1 00:00:17,760 --> 00:00:22,040 Speaker 1: Yeah, biz. 2 00:00:32,520 --> 00:00:35,360 Speaker 2: August in the Year of Our Lord twenty twenty four. 3 00:00:35,400 --> 00:00:39,080 Speaker 3: Welcome all year bespoken donkies to the daily be spoke 4 00:00:39,479 --> 00:00:40,479 Speaker 3: of podcasts. 5 00:00:40,520 --> 00:00:42,800 Speaker 4: Who would have thought that you'd get caught crumbering in 6 00:00:42,840 --> 00:00:43,240 Speaker 4: the intro? 7 00:00:44,120 --> 00:00:48,040 Speaker 1: I got rumbled crummering? What is crumbering exactly? 8 00:00:48,240 --> 00:00:50,400 Speaker 2: Word it kill you man? Shed a fire up for 9 00:00:50,560 --> 00:00:51,040 Speaker 2: to day? 10 00:00:51,440 --> 00:00:51,680 Speaker 4: Fuck? 11 00:00:51,720 --> 00:00:53,880 Speaker 1: I should have known that that was coming for today. 12 00:00:54,200 --> 00:00:56,000 Speaker 3: By the neither will dancing joys I can? I can 13 00:00:56,000 --> 00:00:58,360 Speaker 3: find it on my wonder? Is that easier for blustered it? 14 00:00:58,440 --> 00:01:00,720 Speaker 1: I'll have it on here from yesterday when we did 15 00:01:00,800 --> 00:01:02,120 Speaker 1: a couple of days ago when we did the four 16 00:01:02,120 --> 00:01:05,080 Speaker 1: Pillars of what wonders New Zealand Tunes or something, Yeah, 17 00:01:05,280 --> 00:01:06,160 Speaker 1: New Zealand. 18 00:01:06,160 --> 00:01:10,040 Speaker 4: World Dancing Toys for to day and any krumer. 19 00:01:09,800 --> 00:01:17,080 Speaker 2: She remember remember here we got this crummer. 20 00:01:18,800 --> 00:01:21,120 Speaker 4: She's let loose in the mic with the studio by herself, 21 00:01:21,120 --> 00:01:21,280 Speaker 4: with the. 22 00:01:21,319 --> 00:01:26,840 Speaker 2: Lights, great bass working in but a bongo in there. 23 00:01:28,480 --> 00:01:40,040 Speaker 5: Yeah, definitely it's a little beautiful large bongos, subtle bong go. 24 00:01:40,400 --> 00:01:43,440 Speaker 3: Apparently she broke in the studio and then she locked 25 00:01:43,440 --> 00:01:45,000 Speaker 3: the door to the vocal blues and they couldn't get 26 00:01:45,000 --> 00:01:45,240 Speaker 3: her out. 27 00:01:45,480 --> 00:01:48,080 Speaker 4: Well, apparently she broke wind in there as well. She 28 00:01:48,160 --> 00:01:51,080 Speaker 4: was doing this such was a vocal gymnastics. 29 00:01:51,160 --> 00:01:54,440 Speaker 2: And then who was the singer? Malcolm Black? 30 00:01:54,880 --> 00:01:57,560 Speaker 3: Yeah, he was okay, I'm not going in there and 31 00:01:58,200 --> 00:02:00,000 Speaker 3: we're just going to leave then on the side. 32 00:02:00,080 --> 00:02:03,920 Speaker 2: Then I'm not going back in there to finish the. 33 00:02:03,880 --> 00:02:05,800 Speaker 4: Song dragon, dump, just dump and run. 34 00:02:07,480 --> 00:02:12,840 Speaker 1: Hold she's backing of the chorus lovely actually if. 35 00:02:12,760 --> 00:02:13,480 Speaker 4: I remember rightly. 36 00:02:14,480 --> 00:02:17,600 Speaker 2: Yeah, they opened the door and let somehow Malcolm. 37 00:02:17,200 --> 00:02:27,200 Speaker 1: Came in holding his nose. All right, that's enough there before. 38 00:02:27,000 --> 00:02:30,079 Speaker 3: We can was there ever a second never Will Dancing song? 39 00:02:30,639 --> 00:02:33,000 Speaker 6: Can I ask you a question? That's an interesting point there, Matt, 40 00:02:33,080 --> 00:02:37,440 Speaker 6: thank you. But Malcolm Black Rip died in twenty nineteen. 41 00:02:37,840 --> 00:02:39,799 Speaker 6: We played at a wedding prob about ten years ago, 42 00:02:39,919 --> 00:02:43,320 Speaker 6: my covers band, and they were like Malcolm Black from 43 00:02:43,320 --> 00:02:45,560 Speaker 6: the Near the World Dancing Toys is one of our guests. 44 00:02:45,720 --> 00:02:49,200 Speaker 6: Oh could you please play for today? And he will 45 00:02:49,200 --> 00:02:51,200 Speaker 6: get up and sing it with you. Oh, And so 46 00:02:51,240 --> 00:02:54,840 Speaker 6: we did that, and I think i'd win any crumber Well. 47 00:02:54,760 --> 00:02:55,360 Speaker 4: You crumbled it? 48 00:02:55,600 --> 00:02:56,760 Speaker 2: No, no, no, I think. 49 00:02:56,600 --> 00:02:57,680 Speaker 7: I went any crumble with them? 50 00:02:58,080 --> 00:03:01,079 Speaker 6: But like, how hard is it if you're that guy 51 00:03:01,200 --> 00:03:03,400 Speaker 6: to go to weddings or parties or anything and not 52 00:03:03,480 --> 00:03:06,000 Speaker 6: get away with Hey, Malcolm, do you want to sing 53 00:03:06,280 --> 00:03:06,799 Speaker 6: for today? 54 00:03:06,840 --> 00:03:08,799 Speaker 4: For us? I love the horn section and that song 55 00:03:09,520 --> 00:03:13,200 Speaker 4: the horn section gets me horny. I love the horn section. 56 00:03:13,800 --> 00:03:17,480 Speaker 4: Does it actually get you horny? And you just walk over? 57 00:03:18,160 --> 00:03:20,960 Speaker 4: Doesn't say it lucky that we pulled out just before 58 00:03:20,960 --> 00:03:24,760 Speaker 4: we got going, But before we just pulled out at 59 00:03:24,760 --> 00:03:28,160 Speaker 4: the right time because I am giving it gets me going. 60 00:03:29,000 --> 00:03:30,679 Speaker 4: How did you go with Malcolm Black? How did he 61 00:03:30,760 --> 00:03:31,880 Speaker 4: go with singing for today? 62 00:03:32,080 --> 00:03:34,680 Speaker 7: A lovely man and he was really good at it, 63 00:03:34,960 --> 00:03:35,440 Speaker 7: as you'd. 64 00:03:35,280 --> 00:03:37,520 Speaker 6: Expect because he's probably had to sing at several thousand 65 00:03:37,600 --> 00:03:38,400 Speaker 6: times in his life. 66 00:03:38,440 --> 00:03:39,480 Speaker 4: Okay, here we go. 67 00:03:40,240 --> 00:03:50,240 Speaker 3: Here's another song, but never all dancing toys. You guys, 68 00:03:50,240 --> 00:03:52,760 Speaker 3: Malcolm Black, it's not very horny, he didn't it? 69 00:03:56,360 --> 00:03:57,800 Speaker 4: Yes, wit more than evening, isn't it. 70 00:04:00,240 --> 00:04:10,880 Speaker 3: Let's put a bongo in there as well. Oh, Jerry, 71 00:04:11,640 --> 00:04:15,840 Speaker 3: they're running around Anieden in this video. He just bowled 72 00:04:15,840 --> 00:04:18,520 Speaker 3: a ball, Malcolm Black, and then it turned into a 73 00:04:19,920 --> 00:04:21,280 Speaker 3: billiards ball and went into a hole. 74 00:04:21,880 --> 00:04:27,000 Speaker 2: You'd like this video. It's very cricket focus, long. 75 00:04:26,839 --> 00:04:31,880 Speaker 4: Lazy because it's kind of scary reggae. 76 00:04:32,800 --> 00:04:41,920 Speaker 8: So he's said he went on to be the Sea 77 00:04:42,040 --> 00:04:43,159 Speaker 8: of sony music. 78 00:04:43,240 --> 00:04:44,760 Speaker 2: Yeah, what's Malcolm Black? 79 00:04:45,080 --> 00:04:46,599 Speaker 3: Yeah? 80 00:04:47,480 --> 00:04:48,320 Speaker 2: Oh yeah, I know the Sun. 81 00:04:56,200 --> 00:04:57,919 Speaker 1: Was he related to Kevin Black? 82 00:04:59,120 --> 00:05:03,440 Speaker 4: No, no, I don't think so. I think the different 83 00:05:03,560 --> 00:05:10,000 Speaker 4: different part of the country. But I mean maybe. 84 00:05:08,320 --> 00:05:12,279 Speaker 3: After noon because that we are the original six sixty 85 00:05:12,279 --> 00:05:15,600 Speaker 3: because they were a sort of that's good description this 86 00:05:15,680 --> 00:05:18,200 Speaker 3: is they were the Ridges because they're out of Dunedin. Yeah, 87 00:05:18,360 --> 00:05:23,440 Speaker 3: they're running a bit of sort of rhythm. 88 00:05:24,400 --> 00:05:26,360 Speaker 2: Can only get better. 89 00:05:26,839 --> 00:05:29,120 Speaker 4: Here was a nice man, Malcolm Black. I met him 90 00:05:29,120 --> 00:05:31,400 Speaker 4: a couple of times. Nice man. I just also Kevin 91 00:05:31,440 --> 00:05:34,320 Speaker 4: Black nicely. Just realize I know three the three people 92 00:05:34,440 --> 00:05:38,520 Speaker 4: I know grow three blacks, and they are all no 93 00:05:38,600 --> 00:05:39,240 Speaker 4: longer with us. 94 00:05:39,400 --> 00:05:42,200 Speaker 3: I met Malcolm Black as well. 95 00:05:42,320 --> 00:05:45,640 Speaker 1: So you shove that up your did you? 96 00:05:44,960 --> 00:05:46,680 Speaker 4: You didn't meet him, did you? Mesh? 97 00:05:46,760 --> 00:05:48,560 Speaker 1: No, I didn't, actually thinks go fuck. 98 00:05:48,839 --> 00:05:52,720 Speaker 2: Plus Plus, I've met at any crumber more than once 99 00:05:52,760 --> 00:05:53,360 Speaker 2: to shove. 100 00:05:53,160 --> 00:05:54,440 Speaker 7: That up you. 101 00:05:54,440 --> 00:05:58,719 Speaker 4: You've met the three blacks that I've met, Malcolm, Kevin, Kevin, 102 00:05:59,000 --> 00:06:04,119 Speaker 4: and Andrew and Andrew great pretty very interesting people. 103 00:06:04,360 --> 00:06:06,520 Speaker 7: Would you say some of your best friends are blacks? 104 00:06:06,839 --> 00:06:09,080 Speaker 4: I wouldn't say that they were my best friends, but 105 00:06:09,640 --> 00:06:12,320 Speaker 4: certainly I was reasonably close to one of them. 106 00:06:12,520 --> 00:06:14,880 Speaker 3: What pisses me off about you, Jerry is that you're 107 00:06:15,080 --> 00:06:17,800 Speaker 3: say you're a huge cricket fan and the never All 108 00:06:17,880 --> 00:06:20,000 Speaker 3: Dancing to his Painted Years is a very cricket folk 109 00:06:20,120 --> 00:06:23,600 Speaker 3: focused video and you never fucking bring it up because 110 00:06:23,600 --> 00:06:24,000 Speaker 3: it's from. 111 00:06:23,960 --> 00:06:30,280 Speaker 4: Dneedan oh throwing from Shade. I mean, I wouldn't the country, 112 00:06:30,320 --> 00:06:32,559 Speaker 4: I wouldn't be, I'd be interested in it, but because 113 00:06:32,560 --> 00:06:33,920 Speaker 4: it's from Deneed. What about Christ? 114 00:06:34,320 --> 00:06:37,159 Speaker 1: If CHRISTI brought out some kind of that video just 115 00:06:37,160 --> 00:06:39,520 Speaker 1: featured I don't know, the honor of at Hagley Park? Yeah, 116 00:06:39,560 --> 00:06:41,120 Speaker 1: what had that been? Okay for you? 117 00:06:41,160 --> 00:06:41,320 Speaker 4: Now? 118 00:06:41,600 --> 00:06:46,160 Speaker 3: Best bands out of Christ go hot Shot, the Feelers one, 119 00:06:46,240 --> 00:06:46,920 Speaker 3: who else you got? 120 00:06:46,960 --> 00:06:47,840 Speaker 1: How are they looking at the moment? 121 00:06:47,839 --> 00:06:51,080 Speaker 2: And Nikan Moore two? Let's go? What do you got? 122 00:06:51,120 --> 00:06:51,360 Speaker 4: Mesha? 123 00:06:51,400 --> 00:06:55,400 Speaker 2: You're from the No Google Bats. 124 00:06:55,480 --> 00:06:56,920 Speaker 1: The Butlers are. 125 00:06:58,360 --> 00:07:01,599 Speaker 2: Love Lovely Children, Pumpkinhead. 126 00:07:01,279 --> 00:07:04,719 Speaker 4: Loves Ugly Children. I actually heard a bit of Love's 127 00:07:04,760 --> 00:07:06,880 Speaker 4: Ugly Children the other day when I was driving my car. 128 00:07:07,480 --> 00:07:10,080 Speaker 4: It was on the radio. Absolute racket. 129 00:07:11,520 --> 00:07:15,080 Speaker 1: What about Joe Jerry's Joe Jurry's band. They're at a crosshit. 130 00:07:16,200 --> 00:07:16,800 Speaker 2: Mob sharky. 131 00:07:16,880 --> 00:07:19,400 Speaker 1: Mob Sharky. The punk band can crank up a bit 132 00:07:19,440 --> 00:07:20,600 Speaker 1: of mob shark if you guys, if you want to, 133 00:07:21,160 --> 00:07:23,160 Speaker 1: I've got the hidden link to a bit of mob shak. 134 00:07:23,520 --> 00:07:26,360 Speaker 2: Shape shifter, Shape shape shifter. 135 00:07:26,440 --> 00:07:29,720 Speaker 3: Of course there was there was a really good fucking 136 00:07:30,480 --> 00:07:31,880 Speaker 3: let's listen to the song here. Listen to the song 137 00:07:31,920 --> 00:07:35,960 Speaker 3: here from Love's Only Children Absolute racket. 138 00:07:36,960 --> 00:07:49,000 Speaker 9: Oh jesus, what do you. 139 00:07:49,000 --> 00:07:54,280 Speaker 4: Say to allegations that ur embroiled and a tryst worth floss? 140 00:07:55,120 --> 00:07:57,720 Speaker 3: What are the allegations that this is a complete mop 141 00:07:57,760 --> 00:08:02,920 Speaker 3: off of freak Scene by Donahsagenia good band though, I 142 00:08:02,920 --> 00:08:03,520 Speaker 3: have a great time. 143 00:08:03,560 --> 00:08:05,000 Speaker 2: It loves likely children gigs. 144 00:08:06,600 --> 00:08:09,160 Speaker 1: This is mob sharky. I'm cranking up here. You see 145 00:08:09,160 --> 00:08:14,400 Speaker 1: Webman's Joe Jerry's band at the thing you order seen 146 00:08:14,520 --> 00:08:17,120 Speaker 1: it's Penis on drums. I'm not sure if there's penis 147 00:08:17,120 --> 00:08:19,360 Speaker 1: on drums or not. I think it might be Herkles 148 00:08:19,400 --> 00:08:19,800 Speaker 1: on guitar. 149 00:08:19,840 --> 00:08:20,160 Speaker 8: I know that. 150 00:08:21,840 --> 00:08:24,280 Speaker 1: Listen, that's Jerry. Have you ever heard this before? Mate? 151 00:08:25,200 --> 00:08:26,920 Speaker 1: Let's will get your barred up. Joe Jerry's got to 152 00:08:26,960 --> 00:08:31,960 Speaker 1: come in hard. Oh wow, you wait for it mate, 153 00:08:32,000 --> 00:08:34,360 Speaker 1: you wait for these locals to come on. One of 154 00:08:34,400 --> 00:08:36,480 Speaker 1: the best bands to come out of christ Church. 155 00:08:48,640 --> 00:08:49,400 Speaker 2: Is it Hurtles singing. 156 00:08:50,120 --> 00:08:51,440 Speaker 1: I don't know if that's Penis or Herkle. 157 00:08:51,520 --> 00:08:53,640 Speaker 2: I can't imagine Joe Jerry singing. He's more of a 158 00:08:53,800 --> 00:08:54,959 Speaker 2: he was a bass player. Of course. 159 00:08:55,679 --> 00:08:57,640 Speaker 3: For the longest time, I was like, let's put together 160 00:08:57,880 --> 00:09:01,120 Speaker 3: a hardache band. I want Prebs on drums. I want 161 00:09:01,280 --> 00:09:04,120 Speaker 3: for the christ or I want I want Joe Jury 162 00:09:04,400 --> 00:09:08,480 Speaker 3: on bass. I want Heath on guitar, isn't you I 163 00:09:08,520 --> 00:09:10,600 Speaker 3: want on singing? 164 00:09:11,160 --> 00:09:14,160 Speaker 1: What am I going to do like Bankers, tamborine or something? 165 00:09:14,480 --> 00:09:15,440 Speaker 2: You do lighting? 166 00:09:16,360 --> 00:09:18,440 Speaker 1: The lighting? Really that's my bit? 167 00:09:18,640 --> 00:09:20,520 Speaker 2: Yeah, you can do the door? 168 00:09:20,640 --> 00:09:22,240 Speaker 1: Are you on vocals as well? Sorry? 169 00:09:22,320 --> 00:09:23,720 Speaker 2: What the door security? 170 00:09:23,880 --> 00:09:25,440 Speaker 7: What about security security? 171 00:09:25,520 --> 00:09:26,680 Speaker 4: Be useless on security. 172 00:09:27,240 --> 00:09:29,280 Speaker 1: I'll manage the I'll peruse the VOP area. 173 00:09:30,360 --> 00:09:34,120 Speaker 3: You can't know the VOP are after what happened at 174 00:09:34,160 --> 00:09:39,000 Speaker 3: the ever been? Yeah, blood at the right, said Fred 175 00:09:39,000 --> 00:09:42,199 Speaker 3: concept reference. 176 00:09:42,240 --> 00:09:47,480 Speaker 4: But you know you mentioned Lovely Children before Absolute Racket 177 00:09:47,480 --> 00:09:48,040 Speaker 4: that you played. 178 00:09:48,440 --> 00:09:50,360 Speaker 1: Can we crack that back up? Just as do you. 179 00:09:50,400 --> 00:09:55,640 Speaker 4: Remember the spin off from Lovely Children Sleepers Union? 180 00:09:55,880 --> 00:09:56,040 Speaker 2: No? 181 00:09:56,080 --> 00:09:57,880 Speaker 4: I don't do you remember Sleepers Union had a song 182 00:09:57,920 --> 00:10:01,880 Speaker 4: called Giants Fears, Giants Fears, Giants Fears. The guy was 183 00:10:01,880 --> 00:10:04,600 Speaker 4: called Simon Simon. 184 00:10:04,800 --> 00:10:08,040 Speaker 3: Yeah, I remember simonmon someone, Simon nice guy. 185 00:10:08,040 --> 00:10:09,440 Speaker 4: Yeah, nice guy, nice guy. 186 00:10:09,520 --> 00:10:11,440 Speaker 2: Simon Floss on bass. 187 00:10:11,240 --> 00:10:13,680 Speaker 4: Floss on bass. Yeah, there's the one that allegations of 188 00:10:13,720 --> 00:10:18,240 Speaker 4: you and Floss and then they were never were allegations. 189 00:10:18,240 --> 00:10:18,880 Speaker 2: They would never. 190 00:10:18,960 --> 00:10:21,760 Speaker 4: I remember, I remember the late nineties there was some allegation. 191 00:10:21,880 --> 00:10:24,319 Speaker 4: Never the allegations swelling around. 192 00:10:24,440 --> 00:10:28,000 Speaker 2: There was never. There was never Simon. 193 00:10:29,280 --> 00:10:32,880 Speaker 3: Claren, McLaren, cl Clara claren so the Simon and Claren, 194 00:10:33,000 --> 00:10:34,200 Speaker 3: Simon minering shy. 195 00:10:34,360 --> 00:10:38,240 Speaker 1: Yeah, Simon minnoring. Part of that means minoring, Kepta Menry. 196 00:10:39,320 --> 00:10:41,880 Speaker 7: Floss's real name was Angela Leslie. 197 00:10:42,120 --> 00:10:45,760 Speaker 4: Yes, but there we go. There's a swirling around. 198 00:10:46,040 --> 00:10:47,640 Speaker 3: What do you think of the song here? Because someone 199 00:10:47,640 --> 00:10:49,199 Speaker 3: asked the other day they system and this is what's 200 00:10:49,240 --> 00:10:50,640 Speaker 3: the best song that ever came into Dunedin? 201 00:10:50,679 --> 00:10:51,079 Speaker 4: Do you know? I see? 202 00:10:51,120 --> 00:10:56,559 Speaker 1: I said the song here, I. 203 00:10:56,520 --> 00:10:59,199 Speaker 2: Love the song, such a good song. 204 00:10:59,240 --> 00:11:02,199 Speaker 7: I love this song from the Three Days so I 205 00:11:02,360 --> 00:11:02,560 Speaker 7: know this. 206 00:11:02,640 --> 00:11:07,000 Speaker 4: It was in the It was on the Something Something 207 00:11:07,679 --> 00:11:20,240 Speaker 4: talk About Their Lives soundtrack was the topless do anything. 208 00:11:20,559 --> 00:11:22,840 Speaker 4: I can see you're sort of you're squinting your eyes 209 00:11:22,880 --> 00:11:25,199 Speaker 4: slightly meshy, and I know what you're thinking. 210 00:11:26,160 --> 00:11:34,120 Speaker 3: Just thinking before the chorus goes ding dinging, good chorus. 211 00:11:34,360 --> 00:11:36,120 Speaker 4: And then it wants to go the chorus, but. 212 00:11:36,080 --> 00:11:38,800 Speaker 1: It doesn't go, and it feels like I'm in some 213 00:11:38,880 --> 00:11:46,000 Speaker 1: kind of Southeast Asian hotel. Bobby even see. 214 00:11:49,760 --> 00:11:56,079 Speaker 2: It's beautiful, didn't even say your care. 215 00:11:57,720 --> 00:11:58,640 Speaker 4: It's not doing anything for you. 216 00:11:59,559 --> 00:12:01,440 Speaker 2: I mean, they're not as nice anyone asks for you 217 00:12:01,480 --> 00:12:01,800 Speaker 2: to do that. 218 00:12:03,400 --> 00:12:06,000 Speaker 4: It's funny because I also find that I know that 219 00:12:06,040 --> 00:12:09,000 Speaker 4: song and I also love that song. It's a beautiful song. Yeah, 220 00:12:09,120 --> 00:12:10,760 Speaker 4: it's a very It's got a lot of hurt and 221 00:12:10,880 --> 00:12:11,920 Speaker 4: it's got a lot of pain in it. 222 00:12:12,040 --> 00:12:15,040 Speaker 3: Yeah, a lot of pain in it, a lot of emotion. 223 00:12:15,200 --> 00:12:17,760 Speaker 3: It makes me think of Port Charmers and Dunedin. 224 00:12:17,600 --> 00:12:21,240 Speaker 4: Makes me think of suicide. Yeah, and people have taken 225 00:12:21,280 --> 00:12:21,760 Speaker 4: their lives. 226 00:12:21,920 --> 00:12:23,760 Speaker 7: So what's the band called the three d's. Yeah, the 227 00:12:23,800 --> 00:12:26,120 Speaker 7: three D mash of view of a googled three ds. 228 00:12:26,240 --> 00:12:27,360 Speaker 4: No, No, I'm just chicking. 229 00:12:27,480 --> 00:12:29,640 Speaker 1: I tried to figure out what the three d's moight 230 00:12:29,640 --> 00:12:30,000 Speaker 1: have stood for. 231 00:12:30,400 --> 00:12:32,640 Speaker 3: I figured it out there. The three d's, but there's 232 00:12:32,679 --> 00:12:37,040 Speaker 3: actually four of them. There was Dave, Dave, Denise and 233 00:12:37,280 --> 00:12:39,240 Speaker 3: Dom with him. It was the band, so that they 234 00:12:39,280 --> 00:12:40,280 Speaker 3: were the Three Days, but they. 235 00:12:40,200 --> 00:12:40,920 Speaker 2: Was working for them. 236 00:12:41,040 --> 00:12:42,560 Speaker 1: That's what they called the Three D's. I thought it 237 00:12:42,600 --> 00:12:43,240 Speaker 1: was some kind of like. 238 00:12:44,320 --> 00:12:46,240 Speaker 3: One day we were on tour with and my band 239 00:12:46,280 --> 00:12:49,520 Speaker 3: could Eternity when I was very young, and we're on 240 00:12:49,600 --> 00:12:52,040 Speaker 3: tour with and we're playing christ chich actually, and we 241 00:12:52,040 --> 00:12:54,800 Speaker 3: were driving up there and we decided to pass their 242 00:12:54,840 --> 00:12:57,800 Speaker 3: car at high speed or pulling brown eyes out there windows. 243 00:12:57,880 --> 00:12:59,959 Speaker 1: It sounds like something to do. Story checks out so far, so. 244 00:12:59,880 --> 00:13:01,600 Speaker 3: We came past it about one hundred and forty k 245 00:13:01,720 --> 00:13:04,600 Speaker 3: giving them brown eyes, and then that's Some of the 246 00:13:04,600 --> 00:13:06,440 Speaker 3: members of the band found it funny. But Denise on 247 00:13:06,520 --> 00:13:08,840 Speaker 3: bass was what a serious woman she did the library 248 00:13:08,840 --> 00:13:13,840 Speaker 3: at the university. She said, firstly, you'll fucking kill yourselves, 249 00:13:14,080 --> 00:13:16,840 Speaker 3: and secondly, when I'm on tour, I don't need to 250 00:13:16,840 --> 00:13:20,880 Speaker 3: see three men's fucking assholes. 251 00:13:20,280 --> 00:13:23,240 Speaker 1: When I'm that's a fair point, Denise. I actually had 252 00:13:23,240 --> 00:13:25,680 Speaker 1: to say to Chae, Denise, You've got a point there 253 00:13:25,800 --> 00:13:28,600 Speaker 1: to underneath, because what would you do? Maddie. I don't 254 00:13:28,640 --> 00:13:30,960 Speaker 1: know if who's a Who's a what's a band that 255 00:13:31,000 --> 00:13:33,960 Speaker 1: has three women in it? Running a bit of a 256 00:13:33,960 --> 00:13:35,719 Speaker 1: brown eye situation? Would you appreciate that? 257 00:13:35,920 --> 00:13:36,520 Speaker 4: I'd like it. 258 00:13:36,800 --> 00:13:38,280 Speaker 1: Oh yeah, it's not a great example, and I think 259 00:13:38,320 --> 00:13:38,880 Speaker 1: i'd like it. 260 00:13:39,040 --> 00:13:41,120 Speaker 3: Brown Eyes, brown eyes a risky thing for one. 261 00:13:41,480 --> 00:13:43,920 Speaker 4: Yeah, that's what that song was about. A Also, you've 262 00:13:43,920 --> 00:13:45,440 Speaker 4: got to be careful with the brown eye turning it 263 00:13:45,480 --> 00:13:47,760 Speaker 4: into a Neapolitan with the strawberry vanilla and chocolate. 264 00:13:47,800 --> 00:13:48,840 Speaker 1: You do have to be careful of that. 265 00:13:49,000 --> 00:13:49,880 Speaker 4: But it was that what was there? 266 00:13:49,920 --> 00:13:51,720 Speaker 1: What that song was about? My brown eye girl? But 267 00:13:51,760 --> 00:13:53,080 Speaker 1: that someone drive past them. 268 00:13:54,280 --> 00:13:56,040 Speaker 3: The thing is we've been we've been playing with these 269 00:13:56,040 --> 00:13:59,920 Speaker 3: guys quite a lot, Denise, No, the three days my 270 00:14:00,160 --> 00:14:02,360 Speaker 3: bean can attained playing with the quite a lot as 271 00:14:02,400 --> 00:14:03,120 Speaker 3: a very popular band. 272 00:14:03,160 --> 00:14:04,199 Speaker 2: You know, that's all that big venues. 273 00:14:04,240 --> 00:14:05,560 Speaker 3: That was the last time they invited us to go 274 00:14:05,600 --> 00:14:08,320 Speaker 3: on tour with them. Just took three brown Eyes one 275 00:14:08,360 --> 00:14:10,120 Speaker 3: hundred and forty k it's all it took. 276 00:14:10,640 --> 00:14:14,000 Speaker 4: Denise had a good point. Denise, I got to. 277 00:14:13,960 --> 00:14:15,880 Speaker 3: Say, I think that's bullshit because my red Honda Civic 278 00:14:15,960 --> 00:14:17,800 Speaker 3: could fucking easily handle one. 279 00:14:18,360 --> 00:14:21,600 Speaker 4: Do you ever read Honda Civic? Yeah, well like. 280 00:14:21,560 --> 00:14:25,320 Speaker 10: A eighty eight, like a station wagon, station wagon. Well 281 00:14:25,360 --> 00:14:30,360 Speaker 10: not a shuttle, like a shuttle. A shuttle, yeah, shuttle shuttle. 282 00:14:30,440 --> 00:14:32,440 Speaker 10: Oh wow, it would take a break and come back 283 00:14:32,600 --> 00:14:32,960 Speaker 10: so much? 284 00:14:33,000 --> 00:14:34,440 Speaker 3: Can I have se poled up in the back seat? 285 00:14:34,480 --> 00:14:36,640 Speaker 3: It was another problem? Can I suggest to ever break? 286 00:14:36,680 --> 00:14:36,920 Speaker 7: And then? 287 00:14:37,040 --> 00:14:38,760 Speaker 6: I know, Matt that you've toured with the Three D's, 288 00:14:38,800 --> 00:14:42,240 Speaker 6: but I've found out three major bands that the Three 289 00:14:42,320 --> 00:14:43,120 Speaker 6: D's have also toured. 290 00:14:43,200 --> 00:14:46,120 Speaker 3: I'll tell you an amazing song about Bono Vox from 291 00:14:46,160 --> 00:14:48,880 Speaker 3: you two and when the Three ds supported you two, 292 00:14:48,920 --> 00:14:53,360 Speaker 3: And it's a story that you'll probably you'll probably probably 293 00:14:53,400 --> 00:14:56,240 Speaker 3: think Bonovox, what a fucking cock, But actually this will 294 00:14:56,240 --> 00:14:56,880 Speaker 3: make you like him. 295 00:14:57,000 --> 00:14:58,440 Speaker 1: What are you going to say after the break, Torey, 296 00:14:58,440 --> 00:14:59,720 Speaker 1: are you going to have You're going anything to say 297 00:14:59,720 --> 00:15:01,280 Speaker 1: after the I'm leaving during the boats. 298 00:15:02,600 --> 00:15:08,800 Speaker 2: The story. 299 00:15:09,960 --> 00:15:12,240 Speaker 3: So it's just me now, but I thought it'd be 300 00:15:12,240 --> 00:15:15,000 Speaker 3: remiss not to share the story of the rest of 301 00:15:15,000 --> 00:15:19,320 Speaker 3: the crew have left, which I thought was fucking rude. Anyway, 302 00:15:19,640 --> 00:15:22,560 Speaker 3: what happened was the Three D's that man from Duneda 303 00:15:22,600 --> 00:15:25,840 Speaker 3: and they were playing with U two at Western Springs 304 00:15:25,880 --> 00:15:30,040 Speaker 3: and Auckland for the zooopatur I believe it was the 305 00:15:30,080 --> 00:15:34,480 Speaker 3: Three D's played early on the stage opening in the 306 00:15:34,520 --> 00:15:37,800 Speaker 3: afternoon act. She was still light and it was notable 307 00:15:37,800 --> 00:15:41,720 Speaker 3: by David Mitchell tuning his guitar through the full pat 308 00:15:41,760 --> 00:15:42,880 Speaker 3: mess of a volume. 309 00:15:42,560 --> 00:15:45,400 Speaker 2: Going bing bang bing ding ming ing ing ing. 310 00:15:46,720 --> 00:15:50,000 Speaker 3: Anyway, after the show, the three D's, which were made 311 00:15:50,000 --> 00:15:53,680 Speaker 3: of actually four people with the names to the David David, 312 00:15:53,760 --> 00:15:59,440 Speaker 3: David Mitchell, David Saunders, Denise I can't remember her last name, 313 00:16:00,120 --> 00:16:05,520 Speaker 3: and Dom can't remember his last name. They went backstage 314 00:16:05,840 --> 00:16:08,640 Speaker 3: and as they walked past Bono's dressing room, they saw 315 00:16:09,360 --> 00:16:14,040 Speaker 3: a crate of six bottles of expensive red wine and 316 00:16:14,080 --> 00:16:16,480 Speaker 3: they took that back to their dressing room and they 317 00:16:16,520 --> 00:16:21,520 Speaker 3: drank it and U two's manager, Paul I forget, I'll 318 00:16:21,560 --> 00:16:24,280 Speaker 3: just look up what Youtub's manager's name was. Famous guy 319 00:16:24,400 --> 00:16:29,200 Speaker 3: was with them from the start, Paul McGinnis. Paul McGinnis 320 00:16:29,720 --> 00:16:34,560 Speaker 3: came into the room and said, that's fucking Bono's wine, 321 00:16:34,600 --> 00:16:37,440 Speaker 3: you fucking assholes. You're not getting fucking paid for this gag. 322 00:16:37,760 --> 00:16:41,960 Speaker 3: That's fucking bullshit. And then what happened was Bono was 323 00:16:42,000 --> 00:16:48,120 Speaker 3: standing behind the manager and said fuck it, pee them 324 00:16:48,160 --> 00:16:53,000 Speaker 3: double fucking love that barn fucking pee them double, and 325 00:16:53,120 --> 00:16:56,520 Speaker 3: so they got their fee doubled, and then Bono sent 326 00:16:58,760 --> 00:17:02,640 Speaker 3: the three days every year year for ten years after 327 00:17:02,680 --> 00:17:13,000 Speaker 3: that a crate of that exact same bottles of red wine. Guys, Sorry, 328 00:17:13,040 --> 00:17:14,680 Speaker 3: we just had to pop out taking your shirt. 329 00:17:14,840 --> 00:17:16,600 Speaker 4: I just don't miss anything there. 330 00:17:18,520 --> 00:17:21,280 Speaker 1: The three d's were supporting. Were you talking about the 331 00:17:21,280 --> 00:17:21,760 Speaker 1: three d's there? 332 00:17:21,760 --> 00:17:21,960 Speaker 4: Were you? 333 00:17:22,040 --> 00:17:22,320 Speaker 7: For a bit? 334 00:17:22,480 --> 00:17:24,960 Speaker 2: You too on the zero. 335 00:17:25,280 --> 00:17:28,000 Speaker 1: No, no, we missed the story intentionally. There's no there's 336 00:17:28,000 --> 00:17:31,920 Speaker 1: no no, no, no, no, no need to go through 337 00:17:31,920 --> 00:17:33,359 Speaker 1: it again. No no, no, no, no no. 338 00:17:33,680 --> 00:17:36,199 Speaker 4: You're just talking by yourself into the microphone here in 339 00:17:36,200 --> 00:17:36,639 Speaker 4: the studio. 340 00:17:36,760 --> 00:17:38,760 Speaker 3: Well, I teased it before the break, just because you 341 00:17:38,800 --> 00:17:42,680 Speaker 3: guys don't have the provisionalism to stay in the studio 342 00:17:42,760 --> 00:17:45,280 Speaker 3: to listen to quite good stories. 343 00:17:45,920 --> 00:17:46,600 Speaker 1: I don't doubt it. 344 00:17:47,080 --> 00:17:49,239 Speaker 4: It looked like a fascinating story. And then we can 345 00:17:49,440 --> 00:17:51,760 Speaker 4: see by the amount of energy that you're putting into it, 346 00:17:52,640 --> 00:17:57,320 Speaker 4: you teaching. When I listened back to the podcast, Maybe 347 00:17:57,359 --> 00:17:58,960 Speaker 4: in a few years or something, I might listen back 348 00:17:59,000 --> 00:17:59,639 Speaker 4: to that story. 349 00:18:00,680 --> 00:18:03,199 Speaker 3: I just think professionals would stay in the studio for 350 00:18:03,240 --> 00:18:05,080 Speaker 3: a cracking yarn like that. 351 00:18:05,080 --> 00:18:07,400 Speaker 4: So I had to leave, Okay, I had I had 352 00:18:07,400 --> 00:18:09,040 Speaker 4: something else I had to do. But I'm back now. 353 00:18:09,080 --> 00:18:11,720 Speaker 1: Bespokes on the conclude, let us know if you listen 354 00:18:11,800 --> 00:18:14,040 Speaker 1: to that and if it was any good and then 355 00:18:14,080 --> 00:18:15,439 Speaker 1: jury and I can go back a list, Jerry and 356 00:18:15,480 --> 00:18:16,320 Speaker 1: read it can go back a list. 357 00:18:16,800 --> 00:18:19,200 Speaker 2: I've got one word for you. Where is the support? 358 00:18:20,000 --> 00:18:21,840 Speaker 1: It's about four or five I think. 359 00:18:21,880 --> 00:18:25,320 Speaker 6: But speaking of support, did you know that the Three 360 00:18:25,400 --> 00:18:29,560 Speaker 6: D's once supported the Lemonheads on a tour of Australia. 361 00:18:29,760 --> 00:18:31,360 Speaker 7: Yes, I didn't know that and did you know? 362 00:18:31,560 --> 00:18:33,920 Speaker 3: And that was when that was at the time when 363 00:18:34,440 --> 00:18:37,760 Speaker 3: Kylie Minogue was dating even Dando, so they were like 364 00:18:37,840 --> 00:18:39,880 Speaker 3: this kind of indie band from Dneed and they're on tour. 365 00:18:40,000 --> 00:18:42,679 Speaker 3: I can hanging out with c kman Ogue. 366 00:18:43,400 --> 00:18:45,760 Speaker 7: Or a little three D's expert. 367 00:18:45,920 --> 00:18:48,480 Speaker 1: That was that wasster mine on the three ds. 368 00:18:48,600 --> 00:18:52,200 Speaker 4: If you just learned the nieces, was. 369 00:18:52,119 --> 00:18:56,280 Speaker 7: It Richard rowing close rough and rowing? 370 00:18:56,480 --> 00:19:01,000 Speaker 3: And what was what was the DRUMA Dominic's name stones 371 00:19:01,320 --> 00:19:04,240 Speaker 3: Dominic Staines. He once said to me once he came 372 00:19:04,280 --> 00:19:06,960 Speaker 3: past that flat and I said, oh, we're going in 373 00:19:07,600 --> 00:19:10,159 Speaker 3: for dinner and he said, what are you having? And 374 00:19:10,200 --> 00:19:12,360 Speaker 3: I said, baked beans on toast with cheese, and he goes, 375 00:19:12,720 --> 00:19:18,560 Speaker 3: hopefully not Dick cheese, a boys, and we went probably 376 00:19:18,840 --> 00:19:22,680 Speaker 3: probably not, probably not dominic stones, probably probably not baked 377 00:19:22,680 --> 00:19:25,880 Speaker 3: beans with Dick cheese. Actually, when you when you think 378 00:19:25,920 --> 00:19:29,800 Speaker 3: about it, it was a supportive scenes music, a different 379 00:19:29,880 --> 00:19:35,040 Speaker 3: kind of different kind of cheese, a little support. It 380 00:19:35,080 --> 00:19:37,040 Speaker 3: was a very supportive area. We shared a practicing with 381 00:19:37,320 --> 00:19:42,280 Speaker 3: the Three ds on Vogel Street and David Saunders stole 382 00:19:42,400 --> 00:19:45,320 Speaker 3: no David Mitchell stole one of my fucking speaker snacks, 383 00:19:45,880 --> 00:19:48,200 Speaker 3: took on tour and lost it and came back very apologetic, 384 00:19:48,240 --> 00:19:50,320 Speaker 3: and I said, don't worry about it, mate. I didn't 385 00:19:50,320 --> 00:19:52,960 Speaker 3: pay any of the high purchase agreements at Beiggs Musical 386 00:19:53,040 --> 00:19:55,320 Speaker 3: and there after my as so you know lost to 387 00:19:55,359 --> 00:19:55,800 Speaker 3: me all. 388 00:19:55,800 --> 00:19:56,960 Speaker 4: Right, pop quiz hot shot. 389 00:19:57,480 --> 00:20:01,120 Speaker 6: In nineteen ninety two, the Three D's played in New 390 00:20:01,200 --> 00:20:05,919 Speaker 6: Zealand with what very very very famous band Nirvana. 391 00:20:06,800 --> 00:20:09,400 Speaker 1: Wow you know your. 392 00:20:11,840 --> 00:20:16,880 Speaker 3: And your specialist stomer, there's only seven facts about them, 393 00:20:16,920 --> 00:20:18,040 Speaker 3: so you should do pretty well. 394 00:20:19,440 --> 00:20:20,760 Speaker 4: You did great, great job. 395 00:20:21,080 --> 00:20:24,399 Speaker 3: Well all one last story. The Three D's were on 396 00:20:24,440 --> 00:20:26,400 Speaker 3: tour with the band Pavement in New Zealand. 397 00:20:27,000 --> 00:20:27,640 Speaker 1: Oh there you go. 398 00:20:27,760 --> 00:20:31,159 Speaker 3: And the drummer of Payment, as David Saunders told me, 399 00:20:31,280 --> 00:20:33,760 Speaker 3: guitarist from three D's One of You told me, the 400 00:20:33,840 --> 00:20:38,200 Speaker 3: drummer from Pavement, the original drummer on a slanted and 401 00:20:38,280 --> 00:20:40,720 Speaker 3: charted album. That guy would get out of the band 402 00:20:40,840 --> 00:20:42,760 Speaker 3: and when other people would have a pe, he'd get 403 00:20:42,760 --> 00:20:44,360 Speaker 3: out of the band and have a masturbate. 404 00:20:46,119 --> 00:20:51,040 Speaker 4: Man is going to feature that Christian master mind? 405 00:20:51,200 --> 00:20:51,400 Speaker 7: Chill? 406 00:20:52,520 --> 00:20:56,960 Speaker 2: Okay, So Wayne, anyone else got any stories that. 407 00:21:00,119 --> 00:21:01,760 Speaker 7: I'm just trying to process that. 408 00:21:01,760 --> 00:21:04,840 Speaker 4: That's one of the best podcasts we've ever done. Right 409 00:21:04,920 --> 00:21:06,959 Speaker 4: up there? Can we Zealand Music Special? 410 00:21:07,119 --> 00:21:09,320 Speaker 7: Can we call this one Baked Beans with Dick Cheese? 411 00:21:09,440 --> 00:21:10,440 Speaker 7: Or is that not appropriate? 412 00:21:10,480 --> 00:21:13,040 Speaker 1: Messue, that's a confronting podcast title. You've got to think 413 00:21:13,040 --> 00:21:15,280 Speaker 1: about the families in the car, you know, you kind 414 00:21:15,280 --> 00:21:17,920 Speaker 1: of just leave that. You just you just you can't 415 00:21:17,920 --> 00:21:19,879 Speaker 1: fish them into like a family friend episode with a 416 00:21:19,960 --> 00:21:21,640 Speaker 1: nice title, and then you just had them with that. 417 00:21:21,960 --> 00:21:24,800 Speaker 2: Is Baked Beans Cheese a good joke. 418 00:21:25,840 --> 00:21:29,400 Speaker 4: And my right boys, my right boys thought, I thought, 419 00:21:29,840 --> 00:21:34,080 Speaker 4: I mean, there's it aged particularly well. No I at 420 00:21:34,119 --> 00:21:36,000 Speaker 4: the time, you know, it's it's pretty. 421 00:21:35,760 --> 00:21:38,439 Speaker 3: Quick from to be fair, I just see like a 422 00:21:38,440 --> 00:21:40,480 Speaker 3: good joke has to be within the realms of possibility, 423 00:21:40,480 --> 00:21:41,320 Speaker 3: and I just don't think. 424 00:21:41,640 --> 00:21:44,080 Speaker 1: I don't I've got to that doesn't do the South 425 00:21:44,320 --> 00:21:47,920 Speaker 1: and many favors this. But anytime someone sees a joke 426 00:21:47,960 --> 00:21:50,840 Speaker 1: and then goes, am, I right, boys, I think I 427 00:21:50,880 --> 00:21:53,240 Speaker 1: think it's a slightly kind of because this kind of 428 00:21:53,280 --> 00:21:55,200 Speaker 1: what happens down the air, there's what happens down those ways. 429 00:21:55,240 --> 00:21:56,479 Speaker 1: Do you tell a joke in again, I right? 430 00:21:56,720 --> 00:21:58,960 Speaker 4: Imagine party Steve Henson's is it after a joy? 431 00:22:03,200 --> 00:22:06,639 Speaker 7: Its fucking ever thrown in my fucking right in front of. 432 00:22:08,680 --> 00:22:11,760 Speaker 2: What about something? Guys tells the ship my right, boys, 433 00:22:11,800 --> 00:22:14,320 Speaker 2: and then laughs really hard at am I. 434 00:22:14,320 --> 00:22:22,120 Speaker 11: Right, boys, boys, boys, boys, When you were talking about 435 00:22:22,160 --> 00:22:24,040 Speaker 11: David Mitchell, I assume you meant that it's not that 436 00:22:24,119 --> 00:22:26,960 Speaker 11: David Mitchell the comedian, no, because that's how I was 437 00:22:26,960 --> 00:22:27,840 Speaker 11: picturing from peep Shirt. 438 00:22:27,880 --> 00:22:28,320 Speaker 2: It's a guy. 439 00:22:28,640 --> 00:22:31,400 Speaker 3: It's a different David Mitchell who now lives in the UK. 440 00:22:31,480 --> 00:22:35,040 Speaker 3: Though tracks had here, like Tussick from Will You Go? 441 00:22:39,080 --> 00:22:42,520 Speaker 1: I titled this podcast. If I titled this podcast the 442 00:22:42,520 --> 00:22:44,399 Speaker 1: three D's Mastermind, do you think people will listen. 443 00:22:44,280 --> 00:22:48,360 Speaker 4: To the ten thanks? You never would have known about ten. 444 00:22:48,240 --> 00:22:50,080 Speaker 2: Things you never knew about the Three D's. 445 00:23:00,040 --> 00:23:04,479 Speaker 3: Anyway, I can shove that up right, all right? 446 00:23:05,880 --> 00:23:12,239 Speaker 7: Shoved three days up? Your annoying redo of what's it 447 00:23:12,280 --> 00:23:13,040 Speaker 7: called bloody? 448 00:23:13,680 --> 00:23:17,159 Speaker 6: Not all of those things now, just one, just one redo, 449 00:23:17,200 --> 00:23:19,399 Speaker 6: one one each? 450 00:23:20,800 --> 00:23:27,760 Speaker 2: Yeah it. 451 00:23:29,400 --> 00:23:35,520 Speaker 1: Jesus Christ, haven't we God? You were just guessing up 452 00:23:36,760 --> 00:23:37,360 Speaker 1: in the podcast? 453 00:23:37,520 --> 00:23:39,120 Speaker 2: Some guess we're still on the podcast. 454 00:23:40,840 --> 00:23:41,520 Speaker 4: Terrible guess. 455 00:23:42,040 --> 00:23:42,480 Speaker 2: Goodbye. 456 00:23:42,560 --> 00:23:45,520 Speaker 1: I can't be it. So okay, we record the trailer 457 00:23:45,560 --> 00:23:47,520 Speaker 1: in the podcast in the same while we know this, 458 00:23:47,560 --> 00:23:48,680 Speaker 1: and now we just have the whole thing. 459 00:23:49,080 --> 00:23:51,040 Speaker 2: And by way of advertising the Radiohighlights podcast. 460 00:23:51,280 --> 00:23:55,879 Speaker 3: Okay on the Met on the Latest Met and Jury podcast, 461 00:23:56,000 --> 00:23:58,840 Speaker 3: we find out whe the Skystadium and Wellington as Penis 462 00:23:58,880 --> 00:24:02,080 Speaker 3: or Genius? And should I solve Matt's vape related Oh, 463 00:24:02,080 --> 00:24:03,080 Speaker 3: you're going to listen. 464 00:24:04,840 --> 00:24:06,640 Speaker 4: As you're doing that. He's going to find this out. 465 00:24:06,640 --> 00:24:07,320 Speaker 2: The second. 466 00:24:10,119 --> 00:24:12,200 Speaker 4: On the Latest Matten Jerry Podcast, we found out where 467 00:24:12,200 --> 00:24:14,480 Speaker 4: the sky Stadium and Wellington as Penis or Genius and 468 00:24:14,560 --> 00:24:17,720 Speaker 4: Mash and I solve Matt's vight related relationship conundrum. 469 00:24:18,000 --> 00:24:21,440 Speaker 3: Plus it's Mastermind with twenty facts you didn't know about 470 00:24:21,480 --> 00:24:24,160 Speaker 3: Dunedin band The Three DS am I right, boys. 471 00:24:25,760 --> 00:24:26,800 Speaker 2: The Mantaen Jerry Podcast. 472 00:24:26,800 --> 00:24:28,639 Speaker 3: Don you POD's out every Weekkedad eleven am and I 473 00:24:28,680 --> 00:24:30,880 Speaker 3: Hat Radio or wherever you find your podcast and tell 474 00:24:30,920 --> 00:24:31,320 Speaker 3: a friend. 475 00:24:33,160 --> 00:24:36,320 Speaker 4: And then this thing with Bunning Sad. I'm yeah, okay, 476 00:24:36,640 --> 00:24:39,480 Speaker 4: here we go. The mat and Jerry Show, Find the 477 00:24:39,480 --> 00:24:42,760 Speaker 4: Perfect gift idea and nail Father's Day this year with 478 00:24:42,880 --> 00:24:45,359 Speaker 4: Bunning's trade. The Mantain Jerry Sorry, We're gonna do that 479 00:24:45,400 --> 00:24:50,159 Speaker 4: one more time. The Madden Jerry Show Find the perfect 480 00:24:50,200 --> 00:24:53,480 Speaker 4: gift idea and nail Father's Day this year with Bunning's trade. 481 00:24:53,720 --> 00:24:54,600 Speaker 2: The Mataen Jerry Show. 482 00:24:54,640 --> 00:24:56,960 Speaker 3: Find the perfect gift idea and nail your father this 483 00:24:57,119 --> 00:24:58,560 Speaker 3: year with Bunning's trade. 484 00:24:58,880 --> 00:25:01,119 Speaker 4: The Manta and Jerry Show The Perfect gift idea and 485 00:25:01,200 --> 00:25:03,360 Speaker 4: now Father's Day this year with Bunning's trade. 486 00:25:03,600 --> 00:25:04,480 Speaker 2: The Matten Jerry Show. 487 00:25:04,520 --> 00:25:06,919 Speaker 3: Find the perfect gift idea and nail Father's Day this 488 00:25:07,040 --> 00:25:08,080 Speaker 3: year with Bunning's trade. 489 00:25:08,359 --> 00:25:09,840 Speaker 4: God, there's a real truth for the bespoken. 490 00:25:10,359 --> 00:25:11,840 Speaker 1: Just a couple of radio hosts at the peak of 491 00:25:11,840 --> 00:25:12,160 Speaker 1: your power. 492 00:25:13,240 --> 00:25:15,800 Speaker 3: I'll look behind the beef curtains there, all right there, 493 00:25:15,840 --> 00:25:17,879 Speaker 3: What does life look like now that you're out of 494 00:25:17,960 --> 00:25:18,800 Speaker 3: the suss. 495 00:25:19,640 --> 00:25:21,680 Speaker 7: What was that where's that from? 496 00:25:21,920 --> 00:25:24,400 Speaker 3: That's my first question when we interviewed serviceman Jay. 497 00:25:26,359 --> 00:25:31,040 Speaker 2: Alright boys, shop? Am I right? Boys? 498 00:25:34,600 --> 00:25:34,879 Speaker 7: Hello? 499 00:25:35,000 --> 00:25:35,640 Speaker 2: I'm Matt Heath. 500 00:25:35,640 --> 00:25:38,399 Speaker 3: You have been listening to the Matt and Jerry Daily 501 00:25:38,440 --> 00:25:41,440 Speaker 3: Bespoke podcast. Right now you can listen to our Radio 502 00:25:41,520 --> 00:25:46,360 Speaker 3: Highlights podcast, which you will absolutely get barred up about anyway. 503 00:25:46,480 --> 00:25:49,600 Speaker 3: Set to download, like, subscribe, wright review all those great things. 504 00:25:49,680 --> 00:25:52,280 Speaker 3: It really helps myself and Jerry and to a lesser extent, 505 00:25:52,400 --> 00:25:54,760 Speaker 3: Mass and ruder. If you want to discuss anything raised 506 00:25:54,800 --> 00:25:56,840 Speaker 3: in this pod, check out the Conclave, a Matt and 507 00:25:56,920 --> 00:26:00,280 Speaker 3: Jerry Facebook discussion group. And while I'm plugging stuff, my book, 508 00:26:00,280 --> 00:26:02,360 Speaker 3: A Lifeless Punishing Thirteen Ways to Love the. 509 00:26:02,320 --> 00:26:04,840 Speaker 2: Life You've Got is out now get it wherever you 510 00:26:04,880 --> 00:26:08,600 Speaker 2: get your books, or just google the bastard. Anyway you 511 00:26:08,720 --> 00:26:11,720 Speaker 2: seem busy, I'll let you go. Bless blessed, blessed. Give 512 00:26:11,800 --> 00:26:13,240 Speaker 2: them a taste of keiw from me,