Yeah, right, okay, okay, and we're back. No, no, we're

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Speaker 7: not back, Okay you boys, good to go.

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Speaker 1: No, we're not back.

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Speaker 2: Okay, right, come on, we need to go back out

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Speaker 2: the door.

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Speaker 4: Okay, okay, we're okay. Now we're going and we're coming

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Speaker 4: back with Lisa. Yeah yeah, okay, cool, there's going to

387
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Speaker 4: be a rumble out here. Actually we're back.

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Speaker 3: We're back.

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Speaker 1: Now, we're not We're not back. We are back. It's

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Speaker 1: going to be a rumble because Dame Lisa Carrington has

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Speaker 1: lingering and zdium. Yeah, Flavor is supposed to be next

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Speaker 1: and then, but I'm under time pressure, huge time pressure.

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Speaker 3: Actually, okay, okay, we got an update.

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Speaker 1: We've got an update.

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Speaker 2: You've got an update, an update, just.

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Speaker 5: Tell them what you told me.

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Speaker 8: So we're women to have the Dame first of Flavor.

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Speaker 8: Stace has to travel oh no afterwards, So it's kind

399
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Speaker 8: of go to depend on how long you guys want with.

400
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Speaker 3: That's what you're saying.

401
00:18:26,400 --> 00:18:29,800
Speaker 1: So we need to go first, and I've got so Stacey,

402
00:18:30,000 --> 00:18:32,919
Speaker 1: it's got a hard out, Yeah, effectively, because I've got

403
00:18:32,920 --> 00:18:37,040
Speaker 1: a very soft out. What got a soft out? It

404
00:18:37,040 --> 00:18:38,600
Speaker 1: sounds a lot like I've just got to go and

405
00:18:38,640 --> 00:18:41,600
Speaker 1: do a gender podcast with Manya Stewart. Oh fucking so,

406
00:18:41,800 --> 00:18:44,480
Speaker 1: offer a text to Mania Stewart. We want Dame for

407
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Speaker 1: I ring man, I'll ring Blake. How long do you

408
00:18:47,760 --> 00:18:49,080
Speaker 1: want Dame Dame Lisa for?

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Speaker 8: I think realistically we're probably going to be like ten

410
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Speaker 8: fifteen minutes.

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Speaker 3: We wanted the same.

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Speaker 2: You're playing a game with the Yeah, we're testing on music. Okay,

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00:18:59,400 --> 00:19:01,320
Speaker 2: so she are you going to ruin her for us?

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00:19:01,480 --> 00:19:01,800
Speaker 1: Is that were?

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00:19:02,600 --> 00:19:02,760
Speaker 5: Well?

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00:19:02,760 --> 00:19:03,560
Speaker 3: That that is the goal.

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Speaker 1: We don't do any of our questions.

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Speaker 3: Don't take any of our shake our questions, no lines

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Speaker 3: of questioning around Bucky.

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00:19:08,720 --> 00:19:10,719
Speaker 9: Nothing about Bucky and Bucky Bongs and what they call

421
00:19:10,800 --> 00:19:13,640
Speaker 9: him Bucky. Okay, nothing about that. Nothing, Blake, you keep

422
00:19:13,640 --> 00:19:16,239
Speaker 9: that to yourself, just ringing mini. Oh yet, see how

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00:19:16,280 --> 00:19:19,480
Speaker 9: that goes? No questions about what were you going to

424
00:19:19,520 --> 00:19:20,080
Speaker 9: ask her about?

425
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Speaker 2: Um?

426
00:19:21,760 --> 00:19:24,520
Speaker 3: But I've forgotten being there in the boat with it.

427
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Speaker 2: There's a lot of movies to write them down.

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00:19:26,720 --> 00:19:27,560
Speaker 3: Oh I did somewhere.

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Speaker 1: Hey, you going to mate? You're on here on the

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Speaker 1: Met and Jerry Daily Bespoke Podcast. We've got a Dame

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00:19:31,880 --> 00:19:33,879
Speaker 1: Lisa Carrington coming and she's running a bit late and

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00:19:33,920 --> 00:19:36,800
Speaker 1: she needs to got to flavor first, and Stacey Morrison's

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00:19:36,840 --> 00:19:38,119
Speaker 1: got a heart out. So it's the right if we

434
00:19:38,119 --> 00:19:40,320
Speaker 1: push the Ginder Podcast back to about ten fifteen.

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00:19:41,560 --> 00:19:43,080
Speaker 2: Oh, he's got a heart out as well.

436
00:19:43,440 --> 00:19:45,440
Speaker 1: Oh you're filming? What time? You're filming in the studio?

437
00:19:49,160 --> 00:19:50,280
Speaker 1: I'm filming in the studio.

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Speaker 2: You're filming in the studio, not me?

439
00:19:52,880 --> 00:19:53,959
Speaker 1: You are? What are we filming?

440
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Speaker 3: Blake? If you need to go, seriously, you can go.

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Speaker 3: We'll come.

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00:20:00,320 --> 00:20:02,600
Speaker 1: You go because otherwise I've got a hard and we'll

443
00:20:02,640 --> 00:20:09,800
Speaker 1: get Stacey Morrison. She's got a heart out. Yeah, I know,

444
00:20:10,160 --> 00:20:10,399
Speaker 1: I know.

445
00:20:12,200 --> 00:20:13,480
Speaker 3: Can you put him on speaker please?

446
00:20:13,640 --> 00:20:15,560
Speaker 1: Actually sorry, I'll put you on speaker. We're not doing

447
00:20:15,600 --> 00:20:18,159
Speaker 1: I've got you're on speaking I.

448
00:20:20,400 --> 00:20:21,480
Speaker 5: Can't hear whoever that is?

449
00:20:23,080 --> 00:20:23,440
Speaker 1: Did you know that?

450
00:20:23,560 --> 00:20:24,480
Speaker 5: Pim and Iyah.

451
00:20:28,160 --> 00:20:29,040
Speaker 2: And I?

452
00:20:29,160 --> 00:20:29,400
Speaker 5: Yeah?

453
00:20:29,440 --> 00:20:31,320
Speaker 1: So what what what are what are our time? What

454
00:20:31,960 --> 00:20:34,040
Speaker 1: pressure is on us around the Gunda podcast time?

455
00:20:34,240 --> 00:20:34,280
Speaker 4: Was?

456
00:20:35,119 --> 00:20:37,359
Speaker 5: We are using the same studio to film other stuff,

457
00:20:37,400 --> 00:20:39,880
Speaker 5: so we need to start at ten at about ten

458
00:20:40,040 --> 00:20:42,479
Speaker 5: forty bloody? All right?

459
00:20:43,040 --> 00:20:45,480
Speaker 1: Okay, well it sounds like I've got I'm going to actually.

460
00:20:45,119 --> 00:20:48,000
Speaker 2: Probably go and do that now, are you? Why don't

461
00:20:48,040 --> 00:20:49,720
Speaker 2: you do that now? Fantasy draft tonight?

462
00:20:49,920 --> 00:20:54,919
Speaker 1: Yeah, I'm ready and prepared for they Look, why are

463
00:20:55,000 --> 00:20:56,800
Speaker 1: you going to do it now? I guess we've got

464
00:20:56,840 --> 00:20:59,280
Speaker 1: fifteen minutes with the podcast, the junior podcast along the

465
00:20:59,320 --> 00:21:00,840
Speaker 1: fifteen minutes, mate, not.

466
00:21:00,720 --> 00:21:05,879
Speaker 2: Really not if you don't want it to be, it

467
00:21:05,960 --> 00:21:06,560
Speaker 2: shouldn't be.

468
00:21:06,640 --> 00:21:09,160
Speaker 1: But unfortunately, should we get hard on it? Now?

469
00:21:09,400 --> 00:21:11,320
Speaker 5: What a fleet for doing with it?

470
00:21:13,359 --> 00:21:13,719
Speaker 4: Covering?

471
00:21:14,080 --> 00:21:18,040
Speaker 2: Okay, look, you're wasting time. Just do it now, your muppets.

472
00:21:19,359 --> 00:21:21,600
Speaker 1: Can we do a co but just put can we

473
00:21:21,680 --> 00:21:23,240
Speaker 1: just do it? Can we just do a cob and

474
00:21:23,280 --> 00:21:33,040
Speaker 1: put this out on the on the gender feat about Okay,

475
00:21:33,080 --> 00:21:37,240
Speaker 1: oh you're not here, No he's he's over the way.

476
00:21:37,280 --> 00:21:41,240
Speaker 1: All right, Okay, thanks, thanks for understanding. All right, sim

477
00:21:41,480 --> 00:21:44,320
Speaker 1: you've got the cut NFL Fantasy Draft.

478
00:21:44,480 --> 00:21:49,520
Speaker 2: Oh Jesus film, No, no, that's not. What do you filming?

479
00:21:49,560 --> 00:21:50,280
Speaker 1: That's not till five?

480
00:21:50,520 --> 00:21:51,200
Speaker 2: What do you film me?

481
00:21:51,880 --> 00:21:53,280
Speaker 1: I don't know anything about filming?

482
00:21:53,400 --> 00:21:54,320
Speaker 3: Is Lauren involved again?

483
00:21:54,680 --> 00:21:55,040
Speaker 1: I hope?

484
00:21:55,080 --> 00:21:55,119
Speaker 4: So?

485
00:21:57,000 --> 00:21:59,159
Speaker 2: Okay, we'll be back with Dame Lisa Carrington in just

486
00:21:59,160 --> 00:21:59,520
Speaker 2: a moment.

487
00:21:59,560 --> 00:22:01,119
Speaker 1: Okay, that's a distant mousle.

488
00:22:03,760 --> 00:22:04,359
Speaker 3: And we're back.

489
00:22:04,440 --> 00:22:06,159
Speaker 2: No we're not. No, we're not back. It's no, no,

490
00:22:06,240 --> 00:22:08,320
Speaker 2: we're back. We're out again. We're not.

491
00:22:08,320 --> 00:22:09,360
Speaker 1: There's no leasa's no sign.

492
00:22:15,160 --> 00:22:18,360
Speaker 2: We're not We're not she said, flavor, that's not here.

493
00:22:18,440 --> 00:22:26,600
Speaker 2: That's not here. Flavor. Flavor is schneffling it. We're not back,

494
00:22:26,680 --> 00:22:29,800
Speaker 2: she's snuffling her. Hey, we're not back. I'm back. No,

495
00:22:29,960 --> 00:22:31,240
Speaker 2: you're not. You're not meant to be back.

496
00:22:31,400 --> 00:22:34,520
Speaker 1: So as the mikes, the mikes on, Yeah, we're just hit.

497
00:22:34,400 --> 00:22:36,680
Speaker 3: Thirty minutes in this podcast.

498
00:22:36,080 --> 00:22:40,040
Speaker 1: We're not back. This isn't abort.

499
00:22:40,760 --> 00:22:43,919
Speaker 2: Excuse me, we're not back. Why are we going?

500
00:22:47,640 --> 00:22:49,719
Speaker 1: We've actually got We're not back at the moment. Can

501
00:22:49,800 --> 00:22:50,400
Speaker 1: we bring us back?

502
00:22:51,600 --> 00:22:54,040
Speaker 2: Now we're back? We're not actually back.

503
00:22:54,080 --> 00:22:56,040
Speaker 1: I've got someone to say, we've finally got a market

504
00:22:56,080 --> 00:22:59,840
Speaker 1: a Yes, Dame Lisa Carrington. This is a real feather

505
00:23:00,119 --> 00:23:02,560
Speaker 1: our cat, and we've made a whole. This is just

506
00:23:02,600 --> 00:23:06,399
Speaker 1: turning into an absolute chamuz Can I just point out

507
00:23:06,440 --> 00:23:07,040
Speaker 1: one thing.

508
00:23:06,920 --> 00:23:10,000
Speaker 10: For you, Jerry and Mash. The person that got the

509
00:23:10,040 --> 00:23:13,400
Speaker 10: lead on this interview was not me. It was Matt Heath.

510
00:23:13,760 --> 00:23:15,160
Speaker 10: Oh wow, you got the leading.

511
00:23:15,200 --> 00:23:19,320
Speaker 2: It organized another shitterh yeah, I knew, and you had

512
00:23:19,320 --> 00:23:20,400
Speaker 2: these other things to do.

513
00:23:20,840 --> 00:23:23,840
Speaker 1: I knew that someone was so classic of you. It's look,

514
00:23:24,200 --> 00:23:25,840
Speaker 1: one of us is fucked up. Who it is doesn't

515
00:23:25,840 --> 00:23:28,399
Speaker 1: really matter. Let's just accept that one of us has

516
00:23:28,680 --> 00:23:30,400
Speaker 1: booked five things at the same.

517
00:23:30,200 --> 00:23:32,679
Speaker 2: Strikes for you used to know you had the Shamoza

518
00:23:32,760 --> 00:23:35,159
Speaker 2: with Norman Ola in a zoom.

519
00:23:35,320 --> 00:23:37,160
Speaker 1: Well would it kill people to film me while I'm

520
00:23:37,160 --> 00:23:39,000
Speaker 1: doing this podcast while I'm doing another podcast at the

521
00:23:39,000 --> 00:23:41,080
Speaker 1: same time. Why do I have to be what do

522
00:23:41,119 --> 00:23:43,520
Speaker 1: I have to be shunted from pillar to post all

523
00:23:43,520 --> 00:23:46,240
Speaker 1: the time? Why can't we Why can't Lisa Carrington, the

524
00:23:46,359 --> 00:23:51,359
Speaker 1: Nice Stewart and whatever advertising I'm filming all happen like concurrently,

525
00:23:51,359 --> 00:23:53,840
Speaker 1: Like you know when you when you get sentences, you

526
00:23:53,920 --> 00:23:55,080
Speaker 1: sentences concurrently.

527
00:23:55,119 --> 00:23:57,560
Speaker 2: The good thing is, through the magic of podcasts, we

528
00:23:57,640 --> 00:23:59,320
Speaker 2: can take a break and we'll be back with Lisa

529
00:23:59,359 --> 00:24:00,960
Speaker 2: Carrington and just the moment in the night.

530
00:24:05,040 --> 00:24:05,360
Speaker 3: We're back.

531
00:24:05,359 --> 00:24:08,560
Speaker 2: Boys, we don't have Lisa, So that's the people that listen.

532
00:24:08,440 --> 00:24:10,080
Speaker 1: To it don't know that every time we go away,

533
00:24:10,080 --> 00:24:12,400
Speaker 1: we're away for ten fifteen minutes and we come back

534
00:24:12,520 --> 00:24:15,879
Speaker 1: and then nothing. Nothing's changed me anyway. The only thing

535
00:24:15,920 --> 00:24:17,600
Speaker 1: that's changing is the amount of pressure that's building.

536
00:24:18,200 --> 00:24:20,160
Speaker 2: The good thing is we've playing lots of heads.

537
00:24:20,320 --> 00:24:22,600
Speaker 3: So since there there's all this pressure building, I feel

538
00:24:22,600 --> 00:24:24,080
Speaker 3: like we should just dial in on the problem.

539
00:24:24,080 --> 00:24:25,520
Speaker 1: The problem is when we're playing lots of ed jury,

540
00:24:25,560 --> 00:24:27,880
Speaker 1: we're advertising other podcasts generally in those airs good ways,

541
00:24:27,880 --> 00:24:29,680
Speaker 1: So we're actually doing a lot of damage to the pod.

542
00:24:29,800 --> 00:24:32,520
Speaker 2: Okay, so Mesha, you've got some notes taken.

543
00:24:32,640 --> 00:24:33,200
Speaker 1: What have you written?

544
00:24:33,320 --> 00:24:35,040
Speaker 4: Well, we've just been going for so long that I

545
00:24:35,040 --> 00:24:36,320
Speaker 4: feel like we should probably run a bit of a

546
00:24:36,359 --> 00:24:38,800
Speaker 4: refresher on the line of questioning. We're going to Dame Lisa.

547
00:24:39,200 --> 00:24:40,679
Speaker 1: With you vape?

548
00:24:41,440 --> 00:24:43,560
Speaker 3: Yeah, so kicking things off with do you want to

549
00:24:43,600 --> 00:24:44,360
Speaker 3: hone slash?

550
00:24:44,400 --> 00:24:44,920
Speaker 5: Do you vapes?

551
00:24:45,000 --> 00:24:46,840
Speaker 3: Lest you you're still on the hons, just let me

552
00:24:46,880 --> 00:24:48,560
Speaker 3: know and here you go and your partials over to

553
00:24:48,680 --> 00:24:49,879
Speaker 3: day and then jury.

554
00:24:50,000 --> 00:24:51,879
Speaker 2: We're not calling her dame by the way, that's not

555
00:24:52,200 --> 00:24:54,639
Speaker 2: her name's not Dame Lisa.

556
00:24:54,720 --> 00:24:55,520
Speaker 3: Have some fuck?

557
00:24:56,560 --> 00:24:57,600
Speaker 1: Is it? Dane Lisa?

558
00:24:57,680 --> 00:25:03,240
Speaker 2: Like my my brother in law, Dane Lisa, Dame Lisa?

559
00:25:03,400 --> 00:25:04,760
Speaker 1: Did you just single Dave and Lisa in?

560
00:25:05,600 --> 00:25:08,159
Speaker 3: Okay? Then the second quiesh oh God, can.

561
00:25:08,040 --> 00:25:11,480
Speaker 1: We take break and storming in from the Agenda podcast?

562
00:25:11,560 --> 00:25:13,480
Speaker 2: Take a break and we'll go back with from the

563
00:25:13,480 --> 00:25:14,840
Speaker 2: Agenda Podcast in just a moment.

564
00:25:17,960 --> 00:25:21,879
Speaker 5: We took that break. Thank you very much for that.

565
00:25:21,920 --> 00:25:24,199
Speaker 5: I needed the brother I wouldn't. I'm storming it. So

566
00:25:24,240 --> 00:25:27,480
Speaker 5: apparently it's you that actually is filming this morning in

567
00:25:27,520 --> 00:25:30,800
Speaker 5: the same studio we're using for the Agenda podcast. Jerry, Yeah,

568
00:25:30,800 --> 00:25:31,360
Speaker 5: what am I doing?

569
00:25:31,880 --> 00:25:32,280
Speaker 1: I don't know.

570
00:25:32,320 --> 00:25:33,639
Speaker 5: I don't know what it is, but all I know

571
00:25:33,720 --> 00:25:35,439
Speaker 5: is that the whole studio has been set up for

572
00:25:35,440 --> 00:25:36,520
Speaker 5: some sort of video shoot.

573
00:25:36,520 --> 00:25:38,840
Speaker 1: Well, could we shoot the could we record the Agenda

574
00:25:38,880 --> 00:25:42,359
Speaker 1: podcast in here? Because she's not making it in today

575
00:25:42,359 --> 00:25:42,920
Speaker 1: for some reason.

576
00:25:42,920 --> 00:25:45,560
Speaker 2: Here's here's my here's my calendar for the day.

577
00:25:46,040 --> 00:25:50,400
Speaker 5: It says no events, We're to nothing. Jeremy has no event,

578
00:25:50,480 --> 00:25:52,199
Speaker 5: so I thought that he had to be in the

579
00:25:52,200 --> 00:25:55,280
Speaker 5: studio film mixed up, so we couldn't do the podcast then,

580
00:25:55,320 --> 00:25:58,600
Speaker 5: But actually it turns out that it's Jerry.

581
00:25:58,640 --> 00:26:01,280
Speaker 1: You can't y, you can't book the Agenda podcast studio. Well,

582
00:26:01,320 --> 00:26:04,000
Speaker 1: I've got no podcast, has got a lot now hang on,

583
00:26:04,040 --> 00:26:06,720
Speaker 1: no event. So Jerry's saying no events. I'm hearing Jerry

584
00:26:06,720 --> 00:26:07,879
Speaker 1: is supposed to be in there. I thought you were

585
00:26:07,880 --> 00:26:08,960
Speaker 1: supposed to be event.

586
00:26:09,080 --> 00:26:11,520
Speaker 5: Where does Stacey Morrison come into this, because she's got

587
00:26:11,520 --> 00:26:14,840
Speaker 5: a hard out shake. Stacey's got a hard out.

588
00:26:14,920 --> 00:26:16,480
Speaker 2: Yeah, she's got a hard I think what we do.

589
00:26:16,600 --> 00:26:19,159
Speaker 1: Is you staying here for the Lisa Carrington interview and

590
00:26:19,240 --> 00:26:21,560
Speaker 1: we donate that into the Agenda podcast.

591
00:26:21,200 --> 00:26:23,359
Speaker 5: Okay, and then you go into the other studio and

592
00:26:23,400 --> 00:26:24,359
Speaker 5: do Jerry's filming for it.

593
00:26:24,520 --> 00:26:24,840
Speaker 1: That's right.

594
00:26:24,920 --> 00:26:25,080
Speaker 5: Yeah.

595
00:26:25,080 --> 00:26:26,560
Speaker 1: Then you and me meet up and we'll do the

596
00:26:26,960 --> 00:26:28,280
Speaker 1: starting the end of the Gender podcast.

597
00:26:28,320 --> 00:26:31,080
Speaker 5: Okay, matthe if you could check an event in Jerry's calendar.

598
00:26:30,760 --> 00:26:33,560
Speaker 2: Because I've got no events in there at the moment.

599
00:26:33,920 --> 00:26:36,480
Speaker 2: So can we take a break and then when we

600
00:26:36,600 --> 00:26:39,080
Speaker 2: come back we will have arranged everything.

601
00:26:39,400 --> 00:26:41,240
Speaker 1: This is a look pind the curtains of how complex

602
00:26:41,240 --> 00:26:43,280
Speaker 1: it is to be a broadcaster in twenty twenty four.

603
00:26:43,280 --> 00:26:44,400
Speaker 5: A lot of moving parts.

604
00:26:44,560 --> 00:26:46,480
Speaker 2: God man, we've been pulled.

605
00:26:47,560 --> 00:26:49,560
Speaker 1: No one told me about Stacey Morrison's hard out, that's

606
00:26:49,560 --> 00:26:50,040
Speaker 1: the problem.

607
00:26:50,119 --> 00:26:52,919
Speaker 2: No, that's working around another brand that's even more difficult.

608
00:26:53,000 --> 00:26:54,880
Speaker 5: And the other thing is you've got the immovable object

609
00:26:54,880 --> 00:26:56,680
Speaker 5: of Dame Lisa Carrington, the gut and the boat.

610
00:26:56,760 --> 00:26:59,560
Speaker 1: Yeah. Well she seems to be she seems to be

611
00:26:59,600 --> 00:27:02,640
Speaker 1: pretty asked in the K one five hundred, but not

612
00:27:02,760 --> 00:27:04,240
Speaker 1: very fast at getting around the interview ship.

613
00:27:04,320 --> 00:27:06,600
Speaker 5: We just not do that, Ben Lisa.

614
00:27:06,800 --> 00:27:09,720
Speaker 1: Yeah, Jesus, but we'll be happy about it if we've

615
00:27:09,720 --> 00:27:13,359
Speaker 1: been Lisa after talking about her coming in for thirty minutes,

616
00:27:13,400 --> 00:27:14,880
Speaker 1: and what's it going to do to our listenership.

617
00:27:15,119 --> 00:27:16,240
Speaker 3: It's not a great look for.

618
00:27:16,240 --> 00:27:18,280
Speaker 5: Us, or what is not a great lot? Man, Lane,

619
00:27:18,280 --> 00:27:19,959
Speaker 5: come in here and we'll talk to Lisa as well,

620
00:27:20,000 --> 00:27:21,760
Speaker 5: and then we'll just call that the Engender podcast.

621
00:27:22,000 --> 00:27:23,679
Speaker 1: Yeah, well I thought I was on the Junia podcast.

622
00:27:23,720 --> 00:27:24,880
Speaker 1: It's laying on it as well today.

623
00:27:24,920 --> 00:27:25,880
Speaker 5: Yeah, Lane's on it too.

624
00:27:26,359 --> 00:27:28,239
Speaker 1: Yeah, thet's get Lane in here as well. But then

625
00:27:28,400 --> 00:27:30,719
Speaker 1: that can get two dogs with one. But it's going

626
00:27:30,760 --> 00:27:32,360
Speaker 1: to get confronted with six dudes for.

627
00:27:35,000 --> 00:27:37,320
Speaker 2: It's not the first time. Remember Julian gender.

628
00:27:37,600 --> 00:27:40,160
Speaker 1: We can we interviewed Julian Jenda with so much KFC

629
00:27:40,400 --> 00:27:42,480
Speaker 1: and so much alcohol in his system and six guys

630
00:27:42,560 --> 00:27:44,920
Speaker 1: around the desk vegetarian is as you Yeah.

631
00:27:45,000 --> 00:27:47,480
Speaker 2: And just shocking bo in the studio that afternoon.

632
00:27:47,880 --> 00:27:50,119
Speaker 5: Oh man fronting Lisa.

633
00:27:50,160 --> 00:27:52,919
Speaker 3: There no that easy to confuse that woman out there

634
00:27:52,920 --> 00:27:54,040
Speaker 3: for Lisa, but that's not Lisa.

635
00:27:54,080 --> 00:27:55,520
Speaker 5: Well, should we get that woman in here as well

636
00:27:55,520 --> 00:27:56,560
Speaker 5: to interview Lisa.

637
00:27:56,320 --> 00:27:58,600
Speaker 3: Then it will be good to have her thoughts.

638
00:27:58,640 --> 00:28:01,000
Speaker 5: Actually, yeah, that's the other it's six dudes. You know

639
00:28:01,040 --> 00:28:01,960
Speaker 5: we need a fear and balance.

640
00:28:02,080 --> 00:28:03,080
Speaker 2: Actually, good point.

641
00:28:03,680 --> 00:28:07,040
Speaker 5: Okay, all right, well I'll go and round up everyone

642
00:28:07,040 --> 00:28:10,360
Speaker 5: that I can find one that looks should.

643
00:28:10,119 --> 00:28:12,960
Speaker 1: We NFL Fantasy Draft at the same time.

644
00:28:12,960 --> 00:28:14,280
Speaker 5: Well that's a good point because we're gonna have to

645
00:28:14,280 --> 00:28:15,040
Speaker 5: fit that in as well.

646
00:28:15,080 --> 00:28:17,720
Speaker 1: If you get twelve people in Tom Harper, Tom Halfer's wife,

647
00:28:17,800 --> 00:28:18,760
Speaker 1: Tom Happer's dad.

648
00:28:18,560 --> 00:28:20,280
Speaker 5: Well they're in Edinburgh. But then we also got Chris

649
00:28:20,280 --> 00:28:23,159
Speaker 5: and Lizzer in Chicago, so if we could wire them all. Look, jar,

650
00:28:23,240 --> 00:28:24,879
Speaker 5: I'd love to have no offens in my calendar, but

651
00:28:24,880 --> 00:28:26,360
Speaker 5: there's a lot of moving parts going on.

652
00:28:26,680 --> 00:28:28,840
Speaker 1: We've got Spooge in the fantasy draft tonight. He's been

653
00:28:28,920 --> 00:28:31,760
Speaker 1: drinking all day. Ship's on here. Well, he's been drinking

654
00:28:31,760 --> 00:28:33,840
Speaker 1: all day and it's only ten.

655
00:28:33,920 --> 00:28:36,080
Speaker 5: Do we need to tell Lisa's Dame Lisa Carrington that

656
00:28:36,240 --> 00:28:38,440
Speaker 5: actually Spooge is wasted right now and he's on his

657
00:28:38,480 --> 00:28:41,160
Speaker 5: way over, but he could be way late, so we

658
00:28:41,200 --> 00:28:43,280
Speaker 5: need we need to wait for him. But Stacey Morrison

659
00:28:43,280 --> 00:28:44,040
Speaker 5: does have a heart out.

660
00:28:44,120 --> 00:28:45,160
Speaker 1: Spooge has got a hard end.

661
00:28:45,320 --> 00:28:48,600
Speaker 2: Can we get mister Marcia to read some terror cards

662
00:28:48,640 --> 00:28:50,000
Speaker 2: on here for Dame Lisa.

663
00:28:50,600 --> 00:28:54,520
Speaker 1: Shall we put this podcast to bed and then come

664
00:28:54,560 --> 00:28:57,720
Speaker 1: back with the interview with Lisa tomorrow on a fresh slate,

665
00:28:58,520 --> 00:29:00,040
Speaker 1: and this, this whole thing's.

666
00:28:59,800 --> 00:29:02,880
Speaker 2: Will be a big I think very careful about this,

667
00:29:03,080 --> 00:29:03,360
Speaker 2: And then we.

668
00:29:03,360 --> 00:29:05,720
Speaker 1: Don't have to do a podcast tomorrow because we've talked

669
00:29:05,720 --> 00:29:07,360
Speaker 1: to Lisa and we've got one on the bank, and

670
00:29:07,400 --> 00:29:09,480
Speaker 1: we've made a lot of time tomorrow.

671
00:29:09,520 --> 00:29:11,920
Speaker 2: Should we Okay, that's an idea, and then yeah, I

672
00:29:11,960 --> 00:29:12,200
Speaker 2: like that.

673
00:29:12,320 --> 00:29:14,320
Speaker 1: Then maybe I could do the Agenda podcast tomorrow and

674
00:29:14,320 --> 00:29:15,320
Speaker 1: see it today.

675
00:29:15,280 --> 00:29:17,120
Speaker 2: Because no one can actually listen to the podcast now

676
00:29:17,160 --> 00:29:19,360
Speaker 2: because it's been so long and we've been back and forth.

677
00:29:19,440 --> 00:29:21,920
Speaker 2: So we've been back and then it's a disaster. I

678
00:29:21,920 --> 00:29:23,560
Speaker 2: can break and then back too many times.

679
00:29:23,360 --> 00:29:25,040
Speaker 3: If she hang on, Sorry, we do need to take

680
00:29:25,040 --> 00:29:25,720
Speaker 3: a break really quick.

681
00:29:28,960 --> 00:29:30,240
Speaker 1: And we're back with my nice Stewart.

682
00:29:30,560 --> 00:29:33,680
Speaker 5: So all I'm hearing is so we're gonna been I'm

683
00:29:33,680 --> 00:29:35,280
Speaker 5: going to be bend out of here. You're going to

684
00:29:35,280 --> 00:29:37,360
Speaker 5: have been the Agenda podcast. You guys are going to

685
00:29:37,400 --> 00:29:39,800
Speaker 5: talk to Dame Lisa Carrington today, but release it tomorrow

686
00:29:39,840 --> 00:29:42,040
Speaker 5: as if it was recorded tomorrow, which sets you up

687
00:29:42,080 --> 00:29:44,080
Speaker 5: for tomorrow, which is great. Where does that leave Stacey

688
00:29:44,080 --> 00:29:45,280
Speaker 5: Morrison and her heart out.

689
00:29:45,520 --> 00:29:49,440
Speaker 1: Well, she wins, she does, she gets her heart out

690
00:29:49,440 --> 00:29:52,040
Speaker 1: and spoongs with the soft in. Well, I don't think

691
00:29:52,040 --> 00:29:54,960
Speaker 1: spoos is making it to the funk call clutch NFL

692
00:29:55,520 --> 00:29:56,880
Speaker 1: Fantasy League Draft tonight.

693
00:29:57,040 --> 00:29:59,200
Speaker 5: Now do I have to do the podcast with the

694
00:29:59,240 --> 00:30:00,240
Speaker 5: Taro card?

695
00:30:01,840 --> 00:30:05,240
Speaker 2: So she's going to come in and do somers with a vape.

696
00:30:04,920 --> 00:30:06,880
Speaker 5: And so I've somehow ended up with her in the

697
00:30:07,160 --> 00:30:08,360
Speaker 5: gender podcast.

698
00:30:08,040 --> 00:30:10,120
Speaker 2: Right, and I've got no event, so I'm off home.

699
00:30:11,280 --> 00:30:13,680
Speaker 1: Okay, there's a whole camera crew there for someone.

700
00:30:14,080 --> 00:30:15,160
Speaker 2: I don't know what that's for.

701
00:30:15,520 --> 00:30:17,120
Speaker 5: It seems like we've gotten to the bottom.

702
00:30:17,120 --> 00:30:19,800
Speaker 1: Guess that's it. If you just work through things in

703
00:30:19,800 --> 00:30:23,000
Speaker 1: a logical fashion and you don't get too stressed, there's

704
00:30:23,000 --> 00:30:23,920
Speaker 1: always as a solution.

705
00:30:24,040 --> 00:30:27,440
Speaker 5: It'll always always work itself out. I'll see you guys later.

706
00:30:27,520 --> 00:30:33,480
Speaker 1: Yeah, okay, all right, okay, okay, thanks, all right, and

707
00:30:33,480 --> 00:30:36,280
Speaker 1: we're okay. We've got an update. So this with what

708
00:30:36,320 --> 00:30:38,880
Speaker 1: the bottomnet was. Mike Costking had an interview with name

709
00:30:38,960 --> 00:30:41,320
Speaker 1: Lisa Carrington upstairs and he held her on too long,

710
00:30:41,800 --> 00:30:43,440
Speaker 1: way too long. You wouldn't let it go. Then she

711
00:30:43,480 --> 00:30:46,120
Speaker 1: had to go to Zidim and then Stacey Morrison had

712
00:30:46,120 --> 00:30:49,520
Speaker 1: a heart out, so finally got through zid and I

713
00:30:49,520 --> 00:30:51,120
Speaker 1: think John and Bid had some pranks they need to

714
00:30:51,120 --> 00:30:53,600
Speaker 1: play on her. She went into the studio and they

715
00:30:53,640 --> 00:30:55,440
Speaker 1: threw a bucket of water in the face and said

716
00:30:56,280 --> 00:31:01,240
Speaker 1: through this. Yeah, and and so that's happened and now

717
00:31:01,240 --> 00:31:03,000
Speaker 1: and Stacey had the heart out. So now she's in

718
00:31:03,080 --> 00:31:06,000
Speaker 1: three with Flavor, so she will be on our show tomorrow,

719
00:31:06,040 --> 00:31:08,120
Speaker 1: which we're actually record in a few minutes. Jerry's in

720
00:31:08,160 --> 00:31:10,040
Speaker 1: the studio shooting the ad that he had to shoot.

721
00:31:10,160 --> 00:31:10,960
Speaker 3: Oh my god.

722
00:31:11,080 --> 00:31:15,440
Speaker 1: So it's all been sorted out. Manaia Stewart's trying to

723
00:31:15,560 --> 00:31:17,640
Speaker 1: chase Jerry out to record the Agenda podcast. So it's

724
00:31:17,640 --> 00:31:20,360
Speaker 1: all going to be sorted out. So tomorrow stick with us.

725
00:31:20,480 --> 00:31:25,200
Speaker 1: We will have Lise, Dame Lisa Carrington on the Daily

726
00:31:25,200 --> 00:31:27,360
Speaker 1: Bespoke podcast tomorrow.

727
00:31:27,360 --> 00:31:30,800
Speaker 10: Okay, did you see how urgent and anxious Gelane was

728
00:31:30,800 --> 00:31:33,520
Speaker 10: looking at us from the kitchen as well? So he

729
00:31:33,720 --> 00:31:35,640
Speaker 10: is invested in this. He needs this to happen really.

730
00:31:35,560 --> 00:31:36,000
Speaker 3: Fast as well.

731
00:31:36,040 --> 00:31:36,720
Speaker 1: Should we get him in?

732
00:31:37,200 --> 00:31:43,640
Speaker 4: No, we're not getting another voice in. Okay, we'll see

733
00:31:43,640 --> 00:31:45,840
Speaker 4: tomorrow with Dame Lisa. I'm head with that, you guys, Yeah,

734
00:31:45,880 --> 00:31:47,200
Speaker 4: that was fine. I'm happy with that.

735
00:31:47,240 --> 00:31:48,920
Speaker 3: I mean, I genuinely did get lost there.

736
00:31:49,120 --> 00:31:49,960
Speaker 1: Yeah in the last night.

737
00:31:50,280 --> 00:31:52,200
Speaker 3: Look after about half an hour, I've edmund.

738
00:31:51,880 --> 00:31:54,200
Speaker 1: I was confused. But hey, yeah, look I'm hed with that.

739
00:31:54,320 --> 00:31:58,040
Speaker 1: You know, you seem busy. We'll see tomorrow for Lisa Carrington. Hello,

740
00:31:58,120 --> 00:32:00,680
Speaker 1: I'm Matt Heath. You have been listening to the Matt

741
00:32:00,680 --> 00:32:03,920
Speaker 1: and Jerry Daily Bespoke podcast. Right now you can listen

742
00:32:03,920 --> 00:32:08,000
Speaker 1: to our Radio Highlights podcast, which you will absolutely get

743
00:32:08,000 --> 00:32:11,720
Speaker 1: barred up about anyway. Set to download, like, subscribe, write, review,

744
00:32:11,760 --> 00:32:14,320
Speaker 1: all those great things. It really helps myself and Jerry

745
00:32:14,400 --> 00:32:16,760
Speaker 1: and to a lesser extent, mess and ruder. If you

746
00:32:16,760 --> 00:32:18,960
Speaker 1: want to discuss anything raised in this pod, check out

747
00:32:19,000 --> 00:32:21,760
Speaker 1: the Conclave, a Matt and Jerry Facebook discussion group. And

748
00:32:21,800 --> 00:32:24,720
Speaker 1: while I'm plugging stuff, my book A Lifeless Punishing Thirteen

749
00:32:24,760 --> 00:32:27,200
Speaker 1: Ways to Love the Life You've Got is out now

750
00:32:27,360 --> 00:32:29,880
Speaker 1: get it wherever you get your books, or just google

751
00:32:29,960 --> 00:32:33,160
Speaker 1: the bastard. Anyway you seem busy, I'll let you go.

752
00:32:33,560 --> 00:32:35,960
Speaker 1: Bless Blessed, blessed, give them a taste of key we

753
00:32:36,080 --> 00:32:36,360
Speaker 1: from me,