1 00:00:07,133 --> 00:00:10,453 Speaker 1: You're listening to the Saturday Morning with Jack Tame podcast 2 00:00:10,613 --> 00:00:11,733 Speaker 1: from News Talks. 3 00:00:11,493 --> 00:00:11,733 Speaker 2: At Me. 4 00:00:13,293 --> 00:00:19,373 Speaker 3: Got myself for a but I could break it. My 5 00:00:19,533 --> 00:00:23,573 Speaker 3: purk is still strong circn making. 6 00:00:24,853 --> 00:00:25,413 Speaker 2: Plus you. 7 00:00:28,533 --> 00:00:38,813 Speaker 3: So who would bush to child? Child? That is Child 8 00:00:38,893 --> 00:00:43,333 Speaker 3: of Mine by Laura Marling. Beautiful voice, Isn't it just incredible? 9 00:00:43,533 --> 00:00:46,293 Speaker 3: She's got a brand new album called Patterns in Repeat, 10 00:00:46,413 --> 00:00:50,053 Speaker 3: and Estelle Clifford, our music reviewer, has been listening Kyoda. 11 00:00:49,933 --> 00:00:55,733 Speaker 4: Kyoda whatever. What a beautiful album. That song their Child 12 00:00:55,773 --> 00:00:58,733 Speaker 4: of Mine is how the album opens. It's actually the 13 00:00:58,773 --> 00:01:03,053 Speaker 4: first song Laura wrote after becoming a month and I 14 00:01:03,093 --> 00:01:05,933 Speaker 4: think she's really tried to think about bridging the gap 15 00:01:06,013 --> 00:01:09,253 Speaker 4: before life, before she was a mum and then what 16 00:01:09,333 --> 00:01:14,253 Speaker 4: life is after that and the ever evolving home life 17 00:01:14,493 --> 00:01:17,133 Speaker 4: and mixing in the art at the same time. And 18 00:01:17,173 --> 00:01:19,253 Speaker 4: I just I love this album. It's a really good 19 00:01:19,293 --> 00:01:22,493 Speaker 4: taste of that song there of how the whole album is. 20 00:01:23,013 --> 00:01:28,533 Speaker 4: These really beautiful harmonies and melodies that you feel like 21 00:01:28,813 --> 00:01:31,813 Speaker 4: quite quickly you're already singing along with it and feeling 22 00:01:31,853 --> 00:01:34,053 Speaker 4: like you belong with the song, which I think is 23 00:01:34,053 --> 00:01:37,933 Speaker 4: a really beautiful indie folk skill to have with songwriting 24 00:01:38,373 --> 00:01:41,013 Speaker 4: and you really fall into her lyrics and you fall 25 00:01:41,053 --> 00:01:45,853 Speaker 4: into her voice. This album has no percussion, so it 26 00:01:45,973 --> 00:01:49,053 Speaker 4: really yeah, it really is just relying on the guitar 27 00:01:49,493 --> 00:01:52,373 Speaker 4: and then there's harmonies. But there's also some songs that 28 00:01:52,493 --> 00:01:57,333 Speaker 4: just have beautiful wind instruments, like bringing in a basy 29 00:01:57,413 --> 00:02:00,173 Speaker 4: tone with an obo and sounds like that that you 30 00:02:00,213 --> 00:02:03,973 Speaker 4: don't actually hear all that often, but it just really 31 00:02:04,013 --> 00:02:06,893 Speaker 4: beautifully goes with her voice. She recorded this in her 32 00:02:06,933 --> 00:02:10,333 Speaker 4: home studio, surrounded by everything you do when you're juggling 33 00:02:10,373 --> 00:02:13,493 Speaker 4: creativity and far no life, and you actually get that. 34 00:02:13,613 --> 00:02:16,173 Speaker 4: At the start of Child of Mine, you hear her 35 00:02:16,293 --> 00:02:19,413 Speaker 4: chattering with her partner and her producer. There's like baby 36 00:02:19,453 --> 00:02:22,493 Speaker 4: gurgles in the background, and then the guitar strums and 37 00:02:22,533 --> 00:02:24,773 Speaker 4: she emerges into what it is that she's doing. So 38 00:02:25,613 --> 00:02:29,333 Speaker 4: it's very angelic and wistful at times, but not in 39 00:02:29,373 --> 00:02:32,533 Speaker 4: a like like you actually stay very tuned into it, 40 00:02:32,573 --> 00:02:33,973 Speaker 4: do you know what I mean? Like she doesn't lose 41 00:02:33,973 --> 00:02:36,693 Speaker 4: you along the way. I'm not always a big fan 42 00:02:36,733 --> 00:02:39,373 Speaker 4: of interludes in an album, but she has one halfway 43 00:02:39,413 --> 00:02:43,653 Speaker 4: through end in brackets, it says interlude time passages and 44 00:02:43,773 --> 00:02:46,493 Speaker 4: oh my gosh, the montage of instruments and these really 45 00:02:46,573 --> 00:02:51,453 Speaker 4: hypnotic rhythms. What a really cool way to give us 46 00:02:51,493 --> 00:02:54,453 Speaker 4: a music that does show you how time progresses and 47 00:02:54,493 --> 00:02:56,613 Speaker 4: moves on. I can't explain. You have to go and 48 00:02:56,613 --> 00:02:59,053 Speaker 4: listen to it. It's right in the middle of the album, 49 00:02:59,573 --> 00:03:01,893 Speaker 4: and yeah, it's just it's a really really clever thing. 50 00:03:02,093 --> 00:03:04,773 Speaker 4: I think there's lots to love and this album is 51 00:03:04,893 --> 00:03:09,053 Speaker 4: very intricate production, and again, she never ever pushes anything, 52 00:03:09,533 --> 00:03:12,733 Speaker 4: so there's nothing about her voice that you're like, you're 53 00:03:12,733 --> 00:03:14,973 Speaker 4: waiting to go to these crescendos or anything like that. 54 00:03:15,093 --> 00:03:17,813 Speaker 4: It just kind of I don't think spew is the 55 00:03:17,893 --> 00:03:20,093 Speaker 4: right word, like spews out of you like it. It 56 00:03:20,173 --> 00:03:24,693 Speaker 4: just comes out of her in this really beautiful, cruisy, authentic, 57 00:03:25,093 --> 00:03:29,653 Speaker 4: quite personal way. There's a song called Caroline, and it's 58 00:03:30,053 --> 00:03:33,853 Speaker 4: it's like being right there in the songwriting process where 59 00:03:33,893 --> 00:03:36,053 Speaker 4: actually some of the words are like and then she 60 00:03:36,133 --> 00:03:38,693 Speaker 4: says something like blah blah blah, like she's just trying 61 00:03:38,693 --> 00:03:40,493 Speaker 4: to fill the space, but she's just left it as 62 00:03:40,533 --> 00:03:43,693 Speaker 4: the song, which I guess is also what it's like 63 00:03:43,733 --> 00:03:46,213 Speaker 4: when you're trying to juggle family life and all the 64 00:03:46,253 --> 00:03:50,533 Speaker 4: rest of it. Sometimes things don't get finished. So portraying 65 00:03:50,533 --> 00:03:52,133 Speaker 4: that in a beautiful song, I think it's really clear. 66 00:03:52,333 --> 00:03:52,693 Speaker 2: I love this. 67 00:03:52,773 --> 00:03:55,013 Speaker 4: On her Instagram when the album came out, she said, 68 00:03:55,453 --> 00:03:58,573 Speaker 4: I hope of nothing else. This album serves to represent 69 00:03:58,653 --> 00:04:01,493 Speaker 4: the possibility that the Pram in the hallway is not, 70 00:04:01,693 --> 00:04:08,573 Speaker 4: as it turns out, the enemy of art quite profound, right, 71 00:04:09,053 --> 00:04:12,453 Speaker 4: But don't take that too heavily. Like the album is 72 00:04:12,453 --> 00:04:17,693 Speaker 4: still light and beautiful and pretty and very clever musically, 73 00:04:17,733 --> 00:04:20,653 Speaker 4: but also with her really beautiful lyrics about what life is. 74 00:04:21,093 --> 00:04:24,293 Speaker 4: She doesn't just sit with the whole just becoming a 75 00:04:24,293 --> 00:04:28,253 Speaker 4: new parent, but there's real beauty in what that means 76 00:04:28,253 --> 00:04:30,213 Speaker 4: and how that can change your life and what it 77 00:04:30,253 --> 00:04:32,213 Speaker 4: means to her as an artist. I think it's really beautiful. 78 00:04:32,253 --> 00:04:34,453 Speaker 2: It's a great listen, sounds fantastic. Okay, so what do. 79 00:04:34,493 --> 00:04:34,893 Speaker 1: You give it? 80 00:04:35,333 --> 00:04:36,653 Speaker 4: I'm just going to go out there and give it 81 00:04:36,693 --> 00:04:40,333 Speaker 4: a ten out of ten deck WHOA. Yeah, I've really 82 00:04:40,453 --> 00:04:42,973 Speaker 4: enjoyed this album, and the more I listen, the more 83 00:04:43,013 --> 00:04:45,653 Speaker 4: I really feel quite in tune with this album. And 84 00:04:45,733 --> 00:04:47,973 Speaker 4: I think a lot of people, yeah, there's there's just 85 00:04:48,013 --> 00:04:50,413 Speaker 4: a lot of beauty in it, and I think there's yeah, 86 00:04:50,413 --> 00:04:51,253 Speaker 4: people should listen to it. 87 00:04:51,333 --> 00:04:53,613 Speaker 3: Okay, so I haven't listened to the album yet, but 88 00:04:54,013 --> 00:04:56,533 Speaker 3: one of the extremely rare occasions when I feel like 89 00:04:56,613 --> 00:04:58,373 Speaker 3: I was into this before it was cool because I 90 00:04:58,853 --> 00:05:02,173 Speaker 3: was a Laura Marling fan from back when she released 91 00:05:02,213 --> 00:05:03,893 Speaker 3: I Speak because I can in. 92 00:05:05,573 --> 00:05:05,813 Speaker 1: Yeah. 93 00:05:06,053 --> 00:05:07,773 Speaker 3: So I've been on the Laura Marling train for a 94 00:05:07,773 --> 00:05:12,613 Speaker 3: long time. But she's a real like Muso's Muso looking 95 00:05:12,653 --> 00:05:13,053 Speaker 3: forward to this. 96 00:05:13,213 --> 00:05:14,653 Speaker 4: She's clever and I'm going to give it to you. 97 00:05:14,693 --> 00:05:16,693 Speaker 4: I think you've known her for a lot longer than 98 00:05:16,733 --> 00:05:18,653 Speaker 4: I have, and I've had to delve back some of 99 00:05:18,693 --> 00:05:19,453 Speaker 4: her back albums. 100 00:05:19,453 --> 00:05:21,693 Speaker 3: So go ye, there you go, there you go. 101 00:05:22,013 --> 00:05:25,493 Speaker 2: Yeah, look play it when you can stop stop clock 102 00:05:25,653 --> 00:05:30,893 Speaker 2: is right twice a day, you know. Laura Marlin's new 103 00:05:30,933 --> 00:05:33,573 Speaker 2: album is Patterns and Repeat ten out of Tennistale Rickins, 104 00:05:33,573 --> 00:05:34,933 Speaker 2: It's well, thank you so much to Stale. 105 00:05:34,933 --> 00:05:36,293 Speaker 3: We will catch you again very soon. 106 00:05:37,173 --> 00:05:40,293 Speaker 1: For more from Saturday Morning with Jack Tame, listen live 107 00:05:40,373 --> 00:05:43,173 Speaker 1: to News Talks d B from nine am Saturday, or 108 00:05:43,253 --> 00:05:45,173 Speaker 1: follow the podcast on iHeartRadio.