1 00:00:00,360 --> 00:00:02,960 Speaker 1: Hello friends, It's Matt Heath and I've started a substack 2 00:00:03,040 --> 00:00:06,280 Speaker 1: email newsletter called a Lifeless Punishing, just like my book. 3 00:00:06,360 --> 00:00:08,639 Speaker 1: It's weekly and full of stuff that might have made 4 00:00:08,640 --> 00:00:10,440 Speaker 1: my book if I'd thought of it at the time. 5 00:00:10,520 --> 00:00:13,119 Speaker 1: You can subscribe to it for free at Matdheath dot 6 00:00:13,160 --> 00:00:16,320 Speaker 1: substack dot com and one will appear in your inbox 7 00:00:16,640 --> 00:00:19,840 Speaker 1: once a week. That's Matdheath dot substack dot com. If 8 00:00:19,880 --> 00:00:22,320 Speaker 1: you really like it, there's a paid subscription model that 9 00:00:22,360 --> 00:00:26,360 Speaker 1: will support the thing as well as give you extra staff. 10 00:00:26,560 --> 00:00:30,040 Speaker 1: A Lifeless Punishing the substackmail out at Matdheath dot substack 11 00:00:30,120 --> 00:00:32,800 Speaker 1: dot com. Anyway you seem busy, I'll let you go. 12 00:00:33,080 --> 00:01:05,759 Speaker 2: Bless, bless, bless. 13 00:00:49,840 --> 00:01:03,400 Speaker 1: Good by the It's the twelfth September in the Year 14 00:01:03,440 --> 00:01:05,520 Speaker 1: of Our Lord, twenty twenty four. Welcome all you bespoke 15 00:01:05,560 --> 00:01:07,520 Speaker 1: you dokeies to the day he Bespoke Podcast in a 16 00:01:07,560 --> 00:01:13,840 Speaker 1: particular warm welcome. I'm a friend of the show, Guy Montgomery. Hey, 17 00:01:13,880 --> 00:01:16,200 Speaker 1: it's a pleasure to be here. That intro it's just 18 00:01:16,240 --> 00:01:18,319 Speaker 1: so good and it never gets old and not suhere 19 00:01:18,360 --> 00:01:21,080 Speaker 1: it started like you wouldn't sit down and panel that 20 00:01:21,240 --> 00:01:23,000 Speaker 1: with a group of writers and come up with the 21 00:01:23,040 --> 00:01:24,800 Speaker 1: intro of that show because it is humiliar. You don't 22 00:01:24,880 --> 00:01:27,039 Speaker 1: think it wouldn't you if you sat down with a 23 00:01:27,040 --> 00:01:29,199 Speaker 1: panel of experts, Yeah, you wouldn't come up with anything 24 00:01:29,240 --> 00:01:29,720 Speaker 1: better than that. 25 00:01:30,080 --> 00:01:33,600 Speaker 3: Ultimate honor for you, guy Montgomery, because normally the new 26 00:01:33,640 --> 00:01:35,880 Speaker 3: format of the Met and Jury podcast is that we 27 00:01:35,959 --> 00:01:39,000 Speaker 3: have a little preamble, Yeah, talk about the guest that's 28 00:01:39,040 --> 00:01:42,440 Speaker 3: coming out, ah, and then take a break and then 29 00:01:42,440 --> 00:01:44,640 Speaker 3: then we come back. We come back with the guest, 30 00:01:44,720 --> 00:01:48,040 Speaker 3: and then we leave the guests, and then we come 31 00:01:48,080 --> 00:01:51,400 Speaker 3: back and then backstab the guest after the guests left. 32 00:01:52,480 --> 00:01:56,560 Speaker 3: Below O'Reilly from the O'Reilly Factor. But that was the 33 00:01:56,600 --> 00:01:59,040 Speaker 3: great moment to you here you are here on the preamble. 34 00:01:59,240 --> 00:02:01,880 Speaker 1: It's incredible here too. That was a brilliant plan from 35 00:02:01,880 --> 00:02:04,200 Speaker 1: Billowilly to do that, to talk about the interview, going 36 00:02:04,240 --> 00:02:06,240 Speaker 1: to do for an hour beforehand, and then do the 37 00:02:06,240 --> 00:02:07,600 Speaker 1: interview for an hour and and talk about it for 38 00:02:07,600 --> 00:02:10,560 Speaker 1: an hour afterwards. That's when Obama was on. He talked 39 00:02:10,600 --> 00:02:12,079 Speaker 1: about Obama and he goes he was saying what he's 40 00:02:12,080 --> 00:02:13,639 Speaker 1: going to do, and then Obama came on, and then 41 00:02:13,680 --> 00:02:16,280 Speaker 1: afterwards he goes, he's no wimp. That's the first thing 42 00:02:16,320 --> 00:02:20,760 Speaker 1: he said that Barack Obama is no wimp. He's a 43 00:02:20,800 --> 00:02:25,320 Speaker 1: powerful man and Republicans should be. Republicans should be. He's 44 00:02:25,360 --> 00:02:27,320 Speaker 1: a very competent He came out the back and I 45 00:02:27,360 --> 00:02:30,919 Speaker 1: think he the Obama star factor, even he even washed. 46 00:02:31,800 --> 00:02:34,640 Speaker 1: It's crazy to think that was like, you know, that 47 00:02:34,760 --> 00:02:36,560 Speaker 1: was when the media cycle everyone was like, oh, this 48 00:02:36,600 --> 00:02:38,880 Speaker 1: billow Riley's out of control, this blow hard sort of 49 00:02:39,360 --> 00:02:42,760 Speaker 1: Republican pundit. And now it's like that is a very normal, 50 00:02:42,840 --> 00:02:46,560 Speaker 1: sensible by modern standards. Yeah, you know, and he was 51 00:02:47,240 --> 00:02:50,120 Speaker 1: like very handsy around the office, and yeah, there were 52 00:02:50,120 --> 00:02:52,440 Speaker 1: problems behind the scenes, don't get me wrong, but you know, 53 00:02:52,480 --> 00:02:54,600 Speaker 1: you look at like Tucker Carlson now who was meant 54 00:02:54,600 --> 00:02:57,000 Speaker 1: to be the heir apparent, and he's on stage with 55 00:02:57,080 --> 00:03:00,520 Speaker 1: Russell Brand well like, well, Russell Brand leads a prayer circle. 56 00:03:00,800 --> 00:03:02,960 Speaker 1: Well back then he was wearing a bow tie and 57 00:03:03,000 --> 00:03:07,320 Speaker 1: he was part of Hannity Tucker Tucker Caulson was on 58 00:03:07,360 --> 00:03:10,399 Speaker 1: that show called Crossfire, yeah, which with a little bow tie, 59 00:03:10,440 --> 00:03:14,239 Speaker 1: which Dave Stewart came in and destroyed John John Sorry, 60 00:03:14,520 --> 00:03:17,880 Speaker 1: who's Dave Stewart. He was the guitar. Yeah, Dave Stewart 61 00:03:17,880 --> 00:03:24,679 Speaker 1: coming on and destroying guitar. Yeah. Anyway, Guy Montgomery from 62 00:03:24,680 --> 00:03:27,520 Speaker 1: Guy Mont's Spelling b S would put plug in early 63 00:03:27,560 --> 00:03:30,840 Speaker 1: for the shows on three night. 64 00:03:30,960 --> 00:03:31,680 Speaker 4: It's a good idea. 65 00:03:31,880 --> 00:03:34,000 Speaker 3: I was just going to say, before we move and 66 00:03:34,200 --> 00:03:38,000 Speaker 3: start talking about you guys. I saw this thing the 67 00:03:38,080 --> 00:03:40,119 Speaker 3: other day with Bill O'Reilly from back in the day. 68 00:03:40,160 --> 00:03:42,120 Speaker 3: You may have remembered this. This is this is you 69 00:03:42,160 --> 00:03:46,320 Speaker 3: know Bill O'Reilly, the former Fox News host of The 70 00:03:46,360 --> 00:03:47,120 Speaker 3: Early Factor. 71 00:03:47,840 --> 00:03:49,760 Speaker 4: This is what do you call it? 72 00:03:49,960 --> 00:03:52,000 Speaker 1: Historian? He writes a lot of his books on history. 73 00:03:52,080 --> 00:03:56,080 Speaker 3: Yeah, this is a behind the scenes like outtake that 74 00:03:56,240 --> 00:03:59,360 Speaker 3: was that was recorded with him being himself. 75 00:03:59,400 --> 00:03:59,800 Speaker 1: I know that. 76 00:04:01,360 --> 00:04:04,200 Speaker 3: It really gets angry at a couple of papers on 77 00:04:04,240 --> 00:04:06,640 Speaker 3: the show. Hopefully this comes through to you is because 78 00:04:06,680 --> 00:04:09,000 Speaker 3: you know what my computer's like. Sometimes it only comes 79 00:04:09,040 --> 00:04:11,280 Speaker 3: through one. Let's have a lesson. This is this is 80 00:04:11,360 --> 00:04:12,920 Speaker 3: BROI Riley here it is. 81 00:04:15,000 --> 00:04:16,120 Speaker 1: That's not coming through any ease? 82 00:04:16,560 --> 00:04:17,200 Speaker 2: Is okay? 83 00:04:17,200 --> 00:04:18,840 Speaker 4: I don't know what here we got start. 84 00:04:18,960 --> 00:04:23,920 Speaker 5: That's tomorrow and that is it for us today. Okay, 85 00:04:23,920 --> 00:04:26,640 Speaker 5: I don't know what whatever it is, it's not right 86 00:04:26,640 --> 00:04:28,479 Speaker 5: on the teleprompter. I don't know what that is. I've 87 00:04:28,480 --> 00:04:29,080 Speaker 5: never seen that. 88 00:04:29,920 --> 00:04:32,440 Speaker 1: No, there is We are going to do sting. Yeah, okay, 89 00:04:32,440 --> 00:04:35,919 Speaker 1: but now I can't read it. 90 00:04:35,960 --> 00:04:41,159 Speaker 5: There's no there's no words on it. Okay, right, there's 91 00:04:41,200 --> 00:04:44,240 Speaker 5: no words there to play us out? What does that 92 00:04:44,279 --> 00:04:48,000 Speaker 5: mean to play us out? It's sting is going to 93 00:04:48,080 --> 00:04:49,760 Speaker 5: do It's a video sting video. 94 00:04:52,240 --> 00:04:53,200 Speaker 4: What is credit? 95 00:04:53,400 --> 00:04:55,440 Speaker 5: I don't know what that means to play us out? 96 00:04:55,480 --> 00:05:00,599 Speaker 5: What does that mean? To end the show? Yeah? Yeah, 97 00:05:00,960 --> 00:05:06,279 Speaker 5: all right, go go in fine four three, that's tomorrow 98 00:05:06,400 --> 00:05:13,520 Speaker 5: and that is it? Yes, fine four, that's tomorrow, and 99 00:05:13,640 --> 00:05:15,839 Speaker 5: that is it for us today. And we will leave 100 00:05:15,880 --> 00:05:20,560 Speaker 5: you with a I can't do it. We'll do it live. 101 00:05:20,760 --> 00:05:25,960 Speaker 2: Okay, we'll do it live. Fuck it, do it live. 102 00:05:26,240 --> 00:05:28,200 Speaker 2: I can go all right it and we'll do it live. 103 00:05:28,960 --> 00:05:29,240 Speaker 3: That's it. 104 00:05:29,320 --> 00:05:34,039 Speaker 1: The voice is we'll fucking thinks. He sounds like Will Ferrell. 105 00:05:35,520 --> 00:05:36,200 Speaker 4: So angry. 106 00:05:36,960 --> 00:05:39,799 Speaker 5: That's tomorrow and that is it for us today. I'm Bill, O'Reilly, 107 00:05:39,839 --> 00:05:42,320 Speaker 5: thanks again for watching. We'll leave you with Sting and 108 00:05:42,360 --> 00:05:44,800 Speaker 5: a cut off his new album Take It Away. 109 00:05:45,200 --> 00:05:47,000 Speaker 4: Right tack in the end. That was live. 110 00:05:47,600 --> 00:05:49,960 Speaker 1: But so he saw the word sting and thought they 111 00:05:49,960 --> 00:05:51,640 Speaker 1: were going to play because the sting is also a 112 00:05:51,680 --> 00:05:55,080 Speaker 1: technical term for like, you'll play tripped up on the 113 00:05:55,080 --> 00:05:57,480 Speaker 1: word playing. But what But that says something because I 114 00:05:57,480 --> 00:05:59,839 Speaker 1: didn't think I've ever been that angry in my life. 115 00:06:00,040 --> 00:06:02,400 Speaker 3: Should see him as well on the actual video, he's like, 116 00:06:02,800 --> 00:06:04,160 Speaker 3: he's like slamming it down. 117 00:06:04,320 --> 00:06:06,039 Speaker 1: That reveals so much about a person. 118 00:06:06,240 --> 00:06:07,520 Speaker 4: Yeah, to treat. 119 00:06:07,320 --> 00:06:10,239 Speaker 1: People that bad, absolutely, do you know. At the same time, 120 00:06:10,480 --> 00:06:13,640 Speaker 1: credit to the man phenomenal broadcasting. I wouldn't have heard 121 00:06:13,680 --> 00:06:15,919 Speaker 1: a whisper of that on the live show. So sweet 122 00:06:15,960 --> 00:06:18,479 Speaker 1: when they when he actually actually does it. I actually 123 00:06:18,480 --> 00:06:19,920 Speaker 1: saw a bit of this with Paula Bennett when she 124 00:06:20,000 --> 00:06:23,039 Speaker 1: was hosting the show. It was a clue, give us 125 00:06:23,040 --> 00:06:25,680 Speaker 1: a clue. Oh yeah, well, she can be quite a 126 00:06:25,720 --> 00:06:28,800 Speaker 1: cerbic to the people, the people in the back end. 127 00:06:29,000 --> 00:06:31,120 Speaker 1: I'm always apologetic to the people because I always put 128 00:06:31,160 --> 00:06:34,160 Speaker 1: myself below the people and that like the floor manager 129 00:06:34,200 --> 00:06:36,760 Speaker 1: and the directors and the producers and stuff. I always 130 00:06:36,760 --> 00:06:39,359 Speaker 1: see myself as the sort of flying they as opposed 131 00:06:39,360 --> 00:06:41,760 Speaker 1: to the you know, the only time I feel I 132 00:06:41,800 --> 00:06:43,559 Speaker 1: always feel like that as well, and I always assume 133 00:06:43,600 --> 00:06:46,680 Speaker 1: I'm in trouble like but I the only time I 134 00:06:46,680 --> 00:06:49,000 Speaker 1: feel differently. So I was in a store in Melbourne 135 00:06:49,120 --> 00:06:50,599 Speaker 1: and it was it's quite a nice store. And I 136 00:06:50,600 --> 00:06:53,280 Speaker 1: went in there and this, you know, a store with 137 00:06:53,360 --> 00:06:55,920 Speaker 1: the staff are better than you. We are in there 138 00:06:55,960 --> 00:06:57,800 Speaker 1: and You're like, the staff are treating you like you 139 00:06:57,800 --> 00:06:59,080 Speaker 1: should be grateful to just be in this. 140 00:06:59,240 --> 00:06:59,400 Speaker 5: You know. 141 00:06:59,720 --> 00:07:02,080 Speaker 1: Yeah, you get treated like dirt. And I'm like, this 142 00:07:02,160 --> 00:07:05,359 Speaker 1: is not right, This doesn't feel right. Yeah, you know, 143 00:07:05,720 --> 00:07:09,440 Speaker 1: is everyone's interest. I have a good it's the only 144 00:07:09,480 --> 00:07:12,360 Speaker 1: time if you're milking me then and milked me nicely. 145 00:07:12,800 --> 00:07:15,200 Speaker 3: I once walked up to a shop in Roam. It 146 00:07:15,320 --> 00:07:18,800 Speaker 3: was a Prator shop and the doors closed, and I thought, 147 00:07:18,920 --> 00:07:21,000 Speaker 3: walking past the Prator shop, and I know, I don't 148 00:07:21,000 --> 00:07:22,480 Speaker 3: really want to buy any prodicos, but I thought, I 149 00:07:22,520 --> 00:07:24,840 Speaker 3: just have a look at the shop. A beautiful looking shop, 150 00:07:24,920 --> 00:07:28,800 Speaker 3: like it's their signature store. And I thought, I have 151 00:07:28,800 --> 00:07:30,400 Speaker 3: a look at here. And this is in the nineties. 152 00:07:30,440 --> 00:07:33,280 Speaker 3: And then I stood on the thing and you have 153 00:07:33,320 --> 00:07:35,520 Speaker 3: to push a doorbell. And I pushed the doorbell. 154 00:07:35,600 --> 00:07:36,239 Speaker 4: It was glass. 155 00:07:36,360 --> 00:07:38,200 Speaker 3: The front of the money it was glass. I couldn't 156 00:07:38,200 --> 00:07:40,360 Speaker 3: I couldn't open the door, push the doorbell. There was 157 00:07:40,400 --> 00:07:42,720 Speaker 3: no one in the store and the guy walked up 158 00:07:43,400 --> 00:07:45,920 Speaker 3: looked at me, right up close to the glass, like 159 00:07:45,960 --> 00:07:47,960 Speaker 3: just stared at me and then just walked away. 160 00:07:49,040 --> 00:07:50,119 Speaker 4: Push the doorbell again. 161 00:07:50,240 --> 00:07:52,040 Speaker 1: You running the mince and cheese, frosted tips. 162 00:07:52,080 --> 00:07:56,360 Speaker 4: I was running frosted tips. I was reasonably fashionable. 163 00:07:56,800 --> 00:07:59,240 Speaker 1: I've told the story a number of times, but I'll 164 00:07:59,240 --> 00:08:01,720 Speaker 1: tell it again. I was when I was in Paris. 165 00:08:01,720 --> 00:08:04,320 Speaker 1: This when me and and I a Stuart and Glane 166 00:08:04,520 --> 00:08:08,400 Speaker 1: and Joseph Torry went out to get to a cafe 167 00:08:08,640 --> 00:08:11,720 Speaker 1: and we sat down and the waiter came out and 168 00:08:11,760 --> 00:08:14,080 Speaker 1: looked us up and down, all of us, like turned 169 00:08:14,120 --> 00:08:17,520 Speaker 1: his nose up and went three ship lagers, I assume, 170 00:08:19,720 --> 00:08:22,520 Speaker 1: and we were yes, thank you, three ship lagers. 171 00:08:22,520 --> 00:08:22,840 Speaker 4: Thanks. 172 00:08:23,400 --> 00:08:24,880 Speaker 1: And then he came out and he put them down, 173 00:08:25,120 --> 00:08:29,120 Speaker 1: and then he said you're ship lagers. And then we 174 00:08:29,200 --> 00:08:33,160 Speaker 1: called him back over and said another another another round 175 00:08:33,160 --> 00:08:36,880 Speaker 1: of ship line, their fringe line, and then he smiled 176 00:08:36,880 --> 00:08:40,280 Speaker 1: at that point because we loved it. Yeah, yeah, but 177 00:08:40,320 --> 00:08:42,840 Speaker 1: it was actually I guess that's different in Powis because 178 00:08:42,880 --> 00:08:45,000 Speaker 1: because you're actually looking for that experience, he's kind of 179 00:08:45,000 --> 00:08:47,640 Speaker 1: giving you what's on them. I would say, is that 180 00:08:47,679 --> 00:08:51,160 Speaker 1: you're British to them, Yeah, it's like anytime you're traveling 181 00:08:51,240 --> 00:08:52,480 Speaker 1: is in New Zealand that you've got to get your 182 00:08:52,480 --> 00:08:55,000 Speaker 1: axing out there early. Yeah, to let people know you're 183 00:08:55,040 --> 00:08:57,920 Speaker 1: not American. All right. So probably when he came back 184 00:08:58,160 --> 00:08:59,920 Speaker 1: and was smiling at us as because you'd realize the 185 00:09:00,120 --> 00:09:02,360 Speaker 1: interim that we weren't English or American. No, because you're 186 00:09:02,360 --> 00:09:04,480 Speaker 1: still inside the joke and I think in a foreign 187 00:09:04,559 --> 00:09:07,640 Speaker 1: language if you hear an English voice, yeah, you're not 188 00:09:07,640 --> 00:09:10,200 Speaker 1: placing accents, right, I don't know, you know, so that 189 00:09:10,360 --> 00:09:13,360 Speaker 1: you're still possibly tainted with the British brush. Yeah. Well, 190 00:09:13,440 --> 00:09:15,600 Speaker 1: I think the smiling and the cajoling and the plane 191 00:09:15,640 --> 00:09:18,640 Speaker 1: along is a huge Oh. We were tackled. We were tackled. 192 00:09:18,720 --> 00:09:22,520 Speaker 3: Chink forced you to the back of the restaurant. You 193 00:09:22,600 --> 00:09:24,640 Speaker 3: weren't allowed to sit on the front of the restaurant. 194 00:09:24,840 --> 00:09:25,200 Speaker 1: Business. 195 00:09:25,760 --> 00:09:27,720 Speaker 3: They were like, they only have really good looking people 196 00:09:27,720 --> 00:09:28,240 Speaker 3: on the front. 197 00:09:28,280 --> 00:09:28,880 Speaker 4: On straight. 198 00:09:29,040 --> 00:09:31,680 Speaker 1: Yeah, we had that that That was at a restaurant 199 00:09:31,679 --> 00:09:32,400 Speaker 1: down near the Louver. 200 00:09:32,720 --> 00:09:33,319 Speaker 4: Do you know that? 201 00:09:33,320 --> 00:09:36,160 Speaker 1: That's and they were like that and Cooper Enthusiasms have 202 00:09:36,240 --> 00:09:38,640 Speaker 1: done an episode on Larry Davis ks getting put on 203 00:09:38,679 --> 00:09:40,960 Speaker 1: the Ugly Sixess. Right, But but the thing is we 204 00:09:41,000 --> 00:09:44,520 Speaker 1: were with these these girls and they had and one 205 00:09:44,559 --> 00:09:46,520 Speaker 1: of them the day before had described herself as having 206 00:09:46,559 --> 00:09:48,720 Speaker 1: pretty privilege. She was the skill. She goes, I've got 207 00:09:48,720 --> 00:09:51,079 Speaker 1: pretty privilege. That's one being treated so well. And then 208 00:09:51,120 --> 00:09:54,040 Speaker 1: she and this she didn't she had pretty privilege in 209 00:09:54,080 --> 00:09:58,400 Speaker 1: the in the you know, like there she was down 210 00:09:58,400 --> 00:10:02,040 Speaker 1: with the water. She was a as me. The number 211 00:10:02,080 --> 00:10:05,320 Speaker 1: scale completely changes when you're in front, and for me, 212 00:10:05,400 --> 00:10:10,560 Speaker 1: I enjoyed. I'm visualizing. There are probably clientele or customers 213 00:10:10,559 --> 00:10:12,880 Speaker 1: who go there and they're regulars, and they're always on 214 00:10:12,920 --> 00:10:15,360 Speaker 1: the pretty table, and there's one you know, there's a 215 00:10:15,480 --> 00:10:17,480 Speaker 1: there's a tipping point. There's a morning you wake up 216 00:10:17,480 --> 00:10:18,920 Speaker 1: and you look in the mirror and you think I'd 217 00:10:18,960 --> 00:10:21,960 Speaker 1: still look like myself and you go for the meal 218 00:10:22,280 --> 00:10:24,400 Speaker 1: and they and you go, yeah, we'll take a table 219 00:10:24,400 --> 00:10:26,680 Speaker 1: for two. And they say, oh, certainly, follow me, and 220 00:10:26,679 --> 00:10:29,560 Speaker 1: they lead you to a different table. What's happened here? 221 00:10:30,320 --> 00:10:32,920 Speaker 1: Ten years I've been sitting out. Meanwhile, in New Zealand, 222 00:10:32,920 --> 00:10:35,520 Speaker 1: they're struggling to get anyone through the door over and 223 00:10:35,640 --> 00:10:36,000 Speaker 1: power us. 224 00:10:36,040 --> 00:10:38,400 Speaker 4: They're like, no, we don't want we know what. 225 00:10:38,559 --> 00:10:42,679 Speaker 1: You you you're a two. We're only taking twelve's here. 226 00:10:42,880 --> 00:10:47,320 Speaker 1: Oh yeah, brilliant. But now you want to talk about 227 00:10:47,320 --> 00:10:48,600 Speaker 1: the guy. You said you're going to hold off talk 228 00:10:48,600 --> 00:10:49,800 Speaker 1: about guy, and we're going to talk about. 229 00:10:49,600 --> 00:10:51,760 Speaker 3: Ourselves a break and come back with more from guying 230 00:10:51,800 --> 00:10:58,520 Speaker 3: a stop talking about ourselves? 231 00:10:59,000 --> 00:11:00,400 Speaker 4: So, guy, how are you you? 232 00:11:00,559 --> 00:11:03,400 Speaker 1: I'm good? How are you? How? Actually? 233 00:11:03,520 --> 00:11:04,160 Speaker 4: How are you? 234 00:11:04,240 --> 00:11:06,840 Speaker 1: How am I? Actually? They're struck back the layers of 235 00:11:06,920 --> 00:11:10,920 Speaker 1: irony and the Guy Montgomery that that you project to 236 00:11:10,960 --> 00:11:15,520 Speaker 1: the world public face. I appreciate that, actually, because there 237 00:11:15,559 --> 00:11:18,800 Speaker 1: has become an entity. 238 00:11:18,720 --> 00:11:20,520 Speaker 4: The persona, Yeah, the persona. 239 00:11:21,240 --> 00:11:23,640 Speaker 1: And and that's a problem because your name does sound 240 00:11:23,640 --> 00:11:25,160 Speaker 1: made up. It doesn't sound like a real It is 241 00:11:25,200 --> 00:11:28,360 Speaker 1: your real but it sounds like you've you've made that up. 242 00:11:28,400 --> 00:11:31,400 Speaker 1: But yeah, you know, there are emotional depths to me 243 00:11:31,480 --> 00:11:33,920 Speaker 1: that the entity Guy Montgomery cannot represent. 244 00:11:34,160 --> 00:11:36,360 Speaker 3: So good that your first name is so short, isn't it, 245 00:11:36,400 --> 00:11:39,280 Speaker 3: because if it was a longer name, I mean, if 246 00:11:39,280 --> 00:11:42,760 Speaker 3: it was Christopher Montgomery, for example, too much, there would 247 00:11:42,800 --> 00:11:44,720 Speaker 3: be a lot there's a lot of syllables in that. 248 00:11:45,040 --> 00:11:47,280 Speaker 1: Yeah, well, no, it's it's lovely, isn't it, Because you think, oh, 249 00:11:47,320 --> 00:11:52,320 Speaker 1: this is going to be straightforward, you know, Guy no worries. Montgomery, Yeah, Montgomery. 250 00:11:52,360 --> 00:11:53,800 Speaker 1: But it's good because you got Guy and then mont 251 00:11:53,800 --> 00:11:55,800 Speaker 1: then you've got another g coming in. It's your classic. 252 00:11:55,800 --> 00:11:57,560 Speaker 1: It's actually your party up the front, business out at 253 00:11:57,559 --> 00:11:58,480 Speaker 1: the back, isn't It's. 254 00:11:58,280 --> 00:12:00,000 Speaker 4: A very good name, good pairents. 255 00:12:00,080 --> 00:12:00,680 Speaker 1: It did well. 256 00:12:00,760 --> 00:12:03,200 Speaker 3: I mean they obviously your father just inherited his name. 257 00:12:03,240 --> 00:12:05,520 Speaker 3: Your mother did well to marry into that particular name. 258 00:12:05,920 --> 00:12:08,240 Speaker 1: But she was very name focused. Apparently she was looking 259 00:12:08,240 --> 00:12:08,760 Speaker 1: for a name. 260 00:12:09,400 --> 00:12:12,040 Speaker 4: But you got to say, you know, they did well 261 00:12:12,120 --> 00:12:13,480 Speaker 4: naming you. It was very good. 262 00:12:13,800 --> 00:12:16,800 Speaker 1: I appreciate it. Too few people think about whether their 263 00:12:16,840 --> 00:12:19,360 Speaker 1: kids are going to go into a comedy career. Yeah, 264 00:12:19,559 --> 00:12:20,920 Speaker 1: you got to. You got to account for that. They 265 00:12:20,920 --> 00:12:23,040 Speaker 1: certainly didn't plan for that. I will say I was. 266 00:12:23,120 --> 00:12:25,160 Speaker 1: I was, in truth, I was a little flat. I 267 00:12:25,160 --> 00:12:26,880 Speaker 1: was feeling self condious about the name. But I can't 268 00:12:26,960 --> 00:12:28,360 Speaker 1: hear I sitting no, no, I sit down with the 269 00:12:28,440 --> 00:12:31,960 Speaker 1: lad Yeah you guess me. Well, you know that Engelbert Humperdink, 270 00:12:32,360 --> 00:12:34,760 Speaker 1: you know, one of the great names. Yeah, that's a 271 00:12:34,800 --> 00:12:38,360 Speaker 1: made up name. And I thought it's not surprise. I mean, yeah, 272 00:12:38,400 --> 00:12:41,840 Speaker 1: I know, but it's really gilding the lily. Well, Yeah, 273 00:12:41,840 --> 00:12:46,200 Speaker 1: Elton John is Dwight Dwyight, original original Dwight. But Elton 274 00:12:46,240 --> 00:12:49,880 Speaker 1: Johnny has hardly gone crazy with Elton John, has he? 275 00:12:50,400 --> 00:12:52,079 Speaker 1: I think because he was a huge John Lennon fan, 276 00:12:52,160 --> 00:12:54,760 Speaker 1: wasn't he so? So he wanted to have John in 277 00:12:54,800 --> 00:12:59,040 Speaker 1: there somewhere. Angel Bert Humberdink's real name is Arnold George Dorsey. 278 00:12:59,600 --> 00:13:03,320 Speaker 4: Arnold recited Arnie Dorsey. Arnold Dawsey is not a good name. 279 00:13:03,400 --> 00:13:05,280 Speaker 1: While we're on Elton, I did did you guys watch 280 00:13:05,320 --> 00:13:07,960 Speaker 1: that Rocketman? Yeah? I thought that was quite a good one. 281 00:13:08,000 --> 00:13:09,599 Speaker 1: I love the way they did that. I thought that 282 00:13:09,760 --> 00:13:12,000 Speaker 1: was had enough grit, not so you know, you could 283 00:13:12,040 --> 00:13:14,200 Speaker 1: still see he as an EP, but enough grit. I 284 00:13:14,200 --> 00:13:15,960 Speaker 1: thought we're getting a bit of a broader picture here. 285 00:13:16,000 --> 00:13:20,080 Speaker 1: But I enjoyed Behamian Rhapsody, that movie, but watching again, 286 00:13:20,120 --> 00:13:23,840 Speaker 1: it's so made for TV movie now. And Brian May 287 00:13:23,960 --> 00:13:26,120 Speaker 1: was all over the EP because he seemed to put 288 00:13:26,160 --> 00:13:27,559 Speaker 1: his hand up, as you'll pointed out a number of 289 00:13:27,600 --> 00:13:30,520 Speaker 1: times Jeremy and be the voice of reason right through 290 00:13:30,559 --> 00:13:32,360 Speaker 1: the whole thing. The live aid gig is the best 291 00:13:32,360 --> 00:13:34,960 Speaker 1: part of that. They nailed that. Yeah, that where they 292 00:13:34,960 --> 00:13:36,520 Speaker 1: put a gig inside of the movie. That was a 293 00:13:36,520 --> 00:13:38,200 Speaker 1: clever trick, but the rest of it this is and 294 00:13:38,240 --> 00:13:40,439 Speaker 1: that's sort of the comparative data I think for rocketmaners, 295 00:13:40,440 --> 00:13:41,200 Speaker 1: I think they sort of. 296 00:13:41,200 --> 00:13:43,680 Speaker 4: Miss I love Rocketman too. He's an interesting guy. Elton. 297 00:13:44,040 --> 00:13:46,959 Speaker 3: I interviewed Rod Stewart once and Rod Stewart was saying 298 00:13:47,000 --> 00:13:49,920 Speaker 3: that he became mates with Elton in the seventies and 299 00:13:50,640 --> 00:13:54,440 Speaker 3: at Christmas time he got to the point withe our 300 00:13:54,480 --> 00:13:57,480 Speaker 3: quite close friends, and he gave him a present for Christmas. 301 00:13:57,880 --> 00:14:00,320 Speaker 3: They gave each other present so exchange them. And he 302 00:14:00,480 --> 00:14:04,960 Speaker 3: gave Elton some quite sort of rudimentary, sort of a 303 00:14:05,000 --> 00:14:07,040 Speaker 3: present that was probably valued at like a couple of 304 00:14:07,120 --> 00:14:09,920 Speaker 3: hundred bucks or something like that, like a calendar, something 305 00:14:09,960 --> 00:14:12,240 Speaker 3: that was I feel like I keep thinking it was 306 00:14:12,280 --> 00:14:16,880 Speaker 3: a wine cooler or something right and something that was. 307 00:14:16,960 --> 00:14:19,480 Speaker 4: It was electric, but it cooled bottles of wine quite quick. 308 00:14:19,520 --> 00:14:19,600 Speaker 5: Man. 309 00:14:19,680 --> 00:14:22,560 Speaker 4: He thought that it was an amazing presence. Ro and Elton. 310 00:14:22,640 --> 00:14:27,240 Speaker 4: John gave him a rem brand for Christmas. He got 311 00:14:27,280 --> 00:14:28,240 Speaker 4: a rem brand from Mountain. 312 00:14:28,280 --> 00:14:30,920 Speaker 1: John's your classic that someone's blown past the budget on 313 00:14:30,960 --> 00:14:33,880 Speaker 1: a secret sander that's misbehaving. That's the office. 314 00:14:33,960 --> 00:14:34,880 Speaker 4: He's still got it. 315 00:14:35,000 --> 00:14:37,480 Speaker 3: He's still got this rem brand and Mountain John gave 316 00:14:37,480 --> 00:14:38,800 Speaker 3: it to me Christmas seventil. 317 00:14:39,040 --> 00:14:41,640 Speaker 1: That's actually a mean present. It seems like love, but 318 00:14:41,720 --> 00:14:45,400 Speaker 1: it's actually a statement. But you're burying someone. I heard actually, 319 00:14:45,520 --> 00:14:48,040 Speaker 1: I was listening to a podcast yesterday. I'll give them 320 00:14:48,080 --> 00:14:50,040 Speaker 1: the name because I'm going to basically pull a quote 321 00:14:50,040 --> 00:14:52,160 Speaker 1: from It's called The Rest is Entertainment. But they were 322 00:14:52,200 --> 00:14:54,520 Speaker 1: talking about Rod and Elton's friendship as well, and saying 323 00:14:54,520 --> 00:14:58,040 Speaker 1: that when Elton got married to a woman, Rod sent 324 00:14:58,160 --> 00:15:00,240 Speaker 1: to night or Rod sent a note or something him 325 00:15:00,240 --> 00:15:02,360 Speaker 1: on the day saying, you know, you're still standing, but 326 00:15:02,360 --> 00:15:04,640 Speaker 1: we're all on the floor, as in, like no one's 327 00:15:04,640 --> 00:15:12,520 Speaker 1: buying this stuff. That's really really well in the movie, 328 00:15:12,560 --> 00:15:15,120 Speaker 1: that's dealt with really when he pulls pulls a straight 329 00:15:15,160 --> 00:15:17,920 Speaker 1: glass of vodka for for breakfast the next morning after 330 00:15:17,920 --> 00:15:19,760 Speaker 1: the wedding and just drinks it, it's such a good 331 00:15:19,800 --> 00:15:22,560 Speaker 1: way to This is not gonna work. 332 00:15:22,720 --> 00:15:26,120 Speaker 3: He'll get out there, righty, He'll fix a pothole and 333 00:15:26,200 --> 00:15:28,720 Speaker 3: his street and stuff, righty, will chuck on the high version. 334 00:15:29,240 --> 00:15:31,320 Speaker 4: He's a good dude, and he's still doing a. 335 00:15:31,240 --> 00:15:34,400 Speaker 3: Bit of partying right Like I follow him on Instagram 336 00:15:34,440 --> 00:15:37,720 Speaker 3: and he has his family over and they get massively person. 337 00:15:37,520 --> 00:15:40,160 Speaker 1: He can still he can still boot a soccer ball 338 00:15:40,200 --> 00:15:42,160 Speaker 1: deep into a stadium as well as he does in 339 00:15:42,160 --> 00:15:44,960 Speaker 1: every one of his live concerts just before the When 340 00:15:44,960 --> 00:15:46,200 Speaker 1: does he do that? I think it's is it at 341 00:15:46,200 --> 00:15:47,520 Speaker 1: the start of the uncles? 342 00:15:48,040 --> 00:15:51,200 Speaker 3: He just because it's going to be a soccer player, 343 00:15:51,240 --> 00:15:52,960 Speaker 3: wasn't he? He was a really good soccer player. And 344 00:15:53,000 --> 00:15:59,360 Speaker 3: Liam his son worth our age. Yeah, as obviously ice 345 00:15:59,360 --> 00:16:01,360 Speaker 3: hockey for a good ice hockey plays, so clearly there's 346 00:16:01,360 --> 00:16:02,560 Speaker 3: some some good sports. 347 00:16:03,680 --> 00:16:07,800 Speaker 1: Yeah, go keiw give me a taste. I'll tell you 348 00:16:07,840 --> 00:16:09,440 Speaker 1: what I love. During the Olympics, you know, there was 349 00:16:09,440 --> 00:16:11,560 Speaker 1: that campaign where you'd send in your message of support 350 00:16:11,600 --> 00:16:13,480 Speaker 1: if you're watching the coverage on Sky God, you send 351 00:16:13,560 --> 00:16:16,680 Speaker 1: a selfie video for like you know, and you'd send 352 00:16:16,720 --> 00:16:18,840 Speaker 1: it and they'd play them in between the industitials and 353 00:16:18,840 --> 00:16:21,360 Speaker 1: it was just a bunch of fucking people in their house, 354 00:16:21,480 --> 00:16:24,640 Speaker 1: you know, saying the most random ships. You know, in 355 00:16:24,680 --> 00:16:29,600 Speaker 1: New Zealand, we're all rooting for you go KeyWe You 356 00:16:29,760 --> 00:16:31,880 Speaker 1: just imagine them sitting at home being like, you know 357 00:16:31,920 --> 00:16:33,720 Speaker 1: what I'm going to do and take it out, you know, 358 00:16:33,800 --> 00:16:35,320 Speaker 1: you've got to take out the phone, you've got to 359 00:16:35,320 --> 00:16:36,880 Speaker 1: film it, you've got to be happy with it, you've 360 00:16:36,880 --> 00:16:38,680 Speaker 1: got to see it off. Yeah, just to see it 361 00:16:38,680 --> 00:16:40,280 Speaker 1: on tell. I actually loved it because I was like, 362 00:16:40,360 --> 00:16:42,280 Speaker 1: people still do want to see and you see it 363 00:16:42,480 --> 00:16:45,160 Speaker 1: sports games too. People. Do you know we're all on 364 00:16:45,160 --> 00:16:47,320 Speaker 1: our screens all the time. You can make your own stuff, 365 00:16:47,320 --> 00:16:50,800 Speaker 1: but you do want to see yourself on the big screen. Absolutely. Yeah. 366 00:16:50,800 --> 00:16:52,400 Speaker 3: It's not quite the commitment that it used to be, 367 00:16:52,400 --> 00:16:54,800 Speaker 3: saying to be on telethon, where you'd have to get 368 00:16:54,920 --> 00:16:57,280 Speaker 3: up and then you'd go down to the town hall 369 00:16:57,360 --> 00:16:59,520 Speaker 3: Auckland town Hall where they'd be filming Telethon. 370 00:16:59,640 --> 00:17:00,760 Speaker 4: It was all is my dream. 371 00:17:01,320 --> 00:17:05,000 Speaker 3: My dream was to go to Telethon and just watch 372 00:17:05,080 --> 00:17:07,320 Speaker 3: telethon being filmed and to get in the background like 373 00:17:07,440 --> 00:17:08,480 Speaker 3: I would have made you. 374 00:17:09,160 --> 00:17:11,160 Speaker 4: It's very easy and I would have loved. 375 00:17:10,960 --> 00:17:11,399 Speaker 1: To have done that. 376 00:17:11,440 --> 00:17:13,159 Speaker 4: And I'd ask my parents every time. I were like, 377 00:17:13,200 --> 00:17:14,440 Speaker 4: can we go down my parents? 378 00:17:14,480 --> 00:17:16,400 Speaker 3: And we're not going down there. No, you're not going 379 00:17:16,400 --> 00:17:18,080 Speaker 3: to tell them, No, there's no way that's going to happen. 380 00:17:18,240 --> 00:17:20,119 Speaker 3: It was just I just would have loved to have been. 381 00:17:20,840 --> 00:17:22,480 Speaker 1: You can do it. Like, so me and my friends 382 00:17:22,520 --> 00:17:24,960 Speaker 1: are the spaces of on where we played Spaces for 383 00:17:25,040 --> 00:17:26,879 Speaker 1: very long time, which was looked down upon the school 384 00:17:26,880 --> 00:17:28,159 Speaker 1: because they were like, you guys are just doing that 385 00:17:28,160 --> 00:17:30,119 Speaker 1: because you want to play spaces. It wasn't like you 386 00:17:30,200 --> 00:17:33,719 Speaker 1: weren't doing anything hard. We're playing played spaces for twenty hours. 387 00:17:33,880 --> 00:17:36,200 Speaker 1: Anything long enough is interesting. I mean, there's the backbone 388 00:17:36,240 --> 00:17:38,600 Speaker 1: of commercial radio these days. But we went down and 389 00:17:38,640 --> 00:17:41,560 Speaker 1: we were filmed, but it didn't go didn't go national. 390 00:17:41,920 --> 00:17:44,160 Speaker 1: Ah lo the news, they didn't take it all. 391 00:17:44,280 --> 00:17:45,480 Speaker 4: I was it on the South tonight. 392 00:17:45,880 --> 00:17:49,040 Speaker 1: It wasn't anywhere. They just they just on the cameras 393 00:17:49,040 --> 00:17:50,720 Speaker 1: were there and we're like we got home and we're 394 00:17:50,720 --> 00:17:53,080 Speaker 1: like got to school and we're like, hey, we'll we on. 395 00:17:53,800 --> 00:17:57,000 Speaker 1: Like non even make the We didn't even make the highlights, 396 00:17:57,040 --> 00:17:58,040 Speaker 1: So thank you very much. 397 00:17:58,119 --> 00:18:01,160 Speaker 3: So wait on they filmed you doing it, but then 398 00:18:01,200 --> 00:18:03,520 Speaker 3: it didn't even make the telethon and it didn't even 399 00:18:03,520 --> 00:18:04,320 Speaker 3: make the South tonight. 400 00:18:04,400 --> 00:18:07,399 Speaker 1: They took our money though, so we used to pledge 401 00:18:07,440 --> 00:18:10,240 Speaker 1: it as well. Remember yeah, people pledging, and how many 402 00:18:10,280 --> 00:18:13,240 Speaker 1: of those people isn't even as a child, I was 403 00:18:13,280 --> 00:18:14,879 Speaker 1: cynical of whether people are going to turn up and 404 00:18:15,000 --> 00:18:15,639 Speaker 1: hand that money in. 405 00:18:15,840 --> 00:18:17,600 Speaker 3: Yeah, And there were a lot of people doing pranks, 406 00:18:17,720 --> 00:18:19,840 Speaker 3: like I remember there was this one thing when we're 407 00:18:19,880 --> 00:18:22,760 Speaker 3: doing any media lunch, we watched telethons. Oh my god, 408 00:18:23,000 --> 00:18:25,440 Speaker 3: it takes a long time to watch a bloody Telephon's 409 00:18:25,440 --> 00:18:28,159 Speaker 3: pretty punishing. But there was people that would ring up, 410 00:18:28,240 --> 00:18:31,720 Speaker 3: like one person pledged in the Auckland one two hundred 411 00:18:31,720 --> 00:18:34,359 Speaker 3: and fifty dollars, which was a wine and cheese evening 412 00:18:34,480 --> 00:18:39,560 Speaker 3: from the Spastic Society and like that sort of stuff. 413 00:18:39,760 --> 00:18:43,320 Speaker 3: It was clever because you get through, but everybody who 414 00:18:43,359 --> 00:18:46,400 Speaker 3: knew knew that there's no way this society were running. 415 00:18:46,400 --> 00:18:50,119 Speaker 1: The modern version of that is you know Mark Lundy 416 00:18:50,160 --> 00:18:54,160 Speaker 1: on Crackant Foe. Yeah, yeah, yeah, you know David Bain 417 00:18:54,240 --> 00:18:57,960 Speaker 1: have just got back from my paper, So that's your 418 00:18:58,000 --> 00:19:01,480 Speaker 1: modern sort of A million Indian fans just read that 419 00:19:01,520 --> 00:19:05,240 Speaker 1: and they've got their eyes just gloss yeah, whenever it comes. 420 00:19:05,240 --> 00:19:08,399 Speaker 1: And I think you absolute chapeauite, so good saying that. 421 00:19:08,440 --> 00:19:09,640 Speaker 1: You hear a lot on the show, as I've told 422 00:19:09,680 --> 00:19:12,200 Speaker 1: the story before, but I have, but I think both 423 00:19:12,240 --> 00:19:14,399 Speaker 1: you and me and Bentley Jeremy we used to write 424 00:19:14,720 --> 00:19:17,280 Speaker 1: fake letters to the TV Guide I used to do 425 00:19:17,320 --> 00:19:19,840 Speaker 1: that as well as Yeah and so We're Me and 426 00:19:19,840 --> 00:19:21,560 Speaker 1: my friends would write the same letter each week, and 427 00:19:21,560 --> 00:19:25,000 Speaker 1: it would be like I tuned in to watch watch 428 00:19:25,040 --> 00:19:28,080 Speaker 1: the ads, and it kept getting interrupted by the TV 429 00:19:28,160 --> 00:19:31,800 Speaker 1: show last night, the best one, the best one we 430 00:19:31,800 --> 00:19:35,239 Speaker 1: got on was I hate the ads. So when they 431 00:19:35,280 --> 00:19:36,879 Speaker 1: come on, I get my wife to put her fingers 432 00:19:36,920 --> 00:19:39,280 Speaker 1: in my ears and they closed my eyes side so 433 00:19:39,320 --> 00:19:42,560 Speaker 1: I can't see or hear them print. 434 00:19:42,040 --> 00:19:47,160 Speaker 3: Everything they printed, they were like because they were making 435 00:19:47,240 --> 00:19:50,840 Speaker 3: up the letters, mister Telly. It was called mister. 436 00:19:50,600 --> 00:19:53,920 Speaker 1: Telly, that's your old I used to read my sister's 437 00:19:54,000 --> 00:19:56,560 Speaker 1: Dolly MEGGI, you know, di and stuff or like the 438 00:19:56,840 --> 00:19:59,199 Speaker 1: embarrassing letters, and I was always like, even then, I 439 00:19:59,200 --> 00:20:01,280 Speaker 1: was like, listen is not you're making this up. Don't 440 00:20:01,280 --> 00:20:02,960 Speaker 1: get me started on some of those forums. I don't 441 00:20:03,000 --> 00:20:03,920 Speaker 1: think a lot of those happen. 442 00:20:05,600 --> 00:20:07,119 Speaker 4: Guy Montgomery, thanks for coming in. 443 00:20:07,359 --> 00:20:08,159 Speaker 1: I appreciate it. 444 00:20:08,560 --> 00:20:11,360 Speaker 3: Best of like with everything, always good to see you. 445 00:20:11,400 --> 00:20:13,960 Speaker 3: Guy Montgomery's game on spelling Bee is. 446 00:20:13,960 --> 00:20:21,240 Speaker 1: Currently on three Thursdays Thursday, seven pm. Please tune down. 447 00:20:22,640 --> 00:20:25,399 Speaker 1: You're not pleading, I'm saying please, I'm saying it's really 448 00:20:25,440 --> 00:20:27,679 Speaker 1: good it's really funny. Obviously you don't have to, but 449 00:20:27,800 --> 00:20:30,199 Speaker 1: like there's no one in the country seems to know 450 00:20:30,240 --> 00:20:33,480 Speaker 1: it's happening. So that's why I'm out on the road. 451 00:20:33,600 --> 00:20:35,560 Speaker 1: I'm telling people I'm going door to door and you 452 00:20:35,640 --> 00:20:37,959 Speaker 1: want to be. You want to be saying I've been 453 00:20:38,000 --> 00:20:41,800 Speaker 1: there with them before before. Its super global. And look, 454 00:20:42,080 --> 00:20:44,600 Speaker 1: you asked before because you signed up to my you 455 00:20:44,640 --> 00:20:47,160 Speaker 1: were paid subscriber to my new substect man Heath dot 456 00:20:47,200 --> 00:20:51,480 Speaker 1: subject dot com and you said, what are these special subscribers? 457 00:20:52,200 --> 00:20:53,720 Speaker 1: And what they get is to thank you to your 458 00:20:53,840 --> 00:20:58,280 Speaker 1: to your face. Oh wow, if we subscribe, get spots 459 00:20:58,320 --> 00:21:01,840 Speaker 1: on the podcast. Yeah yeah, So thank you guy Montgomery 460 00:21:01,880 --> 00:21:04,119 Speaker 1: for signing up to my substack. It's free, but you 461 00:21:04,280 --> 00:21:06,320 Speaker 1: went the extra mile. Well, I'm looking forward to it, 462 00:21:06,320 --> 00:21:09,080 Speaker 1: and I did that because I've been I'm a paid 463 00:21:09,359 --> 00:21:13,240 Speaker 1: subscriber for Dylan Cleaver's Fantastics. A Bounce substack. I think 464 00:21:13,760 --> 00:21:15,960 Speaker 1: is the one email I look forward to coming into 465 00:21:16,000 --> 00:21:18,000 Speaker 1: my inbox. I open it's straight. I actually got one. 466 00:21:18,080 --> 00:21:20,920 Speaker 1: I text while we're recording now, I text him when 467 00:21:21,359 --> 00:21:24,080 Speaker 1: telling when's it coming? Like alf and all backs, all 468 00:21:24,119 --> 00:21:27,080 Speaker 1: blacks gay, I'm like, when's it coming home on holiday. 469 00:21:27,160 --> 00:21:28,800 Speaker 1: I don't know. Yeah, I don't know how it's going from, 470 00:21:28,800 --> 00:21:30,040 Speaker 1: but I hope it's going fantastics. 471 00:21:30,560 --> 00:21:31,600 Speaker 4: Do we know it. 472 00:21:31,680 --> 00:21:32,479 Speaker 1: Yeah, it's going really well. 473 00:21:32,480 --> 00:21:33,600 Speaker 4: From living out of that. 474 00:21:33,720 --> 00:21:37,000 Speaker 1: Yeah. Yeah. It makes me make some people. I mean, 475 00:21:37,000 --> 00:21:38,679 Speaker 1: he left the hero to go and do it, and 476 00:21:38,680 --> 00:21:40,720 Speaker 1: that was it was a risk, and he's just the 477 00:21:40,800 --> 00:21:42,600 Speaker 1: quality of what he's done. You want to talk about 478 00:21:42,600 --> 00:21:45,080 Speaker 1: New Zealand sub sects, David Ferrier was an early adopter, 479 00:21:45,200 --> 00:21:47,320 Speaker 1: and I think he's creaming it with a Yeah I've heard. 480 00:21:47,480 --> 00:21:51,359 Speaker 1: I've heard he's absolutely creaming it with that. And me, 481 00:21:51,560 --> 00:21:53,840 Speaker 1: I've got Montgomery coming in with five dollars a week. 482 00:21:53,880 --> 00:21:56,560 Speaker 1: So that's that's every little help. I'm excited to be here. Well, 483 00:21:56,800 --> 00:21:58,600 Speaker 1: I tell you get a discount. I paid up front. 484 00:21:58,640 --> 00:22:02,000 Speaker 1: It's fifty dollars for the year, two free weeks. Can't 485 00:22:02,040 --> 00:22:03,320 Speaker 1: wait to check in on your content. 486 00:22:05,160 --> 00:22:05,880 Speaker 4: Thanks for coming in. 487 00:22:06,119 --> 00:22:08,000 Speaker 1: Thank you. So we're going to do that. But where 488 00:22:08,080 --> 00:22:10,359 Speaker 1: he leaves and then we bitch about him afterwards, we're 489 00:22:10,359 --> 00:22:10,960 Speaker 1: just going to stop you. 490 00:22:11,040 --> 00:22:12,040 Speaker 4: You're not going to bother with that. 491 00:22:12,160 --> 00:22:14,680 Speaker 1: Noah, okay, no one, No one would believe it because 492 00:22:14,920 --> 00:22:22,280 Speaker 1: the love in the room was just so genuine nice 493 00:22:22,280 --> 00:22:30,720 Speaker 1: to see guy. Congratulations mate, what an asshole? All right, Hello, 494 00:22:30,800 --> 00:22:33,280 Speaker 1: I'm Matt Heath. You have been listening to the Matt 495 00:22:33,359 --> 00:22:36,600 Speaker 1: and Jerry Daily Bespoke podcast. Right now you can listen 496 00:22:36,600 --> 00:22:40,680 Speaker 1: to our Radio Highlights podcast, which you will absolutely get 497 00:22:40,680 --> 00:22:44,000 Speaker 1: barred up about anyway, Sit to download, like, subscribe, writer, 498 00:22:44,119 --> 00:22:46,600 Speaker 1: review all those great things. It really helps myself and 499 00:22:46,680 --> 00:22:49,360 Speaker 1: Jerry and to a lesser extent, mess and ruder. If 500 00:22:49,359 --> 00:22:51,440 Speaker 1: you want to discuss anything raised in this pod, check 501 00:22:51,440 --> 00:22:54,160 Speaker 1: out the Conclave, a Matt and Jerry Facebook discussion group. 502 00:22:54,359 --> 00:22:57,040 Speaker 1: And while I'm plugging stuff, my book, A Lifeless Punishing 503 00:22:57,080 --> 00:22:59,520 Speaker 1: Thirteen Ways to Love the Life You've Got is out 504 00:22:59,680 --> 00:23:01,960 Speaker 1: now get it wherever you get your box, or just 505 00:23:02,119 --> 00:23:05,800 Speaker 1: google the bastard. Anyway you seem busy, I'll let you go. 506 00:23:06,240 --> 00:23:09,040 Speaker 1: Bless Blessed, blessed. Give them a taste of Kiwi from me,