1 00:00:00,360 --> 00:00:05,280 Speaker 1: I love Chris Stapleon and he's in the country now tonight, 2 00:00:06,480 --> 00:00:08,760 Speaker 1: probably tapping away to his own song, listening to the show. 3 00:00:08,840 --> 00:00:10,360 Speaker 1: A lot of them when they come to the country 4 00:00:10,360 --> 00:00:13,960 Speaker 1: tune into the show. I'm led to believe. Anyways, sold 5 00:00:13,960 --> 00:00:17,120 Speaker 1: out tonight and sold out tomorrow night, which is always encouraging. 6 00:00:17,120 --> 00:00:19,480 Speaker 1: There was I looked up this morning to say suggest 7 00:00:19,520 --> 00:00:22,160 Speaker 1: to confirmed the no Texant left some suggesting online, which 8 00:00:22,239 --> 00:00:24,720 Speaker 1: just goes to provios. You'd never believe what's online. There 9 00:00:24,800 --> 00:00:27,400 Speaker 1: was some sort of suggesting news in christ Church on Monday, 10 00:00:28,120 --> 00:00:31,360 Speaker 1: but he's not. It was just like fake news. There's 11 00:00:31,360 --> 00:00:33,800 Speaker 1: a lot of fake news around anyway. Tim Wilson's with us, 12 00:00:33,840 --> 00:00:38,000 Speaker 1: Very good morning to you, Timothy Yeehaw, Good morning, don't 13 00:00:39,840 --> 00:00:42,120 Speaker 1: and Kate Hawksby's with us, very good morning to you. 14 00:00:42,760 --> 00:00:45,199 Speaker 1: Good morning. Is that your favorite song of his? 15 00:00:47,120 --> 00:00:47,559 Speaker 2: One of. 16 00:00:49,159 --> 00:00:55,200 Speaker 1: What's the other one? That's a good question. Unbelievable. 17 00:00:55,280 --> 00:00:57,440 Speaker 2: Do you know any names of Chris stables and songs? 18 00:00:57,920 --> 00:01:04,480 Speaker 2: I don't know the names Millionaire, Millionaire, Millionaire, that's my 19 00:01:04,520 --> 00:01:05,480 Speaker 2: favorite Nashville. 20 00:01:06,680 --> 00:01:08,720 Speaker 3: I don't know. Does it? Does it beat George Jones? 21 00:01:08,760 --> 00:01:11,280 Speaker 3: He stopped loving her today very much? Question? 22 00:01:11,520 --> 00:01:15,120 Speaker 1: Yes, it does it does? Absolutely, it does. Do you Actually, 23 00:01:15,160 --> 00:01:17,640 Speaker 1: it's funny you should say that because remember Charlie Pride. 24 00:01:18,440 --> 00:01:18,960 Speaker 2: Of course I do. 25 00:01:19,400 --> 00:01:24,800 Speaker 1: Charlie Pride's sons now touring singing his dad's music. Oh no, yeah, 26 00:01:24,800 --> 00:01:26,600 Speaker 1: that's what I thought. I thought, is that a thing? 27 00:01:27,560 --> 00:01:30,959 Speaker 3: It's just this is the go to the hologram, if 28 00:01:31,080 --> 00:01:33,880 Speaker 3: you know, if like like we're Ebba and Kess now, 29 00:01:33,959 --> 00:01:37,080 Speaker 3: but I'm not going to go to see someone's Well. 30 00:01:36,920 --> 00:01:40,120 Speaker 1: How do you explain? How do you explain? Then? What 31 00:01:40,240 --> 00:01:42,279 Speaker 1: I would? It's it's not as big as Taylor Swift, 32 00:01:42,280 --> 00:01:45,160 Speaker 1: but this broad movement and you see it coming to 33 00:01:45,200 --> 00:01:50,320 Speaker 1: the country of tribute acts and not that Pride Junior 34 00:01:50,360 --> 00:01:52,160 Speaker 1: is a tribute act. Well, I suppose it is. Actually 35 00:01:52,600 --> 00:01:55,360 Speaker 1: people pay money for a tribute act and seemingly willingly 36 00:01:55,400 --> 00:01:57,840 Speaker 1: and go along and have a good time. And I've 37 00:01:57,880 --> 00:01:59,440 Speaker 1: never enjoy the music. 38 00:02:01,080 --> 00:02:03,440 Speaker 2: So if the person that originally saying it isn't around 39 00:02:03,520 --> 00:02:05,120 Speaker 2: to do it, they just enjoy the music. It's the 40 00:02:05,120 --> 00:02:06,200 Speaker 2: same way you. 41 00:02:06,160 --> 00:02:09,000 Speaker 3: Realize there's a special kind of fan though, is it? 42 00:02:10,240 --> 00:02:12,200 Speaker 3: What is there? Oh? I didn't realize there was a 43 00:02:12,240 --> 00:02:14,600 Speaker 3: Tailor Swift tribute. I think it's got to be. It's 44 00:02:14,639 --> 00:02:16,240 Speaker 3: like a like a super fan, isn't it. 45 00:02:16,960 --> 00:02:18,680 Speaker 1: So even though you can go see the real thing, 46 00:02:18,680 --> 00:02:20,280 Speaker 1: and you have seen the real thing, you're happy to 47 00:02:20,280 --> 00:02:23,680 Speaker 1: pay good money to go along and see Brian pretending 48 00:02:23,680 --> 00:02:24,200 Speaker 1: to be Elvis. 49 00:02:24,320 --> 00:02:28,239 Speaker 3: You know that's I've just been to something logically and coherent. Yeah, yeah, 50 00:02:28,320 --> 00:02:29,560 Speaker 3: that's it. Maybe that's it. 51 00:02:29,720 --> 00:02:32,320 Speaker 1: And surely has a son as a NEPO. 52 00:02:32,160 --> 00:02:35,880 Speaker 3: Baby's four dollars fifty, But surely. 53 00:02:35,680 --> 00:02:37,760 Speaker 1: As a NEPO baby, you're going along and you're listening 54 00:02:37,760 --> 00:02:39,679 Speaker 1: to the crystal chandelier and you go, I tell you 55 00:02:39,760 --> 00:02:41,560 Speaker 1: what your dad's saying better than you do, mate, I 56 00:02:41,560 --> 00:02:45,239 Speaker 1: mean you got that about you, haven't You probably do? 57 00:02:45,880 --> 00:02:47,000 Speaker 3: So my question, what's it? 58 00:02:47,080 --> 00:02:47,680 Speaker 2: What's he like? 59 00:02:47,960 --> 00:02:48,639 Speaker 3: Have you heard him? 60 00:02:48,680 --> 00:02:53,440 Speaker 1: Of course not, because why would I listen to somebody's. 61 00:02:53,080 --> 00:02:55,919 Speaker 3: Well, have you have a gander? It might be quite good. 62 00:02:56,040 --> 00:02:58,720 Speaker 1: It was like I was reading this morning. You you 63 00:02:58,760 --> 00:03:01,120 Speaker 1: know about this more than I do. Kadie's what's what's 64 00:03:01,160 --> 00:03:06,040 Speaker 1: the kid? Beckham's kid who cooks? Brooklyn Brooklyn Brooklyn's given 65 00:03:06,120 --> 00:03:08,040 Speaker 1: up cooking. He wants to be a race car driver. Now, 66 00:03:08,760 --> 00:03:09,960 Speaker 1: no way, that's what he say. 67 00:03:11,360 --> 00:03:13,400 Speaker 2: He just launched a hot sauce brand. 68 00:03:13,880 --> 00:03:18,000 Speaker 3: No, how can he hear pain in your voice? Katie? What? 69 00:03:18,440 --> 00:03:20,160 Speaker 3: He just launched a hot sauce brand. 70 00:03:20,200 --> 00:03:22,000 Speaker 2: Look, this has been a really big newsweek, and I 71 00:03:22,000 --> 00:03:24,440 Speaker 2: can't believe you're talking about Brooklyn Beckham because I'm still 72 00:03:24,440 --> 00:03:27,480 Speaker 2: not over Greg Foreign Adrian Orn the golf. 73 00:03:28,040 --> 00:03:31,680 Speaker 1: I'm juxtaposing. I'm reverse psychology in the whole country. 74 00:03:31,840 --> 00:03:33,880 Speaker 3: So so you know you're doing what you know what 75 00:03:33,919 --> 00:03:36,400 Speaker 3: you're doing, what you did with Cameron George just before 76 00:03:36,480 --> 00:03:39,400 Speaker 3: eight o'clock, and then you waste forty seconds sniveling onto 77 00:03:39,400 --> 00:03:41,480 Speaker 3: your pinafore about, Hey, you didn't do what you're supposed 78 00:03:41,520 --> 00:03:41,680 Speaker 3: to do. 79 00:03:42,200 --> 00:03:45,400 Speaker 1: Let's get into it. What about Richard Prebble. Richard Prebble quote, 80 00:03:45,440 --> 00:03:47,080 Speaker 1: Now that was good. He was my hero of the 81 00:03:47,080 --> 00:03:50,560 Speaker 1: week in terms of Richard Pribble. True to principle, Stick 82 00:03:50,600 --> 00:03:53,400 Speaker 1: to principal. Don't take a job that you know you 83 00:03:53,480 --> 00:03:55,520 Speaker 1: can't fix it. You know, if you're there to shake 84 00:03:55,520 --> 00:03:58,320 Speaker 1: it up and you can't shake it up beyond principle, 85 00:03:58,360 --> 00:03:59,880 Speaker 1: stand on principle and say I'm not going to do it. 86 00:03:59,880 --> 00:04:02,560 Speaker 1: That's good. All's the biggest baby of the week. What 87 00:04:03,000 --> 00:04:08,040 Speaker 1: a sniveling, whining, petty little you know, cry baby, that's shocking. 88 00:04:08,640 --> 00:04:10,800 Speaker 1: Greek four and I would like to have on. He 89 00:04:10,840 --> 00:04:12,680 Speaker 1: isn't talking, but I would like to have on. And 90 00:04:13,000 --> 00:04:14,760 Speaker 1: in fact, I really like him in a quiet room, 91 00:04:15,400 --> 00:04:17,320 Speaker 1: just to say. 92 00:04:16,520 --> 00:04:18,239 Speaker 2: Well, he'd probably like a quiet room too. He seems 93 00:04:18,240 --> 00:04:19,919 Speaker 2: like a quiet guy. But all of these people do 94 00:04:20,040 --> 00:04:22,040 Speaker 2: need to talk. I think my brother had quite a 95 00:04:22,040 --> 00:04:23,480 Speaker 2: good take on it. He said, Adrian Orra and Grig 96 00:04:23,560 --> 00:04:26,240 Speaker 2: four and are doing a startup together, trading on their 97 00:04:26,279 --> 00:04:30,520 Speaker 2: lovable personalities and their excellent business reputations. So I think 98 00:04:30,560 --> 00:04:34,119 Speaker 2: they do need to kind of stem the hemorrhaging. 99 00:04:33,960 --> 00:04:38,279 Speaker 3: Of the way. Wait, so okay, here's here's my hot take. 100 00:04:38,760 --> 00:04:41,559 Speaker 3: Greek four and comes into the Labor Party new leader, 101 00:04:41,640 --> 00:04:42,640 Speaker 3: they win the next election. 102 00:04:43,440 --> 00:04:45,400 Speaker 1: I think that's a stretch. I reckon that's running it 103 00:04:45,400 --> 00:04:48,000 Speaker 1: at least two or three thousand and one on the mate. 104 00:04:48,279 --> 00:04:49,840 Speaker 3: Yeah, I mean it's not a hot take. 105 00:04:50,000 --> 00:04:52,039 Speaker 2: But I think the diplomat question that's been raised this 106 00:04:52,080 --> 00:04:54,600 Speaker 2: week is a really interesting one in terms of whether 107 00:04:54,640 --> 00:04:57,160 Speaker 2: diplomats are action. I thought they're supposed to be diplomatic, 108 00:04:57,200 --> 00:04:59,840 Speaker 2: and I think the only people defending GOFF are those 109 00:05:00,120 --> 00:05:01,719 Speaker 2: confused politicians. 110 00:05:01,120 --> 00:05:05,040 Speaker 1: With no one's defending God. 111 00:05:06,400 --> 00:05:09,000 Speaker 2: Yeah, I think it raises the question of whether politicians 112 00:05:09,040 --> 00:05:11,920 Speaker 2: actually make good diplomats. I mean, we've got, for goodness sake, 113 00:05:11,960 --> 00:05:14,080 Speaker 2: Trevor Mallard out there representing us. You know, he's a 114 00:05:14,080 --> 00:05:16,719 Speaker 2: bull in a china shop. But I do wonder whether 115 00:05:16,960 --> 00:05:20,240 Speaker 2: this this sweet little gig for the ex polies, whether 116 00:05:20,279 --> 00:05:21,240 Speaker 2: it's actually the best place for. 117 00:05:21,400 --> 00:05:23,000 Speaker 1: I reckon, I go back to this is like a 118 00:05:23,040 --> 00:05:25,440 Speaker 1: dei argument. You go back to the best person of 119 00:05:25,480 --> 00:05:26,840 Speaker 1: the job and the best wan for the CE. I 120 00:05:26,839 --> 00:05:29,240 Speaker 1: immediately think of a net king. In a net king, 121 00:05:29,360 --> 00:05:31,200 Speaker 1: I would back and I think most people on both 122 00:05:31,240 --> 00:05:33,240 Speaker 1: sides of the political spectrum would back her as being 123 00:05:33,279 --> 00:05:37,080 Speaker 1: a solid, professional, diligent, hard working person who serves us 124 00:05:37,080 --> 00:05:40,800 Speaker 1: well in Canberra, Whereas Mallard, from the same party with 125 00:05:40,839 --> 00:05:43,839 Speaker 1: the same level experience, as a complete clown and was 126 00:05:43,880 --> 00:05:46,600 Speaker 1: only put there by other clowns who wanted to get 127 00:05:46,640 --> 00:05:49,960 Speaker 1: him out of the country. Whereas say, you go back 128 00:05:50,000 --> 00:05:52,680 Speaker 1: to maybe Jimbolgia, or you go to Kevin Rudd who's 129 00:05:52,680 --> 00:05:55,520 Speaker 1: currently sitting in Washington, or KEM Beasley is sitting in Washington. 130 00:05:55,600 --> 00:05:58,200 Speaker 1: Are they any good? You know, Rudd's a loud mouth 131 00:05:58,240 --> 00:06:00,360 Speaker 1: and smart ass, whether it's. 132 00:06:00,160 --> 00:06:02,919 Speaker 3: Surprised, but but golf isn't really a loud mouth or like, 133 00:06:02,920 --> 00:06:12,039 Speaker 3: you know, you do those two Okay, okay, you know 134 00:06:12,120 --> 00:06:14,080 Speaker 3: what though, it's also indicative of the whole. You know, 135 00:06:14,120 --> 00:06:17,040 Speaker 3: there's Trump derangement syndrome right across the spectrum. So at 136 00:06:17,040 --> 00:06:19,240 Speaker 3: the upper levels where we're for golf, you see the 137 00:06:19,240 --> 00:06:22,159 Speaker 3: finished ambassador sort of smirking. It's like, yeah, yeah, I know, 138 00:06:22,600 --> 00:06:25,000 Speaker 3: here's here's here's the you know, here's the acid tests. 139 00:06:25,040 --> 00:06:27,960 Speaker 3: But it's also there's Trump arrangement syndrome everywhere, and it's 140 00:06:27,960 --> 00:06:30,000 Speaker 3: just a it's just a sign of the cultural moment. 141 00:06:30,000 --> 00:06:32,440 Speaker 1: I think, very good question. What about Glenn Campbell's daughter. 142 00:06:32,680 --> 00:06:34,680 Speaker 1: We had Glenn Campbell's daughter on the program. 143 00:06:34,920 --> 00:06:36,320 Speaker 3: Oh, she's she's fantastic. 144 00:06:36,360 --> 00:06:37,160 Speaker 1: She is fantastic. 145 00:06:37,279 --> 00:06:38,039 Speaker 3: I take it all back. 146 00:06:38,080 --> 00:06:41,200 Speaker 1: She don't take it back because here's my here's my subtle, 147 00:06:41,400 --> 00:06:44,560 Speaker 1: nuanced point. She does her own music as opposed to 148 00:06:44,600 --> 00:06:47,159 Speaker 1: singing her father's songs. You see, she's her own. Like 149 00:06:47,160 --> 00:06:49,520 Speaker 1: somebody's texted about sports people as well being you know, 150 00:06:49,600 --> 00:06:51,920 Speaker 1: son of daughter of. But the thing about being a 151 00:06:51,960 --> 00:06:53,760 Speaker 1: son or daughter of in sport is you chart your 152 00:06:53,760 --> 00:06:56,000 Speaker 1: own course. Play your own position. You're in your own team, 153 00:06:56,040 --> 00:06:58,800 Speaker 1: score your own tries, win your own games. If all 154 00:06:58,839 --> 00:07:00,960 Speaker 1: you do is tune up and go, hey, dad saying 155 00:07:00,960 --> 00:07:02,080 Speaker 1: this and I'm going to sing it for you. Now, 156 00:07:02,080 --> 00:07:05,640 Speaker 1: that's not the same thing, is it. 157 00:07:05,640 --> 00:07:08,560 Speaker 3: It's tough, I think particularly maybe for you know, to 158 00:07:08,680 --> 00:07:11,160 Speaker 3: Charlie Pride's son, it's tough. I would say it's tough 159 00:07:11,200 --> 00:07:13,760 Speaker 3: for young men who stand in the shadow of, you know, 160 00:07:13,800 --> 00:07:16,320 Speaker 3: an iconic father. What do you become. I feel a 161 00:07:16,320 --> 00:07:18,640 Speaker 3: bit of sympathy for Brooklyn. It's like, oh, I'll do 162 00:07:18,760 --> 00:07:21,000 Speaker 3: my hot source now go race car drive, and he's 163 00:07:21,000 --> 00:07:22,360 Speaker 3: he's looking for an identity. 164 00:07:22,760 --> 00:07:26,880 Speaker 1: I think that's true. But here's here's the other thing, though, Katie, 165 00:07:26,920 --> 00:07:28,960 Speaker 1: what do you how long do you indulge your child 166 00:07:29,040 --> 00:07:31,320 Speaker 1: when your child goes I can cook and here's some 167 00:07:31,400 --> 00:07:34,239 Speaker 1: hot sauce. But now I want to be a Formula 168 00:07:34,320 --> 00:07:36,200 Speaker 1: re driver, which is what he wants to be. How 169 00:07:36,400 --> 00:07:39,160 Speaker 1: you know, because he can do. Dave and Victoria have 170 00:07:39,200 --> 00:07:40,960 Speaker 1: a meeting over the weekend, do a bit of macro 171 00:07:41,360 --> 00:07:43,600 Speaker 1: and go, well, let's let's buy on a car, and 172 00:07:43,640 --> 00:07:44,000 Speaker 1: they help. 173 00:07:44,480 --> 00:07:46,000 Speaker 2: I don't think they have involved in and run his 174 00:07:46,040 --> 00:07:47,800 Speaker 2: life in any way anymore because he married into the 175 00:07:47,840 --> 00:07:50,440 Speaker 2: billionaire family. I think they run his life and they. 176 00:07:50,320 --> 00:07:55,960 Speaker 1: Probably so well. Do they indulge in America? Do they go, mate, 177 00:07:56,120 --> 00:07:58,440 Speaker 1: you had the hot source, We're done, or do you 178 00:07:58,480 --> 00:08:00,120 Speaker 1: go have a formula eycr. 179 00:08:00,520 --> 00:08:02,840 Speaker 2: I actually think it's indicative a lot of this younger generation. 180 00:08:02,880 --> 00:08:05,040 Speaker 2: Though they're into the gig economy, they're into trying something 181 00:08:05,080 --> 00:08:07,120 Speaker 2: that doesn't suit me. I don't like the lifestyle. I'm 182 00:08:07,120 --> 00:08:08,800 Speaker 2: going to try something else. I mean that is actually 183 00:08:08,840 --> 00:08:11,520 Speaker 2: a familiar story for young But the days of like 184 00:08:11,600 --> 00:08:14,040 Speaker 2: my granddad, you know, I'm getting a job at the 185 00:08:14,040 --> 00:08:16,360 Speaker 2: post office and I will work there my entire life, 186 00:08:16,560 --> 00:08:19,840 Speaker 2: you know, until it's over. Those days I think are over. 187 00:08:21,120 --> 00:08:24,040 Speaker 3: Yeah. I think she stepped up. Mike. You threw down 188 00:08:24,080 --> 00:08:29,680 Speaker 3: a challenge. I've done it good, very good. Now I 189 00:08:29,680 --> 00:08:31,880 Speaker 3: think the challenge to you is to match me and Kate. 190 00:08:33,480 --> 00:08:37,400 Speaker 1: I'm worn out at the stage I've been on you, 191 00:08:37,640 --> 00:08:39,720 Speaker 1: so I peak it about seven. 192 00:08:40,679 --> 00:08:42,920 Speaker 3: Well, you actually you actually peaked on Wednesday when you 193 00:08:42,960 --> 00:08:45,480 Speaker 3: did the Horsepool interview with the men exactly what. 194 00:08:46,440 --> 00:08:47,000 Speaker 1: It's good that. 195 00:08:46,960 --> 00:08:48,800 Speaker 2: You're peaking at ten to seven, because I was on 196 00:08:48,800 --> 00:08:50,520 Speaker 2: the road at six thirty this morning, and I can 197 00:08:50,520 --> 00:08:53,640 Speaker 2: tell you in Auckland, the traffic is all go at 198 00:08:53,679 --> 00:08:54,680 Speaker 2: six thirty and I went. 199 00:08:54,600 --> 00:08:56,520 Speaker 1: When you say go, is it really go? Or is 200 00:08:56,559 --> 00:08:58,079 Speaker 1: it just like there's a lot of traffic. 201 00:08:58,600 --> 00:09:02,079 Speaker 2: There's a lot of traffic. It's going to the local cafe, packed, 202 00:09:02,600 --> 00:09:05,640 Speaker 2: packed que And the other day I was at seven 203 00:09:05,720 --> 00:09:07,920 Speaker 2: thirty in the morning, all the cafes packed. 204 00:09:08,040 --> 00:09:12,000 Speaker 1: Hey tell me, was at somebody else the gym that 205 00:09:12,040 --> 00:09:12,760 Speaker 1: had the show on? 206 00:09:18,200 --> 00:09:18,839 Speaker 3: Yeah, that's right. 207 00:09:18,920 --> 00:09:21,360 Speaker 2: My dad was telling me. It's someone who bumped into 208 00:09:21,960 --> 00:09:25,880 Speaker 2: who works out at five in the morning. And the 209 00:09:26,000 --> 00:09:27,959 Speaker 2: only concern was that they would miss out on listening 210 00:09:28,000 --> 00:09:30,280 Speaker 2: to Mike because only they walk and listen to Mike 211 00:09:30,559 --> 00:09:32,480 Speaker 2: in the ear pods. And they were at the gym, 212 00:09:32,480 --> 00:09:34,079 Speaker 2: but they were very pleased to know that the gym 213 00:09:34,280 --> 00:09:36,720 Speaker 2: was pumping the Mike Husking breakfast. And I said to 214 00:09:36,720 --> 00:09:39,840 Speaker 2: my dad at that point, is it an old person's gym? 215 00:09:39,880 --> 00:09:41,520 Speaker 2: Because what gym is pumping? 216 00:09:47,640 --> 00:09:49,559 Speaker 3: Is this an assisted mobility gym? 217 00:09:50,800 --> 00:09:51,920 Speaker 2: Where is this gym? 218 00:09:52,040 --> 00:09:54,559 Speaker 1: It's a great gym. I'm just to be fair as 219 00:09:54,600 --> 00:09:58,120 Speaker 1: egotistical as I am about my program, I would be 220 00:09:58,440 --> 00:10:02,079 Speaker 1: fairly easy with the fact that a gym probably shouldn't 221 00:10:02,080 --> 00:10:04,319 Speaker 1: be pumping z B because there's other one. 222 00:10:04,559 --> 00:10:08,040 Speaker 3: Here's the deal you get. You get Glennslayer dance track 223 00:10:08,120 --> 00:10:10,800 Speaker 3: under this and it's in forty five forever. 224 00:10:11,040 --> 00:10:12,679 Speaker 1: It's fantastic, so true. 225 00:10:12,760 --> 00:10:13,679 Speaker 2: You just push up to this. 226 00:10:13,880 --> 00:10:16,080 Speaker 1: What were you doing at six thirty on the road, Katie, 227 00:10:16,200 --> 00:10:22,400 Speaker 1: you're coming home against cross buns? Of course you were. 228 00:10:22,800 --> 00:10:24,840 Speaker 1: And are they? Are they nice ones? 229 00:10:25,280 --> 00:10:28,280 Speaker 2: Oh they're delicious neat on vents and remu Era little 230 00:10:28,320 --> 00:10:31,720 Speaker 2: shout out, absolutely game changing hot cross buns. 231 00:10:31,800 --> 00:10:33,680 Speaker 1: I'm very pleased to see that people are out because 232 00:10:33,679 --> 00:10:37,559 Speaker 1: we were talking about this earlier on the five o'clock Brigade. 233 00:10:37,800 --> 00:10:40,800 Speaker 1: The number of people it's I think it's more metropolitan 234 00:10:40,840 --> 00:10:43,520 Speaker 1: than it is rural. But the five o'clock Brigade. The 235 00:10:43,520 --> 00:10:45,600 Speaker 1: world is moving these days at five five point thirty 236 00:10:45,640 --> 00:10:47,040 Speaker 1: in the morning. This idea that we don't get up 237 00:10:47,120 --> 00:10:48,800 Speaker 1: until sven fifteen is well and truly gone. I think 238 00:10:48,840 --> 00:10:51,760 Speaker 1: that's a that's a benefit for wider society because starting 239 00:10:51,760 --> 00:10:53,040 Speaker 1: early in the day is a very good thing. 240 00:10:53,640 --> 00:10:55,640 Speaker 2: It's a very big thing in Australia too, and I 241 00:10:55,720 --> 00:10:57,240 Speaker 2: think we're going that way and I like it. We're 242 00:10:57,320 --> 00:10:59,160 Speaker 2: up and we're into it, so we should be good. 243 00:10:59,440 --> 00:11:01,920 Speaker 3: But that's it's getting cold in the morning, so put 244 00:11:01,920 --> 00:11:02,520 Speaker 3: your tracks on. 245 00:11:02,679 --> 00:11:04,600 Speaker 1: What's the matter with you? Tim, you're the second person. 246 00:11:04,640 --> 00:11:07,400 Speaker 1: And Marie, who runs the beach, she said it's I said, 247 00:11:07,400 --> 00:11:08,840 Speaker 1: we'll look at the day. Emory, I said, what a 248 00:11:08,880 --> 00:11:13,040 Speaker 1: glorious thing. A bit cold, but this is but this 249 00:11:13,120 --> 00:11:13,520 Speaker 1: is a sign. 250 00:11:13,640 --> 00:11:15,559 Speaker 3: This is a sign of autumn. You take the butter 251 00:11:15,600 --> 00:11:17,559 Speaker 3: out of the pantry, you press the kniphon and you 252 00:11:17,640 --> 00:11:19,040 Speaker 3: expect it not to be resistant. 253 00:11:19,120 --> 00:11:21,200 Speaker 1: But you and I, Katie, were you and I holding 254 00:11:21,200 --> 00:11:23,200 Speaker 1: hands up the mountain yesterday and you go, oh bit 255 00:11:23,280 --> 00:11:24,560 Speaker 1: cold when. 256 00:11:27,320 --> 00:11:31,640 Speaker 3: Suddenly, well you need to warm your hands up before 257 00:11:31,640 --> 00:11:34,160 Speaker 3: you clasp. You clasp your bride's hand. Yes, it's just 258 00:11:34,200 --> 00:11:36,360 Speaker 3: set on them on your bottom and that'll warm them up. 259 00:11:37,120 --> 00:11:45,120 Speaker 1: Okay, sophisticated, shocking, it's now, Tim Wilson, kas is that 260 00:11:45,280 --> 00:11:46,760 Speaker 1: on your bottom? What the hell is that about? 261 00:11:47,320 --> 00:11:50,199 Speaker 3: For more from the my Casking Breakfast, listen live to 262 00:11:50,320 --> 00:11:53,400 Speaker 3: news talks. It'd be from six am weekdays, or follow 263 00:11:53,440 --> 00:11:54,959 Speaker 3: the podcast on iHeartRadio.