WEBVTT - Episode 4: Understanding Natalia 

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<v Speaker 1>This episode contains references to suicide. You can find links

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<v Speaker 1>in our show notes to support services. For over twenty years,

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<v Speaker 1>Natalia Burgess has created online fantasy worlds using photographs lifted

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<v Speaker 1>from the social media accounts of others. She has crafted

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<v Speaker 1>worlds where she's pretty popular and surrounded by a group

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<v Speaker 1>of friends who are equally beloved. She could have stopped

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<v Speaker 1>at breathing life until all these characters and just basked

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<v Speaker 1>in the attention that they received, living as Abbi Becker,

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<v Speaker 1>Rachel Kayley and all the other names. But she went

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<v Speaker 1>so much further. She's the writer, director, and producer of

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<v Speaker 1>her own cinematic universe, where the most extraordinary things can

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<v Speaker 1>and usually do happen, and often they happen because Natalia

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<v Speaker 1>engineers it to be so. Remember, she has called herself

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<v Speaker 1>up a tear. She's convinced people to become online friends, lovers,

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<v Speaker 1>surrogate grandparents for children who didn't exist. Her characters have

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<v Speaker 1>fallen pregnant and miscarried. She's killed off characters with car

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<v Speaker 1>accidents and suicide, then broken the news over the phone

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<v Speaker 1>to people who shock at the loss. Is still palpable today,

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<v Speaker 1>as you've heard over the last three episodes. Many of

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<v Speaker 1>those full Bonatalia have strong feelings about her behavior.

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<v Speaker 2>And to this day always looking over my shoulder. I

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<v Speaker 2>don't want friendships because of this.

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<v Speaker 3>It's her and annoy that she's done all this for

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<v Speaker 3>what what reason would she get out of doing this?

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<v Speaker 1>It was crazy. It was like she knew where to

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<v Speaker 1>hit us were her.

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<v Speaker 4>She's just shadow stalker. I don't trust people. You just

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<v Speaker 4>want to co sort the skirl ours, give her a

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<v Speaker 4>shake and say what's wrong with you?

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<v Speaker 5>That was almost to the point where it made me

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<v Speaker 5>sick and the stomach well of what this woman.

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<v Speaker 4>Was do we I'm so so and agree with her.

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<v Speaker 3>She just doesn't get the fact that she's messing with

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<v Speaker 3>people's lives.

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<v Speaker 2>She's a monster. She is a monster with no conscience.

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<v Speaker 1>You can understand the pain and heartbreak that these people

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<v Speaker 1>have felt. It took years for some of them to

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<v Speaker 1>realize the truth about how they have been betrayed. Many

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<v Speaker 1>are still living with the pain and trauma from those

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<v Speaker 1>incidents now. But another thing many share is a need

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<v Speaker 1>to understand Natalia, to understand why someone they didn't know

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<v Speaker 1>caused them so much pain. My name's David Fisher and

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<v Speaker 1>I'm the investigative journalist who exposed Natalia thirteen years ago,

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<v Speaker 1>and ever since I've wanted that too. I want to

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<v Speaker 1>know what makes Natalia tick, and I know just the

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<v Speaker 1>right person to help me understand the puppeteer.

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<v Speaker 4>I'm doctor Justin Barry walf She, a forensic psychiatrist. Have

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<v Speaker 4>been doing that for about thirty years. What that means

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<v Speaker 4>is I am a psychiatrist that works with people that

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<v Speaker 4>come into contact with law in various ways, particularly those

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<v Speaker 4>people that can make criminal offenses.

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<v Speaker 1>Justin works with a wide range of people with mental

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<v Speaker 1>health issues who have committed crimes from the low to

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<v Speaker 1>the most serious end of the scale. I met Justin

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<v Speaker 1>because of the work he was doing identifying people who

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<v Speaker 1>have particular fixations with politicians.

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<v Speaker 4>I work as the lead clinician for the Fixator Threat

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<v Speaker 4>Assessment Center, which is a novel service that deals with

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<v Speaker 4>people that communicate in concerning and threatening ways with politicians.

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<v Speaker 4>The reason for doing that is not tech politicians, but

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<v Speaker 4>because it identifies a group of people are often an

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<v Speaker 4>urgent need of intervention and mental health treatment.

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<v Speaker 1>As a journalist, when I'm writing about people who do

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<v Speaker 1>unusual things, I find it possible to ignore the question why.

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<v Speaker 1>It's a question that scratches at me because it's not

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<v Speaker 1>just an enough to explain what someone is doing. Rather,

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<v Speaker 1>I need to understand what drove someone to do what

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<v Speaker 1>they did or behave as they have. When it came

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<v Speaker 1>to finding a mental health professional with an expertise and

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<v Speaker 1>people who had fixations who was stalkers, Dr Barry Walsh

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<v Speaker 1>is the perfect sounding board to help me understand Natalia.

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<v Speaker 1>I provided Dr Barry Walsh with as much base information

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<v Speaker 1>as I could, and that included all the stories published,

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<v Speaker 1>But I first encountered Natalia and the judges sentencing notes

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<v Speaker 1>from twenty thirteen and the parole reports when Natalia sought

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<v Speaker 1>to be released from jail. First though a caveat, one

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<v Speaker 1>from me and one from Dr Barry Walsh, but both

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<v Speaker 1>with the same message. What we learn here is speculation,

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<v Speaker 1>albeit speculation informed through three decades of experience. Here's Dr

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<v Speaker 1>Barry Walsh with the same message.

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<v Speaker 4>I qualify what I'd say first by indicating I've never

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<v Speaker 4>interview this woman. So there's a great deal. I don't

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<v Speaker 4>know about it.

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<v Speaker 1>But there's enough there to get an inkling, a speculative

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<v Speaker 1>inkling that for me rings true. With all I now

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<v Speaker 1>know about Natalia.

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<v Speaker 4>What strikes me about this woman is from a psychiatric perspective.

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<v Speaker 4>I see it primarily as having difficulties and profound difficulties

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<v Speaker 4>based on the information that's available to me in her

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<v Speaker 4>personality functioning, this sense of identity, and the way in

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<v Speaker 4>which she expresses herself, and that includes presumably in her sexuality,

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<v Speaker 4>and in her ability and facility to relate to other people.

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<v Speaker 4>I think these are the kind of things that probably

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<v Speaker 4>are contributing to this extraordinary pattern of behavior that we're seeing.

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<v Speaker 1>An extraordinary pattern of behavior, well, that's one way of

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<v Speaker 1>putting it. But before we get any further, we need

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<v Speaker 1>to take a step back. For three episodes, we've heard

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<v Speaker 1>from a lot of Natalia's victims. We've been talking a

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<v Speaker 1>lot about Natalia and her characters, but not as much

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<v Speaker 1>about the woman herself. I think it's about time you

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<v Speaker 1>met Natalia properly to give you a better, more rounded

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<v Speaker 1>picture of who she is. I need to share what

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<v Speaker 1>I've learned about her over the last thirteen years. And

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<v Speaker 1>the first thing I'll tell you about Natalia is that,

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<v Speaker 1>in spite of all that she has done, I like her.

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<v Speaker 1>She's a bright, bubbly personality. She's also self aware and

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<v Speaker 1>she's fragile. This is chasing ghosts, the puppeteer, and it's

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<v Speaker 1>time we met the woman who's pulling the strings. Natalia

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<v Speaker 1>raved Burgess was born in nineteen eighty four. She's of

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<v Speaker 1>some own ethnicity and adopted into a Parlagy or European

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<v Speaker 1>family who adoptive parents are hard working, church going people

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<v Speaker 1>whose lives have largely revolved around their service to the

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<v Speaker 1>Salvation Army. The Natalia Io Church is an important part

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<v Speaker 1>of her life. With her parents' lives dedicated to service

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<v Speaker 1>through the Salvation Army, they moved around a lot, so

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<v Speaker 1>while Natalia might have started in Hamilton, there were periods

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<v Speaker 1>lived in Palmsden North and Christchurch and for a period

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<v Speaker 1>on the West Coast of the South Island. The West

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<v Speaker 1>Coast is one of New Zealand's least diverse communities. In

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<v Speaker 1>twenty twenty three, when nine percent of New Zealand's population

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<v Speaker 1>identified as Pacifica, the community on the West Coast was

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<v Speaker 1>a fraction, not even two percent. It's hard to describe

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<v Speaker 1>how isolating that experience would have been. In her nineteen

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<v Speaker 1>ninety two class photo from Westport North School. Natalia is

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<v Speaker 1>one of the few facing the camera who is not European,

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<v Speaker 1>and of those kids, she's the only one who's not Malory.

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<v Speaker 1>By her teenage years. Though Natalie was in christ Church

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<v Speaker 1>at Avonside Girls High. In classmates I've spoken to, they

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<v Speaker 1>remember her as trouble, someone who gossiped, caused drama, and

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<v Speaker 1>this was something she acknowledged later in her interview with

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<v Speaker 1>sixty Minutes.

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<v Speaker 6>I started stealing to buy friends, and that's probably where

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<v Speaker 6>it all started. From buying friends. I can remember very

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<v Speaker 6>vivili asist your money and then invite everyone in the

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<v Speaker 6>classroom fish ships for lunch.

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<v Speaker 1>It was around this period she told me that she

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<v Speaker 1>began to abuse alcohol and drugs.

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<v Speaker 7>It started off.

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<v Speaker 6>Just like alcohol and we done in christ Church and

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<v Speaker 6>agree spa hero one for a little bit. And then

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<v Speaker 6>I went to Rehead and supposedly that saved the whole world,

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<v Speaker 6>but it didn't.

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<v Speaker 7>It was just a great, big lie. And then we

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<v Speaker 7>came up here and I was introduced to pee and

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<v Speaker 7>then that was.

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<v Speaker 6>The end of it.

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<v Speaker 1>How's that decade old audio quality? If you've been listening

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<v Speaker 1>since episode one, then you may recognize that crackle and

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<v Speaker 1>all that background noise. That was back in twenty eleven

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<v Speaker 1>when I interviewed Natalia for the first time at the

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<v Speaker 1>Muffin break in the Westfield malland Monaco, You'll recall that

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<v Speaker 1>it took me a while to get the interview with Natalia.

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<v Speaker 1>I'd written several stories by the time Natalia finally agreed

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<v Speaker 1>to chat, all of them from the perspective of her

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<v Speaker 1>victims and those who have been hurt by her. But

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<v Speaker 1>this was the first time I really got to know

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<v Speaker 1>her story in her own words, though her story can

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<v Speaker 1>also be found through court documents from around the country.

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<v Speaker 1>There's a lot of darkness in Natalia's backstory, drug abuse,

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<v Speaker 1>addiction issues, gang connections.

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<v Speaker 7>I don't know who I.

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<v Speaker 6>Am without the drugs because the drugs have been in

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<v Speaker 6>my life since I was Bourte. I'd been part of

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<v Speaker 6>different games. I've been part of, you know that kind

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<v Speaker 6>of stuffed at I was Bourte.

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<v Speaker 1>And there's prostitution as well in her past.

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<v Speaker 5>So motions related to with a six week no But

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<v Speaker 5>you've been fought by police workers six weekly.

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<v Speaker 7>Why did you do that?

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<v Speaker 4>Where did Jandigo past hitch?

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<v Speaker 5>Yeah, when you're quite young then was that it was

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<v Speaker 5>a long time ago down there.

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<v Speaker 7>I was fourteene.

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<v Speaker 4>Yeah.

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<v Speaker 1>Natalia left christ Church around the age of seventeen or

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<v Speaker 1>eighteen and moved to Auckland. That criminal offending continued there,

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<v Speaker 1>which was when Natalia started down the path that leads

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<v Speaker 1>us to this podcast. Back in twenty eleven, Natalia told

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<v Speaker 1>me that in christ Church she had never used the

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<v Speaker 1>Internet because the family didn't have a computer. But in

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<v Speaker 1>two thousand and one, when Natalia moved to Auckland with

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<v Speaker 1>her family, she did have access, and that's when her

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<v Speaker 1>relationship with social media began. Back then, the Internet was

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<v Speaker 1>very much in its infancy, the age of dial up

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<v Speaker 1>modems that you couldn't use the same time in order

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<v Speaker 1>to make a phone call. When Natalia ventured online, she

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<v Speaker 1>found a corner of the Internet called usenet, a network

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<v Speaker 1>of online discussion forums broken up into specific interest areas

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<v Speaker 1>used at birth a lot of the terms we now

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<v Speaker 1>use online, such as faq or spam and sock puppet,

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<v Speaker 1>the term used for online false identities. And that's where

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<v Speaker 1>Natalia started using a character called Chickadee and creating an

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<v Speaker 1>online persona. That was the beginning of sprawling fancy worlds

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<v Speaker 1>that would last for decades.

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<v Speaker 6>Yeah, that was like when we first moved to Auckland,

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<v Speaker 6>and that was the found a net that was using

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<v Speaker 6>different handles rather than different personalities.

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<v Speaker 7>Then it was just an emits of thing.

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<v Speaker 1>As technology developed, it created further richer opportunities.

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<v Speaker 6>And the more the years prose, I think, the more

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<v Speaker 6>I got better at it and the more I got clever,

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<v Speaker 6>and all technology came into handlight elf wound.

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<v Speaker 1>It's difficult to track when exactly catfishing became what appears

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<v Speaker 1>to be a full time job for Natalia. I can

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<v Speaker 1>guess that as more social media networks launched that she

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<v Speaker 1>slowly found a way online. It was MySpace in two

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<v Speaker 1>thousand and three, Bibo in two thousand and five, and

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<v Speaker 1>the big one, Facebook in two thousand and six. We know,

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<v Speaker 1>for example, that one of her first fully fleshed out

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<v Speaker 1>characters was called Amy, who found life on Bibo in

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<v Speaker 1>its early days. We also know that it was around

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<v Speaker 1>two thousand and six that she started taking the photos

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<v Speaker 1>that formed the basis for the Laura West character. At

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<v Speaker 1>this time, Natalia was in Wellington because court documents show

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<v Speaker 1>that she lied to the charity for Pregnant Young People

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<v Speaker 1>about expecting a child, and while in Wellington, there were

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<v Speaker 1>two teenagers that she became involved with. I can't say

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<v Speaker 1>too much about the case, but I did speak with

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<v Speaker 1>the mother of these boys, who recalls the Talia calling

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<v Speaker 1>with some big news.

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<v Speaker 8>She said she was pregnant to one or the other

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<v Speaker 8>of the boys. This was our first grandchild. They thought

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<v Speaker 8>they could handle it, but she's obsessive.

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<v Speaker 1>This was around the time Natalia sought shelter at the

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<v Speaker 1>Home for teenage Mums. Ultimately, she was convicted of ford

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<v Speaker 1>because well, she wasn't pregnant.

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<v Speaker 8>I don't know if she knows herself where the truth

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<v Speaker 8>ends and the facts begin.

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<v Speaker 7>She tells so many stories.

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<v Speaker 8>She weaves in these stories, she finds out about all

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<v Speaker 8>their friends and weaves in people in the neighborhood.

0:13:40.480 --> 0:13:43.199
<v Speaker 1>By two thousand and eight, Natalie was in prison and

0:13:43.600 --> 0:13:46.520
<v Speaker 1>even from behind bars, was able to reach out and

0:13:46.640 --> 0:13:50.120
<v Speaker 1>connect with those she was falling. Another mom I spoke

0:13:50.200 --> 0:13:53.559
<v Speaker 1>to a woman whose son Natalia formed a relationship with

0:13:53.760 --> 0:13:57.920
<v Speaker 1>through a false character record communication, with her switching from

0:13:58.000 --> 0:14:01.520
<v Speaker 1>mainly online to mainly tell her phone. It was only

0:14:01.640 --> 0:14:04.319
<v Speaker 1>much later that she learned Natalia had been in prison

0:14:04.600 --> 0:14:07.400
<v Speaker 1>and at a time inside overlapped with the increase in

0:14:07.520 --> 0:14:12.520
<v Speaker 1>voice calls, but it wasn't only voice calls. Even when

0:14:12.600 --> 0:14:16.280
<v Speaker 1>in prison, Natalia claimed she could go online. When I

0:14:16.400 --> 0:14:19.040
<v Speaker 1>introduced Natalia to the woman who was the face for

0:14:19.120 --> 0:14:22.440
<v Speaker 1>Laura West, this is what she said during that conversation.

0:14:22.640 --> 0:14:25.680
<v Speaker 6>All those times there was chances for me to go online,

0:14:25.920 --> 0:14:28.640
<v Speaker 6>still pretend to du online. We could guard there would bring.

0:14:28.640 --> 0:14:29.000
<v Speaker 3>Us uff in.

0:14:29.160 --> 0:14:32.720
<v Speaker 1>By twenty ten, Natalie was out of prison and living

0:14:32.800 --> 0:14:35.960
<v Speaker 1>with her parents back in Auckland, not far from Monaco.

0:14:36.400 --> 0:14:39.080
<v Speaker 1>She told me later that she'd given up drugs at

0:14:39.080 --> 0:14:42.600
<v Speaker 1>this point, which we'll come back to. We also know

0:14:42.840 --> 0:14:46.400
<v Speaker 1>that she was obsessed with Shortened Street, New Zealand's longest

0:14:46.520 --> 0:14:50.320
<v Speaker 1>running soap opera at the time. She would go on

0:14:50.560 --> 0:14:53.880
<v Speaker 1>to link her false characters to several of the actors,

0:14:54.440 --> 0:14:58.080
<v Speaker 1>claiming either a connection by family or in one case,

0:14:58.720 --> 0:15:03.200
<v Speaker 1>claiming that she was carrying an actor's child. Speaking to

0:15:03.280 --> 0:15:06.800
<v Speaker 1>me in twenty eleven, a year later, Natalia said that

0:15:06.960 --> 0:15:08.840
<v Speaker 1>she had wanted to give it all up.

0:15:09.200 --> 0:15:10.680
<v Speaker 6>I think I was just trying to get rid of it,

0:15:11.440 --> 0:15:14.080
<v Speaker 6>Like I got rid of Amy and then I got

0:15:14.160 --> 0:15:14.680
<v Speaker 6>seen to jail.

0:15:15.200 --> 0:15:15.760
<v Speaker 7>End the story.

0:15:16.400 --> 0:15:18.320
<v Speaker 6>Amy got rid of I got rid of got seen

0:15:18.400 --> 0:15:21.160
<v Speaker 6>to Jaile Inger player story and I dad.

0:15:21.240 --> 0:15:24.320
<v Speaker 7>Deal with anybody ir again. And then when I got

0:15:24.400 --> 0:15:26.040
<v Speaker 7>out of jail, I'm not what happened.

0:15:26.080 --> 0:15:28.040
<v Speaker 6>I think I just went on Laura's a great profile

0:15:28.120 --> 0:15:32.320
<v Speaker 6>and then I just he hatted talking Van and I

0:15:32.400 --> 0:15:33.600
<v Speaker 6>had a horrible day at home.

0:15:33.680 --> 0:15:34.840
<v Speaker 7>I think in the probation.

0:15:34.600 --> 0:15:37.400
<v Speaker 6>Officer they had really about session and then I just

0:15:37.840 --> 0:15:39.360
<v Speaker 6>ended up starting.

0:15:39.080 --> 0:15:39.560
<v Speaker 3>All over you.

0:15:40.160 --> 0:15:42.840
<v Speaker 1>The death of Amy is not the last time Natalia

0:15:42.960 --> 0:15:45.280
<v Speaker 1>killed off her character, but she had plenty of other

0:15:45.400 --> 0:15:50.200
<v Speaker 1>characters to take her place. Laura, Rachel Becker, Abby, this

0:15:50.440 --> 0:15:54.240
<v Speaker 1>was their time to shine. That's when Natalia's schemes and

0:15:54.360 --> 0:15:58.400
<v Speaker 1>machinations went into high gear. The number of people she

0:15:58.520 --> 0:16:02.520
<v Speaker 1>engaged with ramped up. This is when she started catfishing

0:16:02.600 --> 0:16:05.880
<v Speaker 1>the likes of Ethan and Sam from episode one, when

0:16:05.920 --> 0:16:09.000
<v Speaker 1>she met the mother and daughter Bernie and Emma. When

0:16:09.040 --> 0:16:12.560
<v Speaker 1>she went after around forty boys from Saint Thomas's School

0:16:12.640 --> 0:16:17.760
<v Speaker 1>in Canterbury, it was all consuming, an all but guarantee

0:16:17.840 --> 0:16:22.680
<v Speaker 1>that someone somewhere was going to take action, and that

0:16:23.160 --> 0:16:27.160
<v Speaker 1>turned out to be me revealing her identity in twenty eleven.

0:16:28.040 --> 0:16:32.160
<v Speaker 1>Two years later, she went to jail and when sentenced,

0:16:32.680 --> 0:16:36.600
<v Speaker 1>the judge told the court Natalia had around forty convictions

0:16:36.640 --> 0:16:41.200
<v Speaker 1>in total, multiple convictions for fraud in number for not

0:16:41.320 --> 0:16:46.120
<v Speaker 1>complying with court orders. There she stayed until May twenty fifteen,

0:16:46.400 --> 0:16:50.520
<v Speaker 1>when she was released on parole. That is, until she

0:16:50.680 --> 0:16:53.280
<v Speaker 1>was caught in breach of a parole condition that she

0:16:53.600 --> 0:16:56.960
<v Speaker 1>wasn't to access the Internet, and that led to a

0:16:57.080 --> 0:17:00.520
<v Speaker 1>return to jail and another six months on her sentence.

0:17:01.600 --> 0:17:06.360
<v Speaker 1>She was eventually released in November twenty fifteen. Then at

0:17:06.440 --> 0:17:11.040
<v Speaker 1>some point in twenty sixteen, Kaylie Rose emerges We're in

0:17:11.080 --> 0:17:15.080
<v Speaker 1>the face of Crystal Jenna and starts messaging Danica Baxter.

0:17:24.080 --> 0:17:26.560
<v Speaker 1>With all that in mind, let's go back to Dr

0:17:26.760 --> 0:17:31.560
<v Speaker 1>Justin Barry Walsh, and again I must stress he is speculating.

0:17:31.960 --> 0:17:35.680
<v Speaker 4>Look, the first thing is that she sounds like she's

0:17:35.720 --> 0:17:39.280
<v Speaker 4>been doing this since the internet's been available to do this,

0:17:39.440 --> 0:17:42.639
<v Speaker 4>which leads me to speculate that even prior to that,

0:17:42.960 --> 0:17:47.000
<v Speaker 4>she had a proclivity for or a tendency to invent

0:17:48.119 --> 0:17:51.879
<v Speaker 4>or to fantasize about herself and who she was. Because

0:17:52.080 --> 0:17:56.879
<v Speaker 4>that doesn't just start suddenly. I think that it highlights

0:17:57.119 --> 0:18:01.639
<v Speaker 4>that there are enduring aspects of his secological makeup. One

0:18:01.680 --> 0:18:04.639
<v Speaker 4>of the things that strikes me is she has this

0:18:05.000 --> 0:18:09.400
<v Speaker 4>incredible capacity and tendency in quite a self destructive way,

0:18:09.520 --> 0:18:12.760
<v Speaker 4>ultimately to lie and to lie about everything, to lie

0:18:12.800 --> 0:18:16.879
<v Speaker 4>about her identity, and to exaggerate in kind of grandiose

0:18:16.920 --> 0:18:19.320
<v Speaker 4>and fantastic ways at times as well. You don't look

0:18:19.359 --> 0:18:22.600
<v Speaker 4>at all these dramatic things she's claimed. Now, there is

0:18:22.640 --> 0:18:25.119
<v Speaker 4>a term for that. It is just a description of

0:18:25.160 --> 0:18:28.960
<v Speaker 4>the behavior. We call it pseudo logia fantastic, which just

0:18:29.160 --> 0:18:35.320
<v Speaker 4>means a fantastic lying when translated in my experience and

0:18:35.400 --> 0:18:38.320
<v Speaker 4>from the limited literature about this as a behavior when

0:18:38.400 --> 0:18:41.840
<v Speaker 4>it emerges in the context of personality disturbance, because there

0:18:41.880 --> 0:18:44.760
<v Speaker 4>can be other things sitting underneath it, it often seems

0:18:44.800 --> 0:18:47.000
<v Speaker 4>to relate to someone who has a profound sense of

0:18:47.080 --> 0:18:50.199
<v Speaker 4>inadequacy about who they are, not sure who they are,

0:18:50.840 --> 0:18:56.520
<v Speaker 4>and a desire to lie in order to be or

0:18:56.600 --> 0:18:58.960
<v Speaker 4>to possess things that she doesn't have.

0:18:59.520 --> 0:19:01.880
<v Speaker 1>Which from reminded me of something that Tarlie has said

0:19:02.119 --> 0:19:03.240
<v Speaker 1>on Sixty Minutes.

0:19:03.720 --> 0:19:05.879
<v Speaker 6>I've never felt a traits of and I've never felt

0:19:06.920 --> 0:19:12.040
<v Speaker 6>love a mess. I literally didn't like how I was,

0:19:12.160 --> 0:19:15.000
<v Speaker 6>I hated my life and so that's when I first

0:19:15.080 --> 0:19:15.679
<v Speaker 6>created Amy.

0:19:16.760 --> 0:19:19.160
<v Speaker 4>Back to Dr Barry Walsh, as I've had a sense

0:19:19.160 --> 0:19:22.239
<v Speaker 4>of inadequacy and low self esteem in terms of who

0:19:22.320 --> 0:19:26.080
<v Speaker 4>she is and what she aspires or would like to be.

0:19:26.720 --> 0:19:30.439
<v Speaker 4>I mean, so it suggests that one of the functions

0:19:30.600 --> 0:19:34.639
<v Speaker 4>of these fantasies is to meet this terrible need that

0:19:34.760 --> 0:19:37.159
<v Speaker 4>she has to fill this awful gap. She doesn't know

0:19:37.280 --> 0:19:40.439
<v Speaker 4>who she is, and she feels very bad about how

0:19:40.560 --> 0:19:41.399
<v Speaker 4>she views herself.

0:19:41.600 --> 0:19:44.760
<v Speaker 1>I told Doctor Barry Walsh about the elaborate family tree

0:19:44.960 --> 0:19:48.840
<v Speaker 1>I'd found which mapped out the relationships between the personas

0:19:49.320 --> 0:19:51.320
<v Speaker 1>the one reference back in episode three.

0:19:52.400 --> 0:19:55.960
<v Speaker 4>That's an extraordinary amount of time and commitment to create

0:19:56.119 --> 0:19:58.680
<v Speaker 4>that kind of family tree. All of the stuff that

0:19:58.800 --> 0:20:02.440
<v Speaker 4>she does takes an awfu way work. So this consumes

0:20:02.480 --> 0:20:06.159
<v Speaker 4>her life. She's spectated in a sense, on this endless

0:20:06.280 --> 0:20:09.960
<v Speaker 4>drive to engage it in these ways. She's not just

0:20:10.160 --> 0:20:11.680
<v Speaker 4>doing it in her spare time.

0:20:12.000 --> 0:20:14.480
<v Speaker 1>That actually feeds back to one thing that Talie has

0:20:14.560 --> 0:20:16.640
<v Speaker 1>said to me in twenty eleven that stood out.

0:20:17.000 --> 0:20:20.600
<v Speaker 7>As much as everyone says they were all faked, that

0:20:20.720 --> 0:20:22.359
<v Speaker 7>was my life. I was living on the end of

0:20:22.400 --> 0:20:24.600
<v Speaker 7>that cat room, you know.

0:20:24.800 --> 0:20:26.760
<v Speaker 6>I got up in the morning, I went to church,

0:20:26.920 --> 0:20:30.480
<v Speaker 6>I did the work stuff, I did whatever I was

0:20:30.560 --> 0:20:31.520
<v Speaker 6>doing in a normal day.

0:20:31.920 --> 0:20:34.159
<v Speaker 7>It wasn't my fake's life that I was living. It

0:20:34.280 --> 0:20:34.960
<v Speaker 7>was my life.

0:20:35.800 --> 0:20:37.720
<v Speaker 1>That makes any sense, it kind of does.

0:20:37.800 --> 0:20:40.960
<v Speaker 5>But but you didn't put your life or your life

0:20:41.000 --> 0:20:44.960
<v Speaker 5>gets dissminated through a different place, personalities or whatever it

0:20:45.040 --> 0:20:45.760
<v Speaker 5>might be, or.

0:20:46.240 --> 0:20:49.159
<v Speaker 6>No, because when I talk to people on the phone

0:20:49.280 --> 0:20:51.280
<v Speaker 6>and it's fake, it's fill my life.

0:20:51.080 --> 0:20:51.600
<v Speaker 7>That I lived.

0:20:51.840 --> 0:20:55.080
<v Speaker 1>She definitely was investing a lot of time in this.

0:20:55.720 --> 0:20:58.680
<v Speaker 1>At one point in our chat, she guesses it creating

0:20:58.720 --> 0:21:04.160
<v Speaker 1>about ten differentiles, though also stresses how complicated tracking multiple

0:21:04.160 --> 0:21:04.960
<v Speaker 1>accounts can be.

0:21:05.200 --> 0:21:08.080
<v Speaker 7>But I don't usually talk to more than one person

0:21:08.119 --> 0:21:10.479
<v Speaker 7>at a time. I didn't horribly compared.

0:21:10.480 --> 0:21:13.080
<v Speaker 5>I don't know how you keep tracking it anyway, you

0:21:14.040 --> 0:21:15.119
<v Speaker 5>keep tracking things.

0:21:14.880 --> 0:21:15.320
<v Speaker 6>In or.

0:21:17.359 --> 0:21:20.000
<v Speaker 7>Stuffed up. So many times I've called this wrong person,

0:21:20.040 --> 0:21:23.200
<v Speaker 7>I pulled myself the wrong name. I've called the wrong

0:21:23.320 --> 0:21:24.280
<v Speaker 7>boy the wrong name.

0:21:24.400 --> 0:21:24.560
<v Speaker 3>You go.

0:21:25.400 --> 0:21:28.640
<v Speaker 1>It should be stressed here. And doctor Barry Walsh did

0:21:29.040 --> 0:21:31.879
<v Speaker 1>stress this when we spoke that while we have some

0:21:32.200 --> 0:21:36.000
<v Speaker 1>insight from Natalia herself, we are doing a fair degree

0:21:36.080 --> 0:21:40.840
<v Speaker 1>of speculation. We also have parole reports which make reference

0:21:40.920 --> 0:21:45.680
<v Speaker 1>to mental health and the sentencing notes. There's also Natalia's

0:21:45.840 --> 0:21:49.320
<v Speaker 1>own words in which she has spoken of a diagnosis.

0:21:49.880 --> 0:21:53.040
<v Speaker 4>We know from what you've written about that she's set

0:21:53.040 --> 0:21:55.280
<v Speaker 4>to you has borderline personality disorder.

0:21:55.560 --> 0:21:59.439
<v Speaker 1>That's right. Here's me talking to Natalia in twenty eleven,

0:22:00.080 --> 0:22:01.480
<v Speaker 1>had mental health assessments.

0:22:01.520 --> 0:22:02.320
<v Speaker 7>Do you want another day?

0:22:02.440 --> 0:22:02.760
<v Speaker 3>Yeah? I do.

0:22:02.880 --> 0:22:04.360
<v Speaker 5>I really want to know because I want to try

0:22:04.359 --> 0:22:05.800
<v Speaker 5>and understand why this has happening.

0:22:06.119 --> 0:22:10.320
<v Speaker 9>Ball on my personality disorder. Yeah, the musciple personality disorder.

0:22:11.119 --> 0:22:13.960
<v Speaker 9>So when I create these people, I actually think I

0:22:14.080 --> 0:22:17.159
<v Speaker 9>am these people. Sometimes when I get that caught up

0:22:17.160 --> 0:22:19.320
<v Speaker 9>in those worlds, I.

0:22:20.840 --> 0:22:22.399
<v Speaker 7>Used to think I was that person.

0:22:22.800 --> 0:22:27.640
<v Speaker 1>Doctor Justin Barry Walsh called this a somewhat problematic diagnosis.

0:22:28.080 --> 0:22:30.960
<v Speaker 4>What it's trying to capture is a group of people

0:22:31.440 --> 0:22:35.840
<v Speaker 4>who do struggle with their sense of identity and struggle

0:22:35.880 --> 0:22:38.000
<v Speaker 4>in their relationships with others. And one of the things

0:22:38.040 --> 0:22:41.680
<v Speaker 4>you commonly see with these people is they're both terrified

0:22:41.720 --> 0:22:46.800
<v Speaker 4>of being abandoned and feel threatened by intimacy. And it

0:22:47.000 --> 0:22:50.159
<v Speaker 4>may be that she's got that to do an extreme degree,

0:22:50.720 --> 0:22:55.000
<v Speaker 4>and that she has this terrible need to establish relationships

0:22:55.760 --> 0:23:00.199
<v Speaker 4>and it's easier for her to do it online. It's

0:23:00.320 --> 0:23:03.560
<v Speaker 4>less threatening for her, and it's easier for her to

0:23:03.680 --> 0:23:08.359
<v Speaker 4>sustain those relationships of the relationships mostly online. Another thing

0:23:08.440 --> 0:23:13.159
<v Speaker 4>that supports the speculation is the extraordinary sense of drama

0:23:13.480 --> 0:23:15.840
<v Speaker 4>connected to so much of what she does and the

0:23:15.920 --> 0:23:19.600
<v Speaker 4>stories that she tells, and that's I'm guessing both to

0:23:19.720 --> 0:23:24.600
<v Speaker 4>elicit sympathy and support. But I wonder also whether because

0:23:25.119 --> 0:23:29.040
<v Speaker 4>of her lack of sense of self, of good stable identity,

0:23:29.359 --> 0:23:32.359
<v Speaker 4>she actually struggles to properly feel emotions, so she needs

0:23:32.440 --> 0:23:37.520
<v Speaker 4>exaggerated and extreme events to feel real. I think one

0:23:37.520 --> 0:23:40.760
<v Speaker 4>of the other striking things about this is how little

0:23:41.520 --> 0:23:45.680
<v Speaker 4>regard she shows for the feeling and welfare of other people,

0:23:46.600 --> 0:23:51.200
<v Speaker 4>because the amount of harm that she creates. And it

0:23:51.359 --> 0:23:55.000
<v Speaker 4>may be that she's just really impaired in her understanding

0:23:55.080 --> 0:23:58.480
<v Speaker 4>of how other people are and therefore really impaired in

0:23:58.520 --> 0:24:01.240
<v Speaker 4>a capacity to feel empathy, so that there isn't the

0:24:01.320 --> 0:24:05.200
<v Speaker 4>restraint that most of us would have from us acting

0:24:05.280 --> 0:24:08.200
<v Speaker 4>in these ways, because we would understand just how ghastly

0:24:08.520 --> 0:24:11.119
<v Speaker 4>and distressing it may be to other people. Don't know

0:24:11.240 --> 0:24:13.920
<v Speaker 4>the details of a treatment, but it's pretty clear that

0:24:14.000 --> 0:24:17.600
<v Speaker 4>it is resistant to the kind of things that might

0:24:17.800 --> 0:24:21.600
<v Speaker 4>change our behavior in most of us, particularly criminal sanctions.

0:24:22.160 --> 0:24:24.240
<v Speaker 1>But he thinks there's a deeper issue here.

0:24:24.640 --> 0:24:28.400
<v Speaker 4>I think this woman is looking for relationships. I suspect

0:24:28.920 --> 0:24:32.960
<v Speaker 4>that she really struggles in real life relationships, and it

0:24:33.119 --> 0:24:36.520
<v Speaker 4>is this drive for relatedness, this wish to feel connected,

0:24:37.080 --> 0:24:41.159
<v Speaker 4>that is another motivation, and that would be consistent with

0:24:41.359 --> 0:24:46.080
<v Speaker 4>her then seeking out these kind of relationships where she

0:24:46.359 --> 0:24:51.480
<v Speaker 4>can function as younger than she is, so maybe less

0:24:51.560 --> 0:24:53.840
<v Speaker 4>mature and maybe a little bit regressed, if you like,

0:24:54.000 --> 0:24:57.159
<v Speaker 4>in more need of care and support, and have a

0:24:57.280 --> 0:25:00.280
<v Speaker 4>kind of maternal relationship with the older woman that is

0:25:00.359 --> 0:25:04.200
<v Speaker 4>sustained for years. So it has been my thought that

0:25:04.560 --> 0:25:06.440
<v Speaker 4>looking at this, if you look at it from a

0:25:06.480 --> 0:25:12.320
<v Speaker 4>relationship perspective, there's both clearly a sexual aspect to the behavior,

0:25:12.400 --> 0:25:16.960
<v Speaker 4>but also this need for her to establish relationships. When

0:25:17.040 --> 0:25:20.000
<v Speaker 4>I looked at the materials that you sent through, what

0:25:20.200 --> 0:25:24.080
<v Speaker 4>she starts appalling and the harm that she's created is terrible,

0:25:24.680 --> 0:25:28.960
<v Speaker 4>and her baby is have been exploitative. Yet you can't

0:25:29.119 --> 0:25:32.960
<v Speaker 4>help but feel sad for a woman that seems utterly

0:25:33.040 --> 0:25:35.360
<v Speaker 4>lost and as you say, without love.

0:25:35.880 --> 0:25:39.000
<v Speaker 1>Let's just pause there for a minute, since we set

0:25:39.040 --> 0:25:42.080
<v Speaker 1>out to tell the story. I've had a lot of feedback,

0:25:43.040 --> 0:25:46.119
<v Speaker 1>and a lot of it is really negative towards Natalia,

0:25:47.400 --> 0:25:51.080
<v Speaker 1>and I understand that she's had a terrible impact on

0:25:51.240 --> 0:25:54.800
<v Speaker 1>a lot of people. But one of the issues I've

0:25:54.920 --> 0:25:58.200
<v Speaker 1>had in trying to understand Natalia is knowing there's a

0:25:58.359 --> 0:26:00.760
<v Speaker 1>gap in her life that she'd been trying to fill

0:26:00.920 --> 0:26:06.560
<v Speaker 1>for twenty three years. Like Dr Barry Walsh, I've also

0:26:06.680 --> 0:26:10.639
<v Speaker 1>been unable to shake a feeling of sadness the Natalia's plight,

0:26:11.800 --> 0:26:15.000
<v Speaker 1>and yet it can be so difficult at times to

0:26:15.080 --> 0:26:18.359
<v Speaker 1>put to one side the damage she's caused, so I

0:26:18.440 --> 0:26:22.240
<v Speaker 1>can see clearly this person who's been such a wrecking

0:26:22.320 --> 0:26:27.159
<v Speaker 1>ball like this. For example, when we first met in

0:26:27.240 --> 0:26:30.760
<v Speaker 1>twenty eleven, Natalia spoke of an eighteen year old with

0:26:30.840 --> 0:26:33.800
<v Speaker 1>whom she had formed an eight month relationship through the

0:26:33.880 --> 0:26:38.600
<v Speaker 1>persona Abbey Abby, you recall, was Laura West's sister, the

0:26:38.680 --> 0:26:41.480
<v Speaker 1>one who announced her car crash death to the world

0:26:42.200 --> 0:26:45.560
<v Speaker 1>and then called Bernie to break the news in person. Well,

0:26:45.960 --> 0:26:50.159
<v Speaker 1>Abby was also being used to catfish men and form relationships,

0:26:51.240 --> 0:26:54.440
<v Speaker 1>and one young man's relationship with Abby led to eight

0:26:54.560 --> 0:27:00.280
<v Speaker 1>months of drama until Natalia killed abbe off. This time

0:27:01.080 --> 0:27:05.640
<v Speaker 1>it was death by suicide. It's worth noting that while

0:27:05.760 --> 0:27:09.120
<v Speaker 1>one version of Abby died, the version that would later

0:27:09.280 --> 0:27:13.680
<v Speaker 1>call Bernie was still alive. There weren't just singular versions

0:27:13.720 --> 0:27:17.200
<v Speaker 1>of these characters. Natalia had her own multi verse that

0:27:17.280 --> 0:27:20.520
<v Speaker 1>she was working with. Less soap opera now and maybe

0:27:20.840 --> 0:27:25.360
<v Speaker 1>more Marvel movie anyway. Off the back of Abby's death,

0:27:25.960 --> 0:27:30.800
<v Speaker 1>Natalia used that incident to berate the young man herself.

0:27:31.040 --> 0:27:34.440
<v Speaker 6>We thought once and I blamed him for Abbie's peace,

0:27:34.480 --> 0:27:39.040
<v Speaker 6>and I got quite aratical Edhiman yelling and screamed and

0:27:39.600 --> 0:27:41.080
<v Speaker 6>was great grinth and an abusive shit.

0:27:41.119 --> 0:27:46.600
<v Speaker 5>Adam, you created a fake pershono. They have a romantic

0:27:46.680 --> 0:27:49.760
<v Speaker 5>relationship with an eighteen year old boy and then killed her.

0:27:50.920 --> 0:27:56.360
<v Speaker 1>That's that's second. That's really awful. There were times when

0:27:56.560 --> 0:28:01.000
<v Speaker 1>I just wasn't sure how to respond. I don't think

0:28:01.080 --> 0:28:05.440
<v Speaker 1>she was particularly interested in or even aware of any

0:28:05.520 --> 0:28:09.320
<v Speaker 1>judgment I might have. There was a lot of which

0:28:09.400 --> 0:28:14.960
<v Speaker 1>she seemed unaware, and even when interviewing Natalia, she struggled

0:28:15.000 --> 0:28:18.720
<v Speaker 1>to separate her fantasy world from the real world, or

0:28:18.800 --> 0:28:23.240
<v Speaker 1>to even really get her facts straight. She claimed during

0:28:23.320 --> 0:28:26.480
<v Speaker 1>our interview, for example, that she had been in Palmston

0:28:26.560 --> 0:28:30.119
<v Speaker 1>North in two thousand and nine. Yeah, I know she

0:28:30.280 --> 0:28:33.200
<v Speaker 1>lived there at one point, but she was in jail

0:28:33.320 --> 0:28:38.240
<v Speaker 1>between two thousand and eight and twenty ten. She also

0:28:38.360 --> 0:28:42.760
<v Speaker 1>told media that by twenty eleven she had spent much

0:28:42.840 --> 0:28:46.600
<v Speaker 1>of the last six years in jail, which isn't entirely true.

0:28:47.640 --> 0:28:49.800
<v Speaker 1>She certainly would have been on remand a lot due

0:28:49.800 --> 0:28:52.959
<v Speaker 1>to the sheer number of charges against her, but at

0:28:53.080 --> 0:28:57.280
<v Speaker 1>that point her only long term prison stint had been

0:28:57.360 --> 0:29:01.840
<v Speaker 1>from two thousand and eight. Means that trying to actually

0:29:01.960 --> 0:29:06.000
<v Speaker 1>make sense of Natalia's story can be really difficult. She

0:29:06.120 --> 0:29:09.760
<v Speaker 1>doesn't really know her own story and what she does know,

0:29:10.520 --> 0:29:14.680
<v Speaker 1>I'm never really sure what I can believe. As a journalist,

0:29:14.760 --> 0:29:18.560
<v Speaker 1>I'm best working off the facts, and the only definite

0:29:18.640 --> 0:29:21.680
<v Speaker 1>facts we have in this case are her times before

0:29:21.760 --> 0:29:25.560
<v Speaker 1>the courts didn't help back in twenty eleven, that at

0:29:25.720 --> 0:29:29.240
<v Speaker 1>every opportunity Natalia minimized her actions.

0:29:29.800 --> 0:29:30.520
<v Speaker 7>It started off.

0:29:30.480 --> 0:29:32.520
<v Speaker 6>Running games and then it turned into the great big

0:29:32.600 --> 0:29:33.520
<v Speaker 6>mess representment.

0:29:33.600 --> 0:29:36.400
<v Speaker 5>Right now, I don't think anyone's going to think it's

0:29:36.520 --> 0:29:37.760
<v Speaker 5>very funny being rung up and.

0:29:37.840 --> 0:29:40.640
<v Speaker 1>Told that a friend of theirs is dead. I wanted

0:29:40.800 --> 0:29:46.840
<v Speaker 1>to do that again that isn't quite true. There's Bernie,

0:29:47.120 --> 0:29:50.960
<v Speaker 1>Emma's mum, who Natalia directly phoned to break the news

0:29:51.040 --> 0:29:55.440
<v Speaker 1>that Laura West, her niece, was dead. But she also

0:29:55.640 --> 0:29:59.240
<v Speaker 1>confronted an eighteen year old about Abbie's death as well.

0:30:00.360 --> 0:30:03.600
<v Speaker 1>And back in twenty eleven, I also spoke with a

0:30:03.640 --> 0:30:08.000
<v Speaker 1>young woman who'd been friends with Amy Marie West, Natalia's

0:30:08.160 --> 0:30:09.520
<v Speaker 1>original fake account.

0:30:09.760 --> 0:30:12.560
<v Speaker 10>I thought she was my best friend, my sister. We

0:30:12.680 --> 0:30:14.200
<v Speaker 10>talked on the phone about everything.

0:30:14.440 --> 0:30:19.080
<v Speaker 1>In two thousand and nine, Natalia as Laura called her

0:30:19.280 --> 0:30:22.000
<v Speaker 1>to tell her that Amy had died from suicide.

0:30:22.480 --> 0:30:24.880
<v Speaker 10>I felt there was nothing I could do for myself anymore.

0:30:25.640 --> 0:30:29.160
<v Speaker 10>Amy had texted me just before she committed suicide saying

0:30:29.200 --> 0:30:32.840
<v Speaker 10>she loved me and she was sorry. Then I got

0:30:32.880 --> 0:30:36.560
<v Speaker 10>that phone call, which completely broke my heart. It is

0:30:36.600 --> 0:30:40.160
<v Speaker 10>a twisted, messed up story, and it has affected a

0:30:40.240 --> 0:30:40.920
<v Speaker 10>lot of people.

0:30:41.560 --> 0:30:45.480
<v Speaker 1>That young woman went on to receive psychological care after

0:30:45.600 --> 0:30:49.200
<v Speaker 1>this ordeal. I kept saying to her that her targets,

0:30:49.560 --> 0:30:52.720
<v Speaker 1>those she had hooked into relationships and those that she

0:30:52.760 --> 0:30:56.560
<v Speaker 1>had manipulated, that they were just kids, That there was

0:30:56.680 --> 0:30:57.840
<v Speaker 1>so much younger than.

0:30:57.800 --> 0:31:02.479
<v Speaker 5>She was, seventy year old boys, and girls. That does

0:31:02.560 --> 0:31:05.080
<v Speaker 5>seem to me, like that's a ten eleven year age

0:31:05.120 --> 0:31:06.160
<v Speaker 5>to fruce, but not.

0:31:06.200 --> 0:31:07.120
<v Speaker 7>When you say you're eighteen.

0:31:07.560 --> 0:31:10.640
<v Speaker 6>I was that caught up in my own little fancy

0:31:10.720 --> 0:31:13.160
<v Speaker 6>will that the rest of the world like this around

0:31:13.200 --> 0:31:13.960
<v Speaker 6>me didn't exist.

0:31:14.360 --> 0:31:16.240
<v Speaker 7>I didn't really care as.

0:31:17.960 --> 0:31:19.960
<v Speaker 6>The building next door fell down the steps and broke

0:31:20.000 --> 0:31:21.960
<v Speaker 6>his head, because that wasn't part of my online will,

0:31:22.400 --> 0:31:23.479
<v Speaker 6>in my online fancy.

0:31:23.880 --> 0:31:28.200
<v Speaker 1>Natalia also seemed to think that people shouldn't just believe her.

0:31:28.640 --> 0:31:30.760
<v Speaker 4>Attend to somebody that a friend of theirs was dead

0:31:31.800 --> 0:31:32.320
<v Speaker 4>their friends.

0:31:32.400 --> 0:31:36.360
<v Speaker 7>I didn't know that they must dog notether than my

0:31:36.480 --> 0:31:40.040
<v Speaker 7>shit they came out of my mouth. If it sounds plausible.

0:31:39.960 --> 0:31:44.680
<v Speaker 1>And that distancing from responsibility, well, that echoed some of

0:31:44.800 --> 0:31:47.120
<v Speaker 1>what Natalie had messaged me online.

0:31:47.280 --> 0:31:49.760
<v Speaker 11>Who got hurt? If I wanted to have sex with them,

0:31:49.840 --> 0:31:52.040
<v Speaker 11>I would have made it happen, don't you think? But

0:31:52.160 --> 0:31:56.360
<v Speaker 11>I never did. Everything was fake. Nothing was real, fake

0:31:56.440 --> 0:31:59.680
<v Speaker 11>plane tickets too, Just a tad hurtful. But hey, you

0:31:59.760 --> 0:32:01.640
<v Speaker 11>play they with fire, you will get burned.

0:32:02.120 --> 0:32:05.400
<v Speaker 1>Natalia told sixty Minutes that she got a thrill out

0:32:05.440 --> 0:32:09.200
<v Speaker 1>of creating the characters and then putting the scenarios into play.

0:32:09.480 --> 0:32:11.800
<v Speaker 6>They were the puffets, and I was the puffetier, and

0:32:11.840 --> 0:32:14.320
<v Speaker 6>I was just pulling the strings and sitting back and

0:32:14.400 --> 0:32:15.040
<v Speaker 6>watching the show.

0:32:15.960 --> 0:32:17.440
<v Speaker 7>I was the puffetier and I was.

0:32:17.480 --> 0:32:20.720
<v Speaker 6>The audience, you know, and I kind of got off

0:32:20.760 --> 0:32:23.320
<v Speaker 6>and that sometimes when I used to watch and fight

0:32:23.480 --> 0:32:25.520
<v Speaker 6>over me, kind of made me feel like I was

0:32:25.600 --> 0:32:27.920
<v Speaker 6>fifteen again, you know. People were fighting over me and

0:32:28.000 --> 0:32:30.680
<v Speaker 6>fighting over the fact that they wanted to be my friend.

0:32:31.560 --> 0:32:33.880
<v Speaker 1>And she told me that the kick she got was

0:32:34.040 --> 0:32:38.440
<v Speaker 1>like drugs. And so each time she says she's going

0:32:38.520 --> 0:32:43.840
<v Speaker 1>to stop, it has continued. The only quiet period I've

0:32:43.920 --> 0:32:48.440
<v Speaker 1>found over twenty three years, aside from dialing it down

0:32:48.520 --> 0:32:50.560
<v Speaker 1>a bit when she was in jail, there's been this

0:32:50.800 --> 0:32:54.640
<v Speaker 1>last year when Natalia found out I was investigating her again,

0:32:55.480 --> 0:32:58.560
<v Speaker 1>and perhaps that's because she knows what happened last time

0:32:59.040 --> 0:33:03.040
<v Speaker 1>I broke the story. The media went wild, police got

0:33:03.080 --> 0:33:06.440
<v Speaker 1>into gear, and she went to jail. It's a bit

0:33:06.520 --> 0:33:10.160
<v Speaker 1>like the theory which Dr Barry Walsh felt carried some weight,

0:33:10.760 --> 0:33:14.800
<v Speaker 1>that she's moved away from underage boys because she'd been caught.

0:33:15.720 --> 0:33:18.600
<v Speaker 1>It's as if she's trying to avoid the trouble she

0:33:18.840 --> 0:33:23.320
<v Speaker 1>knows is coming down the track, but Natalia held the

0:33:23.400 --> 0:33:27.280
<v Speaker 1>view that she could be stopped only not through her

0:33:27.400 --> 0:33:31.320
<v Speaker 1>own actions. I had asked her about this in twenty eleven,

0:33:31.720 --> 0:33:34.720
<v Speaker 1>putting forward to her what seemed like an obvious way

0:33:35.240 --> 0:33:37.680
<v Speaker 1>to stop her from going online. Do you think you

0:33:37.680 --> 0:33:38.800
<v Speaker 1>should get rid of the computer?

0:33:39.280 --> 0:33:39.600
<v Speaker 3>I don't.

0:33:40.080 --> 0:33:41.560
<v Speaker 7>I don't have my phone now, But you've.

0:33:41.480 --> 0:33:43.520
<v Speaker 5>Been online in the last three or four days.

0:33:43.800 --> 0:33:46.200
<v Speaker 7>Yeah, my phone, right. Do you think you need to

0:33:46.240 --> 0:33:47.160
<v Speaker 7>get rid of your phone too?

0:33:48.040 --> 0:33:48.080
<v Speaker 6>No?

0:33:48.320 --> 0:33:50.840
<v Speaker 7>This may be freeing.

0:33:52.320 --> 0:33:55.680
<v Speaker 1>Rather, this was the Tarlia's view of how she and

0:33:56.000 --> 0:33:59.280
<v Speaker 1>we could be free from what she herself has called

0:34:00.040 --> 0:34:01.280
<v Speaker 1>sex little head games.

0:34:01.720 --> 0:34:04.080
<v Speaker 7>What does work is a mental intervention.

0:34:05.240 --> 0:34:08.560
<v Speaker 6>Then I get put in places like respite where I

0:34:08.680 --> 0:34:10.279
<v Speaker 6>have to face up to what I've been doing.

0:34:10.640 --> 0:34:11.399
<v Speaker 7>People can all.

0:34:11.440 --> 0:34:13.440
<v Speaker 6>Talk about what they can do to help me and

0:34:13.480 --> 0:34:15.279
<v Speaker 6>what they do, but no one actually steps up and

0:34:15.320 --> 0:34:18.399
<v Speaker 6>goes we'll calcurves, We'll make you'll find out what's going

0:34:18.440 --> 0:34:20.759
<v Speaker 6>on in that horrible A look at it first.

0:34:21.320 --> 0:34:24.759
<v Speaker 1>The more I learned, the deeper I studied Natalia, I

0:34:24.880 --> 0:34:28.400
<v Speaker 1>found myself caught between a horror and her actions, and

0:34:28.520 --> 0:34:31.400
<v Speaker 1>a surge of empathy towards a woman who's more to

0:34:31.520 --> 0:34:35.320
<v Speaker 1>deal with the most, and I have to keep reminding myself,

0:34:35.600 --> 0:34:39.120
<v Speaker 1>pulling myself back to the damage that she has caused.

0:34:40.120 --> 0:34:44.560
<v Speaker 1>Even more than that, understanding the long and deep hurt

0:34:44.880 --> 0:34:49.000
<v Speaker 1>that she has created. For this investigation, there were many

0:34:49.120 --> 0:34:52.279
<v Speaker 1>interviews carried out, and many of those reminded me of

0:34:52.400 --> 0:34:56.680
<v Speaker 1>the toll Natalia has exacted from the world. While they

0:34:56.719 --> 0:34:59.120
<v Speaker 1>all moved or provoked me in one way or another.

0:34:59.560 --> 0:35:03.279
<v Speaker 1>There who interviews particularly which will sit with me for

0:35:03.360 --> 0:35:07.080
<v Speaker 1>a long time. The other one, well you'll hear that

0:35:07.280 --> 0:35:11.240
<v Speaker 1>in the next episode. But right now, in a story

0:35:11.320 --> 0:35:14.239
<v Speaker 1>that's not as black and white as it seems, is

0:35:14.280 --> 0:35:19.480
<v Speaker 1>a particularly haunty darkness in the form of Peter Russell's mom.

0:35:19.640 --> 0:35:24.799
<v Speaker 3>Laura Laura West. She was a stunning, beautiful, blonde haired girl.

0:35:25.480 --> 0:35:28.399
<v Speaker 3>He really loved her. He talked to me about her,

0:35:29.080 --> 0:35:30.640
<v Speaker 3>tell me what his plans were.

0:35:31.880 --> 0:35:34.840
<v Speaker 12>She just played games with him, you know, I just

0:35:35.000 --> 0:35:38.200
<v Speaker 12>really played games with my son and really got him

0:35:38.239 --> 0:35:40.480
<v Speaker 12>in a bad place, to the pot where.

0:35:41.200 --> 0:35:43.720
<v Speaker 2>He couldn't deal with life, and he went and committed

0:35:43.800 --> 0:35:44.759
<v Speaker 2>suicide over her.

0:35:46.000 --> 0:35:49.719
<v Speaker 1>This is rawn Ford. You heard her back in episode one.

0:35:50.440 --> 0:35:54.160
<v Speaker 1>His son, Peter Russell died in twenty ten. His name

0:35:54.200 --> 0:35:56.800
<v Speaker 1>has come up a few times in this story. He

0:35:56.920 --> 0:36:00.000
<v Speaker 1>was dating Emma, and you've heard some of Peter's stone

0:36:00.320 --> 0:36:04.759
<v Speaker 1>in earlier episodes, but now you're going to hear much more,

0:36:05.600 --> 0:36:08.000
<v Speaker 1>and you're going to hear it from Raywan his mum.

0:36:09.200 --> 0:36:11.759
<v Speaker 1>And what you will hear is a grief that is

0:36:12.000 --> 0:36:15.120
<v Speaker 1>deep and raw. For all the time that has passed

0:36:15.120 --> 0:36:18.600
<v Speaker 1>since Peter died, it's going to be hard to listen to,

0:36:19.920 --> 0:36:23.520
<v Speaker 1>but it's a necessary part of this story because it

0:36:23.640 --> 0:36:29.120
<v Speaker 1>shows just how dark the saga is the impact and

0:36:29.320 --> 0:36:37.960
<v Speaker 1>ramifications of behavior by Natalia Burgess. Peter Russell died on

0:36:38.040 --> 0:36:42.160
<v Speaker 1>October twenty seven, twenty ten. When Raymond and I spoke

0:36:42.320 --> 0:36:45.840
<v Speaker 1>last year, it happened to be the thirteenth anniversary of

0:36:45.920 --> 0:36:49.719
<v Speaker 1>his death. It wasn't planned that way, but the anniversary

0:36:49.760 --> 0:36:52.520
<v Speaker 1>of his death hung over our interview like a cloud.

0:36:52.719 --> 0:36:53.280
<v Speaker 4>It's today.

0:36:53.680 --> 0:36:56.520
<v Speaker 3>It's the last day that I ever see why son alive.

0:36:57.280 --> 0:36:59.280
<v Speaker 3>My son was dead by midnight tonight.

0:37:00.000 --> 0:37:02.680
<v Speaker 1>I was twenty one years old when he died, based

0:37:02.719 --> 0:37:05.319
<v Speaker 1>in christ Church, had a young son at the time

0:37:05.440 --> 0:37:09.719
<v Speaker 1>from an earlier relationship, and three months before his death,

0:37:10.320 --> 0:37:13.200
<v Speaker 1>he had been in a relationship with Laura Jane West.

0:37:14.360 --> 0:37:17.640
<v Speaker 1>He thought he was dating a vivacious, blonde, twenty year

0:37:17.640 --> 0:37:20.960
<v Speaker 1>old Aucklander, a young parent like him who had a

0:37:21.040 --> 0:37:24.600
<v Speaker 1>small daughter called Kaylee. Peter thought Laura was at the

0:37:24.719 --> 0:37:28.200
<v Speaker 1>center of a bubbly online social group of young women.

0:37:29.160 --> 0:37:32.919
<v Speaker 1>In reality, there was no Laura and no social group

0:37:33.000 --> 0:37:37.600
<v Speaker 1>of young women. It was all Natalia for Peter, though.

0:37:38.000 --> 0:37:41.359
<v Speaker 1>It was real, so real that he and his real

0:37:41.520 --> 0:37:46.720
<v Speaker 1>life girlfriend Emma went their separate ways. When I spoke

0:37:46.760 --> 0:37:49.560
<v Speaker 1>to Emma, she told me that she had stepped aside

0:37:49.680 --> 0:37:53.120
<v Speaker 1>so her first love, Peter, could forge a relationship with Laura,

0:37:53.760 --> 0:37:57.000
<v Speaker 1>the woman that she believed was her cousin. It was

0:37:57.160 --> 0:38:01.200
<v Speaker 1>so real, and Peter he got about as serious as

0:38:01.280 --> 0:38:01.960
<v Speaker 1>it gets.

0:38:02.040 --> 0:38:03.759
<v Speaker 2>Give me that much to him. He asked her to

0:38:03.840 --> 0:38:07.040
<v Speaker 2>marry him, though really he must have loved her deeply.

0:38:09.480 --> 0:38:10.240
<v Speaker 2>He was happy.

0:38:10.520 --> 0:38:13.560
<v Speaker 12>He was so happy that, you know, he had found

0:38:13.680 --> 0:38:15.600
<v Speaker 12>somebody and he was going to go up north and

0:38:15.719 --> 0:38:18.560
<v Speaker 12>he was going to meet her and get asked her

0:38:18.640 --> 0:38:20.680
<v Speaker 12>to marry him, and they were going to get married.

0:38:20.760 --> 0:38:23.799
<v Speaker 2>And then she went.

0:38:23.760 --> 0:38:27.279
<v Speaker 12>Overseas and married somebody else, and he really broke his

0:38:27.400 --> 0:38:29.000
<v Speaker 12>hearts when undone what he done.

0:38:29.480 --> 0:38:32.400
<v Speaker 1>I need to be clear here that this is Raven's opinion,

0:38:32.920 --> 0:38:36.000
<v Speaker 1>a mother's view on why her boy took his life.

0:38:37.040 --> 0:38:37.440
<v Speaker 13>There was an.

0:38:37.480 --> 0:38:40.759
<v Speaker 1>Official inquiry into Peter's suicide, but the coroner ruled that

0:38:41.040 --> 0:38:44.000
<v Speaker 1>any findings as the cause of his death in that

0:38:44.080 --> 0:38:49.000
<v Speaker 1>official setting could not be made public. Natalie was not

0:38:49.239 --> 0:38:54.200
<v Speaker 1>held responsible in any capacity for Peter's death. Raven, though

0:38:55.000 --> 0:38:58.560
<v Speaker 1>she links Peter's death to his heartbreak after the collapse

0:38:58.640 --> 0:39:01.480
<v Speaker 1>of the relationship that was the only solid thing he

0:39:01.520 --> 0:39:04.720
<v Speaker 1>could rely on in a tumultuous phase in his life.

0:39:05.000 --> 0:39:08.000
<v Speaker 2>The game she played with that boy and the mental

0:39:08.120 --> 0:39:13.080
<v Speaker 2>anguish that she put him through was just unbelievable. One

0:39:13.160 --> 0:39:15.759
<v Speaker 2>minute she'd be in contact with him, and then next

0:39:15.880 --> 0:39:19.560
<v Speaker 2>minute she'd be in hospital when something had happened. And

0:39:20.280 --> 0:39:23.520
<v Speaker 2>then she'd been overseas and she married somebody else, and

0:39:24.120 --> 0:39:26.200
<v Speaker 2>then she come back and wanted to be with my

0:39:26.360 --> 0:39:29.600
<v Speaker 2>son again, and just juent games.

0:39:30.000 --> 0:39:34.240
<v Speaker 1>It was an intense relationship that played out almost entirely online.

0:39:35.000 --> 0:39:38.320
<v Speaker 1>The timeline of when it started is a bit vague. Natalia,

0:39:38.520 --> 0:39:41.279
<v Speaker 1>when I spoke to her in twenty eleven, she put

0:39:41.360 --> 0:39:45.440
<v Speaker 1>the start date around April twenty ten, and she linked

0:39:45.719 --> 0:39:47.840
<v Speaker 1>their relationship to her quitting drugs.

0:39:48.280 --> 0:39:50.080
<v Speaker 7>I gave up the drugs the day me and Peter

0:39:50.200 --> 0:39:50.600
<v Speaker 7>got together.

0:39:50.840 --> 0:39:55.600
<v Speaker 6>So April eleventh, two thousand and ten, was the day

0:39:55.600 --> 0:39:56.319
<v Speaker 6>that I gave up all.

0:39:57.239 --> 0:39:59.040
<v Speaker 7>That was like the day after I got al jail.

0:39:59.360 --> 0:40:02.120
<v Speaker 1>It was that much though, that Peter proposed to Laura,

0:40:02.680 --> 0:40:06.160
<v Speaker 1>posting his video on social media asking her to marry him.

0:40:06.880 --> 0:40:10.200
<v Speaker 1>It's possible that their relationship could have started while Natalie

0:40:10.280 --> 0:40:13.480
<v Speaker 1>was in prison. We know from other victims and from

0:40:13.560 --> 0:40:17.320
<v Speaker 1>Natalia's own words that she was still able to access

0:40:17.360 --> 0:40:21.480
<v Speaker 1>the Internet while she was inside. At any rate, Peter

0:40:21.600 --> 0:40:25.279
<v Speaker 1>and Natalia never met in person despite the escalation and

0:40:25.320 --> 0:40:31.120
<v Speaker 1>their relationship. Laura, as she was, accepted the wedding proposal,

0:40:31.360 --> 0:40:34.840
<v Speaker 1>but later canceled their first physical meeting, which was to

0:40:34.920 --> 0:40:39.520
<v Speaker 1>take place at Christchurch Airport two months later, like Natalia

0:40:39.640 --> 0:40:42.680
<v Speaker 1>did with Emma and Bernie and later with Danaka and Lisa.

0:40:43.080 --> 0:40:46.680
<v Speaker 1>There was a reason why Laura said she had to

0:40:46.719 --> 0:40:50.000
<v Speaker 1>go to England instead, because her father had a heart attack.

0:40:51.560 --> 0:40:54.839
<v Speaker 1>It was in June twenty ten that Raymond understands Laura

0:40:55.000 --> 0:40:58.800
<v Speaker 1>broke up with Peter, claiming she'd married someone else instead.

0:41:00.080 --> 0:41:03.200
<v Speaker 1>I should note that Natalia has a different version of

0:41:03.280 --> 0:41:07.239
<v Speaker 1>events on how the relationship ended and her decision to

0:41:07.440 --> 0:41:08.479
<v Speaker 1>not meet with Peter.

0:41:08.800 --> 0:41:12.560
<v Speaker 7>I think because towards the ended it was forwards the

0:41:12.680 --> 0:41:14.680
<v Speaker 7>end of the relationship. I said, I was going to

0:41:14.719 --> 0:41:16.319
<v Speaker 7>go down to the Zeeca and thanks.

0:41:16.360 --> 0:41:19.720
<v Speaker 6>She's got too much for me mentally, trying to pretend

0:41:19.719 --> 0:41:23.440
<v Speaker 6>to big R plus physically it got too much. Like

0:41:23.760 --> 0:41:25.840
<v Speaker 6>me and Peter used to argue towards the end of

0:41:25.920 --> 0:41:27.799
<v Speaker 6>the last three or four weeks of.

0:41:27.840 --> 0:41:31.160
<v Speaker 7>Our relationship, and oh my god, when when he.

0:41:31.320 --> 0:41:33.120
<v Speaker 6>Argues with me, I used to argue back twice to

0:41:33.200 --> 0:41:35.879
<v Speaker 6>set and I think I just got there, got too much.

0:41:35.920 --> 0:41:37.920
<v Speaker 7>So I was just like that stuff I And so

0:41:38.040 --> 0:41:41.000
<v Speaker 7>when he ended it, it was such a relief.

0:41:41.040 --> 0:41:42.200
<v Speaker 1>His mom and she ended it.

0:41:42.840 --> 0:41:43.320
<v Speaker 7>I ended it.

0:41:43.480 --> 0:41:45.320
<v Speaker 4>Yeah, No, he ended it.

0:41:46.120 --> 0:41:47.800
<v Speaker 7>If I saw her the Bigo page, I show you

0:41:47.880 --> 0:41:48.919
<v Speaker 7>the message that he ended.

0:41:49.520 --> 0:41:52.759
<v Speaker 6>I tried, my very very hunt, tried to get us

0:41:52.800 --> 0:41:56.120
<v Speaker 6>back to Heaven, Laura back together and to.

0:41:57.680 --> 0:41:58.880
<v Speaker 7>Try and stop the fighting.

0:41:59.040 --> 0:42:02.240
<v Speaker 6>But both us, both of us, we were getting sicker

0:42:02.320 --> 0:42:06.799
<v Speaker 6>and sicker, and I just I just there wasn't any

0:42:06.960 --> 0:42:08.320
<v Speaker 6>like I couldn't tell him anything.

0:42:09.160 --> 0:42:13.880
<v Speaker 1>Again, given Natalia's tendency for fabrication, it's difficult to know

0:42:14.239 --> 0:42:18.680
<v Speaker 1>how much weight to give her version of events. One

0:42:18.840 --> 0:42:21.440
<v Speaker 1>thing that one of Peter's cousins told me back in

0:42:21.520 --> 0:42:24.800
<v Speaker 1>twenty eleven was that Peter had told family members of

0:42:24.960 --> 0:42:29.000
<v Speaker 1>his fear that naked videos he had sent to Natalia

0:42:29.400 --> 0:42:33.359
<v Speaker 1>would be released online, and that may also play into

0:42:33.440 --> 0:42:38.439
<v Speaker 1>the family's blame of Natalia. Natalia, though has denied ever

0:42:38.640 --> 0:42:44.000
<v Speaker 1>having any naked imagery of Peter. There are many things

0:42:44.120 --> 0:42:47.120
<v Speaker 1>Raymond will never forget from that time, load the knock

0:42:47.200 --> 0:42:50.719
<v Speaker 1>on her door eight o'clock on a Thursday morning with

0:42:50.960 --> 0:42:53.080
<v Speaker 1>news that no mother wants to hear.

0:42:53.560 --> 0:42:57.400
<v Speaker 3>Well, everybody heard me screaming, and the worst thing of

0:42:57.520 --> 0:43:01.160
<v Speaker 3>always having to go and actually identifying my baby.

0:43:01.680 --> 0:43:04.600
<v Speaker 1>There's part of the interview with Raymond that we can't broadcast.

0:43:05.520 --> 0:43:08.600
<v Speaker 1>That's because New Zealand Lord prohibits talking about the means

0:43:08.719 --> 0:43:11.880
<v Speaker 1>by which someone has taken their life. It's intended to

0:43:11.960 --> 0:43:15.080
<v Speaker 1>shield the public from details that might put ideas of

0:43:15.160 --> 0:43:19.520
<v Speaker 1>self harm into people's minds. I can tell you Raymond

0:43:19.719 --> 0:43:23.840
<v Speaker 1>wasn't shielded from anything. When she went to formally identify

0:43:23.920 --> 0:43:27.600
<v Speaker 1>Peter's body, she could see clearly what he had done

0:43:27.640 --> 0:43:29.040
<v Speaker 1>to himself every day.

0:43:29.400 --> 0:43:32.120
<v Speaker 3>I still go to bed now, thirteen years down the track,

0:43:32.160 --> 0:43:34.279
<v Speaker 3>and when I go to sleep, but I still see

0:43:34.360 --> 0:43:36.719
<v Speaker 3>my son land in a wall, and that's something I

0:43:36.880 --> 0:43:40.719
<v Speaker 3>can't get rid of. No mother should either have to

0:43:40.760 --> 0:43:42.960
<v Speaker 3>go to sleep like that at night and see those

0:43:43.040 --> 0:43:44.239
<v Speaker 3>pictures in her head.

0:43:44.760 --> 0:43:47.760
<v Speaker 1>At the time her son died, Raymond had no idea

0:43:47.800 --> 0:43:52.640
<v Speaker 1>and Natalia existed in her grief. She abandoned their home

0:43:52.680 --> 0:43:56.680
<v Speaker 1>in christ Church and fled to Nelson, and there some

0:43:56.920 --> 0:44:00.000
<v Speaker 1>years later, she met Daryl. It was her first life

0:44:00.719 --> 0:44:04.839
<v Speaker 1>and together they rekindled something special in the seven years

0:44:04.880 --> 0:44:08.880
<v Speaker 1>it took before she could return to her hometown. And

0:44:08.960 --> 0:44:12.200
<v Speaker 1>it was in Nelson in twenty eleven that Ramond picked

0:44:12.280 --> 0:44:15.840
<v Speaker 1>up a newspaper because she saw Laura West's face on

0:44:15.920 --> 0:44:19.200
<v Speaker 1>the front page, and that's when she learned what had

0:44:19.360 --> 0:44:25.759
<v Speaker 1>really happened. So distraught, so upset, Roman took the newspaper

0:44:25.880 --> 0:44:28.160
<v Speaker 1>home to where she kept Peter's ashes.

0:44:28.040 --> 0:44:31.080
<v Speaker 2>And I showed him look at what it was with

0:44:31.440 --> 0:44:37.920
<v Speaker 2>so angry. I'm so so angry with her. She just

0:44:38.040 --> 0:44:41.400
<v Speaker 2>doesn't get the fact that she's messing with people's life.

0:44:41.800 --> 0:44:44.279
<v Speaker 1>And she remembers how that left her feeling.

0:44:44.239 --> 0:44:49.360
<v Speaker 2>Really really angry, really angry. My son took his life

0:44:49.680 --> 0:44:52.720
<v Speaker 2>because he thought he was in love with a beautiful woman.

0:44:53.000 --> 0:44:53.720
<v Speaker 4>She's a lonster.

0:44:54.160 --> 0:44:59.120
<v Speaker 1>Incredibly, Natalia had approached Peter's younger brother before the suicide,

0:44:59.520 --> 0:45:04.399
<v Speaker 1>and then again after when the teenager sixteen at the time,

0:45:04.760 --> 0:45:08.680
<v Speaker 1>visited family in Auckland. Natalia sought him out in person

0:45:08.960 --> 0:45:11.320
<v Speaker 1>before being told to leave by a family member.

0:45:11.600 --> 0:45:16.360
<v Speaker 2>Honestly, I wanted to go looking for as Caleb and

0:45:16.560 --> 0:45:19.759
<v Speaker 2>Peter's mother, I really wanted to go and look for her,

0:45:19.840 --> 0:45:23.200
<v Speaker 2>and I really wanted to hurt her badly, but it's

0:45:23.280 --> 0:45:23.800
<v Speaker 2>not worth it.

0:45:24.280 --> 0:45:27.120
<v Speaker 1>The loss of Peter was a bomb that sent blast

0:45:27.200 --> 0:45:31.279
<v Speaker 1>waves through Rawn's life. She has other children that she

0:45:31.480 --> 0:45:35.040
<v Speaker 1>no longer speaks to, and the haunting knowledge Peter's son

0:45:35.200 --> 0:45:36.560
<v Speaker 1>will never know his dad.

0:45:37.239 --> 0:45:38.799
<v Speaker 2>She's just totally destroyed us.

0:45:39.520 --> 0:45:43.160
<v Speaker 1>There's one thing Rawn wants to know from Natalia.

0:45:43.640 --> 0:45:47.960
<v Speaker 2>I want to know how she felt. How did she

0:45:48.120 --> 0:45:50.719
<v Speaker 2>feel when my son took his life? Because I don't know.

0:45:51.520 --> 0:45:54.479
<v Speaker 2>I know how I felt. I don't know how she felt,

0:45:55.480 --> 0:45:57.600
<v Speaker 2>but I'd like to know, and I'd like to know

0:45:57.719 --> 0:45:58.600
<v Speaker 2>it from her voice.

0:45:59.239 --> 0:46:03.320
<v Speaker 1>Well, I can answer that. As Natalia addressed her guilt

0:46:03.480 --> 0:46:05.200
<v Speaker 1>over Peter back in twenty eleven.

0:46:05.600 --> 0:46:08.959
<v Speaker 7>I do feel guilty. Yeah, do you know when Peter died?

0:46:09.200 --> 0:46:10.360
<v Speaker 7>If we're going to go talk about that.

0:46:10.600 --> 0:46:13.000
<v Speaker 6>When Peter died, I went to choose the Friday night

0:46:13.400 --> 0:46:15.759
<v Speaker 6>and I've never ever ever been one to cry in

0:46:15.800 --> 0:46:16.399
<v Speaker 6>front of people.

0:46:16.600 --> 0:46:17.600
<v Speaker 7>I wrote down and tears.

0:46:17.680 --> 0:46:20.040
<v Speaker 6>Yeah, I had to lie about what had happened and

0:46:20.520 --> 0:46:23.360
<v Speaker 6>why I was upset and what Peter was to me.

0:46:23.520 --> 0:46:26.960
<v Speaker 7>But I so felt so shockingly horrible.

0:46:28.320 --> 0:46:31.120
<v Speaker 5>And then because you know, his mum thinks that you're

0:46:31.160 --> 0:46:33.960
<v Speaker 5>the reason why Peter like said, yeah, I know she doesn't.

0:46:34.239 --> 0:46:36.239
<v Speaker 7>I think you're not the first person to tell me that.

0:46:36.840 --> 0:46:41.799
<v Speaker 6>But I don't understand how you can blame somebody because

0:46:41.840 --> 0:46:44.279
<v Speaker 6>it was like it's cruel and horrible, like what I

0:46:44.440 --> 0:46:44.840
<v Speaker 6>used to do.

0:46:45.680 --> 0:46:49.520
<v Speaker 1>Like what I used to do. Another example of Natalia

0:46:49.680 --> 0:46:53.399
<v Speaker 1>claiming she'd given up catfishing, and we know how that ends,

0:46:53.760 --> 0:46:58.440
<v Speaker 1>don't we. Peter would be thirty four if he was

0:46:58.520 --> 0:46:59.440
<v Speaker 1>still alive today.

0:47:00.000 --> 0:47:07.200
<v Speaker 3>A mama's boy, Joe anywhere in everywheel with mum, go shopping,

0:47:07.960 --> 0:47:13.239
<v Speaker 3>go to housy, go to the pub, make sure mum

0:47:13.400 --> 0:47:16.160
<v Speaker 3>was all right. You know, when he was a little

0:47:16.239 --> 0:47:19.959
<v Speaker 3>kidd he decided to paint his sister, bright yellow, bright

0:47:20.040 --> 0:47:25.880
<v Speaker 3>canary yellow from head to toe, a little rugby h

0:47:26.520 --> 0:47:31.120
<v Speaker 3>I miss those things. I love him most.

0:47:32.800 --> 0:47:34.800
<v Speaker 4>I'm sorry that he hate to go through what he

0:47:34.880 --> 0:47:35.319
<v Speaker 4>went through.

0:47:36.360 --> 0:47:38.480
<v Speaker 2>I'm sorry that he couldn't talk to me about it.

0:47:39.800 --> 0:47:45.600
<v Speaker 1>Those things there you were saying sorry about it sounds

0:47:46.080 --> 0:47:50.880
<v Speaker 1>Raven as if you feel guilt about what's happened as well.

0:47:52.000 --> 0:47:55.800
<v Speaker 13>Because I up and I should have protected him. I

0:47:55.880 --> 0:47:58.040
<v Speaker 13>should have known what was going on with him, but

0:47:58.480 --> 0:48:03.160
<v Speaker 13>I didn't. Also, in your he was talking to Laura

0:48:03.880 --> 0:48:06.520
<v Speaker 13>on casebook. How can you heal a shattered heart?

0:48:07.680 --> 0:48:08.080
<v Speaker 3>You can't.

0:48:08.719 --> 0:48:10.560
<v Speaker 2>You can mean a broken one, but you can't heal

0:48:10.560 --> 0:48:11.200
<v Speaker 2>a shattered heart.

0:48:11.400 --> 0:48:13.440
<v Speaker 1>It was a big step for Raven to speak with me.

0:48:14.440 --> 0:48:17.239
<v Speaker 1>She canceled once because the thought of it was just

0:48:17.400 --> 0:48:21.840
<v Speaker 1>too much. And I understand that I'm a father myself,

0:48:21.920 --> 0:48:24.759
<v Speaker 1>and over the years I've talked to many people who

0:48:24.800 --> 0:48:28.640
<v Speaker 1>have lost children. I've never understood how they can find

0:48:28.760 --> 0:48:31.800
<v Speaker 1>words to put to those feelings of grief and guilt

0:48:32.040 --> 0:48:36.880
<v Speaker 1>and love. But then Raven messaged me back and we

0:48:37.080 --> 0:48:40.759
<v Speaker 1>did arrange to speak, and this is what she said

0:48:40.840 --> 0:48:43.680
<v Speaker 1>when I asked her why she changed her mind.

0:48:44.760 --> 0:48:46.560
<v Speaker 2>I have to take a stand for my son.

0:48:47.640 --> 0:48:50.480
<v Speaker 3>I have to be his voice because he's not here

0:48:50.560 --> 0:48:53.120
<v Speaker 3>to talk, and if I could try and stop her,

0:48:53.680 --> 0:48:55.880
<v Speaker 3>I'm going to do everything I can to do it.

0:48:56.320 --> 0:48:59.000
<v Speaker 3>There's no other parent should he have to go through

0:48:59.160 --> 0:49:00.920
<v Speaker 3>what life is Amily's gone through?

0:49:01.600 --> 0:49:03.920
<v Speaker 2>Why does she do it? What is she lacking in

0:49:04.040 --> 0:49:04.600
<v Speaker 2>her life?

0:49:05.200 --> 0:49:09.000
<v Speaker 3>I honestly thought after my's son committed suicide over what

0:49:09.200 --> 0:49:11.520
<v Speaker 3>she had done, that that would have been her wake

0:49:11.640 --> 0:49:11.960
<v Speaker 3>up call.

0:49:12.560 --> 0:49:13.040
<v Speaker 13>But it's not.

0:49:13.760 --> 0:49:14.600
<v Speaker 2>She's still doing it.

0:49:15.239 --> 0:49:18.960
<v Speaker 3>Why can the government not step in and put protocols

0:49:19.000 --> 0:49:22.960
<v Speaker 3>in place to protect people? Surely there must be something

0:49:23.040 --> 0:49:25.239
<v Speaker 3>out there that the government can do.

0:49:28.640 --> 0:49:30.760
<v Speaker 1>I've spoken to a number of people for this series

0:49:30.800 --> 0:49:34.920
<v Speaker 1>who've been victims of Natalia in various ways, but Raven

0:49:35.040 --> 0:49:38.800
<v Speaker 1>has hurt more than most of them. Yet all of

0:49:38.920 --> 0:49:43.560
<v Speaker 1>them have had their lives ruined, touched in an adverse

0:49:43.680 --> 0:49:48.000
<v Speaker 1>way by Natalia. Crystal has been fighting her stolen photographs

0:49:48.200 --> 0:49:51.560
<v Speaker 1>for a decade now. Danika and Lisa were deceived for

0:49:51.719 --> 0:49:55.239
<v Speaker 1>six years and still feel the heat thirteen years on.

0:49:55.800 --> 0:50:00.560
<v Speaker 1>Bernie told me how she still can't trust people. Countless

0:50:00.560 --> 0:50:03.000
<v Speaker 1>other people who I spoke to back in twenty eleven

0:50:03.320 --> 0:50:06.040
<v Speaker 1>and approached again for the series who don't want to

0:50:06.160 --> 0:50:09.120
<v Speaker 1>talk again on the record as the memories are too painful.

0:50:09.800 --> 0:50:13.360
<v Speaker 1>So while Natalia's life has been difficult at times, that

0:50:13.560 --> 0:50:16.880
<v Speaker 1>certainly doesn't excuse the things she's done and the impact

0:50:16.960 --> 0:50:20.279
<v Speaker 1>her catfishing has had. For two years in jail in

0:50:20.360 --> 0:50:24.200
<v Speaker 1>twenty thirteen might seem like a reasonable punishment for her crimes,

0:50:24.320 --> 0:50:27.439
<v Speaker 1>but those came after earl instance in jail as well,

0:50:28.080 --> 0:50:30.960
<v Speaker 1>and in all the years since she left prison at

0:50:31.000 --> 0:50:34.760
<v Speaker 1>the end of twenty fifteen, she has faced no consequences

0:50:34.800 --> 0:50:38.759
<v Speaker 1>for the actions that followed. When Crystal Jenna emailed me

0:50:38.840 --> 0:50:41.040
<v Speaker 1>at the end of twenty twenty two, it was the

0:50:41.120 --> 0:50:43.920
<v Speaker 1>first time in years that I'd thought about Natalia Burgess.

0:50:44.680 --> 0:50:46.600
<v Speaker 1>My interest in where she was in the world and

0:50:46.880 --> 0:50:50.320
<v Speaker 1>what she was up to had largely ended in twenty

0:50:50.440 --> 0:50:53.400
<v Speaker 1>thirteen when she was sent to jail. In hindsight, it

0:50:53.480 --> 0:50:57.080
<v Speaker 1>feels like maybe I should have checked in, but I didn't.

0:50:57.520 --> 0:50:59.879
<v Speaker 1>Perhaps I thought the conviction and sentence would have sent

0:51:00.160 --> 0:51:03.920
<v Speaker 1>message that had been listened to. Perhaps it was that

0:51:04.120 --> 0:51:08.920
<v Speaker 1>Natalia's behavior was so outlandish. I thought that lightning couldn't

0:51:08.960 --> 0:51:12.759
<v Speaker 1>strike twice, but it did, and here we are now,

0:51:15.120 --> 0:51:18.200
<v Speaker 1>as the evidence mounted that Natalia had been catfishing again.

0:51:18.719 --> 0:51:20.480
<v Speaker 1>I knew I had to track her down and get

0:51:20.560 --> 0:51:23.880
<v Speaker 1>her side of the story that had been years without contact.

0:51:24.520 --> 0:51:28.160
<v Speaker 1>So I started with what worked last time, visiting her parents'

0:51:28.160 --> 0:51:31.759
<v Speaker 1>home in Monaco, and that didn't help. Natalia's parents had

0:51:31.840 --> 0:51:34.600
<v Speaker 1>moved and the neighbors had no idea where they're gone.

0:51:34.920 --> 0:51:38.160
<v Speaker 1>In the court file and other documents, well, the only

0:51:38.239 --> 0:51:42.920
<v Speaker 1>address that held was the old address. In the end,

0:51:43.239 --> 0:51:46.600
<v Speaker 1>cross referencing property records with a public registry on which

0:51:46.640 --> 0:51:50.040
<v Speaker 1>her dad was listed gave me a new address. It's

0:51:50.080 --> 0:51:52.840
<v Speaker 1>a road which repeats numbers as you go through suburbs.

0:51:52.920 --> 0:51:55.840
<v Speaker 1>So there was a bit of door knocking until finally

0:51:56.360 --> 0:52:01.880
<v Speaker 1>I found her parents' home, and perhaps only they wanted

0:52:02.000 --> 0:52:04.680
<v Speaker 1>nothing to do with me. I was hoping to find

0:52:04.760 --> 0:52:09.279
<v Speaker 1>Natalia right bye, here, Can you tell me where I

0:52:09.320 --> 0:52:11.200
<v Speaker 1>could find nice?

0:52:12.080 --> 0:52:13.919
<v Speaker 7>You were very nice to us at times?

0:52:14.040 --> 0:52:14.920
<v Speaker 11>Why should I help you?

0:52:15.560 --> 0:52:18.520
<v Speaker 1>Well, because she's doing the same thing again and you

0:52:18.640 --> 0:52:19.520
<v Speaker 1>might want to stalk.

0:52:20.920 --> 0:52:22.680
<v Speaker 11>Well, I'm not helping you out.

0:52:22.840 --> 0:52:23.520
<v Speaker 6>I don't like you.

0:52:24.480 --> 0:52:27.680
<v Speaker 1>I can understand your feel that way. While they didn't talk,

0:52:28.040 --> 0:52:34.400
<v Speaker 1>it did spark Natalia and I reconnecting in her preferred environment, Facebook.

0:52:34.160 --> 0:52:36.719
<v Speaker 11>Leave us alone. You're trespassing if you go near me

0:52:37.040 --> 0:52:38.480
<v Speaker 11>and my family again.

0:52:38.760 --> 0:52:42.799
<v Speaker 1>I replied, reminding Natalia of our past interactions and letting

0:52:42.840 --> 0:52:45.560
<v Speaker 1>you know that I was doing a podcast on her.

0:52:46.000 --> 0:52:47.600
<v Speaker 11>What have my parents got to do with this?

0:52:48.400 --> 0:52:50.719
<v Speaker 1>I was trying to find you. You're the person I

0:52:50.800 --> 0:52:51.440
<v Speaker 1>want to talk to.

0:52:52.360 --> 0:52:54.160
<v Speaker 11>What if I just want to leave the past in

0:52:54.239 --> 0:52:54.760
<v Speaker 11>the past.

0:52:55.280 --> 0:52:57.680
<v Speaker 1>The past isn't in the past, is it. I've been

0:52:57.760 --> 0:52:58.600
<v Speaker 1>talking to Crystal.

0:52:59.480 --> 0:53:02.880
<v Speaker 11>Okay, fair coll But life is good right now, so

0:53:03.000 --> 0:53:04.800
<v Speaker 11>let me think about it, and it's not going in

0:53:04.880 --> 0:53:05.320
<v Speaker 11>the paper.

0:53:06.040 --> 0:53:10.360
<v Speaker 1>In the thumbnail photographs that accompanied those messages, Natalia looks happy.

0:53:11.080 --> 0:53:13.840
<v Speaker 1>She's smiling at the camera, and at his side, a

0:53:14.000 --> 0:53:18.400
<v Speaker 1>clean shaven man leans and snuggled at her shoulder. Natalia

0:53:18.480 --> 0:53:21.920
<v Speaker 1>didn't want her story to again appear in the newspaper

0:53:22.280 --> 0:53:26.080
<v Speaker 1>because she didn't want her parents to see anything. She

0:53:26.200 --> 0:53:29.440
<v Speaker 1>figured they might not see a story online and almost

0:53:29.520 --> 0:53:33.360
<v Speaker 1>certainly weren't going to listen to a newfangled podcast, but

0:53:33.480 --> 0:53:36.000
<v Speaker 1>they would see it in the letterbox when the morning

0:53:36.080 --> 0:53:40.359
<v Speaker 1>newspaper was delivered. I couldn't promise her that all those

0:53:40.400 --> 0:53:43.560
<v Speaker 1>old strands of media have blended together now, so there's

0:53:43.600 --> 0:53:46.680
<v Speaker 1>no guarantee in New Zealand Herald podcast won't end up

0:53:46.719 --> 0:53:50.239
<v Speaker 1>on the front page or elsewhere in the newspaper, and

0:53:50.320 --> 0:53:55.200
<v Speaker 1>we don't promise people where their coverage will and won't go. Regardless,

0:53:55.600 --> 0:53:58.160
<v Speaker 1>I think Natalia would have always gone cold on me.

0:53:59.160 --> 0:54:01.600
<v Speaker 1>She didn't want to talk in twenty eleven, so it

0:54:01.680 --> 0:54:04.600
<v Speaker 1>was no surprise she again didn't want to talk to

0:54:04.680 --> 0:54:08.440
<v Speaker 1>me in twenty twenty three or twenty twenty four. What

0:54:08.640 --> 0:54:11.520
<v Speaker 1>she wanted to do was to keep me at arm's length,

0:54:12.239 --> 0:54:14.760
<v Speaker 1>far enough away that I'd never be able to finish

0:54:14.840 --> 0:54:19.479
<v Speaker 1>this podcast or write about her, and clearly that didn't work.

0:54:20.480 --> 0:54:23.920
<v Speaker 1>The more I investigated, the more I found there were

0:54:24.040 --> 0:54:28.440
<v Speaker 1>questions which Natalia, in my view, really needed to answer.

0:54:29.719 --> 0:54:32.800
<v Speaker 1>As the months went by, we stayed in touch. Sometimes

0:54:32.880 --> 0:54:36.560
<v Speaker 1>we'd talk on the phone, other times we'd message, and

0:54:36.640 --> 0:54:40.560
<v Speaker 1>there was a blended nature to those conversations. Partly it

0:54:40.640 --> 0:54:43.359
<v Speaker 1>was Natalia trying to work out how much I knew.

0:54:44.280 --> 0:54:48.000
<v Speaker 1>Partly though, Natalie was also trying to push me off

0:54:48.239 --> 0:54:52.600
<v Speaker 1>into the future just another week, just another month, or

0:54:52.719 --> 0:54:55.960
<v Speaker 1>trying to control what we might do, like insisting on

0:54:56.080 --> 0:54:59.760
<v Speaker 1>no photographs for a few months. The conversation went quiet.

0:55:00.400 --> 0:55:03.080
<v Speaker 1>I took a break for a long planned family vacation,

0:55:03.280 --> 0:55:07.640
<v Speaker 1>and Ethan, my producer, was working through other projects. I

0:55:07.719 --> 0:55:11.800
<v Speaker 1>started messaging to Tarli again during this time, but despite

0:55:11.880 --> 0:55:16.960
<v Speaker 1>that contact the trail had gone cold, and Natalia she

0:55:17.080 --> 0:55:20.680
<v Speaker 1>stopped picking up calls and responding to messages. I didn't

0:55:20.719 --> 0:55:24.080
<v Speaker 1>know where she was, possibly Auckland, possibly funk at a

0:55:24.560 --> 0:55:27.600
<v Speaker 1>possibly elsewhere in the country. As the launch date for

0:55:27.719 --> 0:55:31.040
<v Speaker 1>episode one got closer and closer, it was becoming an

0:55:31.120 --> 0:55:34.719
<v Speaker 1>increase in concern that Natalie wouldn't talk to us at all.

0:55:35.640 --> 0:55:39.120
<v Speaker 1>And then, just days before the first episode went live,

0:55:39.960 --> 0:55:44.360
<v Speaker 1>I sent Natalia one more message, one that included a

0:55:44.520 --> 0:55:47.759
<v Speaker 1>long list of questions I wanted answered, one that let

0:55:47.840 --> 0:55:51.360
<v Speaker 1>her know the podcast was about to be released. There

0:55:51.480 --> 0:55:53.640
<v Speaker 1>was a message that let her know there were no

0:55:53.840 --> 0:55:58.200
<v Speaker 1>more tomorrows which you might push the future away, And

0:55:58.320 --> 0:56:02.239
<v Speaker 1>with that it seemed now finally she wanted to talk,

0:56:03.840 --> 0:56:07.600
<v Speaker 1>so next time. In the final episode of Chasing Ghosts,

0:56:08.000 --> 0:56:14.000
<v Speaker 1>the puppeteer no characters, no stolen photos, no computer screen

0:56:14.080 --> 0:56:17.759
<v Speaker 1>to hide behind. For the first time in thirteen years,

0:56:19.400 --> 0:56:25.720
<v Speaker 1>the Tania Burgess fronts up. You've been listening to Chasing

0:56:25.760 --> 0:56:29.920
<v Speaker 1>Ghosts the Puppeteer. Follow the podcast and the Chasing Ghost

0:56:30.080 --> 0:56:34.600
<v Speaker 1>Feed on iHeartRadio or wherever you get your podcasts, and

0:56:34.719 --> 0:56:37.200
<v Speaker 1>you can find more on this case at inzid Herald

0:56:37.360 --> 0:56:41.360
<v Speaker 1>dot co dot z ethanselves is my producer, with audio

0:56:41.520 --> 0:56:44.920
<v Speaker 1>engineering by Alistair Boys. Thanks to my colleagues for lending

0:56:44.960 --> 0:56:47.640
<v Speaker 1>their voices to this episode. If you have a story

0:56:47.680 --> 0:56:52.080
<v Speaker 1>about this case, contact me at David dot Fisher at inzid,

0:56:52.120 --> 0:56:55.359
<v Speaker 1>herold dot co dot zen. And if you believe you've

0:56:55.480 --> 0:56:59.400
<v Speaker 1>encountered behavior online that matches what we've discussed in this series,

0:56:59.640 --> 0:57:02.439
<v Speaker 1>you can if won't help it netsafe dot org dot

0:57:02.600 --> 0:57:06.800
<v Speaker 1>m Z. But if you feel at risk, don't hesitate,

0:57:07.160 --> 0:57:07.960
<v Speaker 1>contact police