1 00:00:00,160 --> 00:00:02,800 Speaker 1: Hey, thanks for listening to the podcast. I want to 2 00:00:02,800 --> 00:00:04,880 Speaker 1: introduce you now to a good friend of mine called 3 00:00:04,960 --> 00:00:08,880 Speaker 1: Chanelle Davis. And we first met down at Gore. I 4 00:00:08,960 --> 00:00:12,240 Speaker 1: was the Bricky host there, the capital of country music. 5 00:00:12,280 --> 00:00:14,920 Speaker 1: It's the home of the Gold Guitar Awards, and Chanelle 6 00:00:15,040 --> 00:00:17,640 Speaker 1: was a performer for many years. She's a country muso 7 00:00:17,960 --> 00:00:21,160 Speaker 1: turned kids entertainer, and she's gone and released this funky 8 00:00:21,200 --> 00:00:24,200 Speaker 1: new track called Creature Groove, which brings together a whole 9 00:00:24,239 --> 00:00:26,439 Speaker 1: bunch of other top key we artists, the likes of 10 00:00:26,440 --> 00:00:30,760 Speaker 1: Tammy Nilson, fiddler Marion Burns, and even our beloved Top Twins. 11 00:00:30,800 --> 00:00:34,000 Speaker 1: So we'll hear about that song a tour that is 12 00:00:34,040 --> 00:00:36,560 Speaker 1: coming mid Canterbury's way in the new year. But first 13 00:00:36,800 --> 00:00:40,680 Speaker 1: on Chanell herself. She spent many years globe trotting around 14 00:00:40,760 --> 00:00:44,479 Speaker 1: the likes of Melbourne and Nashville. And I asked, what 15 00:00:44,680 --> 00:00:47,680 Speaker 1: was the trigger point for that transition from country music 16 00:00:48,080 --> 00:00:49,320 Speaker 1: to entertaining for kids. 17 00:00:49,560 --> 00:00:53,279 Speaker 2: So I was doing song challenges for myself. So when 18 00:00:53,280 --> 00:00:55,760 Speaker 2: I was over in America, I was just pushing myself 19 00:00:55,800 --> 00:00:57,960 Speaker 2: to write a song a day and just you know, 20 00:00:58,040 --> 00:01:00,400 Speaker 2: get better at writing through doing it, Like going to 21 00:01:00,440 --> 00:01:03,280 Speaker 2: the gym, I guess. And some days I'll just have 22 00:01:03,440 --> 00:01:05,640 Speaker 2: nothing to write about. And so okay, I'm going to 23 00:01:05,680 --> 00:01:07,520 Speaker 2: write a kid's song. You know that's easy, get the 24 00:01:07,600 --> 00:01:12,759 Speaker 2: job done, and yeah, it's us really easy and fun. 25 00:01:12,920 --> 00:01:15,959 Speaker 2: I love there's just so many things to write about. 26 00:01:16,319 --> 00:01:20,040 Speaker 2: I just love just taking an object and being curious 27 00:01:20,080 --> 00:01:23,479 Speaker 2: about it. Yeah. I have a song about a Bilbie 28 00:01:24,000 --> 00:01:27,080 Speaker 2: and it's a bilbie so you don't know what a 29 00:01:27,120 --> 00:01:29,200 Speaker 2: bilby is? And I love it about my music is 30 00:01:29,240 --> 00:01:33,520 Speaker 2: that I can use music to help people learn a 31 00:01:33,640 --> 00:01:36,720 Speaker 2: Bilby is a mass soupiel that lives in Australia. Super cute. 32 00:01:37,680 --> 00:01:40,800 Speaker 1: Oh okay, this is a creature. Yeah, this is a creature. 33 00:01:41,440 --> 00:01:43,880 Speaker 2: Also, you know, I've got a song I think what 34 00:01:44,000 --> 00:01:47,080 Speaker 2: I want to you know, what you want to teach 35 00:01:47,120 --> 00:01:49,640 Speaker 2: your show people or you know, have kids learn about 36 00:01:50,200 --> 00:01:52,240 Speaker 2: Sometimes that's my angle. And so you know, I've got 37 00:01:52,240 --> 00:01:54,400 Speaker 2: the song about tad poles and every verse they get 38 00:01:54,400 --> 00:01:56,200 Speaker 2: a new body part, like they get the front legs 39 00:01:56,480 --> 00:01:58,000 Speaker 2: in the back legs. And I love it. It's like 40 00:01:58,000 --> 00:01:59,920 Speaker 2: a little project. I have to go and be like 41 00:02:00,480 --> 00:02:02,520 Speaker 2: which leads come first? So I go on research and 42 00:02:02,560 --> 00:02:04,160 Speaker 2: make sure I've got all my facts, right, and then 43 00:02:04,200 --> 00:02:07,000 Speaker 2: I put it together in a song. But that also, 44 00:02:07,040 --> 00:02:09,120 Speaker 2: you know, kids can dance and move and sing and 45 00:02:09,160 --> 00:02:12,080 Speaker 2: everyone can just be happy to you know, kids songs 46 00:02:12,080 --> 00:02:14,720 Speaker 2: are just so positive. I love it. And so when 47 00:02:14,760 --> 00:02:17,079 Speaker 2: people started liking what I was doing, that made me 48 00:02:17,120 --> 00:02:19,720 Speaker 2: want to do it more, because that it sucks when 49 00:02:19,720 --> 00:02:24,000 Speaker 2: no one listen. You kind of need like the two things, right, 50 00:02:24,040 --> 00:02:26,480 Speaker 2: you need you're the performer, but you need an audience. 51 00:02:26,520 --> 00:02:29,120 Speaker 2: And so I guess it was just really validating. And 52 00:02:29,160 --> 00:02:32,079 Speaker 2: then you know, with my new kids album, ins it On, 53 00:02:32,160 --> 00:02:35,520 Speaker 2: here has funded this project, and that was validating as 54 00:02:35,560 --> 00:02:38,360 Speaker 2: well to me, Like they were like here's here's thirty 55 00:02:38,360 --> 00:02:41,120 Speaker 2: thousand dollars, like go record your kids songs because we 56 00:02:41,240 --> 00:02:44,359 Speaker 2: believe in you. And I was like, oh right, gosh, 57 00:02:44,360 --> 00:02:48,240 Speaker 2: I literally made my life and just got everything. You know, 58 00:02:48,320 --> 00:02:52,440 Speaker 2: after COVID, I wasn't creating a lot having little kids. 59 00:02:52,440 --> 00:02:54,360 Speaker 2: That's really hard, and I didn't really have a way 60 00:02:54,400 --> 00:02:57,120 Speaker 2: to make the music. And then entered Onia came to 61 00:02:57,160 --> 00:02:59,480 Speaker 2: the party, and here we are with a new album 62 00:02:59,520 --> 00:02:59,959 Speaker 2: coming out. 63 00:03:00,240 --> 00:03:03,600 Speaker 1: So that first album kid album that you put out 64 00:03:03,600 --> 00:03:06,560 Speaker 1: suhal all On Friends, the Little Green Turtle and other 65 00:03:06,720 --> 00:03:09,239 Speaker 1: songs and what was that? That was That was almost 66 00:03:09,280 --> 00:03:12,160 Speaker 1: a decade ago, now right, Yeah, I just feel. 67 00:03:11,960 --> 00:03:14,160 Speaker 2: Like you really want to get that and a deckhead 68 00:03:14,160 --> 00:03:18,440 Speaker 2: Ago like, yes, I'm old. I've been making music for 69 00:03:18,440 --> 00:03:21,840 Speaker 2: a long time. That was twenty seventeen, but it's still 70 00:03:21,840 --> 00:03:24,440 Speaker 2: getting a lot to plays on Spotify and recently Run 71 00:03:24,440 --> 00:03:28,120 Speaker 2: Little Mouse went over a million plays. Oh wow, I 72 00:03:28,160 --> 00:03:30,680 Speaker 2: know I started getting checked from Spotify. I'm like, oh, 73 00:03:30,720 --> 00:03:31,360 Speaker 2: this is good. 74 00:03:31,600 --> 00:03:33,559 Speaker 1: Oh really, so that's the Threeshold. 75 00:03:34,880 --> 00:03:36,440 Speaker 2: Oh yeah, so if you go over a million, you're 76 00:03:36,440 --> 00:03:37,800 Speaker 2: getting money in your bed counsel. 77 00:03:38,200 --> 00:03:40,080 Speaker 1: Oh, but we won't break because it's probably like five 78 00:03:40,120 --> 00:03:42,160 Speaker 1: bucks or something right to pay for a coffee. 79 00:03:42,640 --> 00:03:45,240 Speaker 2: No, one month, it was like fifteen hundred dollars. 80 00:03:45,440 --> 00:03:46,680 Speaker 1: Oh there's not nothing. 81 00:03:47,080 --> 00:03:49,040 Speaker 2: Well, you know you can do stuff with that. Yeah, 82 00:03:49,680 --> 00:03:50,560 Speaker 2: I'm not complaining. 83 00:03:51,000 --> 00:03:53,600 Speaker 1: Yeah, and then the real reward must be, you know, 84 00:03:53,720 --> 00:03:56,320 Speaker 1: feedback from people around the world. Did I see on 85 00:03:56,360 --> 00:03:58,720 Speaker 1: your socials that there was a random school in the 86 00:03:58,720 --> 00:04:01,520 Speaker 1: middle of France that had one of your songs as 87 00:04:01,560 --> 00:04:02,600 Speaker 1: part of a school production. 88 00:04:03,760 --> 00:04:06,840 Speaker 2: Yes, and their little French uniforms. Oh my gosh, my 89 00:04:06,960 --> 00:04:08,560 Speaker 2: heart just fell out of my chest. 90 00:04:08,720 --> 00:04:09,760 Speaker 1: How does that even happen? 91 00:04:10,760 --> 00:04:12,920 Speaker 2: I just found. That's the beauty of Spotify ocase, so 92 00:04:13,000 --> 00:04:16,240 Speaker 2: people just find your music and they said, can we 93 00:04:16,320 --> 00:04:18,039 Speaker 2: sing it? And I was, of course, don't even have 94 00:04:18,080 --> 00:04:20,839 Speaker 2: to ask, please send me a video. And maybe six 95 00:04:20,880 --> 00:04:24,040 Speaker 2: months later they practiced it all, you know, all year, 96 00:04:24,120 --> 00:04:26,839 Speaker 2: and then that they send me this cute video, so 97 00:04:26,920 --> 00:04:30,279 Speaker 2: that that was really special. And know that, oh my gosh, 98 00:04:30,320 --> 00:04:33,360 Speaker 2: people are actually listening and using my music and that's 99 00:04:33,360 --> 00:04:34,080 Speaker 2: the aim of the game. 100 00:04:34,240 --> 00:04:35,360 Speaker 1: That fills the sippy cup. 101 00:04:36,440 --> 00:04:39,719 Speaker 2: Oh my god, I'm so false, just like, okay, cool, 102 00:04:39,720 --> 00:04:42,000 Speaker 2: I can keep going, you know, can you go with this? 103 00:04:42,520 --> 00:04:46,080 Speaker 1: So that first album, am I correctly saying? You put 104 00:04:46,080 --> 00:04:48,880 Speaker 1: it together when you didn't have kidlets of your own? 105 00:04:50,000 --> 00:04:51,520 Speaker 2: Correct? So this is pre kids. 106 00:04:51,560 --> 00:04:53,360 Speaker 1: But I'm always. 107 00:04:53,040 --> 00:04:56,200 Speaker 2: Around kids because I teach music, I was running a 108 00:04:56,279 --> 00:04:58,760 Speaker 2: play group. I don't know, I just I am a 109 00:04:58,839 --> 00:04:59,400 Speaker 2: kid person. 110 00:04:59,600 --> 00:05:03,440 Speaker 1: So so here's your approach to songwriting for kids changed 111 00:05:03,480 --> 00:05:05,679 Speaker 1: in the sense that it used to be, Yeah, let's 112 00:05:05,760 --> 00:05:07,920 Speaker 1: make a messin the lound is going to be fun too. 113 00:05:08,640 --> 00:05:11,360 Speaker 1: For God's sake, get your shoes on. We needed to 114 00:05:11,440 --> 00:05:12,440 Speaker 1: leave ten minutes ago. 115 00:05:15,480 --> 00:05:18,960 Speaker 2: Yes, I have a Nephie Change song that needs to 116 00:05:18,960 --> 00:05:21,200 Speaker 2: come out at some point, and it's all about like 117 00:05:21,240 --> 00:05:22,520 Speaker 2: no one wants to get up in the middle of 118 00:05:22,520 --> 00:05:23,200 Speaker 2: the night and do. 119 00:05:23,240 --> 00:05:25,679 Speaker 1: Their nephi change. 120 00:05:26,279 --> 00:05:30,200 Speaker 2: It's just such a good song. And the chorus is 121 00:05:30,320 --> 00:05:36,200 Speaker 2: like sleep, everybody wants to sleep, but this baby keeps 122 00:05:36,200 --> 00:05:38,200 Speaker 2: waking up. And then there's a slight little chat in 123 00:05:38,240 --> 00:05:40,039 Speaker 2: the middle in the bridge that's like you do it. No, 124 00:05:40,120 --> 00:05:43,480 Speaker 2: I did it last time. So I'm nott songs like that. 125 00:05:43,680 --> 00:05:45,520 Speaker 2: I just almost I just need to make a lot 126 00:05:45,680 --> 00:05:48,000 Speaker 2: more music quick, so oh my god, it comes out. 127 00:05:48,040 --> 00:05:49,080 Speaker 2: Get into the next album. 128 00:05:49,360 --> 00:05:51,839 Speaker 1: What about this like a kid's album for the parents 129 00:05:52,080 --> 00:05:55,280 Speaker 1: about the journey of parenting, Like I have no idea 130 00:05:55,360 --> 00:05:58,120 Speaker 1: what's for dinner tonight and it's already five thirty pm. 131 00:05:58,680 --> 00:06:02,320 Speaker 2: Or I've got that I'm in the spare room. I 132 00:06:02,360 --> 00:06:03,680 Speaker 2: can't remember who was in the spare room. But there's 133 00:06:03,720 --> 00:06:06,200 Speaker 2: that song. And then there's also the Missing Sock song, 134 00:06:06,320 --> 00:06:07,600 Speaker 2: but that has swearing in it, So. 135 00:06:10,760 --> 00:06:12,800 Speaker 1: There would be a fair dosa swearing in most of 136 00:06:12,839 --> 00:06:14,680 Speaker 1: mine if I were put it together, especially the one 137 00:06:14,760 --> 00:06:17,800 Speaker 1: about the dad who's pretending to sleep, you know, as 138 00:06:17,839 --> 00:06:19,400 Speaker 1: the baby's up in the middle of the night. That's 139 00:06:19,440 --> 00:06:20,080 Speaker 1: that's a banger. 140 00:06:20,880 --> 00:06:23,120 Speaker 2: Oh Yeah, that's I really feel that. No, I think 141 00:06:23,160 --> 00:06:26,279 Speaker 2: I'm going to consult you on that album project Blue 142 00:06:27,040 --> 00:06:29,040 Speaker 2: give me all your life experience. 143 00:06:29,080 --> 00:06:31,880 Speaker 1: This is a real opportunity of you. Yeah, the dad 144 00:06:31,920 --> 00:06:33,920 Speaker 1: and the toilet for half an hour, because it's time 145 00:06:34,000 --> 00:06:36,719 Speaker 1: to himself. I can see that one being set to 146 00:06:36,760 --> 00:06:41,880 Speaker 1: like a Metallica riff or something that's so well talking 147 00:06:41,920 --> 00:06:44,760 Speaker 1: collabs back to something that has been created. Now, so 148 00:06:44,839 --> 00:06:48,080 Speaker 1: we've got this this new album out and it's something 149 00:06:48,120 --> 00:06:52,200 Speaker 1: to do about groove, grooving, creatures, creature groove and. 150 00:06:52,279 --> 00:06:54,800 Speaker 2: A cool little country song that just got really big. 151 00:06:54,920 --> 00:06:58,560 Speaker 2: Were actually finished the song with Daniel singing it. Daniel 152 00:06:58,680 --> 00:07:02,560 Speaker 2: is in Chanel and Friends. He's longtime collaborator. We actually 153 00:07:02,680 --> 00:07:07,000 Speaker 2: mixed at the Email T Songwriting Awards and I came 154 00:07:07,040 --> 00:07:10,000 Speaker 2: first and he came second, which I never let him forget. 155 00:07:10,760 --> 00:07:11,840 Speaker 1: That's a fun partnership. 156 00:07:13,200 --> 00:07:15,600 Speaker 2: Yeah, and then you know it got romantic and then anyway, 157 00:07:15,760 --> 00:07:19,160 Speaker 2: that's the whole nother story. But we're still very close 158 00:07:19,280 --> 00:07:22,720 Speaker 2: and we write together, and so we're done. We wrote 159 00:07:22,720 --> 00:07:26,120 Speaker 2: Creature Groups together. He sang it, and then I could 160 00:07:26,160 --> 00:07:28,320 Speaker 2: just hear Tammy's voice and though, oh my gosh, imagine 161 00:07:28,320 --> 00:07:30,720 Speaker 2: if she was on it, and so I asked her 162 00:07:30,720 --> 00:07:33,400 Speaker 2: and she said yes, and so she jumped on and 163 00:07:33,480 --> 00:07:36,720 Speaker 2: my producers going okay, that's enough. I said, oh, I 164 00:07:36,760 --> 00:07:39,760 Speaker 2: think I can hear the Top Twins and so I 165 00:07:40,800 --> 00:07:42,560 Speaker 2: had also marrieds. 166 00:07:42,040 --> 00:07:44,000 Speaker 1: And they were recording in the room next door. 167 00:07:43,920 --> 00:07:47,400 Speaker 2: Or I could just hear it in my head when 168 00:07:47,400 --> 00:07:49,280 Speaker 2: I was listening in the car and going, this song 169 00:07:49,400 --> 00:07:52,640 Speaker 2: is not finished, and I just thought, why not? You know, 170 00:07:53,040 --> 00:07:55,280 Speaker 2: Tammy said yes, And I had another song that Susie 171 00:07:55,280 --> 00:07:57,880 Speaker 2: Cater had jumped on, and I thought, actually, people are 172 00:07:57,960 --> 00:08:01,480 Speaker 2: really willing to do with me, so why not just 173 00:08:01,560 --> 00:08:05,760 Speaker 2: go for it and ask And so marrying usked Linda 174 00:08:05,840 --> 00:08:09,240 Speaker 2: for me, and then Maryon sent the text message saying yep, 175 00:08:09,400 --> 00:08:11,640 Speaker 2: me and Jewels are and I literally died. I was 176 00:08:11,680 --> 00:08:14,720 Speaker 2: like you would sitting down the kitchen and I was 177 00:08:14,760 --> 00:08:17,320 Speaker 2: like I can't believe Linda, and like they just said 178 00:08:17,400 --> 00:08:18,840 Speaker 2: yes and they want to sing on my song, and 179 00:08:18,880 --> 00:08:20,640 Speaker 2: I just I'll never get over it. 180 00:08:20,680 --> 00:08:24,200 Speaker 1: Actually, Oh my gosh. So they what was that? 181 00:08:24,360 --> 00:08:24,440 Speaker 2: Like? 182 00:08:24,520 --> 00:08:25,240 Speaker 1: What are they like? 183 00:08:26,400 --> 00:08:29,360 Speaker 2: They are exactly how you would think they are, just 184 00:08:29,560 --> 00:08:32,120 Speaker 2: themselves and how you know, my favorite is that camp 185 00:08:32,120 --> 00:08:36,040 Speaker 2: mother can't leader. They're just so funny us falling over 186 00:08:36,040 --> 00:08:38,480 Speaker 2: in the studio laughing that they just come out as 187 00:08:38,480 --> 00:08:41,920 Speaker 2: the funniest jokes. And then like Linda kind of bosses 188 00:08:42,000 --> 00:08:44,520 Speaker 2: jewels around a bit, like just like how they you know, 189 00:08:44,600 --> 00:08:47,760 Speaker 2: you'd think, and it's just it was so fun. I 190 00:08:47,800 --> 00:08:50,120 Speaker 2: was holding my breath the first time and I had 191 00:08:50,120 --> 00:08:51,800 Speaker 2: to call Linda and I was like, do I call 192 00:08:51,840 --> 00:08:56,320 Speaker 2: her Dane? Yeah, Like I was like, no, don't be, 193 00:08:56,559 --> 00:08:59,840 Speaker 2: don't be silly, don't make it weird, don't be Yeah, 194 00:09:00,000 --> 00:09:02,080 Speaker 2: I like that looking at her in that name lumber 195 00:09:02,080 --> 00:09:03,880 Speaker 2: and I said it like ten minutes just trying to 196 00:09:03,920 --> 00:09:07,040 Speaker 2: press the button and I just barely could breathe. And 197 00:09:07,080 --> 00:09:08,679 Speaker 2: so anyway, they said, yeah, we want to go to 198 00:09:08,720 --> 00:09:10,960 Speaker 2: Stebbings and I said I'll meet you there. So I 199 00:09:11,040 --> 00:09:14,120 Speaker 2: drove up from Papamala and we recorded the song and 200 00:09:14,960 --> 00:09:18,559 Speaker 2: now I hear it is just it's such a party. 201 00:09:18,240 --> 00:09:20,560 Speaker 2: It's a it's a country howdown party, and I'm so 202 00:09:20,679 --> 00:09:23,440 Speaker 2: proud and yeah, it's like a life highlight that I'll 203 00:09:23,480 --> 00:09:26,559 Speaker 2: never ever get over it. Oh, I bet that happened. 204 00:09:26,679 --> 00:09:28,920 Speaker 1: You can hear Tammy Nielsen refer to it as a 205 00:09:28,920 --> 00:09:31,760 Speaker 1: hoe down throw down during the song and whatnot. And 206 00:09:31,800 --> 00:09:34,200 Speaker 1: then every now and then, like while Dan singing away, 207 00:09:34,240 --> 00:09:36,240 Speaker 1: you can just hear a yeahoo and a year, which 208 00:09:36,280 --> 00:09:38,640 Speaker 1: I assume is Linda and Jewels in the background. Was 209 00:09:38,679 --> 00:09:41,480 Speaker 1: any of that scripted or is it just them having 210 00:09:41,520 --> 00:09:41,920 Speaker 1: some fun? 211 00:09:42,800 --> 00:09:45,400 Speaker 2: That is them having a pun? I said, I said, 212 00:09:45,400 --> 00:09:47,200 Speaker 2: I just want you to add lib and just be 213 00:09:47,400 --> 00:09:48,840 Speaker 2: like this, and they wore kind of looking at me 214 00:09:48,960 --> 00:09:52,360 Speaker 2: like okay, and then they kind of did what I thought, 215 00:09:52,400 --> 00:09:54,040 Speaker 2: and then they added their own things. And then when 216 00:09:54,120 --> 00:09:57,360 Speaker 2: Jewels goes tammy you get your clothes back on, I 217 00:09:58,840 --> 00:10:02,600 Speaker 2: so funny, like we were just actually wetting ourselves laughing. 218 00:10:03,360 --> 00:10:05,719 Speaker 2: So yeah, they just add laving because they are you know, 219 00:10:05,840 --> 00:10:09,480 Speaker 2: they're the top twes that they're just naturally very funny 220 00:10:09,600 --> 00:10:11,800 Speaker 2: and it was just easy for them and they were 221 00:10:11,880 --> 00:10:14,560 Speaker 2: laughing like we were editing it together. And then when 222 00:10:14,640 --> 00:10:17,760 Speaker 2: Jewels goes up and come ready from out putting right 223 00:10:17,800 --> 00:10:20,480 Speaker 2: at the end, it's just so random, but they're humor. 224 00:10:20,520 --> 00:10:22,000 Speaker 2: I just love it so much, so. 225 00:10:22,720 --> 00:10:27,400 Speaker 1: Do so yourself. This is part of a wider album. 226 00:10:27,559 --> 00:10:31,040 Speaker 1: Is all of that dropping tomorrow Friday? Or is it 227 00:10:31,160 --> 00:10:32,040 Speaker 1: just the album? 228 00:10:33,120 --> 00:10:35,520 Speaker 2: This is the first single and then the album comes 229 00:10:35,520 --> 00:10:38,679 Speaker 2: in January, the fourth album, which does feature like Susie 230 00:10:38,679 --> 00:10:41,640 Speaker 2: Cato Craig Smith who wrote a Wonky Donkey, We have 231 00:10:41,720 --> 00:10:44,400 Speaker 2: a glowing bung that has every like word for bum 232 00:10:44,760 --> 00:10:49,439 Speaker 2: in it and he is so funny too. Oh my gosh. 233 00:10:49,440 --> 00:10:52,560 Speaker 2: We have some such great people in New Zealand. Yeah 234 00:10:52,600 --> 00:10:57,400 Speaker 2: and yeah, so there's some other great collaborations too. So yeah, 235 00:10:57,559 --> 00:10:59,440 Speaker 2: I guess watch out for the album coming and then 236 00:10:59,480 --> 00:11:02,880 Speaker 2: I'm going to be performing my butt off all over 237 00:11:02,920 --> 00:11:04,240 Speaker 2: the country for the entire year. 238 00:11:04,880 --> 00:11:07,920 Speaker 1: I had such a special experience Chanelle Davis. It would 239 00:11:07,920 --> 00:11:11,200 Speaker 1: have been about six months ago that mister Yippitty Dino 240 00:11:11,400 --> 00:11:14,240 Speaker 1: the knee nor fire engine Man came to town. And 241 00:11:14,679 --> 00:11:17,800 Speaker 1: I can't say that we Ellis was, you know, a 242 00:11:17,840 --> 00:11:20,120 Speaker 1: particular fan of his before that. But it didn't matter 243 00:11:20,440 --> 00:11:23,079 Speaker 1: because we went along to the New Life Church here 244 00:11:23,120 --> 00:11:25,480 Speaker 1: in Ashburton and it was all fun and she was 245 00:11:25,600 --> 00:11:27,920 Speaker 1: dancing like I've never seen her dance before. She was 246 00:11:27,960 --> 00:11:30,040 Speaker 1: singing along to lyrics that she had no idea what 247 00:11:30,120 --> 00:11:32,920 Speaker 1: it was. We bought the book afterwards, and you know, 248 00:11:33,000 --> 00:11:35,160 Speaker 1: we get the selfie and whatnot. So I'd love to 249 00:11:35,240 --> 00:11:38,200 Speaker 1: replicate that experience. Are you're going to be coming anywhere 250 00:11:38,200 --> 00:11:40,559 Speaker 1: near Ashburton on your travels. 251 00:11:41,400 --> 00:11:44,360 Speaker 2: Oh, I'll be going everywhere and definitely coming to see you. 252 00:11:44,720 --> 00:11:46,679 Speaker 2: I need that you take dance classes because I think 253 00:11:46,720 --> 00:11:50,559 Speaker 2: I'm a little bit wouldn't dancing is not my thaying, 254 00:11:50,600 --> 00:11:52,599 Speaker 2: but oh I need to I need to take She 255 00:11:52,679 --> 00:11:54,840 Speaker 2: get better at that. But it is just. 256 00:11:55,040 --> 00:11:58,200 Speaker 1: There's arms and there's waists being twisted in ways. So 257 00:11:58,240 --> 00:12:01,720 Speaker 1: I didn't think it would put me in hospital all anyway, they're. 258 00:12:01,600 --> 00:12:06,600 Speaker 2: So thindy, they's so they're so cool. You just need 259 00:12:06,600 --> 00:12:08,199 Speaker 2: to hang out with kids, Moore, I think. And then 260 00:12:08,200 --> 00:12:10,240 Speaker 2: life is life is better. That's what it's all about. 261 00:12:10,400 --> 00:12:12,400 Speaker 1: Yeah, do you love winding them up in the sense 262 00:12:12,520 --> 00:12:15,240 Speaker 1: you know there might be a pause between songs and oh, 263 00:12:15,280 --> 00:12:20,040 Speaker 1: where's where's this critic gone? He's over there, he's behind you. 264 00:12:21,280 --> 00:12:23,120 Speaker 2: You know what I do is because I've got the 265 00:12:23,160 --> 00:12:25,920 Speaker 2: run little mouse song. I hired a piece of cheese 266 00:12:26,040 --> 00:12:29,679 Speaker 2: before the show and then I tell everyone to find 267 00:12:29,760 --> 00:12:32,439 Speaker 2: it and literally they could plain. And there was one 268 00:12:32,559 --> 00:12:35,120 Speaker 2: once a Taradale library and there would have been two 269 00:12:35,200 --> 00:12:38,120 Speaker 2: hundred people in there, and I say go find it 270 00:12:38,240 --> 00:12:41,199 Speaker 2: and Larry. The library is like shaking with people running 271 00:12:41,200 --> 00:12:45,720 Speaker 2: around and the librarians look like they're gonna die library. 272 00:12:46,320 --> 00:12:48,600 Speaker 2: I've also been banned from the Dunedin Library. I just 273 00:12:48,640 --> 00:12:49,240 Speaker 2: remember that. 274 00:12:49,520 --> 00:12:50,560 Speaker 1: Wow, would you do that? 275 00:12:51,559 --> 00:12:57,760 Speaker 2: I just we had too much fun and brands and 276 00:12:57,840 --> 00:13:01,160 Speaker 2: I got banned in every others called band as well. 277 00:13:01,200 --> 00:13:03,839 Speaker 1: So oh my god, they've ruined it for mister you 278 00:13:04,480 --> 00:13:07,720 Speaker 1: and for the Wonky Donkey man. It was you no one. 279 00:13:07,600 --> 00:13:12,000 Speaker 2: Can go to. That was the memory I had buried. 280 00:13:12,040 --> 00:13:16,199 Speaker 1: But what a badge of honor that you've set the bar. 281 00:13:16,320 --> 00:13:17,600 Speaker 1: Now we're going to try and get your band from 282 00:13:17,600 --> 00:13:20,520 Speaker 1: the a Shmutan Library. 283 00:13:20,880 --> 00:13:24,520 Speaker 2: I love interactive shows and yes, finding a little bit 284 00:13:24,559 --> 00:13:26,160 Speaker 2: of cheat and you get a prize like I'm all 285 00:13:26,200 --> 00:13:26,640 Speaker 2: about that. 286 00:13:26,679 --> 00:13:28,720 Speaker 1: You know, Oh that is going to be so cool. 287 00:13:28,760 --> 00:13:30,400 Speaker 1: So we have to wait for the data on that, 288 00:13:30,440 --> 00:13:31,680 Speaker 1: do we Is that all pending for? 289 00:13:32,160 --> 00:13:34,280 Speaker 2: Yeah, the tour and that will come out. I want 290 00:13:34,400 --> 00:13:36,120 Speaker 2: the album's out and I just want to give people 291 00:13:36,160 --> 00:13:39,760 Speaker 2: a chance to know my first. I know you you're 292 00:13:39,760 --> 00:13:42,800 Speaker 2: giving me confidence when you say that doesn't matter, you know. 293 00:13:43,520 --> 00:13:46,000 Speaker 1: Oh that's brilliant. Hey, it's been so wonderful to catch 294 00:13:46,080 --> 00:13:49,000 Speaker 1: up again. I look forward to sharing the link of 295 00:13:49,080 --> 00:13:53,160 Speaker 1: the new queue of the new tune, the Creature Groove, 296 00:13:53,360 --> 00:13:56,440 Speaker 1: and we'll watch the space for the album and the tour. 297 00:13:56,440 --> 00:13:58,360 Speaker 1: I can't wait to welcome to your wish button sometimes 298 00:13:58,360 --> 00:13:58,839 Speaker 1: soon Channel. 299 00:13:59,240 --> 00:13:59,920 Speaker 2: Thanks so much,