1 00:00:00,240 --> 00:00:04,760 Speaker 1: Tim morning, good stuff, Katie. How are you? 2 00:00:05,480 --> 00:00:08,160 Speaker 2: I'm excellent, how are you? You must be excited? No 3 00:00:08,240 --> 00:00:08,959 Speaker 2: more alarms. 4 00:00:09,240 --> 00:00:11,639 Speaker 1: Boss just asked me that, he said, are you excited? 5 00:00:11,680 --> 00:00:15,280 Speaker 1: And we were taking bets off air. I didn't participate 6 00:00:15,320 --> 00:00:16,880 Speaker 1: because I'm not allowed to bet because you've told me 7 00:00:16,920 --> 00:00:20,960 Speaker 1: I can't. But we were taking bets off air as 8 00:00:21,000 --> 00:00:23,200 Speaker 1: to when I would utter the first words G. I 9 00:00:23,239 --> 00:00:24,800 Speaker 1: wouldn't mind getting back on the radio. 10 00:00:25,560 --> 00:00:27,960 Speaker 2: Yeah, Jason, and I usually take that bet every summer too, 11 00:00:28,000 --> 00:00:30,160 Speaker 2: because You're like, I'm so exhausted, I'm so ready for 12 00:00:30,240 --> 00:00:32,320 Speaker 2: a break, and then about five minutes into your holiday 13 00:00:32,320 --> 00:00:34,120 Speaker 2: you're like, yeah, no, I've got stuff to say. I'm 14 00:00:34,120 --> 00:00:38,680 Speaker 2: ready to go back. It's unbelievable. Have some sleep for goodness. 15 00:00:38,320 --> 00:00:39,360 Speaker 3: Sake, exactly. 16 00:00:39,760 --> 00:00:41,920 Speaker 1: Anyway, how are you going to what's the what's the 17 00:00:41,960 --> 00:00:45,199 Speaker 1: situation at your workplace visa the Christmas parties? 18 00:00:46,680 --> 00:00:50,279 Speaker 3: Well, yeh, look, I've actually I'm investigating this because of 19 00:00:50,960 --> 00:00:54,200 Speaker 3: obviously the public sector, but I was actually thinking about 20 00:00:54,240 --> 00:00:57,120 Speaker 3: our Christmas party, the Wrap the Week Christmas party on Monday, 21 00:00:57,440 --> 00:00:59,400 Speaker 3: and I think we've got the lowest price per per 22 00:00:59,520 --> 00:01:02,920 Speaker 3: head in terms of it's coffee. It's a DCF. I'll 23 00:01:02,920 --> 00:01:05,080 Speaker 3: have a DCF five point fifty. You're not planning on 24 00:01:05,120 --> 00:01:06,160 Speaker 3: having a muffin though, are you. 25 00:01:06,280 --> 00:01:07,759 Speaker 1: I'm not actually planning on being there. 26 00:01:08,800 --> 00:01:12,959 Speaker 3: What, don't worry to them. 27 00:01:13,160 --> 00:01:13,920 Speaker 2: I'll drag them. 28 00:01:13,800 --> 00:01:18,479 Speaker 1: Alon, drag them Alon. Three coffees in a muffin. So 29 00:01:18,520 --> 00:01:21,560 Speaker 1: you're talking, we could probably come scraping under twenty five, 30 00:01:21,600 --> 00:01:24,520 Speaker 1: couldn't we twenty five bucks for three people? You're here? 31 00:01:24,680 --> 00:01:28,039 Speaker 3: Are you kidding me? We could do twenty We pay 32 00:01:28,120 --> 00:01:30,800 Speaker 3: for that ourselves. The company doesn't self fund it, That's true. 33 00:01:30,959 --> 00:01:33,120 Speaker 1: Something we probably need to what the public This is 34 00:01:33,120 --> 00:01:36,160 Speaker 1: what the public sector. This is how the public sector 35 00:01:36,600 --> 00:01:38,720 Speaker 1: needs to learn to run stuff. You do it yourself. 36 00:01:38,720 --> 00:01:40,640 Speaker 1: You don't rely on other people. So three coffees and 37 00:01:40,680 --> 00:01:43,120 Speaker 1: a muff and we'll say Merry Christmas, and that'll be 38 00:01:43,200 --> 00:01:45,360 Speaker 1: us for another year, and we will be happy and satisfied, 39 00:01:45,360 --> 00:01:47,080 Speaker 1: won't we. 40 00:01:47,080 --> 00:01:48,760 Speaker 2: Well, we probably have a certain age where we don't 41 00:01:48,760 --> 00:01:51,160 Speaker 2: really need to get ourselves completely hammered and you know, 42 00:01:51,720 --> 00:01:52,640 Speaker 2: dance on tables. 43 00:01:52,760 --> 00:01:56,480 Speaker 1: Do you think that ever happened? Katie? Did you ever 44 00:01:56,520 --> 00:02:00,480 Speaker 1: go see when I joined radio in the in the eighties, Yes. 45 00:02:00,480 --> 00:02:03,840 Speaker 3: It did happen. I mean didn't your chief executive do 46 00:02:03,880 --> 00:02:05,600 Speaker 3: a show you at one of the Christmas parties. 47 00:02:05,840 --> 00:02:07,280 Speaker 2: You told me a famous story about one of your 48 00:02:07,360 --> 00:02:09,880 Speaker 2: radio Christmas parties where someone fell through the ceiling. 49 00:02:10,360 --> 00:02:12,400 Speaker 1: No, that wasn't a Christmas No, that's a good story. 50 00:02:12,600 --> 00:02:15,040 Speaker 1: That wasn't a Christmas party. That was just a regular 51 00:02:15,120 --> 00:02:19,040 Speaker 1: day at the office. That was towards the end of 52 00:02:19,040 --> 00:02:20,600 Speaker 1: the year, and they might have been having a party 53 00:02:20,600 --> 00:02:24,440 Speaker 1: for two But that was a fantastic story at Radio Windy. 54 00:02:24,480 --> 00:02:26,320 Speaker 1: And the thing about Radio Windy, which is no longer 55 00:02:26,400 --> 00:02:29,440 Speaker 1: in existence now, is that it had those ceilings where 56 00:02:29,440 --> 00:02:31,720 Speaker 1: you have actually, as I look up, we've got these ceilings, 57 00:02:32,240 --> 00:02:36,600 Speaker 1: so you know, the ceilings with individual boards, right, and 58 00:02:36,639 --> 00:02:39,400 Speaker 1: you can take the board out and climb into the roof. Anyway, 59 00:02:39,880 --> 00:02:44,800 Speaker 1: they fell out of the ceiling in a certain position 60 00:02:46,080 --> 00:02:52,239 Speaker 1: into reception, into reception, inter reception. But those were the 61 00:02:52,280 --> 00:02:55,080 Speaker 1: glory days of radio. Nothing like that's ever happened since. 62 00:02:55,560 --> 00:02:58,400 Speaker 1: And I do believe that when you talk to the 63 00:02:58,400 --> 00:03:01,160 Speaker 1: older members of the broadcasting community, they all go down 64 00:03:01,160 --> 00:03:01,480 Speaker 1: that track. 65 00:03:01,480 --> 00:03:01,880 Speaker 3: There we go. 66 00:03:01,960 --> 00:03:04,560 Speaker 1: I remember when where you were right like that, And 67 00:03:04,639 --> 00:03:07,280 Speaker 1: of course I don't even know what it ever really happened. 68 00:03:07,280 --> 00:03:10,520 Speaker 3: To be honest, No, I did Mega magazines. I used 69 00:03:10,560 --> 00:03:13,160 Speaker 3: to go go out to lunch with Bill Rolston on 70 00:03:13,200 --> 00:03:13,840 Speaker 3: a Friday. 71 00:03:14,760 --> 00:03:18,600 Speaker 1: We have Friday with Bill Rolston. That's not Christmas. Christmas. 72 00:03:19,320 --> 00:03:20,919 Speaker 3: I'll tell you. I'll tell you what when you when 73 00:03:20,960 --> 00:03:22,880 Speaker 3: you have a lunch that lasts for eighteen hours, you 74 00:03:22,919 --> 00:03:23,600 Speaker 3: know you've had lunch? 75 00:03:23,760 --> 00:03:24,200 Speaker 1: Eighteen? 76 00:03:24,840 --> 00:03:25,080 Speaker 3: Are you? 77 00:03:25,400 --> 00:03:27,240 Speaker 1: Are you? Eighteen? So far? 78 00:03:27,440 --> 00:03:31,880 Speaker 3: Came twelve o'clock Bill from from noon from noon. We 79 00:03:32,040 --> 00:03:33,760 Speaker 3: used to because the rest of the company used to 80 00:03:33,840 --> 00:03:37,600 Speaker 3: do used to be Australian Consolidated Press. They'd have informal Friday, 81 00:03:37,640 --> 00:03:39,760 Speaker 3: but because we were sort of a bit hoiity toyy, 82 00:03:39,800 --> 00:03:42,360 Speaker 3: we'd have formal Friday and we'd go out for lunch. 83 00:03:43,000 --> 00:03:46,680 Speaker 3: And yeah, I came. I came to the sensors dancing 84 00:03:46,720 --> 00:03:49,160 Speaker 3: to a heavy metal song. I don't know. It might 85 00:03:49,160 --> 00:03:52,360 Speaker 3: have been Motorhead at six am in a nightclub on 86 00:03:52,400 --> 00:03:52,920 Speaker 3: Queen Stream. 87 00:03:53,000 --> 00:03:55,360 Speaker 1: Thought that was a time to gard fantastic. 88 00:03:55,680 --> 00:03:56,119 Speaker 3: Do you want? 89 00:03:56,400 --> 00:03:58,560 Speaker 1: Do you want slip knock tickets for Christmas? Coding? 90 00:04:00,400 --> 00:04:03,280 Speaker 2: No? I don't, But guess what. Guess what excitement I 91 00:04:03,280 --> 00:04:05,440 Speaker 2: got this morning with my Spotify rat because I heard 92 00:04:05,440 --> 00:04:07,760 Speaker 2: you promoing. 93 00:04:06,520 --> 00:04:08,240 Speaker 1: I die, I am dying. 94 00:04:07,920 --> 00:04:10,480 Speaker 2: To hear how minutes I hadn't even looked at it, 95 00:04:10,520 --> 00:04:14,000 Speaker 2: so I jumped on Spotify. Do you know I am 96 00:04:14,000 --> 00:04:16,800 Speaker 2: in the top six percent of listeners worldwide. 97 00:04:17,080 --> 00:04:19,760 Speaker 1: No, it doesn't surprise me because I was saying earlier, 98 00:04:20,160 --> 00:04:23,200 Speaker 1: all of our music and it's may it's throughout the 99 00:04:23,279 --> 00:04:25,200 Speaker 1: day and on the weekend, is driven out of your 100 00:04:25,360 --> 00:04:28,599 Speaker 1: Spotify account. Therefore, because we have music on all the time, 101 00:04:29,320 --> 00:04:31,680 Speaker 1: every day, every hour of every day then and it 102 00:04:31,720 --> 00:04:35,680 Speaker 1: comes from exclusively your phone, then I'm not surprised at that. 103 00:04:35,760 --> 00:04:37,159 Speaker 1: So what do you what do you want to give us? 104 00:04:37,160 --> 00:04:37,559 Speaker 1: The number? 105 00:04:38,240 --> 00:04:40,520 Speaker 2: Forty three, seven hundred and twenty. 106 00:04:40,240 --> 00:04:43,520 Speaker 1: Eight minutes forty three thousand? Do you believe Cecon? 107 00:04:43,560 --> 00:04:45,000 Speaker 2: I didn't actually think that was too bad? 108 00:04:45,240 --> 00:04:46,960 Speaker 1: No, but that puts you did you think? 109 00:04:47,080 --> 00:04:49,039 Speaker 3: What do you think it would be? Well? 110 00:04:49,080 --> 00:04:51,640 Speaker 1: I had text this morning from over one hundred thousand 111 00:04:51,640 --> 00:04:53,600 Speaker 1: minutes and somebody claimed to it in twenty thousand minutes, 112 00:04:53,600 --> 00:04:55,200 Speaker 1: So I think that's b Yes, because I know how 113 00:04:55,279 --> 00:04:57,240 Speaker 1: much music we listened to it at forty three thousand, 114 00:04:57,240 --> 00:05:00,680 Speaker 1: they cannot be listening to five times more music than 115 00:05:01,279 --> 00:05:01,760 Speaker 1: did you get? 116 00:05:01,760 --> 00:05:03,719 Speaker 2: Because your top artist was Luke Holmes wasn't it? And 117 00:05:03,760 --> 00:05:06,320 Speaker 2: my top artist was Joshua Raden And then as I 118 00:05:06,360 --> 00:05:10,440 Speaker 2: clicked through, I gotta you get this video message from him. Yes, yeah, 119 00:05:10,520 --> 00:05:13,119 Speaker 2: that's so cute, the thanking the Spotify fans for like listening. 120 00:05:13,200 --> 00:05:15,440 Speaker 1: Well, i'll tell you that's coming out. That's that's an 121 00:05:15,440 --> 00:05:17,360 Speaker 1: aiicon and I'll tell you about that in a moment 122 00:05:17,440 --> 00:05:19,279 Speaker 1: two hundred and three, Caddy, where were we? 123 00:05:19,640 --> 00:05:19,719 Speaker 3: So? 124 00:05:19,839 --> 00:05:20,520 Speaker 1: What was the think? 125 00:05:22,800 --> 00:05:23,160 Speaker 2: Sorry? 126 00:05:23,320 --> 00:05:26,440 Speaker 1: So it's it's what it is is when my artist 127 00:05:26,480 --> 00:05:29,560 Speaker 1: was Luke Holmes and then it suddenly it goes, oh, 128 00:05:29,720 --> 00:05:32,480 Speaker 1: it seems that we're not alone and then boom, your 129 00:05:32,480 --> 00:05:34,360 Speaker 1: favorite artist comes up with a message. In my case 130 00:05:34,360 --> 00:05:36,720 Speaker 1: it's Luke Colmes. Now, the problem with Luke Holmes's message 131 00:05:36,720 --> 00:05:39,000 Speaker 1: it was a very generic message and it's two Australians. 132 00:05:39,120 --> 00:05:41,680 Speaker 1: He says, I'll tell you what. I'm coming to Australia 133 00:05:41,680 --> 00:05:43,440 Speaker 1: next year. I'm looking forward to being in Australia. And 134 00:05:43,480 --> 00:05:45,400 Speaker 1: I thought, mate, I'm not in Australia. And so they've 135 00:05:45,440 --> 00:05:48,960 Speaker 1: obviously not quite regionalized it out to a point where 136 00:05:48,960 --> 00:05:51,800 Speaker 1: it feels like an individual message. What was yours, Cadie? 137 00:05:51,800 --> 00:05:53,120 Speaker 1: Who was it from Joshua Radin. 138 00:05:53,800 --> 00:05:55,720 Speaker 2: Yeah, and he was just basically thinking he didn't he 139 00:05:55,760 --> 00:05:58,520 Speaker 2: didn't do a specific region. He was just, hey, thank 140 00:05:58,560 --> 00:05:59,760 Speaker 2: you so much for listening to so much of my 141 00:05:59,800 --> 00:06:01,920 Speaker 2: new I just so appreciate you know, fans, and blah 142 00:06:01,960 --> 00:06:04,000 Speaker 2: blah blah, and this is what I'm doing and thank 143 00:06:04,000 --> 00:06:06,120 Speaker 2: you for sharing it and enjoying it. And I make 144 00:06:06,160 --> 00:06:07,480 Speaker 2: it because you love it. Blah blah blah. 145 00:06:07,520 --> 00:06:11,120 Speaker 1: So what we want is the first person who has 146 00:06:11,160 --> 00:06:15,200 Speaker 1: their number one artist who didn't have a message on Spotify, 147 00:06:15,279 --> 00:06:17,200 Speaker 1: because they can't have gone to every artist in the 148 00:06:17,200 --> 00:06:20,600 Speaker 1: world and gone a message, can they. Yeah, so if 149 00:06:20,600 --> 00:06:22,919 Speaker 1: your top artist was Beethoven, they would have struggled, surely. 150 00:06:23,520 --> 00:06:24,839 Speaker 2: But I wonder if the really big. 151 00:06:26,600 --> 00:06:27,920 Speaker 1: What but she would have done one? Of course she 152 00:06:27,920 --> 00:06:28,280 Speaker 1: would have. 153 00:06:29,160 --> 00:06:31,320 Speaker 3: Can I can I tell you guys about my track 154 00:06:31,360 --> 00:06:34,839 Speaker 3: of the year? Yeah, okay, so it's not it's not 155 00:06:34,920 --> 00:06:40,000 Speaker 3: on Spotify by a by an artist called It's by 156 00:06:40,040 --> 00:06:43,440 Speaker 3: an artist called Wolfe Wilson. And I've been talking about 157 00:06:43,440 --> 00:06:44,640 Speaker 3: this track quite a bit lately. 158 00:06:45,160 --> 00:06:46,000 Speaker 1: Has he done a song? 159 00:06:47,160 --> 00:06:51,000 Speaker 3: He's well, he created something. So a few weeks back, 160 00:06:51,040 --> 00:06:53,240 Speaker 3: he was doing his piano practice and he had to 161 00:06:53,240 --> 00:06:55,960 Speaker 3: practice when the Saints go marching in. You know when 162 00:06:55,960 --> 00:06:58,400 Speaker 3: the Saints go marching to do so he did that 163 00:06:58,520 --> 00:07:03,560 Speaker 3: very reluctantly. Yeah, doesn't doesn't doesn't love the piano practice thing. 164 00:07:03,839 --> 00:07:06,159 Speaker 3: Then he goes outside and he grabs his trident that 165 00:07:06,200 --> 00:07:08,320 Speaker 3: he got for Halloween, and he was playing with his 166 00:07:08,600 --> 00:07:10,840 Speaker 3: tridents to your Wolfy, I'm just talking about you on 167 00:07:10,880 --> 00:07:14,720 Speaker 3: the radio. Wolf is just he's just coming to say goodbye. 168 00:07:14,920 --> 00:07:17,040 Speaker 3: So grabs has tried and seems to perk up a bit, 169 00:07:17,480 --> 00:07:20,920 Speaker 3: then walks through the door and swings it between his 170 00:07:21,080 --> 00:07:24,640 Speaker 3: legs and starts to strut, going when my diddle becomes 171 00:07:24,680 --> 00:07:29,840 Speaker 3: a trident, When my diddle becomes a trident, and you 172 00:07:30,000 --> 00:07:32,800 Speaker 3: just think, and you look at your spouse, your bride, 173 00:07:32,800 --> 00:07:34,640 Speaker 3: and you say, this is your side of the family. 174 00:07:34,680 --> 00:07:37,720 Speaker 1: This is where this comes from. There's something wrong, dreadfully wrong. 175 00:07:38,600 --> 00:07:41,400 Speaker 1: I thought I thought he was going to play as 176 00:07:41,400 --> 00:07:43,400 Speaker 1: a fabulous rendition of when the Saints go Marching In? 177 00:07:43,480 --> 00:07:45,040 Speaker 1: But no, it wasn't. 178 00:07:47,400 --> 00:07:50,400 Speaker 2: By the way, Mike, to recreate Beethoven of. 179 00:07:51,520 --> 00:07:52,880 Speaker 1: Beethoven seemed to message. 180 00:07:52,560 --> 00:07:53,440 Speaker 2: Because you know how they did? 181 00:07:54,120 --> 00:07:57,000 Speaker 1: They did Richard the Third Yes, who was it? 182 00:07:57,520 --> 00:08:12,080 Speaker 3: So, yeah, this is the Ai Beto eh. 183 00:08:07,000 --> 00:08:07,840 Speaker 2: That might be that mummy. 184 00:08:08,400 --> 00:08:10,680 Speaker 1: Probably. Hey, listen you guys, thank you for the year 185 00:08:10,800 --> 00:08:12,520 Speaker 1: and tuning up each and every Friday. 186 00:08:13,600 --> 00:08:16,160 Speaker 2: Hey, thanks to you hard yards, but you work. 187 00:08:16,040 --> 00:08:19,920 Speaker 1: Hard with you You're right, that's no. 188 00:08:20,200 --> 00:08:22,760 Speaker 3: You put in a lot of effort. I don't think congratulations. 189 00:08:22,840 --> 00:08:25,000 Speaker 2: You work twenty four seven so you deserve a break. 190 00:08:25,240 --> 00:08:28,160 Speaker 3: You very kind, absolutely, and big shout outs to Glenn, 191 00:08:28,200 --> 00:08:31,480 Speaker 3: who had the best lines and of course unacknowledged engine 192 00:08:31,520 --> 00:08:34,640 Speaker 3: of the show, Sam a fan of luxury chocolate and 193 00:08:34,720 --> 00:08:35,600 Speaker 3: bullying victim. 194 00:08:35,760 --> 00:08:37,400 Speaker 1: That's one of the weirdest things of the year. Actually, 195 00:08:37,400 --> 00:08:40,880 Speaker 1: I remember Sam's weird drive to South Auckland, I know, 196 00:08:41,080 --> 00:08:45,400 Speaker 1: and it's freshly important Japanese this and gtr to buy 197 00:08:45,679 --> 00:08:49,199 Speaker 1: unbelievable amounts of chocolate from a strange woman behind a 198 00:08:49,280 --> 00:08:52,079 Speaker 1: door under the guise of it being called Dubai chocolate 199 00:08:52,160 --> 00:08:54,680 Speaker 1: or something like that. It's that, you know. I don't 200 00:08:54,720 --> 00:08:55,920 Speaker 1: even think that we got to the bottom. 201 00:08:55,960 --> 00:08:56,439 Speaker 3: We love them. 202 00:08:56,480 --> 00:08:57,800 Speaker 2: Thank you Sam, thank you. 203 00:08:57,760 --> 00:09:01,440 Speaker 1: Glenn, and thank you Katie, Thank you Tim, and Merry 204 00:09:01,520 --> 00:09:03,719 Speaker 1: Christmas and happy holidays, and we'll see you at the 205 00:09:03,760 --> 00:09:06,560 Speaker 1: Christmas party. See at the Christmas party. 206 00:09:06,600 --> 00:09:10,080 Speaker 3: At the Christmas party for more from the Mic Asking Breakfast. 207 00:09:10,240 --> 00:09:13,559 Speaker 3: Listen live to news talks it'd be from six am weekdays, 208 00:09:13,800 --> 00:09:15,840 Speaker 3: or follow the podcast on iHeartRadio