1
00:00:01,680 --> 00:00:04,680
Speaker 1: Get a It's Jerry here from the Headachy Breakfast. Just

2
00:00:04,760 --> 00:00:06,800
Speaker 1: letting you know that if you're listening to the podcast

3
00:00:07,000 --> 00:00:09,440
Speaker 1: but didn't know that we also do a live radio show,

4
00:00:09,720 --> 00:00:11,760
Speaker 1: we do. And if you're wondering how to find out

5
00:00:11,800 --> 00:00:14,600
Speaker 1: what frequency to listen to us in your area, just

6
00:00:14,640 --> 00:00:18,040
Speaker 1: takes north or South as an island to three four

7
00:00:18,040 --> 00:00:21,040
Speaker 1: eight three and we'll let you know. And now let's

8
00:00:21,040 --> 00:00:37,240
Speaker 1: get on with the podcast. Welcome along to the CANCEROL

9
00:00:37,320 --> 00:00:41,680
Speaker 1: Tuesday the sixteenth of September, Jerry Mini and Allison Gofton

10
00:00:41,840 --> 00:00:47,080
Speaker 1: in attendance. Welcome as you're Alison, I'm not Richard, tell no,

11
00:00:47,400 --> 00:00:48,640
Speaker 1: you're Allison Goton.

12
00:00:50,560 --> 00:00:50,800
Speaker 2: Dean.

13
00:00:51,360 --> 00:00:53,880
Speaker 1: Food in the Minute.

14
00:00:55,040 --> 00:00:59,360
Speaker 3: This music is so soothing. I just this said before

15
00:00:59,400 --> 00:01:04,039
Speaker 3: the news didn't Yeah, food in a Minute. I feel

16
00:01:04,080 --> 00:01:06,200
Speaker 3: like the nineties early two thousands there was a real

17
00:01:06,240 --> 00:01:09,920
Speaker 3: push towards people cooking more stuff in the kitchen or

18
00:01:09,959 --> 00:01:11,080
Speaker 3: like trying different stuff.

19
00:01:11,360 --> 00:01:14,160
Speaker 1: Advertising for whatties. I believe, I believe it was what

20
00:01:14,280 --> 00:01:14,480
Speaker 1: he is.

21
00:01:14,959 --> 00:01:17,720
Speaker 3: But but I remember people food in a minute because

22
00:01:17,720 --> 00:01:19,880
Speaker 3: they would also have recipes in the magazines, so and

23
00:01:19,920 --> 00:01:22,360
Speaker 3: I remember people discussing them, I've got this, I'll bring

24
00:01:22,400 --> 00:01:24,160
Speaker 3: them I'll bring it in for you. Did you see

25
00:01:24,280 --> 00:01:27,120
Speaker 3: Ellison Gofton last night? So she's got it's a three ingredient,

26
00:01:27,160 --> 00:01:29,560
Speaker 3: one pan. You can get the whole. So it's like a.

27
00:01:29,840 --> 00:01:33,400
Speaker 1: Gofton must have made an absolute killing out of us,

28
00:01:33,440 --> 00:01:36,520
Speaker 1: you'd hope so Goton Gofton would have been paid a

29
00:01:36,560 --> 00:01:39,800
Speaker 1: fortune because it was years. Are you googling how much

30
00:01:39,840 --> 00:01:41,360
Speaker 1: did Ellis and Gofton get paid for this?

31
00:01:42,319 --> 00:01:45,920
Speaker 2: I just want to find anything out out about it.

32
00:01:46,160 --> 00:01:48,200
Speaker 2: Food in a minute, Food in.

33
00:01:48,200 --> 00:01:50,440
Speaker 1: A minute, Food in a minute. But she it was

34
00:01:50,640 --> 00:01:53,880
Speaker 1: years and years and years. I'm going to say at

35
00:01:53,960 --> 00:01:54,640
Speaker 1: least five.

36
00:01:55,440 --> 00:01:59,200
Speaker 3: Oh yeah, maybe it feels like yeah, it feels like

37
00:01:59,240 --> 00:02:02,200
Speaker 3: a lot like they that was every day before.

38
00:02:02,200 --> 00:02:04,120
Speaker 1: Then you said the paying big money for that. It's

39
00:02:04,160 --> 00:02:11,200
Speaker 1: a big high rate. Five. Yeah, she got that massive house.

40
00:02:11,480 --> 00:02:14,119
Speaker 1: Yeah off the back of food in a minute drink.

41
00:02:14,120 --> 00:02:17,320
Speaker 3: If she cooked any of that stuff, nah, Gofton, she

42
00:02:17,320 --> 00:02:18,000
Speaker 3: would have been to the.

43
00:02:17,919 --> 00:02:21,440
Speaker 1: Fashion chip shop. Gofton didn't cook anything was a good more.

44
00:02:21,800 --> 00:02:23,760
Speaker 1: She was cooking fancy stuff. Gofton.

45
00:02:23,960 --> 00:02:24,720
Speaker 2: Oh yeah she.

46
00:02:24,800 --> 00:02:27,839
Speaker 3: Not does not that that one band slop that she's

47
00:02:27,880 --> 00:02:30,600
Speaker 3: peddling just before the news. No way, what's the other one,

48
00:02:30,639 --> 00:02:32,359
Speaker 3: the health one with Jude Dobson.

49
00:02:32,440 --> 00:02:36,519
Speaker 1: Family Health Diary, Family Health Diaries licensed to prints money

50
00:02:36,560 --> 00:02:40,000
Speaker 1: again Jude Dobson. Yeah, isn't there another one? Oh? Richard

51
00:02:40,040 --> 00:02:42,680
Speaker 1: Till with the countdown.

52
00:02:42,240 --> 00:02:43,520
Speaker 2: One Richard Tell from coundo.

53
00:02:43,639 --> 00:02:46,160
Speaker 3: Oh yeah, going to countdown and buy this, this and this.

54
00:02:46,120 --> 00:02:48,399
Speaker 1: And you can put some food together. Richard Till.

55
00:02:48,560 --> 00:02:49,120
Speaker 2: Yeah.

56
00:02:49,400 --> 00:02:51,080
Speaker 1: Was he even a real person or was he the

57
00:02:51,080 --> 00:02:52,200
Speaker 1: first AI bot?

58
00:02:52,720 --> 00:02:55,560
Speaker 3: Yeah that was ever developed. I think it might have

59
00:02:55,600 --> 00:02:57,720
Speaker 3: been Richard Till. Someone's ending a lame claim to fame

60
00:02:57,720 --> 00:02:58,720
Speaker 3: about Richard Till today.

61
00:02:58,720 --> 00:03:01,680
Speaker 1: What was that? They went to her cooking They did

62
00:03:01,680 --> 00:03:05,880
Speaker 1: a cooking class with Richard Tell, and in front of

63
00:03:05,880 --> 00:03:07,600
Speaker 1: a whole lot of people they cooked some food with

64
00:03:07,680 --> 00:03:09,880
Speaker 1: Richard Tell at like one of those food chase.

65
00:03:10,520 --> 00:03:13,200
Speaker 3: I guess I'm not a great cook and I don't

66
00:03:13,360 --> 00:03:18,120
Speaker 3: love cooking. But us celebrity shifts falling by the wayside?

67
00:03:18,160 --> 00:03:19,520
Speaker 3: Are we still doing celebrity shifts?

68
00:03:19,560 --> 00:03:22,200
Speaker 1: I think we reached peak celebrity shift in about two

69
00:03:22,280 --> 00:03:26,160
Speaker 1: thousand and sixteen seventeen, maybe master shift.

70
00:03:26,200 --> 00:03:28,000
Speaker 3: Who's the last of the celebrity shifts?

71
00:03:28,480 --> 00:03:34,000
Speaker 2: Ramsey Gordon, Ramsey, jam Jeller.

72
00:03:34,440 --> 00:03:38,920
Speaker 3: No Jelly Yeah, Yeah, but I think, And then there

73
00:03:38,960 --> 00:03:40,840
Speaker 3: was oh, there's still the cooking shows. I hate the

74
00:03:40,840 --> 00:03:45,320
Speaker 3: cooking shows. Here's here's a no yeah.

75
00:03:45,280 --> 00:03:48,800
Speaker 2: J I know from MKR my Kitchen Rules.

76
00:03:49,080 --> 00:03:51,800
Speaker 3: And then there's the other one who's gone full vaccine. Dude,

77
00:03:52,080 --> 00:03:53,440
Speaker 3: that guy he's grown.

78
00:03:53,360 --> 00:03:54,560
Speaker 2: Himself a cooker.

79
00:03:57,600 --> 00:03:58,640
Speaker 1: Who did he go out with?

80
00:03:59,040 --> 00:04:08,800
Speaker 2: Nicki Watson? Pete Murray, Pete Murray? Was he Eric Pete

81
00:04:09,040 --> 00:04:10,040
Speaker 2: Pete Murray.

82
00:04:10,000 --> 00:04:16,600
Speaker 3: Pete Murray is simple mind? Pete Murray was from the

83
00:04:16,680 --> 00:04:20,680
Speaker 3: David gray Elk of Dave Matthews bands, That a dog shirt,

84
00:04:20,720 --> 00:04:24,240
Speaker 3: one Wonder music, White.

85
00:04:24,120 --> 00:04:28,480
Speaker 1: Boys genre, Yeah, okay, celebrity.

86
00:04:28,480 --> 00:04:31,280
Speaker 3: I listened. I listened to an interview with Jamie Oliver

87
00:04:32,480 --> 00:04:34,240
Speaker 3: and he said that at the peak of his fame,

88
00:04:34,560 --> 00:04:37,000
Speaker 3: he basically couldn't leave the house because everywhere he went,

89
00:04:37,160 --> 00:04:40,919
Speaker 3: some odd British geezer would bail him up against the

90
00:04:40,920 --> 00:04:43,720
Speaker 3: wall and be like, thanks to you, my wife now

91
00:04:43,760 --> 00:04:46,680
Speaker 3: expects me to cook three nights a fucking week. And

92
00:04:46,680 --> 00:04:48,920
Speaker 3: he said it would happened to him every every time

93
00:04:48,960 --> 00:04:51,080
Speaker 3: he walked down the things.

94
00:04:51,839 --> 00:04:55,120
Speaker 1: Josh, he was another guy that was his celebrity chef

95
00:04:55,120 --> 00:04:55,640
Speaker 1: in New Zealand.

96
00:04:55,720 --> 00:04:59,080
Speaker 3: Worst did I've told the story before? Worst interview I

97
00:04:59,080 --> 00:05:00,880
Speaker 3: ever did was Josh. Nothing to do with him was

98
00:05:00,960 --> 00:05:05,240
Speaker 3: my fault. We didn't know who Josh Himmitt was. And

99
00:05:05,880 --> 00:05:08,600
Speaker 3: it's probably behind the curtain at the radio station. Sometimes

100
00:05:08,680 --> 00:05:11,360
Speaker 3: last minute, someone will just come in like preps will

101
00:05:11,360 --> 00:05:13,200
Speaker 3: come out from in from out the office. But hey,

102
00:05:13,640 --> 00:05:15,239
Speaker 3: they got Josh Emmett here, do you want to interview?

103
00:05:15,600 --> 00:05:18,840
Speaker 3: And he'll be like, oh yeah, what about and he goes, oh,

104
00:05:18,839 --> 00:05:21,960
Speaker 3: he's got a yogurt for skin cancer, And that was

105
00:05:22,040 --> 00:05:24,839
Speaker 3: all the information we had. Josh Emmett's got a yogurt

106
00:05:24,960 --> 00:05:28,480
Speaker 3: for skin cancer, man matt Wood, And so we.

107
00:05:28,600 --> 00:05:31,599
Speaker 1: Get in here, okay, giving me anxiety.

108
00:05:31,720 --> 00:05:33,880
Speaker 3: We don't know who he is. We had no idea

109
00:05:33,920 --> 00:05:36,120
Speaker 3: who he was. He sits down. We're like, this guy's

110
00:05:36,279 --> 00:05:41,159
Speaker 3: first off, beautiful, great tan, very handsome, very handsome, tall

111
00:05:42,120 --> 00:05:43,320
Speaker 3: as we drunk him in.

112
00:05:43,680 --> 00:05:45,600
Speaker 1: Good work, good, great work.

113
00:05:46,240 --> 00:05:48,160
Speaker 3: And all we know is he's beautiful, he's got a

114
00:05:48,240 --> 00:05:49,479
Speaker 3: yogat and it's for skin cancer.

115
00:05:49,520 --> 00:05:54,839
Speaker 1: And we sit down like looks like a card as

116
00:05:54,880 --> 00:05:56,240
Speaker 1: a Native New Zealand falcon.

117
00:05:56,440 --> 00:06:02,880
Speaker 3: Oh yeah, the hawk. So we sit down and we

118
00:06:02,880 --> 00:06:08,000
Speaker 3: look at him and we go, so do you put

119
00:06:08,000 --> 00:06:13,000
Speaker 3: it on your skin? He's like, what on like the

120
00:06:13,120 --> 00:06:14,920
Speaker 3: yogurt does it or do you eat it? And it's

121
00:06:14,960 --> 00:06:17,599
Speaker 3: got some sort of probiotics? No, there's not, it doesn't.

122
00:06:17,920 --> 00:06:21,719
Speaker 3: We're okay, so have you how have you been affected

123
00:06:21,720 --> 00:06:23,479
Speaker 3: by a skincarecer? I looked at him and I was

124
00:06:23,520 --> 00:06:27,640
Speaker 3: just like, way too much tanning bit. He's probably had

125
00:06:27,680 --> 00:06:31,480
Speaker 3: some melanoma cut out of him. No, no one, no

126
00:06:31,520 --> 00:06:33,839
Speaker 3: family members, I think, No, I personally haven't been affected

127
00:06:33,839 --> 00:06:35,520
Speaker 3: by it. And I was like, all right, this is

128
00:06:35,560 --> 00:06:39,880
Speaker 3: like cluter is this guy? Why has he got a yogurt?

129
00:06:40,080 --> 00:06:40,320
Speaker 2: I know?

130
00:06:40,360 --> 00:06:42,880
Speaker 3: And at this point he's clocked that he doesn't that

131
00:06:42,960 --> 00:06:45,520
Speaker 3: we don't know who he is, and so he's like,

132
00:06:45,560 --> 00:06:47,839
Speaker 3: well what the fuck is this? And we are too,

133
00:06:47,920 --> 00:06:51,440
Speaker 3: because what's happened here is the promo person who's who's

134
00:06:51,480 --> 00:06:53,600
Speaker 3: dragging him around all the radio stations making him do

135
00:06:53,720 --> 00:06:55,800
Speaker 3: this hasn't filled in us and on who he is

136
00:06:55,839 --> 00:06:58,560
Speaker 3: and what he's doing, hasn't filled him and on who

137
00:06:58,600 --> 00:07:00,719
Speaker 3: we are and what we're doing. So we're all just

138
00:07:00,760 --> 00:07:04,080
Speaker 3: sitting in there, live on here like to put the

139
00:07:04,160 --> 00:07:05,000
Speaker 3: yogurt on your skin?

140
00:07:05,120 --> 00:07:07,280
Speaker 2: So so pulling Curtin back.

141
00:07:07,320 --> 00:07:09,160
Speaker 3: So it was this live or prereck it was live

142
00:07:09,480 --> 00:07:14,480
Speaker 3: fuck me and yeah, and so we're just sitting there like, oh, okay, yes,

143
00:07:14,920 --> 00:07:17,800
Speaker 3: and then what happens. And I think because he caught

144
00:07:18,120 --> 00:07:20,320
Speaker 3: cotton that we didn't know who he was or what

145
00:07:20,400 --> 00:07:24,320
Speaker 3: was going on. He sort of he wasn't very forthcoming

146
00:07:24,360 --> 00:07:27,600
Speaker 3: with like you know, as well with in his rights too.

147
00:07:27,640 --> 00:07:29,600
Speaker 3: But I was wondering, like, is he gonna take this

148
00:07:29,680 --> 00:07:31,560
Speaker 3: by the scruff of the neck and explain what's going on.

149
00:07:31,640 --> 00:07:33,160
Speaker 1: He's not that kind of He's not.

150
00:07:33,160 --> 00:07:33,880
Speaker 3: He's a celebrity.

151
00:07:33,880 --> 00:07:34,120
Speaker 2: Shift.

152
00:07:34,160 --> 00:07:35,600
Speaker 3: He was just like, well, if you guys can't be

153
00:07:35,640 --> 00:07:37,200
Speaker 3: figuring out who I am, I'm not going to And

154
00:07:37,240 --> 00:07:40,200
Speaker 3: it was the and the atmosphere in the room, and

155
00:07:40,200 --> 00:07:42,320
Speaker 3: then he walked out, and then I think it was

156
00:07:42,360 --> 00:07:44,080
Speaker 3: Prooves that came and it was just like, do you

157
00:07:44,080 --> 00:07:47,680
Speaker 3: guys know who he is? Well, no, I think someone

158
00:07:47,720 --> 00:07:50,440
Speaker 3: out in the office got a photo him. Nah, celebrity chef.

159
00:07:51,320 --> 00:07:54,000
Speaker 3: He's made a new flavor of yogurt or whatever, and

160
00:07:54,080 --> 00:07:56,280
Speaker 3: it's a fundraiser, come and get josh Immit's yoga and

161
00:07:56,320 --> 00:07:57,840
Speaker 3: all the proceeds go to skin cancer.

162
00:07:57,960 --> 00:08:02,920
Speaker 1: Like, well, Kevil Proves to come on say that beforehand.

163
00:08:03,080 --> 00:08:04,520
Speaker 3: I don't know, if I was president, could have been

164
00:08:04,560 --> 00:08:04,720
Speaker 3: in it.

165
00:08:04,760 --> 00:08:05,560
Speaker 2: But yeah, he.

166
00:08:05,640 --> 00:08:09,680
Speaker 1: Trained under Gordon ram he was he was Gordon Ramsey's guy.

167
00:08:09,880 --> 00:08:13,600
Speaker 3: I would have been massively beneath him. Weren't just asking

168
00:08:13,680 --> 00:08:15,920
Speaker 3: to be put yoga on your skin to stop skin cans?

169
00:08:16,920 --> 00:08:20,880
Speaker 1: Well you probably can. He was probably going, I know

170
00:08:20,920 --> 00:08:21,440
Speaker 1: we've done.

171
00:08:21,320 --> 00:08:23,920
Speaker 3: This segment before, but we talked about these before, but

172
00:08:23,960 --> 00:08:26,160
Speaker 3: worst interviews I've ever done. We had another one. There

173
00:08:26,200 --> 00:08:28,320
Speaker 3: was a fish market, a new fish market opened up

174
00:08:28,320 --> 00:08:30,480
Speaker 3: here in Auckland, and they were like, as a promo,

175
00:08:31,080 --> 00:08:33,679
Speaker 3: we should get someone in from the fish market. We're like, sure,

176
00:08:33,800 --> 00:08:37,240
Speaker 3: that'd be weird. This guy showed up with a full

177
00:08:37,559 --> 00:08:41,480
Speaker 3: styrophone box full of one of every fucking fish that

178
00:08:41,520 --> 00:08:43,640
Speaker 3: they sold at the fish market and brought it into

179
00:08:43,640 --> 00:08:46,760
Speaker 3: the studio and I was like, dud, do you understand

180
00:08:46,760 --> 00:08:49,880
Speaker 3: our radio station, no one can see the fish, and

181
00:08:49,920 --> 00:08:51,840
Speaker 3: he's pulling them out with his hands, showing us all

182
00:08:51,880 --> 00:08:52,760
Speaker 3: that the hag version.

183
00:08:52,840 --> 00:08:53,679
Speaker 1: That's first for.

184
00:08:53,640 --> 00:08:56,520
Speaker 3: A TV interview, great for a TV interview, But and

185
00:08:57,240 --> 00:08:59,680
Speaker 3: he didn't stand anywhere near a microphone, so we couldn't

186
00:08:59,679 --> 00:09:01,160
Speaker 3: actually hear what was going on.

187
00:09:01,280 --> 00:09:01,880
Speaker 1: And the.

188
00:09:04,040 --> 00:09:09,199
Speaker 3: In the studio of Squid octopus as first. That first

189
00:09:09,280 --> 00:09:10,520
Speaker 3: he goes, I can leave this here if you.

190
00:09:10,520 --> 00:09:13,000
Speaker 2: Want, no wonder, I can't.

191
00:09:14,559 --> 00:09:16,079
Speaker 1: I was one of the worst. Was was kaim mo

192
00:09:16,120 --> 00:09:18,440
Speaker 1: Wana related was one of the worst in with Josh

193
00:09:18,440 --> 00:09:21,120
Speaker 1: Homie where I spilled kinjuana juice backstage in his in

194
00:09:21,200 --> 00:09:22,080
Speaker 1: his dressing room.

195
00:09:22,200 --> 00:09:24,000
Speaker 3: That's right, and he muscles.

196
00:09:24,160 --> 00:09:29,240
Speaker 1: He wasn't happy. No bluff oysters. He wasn't happy. He

197
00:09:29,360 --> 00:09:31,920
Speaker 1: was not and fair enough. I mean it's stunk and

198
00:09:31,960 --> 00:09:34,680
Speaker 1: it would have reaped like the longer it's set around

199
00:09:34,679 --> 00:09:37,520
Speaker 1: that kim Wana juice and it's a great gig. Actually,

200
00:09:37,559 --> 00:09:39,040
Speaker 1: I reckon by the time he ended up playing the

201
00:09:39,040 --> 00:09:40,720
Speaker 1: gag later on that because it was during the day

202
00:09:41,120 --> 00:09:44,320
Speaker 1: before and he would have just been hanging out in

203
00:09:44,320 --> 00:09:48,400
Speaker 1: that kio Wana juice all afternoon and he had his

204
00:09:48,520 --> 00:09:51,480
Speaker 1: kids back there with a blow up bloody bouncy castle

205
00:09:51,520 --> 00:09:54,080
Speaker 1: in his room as well. It's a giant room here.

206
00:09:53,960 --> 00:09:55,720
Speaker 3: And they're like, Josh, just before you go on stage,

207
00:09:55,760 --> 00:09:57,719
Speaker 3: make kids do this quick interview. It'll help I sell

208
00:09:57,720 --> 00:09:59,120
Speaker 3: a few tickets for the christ show.

209
00:09:59,600 --> 00:10:01,959
Speaker 1: He he was onto it and fair enough.

210
00:10:02,240 --> 00:10:03,240
Speaker 3: No wacky gags.

211
00:10:04,679 --> 00:10:08,800
Speaker 1: What have you got boys to juice? That's exactly. That's

212
00:10:08,840 --> 00:10:12,080
Speaker 1: he was at that time as well, where he was unhappy.

213
00:10:12,440 --> 00:10:14,840
Speaker 1: He's much happier now. He was unhappy at the time.

214
00:10:14,880 --> 00:10:15,559
Speaker 1: He's off the gear.

215
00:10:16,200 --> 00:10:17,959
Speaker 3: I was that the gear that was making him myth

216
00:10:18,000 --> 00:10:22,520
Speaker 3: and I believe Oh yeah, I'm not breaking any news.

217
00:10:22,520 --> 00:10:24,600
Speaker 1: He's talked about this. Oh crack?

218
00:10:25,040 --> 00:10:26,560
Speaker 3: Is that myth? I think it's myth. I think it

219
00:10:26,600 --> 00:10:27,040
Speaker 3: was a myth.

220
00:10:27,200 --> 00:10:30,720
Speaker 2: Is that what that ad with benvoice was shows your crack? Yeah?

221
00:10:30,880 --> 00:10:33,240
Speaker 2: Oh wow, I knew that was the thing.

222
00:10:33,640 --> 00:10:35,839
Speaker 1: Yeah, okay, that sort of makes sense. He's coming off

223
00:10:35,840 --> 00:10:36,680
Speaker 1: the glass Barbie.

224
00:10:36,760 --> 00:10:37,080
Speaker 2: Yeah.

225
00:10:37,200 --> 00:10:40,080
Speaker 3: Yeah, well he wouldn't have known where to get it here, so.

226
00:10:40,080 --> 00:10:42,280
Speaker 1: He would have anywhere.

227
00:10:42,520 --> 00:10:44,280
Speaker 2: Or yeah, yeah, well.

228
00:10:44,200 --> 00:10:45,240
Speaker 3: He didn't know that at the time.

229
00:10:45,280 --> 00:10:47,240
Speaker 1: They drink some waste water, you'd probably get wasted.

230
00:10:49,720 --> 00:10:53,520
Speaker 3: Speaking of bad interviews, being early refuses to work with

231
00:10:53,640 --> 00:10:57,320
Speaker 3: Princess Lara and Studio B because the worst interview of

232
00:10:57,320 --> 00:11:01,160
Speaker 3: her career was with him, although it wasn't her fault.

233
00:11:02,400 --> 00:11:05,199
Speaker 2: You say that now to hear her tell it, But.

234
00:11:07,320 --> 00:11:07,679
Speaker 3: What was it?

235
00:11:07,800 --> 00:11:12,520
Speaker 1: Just didn't know who he was? Or yeah, that sucks

236
00:11:12,520 --> 00:11:17,680
Speaker 1: when you don't know, Like I would say from experience

237
00:11:17,760 --> 00:11:19,760
Speaker 1: of interviewing people who you don't know who they are

238
00:11:20,480 --> 00:11:23,600
Speaker 1: and being having an interview thrust upon you. I mean

239
00:11:23,640 --> 00:11:25,560
Speaker 1: the worst is when you not only don't know who

240
00:11:25,559 --> 00:11:27,680
Speaker 1: they are, and I've had this before, you don't know

241
00:11:27,720 --> 00:11:31,520
Speaker 1: their name. So I was once we once were interviewing

242
00:11:31,559 --> 00:11:35,760
Speaker 1: someone on this very not podcast, but she is, and

243
00:11:36,679 --> 00:11:40,200
Speaker 1: came into the studio and they were just they just

244
00:11:40,320 --> 00:11:41,800
Speaker 1: they walked down and they were brought in by the

245
00:11:42,160 --> 00:11:44,680
Speaker 1: by their PR person. Yes, and I feel like I

246
00:11:44,679 --> 00:11:46,480
Speaker 1: don't know who was the producer at the time.

247
00:11:46,520 --> 00:11:49,360
Speaker 3: It wasn't It wasn't even the producer. I can we

248
00:11:49,400 --> 00:11:51,840
Speaker 3: take a break here because I remember this story as well.

249
00:11:51,880 --> 00:11:54,320
Speaker 3: I was involved in this. I feel like Hanger was

250
00:11:54,360 --> 00:11:57,160
Speaker 3: the producer. Hanger was there. Yes, But let's take a

251
00:11:57,160 --> 00:12:02,320
Speaker 3: break and I'll tell you my side of the story.

252
00:12:05,640 --> 00:12:09,600
Speaker 1: Great drumming. I loved the drumming in that song. So

253
00:12:09,600 --> 00:12:13,800
Speaker 1: we're talking about terrible moments of interviews. And one that

254
00:12:13,920 --> 00:12:19,120
Speaker 1: happened here on the breakfast when during the heat era.

255
00:12:19,679 --> 00:12:24,360
Speaker 3: And it was two actors from a TV show. Yes, Yes,

256
00:12:25,120 --> 00:12:25,880
Speaker 3: I remember.

257
00:12:25,600 --> 00:12:28,360
Speaker 1: This, Yes, And I didn't know the TV show No,

258
00:12:28,520 --> 00:12:30,920
Speaker 1: And I didn't know what the actor's names was, and

259
00:12:30,960 --> 00:12:32,680
Speaker 1: I didn't know which one was watched, and I didn't

260
00:12:32,720 --> 00:12:34,080
Speaker 1: even know their names.

261
00:12:33,800 --> 00:12:35,640
Speaker 3: No, but you knew that they were on. I think

262
00:12:35,640 --> 00:12:37,360
Speaker 3: you may have even known. You might have been given

263
00:12:37,400 --> 00:12:39,000
Speaker 3: the name of the TV show. And I think you

264
00:12:39,000 --> 00:12:41,320
Speaker 3: guys were doing the whole So what's the TV show about?

265
00:12:41,320 --> 00:12:43,240
Speaker 3: You know, tell us all about it? Blah blah, how

266
00:12:43,280 --> 00:12:44,640
Speaker 3: long is the season? All that kind of, and they

267
00:12:44,640 --> 00:12:47,760
Speaker 3: were answering the questions. It was the two actors, an

268
00:12:47,800 --> 00:12:50,720
Speaker 3: actor and an actress, and then a PR person all

269
00:12:50,760 --> 00:12:53,760
Speaker 3: in the studio, and you guys did two bits with them,

270
00:12:53,840 --> 00:12:55,160
Speaker 3: so you talk to them, we do a song, came

271
00:12:55,200 --> 00:12:58,840
Speaker 3: back talking. I remember this because while the song was playing,

272
00:13:00,840 --> 00:13:03,720
Speaker 3: Hangar came out into the thing and goes, does anyone

273
00:13:03,720 --> 00:13:06,199
Speaker 3: know who the fuck these guys are? And we're out

274
00:13:06,200 --> 00:13:08,600
Speaker 3: in the office and we're like no. It was another

275
00:13:08,640 --> 00:13:10,440
Speaker 3: one of those power persons just brought them through.

276
00:13:10,559 --> 00:13:11,800
Speaker 1: Yeah, that's exactly what it was.

277
00:13:11,840 --> 00:13:15,480
Speaker 3: Information hadn't been passed on, and I was like no,

278
00:13:15,840 --> 00:13:19,400
Speaker 3: and I said, I've got an idea. And I came

279
00:13:19,440 --> 00:13:22,880
Speaker 3: in and said, can I take a photo of you

280
00:13:22,960 --> 00:13:27,000
Speaker 3: guys for our socials and we'll tag you what's your

281
00:13:27,040 --> 00:13:29,520
Speaker 3: Instagram handle? To the actor and the actress, what's your

282
00:13:29,520 --> 00:13:32,840
Speaker 3: Instagram handle? I went back out look them up on Instagram,

283
00:13:32,880 --> 00:13:34,719
Speaker 3: found their names, takes them to hang, and he put

284
00:13:34,720 --> 00:13:35,240
Speaker 3: them in the dock.

285
00:13:35,400 --> 00:13:36,400
Speaker 1: That's how it happened.

286
00:13:36,600 --> 00:13:37,959
Speaker 3: Yes, that's how that got something.

287
00:13:38,280 --> 00:13:44,000
Speaker 1: Meanwhile, on he Alive, me and Heath floundering, and Heath

288
00:13:44,160 --> 00:13:48,080
Speaker 1: was floundering, next level floundering like he was just looking

289
00:13:48,120 --> 00:13:53,920
Speaker 1: at me, like you sort this out, and man, I

290
00:13:54,360 --> 00:13:56,600
Speaker 1: should have just come clean to said Lock. I don't know,

291
00:13:57,280 --> 00:14:00,040
Speaker 1: but that's all. You can't do that. I don't know

292
00:14:00,080 --> 00:14:02,920
Speaker 1: who you are. I'm sorry about this. I'm sorry about

293
00:14:02,920 --> 00:14:06,760
Speaker 1: I'm not trying to be rude, but I should have

294
00:14:06,760 --> 00:14:09,720
Speaker 1: thrown Hanger under the bush. Our producers had a shudder.

295
00:14:10,000 --> 00:14:12,920
Speaker 1: He normally explains to us, the guests that we have,

296
00:14:13,080 --> 00:14:14,800
Speaker 1: you've just come on a little earlier than we thought,

297
00:14:14,880 --> 00:14:17,640
Speaker 1: and I'm sorry. Normally I do. I looked this over

298
00:14:17,920 --> 00:14:20,120
Speaker 1: like the ten minutes before, and I haven't had a

299
00:14:20,200 --> 00:14:21,120
Speaker 1: chance to I'm sorry.

300
00:14:21,280 --> 00:14:23,840
Speaker 3: You should have gone I'm so sorry. Remind me of

301
00:14:23,880 --> 00:14:26,720
Speaker 3: your name again, and she would have gone, Alice, no Elie,

302
00:14:26,720 --> 00:14:30,560
Speaker 3: of course, I know your first name. Your last name, Alice, Oh,

303
00:14:31,240 --> 00:14:33,320
Speaker 3: Alice Smith Sorry, yes, Alice smith Man.

304
00:14:33,440 --> 00:14:36,280
Speaker 1: That's good Maniah. I like that. I think as well.

305
00:14:36,320 --> 00:14:38,400
Speaker 1: They were thrust him with about ten seconds to go

306
00:14:38,480 --> 00:14:39,800
Speaker 1: in the song, so it.

307
00:14:39,760 --> 00:14:43,400
Speaker 3: Was like, fuck, it's just because I remember.

308
00:14:43,200 --> 00:14:44,480
Speaker 1: Singing for your supper those days.

309
00:14:44,600 --> 00:14:46,320
Speaker 3: Yeah, because you must have shot a look through in

310
00:14:46,360 --> 00:14:48,840
Speaker 3: the studio, because Hanger comes out and he goes, we

311
00:14:48,880 --> 00:14:51,000
Speaker 3: don't know who these people. We don't have their names,

312
00:14:51,000 --> 00:14:52,480
Speaker 3: does anyone? Because he asked me if I had like

313
00:14:52,520 --> 00:14:54,440
Speaker 3: a press, No, I've got nothing.

314
00:14:54,600 --> 00:14:57,400
Speaker 1: I'm just reliving the moment now. It was so embarrassing.

315
00:14:57,400 --> 00:14:59,160
Speaker 3: I don't know how relatable this is to anyone listening

316
00:14:59,160 --> 00:15:00,800
Speaker 3: to this. I don't know how many probably interviews the

317
00:15:00,800 --> 00:15:06,080
Speaker 3: average person does. But it's it's the equivalent of all

318
00:15:06,080 --> 00:15:08,520
Speaker 3: the fear you have a public speaking, combined with all

319
00:15:08,560 --> 00:15:10,920
Speaker 3: the fear that you have of forgetting someone's name. You know,

320
00:15:10,960 --> 00:15:13,120
Speaker 3: when you've been hanging out with someone for too long.

321
00:15:13,120 --> 00:15:14,920
Speaker 3: It might have been like all nights your mate's mate,

322
00:15:14,920 --> 00:15:17,040
Speaker 3: You've been at the puble night or whatever, and you're like,

323
00:15:17,120 --> 00:15:19,320
Speaker 3: I fucking just did not catch this guy's name.

324
00:15:20,360 --> 00:15:23,160
Speaker 2: What do you do? And it's combined with that nightmare

325
00:15:23,160 --> 00:15:25,280
Speaker 2: that you sometimes have where maybe you're in a school

326
00:15:25,280 --> 00:15:29,080
Speaker 2: production and you've forgotten all of your lines. Yeah, you

327
00:15:29,080 --> 00:15:31,000
Speaker 2: still have to do the school production. Or you go

328
00:15:31,120 --> 00:15:32,960
Speaker 2: and to an exam and you've forgotten all of the

329
00:15:33,000 --> 00:15:35,360
Speaker 2: answers because you have done no study. So you've got

330
00:15:35,400 --> 00:15:36,680
Speaker 2: that in a real life situation.

331
00:15:38,160 --> 00:15:42,520
Speaker 3: Oh yeah, it's it's brutal. Yeah, I don't know what

332
00:15:42,600 --> 00:15:45,920
Speaker 3: to do with Uh. Luckily we have not had that yet.

333
00:15:47,480 --> 00:15:50,280
Speaker 1: No, I don't think we'll ever be. I've done it.

334
00:15:50,280 --> 00:15:51,880
Speaker 1: I've had it too many times now in my life

335
00:15:51,960 --> 00:15:53,040
Speaker 1: to ever have to do it again.

336
00:15:53,080 --> 00:15:56,160
Speaker 3: We should turn it into a segment. We wrote it

337
00:15:56,160 --> 00:15:58,080
Speaker 3: ambushes us with the guests, and we're going to run

338
00:15:58,160 --> 00:15:59,880
Speaker 3: for the worst.

339
00:16:00,560 --> 00:16:03,760
Speaker 1: No, because the poor guest is to come in. Imagine

340
00:16:03,760 --> 00:16:06,160
Speaker 1: that turning up. But that's the suck thing. It's like

341
00:16:06,200 --> 00:16:08,720
Speaker 1: these people have made an effort to come into the studio.

342
00:16:09,360 --> 00:16:11,280
Speaker 1: You know, they've got up early in the morning. You

343
00:16:11,320 --> 00:16:13,200
Speaker 1: feel so stink. It's like the least you can do

344
00:16:13,320 --> 00:16:14,520
Speaker 1: is at least know who they are.

345
00:16:14,840 --> 00:16:18,240
Speaker 3: Yeah, we're the flip side of that where we knew

346
00:16:18,280 --> 00:16:20,040
Speaker 3: exactly who the guest was and they didn't come on

347
00:16:20,040 --> 00:16:23,520
Speaker 3: the show. Kevin Hart, Yep, we'll just pick that name

348
00:16:23,520 --> 00:16:26,840
Speaker 3: back up. He was in and he did like an

349
00:16:26,840 --> 00:16:29,840
Speaker 3: hour over at Flavor. I don't know how she managed this,

350
00:16:29,880 --> 00:16:31,680
Speaker 3: but Athena went to his concert and the very next

351
00:16:31,760 --> 00:16:33,280
Speaker 3: day he came and hosted the show with her for

352
00:16:33,280 --> 00:16:38,120
Speaker 3: an hour, and his people said, if he gets a chance,

353
00:16:38,160 --> 00:16:41,200
Speaker 3: he'll come in and do a quick bit with you guys.

354
00:16:41,560 --> 00:16:44,480
Speaker 3: And so we were like, great, we're going to tease

355
00:16:44,520 --> 00:16:46,960
Speaker 3: this all show. Kevin Hart's coming up on the show

356
00:16:47,000 --> 00:16:49,120
Speaker 3: later on, and we even had up on the Instagram

357
00:16:49,160 --> 00:16:51,000
Speaker 3: story photos off Kevin Hart because he was in the

358
00:16:51,000 --> 00:16:54,520
Speaker 3: building just and iHeart we pulled the Pharaoler.

359
00:16:55,840 --> 00:16:58,680
Speaker 2: We put a push notification on Wow.

360
00:16:58,800 --> 00:17:02,200
Speaker 1: That means it must have been very into Patrya.

361
00:17:01,880 --> 00:17:12,119
Speaker 3: Goes government emergency, iHeart push notification, personal phone call and

362
00:17:12,119 --> 00:17:14,960
Speaker 3: and in the end all we managed to get was

363
00:17:14,960 --> 00:17:17,840
Speaker 3: a photo with him and we went in there. I

364
00:17:17,880 --> 00:17:23,080
Speaker 3: s star struck. Oh, we're from the other station across

365
00:17:23,080 --> 00:17:25,560
Speaker 3: the thing. We said that you were coming on the show,

366
00:17:25,600 --> 00:17:27,440
Speaker 3: but like all good if not, we'll just make a

367
00:17:27,480 --> 00:17:29,200
Speaker 3: whole thing about how like you didn't come on the show,

368
00:17:29,240 --> 00:17:33,159
Speaker 3: and he goes, haha, yeah, and then took.

369
00:17:33,080 --> 00:17:34,560
Speaker 2: The photo kicked that out.

370
00:17:36,359 --> 00:17:36,800
Speaker 1: Here.

371
00:17:37,840 --> 00:17:41,680
Speaker 3: He is tiny man, And also I've I've looked I've

372
00:17:41,680 --> 00:17:44,439
Speaker 3: looked at that photo recently and it's a great advert

373
00:17:44,480 --> 00:17:46,080
Speaker 3: for the big brown, slim town. It makes me it

374
00:17:46,080 --> 00:17:49,400
Speaker 3: looks like the before photo, you know what I mean,

375
00:17:49,560 --> 00:17:53,040
Speaker 3: and then the after photo is me. Now, I'll dig

376
00:17:53,080 --> 00:17:55,280
Speaker 3: it out for you. I think you'll be surprised. I

377
00:17:55,320 --> 00:17:56,160
Speaker 3: think you'd be surprised.

378
00:17:57,480 --> 00:17:59,240
Speaker 1: It helps as well when you had a really small

379
00:17:59,280 --> 00:18:02,480
Speaker 1: person beside you, knowing a classic Gulliver.

380
00:18:02,520 --> 00:18:04,600
Speaker 3: Oh looking fucking enormous.

381
00:18:04,960 --> 00:18:08,760
Speaker 2: Yeah, and when that person stands in the middle and

382
00:18:08,800 --> 00:18:11,680
Speaker 2: they always kind of slightly back in your kind of.

383
00:18:12,200 --> 00:18:16,199
Speaker 1: To Brian Adams, Yeah, I gullo at him massively and

384
00:18:16,320 --> 00:18:18,680
Speaker 1: he was trying to avoid standing beside me because he's

385
00:18:18,760 --> 00:18:22,120
Speaker 1: quite small, and he was trying to stand inside Hillary.

386
00:18:22,200 --> 00:18:26,240
Speaker 1: You're real white on for Hillary. Yeah, like she said

387
00:18:26,320 --> 00:18:28,240
Speaker 1: after it, she goes, wasn't me. It was Brian Adams

388
00:18:28,280 --> 00:18:29,520
Speaker 1: giving me in the glad eye the whole time. I

389
00:18:29,560 --> 00:18:32,879
Speaker 1: was like I think he was, and he would not

390
00:18:33,000 --> 00:18:34,760
Speaker 1: stand beside me, but he kind of had to in

391
00:18:34,840 --> 00:18:37,080
Speaker 1: the sit up to for it to work the photo.

392
00:18:37,920 --> 00:18:41,240
Speaker 1: And he hated me. God, he hated me for that. Well,

393
00:18:41,240 --> 00:18:44,480
Speaker 1: you were blocking him, are you totally casting a shadow

394
00:18:44,520 --> 00:18:48,480
Speaker 1: over him? Right? That's enough for today. Yeah, we're gonna

395
00:18:48,480 --> 00:18:49,280
Speaker 1: go and do some filming.

396
00:18:49,800 --> 00:18:50,720
Speaker 3: Oh, yes, we do too.

397
00:18:50,920 --> 00:18:51,120
Speaker 1: Yeah.

398
00:18:51,480 --> 00:18:54,800
Speaker 3: I if you're looking for the photo, just found the photo.

399
00:18:55,480 --> 00:18:55,720
Speaker 2: Show you.

400
00:18:55,840 --> 00:18:56,720
Speaker 3: Oh do you want to come and have.

401
00:18:56,680 --> 00:18:57,000
Speaker 2: A lot.

402
00:19:00,320 --> 00:19:03,720
Speaker 3: Fault I got?

403
00:19:05,160 --> 00:19:07,479
Speaker 1: Oh my god, look how think you are?

404
00:19:09,520 --> 00:19:14,520
Speaker 3: We were there at flyav Win Win friend and fifty

405
00:19:14,520 --> 00:19:16,240
Speaker 3: two weeks ago, Jared, that's all I can tell you.

406
00:19:17,200 --> 00:19:18,840
Speaker 3: That's that six years ago, seven years ago.

407
00:19:20,320 --> 00:19:24,560
Speaker 2: All right then, an end listener