1 00:00:01,600 --> 00:00:04,559 Speaker 1: Get a it's deary here from the Hederchy Breakfast. Just 2 00:00:04,640 --> 00:00:06,720 Speaker 1: letting you know that if you're listening to the podcast 3 00:00:06,880 --> 00:00:09,320 Speaker 1: but didn't know that we also do a live radio show, 4 00:00:09,600 --> 00:00:11,680 Speaker 1: we do. And if you're wondering how to find out 5 00:00:11,720 --> 00:00:14,480 Speaker 1: what frequency to listen to us in your area, just 6 00:00:14,560 --> 00:00:17,919 Speaker 1: takes north or south as an Island to three four 7 00:00:17,960 --> 00:00:20,919 Speaker 1: eight three and we'll let you know. And now let's 8 00:00:20,920 --> 00:00:21,920 Speaker 1: get on with the podcast. 9 00:00:23,200 --> 00:00:25,920 Speaker 2: Beautiful piece of music there. It sounds a little bit 10 00:00:26,000 --> 00:00:29,160 Speaker 2: like my alarm? Is it a polyphonic ring? 11 00:00:29,200 --> 00:00:29,400 Speaker 1: Done? 12 00:00:29,520 --> 00:00:31,560 Speaker 3: No, it's the grays Anatomy theme tune? 13 00:00:31,640 --> 00:00:32,400 Speaker 1: Ah? Is it? 14 00:00:33,800 --> 00:00:36,120 Speaker 3: And then it? Yeah, you're probably only familiar with the 15 00:00:36,120 --> 00:00:38,360 Speaker 3: first thirty odd seconds of it really goes for another 16 00:00:38,360 --> 00:00:38,840 Speaker 3: five minutes. 17 00:00:38,920 --> 00:00:40,519 Speaker 2: I'm not familiar with any of it all right now. 18 00:00:40,640 --> 00:00:43,120 Speaker 1: I never watched Grays Anatomy, But so that. 19 00:00:43,200 --> 00:00:45,920 Speaker 2: Was I do loomed large in the zeitgeist in the 20 00:00:46,600 --> 00:00:50,839 Speaker 2: sort of mid two thousands, didn't it. That was doctor McDreamy, Josh. 21 00:00:50,720 --> 00:00:53,600 Speaker 1: Clony know that was that was? Ah? Tell me this. 22 00:00:53,680 --> 00:00:58,520 Speaker 2: How old was McDreamy supposed to be? Was he forty? 23 00:00:58,840 --> 00:01:02,880 Speaker 1: I'd say, late ladies, thirty, late thirties, is as you 24 00:01:02,920 --> 00:01:06,800 Speaker 1: got to experience. My late thirties is the absolute sweet spot. 25 00:01:07,120 --> 00:01:10,640 Speaker 2: It seems to be thirty eight. It seems like whenever 26 00:01:10,680 --> 00:01:13,680 Speaker 2: they like James Bond, I reckon it's thirty eight thirty eight. 27 00:01:13,720 --> 00:01:16,560 Speaker 2: Aragorn from Lord of the Rings thirty eight thirty eight, 28 00:01:18,360 --> 00:01:20,840 Speaker 2: Joel from the Last of US Season one, Maybe thirty. 29 00:01:20,560 --> 00:01:26,039 Speaker 1: Eight Joel Harrison The Pence Man thirty eight twenty four, 30 00:01:26,160 --> 00:01:27,400 Speaker 1: but could be thirty eight. 31 00:01:28,360 --> 00:01:29,199 Speaker 3: I can't do class. 32 00:01:29,640 --> 00:01:30,800 Speaker 2: I've been thirty eight for a while. 33 00:01:31,120 --> 00:01:31,320 Speaker 3: Yeah. 34 00:01:31,360 --> 00:01:33,479 Speaker 1: See that's what I'm saying, because thirty eight thirty eight, 35 00:01:33,480 --> 00:01:36,319 Speaker 1: you're still accessible into the twenties. Yeah, yeah, yeah, but 36 00:01:36,440 --> 00:01:38,480 Speaker 1: also you're still accessible into the fifties. 37 00:01:38,880 --> 00:01:39,280 Speaker 2: Yeah. 38 00:01:40,760 --> 00:01:40,960 Speaker 3: Yeah. 39 00:01:41,400 --> 00:01:43,320 Speaker 1: Everyone loves a thirty eight year old. 40 00:01:43,080 --> 00:01:51,560 Speaker 3: Man nineteen plus seven twenty five. Nope, right half thirty eight. 41 00:01:51,520 --> 00:01:56,000 Speaker 1: Thirty eight controversial, controversial opinion here and not a sexist 42 00:01:55,640 --> 00:01:58,920 Speaker 1: to not sexist route it right, not what you was thinking. 43 00:01:59,120 --> 00:02:00,000 Speaker 3: No, I was thinking about something. 44 00:02:00,480 --> 00:02:03,000 Speaker 1: And thirty eight for a man is the twenty nine 45 00:02:03,040 --> 00:02:03,520 Speaker 1: for a woman. 46 00:02:04,240 --> 00:02:05,600 Speaker 3: Oh sorry, I say it again. 47 00:02:06,240 --> 00:02:08,960 Speaker 4: Thirty eight for a man as the twenty nine for 48 00:02:08,960 --> 00:02:11,640 Speaker 4: a woman for a woman in terms of like just 49 00:02:12,400 --> 00:02:13,280 Speaker 4: everybody loves. 50 00:02:13,080 --> 00:02:14,000 Speaker 1: A twenty nine year old. 51 00:02:15,840 --> 00:02:20,640 Speaker 4: Excuse me, it's a good age, all right, it's the 52 00:02:20,680 --> 00:02:21,360 Speaker 4: peak you reckon? 53 00:02:21,440 --> 00:02:23,200 Speaker 1: Yeah, thirty eight's the peak for a man. 54 00:02:23,280 --> 00:02:25,040 Speaker 3: How old was Chelsea when you met Chelsea? 55 00:02:26,280 --> 00:02:28,000 Speaker 1: Eighteen nineteen? 56 00:02:28,280 --> 00:02:29,680 Speaker 3: Okay, good, save. 57 00:02:31,240 --> 00:02:35,919 Speaker 1: Nineteen nineteen, so ten years in peak Chelse nine, ten, 58 00:02:36,440 --> 00:02:40,160 Speaker 1: ten years? I think she'd she gone to the pack 59 00:02:40,200 --> 00:02:44,119 Speaker 1: by that stage. I think I would say twenty five 60 00:02:44,200 --> 00:02:47,640 Speaker 1: for her, okay, you know, and then sure she'll agree 61 00:02:47,680 --> 00:02:50,560 Speaker 1: with it, and then then then went to seed. Yeah. 62 00:02:50,600 --> 00:02:52,480 Speaker 1: I feel like for me, thirty three. 63 00:02:53,120 --> 00:02:53,640 Speaker 2: Was your peak. 64 00:02:53,840 --> 00:02:57,080 Speaker 1: I think so for you? Right, yeah, thirty thirty three, 65 00:02:57,200 --> 00:02:58,600 Speaker 1: so that was when was that? 66 00:02:58,720 --> 00:03:01,720 Speaker 2: Twenty thirty six is going to be my peak? 67 00:03:01,960 --> 00:03:02,240 Speaker 3: Cool? 68 00:03:02,320 --> 00:03:05,320 Speaker 2: That's what I'm thinking. I'm hoping, sort, I'm aiming for 69 00:03:05,360 --> 00:03:07,239 Speaker 2: thirty six. What are your what are you two or 70 00:03:07,240 --> 00:03:08,320 Speaker 2: three years away from that? Now? 71 00:03:09,320 --> 00:03:09,760 Speaker 1: What are you do? 72 00:03:10,040 --> 00:03:13,400 Speaker 2: Thirty thirty thirty four? Yeah, well a year and a half. 73 00:03:13,919 --> 00:03:14,959 Speaker 2: What are you read away from that? 74 00:03:15,520 --> 00:03:19,239 Speaker 3: How old am I now? Forty six? Forty six? I 75 00:03:19,320 --> 00:03:20,519 Speaker 3: was real good at twenty one? 76 00:03:21,080 --> 00:03:22,600 Speaker 2: Oh yeah, you're going to good at twenty one. 77 00:03:22,600 --> 00:03:26,360 Speaker 3: I was great at twenty one twenty eight. That was 78 00:03:26,400 --> 00:03:31,440 Speaker 3: around first breakups, first marriage, breakup pretty good? Then yeah, 79 00:03:31,760 --> 00:03:34,800 Speaker 3: real good. Then actually got into that went real good, 80 00:03:34,920 --> 00:03:39,720 Speaker 3: and I got into the seventies. Wlos, Wow, that's not 81 00:03:39,800 --> 00:03:40,600 Speaker 3: healthy because. 82 00:03:40,360 --> 00:03:42,400 Speaker 2: You're using the eb Circle pro every day when yeah, 83 00:03:42,400 --> 00:03:43,320 Speaker 2: that's what it was. 84 00:03:43,600 --> 00:03:46,000 Speaker 1: It was and the can start. I was retaining a 85 00:03:46,040 --> 00:03:49,320 Speaker 1: lot of fluid at twenty eight, Yes, I was, were you? 86 00:03:49,400 --> 00:03:51,680 Speaker 1: I was retaining a lot of fluid, Telsey said my 87 00:03:51,760 --> 00:03:55,720 Speaker 1: chipmunk stage, Oh yeah, describes it as my chipmunk phase. 88 00:03:55,920 --> 00:03:57,920 Speaker 3: Yeah, it's hard to hold a lot of fluid when 89 00:03:57,920 --> 00:03:59,880 Speaker 3: you're crying. What I was doing. 90 00:04:03,400 --> 00:04:05,160 Speaker 2: I have thought about that. You know, we're doing the 91 00:04:06,080 --> 00:04:07,080 Speaker 2: all your holes that. 92 00:04:07,440 --> 00:04:07,600 Speaker 1: Well. 93 00:04:09,120 --> 00:04:13,040 Speaker 2: The shortcutter is emotional trauma, isn't it. 94 00:04:13,080 --> 00:04:13,360 Speaker 1: Really? 95 00:04:15,120 --> 00:04:17,440 Speaker 2: It's not often that someone gets goes to a traumatic 96 00:04:17,440 --> 00:04:20,799 Speaker 2: breakup and then comes back fatter. You know, they often 97 00:04:20,839 --> 00:04:24,279 Speaker 2: go like revenge, but also they're not eating enough because 98 00:04:24,279 --> 00:04:26,320 Speaker 2: of grief and then also because they're not cooking for 99 00:04:26,320 --> 00:04:30,480 Speaker 2: two anymore. Yeah, I mean, it's a real brakes glass 100 00:04:30,480 --> 00:04:32,400 Speaker 2: in case of emergency. But you know, if this big 101 00:04:32,400 --> 00:04:37,479 Speaker 2: brown slim down didn't work after Texas, you going, you're 102 00:04:37,480 --> 00:04:40,000 Speaker 2: going to go for it? Yeah, I want to. I'm 103 00:04:40,000 --> 00:04:42,920 Speaker 2: gonna go for it. It's the look. That's just the 104 00:04:43,000 --> 00:04:45,920 Speaker 2: level of commitment I have to half used radio segment. 105 00:04:46,400 --> 00:04:49,440 Speaker 1: Yeah, good on you is You're going to go a 106 00:04:49,440 --> 00:04:52,640 Speaker 1: long way with that sort of commitment. Would you get 107 00:04:52,640 --> 00:04:55,400 Speaker 1: a tattoo, for example, for a radio sigmal. 108 00:04:55,240 --> 00:04:58,719 Speaker 2: Wacky tattoo I've made. Who's got a Haak logo tattooed 109 00:04:58,760 --> 00:05:01,400 Speaker 2: on his back? He got one and like twenty when 110 00:05:01,400 --> 00:05:03,800 Speaker 2: I first started working here, you guys went down for 111 00:05:03,839 --> 00:05:07,200 Speaker 2: a promo and christ shirts. Yes, he happened to be there. 112 00:05:07,279 --> 00:05:09,560 Speaker 2: I was not there, and he got the Hardaki logo 113 00:05:09,600 --> 00:05:14,800 Speaker 2: tattooed on my back. And then when I was let 114 00:05:14,839 --> 00:05:17,200 Speaker 2: go from Radio Hadak, he was like, what do we 115 00:05:17,279 --> 00:05:18,120 Speaker 2: do about this tattoo? 116 00:05:18,160 --> 00:05:18,280 Speaker 1: Man? 117 00:05:18,279 --> 00:05:22,320 Speaker 2: Because I've still got and so I had to come back. 118 00:05:22,320 --> 00:05:25,760 Speaker 2: And so that's the only reason I'm here for Pete to 119 00:05:25,760 --> 00:05:27,320 Speaker 2: make the tattoo Max makes sense. 120 00:05:27,560 --> 00:05:33,159 Speaker 1: He had a dinosaur holding a ghetto blaster, that's right, 121 00:05:33,279 --> 00:05:36,920 Speaker 1: And that was that was a radio stunt. Has still 122 00:05:36,960 --> 00:05:39,080 Speaker 1: has yeah, has it? 123 00:05:39,160 --> 00:05:42,279 Speaker 2: That was a radio that was for Tim tim Bat. 124 00:05:42,320 --> 00:05:45,400 Speaker 2: He lost to Tim tim Bat and Matt Heath have 125 00:05:45,760 --> 00:05:47,320 Speaker 2: And again this is probably something we should put in 126 00:05:47,320 --> 00:05:51,039 Speaker 2: the conclave. The single funniest video I've ever seen in 127 00:05:51,040 --> 00:05:52,720 Speaker 2: my life. I'm sure now if I watched it right now, 128 00:05:53,000 --> 00:05:54,880 Speaker 2: might not find it as funny. But the hardest of 129 00:05:54,920 --> 00:05:57,760 Speaker 2: we ever laughed watching a video is him when Heath 130 00:05:58,520 --> 00:06:02,120 Speaker 2: shot and the throat with a T shirt cannon from 131 00:06:02,120 --> 00:06:02,920 Speaker 2: point blank grain. 132 00:06:03,040 --> 00:06:05,880 Speaker 1: Oh my god, it's shocking. 133 00:06:05,960 --> 00:06:06,640 Speaker 2: It's horrific. 134 00:06:06,800 --> 00:06:10,679 Speaker 1: It's actually nah that I I watched it recently. 135 00:06:10,720 --> 00:06:14,400 Speaker 2: I laughed as I cried. You're I've got a certain time. Well, 136 00:06:14,400 --> 00:06:16,080 Speaker 2: you'd either laugh or you cry, you know what I mean. 137 00:06:16,839 --> 00:06:17,119 Speaker 1: Lucky? 138 00:06:17,200 --> 00:06:19,440 Speaker 2: He actually could have killed him. He's standing there holding 139 00:06:19,480 --> 00:06:21,719 Speaker 2: his balls like like he's about to take a charge 140 00:06:21,720 --> 00:06:24,200 Speaker 2: in basketball, and he's going not the face, not the face, 141 00:06:24,440 --> 00:06:26,760 Speaker 2: and then he shut him directly in the foot and 142 00:06:26,880 --> 00:06:27,280 Speaker 2: the neck. 143 00:06:29,520 --> 00:06:38,000 Speaker 1: That was brutal. It was terrible. I can't believe him 144 00:06:38,200 --> 00:06:40,240 Speaker 1: even talks to met after that. I never would have 145 00:06:40,240 --> 00:06:41,320 Speaker 1: talked him ever again. 146 00:06:41,520 --> 00:06:45,200 Speaker 2: Well I can't leaved him back can talk after that? 147 00:06:47,720 --> 00:06:53,360 Speaker 2: It sounds like being hunt Leha, Steve Price and Darren Lockett. 148 00:06:53,440 --> 00:06:54,200 Speaker 2: Welcome to the Husk. 149 00:06:54,240 --> 00:06:59,680 Speaker 1: We'll be back in just a moment. Fucome back with 150 00:06:59,800 --> 00:07:01,520 Speaker 1: That's just the rule. 151 00:07:01,760 --> 00:07:05,440 Speaker 2: Back we back are We were back We're back, bra 152 00:07:06,040 --> 00:07:11,680 Speaker 2: We back and We're back, The THEI Jizz, the Mizzer, 153 00:07:12,840 --> 00:07:15,920 Speaker 2: the and the Studio. 154 00:07:15,440 --> 00:07:21,200 Speaker 1: B Oh so good, the song I love the song? 155 00:07:21,480 --> 00:07:24,960 Speaker 3: Would it kill us to throwing a few we on you? Boys? 156 00:07:26,000 --> 00:07:26,880 Speaker 2: What it kill us to do? 157 00:07:27,520 --> 00:07:31,760 Speaker 1: Boys? This is this red Men and Methods? Method is 158 00:07:31,760 --> 00:07:32,280 Speaker 1: it red Men? 159 00:07:32,360 --> 00:07:37,640 Speaker 2: And as well as the giz the Genius ghost face. 160 00:07:37,480 --> 00:07:39,320 Speaker 1: Killers, it goes face Killer. 161 00:07:42,040 --> 00:07:45,040 Speaker 2: I feel like we should do a podcast just as 162 00:07:45,080 --> 00:07:49,560 Speaker 2: an entire freestyle Cipher one day, just freestyle, although we 163 00:07:49,640 --> 00:07:51,440 Speaker 2: kind of did that with the Cypress Hell Special a 164 00:07:51,480 --> 00:07:55,200 Speaker 2: couple of months ago. Off the Back and get your compass, 165 00:07:56,760 --> 00:07:57,480 Speaker 2: Empire the Sun. 166 00:07:57,520 --> 00:08:00,680 Speaker 1: I forgot they're playing at Austin City. Limper slimmits, I 167 00:08:00,760 --> 00:08:02,520 Speaker 1: forgot him. Olympics? 168 00:08:02,520 --> 00:08:06,800 Speaker 2: Are they not playing? Actually we've missed the chance to 169 00:08:06,840 --> 00:08:10,320 Speaker 2: get a costume and be the Austin City Olympics. But 170 00:08:10,400 --> 00:08:12,600 Speaker 2: anyone even know what olymp it is in Austin City. 171 00:08:12,680 --> 00:08:13,720 Speaker 3: I don't know what olymp it is. 172 00:08:13,880 --> 00:08:15,880 Speaker 2: They're the little things that stick on the side of 173 00:08:15,960 --> 00:08:19,880 Speaker 2: rocks that look like barnacles. Olympic you know, So do 174 00:08:19,920 --> 00:08:23,120 Speaker 2: you know what olymp is? Have you heard an olymp biscuit? 175 00:08:23,520 --> 00:08:24,800 Speaker 3: Yeah? 176 00:08:25,240 --> 00:08:29,440 Speaker 1: Limit? What limit line up. Okay, I just now I've 177 00:08:29,480 --> 00:08:32,160 Speaker 1: got this all of a sudden, I've gone, oh maybe 178 00:08:32,720 --> 00:08:33,880 Speaker 1: maybe week in two? 179 00:08:35,240 --> 00:08:36,559 Speaker 2: What are we? We're week in too? 180 00:08:36,600 --> 00:08:38,400 Speaker 1: Are we? Or we week week in two? 181 00:08:39,600 --> 00:08:42,600 Speaker 2: So they've already gone one round this weekend just being 182 00:08:43,840 --> 00:08:44,600 Speaker 2: yeah yeah, and. 183 00:08:44,640 --> 00:08:48,920 Speaker 1: Then we're about to go Empire the Sun sweet Friday. Okay. 184 00:08:49,679 --> 00:08:53,239 Speaker 2: The reason that are going to be there, ghost face Killer. 185 00:08:54,800 --> 00:08:58,200 Speaker 1: Going to be there, I ain't worth, ain't none the 186 00:08:58,200 --> 00:08:58,520 Speaker 1: fuck with? 187 00:08:59,600 --> 00:09:02,280 Speaker 3: Why do you sense yourself saying on the podcast, and 188 00:09:03,000 --> 00:09:03,480 Speaker 3: felt like a. 189 00:09:07,800 --> 00:09:08,120 Speaker 1: Burst? 190 00:09:08,400 --> 00:09:11,760 Speaker 3: Its yeah, but this is a different we're a live version. 191 00:09:11,800 --> 00:09:14,680 Speaker 3: Apparently this is the urban assault vehicle version. 192 00:09:16,640 --> 00:09:27,719 Speaker 2: Sang tang Olympus. That's a good combo and run the 193 00:09:28,280 --> 00:09:29,640 Speaker 2: Lincoln Park and jaz. 194 00:09:30,160 --> 00:09:31,600 Speaker 3: Yeah, that's good. 195 00:09:31,640 --> 00:09:34,840 Speaker 2: That was good. That one man, that was good. 196 00:09:36,520 --> 00:09:36,679 Speaker 1: Move. 197 00:09:37,440 --> 00:09:40,560 Speaker 3: Well, did you guys know that you're talking about tattoos 198 00:09:40,559 --> 00:09:41,320 Speaker 3: for radio shows? 199 00:09:41,520 --> 00:09:41,760 Speaker 2: Yeah? 200 00:09:42,000 --> 00:09:43,480 Speaker 3: You would have been. 201 00:09:43,400 --> 00:09:46,800 Speaker 2: Boys, Yes, I have no. He's the one that's not 202 00:09:46,880 --> 00:09:53,280 Speaker 2: John O yeah or Megan Meghan or yeah, no Megan. 203 00:09:54,040 --> 00:09:57,400 Speaker 3: He's got Dwayne the Rock Johnson's name tattooed and side 204 00:09:57,440 --> 00:10:00,440 Speaker 3: of a love heart on his bottom. He I think 205 00:10:00,440 --> 00:10:03,480 Speaker 3: he did that for a radio Way radio gig. 206 00:10:03,520 --> 00:10:05,640 Speaker 1: Do you know last year you'll be gutted about this. 207 00:10:05,760 --> 00:10:09,240 Speaker 1: My last year at Austin City Limits Do a. 208 00:10:09,160 --> 00:10:11,040 Speaker 2: Lot Do Aleapa was on side. 209 00:10:12,440 --> 00:10:14,559 Speaker 3: I sorry, do you say on stage every night? 210 00:10:14,880 --> 00:10:15,880 Speaker 1: No Saturday night? 211 00:10:15,960 --> 00:10:18,240 Speaker 2: I'm a massive Do a Leaper fan. I think she 212 00:10:18,640 --> 00:10:21,320 Speaker 2: is that future nostalgia album tremendous. 213 00:10:21,080 --> 00:10:22,240 Speaker 1: She's one of. 214 00:10:22,240 --> 00:10:24,560 Speaker 2: The best follows on Instagram as well. She looks like 215 00:10:24,640 --> 00:10:27,520 Speaker 2: she lives one of the most incredible lives. She's just 216 00:10:27,559 --> 00:10:30,080 Speaker 2: constantly and to let the Instagram touch. She's on the 217 00:10:30,080 --> 00:10:31,960 Speaker 2: pass after every one of her gigs. I don't believe it. 218 00:10:31,960 --> 00:10:33,480 Speaker 2: I feel like she'd have as many colds as I 219 00:10:33,480 --> 00:10:34,160 Speaker 2: do if she did that. 220 00:10:34,240 --> 00:10:36,600 Speaker 3: What's your favorite do Aleapa song man'? I? Can you 221 00:10:36,679 --> 00:10:38,400 Speaker 3: narrow it down to one? I can? Can you? 222 00:10:38,520 --> 00:10:42,120 Speaker 1: Jerry U? Let me have a look at them. 223 00:10:42,520 --> 00:10:45,760 Speaker 3: I'll raise you the first single? 224 00:10:47,840 --> 00:10:58,000 Speaker 2: Oh yeah, well so I don't know have the names 225 00:10:58,000 --> 00:10:58,280 Speaker 2: of them? 226 00:10:58,440 --> 00:10:58,920 Speaker 3: Yeah? Okay? 227 00:10:59,080 --> 00:11:01,679 Speaker 2: Are you. 228 00:11:02,120 --> 00:11:06,800 Speaker 1: Goes in? Thank you? Yes? This is a great song. 229 00:11:08,600 --> 00:11:19,200 Speaker 2: Yeah, don't look at Me like that same album from Mendous. 230 00:11:20,240 --> 00:11:22,679 Speaker 2: It's the way her voice breaks up at the at 231 00:11:22,679 --> 00:11:23,319 Speaker 2: the higher end. 232 00:11:23,960 --> 00:11:29,200 Speaker 1: It's not quite a deepot start Now, don't come. 233 00:11:30,800 --> 00:11:35,040 Speaker 2: And welcome into three dudes listening to. 234 00:11:36,800 --> 00:11:38,959 Speaker 1: What's do a Leaper's real name? I think? 235 00:11:40,000 --> 00:11:41,440 Speaker 2: And I don't think she's gonna middle name. 236 00:11:41,760 --> 00:11:43,960 Speaker 3: In Albania or something. 237 00:11:44,280 --> 00:11:48,400 Speaker 5: Her mother is called Luka jing Yunion Leaper, Yeah right, 238 00:11:48,559 --> 00:11:52,840 Speaker 5: and her father's Anna Leaper and it's his siblings Arena 239 00:11:53,000 --> 00:11:55,199 Speaker 5: Lipa and Yin Liper. 240 00:11:55,960 --> 00:11:59,959 Speaker 1: She's a the Leapers. She's a very talented young lay 241 00:12:00,480 --> 00:12:03,440 Speaker 1: in so many ways as man. She can write a 242 00:12:03,480 --> 00:12:09,079 Speaker 1: song and someone dan, I think it's her. I genuinely 243 00:12:09,120 --> 00:12:12,960 Speaker 1: think it's her. I think it is. I'm pretty sure 244 00:12:13,000 --> 00:12:15,400 Speaker 1: she is. That she's the brains behind the office. 245 00:12:15,400 --> 00:12:17,520 Speaker 2: She's very talented, very very talented. 246 00:12:18,960 --> 00:12:23,720 Speaker 3: And that cold Heart with Elton cover, Yeah, well. 247 00:12:23,600 --> 00:12:25,280 Speaker 1: It's two songs, really, isn't it? 248 00:12:25,480 --> 00:12:27,280 Speaker 3: Sacrificed by Elton John. 249 00:12:27,160 --> 00:12:33,800 Speaker 1: And cold Heart rocket Man. That was a genius move, 250 00:12:35,679 --> 00:12:36,840 Speaker 1: great from Eldon John. 251 00:12:38,559 --> 00:12:39,959 Speaker 3: I think that's his most strength. 252 00:12:40,360 --> 00:12:42,720 Speaker 2: All must person the off if you're out and John, 253 00:12:42,920 --> 00:12:45,720 Speaker 2: I suppose he existed before streaming that stuff. Yeah, that 254 00:12:45,720 --> 00:12:46,560 Speaker 2: would really annoy me. 255 00:12:46,559 --> 00:12:47,360 Speaker 3: It's got a few bangers. 256 00:12:47,360 --> 00:12:50,840 Speaker 1: Alton John Goods I saw him on in my Instagram 257 00:12:50,920 --> 00:12:53,280 Speaker 1: the other day talking about the most fun people he's 258 00:12:53,280 --> 00:12:58,120 Speaker 1: ever been friends with John Lennon and Rod Stewart. Yeah right, 259 00:12:58,200 --> 00:13:00,560 Speaker 1: he said they were both lots of lots of fun. 260 00:13:00,600 --> 00:13:02,600 Speaker 1: In fact, he said one time and and John Lyne 261 00:13:02,640 --> 00:13:04,640 Speaker 1: were hanging out taking lots of drugs in a hotel 262 00:13:04,679 --> 00:13:07,559 Speaker 1: room in New York and just weeks before he died, 263 00:13:08,040 --> 00:13:12,200 Speaker 1: and Andy Warhol turned up and started knocking on the door. 264 00:13:12,320 --> 00:13:14,839 Speaker 1: And the people of the security said, any Warhole's here 265 00:13:14,840 --> 00:13:18,559 Speaker 1: to see you, and John lyn said, don't let that come. 266 00:13:18,640 --> 00:13:22,439 Speaker 1: Then he's like, he's a dick. He's so annoying. He 267 00:13:22,440 --> 00:13:25,200 Speaker 1: will just end up taking photos of us. They all 268 00:13:25,320 --> 00:13:28,960 Speaker 1: end up in places he never he never keeps a secret. 269 00:13:29,120 --> 00:13:31,720 Speaker 1: The guy's always sharing everything. He just jumps on your fame. 270 00:13:32,040 --> 00:13:35,680 Speaker 1: He goes he's annoying. And I thought that was quite 271 00:13:36,040 --> 00:13:38,920 Speaker 1: and John, yeah, we've wasted. We don't need him. And 272 00:13:38,960 --> 00:13:41,720 Speaker 1: then they turned him, turned him away. Good on them, Yeah, 273 00:13:41,880 --> 00:13:43,200 Speaker 1: I was like, yeah, good on them. 274 00:13:43,400 --> 00:13:45,800 Speaker 2: What do you do when there's a wounded knocking at your. 275 00:13:45,679 --> 00:13:49,840 Speaker 1: Door, Well, you turn them away. We're a wounded knock. 276 00:13:49,679 --> 00:13:51,760 Speaker 2: On that door. One night we're in a hotel room. 277 00:13:52,679 --> 00:13:54,960 Speaker 2: Some wounder followed us into the hotel room and then 278 00:13:55,040 --> 00:13:55,720 Speaker 2: knocked on the door. 279 00:13:55,880 --> 00:13:57,360 Speaker 1: Was I there? Yeah, you were? 280 00:13:57,400 --> 00:14:00,680 Speaker 2: You were there because we're head. 281 00:14:02,559 --> 00:14:07,640 Speaker 1: Where were we were? We in cross ship from some 282 00:14:07,679 --> 00:14:08,160 Speaker 1: wounders and. 283 00:14:09,040 --> 00:14:11,800 Speaker 2: Somewhere and it was like someone was wounding I think, 284 00:14:11,840 --> 00:14:15,839 Speaker 2: particularly you or Glaane the whole evening and then found 285 00:14:15,880 --> 00:14:19,400 Speaker 2: the hotel room they had walked. But so this is 286 00:14:19,440 --> 00:14:21,200 Speaker 2: the thing is we were so drunk and they had 287 00:14:21,320 --> 00:14:23,520 Speaker 2: watched us walk into the room and then immediately knocked 288 00:14:23,560 --> 00:14:26,880 Speaker 2: on the door and we were like, but they were 289 00:14:26,880 --> 00:14:29,600 Speaker 2: like they just watched like four of us walk into 290 00:14:29,640 --> 00:14:31,200 Speaker 2: the room and then we were like. 291 00:14:32,920 --> 00:14:36,640 Speaker 1: We would have been like shut, shush, shush, is a 292 00:14:36,680 --> 00:14:41,640 Speaker 1: wound at the door? Shush, God, keep quiet, man, shush oh, 293 00:14:41,680 --> 00:14:48,120 Speaker 1: I are coming in and fucking punish all shush. I 294 00:14:48,200 --> 00:14:49,200 Speaker 1: don't make any noise. 295 00:14:49,440 --> 00:14:50,640 Speaker 2: I saw you guys walk in there. 296 00:14:51,680 --> 00:14:53,040 Speaker 1: Don't he won't know where any of it. 297 00:14:53,080 --> 00:14:55,840 Speaker 3: Would just be quiet, pretend to snore. 298 00:14:57,440 --> 00:15:03,960 Speaker 1: And Glane would have been like clapping away, are you 299 00:15:04,040 --> 00:15:06,320 Speaker 1: going to be allowed into Austin city limits? With that clap? 300 00:15:06,360 --> 00:15:08,560 Speaker 1: I've seen him get kicked out of so many parties 301 00:15:08,560 --> 00:15:11,720 Speaker 1: with that clap. One time I took de Lane to 302 00:15:11,760 --> 00:15:13,880 Speaker 1: a party of friends of my friend of mine's birthday 303 00:15:14,120 --> 00:15:16,720 Speaker 1: who didn't know g Lane, and he came and he 304 00:15:16,760 --> 00:15:19,880 Speaker 1: came in shit. He came in hot, and we both 305 00:15:19,920 --> 00:15:21,200 Speaker 1: came in hot, actually. 306 00:15:23,440 --> 00:15:23,680 Speaker 3: Coming on. 307 00:15:24,680 --> 00:15:29,800 Speaker 1: We came on so so hot. And he was he 308 00:15:29,920 --> 00:15:32,040 Speaker 1: was like this, and there was a DJ playing at 309 00:15:32,040 --> 00:15:34,160 Speaker 1: the party was a great party, and he's on the 310 00:15:34,240 --> 00:15:36,520 Speaker 1: dance floor. He's having a great g Lane is having 311 00:15:36,560 --> 00:15:41,480 Speaker 1: a great time. He's stomping, he's clapping, and I'm having 312 00:15:41,480 --> 00:15:43,720 Speaker 1: a good time too. And then I just sort of 313 00:15:43,720 --> 00:15:45,400 Speaker 1: looked around one stage and there were heaps of people 314 00:15:45,400 --> 00:15:46,800 Speaker 1: on the dance From all of a sudden, there weren't 315 00:15:46,880 --> 00:15:50,680 Speaker 1: a many people on the dance floor. And then someone 316 00:15:50,680 --> 00:15:55,400 Speaker 1: came up to me and said, hey, you know that 317 00:15:55,440 --> 00:15:57,560 Speaker 1: maine of yours that you're put along And I said, yeah, 318 00:15:57,640 --> 00:16:00,840 Speaker 1: he goes. Can you tell him not to excuse him, 319 00:16:00,920 --> 00:16:04,000 Speaker 1: just to settle down with the clapping, because it's he's 320 00:16:04,040 --> 00:16:06,720 Speaker 1: stomping on the floor and it's as he's shaking, like 321 00:16:06,800 --> 00:16:09,800 Speaker 1: the cabinet tree and stuff, and you can see like 322 00:16:09,920 --> 00:16:12,120 Speaker 1: everyone's kind of left to dance for because he's kind 323 00:16:12,160 --> 00:16:15,040 Speaker 1: of ruining it. And I looked and I went, yep, okay, 324 00:16:15,120 --> 00:16:18,320 Speaker 1: And then I said, mate, we've been We're gone, we're 325 00:16:18,320 --> 00:16:18,760 Speaker 1: out of here. 326 00:16:19,080 --> 00:16:21,680 Speaker 2: It's funny for anyone who's been privileged enough to see 327 00:16:21,680 --> 00:16:23,600 Speaker 2: it happen, because you hear so much about it, and 328 00:16:23,640 --> 00:16:27,640 Speaker 2: you think, surely he's stopped doing it since people have start. 329 00:16:27,720 --> 00:16:29,720 Speaker 2: But once he gets enough drinks into him, he can't 330 00:16:29,720 --> 00:16:32,960 Speaker 2: help himself. He's doing it. Led it to bar at 331 00:16:32,960 --> 00:16:35,440 Speaker 2: them Mount on the weekend. Once the band started for. 332 00:16:35,560 --> 00:16:38,000 Speaker 1: It up, he gets the fun going at the same time, 333 00:16:38,760 --> 00:16:41,600 Speaker 1: here's a great time and smile on his face, miles 334 00:16:41,640 --> 00:16:45,440 Speaker 1: out of time. He's actually all good in a festival 335 00:16:45,560 --> 00:16:49,280 Speaker 1: environment because he's outside, he's on the grass. You know, 336 00:16:49,360 --> 00:16:51,280 Speaker 1: you can't feel it. It's not too loud, it's not 337 00:16:51,440 --> 00:16:54,520 Speaker 1: you can be neutralized. Yeah, so I reckon he'll actually 338 00:16:54,520 --> 00:16:55,280 Speaker 1: be okay. 339 00:16:56,000 --> 00:16:57,400 Speaker 2: Will we be okay? 340 00:16:57,880 --> 00:16:59,360 Speaker 1: Tell me? Will be another question? 341 00:16:59,400 --> 00:17:00,760 Speaker 3: Oh you guys go somewhere. 342 00:17:01,080 --> 00:17:01,320 Speaker 1: Yeah. 343 00:17:02,080 --> 00:17:03,880 Speaker 2: In fact, we got in there right now. Let's getting 344 00:17:03,960 --> 00:17:07,840 Speaker 2: on the let's cut a tea. 345 00:17:10,359 --> 00:17:16,359 Speaker 1: Man on street, well man,